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Newsboys March to Loew's Theatre<br />

With Banners on 'The Naked City<br />

Leaving no avenue of promotion unexplored,<br />

Arthur Groom, manager of Loew's<br />

Theatre in Evansville, Ind., put on a thorough<br />

campaign for "The Naked City" that created<br />

considerable word-of-mouth comment and<br />

was reflected in increased patronage.<br />

A dual display was used in the lobby a full<br />

month in advance, and a week before opening<br />

an attractive overhead was rigged up,<br />

with giant size cutout letters of the title.<br />

Duiing the engagement, a 40x60 bearing rave<br />

reviews on the picture was on display in the<br />

lobby.<br />

Ten days prior to opening, a special screening<br />

was held for newspaper and radio critics,<br />

the Chamber of Commerce business manager,<br />

the head of a local modeling agency and<br />

Liberty fleet taxi drivers. The press responded<br />

with advance reviews, three-column<br />

art and story breaks in advance and after<br />

opening, and front-page mention in the Sunday<br />

Courier and Pi-ess. Special art and a<br />

plug were planted in the radio publication.<br />

Listen, which is distributed weekly in grocery<br />

stores and homes.<br />

The Courier newsboys attended the opening<br />

night performance en masse by special<br />

invitation, parading from the newspaper office<br />

down Main street to the theatre, led by<br />

police escort. The boys carried huge banners<br />

announcing "We're on our way to see ..."<br />

Outdoor posting was exceptional, with a<br />

special bamier erected on the Hotel Sonntag<br />

covering the entire length of the building.<br />

This was put up a week in advance and stayed<br />

throughout the pictui-e's run. The attraction<br />

sign for the New Yorker cocktail lounge was<br />

snared for a "The Naked City" plug, prominent<br />

displays were set in the lobby of the<br />

McCurdy, Vendome and Sonntag hotels, on<br />

the mezzanine floor of Schear's department<br />

store, in the windows of two local cafeterias,<br />

and a special display was set up at the entrance<br />

door of Wood's drug store on Main<br />

street. In addition, lOO cards were spotted<br />

in choice windows and on downtown store<br />

counters.<br />

Permission was granted to post a sign on<br />

the bulletin board at Evansville college, and<br />

Groom tied up with a local soda fountain to<br />

feature "The Naked City" sundae.<br />

Lucky number cards were distributed to<br />

1,000 school children, with guest tickets<br />

awarded to those finding corresponding numbers<br />

posted in the lobby. The Liberty taxi<br />

drivers distributed some 3,000 courtesy cards<br />

to fares, recorrunending the picture.<br />

Gratis radio plugs were landed on the<br />

Pass the Buck program. Listen While You<br />

Work program, and a 15-mLnute newscast<br />

every day of the picture's run. Groom got<br />

himself interviewed for the Man on the Street<br />

broadcast, answering questions about "The<br />

Naked City," and a few days later Groom's<br />

assistant, Warren Weber, went through the<br />

same routine.<br />

Paper Doll Cutouts Make<br />

Clever Display for 'Bride'<br />

Lou Fuhrmann, assistant manager of the<br />

State, Courtland, N. Y., devised a clever window<br />

stunt in conjunction with "The Bride<br />

Goes Wild." Fuhrmann took small cutouts<br />

of paper dolls, masked them with crepe paper<br />

for veils, then mounted them on cards to be<br />

used in windows and on counters. They made<br />

a novel display and were unusually attractive.<br />

Fuhrmaim also planted a "Broken Heart"<br />

contest with the local daily at the cost of a<br />

few passes.<br />

'Iron Curtain<br />

Quiz<br />

The question, "What interests you about<br />

'The Iron Curtain' "? was used on the Man<br />

on the Street broadcast in Norwich, Conn.,<br />

to help publicize Joseph Boyle's engagement<br />

of the film at the Broadway Theatre. Boyle<br />

also landed spot announcements on WNOC.<br />

Radio Teaser Offers<br />

40-Cent Halves to<br />

Promote 'Bells'<br />

Will Singer, manager of the Brandeis in<br />

Omaha, worked a neat tieup with station<br />

KOIL's Man on the Street program in connection<br />

with the engagement of "The Miracle<br />

of the Bells."<br />

For several days the station announcer<br />

gave teaser plugs as advance bait. "Watch<br />

for the Miracle," was the keynote. Then he<br />

offered to sell interviewees new Liberty bell<br />

half dollars for 40 cents. That was the<br />

miracle. Once the public caught on, interest<br />

in the picture was hypoed.<br />

Singer recently worked a tieup with local<br />

transportation officials. The utility company<br />

had been promoting a citywide courtesy campaign.<br />

Representatives of the company rode<br />

the street cars and buses asking operators of<br />

the vehicles provoking questions. To drivers<br />

who responded politely, they awarded free<br />

tickets to see "The Mating of Millie," current<br />

Brandeis attraction.<br />

The tram company turned over its outside<br />

advertising space to the theatre at no cost<br />

and purchased 1,650 tickets at regular admission<br />

price and distributed them to all<br />

employes. The local press played up the<br />

courtesy program with theatre mention.<br />

Interest of Teen-Agers<br />

Expanded for 'Mama'<br />

Publicity centered around teen-age interest<br />

for "I Remember Mama," at the United<br />

Artists Theatre in Detroit. Alice Gorham,<br />

publicity director for UDT, contacted all high<br />

schools and invited senior class presidents<br />

Comment cards<br />

to a screening of the picture.<br />

were collected and the opinions were used in<br />

newspaper advertisements to impress the<br />

youngsters with what their leaders had to<br />

say about the film.<br />

The Detroit Times cooperated with a contest<br />

open to teen-age students in which prizes<br />

were offered for the best letters submitted<br />

on "The Best School Story of the Day." The<br />

idea was to cover the most newsworthy event<br />

in their school activities and results were<br />

impressive. The tiein angle was the ambition<br />

of the daughter in the picture to become a<br />

journalist.<br />

Pin Is Safety Insurance<br />

For 'Pretty' Laughter<br />

A laugh-provoking card with a safety pin<br />

attached was used by Elmer Adams jr., manager<br />

of the Hornbeck Theatre, Shawnee,<br />

Okla., to promote "Sitting Pretty." Copy<br />

read: "Free Insurance! Just in case you<br />

cast aside all restraint and laugh aside all<br />

buttons, take this with you when<br />

."<br />

you see . .<br />

The cards were distributed at the theatre<br />

a week in advance.<br />

Frank Pratt, manager of the Paramount, Portland, Ore., used several clever gimmicks to<br />

give the theatre atmosphere prior to the opening of "Fury at Furnace Creek." The house<br />

staff was attired in cowboy outfits and a hitching post was set up outside the theatre for<br />

patrons attending on horseback. A spin-the-wheel gadget was set up in the lobby with<br />

patrons invited to test their skill and win passes. An usherette ran a chuck-a-luck table in<br />

another corner of the lobby which gave patrons a second opportunity to get a free ticket to<br />

see "Fury at Furnace Creek."<br />

Penny Gag Clicks<br />

A card with a permy attached was used by<br />

Jack Randall, manager of the Strand Theatre,<br />

Vancouver, B. C, to arouse interest In his<br />

coming program. Headed, "A penny for<br />

your thoughts," the copy continued: "We<br />

think 'Out of the Past' is one of the most<br />

outstanding pictures ever shown in Vancouver.<br />

Starts . . .<br />

"<br />

.<br />

38 —512— BOXOFFICE Showmandiser :: May 22, 1948<br />

m

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