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Boxoffice-May.07.1955

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~ine<br />

m&&&fv MctuAe ynauA^<br />

The Walter Reade circuit spent a quorter-million dollars in a total remodeling<br />

iob of the Community Theatre in Kingston, N. Y. Shown here is the outer lobby,<br />

with its use of brick flooring from entrance to the carpeted foyer.<br />

Complete story on remodeling project in The MODERN THEATRE this issue.<br />

MAL EXECUTIVE EDITION<br />

SKlional Nxn Pa«ti of All Idilioni<br />

IN THIS ISSUE:<br />

TMi<br />

iODIEM<br />

TliATEl<br />

SECTION,


.<br />

DORIS<br />

as Ruth Etting<br />

JAMES<br />

^<br />

Jt-^<br />

as "The Gimp'<br />

I<br />

In CINEMASCOPE .. COLOR ... M-G-M<br />

CO ,.,. CAMERON MITCHELL .. robert keith tom tully<br />

,,„..„,n, DANIEL FUCHS and ISOBEL LENNART • ...,.,<br />

noTiiiu pni no<br />

puADi r^ uinnR<br />

Dr„A,.„^* h„<br />

DANIEL FUCHS<br />

inr PAI^TFRNAK


THIS<br />

DRAMA!<br />

If you were a producer and wanted to<br />

make a story of real people, of a dimea-dance<br />

girl who rose to the Ziegfeld<br />

Follies and Hollywood stardom, of a<br />

strange love story in lurid,<br />

mob-ruled<br />

Chicago days -you'd pick the lifeinspired<br />

story of song-star Ruth Etting.<br />

M-G-M picked it and it's a winner!<br />

''Love letters to M-G-M's<br />

Me' a Doris Day-Dream''<br />

'Love Me Or Leave<br />

-WALTER WINCHELL<br />

(Available in Magnetic Stereophonic, Perspecta Stereophonic or 1-Channel Sound)


ALBANY STRAND 10:00 A.M. 'ATLANTA RHODES 9:30 A.M.-<br />

CHICAGO B&K CENTURY 10:00 A.M.- CINCINNATI VALLEY<br />

ja|;;S,MP»NES DES MOINES 9:30 A.M. • DETROIT FISHER<br />

•<br />

CITY FOX BROOKSIDE 2:00 P.M. • LOS ANGELES<br />

.^JhtLIS STATE 9:30 A.M. • NEW HAVEN ROGER<br />

OKLAHttlS^^lDWEST 9:30 A.M. • OMAHA CENTER 1:30 P.M.<br />

SALT LAJi^ffiaLTY CENTRE 9:30 A.M. • SAN FRANCISCO<br />

1<br />

,| B<br />

1 2<br />

10<br />

FO<br />

SHE


•<br />

:ATTLE<br />

Nothing we can say abr ,.<br />

i<br />

''Mister Roberts" can describe<br />

the tremendous Hft it will<br />

give every showman who<br />

sees it. The most loved and<br />

laughed-with play of our day,<br />

it ran three years on Broadway<br />

and six years nationwide.<br />

Its Broadway and roadshow<br />

i<br />

grosses established it as<br />

the wonder-play of all time.<br />

Now come see for yourself<br />

as wonderful a motion picture<br />

as there has ever been —and<br />

bring Mrs. Exhibitor along.<br />

^^ ^<br />

^=^<br />

\<br />

'.:><br />

\[ CAREY • Screen Play tiy<br />

and JOSHUUOGAN<br />

Directed by JOHN FOR<br />

LeROY<br />

. USIC COMPOSED AND CONDUCTED BY FRANZ WAXMAN<br />

jj A.M. BUFFALO CENTER 10:00 A.M. • • CHARLOTTE CAROLINA 10:00 A.M.<br />

AfJ COLONY 1:30 P.M. • DALLAS MAJESTIC 9:30 A.M. • DENVER OGDEN 2:30 P.M. .<br />

A >LIS FOUNTAIN SQUARE 1:30 P.M. • JACKSONVILLE ST. JOHNS 9:15 A.M. V<br />

C P.M. MEMPHIS WARNER . 10:00 A.M. MILWAUKEE WARNER DOWNTOWN 10:00 A.M. • \^<br />

•<br />

EW ORLEANS PITT 9:30 A.M. • NEW YORK R.K.O. 86TH ST. 9:45 A.M.<br />

^C ORE 11:00 A.M. PITTSBURGH SCHENLEY • 11:00 A.M. • PORTLAND 21ST AVE. 2:00 P.M.<br />

EGYPTIAN 2:00 P.M. • ST. LOUIS ST. LOUIS 2:00 P.M. • WASHINGTON AMBASSADOR 10:00 A.M.


!<br />

IT'S A PLEASURE TO DO BUSINIP


"<br />

:<br />

—<br />

ruSe oft/ie7?loiCon rf'ctuJte indwi/^^/<br />

ITIONAL FILM WEEKLY<br />

d In Nine Sectional Editions<br />

N<br />

SHL YEN<br />

n-Chie( and Publisher<br />

M. MERSEREAU. Associate<br />

blisher & General Manager<br />

JERAULD<br />

Editor<br />

COHEN. .Executive Editor<br />

LYEN. .. .Managing Editor<br />

EAR Western Editor<br />

rl^TCHER. .Equipment Editor<br />

CHLOZMAN. Business Mgr.<br />

Every Saturday by<br />

lATEO PUBLICATIONS<br />

ces: 825 Van Bnnit RIvd.,<br />

it 24 Mo Nalhiin Tnlien. R\pril-<br />

tes: Editorial—B20 No.<br />

.lfs« Shivcn. Miinaclns Rdl-<br />

Schlozman, niislnws Mnnacrr:<br />

her. Editor Tlie Mnttern Theatre<br />

flrrhone rllestnut 7777<br />

i (flees: 45 Dockefeller riain. Now<br />

|( N. Y. nonald M. Mersereaii.<br />

'iibll^lii'r k neneral Manaser:<br />

Jeranld. Editor: Hal Slnone.<br />

motlnn-Showmandlsef Seotlon:<br />

rker E^inlpment Advertising.<br />

•nliimliiis 5-8S70.<br />

Mletilrtllcaco<br />

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ilinne superior 7-3972. Artier-<br />

East Waeker nrite, Cl\lcncn 1.<br />

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iNdover ,1-3042-<br />

'ices: Editorial am) Film Adver-<br />

4 Hollywood Blvd.. Hollywood<br />

Ivan Spear. manaEer. Tele-<br />

Mood 5-llSB. EfliilpmenI and<br />

In|\dvertlslni;—fi72 8. I.afavette<br />

Us .Vnceles. CaMf Bob Wetter.<br />

Telephone nUnklrk 8-22.86.<br />

)l| Ortice: Al fioldimllh. 13(!5<br />

es.^ Bide. Phone Metropo'ltan<br />

Yniine. 415 Third St.. N.W.<br />

flN TriBATBE Section Is Inhe<br />

first Is^iie of each month.<br />

ul Jones. The Constitution.<br />

R, Contiers. 21-23 Walter Ave.<br />

K leorce Broivnlng. Stanley Thea.<br />

; Eddie Badger. The Nens.<br />

nees Harding. LIh. 2-9305.<br />

irles Taylor. 421 Pearl St<br />

nnle Mae Williams. EP 2-1254.<br />

I.llll.in Lazarus. 1746 Carrahen<br />

ik Bradley. 2n0SA .lackson.<br />

J. Itnse. 1645 LaJfayelte.<br />

Buss Schoeh. Beglster-Trlbune.<br />

F. Beves. Fox Tlieatre Bldg.<br />

: Oorhln Patrick. Ttie Star.<br />

Robert Cornwell. 323 E Bay.<br />

Ill Adams. 707 Spring St.<br />

y Barwnod. 66 S. TllbUeus.<br />

I.es Bees. 2123 Fremont So.<br />

I'm. N'Ichol. 618 W. fireenfleld.<br />

Waller Dudar. The Beglsler.<br />

I., niwer. 8818 Prltehard PI.<br />

Pnlly Trindle. 1315 Broadng<br />

Baker. 911 N. 51st St.<br />

Norman Shignn. 5363 Berk,<br />

n. F. Kllngensmlth. 516 Jean-<br />

Iklnsbtirg. fTiurrhlll 1-2809.<br />

Arnold Marks. .Journal.<br />

Barrett. 5149 Bosa.<br />

H. Pearson. Deseret News.<br />

Ketner. CA 3-7266.<br />

fiall LIpman. 287-28th<br />

Ine 1-4355; Advertising: Jerry<br />

mard Bldg.. Ytl 6-2522<br />

Ballard. 1303 ramniis Pkvvy.<br />

Sara Yniing. 20th-FoT.<br />

In<br />

Canada<br />

Myron Laka.<br />

Herald.<br />

00 I,emoyne St.. Boom 12.<br />

lehelle.<br />


'<br />

i<br />

(,1<br />

THE ROUND!ABLE COLLAPSES. I<br />

AS MGM. PARAMOUNT SAY WO^<br />

New York—Paramount and Metro-Goldwyn-Mayer have declined the exhibitor bid to a<br />

May 24 Roundtable conference with the major company presidents on industry problems.<br />

Paramount's rejection of the joint invitation issued by National Allied and Theatre<br />

Owners of America was sent to Ruben Shor, Allied president, Monday (2) by Barney<br />

Balaban, president.<br />

He confirmed the fact two days later. It was the first reply to the bid to be made<br />

public by a major company.<br />

Balaban said he regretted the necessity for rejecting the invitation, but explained<br />

that exhibition evidently planned an open discussion of intimate company policies and<br />

that he could not agree to this. He added that Paramount had been and would always<br />

be willing to discuss problems with exhibitors, and that when justified relief would be<br />

granted.<br />

MGM also refused to join a conference at which its sales policies would be subject<br />

to discussion in the presence of competitors.<br />

A telegram was sent at midweek by Nicholas M. Schenck, president of Loew's,<br />

Inc. Schenck said the company's customer relations policy is well known. The company<br />

has always maintained an open-door policy, Schenck wired, and the company will continue<br />

its poUcy of discussing problems with exhibitor's through Charles M. Reagan, vicepresident<br />

and general sales manager. If exhibitors feel that he, Schenck, should sit in<br />

on these talks at any time he will be ready to do so.<br />

Columbia headquarters here said any statement must come from Harry Cohn, president,<br />

on the coast. Warner Bros, said it was up to Harry M. Warner, president, also on the<br />

coast. Republic referred questions to Herbert J. Yates, president, also in Hollywood. Any<br />

comment by United Artists will be up to Arthur B. Krim, president, who was expected<br />

to return from Europe at the weekend.<br />

Efforts to obtain any statement from 20th-Fox were unavailing, while Universal<br />

and RKO continued a "no comment" attitude.<br />

acquire wealth in the production end of tli<br />

business. With the tremendous increase .^»<br />

I<br />

taxes, the incentive was lost for people<br />

work 52 weeks a year, particularly those<br />

the higher brackets, and those represent mo<br />

of the capable people. The result was a tei<br />

dency to make fewer pictures at major studi<br />

and because of the enormous increase of pp<br />

duction costs, these studios were compelli<br />

to discontinue the smaller pictures.<br />

A BRIGHT SIDE, TOO<br />

"Now, coming to exhibition, the one brigj<br />

side of the picture is that, in spite of tli<br />

competition of TV and in spite of the dif)<br />

culties in production, there is no entertaij<br />

ment in the entire amusement world that!<br />

as good as a well-made motion picture. Ther!<br />

fore, the motion picture business is not \<br />

be written off or sold short because, as loij<br />

as it is possible to make first class motl('.i<br />

pictures, the motion picture business will co;<br />

tinue to be pre-eminent in the field of entej<br />

tainment.<br />

"Exhibitor leaders have been upbraiding t<br />

distributors because of onerous terms, pa'<br />

ticularly for the little exhibitor, and it '<br />

commendable that these big, affluent exhi'.<br />

itors should be fighting for the little fellovi<br />

I, too, want to take up the cudgels for t!]'<br />

little fellow. But today the differential bj<br />

tween the so-called big exhibitor and tl,<br />

a<br />

Lichtman: Arbitrate<br />

Rentals $50 or Less<br />

HOLLYWOOD—One of the simplest and<br />

most constructive means of ending the<br />

current controversy between distributors<br />

and exhibitors over<br />

the matter of film<br />

rentals would be to<br />

submit to immediate<br />

arbitration all small<br />

accounts — those paying<br />

rentals of $50 or<br />

less per pictui-e—in<br />

the opinion of Al<br />

Lichtman, 20th Century-Fox<br />

vice-president<br />

and director of<br />

sales.<br />

Lichtman made public<br />

his views at a press<br />

Al Lichtman<br />

conference at the company's Westwood Studio<br />

on Thursday (5), which powwow was admittedly<br />

assembled by him because of<br />

the pressure<br />

and criticism to which he has been subjected<br />

through his inability to participate in<br />

the roundtable discussions for which certain<br />

exhibitor groups have been clamoring.<br />

The sales chief stressed the point that he<br />

was airing his own personal views on the subject<br />

and that his remarks were not to be<br />

interpreted as posing the policy of COMPO,<br />

of which he is<br />

co-chairman, of the distributors<br />

arbitration committee, of which he is<br />

chairman, or of his associates in the 20th-Pox<br />

organization. He again emphasized that his<br />

declination to participate in the roundtable<br />

talks, as well as those refusals by his counterparts<br />

in other companies, was because the<br />

distributors' legal experts had ruled against<br />

such gatherings, if they were to devote any<br />

attention to film rentals.<br />

On the matter of more pictures from the<br />

majors, the second most-stressed count in the<br />

exhibitors complaints, Lichtman opined this<br />

to be impossible because of "several basic<br />

reasons."<br />

"Foremost," he said, "is the enormous impact<br />

on our business by the advent of television,<br />

which has resulted in approximately<br />

34,000,000 theatres in the homes of the people<br />

which, aside from being convenient and from<br />

the original investment, mostly bought on<br />

the installment plan, has free shows. This is<br />

a terrific competitor, very difficult for certain<br />

theatres and ordinary pictures to overcome.<br />

Secondly, the war years brought about<br />

a very drastic change in the thinking of<br />

practically everyone engaged in the production<br />

of motion pictures, though the most important<br />

contributing factor was the enormous<br />

hike in income taxes which came about as a<br />

result of World War II.<br />

"Prior to that time," Lichtman continued,<br />

"everybody had an incentive to work very<br />

hard and make as many pictures as possible,<br />

because it was possible for capable people to<br />

little exhibitor is more marked than ever b';<br />

fore. To give you an example, it is nc<br />

possible in approximately 4.500 theatres ai'<br />

big drive-ins to earn from 85 to 90 per eei<br />

of the total film rental on a first class mi<br />

tion picture; the balance comes from mo'<br />

than double that number of theatres, so ths<br />

it behooves all distributors to have a mo;<br />

flexible policy in order to take care of tl<br />

little fellow and keep him in business to tl<br />

utmost of our ability. Those of them wr<br />

will not progress and improve their faciliti<br />

will fall by the wayside in any case, becau'<br />

not only do they have to compete with teli.<br />

vision, but also the drive-in theatres."<br />

'<br />

U. S. Intervention<br />

Predicted by Myers<br />

MINNEAPOLIS—Small exhibitors can su.'<br />

Vive only if the government intervenes ;<br />

their behalf, it's now becoming clear. This<br />

according to speakers at North Centr<br />

Allied's annual convention opening sessio<br />

While the picture looks gloomy at tl'<br />

moment, it is brightened somewhat by tl<br />

prospect that such intervention, includir<br />

government regulation of film rentals wi<br />

be forthcoming, the speakers declared.<br />

That there still is hope and that it's in th!<br />

direction, the convention was told by Abrai<br />

F. Myers and Ruben Shor, national Allie<br />

States general counsel and president, an<br />

Bennie Berger and S. D. Kane, NCA pres<br />

and executive counsel, at the convention<br />

outset.<br />

Myers said he holds little hope that tY<br />

proposed TOA-Allied conference with fill<br />

company presidents will accomplish anj<br />

(Continued on page 12)<br />

I<br />

i<br />

^<br />

8 BOXOFTICE May 7, 19;


I<br />

I<br />

1<br />

"Mr.<br />

lOA HOPING FOR ARBITRATION,<br />

WITH FILM PRICES INCLUDED<br />

^a^tin Reveals Position<br />

[j Address Before<br />

fi'kansas ITO<br />

iITTLE ROCK—Theatre Owners of<br />

A erica is still going after an arbitration<br />

5,v,em for the industry, and will try to<br />

Ir ude film rentals as an arbitrable subjf<br />

—but the repeated delays in finalizing<br />

ai arbitration draft gives top priority to<br />

aiindustry roundtable, E. D. Martin told<br />

[I ependent Theatre Owners of Arkansas<br />

ai ts convention this week.<br />

jiiin. president of TOA, said he had a<br />

1 tilth in the roundtable, but he admitted<br />

;1 a number of stumbling blocks remain on<br />

agreement on arbitration.<br />

N ON MUTUAL PROBLEMS<br />

Hi road to<br />

he biggest obstacle to date has been<br />

f^ure of national exhibitor associations to<br />

]


