Boxoffice-May.07.1955
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~ine<br />
m&&&fv MctuAe ynauA^<br />
The Walter Reade circuit spent a quorter-million dollars in a total remodeling<br />
iob of the Community Theatre in Kingston, N. Y. Shown here is the outer lobby,<br />
with its use of brick flooring from entrance to the carpeted foyer.<br />
Complete story on remodeling project in The MODERN THEATRE this issue.<br />
MAL EXECUTIVE EDITION<br />
SKlional Nxn Pa«ti of All Idilioni<br />
IN THIS ISSUE:<br />
TMi<br />
iODIEM<br />
TliATEl<br />
SECTION,
.<br />
DORIS<br />
as Ruth Etting<br />
JAMES<br />
^<br />
Jt-^<br />
as "The Gimp'<br />
I<br />
In CINEMASCOPE .. COLOR ... M-G-M<br />
CO ,.,. CAMERON MITCHELL .. robert keith tom tully<br />
,,„..„,n, DANIEL FUCHS and ISOBEL LENNART • ...,.,<br />
noTiiiu pni no<br />
puADi r^ uinnR<br />
Dr„A,.„^* h„<br />
DANIEL FUCHS<br />
inr PAI^TFRNAK
THIS<br />
DRAMA!<br />
If you were a producer and wanted to<br />
make a story of real people, of a dimea-dance<br />
girl who rose to the Ziegfeld<br />
Follies and Hollywood stardom, of a<br />
strange love story in lurid,<br />
mob-ruled<br />
Chicago days -you'd pick the lifeinspired<br />
story of song-star Ruth Etting.<br />
M-G-M picked it and it's a winner!<br />
''Love letters to M-G-M's<br />
Me' a Doris Day-Dream''<br />
'Love Me Or Leave<br />
-WALTER WINCHELL<br />
(Available in Magnetic Stereophonic, Perspecta Stereophonic or 1-Channel Sound)
ALBANY STRAND 10:00 A.M. 'ATLANTA RHODES 9:30 A.M.-<br />
CHICAGO B&K CENTURY 10:00 A.M.- CINCINNATI VALLEY<br />
ja|;;S,MP»NES DES MOINES 9:30 A.M. • DETROIT FISHER<br />
•<br />
CITY FOX BROOKSIDE 2:00 P.M. • LOS ANGELES<br />
.^JhtLIS STATE 9:30 A.M. • NEW HAVEN ROGER<br />
OKLAHttlS^^lDWEST 9:30 A.M. • OMAHA CENTER 1:30 P.M.<br />
SALT LAJi^ffiaLTY CENTRE 9:30 A.M. • SAN FRANCISCO<br />
1<br />
,| B<br />
1 2<br />
10<br />
FO<br />
SHE
•<br />
:ATTLE<br />
Nothing we can say abr ,.<br />
i<br />
''Mister Roberts" can describe<br />
the tremendous Hft it will<br />
give every showman who<br />
sees it. The most loved and<br />
laughed-with play of our day,<br />
it ran three years on Broadway<br />
and six years nationwide.<br />
Its Broadway and roadshow<br />
i<br />
grosses established it as<br />
the wonder-play of all time.<br />
Now come see for yourself<br />
as wonderful a motion picture<br />
as there has ever been —and<br />
bring Mrs. Exhibitor along.<br />
^^ ^<br />
^=^<br />
\<br />
'.:><br />
\[ CAREY • Screen Play tiy<br />
and JOSHUUOGAN<br />
Directed by JOHN FOR<br />
LeROY<br />
. USIC COMPOSED AND CONDUCTED BY FRANZ WAXMAN<br />
jj A.M. BUFFALO CENTER 10:00 A.M. • • CHARLOTTE CAROLINA 10:00 A.M.<br />
AfJ COLONY 1:30 P.M. • DALLAS MAJESTIC 9:30 A.M. • DENVER OGDEN 2:30 P.M. .<br />
A >LIS FOUNTAIN SQUARE 1:30 P.M. • JACKSONVILLE ST. JOHNS 9:15 A.M. V<br />
C P.M. MEMPHIS WARNER . 10:00 A.M. MILWAUKEE WARNER DOWNTOWN 10:00 A.M. • \^<br />
•<br />
EW ORLEANS PITT 9:30 A.M. • NEW YORK R.K.O. 86TH ST. 9:45 A.M.<br />
^C ORE 11:00 A.M. PITTSBURGH SCHENLEY • 11:00 A.M. • PORTLAND 21ST AVE. 2:00 P.M.<br />
EGYPTIAN 2:00 P.M. • ST. LOUIS ST. LOUIS 2:00 P.M. • WASHINGTON AMBASSADOR 10:00 A.M.
!<br />
IT'S A PLEASURE TO DO BUSINIP
"<br />
:<br />
—<br />
ruSe oft/ie7?loiCon rf'ctuJte indwi/^^/<br />
ITIONAL FILM WEEKLY<br />
d In Nine Sectional Editions<br />
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SHL YEN<br />
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Herald.<br />
00 I,emoyne St.. Boom 12.<br />
lehelle.<br />
'<br />
i<br />
(,1<br />
THE ROUND!ABLE COLLAPSES. I<br />
AS MGM. PARAMOUNT SAY WO^<br />
New York—Paramount and Metro-Goldwyn-Mayer have declined the exhibitor bid to a<br />
May 24 Roundtable conference with the major company presidents on industry problems.<br />
Paramount's rejection of the joint invitation issued by National Allied and Theatre<br />
Owners of America was sent to Ruben Shor, Allied president, Monday (2) by Barney<br />
Balaban, president.<br />
He confirmed the fact two days later. It was the first reply to the bid to be made<br />
public by a major company.<br />
Balaban said he regretted the necessity for rejecting the invitation, but explained<br />
that exhibition evidently planned an open discussion of intimate company policies and<br />
that he could not agree to this. He added that Paramount had been and would always<br />
be willing to discuss problems with exhibitors, and that when justified relief would be<br />
granted.<br />
MGM also refused to join a conference at which its sales policies would be subject<br />
to discussion in the presence of competitors.<br />
A telegram was sent at midweek by Nicholas M. Schenck, president of Loew's,<br />
Inc. Schenck said the company's customer relations policy is well known. The company<br />
has always maintained an open-door policy, Schenck wired, and the company will continue<br />
its poUcy of discussing problems with exhibitor's through Charles M. Reagan, vicepresident<br />
and general sales manager. If exhibitors feel that he, Schenck, should sit in<br />
on these talks at any time he will be ready to do so.<br />
Columbia headquarters here said any statement must come from Harry Cohn, president,<br />
on the coast. Warner Bros, said it was up to Harry M. Warner, president, also on the<br />
coast. Republic referred questions to Herbert J. Yates, president, also in Hollywood. Any<br />
comment by United Artists will be up to Arthur B. Krim, president, who was expected<br />
to return from Europe at the weekend.<br />
Efforts to obtain any statement from 20th-Fox were unavailing, while Universal<br />
and RKO continued a "no comment" attitude.<br />
acquire wealth in the production end of tli<br />
business. With the tremendous increase .^»<br />
I<br />
taxes, the incentive was lost for people<br />
work 52 weeks a year, particularly those<br />
the higher brackets, and those represent mo<br />
of the capable people. The result was a tei<br />
dency to make fewer pictures at major studi<br />
and because of the enormous increase of pp<br />
duction costs, these studios were compelli<br />
to discontinue the smaller pictures.<br />
A BRIGHT SIDE, TOO<br />
"Now, coming to exhibition, the one brigj<br />
side of the picture is that, in spite of tli<br />
competition of TV and in spite of the dif)<br />
culties in production, there is no entertaij<br />
ment in the entire amusement world that!<br />
as good as a well-made motion picture. Ther!<br />
fore, the motion picture business is not \<br />
be written off or sold short because, as loij<br />
as it is possible to make first class motl('.i<br />
pictures, the motion picture business will co;<br />
tinue to be pre-eminent in the field of entej<br />
tainment.<br />
"Exhibitor leaders have been upbraiding t<br />
distributors because of onerous terms, pa'<br />
ticularly for the little exhibitor, and it '<br />
commendable that these big, affluent exhi'.<br />
itors should be fighting for the little fellovi<br />
I, too, want to take up the cudgels for t!]'<br />
little fellow. But today the differential bj<br />
tween the so-called big exhibitor and tl,<br />
a<br />
Lichtman: Arbitrate<br />
Rentals $50 or Less<br />
HOLLYWOOD—One of the simplest and<br />
most constructive means of ending the<br />
current controversy between distributors<br />
and exhibitors over<br />
the matter of film<br />
rentals would be to<br />
submit to immediate<br />
arbitration all small<br />
accounts — those paying<br />
rentals of $50 or<br />
less per pictui-e—in<br />
the opinion of Al<br />
Lichtman, 20th Century-Fox<br />
vice-president<br />
and director of<br />
sales.<br />
Lichtman made public<br />
his views at a press<br />
Al Lichtman<br />
conference at the company's Westwood Studio<br />
on Thursday (5), which powwow was admittedly<br />
assembled by him because of<br />
the pressure<br />
and criticism to which he has been subjected<br />
through his inability to participate in<br />
the roundtable discussions for which certain<br />
exhibitor groups have been clamoring.<br />
The sales chief stressed the point that he<br />
was airing his own personal views on the subject<br />
and that his remarks were not to be<br />
interpreted as posing the policy of COMPO,<br />
of which he is<br />
co-chairman, of the distributors<br />
arbitration committee, of which he is<br />
chairman, or of his associates in the 20th-Pox<br />
organization. He again emphasized that his<br />
declination to participate in the roundtable<br />
talks, as well as those refusals by his counterparts<br />
in other companies, was because the<br />
distributors' legal experts had ruled against<br />
such gatherings, if they were to devote any<br />
attention to film rentals.<br />
On the matter of more pictures from the<br />
majors, the second most-stressed count in the<br />
exhibitors complaints, Lichtman opined this<br />
to be impossible because of "several basic<br />
reasons."<br />
"Foremost," he said, "is the enormous impact<br />
on our business by the advent of television,<br />
which has resulted in approximately<br />
34,000,000 theatres in the homes of the people<br />
which, aside from being convenient and from<br />
the original investment, mostly bought on<br />
the installment plan, has free shows. This is<br />
a terrific competitor, very difficult for certain<br />
theatres and ordinary pictures to overcome.<br />
Secondly, the war years brought about<br />
a very drastic change in the thinking of<br />
practically everyone engaged in the production<br />
of motion pictures, though the most important<br />
contributing factor was the enormous<br />
hike in income taxes which came about as a<br />
result of World War II.<br />
"Prior to that time," Lichtman continued,<br />
"everybody had an incentive to work very<br />
hard and make as many pictures as possible,<br />
because it was possible for capable people to<br />
little exhibitor is more marked than ever b';<br />
fore. To give you an example, it is nc<br />
possible in approximately 4.500 theatres ai'<br />
big drive-ins to earn from 85 to 90 per eei<br />
of the total film rental on a first class mi<br />
tion picture; the balance comes from mo'<br />
than double that number of theatres, so ths<br />
it behooves all distributors to have a mo;<br />
flexible policy in order to take care of tl<br />
little fellow and keep him in business to tl<br />
utmost of our ability. Those of them wr<br />
will not progress and improve their faciliti<br />
will fall by the wayside in any case, becau'<br />
not only do they have to compete with teli.<br />
vision, but also the drive-in theatres."<br />
'<br />
U. S. Intervention<br />
Predicted by Myers<br />
MINNEAPOLIS—Small exhibitors can su.'<br />
Vive only if the government intervenes ;<br />
their behalf, it's now becoming clear. This<br />
according to speakers at North Centr<br />
Allied's annual convention opening sessio<br />
While the picture looks gloomy at tl'<br />
moment, it is brightened somewhat by tl<br />
prospect that such intervention, includir<br />
government regulation of film rentals wi<br />
be forthcoming, the speakers declared.<br />
That there still is hope and that it's in th!<br />
direction, the convention was told by Abrai<br />
F. Myers and Ruben Shor, national Allie<br />
States general counsel and president, an<br />
Bennie Berger and S. D. Kane, NCA pres<br />
and executive counsel, at the convention<br />
outset.<br />
Myers said he holds little hope that tY<br />
proposed TOA-Allied conference with fill<br />
company presidents will accomplish anj<br />
(Continued on page 12)<br />
I<br />
i<br />
^<br />
8 BOXOFTICE May 7, 19;
I<br />
I<br />
1<br />
"Mr.<br />
lOA HOPING FOR ARBITRATION,<br />
WITH FILM PRICES INCLUDED<br />
^a^tin Reveals Position<br />
[j Address Before<br />
fi'kansas ITO<br />
iITTLE ROCK—Theatre Owners of<br />
A erica is still going after an arbitration<br />
5,v,em for the industry, and will try to<br />
Ir ude film rentals as an arbitrable subjf<br />
—but the repeated delays in finalizing<br />
ai arbitration draft gives top priority to<br />
aiindustry roundtable, E. D. Martin told<br />
[I ependent Theatre Owners of Arkansas<br />
ai ts convention this week.<br />
jiiin. president of TOA, said he had a<br />
1 tilth in the roundtable, but he admitted<br />
;1 a number of stumbling blocks remain on<br />
agreement on arbitration.<br />
N ON MUTUAL PROBLEMS<br />
Hi road to<br />
he biggest obstacle to date has been<br />
f^ure of national exhibitor associations to<br />
]
THE SUN<br />
20,682 GLOBE-GIRDLING IN9
SHUtnivn:<br />
WIDE<br />
IIONS AS OnVPRIL 15. 19<br />
,:^
dance<br />
j<br />
PnUeSeaU Myers<br />
UA to Increase Production<br />
From 90 to 98 in 3 Years<br />
Charles Smadja. vice-president in chai'ge<br />
of European production, tells the international<br />
sales meeting in London that the company<br />
plans to make pictures in every major Eur-<br />
.opean nation, many on a co-production basis.<br />
*<br />
Weekly Picture Attendance<br />
Tops That of Major Sports<br />
COMPO ad in Editor & Publisher compares<br />
newspaper figures on major league baseball,<br />
collegiate football and bowling with those<br />
of film theatres.<br />
•<br />
Championship Fight Films<br />
To Be Distributed by UA<br />
Deal cover;ng Marciano-Cockell bout May<br />
16 m San Francisco closed with International<br />
Boxing Club, which will handle cameras;<br />
closed-circuit theatre telecasts set by TNT<br />
now exceed 80.<br />
*<br />
N. Y. Rivoli Theatre Prepares<br />
For Todd-AO Presentation<br />
Monty Salmon, managing director,<br />
changmg<br />
marquee and completely renovating and<br />
decorating mt«rior of Broadway house; first<br />
showing of "Oklahoma!" due late in July.<br />
•<br />
Brooklyn Dodgers Favoring<br />
Toll TV Despite Protest<br />
Walter O'Malley, baseball club president,<br />
sees 50-cent levy for each set tuned in to<br />
next year's games if FCC approves use of<br />
system; Father Duffy Post of Catholic War<br />
Veterans critical.<br />
•<br />
Boston Mayor and Officials<br />
Approve Trench Line'<br />
RKO's court attack on Massachusetts Sunday<br />
censorship law may be withdrawn; Lynn<br />
•mayor also gives okay, leaving final decision<br />
up to the commissioner of pubhc safety.<br />
•*<br />
Legion of Decency Condemns<br />
RKO's 'Son of Sinbad'<br />
Describes picture as "serious affront to<br />
Chi'istian and traditional standards of morality<br />
and decency because of its blatant and<br />
continual violation of the virtue of purity"<br />
with salacious dances.<br />
•<br />
Memphis Censor Board Bans<br />
'Sinbad' Second Time<br />
RKO film was viewed a year ago and<br />
turned down by the board; L. T. Binford,<br />
censor chaii'man. .said the feature could be<br />
'<br />
passed with the "vulgai scenes cut.<br />
*<br />
Schlesingers to Produce<br />
TV Films in So. Africa<br />
John Schlesinger and A. E. Harmer conclude<br />
deal after four weeks of discussion<br />
here; also sign agreement to play 20th-Fox<br />
cinemascope pictures in new theatres.<br />
(Continued from page 8)<br />
thing in the present effort to save exhibitors'<br />
skins. He raked the film company presidents<br />
over the coals for failing to accept pronto<br />
the proposal to discuss exhibitors' life and<br />
death problems with the joint TOA-Allied<br />
committee representing practically all theatre<br />
owners.<br />
QUIBBLE OVER AGENDA<br />
"At this critical moment when our house<br />
is afire, these presidents are too pompous and<br />
self-important to accede immediately to our<br />
request for the conference and they quibble<br />
as to the agenda," commented Myers wryly.<br />
While exhibitors are "in a hell of a fix,"<br />
however. Myers gave the impression that the<br />
federal government will come to their rescue.<br />
Although he's pessimistic anent exhibitor relief<br />
from a conference with film company<br />
presidents, he'd hate to have it said, he told<br />
the convention, that exhibitors rushed into<br />
government intervention without having<br />
tried in every conceivable way to solve these<br />
problems within the industry. And that's why<br />
the film companies are being given this last<br />
chance, he explained.<br />
"At the same time." asserted Myers, "exhibitors'<br />
greatest folly would be to sit around<br />
any longer and wait until their houses burned<br />
down completely without having called out<br />
the fire depai'tment."<br />
In all this connection, Myers revealed that<br />
plans already are laid for immediate resort<br />
to governmental intervention if the conference,<br />
as he expects, doesn't materialize or result<br />
"in the necessary exhibitor relief." He declined<br />
at this time to make public the plan's<br />
details.<br />
Myers also revealed that he and Berger,<br />
the latter joint defense committee chairman,<br />
recently in Washington had spent a half-day<br />
with U. S. Senator H. H. Humphrey of Minnetota,<br />
a member of the Senate committees on<br />
small business and monopoly, and that Senator<br />
Humphrey had been most sympathetic<br />
and had given them valuable advice and suggestions.<br />
He proposed that the convention<br />
go on record thanking and praising Humphrey.<br />
If you only could still make a little money,<br />
you exhibitors would have the nicest business,<br />
one free of inventory and other such won-ies,<br />
Myers asserted.<br />
TWO SCHOOLS OF THOUGHT<br />
"There are two schools of thought in New<br />
York," said Myers. "One seems to think<br />
that pictures should be reserved for big cities<br />
where people go to large theatres and pay<br />
high admissions. Film companies having that<br />
thought feel that 5,000 to 6.000 such accounts<br />
would insure their present revenues.<br />
"The other school believes that all the<br />
present problems can be solved by the right<br />
people sitting down at a table and discussing<br />
them. I hope that school is right, but I'm<br />
afraid it isn't. However, the test is now to be<br />
made."<br />
Exhibitors should not be too skeptical of<br />
what can be accomplished by going to the<br />
government for relief, Myers said. He termed<br />
criticisms of Allied for urging government<br />
intervention "sleazy."<br />
"We all fear and hate government interference,"<br />
he asserted. '^But it's better than<br />
to be ground under film company heels.<br />
"Assuming, as I do, that the conference will<br />
Allied's Chief Calls<br />
For Active Campaign<br />
Minneapolis—If immediate relief is nc<br />
forthcoming from company presidents a<br />
the projected industry roundtable<br />
hibitors must prepare<br />
to wage the<br />
same sort of fight<br />
which won admissions<br />
tax relief,<br />
Ruben Shor, president<br />
of Allied<br />
States Ass'n, told<br />
North Central<br />
Allied this week.<br />
"Most exhibitors<br />
now find the m-<br />
selves in the position<br />
where they're Ruben Shor<br />
regulated by the<br />
film company gentlemen in New ¥ork„J<br />
he declared. "Government regulation aJ<br />
any level would be an improvement, anil<br />
we must battle for it, if the companl<br />
presidents refuse immediate relief. Jiui<br />
as we did when we fought for admissioiJ<br />
tax relief, we must enlist the public ojj<br />
our side."<br />
He said he is convinced that Congrest<br />
will "come to the exhibitors' rescu^<br />
again," if called on by independei<br />
theatremen.<br />
He credited Alfred Starr, chairma<br />
of the executive committee of Theati<br />
Owners oi America, with engineering th j<br />
recent meeting of top level TOA an<br />
Allied members at which a joint call f(<br />
an industry roundtable was issued. H<br />
said that while TOA was late in comir<br />
around to the Allied position on tH<br />
roundtable, in all fairness, he wanttil<br />
to give Starr credit for proposing tli |<br />
recent jont session.<br />
never occur or if it does it will pro\|<br />
no solution to your present difficulties, w,<br />
short of government regulation will save y|<br />
business?" asked Myers.<br />
Berger told of exhibitors coming to N<br />
with tears in their eyes telling of distribi)<br />
demands for 50 per cent and Saturday il<br />
Sunday playing time for top pictures!<br />
situations where the average total gross<br />
•:<br />
such attractions is approximately $240.<br />
"The $64 question today is whether I<br />
are going to be able to survive," said BeriS<br />
"At this moment the outlook is dark.<br />
"Our inventories are edibles," asser<br />
Berger. "Our main business today is C<br />
fections. If we didn't have our concess!<br />
counters few of us could remain in busini.<br />
The overwhelming majority of exhibits<br />
today are losing money in their these<br />
operations."<br />
Relative to Senator Humphrey, Bert<br />
.said he and Myers always have bJ<br />
staunch, rockribbed Republicans, so tt<br />
when they joined in praising Humphrey J<br />
Farmer Labor-Democrat, it's all the me<br />
significant. He pointed out that Myers H<br />
held an important appointive post under t<br />
late President Coolidge.<br />
"Senator Humphrey is sympathetic to r<br />
cause," he said.<br />
Berger said that members of the All^<br />
committee are all well-heeled persons vo<br />
could sit on the sidelines, but are fight?<br />
for the little fellows and for the princie<br />
of the thing.<br />
12 BOXOFFICE May 7, l5i
1<br />
inds-across-the-sea<br />
j<br />
worldwide<br />
I<br />
In<br />
I the<br />
:<br />
ARIETY HUMANITARIAN AWARD<br />
GOES TO WINSTON CHURCHILL<br />
jganization Unanimously<br />
fites Great Statesman<br />
forthy of Honor<br />
)S ANGELES—Variety Club's Interna-<br />
|[il imbued its 19th annual convention with<br />
flavor when it clil<br />
ed its four-day 19th annual conclave here<br />
( irday t7) by announcing the selection of<br />
I Winston Churchill, distinguished statesij<br />
and former British prime minister, as<br />
[», winner of the organization's yearly Huijitanan<br />
Award.<br />
committee of more than 100<br />
ejjpaper editors and publishers nominated<br />
Srchill "for the most outstanding service<br />
ohumanity" in 1954. Conventioneers here<br />
rnimously voted to accept the nomination<br />
n are forwarding it to London, where it<br />
ri be offered to him. In announcing the<br />
E.-tion. George Eby of Pittsburgh, chairman<br />
the Humanitarian Awards Committee, de-<br />
W;d:<br />
recognition of his lifelong devotion<br />
liberty of man. his everlasting<br />
;il in safeguarding Democracy and his<br />
:aIous dedication to the furtherance of<br />
!)rld peace, it is with deep pride that<br />
add to the distinguished roster of<br />
imanitarians the name of Sir Winston<br />
Jiurchill."<br />
|?orge Hoover of Miami, international chief<br />
ia;er, presided at the humanitarian ban-<br />
|u at which the naming of Churchill was<br />
B: e public. The event was attended by some<br />
,.Ci convention delegates, film celebrities.<br />
e'ral. state and civic officials.<br />
:tual presentation of the humanitarian<br />
}\!ue will be made to Churchill in London<br />
)yy0l. James Carreras. chief barker of Va-<br />
It's London Tent 36. and a convention<br />
lefjate. when he returns to England.<br />
,ie award is presented annually to the<br />
n, or woman without regard to color,<br />
»itry, race or creed who is deemed to have<br />
ie:;»d his fellow-man most notably.<br />
\e Variety convention, voted successful<br />
»J 11 counts, was staged at the Ambass£ulor<br />
a
SOARING TO TERRIFIC BUSINE<br />
NEW YORK<br />
CHICAGO<br />
i<br />
PHILAE<br />
2nd week at<br />
the Paramount<br />
maintaining<br />
record pace<br />
of smash<br />
first week!<br />
All adding tolf<br />
Paramount has a nil<br />
MOTION PICTJI
ff<br />
N ALL FIRST ENGAGEMENTS!<br />
NEW ORLEANS<br />
Hence that<br />
j-high grosser in<br />
LOS ANGELES<br />
Stanley Warner-<br />
Beverly Hills<br />
record opening<br />
week tops<br />
White Christmas"!<br />
GM-FIDELITY
'<br />
Audience Poll Details<br />
Revealed by Rhoden<br />
NEW YORK—November 17 through November<br />
27 has been chosen as the new and<br />
final date for public balloting under the<br />
auspices of the Council of Motion Picture<br />
Organizations to decide the best picture, best<br />
performances and most promising young<br />
players of the preceding year.<br />
The change from Thanksgiving Day, November<br />
24, to December 7 was made by Elmer<br />
Rhoden, national chairman of the audience<br />
awards campaign, after talks with COMPO<br />
representatives, members of the original<br />
audience poll committee and others.<br />
It was also decided that Hollywood will be<br />
the scene of the awards, and that the event<br />
will be staged on the night of either December<br />
5, 6 or 7. The most convenient date will<br />
be decided later.<br />
Rhoden has set up a nominating procedure<br />
under which nominations will be made by<br />
exhibitors. They will cover three different<br />
periods. The first ballot, according to a<br />
tentative arrangement, will be supplied<br />
and<br />
COMPO by exhibitors on or about June 1<br />
will cover pictures released between Oct. 1,<br />
1954, and March 31, 1955. Distributors will<br />
decide which of their pictures have had wide<br />
enough distribution to be eligible for nomination.<br />
Any picture or personality receiving 75<br />
per cent of the exhibitor nominating votes<br />
will go on the final ballot given the public.<br />
Next, exhibitors will make their nominations<br />
August 1 or thereabouts from pictures<br />
and personalities included in the April, May<br />
and June releases. The final nominations<br />
will be made about October 1 on pictures and<br />
personalities included in the July, August aJid<br />
September releases. Any picture or personality<br />
receiving 75 per cent of the votes in<br />
each of the three ballotings will be entered<br />
on the final ballot to be cast by the public.<br />
September 30 will be the deadline for consideration<br />
of pictures.<br />
Those with whom Rhoden conferred were<br />
Wilbur Snaper, one of the COMPO governing<br />
triumvirate; Morey Goldstein, chairman of<br />
the general sales managers committee of the<br />
Motion Picture Ass'n of America; Harry<br />
Mandel, chairman of the COMPO press relations<br />
committee; Emil Bemstecker of the<br />
Wilby-Kincey Theatres of Atlanta and Ralph<br />
Russell of the Palace Theatre, Canton, Ohio;<br />
Robert W. Coyne, COMPO special counsel,<br />
and Charles E. McCarthy, COMPO Information<br />
director.<br />
Johnson Goes to Europe<br />
To Discuss French Pact<br />
NEW YORK—The first<br />
steps toward negotiating<br />
a new film agreement with Prance<br />
will be undertaken shortly by G. Griffith<br />
Johnson, vice-president of the Motion Picture<br />
Export Ass'n, who left for ESirope during<br />
the week.<br />
After visiting the Cannes Festival he will go<br />
to Paris for the talks. The pact expires June<br />
30. He will then visit Frankfurt, Germany,<br />
where there is the threat of a quota exceeding<br />
27 per cent, now in force to protect Germanmade<br />
films. There is also talk of a German<br />
dubbing tax.<br />
International Projector<br />
Names Alden President<br />
BLOOMFIELD, N. J.—John L. Alden, formerly<br />
in charge of patent licensing for Western<br />
Electric, has been made president of<br />
[nternational Projector<br />
John li. Alden<br />
ing equipment.<br />
Corp.. succeeding Rear<br />
Adm. R. B. Tompkins,<br />
USN retired.<br />
International is a<br />
subsidiary of General<br />
Precision Equipment<br />
Corp. and produces<br />
projection and sound<br />
reproducing equipment.<br />
Through its<br />
Sec-o-matic division it<br />
manufactures synthetic<br />
solvent dry clean-<br />
Alden has been with General Electric since<br />
1926, holding supervisory posts at the New<br />
York, Chicago and Kearney plants. As patent<br />
licensing manager he administered all Bell<br />
System licenses for patent rights under 9,000<br />
U. S., 2,400 Canadian and 3,100 other foreign<br />
patents. He also has supervised the manufacture<br />
of all kinds of central office and toll<br />
equipment.<br />
Miami Chamber Joins<br />
Fight Against Toll TV<br />
MIAMI—The Miami-Dade County Chamber<br />
of Commerce has adopted a resolution<br />
opposing pay-as-you-see television, and has<br />
forwarded its statement of opposition to the<br />
Federal Communications Commission. Pointing<br />
out that the concept of American broadcasting<br />
has been based on the right of every<br />
individual to look and listen without payment<br />
of fees, the Chamber of Commerce asked the<br />
FCC to reaffirm this position in denying<br />
petitions for toll TV.<br />
Sarnoff Sees Color TV<br />
'Break Through' Xmas<br />
NEW YORK—Color television wUl<br />
"break through" in set output and broadcasting<br />
by Christmas of 1955, according<br />
to Brig. Gen. David Sarnoff, chairman<br />
of the board of RCA.<br />
Pointing out that a reasonable number<br />
of color programs will be broadcast with<br />
regularity and this number will increase<br />
rapidly as more color sets axe installed in<br />
homes. Gen. Sarnoff said that RCA is<br />
confident that it can sell all the color sets<br />
and tubes it will produce between now<br />
and the end of the year.<br />
The company's plant in Bloomington,<br />
Ind., will begin to turn out 21-inch color<br />
TV receivers to sell for $795 in a table<br />
model and $895 in a floor or console model<br />
this week, he said.<br />
Allied Policy Cause<br />
For Gehring Balk<br />
DES MOINES—William C. Gehring, exec<br />
five assistant general sales manager for 20<br />
Century-Fox, who turned down two invit<br />
tions to speak at Allied regional conventio<br />
this week gave his explanation for the actli<br />
in a letter read to delegates of the IoW|<br />
Nebraska Allied unit meeting here.<br />
Gehring's explanation was that since Alii<br />
is seriously considering asking for fed®<br />
regulation of the motion picture industry,<br />
felt he could not appear before the conve<br />
tion. His letter was addressed to Al Myri<<br />
Iowa-Nebraska president. Gehring's fra<br />
discussions of exhibitor-distributor problei<br />
at Allied meetings have been highlights oi<br />
number of conventions in the last two<br />
and there has been considerable conjectl!<br />
as to the reason for the sudden refusaJs<br />
appear.<br />
Leo F. Wolcott, chairman of the board,<br />
his annual report, scolded exhibitors becai<br />
many "had gone for impossible deals, pli<br />
ing into the hands of the distributors." The<br />
fore, he added, some of the blame for p(<br />
earnings in the last year must rest with th<br />
theatremen.<br />
He attributed the drop in revenue to th<br />
possible factors: (1) Patrons who objected<br />
failure to have the tax cut passed on to<br />
public: i2) admission increases; (3) telev'<br />
in new areas; i4> night sports; (5) high fl<br />
rentals.<br />
However, Wolcott said there had been so<br />
bright spots during the year. Withdraw<br />
of the requirement that all CinemaSw<br />
pictures be played with stereophonic soi<br />
was a big help, he said. Tax relief was<br />
major assist, and there was a slowdown in<br />
I<br />
price rise, he also said.<br />
He agreed that Cinemascope pictures,<br />
the most part, provided improvement of ]<br />
i!ct and produced better boxoffice results.<br />
felt that theatre owners may be justlf,<br />
for then- expense in installing new equipin<<br />
"in time."<br />
Abram F. Myers, Allied's general cou<br />
and board chairman, and Ruben Shor,<br />
tional president, were also scheduled to sp<br />
at the three-day convention which got<br />
way Wednesday (4). Bob Krueger of<br />
City gave the welcoming talk. Clinics w<br />
scheduled with Myers, Col. H. A. Cole, E.<br />
Huhnke, Phil Lannon, Harold Struve<br />
Krueger presiding.<br />
This Doesn't Look Like<br />
Berger's Selling Out<br />
MINNEAPOLIS—The future apparecir'<br />
doesn't look too dark to Ted Mann si<br />
Bennie Berger despite Berger's recent deolation<br />
he desires to sell his theatres. Tiy<br />
are spending $175,000 to improve their fit<br />
run World and Gopher here.<br />
At the 400-seat World, a highly successil<br />
operation, Mann is shelling out $125,000 T<br />
an entirely new glass exterior, new air c<<br />
ditioning and lighting, new wide seats, 1<br />
latest and best modern projection equipmd<br />
an enlarged general lounge and new pow|<br />
room, carpeting, a seamless widescrej<br />
redecorations generally and some additio|<br />
seats.<br />
Berger is spending over $50,000 for a rW<br />
front, lounge and foyer, new carpeting i^<br />
interior decorations at the Gopher.<br />
16<br />
BOXOFFICE May 7. l,5j
.<br />
FROM BATTLEMENT TO BOUDOIR .<br />
FROM BRAWL TO LOVERS' TRYS7<br />
' "^'-d^ reckless path I<br />
Men knew his fury<br />
and >vomen — his lips,<br />
but none knew the name,<br />
or the secret, of the<br />
man who held a<br />
nation at bay!<br />
ijijiJiJ.UM-i.yj,<br />
'7:^!!^2^*»fc4a;^c.^i^*?j«^>«^z
'<br />
i<br />
NT Attendance Is Down,<br />
But 13-Week Net Is<br />
LOS ANGELES—Consolidated net income<br />
of National Theatres for the 13 weeks ending<br />
March 26, 1955, was $734,133, equivalent to 27<br />
cents a share, compared to $651,468, or 24<br />
cents a share, in 1954's corresponding quarter.<br />
President Elmer C. Rhoden reported to<br />
stockholders Wednesday ^4>. Rhoden said<br />
the circuit's consolidated net for the 26 weeks<br />
ending March 26—the fu-st half of the current<br />
fiscal year-—was $1,280,549, or 46 cents a<br />
share on 2,769,486 shares of outstanding stock,<br />
compai-ed with $1,307,050. or 47 cents a share,<br />
for the same period last year.<br />
Gross income was up 4 per cent, but attendance<br />
dwindled by 8 per cent, Rhoden<br />
reported. He sounded an optimistic note,<br />
however, by predicting a more satisfactory<br />
third quarter with the release of "stronger<br />
attractions and the diminishing television<br />
audience in the summer."<br />
Among "quality" pictures awaiting release,<br />
Rhoden cited 20th Centui-y-Fox's "Daddy<br />
Long Legs," "Soldier of Fortune" and "Seven-<br />
Year Itch," Walt Disney's "Lady and the<br />
Tramp," MGM's "The Prodigal" and "Interrupted<br />
Melody," Pai-amount's "Strategic Air<br />
Command" and "The Seven Little Poys,"<br />
Warners' "Moby Dick" and "Mister Roberts"<br />
and United Artists' "The Kentuckian" and<br />
"Not as a Stranger."<br />
He pointed out that NT has, to date, been<br />
unable to expand in the drive-in field because<br />
of the government's consent judgment, but<br />
that now, after compliance, the circuit hopes<br />
to move into that exhibition segment by acquiring<br />
construction sites and purchasing<br />
ozoners already in operation.<br />
20th-Fox Pays Extra Sum<br />
For Release of 'Itch'<br />
NEW YORK—Twentieth Century-Fox will<br />
be able to release its film version of the<br />
Broadway stage hit, "The Seven Year Itch,"<br />
some time this summer, instead of the originally<br />
stipulated date of Feb. 1, 1956, by<br />
paying $175,000 to the producers of the play,<br />
Courtney Burr and Elliott Nugent.<br />
The original purchase price of the hit play<br />
was $225,000. Marilyn Monroe and Tom Ewell<br />
(original star of the play) are starred in the<br />
20th-Fox picture, which was completed some<br />
months ago. Ewell is currently on tour with<br />
a road company of the play while Eddie<br />
Bracken is now starred in the Broadway<br />
production, in its third year at the Fulton<br />
Theatre, where it passed its 1,000th performance.<br />
Omnifilms to Distribute<br />
Foreign-Made Features<br />
NEW YORK—Omnifilms, Inc., has been<br />
formed by Noel Meadow for the acquisition<br />
of foreign films for U. S. release. The first<br />
release will be "The Noose and the Needle,"<br />
produced by Oscar Dancigers in Mexico,<br />
where it was called "El."<br />
Arturo de Cordova is the star and Delia<br />
Garces is co-starred In the film, which was<br />
directed by Louis Bunuel. Columbia Pictures<br />
has acquired the distribution rights for the<br />
rest of the world, outside the U. S.<br />
Up<br />
Kentucky Exhibitors<br />
Forming Allied Unit<br />
Louisville—A new exhibitor association,<br />
to be affiliated with Allied, is in the<br />
process of being organized in Kentucky.<br />
A meeting of theatremen has been called<br />
for 1:30 p.m. Tuesday (17) in the auditorium<br />
of the Falls City Theatre Equipment<br />
Co. building. Coming here to attend<br />
the session will be Abram F. Myers, general<br />
counsel for Allied; Ruben Shor, national<br />
president; Trueman Rembusch and<br />
William A. Carroll of Indiana's unit, and<br />
Robert Wile, executive secretary of Ohio<br />
Allied. The organization committee consists<br />
of J. M. Reiss, Louis Arm and E. L.<br />
Ornstein of Louisville, and Robert Enoch,<br />
Elizabethtown.<br />
Ben Berger Again Heads<br />
North Central Allied<br />
MINNEAPOLIS—Benjamin Berger was reelected<br />
president of North Central Allied at<br />
the convention here this week. Except for<br />
one term, when Ted Mann took over, Berger<br />
has headed the organization since it was<br />
established. Also re-elected was E. L. Peaslee,<br />
Stillwater. Minn., first vice-president. Burt<br />
Parsons of Springfield, Minn., was elected<br />
secretary and Henry Greene, Minneapolis,<br />
was chosen treasurer.<br />
Board members elected were Ted Monn, Frank.<br />
Montzke, Chorles Rubenstein, Harold Kaplan ond<br />
Martin Lebedoff, Minneapolis; Sheldon Grengs, Eau<br />
Cla re, Wis.; Will Gioser, Fairboult; George Granstrom,<br />
5t. Paul; John Johnson, Deer River; Lowell Smoots,<br />
Little Falls, and C. Fred Schenne, Litchfield, Minn.;<br />
Mike Cooper, Grand Forks, N. D.; Howard Gould,<br />
Glencoe; J. L, Anderson, Pionkinton, S. D,; Joseph<br />
Corriere, Hollock; Jack O'Brien, Tracy; Cal Nygaard,<br />
Brainerd; Albert Munro, Rolla, N D.; Frank Hohn,<br />
Ashland, Wis.; Cal Kaake, Duluth; J. M, Rosfvold,<br />
Caledonia; Ed Fredine, Benson; Alfred Bergmann,<br />
Hudson, Wis.; John Brandenhoff Fairmont, and Al<br />
Smith, Winona. George Gould, Glencoe, was named<br />
an honorary director.<br />
Brilant Preparing Poll<br />
Pressbook for COMPO<br />
NEW YORK—Arthur M. Brilant, veteran<br />
publicity and promotion man. is aiding the<br />
Council of Motion Picture Organizations in<br />
preparing a brochure and pressbook on the<br />
national audience award poll, working under<br />
the direction of Charles E. McCarthy, information<br />
director.<br />
Brilant worked for 12 years under S. Barret<br />
McCormick at RKO Pictures, and also in the<br />
Hollywood and New York offices of Warner<br />
Bros, and Paramount. He conducted the 1946<br />
national publicity drive of the industry in<br />
behalf of the Red Cross.<br />
New Allied Artists Dividend<br />
HOLLYWOOD—Meeting in New York on<br />
Tuesday (3), the Iroard of directors of Allied<br />
Artists declared a quarterly dividend of<br />
13% cents a share on the company's 5^i; per<br />
cent cumulative convertible preferred stock.<br />
The dividend is payable June 15 to stockholders<br />
of record as of June 3.<br />
RCA Sales Earnings<br />
Highest m History<br />
NEW YORK—Sales and earnings of tl<br />
Radio Corp. of America in the first quart<br />
of 1955 amounted to $256,305,000, an increa<br />
of 13 per cent over the first quarter of 19i<br />
and the highest of any similar period in tl,<br />
company's history. Brig. Gen. David Sarno),<br />
chairman of the board, told the 36th annu:<br />
stockholders meeting May 3.<br />
Profits, before federal taxes, amounted<br />
$25,085,000, or a net profit for the quart<br />
of $12,568,000, after providing $12,517,000 f<br />
taxes. This is an increase of 25 per cent ov<br />
the profits earned in the first quarter of 19E<br />
Afier preferred dividends, the common sta<br />
earned 84 cents a share, compared with<br />
cents in the first quarter of 1954.<br />
Looking ahead. Gen. Sarnoff said that RC<br />
foresees a good volume of business for tl<br />
year 1955 as a whole. "We all know from e<br />
perience. however, that it is not possible<br />
.<br />
use the results of the first quarter period<br />
the yardstick for the remainder of the yes<br />
Nevertheless, based upon the annual progre<br />
sion and rate of our growth in past yea:,<br />
we hope that RCA will, for the first time<br />
its history, achieve the stature of a billli'<br />
dollar corporation. Our sights are set hi|<br />
and the target for 1955 is one billion doUa<br />
in sales of products and services," G
ARMS!<br />
• ••and it's the<br />
FUNmesr<br />
from<br />
BUD and<br />
MARIE WINDSOR • MICHAEL ANSARA and PEGGY KING<br />
Directed by CHARLES LAMONT<br />
•<br />
Screenplay by JOHN GRANT • Produced by HOWARD CHRISTIE<br />
A UNIVERSAL INTERNATIONAL PICTURE<br />
s<br />
f<br />
Another Picture with that Universal Appeal! h
; May<br />
(<br />
^<br />
;<br />
'<br />
PARA, WILL ASK FCC TO LICENSE<br />
PAY-AS'YOU-WATCH TELEVISION<br />
Company Deep in TV;<br />
Owns Station, Makes<br />
Color Tubes<br />
NEW YORK—Industry opposition to<br />
pay-as-you-see television will not be unanimous.<br />
Paramount not only has filed answers<br />
to the Federal Communications Commission<br />
request for proposed rule-making<br />
suggestions, it will be represented among<br />
the proponents at any hearing decided<br />
upon by the FCC. This hearing probably<br />
will be held next fall. The Commission had<br />
considered a summer date, but has decided<br />
to let it go over until after the vacation<br />
season for its employes.<br />
OWNS 50% OF TELEMETER<br />
The company now holds an Interest of more<br />
than 80 per cent in International Telemeter<br />
Corp. Last year it held 50 per cent, so it is<br />
apparent that the company's interest in this<br />
kind of television hasn't slackened; it has<br />
increased.<br />
"Our experience in show business tells us<br />
that the Telemeter system is the most practical<br />
system of paying for entertainment in<br />
the home," Barney Balaban comments in the<br />
company's latest annual report. "The combination<br />
of vocal program announcement, a<br />
coin box and built-in electronic accounting<br />
control provides the most effective merchandising<br />
and the simplest operation for the<br />
viewer.<br />
"There are major problems to be solved before<br />
pay-as-you-see television realizes its<br />
vast commercial possibilities. The various<br />
data processing projects, although aimed at<br />
important fields, must still pass in varying<br />
degree through the stage of converting phototype<br />
equipment to successful commercial<br />
product."<br />
Telemeter is only one of the television<br />
projects in which Paramount has an interest.<br />
It has decided to go into production of films<br />
for TV use.<br />
INTEREST IN CHROMATIC<br />
Paramount also has a 50 per cent interest<br />
in Chromatic Television Laboratories, Inc.,<br />
which is manufacturing the Lawrence color<br />
television tube. Last year it was expected<br />
that color TV receivers would be widely used<br />
by this time, but unexpected delays developed.<br />
In the meantime licenses have been issued to<br />
several manufacturers for use of the Chromatic<br />
system.<br />
In explaining the color delay, Balaban said<br />
the solutions offered by some companies did<br />
not "represent practical answers to the problem<br />
of delivery of quality color for mass<br />
market prices to the public. We believe the<br />
showings planned for the near future will<br />
demonstrate the Lawrence tube is the key<br />
to the problem."<br />
Paramount has had a 26 per cent interest<br />
in the Allen B. DuMont Laboratories for<br />
several years, but has repeatedly denied that<br />
it exercises any control. A few weeks ago<br />
DuMont announced that it was contracting<br />
its network and henceforth would transmit<br />
its programs on film to cut down wire<br />
charges. There has been no information<br />
Para. '54 Gross Down 3%<br />
But Net Income Gains<br />
NEW YORK—Paramount's gross revenues<br />
for 1954 were $108,833,841, about 3 per cent<br />
below 1953, when the total was $112,050,206.<br />
This was due to delay in the release of some<br />
of the new product until the latter part of<br />
the year, states Barney Balaban, president,<br />
in the annual report.<br />
There was a general improvement in business<br />
during the year. The report describes<br />
it as a "healthy resurgence."<br />
"In recent years," the report states, "it became<br />
increasingly obvious that each picture<br />
must stand or fall on its own merits. Now,<br />
more than ever, it is clear that the public<br />
will support good pictiures. Good pictures<br />
can compete successfully with television, or<br />
forthcoming on whether Paramoimt's plan<br />
to go into TV film production has a relationship<br />
with the DuMont policy shift.<br />
Paramount owns station KTLA, Los Angeles,<br />
100 per cent. This station is supposed<br />
to have been the first to turn in a profit. It<br />
also has a stake in the rapidly developing<br />
telecasting business in Canada—50 per cent<br />
of Ontario Television, Ltd., which owns and<br />
operates CKCO-TV at Kitchener, Ont.; 50<br />
per cent in Television de Quebec, Ltd., which<br />
operates CFCM-TV, Quebec City. Both of<br />
these have Telemeter franchises.<br />
Canadian theatres are beginning to feel<br />
the TV competition, the Paramount annual<br />
report admits, but this is not expected to be<br />
as serious as it was for some time in the<br />
United States.<br />
QuesHons Filmmaking<br />
By TV Nefworks<br />
Washiiig:toii—FCC Commissioner Frieda<br />
Hennock on Friday (39) questioned<br />
whether television networlcs should be<br />
permitted to produce or syndicate motion<br />
pictures and called for "an immediate,<br />
vigorous" Congressional investigation of<br />
monopoly practices of the networks.<br />
Miss Hennock submitted to the Senate<br />
Commerce Committee a minority report<br />
on that Committee's TV probe of last year.<br />
The Committee had invited FCC comments<br />
on the investigation, which had<br />
been aimed at the financial difficulties<br />
of the new UHF stations.<br />
Network penetration into all phases of<br />
the film ind'ustry jeopardizes development<br />
of film as a competitor to network program.<br />
Miss Hennock told the Committee.<br />
She said "the networks maintain a life<br />
and death control over TV and are<br />
strangling UHF and the development of<br />
TV."<br />
any other form of public entertainment."<br />
Consolidated net earnings after taxes f;<br />
1954 were $9,003,802, compared with $6,779,5<br />
in 1953. Dividends were paid at the rate<br />
$2 per share. Earnings were at the rate<br />
$4.10 per share. Net current assets went up .<br />
$66,950,900, an increase of $4,385,486.<br />
Dividends from Canadian and foreiij<br />
affiliated companies were $6,648,000, coij<br />
pared with $752,860 in 1953.<br />
Foreign business was an increasingly ir<br />
portant part of the total, the report stat*<br />
due to more favorable economic conditio'<br />
abroad, but the company does not report ;<br />
foreign income until it has been remitted<br />
this country.<br />
On this point the report states: "Canadi;|<br />
theatres are beginning to feel the impei<br />
of television. However, with the experieni<br />
of the American industry behind them, it;<br />
cur belief that the higher quality of pictur<br />
now in release and the new and greatly ii;<br />
proved methods of presenting films will e<br />
able the Canadian theatres to adjust mcj<br />
rapidly to television."<br />
The Paramount stake in Canadian theatl<br />
operation is much larger than its investmer.<br />
in TV thus far. It holds 51 per cent of F-<br />
mous Players Canadian Corp., Ltd., in spi<br />
of the sale of 285,000 common shares whi»<br />
were sold to the Canadian public last spri;{<br />
at $23.50 per share, on the theory that<br />
.<br />
would be better for the company to haf<br />
Canadian residents holding a larger shs^<br />
of the total. Up to the time of this sale Pav<br />
mount held 67% per cent.<br />
Paramount Is Continuing<br />
Its Purchases of Stock<br />
NEW YORK—Paramount is continuing ^<br />
policy of purchasing its stock on the ofV<br />
market.<br />
Between January 1 of this year and Aprii<br />
the total outstanding was reduced by 5,1><br />
shares, leaving the total at 2,188,921 frd<br />
,<br />
21,195,027. These purchases began befi?<br />
the antitrust decree went into effect ai<br />
have continued at various speeds since.<br />
Purchases for the full year were 22,01.<br />
During 1953 the total purchases were 122,41.,<br />
The cost of the 1954 buys was $774,5!.<br />
During 1953 the total cost was $3,243,586.<br />
Hiding' Screening Dated<br />
NEW YORK—Warner Bros. "TaU Man R-<br />
ing." starring Randolph Scott and Dorot? I<br />
Malone, will be nationally tradeshown May .<br />
instead of May 11. as previously announcl.<br />
i<br />
The picture will be nationally distributl i<br />
June 18.<br />
bj'f<br />
'<br />
20 BOXOFFICE :<br />
7. Il5
1<br />
three<br />
. . . from<br />
MOVIE FESTIVAL EMBLEM<br />
An emblem, carrying the slogan<br />
•'Nothing Beats the Movies," will be<br />
the key promotional item in the monthlong<br />
Southeastern Movie Festival which<br />
exhibitor organizations will sponisor<br />
in Georgia. Alabama and Florida.<br />
The Festival will be held from May 16<br />
to June 16 in all three states. There will<br />
be co-op advertising, saturation playdates<br />
for top pictures being released by<br />
distributors for the occasion and some<br />
of the companies are placing full color<br />
Sunday advertisements in daily news-<br />
'<br />
papers to sell the pictures. The Festival<br />
is one of the first to be held on a regional<br />
basis in the industry's history.<br />
^)^T-IATSE Deal Closed;<br />
i) Theatres Book Fight<br />
•TEW YORK—Theatre Network Television<br />
1 i the International Alliance of Theatrical<br />
f ige Employes and Moving Picture Machine<br />
Cerators have signed a one-year labor<br />
£--eement covering employes in the closedc'cuit<br />
TV industry. Signers were Richard<br />
I' Walsh, lATSE president, and Nathan L.<br />
ripern, TNT president.<br />
Negotiations were conducted by Martin H.<br />
Ill for TNT and John J. Francavilla. inter-<br />
Uional representative, for the union.<br />
rNT has a 41-city network of large-screen<br />
i:'bile projectors which will be operated by<br />
irSE crews. The first telecast under the<br />
utract will occur Monday (9) when there<br />
VI be a program for physicians sponsored<br />
1 the American Medical Ass'n and Smith,<br />
line and French Laboratories.<br />
The Marciano-Cockell fight will be telecst<br />
May 16 from San Francisco to more than<br />
8 theatres, Halpern said.<br />
l.cture Companies Report<br />
fock Holding Changes<br />
CEW YORK—Changes in corporate holdi<br />
s of their own stock have been reported<br />
I motion picture companies to stock extmges<br />
as follows:<br />
ivmerican Broadcasting-Paramount Theses,<br />
five per cent preferred, shares pre-<br />
^usly reported, 3,109; latest report. 9,409:<br />
I -amount, common, 22.000 to 27.000; RKO<br />
'eatres, common. 672.377 to 88.400; Stanley<br />
j^Jner Corp., common, 265,600 to 270,600.<br />
COMPLAINTS GO TO MOTION PICTURE ASSN<br />
British Censors Warn<br />
On Crime, Violence<br />
NEW YORK—The British Board of Film<br />
Censors has formally warned the Motion<br />
Picture Ass'n of America that U. S. producers<br />
must place le.ss emphasis on crime, violence,<br />
passion and sex or films with an undue<br />
proportion of those ingredients may be<br />
barred from distribution in Britain.<br />
The letter itemized complaints against six<br />
films which it has banned. All had the<br />
production code seal. They are: "The Wild<br />
One," "Cell 2455, Death Row," "Wicked<br />
Woman," "Black Tuesday," "Operation Manhunt"<br />
and "Cry Vengeance."<br />
The letter said violence was permissible<br />
when necessary to the story, but not "scenes<br />
of utmost brutality" and evidence of "sadistic<br />
pleasure" in beatings.<br />
The MPAA here had no comment, but it<br />
was clear that the warning was being taken<br />
seriously and that Eric Johnston, president,<br />
would discass it with company presidents.<br />
Louisville Times Also<br />
In a Warning<br />
LOUISVILLE—The Louisville Times, commenting<br />
on the action of the British Board of<br />
Film Censors in warning American producers<br />
to modify scenes of violence, crime and passion,<br />
declared that while it has never liked<br />
censorship it is conceivable that the British<br />
are doing the United States a favor in its<br />
foreign relations.<br />
The Times editorial, which has already<br />
been reprinted in other important daily newspapers,<br />
said, in part:<br />
"Hollywood has an immense foreign market,<br />
upon which it is heavily dependent. Thus<br />
Hollywood already operates a rather sensitive<br />
censorship of its own. Care is taken<br />
that no film contain anything offensive to<br />
the national pride and prejudice of any one<br />
of many friendly countries in which it may<br />
be shown. The effect may be somewhat restrictive,<br />
artistically, but the foreign boxoffice<br />
is highly important, economically.<br />
"However, no similar self-interested, selfcensorship<br />
appUes so carefully against what<br />
may be, in effect, misleading caricature of<br />
life in the United States. The total impact<br />
upon the foreign audience may be unexpectedly<br />
different from the impact upon the<br />
American audience, which is able to see the<br />
picture in familiar perspective.<br />
" * • * Foreign censors—the British Board<br />
of Film Censors, for example—are not primarily<br />
interested in seeing to it that an<br />
accurate picture of America is presented to<br />
their audiences. The censors are interested in<br />
'protecting' the audiences from scenes which<br />
the censors consider too raw and therefore<br />
brutalizing, or degrading. But if this effort<br />
has the net result of diminishing the notion<br />
abroad that violence is an accepted instrument<br />
of the American way of life, we carmot<br />
condemn the censorship as wholly nefarious,<br />
or unconscionably meddlesome.<br />
"The question is difficult, of course. The<br />
Wild West, source of much of the film entertairunent<br />
that goes overseas, was more or<br />
less wild. Life in the United States has never<br />
been wholly serene and subdued, or free of<br />
crime and sex. Let's hope that Hollywood,<br />
under prodding like that which comes from<br />
London, can strike a reasonable balance somewhere,<br />
before going so far as to portray us<br />
all as goody-goodies."<br />
Assails 'Sin-Strewn' Films<br />
Exported From the U.S.<br />
BURLINGTON, WIS.—A small minority of<br />
film distributors send "sin-strewn" films<br />
across the ocean and thereby play into the<br />
hands of Rus.sian propagandists, Sen. Alexander<br />
Wiley (R., Wis.) told a "May Day-<br />
Loyalty Day" celebration here on Sunday (1).<br />
Wiley praised theatre owners for their contributions<br />
to "all sorts of charitable and<br />
goodwill causes," commended MPAA president<br />
Eric Johnston and the vast majority of<br />
producers and distributors for their cooperation<br />
in trying to create a tnie picture of the<br />
U. S. abroad, but a.ssailed the small minority<br />
of distributors who are engaged in "squeezing<br />
the last possible dollar ... in greedy profit<br />
the overseas market."<br />
Some of these films present an America<br />
"of sex, sin and sadism, of gangsterism, corruption,<br />
filth and degradation," and while<br />
Americans can ordinarily "interpret such<br />
films in proper perspective," foreign audiences<br />
are misled. He said we are spending<br />
$80,000,000 through the U. S. Information<br />
Agency to create a good impression abroad,<br />
and these films have been undoing the work.<br />
ITie Russians "are pouring out enough filth<br />
about us without our adding to our own problem,"<br />
Wiley said. He told his audience that<br />
he doesn't believe in government cen.sorship<br />
and said "it is up to Hollywood, therefore, to<br />
demonstrate its further loyalty ... by taking<br />
voluntary action. An unscrupulous few should<br />
not be in a position to tarnish the good name<br />
of the overwhelming mass of deeply responsible<br />
industry leaders."<br />
Stanley Adams Re-Elected<br />
President of Ascap<br />
NEW YORK—Stanley Adams was reelected<br />
president of the American Society<br />
of Composers, Authors and Publishers at a<br />
board meeting April 28. Re-elected for a oneyear<br />
term were; Otto A. Harbach, vice-president:<br />
Louis Bernstein, vice-president; John<br />
Tasker Howard, secretary; Saul H. Bourne.<br />
treasurer; George W. Meyer, assistant secretary,<br />
and rtank H. Connor, assistant<br />
treasurer.<br />
Three Elected to Board<br />
Of Makelim Pictures<br />
HOLLYWOOD—Election of three men tn<br />
the board of directors of Maklim Pictures,<br />
Inc., was announced by Hal R. Makelim.<br />
president. They are C. A. Dandelake, of<br />
Tarboro, N. C, owner of the Colonial and<br />
Tar theatres and president of Theatre<br />
Owners of North and South Carolina; Hugh<br />
Thomas jr.. Sarasota, Fla.. owner of the<br />
Siesta Drive-In circuit, and Jack Jackson,<br />
editorial columnist of Houston, Texas.<br />
IXOFFICE :: May 7, 1955 21
ii/lay 31 thru June<br />
starring<br />
DALE ROBERTSON • SALLY FORREST -LIU srJ<br />
]co-starring<br />
MARI BLANCHARD • Directed by lED TEIZIAFF • Wntten by AUBREY WIS6ERG and JACK POli
1£<br />
SINBADV<br />
wee I<br />
THEATRE i<br />
across the<br />
U.S. have<br />
booked SIN BAD for<br />
the first mreek in June!<br />
JGHES presents<br />
ftlCENT PRICE<br />
THE NEW ANAMORPHIC PROCESS<br />
Si/P£J?SCOPE<br />
ON THE GIANT WIDE SCREEN<br />
color by<br />
TECHNICOLOR<br />
R K O<br />
RADIO<br />
PICTURES<br />
V
: May<br />
ANNOUNCEMENT AT RICHARD F. WALSH DINNER<br />
20th-Fox Plans Epilepsy<br />
Film for Variety Clubs<br />
Richard F. Walsh (center), international president of lATSE, was guest of honor<br />
at the Heart Award Dinner of the Variety Club of New York, where he received the<br />
second annual Heart Award from Russell V. Downing (left), president of Radio City<br />
Music Hall. William J. German (right), was chief barker of Tent No. 35 and general<br />
dinner chairman at the Waldorf Astoria Hotel event.<br />
NEW YORK—Spyros P. Skouras, president Charles Halloran, representing Governor<br />
of 20th Century-Fox, will produce a motion Harriman, who praised Walsh for his role<br />
picture on epilepsy for nationwide theatrical in the maintenance of labor harmony in the<br />
distribution under the sponsorship of the amusement world.<br />
Variety Club Foundation to Combat Epilepsy Robert J. O'Donnell, vice-president and<br />
he told the 800 guests attending the second general manager of the Texas Interstate<br />
annual Heart Award Dinner of the Variety Circuit and former chief barker, was toastmaster<br />
and also told of his early association<br />
Club of New York at the Waldorf Astoria<br />
Hotel May 2.<br />
with Walsh. Others on the dais were: Margaret<br />
Hayes, actress; Jay Emanuel, A. W.<br />
The dinner was the Variety Club's tribute<br />
Schwalberg, Max A. Cohen, Samuel Rinzler,<br />
to Richard F. Walsh, international president<br />
of the International Alliance of Theatrical<br />
Stage Employes and Motion Picture Operators<br />
of the U. S. and Canada, who was presented<br />
the Heart Award by Russell V. Downing,<br />
president of the Radio City Music Hall.<br />
Skouras said he hopes to make the picture<br />
in both Cinemascope and conventional<br />
forms and, "with the aid of the Variety Club<br />
Foundation we hope to be able to exhibit<br />
this film in all theatres in the U. S." The<br />
script is now in preparation and production<br />
will be started shortly at the 20th-Fox Studios<br />
in California for fall release, according to<br />
Skouras. The picture will also be issued in<br />
16mm for clinical and professional use later<br />
on.<br />
"The purpose of the film is to bring the<br />
American public up to date on the great<br />
strides that have been made by the medical<br />
profession in the diagnosis and treatment of<br />
epilepsy," he said.<br />
Walsh, who has served as a director of the<br />
Variety Club Foundation to Combat Epilepsy<br />
since its founding, was praised by William J.<br />
German, chief barker of Variety Club who was<br />
chairman of the dinner committee, for "having<br />
contributed much to its success."<br />
Other speakers were: Robert M. Weitman,<br />
vice-president of American Broadcasting-<br />
Paramount Theatres, who spoke of his early<br />
as.sociation with Walsh in union activities;<br />
Howard Lindsay, author-producer-playwright,<br />
who spoke for the legitimate theatre and<br />
said that Walsh "has given not only respect<br />
but self-respect to the lATSE," and Hon.<br />
Abel Green, Sam Rosen, Fred J. Schwartz,<br />
Gus S. Eyssell, Emanuel Frisch, Sam Dembow.<br />
Major L. E. Thompson, Thomas Murtha,<br />
Charles Reagan, Herman Gelber, Edward L.<br />
Fabian, Joseph R. Vogel, John Shubert, Harry<br />
Brandt, Leonard Goldenson, Herman Robbins,<br />
Ned E. Depinet, Richard W. Altschuler,<br />
Mrs. Charles E. Lewis, Wilbur Snaper, James<br />
L. Wolcott, Robert W. Coyne and Donald M.<br />
Mersereau of BOXOFFICE. Martha Lipton,<br />
Metropolitan Opera star, sang the National<br />
Anthem and Rev. Vincent J. Brosnan, chaplain<br />
of the Catholic Actors Guild, gave the<br />
invocation.<br />
$2,000,000 Antitrust Suit<br />
Filed in New Hampshire<br />
BOSTON—An antitrust suit claiming $2,-<br />
000,000 in triple damages has been filed in<br />
federal district court of New Hampshire by<br />
Miriam Z. LeWitt, owner of the Strand Theatre,<br />
Plainville, Conn., against the eight majors.<br />
The suit claims an illegal structure of<br />
runs, clearances, availabilities and admission<br />
prices and charges the majors and theatres<br />
in Bristol, New Britain and Hartford, Conn.,<br />
with conspu'acy, monopoly and restraint of<br />
trade. There are no exhibitor defendants,<br />
however, since none does any business in<br />
New Hampshh-e and are therefore outside<br />
the jurisdiction of that state.<br />
The suit was filed from the Boston office<br />
of attorneys George S. Ryan and W. Bradley<br />
Ryan.<br />
Republic to Release<br />
20 in Five Months<br />
NEW YORK—Republic will release 20 fe<br />
tures from May through September,<br />
assuring consistent delivery during the ne<br />
five months at the<br />
rate of one a week, according<br />
to Richard W.<br />
Altschuler, director of<br />
worldwide sales. All<br />
productions on the list<br />
are either completed or<br />
now shooting, he said.<br />
Leading off the May<br />
schedule is "The Eternal<br />
Sea," co-starring<br />
Sterling Hayden and<br />
Alexis Smith, which<br />
recently opened at the<br />
RKO Albee, Providence,<br />
followed by a<br />
saturation<br />
throughout New England. Others for<br />
will be: "Santa Fe Passage," in TrucoU<br />
starring John Payne, Faith Domergue<br />
Rod Cameron; "I Cover the Underwark<br />
with Sean McClory, and "Don Juan's Nii<br />
of Love," with Raf Vallone and Silvi<br />
Pampanini.<br />
The June list starts with "Road to Denvei|5'j<br />
in Trucolor, starring John Payne, Moi^<br />
Freeman and Lee J. Cobb, and "Flame of<br />
i<br />
Island," in Trucolor, starring Yvonne<br />
Carlo, Howard Duff and Zachai-y Scott; "i<br />
Green Buddha," starring Wayne Morris i<br />
Mary Germaine; "City of Shadows," starril<br />
Victor McLaglen with John Baer and Katl<br />
leen Crowley, and "Double Jeopardy," sta<br />
ring Rod Cameron with Gale Robbins.<br />
In July, there will be: "Magic Fire,"<br />
Trucolor, starring Yvonne De Carlo, Carl<br />
Thompson, Rita Gam and Valentina Cortes<br />
"Mystery of the Black Jungle," starring L<br />
Barker; "Deadline Alley," starring B<br />
Cameron and Julie Bishop, and "Jaguai<br />
starring Sabu with Barton MacLane.<br />
In August, there will be "The Last Coi<br />
mand," starring Sterling Hayden, Anna Mai<br />
Alberghetti and Richard Carlson;<br />
Divided Heart," a British picture produc<br />
by Michael Balcon, starring Cornell Borche<br />
Alexander Knox and Yvonne Mitchell; "It<br />
That Rifle Down," starring Judy Canova, ai<br />
"Circus Girl," in Trucolor.<br />
September will bring "The Hostage,"<br />
Trucolor, starring Ray Milland and<br />
Murphy; "The Vanishing American," bet ber<br />
filmed in Trucolor, starring Scott Brad<br />
Audrey Totter and Forrest Tucker, and "Cod'It^<br />
""<br />
Next Spring," in Trucolor, starring Stejj<br />
Cochran, Anne Sheridan and Sonny Tufts.]<br />
MGM to Handle 'Svengafl<br />
British Film, in U. S.<br />
NEW YORK—Metro-Goldwyn-Mayer<br />
distribute "Svengali," produced in Englarl<br />
by George Minter, in the U. S. and the wesl<br />
ern hemisphere, according to Charles M. Reil<br />
gan, general sales manager. Tliis MGM dil<br />
tribution deal follows others with outsiil<br />
producers, including Samuel Goldwyn, f|<br />
"Guys and Dolls."<br />
"Svengali," in Eastman Color, is based (I<br />
the novel "Trilby" by George du Maurkj<br />
and stars Hildegarde Neff as Trilby, Dona'<br />
Wolfit as Svengali and Terence Morgan<br />
Billy. Noel Langley directed.<br />
24 BOXOFFICE :<br />
7, 191
u.m<br />
.«*<br />
Ul X H ^ Ui ^<br />
W 3 3 ^ ^ °<br />
* o
'<br />
1<br />
Milwaukee's Exhibitors<br />
Organize for Promotions<br />
By BILL NICHOL<br />
MILWAUKEE—Theatremen in this town<br />
are giving concrete evidence of what can<br />
be done when exhibitors<br />
get together to<br />
promote the motion<br />
picture business for<br />
their mutual benefit.<br />
While there have<br />
been occasions in the<br />
past where local managers<br />
of downtown theatres<br />
got together to<br />
whip up enthusiasm<br />
designed to bring patrons<br />
back to the<br />
movies, the over-all<br />
Erv Clumb<br />
spirit of the thing, as<br />
was the custom, soon wound up as a mere<br />
memory and experiment.<br />
DECIDE ON JOINT EFFORTS<br />
All this, however, has been changed. The<br />
managers have finally come to the point<br />
where they realize that the very lifeblood<br />
of the business is at stake. Hence, they decided<br />
to do something about it in January.<br />
Things have moved quickly in the intervening<br />
months. April resulted in a big cooperative<br />
movie festival month, and through<br />
the joint efforts of the managers, the Milwaukee<br />
Journal published a 16-page, color<br />
motion picture magazine which is to become<br />
an annual project.<br />
Among those attending the January session,<br />
which incidently, was held on the Riverside<br />
Theatre's mezzanine floor, were: Ervin<br />
Clumb, the Riverside's managing director;<br />
Al Meskis, Warner; Jack Kois, Telenews; Bob<br />
Kroenert, Alhambra; Mrs. Marion Hvasta,<br />
Towne; Robert Brill, Pi-incess; Harry Boesel,<br />
Palace; Francis Bickler, Wisconsin, and Miss<br />
Estelle Steinbach, now managing the Garfield<br />
in addition to her public relations activities<br />
for Fox-Wisconsin. The over-all theme<br />
permeating the meeting involved the thought<br />
that "what's good for the downtowners, is<br />
good for the others."<br />
FIND MUTUAL PROBLEMS<br />
As might be expected, issues of all sorts<br />
arose. One of the difficulties, which the<br />
neighborhood theatres are not afflicted with,<br />
is the parking problem. The price structure<br />
downtown is obviously higher than in the<br />
outlying districts. Admittedly, promotion, exploitation<br />
and advertising for the downtowners<br />
calls for high-powered efforts, and<br />
lofty expense budgets. Thus, while each individual<br />
theatre has its own problems, by and<br />
large, the managers felt any approach in the<br />
direction of bringing patrons back to the<br />
movies is a step In solving the boxoffice<br />
trend.<br />
At any rate, with all the problems brought<br />
out into the open, the aggressive group boiled<br />
down the solutions immediately available,<br />
and committees were promptly named for<br />
expediting the approaches. As for some of<br />
the conclusions drawn, it is interesting to<br />
note that while here and there an individual<br />
situation may appear Ln distress,<br />
prospects for the future are beginning to<br />
look brighter.<br />
Sprint.mm[Setlion<br />
Cover of "Oscar" section in tiie Milwaukee<br />
Journal, an exhibitors promotion.<br />
Nevertheless, once the conclusions of these<br />
showmen were out of the way, and lines<br />
drawn, so to speak, they repaired to their individual<br />
forts and proceeded to break down<br />
the resistance. First, the mayor was approached,<br />
with the thought in mind that the<br />
naming of April as "Go-to-the-Movies<br />
Month" would focus attention on the theatres<br />
as important community centers.<br />
Then the city council was asked to get on<br />
the bandwagon, and as a result, came up<br />
with five resolutions which were very effective<br />
in stimulating the movement back to the<br />
movies. Meanwhile, Boesel and Clumb spearheaded<br />
action on a special "Oscar Section"<br />
which appeared in the Milwaukee Journal.<br />
April 10. the first of its kind, and as matters<br />
stand right now, slated for an annual appearance.<br />
It stands as a monument to the combined<br />
efforts of these showmen, and represents<br />
a symbol of what can be accomplished<br />
with unity.<br />
One and all, they agree (one week having<br />
passed, with boxoffice receipts ascending)<br />
that this is the sort of "stuff" which smacks<br />
of future success. Monthly meetings are now<br />
in order, and a number of surprises scheduled<br />
for the future. This may be IT!<br />
Named to direct exhibitor activity on a<br />
joint basis were: Ervin Clumb, chairman;<br />
Harry G. Boesel, co-chairman; Miss H. Brunner.<br />
Pox Theatres; Francis Bickler, Robert<br />
Kroenert, Mrs. Marion G. Hvasta, John R.<br />
Kois. Al Meskis and Miss Steinbach.<br />
Universal Votes Dividend<br />
NEW YORK—The board of directors of<br />
Universal Pictures Co., Inc., has voted a<br />
quarterly dividend of $1.0625 per share on the<br />
4'/i per cent cumulative preferred stock, payable<br />
June 1 to stockholders of record at the<br />
close of business May 16.<br />
MGMloReleaseSFilm<br />
During July, August<br />
NEW YORK—Metro-Goldwyn-Mayer w<br />
release five features, including one reissi<br />
during July and August, to make a total<br />
18 pictures for the first eight months of 19^<br />
Three of the 18 are reissues. 1<br />
For July, there will be "Interrupted M<<br />
ody," in Cinemascope and Eastman Cold<br />
originally scheduled for March release ai'<br />
which is having special engagements on<br />
during May; "The Cobweb." in Eastmi<br />
Color and Cinemascope, and the reissue<br />
"The Wizard of Oz," in both Technicolor aB<br />
black-and-white prints.<br />
]<br />
For August, there will be "The Kind<br />
Thief," in Cinemascope and Eastman Colo<br />
and "The Scarlet Coat," also in CinemaScoj<br />
and Eastman Color.<br />
Oklahoma Variety Club<br />
To Raffle Oil Well<br />
OKLAHOMA CITY—A producing oil W(<br />
is to be given away this year by Variety Te:,<br />
22. The oil well give-away fund-raising pU<br />
will supplant the long-time turtle derby ever<br />
staged to raise funds.<br />
The board elected to give away an oil we!<br />
then presented the matter to a general merf<br />
bership meeting Monday night (25) at whic<br />
time more than 60 men were present. A vo<br />
of confidence was given to the plan whi(<br />
is expected to be launched about July 1. Tl<br />
giveaway will be made after the State Pa,<br />
which ends in early October.<br />
At the general membership meetin:<br />
Charles R. Guthrie, fund-raising project'<br />
main guy, outlined the plan. The presei<br />
plan is to sell chances at one dollar eac;<br />
with eleven chances in a book for ten do<br />
lars, giving one chance free to a book.<br />
R. Lewis Barton was named main guy (<br />
the committee to organize the promotion f(!<br />
funds, while W. H. "Bill" Lewis was name'<br />
co-main guy.<br />
'Marty' Wins an Ovation<br />
At Cannes Film Festival<br />
CANNES, FRANCE—Audiences and new.'^<br />
papers highly praised "Marty," United Ar<br />
ists film, shown here April 29 at the Fill<br />
)<br />
Festival. Applause of those in the Palais d<br />
Festival was frequent during the showin<br />
<<br />
and at the end when Betsy Blair, who stai<br />
in the film with Ernest Borgnine, made<br />
personal appearance.<br />
MGM's "Bad Day at Black Rock" had prd<br />
viously gotten a warm reception. Othf|<br />
American films to be shown include Warns<br />
Bros.' "East of Eden." Paramount's "Countr<br />
Girl" and 20th-Fox's "Carmen Jones." Tli<br />
last is not an official entry.<br />
De Rochemont Honored<br />
At Swiss Reception<br />
NEW YORK—Louis de Rochemont, pro<br />
ducer of "Cinerama Holiday," and Robei<br />
Bendick, director of the Swiss winter scene<br />
in Holiday magazine, were honored at<br />
party held at the Swiss National Travf<br />
Office April 26.<br />
Borden Mace accepted the award of<br />
golden medallion, a replica of the symbol 0|<br />
St. Moritz, from Peter Kasper, director Oj J<br />
the St. Moritz tourist promotion office.<br />
26<br />
BOXOFFICE May 7, 195
i'illiam H. Pine Dies;<br />
Veteran Producer<br />
lOLLYWOOD—Filmdom lost one of its<br />
rist successful and hard-working producers<br />
h the pa-ssing April 29 of William H. Pine,<br />
59. partner of Wm. C.<br />
Thomas in the famous<br />
team of Pine and<br />
Thomas. Pine died of<br />
a heart attack, the second<br />
and fatal seizure<br />
coming after he had<br />
entered Cedars of Lebanon<br />
Hospital a little<br />
— T~^ j^. more than a week<br />
^^L ''^^^B.'Cil earlier to undergo<br />
^VHMrfl^^Ly| treatment for a milder<br />
I^_<br />
Hk^jDHw<br />
attack. Until just before<br />
his death his docrt'illiam<br />
H. Pine tors had reported him<br />
tbe holding his own.<br />
liervices were held Monday (2) followed by<br />
tj-ial at Hollywood cemetery. Survivors inc;de<br />
his wife: a son, Howard, a producer at<br />
liversal-International: three sisters, three<br />
b>thers and three grandchildren. Y. Frank<br />
li-eman. Paramount studio head, delivered<br />
!( eulogy and active pallbearers were Freer,<br />
n, Herman Darstein, Sylban Cobey, Will.n<br />
Demarest. Robert Gillham. Maxwell<br />
^ane, Archie Herzoff and Richard Arlen.<br />
I'ine and Thomas were partners for 15<br />
virs and during that period turned out 81<br />
t.tures for Paramount. Of them, "Run for<br />
ever" is currently in release and will be<br />
filowed by three others, "Hell's Island," "The<br />
1r Horizons" and "Lucy Gallant." Last<br />
S.rch P. and T. dissolved its long associatin<br />
with Paramount and inked a releasing<br />
cil with United Artists, under which the<br />
fit venture, "Lincoln McKeever," is now in<br />
Ii'paratory stages.<br />
'Tom New York newspaper work and the-<br />
Eiical and circus publicity. Pine came to<br />
t'atre exploitation with Balaban & Katz<br />
i Chicago. He joined the Paramount studio<br />
plicity department in 1933. and organized<br />
became a director of the advertising and<br />
f 1<br />
oloitation department. Three years later<br />
1 joined Cecil B. DeMllle as associate proc;er.<br />
The Pine-Thomas unit was formed<br />
i 1940, releasing through Paramount. The<br />
l^;office knowhow of Pine and his partner<br />
! to their being dubbed the "Dollar Bills."<br />
\t Pine's passing, DeMille said of him that<br />
I' was "one of the best associates and best<br />
f?!nds I have ever had."<br />
]tck Cohn Selects Three<br />
I P Pioneer Committees<br />
JEW YORK—Jack Cohn. president of the<br />
Mion Picture Pioneers and the Foundation<br />
c Motion Picture Pioneers, has named the<br />
15 Pioneer dinner committee and, for the<br />
f ndation, the relief and assistance committ<br />
and the contributions committee. His<br />
a ion followed a meeting of the board.<br />
"he dinner committee consists of Barney<br />
E aban. Herman Robbins, Ned E. Depinet,<br />
fn Dembow jr. and Cohn. It will choose<br />
a hairman and name the man to be honod<br />
as the pioneer of the year.<br />
'"he relief and assistance committee cons,<br />
s of Marvin Kirsch. John J. O'Connor and<br />
\ liam Brandt. The contributions committ<br />
is William J. German, Sam Rosen and<br />
C )rge Dembow.<br />
Rosensohn of BOTV Plans<br />
Experimental Laboratory<br />
NEW YORK— Box-Office Television, Inc.,<br />
plans an experimental TV studio laboratory<br />
which will be available to a limited number of<br />
subscribers on an annual contract basis, according<br />
to William P. Ro.sensohn, president.<br />
He said it will have the backing of advertising<br />
agencies. The company produces industrial<br />
and business closed-circuit telecasts.<br />
The new service will supply studio space,<br />
film channels, cameras, editing equipment,<br />
lights, scenic pieces and BOTV technicians<br />
and specialists. BOTV will move from its<br />
present location to the space to be occupied<br />
by the laboratory. Further details will be<br />
made known soon, including personnel<br />
changes, Rosensohn said.<br />
n<br />
fter midnight of Mav 2.5,<br />
"0 thou of Utile jaith wherefore<br />
didst thou have any doubt?"<br />
Voice of America Records<br />
Program at SW House<br />
NEW HAVEN—What the U. S. State Department<br />
called the first Voice of America<br />
broadcast ever to originate in a motion picture<br />
house was recorded in the Stanley W.trner<br />
Roger Sherman here Thursday (28). The<br />
occasion was the visit of two Italian ba-i;-<br />
ball stars touring the United States as guests<br />
of the State Department. They received<br />
baseballs autographed by Giants' centerfielder<br />
Willie Mays from Joseph Rossomando,<br />
a.ssistant Yale baseball coach, in a<br />
brief ceremony on the Roger Sherman stage.<br />
The program, which coincided with the<br />
opening of "The Willie Mays Story," was<br />
tape-recorded by Voice of America for replay<br />
throughout Italy. The visiting players were<br />
Franco Tavoni and Angelo Rizzo.<br />
1955, no contract or request for contract<br />
will be considered in THE MAKELIM PLAN.<br />
Contracts, requests for contracts, or those returned for correction,<br />
under THE MAKELIM PLAN, mailed before midnight<br />
of May 25, 1955, will be considered.<br />
^^OCl<br />
EXHIBITORS (close to 25% of all the exhibitors in<br />
OO^V the country) have joined and pledged in one body,<br />
to play and pay for, to exploit and promote MAKELIM PIC-<br />
TURES, one a month. Clean — powerful — entertaining stories<br />
that will bring a tear, a smile, or a thrill. No filth — no smut —<br />
no epics — just good, clean pictures. Good for the 10-year-old.<br />
the teenager, the parents, and the grandparents.<br />
3<br />
humbly bow my head in thankful prayer for the patience,<br />
support, and confidence of 154 of the finest and biggest<br />
circuits of theatres in America who have signed to THE MAKE-<br />
LIM PLAN.<br />
^po the thousands of reliable and trustworthy independent ex-<br />
^i^ hibitors from coast to coast who have all signed to THE<br />
MAKELIM PLAN — and to those exhibitor organizations whose<br />
verbal support helped so much — my sincere thanks. I am truly<br />
grateful.<br />
jSL^o that all who join THE MAKELIM PLAN will have done<br />
e*^ so on an equal basis — stories, cast, and starting date, will<br />
be announced after the closing date.<br />
^<br />
atience i^ a great virtue, and I am thankful and grateful<br />
abundantly.<br />
to the many thousands who have expressed it to me so<br />
J/ai /?.<br />
Makeiim<br />
9336 Washington Boulevard, Culver City, California<br />
EXOFFICE :: May 7, 1955 27
$2.80 Package-Dinner and Movie<br />
Offered by Seattle Hotel Circuit<br />
Seattle—Backed by an extensive radio, TV,<br />
newspaper, trailer and lobby card promotion,<br />
the Seattle Hamrick Theatres, in conjunction<br />
with the Olympic Hotel, have initiated a<br />
"package deal"—dinner and a ticket to a<br />
first run movie at one of their houses, the<br />
Music Hall, Blue Mouse, Orpheum, or Music<br />
Box, for only S2.80. After three weeks of<br />
operation, Doug Forbes, city manager for the<br />
Hamrick chain, reports that each week has<br />
seen an increase in the number of "package"<br />
customers.<br />
The program got under way Monday,<br />
March 21, with the breaking of ads in the<br />
various med;a, including a saturation schedule<br />
on radio KING, AM and FM. Announcers<br />
were invited by the hotel and theatre chain<br />
for a dinner and a movie to show them<br />
how the plan operated. After two weeks on<br />
KING, the radio advertising was shifted over<br />
to KJR and the same pattern repeated.<br />
Reception of the theatre-dinner plan has<br />
been excellent, with no reports of dissatisfaction<br />
from patrons. Present plans are to continue<br />
the arrangement, using newspapers,<br />
movie trailers, radio, and the hotel menus.<br />
In commenting on the success of the plan<br />
so far, Forbes stated : "Budgetwise, it's a little<br />
early to say how far ahead we are in actual<br />
THEY DON'T BELIEVE IT!
