Boxoffice-April.1998

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44 BOXUFFICK I ANTHONY HOPKINS: THE ORIGINAL learn my lines and show up and do it. ldon"t analyze it. I read the script, I learn the stuff, and hope that it will work. I don't examine it. The technical things I had to learn: fencing, and riding, and the bullwhip. That's it, really. I honed them down and practiced them— tried to make them look efficient and good. So I became accomplished in using a bullwhip, in marksmanship with the bullwhip. And sword fencing. I had a very good sword teacher. Bob Anderson [who played Darth Vader in the '70s and worked with Errol Flynn decades before], and a great stunt coordinator And a wonderful director in Martin Campbell. You know, I trust the director to do it. I've been doing this a long time now, so I put all my trust in the director I'm an actor. There's no mystery to it. I just learn my stuff and, if I'm playing Nixon I play Nixon, and if I'm playing Zorro I play Zorro. It was an adventure—it was a change from playing Nixon and from playing those [starchy] guys Uke in "The Remains of the Day." I was offered the Bond film and I was offered the Zorro film, both at the same time, and I was in the middle of filming an actiontype movie ["The Edge"] in Canada, so it was a question of choice. And I chose "Zorro," because it was a big, flashy, good script, and I really liked it, and I thought it would be a lot of fun to do.... "Well, why not—have a go at it! And if I'm bad and I don't come up to it, then they can fire me, that's all." So that's how I look at all my work. I don't take it seriously now—I don't take anything that seriously. You know, I have a lot of fun doing what I do, and I don't agonize about it. I became an actor some years ago, 40-odd years ago, because I thought, "Well, it's better than workinc for a livinc." H I GRACIELA MAZON: THE LOOK OF ZORRO That period in California was so rich — there were so many cultures, and I wanted to have all of these textures. Like [the scene in which] Antonio is dressed as a iioble, and then we have Anthony Hopkins, who is dressed as his servant. So I wanted to give Anthony the traditional chinaco style. For Zorro, I wanted to keep earth textures at the beginning.... [After his training] he has an outfit that is the traditional black that Zorro wears, but with this California style. I wanted the same style, but in black, with this fringe on the edge that makes him become like part of the space in which he moves, all of this floating in space. And then to have the mask covering his face and just leaving the eyes, to make the outline for this mystery that is his face.B
EQUIPMENT FOR MOTION PICTURE THEATERS AND STU Itt S STEREO PROCESSOR Superior Academy Award'^ winning design • THX approved - One of only two manufacturers of THX approved analog processors • The finest analog stereo processor on the market today • Modular construction for easy service and installation • 6-Channel system completely compatible with all digital systems • New features include: - Parametric equalizer for smoother sub-woofer response - New surround equalizer offers improved surround control - Superior channel separation and stereo imaging '.;•}. rtA,«;ait Q u u I i I > C P r o il u ^ I ULIKA'STHtEO Labs, Inc., 181 Benetti Drive, San Luis Obispo, CA 93401 (805) 549-0161 FAX (805) 549-0163
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Page 5 and 6: April, 1998 5 APRIL FEATURES 24 SUM
Page 7 and 8: i::iF -i) ! w 1 Junior & Dot Togeth
Page 9 and 10: Response No. 23 ,„5»« •Bl »B
Page 11 and 12: I resent — simply SNACK ATTACK De
Page 13 and 14: If You're Looking For One Good Reas
Page 15 and 16: April, 1998 15 Catholic groups that
Page 17 and 18: Great innovation in 5 >itsawarcte;
Page 19 and 20: I THANKYOU To The Many Studios And
Page 21 and 22: The Greatest^^'^ . ^^ .ttedtoThea»
Page 23 and 24: Yowc projected income. Thousands of
Page 25 and 26: COLUMBIA/ TRISTAR gets ajump on the
Page 27 and 28: NOT ALL DIGITAL SOUND SYSTEMS ARE E
Page 29 and 30: . . Tuolce the Features At Half the
Page 31 and 32: THE POWER BEHIND THE SILVER SCREEN
Page 34 and 35: imi UNIVERSAL takes a one-per appro
Page 36 and 37: " THE OTHER INDEPENDENTS Miramax di
Page 38 and 39: WIRED WORLD: Siteseeing _........_
Page 40 and 41: Sneak Preview -^-^— i " CONFIDENC
Page 42 and 43: Cover UNMASKING "ZORRO" Zorro: It's
Page 46 and 47: — see him pretending to be an ari
Page 48 and 49: MARTIN CAMPBELL: THE TWO ZORROS In
Page 50 and 51: Exhibition Profile KERASOTES' KINGD
Page 52 and 53: 52 BOXOFFICK . — Dean describes t
Page 54 and 55: — Q&A: THEATRE DESIGN'S NEW DIMEN
Page 56 and 57: INDEPENDENT EXHIBITION SHOWCASE SHO
Page 58: 'show'ing, 'show'casing, 'show'ing
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Page 63 and 64: i .i April, 1998 63 Who says there'
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Page 75 and 76: 70th ANNUAL ACADEMY AWARDS BALLOT W
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Page 79 and 80: cz; CID LJ 1^ T" CZ> C~) \A/^ rsj H
Page 81 and 82: t^ THE BUSINESS MAGAZINE OF THE GLO
Page 83 and 84: 1 6 EDITOR-IN-CHIEF Kim Williamson
Page 85 and 86: Cost-effective Technology for a Com
Page 87 and 88: When it We're a tough act to follow
Page 89 and 90: I- FibreOptics imterimatioimal \/r