THE SUN<br />

20,682 GLOBE-GIRDLING IN9


SHUtnivn:<br />

WIDE<br />

IIONS AS OnVPRIL 15. 19<br />

,:^


dance<br />

j<br />

PnUeSeaU Myers<br />

UA to Increase Production<br />

From 90 to 98 in 3 Years<br />

Charles Smadja. vice-president in chai'ge<br />

of European production, tells the international<br />

sales meeting in London that the company<br />

plans to make pictures in every major Eur-<br />

.opean nation, many on a co-production basis.<br />

*<br />

Weekly Picture Attendance<br />

Tops That of Major Sports<br />

COMPO ad in Editor & Publisher compares<br />

newspaper figures on major league baseball,<br />

collegiate football and bowling with those<br />

of film theatres.<br />

•<br />

Championship Fight Films<br />

To Be Distributed by UA<br />

Deal cover;ng Marciano-Cockell bout May<br />

16 m San Francisco closed with International<br />

Boxing Club, which will handle cameras;<br />

closed-circuit theatre telecasts set by TNT<br />

now exceed 80.<br />

*<br />

N. Y. Rivoli Theatre Prepares<br />

For Todd-AO Presentation<br />

Monty Salmon, managing director,<br />

changmg<br />

marquee and completely renovating and<br />

decorating mt«rior of Broadway house; first<br />

showing of "Oklahoma!" due late in July.<br />

•<br />

Brooklyn Dodgers Favoring<br />

Toll TV Despite Protest<br />

Walter O'Malley, baseball club president,<br />

sees 50-cent levy for each set tuned in to<br />

next year's games if FCC approves use of<br />

system; Father Duffy Post of Catholic War<br />

Veterans critical.<br />

•<br />

Boston Mayor and Officials<br />

Approve Trench Line'<br />

RKO's court attack on Massachusetts Sunday<br />

censorship law may be withdrawn; Lynn<br />

•mayor also gives okay, leaving final decision<br />

up to the commissioner of pubhc safety.<br />

•*<br />

Legion of Decency Condemns<br />

RKO's 'Son of Sinbad'<br />

Describes picture as "serious affront to<br />

Chi'istian and traditional standards of morality<br />

and decency because of its blatant and<br />

continual violation of the virtue of purity"<br />

with salacious dances.<br />

•<br />

Memphis Censor Board Bans<br />

'Sinbad' Second Time<br />

RKO film was viewed a year ago and<br />

turned down by the board; L. T. Binford,<br />

censor chaii'man. .said the feature could be<br />

'<br />

passed with the "vulgai scenes cut.<br />

*<br />

Schlesingers to Produce<br />

TV Films in So. Africa<br />

John Schlesinger and A. E. Harmer conclude<br />

deal after four weeks of discussion<br />

here; also sign agreement to play 20th-Fox<br />

cinemascope pictures in new theatres.<br />

(Continued from page 8)<br />

thing in the present effort to save exhibitors'<br />

skins. He raked the film company presidents<br />

over the coals for failing to accept pronto<br />

the proposal to discuss exhibitors' life and<br />

death problems with the joint TOA-Allied<br />

committee representing practically all theatre<br />

owners.<br />

QUIBBLE OVER AGENDA<br />

"At this critical moment when our house<br />

is afire, these presidents are too pompous and<br />

self-important to accede immediately to our<br />

request for the conference and they quibble<br />

as to the agenda," commented Myers wryly.<br />

While exhibitors are "in a hell of a fix,"<br />

however. Myers gave the impression that the<br />

federal government will come to their rescue.<br />

Although he's pessimistic anent exhibitor relief<br />

from a conference with film company<br />

presidents, he'd hate to have it said, he told<br />

the convention, that exhibitors rushed into<br />

government intervention without having<br />

tried in every conceivable way to solve these<br />

problems within the industry. And that's why<br />

the film companies are being given this last<br />

chance, he explained.<br />

"At the same time." asserted Myers, "exhibitors'<br />

greatest folly would be to sit around<br />

any longer and wait until their houses burned<br />

down completely without having called out<br />

the fire depai'tment."<br />

In all this connection, Myers revealed that<br />

plans already are laid for immediate resort<br />

to governmental intervention if the conference,<br />

as he expects, doesn't materialize or result<br />

"in the necessary exhibitor relief." He declined<br />

at this time to make public the plan's<br />

details.<br />

Myers also revealed that he and Berger,<br />

the latter joint defense committee chairman,<br />

recently in Washington had spent a half-day<br />

with U. S. Senator H. H. Humphrey of Minnetota,<br />

a member of the Senate committees on<br />

small business and monopoly, and that Senator<br />

Humphrey had been most sympathetic<br />

and had given them valuable advice and suggestions.<br />

He proposed that the convention<br />

go on record thanking and praising Humphrey.<br />

If you only could still make a little money,<br />

you exhibitors would have the nicest business,<br />

one free of inventory and other such won-ies,<br />

Myers asserted.<br />

TWO SCHOOLS OF THOUGHT<br />

"There are two schools of thought in New<br />

York," said Myers. "One seems to think<br />

that pictures should be reserved for big cities<br />

where people go to large theatres and pay<br />

high admissions. Film companies having that<br />

thought feel that 5,000 to 6.000 such accounts<br />

would insure their present revenues.<br />

"The other school believes that all the<br />

present problems can be solved by the right<br />

people sitting down at a table and discussing<br />

them. I hope that school is right, but I'm<br />

afraid it isn't. However, the test is now to be<br />

made."<br />

Exhibitors should not be too skeptical of<br />

what can be accomplished by going to the<br />

government for relief, Myers said. He termed<br />

criticisms of Allied for urging government<br />

intervention "sleazy."<br />

"We all fear and hate government interference,"<br />

he asserted. '^But it's better than<br />

to be ground under film company heels.<br />

"Assuming, as I do, that the conference will<br />

Allied's Chief Calls<br />

For Active Campaign<br />

Minneapolis—If immediate relief is nc<br />

forthcoming from company presidents a<br />

the projected industry roundtable<br />

hibitors must prepare<br />

to wage the<br />

same sort of fight<br />

which won admissions<br />

tax relief,<br />

Ruben Shor, president<br />

of Allied<br />

States Ass'n, told<br />

North Central<br />

Allied this week.<br />

"Most exhibitors<br />

now find the m-<br />

selves in the position<br />

where they're Ruben Shor<br />

regulated by the<br />

film company gentlemen in New ¥ork„J<br />

he declared. "Government regulation aJ<br />

any level would be an improvement, anil<br />

we must battle for it, if the companl<br />

presidents refuse immediate relief. Jiui<br />

as we did when we fought for admissioiJ<br />

tax relief, we must enlist the public ojj<br />

our side."<br />

He said he is convinced that Congrest<br />

will "come to the exhibitors' rescu^<br />

again," if called on by independei<br />

theatremen.<br />

He credited Alfred Starr, chairma<br />

of the executive committee of Theati<br />

Owners oi America, with engineering th j<br />

recent meeting of top level TOA an<br />

Allied members at which a joint call f(<br />

an industry roundtable was issued. H<br />

said that while TOA was late in comir<br />

around to the Allied position on tH<br />

roundtable, in all fairness, he wanttil<br />

to give Starr credit for proposing tli |<br />

recent jont session.<br />

never occur or if it does it will pro\|<br />

no solution to your present difficulties, w,<br />

short of government regulation will save y|<br />

business?" asked Myers.<br />

Berger told of exhibitors coming to N<br />

with tears in their eyes telling of distribi)<br />

demands for 50 per cent and Saturday il<br />

Sunday playing time for top pictures!<br />

situations where the average total gross<br />

•:<br />

such attractions is approximately $240.<br />

"The $64 question today is whether I<br />

are going to be able to survive," said BeriS<br />

"At this moment the outlook is dark.<br />

"Our inventories are edibles," asser<br />

Berger. "Our main business today is C<br />

fections. If we didn't have our concess!<br />

counters few of us could remain in busini.<br />

The overwhelming majority of exhibits<br />

today are losing money in their these<br />

operations."<br />

Relative to Senator Humphrey, Bert<br />

.said he and Myers always have bJ<br />

staunch, rockribbed Republicans, so tt<br />

when they joined in praising Humphrey J<br />

Farmer Labor-Democrat, it's all the me<br />

significant. He pointed out that Myers H<br />

held an important appointive post under t<br />

late President Coolidge.<br />

"Senator Humphrey is sympathetic to r<br />

cause," he said.<br />

Berger said that members of the All^<br />

committee are all well-heeled persons vo<br />

could sit on the sidelines, but are fight?<br />

for the little fellows and for the princie<br />

of the thing.<br />

12 BOXOFFICE May 7, l5i


1<br />

inds-across-the-sea<br />

j<br />

worldwide<br />

I<br />

In<br />

I the<br />

:<br />

ARIETY HUMANITARIAN AWARD<br />

GOES TO WINSTON CHURCHILL<br />

jganization Unanimously<br />

fites Great Statesman<br />

forthy of Honor<br />

)S ANGELES—Variety Club's Interna-<br />

|[il imbued its 19th annual convention with<br />

flavor when it clil<br />

ed its four-day 19th annual conclave here<br />

( irday t7) by announcing the selection of<br />

I Winston Churchill, distinguished statesij<br />

and former British prime minister, as<br />

[», winner of the organization's yearly Huijitanan<br />

Award.<br />

committee of more than 100<br />

ejjpaper editors and publishers nominated<br />

Srchill "for the most outstanding service<br />

ohumanity" in 1954. Conventioneers here<br />

rnimously voted to accept the nomination<br />

n are forwarding it to London, where it<br />

ri be offered to him. In announcing the<br />

E.-tion. George Eby of Pittsburgh, chairman<br />

the Humanitarian Awards Committee, de-<br />

W;d:<br />

recognition of his lifelong devotion<br />

liberty of man. his everlasting<br />

;il in safeguarding Democracy and his<br />

:aIous dedication to the furtherance of<br />

!)rld peace, it is with deep pride that<br />

add to the distinguished roster of<br />

imanitarians the name of Sir Winston<br />

Jiurchill."<br />

|?orge Hoover of Miami, international chief<br />

ia;er, presided at the humanitarian ban-<br />

|u at which the naming of Churchill was<br />

B: e public. The event was attended by some<br />

,.Ci convention delegates, film celebrities.<br />

e'ral. state and civic officials.<br />

:tual presentation of the humanitarian<br />

}\!ue will be made to Churchill in London<br />

)yy0l. James Carreras. chief barker of Va-<br />

It's London Tent 36. and a convention<br />

lefjate. when he returns to England.<br />

,ie award is presented annually to the<br />

n, or woman without regard to color,<br />

»itry, race or creed who is deemed to have<br />

ie:;»d his fellow-man most notably.<br />

\e Variety convention, voted successful<br />

»J 11 counts, was staged at the Ambass£ulor<br />

a


SOARING TO TERRIFIC BUSINE<br />

NEW YORK<br />

CHICAGO<br />

i<br />

PHILAE<br />

2nd week at<br />

the Paramount<br />

maintaining<br />

record pace<br />

of smash<br />

first week!<br />

All adding tolf<br />

Paramount has a nil<br />

MOTION PICTJI


ff<br />

N ALL FIRST ENGAGEMENTS!<br />

NEW ORLEANS<br />

Hence that<br />

j-high grosser in<br />

LOS ANGELES<br />

Stanley Warner-<br />

Beverly Hills<br />

record opening<br />

week tops<br />

White Christmas"!<br />

GM-FIDELITY


'<br />

Audience Poll Details<br />

Revealed by Rhoden<br />

NEW YORK—November 17 through November<br />

27 has been chosen as the new and<br />

final date for public balloting under the<br />

auspices of the Council of Motion Picture<br />

Organizations to decide the best picture, best<br />

performances and most promising young<br />

players of the preceding year.<br />

The change from Thanksgiving Day, November<br />

24, to December 7 was made by Elmer<br />

Rhoden, national chairman of the audience<br />

awards campaign, after talks with COMPO<br />

representatives, members of the original<br />

audience poll committee and others.<br />

It was also decided that Hollywood will be<br />

the scene of the awards, and that the event<br />

will be staged on the night of either December<br />

5, 6 or 7. The most convenient date will<br />

be decided later.<br />

Rhoden has set up a nominating procedure<br />

under which nominations will be made by<br />

exhibitors. They will cover three different<br />

periods. The first ballot, according to a<br />

tentative arrangement, will be supplied<br />

and<br />

COMPO by exhibitors on or about June 1<br />

will cover pictures released between Oct. 1,<br />

1954, and March 31, 1955. Distributors will<br />

decide which of their pictures have had wide<br />

enough distribution to be eligible for nomination.<br />

Any picture or personality receiving 75<br />

per cent of the exhibitor nominating votes<br />

will go on the final ballot given the public.<br />

Next, exhibitors will make their nominations<br />

August 1 or thereabouts from pictures<br />

and personalities included in the April, May<br />

and June releases. The final nominations<br />

will be made about October 1 on pictures and<br />

personalities included in the July, August aJid<br />

September releases. Any picture or personality<br />

receiving 75 per cent of the votes in<br />

each of the three ballotings will be entered<br />

on the final ballot to be cast by the public.<br />

September 30 will be the deadline for consideration<br />

of pictures.<br />

Those with whom Rhoden conferred were<br />

Wilbur Snaper, one of the COMPO governing<br />

triumvirate; Morey Goldstein, chairman of<br />

the general sales managers committee of the<br />

Motion Picture Ass'n of America; Harry<br />

Mandel, chairman of the COMPO press relations<br />

committee; Emil Bemstecker of the<br />

Wilby-Kincey Theatres of Atlanta and Ralph<br />

Russell of the Palace Theatre, Canton, Ohio;<br />

Robert W. Coyne, COMPO special counsel,<br />

and Charles E. McCarthy, COMPO Information<br />

director.<br />

Johnson Goes to Europe<br />

To Discuss French Pact<br />

NEW YORK—The first<br />

steps toward negotiating<br />

a new film agreement with Prance<br />

will be undertaken shortly by G. Griffith<br />

Johnson, vice-president of the Motion Picture<br />

Export Ass'n, who left for ESirope during<br />

the week.<br />

After visiting the Cannes Festival he will go<br />

to Paris for the talks. The pact expires June<br />

30. He will then visit Frankfurt, Germany,<br />

where there is the threat of a quota exceeding<br />

27 per cent, now in force to protect Germanmade<br />

films. There is also talk of a German<br />

dubbing tax.<br />

International Projector<br />

Names Alden President<br />

BLOOMFIELD, N. J.—John L. Alden, formerly<br />

in charge of patent licensing for Western<br />

Electric, has been made president of<br />

[nternational Projector<br />

John li. Alden<br />

ing equipment.<br />

Corp.. succeeding Rear<br />

Adm. R. B. Tompkins,<br />

USN retired.<br />

International is a<br />

subsidiary of General<br />

Precision Equipment<br />

Corp. and produces<br />

projection and sound<br />

reproducing equipment.<br />

Through its<br />

Sec-o-matic division it<br />

manufactures synthetic<br />

solvent dry clean-<br />

Alden has been with General Electric since<br />

1926, holding supervisory posts at the New<br />

York, Chicago and Kearney plants. As patent<br />

licensing manager he administered all Bell<br />

System licenses for patent rights under 9,000<br />

U. S., 2,400 Canadian and 3,100 other foreign<br />

patents. He also has supervised the manufacture<br />

of all kinds of central office and toll<br />

equipment.<br />

Miami Chamber Joins<br />

Fight Against Toll TV<br />

MIAMI—The Miami-Dade County Chamber<br />

of Commerce has adopted a resolution<br />

opposing pay-as-you-see television, and has<br />

forwarded its statement of opposition to the<br />

Federal Communications Commission. Pointing<br />

out that the concept of American broadcasting<br />

has been based on the right of every<br />

individual to look and listen without payment<br />

of fees, the Chamber of Commerce asked the<br />

FCC to reaffirm this position in denying<br />

petitions for toll TV.<br />

Sarnoff Sees Color TV<br />

'Break Through' Xmas<br />

NEW YORK—Color television wUl<br />

"break through" in set output and broadcasting<br />

by Christmas of 1955, according<br />

to Brig. Gen. David Sarnoff, chairman<br />

of the board of RCA.<br />

Pointing out that a reasonable number<br />

of color programs will be broadcast with<br />

regularity and this number will increase<br />

rapidly as more color sets axe installed in<br />

homes. Gen. Sarnoff said that RCA is<br />

confident that it can sell all the color sets<br />

and tubes it will produce between now<br />

and the end of the year.<br />

The company's plant in Bloomington,<br />

Ind., will begin to turn out 21-inch color<br />

TV receivers to sell for $795 in a table<br />

model and $895 in a floor or console model<br />

this week, he said.<br />

Allied Policy Cause<br />

For Gehring Balk<br />

DES MOINES—William C. Gehring, exec<br />

five assistant general sales manager for 20<br />

Century-Fox, who turned down two invit<br />

tions to speak at Allied regional conventio<br />

this week gave his explanation for the actli<br />

in a letter read to delegates of the IoW|<br />

Nebraska Allied unit meeting here.<br />

Gehring's explanation was that since Alii<br />

is seriously considering asking for fed®<br />

regulation of the motion picture industry,<br />

felt he could not appear before the conve<br />

tion. His letter was addressed to Al Myri<<br />

Iowa-Nebraska president. Gehring's fra<br />

discussions of exhibitor-distributor problei<br />

at Allied meetings have been highlights oi<br />

number of conventions in the last two<br />

and there has been considerable conjectl!<br />

as to the reason for the sudden refusaJs<br />

appear.<br />

Leo F. Wolcott, chairman of the board,<br />

his annual report, scolded exhibitors becai<br />

many "had gone for impossible deals, pli<br />

ing into the hands of the distributors." The<br />

fore, he added, some of the blame for p(<br />

earnings in the last year must rest with th<br />

theatremen.<br />

He attributed the drop in revenue to th<br />

possible factors: (1) Patrons who objected<br />

failure to have the tax cut passed on to<br />

public: i2) admission increases; (3) telev'<br />

in new areas; i4> night sports; (5) high fl<br />

rentals.<br />

However, Wolcott said there had been so<br />

bright spots during the year. Withdraw<br />

of the requirement that all CinemaSw<br />

pictures be played with stereophonic soi<br />

was a big help, he said. Tax relief was<br />

major assist, and there was a slowdown in<br />

I<br />

price rise, he also said.<br />

He agreed that Cinemascope pictures,<br />

the most part, provided improvement of ]<br />

i!ct and produced better boxoffice results.<br />

felt that theatre owners may be justlf,<br />

for then- expense in installing new equipin<<br />

"in time."<br />

Abram F. Myers, Allied's general cou<br />

and board chairman, and Ruben Shor,<br />

tional president, were also scheduled to sp<br />

at the three-day convention which got<br />

way Wednesday (4). Bob Krueger of<br />

City gave the welcoming talk. Clinics w<br />

scheduled with Myers, Col. H. A. Cole, E.<br />

Huhnke, Phil Lannon, Harold Struve<br />

Krueger presiding.<br />

This Doesn't Look Like<br />

Berger's Selling Out<br />

MINNEAPOLIS—The future apparecir'<br />

doesn't look too dark to Ted Mann si<br />

Bennie Berger despite Berger's recent deolation<br />

he desires to sell his theatres. Tiy<br />

are spending $175,000 to improve their fit<br />

run World and Gopher here.<br />

At the 400-seat World, a highly successil<br />

operation, Mann is shelling out $125,000 T<br />

an entirely new glass exterior, new air c<<br />

ditioning and lighting, new wide seats, 1<br />

latest and best modern projection equipmd<br />

an enlarged general lounge and new pow|<br />

room, carpeting, a seamless widescrej<br />

redecorations generally and some additio|<br />

seats.<br />

Berger is spending over $50,000 for a rW<br />

front, lounge and foyer, new carpeting i^<br />

interior decorations at the Gopher.<br />

16<br />

BOXOFFICE May 7. l,5j


.<br />

FROM BATTLEMENT TO BOUDOIR .<br />

FROM BRAWL TO LOVERS' TRYS7<br />

' "^'-d^ reckless path I<br />

Men knew his fury<br />

and >vomen — his lips,<br />

but none knew the name,<br />

or the secret, of the<br />

man who held a<br />

nation at bay!<br />

ijijiJiJ.UM-i.yj,<br />

'7:^!!^2^*»fc4a;^c.^i^*?j«^>«^z


'<br />

i<br />

NT Attendance Is Down,<br />

But 13-Week Net Is<br />

LOS ANGELES—Consolidated net income<br />

of National Theatres for the 13 weeks ending<br />

March 26, 1955, was $734,133, equivalent to 27<br />

cents a share, compared to $651,468, or 24<br />

cents a share, in 1954's corresponding quarter.<br />

President Elmer C. Rhoden reported to<br />

stockholders Wednesday ^4>. Rhoden said<br />

the circuit's consolidated net for the 26 weeks<br />

ending March 26—the fu-st half of the current<br />

fiscal year-—was $1,280,549, or 46 cents a<br />

share on 2,769,486 shares of outstanding stock,<br />

compai-ed with $1,307,050. or 47 cents a share,<br />

for the same period last year.<br />

Gross income was up 4 per cent, but attendance<br />

dwindled by 8 per cent, Rhoden<br />

reported. He sounded an optimistic note,<br />

however, by predicting a more satisfactory<br />

third quarter with the release of "stronger<br />

attractions and the diminishing television<br />

audience in the summer."<br />

Among "quality" pictures awaiting release,<br />

Rhoden cited 20th Centui-y-Fox's "Daddy<br />

Long Legs," "Soldier of Fortune" and "Seven-<br />

Year Itch," Walt Disney's "Lady and the<br />

Tramp," MGM's "The Prodigal" and "Interrupted<br />

Melody," Pai-amount's "Strategic Air<br />

Command" and "The Seven Little Poys,"<br />

Warners' "Moby Dick" and "Mister Roberts"<br />

and United Artists' "The Kentuckian" and<br />

"Not as a Stranger."<br />

He pointed out that NT has, to date, been<br />

unable to expand in the drive-in field because<br />

of the government's consent judgment, but<br />

that now, after compliance, the circuit hopes<br />

to move into that exhibition segment by acquiring<br />

construction sites and purchasing<br />

ozoners already in operation.<br />

20th-Fox Pays Extra Sum<br />

For Release of 'Itch'<br />

NEW YORK—Twentieth Century-Fox will<br />

be able to release its film version of the<br />

Broadway stage hit, "The Seven Year Itch,"<br />

some time this summer, instead of the originally<br />

stipulated date of Feb. 1, 1956, by<br />

paying $175,000 to the producers of the play,<br />

Courtney Burr and Elliott Nugent.<br />

The original purchase price of the hit play<br />

was $225,000. Marilyn Monroe and Tom Ewell<br />

(original star of the play) are starred in the<br />

20th-Fox picture, which was completed some<br />

months ago. Ewell is currently on tour with<br />

a road company of the play while Eddie<br />

Bracken is now starred in the Broadway<br />

production, in its third year at the Fulton<br />

Theatre, where it passed its 1,000th performance.<br />

Omnifilms to Distribute<br />

Foreign-Made Features<br />

NEW YORK—Omnifilms, Inc., has been<br />

formed by Noel Meadow for the acquisition<br />

of foreign films for U. S. release. The first<br />