: May<br />
"<br />
Alan Press, Traffic Manager of Screen Gems, Inc., TV subsidiary of Columbia Pictures Corp., tells<br />
ii<br />
Why Rin Tin Tin is never late!''<br />
Every Thursday, kids are waiting for Rin Tin Tin in Miami,<br />
I'ia., and Bay City, Mich., and fifty-three other cities. They'd<br />
he awfully disappointed if he didn't show up.<br />
"How do we get him there.' It's simple, says Alan Press.<br />
"We ship him on film — by Air Express. We also meet<br />
rigid schedules for our other TV network shows: Ford<br />
Theater, Captain Midnight and Damon Runyon Theater. All<br />
told, over 200 unbreakable dates to meet every week.<br />
"Using Air Express excltisively, we've never missed a<br />
single show!<br />
"\'et, we save real money with Air Express. It costs $3.78,<br />
for instance, on our typical 10-lb. shipment from New<br />
York to Bay City. It's the lowest of all — $1.37 less than by<br />
the next lowest-priced air service."<br />
CALL ^KiPt<br />
e:>cpi=ie:ss<br />
Aii'ExiJress<br />
GETS THEtRE F-lftST<br />
division of Ff^KIL-W^Vy E3CPI=tESS ^K
. . . Paramount<br />
—<br />
. . Warner<br />
—<br />
. . "Unchained,"<br />
^Mfmuid ^efoont<br />
Story Mart Best in Months;<br />
Eight Sales During Week<br />
Hitting a brisk pace unequalled for many<br />
past months, the literary market was enlivened<br />
by the sale of no less than eight<br />
properties, spearheaded by 20th Century-<br />
Fox's purchase of a pan- of subjects.<br />
Secured by the Westwood film foundry were<br />
"Boy on a Dolphin," an adventure novel by<br />
David Devine, and "Painted Days," an unproduced<br />
play from the pen of John Byrne.<br />
The former deals with the search, off the<br />
coast of modern-day Greece, for a sunken<br />
ship bearing a cargo of priceless antiques;<br />
the latter, localed in Ireland, concerns the<br />
romance between a farmer and a blind girl<br />
picked up "The Lonely Man,"<br />
a galloper by Robert Smith and Harry Essex,<br />
and assigned it to Pat Duggan to produce in<br />
Technicolor and VistaVision. A story of<br />
Montana in 1871, it has as its leading character<br />
a notorious gunfighter who is marked<br />
for inevitable destruction because he is slowly<br />
going blind . . . Desilu Productions, the TV<br />
and theatrical film unit headed by Lucille<br />
Ball and Desi Arnaz, acquired "Journey to a<br />
Star," a romantic drama by Arthur Julian<br />
and Joseph Morhaim, and plans to film it on<br />
location in Switzerland and France . . . Also<br />
destined for lensing in France is "Bonjour<br />
Tristesse," a French novel by Prancoise<br />
Sagan, stage and screen rights to which were<br />
secured by producer-director Otto Preminger.<br />
He'll first undertake a Broadway dramatization<br />
thereof this fall . . . Actor Dan Duryea<br />
and megaphonist Alvin Ganzer teamed up to<br />
buy "Lights Up," a short story by Cuba<br />
Richardson, and are projecting it as an<br />
independent venture to star Duryea as an<br />
intelligence agent. Ganzer will direct . . .<br />
William E. Selwyn, Jacques Braunstein and<br />
Robert Lord, partners in Hanover Pictures,<br />
bought "The Gay Life," a love story by<br />
Norman Z. Shields, which they'll make on<br />
location in Paris . . . MGM director Roy Rowland<br />
went out on his own to acquire "My<br />
Adorable," a yarn by Aleen Leslie based on<br />
the life of Andrew Jackson's wife, Rachel,<br />
and plans to huddle with MGM toppers concerning<br />
the possibility of megging it for that<br />
studio.<br />
MGM Signs Lloyd Nolan<br />
For 'Last Hunt' Role<br />
After chalking up more than 600 stage performances<br />
as the redoubtable Captain Queeg<br />
in "The Caine Mutiny Court-Martial," Lloyd<br />
Nolan is returning to films—and in a role<br />
far removed from that of the neurotic naval<br />
martinet. He's been inked by MGM for the<br />
part of a buffalo skinner in "The Last Hunt,"<br />
a frontier drama which also will star Robert<br />
Taylor and Stewart Granger . . . Another<br />
radical casting switch finds the urbane and<br />
sardonic Clifton Webb undertaking a hardhitting<br />
action assignment as the star of 20th<br />
Century-Fox's "The Man Who Never Was,"<br />
based on the true-life story of Ewen Edward<br />
Montague, a British navy hero during World<br />
War II ... A busy lad is Forrest Tucker,<br />
who's been set for no less than three pictures<br />
"Night Freight" at Allied Arti,sts, "Texas<br />
Lady" at RKO Radio and "The Vanishing<br />
By<br />
IVAN SPEAR<br />
American" at Republic ... A fm-ther casting<br />
for "Giant," being produced and directed by<br />
George Stevens for Warner release, was that<br />
of Judith Evelyn, set to portray Elizabeth<br />
Taylor's mother in the picturization of the<br />
novel by Edna Ferber .<br />
Anderson<br />
will be the principal heavy and romantic<br />
rival of Randolph Scott in Columbia's Technicolor<br />
gaUoper, "Marshal of Medicine Bend"<br />
. . . David Niven nabbed one of the leads with<br />
Cantinflas, the Mexican comic, in Mike Todd's<br />
upcoming Todd-AO version of the Jules<br />
Verne tome, "Around the World in 80 Days."<br />
This Is Cinerama' Enters<br />
Third Year in Hollywood<br />
Two years of continuous performances at<br />
the same theatre, and still going strong<br />
that's the remarkable long-run achievement<br />
chalked up by "This Is Cinerama" at the<br />
Stanley Warner Hollywood Theatre in the<br />
film capital. Commencement of the third<br />
year of the booking was marked by "happy<br />
birthday" observances in which Stanley Warner<br />
and Cinerama executives participated.<br />
On hand for the event were Harry M. Kalmine,<br />
vice-president and general manager of<br />
the Stanley Warner circuit; Lester B. Isaac,<br />
national director of Cinerama exhibition;<br />
Cliff Geisseman, Isaac's assistant; Everett C.<br />
Callow, in charge of national publicity and<br />
advertising, and William McElwain, western<br />
division chief. The Hollywood chamber of<br />
commerce and other civic and municipal organizations<br />
co-sponsored a birthday luncheon<br />
staged in the foyer of the showcase.<br />
Nunnally Johnson Assigned<br />
Third Chore on One Film<br />
In addition to preparing the script, Nunnally<br />
Johnson has been set to produce and<br />
direct 20th Century-Fox's juke-box story,<br />
"Do Re Mi" . . . Allied Artists producer Vincent<br />
Fennelly signed Richard English to pen<br />
an original tentatively titled "Fall-Out,"<br />
based on what might happen to a strategic<br />
city when atomic fall-out from a nuclear<br />
New York<br />
bomb filters down on the area . . .<br />
video writer Wendell Mays was inked by<br />
Leland Hayward to work on the screen<br />
treatment of Charles A. Lindbergh's Pulitzer<br />
Pi'ize autobiography, "The Spirit of St. Louis,"<br />
in which James Stewart will portray the aviation<br />
hero. It's for Warner release . . . Lew<br />
Seller, who directed Bryan Poy's last two<br />
pictures for Columbia— "Women's Pi-ison" and<br />
"Bamboo Prison"—will return to direct Foy's<br />
"Battle Stations," story of the aircraft carrier,<br />
the U. S. S. Franklin, which Foy will start<br />
next month.<br />
Hakims Preparing to Make<br />
Ne-w 'Hunchback' Version<br />
Here and there in the Hollywoodlands; A<br />
new version of Victor Hugo's horror classic,<br />
"The Hunchback of Notre Dame," is being<br />
prepared by producers Raymond and Robert<br />
Hakim for lensing in France. They've set<br />
the Italian dreamboat, Gina Lollobrigida, for<br />
the femme lead and Anthony Quinn for the<br />
title role therein . . . Release through United<br />
Artists has been set for "Foreign Intrigue,"<br />
Gary Cooper to Portray<br />
Gen. Billy Mitchell<br />
One of the season's plum acting chores<br />
—that of portraying the late Gen. William<br />
(Billy) Mitchell, aviation pioneerwas<br />
grabbed by lanky Gary Cooper when<br />
he was inked for the topline in "The<br />
Court-Martial of Billy Mitchell," which<br />
United States Pictures, headed by Milton<br />
Sperling, will produce for Warner Bros,<br />
distribution. At the same time Sperling<br />
booked Otto Preminger to direct.<br />
Based on climactic events in the general's<br />
career, the film will center around<br />
the controversial court-martial from<br />
which Mitchell emerged as the acknowledged<br />
"father" of the U. S. air force.<br />
Lensing is scheduled to start in mid-June,<br />
based on a screenplay by Sperling and<br />
Emmet Lavery. Based upon more than a<br />
year of research and documentation of<br />
public records, the script returns Cooper<br />
to the studio where he scored with an<br />
Academy Award-winning portrayal of<br />
Sergeant Alvin York, the World War I<br />
hero.<br />
a feature-length theatrical film version o<br />
the TV show created by Sheldon Reynolds<br />
Starring Robert Mitchum and to be shot on<br />
location in Sweden, Austria and the Frencl<br />
Riviera, the opus wil: be written, produced am<br />
directed by Reynolds . th<br />
prison drama produced and megged inde<br />
pendently by Hall Bartlett and being re<br />
leased by Warners, will be screened at th<br />
World Prison Congress in Geneva this sum<br />
mer and at the London Prison Congress ii<br />
September . . . After 14 years in the spol<br />
Gordon Forbes resigned as chief of produc<br />
tion operations at Republic to join Batja(<br />
the Wayne-Fellows unit, as assistant produc<br />
tion manager. Succeeding him at Republic i<br />
George Santoro.<br />
Continental Names Thomai<br />
Western Sales Manager<br />
NEW YORK—Harry H. Thomas has bee<br />
named western sales manager of Continents<br />
Distributing, Inc., by Frank Kassler, presi<br />
dent. He will locate in Los Angeles an<br />
handle sales in most of the western states.<br />
Thomas has been in the industry more tha:<br />
30 years, starting as an exhibitor here. H<br />
was special representative of General Fill<br />
Co., eastern district sales manager of Mono<br />
gram in 1942, became president of PRO Pic<br />
tures in 1945 and then headed Equity Pic<br />
tures, and in 1947 became vice-president i<br />
charge of sales of Souvaine Pictures. Re<br />
cently he was director of coast sales fc<br />
Moropticon.<br />
Walter Reade jr., circuit head, has an in<br />
terest in Continental.<br />
Silliphant and Barnwell<br />
To Film in Philippines<br />
NEW YORK—Stirling Silliphant and JohJ<br />
Barnwell, producers of "5 Against the HousC<br />
|<br />
for Columbia, have completed plans to filil<br />
"Huki," an outdoor drama, on location ij|<br />
the Philippines with the cooperation of th<br />
government there. Silliphant wrote the scripl<br />
which he will turn into a novel for publl<br />
cation by Modern Library. Fall release<br />
planned in color and widescreen.<br />
30 BOXOFFICE May 7, 19£ "1*11
Guiae.<br />
(lttuit(Cl'<br />
m<br />
.SATURDAY<br />
isOrs-<br />
.-«!!»-<br />
P<br />
To stimulote teenager interest in "East of Eden," Manager John Corbett<br />
invited a group of high school girls to the Glove Theatre in Gloversville,<br />
N. Y., and showed them film previews. Many of the girls had seen James<br />
Dean on TV, and all agreed he was going to be a favorite with them.<br />
They formed the James Dean Fan Club and each night the girls came to<br />
the theatre to register members. Before the film hit the screen, they had<br />
over 500 members in the club. The photo shows President Pat Rupert in<br />
the lobby setup signing members. Corbett regards the list as "wonderful"<br />
for all future Dean films.<br />
SLOANE<br />
ditor<br />
4U( t. TRAXE<br />
Aw ole Editor ;
'<br />
'<br />
1'<br />
k><br />
ChOOSf<br />
(irnTOiinrTT*<br />
lii-¥ue<br />
ummi'i<br />
WfSMH<br />
the modern gas range ..<br />
SEE YOUR O'KEIFE & MERRITT DEALER<br />
month of June.<br />
RCA Victor has recorded an unusual<br />
long-playing album on Hope and the picture.<br />
Besides the songs taken from the<br />
soundtrack of the film. Hope does a running<br />
commentary on the story and introduces<br />
the various numbers. A synopsis 1<br />
the picture has been printed on the il<br />
verse cover of the album. Disk jock()j<br />
throughout the country have aheady<br />
ceived copies of the record through R^l<br />
and all sales outlets have been alerted.<br />
Sonic Capri, an electric record plair<br />
manufactured by Sonic Industries, wUl f(.<br />
f<br />
ture Hope and film credits in retail ma;- \<br />
zine and newspaper advertising. Sped'<br />
mats and materials for window and inste<br />
displays have been prepared for all stos<br />
selling then- product. National advertisg<br />
will appear in Coronet, Esquire and<br />
New York Times magazine section.<br />
The eastern portion of the country \U'<br />
be postered with 24-sheets advertising c<br />
OKeefe & Merritt gas range tie-in wh<br />
Bob Hope and the pictui-e. Newspaper fs,<br />
will be used in this manufacturer's cop<br />
campaign west of the Mississippi and i-<br />
productions of these ads, moiuited on cal<br />
board, will be distributed to dealers.<br />
All the showmen playing this pict^<br />
benefit locally from these national prort<br />
O'Keete & Mcrritt will use 24-sheet posters in the eostern half ot the U. S. to odvertise its gas range<br />
and the tieup with Bob Hope as Eddie Foy in Paramounf's "Seven Littlei Foys."<br />
PROMOTIONS PLUG BOB HOPE<br />
IN SEVEN LITTLE FOYS'<br />
National Advertisers Direct Special Campaigns<br />
To Attract Family Attention<br />
Saturation coverage on the more important<br />
pictui-es is usually the objective of<br />
major producing and distributing companies<br />
in planning their advance publicity<br />
campaigns. Paramount is making every<br />
effort to achieve this ideal through a combination<br />
of selected commercial tieups,<br />
music recordings, TV-radio air shows and<br />
advertisements in national magazines. Besides<br />
promoting the national release dates<br />
of the film, emphasis will be placed on the<br />
local engagements of Bob Hope's starrer<br />
"The Seven Little Foys," in VistaVision<br />
and starring Milly Vitale with George<br />
Tobias and Angela Clarke.<br />
The opening gambit in the campaign is<br />
the Page & Shaw promotion of its Mothers<br />
Day box of chocolates, being announced<br />
through a full-page color advertisement<br />
in the May 7 issue of the Saturday Evening<br />
Post and aimed directly at the men<br />
of the country.<br />
Page & Shaw distributed a merchandis-<br />
DIT-MCO UNIVERSAL<br />
DRIVE-IN SPEAKERS<br />
1 you con buy . . . outlasts others.<br />
roctively designed . . . Beautiful 2-tone finish<br />
Best Tone Quality<br />
4-iii. weather proofed speaker unit. Heavy duty 1.47 oz<br />
ainico 5 maynet. Hanper fits atty make junction box.<br />
Special volume control. All speakers above ground allow,<br />
ing constant impedance at amplifier.<br />
HIGH QUALITY AT LOW COST<br />
DRIVE-IN THEATRE MFG. CO. ^°l„^<br />
mg folder containing cardboard standee<br />
reproductions of the "Seven Little Foys"<br />
ad for counter and window displays, proofs<br />
of two co-op advertising mats and a fullcolor<br />
portrait painting of Hope, to every<br />
one of its candy retailers in the country.<br />
Hope also mentioned the Page & Shaw<br />
tieup, the Saturday Evening Post and<br />
plugged the picture when he replaced Milton<br />
Berle on his network TV show.<br />
The selection of Bob Hope as the Father<br />
of the Year in the J. C. Penney promotion<br />
scheduled for June will appeal to the feminine<br />
portion of the motion picture-going<br />
public. Approximately 1,600 Penney stores<br />
across the country will take part in this<br />
merchandising campaign. Posters of all<br />
sizes, counter and window display pieces<br />
and other advertising material bearing the<br />
copy line, "See Bob Hope as Pop Foy in<br />
'The Seven Little Foys,' " will be distributed<br />
in quantity. The poster designs wUl be<br />
incorporated in newspaper ads to be placed<br />
in all store areas. Hope has made a special<br />
recording plugging the picture and<br />
Penney tieup to complement store radio<br />
spot announcements to be used in all situations.<br />
The promotion will run the whole<br />
tions, with the possible exception of lej<br />
Page & Shaw campaign, by arranging >,<br />
operative deals with local stores and<br />
advertised merchandise. Locations of le<br />
J. C. Penney stores will be listed in ia<br />
pressbook and then- managers should k<br />
contacted for promotional stunts and citests.<br />
The Penney campaign was timeca<br />
coincide with the national release datt'jf<br />
the production the latter part of June.<br />
The miusual treatment accorded<br />
RCA Victor album on the pictui-e mayw<br />
played up to the local disk jockeys and i<br />
tion commentators on local radio-TV cj;-<br />
lets.<br />
Several angles in the story of "The Sem<br />
Little Foys'' may be adapted for local ><br />
ploitation. Famed vaudevillian Eddie ly;<br />
whom Bob Hope portrays, was one of le<br />
best known "fathers" in show businesiso<br />
all "pops" in town can be publicizedto<br />
advantage.<br />
Eddie Foy's children could dance, s'f<br />
stage contest to find the youngest dar?r<br />
in town might be in order. If there'sia'<br />
oldtime vaudeville actor in town who kiw<br />
Foy, he can be asked to appear on aTT<br />
show or interview in the lobby for a niO<br />
broadcast.<br />
Bob Hope comments on the film<br />
story and introdcs<br />
the songs from "Seven Little Foys" on the spifl'^<br />
RCA recording now in distribution.<br />
— 134<br />
BOXOFTICE Showmandiser :: May 7, liSj
I<br />
,<br />
Displays<br />
I<br />
: May<br />
. . . KANE<br />
. . Academy<br />
linor Role Accorded<br />
'airy Tale Angle on<br />
rhe Glass Slipper'<br />
["The Glass Slipper" got off to a good<br />
art at the Strand in Vancouver, B. C, and<br />
anager R. D. Letts counted on word-oflOUth<br />
to give it an extended run. He said<br />
r<br />
tron comment was excellent from the<br />
lart.<br />
The constant reference of critics to its<br />
easing qualities for children does not help<br />
lull patronage, Letts concluded. In his<br />
"omotion he treated the fact that the<br />
.m is based on a fairy tale "as strictly<br />
condary importance as compared to its<br />
.usical, acting, comedy and production<br />
^alities."<br />
Ten thousand teaser throwaways, 4x4<br />
iChes, carried simply a large cut of Leslie<br />
^iron's head, the outline of a glass slipper<br />
,id the word "Sparkling" in white on blue,<br />
labellished with simulated flitter and<br />
Jars. The back side was blank. Distribuoa<br />
was a week in advance, door to door.<br />
The same motif was followed in preparig<br />
200 silk screen 14x22 cards for window<br />
splay and tack-posting around the city<br />
jweek in advance.<br />
It is noteworthy that Letts left off these<br />
aser throwaways and cards the theatre<br />
ime, playdate, name of star, color men-<br />
,3n, etc.<br />
"We have used this type of card several<br />
imes and the resulting business has never<br />
dicated we have lost anything by leav-<br />
,g off the theatre name, etc.," Letts cemented.<br />
Some 100 bumper strips placed on a taxi<br />
,set followed the teaser white-and-blue<br />
otif and carried the title and theatre<br />
\me.<br />
Small plastic slippers were sent out with<br />
vitations to newspaper, radio and<br />
.omen's clubs representatives and school<br />
|ficials to attend a Sunday evening screeng<br />
prior to opening (there are no Sunday<br />
lOws in Canada by national law).<br />
at the theatre, on the canopy<br />
id marquee featured cutouts of Leslie<br />
iron's head and the slipper.<br />
Saturation plugs were used on radio on<br />
iiening day. The MGM office in Vancour<br />
supplied disk jockeys the Eddie Fisher<br />
Take My Love" platters and the music<br />
ores had proper displays.<br />
(lides on 'Slipper' Begin<br />
fix Weeks in Advance<br />
iAnimated slides on "The Glass Slipper"<br />
hre shown at Loew's Valentine in Toledo,<br />
pio, six weeks in advance. Starting four<br />
pks in advance was a teaser trailer.<br />
JThus Abe Ludacer allowed a long time<br />
j." his buildup on the film version of the<br />
ji fairy tale about Cinderella. His pro-<br />
J)tion followed regular channels with the<br />
'al of reaching large numbers of people,<br />
rhis included a recorder in outer lobby<br />
liying Eddie Fisher's "Take My Love,"<br />
hci&l lobby display, art to both local<br />
XOFFICE Showmandiser :<br />
7, 1955<br />
dailies, "Take My Love" recordings to disk<br />
jockeys of five local stations, and a tieup<br />
with Lamson's department .store featuring<br />
blowups in store of Leslie Caron, a co-op ad,<br />
film stills and copy throughout store and<br />
giveaway of the plastic slipper in shoe department.<br />
In addition the Eddie Fisher record was<br />
placed on more than 200 juke boxes.<br />
'Legs' Chosen for June<br />
In Cosmopolitan for June "Daddy Long<br />
Legs" is picked as the best production of<br />
the month, "Run for Cover" the best westem,<br />
and "Annapolis Story" the best young<br />
romance. The best action film documentary<br />
is "Strategic Air Command."<br />
He came<br />
a thousand<br />
miles<br />
to kill<br />
a man he'<br />
never<br />
seen!<br />
CINemaScOPIE<br />
Store Named Kane Runs<br />
Page 'Kane Mutiny' Ad<br />
"No Foolin! Crazy Prices Win an Oscar'<br />
MUTINY . Award<br />
Winners at Kane's."<br />
The above copy spread across a full<br />
page ad by Kane's furniture store just<br />
following the opening of "The Caine<br />
Mutiny" and "Waterfront" at the College<br />
Theatre in New Haven. The (•) after<br />
"Award" directed attention to a footnote<br />
on the page reading, "With Apologies to<br />
the Columbia Pictures Technicolor Hit,<br />
'The Caine Mutiny' and the Academy<br />
award committee Society of Motion Picture<br />
Arts and Sciences." The ad featured<br />
eight Academy Award bargains.<br />
JAMES STEWART as WILL LOCKHART<br />
James Stewart in "The Man From Laramie" co-starring Artliur Kennedy. Donald Crisp. Cattiy<br />
O'Donnell, Alex Nicol and Aline MacMation with Wallace Ford -Screen Play by Philip Yordan<br />
and Frank Burt based upon the Saturday Evening Post story by Thomas T. Flynn • Directed<br />
by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaScope<br />
— 135 —<br />
Color by Tectinicolor
Showman's Thank-You Notes Climax<br />
Outstanding Cooperative Campaign<br />
25 Peterborough, Ont., Firms Join<br />
In<br />
Promotion for 'Seven Brides'<br />
LUCKY^BRIDE<br />
WEEK<br />
Who will be Peterborough's ,<br />
,<br />
„,„,,^^<br />
SEVEN LUCKY BRIDES?<br />
r<br />
This stoi-y of an outstanding promotion<br />
properly begins at the end, for there, perhaps,<br />
is the secret of its success.<br />
The showman is<br />
Aithur E. Cauley,<br />
manager of the Para- f^ -l .-.<br />
mount Theatre in<br />
Petsrborough, Ont.,<br />
who characteristically<br />
assures that his<br />
assistant Don Corrin<br />
helped him all the<br />
way. These statistics<br />
tell the stoi-y of<br />
Cauley 's success:<br />
^'*'""<br />
Nearly 25 business<br />
^ *<br />
sell the picture. So he had two of f jp<br />
nicely shaped usherettes put on their su:'<br />
mer tops—shorts, loafers, blouses and su:-<br />
mer straws and all—and stand duty '<br />
the lobby of the small Alma. The contri:<br />
was particularly interesting.<br />
'Cruz' Donkey Giveaway<br />
A live donkey promoted "Vera Cruz" ><br />
the Orlando (Fla.) Drive-In. Manai"<br />
A. F. Horton awarded the animal to I-'<br />
person who selected the best name. En'<br />
blanks were available at the boxoffice<br />
— 136 — BOXOFFICE Shovraiandiser :: May 7, Hi'^Snj,
: May<br />
lilies' Space Travel<br />
%'ticles<br />
Slimulale<br />
bnquesl of Space'<br />
litial campaigns on "Conquest of<br />
:pi'' disclose the film's subject alone<br />
il fascinate local motion picture critics,<br />
n. often they will prepare special stories<br />
n lossibilities of space travel.<br />
] 1 example, a feature headed. "How<br />
. . .<br />
,bit a Vacation on Mars? 'Conquest<br />
i pace' Makes Round Trip on Screen,"<br />
piared in the Herald-Journal at Syrau;<br />
N. Y., to pique the interest in the<br />
3i icc-fictioner at the Keiths Theatre<br />
If . A similar article was prepared by<br />
le Post-Standard film editor. This kind<br />
stimulates curiosity of both adult<br />
f i)py<br />
ni younger sets.<br />
' e Piessbook supplied substantial data<br />
n he subject.<br />
1 uddition, Manager Sol Sorkin worked<br />
It'. TV, the local schools and university<br />
ii(i nearby detachment of the Air Force<br />
I is promotion.<br />
\:^L's Bill Thorpe asked questions<br />
>1 ive to interplanetary travel on his<br />
;a on the Street program, giving guest<br />
cl ts to Keiths to persons he interviewed.<br />
^(iP conducted a letter-writing contest<br />
I'l'hen space travel would start and<br />
h planet the writers would like to<br />
si<br />
first.<br />
I'e Syracuse Tip Top Bread Co., parciited<br />
in a promotion on WSYR in<br />
hi Jim DeLine for four days announced<br />
la'all children coming to Keiths on the<br />
Kiend would receive gratis a series of<br />
» cards, purchased and paid for by<br />
leijread company. The firm sent three<br />
e to the theatre in uniform during the<br />
It day-Sunday afternoons to distribute<br />
leards to the kids as they entered the<br />
lefre.<br />
Oest tickets were awarded for correct<br />
uers on space travel In a deal on<br />
TN-TV. A series of stills were telefas<br />
an assist.<br />
1 i Post-Standard also conducted a con-<br />
Bvon "Which planet I would like to<br />
slind why" for its readers.<br />
1i Syracuse Science Paction Club and<br />
ekJience Club of Syracuse U. received<br />
eil invitations to see the film.<br />
A?roup of Air Force men at Hancock<br />
e; were invited to attend in uniform<br />
e "a preview of what their branch<br />
i"vice will eventually do."<br />
termining the .source of the voice coming<br />
Irom within the book display aroused the<br />
curiosity of passersby and assured almost<br />
complete readership.<br />
Big Scout Parade<br />
Columns of publicity and goodwill were<br />
generated for the Plaza Theatre in Englewood,<br />
N. J., by a Boy Scout parade initiated<br />
by Manager Murray Spector for his<br />
showing of "Jamboree," the Boy Scout<br />
film. The district Scout council lined up<br />
all local units for the Saturday affair,<br />
which started at noon and wound more<br />
than a mile through the streets to the<br />
theatre. Four- high school bands and four<br />
promoted open cars participated.<br />
'Bird at Theatre Front<br />
Wins Much Attention<br />
Manager Elkins capitalized on the expansive<br />
front of the Colbert Theatre in<br />
Sheffield, Ala., to get in a punch di.splay<br />
on "The Racers." Elkins obtained a<br />
Thunderbird, the new Ford Motor Co.<br />
sports car available in a national deal on<br />
the film, and between tours around the<br />
city parked it in the theatre front so that<br />
it stood partly in the outer theatre entrance<br />
space and extended on to the sidewalk.<br />
A theatre employe, Beulah Sutton, accompanied<br />
Elkins on the city tours, top<br />
down. The sleek car. signs and racing banners<br />
attracted a lot of attention.<br />
cce Given Mobile Book<br />
A added twist to the mobile book disliwas<br />
arranged by Arnold Gates, in bei)f<br />
"Bad Day at Black Rock" at Loew's<br />
e'land. A giant book on wheels, with<br />
P plugging the film and the novel, was<br />
a'.d near the boxoffice in the outer<br />
and hooked up with a public address<br />
>•<br />
5tn. The speaker was inside the book<br />
d he microphone inside the boxoffice.<br />
and his assistant Gerald Hogan made<br />
it<br />
r?lic, bulletin-like announcements peril<br />
ig to the picture. Difficulty in de-<br />
•3 FFICE Showmandiser :<br />
7, 1955<br />
ARTHUR KENNEDY as VIC HANSBRO<br />
James Stewart in "The Man From Laramie" costarrmg Arthur Kennedy, Donald Crisp. Cathy<br />
O'Donnell, Alex Nicol and Aline MacMahon with Wallace Ford -Screen Play by Philip Yordan<br />
and Frank Burt based upon the Saturday Evening Post story by Thomas T Flynn • Directed<br />
by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaScope<br />
Color bv Technicolor<br />
— 137 —
BOXOFFICE<br />
The Odeon advertising-exploitation chief<br />
Jim Hardiman at Toronto reports Manager<br />
Steve Allen placed signs all over the Metro<br />
Theatre like a hospital to promote "Doctor<br />
in the House." A sign over the candy<br />
bar, for example, was "Diet Kitchen." The<br />
staffers were dressed up In hospital uniforms.<br />
Allen also distributed "Doctor's<br />
Prescriptions" handbills, which naturally<br />
listed the title with "To be taken as often<br />
as possible, (signed) Steve Allen, MD."<br />
Nearly 500 answers were received at the<br />
Paramount Theatre in Ashland, Ky., where<br />
"White Feather" was playing, to an ad<br />
inserted in the Personals want ad column<br />
reading, "Any person with a white feather<br />
please phone 1926." The number was the<br />
theatre's, and naturally callers were told<br />
about the film. Manager John Godfrey<br />
reported business was better than anticipated.<br />
One of the most successful Ideas carried<br />
out for "The Glass Slipper" by Don<br />
Tilzer, publicist for the Claughton circuit<br />
NUGGETS<br />
For one of Esther Williams musicals, Al<br />
Miner of the Cremazie Theatre in Montreal<br />
gave the theatre front a different look that<br />
made the passersby smile and take a second<br />
look. Al spelled out the title of the film on<br />
women's slips!<br />
An oculist's eye chart was set up on an<br />
easel in the Trans-Lux 52nd Street Theatre<br />
in New York by Manager Ed Rosenfeld.<br />
The several lines in the different sizes of<br />
type, so familiar to people who have had<br />
their eyes tested, read "Doctor in the<br />
House."<br />
Centers Advance Displays<br />
At Airer Concession Bidg.<br />
Coming attraction displays are plentiful<br />
around the central building at the Bellevue<br />
Drive-In at Chicago. Manager Chester W.<br />
Miller is convinced well-chosen material<br />
placed at the heavily trafficked concession<br />
center gives a strong and direct impact on<br />
patronage.<br />
ooooooooooooooooooo<br />
o<br />
O:<br />
STEREOPHONIC SOUND<br />
BY<br />
ALTEC LANSINC^<br />
000000000000000v_.^30<br />
Today more theatres use Altec Lansing stereophonic<br />
speakers and amplifiers than all other mattes combined.<br />
Proof enough that Altec "Voice of the Theatre"<br />
speaiter systems and Altec amplifiers and controls are<br />
the best for quality, dependability and economical<br />
operation. More films than ever have stereo sound.<br />
See your theatre supply dealer now for early delivery<br />
of the finest stereophonic equipment, Altec Lansing.<br />
ALTEC<br />
9356 SANTA MONICA BLVD., BEVERLY HILLS. CALIF. 161 SIXTH AVENUE. NEV» YORK 13, N. Y.<br />
'Specialists in Motion Picture Sound"<br />
— 138 —<br />
o<br />
Deejay Broadcasts<br />
Show From on Top<br />
Of Big New Screen<br />
A stunt put on by Frank McQueeney, i<br />
his Pine Drive-In on the WaterbLU-y-Brist<br />
Conn., road is reminiscent of the old po;<br />
sitter days.<br />
McQueeney lined up Les Davis, WW(<br />
disk jockey at Waterbury, to spend 24 hoi<br />
in a specially constructed platform, 8<br />
feet, atop the Pine's new 122x72-foot screi<br />
tower, and broadcast his show of plattii<br />
and comments from 6 a.m. to 10:30 a.,<br />
dming that period. Of course, the n>!<br />
tower; "Battle Ci'y," the current screen i<br />
fering, and other sidelights on the drive-1<br />
received plenty of mention.<br />
Davis was equipped with a telephoi<br />
radio line, meals and a sleeping bag.<br />
For days in advance, McQueeney uajl<br />
the letters, D. I. A., in all his advertisii,'<br />
climaxing with the explanation that tli<br />
stood for "Drive-In Appeal," and armoui^<br />
ing that Disk Jockey Davis would spej<br />
the day atop the new screen tower at tj<br />
Pine to absorb the Pine's "drive-in appeal'<br />
'Crockett' Pantomiming<br />
Clicks With School Kids<br />
at Miami, involved small plastic slippers. Miller used showy aircraft models in<br />
A quantity of these was purchased and front of a six-sheet he arranged recently<br />
in each was inserted a package of Smiles on the concession stand for "The Bridges<br />
mints. The whole was tied with a ribbon. at Toko-Ri" two weeks in advance. He Foster Liederbach of the Strand Theati,!<br />
These were sold on the candy coimters of had a display on "20,000 Leagues Under the Lexington, Ky., held a "Davy Crockef'j<br />
the Embassy Theatre and the Trail Drivein<br />
where the film opened.<br />
tropical fish and a miniature diver, plus night, similar to the pantomime seen i;<br />
Sea," consisting of small acquarium with Pantomime contest on the stage openi?<br />
standees, etc.. up six weeks in advance. TV, to the tune of "The Ballad of Hi?<br />
Crockett." Naturally, the entrants we<br />
A man, wearing the original green rubber<br />
costume worn by the Creature in "Re-<br />
seeded with kids who had done this st;<br />
of thing in school shows. Leiderbach p:-<br />
venge of the Creature," gathered huge Huge Sign at Toronto<br />
moted a three-way phonograph as fit<br />
crowds daily in front of the Hippodrome, The sign on "The Country Girl" placed<br />
prize, but the payoff was the tieup mje<br />
where the picture was playing in Cleveland on the south wall of Shea's Theatre in<br />
with the local TV station. Seems the<br />
and was swamped with children and adults Toronto measured 75x35 feet, the largest<br />
is a gal who does a pantomime show the;,<br />
who clamored to have their pictures taken ever constructed for a motion picture in<br />
and she was plugging the contest on Ir<br />
with him.<br />
Canada.<br />
show. She was also on stage at the cont t<br />
to invite the wiimer to appear with 1^<br />
on her show.<br />
Along with the lobby display was<br />
record player plugging the tune—andp<br />
the music shop which donated the plaj^,<br />
a large poster plugged the contest 'S<br />
prize.<br />
Here is something that will click wtt<br />
the school kids.<br />
Scholarship Contest<br />
For 'Peter' in Syracuse<br />
A Peter Marshall full-tuition scholars!!<br />
for a year at Colgate Rochester Diviris<br />
School, Rochester, N. Y., was set up in C(inection<br />
with the showing of "A ^0<br />
Called Peter" at Schine's Paramount n<br />
Syracuse. A 22-year-old student at Bycuse<br />
University, David lanuzi, was nand'<br />
the winner by a committee headed by<br />
Rev. Arthur Hopkins jr., SU chaplain. If<br />
scholarship was awarded by producrs<br />
20th-Fox and Colgate Rochester DiviriJ<br />
School. Arrangements were made by Rah<br />
F. Stitt of Schine Theatres. tempora)y<br />
assigned to the Syracuse area, assisted [7<br />
Max Rubin, manager of the ParamoitJ<br />
BOXOFFICE Showmandiser : :<br />
May<br />
7, l^S<br />
k
i<br />
I<br />
I<br />
But<br />
'<br />
When<br />
;<br />
On<br />
ale Not All Sorrow;<br />
lumor^PoelryinAds<br />
lumor always is appreciated, particu-<br />
Icly so in adversity.<br />
i:he whole community of Adrian, Mich.,<br />
riently gave more than a passing thought<br />
f<br />
fc^<br />
OBVIOUS L Y<br />
GONE WITH THE W I N D<br />
REOPENING SOON^9"<br />
"<br />
Star Photographs In Cereal Packages<br />
Eighteen full-color photographs of MGM<br />
stars are available at grocery stores<br />
throughout the country as cereal premiums.<br />
The playing-card size photos, each<br />
with a brief biography and a description<br />
of the star's film on the back, are being<br />
included in packages of Kix, the corn<br />
cereal distributed by General Mills. Each<br />
package is imprinted with the notice that<br />
the picture of a Hollywood star is inside.<br />
The complete set includes Pier Angeli,<br />
Ann Blyth, Leslie Caron, Marge and Gower<br />
Champion, Cyd Charisse, Vic Damone,<br />
Glenn Ford, Anne Francis, Howard Keel.<br />
Ann Miller, Eleanor Parker, Walter<br />
Pidgeon. Jane Powell, Edmund Purdom,<br />
Debbie Reynolds, Michael WUding<br />
Williams and Keenan Wynn.<br />
Says Attendance on Upgrade<br />
LAKE MILLS, WIS.—Theatre attendance<br />
is on the upgrade, commented Tom Lees of<br />
the Lake Theatre here after his return from<br />
the MGM Ticket Selling Workshop in Milwaukee.<br />
He said he talked to a number of<br />
exhibitors from other cities and was told that<br />
attendance is increasing.<br />
Exports of unexposed motion picture films,<br />
or rawstock, in 1954 amounted to 452,857,393<br />
linear feet valued at $12,166,553. The value<br />
of similar exports in 1953 was $7,364,360.<br />
tithe Sky Drive-In on U. S. 223 there<br />
\«(en wind damaged the marquee and blew<br />
rfvn the screen tower, as a result of some<br />
slart showmanship by Robert B. Tuttle,<br />
rinager, and William G. Jenkins, owner.<br />
'^rst Tuttle put up the "Gone With the<br />
Vnd" sign (accompanying photo) on the<br />
dnaged marquee, which, of course, refred<br />
to the misfortune, not the film.<br />
little followed the same humorous touch<br />
irhis copy advertising the reopening. In<br />
rjTne he advertised in the local school<br />
1<br />
P|5er:<br />
The wind she blow<br />
The screen she go<br />
f No screen no show!<br />
But we ore happy. Hip hooray.<br />
Insurance jitters licked today.<br />
[<br />
Contractors, salesmen driving us bugs<br />
Spending money lilce drunken thugs,<br />
f Our new tower will be steel<br />
Mossive, tilted, a super deal.<br />
Sized to 65x84<br />
I Sky's the biggest, thot's for sure,<br />
j<br />
We're near out of poetry<br />
( Getting worse as you con see.<br />
drop around and give an eye<br />
To what's cooking out at Sky.<br />
[ Vi/ith the help of men and tools<br />
We aren't being April fools<br />
we tell you we're a hopin'<br />
APRIL 15 to reopen!<br />
Siowman Babb Is Offering<br />
4 Page, 4-Color Heralds<br />
contract calling for the purchase and<br />
I<br />
u of 100 million four-page, four-color<br />
t loid-style heralds on Hallmark motion<br />
P lures during the next five years has<br />
b n negotiated in Hollywood by Kroger<br />
Esb, president of HaUmark Productions.<br />
Esb believes his use of the tabloid<br />
l^ald in 1934 was the first in the motion<br />
Pture industry. He now seeks to be first<br />
inffering theatres an eye-catching, colorf;<br />
four-color process printed four-page<br />
tloid.<br />
!abb explained that by guaranteeing to<br />
U] not less than 20 million tabs a year for<br />
a.ive-year period he was able to get the<br />
Piting price down to where it compares<br />
fiorably with current prices on one and<br />
t' -color tabs.<br />
,!abb said Hallmark already has used 13<br />
niion tabs in exploiting the first 1,100<br />
e.agements of "Karamoja" and "Half-<br />
,Viy to Hell."<br />
This is<br />
BARBARA<br />
V\AAGGOIVIAN<br />
She knew<br />
a man<br />
when she<br />
saw one.<br />
flAnd one<br />
BKOFFICE Showmandiser :: May 7, 1955 — 139 —<br />
^^^^<br />
^ayshe<br />
saw ^^^^ \<br />
C|NeimaScoP£ CATHY O'DONNELL as BARBARA WAGGOMAN<br />
James Stewart in "The Man From Laramie" co-starring Arthur Kennedy, Donald Crisp, Cathy<br />
O'Donnell, Alex Nicol and Aline MacMahon with Wallace Ford -Screen Play by Philip Yordan<br />
and Frank Burt based upon the Saturday Evening Post story by Thomas T. Flynn • Directed<br />
by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaScope<br />
Color by Technicolor
. . This<br />
. . . FREE!<br />
. Bui<br />
: May<br />
.<br />
.<br />
iJI<br />
VANCOUVER FOLK GUESS TAXI MILEAGES<br />
FOR CHRISTMAS' PRIZES IN SPRING<br />
Two Canadian Showmen Recreate Modified<br />
T<br />
'Seven Brides' Tie-Ins Get<br />
Good Play in Fruita, Colo.,<br />
|[(<br />
The tireless Bob Walker of F^ruita, Coir<br />
certainly has a knack for getting plenty ilJIl)<br />
newspaper publicity. In a recent issue la<br />
Yule Afmosphere for Bing Crosby Film<br />
Vancouver newspaper readers and theatregoers<br />
were invited to guess the number<br />
of miles the fleet of 85 cabs of the Yellow,<br />
Star and Checker taxi company would<br />
travel in March in a promotion for showing<br />
of "White Christmas" in Famous Players<br />
suburban theatres in the British Columbia<br />
city.<br />
Ten major prizes, headed by a sectional<br />
living room suite promoted from a furniture<br />
store, were offered. The contest was<br />
publicized by herald-type entry blanks distributed<br />
by FT"C theatres, and the cab company,<br />
by a co-op page ad in the Vancouver<br />
Province, by trailers on FPC theatre<br />
screens. The cab firm paid for the blanks,<br />
and the trailer.<br />
Jack Burdick, manager of the Stanley,<br />
] ,200-seater which plays fourth city run<br />
and second suburban run, received 2,500<br />
entries in the contest. The "Christmas"<br />
film played at the Stanley the first week<br />
in March, but Burdick gave his lobby a<br />
festive atmosphere without going too<br />
"Christmasy" in his decorations.<br />
Window displays, car bumper strips, etc.,<br />
rounded out the promotion.<br />
George Davie deliberately sought to instill<br />
the Christmas spirit at Eastertime for<br />
his opening of "White Christmas'" just<br />
before Holy week.<br />
Ten days before opening, signs on the<br />
boxoffice read, "10 Days to White Christmas"<br />
in bold colorful letters. The figure<br />
was reduced each day until they read, "1<br />
Day . . . etc." The colors were changed<br />
each day.<br />
Pour "shghtly used" Christmas trees were<br />
obtained for the front, no easy task, according<br />
to Davie, when it's spring. They were<br />
sprinkled with artificial snow to spot up<br />
his special front made up of cotton marquee<br />
boards. The songs and music from the<br />
film were played outside. The inside lobby<br />
also was decorated in the Christmas theme.<br />
Special "Christmas" streamers were<br />
placed on mirrors in restaurants and on<br />
the front windows of stores.<br />
"Those streamers were inexpensive, but<br />
they certainly did the trick," Davie reports.<br />
"All in all we played the show up<br />
quite big and our efforts were paid back<br />
11 hundredfold as the money poured in at<br />
the boxoffice."<br />
Names Only Are Alike<br />
A completely unrelated book, "The Story<br />
of Crazy Horse," was pushed in a bookstore<br />
tieup arranged by Max Mink, manager of<br />
the Palace in Cincinnati, for "Chief Crazy<br />
Horse."<br />
Thank You Ad Hails Go To Movies Week<br />
Managers of the two F<br />
drive-ins and the Joy Theatre<br />
at Vicksburg, Miss., got<br />
together on a half page ad<br />
in the local Sunday Post-<br />
Herald to help launch a Go<br />
to the Movies Week in the<br />
city. Mrs. Edith Bounds of<br />
the Joy and William A. Porter<br />
of the Vicksburg had<br />
been successful in getting<br />
Mayor Pat Kelly to proclaim<br />
the Movies week in the city<br />
recently, and they concluded<br />
they should do something to<br />
help the idea along. The<br />
half-page appeared on Sunday,<br />
starting the week.<br />
In addition to the adjacent<br />
ad Mrs. Bounds and Williams contacted<br />
merchants and persuaded many of them<br />
to include lines such as, "There's More<br />
Fun at the Movies . Is a Salute<br />
to the Movie Week . . .<br />
. . etc."<br />
Movies<br />
in<br />
Are<br />
their<br />
Greater Than Ever .<br />
regular advertising during the week.<br />
Copy in the "Hi-Folks" ad, which was<br />
HI FOLKS!<br />
MORE FUN at the MOVIES<br />
JOYTHEATRE<br />
Vicksburg Drive-ln Theatre Rivoli Drive-ln Theatre<br />
prepared by Manager Williams, thanks<br />
the "wonderful friends and patrons of the<br />
three theatres, assures continued fine entertainment<br />
and ends up with an appeal<br />
to attend a theatre and check personally<br />
on the changes!<br />
Mrs. Bounds initiated the Go to the<br />
Movies week idea.<br />
when Anything IS "Sevtn Brides f&r Sevqn<br />
— Well; We can't Resist getting in<br />
REGISTER in our<br />
Store for PRIZES<br />
for...<br />
Close Out On All<br />
SPRING COATS<br />
25% OFF<br />
JUST m\m\ .<br />
i^'Ihe 7 Oldest Brides<br />
One of Ihe largest assorlmenls<br />
i/'Ihe NewesI Bridal Gown<br />
„ , Yardage<br />
ol Fruitoltlieloom<br />
, ,<br />
i^The Oldest Bridal Oownj ^^^^ ^^^^^^^^ .„ f^.,^<br />
Gome in and Register<br />
See our Window DispLn<br />
,iful<br />
Summer Prljit-';<br />
49c to 89c<br />
the Fi'Uita Times, there were four diffe<br />
ent items scattered through the paper, n<br />
counting his own ads for his Uintah Th<br />
atre.<br />
On the paper's first page there was<br />
three-column feature article on his tiewith<br />
the local Gamble store for "Sevi<br />
Brides for Seven Brothers." Passes we<br />
offered to the newest bride registering<br />
the store, while seven pairs of tickets we,<br />
given to the seven brides registering w!'<br />
have been married the longest time. Pa<br />
ticipants also brought their wedding gow<br />
to the store, which were then placed<br />
,<br />
display and later modeled on stage at t<br />
Uintah. Prizes were offered the new(<br />
and the oldest gowns.<br />
The last page of the Times had a tw<br />
column ad, illustrated here, placed<br />
Gambles and announcing the promotlt<br />
Other items in that issue included<br />
editorial plug for the "Rear 'Window" pla<br />
date and a blurb on Walker's recent ba'<br />
beauty contest, which he ran on Spani<br />
night.<br />
Star Store Advertises<br />
'Star Is Re-Born' Sale<br />
A page sale ad by the Star furniti'<br />
store of Indiana, Pa., proclaimed, "A STi-<br />
IS RE-BORN," just before the film,<br />
f<br />
Star Is Born" opened at the Manis Tt<br />
atre there. Subordinate copy under t<br />
banner stated: "Star F^irniture Salu<br />
A Star Is Born' Monday at the Mari<br />
100 passes to 'A Star Is Bo;'<br />
to the first 100 persons making a ij^'<br />
purchase or more (limit one to a persO|,<br />
during the rebirth of Indiana's Star evOt<br />
of the year."<br />
ip<br />
-i<br />
^:<br />
^'0<br />
— 140 — BOXOFFICE Showmandiser :<br />
7, IS'
i<br />
I<br />
f<br />
j<br />
This<br />
: May<br />
local editor when Manager Jim Cameron<br />
Exhibitors at Yankton,<br />
of the Capitol at Port William, Ont., asked<br />
S. D.<br />
ierchant Cooperation<br />
his help. The result was a feature editorial. Cooperate in Promotion<br />
With the added special Academy Oscar, YANKTON. S. D.—Willard Tamen and<br />
Top Manager Duty<br />
similar enthusiasm should be expected from Clyde Crump, competing Yankton exhibitors,<br />
other editors, particularly from the vast are proving that it's good business to cooperate<br />
and sell motion pictures<br />
By MURRAY SPECTOR<br />
majority who favor such humanitarian efforts.<br />
generally in<br />
imager of the Skouras circuit's Plaza Theatre at<br />
their<br />
Englewood, N. As for the smaller group, who view<br />
town instead of wasting their ammunition<br />
fighting each other.<br />
J.<br />
UN activities with some suspicion, seeing<br />
In my opinion, merchant cooperation<br />
Tamen operates the Dakota Theatre, Crump<br />
one important theatre<br />
the featurette might prove helpful and<br />
can provide like editorial support.<br />
of<br />
er<br />
the most<br />
activities. Your business<br />
has the Yankton<br />
enterprise. They<br />
Theatre, a<br />
cooperated<br />
Commonwealth<br />
in running a<br />
be affected, and<br />
full page in the Yankton daily paper of pictures<br />
covering May. The ad did not carry the<br />
^^M^^ ' don't let anyone<br />
you otherwise. Improves at<br />
^^^^^^^<br />
Wood Lake<br />
names of the theatres at which the pictures<br />
,^^^^^HP|fc Experience has WOOD LAKE, MINN.—A. L. Davis' Lake would appear or the playdates. Additional<br />
'^^ I proven that the Theatre is undergoing a facelifting under the prints of the ad were made for a throwaway<br />
\ ,,> / most cooperative- dii-ection of National Theatre Supply of Minneapolis.<br />
Improvements include a new front tres played high ranking pictures—and both<br />
campaign. On a recent weekend both thea-<br />
L ^\r minded showman<br />
in town, the one and 65 additional seats.<br />
enjoyed heavy patronage.<br />
who has created<br />
public interest in<br />
his theatre and<br />
who constantly<br />
Murray Speotor<br />
strives to keep his<br />
house in the spot-<br />
,;lii. is the one who will always come<br />
It on top.<br />
'Constant activity eventually leads to<br />
nfidence by the merchants and civic<br />
aders. Believe me, and I say this from<br />
piTience, once you've won their confinci'.<br />
you've established a reputation.<br />
lai is why I cannot undervalue the<br />
ipmtance of getting around and par-<br />
;ipating in such promotions. There<br />
e always angles of approach and you<br />
'lould be on the alert to take the initia-<br />
We.<br />
One way I have always favored in getjng<br />
a substantial start in a newly as-<br />
[gned community is participating in<br />
lerchant-kiddy promotions. I have alays<br />
found it a good opportunity to<br />
jeet the local businessmen in the shortt<br />
possible time, giving me a chance to<br />
|iat with them and gather, from our<br />
imversation, whether they are exploi-<br />
1 tion minded. It has also helped give<br />
'e a source of approach for future<br />
[unts.<br />
An important point to consider is that<br />
|)U frequently will find promotions<br />
hich limit you to only one merchant<br />
a particular field.<br />
situation is delicate, and one<br />
|ust be very cautious and diplomatic in<br />
laying along with those that will do<br />
: e most good, while, at the same time,<br />
|iendships with the others should be<br />
laintained.<br />
lEvei-y situation has its own problems<br />
id it is up to the individual showman<br />
analyze them. It all bears down to<br />
e same conclusion. The application of<br />
,erchant cooperation, building better<br />
iblic relations, is the way to success<br />
any community, big or small.<br />
^^wspape^'s Editorial<br />
Sipports Kaye Short<br />
Tewspaper support on the editorial page<br />
CinemaScOPS<br />
DONALD CRISP as ALEC WAGGOMAN<br />
is lot the easiest thing to come by, parti<br />
ilarly for a short subject. But "Assigntt<br />
James Stewart in "The Man From Laramie" co-starnng Arthur Kennedy, Donald Crisp. Cathy<br />
Children," starring Danny Kaye, outli<br />
It<br />
O'Donnell. Alex Nicol and Alme MacMahon with Wallace Ford "Screen Play by Philip Yordan<br />
ng some of the United Nations work in<br />
and Frank Burt based upon the Saturday Evening Post story by Thomas T. Flynn • Directed<br />
dling with child health problems, re-<br />
by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaScope<br />
Color by Technicolor<br />
Bi :OFFICE Showmandiser :<br />
7, 1955 — 141 —
SUCCESS IN STORE TIEUPS REQUIRES<br />
PROPER APPROACH, FOLLOW-THROUGH<br />
Why Not a Movie<br />
Of Month Club?<br />
By FRANK NOLAN<br />
Athens, Ohio<br />
...TOYOURTIE-UP/<br />
BREEZY BUSTER<br />
Htuo Me. n—tn-Mft. JONES<br />
The American public has been sold<br />
on the Book of the Month, the F^ui<br />
of the Month and the Gift of th<br />
Month gimmicks, so a Movie of thi<br />
Month idea is already partially pre<br />
sold.<br />
The idea is that the theatre sells ;<br />
block of 12 tickets at a slight discount<br />
if the regular admission is 60 cents<br />
the 12 tickets could be sold for a tota<br />
of $6. These tickets would be good fo<br />
one admission per month for the par<br />
ticular Movie of the Month attractioiS<br />
This attraction would be presente^j<br />
midweek and would be hand-picked a<br />
SMOKEr SAM HAtfBACK HARRY rOKETFUL FRANK<br />
The above illustrations reproduced from<br />
the Odeon Theatres of Canada manual to<br />
managers put out by the advertising and<br />
publicity department are intended to be<br />
funny.<br />
"But unfortunately," the article continues,<br />
"these things really happen, and<br />
then it's not so funny.<br />
"Since entering the store or office of a<br />
stranger with an advertising proposal is<br />
like trying to catch a fish in a frozen-over<br />
lake, the smart thing to do is to break the<br />
ice. The important fu-st step, therefore,<br />
is to meet your merchant on some other<br />
ground. The best way is to mark a store for<br />
a tieup attempt well in advance. Then gain<br />
the acquaintance of the proprietor either<br />
by buying something in his store or getting<br />
a personal introduction through some other<br />
businessman, or a service club.<br />
"Now, what do you expect to get from<br />
this tieup? The simple answer, of course,<br />
is 'as much as possible,' but it's not always<br />
as easy as that. Using countercards during<br />
the Christmas rush would be useless, as<br />
would a window display when vei-y bad<br />
weather conditions in some parts make it<br />
impossible to see through the glass. So,<br />
think before you go to the merchant, and<br />
have a clearcut proposal to put to him.<br />
"The next point to think about is, what<br />
can you offer the merchant in return for<br />
his cooperation? Remember, from his<br />
point of view, this is the most important<br />
part. So try to introduce this as early as<br />
possible into your conversation. Stress all<br />
the angles which point to the promotion<br />
as having mutual advantage. The merchant<br />
won't believe you if you try to build<br />
yourself up as a benevolent uncle worried<br />
about his business, and it may kill the<br />
tieup. Be honest with him!<br />
"Businessmen are not fools or they<br />
wouldn't be in business very long.<br />
"When the tieup has finally been settled,<br />
it is then your responsibility to fulfill all<br />
your pi'omises, and follow through completely.<br />
This will be to your future advantage.<br />
The merchant must be satisfied<br />
that you have carried out youi- side of the<br />
promotion in every way.<br />
"Sounds elementary, but merchant material<br />
must be displayed where promised;<br />
borrowed material must be returned at the<br />
end of a tieup; do send a letter of appreciation<br />
at the end of each promotion.<br />
"Keep your merchant happy, and you<br />
can go to him again and again!<br />
"But above all remember, just as with<br />
a pilot bringing in an aircraft, the approach<br />
is important, so plan youi- approach carefully<br />
and you'll land that tieup safely!"<br />
H&'3 seen i-f..,anclif has<br />
CONTROLLED VOLUME<br />
YOU'LL SEE IT, TOO!<br />
LOOK FOR THE MANLEY AD IN JUNE, MODERN THEATRE<br />
to quality.<br />
!<br />
Each member of the Movie of th<br />
Month Club would have his name ami<br />
address on file at the theatre. Prio'<br />
to the exhibition of the monthl,<br />
showing, a postcard would be mailei,<br />
to each member, advising him of th<br />
title, cast and playdates. In all adver<br />
tising, the Movie of the Month ap<br />
proach would be used, which in tur;,<br />
would give that program a fresh sell;<br />
ing approach and added prestige.<br />
,<br />
The book of tickets would be o:;<br />
sale at all times, not just at Christmas<br />
as are the usual gift ticket book;;<br />
Membership could be solicited by direc<br />
mail and organized club contacts.<br />
The Movie of the Month plan coul<br />
be made into a monthly stimulant a<br />
the boxoffice, first through the pre;<br />
sold ticket angle and also through th:<br />
approach of this different advertisin'<br />
angle.<br />
Chakeres Circuit Enlists<br />
Ministers and Teachers<br />
The Chakeres circuit at Springfijl*<br />
Ohio, reports a splendid response to Is<br />
program of enlisting the support of mristers<br />
and teachers, several hundred it<br />
whom received special cards entitling tlil<br />
to 25-cent admissions to any one of ie<br />
circuits four houses there. The cards \(f(<br />
labeled, "Annual Pastor's Theatre Card'JE<br />
"Annual Teacher's Theatre Card," depel-t<br />
ing upon the profession of the recipien'<br />
More than 400 letters and telephone els.<br />
of thanks were received for the gestureJn;<br />
addition to accolades in the local paps.<br />
The rrOO bulletin also complemented «<br />
cnxuit for introducing the plan in<br />
state.<br />
A 1955 Packard Clipper was promcid<br />
by the circuit, with the cooperation of<br />
local merchants. Tickets for the drawl<br />
to be held June 9 at the Regent, will*<br />
given with each adult admission duiiE)<br />
the week of June 6. Additional tickets t<br />
available with each purchase of 50 cent!* t:<br />
more at any one of the participating sto* ;<br />
10 142<br />
BOXOFFICE Showmandiser : : May<br />
7,
'<br />
m<br />
llastic Slipper Offer<br />
loient on Radio ai<br />
lortland Guild<br />
Martin M. Foster started his promotion<br />
"The Glass Slipper" at the Guild Theae<br />
in f)'<br />
Portland, Ore., weeks in advance<br />
private screenings to bolster opinion<br />
^f.h<br />
8iong leading civic organizations. Revws<br />
by critics, following a press screen-<br />
1;. were excellent. Ads, larger than regu-<br />
] were started a week in advance.<br />
.<br />
All radio stations were supplied with<br />
i^rious recordings of "Take My Love,"<br />
t); theme song of the picture. The RCA<br />
riiord distributor gave the Eddie Fisher<br />
vsion to every disk jockey and sponsored<br />
i'ntification contests.<br />
rJ)IO PROMOTION AT PEAK<br />
'Radio promotion hit a peak when statn<br />
KWJJ broadcast a program two<br />
rrhts. three hours each, from the Guild<br />
Dby. Bob MacNulty, KWJJ disk jockey,<br />
figged the film throughout the program<br />
ed gave out plastic glass slippers labeled<br />
Vth the picture title and theatre name<br />
all cars that would drive by the theatre<br />
t"<br />
id honk their horns twice. This gimmick<br />
\)s so successful that traffic was tied up<br />
f the downtown area and police had to<br />
called.<br />
t<br />
MacNulty also pulled the same broad-<br />
(5t stunt at two downtown stores, Lipinn's<br />
department store and Nordstrom's<br />
ioe store.<br />
Isabella Marks also devoted a part of<br />
Ir Women of the Day program on TV<br />
t the picture.<br />
Poster reports "The Glass Slipper" did<br />
Uter at the Guild in its first four days<br />
tan "Lili," and expects a run of more<br />
tin 12 weeks.<br />
Ince Charming Leads<br />
(nderella Search<br />
\ search for Miami Beach's "Cinderella"<br />
r.ulted in widespread publicity for the<br />
lening of "The Glass Slipper" at the<br />
i eridan Theatre there.<br />
M Glick, assistant to Howard Pettengill,<br />
U Florida State circuit publicity and ad-<br />
\'tising head, worked up the contest, duri;<br />
which for four days a "Prince Charmi.:'<br />
canvassed ocean-front hotels seeking<br />
i 'Cinderella" who could wear the slipper<br />
yich he carried. The "Prince" was identiid<br />
by a sign across his back reading:<br />
looking for Cinderella. Try on the<br />
(ass Slipper and win a fabulous vacation<br />
f- two. See 'The Glass Slipper,' etc." A<br />
Pckard convertible, well placarded with<br />
^ns, took the "Prince" on his rounds.<br />
rVE PRIZES PROMOTED<br />
'Jine prizes were promoted by Glick, inc<br />
ding a weekend for two at an oceantnt<br />
hotel, three pairs of shoes by Jack<br />
Igers of Miami, a dozen pairs of stocki<br />
s from Mary Jane, dinner at the Beef<br />
a Bird Club, use of a 1955 Grentner Bros.<br />
I :kard, use of a luxury yacht for one<br />
c/, an evening at the Capri night club.<br />
flowers from Mary Dowlen, and a complete<br />
sportswear ensemble from Daisey<br />
Originals.<br />
Two thousand 8'"jx11 heralds were made<br />
up, in appropriate magenta coloring, and<br />
distributed by the participating merchants<br />
and by "Prince Charming." The participating<br />
hotels, via their publicity representative,<br />
used pictures of various guests<br />
trying on the slipper.<br />
Finals were held in the Sheridan lobby.<br />
Judges were Manager Tom Capuzzi, comedian<br />
Gene Baylos and Sy Bloom, a contributing<br />
merchant.<br />
The four-day campaign, according to<br />
Glick, created a "hubbub of excitement<br />
which paid off at the boxoffice on opening<br />
day of the picture."<br />
DAVE<br />
VSAAGGOMAN<br />
No one ever<br />
crossed<br />
him...<br />
till<br />
he<br />
crossed the<br />
path of<br />
Manager Berry Places<br />
Santa on Tour in April<br />
For "Untamed" at the suburban Gorman<br />
Theatre in Framingham, Mass., Manager<br />
John Berry had Santa Claus stroVur'-<br />
through the streets with a sign on his bac,:<br />
reading "I Can't Wait Until Christmas, So<br />
I'm Heading for the Gorman Theatre to<br />
See 'Untamed.' " When addressed by those<br />
on the street he would answer, " 'Untamed'<br />
is a Must. It stars Tyrone Power and Susan<br />
Hayward and is in Technicolor."<br />
George Hannon at Green Bay<br />
GREEN BAY, WIS.—George Hannon is the<br />
new manager for the Starlite Drive-In, which<br />
opened for the .season in mid-April.<br />
CinbmaScoP^ ALEX NICOL as DAVE WAGGOMAN<br />
James Stewart in "The Man From Laramie" co-starring Arthur Kennedy. Donald Crisp. Cathy<br />
O'Donnell, Alex Nicol and Aline MacMahon with Wallace Ford • Screen Play by Philip Yordan<br />
and Frank Burt based upon the Saturday Evening Post story by Thomas T. Flynn • Directed<br />
by Anthony Mann • A Columbia Picture • A William Goefz Production in CinemaScope<br />
Color by Technicolor<br />
B XOFFICE Showmandiser : : May 7, 1955 143 —<br />
II
: May<br />
I<br />
24-HOUR SHRIEK PREVIEW OF CREATURE'<br />
OPENED AT MIDNIGHT AT DETROIT!<br />
Extra Hustle on 3-D Duo Results in<br />
Waiting Lines<br />
At Broadway Capitol Theatre<br />
That imagination and a little hustle pay<br />
off at the boxoffice was demonstrated recently<br />
when "Revenge of the Creature"<br />
and "Cult of the Cobra" opened at the<br />
Broadway Capitol in Detroit.<br />
The theatre, normally open until 6:45<br />
every morning to accommodate swing shift<br />
workers in the local automotive assembly<br />
plants, closed its doors on a Monday night<br />
at 11 and emptied the house. Outside, a<br />
line of patrons stretched around the far<br />
corner waiting for the doors to reopen<br />
for a special 24-hour midnight "Shriek<br />
Preview" of the two suspense pictures. The<br />
big turnout—all the more remarkable on<br />
a cold Monday midnight—was a testimonial<br />
to the promotional team that planned and<br />
executed the campaign.<br />
The idea for a midnight "Shriek Preview"<br />
was born during conferences in the<br />
offices of Alice Gorham, director of advertising<br />
and publicity for the United Detroit<br />
Theatres. With the blessings of Harold H.<br />
Brown, president of UDT, the theatre<br />
schedule was arranged to accommodate the<br />
"preview" and the entire staff immediately<br />
set to work setting up promotional activities.<br />
Six eight-foot cutouts of the "Creature,"<br />
blown up from an eight-by-ten still, were<br />
ordered and placed in various spots around<br />
the theatre. Two cutouts were joined with<br />
an A-board advertising the preview and<br />
placed at the curb-line in front of the boxoffice.<br />
Two more were placed at either<br />
end of the large overhead lobby sign calling<br />
attention to the opening. One cutout<br />
was situated on the steps leading to the<br />
balcony and the sixth huge montage was<br />
reserved for use in displays outside the<br />
FITE FILMS<br />
WANTED!<br />
I will pay too dollar for 35 mm. or 16 mm.<br />
prints of old fife films, 1900-1925, plus<br />
any of fife films listed below:<br />
Louis-Levinsky, 1937 Risko- Dundee<br />
Schmelino-Sharkey, 1930 Camera-Godfrey<br />
Sharkey-Maloncy<br />
Baer-Schmeling<br />
De'aney-Maloney<br />
Walker-Loughran<br />
Sharkey- McTigue<br />
Dempsey-Levinsky<br />
Paulino-Wills Canzoncri- Chocolate<br />
Paulino- Heeney<br />
Coinqollo-Carnera<br />
Berlenbach-Delaney<br />
Sharkey-Carnera<br />
If you have these prints, you'll get cash<br />
fost. Write or wire todoy. Box No. 5866.<br />
825 Von Brunt Blvd., Kansas City, Mo.<br />
BLOWERS<br />
ATOMIC JET<br />
" '•"*'•<br />
""-In<br />
LAMPHOUSE<br />
and Indoo"<br />
BLOWERS<br />
'•<br />
h lamp and d<br />
EASY TO INSTALL.<br />
PRICED RIGHT<br />
DRIVE-IN THEATRE MFG. CO. T.n*a."cit'<br />
12<br />
theatre.<br />
For this purpose. Manager Dick Sklucki<br />
of the Broadway Capitol set one of the<br />
blowups with playdate posters and stills<br />
in the window of the Wurlitzer music shop<br />
on busy Broadway, in the heart of the<br />
shopping center.<br />
Extensive use was made of the actual<br />
"Creature" costume used in the film. As<br />
soon as the scary outfit arrived from Universal's<br />
studios in Hollywood an usher was<br />
sealed into the costume and began parading<br />
the streets with playdate sign.<br />
PHOTO STUNT ALSO USED<br />
On the day of the midnight showing, the<br />
"Creature" was stationed in the theatre<br />
lobby alongside a king-size display board<br />
daring preview patrons to be photographed<br />
with the monster. For this purpose a tieup<br />
was arranged with Lobby Hobby, local<br />
novelty shop, whereby the shop provided<br />
two polaroid cameras, complete with expert<br />
photographer, film and flashbulbs.<br />
Early arrivals were photographed shaking<br />
hands lor claws) with the "Creature."<br />
With the assistance of Marie Meyer of<br />
UDT. the "Creature" was booked as a<br />
guest star on three television programs, all<br />
spotted for the day of the preview. The<br />
"guest" was accompanied by a local model<br />
to deliver the playdate spiel and to provide<br />
pleasing contrast with the monster. After<br />
his appearance on Warren Kelly's Stars<br />
on 7 TV program, the "guest" accompanied<br />
Kelly to the much-ballyhooed opening of<br />
a large modern Florsheim shoe shop in<br />
downtown Detroit, where hundreds of shoppers<br />
filed through the store in a "treasure<br />
chest" promotion.<br />
STEREO CLUB INVITED<br />
Because of the growing interest in<br />
itereophotography, the Stereo Club of Detroit<br />
was contacted to circularize its<br />
membership,<br />
urging them to visit the theatre<br />
to witness the newest developments in<br />
three-dimensional photography. "Revenge<br />
of the Creature" was shown in 3-D at Detroit.<br />
Thirty-five millimeter sound film clips<br />
from the picture were used as a free trailer<br />
to publicize the "Creature's" appearance<br />
on the zany Soupy Sales program on the<br />
local ABC-TV outlet.<br />
One corner of the theatre lobby was occupied<br />
by a novel setup featuring a girl<br />
dressed as a nurse, with first-aid kit and<br />
hospital cot. An A-board advised patrons<br />
that her professional services were available<br />
for those who couldn't take the chills<br />
and thrills of the two suspense pictures.<br />
As a result of this type of promotion and<br />
ballyhoo, a line began to form outside the<br />
two boxoffices two hours before the midnighter.<br />
— 144 —<br />
Here are two standard promotions on the 1<br />
suspense duo. Above shows the nurse setup ini<br />
corner of the Broadway Capitol Theotre in Detr.<br />
A tieup with a photo shop to take pictures!<br />
patrons with the Creature has worked well in '<br />
opening showings. Below is the setup at the Stanii<br />
in Philadelphia, arranged by Manager Al Plou,<br />
In his promotion for "Revenge of the Creature":i<br />
3-D at the Paramount Theatre in Denver, Manor<br />
Jock Wodell, right, developed an attention gettj<br />
'Most Horrible Costume Contest" as part of)<br />
juvenile matinee, held during the run of '<br />
picture. The youngsters jammed the theatre. WocI<br />
and house manager Joe Archuleta, left, are sd<br />
here selecting the winners of the contest. A lol<br />
TV announcer served as emcee. I<br />
Green Light on 'Creature<br />
During running of the regular trailer i<br />
"Revenge of the Creature" and "Cult t<br />
the Cobra," green gelatin was used by At<br />
Ludacer, Valentine, Toledo, to light sceri<br />
in which the Creature appears. All auditcf<br />
ium lights were doused with the exceptif<br />
of the exits, which were lit in green.<br />
Hecht-Lancaster Productions has inked tS<br />
British playwright Lesley Storm to write t|<br />
screenplay for UA's "Until They Sail."<br />
i<br />
BOXOFFICE Showmandiser :<br />
7, 19i i
I<br />
"Three<br />
k<br />
:<br />
. . 'Welcome!"<br />
the<br />
:<br />
May<br />
.<br />
.<br />
ghat's Exploitable<br />
the Magazines<br />
ook magaziup and 20th-Fox are co-<br />
)<br />
rating on a national campaign for<br />
'liddy Long Legs." Linked is a two-page<br />
;]ead in the publication's May 17 issue.<br />
May 3. Look's promotional department<br />
.contacting key accounts around the<br />
ntry with suggestions for local camgns.<br />
Newsstand display materials also<br />
e been prepared, as well as banners for<br />
i]gazine delivery trucks.<br />
Bantam Books, publisher of the<br />
locket-sised edition of ''The Inormer."<br />
has made arrangements to<br />
trovide a 500-volume library of its<br />
BOXOFFICE<br />
BAROMETE<br />
This chart records the performance of current attractions in the opening week of their first runs in<br />
the 20 key cities checked. Pictures with fewer than five engagements are not listed. As new runs<br />
are reported, ratings are added and averages revised. Computation is in terms of percentage in<br />
relation to normal grosses as determined by the theatre managers. With 100 per cent as "normal,"<br />
the figures show the gross rating above or below that mark.<br />
P Aida (IFE)
1<br />
I<br />
E T T E R S<br />
Ijes 'Nickelodeon Week' Annually<br />
1; BOXOFFICE:<br />
unong other things the article dateliiied<br />
Has about celebrating the birthday of the<br />
I<br />
^kelodeon caught my eye in this week's<br />
T.XOFFICE.<br />
\ seems to me that a tremendous lot could<br />
t gained for the industry if we could make<br />
U week of June 5-11 "Nickelodeon Week"<br />
al dramatize and publicize it fully and make<br />
Ija national annual event.<br />
It is my thought that every theatre in the<br />
pfion, as well as producers and distributors,<br />
rght gain much if, as part of the week's<br />
oebration, it was to be made a feature<br />
tit any movie patron could take along a<br />
g;st for a nickel. My thought is that any<br />
h. paying regular admission should be able<br />
ttake another kid for a nickel or any adult<br />
snild be able to take another adult or a<br />
did for an additional 5c.<br />
|rhis should result in the theatres taking<br />
II millions of nickels that week, but most<br />
iportant, they would be filling seats that<br />
1-,-e been empty a long time and gettiiig<br />
rllions of people back to the movies who<br />
l,e been away for years. If the plan were<br />
t'be finalized, it should apply to every attction<br />
and theatres should try to book<br />
c standing programs to help put it across.<br />
happen to be the originator of the Rexall<br />
Isale and it has become a merchandising<br />
ent of such magnitude that Rexall now<br />
Hds it twice yearly. If Rexall and thousands<br />
affiliated drug stores can profit by selling<br />
a; and every drug item at regular price,<br />
ps one for Ic, it seems to me that we, the<br />
Dvie industry, might likewise profit in<br />
rny, many ways if that week we were to<br />
s: one admission ticket at regular price<br />
al a second one at a nickel.<br />
Jay I suggest that BOXOFFICE take the<br />
11 by the horns and become the ramrod<br />
r:essary to excite exhibitors and exhibitor<br />
canizations into launching National Nickel-<br />
C!on Week, celebrating the birthday of 5c<br />
r vies.<br />
. 4;sident<br />
Illmark Productions<br />
lUywood, Calif.<br />
KROGER BABE<br />
Suggests Equipment, Candy Ad Tieup<br />
TO BOXOFFICE:<br />
Abe Kaplan's i<br />
Minneapolis circuit owner i<br />
idea of a "Variation of the Pause That Refreshes"<br />
article that appeared in a late issue<br />
of the BOXOFFICE is just what the theatre<br />
industiy needs, and needs badly.<br />
To add to Kaplan's plan of all of the major<br />
film companies defraying the cost of this<br />
advertising, I have a suggestion to make, but<br />
first allow me to explain.<br />
With the public staying home watching TV<br />
and not going out of the house anywhere<br />
the whole nation suffers, which means the<br />
public isn't buying Cokes, eating candy bars.<br />
attending any place, wearing out .-v;,tui, iuiniture,<br />
etc., why not allow RCA, Altec and<br />
the major candy companies to come in on<br />
.some of this advertising.<br />
More people going to the movies will in<br />
turn, we hope, make room for more theatre^<br />
to be built, and in time RCA and Altec<br />
come in on this deal by selling sound, seats.<br />
carpets, screen, etc. It would actually help<br />
them in the long run. The candy people<br />
would sell more candy to people. Each trade<br />
benefits the other.<br />
To sign off, I believe it's a great idea on<br />
Abe Kaplan's part, but let's go all the way,<br />
all the way!<br />
Pat Drive-In Theatre,<br />
Vidalia, La.<br />
JOHN "PAT" ELZEY<br />
t)uld Fight Distributors One at a Time<br />
:• BOXOFFICE:<br />
ieing a small-town exhibitor and of sound<br />
rid, I was wondering why the exhibitors in<br />
c tain exchange areas don't get together and<br />
srt an open fight with certain distributors.<br />
iy suggestion is to single out one company<br />
ai take concerted action to bring film<br />
Many exhibitors could make<br />
fees into line.<br />
c with running one company's product later<br />
i necessary in order to bring it down to<br />
e th. If the exhibitors held out this way<br />
t y could lick this thing by taking on one<br />
tJ;ributor at a time. Due to the product<br />
s rtage it would be impossible to tackle<br />
nre than one, but I feel confident that by<br />
^ idling one at a time the mission eventually<br />
» lid be accomplished.<br />
/e must cooperate. Consider the banana.<br />
B ry time it leaves the bunch it gets skinned.<br />
A KENTUCKY EXtnBITOR<br />
WALLACE FORD as CHARLEY O'LEARY<br />
C|NemaScOP£<br />
James Stewart in "The Man From Laramie" co-starring Arttiur Kennedy, Donald Crisp, Cathy<br />
O'Donnell, Alex Nicol and Alme MacMahon with Wallace Ford -Screen Play by Philip Yordan<br />
and Frank Burt based upon the Saturday Evening Post story by Thomas T Flynn • Directed<br />
by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaSoope<br />
Color by Technicolor<br />
KOFFICE May 7, 1955
CALENDAR 2! EVENTS<br />
MAY
'<br />
, NEW<br />
) NEW<br />
I.<br />
fniversal Wins Ruling<br />
1 Attorney's Suit<br />
'NEW YORK—Federal Judge Edmund L.<br />
iilmieri has ruled in favor of Universal Picires<br />
in the suit brought by Thomas Turner<br />
iooke. attorney, who sought $115,000 for<br />
heged services rendered.<br />
Cooke had sought this sum for services from<br />
M6 to 1951 but, according to the testimony,<br />
lis services were rendered from July 1946 to<br />
(ebruary 1949, instead of up to February<br />
')51, as he had claimed. The plaintiff ad-<br />
'litted that he had already received $35,000<br />
'it he sought judgment for the difference<br />
'Hween that sum and the $150,000 total he<br />
'aimed was due him on the basts of quantum<br />
Wait. Cooke's services were rendered in<br />
appeal taken to the Supreme Court in the<br />
iie<br />
intitrust suit of the U. S. government against<br />
'aramount Pictures and a number of other<br />
'istributors, of which Universal was one of<br />
be minor defendants.<br />
Cooke wiis represented by Alexander Kahan<br />
hd Universal was represented by Louis Nizer<br />
|nd Paul Martinson of Phillips, Nizer, Benin<br />
& Krim.<br />
lomb Threats, Car Crash<br />
Vorry N.Y. Exhibitors<br />
YORK—Bomb threats plagued New<br />
,ork exhibitors during the week. There was<br />
|lso the crash of an automobile into a theire<br />
lobby, killing two schoolboys and crit-<br />
injuring a third.<br />
jtally<br />
Following discovery of a lethal bomb at<br />
le Radio City Music Hall, whose timing<br />
lechanism had failed, there were six bomb<br />
ireats telephoned in one day, Wednesday (4i.<br />
.11 were false alarms,<br />
, Police rushed to Macy's department store,<br />
.le Roxy Theatre, Webster Hall at 19 East<br />
Ith St., the Academy of Music at 126 East<br />
llth St., a branch of the First National City<br />
ank at Broadway and Canal St. and Radio<br />
lity Music Hall again.<br />
The theatre into which the automobile<br />
.•ashed was the RKO Keith's Flushing Thetre<br />
in Queens. The man at the wheel was<br />
ead. The car cleared the boxoffice, then hit<br />
right wall of the lobby, pinning its vicms<br />
against the wall. They were looking<br />
116<br />
at<br />
.osters advertising "Man Without a Star."<br />
flppeals Court Will Hear<br />
iillside Case May 19<br />
NEW YORK—The U. S. Circuit Court of<br />
ppeals has set the date of May 19 for hearig<br />
the appeal of the Hillside Amusement<br />
o.. Hillside, N. J., in its suit alleging that<br />
\e major companies charged it higher<br />
;ntals than they charged Stanley Warner<br />
ouses. The suit was dismissed in a lower<br />
[)urt and an appeal filed last year. It was<br />
Irought under the Robinson-Patman act ban-<br />
'ing price discrimination.<br />
.oew's Theatres Elects<br />
'riedman and Cleary<br />
YORK—Leopold Friedman, financial<br />
ice-president and treasurer of Loew's Thea-<br />
•es, has succeeded Eliot Rosenthal as secre-<br />
,iry and Harold J. Cleary, vice-president and<br />
mtroUer, has been made treasurer. Rosen-<br />
|ial ended an 11-year association with the<br />
)mpany to become executive vice-president<br />
:id treasurer of Investors Planning Corp. of<br />
merica.<br />
3X0FTICE May 7, 1955<br />
First UA Foreign Meeting<br />
Of Three Field in London<br />
ARNOLD M. PICKER OPENS LONDON MEETING—Radio photo shows Cnited<br />
Artists vice-president (standing) surrounded by, left to right: >Io Rothman, continental<br />
division; Charles Smadja, European production vice-president; Max E. Youngstein,<br />
vice-president; Arthur B. Krim, president; Louis Leber, foreign department general<br />
manager; Montague C. Morton, Great Britain managing director, and William J. Smith,<br />
secretary of United Artists Corp., Ltd.<br />
LONDON—United Artists' first worldwide<br />
series of foreign sales conventions opened<br />
here Tuesday I3) with 150 executives and<br />
representatives present and Arnold M. Picker,<br />
vice-president in charge of foreign distribution,<br />
presiding.<br />
Arthur B. Ki-im, president, delivered the<br />
keynote address to an assemblage coming<br />
from Europe, the Near East and South<br />
Africa. He described the international<br />
phase of the "Blueprint for Tomorrow." Max<br />
E. Youngstein, vice-president, participated.<br />
Others taking part were Charles Smadja,<br />
vice-president in charge of Eiu'opean production,<br />
and Louis Lober, general manager<br />
of the foreign department.<br />
Picker reported that 40 per cent of UA<br />
revenue now comes from the foreign market.<br />
He cited expansion of foreign operations since<br />
the Krim management group took over UA<br />
early in 1951. Foreign department personnel<br />
Zenith Consultant Warns<br />
Council on Toll Video<br />
NEW YORK—Dr. Millard C. Faught, consultant<br />
to Zenith on Phonevision, has warned<br />
the city council against "arbitrary and Uladvised<br />
action" on a resolution before it<br />
opposing toll TV. His statement followed<br />
reports that most opinions filed by the public<br />
with the council favored the resolution. Dr.<br />
Faught said the council was being "exploited<br />
as a pawn by self-seeking interests."<br />
Columbia Net Increased<br />
NEW YORK—Columbia reported Thursday<br />
(5) a net profit of $3,655,000 for the 39-week<br />
period ended March 26. This is equal to $4.37<br />
a share on 793,365 shares of common stock<br />
outstanding. The net profit for the same<br />
1954 period was $2,664,000, or $3.12 a share<br />
on the same number of shares outstanding.<br />
has risen from 755 to 1,092, overseas branches<br />
from 55 to 67 and number of prints servicing<br />
foreign exhibitors from 1,806 to 3,836. He<br />
predicted a continuing increase in foreign<br />
business.<br />
Regional heads present included Mo Rothm.an<br />
and Walter Gray of the continental<br />
division, Montague C. Morton, managing director<br />
in Great Britain, and Georges Rouvier,<br />
French managing director.<br />
Others were executives from the London<br />
office, exchanges in Birmingham, Leeds,<br />
Liverpool. Manchester, Newcastle, Belfast,<br />
Dublin, Glasgow and Cardiff, and UA managers,<br />
special representatives and distributors<br />
from Belgium, Denmark, Germany. Sweden.<br />
Switzerland, Italy. Spain. Austria, Finland,<br />
Holland, Norway, Portugal, Greece, Egypt,<br />
Israel, Syria. Lebanon and South Africa.<br />
Meetings will follow this summer in Tokyo<br />
and Rio de Janeiro.<br />
Kingsley, MGM in Tangle<br />
Over 'Court Martial'<br />
NEW YORK—Kingsley International Pictures<br />
and MGM are involved in confusion<br />
and a possible tangle over the use of the<br />
title "Court Martial," with the former claiming<br />
prior use with its picture of that name,<br />
which is scheduled to open at the Trans-Lux<br />
52nd Street Theatre following the current<br />
run of "Doctor in the House." The picture<br />
has already been shown in Canada.<br />
MGM has announced that it will produce a<br />
film version of the TV play, "The Rack,"<br />
under the title "Court Martial." but this<br />
project is still in the planning stage. Edward<br />
Kingsley explains that his picture, "Court<br />
Martial," is based on the London play, "Carrington<br />
V.C," and stars David Niven and<br />
Margaret Leighton.<br />
Warner Bros, is also planning a film, "Tht<br />
Court Martial of Billy Mitchell."<br />
33
—<br />
— —<br />
—<br />
'.'<br />
'<br />
:<br />
'<br />
'<br />
—<br />
—<br />
—<br />
—<br />
.<br />
Spring Weather Affects B'way Runs,<br />
But 'Cover', 'Affair Start Big<br />
NEW YORK—The mild spring weather has House," in its Uth at the Trans-Lux 52nd<br />
affected many of the Broadway first runs, St., and "Gate of Hell," in its 20th at the<br />
although business for several of the new films, GuUd. "Cinerama Holiday" also remained<br />
particularly "Run for Cover" and "The End strong in its 12th week of two-a-day perof<br />
the Affair." was excellent. "Strategic Air formances at the Warner Theatre.<br />
Command" also had a strong second week. In addition to "Daddy Long Legs," which<br />
after a first stanza which was the highest had a benefit opening at the Roxy Thursday<br />
for the straight-picture policy at the Para- (5), "Interrupted Melody" opened at the Ramount<br />
Theatre.<br />
dio City Music Hall, both pictures in Ciuema-<br />
"The Glass Slipper," in its sixth and final Scope, and "Hell's Island" in VistaVision<br />
w^eek at the Radio City Music Hall, took in started at the Palace Friday.<br />
the highest gross in the Broadway field, but Astor—Eost of Eden (WB), 8th wk 125<br />
the most amazing figure was for "Marty,"<br />
^"^^^'i-A^Pu^pU pUn'I'uAi,' 4,h wk.' ; : : : i : '.'lis<br />
which had a smash thil-d week, exceeding Cmemo—Verdi Gran Vorieto (Continental),<br />
even the record first and second week grosses.<br />
'<br />
cn'tenon—Run for Cover (Para') 125<br />
Lines were so long during the weekend that ssth st,—Choriie Chopiin Festive!, 4th wk. . . . ! . .100<br />
Paris With Love (Continental),<br />
hundreds had to be turned away and the<br />
'''"^^,h'^;*k'~"'^°<br />
^^^<br />
Sutton Theatre had to add midnight Friday Globe—The Woyword Wife '(Ife)', '4fh wk. '.'.'!.'.'! 1 10<br />
and Saturday showings to accommodate the °* ."'.".<br />
^^°"'.^°"'°°^'.''^°"^.'.<br />
''^JotTT w°k.^<br />
115<br />
crowds. Ljtrle Carnegie One Summer of Hoppiness<br />
Me"e°in| '(Pacemaker)',<br />
stanza at the Astor; "The Blackboard Jungle" 2nd wk 110<br />
. .,. ii. ^ T . Ok t J ..rm, ., Palace New Orleans Uncensored (Col), plus<br />
m Its seventh at Loew s State, and The Way- vaudeville no<br />
ward Wife," in its fourth at the Globe. How- Paramount—strategic Air Command (Para),<br />
"Chief Crazy Horse" had a good opening at<br />
'<br />
LoiwT" at^The^<br />
"<br />
Biackboardjungie' (mgmjV<br />
the Mayfair, while among the pictures that 7th wk. 1 30<br />
held up well were "East of Eden," in its eighth NormandTe—Chonc"<br />
^°<br />
ever, "A Man Called Peter," in its fifth and Pans—Woges'of F'e'ar'('F'ii'ms 'lnt''i)','i it'h wk'.' ! ^ ! ! lOO<br />
final week at the Roxy, was way off, as was P.azo— Eight o'clock Wa,k (Ass'd Artists) no<br />
_, „ , _,.,,. .. ... i 1^ Radio City Music Hall The Glass Slipper MGM<br />
"The Purple Plain," in its fourth at the pius stage show, 6th wk lis<br />
Pnnitnl<br />
''o>'y A Man Called Peter (20th-Fox), 5th wk. . .100<br />
^.v. .V, .. * Sutton-Marty (UA), 3rd wk<br />
200<br />
V,- V, V,<br />
Other ,^<br />
art house attractions which held up Trans-Lux 52nd— Doctor in the House (Rep),<br />
strongly were "To Paris With Love," in its<br />
v,ctona-The' End of the' Affair' icol) ::;:;:; l!! 1 35<br />
fifth big week at the Pine Arts; "Doctor in the Womer—Cinerama Holiday (Cineroma), 12th wk.<br />
of two-a-day 1 65<br />
World Aido (IFE), moveover, 24th wk 105<br />
*7Ae Beii awL GUecufxeii<br />
CARRY-OUT TRAYS<br />
MAY SPECIAL<br />
FOR DRIVE-INS<br />
M3" M<br />
freight prepoid<br />
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and 4 cups<br />
2-WAY<br />
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form open tray<br />
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Also complete line of refreshment equipment ond<br />
supplies including 10c, 15c and 25c size automatic<br />
popcorn boxes. Samples on request.<br />
•<br />
X.<br />
THEATRE CANDY CO. INC.<br />
400 Dinwiddie St. Pittsburgh 19, Penno.<br />
Three-Way Lead Shows Up<br />
In Buffalo Grosses<br />
BUPFALO—Three attractions all<br />
— ran neck<br />
and neck "The Blackboard Jungle" at the<br />
Buffalo"; "The Eternal Sea" at the Paramount<br />
and "Violent Saturday" at the<br />
Century. All turned in 110. "Revenge of the<br />
Creature" and "Cult of the Cobra," in four<br />
days of a second week tacked up a quiet<br />
90. "Strange Lady in Town" in six days of<br />
a second stanza in the Center was good for<br />
95. "Doctor in the House" continued to attract<br />
fair business at the Cinema in its<br />
fourth week.<br />
Buffalo The Blackboard Jungle (MGM), 3rd wk.. . 110<br />
Center Strange Lody in Town (WB), 2nd wk 95<br />
Century Violent Saturday (20th-Fox) 110<br />
Cinema Doctor in the House (Rep), 4th wk 95<br />
Lafayette Revenge of the Creature (U-l); Cult<br />
of the Cobra (U-l), 2nd wk 90<br />
Poromount The<br />
West (ARC)<br />
Eternal Sea (Rep); Five Guns<br />
no<br />
Jungle' in Gth Week Hits 280;<br />
Top Newcomer Is 'Saturday'<br />
PHILADELPHIA—First run business had<br />
its ups and downs as some new offerings<br />
failed to catch the eye of the theatregoers<br />
while other bills were able to get patrons to<br />
open their pocketbooks. "Violent Saturday"<br />
was the best newcomer with a strong<br />
in its fii-st week at the Fox. The holdo'<br />
winner was "The Blackboard Jungle" wk<br />
continued with a great 280 in its sixth w«<br />
at the Arcadia.<br />
Arcadia The Blackboard Jungle (MGM), 6th wk.<br />
Boyd Cinerama Holidoy (Cinerama), 11th wk..<br />
Fox—Violent Saturday (20th-Fox)<br />
Goldman Big Combo (AA)<br />
Mastboum— Escape to Burma (RKO)<br />
Midtown The Country Girl (Para), 13th wk<br />
Randolph East of Eden (WB), 4th wk<br />
Stanley Shotgun (AA)<br />
Stanton Bedevilled (UA); Golden Mistress (UA)<br />
Trans-Lux Doctor in the House (Rop), 6th wk.. .<br />
Viking<br />
—The Glass Slipper (MGM), 3rd wk<br />
'Blackboard' Doubles<br />
Pittsburgh Average<br />
PITTSBURGH—The Penn doubled its av<br />
age gross with "Blackboard Jungle," while t<br />
HaiTis got three weeks out of "A Man Cal<br />
Peter."<br />
Fulton Chief Crazy Horse (U-l)<br />
Horns A Man Called Peter (20th-Fox), 3rd wk...<br />
Penn The Blackboard Jungle (MGM)<br />
Stanley East of Eden (WB)<br />
Baltimore Grosses<br />
In Spring Slump<br />
BALTIMORE—Outdoor attractions, inchi<br />
ing the season's first spring-like weath;<br />
offered enough competition to reflect ij.<br />
favorably at fii'st run boxoffices. Holdovs<br />
took a slump and, oddly enough, the wei<br />
end's big business was scored by '"le<br />
Sinners," billed for adults only, and "Ivenge<br />
of the Creature," which took in e<br />
younger set. Other gi'osses were be:?<br />
average.<br />
Century Bedevilled (MGM)<br />
Film Centre The Gloss Slipper (MGM), 5fh wk..<br />
Hippodrome The Country Girl (Para), 8th wk...<br />
Keiths The Sinners (Commander)<br />
Little The Stranger's Hand (DCA)<br />
Mayfair Revenge of the Creoture (U-l)....<br />
New—A Man Colled Peter ;20th-Fox), 4th wk...j<br />
Playhouse Gate of Hell (Harrison-Davidson), 6tl<br />
wk<br />
Town Hit the Deck (MGM), 2nd wk<br />
Stanley Unchained (WB)<br />
The Cinema The Game of Love (Times), 2nd wk..<br />
Reade Catering Division<br />
Has Playground Contract'<br />
NEW YORK—The Walter Reade Theat<br />
catering department has been awarded<br />
five-year contract for the operation of<br />
food, beverage and souvenir concessions<br />
the new 28-acre Faii-ytown, U.S.A. childrtji<br />
play center on Jericho Tm-npike, Mid<br />
Island, New York. It will open May 28.<br />
The catering department is known as<br />
"Walter Reade Refreshery." Besides serv<br />
Reade and non-affiliated theatres, it<br />
operates the food and beverage concessl<br />
in other enterprises, including stock car i<br />
racing tracks, beach clubs, restaurants f<br />
industrial plants.<br />
Services for Cornfield<br />
NEW YORK—Funeral services were<br />
Monday f2i for Samuel L. Cornfield, \<br />
brother of Albert Cornfield, 20th Centu<br />
Fox European managing director, and him;<br />
well known in the industry, who died Ajfl<br />
30. Burial was in Providence, R. I.<br />
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IXOFFICE :: May 7, 1955 35
. . . Jack<br />
. . . Jack<br />
. . Claude<br />
. . William<br />
. . Warren<br />
. . Lewis<br />
. . Jack<br />
. .<br />
BROAD\N A\<br />
/"harles C. JVIoskowitz, MGM vice-president<br />
and treasurer, left on a Miami vacation<br />
DeWall of RKO's branch operations<br />
and Doris Schubart were married in tJie Our<br />
Lady chapel at St. Patrick's Cathedral May 2.<br />
A reception at the Waldorf-Astoria followed<br />
Rothenberg, controller of advertising<br />
for United Artists, became father of Bonnie<br />
Lynn, his second child .<br />
B. Dana, son<br />
of P. T. Dana, Universal Pictures eastern sales<br />
head, was married to Eleanor Schano in St.<br />
Margaret's Church at Pittsburgh April 30.<br />
.<br />
.<br />
Earl Leaf, west coast editor of Stearn<br />
Publications, is in New York on his annual<br />
month's visit to meet eastern film company<br />
Hal Wallis brought the print of<br />
editors . . .<br />
his VistaVision film, "The Rose Tattoo," for<br />
Paramount executives to preview here. He<br />
will confer with Ben Gazzara, star of "Cat<br />
on a Hot Tin Roof," who will play the lead<br />
in Wallis' forthcoming "A Stone for Danny<br />
Fisher" Dauphin, French film<br />
star, arrived from Europe Allen,<br />
who directed "Illegal" for Warner Bros.,<br />
sailed on a three-month vacation in Europe<br />
with Mrs. Allen.<br />
James Cagiiey, star of "Run for Cover" for<br />
Paramount, planed to Hollywood after a<br />
promotional tour in the east and south<br />
Hillary Brooke completed work on<br />
.<br />
RKO's<br />
"Bengazi" May 4 and left for New York to<br />
negotiate a new television deal . . . David<br />
Diamond, producer with Samuel Bischoff of<br />
"A Bullet for Joey" for United Artists, returned<br />
to Hollywood after UA home office<br />
conferences Z. Porter, Allied<br />
.<br />
Artists field representative, came in for conferences<br />
with Roy M. Brewer, manager 'of<br />
exchange operations.<br />
Seymour I. Feig, manager of the RKO<br />
competitive bidding department, has been<br />
sworn to the New York state bar. Feig has<br />
been with RKO since 1940, when he joined<br />
the contract department . . . Shirley Yamaguchi,<br />
Japanese actress who is starred in<br />
"House of Bamboo" for 20th-Fox, was voted<br />
"Miss International Appeal" by the crew of<br />
the ice-breaker "West Wind," which left on<br />
its annual Arctic cruise from Brooklyn Navy<br />
yard May 2.<br />
Dore Schary, MGM vice-president in charge<br />
of production, returned to the studio May<br />
3 after an eight-day visit to New York . . .<br />
.<br />
Jules Lapidus, Warner Bros, division sales<br />
manager, returned from a Pittsburgh and<br />
Cleveland visit . . . J. R. Grainger, president<br />
of RKO, planed to the studio with stopovers<br />
in Chicago and Denver Hoffberg<br />
flew west to attend the 'Variety Club convention<br />
as delegates for New York Tent<br />
George D. Burrows, treasurer of<br />
35 . . .<br />
Allied Artists, and G. Ralph Branton, vice-<br />
COOD<br />
IN double'^'<br />
QUICKTIME.<br />
1327 S. WABASH<br />
CHICAGO 5, III.<br />
630 NINTH AVENUE<br />
NEW YORK 36, N.Y.<br />
ORDER YOUR NEXT<br />
SPECIAL<br />
TRAILER<br />
WITH CONFIDENCE<br />
FROM<br />
GOOD OLD DEPENDABLE
'<br />
; Sumberg<br />
.1 . Johnny<br />
. . Ben<br />
. . The<br />
. . Filmrow<br />
iw School senior and summer employe of<br />
listate Autxjmatic Candy Corp., became<br />
{.her of a baby son named Joseph Mark<br />
J . Prank Bornhorst is a new assistant on<br />
night staff at the Palace. He replaced<br />
ti;<br />
rke Maccochiero, who returned to the out-<br />
, field as assistant to E. A. Thompson,<br />
>r<br />
usf manager of the Mohawk E>rive-In.<br />
1<br />
irnhorst, a decorator for the Whitney detriment<br />
store. Is the father of five children<br />
Dwyer is serving as assistant to<br />
q'orge Lourinia at Fabian's Saratoga Drive-<br />
I. Latham. Pat Patterson. Leland manager,<br />
)s a new assistant, Richard Cook.<br />
Larry Cowen, 56, former manager of Proof's<br />
in Troy, has been cleared by a Rensse-<br />
Vt County grand jury of fii-st degree grand<br />
Vceny charges, which returned no indict-<br />
1;nt against the veteran theatreman. The<br />
ry had heard evidence on a charge that<br />
iwen had taken jewelry valued at $6,000<br />
)<br />
))m his mother, Mrs. Frances Cowen, 80,<br />
iio lives at the Jewish Home for the Aged<br />
the Capital city. She is reported to have<br />
leaded to the jury not to indict her son.<br />
jiwen was ordered released from the Rensjlaer<br />
County jail, to which he was comiitted<br />
March 4 after two detectives returned<br />
)m from Gulfport, Miss., following a widejread<br />
search of several months, so far as<br />
l,y local criminal charge was concerned.<br />
h was detained, however, on warrants charg-<br />
)g issuance of fraudulent checks in Southfipton<br />
and Red Hook, N. Y., Cornwall,<br />
inn., and Trenton, N. J.<br />
iThe Variety Club's 12th annual dinner<br />
'<br />
nee honoring retiring chief barker Jules<br />
frlmutter drew 150 to the Empire room of<br />
le Sheraton-Ten Eyck Hotel Saturday night,<br />
j'aise of Perlmutter's services during his<br />
0 consecutive terms was voiced by Chief<br />
lirker George H. Schenck and property<br />
laster Lewis H. Sumberg. On behalf of Tent<br />
presented Perlmutter with a cama<br />
and projector. Perlmutter urged conlued<br />
member and public support of the<br />
imp Thacher vacation base for needy boys.<br />
ublic Relations Group<br />
[onors Bill Treadwell<br />
NEW YORK— Bill Treadwell, new president<br />
the<br />
American Public Relations Ass'n, was<br />
inored Tuesday (3) by several hundred pubi!<br />
relations men at a luncheon at Toots<br />
lor's restaurant. Members of the motion<br />
oture industry, with whom he has negotiated<br />
!ups in the past, attended. Tony Martin of<br />
e Columbia Broadcasting System W£is<br />
astmaster. Treadwell received many gifts<br />
,id citations.<br />
,The luncheon marked Treadwell's election<br />
president, his 20th year in public relations<br />
lid his fourth win of the Silver Anvil award<br />
r meritorious public relations campaigns.<br />
fA Softball Team Opens<br />
eason With a Victory<br />
NEW YORK—The United Artists Softball<br />
.am, managed by Joseph DeLuise, won, 11<br />
2, Monday (2) over the Sterling Television<br />
'ne in the first game of the 1955 Film<br />
iftball League. It will face Eastman Kodak<br />
|ay 17, Precision May 25, 20th-Fox June 1,<br />
ithe June 1, Recordak June 13, Pathe June<br />
, Sterling July 6, Eastman Kodak July 12,<br />
th-Fox July 12, 20th-Fox July 20, Precision<br />
Illy 25 and Recordak August 2.<br />
BUFFALO<br />
Duffalo tent members attending the International<br />
Variety Convention in Los Angeles<br />
this week were Murray Whiteman,<br />
Marvin Jacobs. Dave Miller, Billy Keaton,<br />
Carl Sciandra, Gus Basil and Dewey Michaels,<br />
all w-ith their wives.<br />
Elmer F. Lux of Elmart Theatres is heading<br />
the governmental division of the Cancer<br />
Crusade for the eighth year. Lux has been<br />
prominent in all charity and special drives in<br />
the Buffalo area for a decade ... A large<br />
crowd of barkers and their wives and sweethearts<br />
attended the annual Monte Carlo<br />
Night Saturday in the Variety club rooms. On<br />
the program were games, drinks and a roast<br />
beef buffet prepared by Tent 7's famous chef,<br />
Clint.<br />
The Variety Club's Who's Who of the Month<br />
are Dorothy and Myron Gross, who are<br />
cited for their outstanding and remarkable<br />
achievements for Variety. Myron, who is<br />
manager of the local office of Cooperative<br />
Theatres is dough guy of Tent 7 and a past<br />
chief barker. Dorothy serves the Women's<br />
League as trustee and Is active on several<br />
committees . Dargush, manager of the<br />
Center, reports a big advance sale for the<br />
closed circuit telecast of the Marciano-<br />
Cockell championship fight. It will be shown<br />
on the Center's big TV screen at 11 p.m., daylight<br />
savings time. May 16. No seats will be<br />
reserved and all tickets are $3.50, including<br />
tax. This will be the fourth big fight telecast<br />
to Center audiences, all of which have been<br />
successful at the boxoffice.<br />
"Strategic Air Command" is coming to the<br />
Paramount Theatre the middle of May and<br />
Manager Edward Miller has already installed<br />
some eye-catching advance lobby displays,<br />
one of which is a 40x60 blowup of the critic<br />
raves after the world premiere at the Paramount<br />
in New York . first in a series<br />
of industrial sellout performances of "This<br />
Is Cinerama," was held in the Teck Theatre<br />
the other night when the Bell Aircraft Corp.<br />
staged the first of four Bell Aircraft nights,<br />
arranged by Manager Paul Swater.<br />
Further expansion of Stromberg-Carlson's<br />
operations in Rochester are foreseen following<br />
the merger with General Dynamics.<br />
The organization of the Kodak Town concern,<br />
manufacturers of television, radio and electronic<br />
equipment, w'ill not be changed, according<br />
to John Jay Hopkins, chairman of<br />
the board. Stromberg-Carlson will retain its<br />
name, individual identification and organizational<br />
structure except that it will operate<br />
within General Dynamics as Stromberg-Carlson<br />
Division.<br />
Industryites who attended the Dave Miller<br />
testimonial dinner still are talking about<br />
the hilarious performance put on by Al Kelly,<br />
New York comedian who was introduced as<br />
Albert Kalvin, vice-president of U-I. Kelly<br />
proceeded at first to mystify and then convulse<br />
the company with a eulogy of the honored<br />
guest, full of wonderful gestures, passionate<br />
oratorical effects and incomprehensible<br />
gibberish. He had the audience in<br />
an uproar.<br />
In a letter addressed to Miss Mary Pickford.<br />
Pickfair. Beverly Hills. Calif., in the Evening<br />
News. Ardis Smith, dram.a editor says: "What<br />
this country needs is a motion picture about<br />
a little Toronto girl, Gladys Smith, her<br />
younger brother and sister and her wonder-<br />
Judge John Knighii!;<br />
May Upset Schine Cast<br />
Buffalo—It is reported that Jud^e John<br />
Knight, who presided at the long trial of<br />
Srhine Chain Theatres, will resign soon<br />
because of illness.<br />
If the judge does resign before handing<br />
down a decision, and it is said to be<br />
doubtful that he will make one in view<br />
of his serious illness, one of the longest<br />
trials in Buffalo court history may have<br />
to be tried all over again. The government,<br />
therefore, may soon face the situation<br />
of calling for an entire new trial or<br />
dismissing the charges against the Schine<br />
Chain.<br />
The judge is confined to a Buffalo<br />
hospital where he was taken after a heart<br />
attack in his Arcade. N. Y.. home. He<br />
was 84 on April 29.<br />
ful, beautiful mother." Referring, of course,<br />
to Mary. Miss Smith said the suggestion<br />
came from reading of Miss Pickford's new<br />
book, "Sunshine and Shadow." She ended<br />
the letter thus: "If you ever consider a Mary<br />
Pickford picture, perhaps it should be arranged<br />
to end on the day the lady cuts off<br />
her curls. There's a Rubicon note there for<br />
a good director, and maybe a heart throb for<br />
the likes-of-yours."<br />
Dean Martin and Jerry Lewis and their allstar<br />
Hollywood Revue will appear in the War<br />
Memorial m Syracuse for a one-night stand<br />
May 20. All seats are reserved at $1.90 to<br />
$4.40. tax included . friends were<br />
glad to hear of the recovery of Col. William<br />
Shirley, well-known exploiteer who is out<br />
of the hospital after a recent checkup.<br />
Norman MacLaren, Canadian artist whose<br />
animated color cartoons have attracted wide<br />
admiration, was in Rochester May 5 as the<br />
guest of the Society of Motion Picture and<br />
Television Engineers, western New York section.<br />
MacLaren, head of animation for the<br />
National Film Board of Canada, is known<br />
for his film, "Neighbors," and for such short<br />
subjects as 'The Romance of Transportation"<br />
and others. He showed several of his short<br />
subjects in the Dryden Theatre in the George<br />
Eastman House for the engineers.<br />
Harry Weiner, manager of the Oswego in<br />
the town of the same name, recently put<br />
on a socko exploitation campaign for "Ma<br />
and Pa Kettle at Waikki" that included a<br />
half-page ad tieup with a local department<br />
store and a tie-in promotion with the local<br />
fraternities and sororities . . . The newly<br />
opened Wehrle Drive-In at the corner of<br />
Transit Road and Wehrle Drive, is winning<br />
the praise of all who visit it. for not only<br />
is the outdoorer beautiful in every detail,<br />
but the attractions are shown on giant screen.<br />
It is one of the first drive-ins in the Buffalo<br />
area designed for a Cinemascope screen.<br />
KINNER'S GLASS CLEANER<br />
Used by more theotres than any other<br />
for<br />
GLASS and<br />
CHROME<br />
Sold by National Theatre Supply<br />
cleoner<br />
KINNER PRODUCTS COMPANY ''^^ohk^'^'^<br />
OXOFFICE :: May 7, 1955 37
. . Gus<br />
. . The<br />
. . The<br />
. . The<br />
. . Friends<br />
. . Margaret<br />
. . "The<br />
. .<br />
. . Alvin<br />
. . Jerry<br />
. . Milt<br />
: May<br />
'<br />
j<br />
PHILADELPHI/<br />
Two men in the audience of the Rivoli The<br />
missed the point of th<br />
atre Monday (2)<br />
picture. "Destination Big House," that criir<br />
doesn't pay. When the picture ended an<br />
Manager Raymond Wolf was taking the re,<br />
ceipts to his office on the second floor, tw<br />
men stepped from the washroom. One pi<br />
a gun in Wolf's side: the other said, "oka;<br />
let's have the dough." Wolf, instead of coir<br />
plying with the command, shouted for he!<br />
The robbers fled.<br />
WORKSHOP IN BUFFALO—Among the more than 350 who attended MGM's 15th<br />
Ticket Selling Workshop in Buffalo recently were the following (left to right) : Jerry<br />
Collins, Loew's Theatres publicity and advertising head for Toronto; Sam Oilman,<br />
publicity head, Loew's State, Syracuse, N. Y.; Jack Clark, London Loew's, London,<br />
Ont.; Lester Pollack, publicity head of Loew's Theatres, Rochester; Frank Murphy,<br />
division manager. Great Lakes Division, Loew's, Cleveland; Carl Rindcen, Shea's<br />
Buffalo, Buffalo, and Edward Meade, publicist for Shea's, Buffalo.<br />
WASHINGTON<br />
The Variety Club will hold a Mother's Day<br />
luncheon at the Shoreham Hotel May 9.<br />
Mrs. Richard Nixon will be the guest mother.<br />
Other prominent Washingtonians will attend<br />
including Commissioner and Mrs. Thomas A.<br />
Lane and Mrs. Renah F. Camalier, wife of<br />
the district commissioner. Milton S. Kronheim<br />
is chairman of the affair. There will<br />
be souvenirs, door prizes and entertainment,<br />
as well as cocktails and luncheon.<br />
Hosts for the May Day dance in the Variety<br />
clubrooms on Saturday night were Harry<br />
Friend, George Nathan, Bernard Schwartzman,<br />
David Young and Hirsh De La Viez,<br />
chairman of the entertainment committee.<br />
Music was furnished by the Art Calevas orchestra<br />
. . . Rudolph Berger, dean of the<br />
chief barkers committee, is recuperating at<br />
home after surgery . Variety membership<br />
committee has approved the following<br />
for associate memberships: Dick Baridon<br />
and Clarke Baridon. Clarke Baridon Contractors;<br />
William Weinberg, owner of the<br />
William of New York Hair Stylist shop and<br />
Max Gorin, retired builder.<br />
Parkis Dotson, manager of the Lonesome<br />
Pine Drive-In at Coeburn, Va. gave first<br />
aid treatment to a motorist who was seriously<br />
injured on the highway west of Coeburn . . .<br />
The Lee Theatre, Bluefield, Va., was destroyed<br />
by fire April 24. The theatre was<br />
owned by W. R. McCoy who lived in an<br />
apartment above the theatre.<br />
lumbia Manager Irving Martin celebrated a<br />
birthday.<br />
20th-Fox Manager Ira Sichelman, sales<br />
manager John OXeary, office manager Bob<br />
Smelzer and head booker Sara Young attended<br />
a series of sales meetings in Philadelphia.<br />
Sam Diamond, Philadelphia manager,<br />
was appointed leader for the bookers<br />
drive. He was at the local exchange Wednesday<br />
to arrange plans to increase bookings<br />
from now until June 25 . . . Catherine Caruana<br />
was vacationing in Florida.<br />
.<br />
. . Lt. and Mrs. Bert<br />
Mrs. Gus Lynch, her father and sister are<br />
visiting relatives in Italy . . . Anna MannLx,<br />
Loew's Capitol cashier, celebrated a birthday<br />
Liberty in Cumberland, and<br />
State in Cambridge, Md., closed for the summer<br />
. . . Mr. and Mrs Bobby Levine, Levine<br />
circuit, Norfolk, returned from a vacation of<br />
several weeks in Washington, New York and<br />
Cincinnati . Lloyd Wineland interests<br />
have acquired the ABC Drive-In at 7100<br />
Indian Head Highway .<br />
Maas, daughter and son-in-law of Mr. and<br />
Mrs. Henry Hiser, Hiser Theatre, Bethesda,<br />
have left for Cherry Point, N. C. after visiting<br />
their family in Washington. Grandpa<br />
Henry Hiser proudly presented his 9-week<br />
old grandson to the folk at 20th-Fox.<br />
MGM salesman Cal Bien was married recently<br />
in Baltimore to Joyce Beuchert .<br />
Salesman Tom Cosgrove returned to the<br />
office after a long illness . . . Bob Hislop, son<br />
of Edith Hislop. graduated from the Navy<br />
electronics school in Memphis and was expected<br />
home on leave for Mothers Day.<br />
The state senate has sent its congratuls<br />
tions to Grace Kelly for winning tt<br />
Academy award for her performance i<br />
"The Country Girl." A similar resolutio<br />
was introduced in the house . . . Zachary See<br />
was in town to help publicize "Shotgun" . .:..<br />
Howard Klein, a ma.ster of hypnotism, enteit<br />
tained the Variety Tent 13 at its receij<br />
general membership dinner ... An argi'<br />
ment on objections to interrogatories<br />
scheduled in the suit for one share of stoci<br />
which was started by the late Percy Frieq Wee<br />
man before his death, against Motion<br />
ture Theatre Service. The attorney for tl:<br />
plaintiff is Norman Shigon.<br />
Leo Goldstein, Samuel L. Hyman, Samui<br />
L. Lemer, Arnold R. Orsatti and Morton ,<br />
Sablosky are new members of Variety Tei<br />
13. Tent 13 will hold a canasta and gi<br />
rummy tournament May 13. Johnny nigl<br />
June 1 will feature the Phillies vs. tl<br />
Chicago Cubs, The game will be sponsore<br />
by Tent 13 and the Philadelphia Daily New<br />
Mary Kitabjian is a new clerk at BuenJ<br />
Vista, which is to distribute "Davy Crockettj<br />
produced by Disney . . . Frank Brookhouse<br />
local columnist, recently called the "Gree,<br />
Scarf," now playing at the Green Hill, tl,<br />
sleeper of the year. It is now in its sevent<br />
week . Kosoff, former local salei'<br />
man for 20th-Fox, is going to Albany in<br />
sales position for the company. Talk on Vir<br />
Street is that Gene Gantz, RKO salesman<br />
will take over Kosoff's job.<br />
Nate Milgram's DeLuxe Booking and Buyir<br />
Service is now handling the Pix In Mifflir'<br />
burg, and the CV in Sh'ppensburg. The C)<br />
formerly was known as the State, which wti<br />
j<br />
burned down last July. It has been rebulj<br />
with a Cinemascope screen and other ini<br />
provements, and it is scheduled to reope'<br />
May 12 . . Dave Rosen, independent di:<br />
.<br />
tributor, is now handling the Pittsburgh terr'<br />
tory as well as Philadelphia for some of h;<br />
accounts.<br />
Discovery proceedings are going ahead i<br />
the Yeadon Theatre suit against the maj4<br />
:t<br />
ii<br />
The Virginia at Portsmouth has been closed<br />
and will be dismantled to make room for<br />
stores . Lynch reports the removal<br />
of the Schine district offices from 640 K<br />
Street NW to the Hill building at 839 Seventeenth<br />
St. NW, Suite 310 .. . Loew's Co-<br />
ToD Feature Attractions!<br />
WASHINGTON, D. C. 920 New Jersey Ave.. N.W.<br />
. . . Jane Harrell, Paramount<br />
Myma Lipsner, 6-year-old daughter of<br />
Allied Artists Manager Milt Lipsner, celebrated<br />
a birthday<br />
booker, was given a bridal shower<br />
by<br />
Molly Maniere Friday evening in the Paramount<br />
recreation room . Seven Little<br />
Foys" was sneak-previewed at Loew's Capitol<br />
Tuesday night . Goulet was on<br />
vacation . are planning a stag<br />
dinner at the Casino Royale for Paramount<br />
salesman George Kelly May 9, in honor of<br />
h's forthcoming marriage to booker Jane<br />
Harrell.<br />
Barbara Britton has been signed for the<br />
femme lead in Allied Artists' "Night Freight."<br />
distributors. This antitrust case should Ij<br />
tried the end of this year or the beginnir<br />
of next. Norma:! Shigon, attorney for tl<br />
plaintiff, said that he will spend the suirj<br />
mer taking depositions of various represen'<br />
atlves of the defendents . Gagha'<br />
local columnist, returned to his old job i<br />
the Philadelphia Daily News . Youn<br />
Columbia exploiteer. underwent minor su:<br />
gery at Graduate Hospital.<br />
Ben Blumberg, Blumberg Bros, equipmei<br />
house, was in Hahnemann Hospital . . Jvi<br />
,<br />
1-7 will be celebrated as United Artists Wee<br />
and the local branch wants to win the intr;<br />
company contest by getting more picturi<br />
played than any other branch.<br />
38 BOXOFFICE<br />
:<br />
7, 19!<br />
r
1 I been<br />
cj Moore,<br />
•<br />
Washington<br />
. . The<br />
. . Ted<br />
,<br />
S>eer Marousis Retires<br />
iHer 40-Year Career<br />
JEW CASTLE, PA.—Speer Marousis, a<br />
leiiing exhibitor for more than 40 years,<br />
h; ended his long cai'eer in the enterlainiii;<br />
u'orld. Disminifihing grosses and lack<br />
,, iiitable film product had made his enteric<br />
,0 unprofitable in recent years and he<br />
l!,<br />
withdrawn from exhibition with the<br />
( ,;im of the Regent Theatre here. His<br />
r irement was not unexpected in the trade.<br />
11 1914 he built the Dome Theatre on<br />
Street and later he was<br />
Mier of the Penn, Capitol and Star.<br />
with the Regent. Some years ago<br />
I relinquished all his holdings except the<br />
f gent.<br />
Marousis retains his hotel interests. He<br />
an active Allied member and di-<br />
1 tji- for many years. The Regent Theatre,<br />
I said, was not sold.<br />
VEST VIRGINIA<br />
deprived of a trip to his native Lebanon by<br />
a heart attack two years ago. Wheeling<br />
i^a indoor and outdoor theatre owner S. D.<br />
fia departed Fi'iday (6) to visit his birthl.ce.<br />
which he has not seen for 56 years.<br />
.'la. who now spends most of his time in<br />
. still, Texas, planned the trip principally<br />
t see, for the first time, a brother who<br />
\is<br />
born after he came to the United States.<br />
ItVarner Zoeckler, manager of the Capitol<br />
"^eatre. Wheeling, was caught in the midst<br />
c'a promotion stunt that backfired. A huge<br />
litcard, signed by hundreds of Ohio Valley<br />
ijidents. was intended to be mailed to<br />
..mne Dru. former Wheeling girl who ap-<br />
[.'irs in "Day of Triumph." but the ex-<br />
^)itation boomeranged when an attempt was<br />
iide to mail it. Exceeding the size limitatns.<br />
the giant postcard finally was shipped<br />
ti the actress in Holly^vood.<br />
Jchine Case Attorney<br />
] Solicitor General<br />
SUjBANY—James O. Moore jr.. 45, a memk<br />
of the Buffalo law- fu-m of Raichle. Tucker<br />
which has represented the Schine<br />
(icuit and affiliates in recent antitrust<br />
(lies, is to be the new state solicitor general,<br />
.torney General Jacob K. Javits announced<br />
h appointment, effective June 1, as suc-<br />
^isor to Hem-y S. Manley. The post pays<br />
5),462 annually.<br />
Vlanley, a veteran in the state's legal service<br />
id associated with Dr. Charles A. Brind jr.,<br />
unsel for the Board of Regents and the<br />
lucation department, in the U. S. Supreme<br />
?urt censorship cases involving "The<br />
jjacle" and "La Ronde," will retire at the<br />
id of this month.<br />
'isualite Sells 2 Units,<br />
lays One in Virginia<br />
lORPOLK. VA.—Visualite Theatres, headed<br />
1 Jeff Hofheimer. has sold the Visualite<br />
jieatre and Staunton Drive-In at Staunton,<br />
., to Transamerica Theatres of Silver<br />
! rings, Md.<br />
yisualite has purchased the Autoport<br />
Jive-In at Portsmouth. Va.. from George<br />
vVis. who returned to his native Greece.<br />
le Hofheimer. formerly of Columbus. Ohio,<br />
i managing the Autoport.<br />
BALTIMORE<br />
Tack Fruchtman, who operates Keiths and<br />
the New theatres, and Natt W. Hodgton,<br />
general manager, entertained the press, radio<br />
and TV at a cocktail party to introduce Kevin<br />
McCarthy, who plays a lead in "An Annapolis<br />
Story." Harry Goldstein of Allied Artists<br />
was also one of the hosts for the affair, held<br />
at the Sheraton Belvidere. Next morning<br />
Fruchtman took off for the Variety convention<br />
in Cal.fornia, accompanied by Morton<br />
Gerber of District Theatres.<br />
Gilbert Kanour, film critic for the Evening<br />
Sun. is on a month's vacation . Kirwan,<br />
manager of the New. went to New York<br />
to see "Cinerama Holiday" . . . Bob Gruver.<br />
owner of the New Glen at Glenburnie. was<br />
in town for a meeting of the Maryland Allied<br />
. . . C. Morton Goldstein, new chairman of<br />
the Maryland censor board, took over Monday<br />
(2), replac.ng the former chairman,<br />
Sydney Traub, who failed to receive a reappointment<br />
from Gov. Theodore McKeldin.<br />
Goldstein's entrance was without any ceremony<br />
or official reception.<br />
Calvin Kirby jr. is now connected with the<br />
235 Drive-In at California, Md. . . . Additions<br />
to the staff at the Park and Plaza theatres<br />
at Lexington Park are John Phagan and<br />
David Dougherty . Waldorf Theatre<br />
at Waldorf has installed new Cinemascope<br />
equipment.<br />
Blaze Destroys Lee<br />
BLUEPIELD, VA.—The Lee Theatre here,<br />
ow^ned by W. R. McCoy, w'as destroyed by<br />
fire, which did an estimated $100,000 damage<br />
to the theatre and adjoining business houses<br />
on April 25. Origin of the blaze was not<br />
known, but it is believed to have started<br />
off an adjoining cafe.<br />
HONORED BY MILITARY—A military<br />
review at Philadelphia naval base<br />
was held to honor William Goldman,<br />
nationally known motion picture exhibitor<br />
and chairman of the Philadelphia<br />
Armed Forces Week committee. Above<br />
are Sergt. Alexander W. Reynolds, NCO<br />
administrator at the Marine barracks,<br />
and Goldman. In rear are Col. W. A.<br />
Kengla and Rear Admiral F. L. Better.<br />
Armed Forces Day is May 21.<br />
Erie Officials Restrict<br />
'Karamoja' to Adul<br />
H:<br />
ERIE, PA.—By agreement with s.;.l.<br />
Colonial Theatre here, no one under 21 v. ,<br />
admitted to showings of Kroger Babo<br />
"Karamoja," a documentary film aboi,-<br />
primitive life in Africa. District Altonity<br />
Damian McLaughlin announced this poUcj<br />
after a conference with Mayor Arthui<br />
Gardner. McLaughlin said that he could not<br />
bring any legal action to prevent the showing,<br />
as the film was passed by the Pennsylvania<br />
board of censors. He said that he and newspapers<br />
had received complaints about the<br />
"brutal" and "indecent" nature of the film,<br />
which is on the condemned list of the<br />
Catholic Legion of Decency.<br />
At the same time. Shea's A theatre here.<br />
Shea's, was exhibiting MGM's "Blackboard<br />
Jungle" which children were permitted to<br />
attend if accompanied by parents. The<br />
booking of this picture had caused a theatre<br />
problem just a few days before the scheduled<br />
opening of "Karamoja" at the Colonial.<br />
The censorship action is one of few on<br />
local records, according to police. Oldtimers<br />
recall trouble at the old Happy Hour Theatre<br />
here in 1911 when a shocker entitled "The<br />
Great Question" was presented.<br />
lettFrs<br />
Exhibitor Corrects News Story<br />
TO BOXOPFICE:<br />
On page 32 of the April 30 issue of BOX-<br />
OFFICE is a paragraph stating that I obtained<br />
"the approval of the Catholic bishop<br />
of Wheeling" lor the showing of "Karamoja"<br />
and "Half-Way to HeU."<br />
The bishop referred to not only did not<br />
see the pictures mentioned, but he never in<br />
any way approved them; or, as you put it,<br />
"found nothing objectionable in either film."<br />
Your statements are not only untrue, but<br />
they can cause me personally a great deal<br />
of embarrassment.<br />
Please correct your statement in a future<br />
Lssue of BOXOFFICE, and advise the person<br />
.supplying you with your information that a<br />
great injustice has been done to the bishop<br />
and myself by submitting such an article to<br />
you.<br />
I am sure your publication has no desire<br />
to embarrass or misquote anyone. I have<br />
read BOXOFnCE for many years and base<br />
this opinion on what you have printed during<br />
that time.<br />
JOHN G. OSBORNE<br />
Capitol Theatre Bldg.,<br />
Wheeling. W. Va.<br />
No Profit in Lake Theatre<br />
ERIE. PA.—Failure of the Lake Theatre<br />
on East 26th street "to earn a penny" since<br />
it was constructed in 1950 has prompted the<br />
owner to consider turning it into a skating<br />
rink, the city council was told this week.<br />
William Zeny. owner, said that the "big<br />
problem" in converting the structure to a<br />
skating rink was the decline in the floor level<br />
and that it would cost at least $10,000 to<br />
level it out. Zeny and his counsel Howard<br />
Plate, appeared in council chamber to protest<br />
a $68,020 city assessment on the theatre.<br />
The two men contended it should be approximately<br />
$50,000.<br />
IXOFFICE :: May 7, 1955 39
. . Members<br />
. . Pour<br />
. . . Reports<br />
. . . Paul<br />
. . The<br />
. . Warner<br />
. . Mr.<br />
. .<br />
. .<br />
:<br />
j<br />
PITTSBURGH<br />
"The Blatt Bros, circuit has reopened both<br />
. . .<br />
Shea's Theatre, Bradford, has installed<br />
Tommy<br />
a<br />
new stereophonic sound system<br />
Cowell has reopened the Lakeview Drive-In<br />
Two St. Marys<br />
on East Lake Road, Erie . . .<br />
residents, one of them a juvenile, were arrested<br />
on a charge of malicious mischief as<br />
the result of WTecking a men's restroom at<br />
the Kane Drive-In. Manager John Anderson<br />
said that the pair ripped out pipes and<br />
upset equipment in the restroom, causing<br />
$300 in damages . first-run art films<br />
Vvill be exhibited at the Rivoli Theatre, Altoona,<br />
under sponsorship of the Altoona Symphony<br />
Society. The Altoona Chamber of<br />
Commerce and the Book and Record shop<br />
there are assisting the showing of the series<br />
by advertisements and by selling tickets,<br />
according to Saul Perilman, proprietor of the<br />
theatre and former Warner Bros, salesman.<br />
Jess Cramblett mimeographs monthly programs<br />
on one sheet of paper to advertise<br />
attractions at the Village Theatre, Salisbury,<br />
/o^ SELF-SERVICE<br />
WARMER<br />
BABY BOTTLE<br />
^ DRIVE-INS<br />
AUTOMATIC<br />
SANITARY<br />
• Does not require • Holds 4 large and<br />
concession stond 2 smoll bottles,<br />
employees -- Pa- , ^o overheoting or<br />
»'""= help them- broken bottles<br />
selves.<br />
• 110-220 AC cur-<br />
'^"'•<br />
• Safe — Thermostatically<br />
controlled • Can be placed on a<br />
for right temp. shelf or counter.<br />
DON'T DELAY . . . Send<br />
Your Order to<br />
JOBIL<br />
$2/50<br />
PRODUCTS CO.<br />
Phone woodward a-5510<br />
19 Clifford 501 Woodward BIdg.<br />
Detroit 26, Michigan<br />
. . . The<br />
and the State T'heatre, Meyersdale<br />
Women's Auxiliary of the Pittsburgh Opera<br />
Society is sponsor-ng the showing of IPE's<br />
"Aida" at the SW Squirrel Hill here .<br />
. . . re-<br />
the Star and Lawrence Park drive-ins, Erie,<br />
with giant new screens and magnetic sound.<br />
The adult admission price of 65 cents is retained<br />
. of the St. Francis college<br />
A dancing school at New Kensington preagement<br />
basketball team were guests of the mansented<br />
its 25th anniversary revue at the<br />
of the Capitol Theatre, Altoona, for Liberty Theatre there.<br />
the showing of "Basketball Highlights of<br />
1955" . . . Domingo Bragado, yo-yo champion, The school district of Harmony Township,<br />
was featured at a Saturday afternoon kiddy Beaver County, plans to adopt a resolution<br />
show at the Penn Theatre. New Castle, with imposing a 4 per cent amusement tax, to be<br />
a yo-yo contest following, for which prizes effective July 4, expecting revenues to reach<br />
