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20130412164339753295_book_an-introduction-to-political-communication

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POLITICS, DEMOCRACY AND THE MEDIA<br />

<strong>to</strong>wards the making of pseudo-events became ever stronger. Newsgathering<br />

turned in<strong>to</strong> news making’ (1962, p. 14).<br />

An import<strong>an</strong>t source of pseudo-events for the media has of course been<br />

the <strong>political</strong> process – interviews with government leaders, news leaks <strong>an</strong>d<br />

press conferences all provide reportable material (McNair, 2000). Thus,<br />

argues Boorstin, the twentieth century has seen a relationship of mutual<br />

convenience <strong>an</strong>d interdependence evolve between the politici<strong>an</strong> <strong>an</strong>d the<br />

media professional, as one strives <strong>to</strong> satisfy the other’s hunger for news while<br />

at the same time maximising his or her favourable public exposure. For<br />

Boorstin in 1962, the trend was not welcome.<br />

In a democratic society . . . freedom of speech <strong>an</strong>d of the press <strong>an</strong>d of<br />

broadcasting includes freedom <strong>to</strong> create pseudo-events. Competing<br />

politici<strong>an</strong>s, newsmen <strong>an</strong>d news media contest in this creation. They<br />

vie with each other in offering attractive, ‘informative’ accounts <strong>an</strong>d<br />

images of the world. They are free <strong>to</strong> speculate on the facts, <strong>to</strong> bring<br />

new facts in<strong>to</strong> being, <strong>to</strong> dem<strong>an</strong>d <strong>an</strong>swers <strong>to</strong> their own contrived<br />

questions. Our ‘free market of ideas’ is a place where people are<br />

confronted by competing pseudo-events <strong>an</strong>d are allowed <strong>to</strong> judge<br />

among them. When we speak of ‘informing’ the people this is what<br />

we really me<strong>an</strong>.<br />

(Ibid., p. 35)<br />

For Boorstin there is something illusory <strong>an</strong>d artificial about the rationalist<br />

notion of public information <strong>an</strong>d its contribution <strong>to</strong> democracy. The <strong>political</strong><br />

reportage received by the citizen has become dominated by empty spectacle.<br />

The limitations of objectivity<br />

A further criticism of the media’s democratic role focuses on the professional<br />

journalistic ethic of objectivity. This ethic developed with the mass media in<br />

the late nineteenth <strong>an</strong>d early twentieth centuries, <strong>an</strong>d has been assailed ever<br />

since as fundamentally unattainable (McNair, 2009c). For a variety of<br />

reasons, it is argued, the media’s <strong>political</strong> reportage is biased <strong>an</strong>d flawed –<br />

subjective, as opposed <strong>to</strong> objective; partis<strong>an</strong>, rather th<strong>an</strong> impartial. As<br />

Lippm<strong>an</strong>n put it in 1922, ‘every newspaper when it reaches the reader is the<br />

result of a whole series of selections as <strong>to</strong> what items shall be printed, in what<br />

position they shall be printed, how much space each shall occupy, what<br />

emphasis each should have. There are no objective st<strong>an</strong>dards here. There are<br />

conventions’ (1954, p. 354).<br />

The nature of these conventions, <strong>an</strong>d their implications for the objectivity<br />

of the media, will be examined in Chapter 4.<br />

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