release will be "The Noose and the Needle,"<br />

produced by Oscar Dancigers in Mexico,<br />

where it was called "El."<br />

Arturo de Cordova is the star and Delia<br />

Garces is co-starred In the film, which was<br />

directed by Louis Bunuel. Columbia Pictures<br />

has acquired the distribution rights for the<br />

rest of the world, outside the U. S.<br />

Up<br />

Kentucky Exhibitors<br />

Forming Allied Unit<br />

Louisville—A new exhibitor association,<br />

to be affiliated with Allied, is in the<br />

process of being organized in Kentucky.<br />

A meeting of theatremen has been called<br />

for 1:30 p.m. Tuesday (17) in the auditorium<br />

of the Falls City Theatre Equipment<br />

Co. building. Coming here to attend<br />

the session will be Abram F. Myers, general<br />

counsel for Allied; Ruben Shor, national<br />

president; Trueman Rembusch and<br />

William A. Carroll of Indiana's unit, and<br />

Robert Wile, executive secretary of Ohio<br />

Allied. The organization committee consists<br />

of J. M. Reiss, Louis Arm and E. L.<br />

Ornstein of Louisville, and Robert Enoch,<br />

Elizabethtown.<br />

Ben Berger Again Heads<br />

North Central Allied<br />

MINNEAPOLIS—Benjamin Berger was reelected<br />

president of North Central Allied at<br />

the convention here this week. Except for<br />

one term, when Ted Mann took over, Berger<br />

has headed the organization since it was<br />

established. Also re-elected was E. L. Peaslee,<br />

Stillwater. Minn., first vice-president. Burt<br />

Parsons of Springfield, Minn., was elected<br />

secretary and Henry Greene, Minneapolis,<br />

was chosen treasurer.<br />

Board members elected were Ted Monn, Frank.<br />

Montzke, Chorles Rubenstein, Harold Kaplan ond<br />

Martin Lebedoff, Minneapolis; Sheldon Grengs, Eau<br />

Cla re, Wis.; Will Gioser, Fairboult; George Granstrom,<br />

5t. Paul; John Johnson, Deer River; Lowell Smoots,<br />

Little Falls, and C. Fred Schenne, Litchfield, Minn.;<br />

Mike Cooper, Grand Forks, N. D.; Howard Gould,<br />

Glencoe; J. L, Anderson, Pionkinton, S. D,; Joseph<br />

Corriere, Hollock; Jack O'Brien, Tracy; Cal Nygaard,<br />

Brainerd; Albert Munro, Rolla, N D.; Frank Hohn,<br />

Ashland, Wis.; Cal Kaake, Duluth; J. M, Rosfvold,<br />

Caledonia; Ed Fredine, Benson; Alfred Bergmann,<br />

Hudson, Wis.; John Brandenhoff Fairmont, and Al<br />

Smith, Winona. George Gould, Glencoe, was named<br />

an honorary director.<br />

Brilant Preparing Poll<br />

Pressbook for COMPO<br />

NEW YORK—Arthur M. Brilant, veteran<br />

publicity and promotion man. is aiding the<br />

Council of Motion Picture Organizations in<br />

preparing a brochure and pressbook on the<br />

national audience award poll, working under<br />

the direction of Charles E. McCarthy, information<br />

director.<br />

Brilant worked for 12 years under S. Barret<br />

McCormick at RKO Pictures, and also in the<br />

Hollywood and New York offices of Warner<br />

Bros, and Paramount. He conducted the 1946<br />

national publicity drive of the industry in<br />

behalf of the Red Cross.<br />

New Allied Artists Dividend<br />

HOLLYWOOD—Meeting in New York on<br />

Tuesday (3), the Iroard of directors of Allied<br />

Artists declared a quarterly dividend of<br />

13% cents a share on the company's 5^i; per<br />

cent cumulative convertible preferred stock.<br />

The dividend is payable June 15 to stockholders<br />

of record as of June 3.<br />

RCA Sales Earnings<br />

Highest m History<br />

NEW YORK—Sales and earnings of tl<br />

Radio Corp. of America in the first quart<br />

of 1955 amounted to $256,305,000, an increa<br />

of 13 per cent over the first quarter of 19i<br />

and the highest of any similar period in tl,<br />

company's history. Brig. Gen. David Sarno),<br />

chairman of the board, told the 36th annu:<br />

stockholders meeting May 3.<br />

Profits, before federal taxes, amounted<br />

$25,085,000, or a net profit for the quart<br />

of $12,568,000, after providing $12,517,000 f<br />

taxes. This is an increase of 25 per cent ov<br />

the profits earned in the first quarter of 19E<br />

Afier preferred dividends, the common sta<br />

earned 84 cents a share, compared with<br />

cents in the first quarter of 1954.<br />

Looking ahead. Gen. Sarnoff said that RC<br />

foresees a good volume of business for tl<br />

year 1955 as a whole. "We all know from e<br />

perience. however, that it is not possible<br />

.<br />

use the results of the first quarter period<br />

the yardstick for the remainder of the yes<br />

Nevertheless, based upon the annual progre<br />

sion and rate of our growth in past yea:,<br />

we hope that RCA will, for the first time<br />

its history, achieve the stature of a billli'<br />

dollar corporation. Our sights are set hi|<br />

and the target for 1955 is one billion doUa<br />

in sales of products and services," G


ARMS!<br />

• ••and it's the<br />

FUNmesr<br />

from<br />

BUD and<br />

MARIE WINDSOR • MICHAEL ANSARA and PEGGY KING<br />

Directed by CHARLES LAMONT<br />

•<br />

Screenplay by JOHN GRANT • Produced by HOWARD CHRISTIE<br />

A UNIVERSAL INTERNATIONAL PICTURE<br />

s<br />

f<br />

Another Picture with that Universal Appeal! h


; May<br />

(<br />

^<br />

;<br />

'<br />

PARA, WILL ASK FCC TO LICENSE<br />

PAY-AS'YOU-WATCH TELEVISION<br />

Company Deep in TV;<br />

Owns Station, Makes<br />

Color Tubes<br />

NEW YORK—Industry opposition to<br />

pay-as-you-see television will not be unanimous.<br />

Paramount not only has filed answers<br />

to the Federal Communications Commission<br />

request for proposed rule-making<br />

suggestions, it will be represented among<br />

the proponents at any hearing decided<br />

upon by the FCC. This hearing probably<br />

will be held next fall. The Commission had<br />

considered a summer date, but has decided<br />

to let it go over until after the vacation<br />

season for its employes.<br />

OWNS 50% OF TELEMETER<br />

The company now holds an Interest of more<br />

than 80 per cent in International Telemeter<br />

Corp. Last year it held 50 per cent, so it is<br />

apparent that the company's interest in this<br />

kind of television hasn't slackened; it has<br />

increased.<br />

"Our experience in show business tells us<br />

that the Telemeter system is the most practical<br />

system of paying for entertainment in<br />

the home," Barney Balaban comments in the<br />

company's latest annual report. "The combination<br />

of vocal program announcement, a<br />

coin box and built-in electronic accounting<br />

control provides the most effective merchandising<br />

and the simplest operation for the<br />

viewer.<br />

"There are major problems to be solved before<br />

pay-as-you-see television realizes its<br />

vast commercial possibilities. The various<br />

data processing projects, although aimed at<br />

important fields, must still pass in varying<br />

degree through the stage of converting phototype<br />

equipment to successful commercial<br />

product."<br />

Telemeter is only one of the television<br />

projects in which Paramount has an interest.<br />

It has decided to go into production of films<br />

for TV use.<br />

INTEREST IN CHROMATIC<br />

Paramount also has a 50 per cent interest<br />

in Chromatic Television Laboratories, Inc.,<br />

which is manufacturing the Lawrence color<br />

television tube. Last year it was expected<br />

that color TV receivers would be widely used<br />

by this time, but unexpected delays developed.<br />

In the meantime licenses have been issued to<br />

several manufacturers for use of the Chromatic<br />

system.<br />

In explaining the color delay, Balaban said<br />

the solutions offered by some companies did<br />

not "represent practical answers to the problem<br />

of delivery of quality color for mass<br />

market prices to the public. We believe the<br />

showings planned for the near future will<br />

demonstrate the Lawrence tube is the key<br />

to the problem."<br />

Paramount has had a 26 per cent interest<br />

in the Allen B. DuMont Laboratories for<br />

several years, but has repeatedly denied that<br />

it exercises any control. A few weeks ago<br />

DuMont announced that it was contracting<br />

its network and henceforth would transmit<br />

its programs on film to cut down wire<br />

charges. There has been no information<br />

Para. '54 Gross Down 3%<br />

But Net Income Gains<br />

NEW YORK—Paramount's gross revenues<br />

for 1954 were $108,833,841, about 3 per cent<br />

below 1953, when the total was $112,050,206.<br />

This was due to delay in the release of some<br />

of the new product until the latter part of<br />

the year, states Barney Balaban, president,<br />

in the annual report.<br />

There was a general improvement in business<br />

during the year. The report describes<br />

it as a "healthy resurgence."<br />

"In recent years," the report states, "it became<br />

increasingly obvious that each picture<br />

must stand or fall on its own merits. Now,<br />

more than ever, it is clear that the public<br />

will support good pictiures. Good pictures<br />

can compete successfully with television, or<br />

forthcoming on whether Paramoimt's plan<br />

to go into TV film production has a relationship<br />

with the DuMont policy shift.<br />

Paramount owns station KTLA, Los Angeles,<br />

100 per cent. This station is supposed<br />

to have been the first to turn in a profit. It<br />

also has a stake in the rapidly developing<br />

telecasting business in Canada—50 per cent<br />

of Ontario Television, Ltd., which owns and<br />

operates CKCO-TV at Kitchener, Ont.; 50<br />

per cent in Television de Quebec, Ltd., which<br />

operates CFCM-TV, Quebec City. Both of<br />

these have Telemeter franchises.<br />

Canadian theatres are beginning to feel<br />

the TV competition, the Paramount annual<br />

report admits, but this is not expected to be<br />

as serious as it was for some time in the<br />

United States.<br />

QuesHons Filmmaking<br />

By TV Nefworks<br />

Washiiig:toii—FCC Commissioner Frieda<br />

Hennock on Friday (39) questioned<br />

whether television networlcs should be<br />

permitted to produce or syndicate motion<br />

pictures and called for "an immediate,<br />

vigorous" Congressional investigation of<br />

monopoly practices of the networks.<br />

Miss Hennock submitted to the Senate<br />

Commerce Committee a minority report<br />

on that Committee's TV probe of last year.<br />

The Committee had invited FCC comments<br />

on the investigation, which had<br />

been aimed at the financial difficulties<br />

of the new UHF stations.<br />

Network penetration into all phases of<br />

the film ind'ustry jeopardizes development<br />

of film as a competitor to network program.<br />

Miss Hennock told the Committee.<br />

She said "the networks maintain a life<br />

and death control over TV and are<br />

strangling UHF and the development of<br />

TV."<br />

any other form of public entertainment."<br />

Consolidated net earnings after taxes f;<br />

1954 were $9,003,802, compared with $6,779,5<br />

in 1953. Dividends were paid at the rate<br />

$2 per share. Earnings were at the rate<br />

$4.10 per share. Net current assets went up .<br />

$66,950,900, an increase of $4,385,486.<br />

Dividends from Canadian and foreiij<br />

affiliated companies were $6,648,000, coij<br />

pared with $752,860 in 1953.<br />

Foreign business was an increasingly ir<br />

portant part of the total, the report stat*<br />

due to more favorable economic conditio'<br />

abroad, but the company does not report ;<br />

foreign income until it has been remitted<br />

this country.<br />

On this point the report states: "Canadi;|<br />

theatres are beginning to feel the impei<br />

of television. However, with the experieni<br />

of the American industry behind them, it;<br />

cur belief that the higher quality of pictur<br />

now in release and the new and greatly ii;<br />

proved methods of presenting films will e<br />

able the Canadian theatres to adjust mcj<br />

rapidly to television."<br />

The Paramount stake in Canadian theatl<br />

operation is much larger than its investmer.<br />

in TV thus far. It holds 51 per cent of F-<br />

mous Players Canadian Corp., Ltd., in spi<br />

of the sale of 285,000 common shares whi»<br />

were sold to the Canadian public last spri;{<br />

at $23.50 per share, on the theory that<br />

.<br />

would be better for the company to haf<br />

Canadian residents holding a larger shs^<br />

of the total. Up to the time of this sale Pav<br />

mount held 67% per cent.<br />

Paramount Is Continuing<br />

Its Purchases of Stock<br />

NEW YORK—Paramount is continuing ^<br />

policy of purchasing its stock on the ofV<br />

market.<br />

Between January 1 of this year and Aprii<br />

the total outstanding was reduced by 5,1><br />

shares, leaving the total at 2,188,921 frd<br />

,<br />

21,195,027. These purchases began befi?<br />

the antitrust decree went into effect ai<br />

have continued at various speeds since.<br />

Purchases for the full year were 22,01.<br />

During 1953 the total purchases were 122,41.,<br />

The cost of the 1954 buys was $774,5!.<br />

During 1953 the total cost was $3,243,586.<br />

Hiding' Screening Dated<br />

NEW YORK—Warner Bros. "TaU Man R-<br />

ing." starring Randolph Scott and Dorot? I<br />

Malone, will be nationally tradeshown May .<br />

instead of May 11. as previously announcl.<br />

i<br />

The picture will be nationally distributl i<br />

June 18.<br />

bj'f<br />

'<br />

20 BOXOFFICE :<br />

7. Il5


1<br />

three<br />

. . . from<br />

MOVIE FESTIVAL EMBLEM<br />

An emblem, carrying the slogan<br />

•'Nothing Beats the Movies," will be<br />

the key promotional item in the monthlong<br />

Southeastern Movie Festival which<br />

exhibitor organizations will sponisor<br />

in Georgia. Alabama and Florida.<br />

The Festival will be held from May 16<br />

to June 16 in all three states. There will<br />

be co-op advertising, saturation playdates<br />

for top pictures being released by<br />

distributors for the occasion and some<br />

of the companies are placing full color<br />

Sunday advertisements in daily news-<br />

'<br />

papers to sell the pictures. The Festival<br />

is one of the first to be held on a regional<br />

basis in the industry's history.<br />

^)^T-IATSE Deal Closed;<br />

i) Theatres Book Fight<br />

•TEW YORK—Theatre Network Television<br />

1 i the International Alliance of Theatrical<br />

f ige Employes and Moving Picture Machine<br />

Cerators have signed a one-year labor<br />

£--eement covering employes in the closedc'cuit<br />

TV industry. Signers were Richard<br />

I' Walsh, lATSE president, and Nathan L.<br />

ripern, TNT president.<br />

Negotiations were conducted by Martin H.<br />

Ill for TNT and John J. Francavilla. inter-<br />

Uional representative, for the union.<br />

rNT has a 41-city network of large-screen<br />

i:'bile projectors which will be operated by<br />

irSE crews. The first telecast under the<br />

utract will occur Monday (9) when there<br />

VI be a program for physicians sponsored<br />

1 the American Medical Ass'n and Smith,<br />

line and French Laboratories.<br />

The Marciano-Cockell fight will be telecst<br />

May 16 from San Francisco to more than<br />

8 theatres, Halpern said.<br />

l.cture Companies Report<br />

fock Holding Changes<br />

CEW YORK—Changes in corporate holdi<br />

s of their own stock have been reported<br />

I motion picture companies to stock extmges<br />

as follows:<br />

ivmerican Broadcasting-Paramount Theses,<br />

five per cent preferred, shares pre-<br />

^usly reported, 3,109; latest report. 9,409:<br />

I -amount, common, 22.000 to 27.000; RKO<br />

'eatres, common. 672.377 to 88.400; Stanley<br />

j^Jner Corp., common, 265,600 to 270,600.<br />

COMPLAINTS GO TO MOTION PICTURE ASSN<br />

British Censors Warn<br />

On Crime, Violence<br />

NEW YORK—The British Board of Film<br />

Censors has formally warned the Motion<br />

Picture Ass'n of America that U. S. producers<br />

must place le.ss emphasis on crime, violence,<br />

passion and sex or films with an undue<br />

proportion of those ingredients may be<br />

barred from distribution in Britain.<br />

The letter itemized complaints against six<br />

films which it has banned. All had the<br />

production code seal. They are: "The Wild<br />

One," "Cell 2455, Death Row," "Wicked<br />

Woman," "Black Tuesday," "Operation Manhunt"<br />

and "Cry Vengeance."<br />

The letter said violence was permissible<br />

when necessary to the story, but not "scenes<br />

of utmost brutality" and evidence of "sadistic<br />

pleasure" in beatings.<br />

The MPAA here had no comment, but it<br />

was clear that the warning was being taken<br />

seriously and that Eric Johnston, president,<br />

would discass it with company presidents.<br />

Louisville Times Also<br />

In a Warning<br />

LOUISVILLE—The Louisville Times, commenting<br />

on the action of the British Board of<br />

Film Censors in warning American producers<br />

to modify scenes of violence, crime and passion,<br />

declared that while it has never liked<br />

censorship it is conceivable that the British<br />

are doing the United States a favor in its<br />

foreign relations.<br />

The Times editorial, which has already<br />

been reprinted in other important daily newspapers,<br />

said, in part:<br />

"Hollywood has an immense foreign market,<br />

upon which it is heavily dependent. Thus<br />

Hollywood already operates a rather sensitive<br />

censorship of its own. Care is taken<br />

that no film contain anything offensive to<br />

the national pride and prejudice of any one<br />

of many friendly countries in which it may<br />

be shown. The effect may be somewhat restrictive,<br />

artistically, but the foreign boxoffice<br />

is highly important, economically.<br />

"However, no similar self-interested, selfcensorship<br />

appUes so carefully against what<br />

may be, in effect, misleading caricature of<br />

life in the United States. The total impact<br />

upon the foreign audience may be unexpectedly<br />

different from the impact upon the<br />

American audience, which is able to see the<br />

picture in familiar perspective.<br />

" * • * Foreign censors—the British Board<br />

of Film Censors, for example—are not primarily<br />

interested in seeing to it that an<br />

accurate picture of America is presented to<br />

their audiences. The censors are interested in<br />

'protecting' the audiences from scenes which<br />

the censors consider too raw and therefore<br />

brutalizing, or degrading. But if this effort<br />

has the net result of diminishing the notion<br />

abroad that violence is an accepted instrument<br />

of the American way of life, we carmot<br />

condemn the censorship as wholly nefarious,<br />

or unconscionably meddlesome.<br />

"The question is difficult, of course. The<br />

Wild West, source of much of the film entertairunent<br />

that goes overseas, was more or<br />

less wild. Life in the United States has never<br />

been wholly serene and subdued, or free of<br />

crime and sex. Let's hope that Hollywood,<br />

under prodding like that which comes from<br />

London, can strike a reasonable balance somewhere,<br />

before going so far as to portray us<br />

all as goody-goodies."<br />

Assails 'Sin-Strewn' Films<br />

Exported From the U.S.<br />

BURLINGTON, WIS.—A small minority of<br />

film distributors send "sin-strewn" films<br />

across the ocean and thereby play into the<br />

hands of Rus.sian propagandists, Sen. Alexander<br />

Wiley (R., Wis.) told a "May Day-<br />

Loyalty Day" celebration here on Sunday (1).<br />

Wiley praised theatre owners for their contributions<br />

to "all sorts of charitable and<br />

goodwill causes," commended MPAA president<br />

Eric Johnston and the vast majority of<br />

producers and distributors for their cooperation<br />

in trying to create a tnie picture of the<br />

U. S. abroad, but a.ssailed the small minority<br />

of distributors who are engaged in "squeezing<br />

the last possible dollar ... in greedy profit<br />

the overseas market."<br />

Some of these films present an America<br />

"of sex, sin and sadism, of gangsterism, corruption,<br />

filth and degradation," and while<br />

Americans can ordinarily "interpret such<br />

films in proper perspective," foreign audiences<br />

are misled. He said we are spending<br />

$80,000,000 through the U. S. Information<br />

Agency to create a good impression abroad,<br />

and these films have been undoing the work.<br />

ITie Russians "are pouring out enough filth<br />

about us without our adding to our own problem,"<br />

Wiley said. He told his audience that<br />

he doesn't believe in government cen.sorship<br />

and said "it is up to Hollywood, therefore, to<br />

demonstrate its further loyalty ... by taking<br />

voluntary action. An unscrupulous few should<br />

not be in a position to tarnish the good name<br />

of the overwhelming mass of deeply responsible<br />

industry leaders."<br />

Stanley Adams Re-Elected<br />

President of Ascap<br />

NEW YORK—Stanley Adams was reelected<br />

president of the American Society<br />

of Composers, Authors and Publishers at a<br />

board meeting April 28. Re-elected for a oneyear<br />

term were; Otto A. Harbach, vice-president:<br />

Louis Bernstein, vice-president; John<br />

Tasker Howard, secretary; Saul H. Bourne.<br />

treasurer; George W. Meyer, assistant secretary,<br />

and rtank H. Connor, assistant<br />

treasurer.<br />

Three Elected to Board<br />

Of Makelim Pictures<br />

HOLLYWOOD—Election of three men tn<br />

the board of directors of Maklim Pictures,<br />

Inc., was announced by Hal R. Makelim.<br />

president. They are C. A. Dandelake, of<br />

Tarboro, N. C, owner of the Colonial and<br />

Tar theatres and president of Theatre<br />

Owners of North and South Carolina; Hugh<br />

Thomas jr.. Sarasota, Fla.. owner of the<br />

Siesta Drive-In circuit, and Jack Jackson,<br />

editorial columnist of Houston, Texas.<br />

IXOFFICE :: May 7, 1955 21


ii/lay 31 thru June<br />

starring<br />

DALE ROBERTSON • SALLY FORREST -LIU srJ<br />

]co-starring<br />

MARI BLANCHARD • Directed by lED TEIZIAFF • Wntten by AUBREY WIS6ERG and JACK POli


1£<br />

SINBADV<br />

wee I<br />

THEATRE i<br />

across the<br />

U.S. have<br />

booked SIN BAD for<br />

the first mreek in June!<br />

JGHES presents<br />

ftlCENT PRICE<br />

THE NEW ANAMORPHIC PROCESS<br />

Si/P£J?SCOPE<br />

ON THE GIANT WIDE SCREEN<br />

color by<br />

TECHNICOLOR<br />

R K O<br />

RADIO<br />

PICTURES<br />

V


: May<br />

ANNOUNCEMENT AT RICHARD F. WALSH DINNER<br />

20th-Fox Plans Epilepsy<br />

Film for Variety Clubs<br />

Richard F. Walsh (center), international president of lATSE, was guest of honor<br />

at the Heart Award Dinner of the Variety Club of New York, where he received the<br />

second annual Heart Award from Russell V. Downing (left), president of Radio City<br />

Music Hall. William J. German (right), was chief barker of Tent No. 35 and general<br />

dinner chairman at the Waldorf Astoria Hotel event.<br />

NEW YORK—Spyros P. Skouras, president Charles Halloran, representing Governor<br />

of 20th Century-Fox, will produce a motion Harriman, who praised Walsh for his role<br />

picture on epilepsy for nationwide theatrical in the maintenance of labor harmony in the<br />

distribution under the sponsorship of the amusement world.<br />

Variety Club Foundation to Combat Epilepsy Robert J. O'Donnell, vice-president and<br />

he told the 800 guests attending the second general manager of the Texas Interstate<br />

annual Heart Award Dinner of the Variety Circuit and former chief barker, was toastmaster<br />