Sid Newman, who were awarded. Lucky kiddies too, received $4,000 annually<br />
free yo-yos.<br />
signed from Stanley Warner after 25 years<br />
with the circuit, returned to the fold as replacement<br />
for Sammy Speranza, another 25-<br />
year-man, who pulled out to join the Tony<br />
Stern-Bob Snyder sales organization .<br />
SW booker Marvin Samuelson was called to<br />
Olean, N. Y., by the death of his mother.<br />
The Penn Theatre here wni have a seamless<br />
28^2x52 feet screen for the horizontal<br />
VistaVision projection of "Strategic Air Command"<br />
. APL Central Labor Union<br />
called upon affiliated unions to support<br />
Local 171 in injunction action brought to halt<br />
picketing at Ranalh's Drive-In near Gibsonia.<br />
The projectionists local claims the<br />
theatre refuses to employ designated union<br />
operators under a contract agreement. The<br />
theatre management maintains it has twice<br />
notified the union its services are not needed<br />
from Erie are that Erie County<br />
Democrats are ousting Alden Phelps, Waterford<br />
outdoor theatre owner, as party chairman<br />
. Bros, will tradescreen<br />
"Mr. Roberts" at the Schenley Theatre at<br />
11 a.m.. May 23 . . . Mr, and Mrs. Alex Manos<br />
went out of town for a week or two following<br />
the recent death of their 14-month-old<br />
daughter Maria Joy.<br />
Joseph Bugala, general theatre manager for<br />
tlie Manos circuit, served as a panelist this<br />
week at MGM Ticket Selling Workshop meetings<br />
in Minneapolis and Des Moines . .<br />
.<br />
Pilmrow is working up a testimonial for<br />
David Kimelman, Paramount manager who<br />
is celebrating his 30th anniversary with the<br />
company here in June, which month also<br />
marks the 30th wedding anniversary of David<br />
and Leona Kimelman . and Mrs. Steve<br />
Rodnok sr„ Oakmont exhibitors, returned<br />
from St. Petersburg, Fla., where they spent<br />
Filmrow visitors included<br />
the winter . . .<br />
Prank J. Daut and C. A. McCrork, Altec<br />
executives.<br />
Paul Krumenacker, WB sales manager, was<br />
confined to St. Joseph's Hospital with virus<br />
and muscular ailments . . . Plans were<br />
announced for construction of the world's<br />
largest amphitheatre at Allentown, Pa. Costing<br />
$1,500,000 and seating 35,000 persons, the<br />
project wUl be ready for use in 1956 for<br />
operatic, symphonic and ballet presentations<br />
Reith, RKO, and Angelo Marino,<br />
U-I, made inspections and conducted fire<br />
drills on Filmrow.<br />
SAM FINEBERG<br />
TOM McCLEARY<br />
JIM ALEXANDER<br />
84 Van Broom Street<br />
PITTSBURGH 19, PA.<br />
Phone Express 1-0777<br />
Movies Are Better Than Ever • How's Your EQuipmentt<br />
'Daddy Long Legs' Opens<br />
March of Dimes Benefit<br />
NEW YORK—Many stars of the entertaii'<br />
ment world and other notables by the<br />
presence lent color to the opening of "Dadi<br />
Long Legs" Thursday (5) at the Roxy Th<br />
atre. It was a benefit performance, Spyr<br />
P. Skouras, president of 20th Century-Fc<br />
donating all proceeds to the March of Dim<br />
campaign to raise $9,000,000, earmarked f<br />
manufacture of the Salk polio vaccine.<br />
Daniel and Mrs. Salk, parents of tl<br />
discoverer of the vaccine, were presei<br />
Among those from the entertainment wor<br />
were Marilyn Monroe, Eve Arden, Gene Loc *"<br />
hart, Teresa Wright, William Boyd, Sylv<br />
Sidney, Brian Aherne, Eddie Fisher, Pari<br />
Granger, Sid Caesar, Nanette Fabrj<br />
Imogene Coca, Monica Lewis, Lee J. Col<br />
Margaret Hayes, Ruth Roman and Rita Ga:<br />
They were interviewed under the klf<br />
lights by Tex and Jinx McCrary and telecs<br />
over WPIX. There was also newsreel, rac S<br />
and still photography coverage. The Fii<br />
Army Band played outside the theatre. 1<br />
stations showed Movietone film clips of t<br />
highlights.<br />
The picture will open June 6 at the Carlt<br />
Theatre, London, with all proceeds going<br />
the Invalid Children's Aid Ass'n.<br />
Mrs. Ida Ritter to Operate w<br />
Hotel in Adirondacks<br />
NEW YORK—Mrs. Ida Ritter, a forir<br />
member of the headquarters staff of Theatd<br />
Owners of America, has purchased Silberj<br />
Hotel, Schroon Lake. Adirondacks, N. Y., fn.f<br />
Mrs. Wilma Silbert, mother of Julian Bla<br />
stein, producer, and will operate it unc<br />
that name. It was established in 1920, h|<br />
been visited by many members of the fi i<br />
industry and now accommodates 7S gues<br />
Mrs. Ritter will reopen it Memorial Day.<br />
Park Theatre Robbed<br />
PITTSBURGH—A ticket pm-chaser at t<br />
Park Theatre in Greenfield approach<br />
owner Leonard Perer and asked to see cash'<br />
Roberta Mitro. Thinking it was a social ci,<br />
Perer unlocked the door to the cashiei|<br />
office and walked away. The visitor burst<br />
upon the surprised cashier with a ha<br />
thrust menacingly in his pocket and :<br />
manded the money. The holdup man escapij<br />
with $80.<br />
Takes Over Booth Duties<br />
FARRELL, PA.—Because of a busini;<br />
decline, Louis Lampros has closed the Colon,<br />
and he has taken over duties in the pijection<br />
booth of the Capitol. He reported 1-<br />
contract with the pi'ojectionist's union e<br />
pired and he could not negotiate a deal whi<br />
would permit continued operation of t<br />
theatres. At the Hickory Drive-In nf<br />
Sharon, his brother Chris is operating t'<br />
projection machines without assistance.<br />
Mrs. Anna McVerry Dies<br />
PITTSBURGH—Mrs. Anna Alberta Vy<br />
Verry died May 1 at St. Clair Memorial H(<br />
pital here. She was the wife of Thomas '<br />
McVerry of Lawrence, Pa., operator of t<br />
Hill Theatre, Hill Station, and mother<br />
James, Dennis, Thomas and Terrene<br />
Requiem high mass was offered Thursd;<br />
(5) at St. Elizabeth's Church, Lawrence.<br />
I<br />
r<br />
40 BOXOFFICE May 7, 19!
:<br />
Son<br />
1<br />
L<br />
'<br />
Town"<br />
: May<br />
i<br />
HOLLY woo<br />
^ f-<br />
k.3<br />
AND VIEWS THE<br />
(Hollywood Office— Suite 219 at 6404 Hollywood Blvd.: Ivan Spear. Western Manager<br />
'mq Legs' Premiere<br />
Iroceeds to Hospital<br />
,<br />
(il.LYWOOE>—Sweet charity was the ben-<br />
..i;y from the Wednesday (4) $50-a-seat<br />
iii piemiere of 20th Century-Fox's "Daddy<br />
1 ,, Legs," which had a star-studded openii<br />
at Grauman's Chinese Theatre. Proceeds<br />
tin the debut of the Cinemascope musical,<br />
cistarring Fi'ed Astaire and Leshe Caron,<br />
Wit to St. John's Hospital in Santa Monica,<br />
Wxh earmarked the revenue for its $500,-<br />
building fund.<br />
lovieland luminaries arriving at the theat'<br />
were whisked before TV cameras to be<br />
.' wed by Ed Sullivan, who recorded<br />
M eedings for his Sunday (8) "Toast<br />
telecast. Among those in attidaiice,<br />
in addition to Astaire, were:<br />
flmer C. Rhoden, president of National<br />
T^.itre.s; Darryl P. Zanuck, 20th Century-<br />
1 : \ :ce-president in charge of production;<br />
L ma Reed, James Stewart, Victor Mature,<br />
fc;ree North, Irene Dunne, Richard Todd,<br />
F|Dert Wagner, Allan Jones. Dan Dailey, Fernido<br />
Lamas, June Allyson, Jeanne Crain,<br />
i>ene Dahl, Dick Powell, Ann Blyth, Betty<br />
Oible, Bing Crosby, Debra Paget, Mamie<br />
\a Doren, Jennifer Jones, Jane Wyman,<br />
\ui-een O'Hara, Claudette Colbert, Jane<br />
tssell, Clifton Webb, Ray Anthony, Market<br />
O'Brien, Joan Crawford, Anita Louise,<br />
\jlliam Holden, Robert Cummings, Joan<br />
Cjjlfield, Barbara Stanwyck and Robert<br />
^.ck.<br />
ilso on hand were delegates to the conrent<br />
19th annual Variety Clubs Internat;ial<br />
Convention.<br />
Daddy Long Legs" was given its New York<br />
Bmiere Thursday (5) at the Roxy, prodds<br />
going to the March of Dimes.<br />
' irriving in Denver as the first stop on<br />
s.rans-continental p. a. toiu' plugging RKO<br />
p|dio's "Son of Sinbad," were the Sintiettes,<br />
four girls garbed as Persian harem<br />
liidens. The three-week trek will include<br />
Insas City, St. Louis, Milwaukee, Chicago,<br />
Ilianapolis, Cincinnati, Detroit, Cleveland,<br />
Iffalo, Toronto, Pittsburgh, Philadelphia,<br />
Vishington, Boston and New York.<br />
of Sinbad" will be world-premiered<br />
Tesday (31) at the Fox Theatre in St.<br />
^chael Curtiz to Produce<br />
lOLLYWOOD—Michael Curtiz has been<br />
s- to produce as well as direct "The Kiss-<br />
Q-," suspense drama which Paramount will<br />
gi next month. It will topline Carol Ohmart<br />
8i Tom Tryon.<br />
'Air Command' Gets Festive Premiere<br />
U-I to Release UCLA Film<br />
HOLLYWOOD—U-I has arranged to release<br />
"A Time Out of War," Academy Award<br />
winner as the best two-reeler produced last<br />
year. The film, made at the University of<br />
California at Los Angeles, also won top honors<br />
in the recent Screen Producers Guild intercollegiate<br />
film awards sweepstakes. It was<br />
written, produced, directed and photographed<br />
by Dennis and Terry Sanders for their<br />
graduate thesis.<br />
Gig Young to Be TV Host<br />
For Warner Telefilms<br />
HOLLYWOOD—Gig Young has been inked<br />
as host for "Warner Bros. Presents," the<br />
forthcoming Warner-ABC network series of<br />
telefilms. He will serve as master of ceremonies,<br />
Introducing each of the 39 one-hour<br />
teleplays and will also be featured in the<br />
"Behind the Cameras at Warner Bros. Studios"<br />
segment.<br />
"Strategic Air Command," Paramount's<br />
film study of Uncle Sam's global air defense,<br />
was treated to a glamor-freighted<br />
west coast premiere at the Stanley Warner<br />
Beverly Theatre in Beverly Hills, attended<br />
by military brass and top film celebrities.<br />
In lower photo are James Stewart and<br />
June Allyson, stars of the Technicolor-<br />
VistaVision entry, shown with Samuel J.<br />
Briskin, who produced it. Upper photo,<br />
from left: G. Ralph Branton, Allied Artists<br />
executive, and Mrs. Branton, and A. H.<br />
Blank, Des Moines circuit operator, with<br />
Mrs. Blank. Branton formerly was an<br />
executive with the Blank chain.<br />
$21,500 to Russ Birdwell<br />
In Paul Gregory Case<br />
HOLLYWOOD—A multifaceted court action<br />
brought by freelance publicist Russell Birdwell<br />
against Paul Gregory, stage and screen<br />
producer, was wiped off the docket when,<br />
after superior coiu-t rulings were handed down<br />
in Birdwell's three breach-of-contract allegations,<br />
Gregory settled by paying over $21,500<br />
in fees. Birdwell had sought close to $600,000,<br />
contending Gregory had discharged him in<br />
the midst of a pact from which he was to<br />
have received five per cent of the producer's<br />
grosses from six legitimate stage productions.<br />
It was reported Birdwell had previously received<br />
$50,000 during the time he actively<br />
handled the Gregory account for the six<br />
stage productions.<br />
Prior to the settlement payment, the court<br />
had ruled Birdwell was entitled to an accounting<br />
on all but one of Gregory's shows but<br />
that the publicist's contract had been terminated<br />
"at will" by the defendant.<br />
BXOFFICE :<br />
7, 1955<br />
4i
-<br />
.<br />
.<br />
Blurbers<br />
STUDIO PERSONNEUTIES<br />
20th Century-Fox<br />
Resigning his post in the Warner studio publicity<br />
deportment, NED MOSS has joined the Westwood<br />
film plant to beat the drums for its new TV<br />
subsidiary.<br />
Brieiies<br />
Universal-International<br />
With Will Cowan producing and directing, filming<br />
was launched on c two-reel musical featurette<br />
headlining Eddie Howard and his orchestra.<br />
Meggers<br />
20th Century-Fox<br />
Universal-International<br />
ALBERT J. COHEN was ossigned to produce "And<br />
No One Answered," o recently-acquired melodrama<br />
by Ann Head, which is being scripted by Charles<br />
Hoffman.<br />
Options<br />
Allied Artists<br />
Producer Ace Herman set FORREST TUCKER and<br />
KEITH LAR5EN for the male leads in "Night Freight,"<br />
while Thomas Gomez was cast as the heavy. Jean<br />
Yorbrough directs. Handed the feminine lead was<br />
BARBARA BRITTON. G. PAT COLLINS, MICHAEL<br />
ROSS and LEWIS MARTIN were added to the cast.<br />
SKIPPY HOMEIER was inked by Producer Vincent<br />
Fennelly for the principol heovy role in "Gun Point,"<br />
which rolls May 6 with Fred MocMurroy, Dorothy<br />
Malone and Walter Brennan heading the cast.<br />
Alfred<br />
Werker will direct. The picture will be filmed in<br />
Cinemascope. TOMMY RETTIG was signed for the<br />
role of Fred MacMurroy's son.<br />
Columbia<br />
RUTH DONNELLY and<br />
Character<br />
JEANETTE<br />
actresses<br />
NOLAN hove been signed for featured<br />
roles in "Marshal of Medicine Bend." WARNER<br />
be seen as the principal heavy and<br />
ANDERSON will<br />
romantic rival of Randolph Scott in the Technicolor<br />
western which Producer Horry Joe Brown has before<br />
the cameras with Joseph H. Lewis directing. Veteran<br />
character actor JAMES BELL has joined the cost.<br />
JEANNE COOPER has been set to ploy the second<br />
feminine lead in Producer Sam Kotzmon's "The<br />
Houston Story," which has Lee J. Cobb, Edward<br />
Arnold and Barbara Hale in the starring roles.<br />
William Castle directs.<br />
VERNA FELTON was cost in the picfurizotion of<br />
William Inge's Pulitzer Prize drama, "Picnic," starring<br />
William Holden, Rosalind Russell, Kim Novak<br />
and Betty Field. Joshua Logon will direct, with<br />
Fred Kohlmar producing.<br />
Independent<br />
Producer Mike Todd signed DAVID NIVEN to<br />
star with Continflos, the Mexican comic, in his<br />
Todd-AO version of Jules Verne's "Around the<br />
World in 80 Days," which John Farrow will direct.<br />
Metro-Goldwyn-Mayer<br />
Joining Robert Toylor and Stewart Granger in the<br />
starring cast of "The Lost Hunt" is LLOYD NOLAN.<br />
The frontier drama is being<br />
megged by Richard Brooks.<br />
scripted and will be<br />
ANTHONY QUINN will portroy the French artist,<br />
Paul Gauguin, in "Lust for Life," starring Kirk<br />
Douglas as Vincent Von Gogh. Vincente Minnelli will<br />
direct for Producer John Houseman.<br />
RKO Radio<br />
Panamint Pictures, headed by Sam Wiesenthol and<br />
Gene Tevlin, signed HILLARY BROOKE to join Richard<br />
Carlson, Victor McLoglen, Mala Powers and Richard<br />
Conte in the cost of "Bengozi," which is being<br />
megged in Superscope and Technicolor by John<br />
Brahm. EILEEN ROWE has been signed for the<br />
role of o torch singer in a night club.<br />
FORREST TUCKER will join Claudette Colbert and<br />
Barry Sullivan to enact o leading role in "Texas<br />
Lady," the Nat Holt-Lewis Rosen production, which<br />
is in Superscope and Technicolor.<br />
Republic<br />
ANN SHERIDAN will star with Steve Cochran in<br />
"Come Next Spring," Trucolor romantic comedy to<br />
be directed by R. G. Springsteen.<br />
Inked for key roles in "Deadline Alley," newspaper<br />
drama starring Rod Cameron and Julie Bishop,<br />
were FRANCIS DE SALES, NACHO GALINDO and<br />
EDWARD COLEMAN. The William J. O'Sullivan production<br />
is being piloted by William Witney from a<br />
script by John K. Butler and Frederic Fox.<br />
20th Century-Fox<br />
CLIFTON WEBB has been assigned to star in "The<br />
Man Who Never Was," a World War II drama<br />
based upon the true-lite adventures of Ewen Montague,<br />
British naval officer. It will be filmed abroad<br />
as on Andre Hokim production, with Ronald Neame<br />
directing.<br />
Handed a contract extension wos actor JEFFREY<br />
HUNTER.<br />
United Artists<br />
Bryna Productions, headed by Kirk Douglas, signed<br />
LON CHANEr for "The Indian Fighter," which will<br />
star Douglas and is to be directed by Andre de Toth.<br />
Universal-International<br />
JAMES FLAVIN was booked for the featured role<br />
of an innkeeper in "A Time Remembered," Technicolor<br />
drama starring Rock Hudson, Cornell Borchers and<br />
beorge Sanoers. Jerry Hopper is megging the Albert<br />
J. Conen production.<br />
Veteran character actress SARAH PADDEN was<br />
signed tor a featured part in "The Kettles in the<br />
OzarKs," starring Marjorie Main and Arthur Hunnicutt,<br />
which Chanes Lamont is directing for Producer<br />
Richard Wilson.<br />
Dancer-actor TOMMY RALL was signed to a longterm<br />
tiCKet. He recently completed a top role tor<br />
the studio in "The Second Greatest Sex."<br />
SAM GILMAN was signd for the part of a young<br />
navy lieurenant in "Away All Boars," Technicolor-<br />
VistaVision entry starring Jeff Chandler. It is<br />
being lensed on locanon in the Virgin Islands with<br />
Howard Cnristie producing and Joseph Pevney as<br />
the drector.<br />
Warner Bros.<br />
tor the role of on underworld lawyer in the<br />
Set<br />
Alan Ladd starrer, "The Darkest Hour," was<br />
VOlTAIkE PERKINS. In Cinemascope and Warner-<br />
Color, the Jaguar production—also roplining Edward<br />
G. Kobinson and Joanne Dru— is being megged by<br />
Frank Tuttle.<br />
JUDITH EVELYN was signed to portray Elizabeth<br />
Tayior's mother in "Laionr/' the fjeorge Srevens-<br />
Henry Ginsberg production, based on the<br />
^<br />
novel by<br />
'<br />
tn<br />
Wither:<br />
Scripters<br />
Columbia<br />
DAVID LANG has been engaged to write an<br />
original western, "Law of Gunsignt Pass," for Producer<br />
Wallace MacOonald, with July 5 set as the<br />
tentative starting date.<br />
Independent<br />
n.<br />
penning "Mohawk" for<br />
Metro-Goldwyn-Mayer<br />
HERBERT BAKER was assigned to develop "Largely<br />
a Question of Love," based on an original by John<br />
Paxton.<br />
United Artists<br />
LAWRENCE ROMAN was signed by Producer Samuel<br />
Goldwyn jr. to do a polish job on the script of "The<br />
Sharktighters," an original screenplay by Art and<br />
Jo Nopoleon.<br />
Warner Bros.<br />
WENDELL MAYS, New York television writer, has<br />
been signed by Leland Hayward Productions to<br />
work on the screen treatment of Charles Lindbergh's<br />
Pulitzer Prize story, "The Spirit of St. Louis," which<br />
Billy Wilder will direct with James Stewart in the<br />
starring role.<br />
Story Buys<br />
Independent<br />
Desilu Productions, headed by Lucille Boll and<br />
Desi Arnoz, acquired "Journey to a Star," an original<br />
romantic comedy by Arthur Julian and Joseph Morhaim,<br />
for theatrical filming. It will be shot on<br />
location in France and Switzerland.<br />
"Bonjour Tristesse," a French novel by Francoise<br />
Sagan, was purchased by Producer-director Otto<br />
Preminger, who plans a Broadway stage version pi<br />
to filming the property next year.<br />
Hanover Pictures, headed by William E. Seli<br />
Jacques Braunstein and Robert Lord, acquired "T<br />
Gay Life," an original screenplay by iNorman<br />
Shields. The romantic drama will be produced<br />
Paris.<br />
Lights Up," o short story by Cuba Richards<br />
was purchased by Dan Duryea and Director Al"<br />
Ganzer, who plan to produce it with Duryea in t<br />
starring role.<br />
Megaphonist Roy Rowland picked up screen rial<br />
to "My Adorable," an original by Aleen Leslie, ba<<br />
on the lite ot Andrew jacKson's wife, Rachel. "<br />
Producer-director Max Nosseck purchased "(<br />
Overboard," an originol screenplay by Leonard Ho<br />
man and Malvin vVald, and pians to ti<br />
location along the New York waterfront.<br />
Metro-Goldwyn-Mayer<br />
Slated OS a starring vehicle for Grace Kelly, f<br />
rights were secured to the Ferenc Motnar play, "~<br />
RKO Radio<br />
.<br />
King Bros. Productions purchased "Seven Lant*<br />
Japan," an original by Merrill G. White<br />
in<br />
Robert Rich, and win film it on location in Japan 1<br />
_<br />
fall in Cinemascope and Technicolor. concerns It<br />
American girl singer in Nippon wno is<br />
i~l<br />
regenera<br />
through her involvement in a dangerous romar<br />
triangle.<br />
20th Century-Fox<br />
"Boy on a Dolphin," an adventure novel by Dc<br />
Devine, was odoed to the sTudio s upcoming sio]<br />
'<br />
It concerns the search, off the coast ot loreece,<br />
a sunKen ship bearing a cargo of priceless antiqu<br />
Film rights were obtained to "Painted Days/'<br />
ploy by John Byrne. A story of modern Ireior<br />
it rells of the romance between a farmer and<br />
blind girl.<br />
Purchased in manuscript form was "Island in J<br />
Sun," a soon-to-be-published novel by Alec Waui<br />
The romantic drama has a West Indian locale.<br />
Technically<br />
Allied Artists<br />
Set on the production crew for "Night Freigl<br />
were A. R. MILTUN, proauction manager;<br />
buAZER ond JACK RObtKiS, assistant directs<br />
William SICKNOK, cmemoiogropher; ACt HcKM,<br />
tilm editor, and bEORbt TKOAbT, art director.<br />
Paramount<br />
20th Century-Fox<br />
Handed a new one-year contract was cir<br />
grapher LEON SHAHROY.<br />
Title<br />
Warner Bros.<br />
Chcmges<br />
Allied Artists<br />
"Doing Time" to JAIL BUSTERS.<br />
Metro-Goldwyn-Mayer<br />
"Her Guardian Angel" (Desilu Prod.) to FOREVI<br />
New CV Demonstrated<br />
For Studio Executives<br />
HOLLYWOOD—Motion picture<br />
and vid<br />
executives were given a demonstration Moj<br />
day (2) of Camera Vision, the new phot,<br />
graphic process which calibrates motion pi<br />
ture and TV cameras into one integrated un<br />
On hand were David O. Selznick, Euge<br />
Zukor and a group from Paramount; WiUia<br />
Eglinton of RKO; Eric Howes and Sidn<br />
Zipser, representing Technicolor; Slant<br />
Coe and Robert Metzler, NBC; William Le<br />
and Richard M. Mock, Lear, Inc; Willa<br />
Brown, Mutual network, and Peter Roebec<br />
General Teleradio.<br />
Philip Rivero and Arthur S. Lyons, hea<br />
of Camera Vision, have leased a sound sta<br />
at the Sunset State studios for use as C<br />
equipment headquarters.<br />
jgtjj.<br />
i'<br />
I'<br />
EQl<br />
EC.<br />
fe<br />
42 BOXOFFICE :<br />
: May<br />
7, 18
.<br />
: May<br />
. . signed<br />
. .<br />
—<br />
—<br />
Sim Engel Is Elected<br />
EjT Producers Guild<br />
OLLYWOOD- Named to the presidency<br />
if he Screen Pi-oducers Guild for the comnl<br />
year was Samuel G. Engel, 20th-Fox<br />
Samuel G. Engrel, left, veteran 20th<br />
ntury-Fox filmmaker, takes over the<br />
vel as new president of the Screen Proicers<br />
Guild from Arthur Freed of MGM,<br />
10 completed his one-year term in the<br />
Kanization's top office.<br />
lI maker, who .succeeds Arthur Freed of<br />
i\Jl in the post. Dii-ectors also elected<br />
Kdy Adler, first vice-president; Walter<br />
tsch, second vice-president; Louis F.<br />
Kman, third vice-president; Julian Blau-<br />
Ui, secretary; Jerry Bresler, treasurer, and<br />
lc;;rt Arthur, a.ssistant trea.surer.<br />
uis D. Lighten was elected an honorary<br />
nriber of the board. Other new board memle<br />
chosen to replace seven whose terms<br />
ia>' expired are William H. Wright. Adler.<br />
tii .<br />
V'iam Thomas, William Goetz. Bresler,<br />
'rik P. Rosenberg and Robert Bassler. They<br />
oi incumbent board members Arthur. Blaut*i.<br />
Charles Brackett, Samuel Briskin, Edel-<br />
Arthur Hornblow jr.. Mirisch, Aaron<br />
Icnberg, William Perlberg, John Houseas,<br />
Sol C. Siegel. Lawrence Weingarten and<br />
Wilson.<br />
Ja'y<br />
5 latra Signed for 'Arm'<br />
J Producer Preminger<br />
:)LLYWOOD — Producer-director Otto<br />
r linger signed Frank Sinatra to star in<br />
T- Man With the Golden Arm," which<br />
•r linger plans for independent filming<br />
inr the banner of his Carlyle Productions<br />
oiJnited Artists release. The novel by NeloiAlgren<br />
is being scripted by Walter New-<br />
Hi<br />
leminger has scheduled "Arm" for lensnfifter<br />
he completes piloting "The Courtl;'ial<br />
of Billy Mitchell" at Warners for<br />
* m Sperling's United States Pictures.<br />
iCIPC Cites 'Air Command'<br />
) )LLYWOOD—Paramount's "Strategic Air<br />
Jomand." co-starring June Allyson and<br />
'a ;s Stewart, has been cited as an outtsiing<br />
April release by the Southern Cali-<br />
DH a Motion Picture Council. The organta<br />
)n is affiliated with the National Screen<br />
Wicil, which chooses "the best picture of<br />
hinonth for the whole family," and which<br />
hi e receives the coveted BOXOFFICE Blue<br />
til an Award.<br />
eOW<br />
Do They Sell Our Pictures?" is the<br />
over-all theme of the April issue of<br />
the Journal, official organ of the<br />
Screen Producers Guild. The "they" refers,<br />
of course, to the men who distribute motion<br />
pictures—specifically their respective advertising<br />
bra.ss—and those who exhibit them.<br />
The "our" applies to the fabricators of the<br />
same film fare.<br />
In limited space it is impossible to supply<br />
even a sketchy condensation of the exhaustive<br />
verbiage devoted to the subject, nor is<br />
such synopsizing necessary inasmuch as the<br />
controversial question and the hydra-faxieted<br />
i.ssue it raises are nearly as old as the movie<br />
industry itself.<br />
Suffice it to treat herein to fleeting consideration<br />
two of the counts in the producers'<br />
plaints against the above-listed trade categories.<br />
One is an article titled "New Birds<br />
in the Old Forest," by William Perlberg, veteran<br />
filmmaker who is associated with writerdirector<br />
George Seaton in the Perlberg-<br />
Seaton unit at Paramount. Perlberg, accompanied<br />
by his partner, went slumming by way<br />
of a recent cro.ss-country tour, the avowed<br />
purpose of which was to plumb theatremen's<br />
reactions to motion pictures in general and<br />
Perlberg-Seaton epics in particular. He reports—in<br />
a few hundred more-or-less wellchosen<br />
words—that the nation's showmen can<br />
be grouped into two major classifications,<br />
namely "Old Style Exhibitors" and "New<br />
Style Exhibitors." Anyone sufficiently obtuse<br />
to encounter difficulty in guessing what<br />
characteristics Perlberg, being a producer,<br />
considered in allocating his subjects had better<br />
secure and peruse his analysis.<br />
Then, the piece de resistance—at least as<br />
concerns length—was a contribution by Hal<br />
Stebbins, president of a Los Angeles advertising<br />
agency bearing his name, and who<br />
according to the editor's introductory notes<br />
is a "ranking specialist" in his field. (Major<br />
distributors, who avail themselves of the<br />
services of such little-known outfits as<br />
J. Walter Thompson, Foote, Cone & Belding,<br />
etc., please note).<br />
Articulate, indeed, is the Stebbinsian contribution;<br />
so fluent, in fact, that parts<br />
thereof might well have stemmed from a<br />
journalism major's thesis—which perhaps<br />
they did. But no reader will overlook the<br />
platitudes utilized to condemn the banalities<br />
and archaisms of which he accuses contemporary<br />
film advertising. In short, everything<br />
the "ranking specialist" offers has been<br />
said on countless preceding occasions, and<br />
has been often agreed with by those who<br />
formulate the advertisements.<br />
F^roducer John Houseman is now functioning<br />
as editor of the Journal. The April issue<br />
was the first under his supervision—and a<br />
right creditable job of editing it is, regardless<br />
of individual opinion as to the wisdom of its<br />
dominant content. In prefacing the volume.<br />
Houseman pleads for reactions to the "How<br />
Do They Sell Our Pictures?" symposium.<br />
"Berate us or praise us—but write!" he urges.<br />
In this viewpoint, the survey, no matter<br />
how complete and eruditely conducted, can<br />
serve no useful purpo.se at this time. The<br />
question with which it deals Ls too ancient,<br />
has been tossed up for grabs too often and<br />
is confronted with too much prejudice<br />
from both sides— to permit of even a semblance<br />
of resolution through largely repetitious<br />
diagnosis. It is a mercurial topic that<br />
waxes and wanes in direct proportion to<br />
prosperity or poverty in the film bu.siness.<br />
Comes a period of high profits, and everyone<br />
takes bows therefor—the producers for<br />
the superiority of their pictures, the exhibitors<br />
for their commanding showmanship, and<br />
the advertising lads for the productive genius<br />
of their campaigns.<br />
But let the doldrimis descend upon theatre<br />
cash-drawers, and the buck is passed back<br />
and forth with jet-propelled speed. "Pictures<br />
stink." wail the self-same theatremen. "Showmanship<br />
is dead," counter the producers.<br />
There is evidence that an era of those<br />
doldrums is again overtaking the motion picture<br />
trade. And this time the reasons therefor<br />
are more complex and alarming than usual<br />
largely because of a new factor that has<br />
been introduced by television.<br />
During recent years—most especially<br />
since<br />
the advent of COMPO—much has been said<br />
and written, many all-branches powwows<br />
have been held about the crying need for the<br />
industry to stop its internal bickering and<br />
embrace give-and-take cooperation for a<br />
solid-front approach to its problems.<br />
Certainly the further worrying of a timeworn,<br />
ever-existent controversy is hardly a<br />
step in that direction.<br />
Confronted with the task of trying; by every<br />
available means to lick the smog problem,<br />
the Los Angeles county air pollution control<br />
district took a gander at film production<br />
techniques and set up rigid rules governing<br />
the scheduling of lensing sequences in which<br />
scripts call for the staging of fires. Such<br />
burning scenes are hereafter to be cleared<br />
with the APCD.<br />
Fortunately the above-described issue of<br />
SPG's Journal wasn't widely circulated at last<br />
week's convention of Variety Clubs International.<br />
Otherwise there probably would<br />
have been slow bums among the visiting exhibitors,<br />
which could have made the southland's<br />
smog headache truly acute.<br />
FYom Teet Carle's Paramount praisery a<br />
dramatic casting note: "Peter Mamakos .<br />
character player . for 'The Ten<br />
Commandments' ... to portray the slavedriver<br />
who lays on the whips and torments<br />
the Hebrew workers."<br />
Alas!<br />
Poor Finestone.<br />
JFFICE :<br />
7, 1955 43
. . Sero<br />
. .<br />
. .<br />
: May<br />
.<br />
LOS ANGELES<br />
granching out into the night club sector<br />
.<br />
in addition to operating the Carlton<br />
Theatre Fred Dee has taken over the Club<br />
Braz, a Hollywood bistro . . .<br />
Booking-buying<br />
visitors included Sam Steiffel. Sherman<br />
Theatre, Sherman Oaks, and Bob McCracken,<br />
Arizona-Paramount circuit in Phoenix<br />
Formerly a Warner branch salesman here<br />
and more recently manager of the Vista in<br />
Chula Vista. Henry Slater has been appointed<br />
manager of the Harbor Drive-In in<br />
that community.<br />
To join her husband Joe (they were married<br />
a few weeks ago) in Milwaukee, where<br />
he is a booker in the Warner branch, Jean<br />
Warner Wayne quit her job in the Warner<br />
contract department here Amusement,<br />
headed by William Oldknow and Bob<br />
.<br />
Benton, is enlarging its Rancho Drive-In<br />
near San Diego from 750 to 1,000 cars.<br />
Benton left for Salt Lake City to check<br />
over the circuit's properties there.<br />
Previously assistant manager at the Victory<br />
Drive-In. August Nardom is now piloting<br />
Sero's Cherry Pass Drive-In near Hemet<br />
Here to confer with his local agents<br />
was Walter Bibo. New York independent<br />
distributor, currently handling a nudistcolony<br />
Elizabeth Ciafarani of<br />
feature . . . MGM's accounting department planed out<br />
for New York for a vacation, with a stopover<br />
in her hometown of Detroit.<br />
Renewing acquaintances along the Row<br />
was George Fink, who for many years operated<br />
the Metro Theatre in San Diego. Fink<br />
has retired from exhibition and is now<br />
running a horse ranch in that territory . . .<br />
Sam Berger of the Berger Electric Co. became<br />
a grandpop for the first time when<br />
his daughter Mrs. Joan Eliot gave birth to<br />
Jack Sherriff. salesman for<br />
a baby girl . . .<br />
the Kranz-Levin exchange, returned from<br />
a business trek to Arizona.<br />
.<br />
. . . George Tripp.<br />
The Seligman (Ariz.) Theatre in Seligman<br />
has been darkened by the Nace chain<br />
Murray Peck has been retained to handle<br />
exploitation and advertising for the<br />
Warner<br />
Knoll<br />
Theatre here<br />
salesman, took off for Arizona on business<br />
Filmrow's condolences were extended<br />
. . .<br />
to M. J. E. McCarthy, Allied Artists manager,<br />
on the death of his 80-year-old mother.<br />
She had lived here for a number of years<br />
but was buried in Butte, Mont., her hometown,<br />
with McCarthy attending the services.<br />
. . Projectionists<br />
Julius Sweet, formerly a parking lot operator<br />
on the Row. has joined the Warner<br />
exchange as a maintenance man .<br />
Local 150 claims it has been locked<br />
out of the Paradise Theatre, an Alex Schreiber<br />
operation in Westchester. Schreiber.<br />
currently in Detroit, was not available for<br />
comment on the local's charge that he has<br />
refused its demands for a two-man crew and<br />
is employing a nonunion projectionist.<br />
Widescreen at Chester<br />
CHESTER, CALIF.—A widescreen has been<br />
installed at the Chester Theatre, according<br />
to owners Mr. and Mrs. Frank Adcock.<br />
Statistics show that substantial gains were<br />
made in 1954 in the export of 8mm motion<br />
picture equipment and motion picture theatre<br />
equipment.<br />
Screen Gems Is Using<br />
42 Script Writers<br />
HOLLYWOOD—Something oi<br />
a record for<br />
TV scrivening activity—and a figure that<br />
would be impressive even by major studio<br />
standards—has been established by Screen<br />
Gems, Columbia's video subsidiary, which<br />
currently has a total of 42 writers at work<br />
on various projects. The unit, of which Ralph<br />
Cohn is vice-president and general manager,<br />
turns out such series as the Ford Theatre.<br />
Damon Runyon Theatre, Falstaff Celebrity<br />
Playhouse, Father Knows Best, Jungle Jim,<br />
Captain Midnight and You Can't Take It<br />
With You.<br />
These are being augmented by two new<br />
half-hour groups to be produced by Herbert<br />
B. Leonard. Tales of the Bengal Lancers and<br />
Circus Boy, which will be added to Leonard's<br />
slate to supplement The Adventures of<br />
Rin Tin Tin.<br />
Meantime, for the fourth successive year,<br />
the Ford dealers of America renewed the<br />
Screen Gems commitment to produce 39 halfhour<br />
entries in the Ford Theatre series.<br />
William and Edward Nassour, who are producing<br />
the TV series in association with Don<br />
Sharpe, inked Christian Drake for the male<br />
lead opposite Irish McCalla in "Sheena, Queen<br />
of the Jungle." Filming on the series was<br />
launched Monday (2) with Arthur Pierson<br />
directing.<br />
TCF Television Productions. 20th-Fox's<br />
newly formed video subsidiary, inked Jules<br />
Bricken to a long-term ticket as a producerdirector.<br />
He had previously been associated<br />
with Cavalcade of America, the Ford Theatre<br />
at Screen Gems and the Ray Milland show.<br />
For use as the basis for a 15-minute TV<br />
program and for both theatrical and video<br />
trailers. Allied Artists secured 12,000 feet<br />
of celluloid obtained by newscaster Clete<br />
Roberts during a trek to Phenix City, Ala.<br />
The material, consisting of interviews with<br />
citizens on present conditions in the onetime<br />
"sin city," will be utilized to plug AA's<br />
"Phenix City," produced by Samuel Bischoff<br />
and David Diamond.<br />
Brandeis Camp Institute<br />
Picks Steve Broidy Head<br />
HOLLYWOOD—Long active as a sponsor,<br />
Steve Broidy, president of Allied Artists, has<br />
been named president of the Brandeis Camp<br />
Institute, Jewish youth center in Santa<br />
Susanna, Calif., which functions as a leadership<br />
training center. Named vice-presidents<br />
were Dore Schary, MGM studio head, and<br />
Milton Sperling, president of United States<br />
Pictures. Elected to the board of directors<br />
were Michael Blankfort, scenarist; Max<br />
Laemmle. theatre operator: Samuel G. Engel,<br />
20th Century-Fox producer, and Harry Maizlish,<br />
owner of radio station KFWB.<br />
For his work with boys and girls, Danny<br />
Kaye has been preesnted a special Americanism<br />
award by Los Angeles Elks Lodge 99.<br />
The comedian was lauded in particular for<br />
his film, "Assignment Children," made on behalf<br />
of the United Nations International<br />
Children's Emergency Fund, and being given<br />
theatrical release by Paramount.<br />
North: A. L. Pratchett, Latin America<br />
division manager for Paramount Inten.<br />
tional, arrived from his headquarters in M.<br />
ico City for studio conferences and to attii<br />
the Variety Clubs International convent)<br />
West: J. R. Grainger, president of Ria<br />
is due in from New York early next wlT<br />
after stopovers en route in Chicago, Denjj<br />
and San Francisco.<br />
East: William Z. Porter, Alhed Artists hce"<br />
office field representative, took off r<br />
Gotham for huddles with Roy M. Brev.<br />
manager of exchange operations.<br />
West: Alfred E. Daff. U-I executive vipresident,<br />
arrived from Manhattan to pa'<br />
cipate in sales parleys slated to begin M<br />
day. Returning from business huddles<br />
New York were Clark Ramsay, executive E|(<br />
to vice-president David A. Lipton. and H<br />
Rains, studio radio-TV promotion mana.:T<br />
West: Dore Schary, MGM studio head, »•<br />
turned from New York after participatinft<br />
top-level planning huddles with Nicholas I<br />
Schenck, president of Loew's, Inc., and ota<br />
brass.<br />
East: Frank P. Rosenberg, Warner i*<br />
ducer; director Rudolph Mate and actt<br />
Jane Wyman will check out Monday (9)<br />
New York to begin filming location SM<br />
for "Miracle in the Rain." They have a th^<br />
week shooting schedule in the east.<br />
West: Edward Muhl, U-I vice-presidenii<br />
charge of production, and Howard Chri;i«<br />
producer of the studio's Technicolor-Vii<br />
Vision entry "Away All Boats." returned f:a<br />
the Virgin Islands location of the World ^i<br />
II drama. While in the Caribbean. Muhl i(<br />
Christie scouted backgrounds in Venez'll<br />
for another U-I project. En route back h(<br />
they stopped over in New York to particiit<br />
in the windup of the annual Charles J. F^<br />
man sales drive.<br />
East: George D. Bm-rows, Allied Ar4<br />
executive vice-president and treasurer,<br />
Vice-President G. Ralph Branton headedi<br />
New York to attend a Tuesday (3) mee^<br />
of the company's board of directors.<br />
East: Harry Mandell, Filmakers vice-piii<br />
dent and general sales manager, planed U<br />
for a two-week visit to New York, Bo:«<br />
and Chicago.<br />
East: Robert Palmer. Universal-Inteft<br />
tional talent executive, planed to New 'i*<br />
for a two-week scouting trip.<br />
Alice Widener Talks to MPA<br />
HOLLYWOOD—Featured speaker ata<br />
Wednesday (4) meeting of the Motion Pic<br />
Alliance was Alice Widener, editor and I*<br />
Usher of the periodical U. S. A. Scenils<br />
Borden Chase is chairman of the MPA ex'<br />
tive committee.<br />
44<br />
BOXOFFICE<br />
:<br />
7. 'I
;<br />
Drive-In,<br />
i The<br />
'<br />
: May<br />
—<br />
———<br />
— ——<br />
.<br />
'<br />
— —<br />
—<br />
; : ; : ; ; T<br />
'<br />
'<br />
iocky Mountain Allied<br />
Vill Meet in Denver<br />
DENVER — Indications point to an unsually<br />
large attendance at the convention<br />
lay 10 of the Allied Rocky Mountain Indeendent<br />
Theatres at the Park Hill Country<br />
lub, with sessions morning and afternoon.<br />
incheon, and a dinner and dance in the<br />
v-ening.<br />
Reuben Shor, Cincinnati, Allied States<br />
resident, plans to speak as will Bennie<br />
.erger. Central Allied president, of Minneaplis.<br />
Much of the session will be given to<br />
Mir.d table discussions. Neil Beezly, pres dent<br />
f Kocky Mountain Allied, will preside at<br />
le meeting.<br />
Luncheon will be at the Park Hill Club<br />
t noon, and dinner and dancing in the eveiv-;<br />
at the same place.<br />
Cii.^t will be $6 for those attending the<br />
lei'imgs and social activities, with a $5<br />
!.aiL:e covering only the dinner and dancing.<br />
hf local Allied is making the charges as<br />
ail as possible.<br />
DENVER<br />
ee Theatres have bought the Centennial<br />
at West Belleview avenue and<br />
iouth Federal boulevard, for $300,000. The<br />
win-screen drive-in, largest in the Denver<br />
rea, with space for 1,250 cars, was built last<br />
jear by Television Theatres and cost a rejiorted<br />
$500,000. Operated by Television The-<br />
Ltres last year, the drive-in closed for the<br />
Ivinter in November and sold its lease to the<br />
k. D. Jones Realty Co. The Centennial re-<br />
[ipened this week and will operate day and<br />
bate, first run, with the two other first-run<br />
jjee drive-ins in Denver, the Wadsworth and<br />
ihe Monaco.<br />
Mile High Corp., now putting the finishing<br />
touches on the Mile High Drive-In,<br />
lOO-car capacity theatre, at Deadwood, S. D.,<br />
[mnoimced it is reserving enough space back<br />
!)f the concession building for a 1,200-seat<br />
;ndoor theatre, which will make it possible to<br />
iperate either the drive-in or the indoor<br />
[louse every day of the year.<br />
'<br />
Pete Bayes, Paramount regional publicity<br />
nan announced his fourth child, a son, sevenjound<br />
Gray, born at St. Luke's Hospital . . .<br />
jATilliam Prass, freelance publicist, is handling<br />
jhe campaigns for "Kiss Me Deadly" at the<br />
ll'aramount here, and for the Utah, Salt Lake<br />
iJity. He also arranged the schedule for<br />
Starlets Marian Carr and Yvonne Doughty<br />
luring their visit to the two cities . . . Robert<br />
,3elig. Jack Felix and Tom Smiley are coi)hairmen<br />
of the fund drive for the Korean<br />
•'oundation.<br />
On the day the story broke about the Cutter<br />
x)lio vaccine, the Dimension Pictures and<br />
lilealart office was an unusually busy place.<br />
The building on Filmrow was previously occupied<br />
by the Denver office of Cutter. Many<br />
)f the visitors were doctors in their office<br />
-oats . . . Philip Heil, recently manager of<br />
he Valley, Fowler, Colo., has been made<br />
nanager of the Golden, Golden, Colo. He<br />
aicceeds Fay Boyd, who has taken a sixnonth's<br />
leave of absence because of rheuiiatic<br />
fever.<br />
Ted Galanter, Metro district field publicity<br />
Festive LA Premiere of 'Air Commond<br />
Soars First Week Gross to 260<br />
~~~^~~^~~ LOS ANGELES—A klieg-lighted, r<br />
I<br />
.®''*TB|^T^^^B1 studded premiere helped "Strateg.c<br />
'<br />
'^^^^""yi^^H Command" soar above its competito;s al<br />
the local first run rialto. The aviation dr.n<br />
hit an impressive 260 per cent in its openiu<br />
stanza, while of the other newcomer bil!.",<br />
the strongest were a dualer of "Man Without<br />
a Star" with "The Big Tip Off" at 175<br />
and "Conquest of Space" at 150.<br />
(Averogc Is 100)<br />
Beverly Canon Comillc (MGMl, reissue, 6th wk.. 75<br />
Chinese—A Man Colled Peter (20th-Fox), 5th wk..l20<br />
Downtown Poromount, Egyption The Eternal Seo<br />
(Rep) '00<br />
Fine Arts— Prince of Players (20th-Fox), 3rd wk.. 75<br />
Doctor in the House (Rep), 6th wk...l05<br />
^^^^^^^^^_ Four Stor<br />
^A^^^^^^^M Fox Hollywood— Run tor Cover (Para); I Cover the<br />
Underworld (Rep), 2nd wk 100<br />
ox Wilshire The Purple Plain 'UA), 5th wk 50<br />
F^g f~:;^^^^^^^^H Howaii Orpheum Conquest ot Space (Para)<br />
.<br />
. . . 1 50<br />
^, ..<br />
UJf S^^^^l Hillstreet—City Across the River U-l); Girls in<br />
f~L^^^M the Niaht (U-l), reissues 90<br />
Hollywood Poromount The End of the Aftoir<br />
(Col), 3rd wk ,•. ,:<br />
Pontaqes, State, Uptown Strange Lody in Town<br />
°0<br />
(WB)<br />
Warners Beverly Sfroteaic Air Commond (Para). 260<br />
Warners Downtown, Wiltern, Fox Vooue Mon<br />
Without a Star 'U-H; The Biq Tip Off (AA). .175<br />
» Warnprs Hollywood This Is Cineromo (Cineramo),^^<br />
^<br />
. 105th wk '00<br />
^\. List' 1 "Peter' Leads in Slow<br />
.* ^ M*Mj^ J Week at Frisco<br />
SAN FRANCISCO—First run theatre business<br />
did not fare too well last week, despite<br />
the fact that there were only two holdover<br />
houses. Top spot honors went to the third<br />
week of "A Man Called Peter" and the opening<br />
of "Strange Lady in Town" both rating<br />
•<br />
-miuivw^-Kva^mB^ ^" average 100.<br />
'l TW '\^^ jtFS^lBn«F Fox—A Man Called Peter (20th-Fox); A Race<br />
. -.-V/X-- -^<br />
^*T'^SjP^WMi *or Life (LP\ 3rd wk •<br />
,^ i<br />
1 }'-W^ ^n Go'den Gate— Escape to Burma (RKO); The Steel<br />
-<br />
--it JIB- I caqe (UA)<br />
Para-ount—Strange Lady in Town (WB); Pirates<br />
CONVENTION PLANNERS — Three of TripoH^(Col) lOO<br />
^ ^^^.<br />
members of Tent 25's auxiliary plan social united" A rtilts^^nnopolis Story (AA); The' Big<br />
events for the distaff side of Variety '? °" I^^',. j , , jMrMi' Vthwk'<br />
'<br />
Warf<br />
90<br />
e d Backboard Jungle (MGM), 5th wk. .. VU<br />
-^-i 1 *4 '<br />
II V*' •* •<br />
' , ' ' °°<br />
Clubs International's 19th Annual Convention<br />
in Los Angeles this week. They<br />
are (top photo), left to right; Mrs. 'Blackboard' Sets<br />
M. J. E. McCarthy, Mrs. Morton W. Scott Denver Pace<br />
and Mrs. W. H. Lollier. Below: Andrew DENVER—"The Blackboard Jungle" easUy<br />
Alvarey (left) and Gary Penabler, memtopped<br />
the town at the Orpheum with 210.<br />
bers of the Variety Boys Club of Los<br />
"East of Eden" did average busine.ss, as did<br />
Angeles, also do their part to make the<br />
"Strange Lady in Town."<br />
convention successful by making minicentre—<br />
Eost of Eden (WB) "0<br />
ature barkers for the delegates. The club Denham—Run tor Cover (Porai. 2nd wk 85<br />
.^. . .<br />
is the pet charitable project of Tent 25.<br />
.<br />
'""<br />
°^Sau;"irte;'''(°2"oth^-Fox)'""' '.'^.°.".''. .'^''.^. . . - 90<br />
Monaco and Wadsworth dr!ve-ins Smoke Signol<br />
(U-n- Connibnl Attack (Col) 100<br />
Ornheum—The Blackboard Jungle (MGM);<br />
man, was in for conferences with Frank Jen-<br />
kins, field publicity man for the Rocky Moun- "^^ '<br />
tain region. While here Galanter visited his<br />
'<br />
p JJ-S9^;l^,°,"^g;^^^J, i„ Town (WB)<br />
brother Oscar who is office manager at Uni- 'Tungle' Is Huge 400<br />
versal . . . Andrea Cleve, Yvonne White,<br />
j^ Portland Liberty<br />
Dorothy Van Dyke and Susan Ames were here<br />
PORTLAND—"The Blackboard Jungle" led<br />
for a couple of days from Hollywood whip-<br />
Marvin Fox, John Ham-<br />
boxoffices with 400.<br />
ping up the campaign for the forthcoming<br />
^^^^ ^j^^ manager, commented audiences at<br />
"Son of Sinbad."<br />
^j^g Liberty have been unusual in that week-<br />
Theatre folks seen on FUmrow included end crowds were predominantly teenagers<br />
Ross Campbell, Sheridan, Wyo.; Albert Petry. and adults during the week.<br />
. .<br />
Pagosa Springs; Larry Starsmore and Derald Broa^«-^7„Escaj.e^to^^Bur^a^^(_RKO).^^.^. ^.^.<br />
.100<br />
.<br />
Hart, Colorado Springs: Eton Beers. Santa<br />
Guild—Gir-ss siiooer (MGm\. 4th wk 150<br />
Fe; Lionel Semon, Pueblo; George and Har- uterw-Th^e^^Bi^.^c^-boo^rd^ (mgm) ••• -"OO<br />
old McCormick, Canon City; Neil Beezley. paramount—Garden 'ot Eden (FM). 2nd wk<br />
wk...l90<br />
ino<br />
Burlington; Mr. and Mrs. Fred Hall, Akron; Parkros^-Doctor i n the House ( Rep), 5th<br />
Delbert Stewart, Torrington, Wyo., and C. E.<br />
McLaughlin, Las Animas.<br />
Kevin McCarthy on Tour<br />
Kevin McCarthy, starred in AA's "An An-<br />
John Coakly has been given a term con- napolis Story," will make a personal appeartract<br />
to head 20th-Pox's scenic department. ance tour in Baltimore and Philadelphia.<br />
I o<br />
50X0FFICE :<br />
7, 1955<br />
45
: May<br />
II<br />
i<br />
/ AT DENVER'S<br />
BONFILS MEMORIAL THEATRE<br />
One of the first things seen by patrons is luxurious<br />
Guhstan carpet. This deep-piled beauty cushions the<br />
step, hushes the scuffle of first nite crowds. Ami. its<br />
distinctive, modern design was especially created to<br />
carry out the theme of the Bonfils Memorial Theatre,<br />
home of the Denver Civic Theatre.<br />
You, too, can have a Gulistan carpet especially<br />
designed. Whether it be a bank, bar, theatre, hotel,<br />
restaurant, apartment or store, Gulistan carpet makes a<br />
beautiful background that attracts the public . . . helps<br />
build a more successful business. See your Gulistan<br />
dealer, or write tiie Contract Department.<br />
I<br />
MANUFACTURED ON POWER MACHINERY IN THE U. S. A. BY A. & M. KARAGHEUSIAN, INC., 295 FIFTH AVENUE, NEW YORK 16, N. Y.<br />
46<br />
BOXOFFICE :<br />
7, 195
: May<br />
. . Send<br />
leo Bertolero, 63, Dies;<br />
leaded Black Hills<br />
,EAD. S. D— Leu Bfitolero, 63, president<br />
he Black Hills Amusement Co., a native of<br />
Uid, died in a Deadwood, S. D., hospital<br />
a;er a very short illness. He died two days<br />
aier being taken to the hospital.<br />
iertolero started in the theatre business<br />
H the early 20s when he bought the old<br />
F-d Theatre, and was joined by Charles<br />
I-^in of Deadwood, pre.sent vice-president<br />
othe company. In May of 1923, with Leo<br />
F-erson and Dan Roberts, both now dead,<br />
t four formed the amusement company, a<br />
csed corporation. Bertolero and Klein were<br />
l»?r joined by Jolui Bertolero of Rapid City,<br />
£D., a brother of Leo, who is now secretary,<br />
/total of 13 theatres in three states now<br />
r ke up the Black Hills Amusement Co.<br />
Jertolero is survived by his wife, two sons.<br />
brother and a foster brother. Funeral<br />
s vices and burial were in Lead. Fred<br />
iDwn, booker and buyer for the houses,<br />
\'nt from Denver to attend the services.<br />
ill<br />
Members of Ascap's<br />
^^estern Group Renamed<br />
HOLLYWOOD — Incumbent members of<br />
/:ap's West Coast committee were all reccted<br />
at a recent meeting. They were<br />
II Wolf Gilbert, who received 468 votes, the<br />
1 gest number of votes as chairman of the<br />
cnmittee, and Harry Warren. Dr. William<br />
( ant Still, Leo Robin, Jimmy McHugh and<br />
. mny Green.<br />
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JOBIL<br />
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SANITARY<br />
• Holds 4 lorge and<br />
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• No overheating or<br />
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• 110-220 AC current.<br />
Price<br />
$9750<br />
PRODUCTS CO.<br />
Pho WOodword 3-5510<br />
Clifford<br />
19 501 Woodward BIdg.<br />
Detroit 26, Michigan<br />
REPUBLICS ETERNAL SEA' HONORED—John H. Auer, associate producerdirector<br />
of Republic's "The Eternal Sea," is shown receiving a plaque of appreciation<br />
from the Long Beach Chamber of Commerce, where the film was lauded by Navy<br />
officials. In the photo, left to right: Claude Kenner, United iVrtists city manager in<br />
Long Beach; Auer; Capt. J. C. Woelfel, USN, commander of the Long Beach Naval Base,<br />
and Clint Furrer, Chamber of Commerce director and chairman of the Armed Services<br />
Commission. "The Eternal Sea" is based on the heroic life of Rear .Admiral John<br />
M. Hoskins.<br />
PORTLAND<br />
TXTarren T. "Tilly" Withers, 58, salesman<br />
at the Coliunbia office here who had<br />
been a member of the film industry 35<br />
years, died recently at his home here. He<br />
had w-orked in virtually every exchange area<br />
in the United States. He was born in Bryan,<br />
Tex. and attended Northwestern University<br />
and was graduated from Texas A&M.<br />
Withers is survived by his wife Mary and<br />
three sons, Warren, Charles and Robert.<br />
Alfred Starr, executive chairman of Theatre<br />
Owners of America, and George Gaughan,<br />
field representative, both from Tennessee, are<br />
expected here May 19 for a meeting of the<br />
Oregon TOA, Al Foreman of United Theatres,<br />
president, announced ... A surprise<br />
preview of "The Seven Little Foys" was held<br />
for the public and exhibitors at the Paramount<br />
Theatre (2).<br />
Gloria Jean, co-starring with Richard<br />
Denning in Lippert's "Air Strike," was here<br />
for a series of appearances. The picture<br />
opened Tuesday (3) at the Paramount with<br />
"Mambo."<br />
John D. Peterson, Modern Theatre Supply<br />
branch manager for five years, has purchased<br />
the Interstate Theatre Equipment Co. at 1923<br />
NW Kearney St. from Frank Becher, who<br />
retired after 32 years in the business. Peterson<br />
is from Wisconsin.<br />
United Artists will film "The Indian<br />
Fighters" in the Benham falls area of the<br />
Deschutes river ten miles south of Bend.<br />
Andre DeToth will direct the production with<br />
Kirk Douglas as the star. A company of<br />
more than 100 is scheduled to start filming<br />
May 23. More than 100 Warm Springs<br />
Indians will be seen in the picture and more<br />
than 300 horses will be supplied by mid-<br />
Oregon rangemen with the Rim Rock Riders<br />
of Bend in charge. Bend is about 150 miles<br />
east of Portland.<br />
Bay Gilbert, Hollywood songwriter whose<br />
tunes have been featured in several films,<br />
brought Joe Gaudio to Portland for the<br />
tenor's night spot debut at Amato's Supper<br />
Club here. Gaudio appears in MGM's "Interrupted<br />
Melody" in the role of Sampson.<br />
Gilbert says his daughter Joanne, singer w'ho<br />
recently closed an engagement at the<br />
Waldorf-Astoria in New York, was negotiating<br />
for a role in the western to be filmed<br />
near Bend.<br />
-^AST. 7:^JI3T£^.v7fASr£ST S£RVIC£ I<br />
/SPECIAL<br />
VTRAIIEHB<br />
ROM<br />
liiilililllllilttiilii<br />
125 HYDE ST. SAN FRANCISCO (2), CALIF.<br />
Gerald L. Karski... . President<br />
WE CAN SELL YOUR THEATRE<br />
SUBURBAN<br />
HOMES CO.<br />
THEATRE SALES DIVISION<br />
CALL- IRV BOWRON -vvwrf<br />
Ph. PR. 4-J27S KE. 1374<br />
274S-S.E. •2nd Portland 46. On.<br />
I XOFFICE :<br />
7, 1955 47
,<br />
'<br />
SAN FRANCISCO<br />
The Golden Gate Theatre is preparing for<br />
the opening of "Davy Crockett" June 22,<br />
the first week school is out. According to<br />
Mark Ailing, manager, the promotions<br />
planned will be quite effective . Lo Jones,<br />
. .<br />
Western Theatrical Equipment floor man,<br />
is resigning his post after many years to<br />
go into resort business at the Russian River.<br />
He invites all his many friends on FUmrow<br />
to come up to his restaurant and store and,<br />
incidentally, enjoy the fishing. John Sullivan<br />
is taking over as floor man at WTE.<br />
7
i<br />
named.<br />
; quite<br />
1 wood<br />
'<br />
f<br />
'<br />
which<br />
•<br />
addition<br />
^<br />
been<br />
'<br />
man,"<br />
'<br />
lege.<br />
I<br />
:<br />
'^ 33 INDUSTRY PROFILE<br />
Ben Adams Started<br />
As Filmrow Cashier<br />
EL DORADO, KAS.—Ben Adams,<br />
who owns the Roxy Theatre and the<br />
Star-Vu Drive-In, started propitiously<br />
m the industry by handling money.<br />
He was assistant cashier for Universal<br />
for 18 months in Dallas. Prom there<br />
went to Memphis as cashier for the<br />
lie<br />
old First National organization and<br />
moved on to St. Louis after several<br />
years as first cashier in the exchange<br />
nifice there.<br />
First National merged with Warner<br />
Bios, and Adams stayed on for about<br />
lue yeai's, then came to Kansas City<br />
i^ a salesman for the company. This<br />
was around 1936 and in 1939, Adams<br />
teamed up with Gus Diamond and<br />
T W. Dickson and built the Roxy<br />
That was the year "Dodge City" was<br />
released by Warners and its premiere<br />
was held in the town for which it was<br />
Adams and Jay Wooten headed<br />
the premiere arrangements and put on<br />
a show, making even the HoUycontingent<br />
sit up and take notice<br />
In 1941, Adams gave up his salesman<br />
job. moved to town and took charge of<br />
the Roxy operation. In addition to<br />
building the Star-Vu Drive-In here,<br />
five years ago Wooten and Adams built<br />
the Great Western Drive-In at Liberal,<br />
they stUl operate. Three years<br />
ago they also took over the Trail at<br />
Nevada, Mo., but the past year they<br />
sold this to their manager, Komp<br />
Jarrett. At the present time, Adams<br />
interested in the Wanee Theatre and<br />
is<br />
Wanee Drive-In at Kewanee, 111., in<br />
to the two here and the one<br />
at Liberal.<br />
Adams is married and has a daughter<br />
Sandra Sue. Mrs. Adams has always<br />
what he terms his "right-hand<br />
but Sandra Sue is away at col-<br />
From his years of experience in<br />
several phases of theatre business,<br />
Adams recently expressed these opinion.s<br />
"Business Is showing some signs of<br />
leveling off. Patronage is improving<br />
because there has been a great improvement<br />
in the quality of pictures<br />
in the last 12 months. A good picture<br />
has always done good business."<br />
Bill<br />
Allison Joins NTS<br />
Kansas City Sales Force<br />
KANSAS CITY—W. M. Allison, former<br />
sales engineer for the Oklahoma City<br />
_ branch office of<br />
National Theatre Supply,<br />
joined the Kansas<br />
City branch sales<br />
force on April 15. In<br />
announcing Allison '.s<br />
appointment, Arthur<br />
de Stef ano, branch<br />
manager, said thi.s<br />
territory has been realigned<br />
to improve<br />
service, particularly to<br />
southern and western<br />
Kansas exhibitors.<br />
This is the territory<br />
to which Allison has been initially a.ssigned.<br />
He was born in Leadville, Colo., was educated<br />
in Denver and began his motion picture<br />
career in 1931 as a film salesman for<br />
MGM in the Wyoming territory. After his<br />
discharge from the navy in World War II,<br />
he joined NTS in Oklahoma City. For the<br />
past three and a half years he has been<br />
city manager of the J. C. Parker Theatres<br />
in DaUiart, Tex., specializing in exploitation<br />
for the two indoor theatres as well as<br />
the drive-in.<br />
Allison's married daughter lives in Texas<br />
and his wife and younger daughter. Sue.<br />
will remain in Dalhart until the end of the<br />
current school term, after which they will<br />
join him in Kansas City. A farewell dinner<br />
was given him by the Dalhart Rotary Club<br />
of which he was secretary-treasurer. His<br />
theatre staff presented him a handsome<br />
portfolio.<br />
The NTS Kansas City branch is in the<br />
western district under the supervision of<br />
Lloyd C. Ownbey, vice-president, who assisted<br />
in making the an-angements for Allison<br />
to rejoin National.<br />
Springfield Optimists<br />
Hear COMPO Director<br />
SPRINGFIELD, ILL.—Speaking before the<br />
Springfield Optimist Club, Ray G. Colvin,<br />
member of the board of directors of the<br />
Council of Motion Picture Organizations,<br />
emphasized the impact that closing of<br />
motion picture theatres has on general business<br />
in communities.<br />
Citing findings of various studies in<br />
Illinois and Iowa communities, he showed a<br />
definite relation between the presence or<br />
lack of motion picture theatres and the<br />
general retail business in the cities.<br />
Colvin defended the motion picture industry<br />
against criticisms leveled at it and<br />
predicted that it was a part of American<br />
life that was here to stay, despite predictions<br />
to the contrary. He urged the businessmen<br />
present to take another look at the industry<br />
to see how it fits into the pattern of community<br />
life for both business and recreational<br />
activities.<br />
Harold Owen Opens Airer<br />
MANSFIELD, MO.—Harold Owen has<br />
opened the 250-car Owen's Open Air Theatre<br />
on Highway 5 two miles north of here. Owen's<br />
father operates the Owen Theatre and the<br />
Owen Drive-In in Seymour. The latter has<br />
started its fourth season.<br />
Xhenny' Celebrates<br />
30 Years in Theatres<br />
BETHANY. MO.— F.<br />
F. Chenoweth. di.-.Lrict<br />
manager for Kerr Theatres, which operates<br />
in this section of Missouri and Iowa, rc-<br />
CHENNY'S CELEBRATING-<br />
30 YEARS of SHOW BUSINESS!!<br />
RELAX! THERE'S MORE FUN AT THE MOVIBSI<br />
cently celebrated his 30th year in the show<br />
business by featuring Manager's Week, during<br />
which he admitted free every 30th person<br />
entering the Noll Theatre and every 30th<br />
car arriving at the Frontier Drive-In.<br />
A five-column ad in the local RepubUcan-<br />
Clipper heralded the anniversary with<br />
"Chenny's Celebrating 30 Years of Show<br />
Business."<br />
Copy related that he started his career as<br />
a rewind boy in the booth of the Dixie Theatre<br />
in Lintieus, Mo., at the age of 14. He<br />
became projectionist there when in high<br />
school. After college he worked for Central<br />
States Theatres at Burlington. Iowa, then<br />
managed the Rigney at Albany. Mo., for four<br />
years before joining Kerr Theatres.<br />
He came to Bethany in 1937, and with the<br />
exception of time spent in military service<br />
and a short time thereafter at the Ken-<br />
Palace in Vinton, Iowa, he had been here<br />
ever since.<br />
Closes at Ashland, 111.<br />
ASHLAND, ILL.—The 200-seat Ashland<br />
Theatre was closed by owner Ai'thur Samore,<br />
who said that any reopening depends on<br />
several major factors, including general<br />
economic conditions.<br />
COODTRAlLEb^<br />
IN POUBLB-<br />
QOICKTIME.<br />
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CHICAGO S, ILL.<br />
630 NINTH AVENUE<br />
NEW YORK 36, N.Y.<br />
ORDER YOUR NEXT<br />
SPECIAL<br />
TRAILER<br />
WITH CONFIDENCE<br />
FROM<br />
GOOD OLD DEPENDABLE<br />
2^2^^<br />
iXOFFICE :: May 7, 1955 49
I<br />
using<br />
. . . Stanley<br />
. . New<br />
CHICAGO<br />
Cam Levinsohn, head of the Chicago Used<br />
Chair Mart, returned with an extra spring<br />
in his step following a rest at Hot Springs,<br />
Ark., and immediately started work on replacing<br />
chairs in the 2,000-seat State Theatre.<br />
A couple of weeks ago, his company<br />
completed a reseating job at the Gopher in<br />
Minneapolis . . . Phil Higgins, recently appointed<br />
manager at the Halfield, has been<br />
transferred to the Harper. He takes over for<br />
Tony Steuever, who is spending the summer<br />
RESEAT OR RENOVATE<br />
Professionol<br />
mta^^ work on Seat<br />
|^hP|' Renovation — factory trained<br />
^^^1 crew. Your chairs recovered,<br />
Foam Rubber or New<br />
Springs. Metal parts refinished<br />
in Baked Enamel— like<br />
new. Estimates anywhere.<br />
Stock—7.200 Plywood Chairs— Like New<br />
750 Spring Upho.stered Chairs<br />
HEYWOOD-WAKEFIELD SEATING<br />
20356 GRAND RIVER<br />
DETROIT,<br />
MICHIGAN<br />
KENWOOD 3-B740<br />
CANDY - POPCORN<br />
- SEASONING -<br />
For Theatres and Drive-Ins<br />
Distributors<br />
of<br />
LORRAINE CARBONS<br />
MISSION ORANGE<br />
Send for Price List<br />
Freight Prepaid on $100.00 or More<br />
KAYLINE CANDY CO.<br />
1220 S. Michigan Avenue Chicago 5, III.<br />
on his farm at BrownviUe. Meanwhile, the<br />
Halfield will operate under the supervision<br />
of Marty O'Brien.<br />
Kurt Voss is now assisting Dick Pitts at<br />
Filmack in handling advertising and publicity<br />
affairs ... Ed Safier joined Buena<br />
Wally Dorf of the same organization<br />
Vista . . .<br />
started out on the territory ... Ed<br />
Harris, manager of the Shakespeare, is experimenting<br />
with programs slanted for children<br />
during the week. This will be in addition<br />
to the regular weekend features, which<br />
Ethel Buccieri of<br />
are a proven success . . .<br />
Pilmack returned from a holiday in Hot<br />
Springs, while Shari Thau started out on a<br />
vacation jaunt.<br />
. . . Charlotte<br />
Jack Kirsch, president of Illinois Allied,<br />
reports that the Alger circuit has joined the<br />
association . . . Another recent membership<br />
addition is the Starview Outdoor at Elgin,<br />
owned by John H. Reckas<br />
Pi-eedman of U-I left for a vacation in California<br />
. . . Filmrow visitors were Wright<br />
Catlow, Barrington; Russell Lamb, Oregon<br />
Theatre, Oregon, and Gus Constan and Lou<br />
Ingram, the Avon Theatre, Decatur.<br />
George Yonan has joined Filmack as assistant<br />
to Lou Kravitz in connection with the<br />
company's television sales. "Vonan formerly<br />
was with the Mutual and American broadcasting<br />
circuits ... A. Teitel Film Co. has<br />
acquii-ed the distribution of "Court Martial"<br />
for Chicago, Milwaukee and Indianapolis<br />
Lesritz, formerly at the Commercial<br />
Theatre, took over managership of the<br />
Esquire Theatre. Al Holec, who has been<br />
manager for several years, is trying his hand<br />
at managing a restaurant in Phoenix.<br />
James Jovan, president of the Globe Film<br />
Co. and Monroe Theatre Co., will leave May<br />
15 for a tour of London, Paris, Rome, Athens,<br />
Istanbul, Israel, Cairo and Madrid, where<br />
he will check on motion picture production<br />
and distribution. He will be accompanied by<br />
his son Constantine . B&K manager-<br />
ial changes include James Currant at tjj<br />
Crystal, Ed Conrad at the Will Rogers,<br />
M. Metzner at the Howard .<br />
. . Nor<br />
Pyle, MGM publicist here, outlined his cod<br />
pany's services at a TOA meeting held<br />
j<br />
Peoria.<br />
i<br />
Charles Teitel, left for Port Wayne to opjl<br />
an art house for Quimby Theatres . . . Bu'j<br />
ness hummed at the Chicago Theatre, whil<br />
an autographing party was held in the lobli]<br />
with Eddie Fontaine and the Chuckles sigli<br />
ing copies of their recordings. The gro) 1<br />
headlined the stage revue, with "Kiss ll<br />
Deadly" as the feature film presentationli<br />
J. Nassos, who recently took over the ma}<br />
agement of the newly remodeled Vision Ti:,<br />
atre, is preparing a program to be levell<br />
for children and teenagers . . Joseph Ma;<br />
.<br />
and Lou Kravitz of Pilmack plan to atte;<br />
the Iowa-Nebraska theatre owners sessici<br />
in Des Moines.<br />
"Cinerama Holiday" will open at Eitf;<br />
Palace June 15. Douglas Helgeson, managi;<br />
director of the Chicago Cinerama Coii<br />
reports that 1,750,000 people have seen "TS<br />
Is Cinerama" since its opening at the Pal^!<br />
on July 29, 1953. <strong>Boxoffice</strong> grosses to dit<br />
total 3V2 million dollars. The opening \<br />
"Cinerama Holiday" will be a benefit givk<br />
by Otto K. Eitel for the Peacock Camp :|<br />
Crippled Children.<br />
Herb EUisburg, manager at the PiccadiS,<br />
is losing three of his staffers at the sai^<br />
time. Holson Torgeson is being transfenl<br />
back to Germany by the Fifth Army, Jan;,<br />
Swanson is leaving to go to Glendale, Caj'<br />
fornia and Bill Miller is returning to Lyi|,<br />
The Carnegie Theai'<br />
Massachusetts . . .<br />
has been adding to its prestige because<br />
f(<br />
the lineup of art work being exhibited f<br />
local artists. Manager Davis Barrett is bus<br />
engaged handling on-the-spot sales. Priif<br />
received for the paintings are turned ov!<br />
to the artist, with no commission held ^<br />
the theatre . . . Wayne A. Langston resigrj^<br />
from Sarra, Inc., and is now associated w.ji<br />
George Ryan Films, Inc., of Mimieapolis*<br />
For Quicker, Easier Profits from Wide Screen Pictures<br />
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With the help of nationally-known RCA theatre<br />
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RCA Stereophonic Equipment is availoble In everything<br />
from single track magnetic sound for drlve-ln<br />
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systems for indoor theatres (at $2,040 ond up).<br />
RCA Projection Equipment, Sound Systems and<br />
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Everything in Theatre<br />
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Abbott Theatre Equipment Co. Inc.<br />
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Completes Winter Repaiii<br />
HOUSTON, MO.—Mr. and Mrs. Dick Fisfr<br />
were not idle last winter while their Sunjt.<br />
Drive-In was closed. They cleared shorts al<br />
open circuits out of their underground Wr<br />
ing, completely reconditioned the sound ajii<br />
projection equipment, checked and repaii^(<br />
in-car speakers and replaced with new spei'r'<br />
ers when necessary, painted posts and fenc-t,'<br />
widened and added to sidewalks and briglj-:<br />
ened up the restrooms. The snack bar rei<br />
brought up to date, the screen tower vp<br />
painted and new lenses installed to perr*f<br />
a larger picture. A new Simplex sound s;h<<br />
tem has been ordered, as well as a moddi;<br />
marquee sign with changeable letters.<br />
Reduces Admission for C£<br />
CRYSTAL CITY, MO.—Giving the put:<br />
more for less money is the policy of t"<br />
Crystal Hi-Way Theatre. Recently it vp<br />
completely equipped for presenting Cinenr>i<br />
Scope productions, changing to an R'i<br />
curved widescreen and to new sound equ;<br />
ment. For this patrons now only have to ff<br />
50 cents, a reduction in admission. Manajr<br />
H. E. Miller says it is the only theatre i<br />
Jefferson County presenting CS with sterc<br />
phonic sound.<br />
j<br />
50 BOXOFFICE May 7, liS
j<br />
Loew's<br />
'<br />
Doctor<br />
—<br />
——<br />
—<br />
iction Features Pace<br />
(hicago Grosses<br />
;HICAG0—Films promising excitement<br />
a3 intrigue held the boxoffice spotlight.<br />
lis included "Conquest of Space" plus<br />
•limberjack" at the Roosevelt, "Lover's Lane<br />
Bndit" plus "Cell 2455, Death Row" at the<br />
Qand. "Kiss Me Deadly" at the Chicago,<br />
fti "Violent Saturday" at the Oriental,<br />
nhree Cases of Murder" also incited interest<br />
flthe Esquire Theatre. Most holdovers exll'ienced<br />
a drop.<br />
f<br />
,i^qic<br />
The LifHe Kidnoppers (UA), 2nd wk.. .160<br />
Kiss Me Dcodly (UA), plus stage revue. 210<br />
The Fiqhting Pimpernel (Corroll) 180<br />
oce<br />
This Is Cinerama (Cineroma), 92nd<br />
200<br />
Three Coses of Murder (Ass'd Artists) 210<br />
Cell 2455, Deoth Row (Col) 215<br />
The Gloss Slipper (MGM), 4th wk 180<br />
I. ,K Hit the Deck (MGM); The Big Tip-Off<br />
AA), 4th wk 195<br />
finroe To Poris With Love (Continental) 4th<br />
1/k 200<br />
(.ntal— Violent Saturday (20th-Fox) 215<br />
. :t -Corquest of Space (Poro); Timberjock<br />
:nd wk 210<br />
.1 e— Eost of Eden (WB), 4th wk 175<br />
in the House (Reo), 2nd wk 1 70<br />
( tod Artists—The Country Girl (Para), 11th wk. 185<br />
Jods—Mon Without a Star (U-l), 3rd wk 200<br />
VId Ployhoues A Love Story (Gibraltar), 2nd<br />
',k 175<br />
Jgfeld— Verginita (IFE), 2nd wk 180<br />
';ter' Stays at Orpheum<br />
lir Its Fourth Week<br />
XANSAS CITY—Night ballgames of the<br />
,;hletics play is not affecting the art houses<br />
iich but other exhibitors, includnig drive-in<br />
Aerators, admit theii' business is being hurt<br />
••len the A's are in town. "A Man Called<br />
tter" played its fourth week at the Orpheum<br />
average business in spite of also playing<br />
j<br />
I the Fairway and Granada the past week.<br />
'lis cut the Orpheum's business on Saturday<br />
id Sunday but did not affect the Monday<br />
t'jss. It was held at the Orpheum only,<br />
"trange Lady in Town" was scheduled for<br />
necond week at the Paramount.<br />
I'n-The Gome of Love (Times Films), 2nd wk. . .200<br />
no The Gloss Slipper (MGM), 4th wk 1 75<br />
idland—Davy Crockett, Indian Scout (UA);<br />
'Iroquois Trail (UA), reissues 80<br />
.isouri—East of Eden (WB), 3rd wk.; Gog (UA),<br />
:2nd wk 65<br />
oheum—A Man Called Peter (20th-Fox), 4th<br />
Ivk 100<br />
'omount Stronge Lady in Town (WB) 120<br />
i
. . . and<br />
ST.<br />
LOUIS<br />
•The MITO film rentals committee, with<br />
Loren Cluster, chairman, presiding, met<br />
Monday (2) to consider replies received in<br />
response to the questionnaire recently sent<br />
theatre owners by the organization . . . Myra<br />
Stroud, MITO managing secretary, and Kenneth<br />
Herth of Pacific, a member of the board<br />
. . .<br />
of directors, visited RoUa and Lebanon, in<br />
connection with the current membership<br />
Members of Colosseum Loge 19 are<br />
drive . . .<br />
scheduled to meet at 1:30 p.m. on Saturday,<br />
The<br />
May 21, in the Melbourne Hotel<br />
mother of Bob Lightfoot, Allied Artists salesman,<br />
died at Oklahoma City. Mrs. Lightfoot,<br />
who was 75, had been in poor health<br />
for some time. She is also survived by two<br />
other sons.<br />
The recent Amusement Employes Welfare<br />
pnind benefit proved very successful. Gross<br />
RiO SYRUP CO.<br />
I<br />
r<br />
I<br />
I<br />
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ST. LOUIS 4, MO.<br />
Same Phone<br />
!<br />
Numbers PR 2-4615<br />
Same Good Concession Service<br />
bandy to Film Row, too.<br />
EVERYTHING<br />
FOR THE THEATRE<br />
St. Louis Theatre Supply Company<br />
Arch Hosier<br />
3310 Olive Street, St. Louis 3, Mo.<br />
Telephone JE 3-7974, JE 3-7975<br />
"SELECT" FOUNTAIN SYRUPS<br />
DRINK DISPENSERS<br />
Select Drink Inc.<br />
4210 W. Florissant Ave.<br />
St. Louis, IS, Mo.<br />
HANDY<br />
Phone<br />
Evergreen 5-5935<br />
receipts were $976 and expenses $288.23,<br />
leaving a net of $687.77. The fund now has<br />
a working balance of $1,542.57 . . WUliam<br />
.<br />
C. Earle jr and Harry Hoff of National Theatre<br />
Supply and their wives returned from<br />
New Orleans where they spent several days<br />
as guests of the company. They were joined<br />
there by four other couples, who also were<br />
winners in a sales campaign conducted earlier<br />
in the year.<br />
Bill Emas of the U-I office staff is the<br />
Joe W. Newsham<br />
father of a baby girl . . .<br />
with St. Louis Theatre Supply, is also the<br />
Loew's State will<br />
father of a baby girl . . .<br />
show the closed circuit telecast of the Marciano-Cockell<br />
championship heavyweight<br />
fight May 16. General admission will be<br />
$3.50, and loges $4, both including federal and<br />
state taxes.<br />
Paul L. Knieger, Fred Wehrenberg Theatres<br />
president, had a lot of fun as he toured<br />
the downtown section accompanied by Arthur<br />
K. Atkinson, Wabash Railroad president,<br />
aboard the kiddy train of the circuit's<br />
South Twin-Drive-In. The train is<br />
modeled after the Wabash's crack Blue Bird,<br />
that travels between here and Chicago daily.<br />
Krueger and Atkinson, in engineer's regalia,<br />
were in the drivers' seats. It was a fine bit<br />
of showmanship and attracted much attention.<br />
The South Twin had a grand opening<br />
program on both Friday (29) and Saturday<br />
to celebrate the completion of its playground<br />
and other facilities.<br />
National Theatre Supply is providing a 40-<br />
foot cafeteria-style concessions bar at the<br />
new 500-car drive-in north of Marion, that<br />
will be owned and operated by Stewart Cluster<br />
of Johnston City. It is due to open about<br />
Harry Wald was the winner<br />
June 15 . . .<br />
and Ben Mandel runner-up at the Variety<br />
Club's recent first annual gin rummy tourney.<br />
Tom M. Londoff, one-time manager of the<br />
old Palm Theatre, has been elected the silver<br />
anniversary year president of the North St.<br />
Louis Real Estate Salesmen's<br />
Pete Martin, manager of the<br />
Ass'n .<br />
Fanchon<br />
.<br />
&<br />
.<br />
Marco Richmond Theatre, Richmond Heights,<br />
has made Bob Goddard's Snappy Dressers in<br />
Our Town list in the St. Louis Globe-Democrat<br />
Greta Garbo's "Camille" has been<br />
. . . revived at the Pageant Theatre.<br />
Exhibitors seen along Filmrow included
: May<br />
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FOR COMPLETE DETAILS WRITE DR. PEPPER COMPANY, FOUNTAIN DIVISION, DALLAS, TEXAS<br />
DXOFFICE :<br />
7. 1956 53
. .<br />
. .<br />
. . . Jay<br />
. . Les<br />
. . Peggy<br />
. . Nat<br />
. .<br />
. . . Don<br />
. . The<br />
. . Eddie<br />
. . Gus<br />
. . Current<br />
. . Amy<br />
: May<br />
'<br />
KANSAS CITY<br />
T>uss Bovim, western division manager for<br />
Loew's Theatres witli headquarters in<br />
St. Louis, is here managing the Midland while<br />
Maurice Druker is on<br />
vacation. Druker and<br />
wife are making an extended<br />
trip to the west<br />
coast. They went by<br />
the northern route and<br />
will return by the<br />
southern, stopping at<br />
scenic points along the<br />
way. Bovim, who managed<br />
the Midland in<br />
the late 40s, is renewing<br />
old acquaintances<br />
Russ Bovim<br />
while in town .<br />
Bernie Evens, MGM<br />
exploiteer, reports a gratifying amount of<br />
publicity in Wichita on "The Prodigal." They<br />
had two good newspaper breaks, TV and<br />
radio spots, and a supermarket's display<br />
of the Wheel of Fortune. He was also pleased<br />
to report that the Wichita Eagle is using a<br />
serialization of "The Blackboard Jungle."<br />
Ralph Morrow jr., now a private pilot for<br />
the Anchor-Hocking Glass Co. of Lancaster,<br />
Ohio, flew in for a weekend visit with his<br />
parents, Ralph Morrow sr., city salesman<br />
for Universal, and Mrs. Morrow. Ralph jr.<br />
was formerly a salesman for 20th-5'ox and<br />
a booker for U-I. The elder Morrows spent<br />
Easter in Quincy, III., where they got acquainted<br />
with then- new granddaughter .<br />
Mrs. EUeen Puhr, secretary to Larry Klein,<br />
office manager at Universal, is on a twoweek<br />
vacation celebrating her husband's return<br />
from two years with the armed forces.<br />
Jesse Clinich, assistant to the general sales<br />
manager in the Buena Vista New York office,<br />
and Tommy McMahon from the Salt Lake<br />
office were in Kansas City conferring with<br />
Tommy Thompson, local representative . . .<br />
Nemo Batrick accompanied Nick Sonday,<br />
Satisfaction — Always<br />
MISSOURI<br />
THEATRE SUPPLY COMPANY<br />
L. I. KIMBRIEL. Manager<br />
Phone Ballimoie 3070<br />
115 W. 18lh Kansas City 8. Mo.<br />
COMPLETE LINE OF CONCESSIONS<br />
EQUIPMENT AND SUPPLIES<br />
PDCHT MPKDM<br />
STAGE EQUIPMENT COMPANY<br />
aUiiim ULUiLim,<br />
general manager for Consolidated Agencies,<br />
on a trip to Wichita . . . Lydia Welborn,<br />
bookkeeper at National Screen Service, was<br />
hit by drunken drivers at 18th and Troost,<br />
with considerable damage done to her car<br />
and her nervous system.<br />
The Motion Picture Ass'n of Greater Kansas<br />
City has announced its annual spring<br />
dinner dance for Monday (23) at the Tomahawk<br />
Country Club. The affair is limited to<br />
members and their guests but visiting home<br />
office or exchange personnel from out of town<br />
will be welcomed. Harry Gaffney of Dixie<br />
Enterprises and Ralph Amacher of United<br />
Artists are co-chairmen . Hechtman<br />
says their business barometer at Capitol Flag<br />
& Banner Co. now points to MGM's "The<br />
Prodigal." He and Mrs. Hechtman will attend<br />
Parents Day at Columbia, Mo., where<br />
their son Elliott is a student at Missouri University.<br />
Paramount's short subject department head,<br />
Oscar Morgan, conferred with Manager Harry<br />
Hamburg and others . Bills, secretary<br />
to IFE division Manager Glenn Fannin,<br />
was up from Dallas to help Ralph Gregory<br />
set up the district office routine . . . Barry<br />
Bernard, RKO publicity representative operating<br />
out of Dallas office, was here several<br />
days setting up tieups for the "Harem Beauties"<br />
exploiting "Son of Sinbad." While in<br />
Kansas City they made personal appearances<br />
on KCMO-TV, modeled swimsuits at the<br />
Jones Store and selected Pontiac convertibles<br />
furnished by Smilin' Sam Schwartz to ride<br />
around the town. Smilin' Sam carried a display<br />
ad showing the girls in harem costumes.<br />
Missouri Theatre Supply has sold complete<br />
drive-in theatre equipment to Jay Wooten<br />
for his new South Hutch Drive-In at Hutchinson,<br />
Kas. This will have a capacity for 650<br />
cars and should open around June 15 .<br />
Norris Cresswell, manager of the Aladdin<br />
Theatre, reports remodeling which included<br />
new front doors and moving the boxoffice<br />
out front. Mrs. Alys Ameno, owner of the<br />
Aladdin who lives at Pittsburg, Kas., has<br />
been in town. Mrs. Ameno is also part<br />
owner of the A&A Electric Co. of Kansas<br />
City and Pittsburg which sells theatre<br />
equipment. Cresswell also reported finding<br />
of a partial plate, two teeth on platinum, at<br />
the Aladdin and about which no one has yet<br />
inquired.<br />
Jerry and Mrs. Dralie of the Drake Theatre<br />
at Bolivar, Mo., visited their son Jerry<br />
jr., who is employed in the A. V. Cauger<br />
Service Co. production department. The<br />
Drakes had just returned from a trip to<br />
Tulsa to visit their daughter. On the way<br />
to Tulsa, they stopped off to see Glenn Caldwell<br />
at Aurora, Mo. . Groves of Macon,<br />
general sales manager for the Cauger Co..<br />
and Glenn Boner, salesman for central Illinois,<br />
visited the home office In Independence<br />
. . . Mrs. Mildred Mccormick's Kar-Vue<br />
Drive-In at Reeds Springs, Mo., has been<br />
equipped for Cinemascope pictures.<br />
Columbia Division Manager Ben Marcus<br />
attended the annual meeting of the Allied<br />
Independent Theatre Owners of Iowa and<br />
Nebraska at the Hotel Savery in Des Moines<br />
Reed is the new assistant shipper<br />
at Columbia, replacing Bob Cloghley who is<br />
now booking at Paramount . . . Nancy Leavell.<br />
secretary to office Manager William Jeffries,<br />
T<br />
has resigned as of May 20 to marry Jli'<br />
Price, radio announcer on KFEE at Ottum<br />
wa, Iowa. The marriage will take place Ma<br />
29 in the Rosedale Christian Church. Lil<br />
Numaro, clerk, will replace Miss Leavell.<br />
Exhibitors seen recently on Pilmrow in
! Crest<br />
t<br />
. . Bob<br />
. . Syd<br />
. . The<br />
. . The<br />
. . Foster<br />
. .<br />
i the golfer's highest ambition and made<br />
lole-in-one recently at Santa Fe Hills<br />
Guy Bloom's Rex Theatre at Nevada, Mo.,<br />
i Ai't Pugh's Empress at Fort Scott, Kas.,<br />
]<br />
among the latest theatres to equip for<br />
:iemaScope.<br />
.<br />
Jretchen Brown was back on the job taking<br />
tation for Clarence Schultz, president of<br />
nsolidated Agencies, after recovering from<br />
gery Collier, manager of the<br />
ico Drive-In, walked the corridors at St.<br />
ry's Hospital recently where his third<br />
1 was born . Levy, National Screen<br />
vice salesman, traveled to Los Angeles<br />
a two-week vacation which took in the<br />
riety Club convention. Salesman Jack<br />
nningham has sold Ti-avel-Ad frames to<br />
Drive-In and the Fredonia (Kas.)<br />
[ive-In. They are fastened to the top of the<br />
: to exploit pictures. Kenny Clark, head<br />
(pper, returned from a two-week vacation<br />
1 Louisiana.<br />
im Witcher, MGM office manager, had a<br />
tjy time Sunday recently. His daughter<br />
J thy was confii-med and his young son John<br />
Ivid was baptized. A buffet dinner for relates<br />
was served that evening to celebrate<br />
t! occasion . . . Bud Truog, office manager<br />
B United Ai-tists' exchange, and wife left<br />
a vacation to New Orleans and other<br />
pees Bob Strowig reported his brother<br />
Olvin became father of a baby daughter<br />
RKO's short subject, "Taming the<br />
rently . . .<br />
(hppler," is being released at a very good<br />
tie with the Salk report on polio vaccine<br />
in the news.<br />
rjich<br />
BOWLING<br />
jCANSAS CITY—The final standing of the<br />
B.'n's Bowling League left the Shreve team<br />
^ the winner of the trophy. Members of<br />
t'' team were: Roger Zirfas, Joe Bondank,<br />
iinny Long, Raymond McKitrick and<br />
Iger Leaton. The final score:<br />
.'eom Won Lost Team Won Lost<br />
.reve's .82 42 Dixie 6SiA581/j<br />
ppers 73 51 Mode O'DoySl'/j 72*^<br />
mrow ?? 67 57 Jones Boys. 48 76<br />
onlev 651/2 SSVz United Film .43i/j 8OV2<br />
'he Women's League has two more weeks<br />
go.<br />
bopens at Neoga, 111.<br />
JEOGA, ILL.—The Neoga Theatre, closed<br />
see March 26, has been reopened by Kermit<br />
/ Bushur, under an arrangement worked<br />
t<br />
with a number of local merchants.<br />
THE'AVTRE EQUIPMENT<br />
442 N. ILLINOIS ST., INDIANAPOLIS, IND.<br />
"Everything for the Theatre"<br />
SELBYp^ SCREEN TOWERS<br />
SELBY INDUSTRIES, INC.<br />
1350 Ghent Hills Rd. Akron 13, Ohio<br />
Montrose (through Medino, Ohio) 6-7211<br />
EASY SIGNING—Evhibitors in thr M(;:\I office at Kansas City the other day<br />
found the task of signing for "The Trodigal" quite pleasant since the salesmen were<br />
the three pretty starlets who arc on tour for the film. The scene in left photo took<br />
place in Manager William Gaddoni's office. Left to right: Harley Fryer, Plaza, Lamar,<br />
Mo.; Gaddoni; Jolene Brand, starlet; Ernest Block, Civic, Sabetha, Kas.; Joan Patti<br />
and Darlene Engle, starlets, and Harry Hixon, Orpheum, Atchison, Kas. In right<br />
photo, Mrs. Marie Wilhemi, Norborne (Mo.) Theatre, obtains autograph of Miss Engle.<br />
INDIANAPOLIS<br />
pob Conn, 20th-Fox manager here, has been<br />
appointed central division leader for the<br />
company's Clean Sweep Drive May 15 through<br />
22. He went to Cincinnati Monday (2) for a<br />
meeting, accompanied by T. O. McCleaster,<br />
20th-Fox<br />
.<br />
central division manager .<br />
drive locally will honor salesman K. L. Dotterer,<br />
a veteran of 35 years service with the<br />
fii-m local Colosseum loge will hold<br />
its annual dinner dance at the Marott Hotel<br />
May 14.<br />
Marc J. Wolf, 'Variety International main<br />
guy, went to the Los Angeles convention,<br />
stopping at Las "Vegas on the way . . . Bea<br />
Wolf spoke on Variety's philanthropic work<br />
before a meeting of the Indiana Council<br />
of Women, arranged by Indianapolis<br />
Screen Council members . Gauker,<br />
MGM manager, was his own shipper temporarily,<br />
when head shipper Carlos Hill<br />
reported ill and the assistant quit. Help finally<br />
arrived from Cincinnati . . .<br />
Syndicate<br />
Theatres has closed the Mode at Columbus<br />
and Vogue at Elwood, claiming shortage of<br />
product. Both had stereo sound and wide<br />
screens. The circuit has other houses in these<br />
towns.<br />
.<br />
.<br />
Beverly Cain has bought the Palace at<br />
Owensboro, Ky., from M. E. Stevenson<br />
George L. Marks is the new owner of the<br />
Gaston at Gaston, formerly held by J. P.<br />
Janney . . Christina Burnett reports she<br />
will reopen the Idaho at Terre Haute, operated<br />
by Y&W for the past five years . . .<br />
Charles Mailers has sold the Roxy at Bluffton<br />
to a photographer, who will convert it into<br />
Other closings include the<br />
a studio . . .<br />
Palace, Fairmount, owned by Richard Cosby:<br />
Amuse-U, Jasonville, Bill Passen; Maumee,<br />
Fort Wayne, R. T. Fisher, and the Pixie,<br />
Indianapolis, J. B. Sconce.<br />
. . . Keith<br />
Mr. and Mrs. Paul Love, new owners of the<br />
Star-Lite Drive-In at Shelburn, held their<br />
grand opening with a free show<br />
Lee, manager of the Terre Haute Drive-In,<br />
reported thieves raided his concession stand,<br />
taking 12 cartons of cigarets and ten pounds<br />
of hamburger.<br />
Lilliane Montevecci, ballet star, will be<br />
headlined with Cyd Charisse in MGM's<br />
"Week-End at Las Vegas."<br />
Bob Hicks to the Landers<br />
Replacing Dick Powell<br />
SPRINGFIELD, MO.—Fox Midwest city<br />
Manager George Hunter has transferred Bob<br />
Hicks from the Kickapoo Theatre to managing<br />
the Landers. Dick Powell resigned as<br />
manager at the Landers to go into business<br />
for himself.<br />
Reopens at Dupo, 111.<br />
DUPO, ILL.—The 300-seat Dupo Theatre<br />
has reopened under new owner Marvin Stott,<br />
who took over the house April 24.<br />
RCA IN-CAR<br />
SPEAKERS<br />
^NEW LAMPS<br />
and POWER<br />
EQUIPMENT<br />
A<br />
MID-WEST THEATRE<br />
SUPPLY CO., INC.<br />
Cincinnati,<br />
Ohio<br />
INDIANA REPRESENTATIVE<br />
ED N. HOWE<br />
326 Arcadia Court<br />
Ft. Wayne, Indiana<br />
Kenmore 5180<br />
EXOFFICE :; May 7, 1955<br />
55
—<br />
Thanks to the thrift of employed Americans and<br />
the cooperation of 45,000 companies which have<br />
enrolled<br />
more than 8,000,000 men and women in<br />
the PayroU Savmgs Plan<br />
• Sales of E and H Bonds (H Bond is the current-income<br />
companion piece of the E Bond, sold only to individuals<br />
and purchased in larger denominations by executives) in<br />
1954 totaled $4.9 billion, a new peacetime record.<br />
• Sales in 1954 exceeded all redemptions in that year of<br />
matured E Bonds and unmatured E and H Bonds by more<br />
than $400 million— the highest net amount since 1949.<br />
• Cash value of E and H Bonds outstanding reached a new<br />
record high of $38.2 billion, a gain of $1.5 billion in 1954.<br />
• This $38.2 billion cash holding by individuals represents<br />
14% of the national debt. Never before has the national<br />
debt of our country been so widely held.<br />
These figures, far more effectively than mere words,<br />
tell the story of The Payroll Savings Plan—why it<br />
is good for America, why it is good for business. If<br />
you do not have the Plan, or if you have the Plan<br />
and your employee percentage is less than 50%,<br />
phone, wire or write to Savings Bond Division,<br />
U. S. Treasury Department, Washington, D. C.<br />
,The United States Government does not pay for this advertising. The Treasury Department<br />
thanks, for their patriotic donation, the Advertising Council and<br />
BOXOFFICE<br />
56 BOXOFFICE May 7, vH
I at<br />
I<br />
111<br />
f<br />
lien Hall Optimistic<br />
h Arkansas ITO Talk<br />
JTTLE ROCK -CU'ii Hall. Cas.svillf, Mo..<br />
ii the principal speakers at the Arkansas<br />
invention here this week, declared that<br />
:s being gi-adually shoved out of the<br />
mliiw. Speaking on "Successful Small-<br />
.\ 11 Operation," Hall said that he was<br />
.i.inistic over business in the future.<br />
High cost of lenses and high film rentals,<br />
Slid, were taking the extra profit exhibiiiought<br />
would be made when taxes were<br />
.1 off by the government.<br />
II. ill said that a small-town operation<br />
i.s entirely different from a large city<br />
nation, that arbitration on rentals was<br />
rosary in nearly all instances and that<br />
per cent usually was not enough. He<br />
litcl that if a small-town theatre were<br />
1! like a big chain, it would be broke in<br />
(la.vs. His best year, he said was 1952.<br />
Hall continued that he used to be able to<br />
.11 the doors and tell every day within two<br />
tliit-e dollars what the gross would be, but<br />
t any more.<br />
The question and answer forum brought out<br />
veral stunts for drive-in operation, such as<br />
.iiig away a fishing car and jalopy night.<br />
K. King, Searcy, told of buying a pony<br />
,th saddle and bridle in the spring and<br />
l^ing it away in October.<br />
Ed Martin, who had previously been named<br />
receive a certificate signed by Gov. Orval<br />
iibu.-, making him an official Ai-kansas<br />
aveler, was presented this award by Orville<br />
iieney, representing the governor.<br />
In discussion of concessions, one exhibitor<br />
id that selling dill pickles at ten cents each<br />
d also helped Increase the sale of popcorn.<br />
5ks High Court Review<br />
)n Order for New Trial<br />
WASHINGTON — The operators of the<br />
eenville. Miss., Center Theatre recently<br />
3uested the Supreme Court to review an<br />
der for a new trial in their antitrust suit<br />
ainst the major distributors, Republic and<br />
iramount-Richards Theatres.<br />
The appeals court ordered the new trial<br />
cause influence had allegedly been brought<br />
bear on the jurors, who decided in favor<br />
the exhibitors, and because the judge inucted<br />
the jury in a manner prejudicial to<br />
e distributors. Partner-exhibitors Joe<br />
jplebaum and Bertram Simms told the<br />
ipreme Court that the appeals court had<br />
red in ordering the new trial on these<br />
ounds.<br />
jThe distributors responded to the effect<br />
they were entitled to a new trial and<br />
l-ed some details of the operation of the<br />
eatre in support of their contention that the<br />
eatre's financial difficulties were not from<br />
ongful treatment by the distributors. They<br />
id that the plaintiffs began issuing rubber<br />
ecks while the theatre was still being built,<br />
ten paid the distributors rental with wortha<br />
checks, and eventually became liable for<br />
linquent income and admission taxes.<br />
lyde Cole Transferred<br />
PANAMA CITY. FLA.-Clyde Cole, foririy<br />
of Phenix. Ala., is new manager of<br />
e Panama Theatre. He managed two Mar-<br />
1 theatres in Columbus, Ga., before being<br />
insferred here.<br />
James Carbery Elected<br />
Arkansas ITO President<br />
K. K. King:<br />
LITTLE ROCK — Independent Theatre<br />
Owners of Arkansas elected James Carbery<br />
of Little Rock president<br />
for the new year<br />
in their convention<br />
here this week. K. K.<br />
King, Searcy, former<br />
president, was named<br />
chairman of the board.<br />
Other office rs<br />
elected were: Secretary-treasurer,<br />
Fred<br />
Brown, Port Smith;<br />
assistant s e c r e-<br />
tary-treasurer, Nona<br />
White, Little Rock;<br />
district vice-presidents.<br />
Orris Collins, Paragould; Bill Headstream,<br />
Batesville; E. W. Savage, Booneville; Charles<br />
Revey, Stephens; Roy Cochran, North Little<br />
Rock, and Sidney Wharton, Warren.<br />
Directors: Terry Axley, England; M. S.<br />
McCord, North Little Rock; Bartus Gray,<br />
Jacksonville; Jimmy Wren, Mena; Cecil Mayberry,<br />
Eureka Springs; Cecil Cupp, Arkadelphia;<br />
Carl Burton, Forth Smith, and Jeff<br />
Singleton, Marked Tree.<br />
Jim Carbery was named representative to<br />
Exhibitors Take Note<br />
When Stunt Backfires<br />
SAVANNAH, GA.—Here is<br />
a publicity stunt<br />
that backfired. Theatre managers take note.<br />
Motorists drove downtown the other day<br />
to find every metered parking space on the<br />
sound side of Savannah's Broughton street,<br />
for a space of seven blocks, occupied by new<br />
Dodge cars, each bannered profusely and<br />
stressing the merits of the car.<br />
Theatremen acquainted with publicity<br />
stunts of all kinds chuckled and had to<br />
admit it was a mighty good show. But not<br />
the merchants whose stores paralleled the<br />
parking spaces, nor the motorists who any<br />
day have a hard time finding a pyarking space.<br />
Police headquarters was beseiged with calls.<br />
Apparently there was no violation of the law;<br />
an employe of the motor company with a<br />
bag full of nickels patrolled the area, feeding<br />
the meters. But the police won out. They<br />
dug up an old ordinance which says it's<br />
illegal to use the parking space for display<br />
purposes. But not before the cars had a<br />
chance to be on display for about four houi-s.<br />
The motor company came out the following<br />
day with a preplanned full-page ad<br />
apologizing to the public for the inconvenience.<br />
But this didn't seem to ease the feelings<br />
of the motorists who had to hunt other<br />
parking spaces.<br />
Fire Destroys Princess<br />
MOUNT DORA, FLA.—Fu'e destroyed the<br />
Princess Theatre here and spread to adjoining<br />
buildings. All patrons in the filled house<br />
escaped without injm-y. The fii-e, which<br />
originated in a grocery store next door, was<br />
coaxed toward the theatre by the draft from<br />
the ventilating fan.<br />
JA.MK.S ( .AKKKin<br />
the National TOA Board of Directors, and<br />
B. F. Fusby was named legislative director.<br />
'Jungle' Ban Referred<br />
To Loew's Attorneys<br />
ATLANTA—Loew's, Inc., has called on its<br />
legal staff for advice on the banning here of<br />
"The Blackboard Jungle."<br />
The Atlanta censor refused to grant a<br />
permit for the showing of the film at Loew's<br />
Grand several weeks ago. Her decision was<br />
appealed to the Atlanta library board, which<br />
acts as an appeals board. They, likewise, refused<br />
a permit. A second look at the film by<br />
the library board got a second and emphatic<br />
"No."<br />
After the second tiu-ndown, Loew's in New<br />
York called upon the law firm of Troutman,<br />
Sams & Lockerman to look into the matter.<br />
The attorneys viewed the film at a private<br />
screening but declined comment until "they<br />
had time to think the situation over." They<br />
apparently wanted time to confer with the<br />
New York home office on what steps should<br />
be taken.<br />
The Atlanta censor previously was involved<br />
ii legal action over another hard-hitting<br />
drama, "Scarlet Street. " and agreed to permit<br />
the showing of that film after certain<br />
cuts had been made. She has banned a number<br />
of films in past yeai-s. but local showmen<br />
didn't think it wise to wage a court fight.<br />
Several of the showmen, however, have<br />
stated that the censor is not consistent in<br />
her rulings. She recently ordered the deletion<br />
ol the word "damn" from a British-made<br />
movie, overlooking all the while that "damn"<br />
was u.sed in a very emphatic way in a movie<br />
which played ai-ound Atlanta for several<br />
years entitled "Gone With the Wind." As<br />
many recall. Clark Gable made a speech<br />
toward the end of that film in which he<br />
said, "Personally. I don't give a damn!'<br />
'X0F7ICE :: May 7, 1955<br />
SE<br />
57
—<br />
Charlotfe WOMPI Plans Chanty<br />
'Jungle' to Adults Only<br />
Draws 300 in Memphis<br />
MEMPHIS—"Blackboard Jungle," banned<br />
by censors here at its original screening and<br />
later approved for showing to adult.s only,<br />
did 300 per cent in its first week. Other<br />
grosses were just average.<br />
Requests of film distributors and theatres<br />
to consider other banned pictm-es for showings<br />
to adults only, died for lack of an<br />
answer. The censor Iward said it had no<br />
such authority and Mayor Fi-ank Tobey said<br />
it was up to the board.<br />
Molco—A Mon Called Peter (20th-Fox), 3rd wl
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Will Make VOU Smile^Too !<br />
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EXOFFICE :: May 7, 1955 53
. . . Roy<br />
. . . WE<br />
. . The<br />
. .<br />
: May<br />
i<br />
CHARLOTTE<br />
phelma C'ulp, cashier at Warner Bros., has<br />
James Burton. RKO<br />
been home ill . . .<br />
booker, is going to marry Mary Sue Little from<br />
Hughes, Ai-k., on May 27. Burton came to<br />
RKO from Memphis in March . . . Roby<br />
Branon. RKO manager, and Dean Lynch,<br />
student salesman, made a trip to High Point<br />
to call on exhibitors . . . Bobby Lynch, MGM<br />
booker, and Jane Morrison were wed Saturday<br />
W. Frank Harris of Harris<br />
(30> . . . Theatre Sales came out in one of the ten<br />
places for election to city councilman in the<br />
primary. The runoff will be later this month<br />
Smart of Wilby-Kincey and Mrs.<br />
SERVICE<br />
and<br />
COURTESY<br />
For over 20 y'"'^<br />
OUR WATCH WORD<br />
ARC<br />
•CENTURY llVf^^°:i ^D SOUND .>IRWn« STRONG LAMPS<br />
CONCESSION EQUIPMENT AND SUPPLIES<br />
STANDARD THEATRE SUPPLY CO.<br />
215 E. Wellington St.,<br />
GREENSBORO, N. C.<br />
30 YEARS OF DEPENDABLE SHOWS<br />
H. G. ARENSON<br />
3450 SELWYN AVE., CHARLOTTE, N. C.<br />
\%<br />
Always A Pleasing BoxoHice Attraction<br />
Cinemascope<br />
Smart, accompanied by their daughter and<br />
grandchildren, went to Garden City for the<br />
weekend.<br />
.<br />
Helen Brunson, secretary at Wilby-Kincey.<br />
was in New York on her vacation<br />
Charlie Freeman, head of the booking department,<br />
became father of a baby gu'l . .<br />
.<br />
Around Filmrow buying and booking were<br />
Harold Hall. Dixie Drive-In. Columbia; Heyward<br />
Morgan. Plaza. Greenville: Steve Mitchell.<br />
Branwood. West Greenville: O. A.<br />
Kafer. Masonic. New Bern: Howard Ander-<br />
.son, Anderson circuit. Mullins: J. K. Whitley,<br />
Towel City Theatres, Kannapolis, and W. L.<br />
Parker. Gloria. Myrtle Beach.<br />
Catherine LeGrand resigned her position<br />
with Kay Films to go with the Charlotte<br />
City Coach Lines . wife of H. F.<br />
Kincey of Wilby-Kincey spent ten days in<br />
New York on a pleasure trip.<br />
The WOMPI installation banquet will be<br />
held May 24 in the Chelsea Room of the<br />
Hotel Charlotte, it was decided at the<br />
Wedne.sday (27) luncheon meeting, the first<br />
meeting for the newly organized sixth chapter<br />
of the national organization. According<br />
to Myrtle Parker, president, who presided,<br />
the committee planning the banquet Includes<br />
Pauline Griffith, Marjorie Baker and Gladys<br />
Hawkins. The County Home was also<br />
selected as the group project.<br />
Al Scruggs at Lake Wales<br />
LAKE WALES. FLA.— Al Scruggs. Tallaha.ssee,<br />
has taken over the managership of<br />
the Wales Drive-In. He relieved Leslie Pendleton,<br />
who is now devoting his entire time<br />
to the operation of the State Theatre.<br />
"1<br />
y^^ZA^<br />
THEATRE EQUIPMENT<br />
& SUPPLIES<br />
STEREOPHONIC SOUND<br />
CONCESSION EQUIPMENT<br />
i'<br />
& SUPPLIES<br />
WIDE SCREEN<br />
everything for the theatre except film<br />
wil-icin theatre supply, inc.<br />
f/<br />
T<br />
HART BEATS<br />
By HARRY HART<br />
\A7il-Kin Theatre Supply has designed am<br />
is furnishing the equipment for thi<br />
900-car drive-in being built by Storey The<br />
atres on Glenwood Avenue in Decatur. Ga<br />
Charlie Fortson said that it would be com<br />
pletely de luxe in its appointments.<br />
The same firm furnished Motiograpl_j;<br />
speakers and a new Olympic Cretors pop'q^<br />
corn macliine for Cletus Benton at his re' •*<br />
modeled Colonial Drive-In at Cleveland<br />
Tenn.. formerly known as the Cleveland<br />
South Eastern Theatre Equipment i<br />
furnishing the equipment and has designa<br />
the plans for the 1,000-car drive-in beini<br />
built by Georgia Theatres on South 41 High<br />
way. Atlanta.<br />
Bart Jones of Blevin Popcorn. Atlanta<br />
reports that he has sold a new Cretor<br />
Ambassador popcorn machine to Weis The<br />
atres at Savannah.<br />
;'<br />
Loui Strickland of Strickland Films i<br />
making a record number of theatre traileri<br />
and the plant was certainly humming whe:<br />
I<br />
called.<br />
J. C. Harwell of the State Theatre. Bessej<br />
mer. Ala., purchased Cinemascope equipi<br />
ment from Paul Jenkins. Wil-Kin salesmar<br />
John Payne is the new salesman for Dixii<br />
T!-patre Service in Atlanta.<br />
Johnny Sims is now traveling for Capitt<br />
City Supply out of Atlanta and is also as,<br />
sisting in the repair department. .L<br />
In Chattanooga. Charles E. Lynch, man'<br />
ager of the 41 Drive-In showed his mutil<br />
ated desk, which thieves really tore u,<br />
recently to get at the petty cash box. con<br />
taining about $50. In addition, they cleane<br />
out the cigaret machine.<br />
Charles, incidently, has a new daughtfj<br />
named Retta Jean.<br />
The Fincher circuit, of which the 41 Is<br />
part, has a cash night every Wednesda;']<br />
It had built up to $3,200. with still n|<br />
takers, so they divided it and drew untl<br />
they gave away $1,600. In addition, thi<br />
circuit in cooperation with Red Food Store'l<br />
is giving away a new Plymouth May 28,<br />
the 41 is really rolling along in showmanshi]j.<br />
Horace Abbott at the 58 Drive-In<br />
down with a throat infection, but said hi<br />
would be at the Tri-State convention. A<br />
the Martin Theatre in Calhoun. Ga.. Bil<br />
Blane has been sending telegrams to al<br />
local high school graduates. The wireif<br />
congratulating them and plugging the cuij<br />
rent picture, entitle the recipients to frej<br />
admission. Blane uses a lot of other gin<br />
micks. and is always thinking up new ont''<br />
to create interest in both the theatre anithe<br />
drive-in, which he also manages. ,.<br />
ft<br />
atlanffa, ga. • charlotte, n. c.<br />
:iOOKINC SERVICE<br />
135 Brevord Court, Charlotte, N. C.<br />
FRANK<br />
LOWRY — JOHN WOOD<br />
PHONE FR. 5-7787<br />
I<br />
IS YOUR BOXOFFICE SICK . . . ?<br />
CAN MAKE IT WELL.'<br />
,_, . _ CONTACT<br />
ATLAS PROMOTIONS & ADV. CO.<br />
Charlotte, N. C. Phone FR-62245—FR-60564<br />
At Dallas, Ga.. the Dallas was playinB"'"<br />
"A Man Called Peter" and people wei^^]^<br />
flocking into the small town to see it i ,|~-_<br />
such droves. I could not find a convenier;virjparking<br />
space. When I noticed the crowcjijl f<br />
in front of the theatre. I decided it was njf'',<br />
time for a gabfest so I just drove on homiHf<br />
Steve Allen, TV personality, will portra-,-.<br />
orchestra leader Benny Goodman in U-l| *Hl<br />
"The Benny Goodman Story."<br />
60 BOXOFTICE<br />
:<br />
7, 19!
