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Newsboys March to Loew's Theatre<br />
With Banners on 'The Naked City<br />
Leaving no avenue of promotion unexplored,<br />
Arthur Groom, manager of Loew's<br />
Theatre in Evansville, Ind., put on a thorough<br />
campaign for "The Naked City" that created<br />
considerable word-of-mouth comment and<br />
was reflected in increased patronage.<br />
A dual display was used in the lobby a full<br />
month in advance, and a week before opening<br />
an attractive overhead was rigged up,<br />
with giant size cutout letters of the title.<br />
Duiing the engagement, a 40x60 bearing rave<br />
reviews on the picture was on display in the<br />
lobby.<br />
Ten days prior to opening, a special screening<br />
was held for newspaper and radio critics,<br />
the Chamber of Commerce business manager,<br />
the head of a local modeling agency and<br />
Liberty fleet taxi drivers. The press responded<br />
with advance reviews, three-column<br />
art and story breaks in advance and after<br />
opening, and front-page mention in the Sunday<br />
Courier and Pi-ess. Special art and a<br />
plug were planted in the radio publication.<br />
Listen, which is distributed weekly in grocery<br />
stores and homes.<br />
The Courier newsboys attended the opening<br />
night performance en masse by special<br />
invitation, parading from the newspaper office<br />
down Main street to the theatre, led by<br />
police escort. The boys carried huge banners<br />
announcing "We're on our way to see ..."<br />
Outdoor posting was exceptional, with a<br />
special bamier erected on the Hotel Sonntag<br />
covering the entire length of the building.<br />
This was put up a week in advance and stayed<br />
throughout the pictui-e's run. The attraction<br />
sign for the New Yorker cocktail lounge was<br />
snared for a "The Naked City" plug, prominent<br />
displays were set in the lobby of the<br />
McCurdy, Vendome and Sonntag hotels, on<br />
the mezzanine floor of Schear's department<br />
store, in the windows of two local cafeterias,<br />
and a special display was set up at the entrance<br />
door of Wood's drug store on Main<br />
street. In addition, lOO cards were spotted<br />
in choice windows and on downtown store<br />
counters.<br />
Permission was granted to post a sign on<br />
the bulletin board at Evansville college, and<br />
Groom tied up with a local soda fountain to<br />
feature "The Naked City" sundae.<br />
Lucky number cards were distributed to<br />
1,000 school children, with guest tickets<br />
awarded to those finding corresponding numbers<br />
posted in the lobby. The Liberty taxi<br />
drivers distributed some 3,000 courtesy cards<br />
to fares, recorrunending the picture.<br />
Gratis radio plugs were landed on the<br />
Pass the Buck program. Listen While You<br />
Work program, and a 15-mLnute newscast<br />
every day of the picture's run. Groom got<br />
himself interviewed for the Man on the Street<br />
broadcast, answering questions about "The<br />
Naked City," and a few days later Groom's<br />
assistant, Warren Weber, went through the<br />
same routine.<br />
Paper Doll Cutouts Make<br />
Clever Display for 'Bride'<br />
Lou Fuhrmann, assistant manager of the<br />
State, Courtland, N. Y., devised a clever window<br />
stunt in conjunction with "The Bride<br />
Goes Wild." Fuhrmann took small cutouts<br />
of paper dolls, masked them with crepe paper<br />
for veils, then mounted them on cards to be<br />
used in windows and on counters. They made<br />
a novel display and were unusually attractive.<br />
Fuhrmaim also planted a "Broken Heart"<br />
contest with the local daily at the cost of a<br />
few passes.<br />
'Iron Curtain<br />
Quiz<br />
The question, "What interests you about<br />
'The Iron Curtain' "? was used on the Man<br />
on the Street broadcast in Norwich, Conn.,<br />
to help publicize Joseph Boyle's engagement<br />
of the film at the Broadway Theatre. Boyle<br />
also landed spot announcements on WNOC.<br />
Radio Teaser Offers<br />
40-Cent Halves to<br />
Promote 'Bells'<br />
Will Singer, manager of the Brandeis in<br />
Omaha, worked a neat tieup with station<br />
KOIL's Man on the Street program in connection<br />
with the engagement of "The Miracle<br />
of the Bells."<br />
For several days the station announcer<br />
gave teaser plugs as advance bait. "Watch<br />
for the Miracle," was the keynote. Then he<br />
offered to sell interviewees new Liberty bell<br />
half dollars for 40 cents. That was the<br />
miracle. Once the public caught on, interest<br />
in the picture was hypoed.<br />
Singer recently worked a tieup with local<br />
transportation officials. The utility company<br />
had been promoting a citywide courtesy campaign.<br />
Representatives of the company rode<br />
the street cars and buses asking operators of<br />
the vehicles provoking questions. To drivers<br />
who responded politely, they awarded free<br />
tickets to see "The Mating of Millie," current<br />
Brandeis attraction.<br />
The tram company turned over its outside<br />
advertising space to the theatre at no cost<br />
and purchased 1,650 tickets at regular admission<br />
price and distributed them to all<br />
employes. The local press played up the<br />
courtesy program with theatre mention.<br />
Interest of Teen-Agers<br />
Expanded for 'Mama'<br />
Publicity centered around teen-age interest<br />
for "I Remember Mama," at the United<br />
Artists Theatre in Detroit. Alice Gorham,<br />
publicity director for UDT, contacted all high<br />
schools and invited senior class presidents<br />
Comment cards<br />
to a screening of the picture.<br />
were collected and the opinions were used in<br />
newspaper advertisements to impress the<br />
youngsters with what their leaders had to<br />
say about the film.<br />
The Detroit Times cooperated with a contest<br />
open to teen-age students in which prizes<br />
were offered for the best letters submitted<br />
on "The Best School Story of the Day." The<br />
idea was to cover the most newsworthy event<br />
in their school activities and results were<br />
impressive. The tiein angle was the ambition<br />
of the daughter in the picture to become a<br />
journalist.<br />
Pin Is Safety Insurance<br />
For 'Pretty' Laughter<br />
A laugh-provoking card with a safety pin<br />
attached was used by Elmer Adams jr., manager<br />
of the Hornbeck Theatre, Shawnee,<br />
Okla., to promote "Sitting Pretty." Copy<br />
read: "Free Insurance! Just in case you<br />
cast aside all restraint and laugh aside all<br />
buttons, take this with you when<br />
."<br />
you see . .<br />
The cards were distributed at the theatre<br />
a week in advance.<br />
Frank Pratt, manager of the Paramount, Portland, Ore., used several clever gimmicks to<br />
give the theatre atmosphere prior to the opening of "Fury at Furnace Creek." The house<br />
staff was attired in cowboy outfits and a hitching post was set up outside the theatre for<br />
patrons attending on horseback. A spin-the-wheel gadget was set up in the lobby with<br />
patrons invited to test their skill and win passes. An usherette ran a chuck-a-luck table in<br />
another corner of the lobby which gave patrons a second opportunity to get a free ticket to<br />
see "Fury at Furnace Creek."<br />
Penny Gag Clicks<br />
A card with a permy attached was used by<br />
Jack Randall, manager of the Strand Theatre,<br />
Vancouver, B. C, to arouse interest In his<br />
coming program. Headed, "A penny for<br />
your thoughts," the copy continued: "We<br />
think 'Out of the Past' is one of the most<br />
outstanding pictures ever shown in Vancouver.<br />
Starts . . .<br />
"<br />
.<br />
38 —512— BOXOFFICE Showmandiser :: May 22, 1948<br />
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