and also told of his early association<br />

Club of New York at the Waldorf Astoria<br />

Hotel May 2.<br />

with Walsh. Others on the dais were: Margaret<br />

Hayes, actress; Jay Emanuel, A. W.<br />

The dinner was the Variety Club's tribute<br />

Schwalberg, Max A. Cohen, Samuel Rinzler,<br />

to Richard F. Walsh, international president<br />

of the International Alliance of Theatrical<br />

Stage Employes and Motion Picture Operators<br />

of the U. S. and Canada, who was presented<br />

the Heart Award by Russell V. Downing,<br />

president of the Radio City Music Hall.<br />

Skouras said he hopes to make the picture<br />

in both Cinemascope and conventional<br />

forms and, "with the aid of the Variety Club<br />

Foundation we hope to be able to exhibit<br />

this film in all theatres in the U. S." The<br />

script is now in preparation and production<br />

will be started shortly at the 20th-Fox Studios<br />

in California for fall release, according to<br />

Skouras. The picture will also be issued in<br />

16mm for clinical and professional use later<br />

on.<br />

"The purpose of the film is to bring the<br />

American public up to date on the great<br />

strides that have been made by the medical<br />

profession in the diagnosis and treatment of<br />

epilepsy," he said.<br />

Walsh, who has served as a director of the<br />

Variety Club Foundation to Combat Epilepsy<br />

since its founding, was praised by William J.<br />

German, chief barker of Variety Club who was<br />

chairman of the dinner committee, for "having<br />

contributed much to its success."<br />

Other speakers were: Robert M. Weitman,<br />

vice-president of American Broadcasting-<br />

Paramount Theatres, who spoke of his early<br />

as.sociation with Walsh in union activities;<br />

Howard Lindsay, author-producer-playwright,<br />

who spoke for the legitimate theatre and<br />

said that Walsh "has given not only respect<br />

but self-respect to the lATSE," and Hon.<br />

Abel Green, Sam Rosen, Fred J. Schwartz,<br />

Gus S. Eyssell, Emanuel Frisch, Sam Dembow.<br />

Major L. E. Thompson, Thomas Murtha,<br />

Charles Reagan, Herman Gelber, Edward L.<br />

Fabian, Joseph R. Vogel, John Shubert, Harry<br />

Brandt, Leonard Goldenson, Herman Robbins,<br />

Ned E. Depinet, Richard W. Altschuler,<br />

Mrs. Charles E. Lewis, Wilbur Snaper, James<br />

L. Wolcott, Robert W. Coyne and Donald M.<br />

Mersereau of BOXOFFICE. Martha Lipton,<br />

Metropolitan Opera star, sang the National<br />

Anthem and Rev. Vincent J. Brosnan, chaplain<br />

of the Catholic Actors Guild, gave the<br />

invocation.<br />

$2,000,000 Antitrust Suit<br />

Filed in New Hampshire<br />

BOSTON—An antitrust suit claiming $2,-<br />

000,000 in triple damages has been filed in<br />

federal district court of New Hampshire by<br />

Miriam Z. LeWitt, owner of the Strand Theatre,<br />

Plainville, Conn., against the eight majors.<br />

The suit claims an illegal structure of<br />

runs, clearances, availabilities and admission<br />

prices and charges the majors and theatres<br />

in Bristol, New Britain and Hartford, Conn.,<br />

with conspu'acy, monopoly and restraint of<br />

trade. There are no exhibitor defendants,<br />

however, since none does any business in<br />

New Hampshh-e and are therefore outside<br />

the jurisdiction of that state.<br />

The suit was filed from the Boston office<br />

of attorneys George S. Ryan and W. Bradley<br />

Ryan.<br />

Republic to Release<br />

20 in Five Months<br />

NEW YORK—Republic will release 20 fe<br />

tures from May through September,<br />

assuring consistent delivery during the ne<br />

five months at the<br />

rate of one a week, according<br />

to Richard W.<br />

Altschuler, director of<br />

worldwide sales. All<br />

productions on the list<br />

are either completed or<br />

now shooting, he said.<br />

Leading off the May<br />

schedule is "The Eternal<br />

Sea," co-starring<br />

Sterling Hayden and<br />

Alexis Smith, which<br />

recently opened at the<br />

RKO Albee, Providence,<br />

followed by a<br />

saturation<br />

throughout New England. Others for<br />

will be: "Santa Fe Passage," in TrucoU<br />

starring John Payne, Faith Domergue<br />

Rod Cameron; "I Cover the Underwark<br />

with Sean McClory, and "Don Juan's Nii<br />

of Love," with Raf Vallone and Silvi<br />

Pampanini.<br />

The June list starts with "Road to Denvei|5'j<br />

in Trucolor, starring John Payne, Moi^<br />

Freeman and Lee J. Cobb, and "Flame of<br />

i<br />

Island," in Trucolor, starring Yvonne<br />

Carlo, Howard Duff and Zachai-y Scott; "i<br />

Green Buddha," starring Wayne Morris i<br />

Mary Germaine; "City of Shadows," starril<br />

Victor McLaglen with John Baer and Katl<br />

leen Crowley, and "Double Jeopardy," sta<br />

ring Rod Cameron with Gale Robbins.<br />

In July, there will be: "Magic Fire,"<br />

Trucolor, starring Yvonne De Carlo, Carl<br />

Thompson, Rita Gam and Valentina Cortes<br />

"Mystery of the Black Jungle," starring L<br />

Barker; "Deadline Alley," starring B<br />

Cameron and Julie Bishop, and "Jaguai<br />

starring Sabu with Barton MacLane.<br />

In August, there will be "The Last Coi<br />

mand," starring Sterling Hayden, Anna Mai<br />

Alberghetti and Richard Carlson;<br />

Divided Heart," a British picture produc<br />

by Michael Balcon, starring Cornell Borche<br />

Alexander Knox and Yvonne Mitchell; "It<br />

That Rifle Down," starring Judy Canova, ai<br />

"Circus Girl," in Trucolor.<br />

September will bring "The Hostage,"<br />

Trucolor, starring Ray Milland and<br />

Murphy; "The Vanishing American," bet ber<br />

filmed in Trucolor, starring Scott Brad<br />

Audrey Totter and Forrest Tucker, and "Cod'It^<br />

""<br />

Next Spring," in Trucolor, starring Stejj<br />

Cochran, Anne Sheridan and Sonny Tufts.]<br />

MGM to Handle 'Svengafl<br />

British Film, in U. S.<br />

NEW YORK—Metro-Goldwyn-Mayer<br />

distribute "Svengali," produced in Englarl<br />

by George Minter, in the U. S. and the wesl<br />

ern hemisphere, according to Charles M. Reil<br />

gan, general sales manager. Tliis MGM dil<br />

tribution deal follows others with outsiil<br />

producers, including Samuel Goldwyn, f|<br />

"Guys and Dolls."<br />

"Svengali," in Eastman Color, is based (I<br />

the novel "Trilby" by George du Maurkj<br />

and stars Hildegarde Neff as Trilby, Dona'<br />

Wolfit as Svengali and Terence Morgan<br />

Billy. Noel Langley directed.<br />

24 BOXOFFICE :<br />

7, 191


u.m<br />

.«*<br />

Ul X H ^ Ui ^<br />

W 3 3 ^ ^ °<br />

* o


'<br />

1<br />

Milwaukee's Exhibitors<br />

Organize for Promotions<br />

By BILL NICHOL<br />

MILWAUKEE—Theatremen in this town<br />

are giving concrete evidence of what can<br />

be done when exhibitors<br />

get together to<br />

promote the motion<br />

picture business for<br />

their mutual benefit.<br />

While there have<br />

been occasions in the<br />

past where local managers<br />

of downtown theatres<br />

got together to<br />

whip up enthusiasm<br />

designed to bring patrons<br />

back to the<br />

movies, the over-all<br />

Erv Clumb<br />

spirit of the thing, as<br />

was the custom, soon wound up as a mere<br />

memory and experiment.<br />

DECIDE ON JOINT EFFORTS<br />

All this, however, has been changed. The<br />

managers have finally come to the point<br />

where they realize that the very lifeblood<br />

of the business is at stake. Hence, they decided<br />

to do something about it in January.<br />

Things have moved quickly in the intervening<br />

months. April resulted in a big cooperative<br />

movie festival month, and through<br />

the joint efforts of the managers, the Milwaukee<br />

Journal published a 16-page, color<br />

motion picture magazine which is to become<br />

an annual project.<br />

Among those attending the January session,<br />

which incidently, was held on the Riverside<br />

Theatre's mezzanine floor, were: Ervin<br />

Clumb, the Riverside's managing director;<br />

Al Meskis, Warner; Jack Kois, Telenews; Bob<br />

Kroenert, Alhambra; Mrs. Marion Hvasta,<br />

Towne; Robert Brill, Pi-incess; Harry Boesel,<br />

Palace; Francis Bickler, Wisconsin, and Miss<br />

Estelle Steinbach, now managing the Garfield<br />

in addition to her public relations activities<br />

for Fox-Wisconsin. The over-all theme<br />

permeating the meeting involved the thought<br />

that "what's good for the downtowners, is<br />

good for the others."<br />

FIND MUTUAL PROBLEMS<br />

As might be expected, issues of all sorts<br />

arose. One of the difficulties, which the<br />

neighborhood theatres are not afflicted with,<br />

is the parking problem. The price structure<br />

downtown is obviously higher than in the<br />

outlying districts. Admittedly, promotion, exploitation<br />

and advertising for the downtowners<br />

calls for high-powered efforts, and<br />

lofty expense budgets. Thus, while each individual<br />

theatre has its own problems, by and<br />

large, the managers felt any approach in the<br />

direction of bringing patrons back to the<br />

movies is a step In solving the boxoffice<br />

trend.<br />

At any rate, with all the problems brought<br />

out into the open, the aggressive group boiled<br />

down the solutions immediately available,<br />

and committees were promptly named for<br />

expediting the approaches. As for some of<br />

the conclusions drawn, it is interesting to<br />

note that while here and there an individual<br />

situation may appear Ln distress,<br />

prospects for the future are beginning to<br />

look brighter.<br />

Sprint.mm[Setlion<br />

Cover of "Oscar" section in tiie Milwaukee<br />

Journal, an exhibitors promotion.<br />

Nevertheless, once the conclusions of these<br />

showmen were out of the way, and lines<br />

drawn, so to speak, they repaired to their individual<br />

forts and proceeded to break down<br />

the resistance. First, the mayor was approached,<br />

with the thought in mind that the<br />

naming of April as "Go-to-the-Movies<br />

Month" would focus attention on the theatres<br />

as important community centers.<br />

Then the city council was asked to get on<br />

the bandwagon, and as a result, came up<br />

with five resolutions which were very effective<br />

in stimulating the movement back to the<br />

movies. Meanwhile, Boesel and Clumb spearheaded<br />

action on a special "Oscar Section"<br />

which appeared in the Milwaukee Journal.<br />

April 10. the first of its kind, and as matters<br />

stand right now, slated for an annual appearance.<br />

It stands as a monument to the combined<br />

efforts of these showmen, and represents<br />

a symbol of what can be accomplished<br />

with unity.<br />

One and all, they agree (one week having<br />

passed, with boxoffice receipts ascending)<br />

that this is the sort of "stuff" which smacks<br />

of future success. Monthly meetings are now<br />

in order, and a number of surprises scheduled<br />

for the future. This may be IT!<br />

Named to direct exhibitor activity on a<br />

joint basis were: Ervin Clumb, chairman;<br />

Harry G. Boesel, co-chairman; Miss H. Brunner.<br />

Pox Theatres; Francis Bickler, Robert<br />

Kroenert, Mrs. Marion G. Hvasta, John R.<br />

Kois. Al Meskis and Miss Steinbach.<br />

Universal Votes Dividend<br />

NEW YORK—The board of directors of<br />

Universal Pictures Co., Inc., has voted a<br />

quarterly dividend of $1.0625 per share on the<br />

4'/i per cent cumulative preferred stock, payable<br />

June 1 to stockholders of record at the<br />

close of business May 16.<br />

MGMloReleaseSFilm<br />

During July, August<br />

NEW YORK—Metro-Goldwyn-Mayer w<br />

release five features, including one reissi<br />

during July and August, to make a total<br />

18 pictures for the first eight months of 19^<br />

Three of the 18 are reissues. 1<br />

For July, there will be "Interrupted M<<br />

ody," in Cinemascope and Eastman Cold<br />

originally scheduled for March release ai'<br />

which is having special engagements on<br />

during May; "The Cobweb." in Eastmi<br />

Color and Cinemascope, and the reissue<br />

"The Wizard of Oz," in both Technicolor aB<br />

black-and-white prints.<br />

]<br />

For August, there will be "The Kind<br />

Thief," in Cinemascope and Eastman Colo<br />

and "The Scarlet Coat," also in CinemaScoj<br />

and Eastman Color.<br />

Oklahoma Variety Club<br />

To Raffle Oil Well<br />

OKLAHOMA CITY—A producing oil W(<br />

is to be given away this year by Variety Te:,<br />

22. The oil well give-away fund-raising pU<br />

will supplant the long-time turtle derby ever<br />

staged to raise funds.<br />

The board elected to give away an oil we!<br />

then presented the matter to a general merf<br />

bership meeting Monday night (25) at whic<br />

time more than 60 men were present. A vo<br />

of confidence was given to the plan whi(<br />

is expected to be launched about July 1. Tl<br />

giveaway will be made after the State Pa,<br />

which ends in early October.<br />

At the general membership meetin:<br />

Charles R. Guthrie, fund-raising project'<br />

main guy, outlined the plan. The presei<br />

plan is to sell chances at one dollar eac;<br />

with eleven chances in a book for ten do<br />

lars, giving one chance free to a book.<br />

R. Lewis Barton was named main guy (<br />

the committee to organize the promotion f(!<br />

funds, while W. H. "Bill" Lewis was name'<br />

co-main guy.<br />

'Marty' Wins an Ovation<br />

At Cannes Film Festival<br />

CANNES, FRANCE—Audiences and new.'^<br />

papers highly praised "Marty," United Ar<br />

ists film, shown here April 29 at the Fill<br />

)<br />

Festival. Applause of those in the Palais d<br />

Festival was frequent during the showin<br />

<<br />

and at the end when Betsy Blair, who stai<br />

in the film with Ernest Borgnine, made<br />

personal appearance.<br />

MGM's "Bad Day at Black Rock" had prd<br />

viously gotten a warm reception. Othf|<br />

American films to be shown include Warns<br />

Bros.' "East of Eden." Paramount's "Countr<br />

Girl" and 20th-Fox's "Carmen Jones." Tli<br />

last is not an official entry.<br />

De Rochemont Honored<br />

At Swiss Reception<br />

NEW YORK—Louis de Rochemont, pro<br />

ducer of "Cinerama Holiday," and Robei<br />

Bendick, director of the Swiss winter scene<br />

in Holiday magazine, were honored at<br />

party held at the Swiss National Travf<br />

Office April 26.<br />

Borden Mace accepted the award of<br />

golden medallion, a replica of the symbol 0|<br />

St. Moritz, from Peter Kasper, director Oj J<br />

the St. Moritz tourist promotion office.<br />

26<br />

BOXOFFICE May 7, 195


i'illiam H. Pine Dies;<br />

Veteran Producer<br />

lOLLYWOOD—Filmdom lost one of its<br />

rist successful and hard-working producers<br />

h the pa-ssing April 29 of William H. Pine,<br />

59. partner of Wm. C.<br />

Thomas in the famous<br />

team of Pine and<br />

Thomas. Pine died of<br />

a heart attack, the second<br />

and fatal seizure<br />

coming after he had<br />

entered Cedars of Lebanon<br />

Hospital a little<br />

— T~^ j^. more than a week<br />

^^L ''^^^B.'Cil earlier to undergo<br />

^VHMrfl^^Ly| treatment for a milder<br />

I^_<br />

Hk^jDHw<br />

attack. Until just before<br />

his death his docrt'illiam<br />

H. Pine tors had reported him<br />

tbe holding his own.<br />

liervices were held Monday (2) followed by<br />

tj-ial at Hollywood cemetery. Survivors inc;de<br />

his wife: a son, Howard, a producer at<br />

liversal-International: three sisters, three<br />

b>thers and three grandchildren. Y. Frank<br />

li-eman. Paramount studio head, delivered<br />

!( eulogy and active pallbearers were Freer,<br />

n, Herman Darstein, Sylban Cobey, Will.n<br />

Demarest. Robert Gillham. Maxwell<br />

^ane, Archie Herzoff and Richard Arlen.<br />

I'ine and Thomas were partners for 15<br />

virs and during that period turned out 81<br />

t.tures for Paramount. Of them, "Run for<br />

ever" is currently in release and will be<br />

filowed by three others, "Hell's Island," "The<br />

1r Horizons" and "Lucy Gallant." Last<br />

S.rch P. and T. dissolved its long associatin<br />

with Paramount and inked a releasing<br />

cil with United Artists, under which the<br />

fit venture, "Lincoln McKeever," is now in<br />

Ii'paratory stages.<br />

'Tom New York newspaper work and the-<br />

Eiical and circus publicity. Pine came to<br />

t'atre exploitation with Balaban & Katz<br />

i Chicago. He joined the Paramount studio<br />

plicity department in 1933. and organized<br />

became a director of the advertising and<br />

f 1<br />

oloitation department. Three years later<br />

1 joined Cecil B. DeMllle as associate proc;er.<br />

The Pine-Thomas unit was formed<br />

i 1940, releasing through Paramount. The<br />

l^;office knowhow of Pine and his partner<br />

! to their being dubbed the "Dollar Bills."<br />

\t Pine's passing, DeMille said of him that<br />

I' was "one of the best associates and best<br />

f?!nds I have ever had."<br />

]tck Cohn Selects Three<br />

I P Pioneer Committees<br />

JEW YORK—Jack Cohn. president of the<br />

Mion Picture Pioneers and the Foundation<br />

c Motion Picture Pioneers, has named the<br />

15 Pioneer dinner committee and, for the<br />

f ndation, the relief and assistance committ<br />

and the contributions committee. His<br />

a ion followed a meeting of the board.<br />

"he dinner committee consists of Barney<br />

E aban. Herman Robbins, Ned E. Depinet,<br />

fn Dembow jr. and Cohn. It will choose<br />

a hairman and name the man to be honod<br />

as the pioneer of the year.<br />

'"he relief and assistance committee cons,<br />

s of Marvin Kirsch. John J. O'Connor and<br />

\ liam Brandt. The contributions committ<br />

is William J. German, Sam Rosen and<br />

C )rge Dembow.<br />

Rosensohn of BOTV Plans<br />

Experimental Laboratory<br />

NEW YORK— Box-Office Television, Inc.,<br />

plans an experimental TV studio laboratory<br />

which will be available to a limited number of<br />

subscribers on an annual contract basis, according<br />

to William P. Ro.sensohn, president.<br />

He said it will have the backing of advertising<br />

agencies. The company produces industrial<br />

and business closed-circuit telecasts.<br />

The new service will supply studio space,<br />

film channels, cameras, editing equipment,<br />

lights, scenic pieces and BOTV technicians<br />

and specialists. BOTV will move from its<br />

present location to the space to be occupied<br />

by the laboratory. Further details will be<br />

made known soon, including personnel<br />

changes, Rosensohn said.<br />

n<br />

fter midnight of Mav 2.5,<br />

"0 thou of Utile jaith wherefore<br />

didst thou have any doubt?"<br />

Voice of America Records<br />

Program at SW House<br />

NEW HAVEN—What the U. S. State Department<br />

called the first Voice of America<br />

broadcast ever to originate in a motion picture<br />

house was recorded in the Stanley W.trner<br />

Roger Sherman here Thursday (28). The<br />

occasion was the visit of two Italian ba-i;-<br />

ball stars touring the United States as guests<br />

of the State Department. They received<br />

baseballs autographed by Giants' centerfielder<br />

Willie Mays from Joseph Rossomando,<br />

a.ssistant Yale baseball coach, in a<br />

brief ceremony on the Roger Sherman stage.<br />

The program, which coincided with the<br />

opening of "The Willie Mays Story," was<br />

tape-recorded by Voice of America for replay<br />

throughout Italy. The visiting players were<br />

Franco Tavoni and Angelo Rizzo.<br />

1955, no contract or request for contract<br />

will be considered in THE MAKELIM PLAN.<br />

Contracts, requests for contracts, or those returned for correction,<br />

under THE MAKELIM PLAN, mailed before midnight<br />

of May 25, 1955, will be considered.<br />

^^OCl<br />

EXHIBITORS (close to 25% of all the exhibitors in<br />

OO^V the country) have joined and pledged in one body,<br />

to play and pay for, to exploit and promote MAKELIM PIC-<br />

TURES, one a month. Clean — powerful — entertaining stories<br />

that will bring a tear, a smile, or a thrill. No filth — no smut —<br />

no epics — just good, clean pictures. Good for the 10-year-old.<br />

the teenager, the parents, and the grandparents.<br />

3<br />

humbly bow my head in thankful prayer for the patience,<br />

support, and confidence of 154 of the finest and biggest<br />

circuits of theatres in America who have signed to THE MAKE-<br />

LIM PLAN.<br />

^po the thousands of reliable and trustworthy independent ex-<br />

^i^ hibitors from coast to coast who have all signed to THE<br />

MAKELIM PLAN — and to those exhibitor organizations whose<br />

verbal support helped so much — my sincere thanks. I am truly<br />

grateful.<br />

jSL^o that all who join THE MAKELIM PLAN will have done<br />

e*^ so on an equal basis — stories, cast, and starting date, will<br />

be announced after the closing date.<br />

^<br />

atience i^ a great virtue, and I am thankful and grateful<br />

abundantly.<br />

to the many thousands who have expressed it to me so<br />

J/ai /?.<br />

Makeiim<br />

9336 Washington Boulevard, Culver City, California<br />

EXOFFICE :: May 7, 1955 27


$2.80 Package-Dinner and Movie<br />

Offered by Seattle Hotel Circuit<br />

Seattle—Backed by an extensive radio, TV,<br />

newspaper, trailer and lobby card promotion,<br />

the Seattle Hamrick Theatres, in conjunction<br />

with the Olympic Hotel, have initiated a<br />

"package deal"—dinner and a ticket to a<br />

first run movie at one of their houses, the<br />

Music Hall, Blue Mouse, Orpheum, or Music<br />

Box, for only S2.80. After three weeks of<br />

operation, Doug Forbes, city manager for the<br />

Hamrick chain, reports that each week has<br />

seen an increase in the number of "package"<br />

customers.<br />

The program got under way Monday,<br />

March 21, with the breaking of ads in the<br />

various med;a, including a saturation schedule<br />

on radio KING, AM and FM. Announcers<br />

were invited by the hotel and theatre chain<br />

for a dinner and a movie to show them<br />

how the plan operated. After two weeks on<br />

KING, the radio advertising was shifted over<br />

to KJR and the same pattern repeated.<br />

Reception of the theatre-dinner plan has<br />

been excellent, with no reports of dissatisfaction<br />

from patrons. Present plans are to continue<br />

the arrangement, using newspapers,<br />

movie trailers, radio, and the hotel menus.<br />

In commenting on the success of the plan<br />

so far, Forbes stated : "Budgetwise, it's a little<br />

early to say how far ahead we are in actual<br />

THEY DON'T BELIEVE IT!