. Marvin<br />
I mythical<br />
WCKSONVILLE<br />
ENTHUSIASTIC WORKSHOP ORLANDO<br />
,<br />
Mud" Chalman, ABC Theatrical Enterreported<br />
that Mr. and Mrs.<br />
^lungler, owners of the Gulf-to-Bay<br />
at Clearwater, were robbed of<br />
hundred dollars by two masked<br />
Skinner, booker at 20thiicnmpanied<br />
^<br />
Mrs. Skinner to Atlanta,<br />
she was to receive the attention of<br />
il specialists as a result of a back<br />
ton Parker, manager of the Brentwood<br />
tre, has retired from show^ business<br />
long career that began when she<br />
d as a cashier at the Imperial Theatre<br />
17. She was the first cashier employed<br />
le Florida Theatre when it opened in<br />
Becoming a full-fledged theatre manmany<br />
years ago, she is known to geners<br />
of local citizens as one who has<br />
re combined the attributes of a Southern<br />
Facing the camera is the staff of MGM's Jacksonville branch which did a splendid<br />
job in assisting Mike Simons with the Workshop at Orlando. Left to right. Bob C'apps,<br />
salesman; Charley Turner, salesman; Sarah Keller, booker; Fred Hull, branch manager;<br />
Janice Claxton, secretary; John Allen, salesman, and Max Stepkin. office manager.<br />
Missing was Jack Wiener, publicist who was working too hard to stop for the picture.<br />
with the sound busine.ss sense and flair<br />
howmanship that characterizes a sucll<br />
manager. Mrs. Parker has been suc-<br />
:d at the Brentwood by Bob Greenleaf,<br />
ORLANDO, FLA.—Some 228 Florida exhibitors<br />
were held spell-bound by the masterly Max Stepkin, office manager:<br />
Charley Turner, John Allen and Bob Capps;<br />
was promoted from an<br />
Sarah Keller,<br />
assistant's po.st<br />
exposition of show business presented by booker, and Janice eiaxton. secretary to Hull.<br />
e Florida.<br />
Mike Simons, MGM director of customer relations,<br />
and a fine group of panelists at the lined in compelling fashion a plan whereby<br />
In Simons' opening keynote talk he out-<br />
mard Allen, Paramount press aide, reid<br />
from Orlando, w'here he made arsments<br />
with commanding officers of last week (26).<br />
theatre by the merchants of Eucalyptus, Fla.<br />
MGM Ticket Selling Workshop held here each exhibitor can "institute a salute to your<br />
U. S. Air Force Base for cooperation All the panelists were outstanding showmen<br />
who gave generously of their time and<br />
ighout Florida in promoting local press<br />
of "Strategic Air Command" . . . speaking talents to bring inspirational messages<br />
on advertising, exploitation and mer-<br />
he earnestly and convincingly told how he<br />
y Crockett" promotional campaigns<br />
(Continued on following page)<br />
being set up here by Phil Conway of chandising to the exhibitors from all parts of<br />
a Vista . . Calling on booking agencies Florida.<br />
Bi were Byron Adams, United Artists, and The gathering was almost equally divided<br />
,0'Nicaud, Howco, both of Atlanta.<br />
between operators of drive-in and indoor A/ow at . . .<br />
theatres and between independent theatre<br />
owners and representatives of circuits. Nearly POPULAR PRICES<br />
all the managers of Florida State Theatres<br />
were present, and contingents were there from<br />
Taiga, Wometco, MCM Theatres. Floyd<br />
Theatres, Claughton, Bay-Lan Theatres,<br />
Dixie Drive-Ins, Stein Theatres and other<br />
circuits.<br />
STEREOPHONIC SOUND<br />
COCA-COLA RECEIVES CKEDIT<br />
The Coca-Cola Co. received great credit<br />
» VISTAVISION<br />
for its part in making a success of the workshop<br />
by supplying a steady stream of bottled<br />
• WIDE SCREENS<br />
cokes throughout the day and by providing a<br />
• delicious full-course<br />
WIDE luncheon which was<br />
SCREEN FRAMES<br />
served by efficient waiters to the guests who<br />
• ANAMORPHIC LENS<br />
were seated at two 100-yard-long tables running<br />
the length of the Coliseum.<br />
• PROJECTION LENS<br />
New<br />
1 p.m. 2 to 5 Orleans<br />
of show people gathered for informal discussions<br />
in hotels and under the marquees<br />
GET COMPLETE<br />
INFORMATION AT ONCE<br />
of Orlando theatres.<br />
It is not too much to say that the theatrical<br />
air of Orlando crackled with the enthusiasm<br />
fHE QUEEN<br />
EXTRA PROFITS from<br />
FEATURE<br />
generated by Simons and his high-powered<br />
DRIVE-IN THEATRE<br />
speaking team.<br />
SERVICE, Incorporated<br />
Besides Simons the main speakers were: INTERMISSIONS<br />
Complete Theatre and Drive-In Equipment Joe Jarvis of the Gilbert Stuart Theatre, Riverside,<br />
R. I.; Charles Kurtzman of Boston,<br />
91 2
. . Mrs.<br />
. . R.<br />
. . H.<br />
:<br />
May<br />
i<br />
i<br />
monarch! MEMPHIS<br />
Theatre Supply, Inc.<br />
Neil Blount<br />
492 So. Second St.<br />
Memphis, Tenn.<br />
COMPLETE LINE<br />
THEATRE EQUIPMENT and<br />
CONCESSION SUPPLIES<br />
TRI-STATE THEATRE SUPPLY<br />
320 So. Second St. Memphis, Tenn.<br />
RrS^ft<br />
V/ T L POPCORN<br />
TOP QUALITY<br />
ROY SMITH CO.<br />
TAMPA<br />
JACKSONVILLE<br />
.<br />
.<br />
Toe Davidson reopened his Owl Theatre at<br />
Marvell, Ark. Van Sadler has reopened<br />
her Rison Theatre at Rison, Ark.<br />
. . . R. P. Beith. whose Ferguson Theatre<br />
at Ferguson, Ark, has been closed for remodeling,<br />
has reopened M. Condra<br />
and J. H. Hart have purchased Century<br />
equipment for their new Warner Park Drivein.<br />
West Nashville. Condra and Hart also<br />
operate the Colonial and Bel-Air drive-ins<br />
at Nashville. The sale was handled by Tri-<br />
State Theatre Supply Co.<br />
.<br />
A baby daughter has been born to Mr,<br />
and Mrs. John Ferraris in Methodist Hospital.<br />
The father is in the shipping department<br />
at National Theatre Supply . . . H. G.<br />
Walden, the Bay, Red Bay, and Whyte Bedford,<br />
Ford Drive-In and Marion at Hamilton,<br />
were in town from Alabama<br />
Mis.sissippi came A. N. Ro.ssie,<br />
. . From<br />
New Roxie,<br />
Clarksdale, and Joe Davis, Globe at Shaw<br />
. . . J. W. Lyles, Kentucky Lake Drive-In,<br />
Benton, Ky., was in town on business.<br />
From Arkansas came John Staples, Carolyn<br />
and Fi-anklin, Piggott; K. H. Kinney. Hay,s,<br />
Hughes; E. E. Reeves, Palace, Oil Trough,<br />
and Marjorie Malin, Lura, Augusta . R.<br />
Epsy, Victory Theatre, Weiner, Ark., has<br />
contracted with Film Transit here to deliver<br />
Martha Graves reports<br />
and pick up films . . .<br />
that the Sunshine Theatre at<br />
Cherry<br />
Valley, Ark., has closed.<br />
Drive-In business was in full .swing with<br />
the arrival of ideal spring weather.<br />
yl makes coffee . . . 2/au make money with . .<br />
Coffee Making and Serving<br />
AUTOMATICALLY<br />
>/ No More Coffee Grounds<br />
^ No More Urn<br />
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V No More Upper Bowls<br />
Prosperous concession men everywhere now increase hot<br />
beveroge volume . . . build profits . . save time and labor<br />
with this sensational new, AUTOMATIC Coffee making and<br />
serving.<br />
Certoinly, here is the quick and easy way to make and serve<br />
hot, fresh, de-e-e-licious coffee full-bodied, extra<br />
. . .<br />
strength and always uniform . . . from one cup to 300 an<br />
hour. That "rare" COFFEE-er flavor is forever assured by our<br />
dark roast, superb hotel blend of 100% pure coffee.<br />
And look! In this revolutionary coffee-making equipment<br />
even the water inlet feeds and heats automatically by<br />
electric, thermostatic control. Yet, it is NOT A VEKDING<br />
MACHINE. Try it for a week, you'll never be without it . . .<br />
that's for sure.<br />
Cost? Believe it or<br />
making equipment<br />
ONLY cost is the<br />
your coffee.<br />
lot . . . NOTHING! AUTOMATIC coffee<br />
5 furnished of NO COST to you. Your<br />
offee you use . , . and you SAVE on<br />
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INVESTIGATE!<br />
This Equipment<br />
Costs You<br />
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• Fresh, hot coffee always ready<br />
• Serves up to 300 cups per hour<br />
• Positive portion control on a<br />
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• No stale or leftover coffee<br />
• Serves one cup or 300 as fast<br />
as you need it. No waste<br />
PAN AMERICAN COFFEE SERVICE<br />
809 Professional BIdg. Phone: 9-6843 (Emergency Union 6-0195)<br />
MGM WORKSHOP<br />
(Continued from previous page)<br />
had taken over a closed Rhode Island theatrr<br />
which was overrun by rats, and had cleane^<br />
it thoroughly and had built it into a profitabl<br />
center of community life.<br />
The next speaker, Kurtzman, gave a dynami<br />
talk in which he recounted showmanshi<br />
epi.sodes and experiences in a great caree!<br />
which has carried him from California t'<br />
the Middle West and on to Canada and Ne':<br />
England. He addre.ssed the audience as "fel<br />
low workers in the garden of what make<br />
our business sick and what makes it elicit<br />
and called for "an awakening of the dor<br />
mant ideas that lie in our subconsciou<br />
minds." He called for "up-to-date merchan<br />
dising of our theatres" and said the big jo'i<br />
of merchandising "is to do the extra-c<br />
ricular work of selling your theatre in ci<br />
munities which do not care if you are<br />
F>rotestant, a Catholic or a Jew if you<br />
on the level."<br />
In a second talk, Simons vividly illustral<br />
the importance of helping newspapermi<br />
with their jobs in order to win their frienq<br />
ship and to receive publicity breaks in ne»<br />
columns. He also pointed out the many avai!<br />
able tieups with television and said "we mu:<br />
sell what television is merchandising for us<br />
Simons next covered a subject that mar<br />
exhibitors considered the most constructiv<br />
message of the workshop, that having to c'<br />
with "employe morale" and courtesy an<br />
efficiency.<br />
"Theatres are on fire all over the counti<br />
with slipshod personnel," Simons declare<br />
"Lift their morale; make them proud of the!<br />
jobs; put stars into their eyes. Teach the;<br />
to adopt attitudes that will invite patro^<br />
I<br />
to talk about your current and coming aj<br />
tractions. Employe morale sells tickets. L<br />
your employes know that they're in a grei<br />
business."<br />
In the periods before and after tl<br />
luncheon, Judson Moses gave a lucid an<br />
complete description of how exhibitors CEj<br />
increase their profits by making use of tl.<br />
33 MGM promotion services and, most in<br />
partially, he gave them information on tli<br />
.securing of similar services from other motic<br />
picture distributors. In fact, Moses and ^<br />
the speakers spoke on the high level of sj<br />
industry workshop and did not confine it^<br />
MGM alone.<br />
Horace Denning, board chairman of li<br />
Motion Picture Exhibitors of Florida, into<br />
duced Bolivar "Curly" Hyde, who gave a bri<br />
message about the aims of the Southeaste<br />
Film Festi/al set for May 16-June 16, ai<br />
said that distributors are giving 100 per ce;l<br />
cooperation in the drive, including the pr<br />
jected spending of thousands of dollars<br />
key cities of the area.<br />
The first afternoon panelist, Wilfred<br />
Smith of Ledgewood, N. J., began his talk 11<br />
complimenting Florida drive-in owners (j<br />
their "high plane of operations." He ouj<br />
lined many suggestions for exploitation ai'<br />
for the selling of concession items.<br />
.<br />
The last panelist, A. J. Kalberer, gave<br />
picture of his operations in a town of 12,0<br />
persons, and described the workings of t<br />
Roy Rogei-s Riders Club, a matinee progra<br />
for children which he has conducted f<br />
'<br />
many years.<br />
Total Exports $39,082,772<br />
Exports of motion picture films and equi~<br />
ment totaled $39,082,772 in 1954, a gain of<br />
!<br />
per cent over 1953.<br />
62 BOXOFFICC<br />
:<br />
7, 19!
J. FRANCIS WHITE and JOY N. HOUCK present<br />
KENTUCKY<br />
€ RIFLE<br />
OFF y<br />
A<br />
WORLD PREMIERE<br />
PANORAMA THEATRE<br />
NEW ORLEANS,<br />
APRIL 27<br />
CHILL WILLS<br />
LANCE FULLER<br />
and JESS BARKER<br />
in<br />
attendance.<br />
Followed by<br />
100 THEATRE Pre-Release<br />
saturation booking in the<br />
New Orleans territory.<br />
Pre-Release opening<br />
MEMPHIS TERRITORY<br />
Strand-MEMPHIS<br />
May 6<br />
Center-LITTLE ROCK<br />
May 8<br />
KENTUCKY<br />
Pre-Release saturation booking<br />
now playing in 25<br />
THEATRES<br />
and Screenploy by FRANCIS CHASE Jr. and LEE J. HEWITT-Produced and Directed by CARL K. HITTLEMAN proouctic<br />
Colorful 40x60 illustrated at<br />
left plus everything from one<br />
sheets to twenty-four sheet<br />
for bang-up 'advertising<br />
campaign all in the de luxe<br />
Campaign Book.<br />
CONTACT YOUR HOWCO EXCHANGE FOR RELEASE DATE:<br />
LANTA<br />
10 CO EXCHANGE<br />
CHARLOTTE<br />
SCREEN GUILD<br />
NEW ORLEANS<br />
LIPPERT PICTURES<br />
MEMPHIS<br />
HOWCO EXCHANGE<br />
ay icaud<br />
93 /alton Street<br />
ho : Alpine 5688<br />
Scott Lett<br />
300 W. Third St.<br />
Phone: ED 4-6426<br />
H. F. "Babe" Cohen<br />
150 S. Liberty St.<br />
Phone: RA 9538<br />
W. C. "BiM" Kroeger<br />
410 S. Second St.<br />
Phone: 37-9976<br />
0:)FFICE :: May 7, 1955<br />
63
. . George<br />
. . WOMPI<br />
. . Bob<br />
. . The<br />
. .<br />
. . . Bob<br />
. . Alex<br />
Phone:<br />
: May<br />
I<br />
ATLANTA<br />
H. C. Cunningham is new owner of the<br />
Skiland-Drive-In, Woodburg. Tenn. . . John<br />
.<br />
L. Damm is the new manager of the Princess<br />
Theatre. Etora, Pla. For several years he<br />
owned his own drive-in theatre at West<br />
. Palm Beach, Fla. Roscoe, manager<br />
of Columbia, is doubling up while district<br />
manager R. J. Ingram and his wife enjoy<br />
a Caribbean cruise . . . William "Snake"<br />
Richardson and salesman Jimmy Bello are<br />
Florida's FIRST Supply House<br />
NEW ADDRESS . . .<br />
206 MEMORIAL HIGHWAY<br />
TAMPA, FLORIDA<br />
NEW PHONE . . . 8-5189<br />
NEW CONVENIENT PARKING<br />
for Our Customers<br />
Visit us at our new building<br />
UNITED THEATRE SUPPLY CORP.<br />
206 Mc<br />
Phone 8-5189<br />
Florida<br />
lo 1, Flo.<br />
SNOW-CONE MACHINE HDQS. |<br />
Snokettes . . .$75.00 up Echols $120.00 up J<br />
Polor Petes, used $150.00 up j<br />
Repair Parts All Machines i<br />
ATLANTA POPCORN SUPPLY ]<br />
146 Walton St. Atlonto, Go. i<br />
SPECIAL TRAILERS<br />
Qualiiy and Service<br />
Serving theotres in the South for 31 yeors.<br />
12 cents per word<br />
Lowest cost anywhere<br />
STRICKLAND FILM CO.<br />
220 Phorr. Road, N. E. Atlanta<br />
back from a business trip to Tennessee . . .<br />
Mrs. Polly Puckett and Miss Betty Landers,<br />
both of Allied Artists, now are members<br />
of WOMPI . ha.s agreed to sell<br />
papers in the forthcoming Old Newsboys<br />
Day drive sponsored by the Variety Club.<br />
.<br />
.<br />
The warehouse of National Theatre Supply<br />
Co. on Filmrow suffered $3,000 fire loss . . .<br />
Stan Kramer is new assistant manager of<br />
the Arcade Theatre, Jacksonville . . . Jerry<br />
Gold, president of Florida Theatre Owners,<br />
retm-ns to Florida after a meeting with<br />
Movie Festival committees in Atlanta<br />
Mose Lebovitz attended a meeting in Atlanta<br />
of stockholders of Independent Theatres of<br />
Chattanooga Moscow has received<br />
mention for topping employe collections<br />
ii^. the American Cancer Drive in the Fulton<br />
County area. Bob turned in $334.95 ... J.<br />
Lee Friedman, advertising executive representing<br />
picture houses here, is back from an<br />
Byron Adams retui-ned<br />
Oklahoma trip . . .<br />
from a Chicago convention, then went to<br />
Jacksonville to sing praises of "Marty," UA's<br />
new release.<br />
Dave Prince, RKO district manager, has<br />
completed a miniature railroad setup at his<br />
home. Children of Filmrow workers were invited<br />
O. A.<br />
out to see the installation . . . Gross, manager of the Central Theatre in<br />
Atlanta, is vacationing in Florida with his<br />
Sam George, veteran manager of<br />
wife . . .<br />
the Atlanta Paramount, has resigned . . .<br />
Curtis Meyes, former manager of the Roxy<br />
Theatre here, has been assigned to the Paramount.<br />
Johnnie Sims has been added to the<br />
sales staff of Capital City Supply Co. . . .<br />
Mrs. Faye Lenkeit has resigned from Allied<br />
to take up a new residence in Florida.<br />
MIAMI<br />
Cam Davis, local exhibitor, filed suit in<br />
federal court to force distributors to provide<br />
him with motion pictures at "reasonable<br />
prices." His civil action, seeking $75,000<br />
damages from United World Films, Inc., and<br />
four individuals, charged United and other<br />
distributors with joining in a conspiracy<br />
harmful to Davis since he began Independent<br />
Pictures last November. Davis claimed<br />
he tried to show 16mm films in Greater<br />
Miami hotels and motels but was unable to<br />
get a regular supply of films because of the<br />
actions of United. Bernard Lowenthal, Stanley<br />
Levine, Morris Bass and Jack Glasson.<br />
Davis asked for a jury trial of his case.<br />
The new Bard Theatre, formerly the Little<br />
River, made the neighborhood children feel<br />
right at home with a Saturday matinee.<br />
Happy, the Magic Clown, was on hand in<br />
person to add to the festivities.<br />
The Variety's Children's Hospital fund has<br />
passed the midway mark, according to Leo<br />
Adeeb. Committee of 1,000 chairman. Nearly<br />
$52,000 of the $100,000 sought has been deposited<br />
in the treasury. A plaque denoting<br />
membership in the committee is awarded to<br />
each contributor of $100 or more . . . Tickets<br />
are now on sale for the Marciano-Cockell<br />
heavyweight fight on big screen theatre<br />
television at the Carib, Miami and Capitol<br />
theatres of the Wometco circuit, only theatres<br />
in town so equipped. The Capitol is<br />
for colored only . weekend in Miami<br />
always has at least three late-night previews<br />
for local patrons, as well as the Town's<br />
regular owl show at midnight.<br />
NEW orlean:<br />
The Drive-In, Vicksburg, reopened Suniiy<br />
(1). The screen tower was damaged ly<br />
. . .<br />
high winds recentlj?- and owner Mrs. W. Poiir<br />
reports all dama|es repaired<br />
Mulina reopened his 300-seat<br />
w.K<br />
Rose Thea^,<br />
. . . Theajs<br />
Franklinton . Gounares of the Rcy,<br />
Mobile, reopened the Oakdale, Mobile, oi-a<br />
seven day operation, all double bills. Formiiy<br />
named the Roosevelt, the theatre had bin<br />
closed for several months<br />
Service closed the Rex at Eunice . . .:!.<br />
Solomon will reopen his Avenue, Tyler n,<br />
and close the Star. The Avenue has b;r<br />
closed for several weeks for alterations.<br />
Horace Falls, Falls Booking Service, Daljs,<br />
has assumed ownership of the Red R;r<br />
Drive-In, Texarkana, Tex., from Mrs. lut<br />
Ketchum . . . Darrell George has taken csr<br />
ownership of the Fi'ontier Drive-In, SulpHr,<br />
which was owned by P. Duplissey ... ay<br />
Thibodeaux closed the Dixie at Lewistfg<br />
Bixler, Paramount exploiteer, as<br />
in preparing for "Strategic Air Commaii"<br />
at the Saenger Theatre.<br />
Find Stench Bombs at Theatres<br />
BIRMINGHAM—Police suspect pranksji<br />
were responsible for stench bombs founcja<br />
three suburban houses operated by Wars<br />
Theatre Co., the Ensley, College and Fjfield.<br />
The theatres have had no labor troije<br />
according to officers.<br />
flLdl BOOKIOG OfflCf<br />
Experience Industry — Integri'<br />
ALBERT E. ROOK, Owner<br />
160 Walton st. n.w.<br />
teL alpine 8314<br />
p.o. box 1422<br />
atlanta, ga.<br />
NOW with TWO conYenier)t locations for<br />
BETTER than EVER service to you \<br />
DIXIE<br />
THEATRE SERVICE<br />
& SUPPLY COMPAN^<br />
YOUR BALLANTYNE DEALER<br />
1010 North Slappey Driv« 1 95 Walton Street, N.V!<br />
P. 0. Box 771 P. 0. Box 858 ;<br />
Albany, Georgia Atlanta, Georgia<br />
Phone: HEmlock 2-2846 WAInut 4118;<br />
I<br />
COMPLETE THEATRE EQUIPMENT & SUPPLIE.'<br />
Prompt, Courteous Service 'Round the Clock 1<br />
MOODY THEATREli<br />
^ADVERTISERSli<br />
BOX 559 TIFTON, GA.^^<br />
PRINTERS OF THEATRE PROGRM<br />
QUALITY WORK • PROMPT DELI' |<br />
64<br />
BOXOFFICE<br />
;<br />
7, ^S
lanager Is Cleared<br />
n Indecency' Tiff<br />
TAMPA. FLA.—A misdemeanor charge<br />
against William Schultz, manager of the<br />
iied<br />
ate Theatre, in connection with showing<br />
jarden of Eden" has been dropped by<br />
unicipal court.<br />
Schultz was at first charged with showing<br />
obscene motion picture. "Eden" was<br />
'i<br />
imed in a nudist colony near Lutz, Fla.<br />
the charge was amended to accuse him<br />
iter<br />
showing a film which hadn't been cleared<br />
lith either the National Broad of Review or<br />
lew York state censorship authorities.<br />
Ass'n City Attorney Twomey said he was<br />
:ithdrawing the accusation after studying<br />
S. Supreme Court rulings on censoring<br />
ims for reasons of obscenity. He said he<br />
id not think a prosecution ba-sed on the<br />
o-week showing of the film here would be<br />
)held in a higher court.<br />
[Defense counsel A. W. Brubaker contended<br />
le charges were based on legislation that<br />
blated both the U. S. Supreme Court and<br />
e state of Florida laws. The city's contenm<br />
that the film had not been approved by<br />
e National Board of Review or the censorip<br />
board of New York Brubaker declared<br />
valid, "because it was a delegation of power<br />
an outside source."<br />
'Municipal Judge Johnson dropped the case<br />
;ter the city attorney had recommended that<br />
tion. explaining that a Supreme Court rulg<br />
on a similar case made it impossible to<br />
osecute Schultz.<br />
IsitaVision Ready at Idabel<br />
tDABEL, OKLA.— Paramount's Vista Vision<br />
,s been added to facilities at the State<br />
leatre, according to Buddy Gotcher, maner.<br />
Boy Pinned Under Car<br />
At Airer Near Dallas<br />
DALLAS—A 12-year-old boy suffered possible<br />
internal injuries when pinned beneath<br />
a car recently at the Denton Road Drive-In.<br />
He was taken to Parkland Memorial Ho.spital<br />
where he was X-rayed for back or internal<br />
injuries.<br />
Donald Johnson, son of Claude Johnson,<br />
had gone to the show with Robbie May<br />
Chaver, 13. and her mother Addie and another<br />
unidentified girl. The youngsters left<br />
the Chaver car during the double feature<br />
to sit on the ground in the parking spot for<br />
autos on the third ramp near the .screen.<br />
They had an in-car speaker on the ground<br />
beside them as they watched the adventure<br />
film.<br />
Marvin Lee Calhoun, 16, and John M. Henson,<br />
16. drove into the airer, pulled into the<br />
spot where the three sat and accidently ran<br />
over the boy and the Chaver girl. The girl<br />
suffered a possible foot fracture.<br />
Calhoun, the driver, told accident investigator<br />
R. P. Hamilton that he did not see the<br />
children but that an unidentified girl jumped<br />
up beside the car immediately after he had<br />
parked and shouted that he had run over a<br />
boy.<br />
Winds Rip at Airer<br />
BONHAM, TEX.—Recent heavy winds did<br />
extensive damage to the Bonham Drive-In<br />
recently, leveling part of the fence, blowing<br />
down the sign and damaging the screen.<br />
Overhaul Denton House<br />
DENTON, TEX.—The Texas Theatre Is<br />
undergoing repairs and installation of Cinemascope.<br />
Gene Hughes, manager, says this<br />
work will not interfere with the programs.<br />
Bill Allison Join.<br />
At Kansas City Oiii<br />
KANSAS CITY—W. M<br />
AUi.<br />
sales engineer for The Oklanoii: .<br />
b r a ch o f l i n •<br />
N.itional Theaut .?uri<br />
|)ly. joined the Kaii^n-s<br />
City branch suit<br />
force on April 15 li.<br />
announcing Allison'^<br />
appointment. Arthur<br />
de Stef ano, branch<br />
manager, said this<br />
territory has been realigned<br />
to improve<br />
service, particularly to<br />
s:)uthern and western<br />
Kansas exhibitors.<br />
W. M. Allison<br />
This is the territory<br />
to which Allison has been initially assigned.<br />
He was born in Leadville, Colo., was educated<br />
in Denver and began his motion picture<br />
career in 1931 as a film salesman for<br />
MGM in the Wyoming territory. After his<br />
discharge from the navy in World War II,<br />
he joined NTS in Oklahoma City. For the<br />
past three and a half years he has been<br />
city manager of the J. C. Parker Theatres<br />
in Dalhart, Tex., specializing in exploitation<br />
for the two indoor theatres as well as<br />
the drive-in.<br />
Allison's married daughter lives in Texas<br />
and his wife and younger daughter. Sue,<br />
will remain in Dalhart until the end of the<br />
current school term, after which they will<br />
join him in Kansas City. A farewell dinner<br />
was given him by the Dalhart Rotary Club<br />
of which he was secretary-treasurer. His<br />
theatre staff presented him a handsome<br />
portfolio.<br />
The NTS Kansas City branch is in the<br />
western district under the supervision of<br />
Lloyd C. Ownbey, vice-president, who assisted<br />
in making the arrangements for Allison<br />
to rejoin National.<br />
HURRY! HURRY! HURRY! HERE COMES THE<br />
3 HIN& C<br />
RCUS<br />
PARADE OF BARGAINS/<br />
AN UNUSUAL<br />
GIMMICK FOR<br />
A CO-OP AD<br />
Dole Thornhill, an accomplished<br />
ad artist who manages<br />
the Fox Capitol Theatre<br />
in Benton, III., encountered<br />
no difficulty in getting<br />
merchants to go along with<br />
the full-page co-op ad<br />
shown herewith. Thornhill<br />
did not depend on the attractive<br />
od layout alone, but<br />
added o contest gimmick,<br />
offering passes to persons<br />
who added all the numbers<br />
appearing on the page and<br />
sending in the correct total<br />
to his office. The apparent<br />
easiness of the gimmick resulted<br />
in many responses.<br />
Civic Theatre Suffers<br />
Five Thefts in Year<br />
SAN ANGELO, TEX.—For the fifth time<br />
this year, burglars made a clean sweep recently<br />
at the Civic Theatre here, with a<br />
tuxedo, a full dress suit and some tools as<br />
loot. Not content with that, they also WTecked<br />
a wire recording machine.<br />
This time the thieves entered by using a<br />
jimmy bar left at the scene, but officials at<br />
the theatre said that each entry had been<br />
by different means, through windows, the<br />
front door and skylights.<br />
John P. Kaufmann, 72, Dies<br />
NEW BRAUNFELS, TEX.—John P. "Jack"<br />
Kaufmann. 72. former theatre oi>erator, died<br />
here in the New Braunfels Hospital following<br />
a lingering illness. Kaufmann was born Jan.<br />
17, 1883, at Wrightown. Wis., and moved here<br />
in 1915. He bought an interest in the old<br />
Seekatz Opera House and another theatre and<br />
operated them for many yeai's. until failing<br />
health caused him to retire. At one time, he<br />
had control of the Blanco Theatre, Blanco.<br />
He is survived by his wife, a son. a daughter,<br />
four grandchildren, a brother and a halfbrother.<br />
Peter Hanson will portray a detective in<br />
Warners' "The Darkest Hour."<br />
B (OFFICE : : May 7. 1955 sw 65
11^<br />
Small Blaze at Citrus<br />
SAN BENITO, TEX.—Firenaen answered a<br />
call to the Citrus Drive-In recently, but the<br />
blaze didn't amount to much. It was a<br />
shorted wire under the hood of a car-, which<br />
was controlled easily.<br />
SLSULSLJLSLSLSLSUUUUUUlSLSLSLaJUiSiJ3-SJJI.9 .<br />
i.<br />
DRIVE-IN<br />
PAPERBOARD<br />
DISPOSABLE<br />
TRAYS<br />
AUTOMATIC POPCORN CARTONS<br />
NOISELESS POPCORN BAGS<br />
JUMBO PEANUTS,<br />
ROASTED<br />
RAW &<br />
STAR POPCORN MACHINES &<br />
FOOD SERVING EQUIPMENT<br />
RUSH HOUR, GOLDEN HULLESS.<br />
SILVER HULLESS & POP KING<br />
HULLESS<br />
POPCORN.<br />
In 50 lb. and 100 lb. bags.<br />
Send for price list of all supplies.<br />
^ PRUNTY POPCORN DIVISION<br />
620 N. 2nd St. St. Louis 2, Mo.<br />
Popcorn Processors—In our 81st year.<br />
JrroTrrTTTirrrinrrBTrrTnrrjrBTrrrTrirs<br />
^0^<br />
fl.<br />
FOR<br />
'Give Branch Managers Full Power<br />
To Solve Small Theatre Problems<br />
INDIANAPOLIS—A great many of the<br />
problems confronting small theatres could be<br />
settled immediately if all branch msinagers<br />
were given "real and complete autonomy" in<br />
dealing with the smaller exhibitor. Allied<br />
Thefttre Owners of Indiana declared in a<br />
bulletin to members.<br />
A nine-point argument in favor of solving<br />
problems on a local-level approach was pre-<br />
.sented by the Allied group.<br />
Declaring that the ATOI board of directors<br />
was seriously concerned about the state of<br />
industry relations that has grown out of the<br />
growing controversy over film rentals and<br />
sales policies, the bulletin said that the intraindustry<br />
attitude being created by the quarrels<br />
is harming the entire industry, "even those<br />
who are fortunate enough to be doing business<br />
on a mutally satisfactory basis."<br />
The following arguments were listed in<br />
favor of decentralization of authority in case<br />
ol small theatres:<br />
1. The most numerous and most acute problems<br />
in this controversy arise from the small<br />
situations.<br />
2. Outside of the industry the voice of the<br />
small exhibitor is not minimized in proportion<br />
to his financial contribution to the company's<br />
revenue. In many fields his influence<br />
in greater than that of his more prosperous<br />
brother exhibitors.<br />
DRIVE-IN<br />
THEATRE<br />
CONSTRUCTION<br />
PHONE WRITE WIRE<br />
3. Revenue-wise, this class of theatres contributes<br />
relatively little of the over-all film<br />
"^<br />
GRIFF/((,^<br />
^<br />
CONSTRUCTION CO.<br />
^<br />
BOX 1358 ABILENE. TEXAS PHONE 4-9383<br />
rental income so that they would be riskg<br />
little by delegating authority on their des.<br />
4. The fact that the local branch mana^r<br />
has intimate first hand knowledge of the<br />
theatres from his own observations ma^j<br />
him better equipped to handle them tin<br />
even a more experienced person from a ;-<br />
mote distance. When a local man discu:;s<br />
overheads he can personally observe the li.d<br />
and quality of equipment, theatre person;!,<br />
etc.<br />
5. His first hand knowledge extends to s;h<br />
matters governing gross potentials as aa<br />
economic conditions, theatre operating poly,<br />
housekeeping, exploitation, etc.<br />
6. Very importantly, in addition to is<br />
visual evidence, the local manager has is<br />
opinions regarding the personal charaer<br />
and integrity of the individual with wlm<br />
he is dealing.<br />
7. Fleeing home office executives of (icern<br />
with these thousands of small accoiits<br />
would free their time and effort to be e-<br />
voted to the big money situations.<br />
8. Deviation from fixed policies in deaig<br />
with this class of theatres would not jeo]rdize<br />
such a policy in other areas or claes<br />
of theatres. Multiple situation owners \th<br />
theatres in more than one exchange aredo<br />
not now automatically succeed in getng<br />
"best" terms from every branch. Nor is he<br />
resourceful branch manager limited to ne<br />
alternative in negotiating a deal diffenl<br />
from "policy." In other words, a 50 per nt<br />
picture does not have to become a 40 per .nt<br />
picture or a 30 per cent picture in ordeto<br />
work out a mutually fair deal.<br />
9. In spite of all the distributor-exhilar<br />
misunderstandings and controversies, the ii<br />
still a pretty good, solid, amicable relatnship<br />
where people deal face to face and »-<br />
son to person. That can be built on, andioi<br />
destroyed, if negotiations can be compl«a<br />
on that level with complete latitude wit ml<br />
regard to "policies" or over-riding directes.<br />
Shamrock Costs $35,000<br />
LAVERNE, OKLA.—Construction of ;he<br />
new Shamrock Drive-In has been compted<br />
at a cost of near $35,000, including equipnnt.<br />
The first drive-in in Harper County, itiiS<br />
built by Mr. and Mrs. Ermel Lee CHeruad<br />
is being managed by Darrell and Ed Richrdson.<br />
Construction was by the Price «el<br />
Building Construction Co. of Buffalo, M<br />
equipment installations were made by Hi^ell<br />
Theatre Supply of Oklahoma City.<br />
Moody Fans to Airer<br />
MOODY, TEX.—The Dixie Drive-IiOn<br />
Highway 36 is supporting a motion piiUte<br />
seven nights a week. Since the Palace c^ed<br />
down in Moody, one can tell the diffatice<br />
on the streets after sundown, especially<br />
Saturday night.<br />
We now have construction crews working in following states:<br />
TEXAS KANSAS OKLAHOMA<br />
NEW MEXICO COLORADO CALIFORNIA<br />
Goes Back to Exhibition<br />
AMHERST. TEX.—Lloyd Hutchins, fclH<br />
manager of the Center Theatre in Ke:|i<br />
Ark., is now operating the 84 Drive-In<br />
I<br />
He has installed widescreen and Cinjn<br />
Scope.<br />
66 BOXOFFICE May 71955.
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b'WXOFFICE : ; May<br />
7, 1955<br />
67
—<br />
;<br />
EASTERN OKLAHOMA<br />
By ART LAMAN<br />
•PHE new twin Admiral Diive-In opened to<br />
fine business. This gives Tulsa the largest<br />
and only twin drive-in of Oklahoma.<br />
Bob Getter is feeling better all over, since<br />
the remodeled Criterion at Sapulpa has that<br />
complete new look— it's one of the finest in<br />
the entire Video chain.<br />
seats.<br />
Made a short visit in Marlow the other day<br />
and sold O. L. Smith fireworks for the Longhorn<br />
Drive-In. Smith al.so has the downtown<br />
theatre, the Almo. While there, had a<br />
good chance to see some mighty fine projection.<br />
The widescreen is only 23 feet across,<br />
but due to the ratio it looks much wider than<br />
it really is.<br />
Out at the Longhorn, bingo night on Tuesday<br />
pulls in a lot of extra customers.<br />
Picked up a story over in Joplin, Mo., the<br />
other day. It seems "William Bendix and<br />
Robert Lowery, who are appearing in the<br />
stage play, "The Caine Mutiny Court-Martial,"<br />
failed to show up for a date in Springfield,<br />
Mo. When they started to unload to<br />
play the Auditorium at Joplin, the sheriff<br />
showed up with an attachment on the show<br />
for $1,700 the Springfield promoters claimed<br />
they lost. The show had to put up a $2,000<br />
bond in order to play the Joplin engagement.<br />
While in Joplin, went out to see my good<br />
friend Howard Larson and got a nice bit of<br />
information from this live-wire operator. Last<br />
year he shot a nice fireworks show at his<br />
Webb City Drive-In on a Saturday night,<br />
and turned away some 300 cars, .so he decided<br />
to bang up another show on Sunday the 4th,<br />
and also did a turnaway business. Howard<br />
is one fellow who doesn't fool 'em with his<br />
COOD<br />
Q\}l€M TIMB.<br />
ORDER YOUR NEXT<br />
SPECIAL<br />
TRAILER<br />
WITH CONFIDENCE<br />
FROM<br />
PO OLD DEPENDABLE<br />
fireworks—he puts on a darn good show every<br />
time—and he allows it pays off to do it<br />
just that way.<br />
Mrs. Ray Miller of Tulsa has taken over the<br />
Grotto Theatre at Turley. This theatre was<br />
acquired some four months back by John<br />
Bradley, also of Tulsa.<br />
Business-getter Eddie Jones, boss of the<br />
Down in Shawnee, Johnny Jones, who Sand Springs Drive-In, is now sporting a new<br />
ramrods the theatres in that town for Video, air conditioned Nash Rambler. It's a darn<br />
says they will have to get oxygen tanks for dandy, we know, because this writer has<br />
some of the fat people who have to climb the one also, only ours is not air conditioned.<br />
stairs to his office in the Hornbeck. It's some Eddie has done a fine job in building up his<br />
haul I know—I've made it a few times. playground, has nine rides and devices, a<br />
In Muskogee we caught the Proctor boys ferriswheel, merry-go-round, train, swings<br />
hustling extra business. That, however, is and a number of others to entertain the small<br />
only keeping things normal. Their current fry. One of the things we like the best about<br />
stuiit at the Broadway theatres is boosting this playground is the area set aside for the<br />
May as Movie Month with plenty of fancy parents—chairs inside a fence with plenty<br />
lobby displays. The top feature of the campaign<br />
is having the ticket sellers man the picture and also keep an eye on Junior. It's<br />
of speakers so Mom can see and hear the<br />
boxoffices early for a very special ticket deal a nice arrangement.<br />
four tickets to any of the Broadway theatres<br />
are offered in strip form for the price of three.<br />
It's a good stunt and is selling some extra<br />
We've had quite a stew in Oklahoma the<br />
last few days, Johnson Murray, former governor,<br />
wrote a story for the Saturday Evening<br />
Post, "Oklahoma's in a Mess," and it<br />
has really got 'em talking. Some say he's<br />
right: most of the politicians say he's wrong.<br />
But, anyhow, one of the TV stations, never<br />
overlooking a chance, has cranked up a contest<br />
for anyone who wishes to enter—it's the<br />
pro's against the con's. Who wins is anyone's<br />
guess. It will be fun to read some of the<br />
entries that come in.<br />
New drive-ins are still going up around<br />
Oklahoma. The latest is a 230-speaker job,<br />
just opened on U. S. 59 a mile and a half<br />
west of Grove. The job has a 60x30 screenall<br />
car ramps look up hill to the screen. An<br />
extra large concession stand has been installed,<br />
but playground equipment will be<br />
added later in the season. Gallen Kamp and<br />
Gene Vassar are the owners. Kamp for years<br />
operated a grocery in Miami, and Vassar<br />
has been boothman with Video Theatres of<br />
that city. The opening was set for May 29.<br />
Di'opped in on the Ozark jubilee promoters<br />
at Springfield, Mo., last week and took in<br />
the new setup at the Jewel Theatre, which<br />
has been converted into an up-to-the-minute<br />
TV theatre. No doubt many of our readers<br />
catch the Red Foley one-hour TV show on<br />
the ABC hookup each Saturday night. If so,<br />
you no doubt noticed one thing—when the TV<br />
cameras pick up the theatre auditorium all<br />
seats are filled and the house is SRO, which<br />
just goes to show, there's money in them<br />
thar hillbillies.<br />
In EI Reno we ran on to a first. At this<br />
spot west of Oklahoma City we stayed over<br />
night at the very old hotel, and the room was<br />
equipped with a bathtub with the drain hole<br />
right in the center of the tub. How many of<br />
you readers ever saw one? This must have<br />
been made about the time David Crockett<br />
was in Oklahoma.<br />
Had a fine visit with Red Slocum next<br />
morning. Red took us out to see the now<br />
BUFFALO COOLING EQUIPMENT<br />
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completed Coliseum, which he had a gn,<br />
part in obtaining for El Reno. The build<br />
now being used for events, just receily<br />
having played an indoor circus sponsored'y<br />
the Kiwanis Club. Reports from the C|lj<br />
president say it was a great suscess. '[g<br />
more people they get out for these eve.^<br />
the more are dragged away from the TV sis<br />
Another thing Red showed us was<br />
f^<br />
Lanman Machine Works, where we i^<br />
Guy Lanman who has developed a new t|(<br />
of teeter board for schools and playgrouik<br />
This device has a great many features t^\<br />
spell safety in large letters. In fact, t|<br />
copyrighted name of the device is Safe}".<br />
Totter. One of the first of the finisk<br />
boards will be installed in Red's Drive-In, M<br />
Red has promised to give us a first-hand<br />
port in the very near future. To this writej^<br />
looks as if Lanman has made a new<br />
fine contribution to the kiddy playgroundil<br />
drive-ins and other places where chiWJ<br />
gather to play.<br />
It's always a pleasure to visit with<br />
Slocum: he's a guy who likes a good laug-^<br />
a right important thing to any man in tl|<br />
days.<br />
The world's finest lamps have been<br />
stalled in the new side, Ashcraft Ciji<br />
The Admiral can now show any type'd<br />
picture, can produce any type of sound, wl;h<br />
makes this one of the top movie spot;in<br />
Oklahoma.<br />
Alex, always promotion minded, has crarfed<br />
up his famous money sale for May 3. He's<br />
the way this stunt works: The first 100<br />
people who visit the theatre can purely<br />
an envelope at the concession stand, (Ch<br />
envelope containing from $1 to $10. The fee<br />
of the envelope is only 95 cents, so ever:ne<br />
who buys wins, at least 5 cents. It looks li' a<br />
good stunt and .should create a lot of intest.<br />
The Roundup Gang, western and hillUy<br />
stage show which has played to a lot ofuU<br />
seats during the last six months, has 3W<br />
been closed for development of a plan or<br />
drive-ins and open air spots. The new ea<br />
may be ready about the middle of May.<br />
The baseball season is now getting uler<br />
way and the sand lots will start keepii a<br />
lot of kids away from the movies, and adts,<br />
too. Fishing weather and more watei in<br />
our Eastern Oklahoma lakes also takesits<br />
toll over the weekends. Some of our lire<br />
progressive theatre operators are crankinup<br />
new ideas to upset these many pulls Dm<br />
the boxoffice.<br />
All of the drive-ins are preparing f a<br />
big Fourth. Some will shoot firework; on<br />
Saturday, some on Sunday and others 411<br />
hold their big night on Monday, the Foi.th,<br />
The Down-Town Theatres have adopt a<br />
policy of moving the bigger pictures /er<br />
to the Rialto for a holdover run. This pio<br />
has built up some good gross busines at<br />
the Rialto.<br />
Will be getting along now . . . making lUas<br />
to get out among 'em again during the (ining<br />
week and will give you people that -ay<br />
at home a rundown on what the twr<br />
fellow is doing around and about.<br />
Sue Houston Manager<br />
HOUSTON, TEX —Phil Isley, owner OJhe<br />
Capitan Theatre, is being sued for $i:'00<br />
The suit charges that Betty Joe Welwright's<br />
leg was injured when a firecrtKr<br />
exploded beside her seat in the theatre|a»t<br />
December 26.<br />
68<br />
BOXOFFICE<br />
:<br />
: May<br />
7, 9S5
I<br />
I<br />
I<br />
. . The<br />
. . G.<br />
. .<br />
. . Thoma.s<br />
. . Grover<br />
. .<br />
iAN ANTONIO<br />
.<br />
series of spot announcements were used<br />
" on local radio and television stations to<br />
jig the opening Thursday i28i of "Gangjitpi-s"<br />
at the Texas Theatre W.<br />
n has turned his neighborhood Sunset<br />
n all-Spanish theatre, showing only<br />
.<br />
•Hires made in Argentina and Spain<br />
I30R-TV. San Antonio Spanish-language<br />
vevision station, is scheduled to start its<br />
>.i test pattern May 15.<br />
('. Lyles, Paramount studio, Hollywood,<br />
A.<br />
first Cinemaiope<br />
IS in town recently attraction to<br />
.<br />
be shown on the new<br />
descreen of the Josephine was "The Prince<br />
Players" Zachary Scott was due here<br />
. . .<br />
lis week to promote "Shotgun" at the<br />
Eph Charninsky, Southern Theai<br />
Co. president, was in I'.tec<br />
New York City<br />
iiere he was elected to the board of direcrs<br />
of the National Jewish Welfare Board.<br />
. . . Manager<br />
'William E. Heliums, Austin city manager<br />
r Interstate, is a patient in Peter Bent<br />
•igham Hospital, Boston<br />
.)mmy Powers of the Texas has a Marine<br />
irps Industry and Friendship award plaque<br />
,isted in the inner lobby of the theatre.<br />
j)mmy was with the Marines during World<br />
ar II . . . Over 35 contestants participated<br />
the talent show sponsored by the Edu-<br />
.tional Guidance Ass'n at the Alameda<br />
Saturday midnight. Proceeds from the owl<br />
stage attraction went to a .scholarship fund<br />
for a local school.<br />
Tom Sumners booked "20,000 Leagues Under<br />
the Sea" as the initial attraction for<br />
his new Cinemascope widescreen at the Hi-<br />
Ho . W. Nickelson, who was<br />
connected with a local theatre chain .several<br />
years ago, has been appointed general manager<br />
of the Midtown RoUerdome here .<br />
Herbert Pickman, explolteer for Warner<br />
Bros., was a recent visitor at the Interstate<br />
office here . McDonnell,<br />
20th-Fox representative, Austin, was calling<br />
on local exhibitors.<br />
Shutters at Van Alstyne<br />
VAN ALSTYNE, TEX.—Too little patronage<br />
has brought about closing of the Royal Theatre<br />
here. Roy Muse, owner, purchased the<br />
house about a year ago from former owners<br />
who were suffering from lack of patronage.<br />
Muse had remodeled the theatre, installed<br />
new equipment and had been showing many<br />
late films. He owns theatres at Piano and<br />
Wolfe City.<br />
Equipment Exports Increase<br />
Exports of projection, sound and studio<br />
equipment, also cameras, during 1954 were<br />
valued at $14,470,800, about 23 per cent higher<br />
than in 1953.<br />
PLANNING FOR 'SHOTGUN'—Zachary<br />
Scott, left, star of Allied Artists'<br />
"Shotgun," callK on Ed Morey, vice-president<br />
of AA, at the New York home office.<br />
They are discussing personal appearances<br />
for openings of the picture in Texas and<br />
Oklahoma.<br />
Screen Is Air Expressed<br />
BUFFALO, OKLA.—Don Cole, owner of<br />
the Bi.son Theatre, had a widescreen air expressed<br />
here at considerable cost because<br />
regular transportation would not get it to<br />
Buffalo on schedule. He says the Bison has<br />
the only silver vinyl plastic radiant screen of<br />
its<br />
kind in Oklahoma.<br />
Fastest Switch In Soft Drink History<br />
63% more theatres now vending Pepsi than one year ago.<br />
And here's why Pepsi is the right choice for your theatre.<br />
iVIORE<br />
iVIORE<br />
DRINKS PER GALLON<br />
PROFIT PER DRINK<br />
Pepsi profit tops all nationally advertised and nationally<br />
available cola syrup lines. Pepsi's syrup price is<br />
the lowest of any nationally advertised cola—far<br />
lower than the nearest comparable cola. Add extra<br />
profits from Pepsi's extra drinks—128 drinks per<br />
gallon, compared with 115 for the nearest comparable<br />
cola.<br />
PEPSI IS AMERICA'S FASTEST<br />
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Write for full details. We'll be around to discuss<br />
mm<br />
this important subject with you.<br />
sterling Sales & Service, Inc.<br />
Theatre Equipment Supplies & Service<br />
Phone PR-3191 • 2019 Jackson Street • Dallas, Texas<br />
3X0FFICE : : May 7, 1955
. . with<br />
TV Can'f Challenge Motion Pictures<br />
On Color, Phiico Scientist Says<br />
DALLAS<br />
CHICAGO—In the field of color, the leadership<br />
held by motion pictures over television<br />
has yet to be challenged, Donald G. Fink,<br />
director of research for the Phiico Corp., contended<br />
in a technical paper presented<br />
The ppfi Cctn iHaH says<br />
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GENIUS OF LOVE<br />
at a night session to the Society of Motion<br />
Picture and Television Engineers at its 77th<br />
semiannual convention at the Drake Hotel in<br />
Chicago. Fink placed the responsibility oi<br />
rapid progress squarely on the television<br />
engineer.<br />
According to Fink, the distinction between<br />
television and the movies is the degree of<br />
control available in the distortion of chromaticity.<br />
"In this respect, at least for the<br />
time being, photography wins," said Fink.<br />
He pointed out that the advantage held by<br />
motion pictures is in the fact that the manufacture<br />
of film and its processing are much<br />
more standardized than the corresponding<br />
processes of signal generation and transmission<br />
in color television. "The producer of<br />
movies," he stated, "more often sees what he<br />
wants in the color values displayed by release<br />
prints than does the producer of color television<br />
on the monitor screen."<br />
Fink warned that "time will bring the two<br />
media closer in this more important matter of<br />
pleasing color rendition, provided the needed<br />
improvements in color television are recognized."<br />
He expressed the opinion that the television<br />
industry soon will face a situation that has<br />
faced the automobile industry in recent<br />
months; a highly saturated market with<br />
buyers looking for something better, in looks<br />
and performance, than they now have. Fink<br />
said if his hope is realized, the television<br />
industry will respond as the auto industry<br />
has responded . a steady upgrading<br />
of performance, accompanied, if necessary, by<br />
a corresponding upgrade of price.<br />
During the same period. Fink {Minted out.<br />
the motion picture industry will not be<br />
standing still. He added, "Enjoying freedom<br />
in system standards, the movie industry will<br />
continue its forays into territory not likely<br />
to be invaded by a television system bound<br />
by the confines of compatibility."<br />
Fink announced he foresees two results:<br />
engineers and physicists who understand<br />
color will enjoy steady employment, and the<br />
public will enjoy the show.<br />
'Dry Martini' as CS Musical<br />
John Thomas' "Dry Martini" will be produced<br />
as a CS musical for 20th-Fox release.<br />
HANDY SUBSCRIPTION
'<br />
Eddie<br />
. . "East<br />
. . Stanley<br />
. . Work<br />
.<br />
.<br />
. . Variety<br />
. . Manager<br />
1 O U S T O N<br />
;<br />
. . . Russell<br />
ifarly" will open its first out-of-New York<br />
.allowing at Loew's State May 12, accordto<br />
Manager Homer McCallum. To be<br />
If of that date, "The Pi-odigal" has been<br />
.t back for a May 19 opening<br />
j)vim, district manager of Loew's, arrived<br />
onday i25i for a three-day visit<br />
. . . Claude<br />
11 ct Associates has acquired property in<br />
-11 ion for construction of a 2,000-car twin<br />
ive-in.<br />
'"White Feather" replaces "Gangbusters"<br />
'day early at the Metropolitan, Ray Hay,<br />
'anager, reports ... In connection with the<br />
emiere of "Shotgun" at the Met on May 5,<br />
Allied Artists release Yvonne De Carlo,<br />
1<br />
ichary Scott and Sterling Hayden were<br />
(re .<br />
of Eden" attendance at the<br />
lajestic was a little disappointing, according<br />
Bremer, manager. It is felt that<br />
'ere was possibly some confusion with the<br />
cture "Garden of Eden," which was shown<br />
cently at the Kirby.<br />
(Earl Weaver, south Texas salesman for Combia<br />
Pictures, has been in town on busihss<br />
. B. Zimmerman, Columbia<br />
kchange, has a new Ford . . . Southwestern<br />
Jneatre Equipment Co. is taking inventory .<br />
l-els Theatre Circuit, Victoria, has equipped<br />
U 14 of its theatres for widescreen and CinnaScope,<br />
according to Oliver Doyle, general<br />
[anager . has been started on Combia-boss<br />
John Wimberry's new home on<br />
emorial Drive and Voss . . . Allied Ai'tists'<br />
leorge Bannan was in town making plans<br />
r the appearances of De Carlo and Scott at<br />
lie opening of "Shotgun."<br />
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» HYDE ST. SAN FRANCISCO (2). CALIF,<br />
erald L. Karski... . President<br />
Mary Ann Macey, candy girl at the Village<br />
Theatre, and cashier Janie Morris were dancing<br />
gals at the annual Frontier Fiesta at the<br />
University of Houston . Howard<br />
Skelton was elected director of West University<br />
Lions Club . Club Tent 34 is<br />
starting a whirlwind 30-day drive in which<br />
they hope to double their membership, according<br />
to Manager Dick Kennedy. The new<br />
1955 roster carries 324 names. Seven new<br />
members were inducted at a general membership<br />
meeting last Monday . . . Brig. Gen. Victor<br />
A. Barraco, recently retired, was honored<br />
with the No. 1 membership in the new Armed<br />
Forces Club which had its formal opening<br />
Wednesday i27i.<br />
When "The Blackboard Jungle," the shock<br />
drama everyone is talking about, was held<br />
over at Loew's State for a second week, we<br />
asked about a rumor that audiences were<br />
made up mostly of teenagers and that they<br />
were "cutting up" the theatre. Manager<br />
Homer McCallum said there was not a word<br />
of truth in it. Audiences are about equal,<br />
adults and teenagers, he said, and "if there's<br />
been a seat cut, I don't know anything about<br />
it." On opening day there were police on<br />
duty, but the crowd was so quiet and orderly<br />
that they were dismissed. There has been<br />
no need for them at all. While there have<br />
been some people, including school teachers,<br />
who have voiced disapproval of the showing<br />
of such a picture, there have been many<br />
others who have felt it was a fine thing. Several<br />
teachers attended in a body with their<br />
students. One high school teacher brought<br />
her entire class of 35.<br />
. . . First of the 100<br />
Variety barkers are urged to attend Variety<br />
boys baseball games and give them support.<br />
The boys are playing on five teams, and play<br />
ten games each week<br />
boys who will spend a week at Fort Parker,<br />
beginning June 19, has signed up. They will<br />
enjoy boating, surfing, water skiing, and all<br />
the group camp facilities at Ft. Parker State<br />
Park, between Groesbeck and Mexia . . .<br />
Cash prizes are being given out at Variety's<br />
Saturday night dances. $140 went to 11 people<br />
last time . . . Variety's Sunday night buffet<br />
suppers have had to be discontinued because<br />
of the lack of support. If attendance can be<br />
assured the Sunday family buffet may be<br />
resumed.<br />
First Oklahoma Airer<br />
Adds Double Screen<br />
TULSA— Alex Blue, co-owner and operator<br />
of the Admiral Drive-In, has announced<br />
that his theatre will become the fii-st drivein<br />
in Oklahoma to operate a "double screen,"<br />
effective early in May. The drive-in has<br />
duplicated its present accommodations to the<br />
rear of the existing outdoor screen. Some<br />
features will be shown simultaneously on<br />
both screens, and others will be offered in<br />
double-feature form giving the viewer a<br />
choice of shows.<br />
Capacity of the drive-in will be 1.350<br />
automobiles, making it one of the largest<br />
ill the southwest. At the same time, the<br />
two screens have been enlarged to 92x50<br />
feet. When a single movie is being shown<br />
on both sides, staggered schedules will permit<br />
late arrivals "to get in at the first,"<br />
according to Blue. W. F. Shaw Engineering<br />
Co. of Tulsa has charge of the construction.<br />
Last year 172 million hot di.ijs were<br />
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JXOFTICE ;: May 7, 1955 71
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72 BOXOFFICE<br />
:<br />
7, 955
• es<br />
3erger<br />
: May<br />
—<br />
:rusade idea<br />
highlights<br />
fighting nca conventio<br />
\^<br />
Vill Appeal to Government<br />
]<br />
Denied<br />
Satisfaction<br />
,t New York Offices<br />
vlINNEAPOLIS — North Central Allied<br />
•<br />
nts to launch a crusade as a means of<br />
(:aining "a fair deal for harassed exhibi-<br />
_;ki' "knights of old," according to a pro-<br />
Mtl made at the NCA annual convention<br />
re this week (2, 3), an army of exhibitors<br />
•uld descend upon the film companies' New<br />
irk offices a la crusaders of history to fight<br />
)e to toe" with sales heads to eliminate<br />
;h film rentals for top pictures and must<br />
rcentage in the smaller situations and<br />
osequent runs.<br />
[n case the "army" was denied victory in<br />
•w York, it would march on to Washington<br />
try to recruit federal government allies so<br />
mother battle could be fought on<br />
: day.<br />
»SSES VERBAL BRICKBATS<br />
The convention tossed verbal brickbats at<br />
lat was called film company "greed."<br />
idence of this, speakers charged, was<br />
ormous film company earnings coincident<br />
th small exhibitors being driven out of<br />
siness. Speakers raked distributors over<br />
5 coals for remaining blind to exhibitor<br />
!as to sell on a "live-and-let-live" basis<br />
th ability to pay as the basis for film<br />
itals.<br />
Much of this was a repetition of previous<br />
;a convention mutterings and disgruntlemt,<br />
but, if possible, the feeling was<br />
onger.<br />
\mong other matters discussed were toll TV<br />
d the hoped-for meeting of the National<br />
lied Theatre Owners of America comttee<br />
with film company presidents.<br />
Sxhibitors at the convention were warned<br />
they are able to survive present "unnsciable"<br />
film rentals, pay-as-you-watch<br />
leo would remain a threat to their exence.<br />
They were urged to get into the<br />
ht against it more actively and to do<br />
;ir financial part in the battle.<br />
VITES SUGGESTIONS FROM FLOOR<br />
Suggestions regarding the issues that<br />
lied-TOA hopes to discuss with film comny<br />
heads were invited from the floor.<br />
:n addition to Benjamin Berger and S. D.<br />
.ne, NCA president and executive counsel,<br />
^pectively, speakers included Abram F.<br />
;ers and Rube Shor, National Allied general<br />
insel and president. The announced apuance<br />
of 20th-Fox bigwigs did not maialize.<br />
Regrets were received from Al<br />
•htman, sales manager, and W. C. Gehring,<br />
assistant, and Alex Harrison, western<br />
manager,<br />
following the two-day session, Monday and<br />
esday, the MOM Ticket Selling Workshop<br />
s held on Wednesday.<br />
'resident Berger led off the sessions with<br />
bitter arraignment of those who "are<br />
I<br />
itroying the small theatres and eventually<br />
1 destroy the entire industry."<br />
'<br />
«* expressed confidence that Theatre<br />
Many Stay Over for MGM Workshop<br />
MINNEAPOLIS—President Berger noted<br />
the registration was about 200, with many<br />
members not arriving until Tuesday so as to<br />
have time to take in the MGM Ticket Selling<br />
Workshop the next day.<br />
Noticeably absent on the opening day were<br />
Bill and Sidney Volk, leading circuit owners<br />
and members of the organization since its<br />
inception. Bill was ill and private business<br />
prevented Sidney's attendance. However,<br />
Sidney was on hand for the Tuesday afternoon<br />
session.<br />
"After 30 years in the show business, you<br />
can't shut off the faucet," explained Don<br />
Buckley. The Redwood Falls, Minn., capitalist<br />
has retired from exhibition to take life easy.<br />
"After all," he said, "all my friends are here."<br />
Buckley, who spent the winter in California,<br />
even was named to one of the committees.<br />
Charlie Jackson, retired Warner Bros,<br />
salesman, was on hand, having come from<br />
Clearwater, Fla., where he now resides and<br />
recently bought a winter home. They'll<br />
summer at their Balsam Lake, Wis., summer<br />
cottage, as hitherto.<br />
S. D. Kane, executive counsel, gave a<br />
resume of the recent legislative sessions<br />
Owners of America would join National Allied<br />
in going to Washington for exhibitor relief<br />
if film company presidents refuse to meet<br />
with the joint Allied-TOA committee in the<br />
proposed roundtable on theatre owner distress.<br />
"Our house is afire and something must be<br />
done immediately," he said. "And if the<br />
roundtable eventuates but fails to accomplish<br />
a change in film companies' sales policy,<br />
I'm satisfied that the two bodies will work<br />
together to bring about legislation aimed at<br />
stopping the film companies from continuing<br />
their present vicious monopoly and enable<br />
exhibitors to buy pictures on the ability-topay<br />
basis."<br />
Berger accused the film companies of<br />
"stealing" from exhibitors the fruits of the<br />
latter's admission tax victory. Declaring<br />
that "no industry can survive half-rich and<br />
half-poor." he pointed out that while the<br />
film companies are showing bigger profits<br />
than ever before in their history, "most<br />
exhibitors at the same time, particularly the<br />
small-town and suburban theatre owners,<br />
are operating at a loss."<br />
The reason that the exhibitors have made<br />
so little progress in their present fight, he<br />
explained, is because "you can't lick a<br />
monopoly," w'hich, according to Berger, is<br />
what film production constitutes.<br />
"We are very unfortunate to have become<br />
part of an industry in which the producer<br />
has a monopoly. A monopoly is like<br />
a disease. When you cure one spot it breaks<br />
which, he .said, were highly successful from<br />
the film industry viewpoint. Defeated were<br />
a local admi-ssion tax enabling bill and a<br />
daylight savings measure.<br />
Abram F. Myers, Allied States general<br />
counsel, pointed out that while there's a<br />
shortage of new pictures reissues are in<br />
plentiful supply. "These oldies have long<br />
since been liquidated, but the film companies<br />
are getting film rentals for them in<br />
excess of their original prices," .said Myers,<br />
"It's typical of film company practices<br />
getting all the traffic will bear."<br />
Convention visitors were invited to make<br />
the Variety Club their headquarters and were<br />
provided with tickets for Cinerama.<br />
There was a telegram of regret from A. L.<br />
Anderson, Plankington, N. D., explaining his<br />
absence on account of illness. A telegram<br />
from Walter Branson, RKO sales manager,<br />
conveyed his best wishes for the convention's<br />
success.<br />
Committee chairmen were: nominating,<br />
Sim Heller. Grand Rapids, resolutions, Clarence<br />
Kaake, Duluth, and finance, Martin<br />
Lebedoff, Minneapolis.<br />
out in another. There is only one logical<br />
answer: place the monopoly under government<br />
control. If this is not done, and qiuckly,<br />
we all w^ill perish.<br />
"I have tried to point out this predicament<br />
to the National Allied boards for the past<br />
several years and have been offering a plan<br />
to combat the monopoly. However, the<br />
boards, comprising deliberate, hard-headed,<br />
conservative businessmen, always felt my<br />
proposal was too radical.<br />
"Only recently, as you are familiar, the<br />
present board found that it had exhausted<br />
all peaceful efforts and there's nothing left<br />
to be done except to ask the government<br />
for help.<br />
"During all my lifetime I have been fighting<br />
film company monopoly. I was naive in<br />
thinking that the distributors would see the<br />
light and stop destroying the small theatreowner.<br />
"I learned rather late that monopolies cannot<br />
be cured. They must be destroyed. As a<br />
born optimist, I regret that I now have<br />
become a pessimist. An exhibitor once was<br />
proud to say he was a theatre owner. That<br />
no longer is the case."<br />
Alex Kling Adds Signs<br />
BELLE FOURCHE, S.<br />
D.—Alex Kling has<br />
erected a new neon sign at the entrance to<br />
his Kling Drive-In on Highway 212, and has<br />
installed new driveway umbrella lamps anri<br />
two new floods.<br />
XOFFICE :<br />
7, 1955 NC
. . John<br />
—<br />
. . The<br />
. . Fontas<br />
. . George<br />
. . The<br />
. . Ben<br />
, .<br />
D E S<br />
MOINES<br />
pveryone here is excited about Variety Club's<br />
new project—the sending of children with<br />
heart defects to the Variety Hospital in Minneapolis<br />
for the very special operation which<br />
i^ accomplished there. The women's committee<br />
also will support this project and Chief<br />
Barker Fi-ank Rubel and Betty Olson, chairman,<br />
are busy working on the necessary plans<br />
for a successful year of "saving children's<br />
lives." Invitations to the membership tea for<br />
the women's division are in the mail and the<br />
affair is to be held May 13 at the home of<br />
Mrs. Myron Blank.<br />
Mable Magnusson, Lou Levy's secretary at<br />
Universal, was away from her desk for two<br />
days with the flu , . . Mildred Davis, Univer-<br />
.ca', is a temporary widow while husband Tom<br />
is working in Kansas City .<br />
MeiTick,<br />
the film, stage and television personality,<br />
visited his family and friends last week. He<br />
was called to Des Moines because of the illness<br />
of his father, former state representative<br />
Fred Stiffler of Norwalk. Merrick, who appeared<br />
on Jack Benny's television show last<br />
month, has appeared on over 80 top television<br />
shows and has a role in Cecil B. DeMille's<br />
"Ten Commandments," now being filmed.<br />
Three starlets in "Three for the Show"<br />
Evelyn Bunn, Laura Brock and June Edwards<br />
—appeared at the Orpheum, where the picture<br />
was being shown, and passed out autographed<br />
photographs ... J. J. Jacobson,<br />
Davenport theatreman, was amused at 'j^<br />
12-year-old daughter the other eventi<br />
While dining in a restaurant, a waitress cov<br />
plimented her on her dress and observ',<br />
"It looks like a beautiful Christian Did'<br />
Susan Jacobson replied, "I'm sorry, miss, ijtl<br />
I'm Jewish."<br />
Dorothy Day Gottlieb, former publicity ijl:<br />
at Tri and Central States, had a hand n<br />
picking the Drake Relays queen last weeend,<br />
glamorous Angle Branch, senior at 1b<br />
University of Houston . Jessel i-<br />
peared as emcee at the Beth El Jacob Syigogue<br />
tercetenary celebration here recently<br />
milwauke:<br />
T arry Beltz of Wausau Theatres, "Wausii<br />
was seen on Pilmrow . TS,;-<br />
consin Theatre celebrated its 31st an}-<br />
versary night with a big stage show .<br />
;<br />
Edward Remig, Film Distributors Audit (),<br />
is visiting Benny Benjamin's Realart ;•<br />
change . . . Daniel Hans has been promodi<br />
from projectionist to manager of the Jeff<br />
son Theatre, Jefferson . . . Russell Leddy»ft<br />
the Orpheum Theatre, Green Bay, wasp<br />
booking . Campus Theatre, Ripon, js<br />
installed a new plastic screen.<br />
Tom Morgan has taken over the manafment<br />
of the Grand and Times, Clintonv.s,<br />
and the drive-in at Menomonie ...On<br />
Enterprises moved its office from the Emye<br />
building to 5906 Port Washington Rd. . :<br />
Standard Theatres is constructing new, late<br />
'<br />
.'creen towers at its drive-ins in Sheboyi'a, j<br />
Racine, Janesville and Beloit , . . Olsr<br />
Trampe, who attended the recent Natickl<br />
Film Carriers convention in New York, is<br />
elected to the national board of directors .<br />
The Gem Theatre, Gillett, was reopened a.-?:<br />
being closed for three months.<br />
Jack Lorentz, 20th-Fox manager, retur'd<br />
from a vacation in Florida . Maijs<br />
of Marcus Theatres and Hugo Vogel of Thitre<br />
Equipment Co. were in Los Angeles.0<br />
attend the national Variety convention. £.ii<br />
Kaufman, who was vacatiomng in Hawii,<br />
also attended .<br />
Goergiades, for)?r<br />
manager of the Badger Out Door Theae,<br />
Janesville, was awarded $6,000 for his sKre<br />
of the profits in the drive-in. Georgiades a<br />
former booker for Fox-Wisconsin Hik<br />
. . .<br />
Toilette of Marcus Theatres reports the baling<br />
of a new drive-in north of Clintonville'.<br />
G. P. Jonckowski, exhibitor at River F;/5,<br />
reports the death of his father.<br />
Minneapolis lA Seeks<br />
Reserved Seat Staffs<br />
MINNEAPOLIS—lATSE is trying to orgj^<br />
ize all reserved seat ticket sellers and talti<br />
at theatres and elsewhere. Local exhibiW<br />
fear that If the new union is launched, effp<br />
eventually will be made to bring the frontifH<br />
the-houses staffs in the unreserved siita<br />
theatres into it, including the managers.<br />
William Donnelly, lATSE representaH<br />
here, who is directing the present m(9i<br />
claims sufficient progress already has KB<br />
made so that "we'll soon be able to conjc<br />
employers regarding a contract."<br />
Affected immediately will be the Lyce|il<br />
local legitimate theatre; the Century, wlp<br />
Cinerama holds forth, the baseball pai-k, |i'<br />
municipal auditorium and the wrestling ii<br />
boxing office. Donnelly say he expectsfl<br />
initial membership of from 40 to 50.<br />
f<br />
74<br />
BOXOFFICE :: May 1, ^
AA)<br />
; May<br />
. . Among<br />
'eter' Doubles Par<br />
a Omaha 3rd Week<br />
OMAHA—The State Theatre did even<br />
jtter in its third week than the second<br />
ith "A Man Called Peter" and more than<br />
Des Moines Youngsters Flock to See<br />
'Davy Crockett/<br />
' (UA's, *" not<br />
I •*/ if\^i Disney}<br />
b^Ull^jpry<br />
'vonne De Carlo and Zachary Scott, starred<br />
» Allied Artists' "Shotgun," will make an<br />
'day, 11 -city Texas tour.<br />
£^<br />
been closely<br />
associated with the Cecil Theatre during his<br />
long service with Ai'thur.<br />
Mr. and Mrs. Klemas have two sons, Pfc.<br />
Roger L. Klemas, serving with a medical<br />
detachment in Germany, and Fireman Ted<br />
D. Klemas, serving in the Navy at Guam.<br />
DES MOINES—Like the Mexican lio :.<br />
that stormed the Alamo to make a i-.r-i.-. ,<br />
Davy Crockett, Des Moines youngsters sioi m :<br />
two theatres here last weekend to make hi:;<br />
an even greater hero to the film industiy<br />
"They ,say he's on television," gasped Mrs<br />
Loretta Conley, manager of the Uptown Theatre.<br />
"I don't know. I don't ever have time<br />
to watch television. But that's one place<br />
where television has helped us, I gue.ss."<br />
Mrs. Conley, like Mrs. Pearl Fort, manager<br />
of the Hiland Theatre, spent much of FYiday<br />
evening and all day Saturday and Sunday<br />
meeting the onslaught of thousands of youngsters<br />
who whooped into the two theatres.<br />
With some parents acting as scouts, the<br />
youngsters were lured to the theatres by the<br />
film, "Davy Crockett, Indian Scout," United<br />
Artists reissue, originally released in 1950.<br />
An estimated 5,000 youngsters saw it during<br />
the weekend. Mrs. Conley said the Uptown's<br />
regular 2 p.m. matinee started instead at<br />
11:30 a.m. Saturday, but the theatre still<br />
couldn't hold all the children. "I thought<br />
we had every kid in Des Moines Friday<br />
night," added Mrs. Fort. "But on Saturday<br />
and Sunday I realized we hadn't seen any<br />
of them. They just pour in. You wonder<br />
where they all come from. I've been in the<br />
theatre business since 1943, but I've never<br />
seen anything to equal this."<br />
"This is the biggest thing we've ever had,<br />
and I've been here about a year," said Mrs.<br />
Conley, explaining how the Uptown was<br />
jammed all day Sunday. And how did the<br />
coonskin cap set behave?<br />
"Oh, pretty well." Mrs. Conley reported.<br />
"The biggest trouble is how they get in and<br />
out of their seats to go to the confectionery<br />
counter. Pretty soon it gets so you can't tell<br />
who's supposed to be sitting where. Saturday<br />
we were about all ready to jump in the<br />
river."<br />
Roy G. Jones, 74, Retired,<br />
Dies at Shenandoah<br />
SHENANDOAH. IOWA—Roy G. Jones, 74,<br />
retired theatre operator, died recently at<br />
Hand Community Ho.spital here where he<br />
had been a patient since April 6. Born in<br />
Page County, near Clarinda, he had been in<br />
the theatre business in Des Moines for 25<br />
years. Following that, he and his wife moved<br />
to Glenwood where he supervised a lx)ys'<br />
cottage at the Glenwood State School for<br />
over four years. He then retired and spent<br />
a year in Tampa. Fla., and three years in<br />
Hot Springs, Ark. He is survived by his<br />
wife. Mary Ruth, a brother and a number of<br />
nieces and nephews.<br />
7"^<br />
COODTRAILU^<br />
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XOFFICE :<br />
7, 1955 75
-<br />
^K<br />
CLEVELAND<br />
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INCINNATI -Rme' Opens in Kentucky 'DoctOr' ShOWS U. : 5Si<br />
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. . Nat<br />
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. . "Doctor<br />
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. . The<br />
. . RKO<br />
: May<br />
CLEVELAND<br />
T eonard Mishkind of General Theatres became<br />
father of a son at Lakeside Hospital,<br />
named Howard Dale. He is the third<br />
child and only son ... A fifth child was born<br />
to the Jack Ochses of the Ochs Drive-In circuit.<br />
The baby is theii- fourth boy and is<br />
named Gregg Stanley . . . Leroy Kendis of<br />
Associated Theatres is wearing a cast on his<br />
shoulder, injured in a fall . . . Off on a<br />
three-months trip to Europe this w^eek went<br />
August Ilg, pioneer Lorain theatre owner,<br />
retu-ed since he sold his Ohio Theatre to<br />
Nate and Sam Schultz . Barach, National<br />
Screen Service manager, and his wife<br />
planed west over the weekend. Las Vegas was<br />
their first stop. Barach will attend the<br />
Variety convention in Los Angeles . . . Schine<br />
circuit has clo.^ed the Tiffin Tlieatre for the<br />
summer. It has been operating on a weekend<br />
policy . . . Joe Scully, auditor, was at Republic<br />
SIMPLEX XL MECHANISMS^<br />
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Jones is an individualist not bound by<br />
custom. Last week he played "A Man Called<br />
Peter" at his Star Theatre, Upper Sandusky,<br />
to such good business that he rebooked for<br />
two weeks after the first run.<br />
The Hippodrome will be the first downtown<br />
Cleveland house to have complete Vista-<br />
Vision equipment. A RCA Dyna-Lite screen<br />
measuring 25x58 feet and new lenses will be<br />
installed by Oliver Theatre Supply Co. for<br />
the opening of "Strategic Air Command"<br />
May 19. RCA technical engineer Frank<br />
Grande is supervising the installation.<br />
Some of the Hollywood glamor recently<br />
rubbed off on circuit owner Jack Shulman and<br />
his wife when they, Grace Kelly, Gary Grant<br />
and Mrs. Grant were all in Las Vegas at the<br />
same time . . . Soger's new Pilmrow restaurant<br />
made a hit with film folk by listing on<br />
its menu a 20th-Fox Cleveland Sweepstakes<br />
special sandwich. The stunt (and the sandwich)<br />
was the talk of the Row . Margolian,<br />
RKO publicity man, has arranged a<br />
style show tieup with the Higbee Co. for<br />
the May 12 appearance of fom- starlets who<br />
are touring 16 cities to promote "The Son<br />
of Sinbad." The picture has a June 2 date<br />
at the Palace.<br />
Mac Mink and his wife Dorothy have<br />
turned the keys of the Palace over to Frank<br />
Smith of the RKO circuit in Chicago for<br />
two weeks while they vacation in New York<br />
vacationist is Peter Rosian,<br />
U-I district manager, who with his wife Mae<br />
is acquii-ing a Florida tan . Ander-<br />
PI<br />
son. manager of the 3,800-seat Uptown 1;.<br />
atre, has announced that starting Mayis<br />
he will present stage shows every Suniy<br />
featuring top name bands. First one will<br />
Lionel Hampton, with Louis<br />
jt<br />
Armstrong j,<br />
lowing. Two matinee and two evening<br />
]j<br />
formances are contemplated.<br />
Joe Shagrin, owner of the Foster These,<br />
Youngstown, reports his twin brother Rx,<br />
H<br />
a talent agent of Hollywood, will be in tlse<br />
parts in May . Krenitz, Republic sasman,<br />
and wife have as their house guts<br />
their daughter Marilyn and small son fm<br />
Bridgeport, Conn ... It is reported that le<br />
Majestic in Lima is closed again ... Last<br />
word from the Cleveland Clinic is that 'A<br />
salesman Jack Share is now definitely m<br />
the road to recovei-y after surgery, .s:<br />
weekend he suffered a relapse.<br />
"Marty," the UA picture everybody's tking<br />
about, drew a full and enthusiastic hs,e<br />
at the Friday night screening in the 2h-<br />
Fox screen room . mother of Mva<br />
Ro.5enblatt, AA secretary, died last week<br />
.<br />
The son of Warner Manager Bill Twj's<br />
secretary. Staff Sgt. Forrest Weaver, a<br />
member of the famous SAC, stationecat<br />
Okinawa.<br />
The Columbus interests that operate t-ee<br />
art houses in this territory—the Bexle; in<br />
Columbus, the Studio in Detroit and he<br />
Heights in Cleveland—have added a fo\th,<br />
the Avalon in Toledo, a former Marvin Ha-is<br />
operation . in the House" di so<br />
well at the Fairmount Theatre that it pi ed<br />
two full weeks and half of a third, the:by<br />
hanging up a house run record.<br />
Off for Los Angeles and the Variety n-<br />
vention this weekend were Irwin Shenki of<br />
Berlo Vending and his wife Annette: Leoird<br />
Greenberger, manager of the Fairmount nd<br />
his wife Finances, and Jack Silverthorne-. .<br />
Bob Ditrick, MGM booker welcomed his rsi<br />
child recently—a son . District J,<br />
ager Morris Lefko's son Bob graduati<br />
June from Syracuse University . . . ParamI<br />
sneak-previewed "The Seven Little Foys<br />
Tuesday (3) at the StiUman Theatre . . .K)<br />
secretary Bob Wile urges all members tcjill<br />
out the questionnaii'es sent out by the Bu]<br />
of Census in Washington, to supply stati]<br />
important in the campaign against the<br />
eral admission tax.<br />
COLUMBUi<br />
T ouis K. Sher, owner of the Bexley Art i<br />
atre here, has acquii-ed the Little, Ylo»<br />
Springs, Ohio and the Crescent at Louis lie<br />
Ky. Sher also operates the Cleveland Heht-<br />
Art Theatre. He is planning to acquire ;ditional<br />
theatres m other cities. Richard Icker,<br />
assistant manager of the Bexley, hasi!<br />
named manager of the Little, which w:|<br />
operated on a split policy of art filmsjj<br />
commercial features. The Crescent<br />
an art house.<br />
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Lou Holleb, general manager of thd<br />
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hopes to open the new outdoor theatre<br />
in a few days. The In-Town has been i{|<br />
construction for several months.<br />
Bill Dalton, who was organist in the •20^<br />
and early Thirties at the Majestic, GiPd<br />
and Ohio, is back in town as organist a{<br />
Tremont restaurant.<br />
78<br />
BOXOFFICE<br />
:<br />
7|
, mohoo,<br />
I<br />
•<br />
Jatres.<br />
.<br />
Birthday<br />
'<br />
'<br />
for<br />
. . The<br />
. . Ralph<br />
—<br />
— —<br />
tiNCINNATI<br />
lou Clemmer finally reopened his Cruise-In<br />
in Miami.sburg, Ohio. Saturda? (30) with<br />
,w all steel screen tower. The old tower<br />
IS destroyed by a fire several weeks ago . . .<br />
'-he Immortal City," a Technicolor picture<br />
owing art treasure.s in Rome, including the<br />
is itican, scheduled to open in the Guild<br />
'leatre following completion of the current<br />
'toctor in the House."<br />
Imts. John Eifert, sales manager at War-<br />
(rs, underwent surgery at Christ Hospital<br />
Roberta Burns, daughter of booker Bill<br />
'irns, WB, is making preparations for her<br />
arriage in June . . . Lillian Ahem, cashier<br />
Paramount, was on vacation for a week<br />
greetings to Rube Shor, May 9;<br />
lastave J. Boudot, May 13; Mark S. Cum-<br />
[ins. May 15; Bob Frederick. May 4.<br />
•Ben Bein, service manager at National<br />
ireen Service, was due to leave the hos-<br />
(tal and convale.sce at home . Bur-<br />
-g, exploiteer for Paramount, went home<br />
•cently to attend the 55th wedding aniiirsai-y<br />
of his parents . local Fox<br />
reening room is having a widescreen in-<br />
'lUed by the Midwest Theatre Supply.<br />
Willis Vance, owner of the Guild and the<br />
i^ntral Ticket Office, reports his first grandiild<br />
was born (a girl) to his elder daughir<br />
Jane. The Varices have three daughters<br />
. Sid Katz of the Kay-Lee Corp., a theire<br />
promotional organization, will attend the<br />
lied Theatres convention in Minneapolis May<br />
5. Katz and Joe Lee also will -Ije present<br />
the exhibitors convention in Atlanta<br />
lay 15-17.<br />
jA de luxe drive-in will be constructed in<br />
biu'ban Oakley by Midstates Theatres, acrding<br />
to Nick Shafer and Roy White. Fully<br />
[Uipped for all types of film presentations,<br />
. will accommodate approximately 900 cars.<br />
'Rifle' Opens in Kentucky<br />
After Star Appearance<br />
CINCINNATI—Screen Clas.sics. headed by<br />
Edward Salzberg, has scheduled many prerelease<br />
engagements in Kentucky of the widescreen,<br />
Pathe color film, "Kentucky Rifle,"<br />
May 5 to 17.<br />
Stars Chill Wills and Lance Puller appealed<br />
at the annual Blue Grass Festival<br />
in Lexington Tuesday (3i under the guidance<br />
of Bob Cox, district manager for Schine<br />
Theatres. Among the theatres included in<br />
the prerelease run are the Ben Ali, Lexington;<br />
Margie Grand, Harlan; Russell, Maysville;<br />
Madison, Richmond; Capitol, Frankfort;<br />
Leed.s, Winchester; Reda Drive-In, London;<br />
Hippodrome. Corbin; Manring, Middlesboro;<br />
Paris, Paris; Starlight, Danville; Weddington,<br />
Pikeville; Ti-ail, Ashland; NoTO.<br />
Cumberland; Midway, Cynthiana.<br />
The film world-premiered at the Panorama<br />
Theatre in New Orleans April 27. It opened<br />
at the Paramount Center in Owensboro, Ky..<br />
May 4.<br />
Chakeres Gift to Court<br />
SPRINGFIELD—The municipal court has<br />
a new 16mm sound projector and screen,<br />
thanks to Chakeres Theatres. Presenting the<br />
gift was Michael H. Chakeres, vice-president.<br />
Participating in the presentation were Police<br />
Chief LawTence A. Abbott; Theodore Rose,<br />
projectionist and sound engineer for Chakeres;<br />
Patrolman Dallas Hanlin. mvmicipal<br />
court bailiffs Frank Kinsler and Lymon Alexander<br />
and Judge Ben J. Goldman. The equipment<br />
is being used by the court and police<br />
in showing traffic safety films.<br />
ERNIE<br />
'Doctor' Shows Up Best<br />
In Cincinnati Run^<br />
CINCINNATI—"Doctor in the Hoi,<br />
.<br />
the Guild art theatre, made the best sii,. i .<br />
for the week and probably will renuun. ,•-.<br />
the Guild for several weeks. "A Man Caller,<br />
Peter" also continued to hold up well and<br />
was .slated for its fourth week in Keith.-,<br />
Albee— Eost o» Eden WB), 2nd wk 90<br />
Grond—Coptoin Lightfoot (U-l), Dettry (U-l)....nO<br />
Polace—Three tor the Show (Col) 00<br />
Guild—Doctor in the House (Rep) '
; May<br />
i<br />
Tri-States City Manager<br />
Made Kentucky 'Colonel'<br />
From North Control Edition<br />
CEDAR RAPIDS, lOWA—Hany L,<br />
Moore,<br />
city manager for Tri-States Theatre Corp.<br />
here and formerly associated with Leo F.<br />
Keiler of the Columbia Amusement Co., Paducah,<br />
Ky., for 20 years, has just been honored<br />
with the title of "Colonel" by the governor<br />
of Kentucky. The title came just in<br />
time for the Derby.<br />
Moore's son, Harry L. Moore jr.. is a midshipman<br />
in his second year at the U. S. Naval<br />
Academy at Annapolis.<br />
Moore has been with Tri-States seven years.<br />
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BOWLING<br />
DETROIT—Allied Film and Republic are<br />
tied in the Film Bowling League. Latest<br />
standings are;<br />
Team Won Lost Teom Won Lost<br />
Allied Film 37 23 AA 31 29<br />
Republic .37 23 Theotricol .23 37<br />
UA 34 26 RKO 18 42<br />
New team three-game high: Allied Film,<br />
2547; RKO Radio, 2519; Republic, 2479. Individual<br />
thi-ee-game highs: Hogg, 618; Stimac,<br />
614, England, 591.<br />
High team single game: Allied Film, 936;<br />
Allied Artists, 901; Theatrical. 879. Individual<br />
highs: Sturgess, 245; Stimac, 245; Baran, 243.<br />
The championship roll off featured Allied<br />
Film vs RKO Radio, with Allied taking the<br />
lead and RKO runner up.<br />
New officers elected for the 1955-56 season<br />
are: president. Bill Kozaren; vice-presidents.<br />
Jack Susami and Bud KUbride; secretary and<br />
treasurer, Stanley Baran.<br />
The Film Bowling banquet was held April<br />
IS at the Variety Club atop Hotel Tuller.<br />
Among the guests were Bill Clark of Clark<br />
Theatre Service. Harold Brown, Jack Haynes<br />
and Tom Byrele of United Detroit Theatres,<br />
and Ray Branch of Film Truck Service.<br />
'Gate of Heir Premieres<br />
At Detroit Theatre<br />
DETROIT—The fu-st Japanese picture in<br />
color to be shown in Detroit opened Friday<br />
(61, at the Krim Theatre in suburban Highland<br />
Park. Winner of the New York Film<br />
Critics' award for the best foreign motion<br />
picture of the year, "Gate of Hell" also<br />
captured the grand prize at the Cannes and<br />
Venice Film festivals.<br />
Filmed in Eastman Color, the feature was<br />
produced by Masaichi Nagata for the Daiei<br />
Motion Picture Co. of Tokyo. Before the<br />
actual shooting began, a crew of Daiei<br />
technicians came to the United States to<br />
study the Eastman Color process at Rochester,<br />
N. Y., and the making of color films at<br />
Warner Bros, studios in Burbank, Calif.<br />
"Gate of Hell" also won the recent aw'ard<br />
of the Academy of Arts and Sciences for<br />
the best color film in 1954.<br />
Jack Zide, Irwin Pollarci<br />
Buy Imperial Pictures<br />
CLEVELAND—Jack Zide of Allied Film<br />
Exchange. Detroit, and Irwin Pollard, former<br />
Cleveland Republic branch manager, purchased<br />
Imperial Pictures, only local independent<br />
exchange, from Mrs. Bernie Rubin.<br />
They took immediate possession. Pollard returns<br />
to Cleveland to take charge. Present<br />
personnel, including booking-manager Betty<br />
Bluffestone, will be retained.<br />
Airer Goes Mociern<br />
WARSAW. KY.—Riverview Drive-In, Carrollton,<br />
has contracted for a widescreen for<br />
showing Cinemascope, VistaVision and<br />
Superscope. The airer recently opened for<br />
the season with new projection and sound<br />
equipment.<br />
Ruth Roman With Paul Douglas<br />
Ruth Roman will play the femme lead opposite<br />
Paul Douglas in Columbia's "Joe Macbeth."<br />
$300,000 to Chesapeake<br />
For Pictures Sold to TV<br />
CLEVELAND— At the annual stockholdJi<br />
meeting of the Chesapeake Industries r<br />
Cleveland April 27, President William<br />
;<br />
Eagle Lion pictures to TV had netted abo,<br />
MacMillen jr. stated that the sale of ti<br />
$300,000 and that their sale abroad add<br />
another $30,000. He al.so revealed that .settli<br />
ment of the company's antitrust suit agairj<br />
Loew's, RKO and others is expected with,<br />
the next two months, with what he termi<br />
"substantial recovery" anticipated.<br />
All officers were re-elected as follows: Wi<br />
liam C. MacMillen jr., president; Livingsti<br />
Goddard, treasurer; John O. Henry, secii<br />
tary; Arthur S. Kleeman, chairman: Domi<br />
H. Carter, William R. Daley, James H. Drum,<br />
Chalmers G. Graham, James M. King jr., E.<br />
gene F. Kinkead, Neely Powers. Everett<br />
Reese, Charles Shipman, L. C. Turner al<br />
Kenneth M. Young.<br />
Associated Circuit Heads<br />
Buy Apartment Building<br />
CLE'VELAND—Three executives of As.y.<br />
ciated Theatres, Meyer Fine, Abe Kranr<br />
and Leroy Kendis, have purchased the i'<br />
suite apartment building on East 30th str4<br />
between Euclid and Chester avenues fora<br />
reported $970,000. Seller wa,s the 2925 Euclj,<br />
Inc.<br />
This is the most modern residential apa)-<br />
ment in the downtown area, built in lis<br />
by Maurice Kleinman. The new owners ha<br />
formed East 30th Apartments to operate le<br />
project.<br />
Columbia Gets TV Permiti<br />
PADUCAH—The Columbia Amusement C.,><br />
Leo F. Keiler, president and general me<br />
ager, has received an FCC permit aaathoriz:^ i<br />
a television station here. A local newspa)r t<br />
was the rival applicant for the permit. (.[•<br />
lumbia owns and operates the Aixade, (K<br />
lumbia, Kentucky and Rialto theatres and ijes<br />
Paducah Drive-In, and the Capitol and V.«!<br />
sity theatres in Murray. It is also construct^<br />
a 1,000-car twin-screen drive-in at Wlti<br />
Paducah.<br />
Several Houses Improve
I<br />
Uprising<br />
I ramount—The<br />
;<br />
PROVIDENCE—<br />
. for<br />
—<br />
old Weather Dampens<br />
ioston <strong>Boxoffice</strong>s<br />
BOSTON—Cold, rainy weather put the<br />
kmper on business here, with many of the<br />
bldovers suffering. "Glass Slipper" aplaled<br />
to the children for vacation week.<br />
Paris With Love" led the field of<br />
!'o<br />
I'wcomers, while "Cell 2455. Death Row"<br />
|is also good.<br />
|iealh Row' Dominates<br />
'ew Haven Scene<br />
NEW HAVEN—Three of the four major<br />
iiwntowners did above average business.<br />
i;el! 2455" made the highest score with 140.<br />
'."he Blackboard Jungle" had a strong hold-<br />
;er at Laew's Poli.<br />
Deoth Row (Col); Seminole<br />
Mlege Cell 2455,<br />
luprising (Col) 140<br />
Eternal Sea (Rep); The Atomic<br />
Kid iRep) 75<br />
I—The Blackboard Jungle (MGM); Green Scarf<br />
,Regol). 2nd wk 120<br />
ger Sherman—The Purple Plain (UA); The Steel<br />
Coge lUA) 110<br />
temal Soa' Hits 140<br />
Providence Bo'w<br />
Parades, blaring bands,<br />
'captions, personal appearances and other<br />
istivities incidental with a world premiere,<br />
|,e first ever held locally, sent "The Eternal<br />
t:a" off to a grand start, but the one-week<br />
|(gagement met opposition in a continuing<br />
i.ne-chilling rainy period. Racking up a<br />
ild 140, the picture set the pace among<br />
[iwntown houses.<br />
(Dee—The Eternal Seo (Rep) 140<br />
U„'s_The Blockboord Jungle (MGM), 2nd wk.. . 1 15<br />
lliestic— East ot Eden (V^B), 2nd wk 100<br />
litropoliton— He;i Raiders of the Deep (IFE) 90<br />
byhouse— Four Ways Out (IFE) 100<br />
lond—Tight Spot (Col) 100<br />
.irtford Packs<br />
avy' Reissue<br />
.HARTFORD—Biggest attraction of the<br />
I'ek here was a revival of "Davy Crockett,<br />
diau Scout," bringing out youngsters by<br />
f tliousands. School vacation, of coui'se,<br />
lilt the difference between normal and<br />
rinendous boxoffice receipts.<br />
yn—Mombo (Para); I Cover the Underworld<br />
(Rep) 80<br />
t—Doctor in<br />
A Loew—Cell<br />
the<br />
2455,<br />
House<br />
Death<br />
(Rep)<br />
Row<br />
110<br />
(Col); Seminole<br />
Uprising ,Coi) 95<br />
li—Man Without a Star (U-l); Yellowneck (Rep), 100<br />
loce—The Gloss Slipper (MGM); Shadow of<br />
Tombstone (Rep); 2nd d. t. wk 125<br />
and—Davy Crockett, Indion Scout (UA), revival;<br />
Tarion's Hidden Jungle (RKO) 220<br />
/ill Distribute 'Eden'<br />
BOSTON—Walter Bibo. president of Ex-<br />
.• i;<br />
highest point," and a check for $500 i-<br />
the Variety Club and his industry fnci.i.<br />
in attendance.<br />
The Roof Garden was nearly filled with<br />
exhibitors, distributors, managers and equipment<br />
men. Among those who came in from<br />
out of town were Norman Zalkind, Harry<br />
Zeitz, Spero Latchis, Bill Canning. Joe<br />
Stanzler, Morris and Melvin Safner. Richard,<br />
11-year-old .son of Phil Bloomberg, came in<br />
from Salem with his daddy. Larry Gardiner,<br />
ret red RKO sales manager was greeted enthu.siastically<br />
by his former friends, as was<br />
Louis Stern, former exhibitor who is now in<br />
another field of business. Another rare visitor<br />
to the d'strict was Irving Green, who now<br />
operates only one theatre, the Park in<br />
Everett.<br />
Hartford Airer Opening<br />
Postponed to June 15<br />
HARTFORD—Approximate opening date<br />
of the $600,000, 2,070-car Meadows Drive-In<br />
being built in the North Meadows section of<br />
Hartford has been changed from May 15 to<br />
June 15. Atty. Bernard E. Francis, counsel<br />
for the Meadows Drive-In Theatre Corp. of<br />
Hartford, which will lease the ozoner to the<br />
Smith Management Corp. of Boston, announced,<br />
"We're planning to install at least<br />
800 in-car heaters."<br />
The Meadows, believed to be largest drivein<br />
in the world, will play first-run attractions.<br />
COODTRAILI<br />
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Please enter my subscription to<br />
BOXOFFICE, 52 issues per year (13 ^1 which contain<br />
The MODERN THEATRE Section).<br />
D<br />
THEATRE<br />
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STREET ADDRESS<br />
TOWN<br />
NAME<br />
liXOFFICE :: May 7, 1955 NE<br />
STATE<br />
POSITION
[<br />
BOSTON<br />
The Brattle Theatre, Cambridge, will return<br />
to a summer season of legitimate stage<br />
productions starting July 5, according to<br />
Bryant Haliday and Cyrus Harvey jr. Three<br />
years ago, when Haliday and Harvey purchased<br />
the property, they put in rear projection<br />
equipment and have been showing<br />
foreign and art films. The theatre will return<br />
to films in the early fall . . . Jack Benny<br />
was honored at the 18th amiual goodwill<br />
dinner of the Massachusetts Committee of<br />
Catholics, Protestants and Jews at the Hotel<br />
Statler Thursday evening (5). Benny, Gen.<br />
Walter Bedell Smith, former undersecretary<br />
of state, and Gov. Theodore McKeldin of<br />
Maryland received citations. Maxwell Rabb<br />
of Boston, secretary of the cabinet, was the<br />
toastmaster.<br />
Donald Sweenie resigned as manager of<br />
the Nashoba Drive-In, Boxboro. to devote his<br />
full time to his winter job as an agricultural<br />
chemical broker. He opened the Nashoba<br />
four years ago with a group of West Acton<br />
businessmen and has been active in its operation<br />
as manager. This spring, Joseph E.<br />
IMAGE & SOUND SERVICE CORP.<br />
"The Best Value In Sound Service"<br />
445 Statler Building<br />
Levine, in partnership with Barnet Yanofsky,<br />
took a 15-year lease on the property and are<br />
now operating it. No replacement for Sweenie<br />
has been announced by Levine, president of<br />
Embassy Pictures.<br />
Nat Hochberg, who has been an exhibitor<br />
for a number of years, has been appointed a<br />
booker at Affiliated Theatres Corp. by President<br />
Ai-thui- Howard and Vice-President Seth<br />
Field, replacing Carl Goldman, who resigned<br />
to become lENE executive secretary. He is a<br />
brother of Joe Hochberg, buyer and head<br />
booker of Affiliated . . . Ken Forkey, Park<br />
Theatre, Worcester, returned from a vacation<br />
spent in Florida, looking tanned and rested.<br />
Loew's State and the Pilgrim are cai-rylng<br />
the closed circuit telecast of the heavyweight<br />
championship fight between Rocky Marciano<br />
and Dan Cockell on Monday evening (16).<br />
The State, with 3,500 seats, is charging $3.50<br />
for the entire house. As the fight starts at<br />
11 p.m., the management is emptying the<br />
theatre at 9:30 that evening, reopening at<br />
