Together . . . - Poly Prep Country Day School
Together . . . - Poly Prep Country Day School
Together . . . - Poly Prep Country Day School
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Connecting through Creativity<br />
Form III Student’s Artwork Resonates as Powerful, Empathic<br />
Last year in Neddi Heller’s Grade 8 art class, student<br />
Paige Anderson was not awash in feelings of artistic<br />
inspiration—she was a little distressed by the task<br />
that lay ahead of her. Heller’s students were assigned<br />
to create art inspired by Hurricane Katrina.<br />
“I had a friend in my English class who was here<br />
because she had to leave her home in New Orleans,”<br />
Anderson said. “It was hard to imagine the suffering<br />
those people went through, and I did not want to ask<br />
my friend about it—I didn’t want to make her think<br />
about it. I think I was able to express how sad I felt<br />
for them, though.”<br />
Out of that sadness Paige created a collage titled<br />
“Hurricane Katrina” that nearly a year later is still<br />
receiving accolades for its strong composition, as<br />
well as its resonance with audiences as a powerfully<br />
empathic response to tragedy.<br />
In the aftermath of Katrina, Heller felt some<br />
distress, as well, as she struggled with how to help<br />
students cope with their feelings about the disaster,<br />
which occurred only days after the beginning of the<br />
school year.<br />
“When Katrina happened, I wanted to help the<br />
kids find a way to express how they felt about what<br />
was going on,” Heller said. “I made the connection<br />
with collage first because they were being bombarded<br />
with images, and I wanted to help them make sense<br />
of what they were seeing.”<br />
Heller made a second connection to the<br />
experience for her students by teaching the work of<br />
prolific artist Romare Bearden, who was noted for<br />
his richly textured collages. In all media he worked<br />
in, Bearden commented on and celebrated various<br />
aspects of the African-American experience.<br />
“Bearden loved jazz music, and it figured heavily<br />
in some of his work. New Orleans represented<br />
jazz for our country—that element of our American<br />
heritage is deeply rooted there,” Heller said. “I<br />
wanted students to know the greatness of New<br />
Orleans and thought that looking at Bearden’s work<br />
could help them understand that and help them make<br />
their own connections to the event and to that part of<br />
the country.”<br />
Heller’s students produced Katrina-inspired<br />
collages that varied as broadly in their scope as they<br />
did in their visual presentation.<br />
“Some students spoke out against the<br />
government with their art, while other pieces were<br />
more Matisse-like,” Heller recalled. “Overall, the<br />
work was strong, but Paige’s collage really stood out.”<br />
Anderson employed very simple elements to<br />
symbolize loss and displacement in her awardwinning<br />
piece. A home floating in water, a cat, and<br />
an uprooted tree served as important components<br />
of the design, which has evoked powerful emotional<br />
responses in many who have viewed it. She worked<br />
closely with Heller to hone the paper-tearing<br />
techniques used to create collage, and together the<br />
two explored strategies for expressing certain ideas<br />
through color.<br />
Anderson was first honored with a Gold Key<br />
award by the Alliance for Young Artists & Writers.<br />
She was one of more than 200 New York–area teens<br />
recognized as emerging artists by the Scholastic Art<br />
& Writing Awards, sponsored by the Alliance. As<br />
part of this, she was acknowledged at a ceremony<br />
on April 6, 2006, at the Brooklyn Museum, and the<br />
piece was displayed there throughout the month.<br />
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