: May<br />

"<br />

Alan Press, Traffic Manager of Screen Gems, Inc., TV subsidiary of Columbia Pictures Corp., tells<br />

ii<br />

Why Rin Tin Tin is never late!''<br />

Every Thursday, kids are waiting for Rin Tin Tin in Miami,<br />

I'ia., and Bay City, Mich., and fifty-three other cities. They'd<br />

he awfully disappointed if he didn't show up.<br />

"How do we get him there.' It's simple, says Alan Press.<br />

"We ship him on film — by Air Express. We also meet<br />

rigid schedules for our other TV network shows: Ford<br />

Theater, Captain Midnight and Damon Runyon Theater. All<br />

told, over 200 unbreakable dates to meet every week.<br />

"Using Air Express excltisively, we've never missed a<br />

single show!<br />

"\'et, we save real money with Air Express. It costs $3.78,<br />

for instance, on our typical 10-lb. shipment from New<br />

York to Bay City. It's the lowest of all — $1.37 less than by<br />

the next lowest-priced air service."<br />

CALL ^KiPt<br />

e:>cpi=ie:ss<br />

Aii'ExiJress<br />

GETS THEtRE F-lftST<br />

division of Ff^KIL-W^Vy E3CPI=tESS ^K


. . . Paramount<br />

—<br />

. . Warner<br />

—<br />

. . "Unchained,"<br />

^Mfmuid ^efoont<br />

Story Mart Best in Months;<br />

Eight Sales During Week<br />

Hitting a brisk pace unequalled for many<br />

past months, the literary market was enlivened<br />

by the sale of no less than eight<br />

properties, spearheaded by 20th Century-<br />

Fox's purchase of a pan- of subjects.<br />

Secured by the Westwood film foundry were<br />

"Boy on a Dolphin," an adventure novel by<br />

David Devine, and "Painted Days," an unproduced<br />

play from the pen of John Byrne.<br />

The former deals with the search, off the<br />

coast of modern-day Greece, for a sunken<br />

ship bearing a cargo of priceless antiques;<br />

the latter, localed in Ireland, concerns the<br />

romance between a farmer and a blind girl<br />

picked up "The Lonely Man,"<br />

a galloper by Robert Smith and Harry Essex,<br />

and assigned it to Pat Duggan to produce in<br />

Technicolor and VistaVision. A story of<br />

Montana in 1871, it has as its leading character<br />

a notorious gunfighter who is marked<br />

for inevitable destruction because he is slowly<br />

going blind . . . Desilu Productions, the TV<br />

and theatrical film unit headed by Lucille<br />

Ball and Desi Arnaz, acquired "Journey to a<br />

Star," a romantic drama by Arthur Julian<br />

and Joseph Morhaim, and plans to film it on<br />

location in Switzerland and France . . . Also<br />

destined for lensing in France is "Bonjour<br />

Tristesse," a French novel by Prancoise<br />

Sagan, stage and screen rights to which were<br />

secured by producer-director Otto Preminger.<br />

He'll first undertake a Broadway dramatization<br />

thereof this fall . . . Actor Dan Duryea<br />

and megaphonist Alvin Ganzer teamed up to<br />

buy "Lights Up," a short story by Cuba<br />

Richardson, and are projecting it as an<br />

independent venture to star Duryea as an<br />

intelligence agent. Ganzer will direct . . .<br />

William E. Selwyn, Jacques Braunstein and<br />

Robert Lord, partners in Hanover Pictures,<br />

bought "The Gay Life," a love story by<br />

Norman Z. Shields, which they'll make on<br />

location in Paris . . . MGM director Roy Rowland<br />

went out on his own to acquire "My<br />

Adorable," a yarn by Aleen Leslie based on<br />

the life of Andrew Jackson's wife, Rachel,<br />

and plans to huddle with MGM toppers concerning<br />

the possibility of megging it for that<br />

studio.<br />

MGM Signs Lloyd Nolan<br />

For 'Last Hunt' Role<br />

After chalking up more than 600 stage performances<br />

as the redoubtable Captain Queeg<br />

in "The Caine Mutiny Court-Martial," Lloyd<br />

Nolan is returning to films—and in a role<br />

far removed from that of the neurotic naval<br />

martinet. He's been inked by MGM for the<br />

part of a buffalo skinner in "The Last Hunt,"<br />

a frontier drama which also will star Robert<br />

Taylor and Stewart Granger . . . Another<br />

radical casting switch finds the urbane and<br />

sardonic Clifton Webb undertaking a hardhitting<br />

action assignment as the star of 20th<br />

Century-Fox's "The Man Who Never Was,"<br />

based on the true-life story of Ewen Edward<br />

Montague, a British navy hero during World<br />

War II ... A busy lad is Forrest Tucker,<br />

who's been set for no less than three pictures<br />

"Night Freight" at Allied Arti,sts, "Texas<br />

Lady" at RKO Radio and "The Vanishing<br />

By<br />

IVAN SPEAR<br />

American" at Republic ... A fm-ther casting<br />

for "Giant," being produced and directed by<br />

George Stevens for Warner release, was that<br />

of Judith Evelyn, set to portray Elizabeth<br />

Taylor's mother in the picturization of the<br />

novel by Edna Ferber .<br />

Anderson<br />

will be the principal heavy and romantic<br />

rival of Randolph Scott in Columbia's Technicolor<br />

gaUoper, "Marshal of Medicine Bend"<br />

. . . David Niven nabbed one of the leads with<br />

Cantinflas, the Mexican comic, in Mike Todd's<br />

upcoming Todd-AO version of the Jules<br />

Verne tome, "Around the World in 80 Days."<br />

This Is Cinerama' Enters<br />

Third Year in Hollywood<br />

Two years of continuous performances at<br />

the same theatre, and still going strong<br />

that's the remarkable long-run achievement<br />

chalked up by "This Is Cinerama" at the<br />

Stanley Warner Hollywood Theatre in the<br />

film capital. Commencement of the third<br />

year of the booking was marked by "happy<br />

birthday" observances in which Stanley Warner<br />

and Cinerama executives participated.<br />

On hand for the event were Harry M. Kalmine,<br />

vice-president and general manager of<br />

the Stanley Warner circuit; Lester B. Isaac,<br />

national director of Cinerama exhibition;<br />

Cliff Geisseman, Isaac's assistant; Everett C.<br />

Callow, in charge of national publicity and<br />

advertising, and William McElwain, western<br />

division chief. The Hollywood chamber of<br />

commerce and other civic and municipal organizations<br />

co-sponsored a birthday luncheon<br />

staged in the foyer of the showcase.<br />

Nunnally Johnson Assigned<br />

Third Chore on One Film<br />

In addition to preparing the script, Nunnally<br />

Johnson has been set to produce and<br />

direct 20th Century-Fox's juke-box story,<br />

"Do Re Mi" . . . Allied Artists producer Vincent<br />

Fennelly signed Richard English to pen<br />

an original tentatively titled "Fall-Out,"<br />

based on what might happen to a strategic<br />

city when atomic fall-out from a nuclear<br />

New York<br />

bomb filters down on the area . . .<br />

video writer Wendell Mays was inked by<br />

Leland Hayward to work on the screen<br />

treatment of Charles A. Lindbergh's Pulitzer<br />

Pi'ize autobiography, "The Spirit of St. Louis,"<br />

in which James Stewart will portray the aviation<br />

hero. It's for Warner release . . . Lew<br />

Seller, who directed Bryan Poy's last two<br />

pictures for Columbia— "Women's Pi-ison" and<br />

"Bamboo Prison"—will return to direct Foy's<br />

"Battle Stations," story of the aircraft carrier,<br />

the U. S. S. Franklin, which Foy will start<br />

next month.<br />

Hakims Preparing to Make<br />

Ne-w 'Hunchback' Version<br />

Here and there in the Hollywoodlands; A<br />

new version of Victor Hugo's horror classic,<br />

"The Hunchback of Notre Dame," is being<br />

prepared by producers Raymond and Robert<br />

Hakim for lensing in France. They've set<br />

the Italian dreamboat, Gina Lollobrigida, for<br />

the femme lead and Anthony Quinn for the<br />

title role therein . . . Release through United<br />

Artists has been set for "Foreign Intrigue,"<br />

Gary Cooper to Portray<br />

Gen. Billy Mitchell<br />

One of the season's plum acting chores<br />

—that of portraying the late Gen. William<br />

(Billy) Mitchell, aviation pioneerwas<br />

grabbed by lanky Gary Cooper when<br />

he was inked for the topline in "The<br />

Court-Martial of Billy Mitchell," which<br />

United States Pictures, headed by Milton<br />

Sperling, will produce for Warner Bros,<br />

distribution. At the same time Sperling<br />

booked Otto Preminger to direct.<br />

Based on climactic events in the general's<br />

career, the film will center around<br />

the controversial court-martial from<br />

which Mitchell emerged as the acknowledged<br />

"father" of the U. S. air force.<br />

Lensing is scheduled to start in mid-June,<br />

based on a screenplay by Sperling and<br />

Emmet Lavery. Based upon more than a<br />

year of research and documentation of<br />

public records, the script returns Cooper<br />

to the studio where he scored with an<br />

Academy Award-winning portrayal of<br />

Sergeant Alvin York, the World War I<br />

hero.<br />

a feature-length theatrical film version o<br />

the TV show created by Sheldon Reynolds<br />

Starring Robert Mitchum and to be shot on<br />

location in Sweden, Austria and the Frencl<br />

Riviera, the opus wil: be written, produced am<br />

directed by Reynolds . th<br />

prison drama produced and megged inde<br />

pendently by Hall Bartlett and being re<br />

leased by Warners, will be screened at th<br />

World Prison Congress in Geneva this sum<br />

mer and at the London Prison Congress ii<br />

September . . . After 14 years in the spol<br />

Gordon Forbes resigned as chief of produc<br />

tion operations at Republic to join Batja(<br />

the Wayne-Fellows unit, as assistant produc<br />

tion manager. Succeeding him at Republic i<br />

George Santoro.<br />

Continental Names Thomai<br />

Western Sales Manager<br />

NEW YORK—Harry H. Thomas has bee<br />

named western sales manager of Continents<br />

Distributing, Inc., by Frank Kassler, presi<br />

dent. He will locate in Los Angeles an<br />

handle sales in most of the western states.<br />

Thomas has been in the industry more tha:<br />

30 years, starting as an exhibitor here. H<br />

was special representative of General Fill<br />

Co., eastern district sales manager of Mono<br />

gram in 1942, became president of PRO Pic<br />

tures in 1945 and then headed Equity Pic<br />

tures, and in 1947 became vice-president i<br />

charge of sales of Souvaine Pictures. Re<br />

cently he was director of coast sales fc<br />

Moropticon.<br />

Walter Reade jr., circuit head, has an in<br />

terest in Continental.<br />

Silliphant and Barnwell<br />

To Film in Philippines<br />

NEW YORK—Stirling Silliphant and JohJ<br />

Barnwell, producers of "5 Against the HousC<br />

|<br />

for Columbia, have completed plans to filil<br />

"Huki," an outdoor drama, on location ij|<br />

the Philippines with the cooperation of th<br />

government there. Silliphant wrote the scripl<br />

which he will turn into a novel for publl<br />

cation by Modern Library. Fall release<br />

planned in color and widescreen.<br />

30 BOXOFFICE May 7, 19£ "1*11


Guiae.<br />

(lttuit(Cl'<br />

m<br />

.SATURDAY<br />

isOrs-<br />

.-«!!»-<br />

P<br />

To stimulote teenager interest in "East of Eden," Manager John Corbett<br />

invited a group of high school girls to the Glove Theatre in Gloversville,<br />

N. Y., and showed them film previews. Many of the girls had seen James<br />

Dean on TV, and all agreed he was going to be a favorite with them.<br />

They formed the James Dean Fan Club and each night the girls came to<br />

the theatre to register members. Before the film hit the screen, they had<br />

over 500 members in the club. The photo shows President Pat Rupert in<br />

the lobby setup signing members. Corbett regards the list as "wonderful"<br />

for all future Dean films.<br />

SLOANE<br />

ditor<br />

4U( t. TRAXE<br />

Aw ole Editor ;


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ChOOSf<br />

(irnTOiinrTT*<br />

lii-¥ue<br />

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WfSMH<br />

the modern gas range ..<br />

SEE YOUR O'KEIFE & MERRITT DEALER<br />

month of June.<br />

RCA Victor has recorded an unusual<br />

long-playing album on Hope and the picture.<br />

Besides the songs taken from the<br />

soundtrack of the film. Hope does a running<br />

commentary on the story and introduces<br />

the various numbers. A synopsis 1<br />

the picture has been printed on the il<br />

verse cover of the album. Disk jock()j<br />

throughout the country have aheady<br />

ceived copies of the record through R^l<br />

and all sales outlets have been alerted.<br />

Sonic Capri, an electric record plair<br />

manufactured by Sonic Industries, wUl f(.<br />

f<br />

ture Hope and film credits in retail ma;- \<br />

zine and newspaper advertising. Sped'<br />

mats and materials for window and inste<br />

displays have been prepared for all stos<br />

selling then- product. National advertisg<br />

will appear in Coronet, Esquire and<br />

New York Times magazine section.<br />

The eastern portion of the country \U'<br />

be postered with 24-sheets advertising c<br />

OKeefe & Merritt gas range tie-in wh<br />

Bob Hope and the pictui-e. Newspaper fs,<br />

will be used in this manufacturer's cop<br />

campaign west of the Mississippi and i-<br />

productions of these ads, moiuited on cal<br />

board, will be distributed to dealers.<br />

All the showmen playing this pict^<br />

benefit locally from these national prort<br />

O'Keete & Mcrritt will use 24-sheet posters in the eostern half ot the U. S. to odvertise its gas range<br />

and the tieup with Bob Hope as Eddie Foy in Paramounf's "Seven Littlei Foys."<br />

PROMOTIONS PLUG BOB HOPE<br />

IN SEVEN LITTLE FOYS'<br />

National Advertisers Direct Special Campaigns<br />

To Attract Family Attention<br />

Saturation coverage on the more important<br />

pictui-es is usually the objective of<br />

major producing and distributing companies<br />

in planning their advance publicity<br />

campaigns. Paramount is making every<br />

effort to achieve this ideal through a combination<br />

of selected commercial tieups,<br />

music recordings, TV-radio air shows and<br />

advertisements in national magazines. Besides<br />

promoting the national release dates<br />

of the film, emphasis will be placed on the<br />

local engagements of Bob Hope's starrer<br />

"The Seven Little Foys," in VistaVision<br />

and starring Milly Vitale with George<br />

Tobias and Angela Clarke.<br />

The opening gambit in the campaign is<br />

the Page & Shaw promotion of its Mothers<br />

Day box of chocolates, being announced<br />

through a full-page color advertisement<br />

in the May 7 issue of the Saturday Evening<br />

Post and aimed directly at the men<br />

of the country.<br />

Page & Shaw distributed a merchandis-<br />

DIT-MCO UNIVERSAL<br />

DRIVE-IN SPEAKERS<br />

1 you con buy . . . outlasts others.<br />

roctively designed . . . Beautiful 2-tone finish<br />

Best Tone Quality<br />

4-iii. weather proofed speaker unit. Heavy duty 1.47 oz<br />

ainico 5 maynet. Hanper fits atty make junction box.<br />

Special volume control. All speakers above ground allow,<br />

ing constant impedance at amplifier.<br />

HIGH QUALITY AT LOW COST<br />

DRIVE-IN THEATRE MFG. CO. ^°l„^<br />

mg folder containing cardboard standee<br />

reproductions of the "Seven Little Foys"<br />

ad for counter and window displays, proofs<br />

of two co-op advertising mats and a fullcolor<br />

portrait painting of Hope, to every<br />

one of its candy retailers in the country.<br />

Hope also mentioned the Page & Shaw<br />

tieup, the Saturday Evening Post and<br />

plugged the picture when he replaced Milton<br />

Berle on his network TV show.<br />

The selection of Bob Hope as the Father<br />

of the Year in the J. C. Penney promotion<br />

scheduled for June will appeal to the feminine<br />

portion of the motion picture-going<br />

public. Approximately 1,600 Penney stores<br />

across the country will take part in this<br />

merchandising campaign. Posters of all<br />

sizes, counter and window display pieces<br />

and other advertising material bearing the<br />

copy line, "See Bob Hope as Pop Foy in<br />

'The Seven Little Foys,' " will be distributed<br />

in quantity. The poster designs wUl be<br />

incorporated in newspaper ads to be placed<br />

in all store areas. Hope has made a special<br />

recording plugging the picture and<br />

Penney tieup to complement store radio<br />

spot announcements to be used in all situations.<br />

The promotion will run the whole<br />

tions, with the possible exception of lej<br />

Page & Shaw campaign, by arranging >,<br />

operative deals with local stores and<br />

advertised merchandise. Locations of le<br />

J. C. Penney stores will be listed in ia<br />

pressbook and then- managers should k<br />

contacted for promotional stunts and citests.<br />

The Penney campaign was timeca<br />

coincide with the national release datt'jf<br />

the production the latter part of June.<br />

The miusual treatment accorded<br />

RCA Victor album on the pictui-e mayw<br />

played up to the local disk jockeys and i<br />

tion commentators on local radio-TV cj;-<br />

lets.<br />

Several angles in the story of "The Sem<br />

Little Foys'' may be adapted for local ><br />

ploitation. Famed vaudevillian Eddie ly;<br />

whom Bob Hope portrays, was one of le<br />

best known "fathers" in show businesiso<br />

all "pops" in town can be publicizedto<br />

advantage.<br />

Eddie Foy's children could dance, s'f<br />

stage contest to find the youngest dar?r<br />

in town might be in order. If there'sia'<br />

oldtime vaudeville actor in town who kiw<br />

Foy, he can be asked to appear on aTT<br />

show or interview in the lobby for a niO<br />

broadcast.<br />

Bob Hope comments on the film<br />

story and introdcs<br />

the songs from "Seven Little Foys" on the spifl'^<br />

RCA recording now in distribution.<br />

— 134<br />

BOXOFTICE Showmandiser :: May 7, liSj


I<br />

,<br />

Displays<br />

I<br />

: May<br />

. . . KANE<br />

. . Academy<br />

linor Role Accorded<br />

'airy Tale Angle on<br />

rhe Glass Slipper'<br />

["The Glass Slipper" got off to a good<br />

art at the Strand in Vancouver, B. C, and<br />

anager R. D. Letts counted on word-oflOUth<br />

to give it an extended run. He said<br />

r<br />

tron comment was excellent from the<br />

lart.<br />

The constant reference of critics to its<br />

easing qualities for children does not help<br />

lull patronage, Letts concluded. In his<br />

"omotion he treated the fact that the<br />

.m is based on a fairy tale "as strictly<br />

condary importance as compared to its<br />

.usical, acting, comedy and production<br />

^alities."<br />

Ten thousand teaser throwaways, 4x4<br />

iChes, carried simply a large cut of Leslie<br />

^iron's head, the outline of a glass slipper<br />

,id the word "Sparkling" in white on blue,<br />

labellished with simulated flitter and<br />

Jars. The back side was blank. Distribuoa<br />

was a week in advance, door to door.<br />

The same motif was followed in preparig<br />

200 silk screen 14x22 cards for window<br />

splay and tack-posting around the city<br />

jweek in advance.<br />

It is noteworthy that Letts left off these<br />

aser throwaways and cards the theatre<br />

ime, playdate, name of star, color men-<br />

,3n, etc.<br />

"We have used this type of card several<br />

imes and the resulting business has never<br />

dicated we have lost anything by leav-<br />

,g off the theatre name, etc.," Letts cemented.<br />

Some 100 bumper strips placed on a taxi<br />

,set followed the teaser white-and-blue<br />

otif and carried the title and theatre<br />

\me.<br />

Small plastic slippers were sent out with<br />

vitations to newspaper, radio and<br />

.omen's clubs representatives and school<br />

|ficials to attend a Sunday evening screeng<br />

prior to opening (there are no Sunday<br />

lOws in Canada by national law).<br />

at the theatre, on the canopy<br />

id marquee featured cutouts of Leslie<br />

iron's head and the slipper.<br />

Saturation plugs were used on radio on<br />

iiening day. The MGM office in Vancour<br />

supplied disk jockeys the Eddie Fisher<br />

Take My Love" platters and the music<br />

ores had proper displays.<br />

(lides on 'Slipper' Begin<br />

fix Weeks in Advance<br />

iAnimated slides on "The Glass Slipper"<br />

hre shown at Loew's Valentine in Toledo,<br />

pio, six weeks in advance. Starting four<br />

pks in advance was a teaser trailer.<br />

JThus Abe Ludacer allowed a long time<br />

j." his buildup on the film version of the<br />

ji fairy tale about Cinderella. His pro-<br />

J)tion followed regular channels with the<br />

'al of reaching large numbers of people,<br />

rhis included a recorder in outer lobby<br />

liying Eddie Fisher's "Take My Love,"<br />

hci&l lobby display, art to both local<br />

XOFFICE Showmandiser :<br />

7, 1955<br />

dailies, "Take My Love" recordings to disk<br />

jockeys of five local stations, and a tieup<br />

with Lamson's department .store featuring<br />

blowups in store of Leslie Caron, a co-op ad,<br />

film stills and copy throughout store and<br />

giveaway of the plastic slipper in shoe department.<br />

In addition the Eddie Fisher record was<br />

placed on more than 200 juke boxes.<br />

'Legs' Chosen for June<br />

In Cosmopolitan for June "Daddy Long<br />

Legs" is picked as the best production of<br />

the month, "Run for Cover" the best westem,<br />

and "Annapolis Story" the best young<br />

romance. The best action film documentary<br />

is "Strategic Air Command."<br />

He came<br />

a thousand<br />

miles<br />

to kill<br />

a man he'<br />

never<br />

seen!<br />

CINemaScOPIE<br />

Store Named Kane Runs<br />

Page 'Kane Mutiny' Ad<br />

"No Foolin! Crazy Prices Win an Oscar'<br />

MUTINY . Award<br />

Winners at Kane's."<br />

The above copy spread across a full<br />

page ad by Kane's furniture store just<br />

following the opening of "The Caine<br />

Mutiny" and "Waterfront" at the College<br />

Theatre in New Haven. The (•) after<br />

"Award" directed attention to a footnote<br />

on the page reading, "With Apologies to<br />

the Columbia Pictures Technicolor Hit,<br />

'The Caine Mutiny' and the Academy<br />

award committee Society of Motion Picture<br />

Arts and Sciences." The ad featured<br />

eight Academy Award bargains.<br />

JAMES STEWART as WILL LOCKHART<br />

James Stewart in "The Man From Laramie" co-starring Artliur Kennedy. Donald Crisp. Cattiy<br />

O'Donnell, Alex Nicol and Aline MacMation with Wallace Ford -Screen Play by Philip Yordan<br />

and Frank Burt based upon the Saturday Evening Post story by Thomas T. Flynn • Directed<br />

by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaScope<br />

— 135 —<br />

Color by Tectinicolor


Showman's Thank-You Notes Climax<br />

Outstanding Cooperative Campaign<br />

25 Peterborough, Ont., Firms Join<br />

In<br />

Promotion for 'Seven Brides'<br />

LUCKY^BRIDE<br />

WEEK<br />

Who will be Peterborough's ,<br />

,<br />

„,„,,^^<br />

SEVEN LUCKY BRIDES?<br />

r<br />

This stoi-y of an outstanding promotion<br />

properly begins at the end, for there, perhaps,<br />

is the secret of its success.<br />

The showman is<br />

Aithur E. Cauley,<br />

manager of the Para- f^ -l .-.<br />

mount Theatre in<br />

Petsrborough, Ont.,<br />

who characteristically<br />

assures that his<br />

assistant Don Corrin<br />

helped him all the<br />

way. These statistics<br />

tell the stoi-y of<br />

Cauley 's success:<br />

^'*'""<br />

Nearly 25 business<br />

^ *<br />

sell the picture. So he had two of f jp<br />

nicely shaped usherettes put on their su:'<br />

mer tops—shorts, loafers, blouses and su:-<br />

mer straws and all—and stand duty '<br />

the lobby of the small Alma. The contri:<br />

was particularly interesting.<br />

'Cruz' Donkey Giveaway<br />

A live donkey promoted "Vera Cruz" ><br />

the Orlando (Fla.) Drive-In. Manai"<br />

A. F. Horton awarded the animal to I-'<br />

person who selected the best name. En'<br />

blanks were available at the boxoffice<br />

— 136 — BOXOFFICE Shovraiandiser :: May 7, Hi'^Snj,


: May<br />

lilies' Space Travel<br />

%'ticles<br />

Slimulale<br />

bnquesl of Space'<br />

litial campaigns on "Conquest of<br />

:pi'' disclose the film's subject alone<br />

il fascinate local motion picture critics,<br />

n. often they will prepare special stories<br />

n lossibilities of space travel.<br />

] 1 example, a feature headed. "How<br />

. . .<br />

,bit a Vacation on Mars? 'Conquest<br />

i pace' Makes Round Trip on Screen,"<br />

piared in the Herald-Journal at Syrau;<br />

N. Y., to pique the interest in the<br />

3i icc-fictioner at the Keiths Theatre<br />

If . A similar article was prepared by<br />

le Post-Standard film editor. This kind<br />

stimulates curiosity of both adult<br />

f i)py<br />

ni younger sets.<br />

' e Piessbook supplied substantial data<br />

n he subject.<br />

1 uddition, Manager Sol Sorkin worked<br />

It'. TV, the local schools and university<br />

ii(i nearby detachment of the Air Force<br />

I is promotion.<br />

\:^L's Bill Thorpe asked questions<br />

>1 ive to interplanetary travel on his<br />

;a on the Street program, giving guest<br />

cl ts to Keiths to persons he interviewed.<br />

^(iP conducted a letter-writing contest<br />

I'l'hen space travel would start and<br />

h planet the writers would like to<br />

si<br />

first.<br />

I'e Syracuse Tip Top Bread Co., parciited<br />

in a promotion on WSYR in<br />

hi Jim DeLine for four days announced<br />

la'all children coming to Keiths on the<br />

Kiend would receive gratis a series of<br />

» cards, purchased and paid for by<br />

leijread company. The firm sent three<br />

e to the theatre in uniform during the<br />

It day-Sunday afternoons to distribute<br />

leards to the kids as they entered the<br />

lefre.<br />

Oest tickets were awarded for correct<br />

uers on space travel In a deal on<br />

TN-TV. A series of stills were telefas<br />

an assist.<br />

1 i Post-Standard also conducted a con-<br />

Bvon "Which planet I would like to<br />

slind why" for its readers.<br />

1i Syracuse Science Paction Club and<br />

ekJience Club of Syracuse U. received<br />

eil invitations to see the film.<br />

A?roup of Air Force men at Hancock<br />

e; were invited to attend in uniform<br />

e "a preview of what their branch<br />

i"vice will eventually do."<br />

termining the .source of the voice coming<br />

Irom within the book display aroused the<br />

curiosity of passersby and assured almost<br />

complete readership.<br />

Big Scout Parade<br />

Columns of publicity and goodwill were<br />

generated for the Plaza Theatre in Englewood,<br />

N. J., by a Boy Scout parade initiated<br />

by Manager Murray Spector for his<br />

showing of "Jamboree," the Boy Scout<br />

film. The district Scout council lined up<br />

all local units for the Saturday affair,<br />

which started at noon and wound more<br />

than a mile through the streets to the<br />

theatre. Four- high school bands and four<br />

promoted open cars participated.<br />

'Bird at Theatre Front<br />

Wins Much Attention<br />

Manager Elkins capitalized on the expansive<br />

front of the Colbert Theatre in<br />

Sheffield, Ala., to get in a punch di.splay<br />

on "The Racers." Elkins obtained a<br />

Thunderbird, the new Ford Motor Co.<br />

sports car available in a national deal on<br />

the film, and between tours around the<br />

city parked it in the theatre front so that<br />

it stood partly in the outer theatre entrance<br />

space and extended on to the sidewalk.<br />

A theatre employe, Beulah Sutton, accompanied<br />

Elkins on the city tours, top<br />

down. The sleek car. signs and racing banners<br />

attracted a lot of attention.<br />

cce Given Mobile Book<br />

A added twist to the mobile book disliwas<br />

arranged by Arnold Gates, in bei)f<br />

"Bad Day at Black Rock" at Loew's<br />

e'land. A giant book on wheels, with<br />

P plugging the film and the novel, was<br />

a'.d near the boxoffice in the outer<br />

and hooked up with a public address<br />

>•<br />

5tn. The speaker was inside the book<br />

d he microphone inside the boxoffice.<br />

and his assistant Gerald Hogan made<br />

it<br />

r?lic, bulletin-like announcements peril<br />

ig to the picture. Difficulty in de-<br />

•3 FFICE Showmandiser :<br />

7, 1955<br />

ARTHUR KENNEDY as VIC HANSBRO<br />

James Stewart in "The Man From Laramie" costarrmg Arthur Kennedy, Donald Crisp. Cathy<br />