10:30 for fight fans. The Pilgrim is charging<br />
$4.40 and $3.30 per seat for reserved seats<br />
in the orchestra, and $2.80 per seat for the<br />
unreserved balcony. The management is<br />
emptying the theatre at 7, reopening at 8,<br />
allowing the fans to see the entire program<br />
of two pictures before the fight.<br />
The heavy campaign on MGM's "The Prodigal"<br />
is under way here with Floyd Fitzsimmons<br />
and Karl Fasick working with Arthur<br />
Canton of New York and local theatre<br />
publicists. TV, radio and newspapers wilij^<br />
used freely along with other gimmicks<br />
Over at Universal, Johnnie McGrail is W(c.<br />
ing with Jeff Livingston, eastern publity<br />
head, on the TV saturation campaign on le<br />
package deal of "Revenge of the Great:;"<br />
and "Cult of the Cobra."<br />
John Ford is to be honored by the le<br />
Society of Boston at a dinner planned or<br />
Saturday i7> at the Sheraton Plaza Hel<br />
Plans are to give him the society's gold mal<br />
for 1955 for his films representing the Ish<br />
way of life. He is to receive a hands le<br />
scroll prepared by the Franciscan Sister of<br />
Mary. Paul Tierney, president of the soc.y,<br />
is toastmaster; Dr. William Roche is geral<br />
chairman, and John McGrail, Universal jblicist,<br />
is chau-man for the motion picturendustry.<br />
Also at the head table will be he<br />
Most Rev. John Petit, Bishop of Meneviol<br />
Wales, and the Irish consul, the Hon. Joh D<br />
Shields.<br />
Anne Murphy of Jamaica Plain, wlier<br />
of the United Artists-Boston Post jingle n-<br />
test for "Vera Cruz," and her mother jse i<br />
placed aboard an American Airlines jJae \<br />
for a week's visit to Mexico City and in<br />
Cruz by publicists Joe Mansfield and lai.<br />
Fasick . . . After setting up several priu.<br />
screenings of the UA fUm "Marty," to-<br />
Mansfield left for Rochester and Syracust':<br />
escort film star Marion Carr to Bostorfo:<br />
press interviews. Miss Carr plays Frida i<br />
the Mickey Spillane film "Kiss Me De^lj<br />
. . . Al Clarke is now managing the lioi.<br />
Theatre, Springfield, for B&Q AssociatesH.<br />
formerly was Edward Fay's righthand j.ai.<br />
at the Majestic, Providence.<br />
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82 BOXOFFICE May 7|
i<br />
I<br />
. , . Pat<br />
. . . Paul<br />
. . The<br />
. . Harry<br />
. . Charlotte<br />
. . Ernest<br />
>lan New England'Prodigal' Promotion N EW H AV £•<br />
N<br />
:<br />
'<br />
.<br />
A trailer truck toured the city heralding the<br />
opening of "The Prodigal" at Loew'r^ P".<br />
:<br />
The truck, out of New York, is on an es-vcT<br />
tour ... A local high school boy, who i:<br />
only has the name of Davy Crockett Sj<br />
descended from the Scottish forebbu,:. ;<br />
the famed Indian scout, was located by 1.<br />
Hillman, Roger Sherman manager, for newspaper<br />
breaks prior to the opening of "Davy<br />
Crockett—Indian Scout" . Sitzer<br />
of the Loew's Poli-New England Theatres was<br />
in Springfield for a regional convention of<br />
the National Secretaries Ass'n.<br />
Theatremcn salhered at New Haven recently to confer with MGM sales directors<br />
and publicists on exploitation plans for "The Prodigal." Top photo includes a group<br />
of Loew's Poll Connecticut men. Left to right: Matt Saunders and Harry Rose, Bridgeport;<br />
Joe Boyle, Norwich; Tony Masella, Meriden; Lou Cohen, Hartford. Standing<br />
are Lou Brown, Loew's Poll ad-publicity chief; Arthur Canton of MGM; Bob Carney,<br />
Waterbury; Oscar Doob, MGM; Harry F. Shaw, Poli division manager; John Di-<br />
Benedetto, Worcester; Sid Klepper, New Haven; Fred Greenway, Hartford, and Phil<br />
Gravitz, MGM manager at New Haven. Standing in the corner is Charles Gaudino,<br />
Springfield.<br />
In the bottom photo are a group of Stanley Warner Theatre managers. Seated:<br />
Manager Phil Gravitz; Nick Brickates, SW Connecticut district manager; Larry<br />
Germain, booker, and Joe Liss, Albany-Boston district manager. Standing; Floyd<br />
Fitzsimmons, Arthur Canton of MGM; Elmer Hirth, SW buyer and booker; Larry<br />
Lapidus and Oscar Doob of MGM.<br />
iARTFORD<br />
;urglars broke into the Wallingford home<br />
of George H. Wilkinson jr., MPTO of<br />
mnecticut president, for the second time<br />
two years, escaping with a reported $5,000<br />
stocks and a gold necklace. Wilkinson,<br />
lio owns and operates the Wilkinson The-<br />
LAST CHANCE!<br />
MARCIANO FIGHT<br />
FLEETWOOD TV-$2450.00<br />
Building? . . . Contact us for closed circuit |<br />
information data.<br />
j<br />
NORPAT.Inc. 113 West 42 St. N.Y.C. _j<br />
atre there, found the home ransacked shortly<br />
before midnight and contacted police.<br />
The SW Commodore Hull. Derby, offered<br />
a yo-yo champ as an added Saturday matinee<br />
children's show attraction . . . Jack<br />
Shields, SW Capitol, Ansonia. made an effective<br />
"This Is Your Army" tieup with local<br />
components of the National Guard. Guardsmen<br />
were stationed in front of an Army display<br />
in the theatre lobby . . . Sal Adorno sr,,<br />
general manager of M&D Theatres, Middletown,<br />
has been named chairman of theatre<br />
collections for the cancer campaign.<br />
Fred R. Greenway, Loew's Poli Palace, offered<br />
glass slippers to the first 100 patrons<br />
in line opening day of "The Glass Slipper"<br />
Buchleri, Hartford Theatres, invited<br />
the staff of the Hartford Hospital to attend<br />
a screening of "Doctor in the House."<br />
.'\ sneak preview of "The Seven Little Foys"<br />
was held at the Paramount, while "Mad at<br />
the World" was given a sneak showing at the<br />
Roger Sherman . Shaw, Loew's Poli<br />
division manager, was at the home office for<br />
two days of conferences . Borgnine,<br />
who plays the title role in "Marty," returned<br />
to his home town for a press preview of the<br />
film. The star's wife, father and other members<br />
of his family were present for his return.<br />
Others present included Bemie Kamber,<br />
press representative for Hecht-Lancaster;<br />
Irving Mendelson, local UA manager; Louis<br />
Brown, advertising-publicity chief for Loew's<br />
Poli-New- England Theatres; Irving Hillman,<br />
manager of the Roger Sherman; Mat Saunders,<br />
manager of Loew's Poli, Bridgeport, and<br />
Lou Cohen, manager of Loew's Poli, Hartford.<br />
FALL RIVER<br />
Cocial workers of the area were given a preview<br />
of "Cell 2455, Death Row" at the<br />
Empire Theatre as guests of Manager John<br />
McAvoy . . . Children's Circus Week was observed<br />
at Nathan Yamins' Embassy Theatre<br />
during the Easter vacation. The observance<br />
was preceded by a parade in the center of<br />
the city. Children enjoyed rides on ground<br />
concessions, the free miniature circu.s lobby<br />
display and a stage show, which featured the<br />
final day of the special program. Local merchants<br />
distributed tickets for the event.<br />
.<br />
Mac Wiseman and his Hill Billies played a<br />
successful one-night stand at the Empire.<br />
Manager McAvoy was selected as a judge for<br />
a beauty show sponsored by a leading local<br />
merchant Westport Drive-In,<br />
operated by Nathan Yamins, ha.s been increased<br />
to accommodate 100 more cars. It<br />
is located in the nearby town of Westport<br />
Slayer is recuperating at the Union<br />
Hospital following a major operation. He<br />
is manager of the Durfee Theatre.<br />
Starr Talks on Toll TV<br />
NEW HAVEN—Subscription TV was discussed<br />
by Alfred Starr of Nashville, former<br />
TOA president and now chairman of the TOA<br />
executive committee, in an address before<br />
Connecticut exhibitors at the Lincoln Theatre.<br />
The talk was open to all state showmen.<br />
More than 75 attended.<br />
Vacations in Arizona<br />
HARTFORD—A. J. "Jack" Bronstein,<br />
president of East Hartford Family Drive-In<br />
Theatre Corp., has returned from a threeweek<br />
vacation trip to Arizona.<br />
I)X0FFICE :: May 7, 1955 83
'<br />
. . . Joe<br />
. . . The<br />
. . Rejected<br />
. . Lea<br />
:<br />
WINNIPEG<br />
•pari Fainblitt, formerly with International<br />
Films, is the new booker at Warner<br />
Bros., replacing Barney Brookler. who resigned<br />
and is contemplating the formation<br />
of another booking service company in this<br />
Among visitors to the Paragon<br />
territory . . .<br />
offices on Filmrow were Izzy Berenbaum of<br />
the Starlite. Regina; Emil Schmidt, who is<br />
building the Blue Moon Drive-In near Morden.<br />
and Harry Baldwin of the Avalon.<br />
On Filmrow were Morris Druil,<br />
. Som'is . .<br />
Shoal Lake; Garnet Wright. Keewatin; Tom<br />
Morris. Virden: Charlie Chaplin. United<br />
Artists general manager; Cecil Fox. assistant<br />
general sales manager for 20-Fox. and Murray<br />
Sweigman. Theatre Poster Service. Toronto.<br />
Travel has been banned on most provincial<br />
highways and the film men were stranded<br />
in the city . . . JARO Manager Phil Geller<br />
will replace retiring Joe Huber as manager<br />
FOR SALE<br />
YES! 8,500 LATE MODEL<br />
USED OR RECONDITIONED<br />
Also new British-Luxury Choirs available<br />
THEATRE<br />
CHAIRS<br />
Spring edge steel bottom seat cushions and<br />
upholstered backs— spring back types also.<br />
fully<br />
Carpeting, asphalt, rubber. Vinyl tiles and<br />
WE ARE FACTORY AGENTS-<br />
PRICES MOST REASONABLE<br />
"LA SALLE"<br />
RECREATIONS, Ltd.<br />
Theatre Ctiairs, Carpet. Linoleum and Tile Division. )<br />
945 GRANVILLE ST., VANCOUVER d<br />
MARINE 5034-5428<br />
^<br />
\<br />
of the 20th-Fox branch office here June 1.<br />
Huber has a splendid record of 34 years of<br />
faithful service with the same company, and<br />
is being pensioned upon retirement.<br />
Mesho Triller held "Childi-en of Love" for<br />
a second week at the Dominion. In advertising<br />
his second week Triller used a photo<br />
of his lineup in front of the theatre . . .<br />
Tom Pacey advertised the fourth and final<br />
week of "A Man Called Peter" at the Odeon.<br />
Saskatchewan Labor Minister C. C. Williams<br />
said he would be glad to look into his<br />
province's system of censoring films at the<br />
next session of the legislature to see if some<br />
improvements can be made. Williams made<br />
the statement during consideration of an<br />
item of $13,910 for the provincial film censor<br />
for 1955-56. Hanley representative Robert<br />
Walker had suggested the province should<br />
re-examine its position. He said Saskatchewan,<br />
in substituting a censor for the criminal<br />
code, was leading to a "totalitarian" type of<br />
thinking. "If you repose that supreme power<br />
in a censor, you repudiate the principle that<br />
everyone is entitled to literary freedom."<br />
Walker stated during a session in parliament.<br />
Drive-In operators report an unusually large<br />
amount of speakers have been stolen for the<br />
.short amount of time they have been In<br />
operation. Patrons are also removing relish,<br />
mustard and raw onion receptacles from the<br />
condiment bars and strewing the contents<br />
over floors and walkways. Most managers<br />
bar and lock their- refreshment bars and<br />
buildings right after the Sunday midnight<br />
intermission for fear of damage, bodily<br />
harm, or robbery.<br />
'Murder' at Art House<br />
TORONTO—"Three Cases of Murder" was<br />
the British opus at the International Cinema,<br />
while the Hollywood introduced a new British<br />
picture in "Court Martial." Against these<br />
were three Italian pictures: "I Falsari" at<br />
the Studio. "Barber of Seville" at the Pylon<br />
and "Donne Senza Nome" at Major's St.<br />
Clair.<br />
J. M. RICE & CO., Ltd.<br />
202 Canada Bldg.<br />
Telephone 93-5486<br />
Winnipeg, Manitoba<br />
10029 Jasper Ave.<br />
Telephone 28502<br />
Edmonton, Alberta<br />
35mm and 16mm Motion Picture and Sound Equipment<br />
EXPERT REPAIR DEPARTMENT<br />
Sole agents in Western Canada for Ballantyne Sound, Projectors, Drivein<br />
Equipment and 3-D Equipment.<br />
Check This List and See Us Soon:<br />
Screens<br />
Radio Tubes and<br />
DArc Lamps<br />
Tungor Bulbs<br />
P . „ Theatre Chairs<br />
|—I<br />
'—<br />
Carbons Lenses<br />
D Generators Lamps d Tickets<br />
Electrical Supplies F] Batteries<br />
VANCOUVER^-<br />
Qrpheum Manager Ivan Ackery lost anotlf<br />
member of his floor staff when Jimr<br />
Webster was promoted to assistant manaj}<br />
of the Capitol, replacing Gerry Anthoi,<br />
who resigned. Both houses are PPC uni<br />
Segal. IFD booker, has quit sb'<br />
bus:ness .<br />
MGM here,<br />
. Roy Clouston, formerly w:!<br />
is now with International Fii<br />
.<br />
Frank Martineau. tot<br />
Distributors . . .<br />
artist, is doing some lobby displays for tf<br />
Studio Theatre.<br />
Peter Sigalet is now on the floor staff f:<br />
the International Cinema . Poll, si<br />
of Donn Foil of the Studio, was marr I<br />
to Elizabeth Tangye. Both are members<br />
I<br />
the violin section of the Vancouver Symph(;(<br />
orchestra.<br />
Foto-Nite ran up against the law ji<br />
Sa.'^katoon. Sask. The Tivoli. Broadway ei<br />
Victory have been charged with conduct|<br />
a scheme or operation of a lottery contriir<br />
to the criminal code . by e<br />
Alberta board of censors were "The 'V.ii<br />
One." "Public Enemy." "She Shoulda Sjl<br />
No" and "The French Line." The last \lSi<br />
approved after alterations, but is still mS<br />
ing from British Columbia screens. T(-<br />
vision is not any competition for the Burn;)<br />
Film Council, Vic Price, retii'ing presides<br />
told the annual meeting. The group p-<br />
sented 194 shows attended by 24.560 pecf<br />
over a 6-month period, an increase of I<br />
per cent in attendance. All units are f<br />
16mm.<br />
Ivan Ackery gave "Royal Symphony<br />
treatment at the Orpheum with half<br />
ads in two daily papers. Jack Reid desefti<br />
mention for cutting it down from 60 1<br />
minutes to fit in with the Orpheum proi<br />
Okanagan fruit belt area arotjl<br />
Penticton will have two new drive-ins ;(<br />
a new four-wall theatre this summer. 1<br />
berta theatre owner F. Steffin will buili^i<br />
500-seater in competition to the FPC Cajt)<br />
and expects to open in September. A ArH<br />
in will be erected on Highway 97 by Aij<br />
Morris, while Pete Barnes, operator of tlMi<br />
Vancouver area theatres, will build a*<br />
Pow-Pow Drive-In at Oreville, Wash.,|<br />
hold 500 cars. The latter will cost $150J<br />
Canadian NFB Film to G<br />
To Latin America Video<br />
\<br />
MONTREAL—The National Film Boanp:<br />
Canada has signed a contract with FOR/1<br />
(Fremantle Overseas Radio & Televis:<br />
giving that company rights for distribuji;<br />
of NFB films to television stations in L;<br />
America. Paul Talbot, president, signed<br />
Fremantle when in Ottawa and A. W. Ti?<br />
man. commissioner, signed for the NFiaf<br />
Canada. The arrangement takes effect i-<br />
mediately.<br />
Of the many NFB subjects to be distribi'd<br />
by FOR-TV. some will be in Spanishori<br />
Portuguese. Others will have music id<br />
sound effect tracks only, to which author?d<br />
Spanish or Portuguese commentaries. ;Pplied<br />
by the board, will be dubbed inJyi<br />
local announcers.<br />
The contract was concluded as one of le:<br />
results of a survey of NFB distribu'ni<br />
activity in Mexico and Cuba, made ea er.<br />
this year by Len W. Chatwin, directonofdistribution<br />
for NFB.<br />
86 BOXOFFICE May 7,
'<br />
'<br />
—<br />
: May<br />
—<br />
. . . Curly<br />
. . . Miss<br />
. . Manager<br />
. . Sam<br />
.<br />
.<br />
'oronto Holds Steady<br />
luring Warm Weather<br />
'rORONTO—With a spell of warm weather,<br />
ironto first runs were steady to good on<br />
y dovers at seven theatres and three new<br />
tures.<br />
J<br />
The best grosser was "Battle Cry"<br />
3 the Imperial, while among the extended<br />
e;agements. "The Country Girl" still had<br />
H)Ull in its fifth w'eek at Shea's.<br />
:<br />
,<br />
i|<br />
Average Is 100)<br />
anion University Eost of Eden (WB), 3rd wk. 100<br />
flond—To Paris with Love (JARO), 4th wk 100<br />
lenol— Bottle Cry ;WB) 20<br />
I<br />
Llws^The Gloss Slipper (MGM), 2nd wk<br />
1<br />
115<br />
Htown White Feother (20th-Fox) 105<br />
C-on—A Mon Colled Peter (20th-Fox), 4th wk. . .100<br />
5jjs_The Country Girl (Poro), 5th wk 105<br />
T>1 —Seven Angry Men (AA); The Mighty<br />
•ortress AA) 110<br />
l,ne~Aido IFE), 4th wk 100<br />
own— Bedevilled !MGM) 110<br />
racouver Grosses<br />
How Average<br />
'/ANCOUVER— Receipts here were down<br />
\ h most houses far below average. "Hit the<br />
1 ck" was only fair at the Capitol and was<br />
(, after six days. "A Man Called Peter"<br />
TS below expectations at the Vogue, but<br />
1 s held.<br />
(,itol— Hit the Deck MGM) Fair<br />
(emo— Reor Window Paro), Sobrino (Para)..Foir<br />
i< heum—Many Rivers to Cross (MGM) Fair<br />
(odise— High Society AA); Dial Red O<br />
AA)<br />
Moderate<br />
Iza—Court Martial (JARO); Five Guns West<br />
SR)<br />
Averoge<br />
. . . Joe<br />
. . . The<br />
. . Rejected<br />
. . Lea<br />
'<br />
WINNIPEG<br />
pari Fainblitt, formerly with International<br />
Films, is the new booker at Warner<br />
Bros., replacing Barney Brookler. who resigned<br />
and is contemplating the formation<br />
of another booking service company in this<br />
territory . . . Among visitors to the Paragon<br />
offices on Filmi-ow were Izzy Berenbaum of<br />
the Starlite, Regina; Emil Schmidt, who is<br />
building the Blue Moon Drive-In near Morden,<br />
and Harry Baldwin of the Avalon.<br />
Souris ... On Filmrow were Morris Druil,<br />
Shoal Lake: Garnet Wright, Keewatin; Tom<br />
Morris, Virden; Charlie Chaplin, United<br />
Artists general manager: Cecil Fox, assistant<br />
general sales manager for 20-Fox, and Murray<br />
Sweigman, Theatre Poster Service, Toronto.<br />
Travel has been banned on most provincial<br />
highways and the film men were stranded<br />
in the city . . . JARO Manager Phil Geller<br />
will replace retiring Joe Huber as manager<br />
FOR SALE<br />
YES! 8.500 LATE MODEL<br />
USED OR RECONDITIONED<br />
Also new British-Luxury Choirs available<br />
THEATRE<br />
CHAIRS<br />
Spring edge steel bottom seat cushions and<br />
fully upholstered bocks— spring bock types also.<br />
Corpeting, asphalt, rubber, Vinyl tiles and<br />
Imoleum,<br />
WE ARE FACTORY AGENTS-<br />
PRICES MOST REASONABLE<br />
11<br />
you photographs<br />
LA SALLE"<br />
RECREATIONS, Ltd.<br />
Theatre Chairs, Carpet, Linoleum and Tile Division.<br />
945 GRANVILLE ST., VANCOUVER<br />
MARINE 5034-5428<br />
of the 20th-Fox branch office here June 1.<br />
Huber has a splendid record of 34 years of<br />
faithful service with the same company, and<br />
is being pensioned upon retii'ement.<br />
Mesho Triller held "Children of Love" for<br />
a second week at the Dominion. In advertising<br />
his second week Triller used a photo<br />
of his lineup in front of the theatre . . .<br />
Tom Pacey advertised the fourth and final<br />
week of "A Man Called Peter" at the Odeon.<br />
Saskatchewan Labor Minister C. C. Williams<br />
said he would be glad to look into his<br />
province's system of censoring films at the<br />
next session of the legislature to see If some<br />
improvements can be made. Williams made<br />
the statement during consideration of an<br />
item of $13,910 for the provincial film censor<br />
for 1955-56. Hanley representative Robert<br />
Walker had suggested the province should<br />
re-examine its position. He said Saskatchewan,<br />
in substituting a censor for the criminal<br />
code, was leading to a "totalitarian" type of<br />
thinking. "If you repose that supreme power<br />
in a censor, you repudiate the principle that<br />
everyone is entitled to literary freedom,"<br />
Walker stated during a session in parliament.<br />
Drive-In operators report an unusually large<br />
amount of speakers have been stolen for the<br />
short amount of time they have been in<br />
operation. Patrons are also removing relish,<br />
mustard and raw onion receptacles from the<br />
condiment bars and strewing the contents<br />
over floors and walkways. Most managers<br />
bar and lock their refreshment bars and<br />
buildings right after the Sunday midnight<br />
intermission for fear of damage, bodily<br />
harm, or robbery.<br />
'Murcier' at Art House<br />
TORONTO—"Three Ca.ses<br />
of Murder" was<br />
the British opus at the International Cinema,<br />
while the Hollyvi'ood introduced a new British<br />
picture in "Court Martial." Against these<br />
were three Italian pictures: "I Falsari" at<br />
the Studio, "Barber of Seville" at the Pylon<br />
and "Donne Senza Nome" at Major's St.<br />
Clair.<br />
J. M. RICE & CO., Ltd.<br />
202 Canada Bldg.<br />
Telephone 93-548G<br />
Winnipeg, Manitoba<br />
10029 Jasper Ave.<br />
Telephone 28502<br />
Edmonton, Alberta<br />
35mm and 16mm Motion Picture and Soimd Equipment<br />
EXPERT REPAIR DEPARTMENT<br />
Sole agents in Western Canada for Ballantyne Sound, Projectors, Drivein<br />
Equipment and 3-D Equipment.<br />
[]] Screens<br />
n Arc Lamps<br />
Rectifiers<br />
n Generators<br />
Electrical<br />
Check This List cmd See Us Soon:<br />
Radio Tubes and<br />
Tungor Bulbs<br />
Theatre Chairs<br />
n Carbons Lenses<br />
Lamps<br />
Tickets<br />
Supplies r] Batteries<br />
VANCOUVER<br />
Qrpheum Manager Ivan Ackery lost anotlmember<br />
of his floor staff when Jimi<br />
Webster was promoted to assistant mana;<br />
of the Capitol, replacing Gerry Anthoi<br />
who resigned. Both houses are FPC un<br />
Segal, IFD booker, has quit sh<br />
business .<br />
MGM here,<br />
. Roy Clouston, formerly w:<br />
is now with International Pij<br />
.<br />
Frank Martineau. lo.l<br />
Distributors . . .<br />
artist, Ls doing some lobby displays for t><br />
Studio Theatre. f<br />
Peter Sigalet is now on the floor staff!<br />
the International Cinema . Poll, si<br />
of Donn Foli of the Studio, was marrl<br />
to Elizabeth Tangye. Both are members!<br />
the violin section of the Vancouver SymphcJF<br />
orchestra.<br />
Foto-Nite ran up against the law Ji<br />
Saskatoon, Sask. The Tivoli, Broadway sa<br />
Victory have been charged with conducts<br />
a scheme or operation of a lottery contris<br />
to the criminal code . by t<br />
Alberta board of censors were "The vJi<br />
One," "Public Enemy," "She Shoulda Sfl<br />
No" and "The French Line." The last ijs<br />
approved after alterations, but is still moling<br />
from British Columbia screens. Tflvision<br />
is not any competition for the Bumij!<br />
Film Council, Vic Price, retiring presid^<br />
told the annual meeting. The group<br />
sented 194 shows attended by 24,560 ped<br />
over a 6-month period, an increase ofjl<br />
per cent in attendance. All units are C<br />
16mm.<br />
Ivan Ackery gave "Royal Symphony"<br />
treatment at the Orpheum with half-pl<br />
ads in two daily papers. Jack Reld deseij<br />
mention for cutting it down from 60 toj<br />
minutes to fit in with the Orpheum progil<br />
Okanagan fruit belt area aroi]<br />
Penticton will have two new drive-ins i(<br />
a new four-wall theatre this summer. »<br />
berta theatre owner P. Steffin will buili<br />
500-seater in competition to the FPC CapSl'<br />
and expects to open in September. A drp<br />
in will be erected on Highway 97 by A<br />
Morris, while Pete Barnes, operator of tlje.<br />
Vancouver area theatres, will build<br />
Pow-Pow Drive-In at Oreville, Wash.,i<br />
hold 500 cars. The latter will cost $150JftJ<br />
Canadian NFB Film to Glr'<br />
To Latin America Vicieo<br />
MONTREAL—The National Film BoanpL<br />
Canada has signed a contract with FORil<br />
(Fremantle Overseas Radio & Televisii<br />
giving that company rights for distribuil<br />
of NFB films to television stations in Ll<br />
America. Paul Talbot, president, signedbBfjjj<br />
Fremantle when in Ottawa and A. W. Tip gj,<br />
man, commissioner, signed for the NPlb ijf]<br />
Canada. The arrangement takes effect p<br />
mediately.<br />
| ijj.<br />
Of the many NFB subjects to be distribifl<br />
by FOR-TV, some will be in SpanishDl^<br />
Portuguese. Others will have music id<br />
sound effect tracks only, to which authored,<br />
Spanish or Portuguese commentaries, fp|<br />
plied by the board, will be dubbed inp<br />
local announcers.<br />
The contract was concluded as one off<br />
results of a survey of NFB distribuM<br />
activity in Mexico and Cuba, made ea:|f<br />
this year by Len W. Chatwin, directoilo<br />
distribution for NFB.<br />
86 BOXOFFICE May 7,
I<br />
I r the top, the goal of $5,105,000 being ext<br />
1 m.^iands<br />
'<br />
'<br />
I<br />
' distinction<br />
—<br />
—<br />
: May<br />
—<br />
. . . Miss<br />
. . Manager<br />
. .<br />
'oronto Holds Steady<br />
luring Warm Weather<br />
'I'ORONTO—With a spell of warm weather,<br />
"iionto first runs were steady to good on<br />
Hdovers at seven theatres and three new<br />
ritures. The best gi-osser was "Battle Cry"<br />
3 the Imperial, while among the extended<br />
djagements. "The Country Girl" still had<br />
3 mil in its fifth week at Shea's.<br />
.<br />
(Average Is 100)<br />
University Eost of Eden (WB), 3rd wk.lOO<br />
Inton<br />
ond—To Poris with Love (JARO), 4th wk 100<br />
||,erial"-Bottlc Cry (WB) 20<br />
iJw's^Thc Gloss Slipper (MGM), 2nd wk<br />
1<br />
115<br />
Rtown—White Feother (20th-Fox) 105<br />
Con—A Man Colled Peter (20th-Fox). 4fh wk. .100<br />
Sios—Thc Country Girl (Para), 5fh wk 105<br />
Tall—Seven Angry Men (AA); The Mighty<br />
ortress (AA) 110<br />
l.ne— Aido (IFE), 4tli wk 100<br />
d own—Bedevilled (MGM) 110<br />
racouver Grosses<br />
How Average<br />
'/ANCOUVER—Receipts here were down<br />
\l h most houses far below average. "Hit the<br />
]ck" was only fair at the Capitol and was<br />
(, after six days. "A Man Called Peter"<br />
\s below expectations at the Vogue, but<br />
\)s<br />
held.<br />
Aitol Hit the Deck (MGM) Fair<br />
demo— Reor Window (Para); Sobrino (Para).. Fair<br />
Qheum Mony Rivers to Cross (MGM) Fair<br />
Bodise— High Society (AA); Dial Red O<br />
AA)<br />
Moderate<br />
lizo—Court Martial (JARO); Five Guns West<br />
SR)<br />
Average<br />
d,nd The Gloss Slipper (MGM), 2nd wk Fair<br />
idio The Little Fugitive (UA), 3rd wk, .. Moderate<br />
;\I|ge<br />
. . , Averoge<br />
A Man Colled Peter (20th-Fox) .<br />
IFB's 'Stratford' Wins<br />
Canadian Film Award<br />
l)TrAWA—The National Film Board's "The<br />
i'atford Adventure" was chosen by the<br />
(inadian Film Awards as the top 1954 Caii.1ian<br />
made short subject. The picture deals<br />
vh the Shakespearean Festival, which is<br />
I'.v in its third year at Stratford, Ont. Accding<br />
to Walter Herbert, chairman of the<br />
Sards committee, this is the first time the<br />
t'up has given a chief award to the govemilnt<br />
film agency.<br />
Ivinners of class awards, in addition to<br />
'I ratford," were "Gift of the Glaciers" by<br />
i' Alberta government; "Where None Shall<br />
lirst," produced by the United Church of<br />
(nada. and "Riches of the Earth," NFB.<br />
.iecond prizes went to "It's in the Cards,"<br />
I'lduced by Crawley Films, and "High Tide<br />
1 Newfoundland," "The Homeless Ones" and<br />
;ie Little Indian," all from NFB.<br />
]?C Officials Acclaimed<br />
br Hospital Fund Aid<br />
TORONTO—Both President J. J. Fitzgib-<br />
1 !.
I<br />
"txclusive<br />
. . Lucien<br />
. . Herman<br />
. . Doreen<br />
. . H.<br />
. .<br />
. . Manager<br />
. . Ernie<br />
MONTREAL<br />
. Wide<br />
John Filion has been appointed regional<br />
manager in eastern Canada for Gevaert.<br />
He started his career with the Bell Telephone<br />
Co. of Canada<br />
as a salesman, entering<br />
Arrow Films after<br />
serving with the Royal<br />
Canadian Aii' Force<br />
during World War II.<br />
He held the position of<br />
district manager until<br />
his appointment with<br />
Gevaert. .<br />
publicity has been<br />
given to International<br />
Variety's presentation<br />
o f George Formby,<br />
John Filion British film and stage<br />
star, in a giant revue to be offered at the<br />
Montreal Forum May 9.<br />
. . .<br />
Quebec province exhibitors are closely<br />
checked on admittance of children, but just<br />
the same, reports come up every so often<br />
of breaches of the law including that theatres<br />
in smaller towns openly advertise<br />
special Sunday matinees for children<br />
The Montreal chapter of the Professional<br />
Technicians showed three colored fUms at<br />
their annual meeting . . . City of Montreal's<br />
open-air theatre will be in operation late in<br />
Jime. It will have a seating capacity of<br />
2,500, and stage and screen shows will be<br />
presented.<br />
Bill Young, head booker at Paramount, was<br />
home ill . . . Columbia's Sales Salute Drive,<br />
Jan. 1-June 25, comprising all branches of<br />
the company, both Canadian and American,<br />
is very much to the fore in Montreal. District<br />
and local office Manager I. Levit has been<br />
asking all exhibitors to help make the drive<br />
John Levitt, salesman for<br />
a success . . .<br />
Columbia, has left on another business trip<br />
to Shawinigan Falls and district . . . "The<br />
Long Gray Line" opened at the Palace Theatre.<br />
D. V. Rosen, Toronto general manager of<br />
International Film Distributors and of Allied<br />
Artist Pictures of Canada, conferred with<br />
MOTIOGRAPH equipment<br />
Cgnplali llni<br />
ol lictory pifts<br />
Everything for the theatre<br />
We Sell and Service<br />
Theatre Chain, Rectiflon, Are Lamps,<br />
Sound Equipment, 16mm af>d 35mm Projectors<br />
SHARP'S THEATRE SUPPLIES, Ltd.<br />
Phones: 2-4076 and 2-7266<br />
Film Exchange BIdg. Colgary, Alto.<br />
Conadion Distributor For Film<<br />
. . . Billy<br />
.<br />
District Manager Joe Oupcher<br />
Daniels, screen and recording artist, enjoyed<br />
success at the United Amusement's<br />
Seville Theatre Goldberg, of<br />
WB's New York City office visited the local<br />
branch office where plans are being made to<br />
renovate and modernize Masters,<br />
Toronto,<br />
.<br />
Warner Bros, general manager for<br />
Canada, conferred with Manager Alxhie<br />
Cohen . Jean is the new accountant<br />
at Montreal Poster, succeeding Rene Brosseau<br />
... A. Kucen, auditor, 20th-Fox's New<br />
York City office, is at the Montreal branch.<br />
Jacqueline Osher, cashier at United Artists,<br />
has been sent to the Toronto office for a<br />
few weeks, replacing the Toronto cashier<br />
absent because of Illness . . .<br />
The Filmi'ow<br />
office staff was much interested in the news<br />
concerning Pierrette DeQuoy, formerly secretary<br />
to Gerry Chernoff, 20th-Fox manager.<br />
Some time ago she left to study art in<br />
France, and met Serge N. Emelyanov of<br />
Toulon. Now they plan to marry in Montreal.<br />
Mrs. Jean-Gay Tremblay, (Carmen Hamel),<br />
cashier at IFD. postcarded her colleagues<br />
here from Miami Beach, Fla., where she is<br />
honeymooning . Acker, stenographer<br />
at Warner Bros., and Isadore Glassman<br />
plan to marry early this summer .<br />
Paul "Vanier, salesman for Warner Bros.<br />
16mm division, left by automobile on a business<br />
trip to the Gaspe peninsula . . .<br />
Exhibitors<br />
on Filmrow included Maurice Phaneuf,<br />
manager of the Granada at Sherbrooke, a<br />
UAC house; Eugene Venne of the Avalon,<br />
Longueuil; Ai-mand Gingras of the Canada,<br />
Levis. Quebec; G. Tremblay of the Palace at<br />
Ai-vida and the Capitol at Chicoutimi; Mel<br />
Cohen, of the Rex, Ste. Anne-de-Bellevue.<br />
Tent 28 Schedules Three<br />
More Charity Events<br />
TORONTO—In addition to the five-engagement<br />
tour of British comedian George Formby,<br />
which opens Monday (9) at Montreal,<br />
Toronto "Variety Tent 28 has lined up three<br />
special attractions to aid the "Variety 'Village<br />
Vocational School for handicapped boys.<br />
An outstanding feature is the aimual International<br />
League benefit baseball game at the<br />
local ball park late in June, through which<br />
Tent 28 expects to raise $50,000 or more, as<br />
usual.<br />
Also booked is a Scottish band concert,<br />
under the management of Sol Hurok, which<br />
w'ill go into Maple Leaf Gardens here in the<br />
early fall. Negotiations are also proceeding<br />
for a sponsored Canadian tour by an English<br />
road company.<br />
Chief Barker Harry S. Mandell and his<br />
associates report they are deeply grateful<br />
to the associations of theatre managers for<br />
the benefit nights at Hamilton, St. Catharines,<br />
Belleville, Brantford, Windsor, Toronto, North<br />
Bay, Peterborough, Guelph and Chatham, as<br />
well as to Canvasman George Altman for his<br />
one-man scrap metal campaign for the same<br />
cause.<br />
The George Formby bookings include Montreal,<br />
Ottawa. Toronto, Hamilton and London.<br />
P. Gonzales Gonzales Borrowed<br />
Borrowed from Batjac Productions, Pedro<br />
Gonzales Gonzales will have a featured role<br />
in RKO's "Bengazi."<br />
F<br />
trip hoi's<br />
i<br />
FPC Plans Experimer<br />
To Share Transit Cost<br />
TORONTO—FPC President J. J. Fitzg<br />
bons reported at the company's annual mei.<br />
ing that a test would be made in Va<br />
couver of a plan for the sharing of patro<br />
public transportation costs in a tiein with tt a<br />
British Columbia Electric Co.<br />
A transit ticket for the return<br />
would be given to the theatregoer on pi:,.<br />
senting a transfer at the boxoffice. For t-<br />
part, the transit firm would furnish thea^'<br />
information through its telephone serve<br />
while, in exchange, the theatres would i-.i<br />
range to advertise the advantages of the piL<br />
lie utility through the medium of the sere<br />
Fitzgibbons said that, if the test proiii:j<br />
satisfactory, a similar plan would be offe^f<br />
to the Toronto Transit commission.<br />
He also told the meeting that televisjii<br />
competition was tapering off, but said tijtj<br />
the T'V broadcasting stations at Kitche:<br />
and Quebec City, in which the chain h;<br />
50 per cent interest, were going very wel<br />
Fitzgibbons expressed the belief t<br />
Famous Players earnings in 1955 would<br />
equal to the showing last year. The circ<br />
secured about 42 per cent of the total theaje'<br />
gross for all Canada and paid 45 per cent<br />
total film rentals.<br />
OTTAWA<br />
.<br />
'IVA'anager Clare Chamberlain of the Gl«'<br />
Cinema was happy with a holdover fc"<br />
fom-th week of "Mr. Hulot's Holiday," brol<br />
for two nights by the stage appearance<br />
Ruth Draper Warren supervi<br />
the 1955 start of the Aladdin Drive-In<br />
20th Century Theatres unit here, while LI.<br />
Williams turned on the lights for the Ift<br />
Elmsley near Smiths Falls . . With<br />
.<br />
assist by Manager Ray Tubman of the Ci\<br />
Paramount conducted a special screeCfg<br />
tol.<br />
of "Assignment Children" for a Parliamkt<br />
gathering.<br />
R, E. Maynard of the Francais had "Sam<br />
and Delilah" for a first Ottawa run in<br />
French language version.<br />
Sunday services continue in the Cap<br />
for the congregation of Chalmers Chi)<br />
while reconstruction of the downtown edi<br />
is carried out following considerable fire 6i<br />
age . Ray Tubman had the ani<br />
concert of the Ottawa Philharmonic Soc<br />
between pictures.<br />
Buys J. T. Farrell Rights<br />
From Hollywood Edition<br />
HOLLYWOOD—Producer Lew Kerner,<br />
recently acquired film rights to the Jame<br />
Farrell novel, "Studs Lonigan," has seci<br />
similar rights to all of Farrell's other li'<br />
properties. "Studs Lonigan" is being<br />
for lensing as a United Artists release.<br />
Good Housekeeping for May selects<br />
follcwlng pictures for all the family:<br />
signment Children," "The Blackbc<br />
Jungle," "Interrupted Melody" and<br />
Glass Slipper." Recommended for<br />
is "Tight Spot."<br />
88<br />
BOXOFFICE May 7,
v Srrihp U<br />
H<br />
Cauu>me/nt • C&Hce-uc»tvs • AftiititlnaAiCc<br />
©PBIH<br />
MAY<br />
7. 1955<br />
l^utomaiic vending is an<br />
important adjunct to the<br />
nearby concession stand<br />
in the recently remodeled<br />
RKO Keith's<br />
Theatre in Washington,<br />
D. C, This new cold<br />
drink machine offering<br />
eight different flavors<br />
and a choice of six carbonated<br />
and two noncarbonated<br />
drinks is recessed<br />
into the wall, as<br />
is also the receptacle for<br />
used cups. It is a dual<br />
machine which can serve<br />
two people at once, and<br />
there are also two builtin<br />
coin changers. The<br />
de luxe first run Washington<br />
theatre was recently<br />
reopened after a<br />
$100,000 remodeling extending<br />
over a period of<br />
eight months.<br />
featuring<br />
i^onceddlond unci ^y^uiomutlc Uencli
50,000,000 times a day . . .<br />
IT'S A MATTER OF<br />
Coca-Cola is the most asked-for<br />
soft drink in drug stores !<br />
*<br />
^IJO y U »>. L h FL-AT;.<br />
1<br />
. Patrons of drug store soda fountains<br />
buy more Coca-Cola than all other<br />
soft drinks combined.<br />
2. When these people patronize your theatre,<br />
they'll look for their favorite.<br />
3. You can turn their proven preference<br />
into profit — by selling them<br />
what they want: Coca-Cola.<br />
...more than<br />
9,600 theatres do!<br />
•1954 surveys by Alfred Politz Research, Inc.
1 XOFFICE<br />
I<br />
,35' «'<br />
Mi H***"*<br />
..w<br />
Vi<br />
^1<br />
^r^<br />
c<br />
^<br />
I^<br />
'"r' !n seporO«e mon^^'J i„o,ion, o-^^ (
.<br />
Keep an Ear<br />
to the Ground!<br />
m<br />
1^'<br />
tic<br />
sound<br />
You'll hear an exciting sound! . . . appealing, realisstereophonic<br />
sound!<br />
Yes, stereophonic sound is making a "big noise"<br />
everywhere. The top films, the name films, the big box office films<br />
— all are using this new directional sound technique! Movie-goers<br />
who have already heard it want more . . . and those who have not<br />
yet heard it are anxiously awaiting a chance!<br />
What an opportunity this is for you! Give 'em what<br />
they're so eager to hear— stereophonic sound at its best! And to<br />
make sure it's the best, use the greatest sound system in the<br />
i<br />
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i#<br />
I iS/fi?<br />
STEREOPHONIC SOUND<br />
MANUFACTURED BY INTERNATIONAL PROJECTOR CORPORATION • DISTRIBUTED BY NATIONAL THEATRE SUPPLY<br />
SUBSIDIARIES OF GENERAL PRECISION EQUIPMENT CORPORATION<br />
^^0^0§§S^^'-<br />
^i^^li^i^M«?siili^i^ss-^<br />
The MODERN THEATRE SEClE
.!<br />
IBest for today's screens<br />
a, ns/CXTST for tlxe f\xt\ire<br />
Drive-in screens have grown wider to show the<br />
new processes . . . and they're sti/lgrowing/That's<br />
why RCA Dyn-Arc Projection Lamps are advanceengineered<br />
for lighting power far beyond that of<br />
conventional lamp designs.<br />
RCA Dyn-Arcs give all the light you need for<br />
successful showing of today's wide-screen boxoffice<br />
hits. They're perfect for use with an f/1.7<br />
lens. And with present standard or Hitex carbons,<br />
Dyn-Arcs throw more light per ampere<br />
than any other lamp in their field.<br />
The Dyn-Arc brings you still another important<br />
benefit. It has been designed to take full advantage<br />
of the newer developments in the projection<br />
arc lighting field.<br />
Dyn-Arc's "Instant Acting" ventilating assembly<br />
keeps reflector cool and dust free. Automatic<br />
water circulator available to lower overall operating<br />
temperature. And thanks to a large, highspeed<br />
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Best for today's screens, a wust for the future . .<br />
RCA Dyn-Arc Lamps! Your independent RCA<br />
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Office<br />
RADIO CORPORATION of AMERICA<br />
eHGINBERING PRODUCTS DIVISION<br />
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IXOFFICE May 7, 1955
ml<br />
B The btillioncy of your projected pictures,<br />
regardless of the efficiency of oil other equipment,<br />
is dependent directly upon the condition<br />
6f your lamphouse reflector. The only light<br />
which con reach your screen niust necessorily<br />
be reflected to it by this mirroi.<br />
since a drop of only 10% in their reflective<br />
efficiency results in a corresponding decrease in<br />
screen brilliancy, and accordingly also represents<br />
a loss amounting to 10% of the cost of your<br />
current ond carbons.<br />
I<br />
All reflectors gradually deteriorate to a state<br />
where replacement cost becomes insignificant.<br />
NATIONAL<br />
iilfJill^i'lHl'M<br />
OivMlgn ol Nol'ionsl • Simple. •Bludwolb.lix.<br />
•THEKFS A IMNCH NEAR YOU"<br />
I Genuine National Precision Reflectors are<br />
available for replacement in all types ond mokes<br />
of arc lamps.<br />
A SUBSIDIARY or<br />
The MODERN THEATRE SECT
—<br />
HA Y 7, 19 5 5<br />
n t n t<br />
'<br />
Vending-Profits From Beverages Increase When Theatres<br />
Install Modern Machines M. 8. kapp 8<br />
Combs, Perfume, Photos, Cookies, Cigarets—All Vendable<br />
in Theatres frank Leyendecker 10<br />
Ice Cream in the Theatre Lee Koken 16<br />
Ice Cream is a Year-Round Profitable Item J. J. Fitzgibbons jr. 18<br />
High Gross Profit Produced by Sale of Soft Ice Cream 20<br />
Automatic Vending Sales Up 7% in 1954 30<br />
Hot Tips on Merchandising Hot Dogs 33<br />
Hollywood Theatre Installs New Sign in the Tradition of<br />
Times Square 38<br />
Theotre Maintenance Questions and Answers Dave E. Smalley 39<br />
Lamps—for Decor and Added Lighting Doris Herzig 40<br />
Remodeling Projects, 1955— Kingston, N. Y., Washington, D. C.<br />
Walter Reade Updates a 30-Year-Old House Without Closing 42<br />
Remodeling Brings New Glamour to Oldtimer 45<br />
Simplicity Is Keynote in the Art House Elsie Loeb 48<br />
Facts About Horizontal VistaVision 49<br />
Step-By-Step Servicing of Sound Systems Wesley Trout 52<br />
How to Use the New Demagnetization Tools 59<br />
A New Concept in Projection Lenses Developed to Solve<br />
Light Problems 60<br />
An Ice Skating Rink for Winter <strong>Boxoffice</strong> 61<br />
Modified Anamorphic Lens Solves Problem of Long Drive-In Throw.. 62<br />
Construction Economies Enable Drive-ln in Small Town to Have<br />
Latest Equipment 64<br />
DEPARTMENTS:<br />
Projection and Sound 52<br />
Drive-ln Theatres 61<br />
Readers' Service Bureau 71<br />
Advertisers' Index 72 Literature<br />
ON THE COVER<br />
New Equipment and<br />
Developments 73<br />
About People and Product 75<br />
The automatic vender of cold beverages was given an attractive<br />
location near the stairway to the balcony in the remodeled RKO<br />
Keith's Theatre, Washington, D. C. It is owned an operated by<br />
ABC Vending Corp.<br />
76<br />
T,HE development of the concessions<br />
business in recent years has<br />
macie it necessary for exhibitors to become<br />
merchandisers as well as showmandisers.<br />
As in all businesses where<br />
commodities are offered for sale, the<br />
greatest profits accrue to those which<br />
are best exploited by all the tricks of<br />
advertising, promotion and display<br />
supported by careful buying and sound<br />
management.<br />
Promotion ideas cmd methods which<br />
have been proved by actual experience<br />
in the theatre field are related in<br />
articles in this issue by exhibitors and<br />
concessions industry leaders. They are<br />
well worth reading and being put into<br />
practice by other theatremen.<br />
Particular emphasis has been placed<br />
on the automatic vending machine and<br />
the important port it plays in producing<br />
plus sales for the theatre concessions<br />
operation. Theatremen have<br />
found that the automatic vender not<br />
only takes over at late shows when the<br />
concessions stand is closed, it produces<br />
additional business by taking care of<br />
the overflow at rush periods and intermissions.<br />
Starting with automatic candy machines,<br />
theatremen have now branched<br />
out with venders for beverages, ice<br />
cream, cigarets, cookies, pastry, perfume<br />
and numerous novelty items. All<br />
of these not only increase theatre<br />
profits, but perform a desired service<br />
for the patron.<br />
More and more theatres, indoor as<br />
well as drive-in, are now selling ice<br />
cream, ranging from ice cream bars<br />
and novelty items to the soft, or frozen<br />
custard, product. A special section on<br />
Ice Cream in the Theatre is published<br />
herein to give exhibitors many pointers<br />
on increasing their sales of this profitable<br />
refreshment item.<br />
I. L. THATCHER, Managing Editor<br />
T>ie MODERN THEATRE Section of BOXOFFICE is included in the first issue of eocti month.<br />
Editorial or general business correspondence should be addressed to Associated Publications,<br />
325 Van Brunt Blvd., Kansas City 24, Mo. Eastern Representative: A. J. Stocker, 9 Rockefeller<br />
=laza. New York 20, N. Y.; Central Representatives: Ewing Hutchison end E. E. Yeck, 35<br />
East Wacker Drive, Chicago 1, III.; Western Representative: Bob Wettitein, 672 South<br />
LOfoyette Pork Place, Los Angeles 5,<br />
Calif.
mAwLo<br />
Profits From Beverages ^lA<br />
Increase When Theatres \ I<br />
Install Modern Machines Nf<br />
r/ie clean, modern lines of Apco's eight-drink, dual-cup station SodaShoppe blend hi<br />
moniously with the formal decor of the grand lobby of Loew's Kings Theatre *<br />
Brooklyn, N. Y. The huge, interior-illuminated plastic door embellishment manages i<br />
emphasize the product with restrained good taste. This automatic dispenser handles pe:<br />
crowds with speed and efficiency and requires mmimum servicing.<br />
By M. B. RAPP*<br />
I HERE HAVE BEEN soiTie minor rumblings<br />
recently about soft drink and candy<br />
concession earnings having fallen off somewhat;<br />
and, since coin-operated vending<br />
machines play a very important role in<br />
these operations, I've done some intensive<br />
investigating and have come up with some<br />
very interesting observations.<br />
Since soft drink and candy concessions<br />
have come to play such an important role<br />
in the profit statements of theatres and<br />
concessionaires, it has only been natural<br />
for the vending machine industry to expand<br />
the types of equipment it offers in<br />
order to give the concessionaire and theatres<br />
full advantage of this great potential.<br />
Automatic merchandising sold well over<br />
one billion dollars worth of merchandise<br />
during the year 1954. The theatre market<br />
comprises a part of that total. However,<br />
that is good enough indication to show<br />
*Executive vice-president of Apco, Inc., New York.,<br />
manufacturers of the Automatic SodaShoppe and<br />
Coffee Shoppe.<br />
that automatic merchandising is beij<br />
relied upon more and more as a very ill<br />
portant sales outlet.<br />
[<br />
If sales in your soft drink concession<br />
have fallen off, perhaps if you woi^<br />
analyze the situation objectively you migt<br />
find that one of the reasons is that yj<br />
may be using old-type, obsolete equipmei).<br />
The modern, soft drink cup dispenser c)<br />
increase your present sales volume frc><br />
20 to as high as 75 per cent over olcf<br />
type equipment, and more important, aloi<br />
with this gain in volume it can increaj<br />
A Sampling of New Automatic Equipment Available for Venii<br />
i<br />
f<br />
Three flavors of drinks, one noncarbonated,<br />
are offered by the<br />
vender manufactured by Lyon Industries,<br />
Inc. Unit has 1 ,400-drink<br />
capacity, and a coin selector system<br />
requiring patron only to drop coin in<br />
slot opposite flavor desired.<br />
8<br />
New cup vender made by the cup vending<br />
division of Dr. Pepper Co. features<br />
manual operation with no expensive electronic<br />
parts. It is, of course, a singledrink<br />
vender. It has a capacity of 250<br />
cups and vends at five or ten cents.<br />
Chongemaker and slug rejector included.<br />
A three-selection vender made by<br />
Rowe-Spacarb, Inc., has a 600-cup<br />
capacity and vends at five and ten<br />
c^nts. Changemaker, patented Mix-A-<br />
Drink and Select-0-Carb and illuminated<br />
sign are standard. Non-carbonated<br />
attachments optional.<br />
The ColeSpa Special described by I<br />
Products Corp. as the "smallest mu| _<br />
pie drink cup machine ever mode's<br />
available in one, three and four-flc"<br />
models. Syrup capacity ranges /if^<br />
830 drinks to over 1,500 in the fc\-<br />
flavor<br />
model.<br />
The MODERN THEATRE SECTif
—<br />
average cents-per-person from a<br />
mal 1.4 cents per patron to as high as<br />
cents and in some cases as much as<br />
ents per patron. This is not merely a<br />
jhazard guess on my part. It is the<br />
ilt of analyzing certified reports which<br />
have received from concessionaires, the-<br />
; owners, both independent and chain,<br />
over the country: and, we have the<br />
nes on file if you want more detailed<br />
)rmation.<br />
modern, soft drink cup dispenser not<br />
)jv has "eye appeal" it has "buy appeal."<br />
"eye appeal" is achieved by beautifully<br />
minated plastic door embellishments<br />
ch attract the patron to the machine.<br />
'<br />
"buy appeal" is accomplished by offerthe<br />
patron almost any flavor drink he<br />
V want, either carbonated or non-<br />
|jonated. Together, the "buy appeal"<br />
the "eye appeal" combine to form<br />
j^it is known as sound beverage merclianng:<br />
and, the modern automatic cup<br />
i Denser generates enough "merchandisirl<br />
pull" to bring your customers to the<br />
irphine and then to sell them the produ,<br />
that the machine vends.<br />
EYE APPEAL IS IMPORTANT<br />
type of equipment usually offers a<br />
|)lder<br />
lilted selection of drinks and does not<br />
he the "eye appeal" of the modern drink<br />
K -chandiser. The older-type soft drink<br />
d'jensers do not offer the patron a choice<br />
u :arbonated or non-carbonated drinks<br />
&[, remember one-third of the nation<br />
dis not drink carbonated beverages. That<br />
Dtt' be one reason why your sales have<br />
fien off, if they have. Several other<br />
tiions for diminished soft drink sales with<br />
cJ'r-type. obsolete equipment are that<br />
equipment does not serve the drink at<br />
tl<br />
tl) proper carbonation and temperature;<br />
also, during peak periods when patrons are<br />
buying drinks faster than usual, in many<br />
cases the drink served will not be of the<br />
proper temperature. The modern, soft<br />
drink cup dispensers serve the carbonated<br />
drinks at 3 '2 volumes of carbonation which<br />
i?: approved by all of the major syrup companies<br />
and will dispense cold drinks rcsardl.ss<br />
of the number of drinks that are<br />
poured simultaneously. The new, modern<br />
dispenser can be depended upon and is a<br />
much more reliable unit from the standpoint<br />
of continuous operation. A tremendous<br />
amount of money is lost in older<br />
equipment because a good deal of the time<br />
the machine itself is inoperative.<br />
GROSSES JUMPED WITH NEW VENDERS<br />
As a concrete example of the selling<br />
power of new equipment over old-type<br />
equipment, we recently had a chain of<br />
35 theatres in Brooklyn, N. Y., replace<br />
their older-type coin-operated soft drink<br />
equipment witli new six-drink, multi-flavor,<br />
soft drink cup dispensers. They, too, were<br />
complaining that their grosses on soft<br />
drinks were falling off for the past three<br />
years. No sooner were these new six-drink<br />
dispensers installed than grosses jumped<br />
60 per cent with a corresponding increase<br />
in the average cents-per-person spent in<br />
those theatres.<br />
Many of the larger theatres throughout<br />
the country who were under the impression<br />
that their soft drink grosses were more or<br />
less at a peak in volume, were greatly surprised<br />
to find that by adding new, dualcup<br />
station eight and ten-drink vending<br />
equipment, their present large grosses and<br />
cents-per-person averages were increasd<br />
by as high as 20 and 30 per cent. These<br />
new dual-cup station machines, of course.<br />
are meant only for the larger hou.ses. but<br />
Theatre Beverage Venciu''];<br />
Third<br />
Largest Market<br />
Thcotrcs hove now become the third largest<br />
market for outomotic vending of beverages,<br />
topped only by service stations and industrial<br />
outlets, according to a survey mode by the<br />
National Bottlers' Gozettc.<br />
Theatres lead groceries end supermarkets, military<br />
installations, hospitals and institutions,<br />
tronsportation terminals and schools and colleges<br />
in automatic vending sales. The survey shows<br />
thot about 18 to 20 per cent of all beverage<br />
soles are now made through automatic vending<br />
equipment.<br />
Bottlers, who hove been devoting most of their<br />
merchandising attentions in the post to selling<br />
beveroges in bottles, hove turned to automatic<br />
vending in an expansion of the market. Many<br />
of them are supplying vending equipment and<br />
operating on a percentage basis. It may be that<br />
exhibitors in many areas will be approached by<br />
local bottling firms for a profit-sharing association,<br />
with equipment to be provided by the bottler<br />
as a result of that industry's expansion.<br />
because of the additional drink selection<br />
features and the fact that they can serve<br />
two patrons at one time, thereby not losing<br />
any sales during the peak periods and at<br />
the picture breaks, the new dual-station<br />
soft drink dispensers are now replacing<br />
most all other equipment in the larger<br />
theatres.<br />
It is important that all theatre owners<br />
realize that there are concessionaires who<br />
will make available to them all types of<br />
coin-operated automatic vending equipment<br />
Continued on page 12<br />
\j\\\ Hot and Cold Beverages in the Theatre Lobby<br />
-COLD , DRINI<br />
Oi -cup station Sodashoppe designed<br />
'0 leo/c loads. This ten-drink model<br />
»es six carbonated and four nontc<br />
inoted drinks using only six syrup<br />
'OS. Has 2,000-cup capacity, 2,800<br />
^' syrup capacity. Also available<br />
'" X and eight drink models.<br />
Three-drink Navenco Manufacturing Co.<br />
de luxe model produces drinks that are<br />
36 degrees in the cup. New type carbonator<br />
insures delivery at 3.5 carbonation<br />
of every drink.<br />
Individual syrup and water<br />
spouts of stainless steel for mixing drinks<br />
under proper sanitary conditions.<br />
A combination coffee and hot chocolate<br />
vender is the Stoner Cafe made by<br />
Stoner Manufacturing Co. Vends at five<br />
or ten cents, offers five selections.<br />
Capacity is 500 cups, slug rejector included,<br />
changemaker optional with various<br />
money combinations.<br />
SodaShoppe-Coffee Shoppe vends<br />
hot coffee in all forms, and hot<br />
chocolate, as well as three carbonated<br />
cold drinks. Has 1,000-cup<br />
capacity. Vends hot drinks for ten<br />
cents through one coin acceptor.<br />
Uses all dry ingredients.<br />
B< OFFICE : : May 7, 1955
ENDING<br />
"1<br />
COMBS, PERFUME, PHOTOS, COOKIES, CIGARET •:<br />
They're All Vendable in Theatres, Says Stanley Warner's Carl Siege!<br />
By FRANK LEYENDECKER<br />
I HE GREATEST BOOM in Vending in the<br />
past five years came through the ice cream<br />
vending machines, which, in an averagesize<br />
theatre, out-gross the manual counter<br />
two to one, according to Carl Siegel, in<br />
charge of all merchandising at Stanley<br />
Warner Corp. "We first put an ice cream<br />
machine in one of our theatres on a<br />
trial basis four years ago," he said.<br />
CUP VENDERS DOUBLE SALES<br />
"However, in the Stanley Warner operation,<br />
the most important piece of vending<br />
equipment is still the soft drink machine<br />
which sells beverages only through the cup<br />
venders. We have found that this machine<br />
has increased our sales volume to the point<br />
where it is at least double that previously<br />
sold by the manual operators of soft<br />
drinks," Siegel said.<br />
The location of the drink vending machine<br />
is of prime importance, with the best<br />
spot for it close to the water fountain and<br />
as far from the ladies' room as possible,<br />
Siegel feels. Patrons going for a drink of<br />
water will be attracted by the brightly<br />
lighted, cup vending machine, children<br />
because they like to operate brightly<br />
colored machines and the men because<br />
they are mechanically inquisitive. Women<br />
are rarely good customers for drink vending<br />
machines.<br />
Drive-Ins Put Cigaret Venders<br />
On Casters for More Sales<br />
Drive-in theatre managers seeking to stimulate<br />
their cigaret sales might take note of a device<br />
employed by the Midwest Music Co. in Denver.<br />
This company has put rubber-tired casters on<br />
cigaret venders installed in its drive-ins, upping<br />
cigaret sales from 15 to 45 per cent in each<br />
location. The additional investment for the<br />
casters, of course, is<br />
very small.<br />
In one typical Midwest location where sales<br />
were low, customers had to go into a dining room<br />
to purchase.<br />
Following the hunch that the sight of a machine<br />
would stimulate impulse sales. Midwest<br />
built a light-weight L-iron frame and mounted it<br />
on wheels which could be pushed by any employe.<br />
Fifteen feet of extension cord was added to<br />
supply power.<br />
Because the results far outweighed expectations.<br />
Midwest installed similar "portable" arrangements<br />
in<br />
12 more drive-ins.<br />
In the order of their importance, so'<br />
drink and beverages still lead all the othi<br />
vending items, with candy second, accori!<br />
ing to Siegel. Ice cream has now becon<br />
the third item in point of sales, with po<br />
corn the fourth.<br />
"When we installed ice cream vendii<br />
machines four years ago, this item w<br />
only one and one-half per cent of o<br />
operating gross. Last year, the ice crea<br />
vending volume had reached 9 per ce<br />
ol our gross and is still climbing," Sief<br />
said.<br />
VEND NOVELTY ITEMS<br />
"Other items we sell in our vending m<br />
chines include: cookies, nuts and, amo<br />
the newer novelty items, combs in t:<br />
men's rooms and perfumes in the ladi<br />
rooms. These combs and perfumes shoi<br />
pay for the maintenance of the men's a:,<br />
ladies' rooms but the machines must i<br />
well-lit and sparkling to attract attenti<br />
10<br />
The MODERN THEATRE SECTIi
;<br />
that<br />
1 jximately<br />
I<br />
<<br />
a<br />
: May<br />
jaret vending machines. Although we do<br />
encourage smoking in the theatres, the<br />
jt<br />
;e hour patrons appreciate being able to<br />
ty cigarets before leaving the theatres,<br />
rjecially as most drug stores are closed<br />
time," Siegel pointed out.<br />
The prices for our candy in the vend-<br />
machines is divided 50-50 between five<br />
ij;<br />
tits and ten cents. We recently switched<br />
!)m all five-cent items to both five and<br />
ti-cent candies because people now<br />
(Try more dimes than nickels in this era<br />
Cologne Dispensers Offer New Source of Profit<br />
A cologne spray dispenser in the<br />
ladies' restroom offers theatres a new<br />
way to turn a bit of dead wall space<br />
into a means to earn a few extra dollars.<br />
One manufacturer of cologne dispensers,<br />
Colma, Inc., maintains that the use<br />
of a dispenser is not simply a novelty,<br />
that a spray of cologne is a refreshment<br />
service which smart theatre owners will<br />
want to offer patrons, and that it will<br />
help to earn goodwill.<br />
In fact, placement of a dispenser in<br />
the men's restroom with men's colognes<br />
has been found in some locations to be<br />
successful, and that contrary to first impression,<br />
they do not appeal only to the<br />
effeminate.<br />
Cologne dispensers are available in<br />
models offering from one to five different<br />
fragrances, vending from approximately<br />
1,000 to 5,000 sprays at ten centeach.<br />
The five-column unit costs S6 t,<br />
$10 to fill, return.'; about $500 per fillint;<br />
Colma's five-fragrance dispenser<br />
s dual de luxe theatre model Univendor mokes<br />
I election of 16 candy bars available to patrons,<br />
liends at five, ten and 15 cents, five, /5 and 20<br />
iits, ten, 15 and 20 cents. Changemaker is<br />
( ional, slug rejector standard. Stoner Manufacl-ng<br />
Co.<br />
( ten-cent prices for phone calls, transirtation,<br />
etc.," Siegel said.<br />
'In the past few years, all vending busies<br />
in Stanley Warner houses more than<br />
(ubled and, in some spots it was up ap-<br />
60 per cent," Siegel said. Howhe<br />
commented that it has recently<br />
ine off nationally as much as 10 to 15 per<br />
It, even 20 per cent in the northeast secn<br />
of the U. S. This drop-off he attributed<br />
the cold weather in that part of the<br />
gantry.<br />
JUDGING A MACHINE<br />
'In looking for the best vending maines<br />
on the market, we judge a vender by<br />
ability to function as efficiently as<br />
isible. Vending augments the concesn<br />
stand and the vending equipment must<br />
judged for its eye-appeal. Animation<br />
machine is very important," according<br />
t Siegel.<br />
Siegel believes that the greatest need in<br />
sliding machines is for a drop-device popfn<br />
machine. "If someone would only<br />
lent a drop-cup device for popcorn ma-<br />
" '. automatically filling the bag like<br />
-.nk. machine fills the glass, it would<br />
1 a big need," he said.<br />
We cannot possibly do without auto-<br />
I tic merchandising in Stanley Warner<br />
' 'atres and we are constantly looking for<br />
' V vending items and are ready to try<br />
: .'thing that will serve our patrons and<br />
' luence our sales," according to Siegel.<br />
Two Venders Close Together<br />
Sell<br />
More Cigarets<br />
In any areas operators are putting two<br />
cigaret venders in a location, one for king<br />
size, one for regular, according to George<br />
Weissman, vice-president, Phillip Morris &<br />
Co. Other operators are mixing the columns,<br />
putting, for instance, kind size in<br />
one column, regular size in the next, and<br />
so on down the line of brands carried. The<br />
sales results depend on the price situation<br />
and the mechanism.<br />
"One interesting observation made by<br />
Outstanding feature of Rowe Manufacturing Co.'s<br />
14-column Ambassador cigaret vender is the showcase<br />
which displays four cigaret brands in<br />
individual<br />
velvet-lined cases inside an illuminated shadowbox.<br />
Both regular and king-size packs are handled.<br />
one of our men is that when two machines<br />
are put in a location, the sales results seem<br />
better when the machines are closed together,<br />
rather than widespread in the area,"<br />
Weissman told delegates to the 1954 convention<br />
of the National Automatic Merchandising<br />
Ass'n.<br />
Weissman also reported that in some<br />
two-machine locations operators are putting<br />
premium-price brands with a penny<br />
change in one machine and regularpriced<br />
merchandise in the other machine.<br />
This depends, of course, on<br />
local price and tax situations. He emphasized<br />
that the local situation must always<br />
be carefully analyzed.<br />
The Fruit-0-Matic is a fully automatic, refrigerated,<br />
four -selective fresh fruit and canned juice merchandiser.<br />
It has a total capacity of 208 pieces,<br />
52 on each of four belts. These four selective belts<br />
operate independently.<br />
E ICOFFICE ;<br />
7, 1&65<br />
11
{<br />
It's Cool, Man...COOL!<br />
The Manley ICE-O-BAR<br />
Cold Drink Machine<br />
fl<br />
Watch your concession profits climb<br />
like the thermometer in August) when<br />
(just<br />
you start dispensing ice-cold, thirst-quenching,<br />
soft drinks from the Manley Ice-O-Bar.<br />
The Ice-O-Bar will dispense up to 1,500<br />
ice cold drinks just as fast as two operators<br />
can draw them. Available in a variety of<br />
models, including a push-button model for<br />
exact proportioning. The Ice-O-Bar comes<br />
equipped with stainless steel faucets for any<br />
desired combination of two or three flavors<br />
... for carbonated or plain water. Easy to<br />
install in any theatre concession ... in any<br />
locality.<br />
Be ready to handle those big, thirsty<br />
crowds . . quickly, easily! Contact your<br />
.<br />
Manley representative or write direct for<br />
more information on the complete line of<br />
Manley concession equipment and supplies.<br />
Manley, Inc., 1920 Wyandotte St., Kansas<br />
City 8, Missouri. Address Dept. BO-555.<br />
VENDING<br />
BEVERAGES<br />
Continued horn page 9<br />
for the sale of their soft drinks, ice cream,<br />
candies, perfumes and many other concession<br />
items. The theatres need make no<br />
investment of capital or inventory and they<br />
are installed, serviced and maintained free<br />
of all charges to the theatre with a liberal<br />
percentage of the gross receipts going to<br />
the theatre from the concessionaire.<br />
The vending machine industry is composed<br />
of some of the most progressive and<br />
forward-thinking manufacturing companies<br />
in the world—companies that are constantly<br />
in step with the times and which<br />
produce equipment to meet the demand<br />
of the modern trend. Not only has our<br />
industry produced equipment to sell many<br />
different types of products but present-day<br />
equipment is designed to sell more of those<br />
products—to create the sale as opposed to<br />
just being available for the sale.<br />
EXPERIMENTS WITH HOT DRINKS<br />
Experiments in some theatres are now<br />
going on for the sale of hot coffee, and hot<br />
chocolate. This is being combined with a<br />
coin-operated automatic snack bar consisting<br />
of sandwich, ice cream, pastry and<br />
cookie machines. Theatres can now enjoy<br />
an average sale of from 50 to 75 cents per<br />
person by installing a bank of this type of<br />
equipment. Results of these experiments<br />
are not in as yet. However, preliminary investigation<br />
shows that they are working out<br />
very well with the concession end of the<br />
theatre profiting favorably from this type<br />
of installation. Automatic vending is work-<br />
Selective Coffee Vender<br />
ing for you. Give it the opportunity of del<br />
ing the right kind of job. Use the rigl!<br />
type of equipment, and your returns will li<br />
greater. Your soft drink and concessic<br />
income depends on you.<br />
i<br />
Carbonation and Volume of<br />
Syrup Vital<br />
to Sales<br />
Of Cold Beverages<br />
Exhibitors who have noted a decrease<br />
sales of drinks from automatic cup di<br />
pensers may well look to the volume<br />
syrup apportioned to each drink and to tl<br />
amount of carbonation.<br />
Lack of attention to these important fa<br />
tors is suspected by exhibitors and conce<br />
sionaires as the reason for the noticeat<br />
decline in sales from cup venders througl<br />
cut the country. The subject was undj<br />
discussion at the recent eastern regionl<br />
Popcorn and Concession conference of til<br />
International Popcorn Ass'n In New Yo<br />
City.<br />
PLACE IN PROMINENT POSITION<br />
i<br />
:<br />
To counteract the trend of patrons pas:<br />
ing up the venders, it was suggested<br />
Lee Koken, RKO Theatres, that, once t~:<br />
drink is properly made, the machines<br />
placed in prominent positions where th<br />
can not be missed. He further suggest,<br />
that more drinks would be sold by havi;;<br />
more machines, at various strategic loc|<br />
tions, than by fewer, multiple-drink ven:<br />
ers.<br />
Koken believes there is a place for bo,<br />
manual dispensers and automatic beve<br />
age venders in the theatre. In locatio;<br />
where he installed manual dispensers, se<br />
ing a larger cup at the stand, one-hif<br />
cents per person was picked up at U<br />
stand. Vending business, with a ten-cet<br />
cup offered by a machine, remained U<br />
same. "There was no effect other th><br />
good," he said.<br />
In order to increase beverage salL<br />
Koken also believes it might be well to f<br />
patrons take their drinks into the audita<br />
ium just as they do popcorn and candy<br />
Back to Five-Cent Popcorn<br />
J3c^ Pnopi Ma>i(fi4i,!<br />
HANDKERCHIEF<br />
VENDERS<br />
IDEAL OPERATION FOR LOBBIES,<br />
MEN'S AND LADIES' REST ROOMS<br />
Free ^auien'ii Imprinting<br />
Wrire today, learn how a small<br />
investment will bring you steady<br />
profits.<br />
STANDARD HANDKERCHIEF CO., INC.<br />
1 Bond Sf. New York 12, N. Y.<br />
The Coffee Service vender offers individual taste<br />
control by allowing patrons to choose the exact<br />
amount of cream and sugar from "none" to "rich,"<br />
as desired. Made by Mills Industries, Inc., it has<br />
a 500 cup capacity and requires no refrigeration<br />
as it uses all dry, powdered ingredients.<br />
The old-fashioned nickel bag of popccl<br />
will be featured by America's theatres diN<br />
ing Nickelodeon Week. The period of Jub!<br />
5-11 has been designated by the Varifjrl<br />
Clubs of America as Nickelodeon W€«<br />
celebrating the golden anniversary of t<br />
motion picture theatre and honoring Ift<br />
late Senator John P. Harris, the fountf<br />
of the first Nickelodeon.<br />
A feature of the national celebrationis!<br />
the Popcorn Institute's concerted pron:<br />
tion with exhibitors featuring an oH<br />
fashioned 5-cent bag of popcorn. It<br />
the nickle product that built the theatij<br />
high-profit popcorn business. A specj<br />
nickel bag is being designed.<br />
12<br />
The MODERN THEATRE SECTll
Theatre operators report<br />
HIGHEST REFRESHMENT PROFITS<br />
FROM LIMITED STAND SPACE<br />
-with Pepsi -Cola!<br />
Photographed at Refreshment Stand, Lobby, Roxy Theatre, N. Y. C.<br />
Pepsi turns<br />
syace into sales<br />
at the fastest rate in<br />
soft drink history.<br />
Check your own operation.<br />
Stand space is limited.<br />
Traffic must turn over fast.<br />
To get top volume from your refreshment space,<br />
sell the brands in the biggest demand.<br />
Pepsi-Cola is America's fastest growing beverage.<br />
Pepsi profit tops all nationally advertised and<br />
nationaUij available cola syrup lines. Pepsi's syrup<br />
price is the lowest of any nationally advertised<br />
cola. And Pepsi-Cola's heavier baume gives you<br />
13 extra lOi drinks per gallon.<br />
Pepsi can boost your beverage sales and profits<br />
all along the line. Write today for full details.<br />
Pepsi-Cola Compan<br />
3 West 57th Street, New York 19, N. Y.<br />
PtOFFICE :: May 7, 1955<br />
13
'^<br />
p^^<br />
iPAs 1955 Tradeshow To I<br />
I<br />
Its<br />
Greatest -Will Contain<br />
117 Displays of Product<br />
1 Me.<br />
I<br />
i «M t die d<br />
I<br />
I<br />
I<br />
I<br />
^<br />
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14
Convert A Few Feet Of Dead Wall Space Into<br />
An Added Service To Your Patrons - Extra Profits For You<br />
COLMA'S COLOGNE SPRAY DISPENSERS<br />
The Machines That Are Factory Guaranteed To Work!<br />
COLMA<br />
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/or<br />
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MANUFACTUKHS<br />
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INC w "<br />
-<br />
OOFFICE : M5>y 7. USa 15
iCE CREAM IN THE THEATRE<br />
Ice Cream Is a Year-Round Profitable Item<br />
'Only Scratched the Surface of Theatre Sales'<br />
By J. J. FITZGIBBONS JR.*<br />
The proper merchandising of ice<br />
cream in theatres can definitely increase<br />
your profits without seriously affecting the<br />
sales of other items on your confection bar.<br />
Ice cream sales in theatres have come a<br />
long way in the past few years, and within<br />
the last two years have chalked up a sizable<br />
percentage of the confection profits<br />
in theatre operations.<br />
HIDDEN BEHIND THE COUNTER<br />
The above could not be said of ice cream<br />
ten years ago, even though some theati'es<br />
handled it, mainly because of the lack of<br />
interest on the part of the ice cream companies<br />
in general, and the fact that, nine<br />
times out of ten, it was hidden behind the<br />
candy counter and no or little advertising<br />
was done to advise patrons that the item<br />
was available. We could also mention that<br />
in the majority of situations the item being<br />
sold was a "cheater"—that is, it was available<br />
at the corner for five cents and was<br />
being sold inside the theatre for ten cents,<br />
which certainly didn't encourage the patron<br />
to buy. Fortunately, this situation has<br />
changed for the better.<br />
By bringing the ice cream cabinet out of<br />
hiding and into the open, in addition to<br />
attractive advertising and ice cream at a<br />
fair price, sales have steadily increased<br />
which has made everybody happy.<br />
Besides the merchandising of ice cream<br />
at the candy bar, sales have been increased<br />
by using coin-operated ice cream venders<br />
and by aisle selling.<br />
COUNTERSINK SELF-SERVICE UNIT<br />
When space is available, the ideal setup<br />
is to counter-sink the self-serve cabinet in<br />
the center of the bar and build the candy,<br />
soft drink and popcorn items around it.<br />
(See photo No. l.i If you want to keep<br />
down installation costs, cut the candy display<br />
area and counter-sink into the end<br />
of the bar. (See photos No. 2 and No. 3.)<br />
If the above installations are not practical,<br />
sales can still be increased by using<br />
small refrigerated merchandisers that sit<br />
on top of the counter. Because of theiismall<br />
capacity they must be constantly<br />
checked and replenished, but they still<br />
make the ice cream bar an impulse item.<br />
(See photos No. 4 and No. 5.)<br />
Aisle selling has been in existence since<br />
the days of Shakespeare, and it is still paying<br />
off today. The initial step is to announce<br />
on the screen in your intermission<br />
trailer that, as a convenience, ice cream is<br />
available for those who remain seated. As<br />
the intermission starts, spotlight the girls<br />
carrying the ice cream trays (See photo<br />
No. 6) coming up the aisle from the<br />
•Mr. Fitzgibbons is head of Theatre Confections,<br />
Ltd., which services Famous Players Canadian.<br />
1. The self-service ice cream cabiitet is countersunk 2. At the Palace Theatre, Windsor, Ont., tfce ie<br />
in the center of the concessions stand at the Regent cream cabinet is countersunk into the end of |ei<br />
Theatre, Oshawa, Ont. Candy, soft drinks and pop- bar. This method cuts down installation costs j<br />
corn are built around it. still gets the ice cream out in the open.<br />
3 This is another example of the ice cream selfservice<br />
cabinet being countersunk into the end of<br />
the concessions bar. This installation is in the<br />
Tivoli Theatre, Windsor, Ont.<br />
5. At the extreme left of this picture of the Metro- 6. Aisle selling and selling in the foyer are 'O<br />
politan Theatre's concession stand, Winnipeg, Man., important means of increasing ice cream prc's.<br />
another of the counter-top displays of ice cream Only one item should be carried on the tray •<br />
may be seen, cause two would delay sales while a choice is m ••<br />
orchestra. Keep the ice cream firm by<br />
using Perma ice packs at the bottom of<br />
the tray. Carry only one item as two or<br />
three will hold up sales while the patron<br />
makes a choice.<br />
The volume of ice cream now being sold<br />
in theatres could be increased if that<br />
cream representatives and theatre conn<br />
sionaires or suppliers sat down and ti<br />
to work out some of the misunderstandifi<br />
which now exist. Even in large ice crtin<br />
companies which have numerous divisW<br />
18 Th« MODERN THEATRE SECT J
t<br />
I<br />
runs across diverse policies as far as<br />
litres are concerned. Dairy association<br />
is and regulations regarding equipment<br />
not uniform, which results in confusion<br />
(the operator servicing a group of thealocated<br />
in different territories,<br />
he surface has only been scratched as<br />
ii'as ice cream sales in theatres are con-<br />
5ied because evei-y week new merchanng<br />
ideas are coming out. Some go over<br />
in one area and fall flat in another.<br />
u we do know for certain that ice cream<br />
n all-year-round item.<br />
atrons' tastes vary in different parts of<br />
;<br />
country so there are all types of ice<br />
iim novelties on sale—e.g.. chocolate<br />
[ ,ed bars in a bag, eat-it-all cups, revels,<br />
•<br />
cream in various shapes and sizes on<br />
ick. Dixies, and sundaes with fruit topir.<br />
No matter what the item is, it is<br />
t ice cream and if it is properly mer-<br />
Indised and gives value to the purchaser,<br />
t sales are there in your theatres.<br />
situations, the vending machines are located<br />
either alongside the beverage machines<br />
or nearby.<br />
Most of our theatres are the large, first<br />
run, downtown type of operation and with<br />
the stands operating continuously. We do<br />
not have need for ice cream vending machines,<br />
for the present at least, but for<br />
subsequent runs, for smaller theatres, or in<br />
those theatres where the stands are not<br />
operating full time or not large enough to<br />
accommodate the necessary equipment, the<br />
vending machine should be a welcome producer<br />
of extra added income.<br />
Carl Seigel of the Stanley Warner Corp.<br />
has quite a few theatres under his jurisdiction<br />
using ice cream vendinf/ n\<br />
and he will verify the statement ir.:.<br />
are a very valuable adjunct to ini<br />
dising and do a good job selling ic(<br />
and increasing the over-all conce.ssi.<br />
enue.<br />
lines,<br />
•they<br />
Average Profit on Ice Cream 55%<br />
While profit on ice cream sales will vary<br />
according to the deals made with local<br />
dairies, exhibitors agree that a 55 per cent<br />
gross profit is about average. In addition<br />
to novelty items selling for 15 and 25 cents,<br />
theatre concessions usually offer a threeounce<br />
cup for a dime. Ice cream eclairs<br />
are a popular novelty item.<br />
C CREAM IN THE TH EATRE<br />
Continued from page 17<br />
r| reason we vend by machine in these<br />
I itres is because we have no room at the<br />
it id to do the job properly or room to<br />
rail the necessary equipment. In these<br />
Jive ice cream quality . . . make 7^ on<br />
Oc sales. Cash in on the demand for<br />
lielicious soft-served cones, shakes.<br />
Serve a lOd cone in 2 seconds . . .<br />
;our food cost less than 3^. Serve a<br />
(5(5 shake in 5 seconds . . . your food<br />
lost only 6(*. Win new fans, make big<br />
rofits with a compact Sweden freezer.<br />
jasily run by untrained help.<br />
Iodil<br />
1-200-Aulomalli: continuous<br />
teier. Ample relrleeraled mix<br />
otagc. Highest capacity machine<br />
I the marKet lor your "break"<br />
Works Without Wages!<br />
INDOORS OR OUTDOORS<br />
Use FHC Venders to sell ice cream, and let paid help<br />
concentrate on higher priced items! Handle more<br />
customers more rapidly! FHC Venders combine ice<br />
cream's universal appeal witti a selection of three<br />
flavors. Sturdy, fool-proof units in Iceland Blue can<br />
be used indoors or outdoors.<br />
FRED HEBEL CORPORATION<br />
Addison, III. (suburb of Chicago)<br />
islness. "Hanilslree" loot conol.<br />
Management-set portions.<br />
Iher models lor every need.<br />
"THE QUAIITY NAME IN VENDING!''<br />
Model 3100 holds 105 bars in<br />
^QQOQ<br />
vending position, 48 in storage. TuO<br />
F.O.B. Addison,<br />
III.<br />
S DEN FREEZER MFG. CO.<br />
Depf. T-3<br />
SeoHle 99, Wash.<br />
5 selection model also available<br />
MAIL THE COUPON FOR COMPLETE INFORMATION!<br />
B '.OFFICE :; May 7, 1955 19
ICE CREAM IN THE THEATRE<br />
HIGH GROSS PROFIT<br />
PRODUCED BY<br />
SALE<br />
OF SOFT ICE CREAM<br />
A Popular Item With Patrons<br />
3oFT ICE CREAM is not Only a popular<br />
item with theatre patrons, it is looked<br />
upon with favor by both drive-in and conventional<br />
theatre exhibitors because it is<br />
a high profit item, quickly and simply<br />
served.<br />
The Music Hall of Seattle, Wash., one<br />
of the city's largest theatres (it seats<br />
2,282) took the drudgery out of snack stand<br />
duty and, just as important, improved its<br />
profit picture, by installing an automatic,<br />
continuous-fountain freezer that does away<br />
with dipping ice cream. The freezer dispenses<br />
a soft-served product used in cones,<br />
sundaes and floats. It is operated by a<br />
foot switch, leaving the girls with both<br />
hands free for holding containers. The<br />
product actually is drawn as easily and<br />
quickly as a glass of water, which means<br />
that customer service for a cone, or any<br />
fountain dish, is a matter of seconds,<br />
rather than minutes.<br />
FOUR YEAR'S EXPERIENCE<br />
The Music Hall has had the automatic<br />
fountain freezer four years and experience<br />
has shown that the gross margin of<br />
View of the refreshment stand in the Music Hall Theatre, Seattle, Wash., s/iotig<br />
girl drawing soft-served product from automatic continuous fountain frew<br />
to make floats the quick and easy way, an item that was unprofitable to ir»<br />
under the hand-dipping of ice cream method. The freezer's product is also lid<br />
for cones and sundaes. The machine is made by Sweden Manufacturing<br />
profit on a cone is more than regular ice<br />
cream products. Floats, virtually impossible<br />
to make rapidly and in any quantity<br />
when ice cream must be dipped, are made<br />
quickly and sell for 25 cents. The margins<br />
on the fountain dishes in the Music Hall<br />
have contributed heavily toward a more<br />
profitable refreshment stand operation.<br />
Cass Smith, manager of the theatre,<br />
rates popcorn as his best seller, with the<br />
freezer-made "creme" and soft drinks next.<br />
Twenty-cent bottles of soft drinks have<br />
proven popular. Coca-Cola has proven to<br />
be the best seller, although Green River<br />
sales are high. Root beer is available iia<br />
coin-operated machine. Only a very limi
!<br />
lYON<br />
MULTIPLE-DRINK VENDER<br />
Exclusive Features for HEA VY TRAFFIC, HIGH PROFIT Service<br />
{ 400-DRINK CAPACITY! The matched capacity of the Lyon<br />
^del 1400-3F yields 1400 servings from one filling of syrup and<br />
)S. Yet the vender is no larger than other Lyon models — occus<br />
only 24" x 30" of floor space. One syrup tank dispenses 600<br />
diks, the other two 400 each. One can be a non-carbonated<br />
fj^or if desired. Compact size — large capacity — Lyon plus<br />
vjues<br />
EW EYE APPEAL! Notice the marbleized front on the 1400-3F —<br />
sJrecl you expect it to be cold to touch! The far greater attptiveness<br />
of this entirely new finish means more sales for the<br />
n vender! Marbleized finish is permanent. Also equipped<br />
irror and light for greater eye appeal — a Lyon plus value!<br />
I'ERFECT FLAVOR ASSURED! The Lyon Positive Syrup Throw deli<br />
rs an accurate measured amount of syrup for each drink —<br />
y r assurance of perfect flavor from full to empty tanks. Each<br />
fi^or has its own pump. Accurate blending and special refrigetion<br />
add to the uniform high quality of Lyon cup drinks.<br />
Meet flavor — a Lyon plus value!<br />
llEW COIN SELECTOR SYSTEM! The customer drops his coin in<br />
tl slot opposite the flavor he wants — and that's all! No buttis<br />
to push, no dials to turn, no gadgets to fuss with. This<br />
aance feature of the Lyon multiple-drink vender saves time<br />
. gets a line of customers through more quickly! In addition,<br />
e h flavor has its own "Sold Out" button — if one flavor runs<br />
0, the vender keeps on selling. Reliable, cheat-proof coin<br />
iT,:hanism . . . coin changer also available. Faster service —<br />
ayon plus value!<br />
i<br />
liUTOMATIC CONTROLS! While many venders have only one<br />
rating control, Lyon models have several ... to insure that<br />
n imperfect drink is sold. Cup control<br />
an anti-jackpot control. If the<br />
c trol ... a low-level syrup control for each flavor . . . lowpssure<br />
C02 control . . . and<br />
iT:hine cannot operate correctly, it will not operate at all —<br />
tl "Sold Out" lights go on, and all coins are returned, fxfro<br />
g 'rantees of quality — a Lyon plus value!<br />
r:^<br />
ILUG-IN "ELECTRIC HEART"! The relays, timer and other comp<br />
ents making up the "heart" of the electrical system are<br />
irjnted on separate plug-in panels . . . easily removed and<br />
rdoced as a unit. Simplifies and speeds servicing — keeps every<br />
vider in operation. Moreover, all major component parts of<br />
Ln venders are interchangeable — no need to stock a new<br />
irintory of spare parts. Every model is quickly and easily<br />
ir oiled. Maximum profits — minimum problems — Lyon plus<br />
viies!<br />
\<br />
This Vender Also<br />
Available in Single and Two<br />
Flavor, 1400 Cup Capacity with<br />
Same Outstanding Features as Three Flavor.<br />
\'rite<br />
for Brochure<br />
tfl Full Particulars to L/ "^ 373 Fourth Avenue<br />
Net<br />
Y<br />
New York 16, New York<br />
YON INDUSTRIES, Inc<br />
1839 West Pico Blvd.<br />
Los Angeles, Calif.<br />
B*:OFFICE May 7, 1955<br />
21
SOFT ICE CREAM<br />
Among the Types of Continuous Freezers Available<br />
Continued from page 20<br />
In Boston, Mass.. the Center Theatre has<br />
a very profitable inside-outside concession<br />
operation featuring soft ice cream. The<br />
inside counter is for theatre patrons while<br />
the outside counter is for street customers.<br />
A varied assortment of soft ice cream<br />
items is sold. These include "Dairy Freeze"<br />
in two flavors, chocolate and vanilla;<br />
"Walkaway Sundaes" in three varieties:<br />
fudge, strawberry and vanilla, all made up<br />
on the premises; three flavors of frappes<br />
and fruit juice mixtures of the soft ice<br />
i<br />
cream and juice) all made up at the stand.<br />
Most popular of all, however, are the two<br />
flavors of plain soft ice cream.<br />
The same continuous freezer serves both<br />
sides of the coimter since it is conveniently<br />
placed for the attendants.<br />
Manufacturers of continuous freezers<br />
claim that those who install them will be<br />
catering to a pre-sold market. They call<br />
attention to the crowds of people and cars<br />
that cluster around drive-in stands selling<br />
frozen custard.<br />
Heat forces the flavor of cardboard<br />
boxes into popcorn, causing a disagreeable<br />
flavor in the corn which is often attributed<br />
to rancidity. It is important that popcorn<br />
should not be held overnight in these<br />
boxes.<br />
An exclusive, one-motion dispensing<br />
feature which does not require<br />
any foot controls is a feature<br />
of the Electro Freeze soft ice cream<br />
machine manufactured by Port<br />
Morris Machine & Tool Works, Inc.<br />
It has a refrigerated hopper.<br />
DRIVE-IN<br />
A "seeing-eye" dial to indicate<br />
at a glance if product is at the<br />
proper serving consistency, and a<br />
freezer reservoir which automatically<br />
refills with mix are included<br />
in Freez-King Corp.'s soft ice<br />
cream machine.<br />
PLAYGROUNDS<br />
Are An Extra "Adult" Income Source<br />
The Mills Masterpiece contin ii<br />
frozen custard machine with<br />
heads makes for fast<br />
One temperature dial and two<br />
gle switches control each born »<br />
that many flavors can be fr »<br />
independently.<br />
. . See How in the June Isifi<br />
MODERN THEAT f<br />
NATIONAL BRANDS<br />
ONE COMPANY SERVICE<br />
Top Quality • All Flavors<br />
81<br />
PROFIT<br />
COLA ^^ 81<br />
PROFIT<br />
Contact your local Nehi or Royal Crown Bottler or write— NEHI CORPORATION, Dept. 4, Columbus, Ga.<br />
22 The MODERN THEATRE SEC19
INTRODUCES<br />
3 All<br />
Soda B<br />
INCLUDING THESE<br />
OUTSTANDING FEATURES<br />
MODEL ESB 33A<br />
Baked red dulux<br />
finish with slainleu<br />
steel capping an<br />
base seclian — red<br />
Farmica syrup<br />
tank cover.<br />
MODEL ESB 33-C<br />
All stainless steel<br />
finish with black<br />
Formica syrup<br />
tank cover.<br />
MODEL ESB 33-B<br />
Stainless steel top<br />
section, red dulux<br />
base with stainless<br />
steel capping —<br />
black Formica<br />
syrup tank<br />
cover.<br />
II
-<br />
Promotion of Concessions iter.<br />
Root Beer Co. Aims at Kids<br />
company has developed a new jingle which<br />
will be tied in with a self-liquidating premium<br />
after 40 years as public-space carpet desW<br />
HOLLYWOOD CANDY<br />
tj<br />
DIV.<br />
for Bigelow Sanford Carpet Co. The Oriental It ij(j|<br />
tern is in the style of 1914, the year Lehner enM<br />
HOLLYWOOD BRANDS, Inc. - CENTRALIA, ILL.<br />
Bigelow's studios. The modern shell is in to^l ]^<br />
In Its New Advertising Program<br />
program. Each bottler will be able<br />
to develop a high-frequency impact in his<br />
Discussed at Canadian Meetin<br />
territory.<br />
"Kids" will be the main target of a new Following the meeting, each franchise<br />
advertising and promotion campaign Dad's holder was presented with a tailor-made<br />
Of IPA Held in Toronto<br />
Root Beer Co. will launch in 1955. Details promotion geared to his own particular<br />
Innumerable<br />
and theme of the program were recently needs and sales curve. The campaign<br />
popcorn and<br />
plans<br />
concessicj<br />
merchandising ideas keyed to<br />
outlined by W. E. Sala, national advertising<br />
director, before a meeting of the firm's promotion ideas and local radio and mer-<br />
consisted of kits complete with details on<br />
the thei;<br />
of "horizons unlimited" were exchangl<br />
Midwest bottlers at the parent plant in chandising programs<br />
and discussed at the fourth<br />
to fit the needs<br />
annual Cardian<br />
spring popcorn and concessions cc-<br />
of the<br />
Chicago.<br />
individual.<br />
ference sponsored by the Internatiou<br />
The new campaign, which was developed<br />
after a thorough study of the root To reduce the apparent height of the<br />
Popcorn Ass'n in Toronto May 6.<br />
The one-day meeting, which was Ib<br />
beer market in the United States, will place ceiling in the lobby, a suspended ceiling<br />
third regional meeting sponsored by f;<br />
its main emphasis on radio spots with of metal lath and plaster can be hung<br />
DPA in 1955, was held for all segmes<br />
"kid's appeal." To accomplish this, the from the original high ceiling.<br />
of the popcorn and concessions industn.<br />
Co-chairmen for the session were J. J.Pigibbons<br />
jr., who is head of Theatre Conf<br />
FOUB STEPS TO BIGGER SALES<br />
tions, Ltd., and Syd Spiegel, general miager<br />
of Super Pufft Popcorn, Ltd.<br />
The advance program listed the folicing<br />
AND PROFITS ... ON lOc BARS<br />
subjects and discussion leaders:<br />
Cream Merchandising—W. J. Armstroj,<br />
The Borden Co.; Hot Dogs in Theatre-<br />
Clifford G. Oates, Shopsy's Foods, LI,;<br />
What's New in Packaging—^W. G. Staiton;<br />
The Popcorn Outlook—Rufus Har^,<br />
Blevins Popcorn Co.; Shrimp Rolls Resy<br />
Sell!—Kenneth K. Fell, Flavo-Rite Poci;<br />
SMOOTH SAILIN (not<br />
Brown Gold (cocoa bean film) —Jey<br />
shown) is another popular,<br />
fast-selling bar in<br />
Weissman, C. J. Van Houten & Zoon; ThU'<br />
tre Sales Promotion—Kenneth K. WfS,<br />
the 10c size. Be sure to<br />
Theatre Confections, Ltd.; Be a Leacil<br />
stock it, too.<br />
Join IPA—Thomas J. Sullivan, execulfe<br />
vice-president of IPA.<br />
"~^—<br />
PAYDAY<br />
"TM-l-T-<br />
40 Years Bring a Chanjs<br />
« In Contract Carpet Desia<br />
^^^M-&y^eA«-<br />
The Balanced Line of "Best Sellers"<br />
The advance of carpet styling during the spa'ti -IP<br />
one man's career is seen in the carpet design cffl ''il<br />
shown by Charles Lehner, who retired recVt 'Sli<br />
best taste for the carpeting of hotels, the(P uji<br />
restaurants, other public areas.<br />
24 The MODERN THEATRE SEC<br />
tin
; regular<br />
j<br />
New Dispensing Head<br />
hr Fast Drink Service<br />
Many Items Suitable for Theatre Vending<br />
The theatreman with an eye on vending<br />
will find at least two dozen items which<br />
can be serviced through automatic equipment.<br />
Vend magazine, in its annual directory,<br />
lists this lineup of merchandise<br />
venders:<br />
Apples<br />
ij 30-gallon Everfrost soda fountain equipped<br />
\h the Speed-Sen dispensing head is designed<br />
i installations requiring a large volume, fast drink<br />
irice.<br />
A new item of concessions equipment es-<br />
^cially suitable for drive-in theatres is a<br />
y.pensing head designed for installations<br />
Ut require large volume, fast drink servi:<br />
The head may be installed on bobtail<br />
Untains, fountainettes oi- creamer units.<br />
] is available in a wide range of combi-<br />
^tions of mixing faucets and draft arms<br />
lat will meet with the needs of individual<br />
^erators. It can be used in conjunction<br />
th the regular draft arm station since<br />
soda and plain water draft arm<br />
: available along with the mixing faucets.<br />
fSyrup is easily replaced by removing the<br />
p of the Speed-Serv dispensing head and<br />
'!uring syrup into each of the two-gallon<br />
i.ntainers. Syrup is mechanically chilled<br />
cold-wall type refrigeration and mixed<br />
d dispensed by a special faucet. The unit<br />
made by Everfrost Sales.<br />
'ays Keep Ice Cream Cold<br />
I<br />
Drive-In Theatres<br />
In the drive-in theatres operated by Fa-<br />
)us Players Canadian ice cream Is pro-<br />
)ted almost identically as it is in indoor<br />
eatres except where there are cafeteriale<br />
installations. In situations such as<br />
ose a stainless steel tray 18x18 inches<br />
d six inches deep is used. Perma-Ice,<br />
lich has been frozen in the bottom,<br />
eps the ice cream cold for the items are<br />
ided on the trays just before the interssion<br />
break.<br />
Pearce Parkhurst has announced that<br />
5 firm, Pearce Parkhurst Enterprises, will<br />
itribute the new type flowing lead pencil<br />
a promotional item. According to Parkrst,<br />
his company is one of the first to<br />
er the specialty.
