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itors and distributors have reached a deadlock<br />

on this point, with many houses dropping<br />

or planning to drop PTA-sponsored<br />

shows for the youngsters as a result. Reason<br />

lies in the insistence of major distributors,<br />

as indicated, for instance, in letters sent to<br />

theatres by the local MGM exchange, that<br />

their pictures cannot be shown on a triple<br />

bill, and the strict interpretation that the<br />

Saturday matinee must be cleared out, and<br />

the house technically closed between matinee<br />

and evening show's.<br />

In practice, exhibitors contend, this will<br />

not work out. Exhibitors object, for instance,<br />

to keeping adult patrons who may<br />

come early, waiting until perhaps 5:30 p. m.,<br />

until the Saturday matinee is over, before<br />

selling them a ticket. In effect, this would<br />

mean closing down the boxoffice at about<br />

1 p. m. on Saturdays, and result in driving<br />

away a certain small percentage of adult attendance.<br />

"Are the four and five adults who may<br />

come to a children's matinee to govern the<br />

policy?" Gealer asks. "Unless they came<br />

with their youngsters, they are interested<br />

in the regular show, not the children's features.<br />

It is the regular featiu-es of the day<br />

that are advertised out front, not the kids'<br />

.show, and that it what brought these fewpatrons<br />

in. You can't throw them out after<br />

they've seen a western and a few shorts."<br />

Gealer points out that his Trenton Theatre,<br />

for instance, regularly kills the feature<br />

of the day. sometimes both of them, if they<br />

are not considered acceptable for children<br />

by the Legion of Decency, for the Saturday<br />

matinee .show, and may run only the PTAapproved<br />

guest feature and shorts on the<br />

matinee.<br />

Entire<br />

City Block Bought<br />

For Theatre Parking Lot<br />

ST. PETERSBURG. FLA. — Florida<br />

State Theatres has acquired an entire<br />

city block to provide parking facilities for<br />

patrons at three of its theatres. The<br />

acquisition of such an important piece of<br />

property for parking by theatre customers<br />

was interpreted as a step in the direction<br />

of holding moviegoers.<br />

Frank H. Bell, district manager for the<br />

circuit, who announced the purchase said<br />

that his company had long been thinking<br />

in terms of providing parking facilities<br />

for patrons, close enough to the theatres<br />

.so that patrons would not have to walk<br />

long distances.<br />

The parking area will accommodate<br />

300 cars. It will be open to the general<br />

public in the daytime, but after 6 p. m.<br />

will be available only to theatre patrons.<br />

A compromise of this rigid home office<br />

rule in the interest of industry goodwill<br />

seems in order, which would allow the exhibitor<br />

to cooperate with his local PTA and<br />

other groups by playing. a special picture for<br />

the youngsters on the Saturday matinee,<br />

without requiring him to shut up the theatre<br />

afterwards in order to legally terminate<br />

the matinee.<br />

A sensible way of programming to meet<br />

the requirements of the situation was outlined<br />

by Mitchell, which avoids emptying the<br />

hou.se but takes advantage of the usual low<br />

point of boxoffice business from 4 to 6 p. m.<br />

In a typical Saturday show consisting of<br />

film A. an adult feature, and a picture with<br />

good general interest like "Rhubarb." plus<br />

a children's guest feature like "The Wizard<br />

of Oz." Mitchell proposes scheduling "Rhubarb."<br />

followed by "Wizard of Oz." then<br />

"Rhubarb" again. In that way. the youngsters<br />

would actually have to sit through<br />

"Rhubarb" twice before they'd even have a<br />

chance to see the Film A. Their natural<br />

restlessness, plus the necessity of getting<br />

home for supper, should take care of the situation<br />

with little difficulty.<br />

Programming difficulties akin to the triple<br />

bill issue are also plaguing the few 24-hour<br />

houses here. Question at i.ssue is when a new<br />

program should begin, and the basic rule<br />

against allowing exhibition of a new film to<br />

start before 8 a m. of the playdate presents difficulties.<br />

These houses, such as the Loop, an<br />

Associated circuit house, have a product<br />

problem for the first eight hours of the day.<br />

Inequity of the situation is dramatically<br />

highliglited. according to Gealer. because<br />

in the past distributors allowed percentage<br />

pictures to be started at 9 p. m. of the preceding<br />

day. and took their share of the boxoffice<br />

from 9 p. m.<br />

Upstate, the triple bill situation does not<br />

seem to be affecting any Michigan towns to<br />

any extent. Single bills prevail generally.<br />

and the widespread dominance of the Butterfield<br />

circuit is probably an important force<br />

for conservative industry sanity in this respect.<br />

In some areas, as at Saginaw and<br />

surrounding towns, double bills are commonly<br />

used on the Friday-Saturday change only,<br />

with singles the rest of the week.<br />

Proved Boxoffice Sensatton!<br />

Wild Animal Pictures!<br />

Jrcher, Hunting Big Game with Bow and Arrow!<br />

Distributed by<br />

R K O<br />

RADIO

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