O'Donnell, Alex Nicol and Aline MacMahon with Wallace Ford -Screen Play by Philip Yordan<br />

and Frank Burt based upon the Saturday Evening Post story by Thomas T Flynn • Directed<br />

by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaScope<br />

Color bv Technicolor<br />

— 137 —


BOXOFFICE<br />

The Odeon advertising-exploitation chief<br />

Jim Hardiman at Toronto reports Manager<br />

Steve Allen placed signs all over the Metro<br />

Theatre like a hospital to promote "Doctor<br />

in the House." A sign over the candy<br />

bar, for example, was "Diet Kitchen." The<br />

staffers were dressed up In hospital uniforms.<br />

Allen also distributed "Doctor's<br />

Prescriptions" handbills, which naturally<br />

listed the title with "To be taken as often<br />

as possible, (signed) Steve Allen, MD."<br />

Nearly 500 answers were received at the<br />

Paramount Theatre in Ashland, Ky., where<br />

"White Feather" was playing, to an ad<br />

inserted in the Personals want ad column<br />

reading, "Any person with a white feather<br />

please phone 1926." The number was the<br />

theatre's, and naturally callers were told<br />

about the film. Manager John Godfrey<br />

reported business was better than anticipated.<br />

One of the most successful Ideas carried<br />

out for "The Glass Slipper" by Don<br />

Tilzer, publicist for the Claughton circuit<br />

NUGGETS<br />

For one of Esther Williams musicals, Al<br />

Miner of the Cremazie Theatre in Montreal<br />

gave the theatre front a different look that<br />

made the passersby smile and take a second<br />

look. Al spelled out the title of the film on<br />

women's slips!<br />

An oculist's eye chart was set up on an<br />

easel in the Trans-Lux 52nd Street Theatre<br />

in New York by Manager Ed Rosenfeld.<br />

The several lines in the different sizes of<br />

type, so familiar to people who have had<br />

their eyes tested, read "Doctor in the<br />

House."<br />

Centers Advance Displays<br />

At Airer Concession Bidg.<br />

Coming attraction displays are plentiful<br />

around the central building at the Bellevue<br />

Drive-In at Chicago. Manager Chester W.<br />

Miller is convinced well-chosen material<br />

placed at the heavily trafficked concession<br />

center gives a strong and direct impact on<br />

patronage.<br />

ooooooooooooooooooo<br />

o<br />

O:<br />

STEREOPHONIC SOUND<br />

BY<br />

ALTEC LANSINC^<br />

000000000000000v_.^30<br />

Today more theatres use Altec Lansing stereophonic<br />

speakers and amplifiers than all other mattes combined.<br />

Proof enough that Altec "Voice of the Theatre"<br />

speaiter systems and Altec amplifiers and controls are<br />

the best for quality, dependability and economical<br />

operation. More films than ever have stereo sound.<br />

See your theatre supply dealer now for early delivery<br />

of the finest stereophonic equipment, Altec Lansing.<br />

ALTEC<br />

9356 SANTA MONICA BLVD., BEVERLY HILLS. CALIF. 161 SIXTH AVENUE. NEV» YORK 13, N. Y.<br />

'Specialists in Motion Picture Sound"<br />

— 138 —<br />

o<br />

Deejay Broadcasts<br />

Show From on Top<br />

Of Big New Screen<br />

A stunt put on by Frank McQueeney, i<br />

his Pine Drive-In on the WaterbLU-y-Brist<br />

Conn., road is reminiscent of the old po;<br />

sitter days.<br />

McQueeney lined up Les Davis, WW(<br />

disk jockey at Waterbury, to spend 24 hoi<br />

in a specially constructed platform, 8<br />

feet, atop the Pine's new 122x72-foot screi<br />

tower, and broadcast his show of plattii<br />

and comments from 6 a.m. to 10:30 a.,<br />

dming that period. Of course, the n>!<br />

tower; "Battle Ci'y," the current screen i<br />

fering, and other sidelights on the drive-1<br />

received plenty of mention.<br />

Davis was equipped with a telephoi<br />

radio line, meals and a sleeping bag.<br />

For days in advance, McQueeney uajl<br />

the letters, D. I. A., in all his advertisii,'<br />

climaxing with the explanation that tli<br />

stood for "Drive-In Appeal," and armoui^<br />

ing that Disk Jockey Davis would spej<br />

the day atop the new screen tower at tj<br />

Pine to absorb the Pine's "drive-in appeal'<br />

'Crockett' Pantomiming<br />

Clicks With School Kids<br />

at Miami, involved small plastic slippers. Miller used showy aircraft models in<br />

A quantity of these was purchased and front of a six-sheet he arranged recently<br />

in each was inserted a package of Smiles on the concession stand for "The Bridges<br />

mints. The whole was tied with a ribbon. at Toko-Ri" two weeks in advance. He Foster Liederbach of the Strand Theati,!<br />

These were sold on the candy coimters of had a display on "20,000 Leagues Under the Lexington, Ky., held a "Davy Crockef'j<br />

the Embassy Theatre and the Trail Drivein<br />

where the film opened.<br />

tropical fish and a miniature diver, plus night, similar to the pantomime seen i;<br />

Sea," consisting of small acquarium with Pantomime contest on the stage openi?<br />

standees, etc.. up six weeks in advance. TV, to the tune of "The Ballad of Hi?<br />

Crockett." Naturally, the entrants we<br />

A man, wearing the original green rubber<br />

costume worn by the Creature in "Re-<br />

seeded with kids who had done this st;<br />

of thing in school shows. Leiderbach p:-<br />

venge of the Creature," gathered huge Huge Sign at Toronto<br />

moted a three-way phonograph as fit<br />

crowds daily in front of the Hippodrome, The sign on "The Country Girl" placed<br />

prize, but the payoff was the tieup mje<br />

where the picture was playing in Cleveland on the south wall of Shea's Theatre in<br />

with the local TV station. Seems the<br />

and was swamped with children and adults Toronto measured 75x35 feet, the largest<br />

is a gal who does a pantomime show the;,<br />

who clamored to have their pictures taken ever constructed for a motion picture in<br />

and she was plugging the contest on Ir<br />

with him.<br />

Canada.<br />

show. She was also on stage at the cont t<br />

to invite the wiimer to appear with 1^<br />

on her show.<br />

Along with the lobby display was<br />

record player plugging the tune—andp<br />

the music shop which donated the plaj^,<br />

a large poster plugged the contest 'S<br />

prize.<br />

Here is something that will click wtt<br />

the school kids.<br />

Scholarship Contest<br />

For 'Peter' in Syracuse<br />

A Peter Marshall full-tuition scholars!!<br />

for a year at Colgate Rochester Diviris<br />

School, Rochester, N. Y., was set up in C(inection<br />

with the showing of "A ^0<br />

Called Peter" at Schine's Paramount n<br />

Syracuse. A 22-year-old student at Bycuse<br />

University, David lanuzi, was nand'<br />

the winner by a committee headed by<br />

Rev. Arthur Hopkins jr., SU chaplain. If<br />

scholarship was awarded by producrs<br />

20th-Fox and Colgate Rochester DiviriJ<br />

School. Arrangements were made by Rah<br />

F. Stitt of Schine Theatres. tempora)y<br />

assigned to the Syracuse area, assisted [7<br />

Max Rubin, manager of the ParamoitJ<br />

BOXOFFICE Showmandiser : :<br />

May<br />

7, l^S<br />

k


i<br />

I<br />

I<br />

But<br />

'<br />

When<br />

;<br />

On<br />

ale Not All Sorrow;<br />

lumor^PoelryinAds<br />

lumor always is appreciated, particu-<br />

Icly so in adversity.<br />

i:he whole community of Adrian, Mich.,<br />

riently gave more than a passing thought<br />

f<br />

fc^<br />

OBVIOUS L Y<br />

GONE WITH THE W I N D<br />

REOPENING SOON^9"<br />

"<br />

Star Photographs In Cereal Packages<br />

Eighteen full-color photographs of MGM<br />

stars are available at grocery stores<br />

throughout the country as cereal premiums.<br />

The playing-card size photos, each<br />

with a brief biography and a description<br />

of the star's film on the back, are being<br />

included in packages of Kix, the corn<br />

cereal distributed by General Mills. Each<br />

package is imprinted with the notice that<br />

the picture of a Hollywood star is inside.<br />

The complete set includes Pier Angeli,<br />

Ann Blyth, Leslie Caron, Marge and Gower<br />

Champion, Cyd Charisse, Vic Damone,<br />

Glenn Ford, Anne Francis, Howard Keel.<br />

Ann Miller, Eleanor Parker, Walter<br />

Pidgeon. Jane Powell, Edmund Purdom,<br />

Debbie Reynolds, Michael WUding<br />

Williams and Keenan Wynn.<br />

Says Attendance on Upgrade<br />

LAKE MILLS, WIS.—Theatre attendance<br />

is on the upgrade, commented Tom Lees of<br />

the Lake Theatre here after his return from<br />

the MGM Ticket Selling Workshop in Milwaukee.<br />

He said he talked to a number of<br />

exhibitors from other cities and was told that<br />

attendance is increasing.<br />

Exports of unexposed motion picture films,<br />

or rawstock, in 1954 amounted to 452,857,393<br />

linear feet valued at $12,166,553. The value<br />

of similar exports in 1953 was $7,364,360.<br />

tithe Sky Drive-In on U. S. 223 there<br />

\«(en wind damaged the marquee and blew<br />

rfvn the screen tower, as a result of some<br />

slart showmanship by Robert B. Tuttle,<br />

rinager, and William G. Jenkins, owner.<br />

'^rst Tuttle put up the "Gone With the<br />

Vnd" sign (accompanying photo) on the<br />

dnaged marquee, which, of course, refred<br />

to the misfortune, not the film.<br />

little followed the same humorous touch<br />

irhis copy advertising the reopening. In<br />

rjTne he advertised in the local school<br />

1<br />

P|5er:<br />

The wind she blow<br />

The screen she go<br />

f No screen no show!<br />

But we ore happy. Hip hooray.<br />

Insurance jitters licked today.<br />

[<br />

Contractors, salesmen driving us bugs<br />

Spending money lilce drunken thugs,<br />

f Our new tower will be steel<br />

Mossive, tilted, a super deal.<br />

Sized to 65x84<br />

I Sky's the biggest, thot's for sure,<br />

j<br />

We're near out of poetry<br />

( Getting worse as you con see.<br />

drop around and give an eye<br />

To what's cooking out at Sky.<br />

[ Vi/ith the help of men and tools<br />

We aren't being April fools<br />

we tell you we're a hopin'<br />

APRIL 15 to reopen!<br />

Siowman Babb Is Offering<br />

4 Page, 4-Color Heralds<br />

contract calling for the purchase and<br />

I<br />

u of 100 million four-page, four-color<br />

t loid-style heralds on Hallmark motion<br />

P lures during the next five years has<br />

b n negotiated in Hollywood by Kroger<br />

Esb, president of HaUmark Productions.<br />

Esb believes his use of the tabloid<br />

l^ald in 1934 was the first in the motion<br />

Pture industry. He now seeks to be first<br />

inffering theatres an eye-catching, colorf;<br />

four-color process printed four-page<br />

tloid.<br />

!abb explained that by guaranteeing to<br />

U] not less than 20 million tabs a year for<br />

a.ive-year period he was able to get the<br />

Piting price down to where it compares<br />

fiorably with current prices on one and<br />

t' -color tabs.<br />

,!abb said Hallmark already has used 13<br />

niion tabs in exploiting the first 1,100<br />

e.agements of "Karamoja" and "Half-<br />

,Viy to Hell."<br />

This is<br />

BARBARA<br />

V\AAGGOIVIAN<br />

She knew<br />

a man<br />

when she<br />

saw one.<br />

flAnd one<br />

BKOFFICE Showmandiser :: May 7, 1955 — 139 —<br />

^^^^<br />

^ayshe<br />

saw ^^^^ \<br />

C|NeimaScoP£ CATHY O'DONNELL as BARBARA WAGGOMAN<br />

James Stewart in "The Man From Laramie" co-starring Arthur Kennedy, Donald Crisp, Cathy<br />

O'Donnell, Alex Nicol and Aline MacMahon with Wallace Ford -Screen Play by Philip Yordan<br />

and Frank Burt based upon the Saturday Evening Post story by Thomas T. Flynn • Directed<br />

by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaScope<br />

Color by Technicolor


. . This<br />

. . . FREE!<br />

. Bui<br />

: May<br />

.<br />

.<br />

iJI<br />

VANCOUVER FOLK GUESS TAXI MILEAGES<br />

FOR CHRISTMAS' PRIZES IN SPRING<br />

Two Canadian Showmen Recreate Modified<br />

T<br />

'Seven Brides' Tie-Ins Get<br />

Good Play in Fruita, Colo.,<br />

|[(<br />

The tireless Bob Walker of F^ruita, Coir<br />

certainly has a knack for getting plenty ilJIl)<br />

newspaper publicity. In a recent issue la<br />

Yule Afmosphere for Bing Crosby Film<br />

Vancouver newspaper readers and theatregoers<br />

were invited to guess the number<br />

of miles the fleet of 85 cabs of the Yellow,<br />

Star and Checker taxi company would<br />

travel in March in a promotion for showing<br />

of "White Christmas" in Famous Players<br />

suburban theatres in the British Columbia<br />

city.<br />

Ten major prizes, headed by a sectional<br />

living room suite promoted from a furniture<br />

store, were offered. The contest was<br />

publicized by herald-type entry blanks distributed<br />

by FT"C theatres, and the cab company,<br />

by a co-op page ad in the Vancouver<br />

Province, by trailers on FPC theatre<br />

screens. The cab firm paid for the blanks,<br />

and the trailer.<br />

Jack Burdick, manager of the Stanley,<br />

] ,200-seater which plays fourth city run<br />

and second suburban run, received 2,500<br />

entries in the contest. The "Christmas"<br />

film played at the Stanley the first week<br />

in March, but Burdick gave his lobby a<br />

festive atmosphere without going too<br />

"Christmasy" in his decorations.<br />

Window displays, car bumper strips, etc.,<br />

rounded out the promotion.<br />

George Davie deliberately sought to instill<br />

the Christmas spirit at Eastertime for<br />

his opening of "White Christmas'" just<br />

before Holy week.<br />

Ten days before opening, signs on the<br />

boxoffice read, "10 Days to White Christmas"<br />

in bold colorful letters. The figure<br />

was reduced each day until they read, "1<br />

Day . . . etc." The colors were changed<br />

each day.<br />

Pour "shghtly used" Christmas trees were<br />

obtained for the front, no easy task, according<br />

to Davie, when it's spring. They were<br />

sprinkled with artificial snow to spot up<br />

his special front made up of cotton marquee<br />

boards. The songs and music from the<br />

film were played outside. The inside lobby<br />

also was decorated in the Christmas theme.<br />

Special "Christmas" streamers were<br />

placed on mirrors in restaurants and on<br />

the front windows of stores.<br />

"Those streamers were inexpensive, but<br />

they certainly did the trick," Davie reports.<br />

"All in all we played the show up<br />

quite big and our efforts were paid back<br />

11 hundredfold as the money poured in at<br />

the boxoffice."<br />

Names Only Are Alike<br />

A completely unrelated book, "The Story<br />

of Crazy Horse," was pushed in a bookstore<br />

tieup arranged by Max Mink, manager of<br />

the Palace in Cincinnati, for "Chief Crazy<br />

Horse."<br />

Thank You Ad Hails Go To Movies Week<br />

Managers of the two F<br />

drive-ins and the Joy Theatre<br />

at Vicksburg, Miss., got<br />

together on a half page ad<br />

in the local Sunday Post-<br />

Herald to help launch a Go<br />

to the Movies Week in the<br />

city. Mrs. Edith Bounds of<br />

the Joy and William A. Porter<br />

of the Vicksburg had<br />

been successful in getting<br />

Mayor Pat Kelly to proclaim<br />

the Movies week in the city<br />

recently, and they concluded<br />

they should do something to<br />

help the idea along. The<br />

half-page appeared on Sunday,<br />

starting the week.<br />

In addition to the adjacent<br />

ad Mrs. Bounds and Williams contacted<br />

merchants and persuaded many of them<br />

to include lines such as, "There's More<br />

Fun at the Movies . Is a Salute<br />

to the Movie Week . . .<br />

. . etc."<br />

Movies<br />

in<br />

Are<br />

their<br />

Greater Than Ever .<br />

regular advertising during the week.<br />

Copy in the "Hi-Folks" ad, which was<br />

HI FOLKS!<br />

MORE FUN at the MOVIES<br />

JOYTHEATRE<br />

Vicksburg Drive-ln Theatre Rivoli Drive-ln Theatre<br />

prepared by Manager Williams, thanks<br />

the "wonderful friends and patrons of the<br />

three theatres, assures continued fine entertainment<br />

and ends up with an appeal<br />

to attend a theatre and check personally<br />

on the changes!<br />

Mrs. Bounds initiated the Go to the<br />

Movies week idea.<br />

when Anything IS "Sevtn Brides f&r Sevqn<br />

— Well; We can't Resist getting in<br />

REGISTER in our<br />

Store for PRIZES<br />

for...<br />

Close Out On All<br />

SPRING COATS<br />

25% OFF<br />

JUST m\m\ .<br />

i^'Ihe 7 Oldest Brides<br />

One of Ihe largest assorlmenls<br />

i/'Ihe NewesI Bridal Gown<br />

„ , Yardage<br />

ol Fruitoltlieloom<br />

, ,<br />

i^The Oldest Bridal Oownj ^^^^ ^^^^^^^^ .„ f^.,^<br />

Gome in and Register<br />

See our Window DispLn<br />

,iful<br />

Summer Prljit-';<br />

49c to 89c<br />

the Fi'Uita Times, there were four diffe<br />

ent items scattered through the paper, n<br />

counting his own ads for his Uintah Th<br />

atre.<br />

On the paper's first page there was<br />

three-column feature article on his tiewith<br />

the local Gamble store for "Sevi<br />

Brides for Seven Brothers." Passes we<br />

offered to the newest bride registering<br />

the store, while seven pairs of tickets we,<br />

given to the seven brides registering w!'<br />

have been married the longest time. Pa<br />

ticipants also brought their wedding gow<br />

to the store, which were then placed<br />

,<br />

display and later modeled on stage at t<br />

Uintah. Prizes were offered the new(<br />

and the oldest gowns.<br />

The last page of the Times had a tw<br />

column ad, illustrated here, placed<br />

Gambles and announcing the promotlt<br />

Other items in that issue included<br />

editorial plug for the "Rear 'Window" pla<br />

date and a blurb on Walker's recent ba'<br />

beauty contest, which he ran on Spani<br />

night.<br />

Star Store Advertises<br />

'Star Is Re-Born' Sale<br />

A page sale ad by the Star furniti'<br />

store of Indiana, Pa., proclaimed, "A STi-<br />

IS RE-BORN," just before the film,<br />

f<br />

Star Is Born" opened at the Manis Tt<br />

atre there. Subordinate copy under t<br />

banner stated: "Star F^irniture Salu<br />

A Star Is Born' Monday at the Mari<br />

100 passes to 'A Star Is Bo;'<br />

to the first 100 persons making a ij^'<br />

purchase or more (limit one to a persO|,<br />

during the rebirth of Indiana's Star evOt<br />

of the year."<br />

ip<br />

-i<br />

^:<br />

^'0<br />

— 140 — BOXOFFICE Showmandiser :<br />

7, IS'


i<br />

I<br />

f<br />

j<br />

This<br />

: May<br />

local editor when Manager Jim Cameron<br />

Exhibitors at Yankton,<br />

of the Capitol at Port William, Ont., asked<br />

S. D.<br />

ierchant Cooperation<br />

his help. The result was a feature editorial. Cooperate in Promotion<br />

With the added special Academy Oscar, YANKTON. S. D.—Willard Tamen and<br />

Top Manager Duty<br />

similar enthusiasm should be expected from Clyde Crump, competing Yankton exhibitors,<br />

other editors, particularly from the vast are proving that it's good business to cooperate<br />

and sell motion pictures<br />

By MURRAY SPECTOR<br />

majority who favor such humanitarian efforts.<br />

generally in<br />

imager of the Skouras circuit's Plaza Theatre at<br />

their<br />

Englewood, N. As for the smaller group, who view<br />

town instead of wasting their ammunition<br />

fighting each other.<br />

J.<br />

UN activities with some suspicion, seeing<br />

In my opinion, merchant cooperation<br />

Tamen operates the Dakota Theatre, Crump<br />

one important theatre<br />

the featurette might prove helpful and<br />

can provide like editorial support.<br />

of<br />

er<br />

the most<br />

activities. Your business<br />

has the Yankton<br />

enterprise. They<br />

Theatre, a<br />

cooperated<br />

Commonwealth<br />

in running a<br />

be affected, and<br />

full page in the Yankton daily paper of pictures<br />

covering May. The ad did not carry the<br />

^^M^^ ' don't let anyone<br />

you otherwise. Improves at<br />

^^^^^^^<br />

Wood Lake<br />

names of the theatres at which the pictures<br />

,^^^^^HP|fc Experience has WOOD LAKE, MINN.—A. L. Davis' Lake would appear or the playdates. Additional<br />