Best way to catch<br />
your public's eyi<br />
In the public eye for more than 30 years!<br />
Constant national advertising of constant<br />
quality makes CANADA DRY Beverages<br />
the choice of millions at home<br />
— and away from home.<br />
Give them the flavor they like -<br />
^i^«P5^,*SSi???*!'i'-'^-
lie name they know
I take<br />
*-">*^<br />
INCREASES YOUR BUSINESS BECAUSE IT<br />
Mates popcornAv^ys befter!<br />
Adds delicious buttery flavor<br />
jlj Brings out all the natural goodness of the corn<br />
jl^ Gives popcorn an appetizing butter-like<br />
appearance<br />
*lj Accentuates and intensifies all these<br />
wonderful flavors<br />
1 -—^ ^ "<br />
AVAILABLE AT ALL GOOD POPCORN SUPPLY DEALERS<br />
The Savorol Co./<br />
Popcorn Bldg., Nashville, Tenn.<br />
New Compact Serving Unit<br />
For Straws and Napkins<br />
Savings in the cost of straws and count)<br />
space at concessions stands can be realia<br />
with the Duplex Straw Dispenser and tl<br />
Shelvatray Companion, products of tl<br />
Duplex Straw Dispenser Co. The stall,<br />
less steel dispenser cuts straw costs \\<br />
IT'S THE ' lET AGE" OF<br />
BEVERAGE DISPENSING<br />
EQUIPMENT, TOO<br />
. .You crash the outmoded<br />
barriers between you and<br />
new, peak profits with<br />
A SODAMASTER<br />
SYSTEM<br />
pally to its patented iet foamaster<br />
• Fai advanced ov every other available type—thanks pri<br />
equipment guarantees that<br />
nation and the Mix-Monitor Faucet—Sod<br />
iclple of carb<br />
ejcent pri<br />
ar, regardless of your present<br />
rage costs w<br />
your profits<br />
a power dive and your bevi<br />
methods, New savings and other operating advantages are q ed<br />
nothing stands the of iet modernization<br />
by small as well a large<br />
of your beverage<br />
ts, too. Literally establishn<br />
plete details TODAY!<br />
ness eicept your own decision. Investigat'<br />
YOU GET ALL THIS-AND MORE-WITH SODAMASTER<br />
• The identical beverages<br />
from bottles—with carbor<br />
• As much as t5% saving<br />
96% savings on club soda.<br />
• A variety of flavors, instantan<br />
finger tips.<br />
usiy obtained • Unmatched service speed, avoiding dissatl<br />
equal or highe<br />
fact<br />
aiko it rush periods<br />
bottled<br />
flavor<br />
Elimination of costly, troubles<br />
suming bottle handling.<br />
Uniform coldness and perfect<br />
beverages, automatically.<br />
using unwrapped straws and dispensi;<br />
them one at a time. Two models, one 1^<br />
standard straws and the other for t!<br />
jumbo sizes, are available. The Shelvatij"<br />
Companion snaps on to the top of w<br />
dispenser and serves as a convenient locj<br />
tion for the napkins, sugar, salt, etc. I<br />
not only saves space but helps in Xi\<br />
maintenance of a fast food service.<br />
It is becoming more and more gene:<br />
knowledge that oiling of floors is det<br />
mental rather than beneficial. First to<br />
considered is the fire hazard; secoJ<br />
oiled floors are unsanitary. Theatres al<br />
many institutions are completely elimini<br />
ing the oiling of floors as time goes on, ad<br />
after removing the oil from such floors, le<br />
sealing them forever against moisture, d<br />
warping and imsanitary conditions w<br />
heavy-duty seal and finish which are 1<br />
approved materials for this.<br />
I<br />
"1 GET A REAL<br />
CHARGE OUT<br />
OF THIS"<br />
VISIT US<br />
NATIONAL RESTAURANT<br />
SHOW<br />
CHICAGO, MAY 9-13 • Booths 509-510<br />
Sojamaster Syst<br />
with faucets only<br />
lay<br />
he installed remotely,<br />
MAIL THIS COUPON TODAY<br />
Please send me full facts on the D Sodamaster<br />
a Mi« Monitor Faucet Q 100 gallon-per-hour<br />
Supercharger Carbonators.<br />
Firm<br />
y^j(jn5s General OHices: Canfield, Ohio, and<br />
Name .. .<br />
'851 Randolph St., Lo« Angelei. Calif.<br />
IN CANADA: GENERAL EQUIPMENT CORP.. LTD.. TORONTO, ONT.<br />
The NEW Patented SPEED-SCOOP<br />
Three times more efficient. Scoop and pour c<br />
bagful of popcorn in one single easy motion<br />
Mode of light, stainless aluminum. Cool hord<br />
wood handle. Perfectly balanced for maximMir<br />
efficiency and speed. Only $2.50 ot your Theo<br />
tre Supply or Popcorn Supply<br />
Dealer.<br />
SPEED-SCOOP<br />
109 Thornton Ave., Son Francisco 24, ColM<br />
28<br />
The MODERN THEATRE SECT) %
: May<br />
airatwj© saMiO<br />
d<br />
^2<br />
This fact sits well with every profit-minded theater<br />
man: MARS makes the fastest seUing chocolatecovered<br />
candy bars in all the world.<br />
Don't take a back seat. Keep MILKY WAY,<br />
SNICKERS, MARS BAR front and center in<br />
your candy counter. You'll cash in on a very<br />
profitable situation.<br />
A\ARS, INCORPORATED<br />
DXOrnCE :<br />
7, 1955 29
. The<br />
Automatic Vending Sales Up 7%<br />
In<br />
1954 Over Previous Year<br />
More than $1.5 billion worth of products<br />
were sold from at least 2,800,000 vending<br />
machines by the end of 1954. This estimate<br />
by National Automatic Merchandising<br />
Ass'n represents an increase of 7 per cent<br />
over estimated 1953 sales.<br />
Dairy products led the field in percentage<br />
increase of business over 1953. with<br />
estimated ice cream sales up substantially<br />
and milk up 32 per cent. This reflects the<br />
efforts of Agriculture Secretary Benson<br />
and the dairy industry to seek new markets<br />
for milk and milk products.<br />
Coffee vending was third in percentage<br />
increase, with a 30 per cent rise. The<br />
'coffee break" continued to intrench itself<br />
as a national institution in 1954—and employers<br />
learned that workers do not have to<br />
step so far from desk or assembly line for<br />
their cup of "Java" if a coffee machine is<br />
on hand to serve them.<br />
The "big three" of automatic merchan-<br />
Nation's No. 1 Hot Dog Merchandiser<br />
^^<br />
Rofo Grille<br />
HOT DOG BROILER<br />
Biggest Returns Per<br />
Dollar Invested<br />
The ROTO GRILLE is id<br />
DRIVE-IN THEATRES<br />
Here ROTO GRILLE<br />
equipment already o<br />
onjunction with bun<br />
INDOOR THEATRES<br />
ROTO GRILLE 3 complete Hot Dog operation<br />
the indo theatre<br />
yet geared to the<br />
TESTS PROVE ROTO GRILLE" BEST<br />
In tests made F. W. Woolworth Co., by the ROTO GRILLE<br />
proved superior to all competition in Hot Dog equipment from<br />
standpoint of quality in construction and soles oppeal.<br />
the<br />
LET THE ROTO GRILLE PUT A SIZZLE IN YOUR HOT DOG<br />
SALES,<br />
A few of the many outstanding customers increasing<br />
Hot Dog Sales with ROTO GRILLE:<br />
Video Theatres of Oklahoma Cooper Theatres of California<br />
Jefferson Amusement Co. of Texas F. W. Woolworth Stores<br />
Mid-Central Theatres of Kansas Theatre Confections Branches<br />
Theatre Confecfions, Inc., of Minnesota (Operating in Ohio, Indiana, Pennsylvania)<br />
Have You Heard the<br />
Frontier Theatres of Texas<br />
Good News<br />
About the<br />
SERVETTE 700<br />
POPCORN WARMER<br />
Here's what one enthusiastic customer writes:<br />
"The '700' really meets the needs of popcorn<br />
merchants from the standpoint of price and practicability."<br />
Designed specifically to fit both cafeteria or self<br />
service concession stands<br />
Check these outstanding features:<br />
• STREAMLINED REVERSIBLE CHROME TOP<br />
Ideal for either cafeteria service or self service.<br />
• DRAWER TYPE HEATING COMPARTMENT<br />
Complete heating assembly easily removed for servic<br />
• GREATER STORAGE CAPACITY<br />
Will hold 440 boxes o* popcorn.<br />
• LIFT OUT GLASS SLIDING DOORS<br />
Mly ed (.<br />
'^3*^<br />
Contact Your Regular Theatre Supply Dealer or Write to<br />
HOLLYWOOD SERVEMASTER COMPANY<br />
114 West 18th Street Kansas City 8, Mo.<br />
dising continued to be cigarets, soft drinlJI<br />
and candy—in that order. With only<br />
per cent of total machines on locatio;i<br />
cigarets cornered 46 per cent of consumeijj/|<br />
vending dollars. Soft drink sales were<br />
'<br />
per cent of the nation's total, with ;<br />
per cent of the venders, and 14 per cei<br />
of the "silent salesmen" account for candj<br />
14 per cent of 1954 dollars volume.<br />
National Automatic Merchandising Ass'<br />
trade organization of United States vene<br />
ing operators, machine manufacturers ar<br />
suppliers of vendible products, lists est<br />
mates for 14 categories of the industry '<br />
the 1955 Directory of Automatic Merchai<br />
dising. Of these, ten cover food and beve<br />
ages, and two are closely allied 'cigare<br />
i<br />
and cigars two remaining fields<br />
vending operations for which estimat<br />
are given are postage stamps (250,000 m;<br />
chines, $40,000,000 sales) and coin operati<br />
weighing machines 1 190,000 units, $4,75(<br />
000 sales).<br />
ANOTHER VENDING CATEGORY<br />
The association names another maj'<br />
category—service equipment, including co<br />
luggage lockers, toilet locks, transportati(<br />
accident insurance machines, etc.—whiii<br />
occupies a large share of the market, b<br />
for which no accurate figures are availab'<br />
This is also true of many miscellaneo<br />
machines and products—newspapers, bool<br />
combs, hosiery, pencils, handkerchie<br />
perfumes, photographs, hard boiled egt<br />
fresh fruit, ice and fuel are only a few.<br />
NAMA's detailed breakdown of estimat<br />
sales volume and number of machines .<br />
location is as follows:<br />
1954 (ESTIMATED)<br />
Annuol<br />
Sales<br />
CIGARETS $690,000,000<br />
SOFT DRINKS (total) 393,125,000<br />
Soft Drinks— bottled .... 320,000,000<br />
Soft Drinks— in cups 73,125,000<br />
CANDY (Packaged) 210,000,000<br />
COFFEE 65,000,000<br />
POSTAGE STAMPS<br />
BULK<br />
(Unpockoged, loose<br />
candy, nuts, gum)<br />
MILK<br />
ICE CREAM<br />
COOKIE, CRACKER<br />
AND BISCUIT<br />
(10,250,000 sold through<br />
candy machines)<br />
CHEWING GUM<br />
($2,000,000 sold through<br />
candy machines)<br />
WEIGHING MACHINE ....<br />
FRUIT JUICE (total)<br />
Individual<br />
Bulk<br />
cans<br />
Frozen Concentrates<br />
SANDWICH AND<br />
PASTRY (total)<br />
Sandwich<br />
Pastry<br />
CIGAR<br />
No.<br />
Machii'<br />
on<br />
Locatii<br />
460,Cl<br />
695,Ci<br />
650,Ci<br />
45,CI<br />
410,CI<br />
2 1, CI<br />
40,000,000 250,CI<br />
25,750,000<br />
22,400,000<br />
20,000,000 20,(^1<br />
12,750,000<br />
12,500,000<br />
4,750,000<br />
4,700,000<br />
2,750,000<br />
1,750,000<br />
200,000<br />
3,400,000<br />
1,000,000<br />
2,400,000<br />
515,0<br />
2,500,000<br />
— Popcorn Merchandit<br />
1<br />
16,0 -<br />
";<br />
12,(ll<br />
210,(1)<br />
190,(1)<br />
2,0<br />
2,0<br />
;)<br />
')<br />
2,;)<br />
:)<br />
2,0<br />
1<br />
30 The MODERN THEATRE SECTHll
I<br />
'<br />
freely<br />
lame Public Relations Director<br />
C. Edgar Hires has<br />
been appointed to the<br />
post of public relations<br />
director for<br />
Charles E. Hires Co.,<br />
root beer makers, according<br />
to Pi-esident<br />
P. W. Hires. The new<br />
public relations director,<br />
a vice-president<br />
of the company and<br />
grandson of the<br />
C. Idgar Hires<br />
founders, has been<br />
isociated with the beverage firm in many<br />
|fferent capacities for the past 20 years.<br />
1 his new position, one of his first tasks<br />
•11 be the development of a program for<br />
celebration of the 80th anniversary of<br />
Je<br />
mtinuous operation of the Hires company<br />
1956.<br />
popsit plus<br />
Compare these advantages<br />
gives you<br />
all these<br />
advantages .<br />
r<br />
jolor Carbons for Set Lighting<br />
icarbons for motion picture set lighting<br />
(pable of providing spectral energy disi.bution<br />
of approximately 3,300° k., which<br />
comparable to the spectral sensitivity of<br />
[9 present color films, are now being prot.ced<br />
by National Carbon Co., division of<br />
'lion Carbide & Carbon Corp. The new<br />
.rbons will almost double photographically<br />
fective illumination without requiring<br />
ditional power as the change in color<br />
Mperature was achieved without loss of<br />
easurable light.<br />
A slight excess of near-ultraviolet light<br />
nerated by the carbons will require the<br />
le of a very light filter. When the<br />
Iters are used, the carbon arc lamps may<br />
mixed with incandescent tung-<br />
Jm on motion picture sets.<br />
'The carbons have passed rigorous test-<br />
,' for process projection and set lighting.<br />
Of prime importance, to women especialare<br />
comfortable, clean-looking and saniry<br />
washrooms and lounges. A carelessly<br />
pt restroom can do more to impair a<br />
eatre's reputation than lack of any other<br />
tron convenience.<br />
,<br />
HEAVY DUTY<br />
"SODAMAKER"<br />
WITH 2 OR 3 FLAVORS<br />
d by leading theatre circuits in U. S. & Canada.<br />
it Refrigeroted faucets<br />
k Fastest Constant Flow Pin-Point Carbonated<br />
Ice-Cold Drinks without ice<br />
k All Stainless Steel Liners<br />
k Complete Selt-Contoined Unit<br />
k Triples your Profit with less Floor Space<br />
• Reserve Ice Bank for Rush Drive-ln Crowd<br />
Write Today. Dealer Inquiries Inyiied<br />
IPERIOR REFRIGERATOR MFG. CO., Inc.<br />
-24 Hodiamont Ave. St. Louis 12, Mo.
Open Front Invites Patrons to Enter Concessions Short ... and to the Point<br />
T<br />
Accuracy in totaling sales and in makin<br />
;<br />
change is essential at the concession stant<br />
In the concession business you must knc<br />
what the best selling items are, which yiel<br />
a greater profit and how to display an<br />
merchandise these lines.<br />
You must be certain that you are servin'<br />
the coldest drinks possible at all times sj<br />
your concessions stand. I<br />
Plan your corn popping so that whe<br />
customers are approaching the counte<br />
the corn is being freshly popped and spii:<br />
ing from the kettle.<br />
A 75-foot glass front distinguishes the concessions building in the Plainville Driye-ln Theatre, Plainyille,<br />
Conn. Patrons on the inside can watch the show while in the building, and those on the outside<br />
can plainly read the signs advertising the items offered. The open view of the interior creates<br />
an invitation to enter. Pizza pies at 60 cents, shrimp rolls at 30 cents, and popcorn at 15 and 25 cents<br />
are featured. The 1 ,000-car drive-in is owned by the Perakos Theatre circuit. John Perakos is manager.<br />
He is assistant to his brother, Sp^rie, general manager of the seven-unit circuit. The $250,000 theatre<br />
which was opened last year is located in a natural bowl setting and the theatre area is<br />
paved. The screen is 114 feet wide. The theatre is opened at 6 p.m. with a double feature program<br />
supplemented by short subjects, etc.<br />
Do not pop up a big batch of corn whejj<br />
you first come on duty and then rest.<br />
Personnel cooperation is the key ingr^<br />
dient in successful concession operation<br />
Tape recordings are very effective f(J<br />
announcements about the concession sta<br />
coming attractions, directions for reachil^Kl'<br />
restrooms and playgrounds.<br />
Buttercup • THE PROVEN PLAN<br />
THAT DOUBLeS YOUR POPCORN PROFITS!<br />
Because it seffiA MOREBOTTtRED Poficm tiumpeak-<br />
AT MORE THAN TWICE THE PROFIT TO YOU!<br />
Buttercup is g COMPim PLAN-FOR-PROFITS!<br />
• SPEED SERVICE! Only BUTTERMAT has SPEED for top<br />
results. Proved successful in over 5000 theatres!<br />
• ECONOMICAL! ...Positive product control!<br />
Complete with<br />
» DURABLE! Pays for itself in w^eeks . . .<br />
earns you money for years!<br />
• SPEED SALES! . lets your customer'ask for" a NAME BRAND!<br />
QUUITY P*«*Gt<br />
Complete with<br />
Point-of-Sale<br />
DISPLAY<br />
ACCESSORIES<br />
• NO FOLDING!<br />
• COSTS YOU LESS!<br />
• FAST FILLINC!<br />
$4.00 per lb. return!<br />
...will not "soak up" butter or leak!<br />
*<br />
•VISUALLY PRE-SELLS YOUR PATRONS!<br />
No need to explain the product. Displays •<br />
tell your customer what to "ask for" •<br />
developed by the origittators of Buttered Popco<br />
Buttercup Apron<br />
11x14 Plastic Sign<br />
Giant Display Cup<br />
Napkin Dispenser<br />
Dispenser Tube<br />
Cleaning Kit<br />
Butter Carton<br />
WRITE FOR COMPLETE<br />
DETAILS IMMEDIATELY!<br />
Please send me information on the BUTTERCUP PLAN:<br />
NAME<br />
THEATRE<br />
ADDRESS_^<br />
i<br />
1324 W. WISCONSIN AVENUE • MILWAUKEE 3, WISCONSIN<br />
CITY<br />
32 The MODERN THEATRE SECTK
Hot Tips on Merchandising Hot Dogs<br />
Exhibitors Report on Best Methods of Selling<br />
A swish of mustard followed by a spoonil<br />
of chili are standard condiments used<br />
•<br />
hot dogs at the King Ridge Drive-In.<br />
i)rristown, Tenn., reports B. M. Eiseman,<br />
dner. Patrons like the combination, and<br />
1 is the rare customer who specifies only<br />
( e.<br />
For the indoor theatre exhibitor: hot<br />
,(i grills usually have high, medium and<br />
,v t.peeds. If started at the proper heat<br />
,:ommended by the manufacturer, with<br />
\e heat gradually increased, there will be<br />
: odors. This is one phase of indoor fiat<br />
selling lohicli requires special training<br />
the co7icessions attendant.<br />
[<br />
jGood display is an important factor in<br />
.ling hot dogs. Rotating grills, rollers,<br />
la-red heating are excellent merchaniiil;<br />
aids.<br />
Tri-State Automatic Candy Corp., which<br />
frvices Tnany theatres in the New York<br />
lite area, boils frankfurters 90 to 180 secids<br />
before grilling them. This assures a<br />
. ( frank, even in rush periods when grill-<br />
17 time may be limited. Normally, a frank<br />
1 grilled for about five minutes. The boiltj<br />
in no way affects the flavor of the<br />
illed<br />
product.<br />
Herbert Ochs. operator of a chain of<br />
ive-ins with headquarters in Cleveland,<br />
ys: "We used to buy nine franks to the<br />
und and sell them for 20 cents. But once<br />
introduced the 'footlongs,' which<br />
come six to the pound and sell for 30<br />
cents, our sales jumped about 50 per cent<br />
ahead of the smaller size."<br />
Ochs uses all types of condiments—catsup,<br />
mustard, horseradish, etc. and places<br />
them all in individual dispensers. This<br />
method, he says, prevents slopping the<br />
condiment on the counter and on patrons'<br />
clothes. Frequently, the Ochs theatres will<br />
run a special, serving diced onions or<br />
sauerkraut as an inducement to buy the<br />
"footlong."<br />
Warning from theatremen who have<br />
tried it: Do not overprice your franks. In<br />
the New York area, a 15-cent price has<br />
been used by one vending company, using<br />
an all-beef frank which comes 10 to 12<br />
a pound. Most popular price nationally,<br />
both indoor and outdoor, is 20 cents.<br />
Almost without exception, patrons who<br />
buy hot dogs will buy a beverage. By introducing<br />
frankfurters, exhibitors will also<br />
increase beverage sales substantially. The<br />
Wometco circuit of Miami estimates drinks<br />
increased 15 to 20 per cent when hot dogs<br />
made their bow in indoor theatres.<br />
The Wometco circuit does not attempt<br />
to buy buns centrally, because it would be<br />
impossible to service all theatres daily with<br />
such a perishable item. Therefore, buns<br />
are ordered by individual managers, with<br />
the contract price controlled by the main<br />
office.<br />
PROFIT<br />
From Being a Good Host<br />
To Your Patrons In<br />
D. I. T.<br />
Serve to your Patrons Hot Dogs . . .<br />
1<br />
• HOT<br />
2<br />
3<br />
4<br />
Serve to your Potrons Popcorn . . .<br />
, HOT and CRISPY<br />
Serve to your Patrons Cold Beverages<br />
, ... ICE COLD<br />
While the show is on, serve your<br />
Patrons TO their cars.<br />
In<br />
darkness, wind or rain, your Patrons<br />
5<br />
are enjoying your hospitality ot its<br />
• best— in the privacy of their car? . . .<br />
WALKY SERVICE CO.<br />
401 Schweiter BIdg. ^'.r"*"*"'"'.."<br />
Buffetena<br />
itf I • i#<br />
Wichita, Kansas Movoble concession<br />
Phone: 4-5169<br />
A5k°*or nt^oture<br />
tt dog sales overage up to 2,000 a week, with about 1,000 on Saturdays at the Miami Theatre, Wometco's<br />
I t run house on the main street of Miami. The small, compact hot dog unit on the right corner of<br />
( Miami's stand takes up only about 18 inches of counter space and the yisual display is excellent.<br />
' 1 Myers, circuit concessions head, reports that beyerage sales greatly increased with the introduction<br />
I hot dogs in the Wometco theatres.<br />
EVERYTHING FOR THE CONCESSIONAIRE<br />
Popcorn Equipment — Drink Dispensers<br />
Ice Making — Candy Floss Equipment<br />
Popcorn, Oils, Boxes and Supplies<br />
Kiddie Rides<br />
Write for 50th Anniversory Catalog Quotations<br />
3918 Seeor<br />
Toledo 13, Otilo<br />
^XOFFICE :: May 7. 1955 33
:<br />
Big Increase in Automatic Vending in 1955<br />
Is Predicted; Theatres to Benefit in Boost<br />
Exhibitors who sell through automatic<br />
vending equipment can anticipate an increase<br />
in sales this year. The Coin Machine<br />
Journal, which has just completed<br />
a national survey of the vending industry,<br />
predicts a general rise in this area of merchandising<br />
in 1955. Here are some of the<br />
forecasts<br />
Beverages—Soft drinks in cups are expected<br />
to be one of the bigger gainers,<br />
with volume to increase about 13.3 per cent.<br />
Candy bars—Both bars and packet candy<br />
sales will be up, about 7.1 per cent. A reason<br />
is the attractiveness and convenience of<br />
buying candy through vending machines.<br />
Bulk candy and nuts—Bulk candy, nuts<br />
gum, etc., should reflect the buying of the<br />
huge postwar crop of children.<br />
Coffee—The industry anticipates a phenominal<br />
increase in coffee vending, with<br />
equipment for this beverage having been<br />
vastly improved in the last year or so. Sales<br />
of $66,000,000 were made in this area of<br />
vending last year; expect 23 per cent increase<br />
this year.<br />
Postage stamps—Postage stamps were<br />
being bought more and more through machines,<br />
because of convenience, it was reported.<br />
Milk and ice cream also are on the<br />
upswing as vending items.<br />
\^-,..v\<br />
i^\<br />
'sws.<br />
"The butterlike flavor of<br />
popsit plus<br />
is<br />
unequalled in the<br />
popping oil field!"<br />
\<br />
V.<br />
fs<br />
Nir
^ckage Changes Would Sell<br />
Spring Motif Creates Attractive Concess IC:'<br />
y)re Candy in Theatres<br />
andy manufacturers can improve their<br />
iilic relations and boost sales by making<br />
w packaging changes, according to Lee<br />
|L,:en, head of the concessions department<br />
jilKO Theatres.<br />
'ine<br />
of the most needed changes, accordn<br />
to Koken, is the elimination of price<br />
rikinss from candy bar wrappers. He<br />
xlained that most theatres sell the nickel<br />
,i<br />
dime bars for six and 12 cents. This<br />
Kcy, he said, creates ill will and could be<br />
itded if prices were not printed on the<br />
flppers.<br />
'Slack packing" or the practice of makri<br />
the bars smaller and keeping the packi^i<br />
the same is another bad practice that<br />
i^ds attention, Koken said. He charged<br />
Ijt it is neither good merchandismg nor<br />
[(|d public relations and has created an<br />
favorable reaction from the purchasers.<br />
inother great need among theatre consAions<br />
is for a 15-cent candy bar. The<br />
(jlmple of several theatres, which had subitited<br />
the 15-cent, one-fourth pound<br />
S'ly Ruth for the 12-cent bar and found<br />
;l't unit sales on the larger size were<br />
[liter, was cited. It was suggested that the<br />
lf;ent bar might solve some of the prob-<br />
.ejs due to increased costs.<br />
There is a definite trend toward higherjied<br />
items." Koken said. "Patrons will<br />
j( for value received."<br />
The spring motif employed in the decoration of the concessions counter at the Norva Theatre, Norfolk,<br />
Va., shows that merchandising and beauty go hand in hand to promote larger sales. The more attractive<br />
a counter the better chance for patrons being drawn to it. The Norva is a Fabian house. Decoration of the<br />
stand was done by Mrs. Helen L. Coles, manager of Berlo Vending Co.'s Norfolk branch. Mrs. Coles<br />
enjoys the distinction of being the only woman manager of any of the company's branches.<br />
FAMOUS<br />
MAKER...<br />
MOVER..:<br />
Here's a top profit combination for you. . . . the famous<br />
Heide trade-mark plus the taste appeal of all-ways popular<br />
Jujyfruits. Now backed by increased television advertising<br />
and continuing national magazine ads, Jujyfruits<br />
belong on the counter of every outlet you service. Push<br />
them for aU they're worth . . . they're worth plenty to you!<br />
HENRY ilEIDE, incorporated<br />
New York 13, New York<br />
As nationally advertised in<br />
Lookl<br />
AMERICAN GIRLI<br />
Boys Life<br />
BC OFFICE :; May 7. 1955 35
An Automatic Milk Vender for Drive-Ins<br />
A New Fire-Alarm System<br />
Is<br />
Activated by Smoke<br />
And Combination Gases<br />
A hyper-sensltive fire alarm, the C-d<br />
Two Pre-Detector system which is act<br />
vated by the presence of combination gas<br />
as well as smoke, is now being market<br />
by Pyrene—C-O-Two. ;<br />
The system is based on earlier Europe|<br />
research on the ionization chamber prij'<br />
ciple of fire detection. A series of pri<br />
detector heads containing radio-active el,j<br />
ments are spaced up to 60 feet apart<br />
the ceiling where they are able to det^<br />
the smallest smoldering fire. Each of<br />
•ill*<br />
f!<br />
The automatic milk machine is one of the new developments in vending in drive-in theatres.<br />
Following the successful public demonstration of the Food Engineering Carp's new bulk vending<br />
machine in Washington, DC, Donald W. Brous, the firm's president, said they were ready to begin<br />
moss production of the machines in the near future. Among those attending the exhibit were, from<br />
left to right, Brous, Congressman Chester Morrow from New Hampshire, Secretary of Agriculture<br />
Ezra Taft Benson and on the far right, Paul Robert, Food Engineering foreman. The group is being<br />
served by Miss Betty Laurie.<br />
WORLD'S FINEST<br />
Over-fhe-Counter<br />
POPCORN MACHINE<br />
Schematic arrangement of C-O-Two Pre-Detei<br />
system, here being activated by cigaret smc<br />
has three principal units: pre-detector head (\<br />
space-indicating cabinet (C), and fire-indicai<br />
cabinet (D). Electrical conduit (B) and alt<br />
bell (E) virtually complete assembly. Space k<br />
'<br />
eating cabinet, which may be used when<br />
or more pre-detector heads are installed, sfci<br />
location of fire in building, while fire India<br />
gives visual alarms for fire, power failure,<br />
system disturbance.<br />
IMt<br />
TWIN ELEVATOR WELLS and<br />
AUTOMATIC PUSH-BUTTON SEASONING PUMP<br />
• Greater Warming<br />
Capacity— holds<br />
equivalent of 200<br />
boxes popped corn.<br />
• New Forced Air<br />
Warming—Thermostat<br />
controlled; keeps<br />
corn crisp, f.esh.<br />
• Automatir Electric<br />
Seasonirg Pump.<br />
• Ample Space for 2<br />
busy otte ndonts<br />
CRETORS' all-steel gas or electric kettle teamed with dual<br />
elevator wells in an over-the-counter popcorn machine with<br />
enough popping and storage capacity to handle the heaviest<br />
traffic. Gives a concession stand the glamor and sales appeal<br />
so necessary for king-size profits. Earning capacity up to<br />
$75.00 per hour. Handy, over-the-counter service. See your<br />
nearest CRETORS distributor about early delivery of an<br />
"Olympic" or any other CRETORS rii.Khl.<br />
CRETORS<br />
POPCORN MACHINES<br />
Since 1885<br />
SALES OFFICE: POPCORN BLDG., NASHVILLE, TENN.<br />
FACTORY: CHICAGO, ILL.<br />
heads is connected by a single clrc<br />
with a fire-indicating cabinet capable<br />
sounding the alarm, closing ventilati<br />
activating extinguishing equipment a<br />
performing other protective functions. 1<br />
system is said to have an almost univer<br />
application indoors.<br />
At situations where it would be desira<br />
to know the location of the fire, a spat<br />
indicating cabinet is available for coniW<br />
tion to the detection system. The cabil<br />
indicates the affected area by means<br />
numbered lights. Like the fire-indicat:<br />
cabinet, the space-indicating cabinet<br />
able to activate protective devices in \<br />
area of the fire.<br />
The C-O-Two Pre-Detector system ci<br />
the approval of Underwriters' Labo)<br />
ries<br />
tories. Inc. It has undergone rigid test<br />
and has been found to be durable and r<br />
atively unaffected by low humidity<br />
temperature, dust and soot.<br />
Kiddyland operators should purchiS<br />
their devices from recognized operators.<br />
iallt:<br />
iflias<br />
Slittio<br />
Mm<br />
I<br />
usuies<br />
!<br />
iJd Open House in New Plant<br />
'-<br />
Mills Industries, Chicago<br />
larking its move to a new location at<br />
15 West North Avenue in Chicago, Mills<br />
recently held open house for<br />
I<br />
lll^totners, distributors and associates<br />
iiiu-hout the nation. A crowd of almost<br />
Names Cole-Spa Distributors 22nd Oscar to Westrex FHm<br />
Atlantic.<br />
The Westrex recorded film, "Thi Glenn<br />
Miller Story," which won an Oscar fo.- the<br />
best achievement in sound recordius ;.<br />
Cole Products Corp. has added two new<br />
distributors for its Cole-Spa line of cup<br />
vending machines. The County Sales Co. of<br />
California with home offices in San Diego<br />
and branches at Los Angeles, San FYancisco<br />
and Santa Ana will handle the entire line<br />
throughout Arizona, Nevada and California.<br />
Mid-Atlantic Vending Distributors was<br />
awarded a district that includes Delaware,<br />
Maryland, West Virginia, North Carolina<br />
and 'Washington, D. C. Spokesmen for Cole<br />
Products also reported that Jess Brewbaker,<br />
divisional sales manager for Virginia<br />
and West Virginia, would remain in<br />
that capacity under the direction of Mid-<br />
^r-<br />
Ing 1954, marks the 22nd time Wc. .'::<br />
recordings have won sinve the award -.vu.-<br />
established 25 years ago.<br />
The 1954 award was presented to the<br />
sound department of Universal-International<br />
studios by the Academy of Motion<br />
Pictures Ai-ts and Sciences at the recent<br />
Hollywood ceremonies.<br />
In addition, Columbia Pictures Studios,<br />
which was awarded the Oscar for the best<br />
picture of the year, used Westrex equipment<br />
to re-record "On the Waterfront."<br />
Tmoi J. Riggs jr., president of Mills Industries<br />
I f. L. Jacobs Co., visits with Richard Seddon,<br />
h s distributor, and J. H. Leadaman, Mills repren<br />
olive, at the recent open house held in Mills'<br />
M location.<br />
I* people inspected the new facilities, saw<br />
st products in operation and met with<br />
top management.<br />
;erving as hosts were Thomas J. Riggs<br />
president of Mills and the F. L. Jacobs<br />
Ci; Jack Keller, vice-president and gen-<br />
B^l manager of F. L. Jacobs, and Pete<br />
Uioy. Mills' new sales manager. Other<br />
Mis' sales and service personnel were on<br />
hl.d to explain new product innovations.<br />
ne of the main points of interest was<br />
tl Millshake shake and malt machine<br />
rich combines freezing, built-in refrigei;ed<br />
syrup pumps and blending, all in<br />
tt<br />
single unit.<br />
RA Increases It's<br />
Carpet Line<br />
F)m Basic Six to 29 Grades<br />
satisfy the different budget requiremits<br />
of all types of theatres, the RCA<br />
K)et line has been increased from six to<br />
2f different grades, according to M. J.<br />
ST^r, manager of the theatre and sound<br />
piiucts department of the engineering<br />
pi iucts division.<br />
he new grades will be additions to the<br />
Sii, basic types of carpeting already being<br />
Dfred by RCA. Pile heights of the new<br />
pies will vary from .15 to .5 inch. Now<br />
to .tres may choose from two grades of the<br />
fctievement type, five in the Citation type,<br />
fo Headliner, five Top Performer, five<br />
8^wman and eight Exhibitor.<br />
le carpeting, which is manufactured by<br />
T^mas L. Leedom Co., is available in<br />
Mrs and patterns of the exhibitor's<br />
:hce.<br />
lere is no better advertising for a produc<br />
than the product itself.<br />
(V/tk<br />
HOT<br />
DOG<br />
HOT DOG CHiLi<br />
DID YOU KNOW THAT-<br />
• By adding a fraction of a cent to the cost of each Hot Dog, you con eosily sell it<br />
for five cents more— picking up an EXTRA PROFIT of 4c per Hot Dog!<br />
• CASTLEBE.RRY'S HOT DOG CHILI costs less than standard brands of catsup-flr<br />
pickle relish . . . actually costs little more than mustard!<br />
• CASTLEBERRY'S HOT DOG CHILI is a quality product especially for use on<br />
Hot Dogs . . . plenty of meat, ground very fine for uniform distribution throughout<br />
the product . . . real Chili Beans ore crushed to protect your customer's neckties<br />
and dress-fronts from "tumbling bean" spots.<br />
• This economical easy-to-use product may be served in a variety of ways! Ideal<br />
for mouth-watering "Chili-burgers"; delicious over meat loaf—as a spaghetti<br />
sauce—or on left-over meats. Mokes a regular Chili Con Carne too— just add beans!<br />
MAKES A HOT DOG JUST M-E-L-T IN YOUR MOUTH"<br />
Available Through All<br />
Notional Theatre Supply Bronches<br />
29 oz. Can— Series over 50 Hot Dogs<br />
No. W Can—Serves over 200 Hot Dogs<br />
SAMPLE ON REQUEST<br />
CASTLEBERRY'S FOOD CO.<br />
AUGUSTA<br />
GA.<br />
JC OFFICE :; May 7, 1955 37
. ,<br />
HOLLYWOOD THEATRE<br />
INSTALLS NEW SIGN<br />
IN<br />
THE TRADITION<br />
OF TIMES SQUARE<br />
Facade of the Hawaii Theatre before erection of the new sign.<br />
Preliminary framework for the vertical sign may be sesn rising<br />
from the roof above the marquee.<br />
This spectacular, vertical sign, high as a four-story building, dramatizes the theatre, f<br />
different color combinations, based on turquoise blue and canary yellow backgrom<br />
create constantly running changes. The sign cost $22,000.<br />
I^AZZLING ELECTRICAL DISPLAYS like<br />
those highlighting New York's Times<br />
Square flashed onto Hollywood recently<br />
when the film city's Hawaii Theatre installed<br />
a huge, new vertical sign.<br />
High as a four-story building, the new<br />
sign contains more zeon tubing than any<br />
other theatre sign in the West. Constantly<br />
running changes cover four different color<br />
combinations based on turquoise blue and<br />
canary yellow backgrounds.<br />
Constructed at a cost of $22,000 for<br />
Albert A. Galston and J. M. Sutton, thea' [dijoi<br />
owners, the new installation was specia Sju/or<br />
designed and installed by Electrical Pre jj j<br />
ucts Corp. of Los Angeles. m]<br />
Dedication program by Debbie Reyno!<br />
and Louis Calhern was carried on NBC-'<br />
s<br />
The huge letter section being wheeled into oven Individually designed and tagged zeon tubes being Upper section showing separate zeon no<br />
tubes C .1<br />
for baking enamel. fitted precisely into place. ating the four color combinations.<br />
38 The MODERN THEATRE SECTK
; we<br />
: May<br />
^<br />
I<br />
.<br />
, . . Questions<br />
and Answers<br />
This regular Modern Theatre feature is conducted by Dove E. Smolley, contributor to mony<br />
mportont magazines on mointenance and editor of Better Maintenance Magazine. Questions from<br />
exhibitors ore welcomed. Address them to Theatre Mointenonce, The Modern Theatre, 825 Von<br />
It Blvd., Kansas City 24, Mo. Enclose stamped, self-addressed envelope for personal reply<br />
ASPHALT FLOOR DOESN'T<br />
RESPOND TO WAXING<br />
We have just installed a neiv asphalt<br />
floor and the contractor recommended<br />
tuax it to bring up a polish. Howwe<br />
have applied several coats of two<br />
erent kinds of self-polishing luax and<br />
make no showing whatever. What<br />
Tcmg"!<br />
Certain installations of asphalt tile do<br />
not respond to waxing, due to the surtexture<br />
of the tile. The wax you have<br />
lied is still there, of course, but has bee<br />
imbedded in the minute cells on the<br />
ace of the tile. Several months of wear<br />
Id probably remedy the condition, but<br />
ii<br />
[)|more immediate results, I recommend<br />
you go over the floor with No. 1 steel<br />
preferably under a floor machine.<br />
apply two coats of one of the newer<br />
1^1 coat iwaxlessi floor finishes. After<br />
fl;h I believe that subsequent waxing will<br />
e'ond with the polish you expect.<br />
rVVHAT TYPE FLOOR?<br />
We are planning to build a new movie<br />
\<br />
hitre and would like to have your recomnidations<br />
for the floors. What kinds do<br />
m think best for the lobby, foyer and ,<br />
Iti torium?<br />
Jrhe answer to your question depends a<br />
?reat deal upon how much you wish i<br />
10 nvest, the size of your theatre, etc.<br />
i« ever, if the cost is not of primary im-<br />
Wance. I would suggest either terrazzo<br />
iraarble for the lobby: rubber tile or<br />
ble vinyl tile or cork tile for the foyer<br />
of course, in any case, concrete for the<br />
torium. If the cost is an important<br />
jr, I would suggest asphalt tile in the<br />
y and linoleum lor carpeting' in the<br />
r. Rubber, flexible vinyl or cork, while<br />
; expensive than linoleum, are quieter<br />
le<br />
foyer.<br />
rWHAT ABOUT PHENOL<br />
rCO-EFFICIENT?<br />
H"(' are using a disinfectant, the label<br />
ich indicates it has a phenol co-<br />
;f of five against typhoid germs. We<br />
tii'rstand that a phenol co-efficient of<br />
fn means it has five times the killing<br />
m'r of carbolic acid, but does this label<br />
''!<br />
that the disinfectant kills only ty-<br />
! (lerms? We want a disinfectant that<br />
km all kinds of germs.<br />
A here is no known disinfectant that<br />
!!i be guaranteed to kill all kinds of<br />
In fact, there are a number of<br />
germs which have never been isolated and,<br />
on which, therefore, no test could be made.<br />
By the label in question specifying typhoid<br />
germs, it merely means it was that particular<br />
germ which was used for testing. The<br />
law requires that in claiming a phenol coefficient,<br />
the kind of germ on which the<br />
test was made must be stated. The typhoid<br />
germ is one of the hardiest of disease germs<br />
and it is assumed what will kill this germ<br />
can be depended upon to kill many others.<br />
For theatre use I would recommend one of<br />
the glycol sprays or a quarternary ammo-<br />
nium disinfectant, both of whici: odorless<br />
unless purposely scented' arid very<br />
I<br />
effective. The glycol is said lo i'ili. airborne<br />
germs but its effect is less permanent<br />
than the quarternary type. Either o! f.v
\<br />
Twin disks and cylinders suspended on Florentine Influence— Inspired by Flor- Antique brass coach lantern, moun^^<br />
rods form an unusual new table lamp, eniine wrought iron designs, this new distressed fruitwood, produces a cm.<br />
Dramatic lighting, enlivened by a touch of greenery. The metal unit comes in red and white; lamp features dainty filigree work on ing new table lamp. The shade j*. \<br />
is provided by these planter floor lamps. gray and yellow; black and white. brass rods. The shade is white cord. ported pigskin. \<br />
LAMPS... for decor and added lighting V<br />
A Pictorial Report on What's New and Suitable for the Theatre, Spring 1955<br />
i<br />
Left, ceramic urn, suitable for use in a powder room,<br />
comes in two sizes. The smaller one is suggested<br />
for a narrow table or shelf, the other for a larger<br />
surface. Translucent spun glass shade gives good<br />
light for applying make-up. Right, hammered silver<br />
treatment strikes a new note on the surface<br />
of this<br />
glass lamp. Diamond pattern incorporates three<br />
different tones of blue with gold outlines. Parchment<br />
shade repeats the hammered silver effect.<br />
Data concerning manufacturers and prices of lamps<br />
shown may be obtarned by writing to The Modern<br />
Theatre, 825 Von Brunt, Kansas City 24, Mo. Prices<br />
of table lamps range from $40 to $80, with an average<br />
around $40.<br />
By DORIS HERZIG*<br />
r ORTABLE LAMPS sepve a dual purpose<br />
in theatre lighting. Not only do they supplement<br />
illumination from overhead fixtures,<br />
but they also contribute warmth,<br />
character, and excitement to the decorative<br />
scheme.<br />
Functionally, lamps bring light down to<br />
the specific area where it is needed. At<br />
the same time, they create other, more subtle<br />
effects. They provide a feeling of intimacy<br />
so often lacking in public areas. Their<br />
interesting patterns of light and shadow<br />
heighten the dramatic atmosphere.<br />
From the unprecedented variety of strikingly<br />
original designs now on the market,<br />
units can be selected to underline the prevailing<br />
mood, whether it is elegantly traditional,<br />
sleekly modern, informally countrified,<br />
or a pleasant blend of different motifs.<br />
A relatively minor investment in theatre<br />
decor, new lamps can transform the entire<br />
appearance of a lobby by injecting fresh<br />
decorative accents and casting a warm,<br />
inviting glow.<br />
In lounge areas, table and floor lamps<br />
grouped with seating units add a feeling<br />
coziness to the furniture arrangements,<br />
large wall or drapery expanse can often<br />
enhanced by placing a handsome tal<br />
lamp in front of it. A drab foyer corn<br />
can be enlivened with a torch-type flq<br />
'<br />
lamp casting indirect light.<br />
In powder rooms, portable lamps counte<br />
act the cold, often unflattering light whi<br />
disturbs women patrons. Here lamps a<br />
most effectively used in pairs so that lig<br />
falls evenly on both sides of the face wh<br />
make-up is applied.<br />
According to The Lamp and Shade I<br />
stitute of America, there is an increasi:<br />
trend in lamp design toward combinL<br />
modern with traditional features. The r<br />
suiting forms are graceful and mellow, i<br />
corporating contemporary lines with mot,<br />
from the past, such as oil lamp founi<br />
candlestick forms, or Florentine filig^?<br />
work. These lamps harmonize with eith<br />
period or modern furnishings, yet are di<br />
tinctively styled to become focal points<br />
attention.<br />
I<br />
Modern interpretation of the candlestick<br />
motif. Slender, polished brass<br />
rods rise from a walnut base to support<br />
gleaming brass candlecups. Plasticized<br />
white fabric shade.<br />
Contemporary interpretation of the<br />
lantern motif combines bright brass,<br />
wood and plastic. Switch is incorporated<br />
into the wood sleeve on the<br />
center shaft.<br />
Bands of gray polka dots accent this<br />
charcoal-colored ceramic lamp of<br />
graceful design. The shade is imported,<br />
natural-toned linen. The lamp<br />
is 33'A inches high.<br />
Coach lantern provides an interest'<br />
motif for this new floor lamp. Topf<br />
by on American eagle, the lanternset<br />
on a shaft combining Salem WU^<br />
with French bronze.<br />
40 The MODERN THEATRE SECTIO
; May<br />
Modern Art and Heywood Comfort<br />
Skyrocket Box-office Receipts<br />
\\'\[\\ a dramatic theme of modern art and the luxurious comfort of Heywood<br />
mating, owner Burton Jones transformed the old San Diego Egyptian, with an<br />
\ irage gross of $600 a week, into the premium-price Capri with grosses as high<br />
- "^ 1 0,000. Find out how Heywood comfort can help your own box office skyrocket.<br />
lEYWOOD-WAKEFIELD COMPANY, Theatre Seating Division, Menominee, Michigan Sales Offices: Baltimore Chicago<br />
B' ;OFFICE ;<br />
7, 1955<br />
41
REMODELING PROJECTS. 1955<br />
Kingston, N. Y.<br />
Washington, D. C.^<br />
The handsome mezzanine foyer in the remodeled Community Theatre bears little resemblance to the old, shown in the photo below. Wall-towall<br />
carpeting, smart furniture and modern illumination create a charming atmosphere. The fireplace adds a cheerful note.<br />
Community Theatre, Kingston, N. Y.<br />
Walter Reade Updates a 30 -Year -Old House Without Closing<br />
IVloRE THAN A QUARTER of a mUUon doUars went into the<br />
remodeling and redecoration of the 30-year-old Broadway<br />
Theatre in Kingston, N. Y., transforming it to a modern house,<br />
renamed the Community Theatre, with an accent on patron<br />
comfort. The construction covered a six -month period and was<br />
accomplished without interruption of shows. Except for the<br />
four walls the theatre was almost completely rebuilt.<br />
One of the most interesting features of the remodeling was<br />
the new treatment of the mezzanine foyer. The well that was<br />
in the center and looked down on the orchestra floor was<br />
closed in, and the old-fashioned chandeliers and old-style dark<br />
paneling removed. Lighting was modernized and increased and<br />
wall-to-wall carpeting and smart, modern furniture installed.<br />
Paintings are supplied by the nearby Woodstock, N. J., art<br />
colony and are changed every few weeks.<br />
Men's and ladies' rooms are at either end of the lounge and<br />
have been completely refitted.<br />
The new front of the theatre is a prototype developed by<br />
Walter Reade and distinguished by its Colonial red brick<br />
and white wood front. The portico and wood columns extend<br />
to the curb and are visible for hundreds of yards in both directions<br />
on the heavily trafficked main artery on which the<br />
theatre is located. At night, the front is lit by spotlights from<br />
across the street and by lights recessed into the portico ceiling.<br />
The old well in the mezzanine foyer that looked down onto the orchesm<br />
floor was closed over to provide the new spacious lounge area. The ©i<br />
fashioned chandeliers were removed and replaced by increased lighting with mo<br />
fixtures. The dark paneling, popular in an early day, gave way to light walls '<br />
ceiling. In the new lounge paintings supplied fay a nearby art colony are chatti^<br />
every few weeks and have proved an added attraction to patrons.<br />
42
; it<br />
1 H<br />
: May<br />
IB simple while wood work against the<br />
jikgiound of the red brick building<br />
ikes the theatre an easily recognizable<br />
f dmark.<br />
Three sets of full-length Lucite doors<br />
I<br />
used at the entrance way. Clearly vis-<br />
1' through them is the cashier's counter<br />
.Mch replaces the usual boxoffice. The<br />
lis are terra cotta: carpeting does not<br />
3 in until just in front of the inner doors<br />
I the rear of the outer lobby.<br />
»hoto-electric cell equipment operates<br />
main door into the Community autor.<br />
tically as the patron goes from the<br />
J i.sual cashier's counter in the outer<br />
,(b>- to the doorman with his ticket.<br />
CONCESSIONS IN INNER LOBBY<br />
"he new Refreshery is located under the<br />
5 ir well in the inner lobby, and is adjat<br />
to the theatre auditorium through<br />
-<br />
iloor at the right. The all-enclosing<br />
1 ii;i has built-in popcorn machine, nut<br />
user, ice cream cabinet with a glass<br />
so patrons can see the refrigerated<br />
lin.s, candy cabinet and soft drink ma-<br />
: ae.s. Display cases on the rear wall will<br />
b changed for seasonal displays.<br />
.ishting of the stand is all recessed and<br />
i >ctional. The decorative panel at the<br />
ti contains the word "Refreshery" in<br />
Late lettering cut into the border and<br />
t);ismitting light from tlie rear.<br />
'.ubber matting all around the front will<br />
b: edite cleaning and minimize the dam-<br />
B<br />
from spilled food or drinks.<br />
here are several automatic drink vend-<br />
Ir machines in other parts of the tlieatre.<br />
'he Refreshery was planned by Edwin<br />
G:e. circuit vice-president and James<br />
L b. concessions department director.<br />
Ji n McNamara drew the plans.<br />
COLUMN MOTIF CARRIED OUT<br />
/ithin the auditorium all of the gingerfa<br />
ad typical of older theatres was rett/ed<br />
for the simple, clean lines of modern<br />
Destruction. The column motif that disti'.uishes<br />
the front of Community-type<br />
tlures has been carried out in the audiu<br />
urn. There is a "sunburst" in metal<br />
onoth side walls of the auditorium. Only<br />
a ;\v seats in the 1,700-seat house were<br />
te in the remodeling,<br />
ine of the novel features of the Comlity<br />
is tlie party room located at the<br />
it rear of the orchestra. There are four<br />
Mi' seats on each cf two levels, accommo-<br />
16 persons,<br />
he de luxe room is soundproofed, has<br />
own separate sound speakers and its<br />
L air-conditioning outlets. Thick-pile<br />
jeting is on the floor and clothes<br />
gers are provided for patrons at eithsr<br />
The room was designed to be sold to<br />
ps wanting to attend the show in a<br />
y, however, the room is also sold on an<br />
vidual seat basis at a slight premium.<br />
Si )king is permitted here.<br />
'alter Reade Theatres was represented<br />
diing construction by Edwin Gage. Rocct<br />
Done, circuit engineer: Nick Schermerhi<br />
1, general manager, all under the di-<br />
« ion of Gage and Walter Reade jr.<br />
This is the entranceway to the Community as seen from the sidewalk and from under the wood-columned<br />
portico which extends to the curb. The only advertising material in front of the theatre ore the two<br />
display cases on the returns, each holding a 40x60 which the theatre's own art shop maizes.<br />
One side of the outer<br />
lobby of the Community.<br />
The display<br />
cose is one of two in<br />
ths outer lobby; the<br />
cashier's counter and<br />
another case are on<br />
the other side<br />
visible in<br />
(partly<br />
the mirror).<br />
The fixture near the<br />
floor and under the<br />
coach lamp is a hot<br />
air blower to heat<br />
the out^r lobby<br />
Patrons enter from<br />
and<br />
the street at left<br />
go into the inner<br />
lobby through the<br />
righ:<br />
doors.<br />
The Refreshery is located under the stair well in the innir lobby, and is adjacent<br />
through the door at the right. Lighting is all recessed and directional.<br />
B( OFFICE :<br />
7. 1955 43
;<br />
.OMMUNITY THEATRE, KINGSTON, N. Y.<br />
m<br />
Special Patron Services Win Favor for Remodeled Theatre<br />
The party room in the Community will accommodate 16 people. There are four<br />
love seats on each of the two levels. The room, located at the right rear of the<br />
orchestra, is soundproofed, has its own speakers and its own air-conditioning<br />
outlets. Smoking is permitted here as well as in the loges.<br />
Automatic operation of the main door, as the patron goes from the cashien<br />
counter to the doorman, is one of the special features of the remodel^<br />
house. It is done by photo-electric cell equipment. This, and the pari<br />
room have created the most comment from patrons.<br />
At left 15 o v/c« of the remodeled auditorium in t|<br />
Community, and above is one of the area as it appean jjudt<br />
before. All of the old gingerbread was removed. 7i<br />
column motif that distinguishes the front of the theal<br />
is repeated in the new auditorium. Sunbursts on the woi<br />
''<br />
are metal.<br />
sdo<br />
W<br />
^<br />
COMMtNlI<br />
> ^Ht'^<br />
mm<br />
ill tie<br />
.The<br />
isidi<br />
At left is the old Broadway Theatre before<br />
the remodeling was undertaken. The<br />
old-fashioned marquee, old-styled boxoffice<br />
and small display cases are particu<br />
larly noticeable. In the new front, at<br />
the right, the portico and wood columns<br />
ore distinguishing characteristics of the<br />
Community-type theatre developed by<br />
Walter Reade Theatres. They extend to<br />
the curb and are visible for hundreds of<br />
yards in both directions on the main<br />
artery where the theatre is located At<br />
night the front is lit by spotlights from<br />
across the street and by lights recessed<br />
into the portico ceiling.<br />
(SSS<br />
*ceili<br />
(fitketi<br />
11 lickei<br />
)lavi<br />
itott<br />
in<br />
'Hen<br />
'icove<br />
44 The MODERN THEATRE SECTIOBUnCE
1<br />
n<br />
I tliiough<br />
i d<br />
.<br />
of<br />
I<br />
d<br />
: May<br />
IKO Keith's, Washington, D. C<br />
!EMODELING BRINGS NEW GLAMOUR TO OLDTIM^R<br />
At left is the new exterior lobby of RKO Kck<br />
T theatre in ttte nation's capital The stainlr^<br />
steel<br />
boxoffice has a completely illuminated egg<br />
crate ceiling, r/ier? are two ticket windows to<br />
speed ticket selling. The lobby walls are Greek<br />
Cipolin marble. Shadow box display cases with<br />
concea'.ed lighting on all sides are recessed into<br />
the walls. Note the brilliant soffit illumination<br />
A new type of slip- proof red rubber and vinyl<br />
floor covering was installed. Below is the old<br />
front of the theatre.<br />
txTENsivE REMODELING and rcnova-<br />
liom the facade and entrance right<br />
to the stage have brought new<br />
luty. luxury and a contemporary look<br />
I,<br />
d the 40-year-old RKO Keith's Theatre<br />
f Washington. D. C. The changes, howtiv.<br />
retain the original dignity and<br />
fidition of the theatre.<br />
According to John McNamara. the<br />
hitect, the finest materials to be obned<br />
were brought to Washington for<br />
'IS SIOO.OOO project which extended over<br />
: period of nearly eight months.<br />
WALLS ARE MARBLE<br />
The treatment of the entrance, the lobby<br />
the grand foyer is entirely new. The<br />
lis of the exterior vestibule are done<br />
imported Greek Cipolin marble, having<br />
white background with green vertical<br />
The boxoffice has been moved to<br />
ii:iv4.<br />
outh side of the entrance and is done<br />
.unless steel with completely lighted<br />
rate ceiling. In order to facilitate the<br />
tickets, provisions have been made<br />
two ticket windows. The new shadow<br />
X display cases, which have been re-<br />
into the marble walls, are of stainteel<br />
with concealed lighting on all<br />
.^e.s. The floor of the outside entrance<br />
3of red rubber and vinyl material.<br />
!s been covered with a new type of slip-<br />
new lobby has been created immedi-<br />
!ly inside the new Herculite glass enince<br />
doors. The walls of this lobby are<br />
i\<br />
marble and large panels of beveled plate<br />
glass. Red Leedom Wilton carpet in a<br />
contemporary floral pattern covers the<br />
floor.<br />
A SCREEN OF GLASS DOORS<br />
The lobby is separated from the grand<br />
foyer by a new screen of glass doors which<br />
permits an unobstructed view of the foyer<br />
from the street entrance. The walls of the<br />
foyer have been treated with a combination<br />
of marble, mirrors and walnut wood<br />
surfaces, and the carpet from the lobby<br />
carries through the entire foyer to the entrance<br />
door leading into the theatre.<br />
A completely new refreshment stand<br />
equipped for the sale of candies, ice cream<br />
The entire RKO Keith's Theatre building, 15th at<br />
G streets, has been completely scoured and pigeonproofed.<br />
After the cleaning the 40-year-old building<br />
looks as fresh as a new structure.<br />
and popcorn has been installed on the<br />
north side of the foyer in the line of traffic<br />
into the auditorium. The new stand is<br />
constructed of pickled walnut facing, a<br />
mirror back and the wall around the stand<br />
is covered with corrugated Transite. The<br />
candy stand is covered by a sloping canopy<br />
in which a series of recessed spotlights<br />
have been arranged to give a geometric<br />
design to the canopy soffit.<br />
The elaborate new refreshment stand was<br />
designed by J. J. McNamara and is operated<br />
by Berlo Vending Co. The candy case<br />
holds over 50 varieties. The stand includes<br />
two new plastic Pronto popcorn warmers<br />
and a Butter-Mat. An up-front, self-service<br />
ice cream freezer, the COLDisplay. is featured.<br />
3-D DISPLAYS IN BACKWALL<br />
Three-dimensional displays in the backwall<br />
shadow boxes were set up by Lee<br />
Koken. in charge of RKO Theatres concession<br />
and vending operations from coast to<br />
coast.<br />
Located near the stand is an eight-unit<br />
automatic beverage machine owned and<br />
operated by ABC Vending Corp. This<br />
equipment serves two patrons at once, and<br />
offers a choice of six carbonated and two<br />
non-carbonated cold drinks. It has two<br />
coin changers.<br />
Continuing into the theatre from the<br />
foyer, the patrons are lead through a new<br />
entry to the auditorium which has been<br />
Continued on following page<br />
I XOFFICE :<br />
7, 1955
The old foyer of RKO Keitlt's presented this appearance.<br />
The plaster ceiling was ornately decorated<br />
and old-fashioned chandeliers were used.<br />
REMODELING BRINGS NEW GLAMOUR<br />
Continued from preceding pave<br />
created from the space that was formerly<br />
the "Green Room" used by the ladies as<br />
a restroom.<br />
Patrons now enter the auditorium<br />
through a corridor that leads directly into<br />
it rather than at one side as in the old<br />
theatre. The former entrance doors are<br />
now used by the patrons only for exit.<br />
OLD BOXES REMOVED<br />
The entire auditorium has been renovated<br />
and redecorated in light beige with<br />
gold trim. The original boxes on the sides<br />
of the proscenium have been removed, and<br />
the wall surfaces at the box areas have<br />
been draped in cherry-red, fireproof materials.<br />
The new carpet throughout the<br />
auditorium is red and gold in modern design.<br />
The theatre had previously been equipped<br />
The new grand foyer is shown above, spacious and inviting. It is separated from the lobby by<br />
screen of all glass doors (extreme right). Walls of the foyer are treated with a combination of marbli<br />
mirrors and walnut wood surfaces. All new carpeting is in a modern design of red beige and blaci<br />
Marble flower boxes on either side of the foyer contain fresh flowers. Upholstered benches flank il r<br />
planter to provide conversation corners. Unusually attractive wall lamps in a simulated floral desii,:<br />
with four flower-like cups are mounted above the seating area and above the water fountain shown t<br />
the left. The ornamental stairway leads to the balcony.<br />
lor widescreen and stereophonic sound.<br />
A very pleasing addition to the RKO<br />
Keith's Theatre is the completely new<br />
ladies' cosmetic room downstairs at an<br />
intermediate level between street and<br />
basement. The walls of the cosmetic room<br />
are in pickled oak wood with one entire<br />
wall in mirror with a make-up shelf as an<br />
integral part of the mirror. The floor is<br />
in red vinyl and the furniture is covered<br />
in gray and yellow linen plastic material.<br />
Gray tile floor and walls and a red ceiling<br />
mark the principal improvements in the ad!*<br />
.ioining restroom for the ladies.<br />
The theatre is completely air cond.jir;<br />
tioned.<br />
j<br />
one of 88 owned by RKO Theatres Cori<br />
The Washington RKO Keith's Theatt; .<br />
is<br />
It is a de luxe first run downtown hous,<br />
and is managed by Jerome Baker. It wg<br />
leopened in early February.<br />
All in all, the alterations and redecd<br />
rations which were made at the 'Washind<br />
ton showcase were new in design and mod<br />
ern in concept and color, yet the refurbisM<br />
ing which was accomplished maintaind<br />
the original, inherent dignity of the theatn<br />
This was the old lobby of RKO Keith's. The flo\\<br />
was covered with rubber matting. Exposed lam \<br />
m the ceiling provided the illumination. The nc t<br />
A new inner lobby was created immediately mside the new Herculite glass entrance doors. Walls are<br />
n marble and panels of beveled plate glass The impressive shadow box display cases are recessed<br />
nto the marble walls and are of stainless steel with concealed lighting on all sides. Carpeting begins just<br />
nside the all glass doors through which the non-slip red rubber and vinyl tile of the outer lobby may<br />
be seen This is a special safety precaution for patrons on rainy or snowy days<br />
with the curved walls, and the doors which we C<br />
only partly glass, has been completely eliminat<br />
in the spacious appearance of the new lobby a.t i ^^^<br />
left. The new wide, recessed poster cases dwt 'lln<br />
the old cases which were set against the wall.<br />
46<br />
The MODERN THEATRE SECHC<br />
Bjj
.<br />
.<br />
. .<br />
Id KEITH S, WASHINGTON, D. C.<br />
^<br />
A great contrast is apparent in<br />
these before and after pictures of<br />
the auditorium. The old boxes on<br />
the sides of the proscenium were<br />
removed and those areas draped in<br />
a cherry-red fireproof material.<br />
The dark, ornate walls and ceiling<br />
have been replaced by a simple<br />
modern treatment in light beige<br />
trimmed with gold. The new carpet<br />
throughout the auditorium is<br />
red and gold in a modern design.<br />
The theatre had already been<br />
equipped for widescreen and<br />
stereophonic sound so those installations<br />
were not a part of the<br />
$100,000 remodeling job.<br />
'^<br />
.^<br />
liiefurbishing, RKO Keith's installed a completely new refreshment stand<br />
tqDped for merchandising candies, ice cream and popcorn. It is located on<br />
tknorth side of the foyer in the line of traffic into the auditorium. It is const,<br />
ted of pickled walnut facing, there is a mirror backbar and the wall around<br />
Ih itond is covered with corrugated Transite. An eight-unit automatic beverage<br />
mi line IS located nearby at the stairway.<br />
The candy bar in the old foyer is shown above at the extreme right. It was<br />
much smaller than the new refreshment bar and not so well located. Patrons<br />
3ntering the first two of the auditorium entrance doors could easily pass<br />
it up. In the new setup all patrons must pass by the stand before turning left<br />
to the corridor that leads to the auditorium. The old doors shown<br />
above are now used for exit only.<br />
Kw Is the Time . .<br />
13 clean and lelamp marquee and upril<br />
t signs. Wipe off with damp cloth all<br />
ft bulbs and neon tubing.<br />
jrighten the backings of your frames<br />
8r displays with cool-colored cards. Polls)<br />
your frames.<br />
op or wash down with plenty of clean<br />
fr 1 water the floors of your auditorium.<br />
ean your changeable attraction letters.<br />
U 3U are using metal letters, give a coat<br />
of lack paint and trim with aluminum.<br />
Check on your chairs and see that they<br />
are tightened and repaired where necessary.<br />
Inspect your carp>ets carefully, and sew<br />
the spots or seams that are beginning to<br />
open up.<br />
Inspect your roofs and remove any rubbish<br />
and check all drains.<br />
Check your curbing and sidewalks to see<br />
ihat they are clean and free of trash.<br />
Go over your house lighting to be sure<br />
you do not have any stray light or annoymg<br />
brightness in the line of vision. Check<br />
the aisle lights and the stepdown lights.<br />
Check your color combination on lighting<br />
(greens and blues should predominate<br />
for hot weather; amber and red for winter'<br />
Inspect your hand-rails on balcony stairs.<br />
Also all exits, etc.<br />
Do you carefully and thoroughly inspect<br />
your houses before opening day? Is special<br />
attention given to accident hazards .<br />
especially noticing hand-rails . . . carpets<br />
. . . aisle lights, rubber mats? Do you<br />
check the first performance of each show?<br />
—The Martin Tipster<br />
BCDFFICE :: May 7, 1955 47
}<br />
'.<br />
There are no movie display sheets on any<br />
walls, either in the outer lobby or in the<br />
intimate foyer. Instead, there are framed<br />
pictures—all art pieces loaned by the<br />
Cleveland Art Museum. Potted greens in<br />
the lobby help create the required atmosphere<br />
and this is further attained by th<br />
use of spot lights on the paintings an<br />
etchings on display for art enthusiast<br />
"The problem of what to do to convet<br />
a conventional theatre into an art thea<br />
tre is not one of addition but of sub<br />
traction," Shulman explains. "Simpliciti<br />
must be the keynote. Reason for this i<br />
that the decorations should not detrac<br />
from the art on display. Here at th<br />
Heights Ai-t Theatre, for instance, ^<br />
started our simplification program with tb<br />
marquee. We painted it white, just plai<br />
white without other color adornment. Anc<br />
on the marquee, all we use is just the tit]<br />
of the picture we are showing. Nothin<br />
else—just the title. By its mere simplicity<br />
and deviation from the conventional the<br />
a tre marquee, we attract attention.<br />
ESTABLISH A MOOD<br />
"Another item in our simplification pn t<br />
yram was to establish a mood as soon li.<br />
the patron passes the boxoffice into ttjfc<br />
'1C<br />
fS<br />
The lobby o/ the Cleveland Heights Art Theatre, Ohio, is a rendezvous for art lovers where paintings<br />
and art objects on loan from the Cleveland Art Museum are displayed in an atmosphere of intimate quiet<br />
and charm. Furnishings are smart, but simple.<br />
Simplicity Is Keynote in the Art House<br />
Conversion From Conventional Theatre<br />
Is<br />
By ELSIE LOEB<br />
One of Subtraction, Not Addition<br />
Because an art theatre is something<br />
special for a special audience, it must look<br />
special," says Edward Shulman, expert on<br />
art theatre operation and general manager<br />
of the Heights Ai-t Theatre in Cleveland<br />
Heights, Ohio. Shulman took over the<br />
Heights Theatre last November, and within<br />
two weeks changed its physical appearance<br />
from a conventional theatre to a miniature<br />
art museum, exhibiting art treasures in<br />
the two lobbies and art pictures on the<br />
screen. He also changed its name to<br />
Heights Art Theatre.<br />
That he has succeeded in accomplishing<br />
his purpose of making the divorce from the<br />
conventional to the art surroundings final<br />
is obvious from a look at the photograph<br />
of the foyer as it appears today.<br />
This foyer is not just an area to walk<br />
through to reach the auditorium. It is a<br />
rendezvous for the patrons who take their<br />
art seriously. An atmosphere of peace and<br />
relaxation is attained by the use of light<br />
gray, almost off-white, walls and drapes.<br />
The walls and woodwork in this area are<br />
painted. The long, silk, solid-color drapes<br />
from ceiling to floor not only hide the back<br />
row seats and former railing, but provide<br />
the proper background for the unusual<br />
low slate table, modern-conventional in<br />
shape. Two striking fish skin globes.<br />
48<br />
lighted within, are so placed on the table<br />
that they strike the eye immediately. And<br />
even more important, they are in direct<br />
line of vision from the boxoffice right<br />
through the outer lobby. These globes, imported<br />
from the Philippines, are in two<br />
sizes for variation interest—one of them<br />
two feet in diameter, the other, one and<br />
one-half feet in diameter. Concentric<br />
black lines on the fish skin emphasize their<br />
importance in the art scheme.<br />
Magazines are placed on the table for<br />
the use of patrons: also cigaret ash trays<br />
and an unusual floral piece, usually of<br />
simple Japanese-type arrangement. The<br />
table also affords display place for pieces<br />
of art borrowed from the Cleveland Art<br />
Museum, which reflect the background of<br />
the picture shown on the screen.<br />
Both ends of the rectangular lobby are<br />
arranged for conversation areas. Modern<br />
lounge chairs, a lamp and ash trays are<br />
provided. At the opposite end of the foyer<br />
shown in the picture there also is a hot<br />
plate with a samovar always filled with<br />
hot coffee served free before, during and<br />
after the performance.<br />
lobby. We removed the doors leading froi ;<br />
the lobby into the foyer so that the lobl<br />
and foyer are blended into the desire]<br />
mood or atmosphere.<br />
"We took out the concession starl<br />
altogether and devoted the entire foyi|<br />
space to the comfort of our patrons. Th(<br />
said we couldn't operate a theatre withovl<br />
selling popcorn, candy and soft drinls<br />
But we do. And our patrons love it. Th(<br />
:
lACTS ABOUT HORIZONTAL VISTAVIS'ON<br />
y<br />
Paramount Gives Presentation Details About New Double-Frame Process<br />
^^*.<br />
HORIZONTAL VISTAVISION PROJEaOR HEAD<br />
The new horizontal double-frame VistaVision projector and the scheme of the projector head at right.<br />
ten: weeks ago Paramount Pictures Co.<br />
hi a demonstration of its new horizontal<br />
V uVision (VistaVision by double-frame<br />
r,h:ctioni for the tradepress at the Para-<br />
T,int Theatre in New York City. Projec-<br />
'.(. tilth curved apertures made by Cen-<br />
!i / threw the picture 168 feet onto a new<br />
rr-cd Raytone screen which is 40 feet<br />
'i, I and. in square feet, the largest in any<br />
•i.;or house. Picture size was 35x64 feet.<br />
lie new process, together with the<br />
V. 'ed screen, lends depth and a sense of<br />
lueuce participation.<br />
survey now being made indicates that<br />
%teast 100 theatres in the U. S. can be<br />
re odeled to accommodate a large screen<br />
II special VistaVision projection equipmit.<br />
Other theatres can use standard<br />
V aVisio7i prints.<br />
iramount Pictures has released the folio<br />
ng detailed anA technical facts about<br />
ki3ontal VistaVision for the information<br />
0/ xhibitors.— (Editor.)<br />
Advantages:<br />
UGER IMAGE SIZE<br />
ne most important advantage is image<br />
si; which was fii-st established by compi<br />
-tion and then photographically tested.<br />
Ptimount is using the optimum image<br />
sis for large picture. If the picture image<br />
OE he film is smaller than that now used<br />
Is /istaVision, we lose general sharpness<br />
at if the picture image is larger, we lose<br />
iHepth of focus.<br />
wlistic stereoscopic effect<br />
motion pictures, a slight subjective<br />
efi'.t of stereoscopy usually accompanies<br />
c& ;ra movement. This effect is enhanced<br />
as w^e eliminate more and more of the<br />
indices by which audiences can tell that<br />
the picture is flat. In general, audiences<br />
tell that a motion picture is flat by the<br />
softness of focus, the film grain, the sheen<br />
from the screen and the straight line effect<br />
of the picture masking. In the presentation<br />
of VistaVision, we have the required<br />
sharpness, grain is invisible, we<br />
eliminate the sheen by the mirror effect<br />
of the metalized screen and the slight<br />
curvature of the screen (radius equal to<br />
projection throw) . A curve in the top and<br />
bottom line of the aperture and masking<br />
not only eliminates the straight line effect<br />
but the curvature used creates an illusion<br />
of a deep curve in the screen which further<br />
adds in the stereoscopic effect.<br />
EFFECTIVE IN ANY PART OF THEATRE<br />
Tests indicate that the illusion of curvature<br />
used in VistaVision is better than a<br />
real curvature of a screen. The focus is<br />
better, the image can be seen from a wider<br />
angle of viewing, there is no distortion of<br />
horizontal straight lines even when seen<br />
from a high balcony and side seats and<br />
further, the same depth effectiveness is<br />
produced in any part of the theatre even<br />
at great distances from the screen.<br />
EASE OF VIEWING<br />
Another advantage of the double-frame<br />
life-like VistaVision projection method is<br />
that this sharp pictm'e can be viewed with<br />
ease and comfort from seats far closer to<br />
the screen than by any other method.<br />
Everybody agrees that size adds to the<br />
picture impact on the audience. Some<br />
people have gained size by increased picture<br />
width even when it involves reducing<br />
the picture height. Some people have even<br />
sacrificed quality to gain size. With Vista-<br />
Vision, there is no reason to sacrifice either<br />
height or quahty. One look at a VistaVision<br />
double-frame pictui-e and these advantages<br />
will be immediately apparent.<br />
Presentation Details:<br />
SCREENS<br />
In preparing for double-frame projection<br />
the theatre must have, or install, a seamless<br />
metalized screen with a light gain of<br />
about 2 to 1. 3 to 1 is too high and 1 to 1<br />
is too low. The size of a screen shall be<br />
in keeping with the special recommendations<br />
which are now being prepared by<br />
Paramount for each installation. These<br />
recommendations will in general follow the<br />
previous recommendations for single-frame<br />
VistaVision, but they may vary in some<br />
cases because of the great size potential<br />
of the double-frame system. The screen<br />
shall have a curvature equal to the projection<br />
throw or 1.2 times the projection<br />
tiirow. In cases of theatres using a projection<br />
angle of over 15 degrees, the screen<br />
frame should be capable of tilting backward<br />
at the top. The amount of tilt should<br />
never exceed 5 or 6 degrees. In all cases,<br />
the screen shall be as close to the stage<br />
floor as possible.<br />
PRINTS<br />
For optimum effectiveness on large<br />
screens of from 50 to 60 feet in width,<br />
the large image of the double-frame print<br />
with double-frame projection is recommended.<br />
This large area of print is not<br />
necessary for smaller screens. Thus, the<br />
Paramount recommendation of standard<br />
Continued on following page<br />
BODFTICE ;; May 7, 1955 43
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HORIZONTAL<br />
VISTAVISION<br />
Continued from preceding page<br />
i<br />
VistaVision prints .single-frame<br />
i<br />
images<br />
for all medium to small theatres. Under<br />
all conditions of projection, it has been<br />
our experience that the standard singleframe<br />
(standard projection! VistaVision<br />
will give better quality than any other<br />
single-frame system, irrespective of the<br />
type of lens system used.<br />
Double-frame prints can be projected in<br />
any aspect ratio from 1.66 to 1 to 2 to 1.<br />
Paramount recommends filling the proscenium<br />
with picture on a largest possible<br />
screen, as determined by the physical requirements<br />
of the theatre. Most presentations<br />
will be in an aspect ratio of about<br />
1.85 to 1.<br />
The double-frame picture film has a<br />
standard optical track located in the standard<br />
position. The recording and reproduction<br />
is at 180 feet per minute in place<br />
of the normal 90 feet per minute. The<br />
sound synchronization is 18 double frames<br />
behind the picture lin the same direction<br />
as magnetic sound ><br />
All VistaVision prints, including the<br />
double-frame prints, are on regular 35mm<br />
film, which can be spliced and handled on<br />
any rewind and inspection equipment that<br />
will accommodate up to 5,000-foot reels.<br />
LENSES<br />
standard type high quality lenses are<br />
used. The lens size can be computed by the<br />
sample formula: the lens focal length in<br />
Durably tonstrutted,<br />
inches will be equal to 1.418 times the pro'<br />
jection throw in feet, divided by the desire q<br />
picture width in feet as measured at th<br />
screen. The standard lens size tables d<br />
not apply to double-frame VistaVision.<br />
PROJECTORS<br />
The double-frame projectors take thl<br />
same floor area and portholes as a stand.,?<br />
ard projector. These projectors can rei''<br />
place standard projectors or they can b<br />
installed in any place where a standar<br />
projector can be installed. They use stand<br />
ard pedestals, standard lamp houses an<br />
standard 5,000 foot magazines. The maga fhy<br />
zines are mounted vertically in the usui<br />
manner. THE FILM PASSES HORIZON<br />
TAULY THROUGH THE PROJECTOR.<br />
The projectors are furnished complet<br />
tfl<br />
with bases, movement, magazines, change,<br />
over dousers and sound heads. Normall;.!<br />
they will be supplied less lamp houses ans:<br />
less lenses. Paramount recommends usini<br />
hy-condescent condenser type lamp hous(ji Ch<br />
capable of 180 amperes, although most in<br />
stallations operate at 150 to 160 ampere ,<br />
The projection booth shall be wired t ><br />
accommodate two horizontal projector;<br />
This shall include the capability of 180 an i<br />
peres of power for the arc, motor wirin<br />
changeover control, sound head power an<br />
speech circuits, plus a 110- volt AC supp!<br />
for threading and service lights. This wiis<br />
ing shall tie in with the booth control wi]||<br />
ing so that these machines will start at'<br />
control on changeover in the same manni'l<br />
and inter-changeably with the standai<br />
machines.<br />
WORLD FAMOUS<br />
(NO WELDED SEAMS)<br />
seamless<br />
SCREENS<br />
tontrolled brightness factors<br />
for any type of theater,<br />
•<br />
2 Types of Metallic screens to choose from,<br />
competitively priced, single weight or double<br />
weight screens.<br />
•<br />
Extra bright' white matte screens available for<br />
extra wide theaters.<br />
•<br />
Tops for Cinemascope and large screen picture<br />
reproductions.<br />
See your Local Supply Dealer {or contact us direct jor Jurther injormatinti)<br />
BOODE SCREEN COMPANY • S829 VENICE BLVD. • LOS ANGELES 34, CAL.<br />
I<br />
ittr<br />
ijiO»l|(i<br />
:'llll. I)<br />
'llrilllli<br />
Iijnit III<br />
liilgroind<br />
50<br />
The MODERN THEATRE SECTK '^'S. :: \
Why Do the Maiority<br />
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Theatre Owners<br />
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WAGNER
I he<br />
OJECTION<br />
AND SOUND<br />
Sixth of a Series on Leading Sound Equipment<br />
STEP-BY-STEP SERVICING OF SOUND SYSTEM!!<br />
6. Maintenance of Magnasync Sound Head, Speakers, Pre-Amplifiers<br />
By WESLEY TROUT<br />
laET US TELL<br />
you about the servicing<br />
and installation<br />
of the Magnasync<br />
sound system. First,<br />
equipment for<br />
this system has been<br />
carefully checked and<br />
adjusted for peak<br />
performance before it<br />
leaves the factory at<br />
No r t h Hollywood,<br />
Wesley Trout<br />
Calif., but some adjustments<br />
are always<br />
necessary after installation, in any theatre,<br />
in order to secure good sound coverage<br />
and perfect sound reproduction. This is<br />
accomplished by using suitable test loops<br />
and test film for checking over-all performance<br />
of the system. Of course, good<br />
test equipment is also necessary for checking<br />
various components. Listening tests<br />
should be made in the auditorium by an<br />
observer with good hearing.<br />
The Magnaphonic sound head is a film<br />
driven reproducer which mounts between<br />
the projector mechanism and upper magazine;<br />
the film sprocket has 32 teeth controlling<br />
the film on both sides of the<br />
magnetic head. The "fat tooth" design has<br />
been found very satisfactory for reproducers<br />
and for recording equipment, because<br />
it controls the movement of the film better.<br />
This type of "tooth" is a better match<br />
for the sprocket holes in the film, thereby<br />
assuring steady movement of the film and<br />
it tends to isolate disturbances arising in<br />
the upper feed reel and shaft and in the<br />
projector mechanism from the magnetic<br />
head. This unit requires no special maintenance<br />
except daily cleaning of the sprocket<br />
and interior of the sound head. The pa|<br />
rollers should always be checked to<br />
that they turn freely and are kept fnl<br />
of dirt accumulation. This company h|<br />
given very particular attention to the fi]<br />
path in order to minimize wearing of<br />
pickup head. This reproducer can be<br />
stalled on any make of projector, withoift i<br />
replacing or making any modern project* v\<br />
obsolete for use when using magnetic n<br />
corded films. It is an exceptionally simp<br />
mechanism to install and requires no sp<br />
cial tools.<br />
Adjustment of Pickup Head—In tl<br />
mounting of the assembly, means are pr<br />
vided for adjustment of the head (picki<br />
head) as a unit for correct azimuth, gi<br />
STUDY INSTRUCTIONS CAREFULLY<br />
Before starting your installation, instructions<br />
sent with the equipment should be<br />
very carefully studied by the installer. The<br />
equipment is very simple to operate and<br />
install, but care should be exercised to be<br />
sure to make all connections according to<br />
diagrams, and all connections should be<br />
made electrically firm. A poor connection<br />
will cause noise, and in some cases, completely<br />
cut off sound output.<br />
NOTE—Some projectors with remote<br />
dowsers cannot accommodate any penthouse<br />
reproducer until the dowser has been<br />
shifted back and remounted with a suitable<br />
adapter bracket. This can be obtained<br />
from your dealer for your particular type<br />
of mechanism.<br />
FILM MUST TRAVEL STRAIGHT<br />
Installation of Penthouse Reproducers<br />
—It is very important that this sound head<br />
be installed correctly on mechanism so<br />
film will travel in a straight line downward.<br />
In some installations, it will be desirable to<br />
shim up the sound head to effect total<br />
clearance at all points. To make the neatest<br />
possible job, use Vi-inch shim plates<br />
(Part 61011), available from factory or<br />
Magnasync distributor. I have always preferred<br />
to employ such shims to develop the<br />
28-frame Sync-lag rather than the loop<br />
adjustment. However, one can use the loop<br />
adjustment roller which can be secured<br />
into any one of the eight positions to develop<br />
the Cinemascope 28-frame sound<br />
lag. In some projectors this adjustment is<br />
bypassed, particularly Simplex XL.<br />
RIGHT PROJECTOR REPRODUCER<br />
(showing TVPlCALTHBEAOIMG DIAGRAM<br />
TERMINAL<br />
52
'<br />
nost<br />
tion and track alignment. This is acplished<br />
by using test meter and test<br />
mentioned in previous issue. The as-<br />
Dlcd heads are shielded against stray<br />
netic fields by a mu-metal case and<br />
ild. It has three 50-mil heads and one<br />
jiil head, the latter head is for the<br />
is a c/oseup of the Magnaphonic reproducer,<br />
eproducer is carefully adjusted before it leaves<br />
actory but may rteed some adjustment after<br />
lotion. (Filter system)— the flywheels are<br />
liged separately for cross-country shipments,<br />
installing these, the reproducer should be<br />
Oted on the mechanism and the dashpot filled<br />
\fiilicone oil (this oil is furnished along with an<br />
Kopper to facilitate filling). The pad rollers<br />
lc^ be adjusted so that they will be exactly the<br />
i?ss of two films from the sprocket; rollers<br />
ic i turn freely and be kept perfectly clean. Once<br />
i )!c,i,up head is adjusted as per instructions<br />
i here in this article, it does not require further<br />
iitment until a new head is installed. The life<br />
all pickup heads is around six months or<br />
Keep all the components chan with a lint-<br />
's 'loth. When pad rollers, sprocket or pickup<br />
E( become badly worn they should be immediately<br />
'.p -.ed to avoid damaging film.<br />
si:ial effects" speakers in the auditorall<br />
mounted in one unit, of course,<br />
r three, four or single-track operafor<br />
single-track operation, a small<br />
ification is necessary, and the wiring<br />
le other pickups. Each sound head is<br />
ully adjusted before it leaves the facand<br />
no adjustment should be made<br />
5S you are sure it is needed.<br />
;chanically the Magnasync reproducer<br />
tremely easy to service. Three screws<br />
tve the rear cover exposing all the<br />
ing parts for inspection and servicing.<br />
I few occasions we have been called<br />
to furnish a replacement bearing<br />
but this has only happened a few<br />
This quill is secured to the panel<br />
;.<br />
a hex nut making the replacement a<br />
simple procedure, either by a serviceor<br />
projectionist. There is practically<br />
fiction in the filter and dashpot asly,<br />
therefore, as far as we know, no<br />
cement of these parts has ever been<br />
issary. However, under certain rare<br />
itlons it would be possible for the dash-<br />
~l to lose oil. If this should occur, the<br />
ctionist should immediately replace<br />
.(required amount, using only Dowing<br />
Type 200, furnished either by the<br />
ry or your local supply dealer, and it<br />
erted into the dashpot by the use of a<br />
saon eyedropper. This oil should be<br />
kept on hand in case of emergency. This<br />
dash pot should be inspected at least every<br />
three months.<br />
According to D. J. White, president of<br />
Magnasync Co., nearly 1,500 of these reproducers<br />
are in daily operation and about<br />
the only components they are called on to<br />
replace, by an engineer or projectionist,<br />
are the scanning heads. This was anticipated<br />
as a liability in any make of magnetic<br />
reproducer. The price of replacement,<br />
after many long hours of operation, is very<br />
reasonable. They manufacture a scanning<br />
head which is available with adapter bases<br />
for all popular penthouse reproducers. We<br />
might state that all makes of scanning<br />
heads will run many million feet of film<br />
before it is necessary to replace them, but<br />
they should be carefully checked every two<br />
or three months and replaced when they<br />
show considerable wear, if you want to<br />
avoid poor sound reproduction, film damage,<br />
etc. Generally, the average life of a<br />
good scanning head is around six months,<br />
with proper care.<br />
We are passing along the information<br />
about the Magnasync scanning head which<br />
can be used, with suitable adapter, for other<br />
types of penthouse reproducers at an exceptionally<br />
reasonable price, but the writer<br />
does recommend the replacement of any<br />
component with an exact duplication, because<br />
it makes replacement simpler and<br />
easier for the engineer and projectionist.<br />
It might be well to mention here the<br />
intermittent pops which occur in all sound<br />
systems. These have been traced to a static<br />
buildup which can develop when leader<br />
stock is passed across the pole pieces when<br />
This is Model WC-1435 Magnaphonic preamplifier<br />
with front cover removed to show the components.<br />
These preamplifiers are very easy to service and<br />
very sturdy in construction. No special equipment is<br />
necessary, except the db meter, multimeter and test<br />
films listed in this department, to properly service<br />
the preamplifiers listed in this article. Of course,<br />
good vacuum tubes are necessary in order to secure<br />
peak performance, fiegardless of how well ventilated<br />
the projection room may be, some carbon<br />
dust will be in the air and it should be cleaned off<br />
of all components in the preamplifier, power amplifier<br />
and power supply unit. Carbon particles con<br />
cause plenty of trouble if let accumulate over a<br />
long time. This equipment is very neat in appearance,<br />
when properly mounted on the projection room<br />
wall. All leads should be carefully run, and they<br />
should be the size wire recommended by the manufacturer.<br />
Always be sure your wire connections are<br />
electrically firm; poor electrical connections will<br />
cause noise and sometimes completely cut off<br />
sound output.<br />
Time Proves the Accuracy<br />
Of New Sound Engineering<br />
It )ias been over a year since Cinemascope<br />
and stereoplionic sound were first introduced.<br />
It is good to note that the basic<br />
engineering decisions Irom this past experience<br />
have been supported— the optical concepts,<br />
stereophonic sound engineering specifications<br />
have not been changed from the<br />
standards chosen by expert engineering<br />
staffs. There is no question now about the<br />
fine quality of magnetic sound reproduction,<br />
if the installation has been carefully<br />
adjusted, according to the recommendations<br />
of manufacturers of magnetic sou7id<br />
systems. Too. there is no question about<br />
the reliability, if properly handled, of magnetic<br />
sound tracks, and the better coverage<br />
of all frequencies with this recording.<br />
The only changes made in Cinemascope<br />
are prints for either single-track magnetic<br />
sound or optical i photographic) recording.<br />
Very satisfactory sound can be secured, if<br />
equipment is in good condition and correctly<br />
adjusted, with optical recording.<br />
With eitfier recording. sou7id equiprtient<br />
must be kept very clean and<br />
carefully maintained by the projection<br />
staff; every two to three months the entire<br />
system should be checked with test loops<br />
and films, with suitable test equipment, for<br />
peak performance, by the projection staff<br />
or engineer. Theatres not having regular<br />
sound service can do considerable servicing<br />
by following the sound servicing data presented<br />
in this department.<br />
In this series of articles, we have covered<br />
most of the important points about<br />
maintenance of sound systems, any further<br />
data on any special problem will receive<br />
careful attention aiid answer via mail, provided<br />
a self -addressed envelope is enclosed.<br />
—W. T.<br />
such pole pieces are not properly grounded.<br />
The pole pieces of Magnasync heads are<br />
internally grounded but as a safeguard,<br />
they are grounded externally to the shield<br />
with silver paint.<br />
On new installations, check rollers, filter<br />
component and sprocket to make sure they<br />
revolve freely. Check filter arms for freedom<br />
of action within their range. These<br />
parts should be checked and cleaned daily.<br />
A very careful daily check should be<br />
made of the upper magazine to see the<br />
film comes off the reel smoothly, tracks<br />
straight down to the sound head. The film<br />
firetrap rollers should be checked for<br />
alignment and turn freely. Improper adjustment<br />
of the filter components, bent<br />
upper reel, dirty sprocket or guide rollers<br />
will cause flutter and unnecessary distortion<br />
in sound reproduction in any make of<br />
penthouse reproducer. It is important that<br />
the tension on the upper reel be steady at<br />
all times; tension on takeup reel should be<br />
just enough to turn the reel when it is full.<br />
Continued on following page<br />
IJFFICE Muv 7. 1955<br />
53
will<br />
SERVICING SOUND SYSTEMS<br />
Continued from preceding page<br />
Keep takeup clean and lubricated.<br />
These are some of the most important<br />
points to know about the operation and<br />
maintenance of this sound head and other<br />
makes of penthouse reproducers. If you<br />
will carefully follow them, you should secure<br />
good service, fine sound reproduction<br />
and practically trouble-free operation.<br />
HOW TO ADJUST HEAD<br />
Adjustment of Magnetic Head—The adjustment<br />
of the pickup head is very simple<br />
and can be accomplished with an 8,000-<br />
cycle film and a high quality db output<br />
meter. It is suggested you make the adjustment<br />
in the following sequences for best<br />
results: Thread in a loop of 8,000 c.p.s. frequency<br />
film: adjust head in and out for<br />
peak output, with db meter attached to<br />
output. You may find more than one peak:<br />
if this condition is found in either sound<br />
head, simply set at maximum peak and securely<br />
lock head. The next step is to<br />
thread in a 1,000 c.p.s. loop and balance<br />
each speaker output to the same level, by<br />
controls on amplifiers for this adjustment.<br />
Normal setting is around one-half of volume.<br />
Once this adjustment is made correctly,<br />
do not disturb again until you are<br />
sure the pickup head requires readjustment.<br />
We have covered this adjustment<br />
briefly as it has been explained how to accomplish<br />
it on other makes of reproducers.<br />
Only these tioo loops are needed, and the<br />
udjustment should be checked about every<br />
tivo or three months. These instructions<br />
are for either single or four-track magnetic<br />
reproduction.<br />
h\agna%ync preamplifier control section, model 435,<br />
showing the changeover switch and ganged fader.<br />
At the light of the changeover is a linkage assembly<br />
for remote control. The components are housed in<br />
a steel cabinet 15 inches wide, 16 inches high and<br />
6 inches deep. This should be mounted on the wall.<br />
electro-acoustical chain that can render<br />
a theatre system completely inoperative.<br />
This is the "heart" of your sound system<br />
and should receive proper maintenance.<br />
P-1435 INSTALLATION DETAIL<br />
Also, we think every theatre should ha\i<br />
a dual amplifier system for emergency u&<br />
This will avoid in many cases a complet:<br />
shutdown.<br />
Pre-Amplifiers—Each PR-435 (regular'<br />
or PC-435 < control track suppressor) pre<br />
amplifier is furnished with factory adjuste<br />
post equalization to match the associate<br />
reproducer scanning head. This adjust<br />
ment is a trimmer capacitor accessib<br />
from the top of the chassis. The PR-4;<br />
pre-amplifiers (channels No. 1, No. 2 ar<br />
No. 3<br />
1 deliver approximately .6 vol<br />
Into any load with an impedance great^<br />
than 500 ohms. PC-435 (channel No. <<br />
will deliver approximately .25 volts.<br />
Special Notes—<br />
( 1 ) Above voltages are di'<br />
veloped from standard multi-frequency tej<br />
films recorded at lOdb below 100 p'<br />
cent modulation. (2) It is not necessary<br />
furnish dummy terminations for pr<br />
amplifiers even though the load impedan<br />
may be relatively high.<br />
The PC-435 control track suppressor pr<br />
amplifier is designed and factory adjust<br />
to give minimum of 40db suppression<br />
the film and system noise developed in<br />
auditorium speakers in the absence of "e<br />
fects." A 12KC signal is recorded by t!<br />
releasing studio on channel No. 4 a fracti(<br />
WALL CABINET PREAMPLIFIER POPULAR<br />
The Audio System—The Magnasync Co.<br />
manufactures two different pre-amplifier<br />
packages. The one, according to the company,<br />
which has proved most popular and<br />
is in more general use is that identified as<br />
the WC-435 wall cabinet. The most important<br />
thing to watch in this circuit is<br />
the DC heater supply. If the Federal 1017<br />
selenium rectifier gets out of kilter the<br />
23-volt heater supply can drop and there<br />
is a noticeable loss of gain in the preamplifiers.<br />
If you notice this, use a high<br />
quality voltmeter and check the voltage<br />
and replace component that has become<br />
defective (this would be the selenium rectifier<br />
Replace with an<br />
unit, of course ) . exact duplicate immediately (supplied by<br />
your local Magnasync dealer) . It is very<br />
desirable a checkup be made regularly on<br />
this voltage. If the control circuit of the<br />
PC-435 four-channel pre-amplifier fails to<br />
function properly the cause is generally<br />
found to be a failure of the CR-701 selenium<br />
diode. While this component is well<br />
constructed and heavy duty, like any other<br />
electronic device or component, it can fail.<br />
May I suggest you keep a spare on hand.<br />
The writer cannot too strongly recommend<br />
the installation, in any make of<br />
sound system, of an emergency power supply<br />
since this is the one element in the<br />
PRE-AMPLIFIER CONTROL SECT/OM<br />
MODEL WC-435<br />
Wall box cradle (7) folds down, making plug-in of preamplifiers accessible; (8) suppressor network"<br />
optional pre-amplifier channel 4 can be thrown "On" or "Off" as desired; (9) two separate volume conlls<br />
for each preamplifier are used to balance output from the two reproducers, producing a uniform I''<br />
during changeover (except channel 4); (10) remote linkage assembly; at left of diagram, near g'9<br />
fader, is the outlet for wires coming from pre-amplifier power supply model PS-435. You will note all I'<br />
wires are colored, to the power supply and reproducer hookup. By following the diagrams you will not /''<br />
any trouble wiring the equipment, nor should any trouble be encountered when tracing down i><br />
circuits to the power supply and reproducers in case of trouble in circuit. Use an ohmmeter and a if<br />
multimeter for checking voltages, circuits, etc.<br />
"!e<br />
54 The MODERN THEATRE SECTlN
. .<br />
but<br />
tough<br />
!<br />
!<br />
r<br />
. . lite Uo4teif^iiXi^O'*t<br />
that neae^ endi!<br />
"Something old' is fine for the the<br />
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not when it comes to<br />
theatre seots! If you want to "live<br />
happily ever after" with your<br />
patrons, let us rehabilitate your seating!<br />
Let us quote on repairing or<br />
replacing<br />
worn parts, seats or arms.<br />
We do it without interrupting<br />
your show . . . and our low, low<br />
prices ore easy to take!<br />
YOUR<br />
)XOFFICE<br />
iMOLITE<br />
LUMINATED PRICE ADMISSION SIGNS<br />
'ur enlarged plant facilities assure<br />
)VERNIGHT service from coast to coost.<br />
Plastic Signs Engroved for the Entire Theatre<br />
Id for Folde<br />
Edgar S.<br />
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'Pat pend<br />
Bowman<br />
New York 10, N. Y.<br />
in advance of the "effects" signal. This<br />
control signal "triggers" the suppressor<br />
pre-amplifier to maintain full output level<br />
durin;? its presence. The "effects" and<br />
control signal are concluded simultaneously<br />
and the suppressor goes into play,<br />
dropping channel No. 4 approximately<br />
40db until control signal is again used.<br />
The installation testing of the PC-435<br />
pre-amplifiers may be accomplished as follows:<br />
(1) "On-Off" switch on top of preamplifier<br />
chassis serves to disable the suppression<br />
characteristics in the "Off" position.<br />
(With suppression eliminated, the<br />
PC-435 pre-amplifier becomes, operation-<br />
a regular PR-435 and may be used as<br />
iilly,<br />
an emergency pre-amplifier for channels<br />
No. 1, No. 2, or No. 3.) '21 With the cradle<br />
down and "On-Off" switch accessible, connect<br />
indicating device lie, VTVmeter,<br />
output meter, earphones, speaker, eto to<br />
the output of channel No. 4 pre-amplifier<br />
or associated power amplifier.<br />
GAIN SHOULD BE NORMAL<br />
iZi Thread test film through somid head<br />
for a test. (4) In overation with switch in<br />
the "Off" position, the gain of the PC-435<br />
vre- amplifier should be normal at all frequencies.<br />
i5) Now, with switch in "On"<br />
position, extreme attenuation in 40 c.p.s.<br />
to 5,000 c.p.s. range will be noted. As the<br />
film reaches the higher frequencies, the<br />
output in either "On" or "Off" positions<br />
will be substantially the same.<br />
(6) In listening tests (with switch in<br />
"On" position! the absence of noise from<br />
channel No. 4 between "effects" signals will<br />
demonstrate the proper operation of the<br />
suppressor circuit. (7) The PC-435 suppressor<br />
pre-amplifier may be tested with<br />
the recommended "control track test film"<br />
if such is available, thus test film is recorded<br />
with a mixed 12KC and IKC signal<br />
on channel No. 4. The 12KC signal actuates<br />
the control section and maintains the preamplifier<br />
at normal gain. No difference in<br />
level of the IKC signal will occur in either<br />
the "On" or "Off" position of the "suppressor"<br />
switch while the test film is passing<br />
over the scanning head. To test the<br />
action of the suppressor, place the switch<br />
in the suppressor "On" position and stop<br />
the projector. ALL system noise should<br />
drop to an inaudible level. Test films recommended<br />
by the conductor of this department<br />
should be used.<br />
GANGED FADER FOR THREE CHANNELS<br />
Distribution Chassis— lai A ganged<br />
fader for channels No. 1, No. 2 and No. 3<br />
is integrated with this section with the<br />
potentiometer control protruding through<br />
a clearance opening in the face of the<br />
cradle.<br />
(b> Channel No. 4 (auditorium speakers)<br />
is controlled by a separate potentiometer<br />
located on the distribution chassis adjacent<br />
to the channel No. 4 pre-amplifier connector.<br />
The ganged fader does not attenuate<br />
this channel.<br />
(c > The changeover switch is a part of<br />
the distribution chassis w-ith clearance for<br />
Continued on following page<br />
CHECK-LIST for<br />
the BEST' SCREEN<br />
'RAYTONEHILUX, of course!<br />
,/<br />
NEW FORMULA. Now a newly<br />
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SEAMLESS CONSTRUCTION, is guaranteed<br />
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BRIGHTNESS 'S a must and the<br />
Raytone Hilux guarantees enough<br />
reflection for CinemaScope and<br />
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/complete uniformity, never a<br />
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\ MAXIMUM RECOMMENDED LIGHT<br />
\ RETURN<br />
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DURABILITY, the Raytone Hilux is<br />
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TRUE COLOR RENDITION, richer,<br />
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REASONABLE PRICE. See your regular<br />
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ABSOLUTE GUARANTEE! Yes. the<br />
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you pay nothing for the<br />
screen<br />
These are the "musts" for efiBcient<br />
screen performance . . . the kind<br />
of performance that keeps your<br />
patrons happy . . . and buying<br />
tickets. For your Raytone Hilux<br />
Screen, see your regular theatre<br />
dealer today.<br />
RAYTONE<br />
SCREEN CORP.<br />
165 Clermont Ave., Brooklyn 5, N. Y.<br />
MIDWEST; Raytone Screen Corp.<br />
401 West St. Charles Rd., Lombard, III.<br />
M;OFFICE :: May 7, 1955 55
;,;jlties<br />
,<br />
SERVICING SOUND SYSTEMS<br />
Continued from preceding page<br />
the switching bar through the cradle. Scanning<br />
head balancing controls are located in<br />
pairs (marked "L" and "R") across the<br />
front edge of the distribution chassis adjacent<br />
to the connectors for channels No. 1,<br />
No. 2 and No. 3. These trimmer controls<br />
serve to balance the output of the preamplifiers<br />
in the event that the output<br />
levels of the scanning heads may be<br />
slightly different. It is necessary to adjust<br />
these controls, on any make of sound system,<br />
when installed and they should be<br />
checked again about every three montj{<br />
Each control has a minimum of<br />
attenuation.<br />
(d) A 12KC filter network is incorpora|<br />
into the distribution chassis as a part|<br />
the channel No. 4 output circuit. The filji<br />
prevents the objectionable 12KC frequeiij<br />
tone (control track signal) from reachj§<br />
the auditorium speakers.<br />
;;3Blil)!<br />
T'*'^0^xs?<br />
NOTE ACTION OF FILTER<br />
The installer should note the actionl<br />
this filter before running any freque^j<br />
response tests. Check your circuits in<br />
schematic, etc. Peaking at 12KC, this :<br />
work causes a roll-off starting at<br />
c.p.s. By carefully following our tui<br />
; May<br />
—<br />
lecking audio circuits. It should be kept<br />
mind, all equipment is given operational<br />
sts before shipping, it is, of course, not<br />
ipossible for them to get out of order dur-<br />
^ transit or handling or installation. I<br />
ive found by far the most common source<br />
difficulties by some installers, at installaon<br />
time, are misconnections or omission<br />
some connection, due to rushing the inallation.<br />
Always check and recheck your<br />
)nnections and see they are according<br />
your wiring diagram. Poor ground<br />
innection and setting of changeover<br />
ritches, etc., are another source of trouble.<br />
Good sound reproduction depends on<br />
ireful adjustment of the entire system<br />
Ith high quality test equipment and test<br />
ops and test film. Very important in the<br />
idlo amplifier is the checking of the vacun<br />
tubes at least every three months—on<br />
.Tlnd" operation, they should be checked<br />
ery 60 days. Good vacuum tubes, manu-<br />
.ctured by known reliable companies, will<br />
sure high quality sound with any make of<br />
lund system. It does not pay to use<br />
veak" vacuum tubes and "off brand"<br />
pes. A complete new set should be kept<br />
1 hand at all times. They should fit<br />
lugly in the socket, prongs should be kept<br />
lean and sockets and prongs free of dust<br />
lid carbon particles.<br />
'<br />
COMMETNTS—I made a trip of several<br />
jndred miles, just before compiling this<br />
tide, and carefully inspected an installa-<br />
)n of this equipment and found the sound<br />
production exceptionally good. An inection<br />
of the sound heads, amplifiers and<br />
,<br />
;imponents convinced me that the equiplent<br />
is rugged in construction and all the<br />
imponents very high quality in every reiect.<br />
Any of the speakers we have told you<br />
tout in this series, used with other leading<br />
akes of sound systems, can be used with<br />
DLER<br />
Continued on following page<br />
ANNOUNCES<br />
In e w<br />
sizes<br />
I" - 6" - 8" - 24"<br />
"THIRD DIMENSION"<br />
PLASTIC LETTERS<br />
Afllpr Changeable Letter Display<br />
Er|uipnipnt the proven favorite<br />
for theatre signs that build boxojjire<br />
lines—now includes a complete<br />
range of 5i7es. from 4" to<br />
24", in Plastic or Cast Aluminum<br />
Letters.<br />
Fnr Cnmplete Informatinn .About .Adlcr<br />
Lrticis ^ind Fr.iraes. Contact Your Disiiiljiitor<br />
or Write (or Free Catalog to:<br />
ADLER SILHOUETTE LETTER CO.<br />
11843.A W. Olympic Blvd.. Los Angeles 6')<br />
Brightest'Clearest<br />
FULL<br />
SCREEN<br />
IMAGE<br />
Bausch & Lomb<br />
Projection Lenses<br />
GET IMPORTANT LENS DATA<br />
For your free copy of catalog<br />
E-123, write Bausch & Lomb<br />
Optical Co., 72041 St. Paul<br />
St., Rochester 2, N. Y.<br />
^— ,<br />
/•<br />
•> , .r<br />
V'^^.<br />
• Indoors or Outdoors<br />
• Wide-Screen^ Vista-<br />
Vision or<br />
CINemaScOPE<br />
• Only B&L advanced lens design<br />
gives you full uniform edge-toedge<br />
brilliance.<br />
• Special formula colorless glass<br />
transmits true tonal values . , .<br />
color or black-and-white . . . for<br />
breathtaking contrast.<br />
• Anti-reflection Balcote cuts down<br />
normal light loss; crisper, brighter<br />
pictures for your patrons to<br />
enjoy.<br />
• Complete line for all projectors<br />
. . . for all aspect ratios.<br />
America's only complete optical source . . . from glass to finished product<br />
I XOFFICE :<br />
7, 1955 57
;<br />
;<br />
SERVICING SOUND SYSTEMS<br />
Continued from preceding page<br />
this type of theatre sound system.<br />
The filtering mechanism is very good on<br />
the reproducer and will deliver practically<br />
flutter-free reproduction, provided good<br />
house reels are used and filter mechanism<br />
is carefully adjusted as per instructions in<br />
this department. For checking this magnetic<br />
reproducer, and all others we have<br />
written about, the following test loops and<br />
films are available for an over-all test:<br />
Sound level balance film (1,000 c.p.s.)<br />
multi-frequency test film; loudspeaker balance<br />
test (speech and music) ; sound-picture<br />
test film; flutter test film (3,000 c.p.s.)<br />
loudspeaker phasing test film (500 c.p.s.<br />
warbled), and azimuth test film (8,000<br />
c.p.s.) . You should have the 1,000 c.p.s. balance<br />
loop, and the 8,000 c.p.s. test loop;<br />
likewise you should have the multi-frequency<br />
test film for an over-all check of<br />
your sound system. A good db output meter<br />
and a high quality multimeter is necessary<br />
for general tnaintenance of any make of<br />
sound system.<br />
If you have any problems pertaining to<br />
any of the sound systems we have discussed<br />
in this series, write us and we will be happy<br />
to help you, but be sure to send compl<br />
details and model of sound system<br />
fl<br />
Systematic maintenance, with emphslig<br />
on cleanliness, is necessary if you wantio<br />
keep your equipment in tip-top operattg<br />
condition, and avoid a sudden breakdoSi<br />
due, in many cases, to neglect. Keep te<br />
sprockets clean; lubricate according to le<br />
manufacturer's lubrication chart; keep<br />
pad rollers adjusted according to<br />
thickness of two films, and keep all co:<br />
tions tight.<br />
Each month in the MODERN THEATRE Se<br />
Hon, Wesley Trout will present practical que|_<br />
tions and answers pertaining to sound and pr<br />
jection. If you have a technical problem send<br />
in and it will be answered here. Enclose<br />
stamped, self-addressed envelope for a quic<br />
personal<br />
reply.<br />
An answer to problem sent in by<br />
Joseph Rattee, New England Theatre<br />
ply, Exeter, N. H.<br />
it<br />
I have received many letters from exh<br />
tors wanting to connect two rectifier:<br />
multiple for high intensity lamps. My<br />
It's no mystery that adequate screen lighting demands an adequate<br />
power supply. This is especially necessary with today's wide screens,<br />
requiring more light over a large area.<br />
The Hertner HT 135/270 Transverter meets these needs and gives<br />
users an ample source of constant D.C. power. The generator has a<br />
capacity of 90 volts and is designed for continuous operation at 135<br />
amperes with a capacity for 270 amperes during changeover period.<br />
Complete installation includes Control Panel Type G and the Dualtype<br />
HD 100/140 Rheostat.<br />
For all<br />
write for Bulletin No. 30 IB.<br />
the details of the many fine features of the HT 135 Transverter<br />
Dislribuled by National Theatre Supply.<br />
In Canada : General Theatre Supply Company<br />
THE HERTNER ELECTRIC COMPANY<br />
12690 ELMWOOD AVE. • CLEVELAND 11, OHIO<br />
MOTORS • MOTOR GENERATORS • GENERATOR SETS<br />
A SUBSIDIARY OF GENERAL PRECISION EQUIPMENT CORPORATION<br />
58<br />
vice is to purchase one large enough ft ^j,<br />
>;<br />
such lamp, because it is not practical to r ^t, Jk<br />
to connect any make of rectifiers in<br />
manner successfully.<br />
The low intensity rectifier, which l!'«'"P<br />
deliver from 15-30 amperes at 55 volts c(<br />
not possibly be paralleled to deliver t<br />
to a Suprex type arc, which might tfb<br />
at 60-65 amperes, 35 volts. While the<br />
pere output might be somewhat near<br />
rect, the voltage supplied by the rect:<br />
would be much too high for a Suprex (<br />
intensity arc.<br />
I<br />
Furthermore, one would experience i<br />
difficulty in paralleling the output<br />
these rectifiers because there is no pract<br />
way of balancing the load division bet'w<br />
the rectifiers other than inserting<br />
ammeter into the output circuit of<br />
rectifier, and then adjusting the rectii<br />
so that the ammeters read identical figi<br />
I have heard of a few instances w:<br />
two rectifiers were connected in par<br />
and fair results obtained, but I am<br />
a steady arc could not be obtained,<br />
would such a setup be practical. It is<br />
ter to trade in your small rectifiers for (<br />
built to handle the correct voltage and<br />
perage for high intensity arcs.<br />
Gaiennie Moves Up at Fairbanks<br />
L. R. Gaiennie. director of personne<br />
F'airbanks, Morse & Co., has been prom)<br />
to vice-president in charge of perso!<br />
according to Pi-esident R. H. Morse j:<br />
lieutenant commander in the Navy di<br />
World War II and the recipient of a<br />
from the University of Iowa, Gaiej<br />
joined Fairbanks in 1948 after ser<br />
assistant vice-president of the Richari<br />
Co. Gaiennie also holds degrees fl<br />
Washington University, University of ''j<br />
consin and Chicago University.<br />
The MODERN THEATRE SECll<br />
!
