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Together . . . - Poly Prep Country Day School

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Connecting through Creativity<br />

Form III Student’s Artwork Resonates as Powerful, Empathic<br />

Last year in Neddi Heller’s Grade 8 art class, student<br />

Paige Anderson was not awash in feelings of artistic<br />

inspiration—she was a little distressed by the task<br />

that lay ahead of her. Heller’s students were assigned<br />

to create art inspired by Hurricane Katrina.<br />

“I had a friend in my English class who was here<br />

because she had to leave her home in New Orleans,”<br />

Anderson said. “It was hard to imagine the suffering<br />

those people went through, and I did not want to ask<br />

my friend about it—I didn’t want to make her think<br />

about it. I think I was able to express how sad I felt<br />

for them, though.”<br />

Out of that sadness Paige created a collage titled<br />

“Hurricane Katrina” that nearly a year later is still<br />

receiving accolades for its strong composition, as<br />

well as its resonance with audiences as a powerfully<br />

empathic response to tragedy.<br />

In the aftermath of Katrina, Heller felt some<br />

distress, as well, as she struggled with how to help<br />

students cope with their feelings about the disaster,<br />

which occurred only days after the beginning of the<br />

school year.<br />

“When Katrina happened, I wanted to help the<br />

kids find a way to express how they felt about what<br />

was going on,” Heller said. “I made the connection<br />

with collage first because they were being bombarded<br />

with images, and I wanted to help them make sense<br />

of what they were seeing.”<br />

Heller made a second connection to the<br />

experience for her students by teaching the work of<br />

prolific artist Romare Bearden, who was noted for<br />

his richly textured collages. In all media he worked<br />

in, Bearden commented on and celebrated various<br />

aspects of the African-American experience.<br />

“Bearden loved jazz music, and it figured heavily<br />

in some of his work. New Orleans represented<br />

jazz for our country—that element of our American<br />

heritage is deeply rooted there,” Heller said. “I<br />

wanted students to know the greatness of New<br />

Orleans and thought that looking at Bearden’s work<br />

could help them understand that and help them make<br />

their own connections to the event and to that part of<br />

the country.”<br />

Heller’s students produced Katrina-inspired<br />

collages that varied as broadly in their scope as they<br />

did in their visual presentation.<br />

“Some students spoke out against the<br />

government with their art, while other pieces were<br />

more Matisse-like,” Heller recalled. “Overall, the<br />

work was strong, but Paige’s collage really stood out.”<br />

Anderson employed very simple elements to<br />

symbolize loss and displacement in her awardwinning<br />

piece. A home floating in water, a cat, and<br />

an uprooted tree served as important components<br />

of the design, which has evoked powerful emotional<br />

responses in many who have viewed it. She worked<br />

closely with Heller to hone the paper-tearing<br />

techniques used to create collage, and together the<br />

two explored strategies for expressing certain ideas<br />

through color.<br />

Anderson was first honored with a Gold Key<br />

award by the Alliance for Young Artists & Writers.<br />

She was one of more than 200 New York–area teens<br />

recognized as emerging artists by the Scholastic Art<br />

& Writing Awards, sponsored by the Alliance. As<br />

part of this, she was acknowledged at a ceremony<br />

on April 6, 2006, at the Brooklyn Museum, and the<br />

piece was displayed there throughout the month.<br />

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