'^^ I proven that the Theatre is undergoing a facelifting under the prints of the ad were made for a throwaway<br />

\ ,,> / most cooperative- dii-ection of National Theatre Supply of Minneapolis.<br />

Improvements include a new front tres played high ranking pictures—and both<br />

campaign. On a recent weekend both thea-<br />

L ^\r minded showman<br />

in town, the one and 65 additional seats.<br />

enjoyed heavy patronage.<br />

who has created<br />

public interest in<br />

his theatre and<br />

who constantly<br />

Murray Speotor<br />

strives to keep his<br />

house in the spot-<br />

,;lii. is the one who will always come<br />

It on top.<br />

'Constant activity eventually leads to<br />

nfidence by the merchants and civic<br />

aders. Believe me, and I say this from<br />

piTience, once you've won their confinci'.<br />

you've established a reputation.<br />

lai is why I cannot undervalue the<br />

ipmtance of getting around and par-<br />

;ipating in such promotions. There<br />

e always angles of approach and you<br />

'lould be on the alert to take the initia-<br />

We.<br />

One way I have always favored in getjng<br />

a substantial start in a newly as-<br />

[gned community is participating in<br />

lerchant-kiddy promotions. I have alays<br />

found it a good opportunity to<br />

jeet the local businessmen in the shortt<br />

possible time, giving me a chance to<br />

|iat with them and gather, from our<br />

imversation, whether they are exploi-<br />

1 tion minded. It has also helped give<br />

'e a source of approach for future<br />

[unts.<br />

An important point to consider is that<br />

|)U frequently will find promotions<br />

hich limit you to only one merchant<br />

a particular field.<br />

situation is delicate, and one<br />

|ust be very cautious and diplomatic in<br />

laying along with those that will do<br />

: e most good, while, at the same time,<br />

|iendships with the others should be<br />

laintained.<br />

lEvei-y situation has its own problems<br />

id it is up to the individual showman<br />

analyze them. It all bears down to<br />

e same conclusion. The application of<br />

,erchant cooperation, building better<br />

iblic relations, is the way to success<br />

any community, big or small.<br />

^^wspape^'s Editorial<br />

Sipports Kaye Short<br />

Tewspaper support on the editorial page<br />

CinemaScOPS<br />

DONALD CRISP as ALEC WAGGOMAN<br />

is lot the easiest thing to come by, parti<br />

ilarly for a short subject. But "Assigntt<br />

James Stewart in "The Man From Laramie" co-starnng Arthur Kennedy, Donald Crisp. Cathy<br />

Children," starring Danny Kaye, outli<br />

It<br />

O'Donnell. Alex Nicol and Alme MacMahon with Wallace Ford "Screen Play by Philip Yordan<br />

ng some of the United Nations work in<br />

and Frank Burt based upon the Saturday Evening Post story by Thomas T. Flynn • Directed<br />

dling with child health problems, re-<br />

by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaScope<br />

Color by Technicolor<br />

Bi :OFFICE Showmandiser :<br />

7, 1955 — 141 —


SUCCESS IN STORE TIEUPS REQUIRES<br />

PROPER APPROACH, FOLLOW-THROUGH<br />

Why Not a Movie<br />

Of Month Club?<br />

By FRANK NOLAN<br />

Athens, Ohio<br />

...TOYOURTIE-UP/<br />

BREEZY BUSTER<br />

Htuo Me. n—tn-Mft. JONES<br />

The American public has been sold<br />

on the Book of the Month, the F^ui<br />

of the Month and the Gift of th<br />

Month gimmicks, so a Movie of thi<br />

Month idea is already partially pre<br />

sold.<br />

The idea is that the theatre sells ;<br />

block of 12 tickets at a slight discount<br />

if the regular admission is 60 cents<br />

the 12 tickets could be sold for a tota<br />

of $6. These tickets would be good fo<br />

one admission per month for the par<br />

ticular Movie of the Month attractioiS<br />

This attraction would be presente^j<br />

midweek and would be hand-picked a<br />

SMOKEr SAM HAtfBACK HARRY rOKETFUL FRANK<br />

The above illustrations reproduced from<br />

the Odeon Theatres of Canada manual to<br />

managers put out by the advertising and<br />

publicity department are intended to be<br />

funny.<br />

"But unfortunately," the article continues,<br />

"these things really happen, and<br />

then it's not so funny.<br />

"Since entering the store or office of a<br />

stranger with an advertising proposal is<br />

like trying to catch a fish in a frozen-over<br />

lake, the smart thing to do is to break the<br />

ice. The important fu-st step, therefore,<br />

is to meet your merchant on some other<br />

ground. The best way is to mark a store for<br />

a tieup attempt well in advance. Then gain<br />

the acquaintance of the proprietor either<br />

by buying something in his store or getting<br />

a personal introduction through some other<br />

businessman, or a service club.<br />

"Now, what do you expect to get from<br />

this tieup? The simple answer, of course,<br />

is 'as much as possible,' but it's not always<br />

as easy as that. Using countercards during<br />

the Christmas rush would be useless, as<br />

would a window display when vei-y bad<br />

weather conditions in some parts make it<br />

impossible to see through the glass. So,<br />

think before you go to the merchant, and<br />

have a clearcut proposal to put to him.<br />

"The next point to think about is, what<br />

can you offer the merchant in return for<br />

his cooperation? Remember, from his<br />

point of view, this is the most important<br />

part. So try to introduce this as early as<br />

possible into your conversation. Stress all<br />

the angles which point to the promotion<br />

as having mutual advantage. The merchant<br />

won't believe you if you try to build<br />

yourself up as a benevolent uncle worried<br />

about his business, and it may kill the<br />

tieup. Be honest with him!<br />

"Businessmen are not fools or they<br />

wouldn't be in business very long.<br />

"When the tieup has finally been settled,<br />

it is then your responsibility to fulfill all<br />

your pi'omises, and follow through completely.<br />

This will be to your future advantage.<br />

The merchant must be satisfied<br />

that you have carried out youi- side of the<br />

promotion in every way.<br />

"Sounds elementary, but merchant material<br />

must be displayed where promised;<br />

borrowed material must be returned at the<br />

end of a tieup; do send a letter of appreciation<br />

at the end of each promotion.<br />

"Keep your merchant happy, and you<br />

can go to him again and again!<br />

"But above all remember, just as with<br />

a pilot bringing in an aircraft, the approach<br />

is important, so plan youi- approach carefully<br />

and you'll land that tieup safely!"<br />

H&'3 seen i-f..,anclif has<br />

CONTROLLED VOLUME<br />

YOU'LL SEE IT, TOO!<br />

LOOK FOR THE MANLEY AD IN JUNE, MODERN THEATRE<br />

to quality.<br />

!<br />

Each member of the Movie of th<br />

Month Club would have his name ami<br />

address on file at the theatre. Prio'<br />

to the exhibition of the monthl,<br />

showing, a postcard would be mailei,<br />

to each member, advising him of th<br />

title, cast and playdates. In all adver<br />

tising, the Movie of the Month ap<br />

proach would be used, which in tur;,<br />

would give that program a fresh sell;<br />

ing approach and added prestige.<br />

,<br />

The book of tickets would be o:;<br />

sale at all times, not just at Christmas<br />

as are the usual gift ticket book;;<br />

Membership could be solicited by direc<br />

mail and organized club contacts.<br />

The Movie of the Month plan coul<br />

be made into a monthly stimulant a<br />

the boxoffice, first through the pre;<br />

sold ticket angle and also through th:<br />

approach of this different advertisin'<br />

angle.<br />

Chakeres Circuit Enlists<br />

Ministers and Teachers<br />

The Chakeres circuit at Springfijl*<br />

Ohio, reports a splendid response to Is<br />

program of enlisting the support of mristers<br />

and teachers, several hundred it<br />

whom received special cards entitling tlil<br />

to 25-cent admissions to any one of ie<br />

circuits four houses there. The cards \(f(<br />

labeled, "Annual Pastor's Theatre Card'JE<br />

"Annual Teacher's Theatre Card," depel-t<br />

ing upon the profession of the recipien'<br />

More than 400 letters and telephone els.<br />

of thanks were received for the gestureJn;<br />

addition to accolades in the local paps.<br />

The rrOO bulletin also complemented «<br />

cnxuit for introducing the plan in<br />

state.<br />

A 1955 Packard Clipper was promcid<br />

by the circuit, with the cooperation of<br />

local merchants. Tickets for the drawl<br />

to be held June 9 at the Regent, will*<br />

given with each adult admission duiiE)<br />

the week of June 6. Additional tickets t<br />

available with each purchase of 50 cent!* t:<br />

more at any one of the participating sto* ;<br />

10 142<br />

BOXOFFICE Showmandiser : : May<br />

7,


'<br />

m<br />

llastic Slipper Offer<br />

loient on Radio ai<br />

lortland Guild<br />

Martin M. Foster started his promotion<br />

"The Glass Slipper" at the Guild Theae<br />

in f)'<br />

Portland, Ore., weeks in advance<br />

private screenings to bolster opinion<br />

^f.h<br />

8iong leading civic organizations. Revws<br />

by critics, following a press screen-<br />

1;. were excellent. Ads, larger than regu-<br />

] were started a week in advance.<br />

.<br />

All radio stations were supplied with<br />

i^rious recordings of "Take My Love,"<br />

t); theme song of the picture. The RCA<br />

riiord distributor gave the Eddie Fisher<br />

vsion to every disk jockey and sponsored<br />

i'ntification contests.<br />

rJ)IO PROMOTION AT PEAK<br />

'Radio promotion hit a peak when statn<br />

KWJJ broadcast a program two<br />

rrhts. three hours each, from the Guild<br />

Dby. Bob MacNulty, KWJJ disk jockey,<br />

figged the film throughout the program<br />

ed gave out plastic glass slippers labeled<br />

Vth the picture title and theatre name<br />

all cars that would drive by the theatre<br />

t"<br />

id honk their horns twice. This gimmick<br />

\)s so successful that traffic was tied up<br />

f the downtown area and police had to<br />

called.<br />

t<br />

MacNulty also pulled the same broad-<br />

(5t stunt at two downtown stores, Lipinn's<br />

department store and Nordstrom's<br />

ioe store.<br />

Isabella Marks also devoted a part of<br />

Ir Women of the Day program on TV<br />

t the picture.<br />

Poster reports "The Glass Slipper" did<br />

Uter at the Guild in its first four days<br />

tan "Lili," and expects a run of more<br />

tin 12 weeks.<br />

Ince Charming Leads<br />

(nderella Search<br />

\ search for Miami Beach's "Cinderella"<br />

r.ulted in widespread publicity for the<br />

lening of "The Glass Slipper" at the<br />

i eridan Theatre there.<br />

M Glick, assistant to Howard Pettengill,<br />

U Florida State circuit publicity and ad-<br />

\'tising head, worked up the contest, duri;<br />

which for four days a "Prince Charmi.:'<br />

canvassed ocean-front hotels seeking<br />

i 'Cinderella" who could wear the slipper<br />

yich he carried. The "Prince" was identiid<br />

by a sign across his back reading:<br />

looking for Cinderella. Try on the<br />

(ass Slipper and win a fabulous vacation<br />

f- two. See 'The Glass Slipper,' etc." A<br />

Pckard convertible, well placarded with<br />

^ns, took the "Prince" on his rounds.<br />

rVE PRIZES PROMOTED<br />

'Jine prizes were promoted by Glick, inc<br />

ding a weekend for two at an oceantnt<br />

hotel, three pairs of shoes by Jack<br />

Igers of Miami, a dozen pairs of stocki<br />

s from Mary Jane, dinner at the Beef<br />

a Bird Club, use of a 1955 Grentner Bros.<br />

I :kard, use of a luxury yacht for one<br />

c/, an evening at the Capri night club.<br />

flowers from Mary Dowlen, and a complete<br />

sportswear ensemble from Daisey<br />

Originals.<br />

Two thousand 8'"jx11 heralds were made<br />

up, in appropriate magenta coloring, and<br />

distributed by the participating merchants<br />

and by "Prince Charming." The participating<br />

hotels, via their publicity representative,<br />

used pictures of various guests<br />

trying on the slipper.<br />

Finals were held in the Sheridan lobby.<br />

Judges were Manager Tom Capuzzi, comedian<br />

Gene Baylos and Sy Bloom, a contributing<br />

merchant.<br />

The four-day campaign, according to<br />

Glick, created a "hubbub of excitement<br />

which paid off at the boxoffice on opening<br />

day of the picture."<br />

DAVE<br />

VSAAGGOMAN<br />

No one ever<br />

crossed<br />

him...<br />

till<br />

he<br />

crossed the<br />

path of<br />

Manager Berry Places<br />

Santa on Tour in April<br />

For "Untamed" at the suburban Gorman<br />

Theatre in Framingham, Mass., Manager<br />

John Berry had Santa Claus stroVur'-<br />

through the streets with a sign on his bac,:<br />

reading "I Can't Wait Until Christmas, So<br />

I'm Heading for the Gorman Theatre to<br />

See 'Untamed.' " When addressed by those<br />

on the street he would answer, " 'Untamed'<br />

is a Must. It stars Tyrone Power and Susan<br />

Hayward and is in Technicolor."<br />

George Hannon at Green Bay<br />

GREEN BAY, WIS.—George Hannon is the<br />

new manager for the Starlite Drive-In, which<br />

opened for the .season in mid-April.<br />

CinbmaScoP^ ALEX NICOL as DAVE WAGGOMAN<br />

James Stewart in "The Man From Laramie" co-starring Arthur Kennedy. Donald Crisp. Cathy<br />

O'Donnell, Alex Nicol and Aline MacMahon with Wallace Ford • Screen Play by Philip Yordan<br />

and Frank Burt based upon the Saturday Evening Post story by Thomas T. Flynn • Directed<br />

by Anthony Mann • A Columbia Picture • A William Goefz Production in CinemaScope<br />

Color by Technicolor<br />

B XOFFICE Showmandiser : : May 7, 1955 143 —<br />

II


: May<br />

I<br />

24-HOUR SHRIEK PREVIEW OF CREATURE'<br />

OPENED AT MIDNIGHT AT DETROIT!<br />

Extra Hustle on 3-D Duo Results in<br />

Waiting Lines<br />

At Broadway Capitol Theatre<br />

That imagination and a little hustle pay<br />

off at the boxoffice was demonstrated recently<br />

when "Revenge of the Creature"<br />

and "Cult of the Cobra" opened at the<br />

Broadway Capitol in Detroit.<br />

The theatre, normally open until 6:45<br />

every morning to accommodate swing shift<br />

workers in the local automotive assembly<br />

plants, closed its doors on a Monday night<br />

at 11 and emptied the house. Outside, a<br />

line of patrons stretched around the far<br />

corner waiting for the doors to reopen<br />

for a special 24-hour midnight "Shriek<br />

Preview" of the two suspense pictures. The<br />

big turnout—all the more remarkable on<br />

a cold Monday midnight—was a testimonial<br />

to the promotional team that planned and<br />

executed the campaign.<br />

The idea for a midnight "Shriek Preview"<br />

was born during conferences in the<br />

offices of Alice Gorham, director of advertising<br />

and publicity for the United Detroit<br />

Theatres. With the blessings of Harold H.<br />

Brown, president of UDT, the theatre<br />

schedule was arranged to accommodate the<br />

"preview" and the entire staff immediately<br />

set to work setting up promotional activities.<br />

Six eight-foot cutouts of the "Creature,"<br />

blown up from an eight-by-ten still, were<br />

ordered and placed in various spots around<br />

the theatre. Two cutouts were joined with<br />

an A-board advertising the preview and<br />

placed at the curb-line in front of the boxoffice.<br />

Two more were placed at either<br />

end of the large overhead lobby sign calling<br />

attention to the opening. One cutout<br />

was situated on the steps leading to the<br />

balcony and the sixth huge montage was<br />

reserved for use in displays outside the<br />

FITE FILMS<br />

WANTED!<br />

I will pay too dollar for 35 mm. or 16 mm.<br />

prints of old fife films, 1900-1925, plus<br />

any of fife films listed below:<br />

Louis-Levinsky, 1937 Risko- Dundee<br />

Schmelino-Sharkey, 1930 Camera-Godfrey<br />

Sharkey-Maloncy<br />

Baer-Schmeling<br />

De'aney-Maloney<br />

Walker-Loughran<br />

Sharkey- McTigue<br />

Dempsey-Levinsky<br />

Paulino-Wills Canzoncri- Chocolate<br />

Paulino- Heeney<br />

Coinqollo-Carnera<br />

Berlenbach-Delaney<br />

Sharkey-Carnera<br />

If you have these prints, you'll get cash<br />

fost. Write or wire todoy. Box No. 5866.<br />

825 Von Brunt Blvd., Kansas City, Mo.<br />

BLOWERS<br />

ATOMIC JET<br />

" '•"*'•<br />

""-In<br />

LAMPHOUSE<br />

and Indoo"<br />

BLOWERS<br />

'•<br />

h lamp and d<br />

EASY TO INSTALL.<br />

PRICED RIGHT<br />

DRIVE-IN THEATRE MFG. CO. T.n*a."cit'<br />

12<br />

theatre.<br />

For this purpose. Manager Dick Sklucki<br />

of the Broadway Capitol set one of the<br />

blowups with playdate posters and stills<br />

in the window of the Wurlitzer music shop<br />

on busy Broadway, in the heart of the<br />

shopping center.<br />

Extensive use was made of the actual<br />

"Creature" costume used in the film. As<br />

soon as the scary outfit arrived from Universal's<br />

studios in Hollywood an usher was<br />

sealed into the costume and began parading<br />

the streets with playdate sign.<br />

PHOTO STUNT ALSO USED<br />

On the day of the midnight showing, the<br />

"Creature" was stationed in the theatre<br />

lobby alongside a king-size display board<br />

daring preview patrons to be photographed<br />

with the monster. For this purpose a tieup<br />

was arranged with Lobby Hobby, local<br />

novelty shop, whereby the shop provided<br />

two polaroid cameras, complete with expert<br />

photographer, film and flashbulbs.<br />

Early arrivals were photographed shaking<br />

hands lor claws) with the "Creature."<br />

With the assistance of Marie Meyer of<br />

UDT. the "Creature" was booked as a<br />

guest star on three television programs, all<br />

spotted for the day of the preview. The<br />

"guest" was accompanied by a local model<br />

to deliver the playdate spiel and to provide<br />

pleasing contrast with the monster. After<br />

his appearance on Warren Kelly's Stars<br />

on 7 TV program, the "guest" accompanied<br />

Kelly to the much-ballyhooed opening of<br />

a large modern Florsheim shoe shop in<br />

downtown Detroit, where hundreds of shoppers<br />

filed through the store in a "treasure<br />

chest" promotion.<br />

STEREO CLUB INVITED<br />

Because of the growing interest in<br />

itereophotography, the Stereo Club of Detroit<br />

was contacted to circularize its<br />

membership,<br />

urging them to visit the theatre<br />

to witness the newest developments in<br />

three-dimensional photography. "Revenge<br />

of the Creature" was shown in 3-D at Detroit.<br />

Thirty-five millimeter sound film clips<br />

from the picture were used as a free trailer<br />

to publicize the "Creature's" appearance<br />

on the zany Soupy Sales program on the<br />

local ABC-TV outlet.<br />

One corner of the theatre lobby was occupied<br />

by a novel setup featuring a girl<br />

dressed as a nurse, with first-aid kit and<br />

hospital cot. An A-board advised patrons<br />

that her professional services were available<br />

for those who couldn't take the chills<br />

and thrills of the two suspense pictures.<br />

As a result of this type of promotion and<br />

ballyhoo, a line began to form outside the<br />

two boxoffices two hours before the midnighter.<br />

— 144 —<br />

Here are two standard promotions on the 1<br />

suspense duo. Above shows the nurse setup ini<br />

corner of the Broadway Capitol Theotre in Detr.<br />

A tieup with a photo shop to take pictures!<br />

patrons with the Creature has worked well in '<br />

opening showings. Below is the setup at the Stanii<br />

in Philadelphia, arranged by Manager Al Plou,<br />

In his promotion for "Revenge of the Creature":i<br />

3-D at the Paramount Theatre in Denver, Manor<br />

Jock Wodell, right, developed an attention gettj<br />

'Most Horrible Costume Contest" as part of)<br />

juvenile matinee, held during the run of '<br />

picture. The youngsters jammed the theatre. WocI<br />

and house manager Joe Archuleta, left, are sd<br />

here selecting the winners of the contest. A lol<br />

TV announcer served as emcee. I<br />

Green Light on 'Creature<br />

During running of the regular trailer i<br />

"Revenge of the Creature" and "Cult t<br />

the Cobra," green gelatin was used by At<br />

Ludacer, Valentine, Toledo, to light sceri<br />

in which the Creature appears. All auditcf<br />

ium lights were doused with the exceptif<br />

of the exits, which were lit in green.<br />

Hecht-Lancaster Productions has inked tS<br />

British playwright Lesley Storm to write t|<br />

screenplay for UA's "Until They Sail."<br />

i<br />

BOXOFFICE Showmandiser :<br />

7, 19i i


I<br />

"Three<br />

k<br />

:<br />

. . 'Welcome!"<br />

the<br />

:<br />

May<br />

.<br />

.<br />

ghat's Exploitable<br />

the Magazines<br />

ook magaziup and 20th-Fox are co-<br />

)<br />

rating on a national campaign for<br />

'liddy Long Legs." Linked is a two-page<br />

;]ead in the publication's May 17 issue.<br />

May 3. Look's promotional department<br />

.contacting key accounts around the<br />

ntry with suggestions for local camgns.<br />

Newsstand display materials also<br />

e been prepared, as well as banners for<br />

i]gazine delivery trucks.<br />

Bantam Books, publisher of the<br />

locket-sised edition of ''The Inormer."<br />

has made arrangements to<br />

trovide a 500-volume library of its<br />


BOXOFFICE<br />

BAROMETE<br />

This chart records the performance of current attractions in the opening week of their first runs in<br />

the 20 key cities checked. Pictures with fewer than five engagements are not listed. As new runs<br />

are reported, ratings are added and averages revised. Computation is in terms of percentage in<br />

relation to normal grosses as determined by the theatre managers. With 100 per cent as "normal,"<br />

the figures show the gross rating above or below that mark.<br />

P Aida (IFE)