'<br />
'<br />
er<br />
;<br />
ers<br />
: May<br />
low to Use the New Demagnetization Tools<br />
Film with magnetically recorded sound tracks cannot be run in the<br />
projection equipment until all iron or steel parts in or near the film<br />
path hove been thoroughly demagnetized or extraneous sounds may<br />
be recorded on the film. On this page Wesley Trout describes demagnetizing<br />
processes.<br />
e demagnetization tool with the large coil we will<br />
.iignate as "A" and the other one as "B." They<br />
!(i, 0^ course, are used in the soldering gun, such<br />
Weller, model D550. Each serves a different<br />
/pose in demagnetization work on projectors and<br />
ind heads. "A" is effective on sprockets, shafts,<br />
i rollers, keepers, fire-trap rollers, intermittent<br />
oclket shoes, parts of the picture gate assembly,<br />
i many hand tools. "B" is most effective on<br />
\gnetic pickup heads and scanning drums, such<br />
• in the penthouse and photographic reproducers,<br />
.her one of these tools can be made by the pro-<br />
.iionist or serviceman.<br />
s illustrates method of demagnetizing upper and<br />
feed sprockets, with stripper plates and pad<br />
removed in order to do a good job. The coil<br />
uld be moved axially slowly back and forth over<br />
part a few times and then very slowly removed<br />
,1 de-energized, or cut off, when at least two feet<br />
"n the projector mechanism. Be sure the demagizing<br />
equipment is energized before approaching<br />
parts to be treated and removed before it is<br />
led off. If it is accidently turned off while<br />
iting ports, the correct process, as per above,<br />
uld be done all over again. Don't take chances<br />
'ny part not being fully demagnetized.<br />
The parts in the gate assembly, any make of projector,<br />
are the most critical in the machine because<br />
J/i?y are usually hardened steel and are in intimate<br />
contact with the magnetic tracks. They should be<br />
demagnetized very thoroughly, and it is necessary<br />
these parts be removed from the mechanism. Guide<br />
rollers, shoes and back plate must be treated very<br />
thoroughly, using the tool above and giving the same<br />
kind of treatment as the sprockets, etc. It has been<br />
found this does not have to be done so often,<br />
unless worked on with un-demagnetized tools. But<br />
it should be checked with a good compass occasionally.<br />
Procedure for demagnetizing an intermittent<br />
sprocket of projector mechanism using a 250-wait<br />
soldering gun, such as a Weller, model D550,<br />
equipped with a coil is shown. The illustrations<br />
used on this page are procedures for demagnetizing<br />
parts of Simplex, model XL projector. All methods<br />
and techniques described on demagnetizing equipment<br />
apply in principle to all other makes of projectors.<br />
How to moke this coil and another demagnetizing<br />
tool will be sent on request, provided a<br />
stamped, self-addressed envelope is sent to the<br />
writer. Also, more details on demagnetization will<br />
be included.<br />
^^^mSS<br />
Protect the drawing power of<br />
every attraction on your<br />
marquee with RCA Theatre<br />
Service . . . "first-run," topquality<br />
service that assures<br />
continuous performance in the<br />
vital operating heart of your<br />
theatre. Backed by RCA's<br />
comprehensive technical<br />
resources, your RCA Theatre<br />
Service engineer expertly<br />
handles problems in optical<br />
or magnetic sound, single or<br />
multiple track, standard or<br />
wide screen. You'll find the<br />
quality of his help an invaluable<br />
asset to any size house<br />
. . . and especially to your<br />
size house.<br />
RCA SERVICE COMPANY, Inc.<br />
XOFTICE :<br />
7, 1955
;'<br />
A New Concept in Projection Lenses<br />
Developed to Solve Light Problems<br />
New lenses to compensate for the spreading<br />
of light on the tubes of projectors<br />
which helps to solve the problem of more<br />
illumination on the screen, and particularly<br />
on the edge of the screen, have been<br />
developed by Projection Optics Co., Inc.<br />
The new lens, named the Super Hilux<br />
f/1.0 light collecting speed anastigmat projection<br />
lens, is in actual production and<br />
follows a careful review and study of all<br />
lens types by company engineers and designers<br />
and many hours of computation.<br />
"Two years ago when 3-D first came out<br />
and widescreen projection was at the<br />
threshold, we decided that a whole new<br />
concept of projection lenses was required,"<br />
Projection Optics said in making announcement<br />
of the new lens. "Lenses then on<br />
the market were designed for the small<br />
screen era. We realized that the next<br />
requirements of projection lenses were to<br />
project and transmit light evenly over a<br />
screen size many times the old size and<br />
that color correction over such a size would<br />
become an important issue."<br />
The Super Hilux anastigmatic lens.<br />
Oversize Seats<br />
With Theatre<br />
Popular<br />
Patrons<br />
So-called "love seats" are proving a<br />
weapon for some local neighborhood theatres<br />
in the competitive fight against TV,<br />
the owners of such showcases in Minneapolis,<br />
Minn., believe. Several neighborhood<br />
theatres, including the St. Louis Park,<br />
boast some of the seats which permit<br />
couples to sit in closest proximity to each<br />
other . . . and they're the seats which are<br />
in greatest demand, with patrons invariably<br />
making a beeline for them.<br />
Harold Kaplan, St. Louis Park co-owner,<br />
believes the seats are one of the magnets<br />
attracting patronage to his attractive and<br />
successful suburban theatre.<br />
In announcing the new lens the company<br />
stated: "We feel that we have<br />
achieved the optimum in color correction,<br />
flat field, definition, contrast, and most<br />
important of all, we have succeeded in getting<br />
considerably better light distribution<br />
across the screen, yet have managed to get<br />
noticeably more light transmission than<br />
any other presently made projection lens."<br />
Believing that the f number used by<br />
optical manufacturers throughout the<br />
world to identify the free aperture opening<br />
of a given focal length has been misinterpreted<br />
by many as meaning "a certain<br />
amount of light transmission," Projection<br />
Optics selected a definition which actually<br />
can be used to measure a certain performance.<br />
For this reason they selected the<br />
phrase "f/1.0 light collecting speed."<br />
"Actually, there is no accepted standard<br />
for measuring light transmission which is<br />
so vital to this theatre business. By measuring<br />
the actual amount of light the lens<br />
can collect, the trade now has a definite<br />
guide," the company said. "We here at<br />
Projection well realize that this will create<br />
quite a bit of talk. Nevertheless, we feel<br />
that this new definition will be of great<br />
value and will have a meaning which other<br />
definitions in the past have not had."<br />
A paper covering the technical aspects<br />
of the Super Hilux was presented at the<br />
recent SMPTE convention in Chicago by<br />
John R. Miles, head of the John R. Miles<br />
Co., optics designer, which has handled all<br />
research and design progress for the manufacturing<br />
company for years. Reprints of<br />
this paper are available on request.<br />
The new series will be available in effective<br />
focal lengths from 1.5 to 7 inches in<br />
the 2 25/32-inch small diameter and in<br />
effective focal lengths from 4,75 to 14<br />
inches in the high speed 4-inch diameter<br />
mount. The focal lengths from 1.5 to 3<br />
inches and from 7 to 14 inches will be<br />
available only on custom orders.<br />
In addition to being a lure for sweethearts<br />
and married people, these seats get<br />
a big play from stoutish folk who occupy<br />
them singly. The seats are the equivalent<br />
of one and one-half regular seats, and the<br />
corpulent individual, of course, finds them<br />
more comfortable. A number of his patrons<br />
having excess poundage wouldn't attend<br />
the theatre at all except for the comfort<br />
provided by the "love seats," Kaplan thinks.<br />
Kaplan and some of the other exhibitors<br />
have been considering installing more of<br />
the seats as boxoffice stimulants.<br />
Poor ground connection, defective filter<br />
condenser, shorted or grounded choke coil<br />
and defective insulation of amplifier wires<br />
are a few of the most important causes of<br />
hum in an amplifier.<br />
"<br />
Selenium Plate Rectifier<br />
Developed For Drive-Ins<br />
Is Single-Phase Type<br />
A new, single-phase selenium plate i^l<br />
tifier which fulfills all the requirements ii<br />
efficiently operating projection arc larlj<br />
burning 10mm and 11mm regular carbbi<br />
and 10mm Hitex carbons has just bfi<br />
announced by Strong Electric Corp. It<br />
developed especially to fill the needji<br />
drive-in theatres which require the ns<br />
powerful projection arc lamps but to wUh<br />
three-phase current is not economic:!<br />
available.<br />
This new rectifier incorporates all<br />
proven features of other Strong selenid<br />
Strong's new rectifier for drive-ins.<br />
plate rectifiers, such as moisture-pi<br />
selenium units, remote control relay,<br />
ifnllt<br />
flow protective device, large fan vent<br />
tor, and taps to provide adjustmentP<br />
compensate for supply voltage variati'iBi -'"<br />
through a range of 10 per cent aboveOri '*"'<br />
^<br />
10 per cent below the rated AC input vfei<br />
age throughout the output rating raiM<br />
The selenium rectifier stacks carry a thij<br />
year guarantee.<br />
A new brochure on Strong's compjl<br />
line of selenium plate and tube type rei:<br />
tiers for use with all carbon trims is av|<br />
able and will be sent free.<br />
RCA Assists Salk Telecast<br />
To assure uninterrupted transmissioi<br />
the closed-circuit telecast report on M<br />
Salk polio vaccine, the RCA Service '«<br />
assigned electronic specialists to pro'ffl<br />
maintenance at 59 cities throughout M<br />
United States. W. L. Jones, vice-presichi<br />
of the company's technical products e-j<br />
partment, supervised the arrangements brt<br />
the program which originated at the tHB<br />
vision studios at the University of Mii|i'l|<br />
gan.<br />
Sutte<br />
60 The MODERN THEATRE SECDM
I<br />
hted.<br />
iN ICE SKATING RINK FOR WINTER BOXOFFICE<br />
Drive-ln Theatre Now Under Construction Will Turn on the Ice<br />
For Skating Fans When Theatre is<br />
Wrapped Up for the Winter<br />
An ice skating rink, shown in the lower right of this sketch, will be a feature of the operation of the 63rd Street Drive-ln Theatre<br />
now under construction in Kansas City, Mo. The rink and the theatre will not be operated simultaneously, but when the<br />
theatre is closed for the season the rink will take over as the boxoffice attraction providing a year-oround operation. The<br />
1,000-car drive-in is scheduled to open late in May and the skating rink will be opened November 1.<br />
AGILITIES FOR an all-season driveoperation<br />
featuring an ice skating rink<br />
e now under construction by the E&S<br />
,"ieatre Enterprises. Inc., in Kansas City,<br />
0. The 63rd Street Drive-In will operate<br />
om April 1 until November 1 as a drive-in<br />
eat re: from November 1 until April the<br />
mpanion ice skating rink will be the<br />
ixoffice attraction.<br />
E. S. Sutter and Alex Shniderman are<br />
e officers of the S&S Operating Co. which<br />
11 act as managing agents for the 63rd<br />
reet Drive-ln Theatre and the 63rd<br />
reel Ice Skating Rink. The E&S Theatre<br />
iterprises, Inc., is the owner of the drivetheatre<br />
and the ice skating rink.<br />
RINK TO BE 100x200 FEET<br />
The skating rink is being constructed<br />
ei'-;ht acres of ground fronting on 63rd<br />
eet and James A. Reed road. Its size is<br />
0x200 feet. Adjoining the rink is a rink<br />
'usp which will house the refrigeration<br />
stem, the restrooms, sport shop and rink<br />
iicessions. There will also be an indoor<br />
I'eplace adjoining the skating area. Spec-<br />
|tor seats for 300 will be available in the<br />
tik vicinity and the parking lot will be<br />
With the drive-in accommoda-<br />
,ins, 1,000 cars can be handled and 1,200<br />
trons will be the rink's capacity, figuring<br />
800 on the ice and 400 as spectators or in<br />
the rink house.<br />
The rink is being designed so that a<br />
unique type of roof structure can be added<br />
to permit its use in both good and bad<br />
weather. The roof will have skylights<br />
which can be opened and closed, and sides<br />
that slide up similar to aircraft hangar<br />
doors. Thus skating will be either indoor or<br />
outdoor. Approximately 300 tons of electrical<br />
refrigeration will be required. It will be<br />
both a daytime and nighttime operation,<br />
with the night skating lighted.<br />
WILL NOT HAVE ROLLER SKATING<br />
While there might be a slight overlapping<br />
of the drive-in and skating rink operations,<br />
there is no intention now to operate<br />
them simultaneously. Shniderman emphasized<br />
that there will be no roller skating<br />
as this not only appeals to a different<br />
patronage but is also more of a summer<br />
sport and would compete with the theatre.<br />
The rink alone has meant an investment<br />
of around $200,000 and the cost of the<br />
drive-in is approximately the same.<br />
Morris Hoffman Co. is the contractor, with<br />
Manuel Morris the architect.<br />
There will be two entrances, two exits<br />
and two boxoffices for the drive-in, one<br />
of each on Highway 50 and the same on<br />
63rd street. Pour lanes will be going into<br />
each boxoffice, making a total of eight. The<br />
reason for the two of each, Shniderman explained,<br />
is that 50 Highway is now being<br />
widened to an eight-lane road and 63rd<br />
will eventually be a four-lane street. The<br />
dual arrangement will facilitate handling<br />
the crowds. The drive-in opening is scheduled<br />
for late May.<br />
AN OPEN PATIO TO SEAT 400<br />
The concessions building for the drive-in<br />
is 40x82 feet and is to be equipped with<br />
drive-in restaurant equipment. Hamburger<br />
sandwiches, hot dogs, barbecue beef sandwiches,<br />
French fries, milkshakes, coffee,<br />
cola, orange and other soft drinks will be<br />
served. An open patio seating 400 faces<br />
the screen which is 120 feet wide and 50<br />
feet high. It has an all-steel frame and the<br />
screen itself has an all-metal facing. RCA<br />
sound equipment is being used with RCA<br />
in-car speakers. Simplex projectors and<br />
Strong super-135 lamps.<br />
There will be a 410-foot projection throw<br />
at the 63rd Street Drive-ln which will be<br />
handled by a Hilux anamorphic lens by<br />
Projection Optics and a 4-inch diameter<br />
f/1.8 Bausch & Lomb companion lens. The<br />
widescreen lens will be a Kollmorgen f/1.7.<br />
'XOFFICE :: May 7, 1955 61
1<br />
1<br />
1<br />
2 1 Send<br />
1 3 1 Carry<br />
I<br />
Modified Anamorphic Lens Solves<br />
Problem of Long Drive-In Throw<br />
Recent Development Adds Only $150 to Regular Price<br />
In both new and remodeled drivem<br />
theatres within the past year there has<br />
developed a trend to longer projection<br />
throws, more than doubling former distance<br />
of approximately 250 feet from booth<br />
to screen. Obviously, this has led to many<br />
problems, for if longer and longer throws<br />
are to be achieved by standard techniques.<br />
it leads to larger and larger prime and<br />
Cinemascope lenses.<br />
This can reach fantastic proportions with<br />
a theoretical throw of 1.000 feet requiring<br />
a 14-inch f 1.9 prime lens and a king-sized<br />
Cinemascope lens almost 20 inches long!<br />
The two lenses together would be almost<br />
a yard in length and the estimated cost<br />
would reach $4,000!<br />
BUILT A GIANT LENS<br />
When Bausch & Lomb Optical<br />
Co. first<br />
tackled this problem the company did develop<br />
a giant anamorphic lens for Cinema-<br />
Scope which was 114 inches long and<br />
foiu- inches in diameter, backed up with a<br />
standard Bausch & Lomb lens four inches<br />
in diameter. 6.50 E-F. with an f 1.8 lens.<br />
The total assembly, which was custommade<br />
for the Corpus Drive-In Theatre.<br />
Corpus Christi, Tex., totaled 18 inches in<br />
length. It produces a widescreen picture<br />
41x82 feet, with a projection throw of<br />
646 '2 feet. iSee complete story in April 2<br />
issue of Modern Theatre.*<br />
However, Bausch & Lomb lens designers<br />
were not satisfied with this bulky, expensive<br />
solution to the problem of the long<br />
throw. They continued to experiment and<br />
came up with a system whereby they can<br />
double the effective focal length of a lens<br />
system. In other words, they can take the<br />
now largest commercially available lens,<br />
which has a seven-inch focal length with<br />
a four-inch barrel, and achieve the performance<br />
of a 14-inch lens.<br />
HOW THE LENS IS MODIFIED<br />
They do this by tiu-ning the Cinema-<br />
Scope lens element aroimd backwards and<br />
rotating it to 90 degrees. They then make<br />
several minor internal adjustments to<br />
change the air spacing of the lens elements,<br />
attach a new lens adapter and remove the<br />
old focusing ring. The total cost of the<br />
alterations, in addition to the regular cost<br />
of the lens, is only about $150.<br />
The performance of other size lenses also<br />
would be doubled by the process, as in the<br />
case of the seven-inch focal length lens.<br />
The modified anamorphic lens system<br />
permits the use of stock prime lenses in<br />
almost all situations without any serious<br />
light loss.<br />
Light loss would be a very serious prob-<br />
With a new process of modification of the anair.orphic<br />
lens, developed by Bausch & Lomb Optical<br />
Co., a normal length stock lens can achieve the<br />
performance of one twice its length. The<br />
modification makes unnecessary costly and cumbersome<br />
lens installations in drtvein theatres where<br />
the throw from the booth is exceptionally long.<br />
The young lady is holding a lens assembly incorporating<br />
the modified anamorphic lens.<br />
lem for the longer throw since longer focal<br />
lengths than those which have become<br />
standard would mean that barrel diameters<br />
would have to be greatly increased in order<br />
to maintain speed. Further this would entail<br />
some alteration of the projector heads.<br />
The larger barrels also would compel the<br />
use of larger diameter Cinemascope lenses<br />
to maintain the equality of diameter size<br />
with that of the prime lenses or more<br />
light would be lost.<br />
The new modified anamorphic lens development<br />
came in time for installation in<br />
the Crest Drive-In Theatre, Kansas City.<br />
Mo., before its recent spring opening. It<br />
was needed because the projection booth<br />
was moved to the back ramp so that a<br />
longer focal length lens could be used on<br />
standard pictures shown in widescreen<br />
ratio. To do this from the old projection<br />
booth location it would have been necessary<br />
to use very short focal length lenses which<br />
would not give the definition and good<br />
quality picture desired.<br />
With the specially modified, large diameter<br />
anamorphic lens, the Crest uses 4Hinch<br />
prime lenses.<br />
The projection throw, which was formerly<br />
250 feet at the Crest, is now 62:7 feet.<br />
Commonwealth executives report the projected<br />
picture very good.<br />
Theatre Circuit Encourages<br />
Early Church Services<br />
In Its Drive-ins<br />
Central States Theatres is making a<br />
termined effort to place its drive-ins ati<br />
disposal of churches for early Sunday sq<br />
ices. At the circuit's spring drive-in mi<br />
ing, the pubUc relations value of a comi<br />
nity Sunday morning worship was stres<br />
The Ames, Iowa, Ministerial As|<br />
through its president, the Rev. E. W. Rij<br />
ley, has expressed its appreciation for b
:<br />
May<br />
It's durable. An entirely new outer cone assembly is reinforced<br />
with a metal ring and spider—absolutely prevents<br />
collapsing or rattling. New outer cone is self-aligning.<br />
Two-coat tough finish on die-cast aluminum case.<br />
BECAUSE . . .<br />
It's uvatherproof. Every part of the speakers is treated for<br />
greatest possible resistance to rust and corrosion.<br />
BECAUSE . . .<br />
It's dependable. Heavv Alnico magnet gives ample power.<br />
BECAUSE ...<br />
// has superb sound. Double cone gives lower speaker<br />
resonance for greatly improved low frequency reproduction.<br />
Faithful undistorted reproduction at all volume levels.<br />
It's faster and easier than ever<br />
before. You merely open the<br />
case, lift out the damaged or<br />
weathered cone and drop in a<br />
new one. No gluing, no screws.<br />
It's designed so that the new<br />
cone aligns itself perfectly. And<br />
best of all, new cones are less<br />
expensive then ever before.<br />
"A** Series. Deluxe model in handsome blue and white baked-on undercoat and finish coat.<br />
"Q" Series. Exactly the same as the "A" Series except for handsome two-tone gray hammerloid<br />
finish.<br />
SINGLE CONE SPEAKERS<br />
"E" Scries. High quality singlc-conc.<br />
weather-treated speaker unit. Same<br />
case as "A" and "Q" series. Finished<br />
in tough hammerloid gray enamel.<br />
"H" Series. Quality sound at low cost. Unit<br />
housed in sturdy sand-cast aluminum case,<br />
finished in two-tone gray enamel. Weathertreated<br />
for long ser%'ice.<br />
Price $5.60 each.<br />
Double-Channel for Double-Quality<br />
in Drive-in Theatres<br />
Natural depth and directional effect for wide<br />
screen use — sound reproduction from four<br />
track magnetic stereophonic prints through<br />
only two channels of amplification. Volume<br />
control by single knob. Designed so that you<br />
use both for added power and speaker capacity,<br />
with single track magnetic or optical<br />
sound.<br />
1712 Jackson Street '^Ballantune^<br />
mipoii^<br />
Omaha, Nebraska<br />
PXOmCE :<br />
7, 1955 63
I<br />
i<br />
To cut down on personnel, the concij- f<br />
sions area was designed as a cafetei<br />
normally employing four persons duri;<br />
regular periods and six during intermissii<br />
.<br />
peaks. Another saving feature in the cocessions<br />
operation was made by allowij :<br />
more storage space than actual selling an.<br />
The extra-large storage room which s<br />
locked and inaccessible to clean-up crev ;<br />
allows the owners to buy supplies in laisji.<br />
quantities at a great saving, Crawfclr./<br />
points out.<br />
The widescreen of the Volley Drive-In, Farmington, N. M., makes a bold picture by night.<br />
Construction Economies Enable Drive-In<br />
In Small Town to Have Latest Equipment<br />
I HE Valley Drive-In which was<br />
opened recently at Farmington, N. M. by<br />
Russell P. Allen and Kelly P. Crawford,<br />
partners in the Allen Theatres, was the<br />
product of experience.<br />
It is the result of a first-hand knowledge<br />
gained from the operation of the Apache<br />
Drive-In which they opened three years<br />
earlier in the same small town. The two<br />
theatremen, who also operate three conventional<br />
houses, found that a small town<br />
operation cannot be costly and still make<br />
money—yet it must bring its patrons the<br />
best available. To solve this paradoxical<br />
problem, they decided to trim costs on the<br />
construction and design and simplify their<br />
personnel requirements. In so doing, they<br />
hoped that they would save enough to<br />
purchase the latest and best in sound and<br />
projection equipment.<br />
The Valley, managed by Prank X. Crawford<br />
reflects all of these ideas and its successful<br />
operation proves they were correct.<br />
It is keyed to the idea of offering the best<br />
in screening techniques and a simplicity<br />
of design that stresses the maximum in<br />
storage space. Not including the ten-plus<br />
acres, the cost of the 330-car project was<br />
$62,500.<br />
Both projection booth and concessions<br />
operation are combined into a single functional<br />
unit constructed of pumice blocks.<br />
"It's the most practical one I've ever constructed"<br />
was the opinion of Lester Minyard,<br />
who as foreman of the Tom Griffing<br />
Construction Co. of Abilene, Tex,, has built<br />
a lot of them.<br />
Crawford and Allen didn't miss a trii.<br />
I<br />
in the design of the concessions area al<br />
made many other innovations. The glis<br />
front of the snack bar was placed at i<br />
adult level to keep children from loiterig<br />
there during show time. The door from \e<br />
storage rooms was placed directly behil<br />
the popcorn machine and fountain equ><br />
ment to facilitate handling of the neeci<br />
supplies. Along the flagstone-type concre<br />
counter, a larger aisle was provided a)<br />
front of the slow-moving items, such i<br />
sandwiches, so patrons could pass on to 1^ (I<br />
more quickly dispensed items such i<br />
drinks and popcorn.<br />
BOOTH IS GLASS PANELED<br />
The glass-paneled projection bocl<br />
which takes up 30 feet of the buildin<br />
70-foot length contains the pride of l|<br />
drive-in, the latest in equipment.<br />
Further savings w-ere made in the ccif<br />
struction of the 35x70-foot screen, :,ft<br />
feet from the booth, by constructing it<br />
Flexboard mounted on telephone poles<br />
The need for a watchman at the<br />
to prevent sneak entrances and to dirl<br />
traffic was eliminated by installation oj<br />
flood light. Bevelite letters are used on<br />
attraction board.<br />
At the ticket booth, the partition 1]<br />
tween the cashier and ticket taker<br />
removed so that one person could fill b(!<br />
roles, if necessary.<br />
^<br />
The booth equipment at the Volley Drive-In is of the lateit<br />
and best available. It includes Simplex projectors, Bausch &<br />
Lomb lenses, Strong Mighty 90 lamps and RCA dual-channel<br />
sound. Simplex four-inch speakers are used at the ramps.<br />
Concessions equipment was kept simple. A Manley popcorn macM<br />
Manley Ice OBor, Connolly Roller Grille, Sno-Master Machine, Totf<br />
master Bun Warmer, and a Helmco-Lacy warmer are used at the Veil<br />
Drive-In. Note the flagstone-type facing of the counter.<br />
64<br />
The MODERN THEATRE SECTl'J'
Ik<br />
THE DELUXE PLASTIC SERIES<br />
The only speoker wilh a full 5-inch speaker cone.<br />
The speaker wilh the best sound.<br />
THE RAINMASTER SERIES<br />
The only speaker unit wilh a raincoat.<br />
Unbelievably resistant to rain, snow and dust.<br />
THE ECONOMY SERIES<br />
The lowest priced lull sixe 4-inch cone speaker,<br />
lew mointenance.<br />
JUNCTION BOXES AS LOW AS $4.50<br />
1^ 9«. ^^'-^^ MOTIOGRAPH, J,<br />
ncozyjo^cii<br />
SAN FRANCISCO 11, CALIF.<br />
4431 WEST LAKE STREET • CHICAGO 24, ILLINOIS<br />
er/i€ 'Wbi/t/'i 0/
Neon Star on Screen TowS<br />
everyone around Clonton, Ala., knows w/i<br />
Jackson's Clanton Drive-In is, thanks to bis<br />
manship. Since he didn't want anyone to forg<br />
overlook the fact that he had enlarged the col<br />
tional screen to a 92x40-foot widescreen, he moil<br />
a 30-foot frame star complete with lOQ-watti<br />
bulbs on the rear of the tower. At night the eltk i<br />
star which faces the road attracts the attenti^ '<br />
possersby but does not blind traffic.<br />
All theatres have a large concentrd<br />
of people in a relatively small space ^d<br />
]<br />
require large amounts of outside<br />
prevent objectionable odors. This ou<br />
air can best be introduced through a^ t j<br />
conditioning system for it can readil<br />
seen that since outside air has a hi<br />
temperature and humidity than inside<br />
this excess heat and moisture must b(<br />
moved before it is introduced to the<br />
ditioned space.<br />
At last... a popcorn seasoning in a far lighter, far more<br />
practical container! Each carton of TASTEE-POP holds 32<br />
one pound packages containing four wrapped and measured<br />
quarter-pound bars. Just put in TASTEE POP and throw<br />
the wrapper away! It's quick, neat, sanitary— and there's<br />
no waste, no drippings, no pre-melting, no messy equipment!<br />
And here's another BIG plus — TASTEE POP can be<br />
stored without refrigeration!<br />
TASTEE POP MEANS REAL ENJOYMENT! It's<br />
got that<br />
golden buttery color and rich-fiavored goodness that brings<br />
out the best in your popped corn!<br />
Try it! Make your next popcorn seasoning TASTEE POP —<br />
and turn your small popcorn concession into a big attraction!<br />
BIRD DAMAGi<br />
IS COSTLY<br />
i<br />
-Co<br />
Repellent does not<br />
harm birds. They instinctively<br />
dislike Bur-Co. No chemical<br />
reaction on building material.<br />
Does not harm humans internally|<br />
or externally.<br />
Each application proplied<br />
eliminates birds<br />
fr«fflof<br />
Consistent Quality<br />
and Outstanding Service<br />
NATIONAL<br />
H»MJJ«,<br />
66
t<br />
I<br />
.<br />
: May<br />
Mexican Theatre Gets a 32 x 80-Foot Screen<br />
DIT-MCO's NEW ST,<br />
UNIVERSAL SPKAXSR<br />
"The<br />
GREAfC<br />
SPEAKER-<br />
Designed fo give you t^<br />
latest improved quoltty<br />
high ond low frequcncii<br />
in keeping with the ne<br />
methods of rcproductic<br />
of sound today.<br />
Spcoker openings ore larger. No sound obstruction.<br />
New type louvre slants down to keep out sun and rain.<br />
Perforated metal gri!l between louvre and speaker unit<br />
prevents customer damage to unit.<br />
Hanger bracket complete is now cast as port of back<br />
holf of speaker housing. Brocket will fit any type<br />
junction box. Large 4" oil weother spcoker unit with<br />
heavy duty AInico 5, 1 .47 oz. magnet. Improved<br />
volume control shuts completely off and obovc ground;<br />
knurlcd control shaft eliminotcs the necessity of<br />
replacing control knobs.<br />
BEAUTIFUL TWO-TONE FINISH<br />
—•—<br />
DIT-MCO's<br />
STANDEE<br />
Provides<br />
SPEAKER<br />
be largest, indoor widescreer) ever manufactured by Raytone Screen Co. was installed recently at the<br />
onoro Theatre in Mexico City by the Westrex Corp. Measuring 80 feet wide by 32 feet high, the screen<br />
as built specially for the one-story, stadium-type auditorium with its 4,000 seats. To supply sound<br />
1 (he large auditorium, a Westrex multi-channel system which will handle CinemaScope, VistaVision<br />
nd Perspecta sound was installed in conjunction with 40 loudspeakers. Projection equipment included<br />
enlury CC water-cooled projectors and Ashcraft Super-Power arc lamps and selenium rectifiers.<br />
Quality Sound<br />
and<br />
Proper Volume<br />
I<br />
IIMillJlli>liiil.likiil ::;<br />
:au carbon couplers<br />
ketYou Burn All the Carbon<br />
"They're Expendable"<br />
ilhe mosf popular carbon saver. Used by more<br />
Hieotres than ALL other mokes COMBINED.<br />
ir Hundred, postpaid: Not Packed in Mixed Sizes<br />
nm $2.00<br />
nm $2.25<br />
nm or S/16-inch $2.50<br />
Urn $3.00<br />
I<br />
worrying about injury to hinh priced carjn<br />
savers. Burn 'em up. you still profit.<br />
Refund<br />
not 100%<br />
s f i e d<br />
They cost less than just the repairs on<br />
high-priced automatic savers and are<br />
more efficient.<br />
One trial<br />
convinces<br />
Most economical carbon saver you ever used!<br />
CALI Products Company<br />
3719 Marjorie Way Sacramento 20, Calif.<br />
The WORLD'S LARGEST Producer of Carbon Savers<br />
At all progressive supply houses.<br />
FIREWORKS DISPLAYS<br />
DISCOUNT<br />
25% DISCOUNT<br />
^ FROM REGULAR CATALOGUE PRICES<br />
^<br />
Pyrotechnic Fireworks Displays for all occasions.<br />
LARGE OR SMALL ... WE SELL THEM ALL!<br />
• Aerial and Ground Set Pieces<br />
• Quality Merchandise<br />
• Large Selection<br />
Send for catalog and save your money<br />
LAFER<br />
ENTERPRISES<br />
R.R. No. 1 Port Clinton, Ohio<br />
Patio oreo—playground orea—back<br />
nd truck<br />
and overflow areas. Good sound to the..<br />
help increase your business. Let your patrons enjoy<br />
the show while they are away from their cor; provide<br />
sound for those who are waiting for parking room.<br />
Speaker is made for post mounting with large, heavy<br />
duty, all weather, 6x9 speaker unit and tamper proof<br />
volume control. Mounted in attractive cost aluminum<br />
case with beautiful two toned finish.<br />
—•—<br />
DIT-MCO DIRECTIONAL LIGHTS<br />
Ramp Lights — Ramp End Exit Lights — De Luxe<br />
Aisle Lights — Aisle Lights — Two-way Aisle<br />
Lights — Restroom Lights — 40" Entrance & Exit<br />
Lights — Double or Single<br />
Lights.<br />
Wiili- III Will- r.ir Full lli'l.ill.'i. I'rii-i's iiii<br />
DRIVE-IN THEATRE MFG. CO.<br />
Face—20" Entrance & Exit<br />
•World's L.ugpsl MiimracturiT of Uriielii Thiairr<br />
Eniiipment"<br />
ll<br />
ilr<br />
Division ot<br />
DIT-MCO<br />
505 W. 9tli street. HArrison S007-aMS4. Kansas City, Mo.<br />
NEW KIDDIE RIDES!<br />
• Pony & Cart Ride<br />
• Fire Engine Ride<br />
^ * Airplane Ride<br />
=• * Rocket Ride<br />
=' * Elephant Ride<br />
' * Speed Boat Ride<br />
*Auto Ride<br />
* Miniature Trains<br />
KING AMUSEMENT CO.<br />
Mt. Clemens, Mich.<br />
XOFFICE :<br />
7. 1955 67
. . TKe<br />
68 The MODEilN TKEATKE SE'<br />
T<br />
—<br />
(^,^M<br />
Can't<br />
Promote Too Soon/ Exhibitors Say<br />
Outdoor theatre owners sliould start<br />
promoting their new drive-ins just as soon<br />
as the property is acquired and the construction<br />
wheels put in motion. That is the<br />
ad\"ice of George A. Manos. one of the<br />
leading circuit owners in the Cleveland<br />
territory, and of his associate. W. E. Gross,<br />
who will manage Manos" new outdoor theatre<br />
in the Coshocton. Ohio. area.<br />
"The theatre should be kept in the public<br />
mind from the time of purchase of the<br />
site to its opening." said Manos. And he<br />
lived up to this pwlicy in promoting the<br />
new drive-in area he acquired last October<br />
by setting out to find a name for the theatre<br />
right after the initial ptirchase announcement.<br />
This was done through a contest<br />
in the Coshocton Tribune, offering S25<br />
to anyone who submitted the most original<br />
and appropriate name.<br />
"We had almost 500 entries."" Gross relates,<br />
""and we chose the name of Elm Lane<br />
Drive-In."" A Coshocton resident hit upon<br />
this name as appropriate because of the<br />
row of elm trees planted along River<br />
as a memorial to veterans of the co;<br />
nity who died in World War I.<br />
The 20-acre tract of land on River :c:<br />
which is the site of the new drive-in. \i<br />
planted in corn at the time of purchs;.<br />
so that it was necessary to harvest e<br />
corn and cut up the stalks before anyth.^<br />
else cotild be done.<br />
Pouring of the footings for the<br />
tower was accomplished in a record thl<br />
days. The all-steel screen will meas<br />
100 feet long by 60 feet high, and it is s<br />
that it will be the second largest in Ol|<br />
The new Elm Lane Drive-In will accoi<br />
date 750 cars and is being constructed<br />
an estimated S150.000.<br />
Upholstered theatre seats should i<br />
washed or. rather, shampooed at least o:j<br />
a year. This should be done for sanit<br />
reasons and for the preservation of<br />
fabric.<br />
KOILED KORDS, retroctlle speaker<br />
cords, minimise replacements because<br />
they lost<br />
longer. KOILED KORDS do not<br />
catch in door handles, bumpers and other<br />
car accessories so speaker losses too.<br />
are reduced<br />
KOILED KORDS, retractile speaker<br />
cords, extend to six times their retracted<br />
length then return to their neat out-of-theway<br />
coil against the standard when not<br />
in<br />
use.<br />
KOILED KORDS add that touch of neatness<br />
end order that all good drive-ins<br />
strive for. KOILED KORDS are jocketed In<br />
neoprene and withstand the weather no<br />
matter how extreme.<br />
Specify neoprene-jackeied KOILED<br />
KORDS for all your new speakers and<br />
use them ahuKiys for replacements. Your<br />
theatre equipment dealer con supply you.<br />
Build »our boxoftice receipts by keeping the area around your drive-in<br />
neot OS a pin! . powerful 5-HP Gra»eiy Tractor powers 21<br />
rugged, dependable tools for every mowing or ground maintenance job!<br />
Ail-geor dri»e, power reverse. Field-tested for 34 »ears. Dependable<br />
power that will cut your maintenance costs iast\—gi>e >ou a more<br />
attractive theatre with less work! Avoilable on Easy Pay Plan.<br />
"Power vs. Drudgery" tells how Gro»ely POWER solves these upkeep<br />
problems quickly, easily. FREE—write for it today!<br />
BOX 556<br />
GRAVELY TRACTORS, INC<br />
DUNBAR, WEST VIRGINI/<br />
STOPS THE FAMILY CROWD<br />
nVT
j<br />
'<br />
I<br />
f"aph,<br />
: May<br />
No Amperage Increase Needed<br />
For<br />
Widescreen by Matching<br />
iRefiectors<br />
and New Lenses<br />
The Georgia Theatre Co. has long advertised<br />
its Bankhead Eh'ive-Irr Theatre in<br />
Atlanta as beins "Atlanta's Largest and<br />
Finest." but now it is advertising "Atlanta's<br />
Largest Drive-In Theatre Screen" and<br />
backs up this copy with photographs.<br />
The Bankhead Drive-In is an 820-<br />
speaker job with a patio seating 200. The<br />
,".ew screen is in perfect Cinemascope proportions<br />
measuring 119 feet wide by 47 feet<br />
nigh. The surface of the screen is made of<br />
Johns Manville white shingles that do not<br />
•equire painting. The additional wing<br />
,valls were made to harmonize with the<br />
I'Xisting screen using crab orchard stone<br />
,or the bases of the addition which gave<br />
-JiBs:"<br />
The new widescreen at the Bankhead Drive-In is 119 leet wide by 47 feet high. The surface is made of<br />
white shingles which require no painting. The Bankhead is on 820-car situation.<br />
Reduce the annoyance of<br />
night-flying insects with<br />
I'ew wing walls to support the screen extertsions at<br />
[le Bankhead Driye-lr) Theatre, Atlanta, Go., were<br />
ui/( of crab orchard stone and provided a bedroom<br />
;ir<br />
lie<br />
the manager on one side and a storage room on<br />
other.<br />
1<br />
lie manager an additional 16x20-foot<br />
edroom on one side and the same size<br />
torage room on the opposite side.<br />
John H. Stembler, president of the<br />
reorgia Theatre Co., reports that no addional<br />
equipment was necessary in the pro-<br />
' ';ction room to light the enlarged screen,<br />
lie theatre was pulling 95 amps before<br />
,<br />
le addition and by matching the reflectors<br />
,ith the new type lenses, it was not necesiry<br />
to increase this amperage.<br />
. Although it is not visible in the photoa<br />
stage curtain is outlined on the<br />
Uck of the screen tower in neon which<br />
lakes a beautiful approach to the theatre<br />
night.<br />
E. E. Whitaker is operations manager for<br />
e Bankhead Drive-In Theatre and Mrs.<br />
Ivia Partee is the local manager.<br />
Do not use a blower to clean theatre<br />
lors as the dust is blown into the air<br />
;d settles on aU ledges and walls and<br />
her objects, thus making it necessary to<br />
corate more often and causing other<br />
ijor cleaning expense. A good practice<br />
to use suction type cleaners and use the<br />
iction, beater and brush type at regular<br />
;ervals.<br />
Black Light Traps<br />
Recommended for<br />
• Ticket Booths<br />
• Refreshment Stands<br />
• Side of Screen<br />
• Parking Areas<br />
Gardner Black Light Traps will prevent<br />
night-flying insects from becoming a<br />
source of annoyance and a blight on the<br />
appearance of your place. They operate<br />
silently, effectively in attracting and decimating<br />
the swarms of night-flyers drawn<br />
by your lights.<br />
The light from this patented trap will<br />
in no way interfere or affect any other<br />
light source, or disturb your patrons. It is<br />
rugged all-steel construction — completely<br />
safe, weather-proof, water-proof — and<br />
reaches you fully assembled, ready to hang and plug into nearest<br />
110-120 volt, 60-cycle alternating circuit. Power consumption approximates<br />
40 watts.<br />
Full instructions and recommendations on proper placement attached<br />
to each unit. Used successfully by many drive-in theaters and<br />
refreshment stands in all parts of the country.<br />
full<br />
If<br />
not available from your supply house, phone, wire or write for<br />
information.<br />
Gardner Manufacturing Co.,<br />
3555 Barstow St., Horieon, Wis.<br />
Improve Your Theatre — And Improve Your Business<br />
XOFTICE ;<br />
7. 1955 69
lOOO-Car Drive-In Theatre<br />
To Have Indoor Auditorium<br />
And Extra-Big<br />
Concessions<br />
Walk-in facilities for 182 patrons combined<br />
with parking space for 1,000 cars<br />
will be the main feature of the Sky View<br />
Erlve-In Theatre that Lou Herman & Asso-<br />
Qlates are now constructing at Oxnard,<br />
calif. An early June opening is planned<br />
by the builders, who also operate the 101<br />
Drive-In at nearby Ventura.<br />
Ai-chitect J. Arthur Drielsma so designed<br />
the $435,000 project that its operation will<br />
be completely centralized. A single building<br />
will house the air-conditioned auditorium,<br />
the concessions stand, restrooms, manager's<br />
office and projection booth. As a<br />
further convenience, the well-equipped<br />
playground for children has been juxtaposed<br />
to the all-purpose building.<br />
AN 80-FOOT COUNTER<br />
To serve the potentially large patronage<br />
of the theatre, the concessions stand is<br />
necessarily large. It consists of an 80-foot<br />
counter and a 30-foot island. The latest<br />
equipment for the preparation and serving<br />
of food and refreshments will be in.stalled.<br />
Equipment for all of the latest innovations<br />
in screening processes, such as Cinemascope,<br />
VistaVision and others, will be<br />
used in the projection booth. To accommo-<br />
In this new drive-in theatre now under construction at Oxnard, Calif., all operations will be centraH:1<br />
in the single building. The structure will contain an indoor auditorium, concessions stand, restroot,<br />
manager's office and projection booth. The children's playground adjoins /.<br />
FOR THE FINEST IN SOUND<br />
at the Lowest Moinfenonce Cost<br />
in-the-car<br />
SPEAKERS<br />
date the new processes, a 106-foot widescreen<br />
is being constructed of metal decking<br />
on structural steel girders.<br />
Though the drive-in is situated on the<br />
heavily traveled U. S. Highway 101 running<br />
along the Pacific coast, traffic will not be<br />
a problem. The design calls for two separate<br />
boxoffices with four entering lanes 1<br />
traffic. Emptying will be facilitated by te<br />
use of three different exits.<br />
Compact Concession Stand<br />
A concession-stand package has been (-<br />
signed by Doggie-In-A-Window, Inc. le<br />
ready-made unit is suited for use as a cccessions<br />
sub-station at large drive-in op -<br />
ations or as the sole counter at small oej.<br />
The Doggie-In-A-Window consists of K<br />
THE EPRAD STAR: An economical speaker that is unsurpossed in<br />
beauty and performance. Embodies many of the features of higherpriced<br />
models and gives sound of superior quality. Has a B'i" cone<br />
ond large 1.47 oz. magnet. Fiberglas cose with atifmctx<br />
tractive molded-in colors. Fits most junction boxes. )^JU<br />
Small and compact. Will give trouble-free service, per SPEAKER<br />
"The Voice of the Drive-In"<br />
1206 CHERRY ST. TOLEDO 4, OHIO<br />
EPRAD UNIVERSAL: The w<br />
speaker. Sounds and works betti<br />
easiest to service. Die-cast a\<br />
EPRAD STEREO "2": A single Fiberglas case<br />
two-way speaker for stereophonic sound.<br />
Incorporates a new concept of binaural<br />
sound.<br />
EPRAD STEREO "3": The finest sound ever<br />
heard in a drive-in. Single case is slightly<br />
larger than regular speakers.<br />
512 00 p"<br />
speaker<br />
$1475<br />
See your favorite Independent Theatre S upply Dealer<br />
write direct, requesting full into<br />
nd litcratu<br />
A MODil fOR EVERY NEED - EVERY INSTALLATION<br />
all-metal building fully equipped for p|<br />
paring and serving hot dogs, sandwich<br />
beverages, ice cream and popcorn.<br />
The only requirement for the 7x12-<br />
unit is a concrete block or slab foundatii^<br />
In all other respects it is complete,<br />
wiring and plumbing for the triple siij*/<br />
and complete lavatory facilities are j-'<br />
stalled ready to be connected with roui<br />
plumbing and wiring on the location.<br />
Each unit is well supplied with top brarname<br />
kitchen and concessions equipmei.<br />
For brilliant, clear sound reproductif<br />
equipment should be checked with<br />
equipment regularly every 60 days.<br />
70 The MODERN THEATRE SECTI*
I<br />
'<br />
I<br />
'<br />
clnoed.<br />
I<br />
I<br />
'<br />
'<br />
I<br />
— I<br />
For MORE INFORMATION on any Product Advertised in this issue or<br />
mentioned in the New Equipment and news pages or for copies<br />
of Manufacturers' Literature listed herein— Use Postcards Below. C<br />
READERS' BUREAU<br />
NEW EQUIPMENT<br />
'land DEVELOPMENTS<br />
I<br />
Briefed from the full description storting on page 73<br />
Key<br />
Number<br />
SEASONING OIL BARS P-1316<br />
E. F. Drcu & Co., Inc.. has come out with a new Idea<br />
• In popcorn seasoning, its product Is a coconut-oU bar,<br />
and wrapped, uliicb wUl season from 12 16<br />
prcinea.«ured to<br />
ounces poi>corn. The bars are said to elimbiate guesswork<br />
or<br />
and drippings: are always uniform In composition, and<br />
ita.,'le<br />
tlie 32-pound cartons are llgbtwelgtat.<br />
STILL WATER DISPENSER P-1317<br />
Ice Caller, an ice-cooled di.^penser for non-carbonated<br />
drinks, has been developed by Krlgidrink Dispenser Co. A<br />
scaled pump circulates the beverage through Ice-cooled steel<br />
colls and then cascades It tbrout;h a well-lighted glass bowl,<br />
• Ttie makers claim that tbetr dispenser Is easily iced and<br />
Cap:iclly is 4^2 gallons of liquid.<br />
INSECT KILLING PANELS P-1318<br />
,An electrified panel being manufactured by (Jardner Maiiu-<br />
Ijcturiiig Co. attracts l.nsects with its light and kills them<br />
upon contact. Ttiis weatherproof Insecticide ia said to have<br />
a low power consumption and requires no special wiring.<br />
The makers claim that it is free of personal-lnjur>' hazards.<br />
IHAItOKERCHIEF VENDER P-1319<br />
One of the newest vending machines Is tbe handkerchief<br />
*tnjer by Standard Handkerchief Co. The company has<br />
tested the machine in the East. It a nonselective<br />
successfully is<br />
model offering men's handkerchiefs at 25 cents<br />
,ejcli. ujiit Each will hold about 40 soft cotton handkerdiicfs<br />
and is equipped with a slug rejector.<br />
(FILM MOVING CART P-1320<br />
Valley Craft i'roUucts, Inc., provides a simple and safe<br />
solution fur moving heavy film loads to and from the<br />
projection room in its new st,^ir cart. It will handle loads<br />
up to 500 pounds. Its operation being facilitated and<br />
n]ade safe by dual brake drums. Its power-ratchet drive<br />
jdviuices it from step to step when the operator pulls<br />
tbe<br />
cable.<br />
I<br />
COLORED HAND DRYERS P-1321<br />
Ojo-Ury electric face-and-hand dryers are being manufjctured<br />
by Michael Electric Co. in a choice of pre-tested<br />
Vaslel colors, plus the standard gr.iy metallic I'inL-h. The<br />
icolors were laboratory tested on the b.isis of their<br />
wycliologlcal effects, .\njther plus feature is the ozonator<br />
[Mtildi automatically deodorizes the area.<br />
RUST INHIBITOR SPRAY P-1322<br />
ilie first qulck-dr>ing rust inhibitor to be packed in a<br />
pray bomb, tbe Tuttust Instant dry racial coat, will<br />
uiLible iheatremcn to combat their ojii rust problems<br />
.iithout outside help. This WLbur Williams product<br />
k<br />
requb-es only five minutes for drying and offers longtime<br />
protection. It may be used and<br />
as luidercoat or primer<br />
comes in five colors.<br />
RANDOM-STYLE TILING p.1323<br />
A new asphalt tile, coming In long rectangular pieces, is<br />
designed to give flooring a random pattern. It has been<br />
Introduced by the lile-Tex division of Flinikote Co. Known<br />
as .Modnar, the new tile U ainilable In woodlone colors of<br />
drirtvoud. oak, maple and wabiut.<br />
SCREEN PRIMER P-1324<br />
.\ s>nihetlc rubber-based and<br />
primer which dries flat<br />
while IS being made by Spatz I'ainl Industries. Inc., to<br />
be used on new curved uidescreens with Tran»lte, Fiexrock<br />
or concrete masonry or plaster facings. Its main advantages<br />
are the ability to neutralize the alkali in the masonry<br />
screens and resistance to the elements. designed<br />
It is<br />
primarily to serve as a first coat on new screens and is<br />
recommended also for other masonry all surfaces used in<br />
drive-in buildings.<br />
LITERATURE<br />
Briefed from the description on page 76<br />
Key<br />
Number<br />
PLAY EQUIPMENT CATALOG L-1709<br />
.V 60-page catalog of outdoor play equipment and repair<br />
parts is available from .American Playground Device Co. One<br />
section discusses playground planning—best use of space,<br />
safety considerations and Installation problems. A chart gives<br />
the number of vtorkmen. work hours and materials for different<br />
size installations.<br />
SYRUP BOOKLETS L-1710<br />
Two booklets on syrup are being distributed by Hurtyi'etk<br />
& Co., flavor base specialists. They will be of<br />
interest to concessions operators who make and sell soft<br />
drinks and snow-cones and to operators cup-drink of vendhig<br />
machines using fountain syrups. One booklet gives an<br />
account of syrup making and a table of syrup cost^; the<br />
other, an illustrated account of syrup making.<br />
BOOKLET ON LIGHT CONTROL L-17U<br />
Packaged Luxtrol light control equipment is described<br />
in a booklet by tbe Superior Electric Co. Fully Illustrated,<br />
this booklet gives uses and ratings for various packages.<br />
Luxtrol is said to be suited for small operations where a<br />
complicated sultcbboard is unwarranted, it does not dissipate<br />
its power Into heat, but mto desired lamp brilliancy.<br />
Now used as a Standard reference by hundreds<br />
of America's leading DRIVE-INS.<br />
Valuable, Complete<br />
DRIVE-IN<br />
THEATRE<br />
GUIDE<br />
to Profitable Drive-In<br />
Operations<br />
only »3 per copy<br />
(In Canado add 25c. .Foreign odd 50c)<br />
228 pages — 92 illustraihns<br />
ir Written by America's leading expert on drive>fn<br />
design and operation.<br />
it Complete from A to Z . . . Inclydes financing<br />
designing — constructing — equipping — protecting<br />
— concessions — operating and promoting.<br />
it Priceless Information helps you Increose boxoffice<br />
appeal avoid costly mistokes . . . . . .<br />
hold down operotlng costs.<br />
Order YOUR Copy NOW!<br />
BOXOFFICE<br />
825 Van Brunt Blvd. Kansas City, Mo.<br />
vto Use These<br />
lERS' BUREAU COUPONS<br />
Write here the Itey number |k I<br />
of the item that interests you ^ I<br />
If out completely a separate coul|<br />
for ecch New Equipment Item.<br />
i( -Iteroture reference (above) which<br />
II rests you. Likewise for each Ad-<br />
IV Ising Product (reverse side of this<br />
Is !t) obout which you want more<br />
i rmotion. Put only one key number<br />
ir^ach square.<br />
I<br />
Write Sere the bey number A<br />
I<br />
I of the .tern that interests you W<br />
SjJOHN Q.DOE<br />
.. ..*. QUEEN^<br />
m5V! and MAIN_<br />
^ MEWBERN<br />
.<br />
J^<br />
_<br />
s.o..y4/J,_<br />
ION THtATSE Sfcr.on o( BOXOFflCE "- 1' lf»<br />
I the outer card to request one<br />
* our Items, both cards if requestii<br />
five to eight.<br />
^!n you have filled out the cou-<br />
Pi for each request, detach the<br />
f cord and mall. No postage<br />
« ]<br />
Of<br />
i<br />
>H I<br />
1-3 I<br />
W -<br />
^ i<br />
col<br />
CO S<br />
^^ s I<br />
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Cm<br />
Cm<br />
o<br />
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0)<br />
CO<br />
u<br />
pc:<br />
H<br />
H<br />
«<br />
u<br />
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3 u<br />
Name<br />
Theotre or<br />
Street<br />
City<br />
No<br />
Circuit<br />
State<br />
The MODERN THEATRE Section of BOXOFFICE (May<br />
Nome<br />
Theatre or Circuit<br />
Street<br />
City<br />
No<br />
Write here the key number |^ I<br />
of the item that interests you ^ I<br />
State<br />
The MODERN THEATRE Section of BOXOFFICE (May 1955)<br />
Nome<br />
Theatre or<br />
Street No<br />
City<br />
Circuit<br />
Write here the key number^<br />
of the item that interests you ^ I<br />
Stote<br />
The MODERN THEATRE Section of BOXOFFICE (May 1955)<br />
Write here the key number A<br />
|<br />
of the item that interests you^J<br />
•led In the U.S. (AHix stamp in<br />
C ado.)<br />
o<br />
H
A<br />
A<br />
A<br />
.<br />
'<br />
„'<br />
"^<br />
'•!<br />
READERS' BUREAU For literature on products advertised or mentioned in this issue, see ha<br />
side of this sheet and read how to use the postcard coupons below.<br />
^,_<br />
PRODUCTS ADVERTISED IN THIS ISSUE<br />
ADMISSION SIGNS<br />
Edgar S. Bowman 55-B<br />
ELECTRIC GENERATOR<br />
Hertner Electric Co 58-A<br />
FIREWORKS DISPLAYS<br />
Later Enterprises 67-B<br />
ATTRACTION BOARDS AND LETTERS<br />
AdIer Silhouette Letter Co<br />
FOUNTAINETTES<br />
Carbonic 57-<br />
Dispenser, Inc 28-B<br />
Wagner Sign Service, Inc 51-A Everfrost Sales, I nc 23-A<br />
Superior Refrigerator Mfg 31-A<br />
HANDKERCHIEF VENDERS<br />
BARBECUED SANDWICHES<br />
Standard Handkerchief Co., Inc 12B<br />
HOT DOG CHILE<br />
Castleberry's Food Co 25-A, 37-A<br />
Castleberry's Food Co 25-A, 37-A<br />
HOT DOG EQUIPMENT<br />
CANDY<br />
Hollytvood Sefvemaster 30-A<br />
Henry Heide, Inc 35-A ICE CREAM FREEZERS<br />
Sweden Freezer Mfg. Co Hollywood Brands, Inc 24-A<br />
19-<br />
Mars, Inc 29-A<br />
ICE CREAM VENDER<br />
Fred Hebel Corp ig.fl<br />
CARBON SAVERS<br />
Cali Products Co 67-A<br />
Payne Products Co 75-8<br />
CONCESSION EQUIPMENT, DRIVE-IN<br />
Concession Supply Co 33-C<br />
Waliiy Service Co 33-B<br />
CONCESSION FOODS<br />
Castleberry's Food Co 25-A, 37-A<br />
Flavo-Rite Foods, Inc 33-A<br />
DRINKS, SOFT<br />
Canada Dry Ginger Ale, Inc 26-A, 27-A<br />
Coca-Cola Co 2-A<br />
Nehi Corp 22-A<br />
Pepsi-Cola Co 13-A<br />
DRINK VENDING MACHINES<br />
Coca-Cola Co 2-A<br />
Evcrfrost Sales, Inc 23-<br />
Lyon Industries, Inc 21-A<br />
Manley, Inc 12.A<br />
INSECT TRAP. DRIVE-IN<br />
Gardner Mfg. Co 69-A<br />
KIDDY RIDES FOR DRIVE-INS<br />
King Amusement Co 67-D<br />
Miniature Train Co 68-C<br />
LADDERS, SAFETY<br />
Dayton Safety Ladder Co 76-<br />
MINIATURE TRAINS<br />
Miniature Train Co 68-C<br />
MOWERS, DRIVE-IN<br />
Gravely Tractor, Inc 68-8<br />
POPCORN BOXES AND SACKS<br />
Concession Supply Co 33-C<br />
POPCORN MACHINES<br />
Concession Supply Co 33-C<br />
Cretors Corp 36-A<br />
Hollywood Servemaster 30-A<br />
Manley, Inc 12-A<br />
POPCORN SCOOPS<br />
Speed Scoop 28-C<br />
POPCORN SEASONING<br />
The Savorol Co 28-<br />
POPCORN SEASONING OIL<br />
Concession Supply Co 33-C<br />
C. F. Simonin's Sons 31-B<br />
PROJECTION LENSES<br />
B.iusch & Lomb Optical Co 57-B<br />
Kollmorgen Optical Co 74.A<br />
Projection Optics Co., Inc 50-A<br />
Raytone Screen Cofp SS-C<br />
S.O.S. Cinema Supply Co. 39-A<br />
Star Cinema Supply Co. 75-<br />
PROJECTION RECTIFIERS<br />
Ashcraft Mfg. Co l-BC<br />
National Excelite 6-A<br />
PROJECTION AND SOUND<br />
Ballantyne Co 63-A<br />
International Projector Corp 4-<br />
Motiograph, Inc 65-A<br />
[Rational Ttieatre Supply Co 66-A<br />
RCA Engineering Products Co S-A<br />
Star Cinema Supply Co 75-A<br />
PROJECTOR ARC LAMPS<br />
Ashcraft Mfg. Co l-BC<br />
National Excelite 6-A<br />
Strong Electric Corp 3-A<br />
SCREEN PAINT FOR DRIVE-INS<br />
Raytone Screen Corp 55-C<br />
SCREENS FOR OUTDOOR THEATRES<br />
Ballantyne Co 63-A<br />
Bodde Screen Co 50-B<br />
SCREENS FOR INDOOR THEATRES<br />
Bodde Screen Co 50-B<br />
Raytone Screen Corp 55-C<br />
S.O.S. Cinema Supply Ca 39-A<br />
Vrfilliams Screen Co 39-B<br />
SCREEN TOWERS FOR DRIVE-INS<br />
Ballantyne Co 63-A<br />
SEATING CONVENTIONAL THEATRES<br />
American Seating Co 39-C<br />
Heywood-Wakefield Co 41-A<br />
I deal Seating Co 76-C<br />
SPEAKERS, IN-CAR FOR DRIVE-INS<br />
Ballantyne Co c, .<br />
Dri/e-ln Theatre Mfg. Co ?,"?<br />
EPRAD<br />
..•..7^|j';J<br />
Motiograph, Inc gc .<br />
RCA Engineering Products Co.. .'.'..'. "ij<br />
THEATRE EQUIPMENT AND SUPPLIE<br />
Indiana Cash Drawer Co 1<br />
75.0<br />
National Super Service Co 5^.0 \<br />
National Theatre Supply Co m.»<br />
RCA Service Co., Inc 59-!<br />
S.O.S. Cinema Supply Co 39./)<br />
TRACTORS, FOR DRIVE-IN MAINTENiCE<br />
1<br />
Gravely Tractor Co gg.) f.<br />
NUI'E: Ttie figures In the key number<br />
for each advertiser Indicate also tht<br />
on wlUch the advertisement of th.it<br />
win be found iii this MOUERN<br />
Ibsiie. The whole key number, ln< _<br />
capital letter, must be used when fill<br />
the postcard coupon below to obtain<br />
Infurmatlon about the advertL^ed prodi<br />
ALPHABETICAL<br />
of Advertisers' Key<br />
Adler Silhouette<br />
American Seating Co<br />
Anderson & Wagner (Everfrost Sales)<br />
Ashcraft Mfg. Co., C. S<br />
Ballantyne<br />
Co<br />
IN lEX<br />
Nuiiert<br />
Bausch & Lomb Optical 57-1<br />
Bodde Screen 50-1<br />
Bowman, Edgar S 55-1<br />
Burr Chemical Co 66-1<br />
Cali Products Co 67'<br />
Canada Dry Ginger Ale 26-27'<br />
Carbonic Dispenser ,28-<br />
Castleberry's Food Co 25-i37-<br />
Coca-Cola Co 2-A<br />
Colma, Inc 15-A<br />
Concession Supply Co. 33C<br />
Cretors<br />
Corp.<br />
36-A<br />
Dayton Safety Ladder 76-A l:<br />
ml<br />
o I<br />
1-3 j<br />
^?<br />
w^ in<br />
I<br />
en 2<br />
Ml<br />
2: i<br />
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oPQ<br />
3 O<br />
o «<br />
CO g<br />
w ><br />
g<br />
o<br />
: May<br />
[easoning Oil Now Comes<br />
I<br />
Pre-Measured Bars<br />
P 1316<br />
FOR MORE<br />
INFORMATION<br />
USE Readers'<br />
Bureau Coupons, Page 71<br />
claim that it is definitely free of personalinjury<br />
hazards, but they do recommend<br />
that it be mounted out of reach of the<br />
inquisitive. When mounted on each side<br />
of the drive-in screen, the panels are effective<br />
in intercepting large insects before they<br />
cross the projection beam.<br />
Now<br />
Vending Machine<br />
For Handkerchiefs<br />
P-1319<br />
One of the newest ideas in popcorn sea-<br />
Dning is Tastee-Pop, a coconut-oil bar<br />
reduced by E. P. Drew & Co., Inc. The preleasured<br />
and wrapped bars come packed<br />
28 in cartons weighing 32 pounds. Each<br />
ar will season from 12 to 16 ounces of<br />
lopcorn. The bars are said to be econom-<br />
:al because they eliminate guesswork and<br />
aste drippings. The seasoning, according<br />
Black Light Electric Panels<br />
Attract and Kill Insects<br />
P-1318<br />
One of the latest entries into the growing<br />
vending-machine field is the handkerchief<br />
vender being produced by the Standard<br />
Handkerchief Co. The vender, which has<br />
already been successfully tested in the East.<br />
is a non-selective model selling handkerchiefs<br />
for men at 25 cents each. Each unit<br />
has a capacity of approximately 40 soft<br />
cotton handkerchiefs. A .slug rejector is<br />
standard equipment. The company also<br />
packs handkerchiefs for counter displays.<br />
Cart Simplifies Moving Film P-1320<br />
Up and Down Stairs<br />
D the maker, is always uniform in its<br />
omposition and doesn't vary from batch<br />
J batch or season to season. The 32-pound<br />
artons are also said to be lighter than<br />
rdinary containers and thus easier to<br />
andle and store.<br />
.n Ice-Cooled Dispenser<br />
;or Still Water Drinks<br />
P-1317<br />
The growing popularity<br />
of ice-cooled<br />
dispensers for non-<br />
carbonated drinks<br />
^^^ ''^^ reason cited<br />
/<br />
y S<br />
m'atJ j ifl<br />
^jBW^ tH for the development<br />
m^^\ 1<br />
°^ *^^ Ice/Cader by<br />
the Prigidrink Dispenser<br />
Co. Like the<br />
other beverage dispensers<br />
in the firm's<br />
line, the Ice/Cader<br />
stimulates sales with<br />
le combination of light, color and animaon<br />
of the liquid. A sealed pump circutes<br />
the beverage through ice-cooled steel<br />
)ils and then cascades it through a well-<br />
?hted glass bowl. The makers claim that<br />
le dispenser is easUy iced and may be<br />
eaned without difficulty. Measuring 14<br />
ches in diameter and 31 inches high, the<br />
e/Cader has a capacity of iVz gallons<br />
liquid and 25 to 30 pounds of ice. Conruction<br />
features a heavy insulation and<br />
hammertone steel base with etched and<br />
iodized inner lining.<br />
The number of insects that plague those<br />
brightly lighted areas at drive-ins and theatres<br />
can be greatly reduced by means of an<br />
electrified panel being manufactured by<br />
the Gardner Manufacturing Co. The electric<br />
panel, which kills insects upon contact,<br />
attracts them with a new type of light<br />
known as black light, which appears pale<br />
blue to the human eye and in no way interferes<br />
with the normal lighting of the area.<br />
The mechanical insecticide is constructed<br />
of steel and is weatherproof. It is said<br />
to have a power consumption equivalent<br />
to that of a 40-watt incandescent lamp and<br />
to require no special wiring. The makers<br />
Claims made for products described editorially<br />
on this ond other pages ore taken from the<br />
manufacturers'<br />
statements.<br />
A simple and safe solution to the problem<br />
of moving the heavy film loads to and<br />
from the projection room may be had with<br />
the stair cart manufactured by Valley Craft<br />
Products, Inc. The cart, which is constructed<br />
of steel tubing and mounted on<br />
pneumatic tires, was designed specifically<br />
for climbing and descending stairs with<br />
loads weighing up to 500 pounds. Its operation<br />
is both facilitated and made safe<br />
by its dual brake drums that assure control<br />
of both wheels. Accidents are reduced<br />
and fatigue is eliminated by its powerratchet<br />
drive that advances it from step<br />
to step when the operator pulls the cable.<br />
Stair carts are available in six different<br />
designs with a variety of shoes for different<br />
hauling tasks.<br />
JXOFTICE :<br />
7. 1955 73
\:<br />
Electric Hand Dryers<br />
Now Come in Colors<br />
P-1321<br />
The Ozo-Di-y line of electric face-andhand<br />
dryers manufactured by the Michael<br />
Electric Co. now is available in a choice<br />
of pre-tested pastel colors plus the standard<br />
gray-metallic finish. The new colors<br />
were chosen on the basis of their psychological<br />
effect which was determined by independent<br />
laboratory-controlled color surveys.<br />
Each of the units is equipped with<br />
an automatic push-button timer which releases<br />
30-second blasts of drying air. The<br />
chrome nozzle may be adjusted to dry<br />
either face or hands. Another plus feature<br />
of the dryers is the ozonator which automatically<br />
deodorizes the area when the<br />
machine is in use.<br />
Rust Inhibitor Packed P-1322<br />
In a Spray Bomb<br />
Theatremen can now combat their own<br />
rust problems without calling in outside<br />
specialists by means of the Totrust instant<br />
dry metal coat, the first quick-drying rust<br />
inhibitor to be packed in a spray bomb.<br />
The handy coating, manufactured by M.<br />
bur & Williams Co., requires only five miutes<br />
for drying and offers longtime pv<br />
tection. It may be used as an undercoatr<br />
as a one-coat primer finish in any one.f<br />
five colors: red, zinc chromate, wroui t<br />
iron, black and stainless steel. Its hh<br />
chemical resistance is said to make it n<br />
excellent protection wherever it is usi<br />
indoors or out, on painted or unpainri<br />
surfaces. It also may be used on alumlnte<br />
and galvanized metals. Totrust is ao<br />
available in bulk containers varying fra<br />
five-gallon to half-pint sizes.<br />
Random Plank Styling<br />
In New Asphalt Tile<br />
p-i;3<br />
i:<br />
Better Pictures Every Day<br />
NOW SHOWING<br />
^<br />
• FASTEST<br />
• SHARPEST<br />
• BRIGHTEST<br />
• CLEAREST<br />
^J^'\ and SUPER<br />
^<br />
SKAPLITi:f/1.7X<br />
The finest projection lens YOU con BUY<br />
Another new concept in asphalt flir<br />
tiles has been developed by the Tile-^x<br />
division of the Flintkote Co., which int>duced<br />
light colors, flexibility and mart -<br />
ization to the asphalt tile industry. Knon<br />
as Modnar, the new tile, unlike the cc;-<br />
ventional square tiles, comes in long r:-<br />
tangular pieces measuring four by 4<br />
inches in thicknesses of '4 and 3/16 of n<br />
inch. Available in woodtone colors if<br />
driftwood, oak, maple and walnut, Modi.r<br />
is designed to give the flooring a randjn<br />
pattern. Because the tiles may be eff><br />
tively used to achieve the random pattei,<br />
the time used for measuring and estimat g<br />
is eliminated. Waste is reduced, too. -<br />
cause the broken planks are said to heig -<br />
en the casual effect. Each of the woodto:s<br />
may be used by itself or in combinatii.<br />
as shown in the picture.<br />
SAT. ONLY<br />
SPECIAL SHOW<br />
For all exhibitors —<br />
see your Theatre<br />
Supply Dealer.<br />
Don't<br />
miss these new FAST<br />
LENSES. The SUPER<br />
SNAPLITE f/1.7 and<br />
SUPER SNAPLITE<br />
f/1.7X.<br />
77 \T<br />
Send for Bulletin 222<br />
Plant: 347 King Street / ^ _/, /<br />
Northampton, Massachusetts<br />
(^^^^C^^^W^COIC l*Olt ATIOK<br />
NEW YORK OFFICE: /sO CHURCH STREET, NEW YORK 7, N. Y.<br />
Specially Developed Primer P-1:4<br />
For Drive-in Screens<br />
Of particular interest to drive-in own s<br />
who are building new, curved wldescreiis<br />
with Transite, Plexrock or concrete n-<br />
sonry or plaster facings is the Introductn<br />
of the All-Masonry movie screen primer y<br />
the Spatz Paint Industries, Inc., whichs<br />
making a specialty of paints used at driin<br />
theatres. The main features of the w<br />
paint are its ability to neutralize the alkli<br />
present in the masonry screens and s<br />
ability to resist the elements. Designed p-<br />
marily to serve as a first coat on nv<br />
screens, the synthetic rubber-based prinr<br />
dries flat and white. The primer alsos<br />
recommended for use on all other masoi.v<br />
surfaces such as concrete block, asbess<br />
and brick used in the drive-in buildings<br />
single gallon is said to cover up to 250 r<br />
300 square feet, depending upon the polity<br />
of the surface. Application may e<br />
made with either brush or roller.<br />
74 The MODERN THEATRE SECTIf
'•<br />
the<br />
I<br />
I<br />
I A<br />
i<br />
: May<br />
.<br />
tboui PEOPLE/ and PRODUCT<br />
Bausch & LoMB Optical Co., which man-<br />
,actuies the camera lenses used in the<br />
ming of all Cinemascope productions<br />
easier and less costly. Last years report<br />
won the gold Oscar of Industry award from<br />
Financial World as the top company report<br />
of over 5,000 surveyed.<br />
The U. S. district court at San F^-anci-sco<br />
in a recent suit decided that the icemaking<br />
machine produced by Liquid Fieezs<br />
Corp. and sold by the Ajax Corp. infringed<br />
upon a patent owned by Flakice Corp. and<br />
licensed to York Corp. The wedge-principle<br />
of the patent was held by the court to be<br />
both new and practical.<br />
The Royal Photographic Society of<br />
Great Britain has awarded 1I.^ Progress<br />
Medal for 1954 to Dr. Julian H Webb,<br />
"<br />
Di.<br />
associate head of the physics aivi.ion at<br />
Kodak Laboratories. The meda. was<br />
awarded to Dr. Webb for his "important<br />
series of studies of the" photOiOipluc<br />
process extending over many years<br />
Webb's research work, which began in I'J'cii<br />
at Kodak after a teaching stint at Williams<br />
College, is mainly concerned with thi<br />
fundamental theory of photographic exposure<br />
and the structure of the latent<br />
image. During his 24 years of study, Dr.<br />
Webb also received the Williamson Award<br />
of the RPS in 1938 and the Journal Award<br />
of the Society of Motion Picture Engineers<br />
in 1934.<br />
Nothing Like This Before . .<br />
-<br />
and BRAND NEW!<br />
'il Hallouer, president of Bausch & Lomb (left),<br />
d Dr. Howard S. Coleman, director of the B&L<br />
ientific Bureau, ore shown admiring the Academy<br />
lari Oscar that was presented the optical comrrf<br />
for its scientific contributions to the motion<br />
.tufe<br />
industry.<br />
fid the majority of Cinemascope projec-<br />
'm lenses, was presented with an Oscar<br />
Academy Award ceremonies for its<br />
ientific contributions to the motion picre<br />
Industry. The award was made in<br />
cognition of the firm's efforts in making<br />
le Cinemascope revolution possible.<br />
J. F. O'Brien, manager of theatre and<br />
Idustrial equipment marketing for the<br />
.gineering products division of RCA, has<br />
inounced the appointment of Hollis D.<br />
adbury to manager of the film-recordg<br />
equipment section. Bradbury, sales<br />
anager for RCA film-recording equipent<br />
for the past four years, succeeds<br />
Uph A. Teare, who was recently pro-<br />
Dted to manager of the industrial prodts<br />
section. In his new position, Bradbury<br />
11 coordinate all planning, promotion and<br />
'les activities for the film-recording equip-<br />
Bnt used in motion picture studios and,<br />
^50, supervise the operation of the firm's<br />
Jdios in Hollywood and New York. He<br />
,s been with RCA and its predecessors<br />
ice 1927.<br />
BREAKDOWN of the Operations during<br />
i5i and synopsis of its past 75 years are<br />
mbined in the recently issued Eastman<br />
)dak Co. annual report for 1954. The<br />
port, which was distributed to the 86,000<br />
areholders of Kodak, is a foui-color, 36-<br />
ge booklet. Profusely illustrated with<br />
?h-quality color photographs and charts,<br />
e report contains information on the<br />
tnpany's sales, earnings, profits and other<br />
lancial data for 1954 with the prediction<br />
another good year in 1955. Three pages<br />
[i devoted to the history of the firm<br />
lich began with the idea of George East-<br />
|in in 1880 that many would use and<br />
!Joy photography if it could be made<br />
Yes—absolutely Brand-New Projectors pocked in original factory<br />
cases. A "once in a lifetime" buy! Priced far below wholesale<br />
cost.<br />
HERE'S THE AMAZING DEAL:<br />
2— DeVry 2810 (XD) Projectors, with large 18" 3,000' Magozines,<br />
Lenses, Lamphouses, Cables, Plugs, etc. (Brand New)<br />
1 —<br />
.Model 1100 Speaker System<br />
1—Model 2804-A (ND) Amplifier with Tubes (rebuiit)<br />
Everything for Only $775<br />
Easily and inexpensively adapted for wide-screen presentation and<br />
Cinemascope. Projectors equipped with removable type apertures.<br />
Conversion to Arc Lamphouses simple.<br />
LAST MINUTE SPECIAL! Fam.<br />
seamless screen, only 79c sq. ft.<br />
Order NOW from<br />
STAR CINEMA SUPPLY COMPANY<br />
447 Wests2nd St. York 19, N. Y.<br />
MAKE OVER 900% ON YOUR MONEY!<br />
If you have Ashcraft "D" or "E", Brenkert-<br />
Enarc, Peerless Magnarc, or Strong Mogul<br />
projection lamps, by Investing $42.50 in a<br />
CRON-O-MATIC<br />
Fully<br />
Automatic<br />
CARBON SAVER<br />
YOU CAN SAVE $400<br />
A YEAR<br />
Uses positive carbon stubs of any length, without<br />
preparation. When entirely consumed, the<br />
'''"""''"""""".'."'"''<br />
new carbon goes<br />
^<br />
into<br />
.....<br />
use without losing the<br />
light, or otherwise affecting lamp<br />
..<br />
operation.<br />
j------------- -<br />
: PAYNF PRnniirTC<br />
i rAlNe rKUUUV.13 C(\ \.\J.<br />
(Cron-O-Matic Division)<br />
Burns overage lengths (31/4") down to V*" t 2455 W. Stadium Blvd. Ann Arbor. Michigan<br />
saving 21/2" or 22.2% of corbon costs. Now in ; D Send literature on the Cron-O-Matic.<br />
. /. ,. .,. u » » 1 A ! n Ship Cron-0-Matie. nC.O.D. Including postage.<br />
use in theotres throughout Amerleo. Averoge . ^ Romittance herewith.<br />
saving $400 annuolly. It's like putting money Z<br />
in the bank.<br />
Only $42.50 j<br />
^""'<br />
: Theatre<br />
«'""<br />
aty and State<br />
EXPORT: If your dealer can't supply you, order direct. ; Frazer & Hansen, Ltd.<br />
; San Francisco. New York, Los Angeles<br />
j<br />
'XOFPICE :<br />
7, 1955<br />
75
—<br />
STRONG • STURDY • LIGHTWEIGHT<br />
Daytons<br />
lli mATHWF<br />
The following concerns have recently<br />
jiled copies of interesting descriptive literature<br />
with the Modern Theatre Information<br />
Bureau. Readers who wish copies mat/<br />
obtain them promptly by using the Readers<br />
Bureau postcard in this issue of The Modern<br />
Theatre.<br />
The accepted standard for ladders,<br />
Daytons ore built of selected, tested kiln<br />
dried Sitka Spruce, Douglas Fir, or West Coast<br />
Hemlock. Designed in accordance with the<br />
latest specifications of the "American Standards<br />
Association Safety Code," and to meet<br />
Underwriters Laboratories Standards for Ladders.<br />
Approved and Labeled by Underwriters<br />
Laboratories.<br />
DAYTON Type A<br />
struclcd of tested olrpl.<br />
spruce, reinforced willi<br />
rigid steel supports for<br />
greot strengtii, ligfitness<br />
o( weight. Hondroils<br />
of steel guard<br />
lorge roomy platform<br />
for added sofely. Con<br />
be set up instantly,<br />
eosy to carry, fold com<br />
poctly for storing.<br />
Automotic locking feature<br />
insures safety<br />
while ladder is in use.<br />
Standard rubber sofety<br />
L-1709 — The<br />
American Playground<br />
Device<br />
Co. manufacturer<br />
of playground<br />
and swimming<br />
pool equipment,<br />
has published a<br />
new and comprehensive<br />
60-page<br />
catalog for its<br />
nmmmtcnn<br />
complete line of<br />
outdoor play<br />
equipment and<br />
repair parts. Each item listed is ac-<br />
companied by an illustration and description<br />
that includes shipping weight, price<br />
and other pertinent information. A special<br />
section is devoted to the planning of playgrounds<br />
with suggestions for the best use<br />
of the ground space, safety considerations<br />
and the proper installation of various facilities.<br />
The section also includes a chart<br />
with information on the number of workmen,<br />
work hours and materials needed for<br />
different size installations.<br />
MODEL VI<br />
IDEAL FOR CONCESSION COUNT!<br />
5 coin, 5 currency compartments with bill weiijti<br />
High-grade disc tumbler lock.<br />
Warning gong rings each time drawer is ope|i<br />
Kiln-dned Indiana hardwood.<br />
Easy action drawer— roller mechanism.<br />
Office grey or natural lacquer finish (specify).<br />
Size I8I/4" X 143^" X 41/2" high.<br />
Shipping weight approx. 19 lbs.<br />
$2650 fob. Shelbyville<br />
OTHER MODELS AVAILABLE<br />
Order Through Your Theatre Supply Houstor<br />
Direct From Factory<br />
INDIANA SlSi"wERr<br />
Dept. B SHELBYVILLE, INDIANA<br />
L-1710 Hurty-Peck & Co., which has<br />
specialized in the manufacture of beverage<br />
flavor bases for over 50 years, is now distributing<br />
two booklets of definite value to<br />
concessions operations which make and<br />
sell soft drinks and sno-cones and operators<br />
of cup-drink vending machines using<br />
fountain syrups. One booklet, "Syrup Making<br />
for Cup Venders," consists of 32 pages<br />
devoted to a step by step account of syrup<br />
making. It is divided into three sections:<br />
ingredients, equipment and procedures. A<br />
table on syrup costs is also included. The<br />
second booklet, "How to Make Syrup," is<br />
a 16-page illustrated account of syrupmaking<br />
procedures.<br />
The XA^idest Line<br />
of<br />
Theatre Chairs<br />
Daylon '<br />
safetjf Mder e».<br />
2339 Gilbert Ave., Cincinnati, Ohio<br />
In Canado—SAFETY SUPPLY CO., TORONTO<br />
L-1711 Packaged Luxtrol light control<br />
equipment is described in a 12-page booklet<br />
distributed by the makers. The Superior<br />
Electric Co. Various packages and their<br />
uses and ratings are contained in the fullyillustrated<br />
material. Luxtrol, which is said<br />
to be suited for small operations where a<br />
large complicated switchboard is unwarranted,<br />
consists of an autotransformer with<br />
a movable brush-contact riding on a bared<br />
portion of the transformer winding. The<br />
desired intensity is achieved by rotation<br />
of the contact arm and jxiwer is not dissipated<br />
into heat but into the desired lamp<br />
brilliancy. Controls are available from<br />
smaU commercial sizes providing six 1,000-<br />
watt Luxtrol controls to larger units offering<br />
output capacities of 30,000 watts. Controls<br />
are available in non-interlocking and<br />
interlocking types. A price list accompanies<br />
the booklet.<br />
• The lowest priced to the<br />
most luxurious.<br />
• Sturdy cast iron and/or<br />
steel.<br />
• Comforloble full-upholstered,<br />
podded or spring<br />
bocks and seats.<br />
• Beautifully styled end<br />
standards.<br />
• Upholstering materials, finishes<br />
and colors for every<br />
taste.<br />
IDEAL<br />
BETTER<br />
SEATING<br />
MEANS<br />
BETTER<br />
BUSINESS<br />
See Your hdepei^ent Tbeatro Supply<br />
Dealer or Write for Lileralure.<br />
SEATING COMPANY<br />
Grond Rapids, MIchigon ,<br />
76 The MODERN THEATRE SECTfN h^<br />
|t>
'<br />
: ghs<br />
I<br />
1 ion<br />
I<br />
;;<br />
;<br />
—<br />
—<br />
fl)(0fflcPDDi1JJ]i/^UJD5<br />
he EXHIBITOR HAS HIS SAY about pkiukes<br />
ALLIED ARTISTS<br />
sitter Creek (AA)—Wild Bill Elliott, Carle-<br />
(1 Young, Beverly Garland. A good action<br />
i)W for weekend. Played Sat. Weather:<br />
,ay._D. W. Trisko, Runge Theatre, Runge,<br />
'K. Small-town and rural patronage.<br />
•talopy (AA)—Leo Gorcey, Huntz Hall, Ber-<br />
;rd Gorcey. This one appealed to the teen-<br />
J;rs and the youngsters and the Boys came<br />
i'ough with another "howlarious" performtce<br />
that drew in a crowd in spite of the<br />
;t they had them on TV three times the<br />
vne week. Doubled with "Royal African<br />
•ties." Played Fri., Sat. Weather: Cold.<br />
:b Walker, Uintah Theatre, Fruita, Colo.<br />
iVorld for Ransom (AA)—Dan Duryea,<br />
ne Lockhart, Patric Knowles. This is a<br />
:; picture which is very disappointing, but<br />
;:k was with us. Played bottom half and<br />
|, by. Played Wed., Thurs., Fri., Sat.<br />
..•ather: Light snow.—Harold Bell, Opera<br />
luse, Coaticook, Que. Small-town and rural<br />
jtronage.<br />
COLUMBIA<br />
>itraiiger Wore a Gun, The (Col)—Randolph<br />
,'jtt, Claire Ti-evor, Joan Weldon. We just<br />
by on this one. As someone remarked,<br />
i;<br />
\andy, your slip is showing." Another west-<br />
(i that was hurt by likewise product on<br />
" and more basketball in area. Average<br />
]>grammer. Played Thurs., Fri., Sat.<br />
rather: Fair.—Ken Christiansen, Roxy<br />
ieatre, Washburn, N. D.<br />
.'alley of Head Hunters (Col)—Johnny<br />
issmuUer, Christine Larson, Robert C.<br />
: iilk. Just a fair picture for half of the<br />
al Friday-Saturday dual biller. Don't think<br />
s measured quite up to expectations for<br />
igle Jim. The monkey got his share of<br />
from the kids, though, which saved<br />
: show. Played Fri., Sat. Weather: Nice.<br />
1 loche, Vernon Theatre, Vernon, Fla. Popu-<br />
610.<br />
The Violent Men (Col)—Glenn Ford, Bart-a<br />
Stanwyck, Edward G. Robinson. A welltde<br />
outdoor action picture of men and their<br />
jmen that should catch on in any situation.<br />
nty of action from the first shot to the<br />
J<br />
I al scene. Played Sun., Mon., Tues. Weath-<br />
( Fair.—Robert Klinge, Uptown Theatre,<br />
flalia. Mo. Medium-sized town and rural<br />
(|<br />
ronage.<br />
METRO-GOLDWYN-MAYER<br />
Itudent Prince, The (MGM)—Edmund<br />
I'dom, Ann Blyth, John Ericson. A high<br />
f ber musical that deserves your best playi<br />
time if you are in a music loving terri-<br />
Plenty of gayety in this production,<br />
Jy.<br />
lyed Wed., Thurs., Fri. Weather: Cold.—<br />
^lert Klinge, Uptown Theatre, Sedalia, Mo.<br />
f dium-size town and rural patronage.<br />
arzan, the Ape Man (MGM)—Reissue.<br />
.iiy WeissmuUer, Maureen O'Sullivan,<br />
1 Hamilton. The sound is terrible, but you<br />
^<br />
be surprised to see more business on this<br />
lie" than on the brand new Tarzan pic-<br />
' I'ii I don't know why. Played Mon.<br />
' "Tf^r: Good.—W. S. Funk, Star Theatre,<br />
phen, S. C. Small-town and rural paarzan,<br />
the Ape Man (MGM)—Johnny<br />
issniuUer, Maureen O'SuUivan, Neil Hamilton.<br />
This is strictly a reissue and plenty old.<br />
The present day Tarzan really makes this<br />