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was out of graduate school, and I w
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\mazing things happen when you live
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1 '^ Day ShoWest Two: Wednesday, Ma
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"Dolby" and the double ^D" symbol a
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No Wastei Less Mess • No Clean Up
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Tonight, It's A Movie And A Play. N
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LkLLLLLkLLLLLLLLLLLL L k L L L \ TH
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1 7 PAVILION 1 BOOTH LIST JARCO IND
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WE'VE GOT IT ALL! Total Cinema Deve
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* OATCfJT Dcumur. " MSU JIGHTL %^nn
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PAVILION 1 BOOTH LIST 1 2 WILLMING
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i PAVILION 2 BOOTH LIST HAAGEN-DAZS
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. PAVILION 2 BOOTH LIST SPACE AGE B
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— paired except the Utah, Oklahom
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I I I I Extends I 2 the original so
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Abang, Merry Petrossian, Betty Polb
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screens and their low light. By ear
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. BUYERS DIRECTORY QUESTIONNAIRE AS
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1 DrAmMinn In RAnflnn t^t^n^^n,-.;^
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From Out of the Spiritus Mundi Come
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StMS& A^ ^^R\CS A SOUND OUAHU ugw^w
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98 Park Avenue • P.O. Box 159 •
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Aoril. 1998 139 The Long Day's Jour
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RfiRnnnsfi No 29 FOR YEARS, OUR PRO
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T I C K t '^ • MOVIE 1 MARS Box O
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— its member benefits/internet co
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Response No. THEATRE EXHIBITION EQU
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Sony Pictures Entertainment Congrat
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Sony Pictures Entertainment Congrat
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sony pictures entertainment congrat
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Industry Awards Robert W. Selig Shd
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PARAMOUNT PICTURES CONGRATULATES TH
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UNIVERSAL PICTURES We Proudly Congr
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! Belinda Judson Ida Schreiber Awar
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National Amusements Barry Reardon B
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C I N E P L E X D E e Salutes Barry
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Congratuktions K Harhins Theatres
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APRIL FAXBACK SURVEY Win a Set of B
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— ShoWest 1 998 New Products Guid
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EXHIBITION BRIEFINGS LOEWS CINEPLEX
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\fkH Rnvnmr'i' 7 6 NATIONAL NEWS EL
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1 N
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177 Rr> vni-fir-r INTERNATIONAL NEW
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174 BOXOFFICK INTERNATIONAL NEWS BR
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176 (R-22) BuxoFFiCE — Do, Marrie
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— — SUNDANCE REVIEWS range Cass
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— — 1 SUNDANCE REVIEWS what's w
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— — — SUNDANCE REVIEWS Wonder
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a ^^-4^^- CASSARINO, INC. CINEMA SE
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— — — TORONTO REVIEWS nist bu
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210 (R-56) Boxoffice FESTIVAL REVIE
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— — a REVIEWS Samuel L. ]ackson
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— — s — REVIEWS Elton John ge
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216 (R-62) BoxoniCE — — — REV
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, 2/13, 7 BOXOFFICE January Februar
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220 BoxonacE 73 7 BOXOFFICE Indepen
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T 1 Boxoffice Magazine presents Nov
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224 BoxoFncE 1 7 AICP 65 American L
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226 BoxomcE The lEia (Picture — H
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Boxoffice-April.1998

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