look its age but trailer brought them in. Kids<br />
seemed to enjoy it, so okay. Played Sun.,<br />
Mon. Weather: Cloudy and damp.—James<br />
Wiggs jr.. Tar Theatre, Tarboro, N. C.<br />
Population 7,500.<br />
Tennessee Champ (MGM)—Shelley Winters,<br />
Keenan Wynn, Dewey Martin. Big slack.<br />
No draw to the title, but the show is very entertaining.<br />
Many compliments. Played Fri.,<br />
Sat., Sun.—Frank Sabin, Majestic Theatre,<br />
Eureka, Mont.<br />
Valley of the Kings (MGM)—Robert Taylor,<br />
Eleanor Parker, Carlos Thompson. A very<br />
good picture in color but did below average<br />
business here.—L. Brazil jr.. New Theatre,<br />
Bearden, Ark. Small-town and rural patronage.<br />
Widescreen Version<br />
Is Quite Diiierent<br />
T EAVE HER TO HEAVEN (20th-Fox)—<br />
Reissue—Gene Tierney, Cornel Wilde,<br />
Jeanne Crain. Another excellent reissue<br />
on our widescreen that did excellent business.<br />
We played this first on the flat<br />
screen many years ago and there's no<br />
doubt about it ... it looks like a different<br />
movie on widescreen. The breathtaking<br />
scenery and locations make this a must<br />
on widescreen. Play it . . . you'll make<br />
money with it if shown this way!<br />
Astra Theatre<br />
Kitwe-Nkana<br />
Northern Rhodesia, Africa<br />
PARAMOUNT<br />
DAVE S. KLEIN<br />
Rear Window (Para) — James Stewart,<br />
Grace Kelly, Wendell Corey, Thelma Ritter.<br />
In all of my years in show business, I have<br />
never seen a show like this one. Such sexy<br />
angles. My audience went for this one, hook,<br />
line and sinker. Thelma Ritter is a scream,<br />
especially in her witty remarks. My audience<br />
was in an uproar all through the picture.<br />
More like this, Paramount, and we will be<br />
in business for a long, long time. Played<br />
Sun., Mon. Weather: Cloudy and showers.<br />
L. J. Bennett jr., Abby Theatre, Abingdon, 111.<br />
Rear Window (Para) — James Stewart,<br />
Grace Kelly, Wendell Corey. All comments<br />
on this are good. One of the few we've had<br />
of late that drew quite well and seemed to<br />
please everyone. Good in any size town. Wish<br />
we had at least four of these every month.<br />
Played Sun., Mon., Tues. Weather: Cloudy<br />
and cool.—Walt and Ida Breitling, Comfrey<br />
Theatre, Comfrey, Minn.<br />
White Christmas (Para) — Bing Crosby,<br />
Danny Kaye, Rosemary Clooney. On a few<br />
pictures it is all right to have Christmas<br />
one Sunday and Easter the next. Played<br />
Sun., Mon. Weather: Good.—Elaine S. George,<br />
Star Theatre, Heppner, Ore. Small-town and<br />
rural patronage.<br />
White Christmas (Para) — Bing Crosby,<br />
Danny Kaye, Ro.semary Clooney, Vera-Ellen.<br />
Our folks loved it. Business above average.<br />
Spots in it looked like they might have been<br />
made in VistaVision, most of it, normal<br />
Paramount photography, the good places almost<br />
as good as Universal photography.<br />
Played Wed., Thurs., Fri., Sat.—Ben Spainhour,<br />
Twilight Theatre, Greensburg, Kas.<br />
Population 1,500.<br />
RKO RADIO<br />
Cry Danger (RKO)—Dick Powell, Rhonda<br />
Fleming, Dick Erdmann. Once in a while<br />
I see a picture that just hits me exactly<br />
right— "Cry Danger" did this. I was afraid<br />
to play this picture but was buying for price.<br />
I tried it, and I can tell you small-town boys,<br />
it's a really good movie. 'You won't play<br />
better.—W. S. Funk, Star Theatre, St.<br />
Stephen, S. C. Small-town and rural patronage.<br />
Silver Lode, The (RKO)—John Payne, Lizabeth<br />
Scott, Dan Duryea. Some of the best<br />
in color and moving depth in pictures on the<br />
widescreen you'll see. A better picture than<br />
the trade rates it. Fast moving, with a somewhat<br />
impossible story, but for your action fans<br />
worth a date. Played Thurs., Fri., Sat.—Ken<br />
Christiansen, Roxy Theatre, Washburn, N. D.<br />
Susan Slept Here (RKO)—Dick Powell,<br />
Debbie Reynolds, Anne Francis. Now here is<br />
one of the cutest comedies we've played in a<br />
long time and didn't make film rental on it.<br />
Not small-town stuff, the only thing we could<br />
find wrong with it. Played Sun., Mon., Tues.<br />
Weather: Foggy, cold.—Walt and Ida Breitling,<br />
Comfrey Theatre, Comfrey, Minn. Population<br />
1,000.<br />
Susan Slept Here (RKO)—Dick Powell,<br />
Debbie Reynolds, Anne Francis. As fine a<br />
comedy as we have had in many a moon.<br />
Debb.e sure is great. Color and photography<br />
tops. <strong>Boxoffice</strong> good, customers happy, terms<br />
fair. Played Sun., Mon., Tues. Weather:<br />
Pair.—C. H. "Buck" Pryce, Alma Theatre,<br />
Alma, Wis. Small-town and rural patronage.<br />
REPUBLIC<br />
Atomic Kid (Rep) —Mickey Rooney, Robert<br />
Strauss, Elaine Davis. Lots of newsreel clipping<br />
in this one but did not hurt. This is a<br />
good comedy which I find we are short of.<br />
When you can hear them laugh, you know<br />
they are enjoying themselves. Played Wed.,<br />
Thurs., Fri., Sat. Weather: Cool.—Harold<br />
Bell, Opera House, Coaticook, Que. Smalltown<br />
and rural patronage.<br />
20th<br />
CENTURY-FOX<br />
Adventures of Hajji Baba, The (20th-Fox)<br />
—John Derek, Elaine Stewart, Roseinarie<br />
Bowe. Lots of people would have been saved<br />
(Continued on next page)<br />
Sees 'Heir in Titles<br />
As Harmiul Trend<br />
rjID YOU NOTICE the large number of<br />
pictures with "Hell" in the title and<br />
more coming? Why? Certainly that word<br />
does not have general appeal for the<br />
family trade. Probably these "hell" pictures<br />
are partly the reason that so many<br />
of us are in a hell of a mess profitwise.<br />
To succeed, theatres must have the family<br />
trade and that of the lower income group.<br />
Proper pictures for them are the cornerstones.<br />
Roxy Theatre<br />
Randolph, Neb.<br />
LEONARD J. LEISE<br />
I ICOFFICE BookinGuide : : May 7, 1955
—<br />
:<br />
May<br />
The EXHIBITOR HAS HIS SAY<br />
(Continued from preceding page)<br />
Chiaventone,<br />
Population<br />
Valley Theatre, Spring Valley,<br />
111. 5,000.<br />
some disappointment if Hajji had been dispatched<br />
to Allah at that first verdant waterhole.—Elaine<br />
S. George, Star Theatre, Hephoun,<br />
Peggie Castle, Noah Beery. A good<br />
Yellow Tomahawk, The (UA)—Rory Calner,<br />
Ore. Small-town and rural patronage. western with a name cast that did almost<br />
average doubled with "Challenge the Wild,"<br />
Adventures of Hajji Baba, The l20th-Fox>—<br />
so if you can still sell westerns on the weekend<br />
change, you can buy this one worth the<br />
John Derek, Elaine Stewart, Rosemarie Bowe.<br />
Absolutely no draw and lost plenty of what money and you won't be ashamed of it. Not<br />
I ain't got on a Friday-Saturday change.<br />
nearly so bad as some of the super Cinema-<br />
This pictm-e six months old and already<br />
Scope. Played Fri., Sat. Weather: Cold.<br />
running on twin bills, and they expect me Mayme P. Musselman, Roach Theatre, Lincoln,<br />
Kas. Small-town and rural patronage.<br />
to live and pay film rental when all keys,<br />
have bled any semblance of profit from any<br />
possibilities. Played Fri., Sat. Weather: Clear<br />
and cold.—Mayme P. Musselman, Roach Theatre,<br />
Lincoln, Kas. Small-town and rural pa-<br />
UNIVERSAL-INTERNATIONAL<br />
Abbott, CosteUo Meet Dr. Jekyll, Mr. Hyde<br />
tronage.<br />
(U-D—Bud Abbott, Lou CosteUo, Boris Karloff.<br />
Beneath the 12-Mile Reef (20th-Fox)— Turned out to be a lot of fun for the<br />
customers. Business was satisfactory. Played<br />
Robert Wagner, Terry Moore, Gilbert Roland.<br />
Tues., Wed.—Pi-ank Sabin, Majestic Theatre,<br />
Very good Cinemascope but no business. Just<br />
Eureka, Mont.<br />
can't do any business on Fox pictures. Very<br />
clear with my Cinemascope lens. Played Bengal Brigade (U-I)—Rock Hudson,<br />
Thurs., Fri., Sat. Weather: 10-15 below.—Leo Ai-lene Dahl, Ursula Tliiess. The "Rock<br />
A. Backer, Valley Theatre, Browns Valley, Hudson addicts" were sort of let down in this<br />
Minn. Farmer patronage.<br />
one. This is fair but not good enough for<br />
a Sunday playdate. If you use, play midweek.<br />
Played Sun., Mon. Weather: Cold.<br />
Beneath the 12-MUe Reef (20th-Fox)—<br />
Robert Wagner, Terry Moore, Gilbert Roland.<br />
A Cinemascope production with lots of<br />
Michael Chiaventone, Valley Theatre, Spring<br />
Valley, 111. Population 5,000.<br />
pack and excitement. Playing this second run<br />
didn't do us any good. But if you are situated<br />
to play it first run, you should do all<br />
right. Played Wed., Thurs., Fri. Weather:<br />
Cold.—Robert Klinge, Uptown Theatre, Sedalia,<br />
Mo. Medium-sized town and rural patronage.<br />
Black Widow (20th-Fox')—Ginger Rogers,<br />
Van Heflin, Gene Tierney. Cinemascope puts<br />
this picture over. In black and white it would<br />
just be another picture. Photography and<br />
acting very good but not for small towns.<br />
Lost my shirt. Played Tues., Wed. Weather:<br />
Cold.—W. L. Stratton, Lyric Theatre, Challis,<br />
Ida. Population 700.<br />
The Gambler from Natchez (20th-Pox Panoramic)—Debra<br />
Paget, Dale Robertson,<br />
Thomas Gomez. Another "big" small town<br />
picture from Panoramic. Don't be afraid of<br />
It's ideal. Acting wonderful. Dale Robertson<br />
and Debra Paget really a great team<br />
it.<br />
in this one. Business good. Played Wed.,<br />
Thurs. Weather: Nice.—Michael Chiaventone,<br />
Valley Theatre, Spring Valley, 111. Population<br />
5,000.<br />
UNITED ARTISTS<br />
The Golden Mistress (UA)—John Agar,<br />
Rosemarie Bowe, Abner Biberman. Plenty of<br />
action, in color, and a good looking girl. Did<br />
okay on weekend. Played Sat. Weather:<br />
Okay.—D. W. Trisko, Runge Theatre, Runge,<br />
Tex. Small-town and rural patronage.<br />
Gun Belt (UA)—George Montgomery, Tab<br />
Hunter, Helen Westcott. Good western in<br />
Technicolor. Pretty short but I added two<br />
cartoons and a two-reel comedy which made<br />
a fair program. Westerns do pretty good here<br />
as a rule. If you have a western situation,<br />
you can use this one, but don't expect too<br />
much. Played Fri., Sat. Weather: Cold.—<br />
F. L. Murray, Strand Theatre, Spiritwood,<br />
Sask. Small-town and rural patronage.<br />
Heidi (UA)—Elsbeth Sigmund, Heinrich<br />
Gretler, Thomas Klameth. Seemed to go over<br />
okay. Kid business 300 per cent. Enough<br />
adults to make above average Sun., Mon.<br />
Would recommend for midweek, without<br />
matinees.—Ben Spainhour, Twilight Theatre,<br />
Greensburg, Kas. Population 1,500.<br />
Jesse James' Women (UA)—Donald Barry,<br />
Peggie Castle, Jack Beutel. Color good.<br />
Terrific fight scene with two women. Did<br />
average business. We used it one day, but<br />
don't be afraid of it. If they like Jesse<br />
James stories in your town, you'll get them in.<br />
Played Tues. Weather: Cold.—Michael<br />
Calls for Sharp Scenes<br />
At Beginning of Reels<br />
In these days of multiple lens changes,<br />
the editing departments could certainly<br />
help the exhibitor and the projectionist<br />
put on a more satisfactory show by seeing<br />
to it that there is a good sharp scene at<br />
the beginning of the first two reels at<br />
least—each reel if possible. Fox's trademark<br />
and Cinemascope signature do very<br />
well for their first reel, but it seems most<br />
of their second reels open on a big scene<br />
and it takes the operator a little while<br />
to get it properly adjusted. Even with the<br />
best of lenses and stop rings on all of<br />
them, some focusing is usually needed on<br />
a lens change and a sharp scene would<br />
facilitate it.<br />
The Charm Theatre<br />
Holyrood, Kas.<br />
PAUL RICKETTS<br />
Bengal Brigade (U-D—Rock Hudson,<br />
Ai-lene Dahl, Ursula Thiess. I don't know<br />
who cares what happened to either England<br />
or Asia in 1860, I found out that my pata-ons<br />
don't. What a waste of the wonderful talent<br />
of Rock Hudson by casting him in this.<br />
Played Fri., Sat. Weather: Very good.—C. H.<br />
"Buck" Pryce, Alma Theatre, Alma, Wis.<br />
Small-town and rural patronage.<br />
Border River (U-D—Joel McCrea, Yvonne<br />
De Carlo, Pedro Armendariz. The folks I love<br />
the best in Fruita think Mr. McCrea is tops<br />
in western roles, but they prefer him in more<br />
of the family type than this. However, with<br />
McCrea, De Carlo and Alfonso Bedoya doing<br />
a stellar job with what story they had and<br />
against a backdrop of our wonderful local<br />
scenery, this satisfied most folks. Playing it<br />
after it had been milked all over the county<br />
left us as usual with too little business for the<br />
tab Universal tacked onto it. Played Sim.,<br />
Mon., Tues. Weather: Nice.—Bob Walker,<br />
Uintah Theatre, Fruita, Colo. Small-town and<br />
rural patronage.<br />
Dawn at Socorro (U-D—Rory Calhoun,<br />
Piper Laurie, David Brian. A good enough<br />
picture but the season's worst cold spell took<br />
its toll. Friday evening before this we had<br />
the worst norther of the season move in.<br />
Played Sat. Weather: Cold and windy.—D. W.<br />
Trisko, Runge Theatre, Runge, Tex. Smalltown<br />
and rural patronage.<br />
East of Sumatra (U-D—Jeff Chandler,<br />
Marilyn Maxwell, Anthony Quinn. This picture<br />
is called a drama in Technicolor but tl<br />
picture has plenty of action, moves at a fa<br />
pace throughout the whole of the picture<br />
never a dull moment. Beautiful color and<br />
good picture. That's what I says. Playi<br />
Fri., Sat. Weather: Good.—F. L. Murra<br />
Strand Theatre, Spiritwood, Sask. Sma.'<br />
town and rural patronage.<br />
The Yellow Mountain (U-D —Lex Barke<br />
Mala Powers. Howard Duff. Here is a ve<br />
good western in color. Everyone liked<br />
made a mistake by playing it only one da<br />
Played Wed. Weather: Fair.—Leo A. Bai<br />
Valley Theatre, Browns Valley, Minn. Fi<br />
patronage.<br />
WARNER BROS.<br />
Dragnet (WB)—Jack Webb, Ben Alexai<br />
der, Ann Robinson. Good. Very good. Tt<br />
will get them away from their "Squat ai<br />
Squinter" set. Book it and be happy. By W<br />
way, that word "squinter" is a new one ton<br />
but it is about the only word I can drea<br />
up to describe the way a TV pictm-e lool<br />
Played Sun., Mon.—Joe Faith, Linn Theati<br />
Linn, Mo. Small-town and rural patroni^j<br />
Drum Beat (WB)—Alan Ladd, Audrey<br />
ton, Marisa Pavan. This pictm-e in Cineiji;|<br />
Scope is tops as an outdoor drama. It is<br />
picture that will satisfy your action fans<br />
well as the seldom come crowd. Picture d;<br />
a little better than average on a three-d;j<br />
run, but with the excessive terms the pr[<br />
ducers demand these days, you cannot cor!<br />
up with anything to pay on the mortga^<br />
Play it if you can buy it right. Played Thur<br />
Fri., Sat. Weather: Good.—W. L. Strattc<br />
Lyric Theatre, Challis, Ida. Small-town ai<br />
rural patronage. i<br />
Drum Beat (WB)—Alan Ladd, Audrey Dij<br />
ton, Marisa Pavan. Just a good average west<br />
ern and not worth the percentage we pay ft<br />
this type of picture. As usual, barely bro<br />
even. Small-town theatres shouldn't be r<br />
quired to pay percentage terms on any pi<br />
ture. No profit in it. Played Sim., Mo:<br />
Tues. Weather: Chilly, windy.—Ida and Wf'<br />
Breitling, Comfrey Theatre, Comfrey, MiE<br />
Small-town and rural patronage.<br />
Duel in the Jungle (WB)—Dana Andrev<br />
Jeanne Crain, David Farrar. Warners advej<br />
tised this as a picture which took three s:<br />
faris to make. Maybe so, but I couldn't s<br />
it. It's a good picture with a few anims<br />
thrown in for good measure. Played We^<br />
Thm-s., Fri., Sat. Weather: Cold.—Hare<br />
Bell, Opera House, Coaticook, Que. Sma.<br />
town and rural patronage.<br />
MISCELLANEOUS<br />
|<br />
Anna (IFE)—Silvana Mangano, Raf Va,<br />
lone. Gaby Morlay. I don't know what I'j<br />
doing playing these foreign films, but<br />
all fau-ness to this picture it's an extra g«<br />
movie for a dubbed-in film. My few patl^I^I<br />
'^<br />
who came enjoyed it very much and they<br />
so.—W. S. Fuiok, Star Tlieatre, St. StepM<br />
S. C. Population 1,000. fj:<br />
Fangs of the WUd (LP)—Onslow Staffilij<br />
Margia Dean, Charles Chaplin jr. Here |<br />
a nice action picture with a dog starl*'<br />
pleased on Fi-iday and Satm-day and shou<br />
draw and do business any place. No b<br />
stars, but a good story. Played Fri.. Si<br />
Weather: Good.—E. M. Preiburger, Dew<br />
Theatre, Dewey, Okla. Small-town patronag<br />
The Westerner (Goldwyn Reissue)—Ga<br />
Cooper, Walter Brennan, Doris Davenpp<br />
Here is an old reissue western w'ith Ga<br />
Cooper that outgrossed all new pictures I'<br />
played on Sunday, Monday in past thr<br />
months. The public claims they want ne,<br />
pictures, but do they? Played Sun., "Mo<br />
Weather: Warm and cloudy.—Terry Axlf<br />
New Theatre, England, Ark. Small-town ai<br />
rm-al patronage.<br />
BOXOFFICE BookinGuide<br />
:<br />
7j
.<br />
1<br />
)<br />
IB rerprctive onatysis of lay and trodcpress reviews. The plus and ml<br />
oudiencc closstftcation is not rated. Listings cover current reviews<br />
., -inly;<br />
"£ cportmcnt serves also as an ALPHABETICAL INDEX to fcofure rclc.<br />
• fure Guide Review page number. For listings by compony, in the order<br />
signs Indicote degree of<br />
>ught up to dote regularly.<br />
Numeral preceding title<br />
release, sec Feature Chort.<br />
mim<br />
Very Good; ' Good; -*^ Foir; - Poor; - Very Poor In the summary<br />
i<br />
Is rotcd 2 pluses, ~ as 2<br />
A<br />
n;3liolt And Coslello Meet the Keystone Kops<br />
(80) Comedy U- 2- 5-55 +<br />
jjijvenlures of Hajii Baba, The<br />
Drama (93) 20th-Fox 10-16-54 ±<br />
a'.lventures of Robinson Crusoe (90) Drama UA 6- 5-54 4+<br />
± =£ + ± ff<br />
* - ± S+5-<br />
++ ++ + M+1-<br />
^ventures of Sadie, The ( .<br />
Comedy<br />
20th-Fox<br />
jHlrian Manhunt (65) Adv-Drama Rep 2-26-55 -<br />
SO;;da (110) Musical I.F.E. 7-31-54 +<br />
ir Striice (. .) Drama LP<br />
SBIvvays a Bride (83) Comedy U-l 6- 5-54 +<br />
a; iieritano, The (87) Drama RKO 1-8-55 +<br />
njela (<br />
.<br />
. ) Drama 20th-Fox<br />
animal Farm (75) Satire DCA 1-15-55 +<br />
;3, inaiiolis Story, An (SI) Drama AA 3-26-55 +<br />
REVIEW DIGEST<br />
++ very Good,- + Good,- ± Fair,- - Poor,- = very Poor. In the summary ++ is rated 2 pluses, = as 2 minuses.<br />
ol H tt ^ o Km|x^>iZ3:tti^Eza!^ o.* iZ k ^ a £mx£l>iZz£<br />
liS3 Gypsy Colt (72) Drama. .MGM 1-30-54 +-
Fe Passaoe ( .<br />
++ Very Good; + Good; — Foir; — Poor; — Very Poor In the summary H i$ rated 2 pluses, — as 2 minuses.<br />
KtV It^Mf UluCST<br />
(in, Tlie (92) Drama 20lh-Fox<br />
9iig Blood (76) Drama 20th-Fox<br />
ii at Dawn (87) Western RKO<br />
(!. The (82) Drama 20th-Fox<br />
li Into Laramie (82) Drama Ul<br />
\<br />
Window (112) Drama Para<br />
I Garters (90) Musical Para<br />
i Ri«» Shore ( 54) Western Rep<br />
irn From the Sea (80) Drama AA<br />
im to Treasure Island (75) Drama... UA<br />
(nge of the Creature (82) Drama U-l<br />
i^sody (115) Musical-Drama MGM<br />
t'chet Romance (80) ComeO/ U-l<br />
t Clear of Diablo (SO) Drama U-l<br />
^ij Shotoun (75) Western WB<br />
i of Fear (93) Drama WB<br />
ij- Beit (73) Drama LP<br />
)l of No Return (90) Drama<br />
'CmemaScope)<br />
20th-Fox<br />
Ritrs' Roost (..) Western UA<br />
itt Man. Ttie (SO) Drama 20th-Fox<br />
1 e Cop (92) Drama MGM<br />
w and Juliet (140) Drama UA<br />
ie'i Bump (71) Comedy-Fantasy. ... Rep<br />
Marie (102) Musical (CinemaScope) .<br />
MGM<br />
for Cover (92) Drama Para<br />
3<br />
s<br />
Mil (81) Drama UA<br />
b| na (113) Drama Para<br />
Girl ^•t Friday, The (68) Drama... RKO<br />
iiof the Earth (94) Documentary IPC<br />
U<br />
1<br />
. ) Western Rep<br />
la en Blade (76) Drama Col<br />
iatchewan (88) Drama U-l<br />
ic'l Soear. Tfie (78) Drama UA<br />
>A:hase, The ( ) Drama WB<br />
Ml of the Incas (101) Drama Para<br />
lijily Risk (69)> Drama AA<br />
ieole Uprising (74) Western Col<br />
U Angry Men (90) Drama AA<br />
5i^ Brides lor Seven Brothers (103)<br />
jisical (Cinemascope) MGM<br />
Bijhai Story, The (90) Drama Rep<br />
Wiolt, The (91) Drama Rep<br />
Bi| for Murder (82) Drama UA<br />
Sl^jn (SO) Drama AA<br />
Si( at Red River, The (86)<br />
>ma<br />
Si|>t the Pagan (92) Historical<br />
20tti-Fox
.<br />
.<br />
.<br />
.<br />
.<br />
.<br />
£BTU}]£ \^\\m<br />
Feoture producHons by company in order of release. Number in squore is notional release dote. Runnij<br />
time is in parentheses. Letters ond combinations thereof indicate story type as follows: (C) Comedy;<br />
Drama; (AD) Adventure-Drama; (CD) Comedy-Drama; (F) Fantasy; (M) Musical; (W) Western; (SW) Sup,<br />
western. Release number follows, y denotes BOXOFFICE Blue Ribbon Award Winner. Photograpli<br />
Q Color; -^y 3-D; a Wide Screen. For review dates and Picture Guide page numbers, see Review Digest.<br />
ALLIED<br />
ARTISTS<br />
3] Jungle Gents (64) C. .5420<br />
Leo Goreey, Huotz H»ll, Laurette Lue><br />
iTwo Guns and a Badge (69). .W. .5427<br />
Wayne Morris, Damian OFlyim, B. Barcroft<br />
COLUMBIA<br />
©Block Dokotas, The (65) W..721<br />
Gary .MiTriU, Wanda HendriA. John Bromfleld<br />
©Bullet Is Woiting, A (82) D..712<br />
Jtan Siminon.s. Rory Calhoun, Stephen McNally<br />
©Coine Mutiny, The (125) D, .701<br />
Humphrey Bogart, Van Johnson, Jose Ferrer<br />
Human Desire (90) D. .710<br />
Glenn Ford, Gloria Grahame, B. Crawford<br />
LIPPERT 3 |g<br />
d) Terror Ship (72) W. .5330<br />
William Lundlgan<br />
SI Silent Raiders (65) D. .5404<br />
Richard B.4rtlett, Earle Lyon, Jeanette Bordeaux<br />
@ Unholy Four, The (80) D. .5401<br />
Paulette Goddard. William Sylvester<br />
M-G-M<br />
©Betrayed<br />
1 (108)<br />
Lana Turner. Clark G.ible, Victor<br />
U©aBrigadoon (108)<br />
Gene Kelly, Van Johnson, Cyd (jiari<br />
[S Human Jungle, The (82) D. .5501<br />
Gury Merrill, Jan Sterling, Pauls Baymond<br />
On the Waterfront ( 1 08) D . . 702<br />
Marlon Brundo, Karl Maiden, Lee J. Cobb<br />
©Three Hours to Kill (77) W. .720<br />
Dana Andrews. Donna Reed, Diane Foster<br />
m Deadly Game, The (63) D . . 5402<br />
Lloyd Bridges, FInlay Currie, Slmone Silva<br />
ID Rogue Cop (92)<br />
Rnl)ert Taylor, George Raft,<br />
13 Bob Mothias Story, The (80). .D. .5502<br />
Bob Mathias, Diane Jergens. Ward Bond<br />
l©Beau Brummell (107)<br />
Elizabeth Taylor, Stewart Granger<br />
m Target Eorth (75) D. .5503<br />
Virginia Grey. Richard Crowley<br />
Denning, K.<br />
Affairs of Mcssalina, The (106). .0.<br />
.Maria FelL\, Georges Marchal<br />
©Block Knight, The (85) D..719<br />
Al.an Ladd, Patricia Medina, Morrell<br />
A.<br />
Cannibal Attack (69) D. .718<br />
Walsh, Darid Johnny Weissmuller, Judy<br />
©Fire Over Africa (84)<br />
Bruce<br />
D. .716 m The Siege (63)<br />
Maureen O'Hara, Macdonald Special cast<br />
Carey<br />
©Athena (96) ,<br />
Jane Powell, Vie Damone, Debbie 'MM<br />
©Lost Time I Saw Paris, The<br />
(116)<br />
Elizabeth Taylor, Van Johnson, Dpnr<br />
Phffft (88)<br />
C..715<br />
Judy Holliday, Jack Carsen, J. Leminoo<br />
©They Rode West (84) W..717<br />
Robert Francis, Donna Reed, Phil Carey<br />
(S Crest of the Wove (91)<br />
Gene Kelly, John Justin, Jeff Richarc<br />
©Deep in My Heart (132).<br />
Jose Ferrer, Merle Oberon, Helen Tra<br />
8 ©Black Pirates (74) D . . 5407<br />
Anthony Dexter, Con Chaney, Robert Clarke<br />
g] Bowery to Bagdad (•64) C. .5421<br />
Leo Gorcey, Huntz Hall, Eric Blore<br />
Bamboo Prison, The (80) D. .731<br />
Robert Francis, Diane Foster, KeltA<br />
Brian<br />
©Mosterson of Kansas (73) W. .<br />
George Montgomery, Nancy Gates, David Bruce<br />
©Violent Men, The (96) W..735<br />
Glenn Ford, B. Stanwyck. E. G. Robinson<br />
HI They Were So Young (80). . . .D. .5406<br />
Scott Brady, Raymond Burr, Johanna Matz<br />
a ©oBad Day ot Block Rock (82;<br />
Spencer Tracy, Robert Kyan, Anne F'<br />
Si Big Combo, The (89) D. .5508<br />
Cornel Wilde, Jean Wallace, Richard Conte<br />
©Pirates of Tripoli (72) D. .706<br />
Patricia Medina, Paul Henreld<br />
©Ten Wanted Men (80) W. .725<br />
R.indolpli Scott, JocehTi Brando, Richard Boone<br />
Women's Prison (80) D. .726<br />
Ida Lupino. Howard Duff, Jan Sterling<br />
©Jupiter's Dorling (95)..<br />
Esther Williunis, Hu'vai.i Keel. Geor<br />
©Many Rivers to Cross (95)<br />
Eleanor Partner, Robert Taylor<br />
S Dial Red O (62) D. .5509<br />
Helene Bill Elliott, Keith Larsen,<br />
m Big Tip Off, The (77)<br />
Stanley<br />
D. .5512<br />
Ricliard Conte, Virginia Grey, Constance Smith<br />
gll Seven Angry Men (90) D. .5511<br />
Itjiymond Maasey. Debra I'aget, J. Hunter<br />
©Annapolis Story, An (81) D..55I3<br />
John Derek. Diana Ljun, Kevin McCarthy<br />
High Society (61) C. .5514<br />
Leo Gorcey, Huntz Hall, Amanda Blake<br />
©Shotgun (80) D. .5515<br />
Sterling Hayden, Scott<br />
Y. De Carlo, Z.<br />
Detective, The (86) CD. .<br />
Alec Guinness, Joan Greenwood, Peter Flncb<br />
U©i=iLong Gray Line, The (138).D. .<br />
(pre-release)<br />
Tyrone Power, Maureen O'Hara<br />
New Orleans Uncensored (76). . .D. .730<br />
Arthur Franz, Beverly Garland. M. Uazurkl<br />
©Wyoming Renegodes (73) . . . W. . 727<br />
Phil Carey, Martlu Hyer, Gene Evans<br />
Jungle Moon Men (70) AD. .<br />
Johnny Weissmuller, Helene Stanton<br />
©Three for the Show (93) M. .<br />
Betty Grable, Marge and Gower Champion<br />
! Silver Star, The (73) W. .5411<br />
Edgar Buchanan. Marie Windsor, L- Chaney<br />
1<br />
Thunder Over Songolond (73) AD. .<br />
Jon Hall, Ray Montgomery, Jlarjorie Lord<br />
i Gloss Tomb, The (59) D . . 5409<br />
John Ireland<br />
Blockboord Jungle, The (100).<br />
Glenn Ford, .\nne Francis, Louis Cla<br />
[g©aHit the Deck (112)<br />
J.me Powell, Tony .Martin, Debbie<br />
©Interrupted Melody (106).<br />
Eleanor Parker. Glenn Ford, Rogd<br />
m ©Gloss Slipper, The (94). . . M<br />
Leslie Caron, .Michael Wilding, EjS<br />
Los Vegas Shakedown (77) D. .5516<br />
Dennis O'Keefe, Coleen Gray, Chas. Wlnnlnger<br />
5I0Skobengo (61) Doc. .5518<br />
Cell 2455, Deoth Row (77) D. .739 (S Air Strike (. .) D. .5413<br />
William Campbell, Marian Carr, Katllryn Grant Richard Denning. Gloria Jean. Don Hiigerty<br />
End of the Affair, The (106) D. .724 SI Phantom of the Jungle (75). .AD. .<br />
Deborah Kerr. V-an Johnson. John Mills<br />
Jon Hall, Ray Montgomery, Anne Gwynne<br />
©Seminole Uprising (74) AD. .743<br />
George Montgomery, Karln Booth<br />
Tight Spot (97) D. .728<br />
Ginger Rogers, E. G. Robinson. Brian Eeltk<br />
Body Snolchers, The D. .<br />
Kevin McCarthy, D;iiia Wyntcr, Carolyn Jones<br />
Cose of the Red Monkey D.<br />
Richard Conte, Bona Anderson<br />
Dork Venture (79) D. .5517<br />
Kranti Lovejoy, Peggie Castle, Forrest Tucker<br />
Lord of the Jungle AD. .<br />
Jolmny Shetfleld, Wayne Morris, -Nancy Hale<br />
Phenix City D. .<br />
Uidiard Kiley, Kathn'n Grant. John Mclntire<br />
Spy Chasers C .<br />
Leo Gorcey. Huntz Hall, Us* Darts<br />
©Worrior, The D. .<br />
Brrol Flynn, Joanne Dru, Peter Finch<br />
©Wiehito<br />
SW.<br />
Joel McCrea, Vera Miles, Peter Qrarea<br />
Women's Reformotory D.<br />
Beverly Michaels, Tom Drake, Carole MatttMffs<br />
©Bring Your Smile Along M.<br />
Franbie Laine, Keefe Brasselle. Connie Towers<br />
Congoceiro (Bandit, The) (92).. D..<br />
Alberto Ruschel, Martsa Prado, M. Rlbelro<br />
Chicago Syndicate D. .<br />
Dennis (I'Keefe. Xavier Cugat, Abbe Lane<br />
Five Agoinst the House D.<br />
Guy Madison, Kim Novak. Brian Keith<br />
©Gun That Won the West D. .<br />
DennLs Morgan, Paula Itayraond, R. Denning<br />
It Come From Beneath the Sea. .D. .<br />
Faith Domergue. Kenneth Tobey, Ian Keith<br />
©rziMan From Loromle, The....D..<br />
James Stewart. Cathy O'Donnell, Donald Crisp<br />
©My Sister Eileen MC. .<br />
Janet Leigh. Jack Lemmon, Betty Garrett<br />
©Prize of Gold D .<br />
Richard Wldmark. Mai Zetterllng<br />
©Rebound D. .<br />
Stewart Granger. Jean Simmons<br />
King Dinosaur (59) D. .5418<br />
Bill Bryant, Wanda Curtis<br />
Lonesome Troll, The (..) W. .5416<br />
John Agar, Wayiie Morris. Margia Dean
. . C . .<br />
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D<br />
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FEATURE<br />
CHART<br />
(AMOUNT<br />
iiTwindow (112) D. .5401<br />
I simart. Grwe Kelly. Thelma lUtter<br />
RKO RADIO<br />
REPUBLIC<br />
J Shonghoi Story (90) D. .531 1<br />
IMiiKiH'l lirlin. liuUi Jaecliel<br />
R. (I<br />
3 Tobor the Groot<br />
Roman.<br />
(77) D. .5309<br />
Cbarleo Drake, Karla Booth, Shields<br />
Arthur<br />
20TH<br />
CENTURY-FOX<br />
no (113) CD.. 5402<br />
hfty Bwlrt. Audrey Hepburn, W. Holden<br />
[C GPossion (84) D..503<br />
Ciinicl Willie, Yvonne lie Carlo, Lon Chaney<br />
OThis Is My Love (90) D . , 504<br />
Lliiila ll.irncll, Dan Duryea. Kalth Uomergue<br />
OcAdventuros of Hojii Bobo,<br />
The (93) D. .424<br />
Jolui Derek, Klalne Steuirl, Thoma.'i Gomez<br />
fj OaWoman's World (94) CD. .421<br />
tniflon Webb. June Allyson, Cornel Wilde<br />
©Cattle Queen of Montana<br />
(88) W. .505<br />
Barbara Stantrydi,<br />
lionald Beagan, Lance fuller<br />
Black 13 (75) 0, .428<br />
I'eter IJeynoUls, Rona Anderson, Lena Morris<br />
©oBlack Widow (95)<br />
D..423<br />
Van ilcflin, Giniier Rogers, Gene Tlcrney<br />
g OcjOesirec (110) D. ,425<br />
Marlon Hrando, Jean Simmons, .Merle Oberon<br />
©Outlaw's Doughter, The (75). .W. .427<br />
Bill Williams, Jim Davis, Kelly Ryan<br />
r^White Christmas (120). .M. .5403<br />
llOosby. I>. Kaye, R. Clooney. Vera-Ellen<br />
g ©Trouble in the Glen (91) D..53I3<br />
.Margaret Lorkumxl, P. Tucker, V. McLaglrii<br />
m Atomic Kid, The (86) C. ,5314<br />
Mickey Rooney, Robert Slraus.s, Elaine Davis<br />
[Hi Hell's Outpost (90) W. .5315<br />
Rod Cameron, Jcin Uslie, ehlil Wills<br />
Devil's Harbor (71) D, .429<br />
.Uliii, Hichard Greta Gvnt, .Mary Gcrmaine<br />
Other Woman, The (81) D. .430<br />
( lliico llaa li.. MnDre. Ivince Fuller<br />
SS t/QaThcre's No Business Lik*<br />
Show Business (117) M..501<br />
frthel Merman, Dan Dailey, .MarilsTi Monroe<br />
ijhre* Ring Circus (110)..<br />
bn and Levels, Zsa Zsa Gabor<br />
li African Manhunt (65) AD, ,5430<br />
Karin Booth, John ICellogg, Elliot<br />
Ross<br />
Trouble in Store (86) C, ,5431<br />
3?<br />
Margaret Rutlierford, Norman Wisdom<br />
©aCormen Jones (105) M. .422<br />
Harry Belafonte, Pearl Bailey, Dandrldge<br />
D.<br />
©cuPrinee of Players ( 1 02) . . . 502-5<br />
Richard Burton,<br />
Magi;ie McNamara, John Derek<br />
/(ridges at Toko-Ri, The<br />
r35)<br />
n n Holden,<br />
D..5405<br />
Krcdric .March, Mickey Eooney<br />
S Tarzan's Hidden Jungle (72). . . .D. .507<br />
Gordon Scoll, Vera Miles, P. Van Eyck<br />
i; OaUnderwater! (99) D. .506<br />
Jane Russell. Gilbert liolaiid. Richard Egan<br />
Corolino Connonball<br />
i<br />
(74) C. ,5326<br />
Judy Canova, lil-^ Elliot, Andy Clyde<br />
i<br />
Square Ring, The (73) D , . 5432<br />
Jack Warner. Jo.an Collins, Robert Bcatty<br />
3 ©i=iRacers, The (92) D. .505-8<br />
Ivirk Douslas, B. Darvi, Gilbert Roland<br />
©CDWhite Feather (102) W. .503-3<br />
Robert Wagner, D. Paget, J. Lund<br />
5(iquest of Space (80) AD. .5407<br />
St! Brooke. WUIiam Kedlleld, G. Johnson<br />
!«(try Girl, Tlie (104) D. .5409<br />
111 Crosby, Grace Kelly, William Holden<br />
©Yellowncck (83) D. .<br />
[9]©aUntamed (112) D. .507-4<br />
Tyrone Power, Susan Hayward, Richard Bgan<br />
m ©oRoge at Down (87) W..511<br />
Randolph Scott, Mala Poivers, Forrest Tucker<br />
«
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5<br />
tenii<br />
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FEATURE<br />
CHART<br />
UNITED ARTISTS<br />
©Jesse James' Women (83). . .W. ,5435<br />
Hon Barry, Peggie C'a-SIle, Jack Beutel<br />
©Golden Mistress, The (82) D. .5437<br />
John Agar. Rosemarie Bone, Kiki<br />
©Khyber Potrol (71) D. .5419<br />
Richard Egan. Ua»n Aadams, Patrlc Knowles<br />
Suddenly (77) D. .5436<br />
Frank Sinatra, Sttrllng Hayden, Nancy Gates<br />
Barefoot Contesso, The (128) D. .5440<br />
Bogart, .\va Gardner. E. O'Brien<br />
Hiimplirey<br />
U Little Kidnappers, The (93) . . D. .5439<br />
J. Adricnne Corrie, Wlyitley. V. Winter<br />
Operation Manhunt (77) D. .5441<br />
J. Harry TonTies. Irja Jensen, Aubucbon<br />
©SiMing Bull (105) W..5434<br />
J. Dale Robertson, Carrol Nalsh<br />
Shield for Murder (82) D. .<br />
Edmund O'Brien. Maria English<br />
Snow Creature (70) D. .5447<br />
I'aul LanJuri. Leslie Denlson<br />
Twist of Fate (89) D. .5446<br />
Ginger iiti::ers. Jacques Bergerac, Herbert Lom<br />
©White Orchid, The (81) D. .5414<br />
William LundiEan. Teggle Castle<br />
©You Know Whot Sailors Are<br />
189) C. .5445<br />
©Romeo ond Juliet (140) D..5449<br />
Laurence Harvey. Flora Kobison. S. Shentall<br />
Steel Cage, The (80) D. .5443<br />
Paul Kelly, M. O'Sullivan, W. Slejak<br />
Battle Taxi (82) AD. .5502<br />
Sterling Havden, Arthur Franz, M. Thompson<br />
©Beoehcomber, The (82) D. .5501<br />
Hobcit Newton. Glynis Johns, Donald Blnden<br />
Black Tuesday (80) D. .5450<br />
E. G. Robinson, Jean Graves -<br />
©Vera Cruz (94) AD. .5448<br />
Gary Cooper, Burt Lancaster, Denlse Darcel<br />
Canyon Crossroads (83) W. .5506<br />
IllcJiard Basehart, Phvllis Kirk, Russell Collins<br />
Good Die Younp, The (100) D. .5505<br />
John Ireland. Gloria Grahame, L. Uarvey<br />
©Saboka (81)<br />
D..5504<br />
Boris Karloff, Victor Jory, B. Denny<br />
Big House, U.S.A. (82) D. .5507<br />
Broderick Crauford, Ralph Meeker<br />
Marty (93) D. .5509<br />
Ernest Borgnine, Betsy Blair<br />
©Stranger on Horsebock (66). .W. .5508<br />
Joel McCrea, Mlroslava, Kevin McCarthy<br />
Bullet for Joey, A (85) D. .5510<br />
E. 0. Robinson. George Rart, Audrey Totter<br />
©Li:acs in the Spring (. .) M. .5511<br />
Errol Plynn, Anna Neagle, David Farrar<br />
©Purple Plain, The (100) D..5503<br />
Gregory Peck, B. Ue Banzic, Win Mlji Than<br />
Kiss Me Deadly (105) D. .5513<br />
Ralph Meeker. Clorls Leachman, Albert Decker<br />
©Robbers Roost ( . . ) W .<br />
Gen. Monlgnmciy, Bruce Bennett, B. Boone<br />
©Tiger ond the Flame (. ,) D. .<br />
Filmed In India ivlth native cast<br />
Top of the World (. .) D. .<br />
Dale Robertson. Evelyn Keyes. Frank Lovejoy<br />
©aAlexonder the Great D. ,<br />
Rlrh.ird Biirlon. (Inlre Bloom, Fredric March<br />
Brass Ring, The D. .<br />
Fatley Gr-mg.r. Atilhnny Anne Bancroft<br />
Quinn.<br />
©Gentlemen Marry Brunettes M. .<br />
Jane Russell. Jeanne Craln, Scott Brady<br />
GaKentuckion, The D .<br />
llMfl l.ania,l.'r. Plana Lynn, Una Mcrkel<br />
Night of the Hunter D. .<br />
Mltrlmm, shilley Lillian l:(,lKri Winters, Gldi<br />
Not As o Stranger D..<br />
l:.'lHri Mitcimm, Olhla F. Sinatra<br />
de llavllland.<br />
Othello D. .<br />
lU'nri Welles, Suzanne Ctouller, F»y Compton<br />
Sea Shall Not Hove Them, The D. ,<br />
.Mh'hael Redgr.ivc, Dirk Bogarde, Anthony BtMl<br />
rStor of India D<br />
(drne! Wlhle. Jean Wallace, Herbert Lom<br />
©Summertime CD, .<br />
Kalharlip ll.-nl>iirn Rn«s«no Rraral. Marl Aldon<br />
Naked Alibi, The (86) D, .431<br />
Sterling Hayden, Gloria Grahame. Gene Barry<br />
©Bengal Brigode (87) D. .434<br />
Ruck Hudson. Arlene Dabl, Theiss<br />
Ursula<br />
©Four Guns ot the Border (87), ,W. .502<br />
Rorv Calhoun, Colleen Miller, G, Nader<br />
Ricochet Romance (80) C. .504<br />
CJiill Marjorie Main, Wills, Budy Vallee<br />
©Sign of the Pagan (92) D . . 505<br />
Jeff Chandler, Jane Russell, Dan Duryea<br />
©Yellow Mountain, The (78) W. .510<br />
Lex Barker, Mala Powers, Howard Duff<br />
©Destry (91) W. .508<br />
Audie Murphy, Bcttger<br />
.Mari Blanchard, Lyle<br />
©So This Is Paris (96) MC..507<br />
Tony Curtis. Corinne Calvet. Nelson<br />
Gene<br />
©West of Zanzibor (83) D. .501<br />
Anthony Steel, Bhelia Sim<br />
Abbott and Costello Meet the<br />
Keystone Kops (80) C..513<br />
Abbott and Costello, Lynn Barl<br />
©Far Country, The (97) D, ,511<br />
James Stewart, Ruth Roman, Brennan<br />
Walter<br />
Six Bridges to Cross (99) D, .512<br />
Tony Curtis, Julia Adams, George Nader<br />
©Captain Lightfoot (92) D. .514<br />
Rock Hudson. Barbara Rush, Jeff Morrow<br />
©Land of Fury (82) D. .509<br />
Jack Hawkins. Glynls Johfls, Noel PurceQ<br />
©Smoke Signal (89) W. .516<br />
Dana Andrews. Piper Laurie, William Talman<br />
©Chief Crazy Horse (86) SW. .517<br />
Victor Mature. Suzan Ball, John Lund<br />
Ma and Pa Kettle at Waikiki<br />
(79) C. .519<br />
Marjorie Main, Percy Kilbride, Lorl Nelson<br />
©Mon Without a Stor (92) SW. .520<br />
Kirk Douglas, Jeanne Crain, Claire Trevor<br />
Cult of the Cobra (82) D. .<br />
Faith Dom^rgue, Richard Long, K. Hughes<br />
Looters, The (87) D,.524<br />
Rory Calhoun. Julie Adams, Ray D.anton<br />
-S/Revenge of the Creature (82). .D. .521<br />
John Agar, Lorl Nelson, John Bromfleld<br />
©Ain't Misbehovin' M. .<br />
I'liier Laurie. Kory Calhoun. Jack Carson<br />
© All Thot Heaven Allows D .<br />
Jane Wjnjau, Rock Hudson. Colleen JUIler<br />
©Foxfire D. .<br />
Jeff Chandler, Jane Russell. Dan Duryea<br />
©Lady GodiVa of Coventry D. .<br />
Maureen (I'llara, Groree Nmlcr, V. McLiglen<br />
©Man From Bitter Ridge (78),, W..<br />
Lex Barker, Mara Corday, Stephen McNally<br />
©One Desire D .<br />
Anne liavter. Rock Hudson. Julie Adams<br />
©Private Wor of Major Benson. D. .<br />
Chiirllnn llestnn. Julie Adams. William Demarest<br />
©Purple Mask, The D .<br />
T.in.i Curiis, ( ollwn .Miller. Angela Lansbury<br />
©This Islond Earth (87) D..527<br />
Rl's IbMMtn, Faith Dnmcrgue, Jeff Morrow<br />
©To Hell and Back D. .<br />
(iNli.. Miir.ilu- Hinrlec Prukf<br />
WARNER BROS.<br />
UNIVERSAL-INT'L.<br />
©oBlack Shield of Falworth,<br />
la ©Drognet (90) D. .401<br />
The (100) D. .430 Jack Webb, Ben Alexander. Ann Robinson<br />
Tony Curtis, Janet Leigh<br />
©Down at Socorro (80) D. .431<br />
Rory Calhoun, Piper Laurie, David Brian<br />
High and Dry (93) C, .486<br />
Paul Douglas, Alex JIacKenzle, J, Copeland<br />
j<br />
©Bounty Hunter, The (79). . . .SW. .402<br />
Randolph Scott. .Marie Windsor, D. Dorn<br />
i ©aTraek of the Cot ( 1 02) .... AD .. 405<br />
Robert Mitcbum. Diana Lynn. Teresa Wright<br />
[TJ ©Young at Heort (1 17). . . .MC-D. .409<br />
Doris Day. Frank Sinatra, E, Barrymore<br />
i©aStor Is Born, A (154) MD. .403<br />
Judy Garland, James Mason. Jack Carson<br />
[H ©aSilver Chalice, The (137) D. .408<br />
Virginia Mayo, Jack Palance. Pier Angeli<br />
S Unchained (75) D. .412<br />
Chester Morris. Barbara Hale, Elroy Hlrsch<br />
SQoBottle Cry (148)<br />
D..411<br />
Van Hellin, Aldo Ray, Tab Hunter<br />
O New York Confidential (87) D..413<br />
Brod Crawford, Anne Bancroft, Richard Conte<br />
©East of Eden (117) D. .414<br />
Julie Harris, James Dean. Raymond Massey<br />
i ©Strange Lody in Town ( 11 2). W.. 41<br />
Greer Garson, Dana Andrews. Cameron Mitchell<br />
©Seo Chase, The D, .<br />
John Wayne, Lana Turner, Tab Hunter<br />
©Tall Man Riding W.<br />
Ramlolph Scott. Dniothy Malone, Peggie Castle<br />
©Blood Alley D .<br />
©Helen of Troy D ,<br />
John W.iyne, Lauren Bacall, AnlU Eekbcrg<br />
Rossana i'odesta, Jacques Sernas, C, llardwlcke<br />
I Died o Thousond Times D, ,<br />
Waller Abel, Keverly Garland. Perry Lopea<br />
©Jagged Edge, The (..) D..<br />
Jack Pal.Mice. Sliillcv Uinlers. Lee Marvin<br />
©Land ol the Phoroahs (..).. D . .<br />
Jack ll.iwkiin. Joan Collins. Dewey Martin<br />
©Mister Roberts ( . , )<br />
Henry Fonda. James Catney. William PoweH<br />
©McConnell Story, The D, ,<br />
Alan Laild, June Allyson. Jaracs Whlimore<br />
©Moby Dick D, .<br />
Gregory Peck, R. Basehart, Orson Welles<br />
River Changes, The D. .<br />
Ross.tna Rory, Haral Maresch<br />
Target Zero D . .<br />
MISCELLANEOUS<br />
AMERICAN RELEASING CORP]<br />
Fast and Furious (74). .<br />
John Ireland, Iniiothy Malone, Bruce (\ku'<br />
©Five Guns West (78)<br />
John Lund, Dorothy .Malone, Paul Blr.<br />
ASTOR<br />
Master Plan, The (. .)<br />
Wajne Morris, Tilda Tbamar<br />
Sleeping Tiger, The (89)<br />
,\le.\i3 Smith, Alexander Knox. D. Bi<br />
BUENA VISTA<br />
©Lady and the Tramp<br />
(76) Cart..<br />
Story of two dogs<br />
©Vanishing Prairie (71) D<br />
©20,000 Leagues Under the<br />
Sea (128) D. .„<br />
Kirk Douglas. James Mason, P, Lukas >T<br />
CARROLL<br />
Four Ways Out (77)<br />
Gina Lollobri-ida. Renato Baldinl, c<br />
©Out of This World (75) Doc,<br />
CONTINENTAL DISTRIBUTING<br />
©To Paris With Love (78),, C,<br />
AJcc Guiiui.'ss, O.lilt VirJM<br />
Silvana I'ampanini. Luigi Pavese. A: "<br />
©Theodora, Slave Empress<br />
(88) . .D.<br />
male, George Man*<br />
Too Young for Love (88). . .<br />
Marin Vlady. P, M, Beck, Aldo PaHrii<br />
Woyword Wife (91) D,<br />
Gina LciUobrigida, Franco InterlengU<br />
VISUAL DRAMAS, INC!<br />
Gangbusters (77)<br />
D.'.<br />
Myron Healy, Don C, Harvey. Sam Ed<br />
REISSUES<br />
COLUMBIA<br />
Miss Grant Takes Richmond<br />
(87)<br />
Lucille Ball, William Holden<br />
©Return of October (89)..<br />
GIciHi Ford, Terry .Moore<br />
MGM<br />
Anchors Aweigh (..) M.<br />
GfUf Kelly, Frank Sinatra<br />
Comille (1 10) D<br />
Gnto Garho. Robert Taylor<br />
Woman's Face, A (106) D<br />
Joan Crawford. .Meliyn Douglas<br />
PARAMOUNT<br />
©Reap the Wild Wind (124). D.<br />
John U.iMii'. Susan Hajward, Bay Mllld<br />
RKO RADIO<br />
Berlin Express (. .) D. .tir,<br />
Robert Ryan, .Merle Oberon, Paul Lu^<br />
Bringing Up Baby (,,) D<br />
Cary Grant, Katharine Hepburn<br />
Informer, The (. .) D<br />
Victor MiLaglen. Preston Foster<br />
I Remember Mama (..) D.<br />
Irene Dunne. Barbara Bel Geddes<br />
©She Wore a Yellow Ribbon<br />
(103) D<br />
Henry Fonda. Joanne Pru<br />
20th CENTURY-FOX<br />
Belle Starr's Doughter (85).. W..<br />
George Monlgoniers. Ituth Roman, ;;<br />
Coll Northside 777 ( ..)<br />
I<br />
James Steiiart, llikn Walker<br />
Dokoto Lil (88) V<br />
r.rortf Montgnmcrv. M.lrlp Windsor,<br />
Doy the Earth Stood Still, The<br />
(92) D..-<br />
Mlrh.u'l Rennle. Patrice Neal<br />
House ot Strangers (101), , . .D..1<br />
Eduiird G Unbuivun, Susan Ilayward<br />
Twelve O'clock High (I32)..D..J<br />
Gregory Peek. II. Mirlowe. Dean JlK<br />
Where the Sidewalk Ends<br />
(..) D../|l<br />
Dana Andrews, Gene Tlemev<br />
UNIVERSAL-INTERNATIONAL<br />
Egg ond I, The (108) C.<br />
Clainlrltn Colhcrt. Fred MacMurray. I<br />
WARNER BROS.<br />
Big Sleep, The (114)<br />
D..[f--<br />
D..[:<br />
Humiihrey Rogart. Uiiircn Bacall<br />
Saratoga Trunk (135)<br />
In rl.l l!„p,„,„ O.rv ronnn-<br />
o '•'»(:<br />
«3ISK<br />
'<br />
'%<br />
1<br />
:3GEcc
II<br />
;<br />
j<br />
'<br />
(17)<br />
i<br />
I<br />
')<br />
lywood<br />
I<br />
I.<br />
•<br />
9-23-54<br />
. . .12-16-54<br />
. . . 6-12-54<br />
.<br />
.11-12-54<br />
.<br />
:<br />
.<br />
nifcleeti, listed by compony. In order of releose. Running tima followi till*. First li notional<br />
^le, second the dote o< review in BOXOFFiCE. Symbol between dotes is rating from BOXOFFICE<br />
Mtf. tt Very Good, -f Good. ±. Fair. — Poor = . Very Poor. O Indicotes color photography. i)}jDini> fjiJiiirr<br />
Allied Artists<br />
^Uo. Title Rel Date Rating Rev'd<br />
i^yiijlity Fortress. Thi (27) ff 1-1<br />
POPULAR SCIENCE<br />
(Reissues)<br />
Siublect J7-5 (10) 1- 9-55<br />
flubjecl J7-1 (10) 1-23-55<br />
Siubject J7-2 (10) 2- 6-55<br />
'iubjetl J7-3 (10) 2-20-55<br />
Columbia<br />
old. Title Rel Date Rating Rev'd<br />
AU-STAR COMEDIES<br />
II ire Chaser, Tlie (16).. 9-30-54 + U-27<br />
XUii Will Be Kids (16) 12- 9-54 ± 2-12<br />
lUis Pest Friend (lei/j) 1-20-55<br />
1,1. Dood II (16) . . . . 2-17-55 ±3-5<br />
Jcralch-Scratch-Scralch<br />
(..) 4-28-55<br />
ASSORTED FAVORITES<br />
(Reissues)<br />
l! is Hotel S«cet (17/2) 9-16-54<br />
Ziillie Gets Her Man<br />
...10-14-54<br />
Z.utid Goes Nuts (16).. 12- 2-54<br />
2( all-Way to Hollywood<br />
(17;.2) 2-10-55<br />
2: night and a Blonde, A<br />
(14) 3- 3-55<br />
j<br />
2(iss and Yell (..).... 5- 5-55<br />
CANDID MICROPHONE<br />
(One-Reel Specials)<br />
5: ibject No. 1 (11)<br />
reissue 9-23-54<br />
5: Ibject No. 2 (IOI/2)<br />
reissue 12- 2-54 ....<br />
SJibiKt 1-13-55<br />
No. 3 (11)....<br />
52 lling Down to Reno<br />
'ISI/j) 11-18-54<br />
e 3 Good Bad Egg (17) 12-16-54<br />
Wu're Next (17) 3-17-55<br />
IS^ady. Willing But Unable<br />
161/2) 4-21-55<br />
ONE REEL SPECIALS<br />
w lumn in Rome (9) . . 9- 2-54<br />
MR. MAGOO<br />
'I<br />
(Technicolor)<br />
Pingaroo Courting (7).. 7-22-54<br />
Mi.lination Magoo<br />
„ 6'/2 ) 12-16-54<br />
Kiooo's Check-Up (6V2) 2-24-55<br />
goo Express ( . . ) 5-19-55<br />
B MAGOO C'SCOPE<br />
19 en Magoo Flew (61/2) 1- 6-55<br />
SCREEN SNAPSHOTS<br />
SPECIAL<br />
1<br />
^<br />
i7 lywood Goes to Mexico<br />
ID'/z) 7-15-54 9-18<br />
J,<br />
* lywood Grows Up<br />
-I-<br />
J,<br />
1 lywood -u'-u<br />
Marches On<br />
'"'/s'<br />
7-15-54 + 9-18<br />
9 f<br />
-f 10- 9<br />
K lywood Stars on Parade<br />
f/il 10-21-54 -f 12-18<br />
lywood Cowboy Stars<br />
[O'/j) 11-18-54<br />
lywood Life (10) + 2-19<br />
nres From Hollywood<br />
L 1-20-55<br />
* Shower of Stars<br />
•<br />
g'> 2-24-55 - 3-12<br />
lywood Fathers (10). 3-24-55<br />
lywood Plays Golf<br />
• ) 5- 5-55<br />
SERIALS<br />
(15 Chapters)<br />
g, nan (reissue) 7-29-54<br />
nj wiih Buffalo Bill 11-11.54 + 11-20<br />
"" k Arrow 2-24-55<br />
. ,<br />
STOOGE COMEDIES<br />
tzy Knights (171/2). 9- 2-54 + 10-16<br />
" in the Frontier<br />
'^' 10- 7-54 + 12-11<br />
7403 Scotched in Scotland<br />
(I51/2) U- 4-54 ± M2<br />
7404 Fling in the Ring (16). 1- 6-55<br />
7405 01 Cash and Hash (16). 2- 3-55 ±3-5<br />
7406 Gypped in the Penthouse<br />
(16) 3-10-55 ± 4-16<br />
7407 Bedlam in Paradise (16) 4-14-55<br />
THRILLS OF MUSIC<br />
(Reissues)<br />
6956 Sliitch Henderson & Orch.<br />
(10) 6- 3-54<br />
7951 Ted Weems & Orch.<br />
(lO'/j) 9-9-54<br />
7952 Gene Krupa & Orch.<br />
(10) U-11-S4<br />
7953 Lecuona Cuban Boys<br />
(IO1/2) 12-23-54<br />
7954 Tony Pastor & Orch.<br />
(10) 2-10-55<br />
7955 Elliot Lawrence & Orch.<br />
(lO'.'i) 4-14-55<br />
UPA ASSORTED<br />
(Technicolor)<br />
7501 How Now Boing Being<br />
9-54 9-25<br />
(7'/2) 9- ++<br />
7502 Scare That Child (6I/2) 1-27-55<br />
7503 Four Wheels No Brakes<br />
(61/2) 4-24-55 + 4-16<br />
7504 Baby Boogie (6) 5-19-55<br />
WORLD OF SPORTS<br />
6810 Target Tricksters (9)... 7-29-54 ± 10-16<br />
7801 Argentine Athletes (10) 9-10-54 12-11<br />
7802 Hunting Thrills (9) ... 10-14-54 + 12-25<br />
7803 Skiing the Andes (10) .11-11-54 -f 2-19<br />
7804 Rasslin' Redskin (91/2) . .12-23-54 ± 2-12<br />
7805 Flying Mallets (10) 1-10-55<br />
7806 Aquatic Acrobats (9)... 2-17-55 ±3-5<br />
7807 Fishing Paradise (9)... 3-17-55<br />
7808 Barking Champs (..).. 4-28-55<br />
Metro-Goldvryn-Mayer<br />
Prod. No. Title Rel Date Rating Re/d<br />
CARTOONS<br />
(Technicolor)<br />
W-543 Sleepy Time Squirrel<br />
(7) 6-19-54 4-9-4<br />
W-544 Homesteader Droopy<br />
(8) 7-10-54 + 8-14<br />
W-545 Bird-Brain Bird Dog<br />
(7) 7-31-54 -f 9-18<br />
W-546 Baby Butch (7) 8-14-54 + 9-18<br />
W-632 Mice Follies (7) 9- 4-54 |+ 9-25<br />
W-634 Farm of Tomorrow (7) 9-18-54 ff 11-20<br />
W-636 Neapolitan Mouse (7). 10- 2-54<br />
W-638 The Flea Circus (7).. 11- 6-54 U 12-25<br />
W-639 Downhearted Duckling<br />
(7) 11-13-54<br />
W-640 Dixieland Droopy (8). 12- 4-54<br />
CINEMASCOPE CARTOONS<br />
(Technicolor)<br />
C-631 Pet Peeve (7) 11-20-54 + 2-19<br />
C-633Touche Pussy Cat (7). .12-18-54 ff- 4-16<br />
C-635 Southbound Duckling (7)3-12-55 + 2-19<br />
C-637 Pup on a Picnic (7).. 4-30-55 -f 4-30<br />
CINEMASCOPE MUSICAL GEMS<br />
(Technicolor)<br />
K-573MGM Jubilee (10) 6-25-54<br />
K-674 Thieving Magpie, The<br />
(9) 9- 1-54<br />
K-675 Strauss Fantasy, The<br />
(9) 10-22-54 -H 9-11<br />
FTTZPATRICK TRAVELTALKS<br />
(Technicolor)<br />
T-611 Yosemite, the Magnificent<br />
(9) 9-11-54<br />
Grand T-612 Canyon, Pride of<br />
Creation (9) 10-16-54<br />
(Technicolor Reprints)<br />
T-613 Picturesque Palzcuaro<br />
(9) 11-27-54<br />
T-614 Glacier Park & Waterton<br />
Lakes (9) 12-25-54<br />
T-615 Mexican Police on Parade<br />
(9) 2-12-55 +3-5<br />
T-616 Mighty Niagara (10).. 4- 9-55<br />
GOLD MEDAL REPRINTS<br />
(Technicolor Reissues)<br />
W-661 Cat Fishin' (8) 10-30-54<br />
W-662 Part Time Pal (8) 1- 8-55<br />
W-663 Cat Concerto (7) 1-22-55<br />
W-664 Dr. Jekyll & Mr. Mouse<br />
+ (8) 2-26-55 2-26<br />
W-665 Salt Water Tabby (7) . 3-26-55<br />
PETE SMITH SPECIALTIES<br />
-560 Safe at Home (8) ,<br />
-f 6-14<br />
Paramount<br />
Prod. No. Title Rel Date Rating Re/d<br />
CARTOON CHAMPION<br />
S14-2 Butterscotch and Soda<br />
(7) 10- 1-54<br />
S14-3 Sudden Fried Chicken<br />
(7) 10- 1-54<br />
S14-4 The Friendly Ghost (9) . 10- 1-54<br />
S14-5The Bored Cuckoo (9). 10- 1-54<br />
S14-6 Santa's Surprise (9)... 10- 1-54<br />
CASPER CARTOONS<br />
(Technicolor)<br />
B13-6 Puss'n Boos (7) 7-16-54 7-10<br />
B14-1 Boos and Arrows (6) . .10-15-54 + 11- 6<br />
B14-2 Boo Ribbon Winner<br />
(6) 12- 3-54 +1-8<br />
B14-3 Hide and Shriek (7) . 1-28-55<br />
B14-4 Keep Your Grin Up (5) 3- 4-55 +4-2<br />
B14-5 Spooking With a Brogue<br />
( ) 5-27-55<br />
GRANTLAND RICE SPORTLIGHTS<br />
RI3-IO Bahamas to Windward<br />
(9) 6-18-54 +9-4<br />
R13-11 Wild Pets (or Play (9) 7-23-54 +8-7<br />
R13-12 One Hundred Unusual<br />
Boys (9) 8- 6-54 ++9-4<br />
R14-lTwin Riding Champs<br />
(10) 10- 1-54 + 10-30<br />
R14-2 Hot and Cold Glides.<br />
Slides and Rides (10) 10-22-54 + 11-20<br />
R14-3 Where Everybody Rides<br />
(9) 11- 5-54 + 12-25<br />
R14-4 Boyhood Thrills (9) .. .12-10-54 +3-5<br />
R14-5 Pike's Peak Arena, The<br />
(9) 12-24-54 + M9<br />
Swim 2-11-55 -+-4-2<br />
(9) .<br />
R14-7 Baseball's Acrobatic Ace<br />
(9) 4- 1-5B<br />
HEADLINER CHAMPION<br />
(Reissues)<br />
A14-1 Speaking of Animals and<br />
Their Families (9) 10- 1-54<br />
A14-2 Speaking of Animals in<br />
a Musical Way (8). ..10- 1-54<br />
A14-3 Stork Crazy (9) 10- 1-54<br />
A14-4 The Lonesome Stranger<br />
(10) 10- 1-54<br />
A14-5 Calling All Animals<br />
(9) 10- 1-54<br />
A14-6 Video Hounds (9) 10- 1-54<br />
HERMAN & KATNIP<br />
(Technicolor<br />
H13-3 Of Mice and Menace<br />
Cartoons)<br />
H14-1 Rail Rodents (7) 11-26-54 +<br />
H14-2 Robin Rodenthood (7). 2-25-55<br />
H14-3 Bleep Built for Two, A<br />
(7) 4- 8-55<br />
NO'VELTOONS<br />
6-19<br />
9- 4<br />
J- 5<br />
(Technicolor)<br />
P13-5 Candy Cabaret (7) 6-11-54 + 6-19<br />
P13-6 The Oily Bird (7) 7-30-54 ±8-7<br />
P14-lFido Beta Kappa (7) . .10-29-54 + 11- 6<br />
P14-2 No Ands or Butts<br />
Ifs,<br />
(6) 12-17-54 +3-5<br />
P14-3 Dizzy Dishes (6) 2- 4-55 ++ 4-16<br />
P14-4 Git Along Li'l Duckie<br />
(7) 3-25-55<br />
PACEMAKERS<br />
K13-6 Touchdown Highlights<br />
(10) 8-20-54 + 9-25<br />
K14-1 Drilling for Girls In Texas<br />
(9) 10- 8-54 + 10-23<br />
K14-2 How to Win at the Races<br />
(11) 12-17-54 + J-19<br />
K14-3 You're a Trooper (10). 1-21-55 ++4-2<br />
POPEYE CARTOONS<br />
(Technicolor)<br />
E13-5Tixi Turvy (6) 6- 4-54<br />
E13-6 Bride and Gloom (6) . . 7- 2-54 +<br />
E13-7 Greek Mirthology (7).. S- 13-54 +<br />
E13-8 Fright to the Finish (6) 8-27-54 +<br />
E14-1 Private Eye Popeye<br />
E14-3Cookin' With Gags (7). 1-14-55 + 4-30<br />
E14-4 Nurse to Meet Ya (6) 2-11-55<br />
. .<br />
E14-5 Penny Antics (8) 3-11-55<br />
E14-e Beaus Will Be Beaus<br />
( . . ) 5-20-55<br />
TOPPER<br />
M13-6 In Darkest Florida (10) 7- 9-54 +8-7<br />
M14-1 The Nerve of Some People<br />
(10) 11-19-54 +1-8<br />
2 Killers at Bay (10) .. .12-31-54 + 3-26<br />
3 Just the Bear Facts, Ma'am<br />
(9) 1-14-55 3-26<br />
4 All Chimps Ashore (10) 2- 4-55 + 4-30<br />
5 Let's Look at the Birds<br />
( . . ) 4-15-55<br />
6 Pick a Pet (. .) 4-22-55<br />
VISTAVISION SPECIAL<br />
V14-1 VV Visits Norway (17) .<br />
11- 5-54<br />
V14-2VV Visits Mexico (17) 4-29-55<br />
V14-3 VV Visits the Sun Trails 5-27-55<br />
Republic<br />
Prod. No. Title Rel Date Rating Rev'd<br />
SERIALS<br />
5481 Man With the Steel Whip 7-19-54<br />
12 Chanters<br />
12 Chapters<br />
54S2 Ghost Riders of the West 10-11-54<br />
THIS WORLD OF OURS<br />
(Trucolor)<br />
5385 Ireland (9) 8- 1-54<br />
RKO Radio<br />
Prod. No. Title Rel Date Rating Rev'd<br />
DISNEY CARTOONS<br />
(Technicolor)<br />
44.111 Dragon Around (7) . . 7-16-54 + 6-19<br />
44.112 Grin and Bear It (7). 8-U-54 ++9-4<br />
54.101 The Social Lion (7) . .1015-54 + U-20<br />
54.102 Flying Squirrel (7) .. .11-18-54 + 1-15<br />
54.104 The Pelican and the Snipe<br />
(9) 1-28-55<br />
54.105 Lake Titicaca (7) 2-18-55 + S-U<br />
in 54.106 Contrasts Rhythm<br />
(8) 3-11-55<br />
54.107 Blame It on the Samba<br />
(6) 4- 1-55<br />
DISNEY MARQUEE MUSICALS<br />
(Technicolor R»tssues)<br />
44.004 Casey at the Bat (9) 7-16-54 ++ 7-24<br />
44.005 Little Toot (9) 8-13-54 +9-4<br />
U.006 Once Upon a Wintertime<br />
(9) 9-17-54 ++ 9-U<br />
EDGAR KENNEDY<br />
.<br />
(Reissues)<br />
53,501 Host to a Ghost<br />
(17) 10- 8-54<br />
Big .11- 5-54<br />
Beef, 53.503 The (17)<br />
53.504 Mind Over Mouse (17) U-19-54<br />
53.505 Broiher Knows Best<br />
(17) 12- 3-54<br />
53.506 Home Canning (16) . .12-17-54<br />
LEON ERROL<br />
(Reissues)<br />
53.704 Twin Husbands (18) . .11-12-54<br />
53.705 I'll Take Milk ( 18)<br />
. . . 11-26-54 .<br />
53.706 Follow That Blonde<br />
(18) 12-1H4<br />
MY PAL<br />
(Reissues)<br />
53.201 I Found a Dog (..). .10- 8-54<br />
53.202 Pal's Return (20) 11-5-54 •<br />
RAY WHITELY<br />
(Reissues)<br />
53.401 Sagebrush Serenade<br />
(.,) 10-22-54<br />
53.402 Redskins and Redheads<br />
(18) 11-19-54<br />
SCHEENLINERS<br />
44.212 Riding the Wind (8) 7-23-54 + 9-11<br />
44.213 The Big Port (9) 8-20-54 + 9-11<br />
54.201 House of Knowledge 9-17-54<br />
(8)<br />
SPECIALS<br />
53.101 The Iron Fence (20).. 10- 8-54 + 10-23<br />
++ 1-8<br />
53.102 Circus Trainer (17) .<br />
53.103 Fast Freight (15) .12-17-54 + 1-22<br />
River to<br />
.<br />
. .<br />
53.104 the Past (15) 1-21-55 ± 2-12<br />
53.105 Big Top Caravan (16) 2-25-55 + 4-30<br />
53.106 Finders Keepers (ISI/2) 4- 1-55<br />
SPORTSCOPES<br />
44.312 Hot Rod Galahads (8) 7- 9-54<br />
44.313 Water Ski Marathon<br />
8- 8-54 9-18<br />
(S)<br />
Alaskan Trout (8) 9- 3-54 + 9-11<br />
54.301<br />
54.302 British Empire Games<br />
(10) 10- 1-54 + 10-30<br />
(8) Mays 10-29-54+ 1-1<br />
54,303 Willie<br />
Canadian Stampede (8) 11-26-54 1-8<br />
54,304<br />
.12-10-54 + 1-22<br />
54.305<br />
Saga 1-21-55 2-26<br />
51,306<br />
54.307<br />
Ski (8)<br />
Chamois Hunt (8)<br />
-|-<br />
2-18-55 + 3-26<br />
54.308 Here's Hockey (10)... 3-18-55<br />
Jai-Alai (8) 4-15-55<br />
54.309<br />
SPORTS SPECIALS<br />
..<br />
53,901 Football Highlights<br />
(IS'A) 12-10-54 + 1-22<br />
53,801 Basketball Highlights __<br />
(15) 4-15-55<br />
20th Century-Fox<br />
Prod. No. Title Rel Date Rating Rev'd<br />
CINEMASCOPE SPECIALS<br />
(Technicolor)<br />
7418 Piano Encores (10) July-54 + 10-23<br />
7409 A Day Aboard Jet Carrier<br />
(19) Aug. -54 ++ 11-20<br />
7414 The Miracle of Stereophonic<br />
Sound (11) Aug. -54 11-27<br />
7420 Pride of the Nation (12) Sept.-54 12-11<br />
7421 Fabulous Las Vegas (19) 0ct.-54 + 12-18<br />
7422 Cinemascope Parade (23) 0ct.-54 ..._<br />
7423 El Toro (9)
.<br />
.<br />
.<br />
.<br />
.<br />
,<br />
|<br />
1 (arrnfl)<br />
.Gerard<br />
Claude<br />
•<br />
.Martuic<br />
.<br />
.Vittorlo<br />
.Maria<br />
'<br />
•<br />
•<br />
.<br />
.<br />
CHART<br />
FOREIGN FEATURES<br />
WOODY WOODPECKER<br />
Foreign-languoge productions by native country, listed olphobeticoHy<br />
(Technicolor Reissues)<br />
9355 Solid Ivory (7) 6-28-54<br />
by title, followed by running time. Dote shown is issue of BOXOFFICE<br />
9356 Woody the Giant Killer<br />
in which review oppeored. Name of distributor Is parentheses.<br />
(7) 7-26-54<br />
AUSTRALIA<br />
Reviewed<br />
Mr. Hulot's Holiday (85) 1,30,<br />
Warner Bros.<br />
Wherever She Goes (80). ..... '0-31-53<br />
((iBIi liit'l) . Jacques Tatl, Nathallffi<br />
(M-K) . .Suzanne Parrett, Eileen Joyce<br />
Moment of Truth (87) ';19-<br />
(Arlaii) . MiiiKle Jlorgan, Jean (hi<br />
Prod. No. Title Rel Date Rating Re/d<br />
Night Is My Kingdom, The (109) [29.<br />
SEE IT HAPPEN<br />
BLUE RIBBON HIT PARADE<br />
(Davis) . .Jean Gabin. Slmone Valerii<br />
July-54 8-"<br />
(Technicolor Reissues)<br />
Pit of Loneliness (84) \\i.<br />
„_<br />
. . . . Auii.-54 + 11-6<br />
1312 Along Came Daffy (7)<br />
.<br />
7-24-54 ....<br />
.<br />
(Davis) . .Edwige FeuiUere, Simone Sia r<br />
1313 (blouse Menace (7) 8-14-54<br />
4-11-54<br />
SPORTS<br />
Moriko (81)<br />
Red Inn, The (100) ,-%• t ""•' BernarBlii *"53<br />
2-26-55<br />
( )<br />
BUGS BUNNY SPECIALS<br />
fstnffordT^J^rHi'ktas; •Michael benlson<br />
GERMANY<br />
(Technicolor)<br />
Belles of St. Trinion's, The (90). 4-30-55<br />
1728 Bewitched Bunny (7) . . . 7-24-54 9-4 ff""<br />
5424 Heckle and Jeckle in Bl<br />
Plate Symphony (7) .N0V.-54 ± 12-25 1730 Yankeo Doodle Bugs (7) 8-28-54 + 9-25<br />
Artists)<br />
. ..Wastair Sim, Joyce Grcnfell Angeliko (99) •'.<br />
'^''<br />
'o<br />
(Brenner) . Maria Schell, Dieter Bor,«<br />
2723 Lumber Jack Rabbit (7) 11-13-54 ....<br />
Berliner, The (80). .•.• • •<br />
-.^^<br />
f&!:i;"^"^'Hlbso„:-p|^p>^"^"3,<br />
5425 Torrid Toreador, A (7)<br />
2724 Baby Buggy Bunny (7). 12-18-54 + 2-19<br />
(reissue)<br />
Oec.-54<br />
2725 Beanstalk Bunny (..).. 2-12-55<br />
Fighting Pimpernel, The (88).. 5- 8-54<br />
(Josciih Burstyn)<br />
. .Gert Frobe, Ute £|1mJ<br />
. . •<br />
5501-2 Gandy Goose in Barnyard<br />
^<br />
.David Nlven. Margaret<br />
2726 Sahara Hare (7) 3-26-55 ± 4-30<br />
Lelghton<br />
Grapes Are Ripe, The (92)<br />
, . r . 3<br />
Actor (7) Jan. -55<br />
Final Test The (84) 2-27-54 (Casino).. Gust av Knuth, Camilla Sp.l<br />
j<br />
5502-0 Dear Old Switzerland<br />
CLASSICS OF THE SCREEN<br />
(Conlinental) Robert Morley, Jack Warner<br />
Keepers of the Night (109) ..L2«<br />
(7) (reissue) Jan.-55<br />
1106 This Was Yesterday (20) 7-31-54 ff 9-4<br />
(CashiO.Luise Ullrich H.msN.else|<br />
. .<br />
5503-S Yokahama Yankee, A<br />
2101 Wells Fargo Days (20).. 9-25-54 •<br />
fei?ts?^.S./^il;.-Man.ta-l^- Merry Wives of Windsor (93). .^r?l<br />
(7) Jan. -55 ± 3-19 2102 Camera Hunting (19) .. .11-20-54 + 12-25<br />
(Central Cinema) .Sonja Zlemann,<br />
I<br />
5504-6 Swooning the Swooners<br />
2103 Three Cheers (or the Girls<br />
(7) (reissue) Feb. -55<br />
(. .) 1-22-55 ^^^rV^^:^^.<br />
nelson: M.'zme'ru'nt Sunderin (80)<br />
(Prod. Reps.) .'midegarde Neff, G.<br />
5505-3 Terry Bears in Duck Fever<br />
2104Wlien the Talkies Were Young<br />
(7) Feb. -55 — 3-19<br />
(17) 3-26-55 ++ 4-16 r?^s=c°Tti^t1r*^^oSn''otkson,•MuViel1a,|w<br />
550S-1 Gandy Goose in It's All in<br />
lOE McDOAKES COMEDIES<br />
GREECE<br />
the Stars (7) (reissue) Mar.-55<br />
1406 So You Want to Be a ,<br />
fSsI '"er^.Trcvor Howard,' So^'y^uKs<br />
Borefoot Botallion , ^^<br />
(8J>).<br />
,<br />
5507-9 Aesop's Fable—The First<br />
Banker (10) 7- 3-54 -f- S-14<br />
(Brandt) .Maria Costi. Nicos Fermai]<br />
Flying Fish (7) l*lar.-55<br />
2401 So You're Taking in a Roomer<br />
n"c Utll') .""M-'Redkrav;,- A.- io
'<br />
favorite<br />
. her<br />
- ; idleaged<br />
. ..tees<br />
. . . Supreme<br />
. . Even<br />
. . Bud<br />
C)inions on Current Productions<br />
f£;]'rijiiri]£vjiiiji5<br />
• Daddy Long Legs F<br />
Rntio:<br />
Musical<br />
2.55-1 (Cinemascope-<br />
De Luxe Color)<br />
20fh-ifo!c (515-7) 126 Minutes ReL May 11, '55<br />
Fred Astaije, as agile and fleet-footed as ever, has found<br />
his best dancing partner since his 1930 teaming with Ginger<br />
Rogers in the pert little Leslie Caron, who is co-starred in<br />
a light and amusing musical version of the novel by lean<br />
Webster, which was a stage hit and then was filmed twice<br />
before, last time in 1931. Fred is also at his best in a<br />
made-to-order role of a wealthy socialite who adopts a<br />
French orphan girl and educates her without letting her<br />
meet her benefactor. He dances superbly to a lively new<br />
Johnny Mercer tune, "Sluefoot," and warbles "Something's<br />
Got to Give," already climbing to popularity on records and<br />
the airwaves, in his own casual and effective manner.<br />
The marquee draw of Astaire, plus Miss Caron, whose<br />
current "The Glass Slipper" was a strong follow-up to her<br />
record-breaking "Lili," will insure strong business genfefally.<br />
except in houses that demand action fare, for this is a bii<br />
too long for its slight plot. In addition, Terry Moore is a<br />
with the teenagers, while the title will have a<br />
nostalgic appeal for the older fans.<br />
Additional assets are the magnificent CinemaScope shots<br />
of New York City and rural France; several spectatcular<br />
dqnce sequences in which Miss Caron literally floats across<br />
the widescreen; the long-popular Mercer tune, "Dream,"<br />
which is reprised several times, and Ray Anthony and His<br />
Orchestra, who appear in one sequence.<br />
The film is well directed by Jean Negulesco (except for<br />
that excessive length) and produced in lavish style by<br />
Samuel G. Engel. Miss Moore has little to do, but she makes<br />
her presence felt. However, the best of the supporting<br />
players are the unfailing Thelma Ritter, who makes the most<br />
comedy opportunities as a sympathetic secretary, and<br />
d Clark, who also gets many laughs as Astaire's «!X-<br />
:-ive business associate. Kelly Brown, best know.'l as<br />
ballet dancer, also does well as a Harvard boy. The<br />
--::,ces are staged by Astaire and David Robel while the<br />
callets are by Roland Petit, of the famous Ballet de Paris,<br />
with special music conducted by Alfred Newman. The<br />
De Luxe color is excellent.<br />
The picture opens in the reception hall of the old Fifth<br />
Avenue mansion occupied by the wealthy socialite Fred<br />
A-'aire, who has broken the family tradition of culture by<br />
ring the drums and being a jazz enthusiast. His business<br />
:nager, Fred Clark, finally persuades Fred to accompany<br />
an economic mission to France, where, while waiting for<br />
his car to be pulled out of a ditch, he wanders into a small<br />
orphange. There he watches Leslie Caron, 18-year-old,<br />
putting her juvenile charges through on English lesson and,<br />
when he learns that her only matrimonial opportunity is a<br />
farmer, he arranges to sponsor the girl's eduon,<br />
despite the wrong interpretation Congressional com-<br />
may take of the matter. To avert gossip, Leslie is<br />
sent to a girls' college in America and beautifully outfitted,<br />
but she never knows her benefactor's real name. She writes<br />
numerous letters to her "Daddy Long Legs," but Clark prevents<br />
Fred from seeing them. Leslie meets Fred at the<br />
annual school dance, where they dance and become friendly<br />
hout the girl's knowing he is actually her guardian. Her<br />
irs to "Daddy Long Legs" tell him about the nice man<br />
-.,c- met, so Fred shows her New York and its nightclubs,<br />
but a Congressman takes the wrong interpretation and<br />
threatens to send the girl back to France. Finally, Clark's<br />
sympathetic secretary, Thelma Ritter, takes matters in her<br />
own hands and attends the girl's college graduation, where<br />
no guardian is on hand, and brings her to Fred's New York<br />
mansion. She then realizes that her "Daddy Long Legs"<br />
is not the elderly guardian she had pictured but the younger<br />
m'an she had grown to love.<br />
Fred Astaire, Leslie Caron, Terry Moore, Thelma Ritter,<br />
Fred Clark, Kelly Brown, Charlotte Austin.<br />
CATCHLINES:<br />
All the Fun of Life Is In It—All the Joy of Love Is In It . . .<br />
Fred Astaire and His Latest Partner, Leslie Caron, Will Have<br />
the Whole World Dancing to the Music in Their Hearts<br />
Dances by Astaire and Leslie Caron, M'usic by Johnny Mercer,<br />
Ballets by Roland Petit—All Wrapped in a Delightful Romantic<br />
Comedy.<br />
1762 BOXOFFICE<br />
May 7, 1955<br />
Hell's Island<br />
Pcramounl (5411)<br />
84 Minutes<br />
F<br />
o: Drama<br />
•1 (VistaVision.<br />
Teclinicoloi')<br />
Rel. June '55<br />
Adventure, romance, suspense and intrigue' are present in<br />
outsize quantities in this solidly produced Pine and Thomas<br />
.eature, which, for all il:3 lush mountings, is reminiscent oi<br />
the type of pictures the partners Bill fabricated in large<br />
numbers during the years when they were v/inning their<br />
richly merited niche high among Hollywood's bread-andbutter<br />
filmmakers. Principal contributors to the lavishnes=<br />
that elevates the entry above those earlier' efforts are<br />
VistaVision and Technicolor, both expertly utilized and upon<br />
which the smart showman v/ill latch to keynote the merchandising<br />
that may be necessary in order for the photoplay to<br />
enjoy the patronage it deserves. -<br />
Maxv/ell Shane's script, from a story by Jack Leonard<br />
and Martin M. Goldsmith, indulges itself in a few extreme<br />
situations and in occasional overlong stretches of dialog,<br />
but these weaknesses are pretty much salved by universally<br />
good performances, the steady and skilled direction by Phil<br />
Karlson and the above-mentioned P-T production accoutrements.<br />
At the van of the sincere and 'hard-working cast is<br />
jut-jawed John Payne, in a part for which past experiences<br />
have completely conditioned him— the soldier of fortune<br />
single-handedly taking on the wiles and villainies of Latin<br />
America in an effort to recover a fabulous gem—for pay, of<br />
course—ior one of the many heavies. Just so there should<br />
be at least one new twist, the No. 1 menace is a galblonde,<br />
curvaceous, sexy Mary Murphy—as seductive and<br />
shmy a character as ever tried to follow in the footsteps of<br />
Lucretia Borgia. Technicolor is becoming to her, even<br />
though the part isn't ideally suited to her soft, feminine<br />
charms. Photography, sets, costumes and other technical<br />
details are of the top caliber that is expected in contemporary<br />
P-T movies.<br />
John Payne, Mary Murphy, Francis L. Sullivan, Eduardo<br />
Noriega, Arnold Moss, Waller Reed, Pepe Hem.<br />
CATCHLINES:<br />
An Explosive Drama of the Seething Tropics ... the Story<br />
of a Woman Who Was Beautiful and Bad ... To Whom<br />
Love Was a Weapon ... the Movie That's Tops in -Thrills<br />
in Suspense.<br />
AbboftCosfello Meet the Mummy F ^^t-i<br />
'^°"'""<br />
Univ.-Infl (526) 79 Minutes ReL June '55<br />
Devotees of the Abbott and Costello brand of "who's on<br />
first" humor are certain to have their ribs tickled by this<br />
latest contribution from these two postmasters of zany (iialog.<br />
As in their previous offerings, plausibility and continuity<br />
are justifiably sacrificed, without the batting of an eyelash,<br />
for the sake of laugh-provoking slapstick situations, and<br />
the results will probably keep the smallfry bouncing in their<br />
seats at a near staie of pandemonium. Others, who are not<br />
deterred by story weakness and who want their comedy<br />
obvious, nonsensical and with plenty of action, should also<br />
contribute their share of chuckles, laughs and knee-slappings.<br />
With an established following, successfully cultivated by<br />
the series' 40 predecessors, merchandising should present<br />
no problem. The comic duo's marquee value is unquestioned,<br />
and the Egyptian theme offers endless ballyhoo ideas,<br />
not to mention lobby and front possibilities. The addition<br />
of popular songstress Peggy King, singing "You Came a<br />
Long Way From St. Louis," will no doubt appeal to the<br />
teenagers, as well as those who recall her delightful appearance<br />
on the Academy Award telecast.<br />
In spite of Miss King's sequence and a number of other<br />
musical spots, including several by the internationally famous<br />
Chandra-Kaly dancers from India, the picture is all<br />
Abbott and Costello, and what little plot is to be found,<br />
it takes second place to the duo's inimitable buffoonery.<br />
Mysterious trapdoors, strange temples, mummies that walk,<br />
hands that come out of walls and countless other paraphernalia<br />
gimmicks, contribute to the outlandish doings,<br />
which follow the able Abbott and his scatterbrained side-^<br />
kick as they seek adventure in Egypt. Little more can be<br />
said about the story, other than it does nothing to hamper<br />
the Abbott and Costello format style.<br />
Bud Abbott, Lou Costello, Marie Windsor, Michael Ansora,<br />
Don Seymour, Kurt Katch, Peggy King.<br />
CATCHLINES:<br />
Abbott and Costello Run Riot in Egypt . and Lou<br />
in Slapstick Pandemonium Among the Pyramids ... A<br />
Mummy Never Had It So Good . the Sphynx<br />
Laughed at Bud and Lou.<br />
1763
REVIEWS Adlines for Newspaper and Program |^<br />
Top oi the World F r.85°i<br />
United Artists (5514) 90 Minutes Hel. May '55<br />
Some exciting and realistically dangerous air sequences<br />
laid in the Arctic ore often weighted down by a routine<br />
romantic plot in this action picture produced by Michael<br />
Baird and Lewis R. Foster. Foster, who also directed, makes<br />
his plane disaster on an ice floe and a daring rescue )ust<br />
befoVe the ice starts breaking up, the high spot of the picture.<br />
Action fans will find the film to their liking, but the marquee<br />
draw of Dale Robertson and Evelyn Keyes will help generally.<br />
It's best suited to the supporting spot on dual bills.<br />
While Robertson is adequate as a jet pilot reassigned to<br />
the weather observation unit in Alaska, it is Frank Lovejoy,<br />
who is featured in a similar role in "Strategic Air Command<br />
(a picture that will boost his film stock), who contributes the<br />
most forceful portrayal. Miss Keyes does well enough as<br />
the cafe entertainer who is loved by both men but Nancy<br />
Gates as a long-suffering PRO officer, and Robert Arthur,<br />
as a "kid" lieutenant who tries to act grown-up, are unable<br />
to rise above their stock roles. The Alaskan aerial photography<br />
by William Clothier rates special mention. •<br />
Dale Robertson, one of the hottest jet pilots at Hickam<br />
Field Honolulu, is reassigned to Ladd Field, Alaska, as part<br />
of the weather observation unit. At the same time he gets<br />
word from his ex-wife, Evelyn Keyes, that she no longer<br />
needs his alimony as she has opened a nightspot in 1- airbanks<br />
When Robertson and his crew meet with disaster in<br />
the north, a plane flown by Frank Lovejoy, Robertson s major,<br />
reaches them in record time and brings them back to Ladd<br />
Field safely. It then develops that Lovejoy is becoming interested<br />
in Evelyn and spends too much time at her club<br />
although Nancy Gates, his PRO officer, is deeply in love<br />
with him. Robertson, impressed with Lovejoy, tells his<br />
ex-wile to leave his superior officer alone but she dares him<br />
to break them up. Robertson is assigned to a mission to the<br />
North Pole and, after they land, find themselves marooned<br />
on an ice floe. Again Lovejoy comes to the rescue with a<br />
hair-raising stunt and, when the men return, Robertson is<br />
reunited with his wife and Lovejoy returns to Miss (jotes.<br />
Dale Robertson, Evelyn Keyes, Frank Lovejoy, Nancy<br />
Gates, Robert Arthur, Paul Fix, Peter Hansen, Nick Dennis.<br />
CATCHLINES:<br />
, .v, t f .>,»<br />
The True Story of the Airmen Who Guard the Top of the<br />
World Dale Robertson and Frank Lovejoy (Starred in<br />
"Strategic Air Command") as the Heroic Fliers Whose Love<br />
Was Earthborne to Lovely Evelyn Keyes.<br />
Murder Is My Beat<br />
Drama<br />
Ratio:<br />
1.551<br />
AlUed Artists (5510) 77 Minutes Rel. Feb. 27, '55<br />
While spectators will immediately recognize—and in some<br />
instances may scoff at—the attempt to apply the "Dragnet"<br />
technique to this murder yarn, they nonetheless will be impressed<br />
with the fact that on virtually every count it<br />
transcends the overage offering in its category produced<br />
within the obviously limited budget that herein obtained<br />
As a result it earns evaluation as an above-average bit of<br />
suspenseful and satisfactory supporting celluloid that will<br />
generate no great number of squawks from the actionmarket<br />
ticket buyers who are apt to encounter it on the<br />
nether side of a dual bill.<br />
Aubrey Wisberg both wrote and<br />
, ,<br />
produced<br />
,i.<br />
the<br />
x-i<br />
tilm, a<br />
reasonably substantial credit for him in both chores. The<br />
whodunit facet of the story is developed with adequate<br />
plausibility and finishes with fewer loose ends than is<br />
usually the case in such cops-and-crooks plays. Under able<br />
direction by Edgar G. Ulmer, performances are acceptable.<br />
In the distaff topline is Barbara Payton, a bit on the baggy<br />
side and displaying only traces of the celebrated sex aPPeal<br />
that for a time made her one of Hollywood s more luridly<br />
publicized femmes fatale. Nevertheless, her name may be<br />
helpful on the marquee and in advertising. Paul Langton,<br />
as the rag-bone-hank-of-hair copper and his superior, Robert<br />
Shayne, are both convincing and restrained.<br />
La Payton a nightclub singer, is convicted of murder on<br />
purely circumstantial evidence. As Langton, who had originally<br />
arrested her, is taking the girl to prison, she spots from<br />
the train window the man she was found guilty of having<br />
killed Langton believes her and, on impluse, leaps off the<br />
train with her to launch a search. Following up a series of<br />
s'ender clues, he at length unravels the mystery and is<br />
awaiting with a marriage license when she is freed.<br />
F<br />
aDl<br />
Too Young for Love A sta:''..<br />
"'""'<br />
IFE Releasing Corp. 88 Minutes. Rel. April '55<br />
The rather touchy subject of adolescent love between two<br />
15-year-olds, which results in an illegitimate child, has been<br />
handled with sympathy and good taste in this Italian drama,<br />
which has been dubbed into English. Although there is<br />
nothing objectionable in the story treatment, the film remains<br />
adult fare—not suited to those under 16 years of age.<br />
Aldo Fabrizi (remembered from "Open City" and other<br />
notable Italian imports) will be a marquee name in the art<br />
houses.<br />
Adapted from a well-known French play, "Mother Nature,"<br />
by Andre Birabeau, the picture has been directed with<br />
understanding of adolescent problems by Lionello De Felice<br />
and splendidly acted by Pierre Michel Beck (he recently<br />
scored in a similar role in "The Game of Love") and Marina<br />
Vlady, who is extremely appealing as the shy little daughter<br />
of a petty thief who responds willingly to the love and<br />
advances of the boy. Fernand Gravet and Xenia Valderi<br />
are excellent as the boy's quarreling parents, who are<br />
blamed for his seeking affection elsewhere. Produced by<br />
Niccolo Theodoli.<br />
Pierre Michel Beck, the 15-year-old son of Fernand Gravet<br />
and Xenia Valderi, who quarrel so much that they have<br />
little time for their son, meets Marina Vlady, the 15-year-old<br />
daughter of Aldo Fabrizi, a petty thief who is often in jail<br />
for his crimes. When Pierre's parents learn he has been<br />
missing classes, they decide to send him to boarding school<br />
but he and Marina, whose lather is being led to prison<br />
again, have a few hours together before they are separated.<br />
Several months later, Pierre runs away from the school to<br />
join Marina, whom he learns is to have a baby. Permitted<br />
to take his final exams, Pierre interrupts them when he<br />
learns Marina's child has been born. When she dies in<br />
childbirth, Pierre's parents are horrified at their neglect of<br />
their son and they decide to adopt the baby.<br />
Pierre Michel Beck, Marina Vlady, Aldo Fabrizi, Fernand<br />
Gra-7fl/, Xenia Valderi, Lauro Gazzolo, Massimo Pianiorini.<br />
CATOhLINES:<br />
The 'Iruth About Adolescent Love . . . Teen-Agers Commit<br />
the Crime But Their Elders Are Really to Blame . . . Fifteen-<br />
Year-Olds Find Affection and Love—With Tragic Consequences<br />
. . . Startling and All of It True.<br />
Paramount<br />
SHORTS REVIEWS<br />
Hide and Shriek<br />
(Casper Cartoon)<br />
7 Mins.<br />
Good. A new ghost character is introduced and adds a<br />
lot of pep to the film. He is Spooky, a young ghost who,<br />
unlike Casper, wants to scare people. Mama Ghost appears,<br />
too. Casper concentrates on trying to curb Spooky, who<br />
frightens livestock as well as people, and finally has to do<br />
some terrifying himself to teach Spooky a lesson.<br />
Nurse to Meet Ya<br />
Paramount (Popeye Cartoon) 6 Mins.<br />
Good. Popeye and Bluto compete for the affections of Olive<br />
Oyl who in this little item is a nursemaid complete with baby<br />
and carriage. Since the baby cries when not being entertained,<br />
they alternate in amusing it at the expense of the<br />
other, with Popeye getting the worst of it until he is able<br />
to reach the inevitable can of spinach.<br />
Here's Hockey<br />
RKO (RKO-Pathe Sportscope) 10 Mins.<br />
Good, Hockey, the teeth-rattling, bone-banging favorite<br />
game of Canada, receives an excellent showing for its many<br />
fans. We see the Detroit Red Wings battle the Canadians in<br />
Montreal's Forum, where Jean Marc Beliveau analyzes his<br />
particular goal, and some small-town hockey, where the<br />
juvenile teams play with skill and spirit in such towns as<br />
Smith Falls and North Bay. Good fare for the sports-lovers.<br />
Mississippi Traveler<br />
Warner Bros. (Special) 17 Mins.<br />
Paul Langton, Barbara Payton, Robert Shayne, Tracey<br />
Roberts, Roy Gordon, Selena Royle, Kale McKenna.<br />
Good. Picturesque scenes of a trip by water the length of<br />
the Mississippi river. There are pauses for visits to such<br />
landmarks as the statue of Mark Twain and the house where<br />
CATCHLINES:<br />
.<br />
, „. ^ e r<br />
One Look From a Speeding Train, One Scream 1-rom a<br />
Tom Sawyer was supposed to live, and at St. Louis, Natchez,<br />
Friahtened Girl, One Chance to Turn the Tables on Murder<br />
Minneapolis, St. Paul and New Orleans. An abandoned<br />
Killers Were His Business—and Behind Every One<br />
show boat is seen. The film points up the changes in river<br />
travel.<br />
There's a Woman.<br />
BOXOFFICE May. 7, 1955 1761<br />
1764
; May<br />
I<br />
^'<br />
I<br />
l.nd<br />
I<br />
,<br />
—<br />
ilSc per word, minimum SI. 50, cash with copy. Four consecutive insertions for price<br />
CLOSING DATE: Monday noon preceding publication date. Send copy and<br />
,/ers to Box Numbers to BOXOFFICE. 825 Van Brunt Blvd., Kansas City 24. Mo. •<br />
cueRinG<br />
HELP WANTED<br />
GENERAL EQUIPMENT—USED<br />
_j<br />
manager for cimin theutros In Cliicago. Peerless magnarc and HC.A Brtiikeri enarc, 5U<br />
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supervise, manager. .\ns«er full<br />
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ISallantyne sound system, $495. Dodge Ecjuipnienl<br />
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JSINESS STIMULATORS<br />
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jJDIO AND PRODUCTION<br />
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- Cinema Supply Corp., 602 W.<br />
\nrk 19.<br />
For sale: Une liimm sound KC.\ carbon arc proiecior<br />
nlth recilfler-ampllfli'r-speakcr. Complete<br />
inlt within iiselfl Bargain at $500. Good coniltion.<br />
Guild Theatre. 821 S. W. »th, Portland,<br />
Oregon.<br />
Two Buckingham senior refrigerated water fall<br />
drink dispensers. List pi ice $370 each. Two guaranteed<br />
reconditioned units, $250 each. Andy<br />
Dietz Enterprises. 3142 Olive St., St. Louis, Mo.<br />
4s:*. 50 pair; lenses and screens at<br />
prices. Star Clnem.i Supply. 447<br />
52nd St.. New York 19.<br />
Pair 80 amp Ballantyne rectifiers, practically<br />
new. cost $680. priced $250. Majestic Theatre,<br />
I'liiilipsburg,<br />
rings greater than ever! Super-Simplex<br />
i"''itly rebuilt, one year guarantee,<br />
Simplex rear shutter mechan-<br />
.SJU5 pair; B7 movements, $69;<br />
7
ASHCRAFT<br />
vm<br />
MORE LIGHT<br />
NOW LARGER SCREENS MORE<br />
BRILLIANTLY LIGHTED ARE POSSIBLE<br />
AIR<br />
The ultra high speed optical system of the<br />
ASHCRAFT CINEX, with the new high speed<br />
projection lenses, will produce up to 36% more<br />
light than has heretofore been possible. We<br />
mean-with the same carbons at the same current-<br />
More Light Through Increased Efficiency<br />
CONDITIONED<br />
Powerful built-in twin blowers force cold air<br />
through every part of the lamphouse, mechanism,<br />
both front and back of reflector—and eject the<br />
heat and smoke out the<br />
stack.<br />
Heat is no longer a problem.<br />
BUILT-IN<br />
AIRCOOLED HEAT FILTER<br />
The dichroic heat reflector which removes a<br />
substantial amount of heat from the light beam<br />
is mounted in the air stream inside the<br />
lamphouse front.<br />
INTENSE WATER COOLING OF<br />
CARBON CONTACTS<br />
Both contacts—of<br />
pure silver—are hollow.<br />
Cold water is forced through both contacts by the<br />
^ " automatic water recirculator. No matter how<br />
CINEX 170 IS<br />
hot the arc, the contacts are always cold.<br />
THE FIRST AND ONLY<br />
ALL PURPOSE PROJECTION LAM<br />
PREPARE YOUR THEATRE FOR THE FUTURE<br />
C. S. ASHCRAFT MANUFACTURING CO., INC.I'