1<br />

I<br />

E T T E R S<br />

Ijes 'Nickelodeon Week' Annually<br />

1; BOXOFFICE:<br />

unong other things the article dateliiied<br />

Has about celebrating the birthday of the<br />

I<br />

^kelodeon caught my eye in this week's<br />

T.XOFFICE.<br />

\ seems to me that a tremendous lot could<br />

t gained for the industry if we could make<br />

U week of June 5-11 "Nickelodeon Week"<br />

al dramatize and publicize it fully and make<br />

Ija national annual event.<br />

It is my thought that every theatre in the<br />

pfion, as well as producers and distributors,<br />

rght gain much if, as part of the week's<br />

oebration, it was to be made a feature<br />

tit any movie patron could take along a<br />

g;st for a nickel. My thought is that any<br />

h. paying regular admission should be able<br />

ttake another kid for a nickel or any adult<br />

snild be able to take another adult or a<br />

did for an additional 5c.<br />

|rhis should result in the theatres taking<br />

II millions of nickels that week, but most<br />

iportant, they would be filling seats that<br />

1-,-e been empty a long time and gettiiig<br />

rllions of people back to the movies who<br />

l,e been away for years. If the plan were<br />

t'be finalized, it should apply to every attction<br />

and theatres should try to book<br />

c standing programs to help put it across.<br />

happen to be the originator of the Rexall<br />

Isale and it has become a merchandising<br />

ent of such magnitude that Rexall now<br />

Hds it twice yearly. If Rexall and thousands<br />

affiliated drug stores can profit by selling<br />

a; and every drug item at regular price,<br />

ps one for Ic, it seems to me that we, the<br />

Dvie industry, might likewise profit in<br />

rny, many ways if that week we were to<br />

s: one admission ticket at regular price<br />

al a second one at a nickel.<br />

Jay I suggest that BOXOFFICE take the<br />

11 by the horns and become the ramrod<br />

r:essary to excite exhibitors and exhibitor<br />

canizations into launching National Nickel-<br />

C!on Week, celebrating the birthday of 5c<br />

r vies.<br />

. 4;sident<br />

Illmark Productions<br />

lUywood, Calif.<br />

KROGER BABE<br />

Suggests Equipment, Candy Ad Tieup<br />

TO BOXOFFICE:<br />

Abe Kaplan's i<br />

Minneapolis circuit owner i<br />

idea of a "Variation of the Pause That Refreshes"<br />

article that appeared in a late issue<br />

of the BOXOFFICE is just what the theatre<br />

industiy needs, and needs badly.<br />

To add to Kaplan's plan of all of the major<br />

film companies defraying the cost of this<br />

advertising, I have a suggestion to make, but<br />

first allow me to explain.<br />

With the public staying home watching TV<br />

and not going out of the house anywhere<br />

the whole nation suffers, which means the<br />

public isn't buying Cokes, eating candy bars.<br />

attending any place, wearing out .-v;,tui, iuiniture,<br />

etc., why not allow RCA, Altec and<br />

the major candy companies to come in on<br />

.some of this advertising.<br />

More people going to the movies will in<br />

turn, we hope, make room for more theatre^<br />

to be built, and in time RCA and Altec<br />

come in on this deal by selling sound, seats.<br />

carpets, screen, etc. It would actually help<br />

them in the long run. The candy people<br />

would sell more candy to people. Each trade<br />

benefits the other.<br />

To sign off, I believe it's a great idea on<br />

Abe Kaplan's part, but let's go all the way,<br />

all the way!<br />

Pat Drive-In Theatre,<br />

Vidalia, La.<br />

JOHN "PAT" ELZEY<br />

t)uld Fight Distributors One at a Time<br />

:• BOXOFFICE:<br />

ieing a small-town exhibitor and of sound<br />

rid, I was wondering why the exhibitors in<br />

c tain exchange areas don't get together and<br />

srt an open fight with certain distributors.<br />

iy suggestion is to single out one company<br />

ai take concerted action to bring film<br />

Many exhibitors could make<br />

fees into line.<br />

c with running one company's product later<br />

i necessary in order to bring it down to<br />

e th. If the exhibitors held out this way<br />

t y could lick this thing by taking on one<br />

tJ;ributor at a time. Due to the product<br />

s rtage it would be impossible to tackle<br />

nre than one, but I feel confident that by<br />

^ idling one at a time the mission eventually<br />

» lid be accomplished.<br />

/e must cooperate. Consider the banana.<br />

B ry time it leaves the bunch it gets skinned.<br />

A KENTUCKY EXtnBITOR<br />

WALLACE FORD as CHARLEY O'LEARY<br />

C|NemaScOP£<br />

James Stewart in "The Man From Laramie" co-starring Arttiur Kennedy, Donald Crisp, Cathy<br />

O'Donnell, Alex Nicol and Alme MacMahon with Wallace Ford -Screen Play by Philip Yordan<br />

and Frank Burt based upon the Saturday Evening Post story by Thomas T Flynn • Directed<br />

by Anthony Mann • A Columbia Picture • A William Goetz Production in CinemaSoope<br />

Color by Technicolor<br />

KOFFICE May 7, 1955


CALENDAR 2! EVENTS<br />

MAY


'<br />

, NEW<br />

) NEW<br />

I.<br />

fniversal Wins Ruling<br />

1 Attorney's Suit<br />

'NEW YORK—Federal Judge Edmund L.<br />

iilmieri has ruled in favor of Universal Picires<br />

in the suit brought by Thomas Turner<br />

iooke. attorney, who sought $115,000 for<br />

heged services rendered.<br />

Cooke had sought this sum for services from<br />

M6 to 1951 but, according to the testimony,<br />

lis services were rendered from July 1946 to<br />

(ebruary 1949, instead of up to February<br />

')51, as he had claimed. The plaintiff ad-<br />

'litted that he had already received $35,000<br />

'it he sought judgment for the difference<br />

'Hween that sum and the $150,000 total he<br />

'aimed was due him on the basts of quantum<br />

Wait. Cooke's services were rendered in<br />

appeal taken to the Supreme Court in the<br />

iie<br />

intitrust suit of the U. S. government against<br />

'aramount Pictures and a number of other<br />

'istributors, of which Universal was one of<br />

be minor defendants.<br />

Cooke wiis represented by Alexander Kahan<br />

hd Universal was represented by Louis Nizer<br />

|nd Paul Martinson of Phillips, Nizer, Benin<br />

& Krim.<br />

lomb Threats, Car Crash<br />

Vorry N.Y. Exhibitors<br />

YORK—Bomb threats plagued New<br />

,ork exhibitors during the week. There was<br />

|lso the crash of an automobile into a theire<br />

lobby, killing two schoolboys and crit-<br />

injuring a third.<br />

jtally<br />

Following discovery of a lethal bomb at<br />

le Radio City Music Hall, whose timing<br />

lechanism had failed, there were six bomb<br />

ireats telephoned in one day, Wednesday (4i.<br />

.11 were false alarms,<br />

, Police rushed to Macy's department store,<br />

.le Roxy Theatre, Webster Hall at 19 East<br />

Ith St., the Academy of Music at 126 East<br />

llth St., a branch of the First National City<br />

ank at Broadway and Canal St. and Radio<br />

lity Music Hall again.<br />

The theatre into which the automobile<br />

.•ashed was the RKO Keith's Flushing Thetre<br />

in Queens. The man at the wheel was<br />

ead. The car cleared the boxoffice, then hit<br />

right wall of the lobby, pinning its vicms<br />

against the wall. They were looking<br />

116<br />

at<br />

.osters advertising "Man Without a Star."<br />

flppeals Court Will Hear<br />

iillside Case May 19<br />

NEW YORK—The U. S. Circuit Court of<br />

ppeals has set the date of May 19 for hearig<br />

the appeal of the Hillside Amusement<br />

o.. Hillside, N. J., in its suit alleging that<br />

\e major companies charged it higher<br />

;ntals than they charged Stanley Warner<br />

ouses. The suit was dismissed in a lower<br />

[)urt and an appeal filed last year. It was<br />

Irought under the Robinson-Patman act ban-<br />

'ing price discrimination.<br />

.oew's Theatres Elects<br />

'riedman and Cleary<br />

YORK—Leopold Friedman, financial<br />

ice-president and treasurer of Loew's Thea-<br />

•es, has succeeded Eliot Rosenthal as secre-<br />

,iry and Harold J. Cleary, vice-president and<br />

mtroUer, has been made treasurer. Rosen-<br />

|ial ended an 11-year association with the<br />

)mpany to become executive vice-president<br />

:id treasurer of Investors Planning Corp. of<br />

merica.<br />

3X0FTICE May 7, 1955<br />

First UA Foreign Meeting<br />

Of Three Field in London<br />

ARNOLD M. PICKER OPENS LONDON MEETING—Radio photo shows Cnited<br />

Artists vice-president (standing) surrounded by, left to right: >Io Rothman, continental<br />

division; Charles Smadja, European production vice-president; Max E. Youngstein,<br />

vice-president; Arthur B. Krim, president; Louis Leber, foreign department general<br />

manager; Montague C. Morton, Great Britain managing director, and William J. Smith,<br />

secretary of United Artists Corp., Ltd.<br />

LONDON—United Artists' first worldwide<br />

series of foreign sales conventions opened<br />

here Tuesday I3) with 150 executives and<br />

representatives present and Arnold M. Picker,<br />

vice-president in charge of foreign distribution,<br />

presiding.<br />

Arthur B. Ki-im, president, delivered the<br />

keynote address to an assemblage coming<br />

from Europe, the Near East and South<br />

Africa. He described the international<br />

phase of the "Blueprint for Tomorrow." Max<br />

E. Youngstein, vice-president, participated.<br />

Others taking part were Charles Smadja,<br />

vice-president in charge of Eiu'opean production,<br />

and Louis Lober, general manager<br />

of the foreign department.<br />

Picker reported that 40 per cent of UA<br />

revenue now comes from the foreign market.<br />

He cited expansion of foreign operations since<br />

the Krim management group took over UA<br />

early in 1951. Foreign department personnel<br />

Zenith Consultant Warns<br />

Council on Toll Video<br />

NEW YORK—Dr. Millard C. Faught, consultant<br />

to Zenith on Phonevision, has warned<br />

the city council against "arbitrary and Uladvised<br />

action" on a resolution before it<br />

opposing toll TV. His statement followed<br />

reports that most opinions filed by the public<br />

with the council favored the resolution. Dr.<br />

Faught said the council was being "exploited<br />

as a pawn by self-seeking interests."<br />

Columbia Net Increased<br />

NEW YORK—Columbia reported Thursday<br />

(5) a net profit of $3,655,000 for the 39-week<br />

period ended March 26. This is equal to $4.37<br />

a share on 793,365 shares of common stock<br />

outstanding. The net profit for the same<br />

1954 period was $2,664,000, or $3.12 a share<br />

on the same number of shares outstanding.<br />

has risen from 755 to 1,092, overseas branches<br />

from 55 to 67 and number of prints servicing<br />

foreign exhibitors from 1,806 to 3,836. He<br />

predicted a continuing increase in foreign<br />

business.<br />

Regional heads present included Mo Rothm.an<br />

and Walter Gray of the continental<br />

division, Montague C. Morton, managing director<br />

in Great Britain, and Georges Rouvier,<br />

French managing director.<br />

Others were executives from the London<br />

office, exchanges in Birmingham, Leeds,<br />

Liverpool. Manchester, Newcastle, Belfast,<br />

Dublin, Glasgow and Cardiff, and UA managers,<br />

special representatives and distributors<br />

from Belgium, Denmark, Germany. Sweden.<br />

Switzerland, Italy. Spain. Austria, Finland,<br />

Holland, Norway, Portugal, Greece, Egypt,<br />

Israel, Syria. Lebanon and South Africa.<br />

Meetings will follow this summer in Tokyo<br />

and Rio de Janeiro.<br />

Kingsley, MGM in Tangle<br />

Over 'Court Martial'<br />

NEW YORK—Kingsley International Pictures<br />

and MGM are involved in confusion<br />

and a possible tangle over the use of the<br />

title "Court Martial," with the former claiming<br />

prior use with its picture of that name,<br />

which is scheduled to open at the Trans-Lux<br />

52nd Street Theatre following the current<br />

run of "Doctor in the House." The picture<br />

has already been shown in Canada.<br />

MGM has announced that it will produce a<br />

film version of the TV play, "The Rack,"<br />

under the title "Court Martial." but this<br />

project is still in the planning stage. Edward<br />

Kingsley explains that his picture, "Court<br />

Martial," is based on the London play, "Carrington<br />

V.C," and stars David Niven and<br />

Margaret Leighton.<br />

Warner Bros, is also planning a film, "Tht<br />

Court Martial of Billy Mitchell."<br />

33


—<br />

— —<br />

—<br />

'.'<br />

'<br />

:<br />

'<br />

'<br />

—<br />

—<br />

—<br />

—<br />

.<br />

Spring Weather Affects B'way Runs,<br />

But 'Cover', 'Affair Start Big<br />

NEW YORK—The mild spring weather has House," in its Uth at the Trans-Lux 52nd<br />

affected many of the Broadway first runs, St., and "Gate of Hell," in its 20th at the<br />

although business for several of the new films, GuUd. "Cinerama Holiday" also remained<br />

particularly "Run for Cover" and "The End strong in its 12th week of two-a-day perof<br />

the Affair." was excellent. "Strategic Air formances at the Warner Theatre.<br />

Command" also had a strong second week. In addition to "Daddy Long Legs," which<br />

after a first stanza which was the highest had a benefit opening at the Roxy Thursday<br />

for the straight-picture policy at the Para- (5), "Interrupted Melody" opened at the Ramount<br />

Theatre.<br />

dio City Music Hall, both pictures in Ciuema-<br />

"The Glass Slipper," in its sixth and final Scope, and "Hell's Island" in VistaVision<br />

w^eek at the Radio City Music Hall, took in started at the Palace Friday.<br />

the highest gross in the Broadway field, but Astor—Eost of Eden (WB), 8th wk 125<br />

the most amazing figure was for "Marty,"<br />

^"^^^'i-A^Pu^pU pUn'I'uAi,' 4,h wk.' ; : : : i : '.'lis<br />

which had a smash thil-d week, exceeding Cmemo—Verdi Gran Vorieto (Continental),<br />

even the record first and second week grosses.<br />

'<br />

cn'tenon—Run for Cover (Para') 125<br />

Lines were so long during the weekend that ssth st,—Choriie Chopiin Festive!, 4th wk. . . . ! . .100<br />

Paris With Love (Continental),<br />

hundreds had to be turned away and the<br />

'''"^^,h'^;*k'~"'^°<br />

^^^<br />

Sutton Theatre had to add midnight Friday Globe—The Woyword Wife '(Ife)', '4fh wk. '.'.'!.'.'! 1 10<br />

and Saturday showings to accommodate the °* ."'.".<br />

^^°"'.^°"'°°^'.''^°"^.'.<br />

''^JotTT w°k.^<br />

115<br />

crowds. Ljtrle Carnegie One Summer of Hoppiness<br />

Me"e°in| '(Pacemaker)',<br />

stanza at the Astor; "The Blackboard Jungle" 2nd wk 110<br />

. .,. ii. ^ T . Ok t J ..rm, ., Palace New Orleans Uncensored (Col), plus<br />

m Its seventh at Loew s State, and The Way- vaudeville no<br />

ward Wife," in its fourth at the Globe. How- Paramount—strategic Air Command (Para),<br />

"Chief Crazy Horse" had a good opening at<br />

'<br />

LoiwT" at^The^<br />

"<br />

Biackboardjungie' (mgmjV<br />

the Mayfair, while among the pictures that 7th wk. 1 30<br />

held up well were "East of Eden," in its eighth NormandTe—Chonc"<br />

^°<br />

ever, "A Man Called Peter," in its fifth and Pans—Woges'of F'e'ar'('F'ii'ms 'lnt''i)','i it'h wk'.' ! ^ ! ! lOO<br />

final week at the Roxy, was way off, as was P.azo— Eight o'clock Wa,k (Ass'd Artists) no<br />

_, „ , _,.,,. .. ... i 1^ Radio City Music Hall The Glass Slipper MGM<br />

"The Purple Plain," in its fourth at the pius stage show, 6th wk lis<br />

Pnnitnl<br />

''o>'y A Man Called Peter (20th-Fox), 5th wk. . .100<br />

^.v. .V, .. * Sutton-Marty (UA), 3rd wk<br />

200<br />

V,- V, V,<br />

Other ,^<br />

art house attractions which held up Trans-Lux 52nd— Doctor in the House (Rep),<br />

strongly were "To Paris With Love," in its<br />

v,ctona-The' End of the' Affair' icol) ::;:;:; l!! 1 35<br />

fifth big week at the Pine Arts; "Doctor in the Womer—Cinerama Holiday (Cineroma), 12th wk.<br />

of two-a-day 1 65<br />

World Aido (IFE), moveover, 24th wk 105<br />

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and 4 cups<br />

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form open tray<br />

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Also complete line of refreshment equipment ond<br />

supplies including 10c, 15c and 25c size automatic<br />

popcorn boxes. Samples on request.<br />

•<br />

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THEATRE CANDY CO. INC.<br />

400 Dinwiddie St. Pittsburgh 19, Penno.<br />

Three-Way Lead Shows Up<br />

In Buffalo Grosses<br />

BUPFALO—Three attractions all<br />

— ran neck<br />

and neck "The Blackboard Jungle" at the<br />

Buffalo"; "The Eternal Sea" at the Paramount<br />

and "Violent Saturday" at the<br />

Century. All turned in 110. "Revenge of the<br />

Creature" and "Cult of the Cobra," in four<br />

days of a second week tacked up a quiet<br />

90. "Strange Lady in Town" in six days of<br />

a second stanza in the Center was good for<br />

95. "Doctor in the House" continued to attract<br />

fair business at the Cinema in its<br />

fourth week.<br />

Buffalo The Blackboard Jungle (MGM), 3rd wk.. . 110<br />

Center Strange Lody in Town (WB), 2nd wk 95<br />

Century Violent Saturday (20th-Fox) 110<br />

Cinema Doctor in the House (Rep), 4th wk 95<br />

Lafayette Revenge of the Creature (U-l); Cult<br />

of the Cobra (U-l), 2nd wk 90<br />

Poromount The<br />

West (ARC)<br />

Eternal Sea (Rep); Five Guns<br />

no<br />

Jungle' in Gth Week Hits 280;<br />

Top Newcomer Is 'Saturday'<br />

PHILADELPHIA—First run business had<br />

its ups and downs as some new offerings<br />

failed to catch the eye of the theatregoers<br />

while other bills were able to get patrons to<br />

open their pocketbooks. "Violent Saturday"<br />

was the best newcomer with a strong<br />

in its fii-st week at the Fox. The holdo'<br />

winner was "The Blackboard Jungle" wk<br />

continued with a great 280 in its sixth w«<br />

at the Arcadia.<br />

Arcadia The Blackboard Jungle (MGM), 6th wk.<br />

Boyd Cinerama Holidoy (Cinerama), 11th wk..<br />

Fox—Violent Saturday (20th-Fox)<br />

Goldman Big Combo (AA)<br />

Mastboum— Escape to Burma (RKO)<br />

Midtown The Country Girl (Para), 13th wk<br />

Randolph East of Eden (WB), 4th wk<br />

Stanley Shotgun (AA)<br />

Stanton Bedevilled (UA); Golden Mistress (UA)<br />

Trans-Lux Doctor in the House (Rop), 6th wk.. .<br />

Viking<br />

—The Glass Slipper (MGM), 3rd wk<br />

'Blackboard' Doubles<br />

Pittsburgh Average<br />

PITTSBURGH—The Penn doubled its av<br />

age gross with "Blackboard Jungle," while t<br />

HaiTis got three weeks out of "A Man Cal<br />

Peter."<br />

Fulton Chief Crazy Horse (U-l)<br />

Horns A Man Called Peter (20th-Fox), 3rd wk...<br />

Penn The Blackboard Jungle (MGM)<br />

Stanley East of Eden (WB)<br />

Baltimore Grosses<br />

In Spring Slump<br />

BALTIMORE—Outdoor attractions, inchi<br />

ing the season's first spring-like weath;<br />

offered enough competition to reflect ij.<br />

favorably at fii'st run boxoffices. Holdovs<br />

took a slump and, oddly enough, the wei<br />

end's big business was scored by '"le<br />

Sinners," billed for adults only, and "Ivenge<br />

of the Creature," which took in e<br />

younger set. Other gi'osses were be:?<br />

average.<br />

Century Bedevilled (MGM)<br />

Film Centre The Gloss Slipper (MGM), 5fh wk..<br />

Hippodrome The Country Girl (Para), 8th wk...<br />

Keiths The Sinners (Commander)<br />

Little The Stranger's Hand (DCA)<br />

Mayfair Revenge of the Creoture (U-l)....<br />

New—A Man Colled Peter ;20th-Fox), 4th wk...j<br />

Playhouse Gate of Hell (Harrison-Davidson), 6tl<br />

wk<br />

Town Hit the Deck (MGM), 2nd wk<br />

Stanley Unchained (WB)<br />

The Cinema The Game of Love (Times), 2nd wk..<br />

Reade Catering Division<br />

Has Playground Contract'<br />

NEW YORK—The Walter Reade Theat<br />

catering department has been awarded<br />

five-year contract for the operation of<br />

food, beverage and souvenir concessions<br />

the new 28-acre Faii-ytown, U.S.A. childrtji<br />

play center on Jericho Tm-npike, Mid<br />

Island, New York. It will open May 28.<br />

The catering department is known as<br />

"Walter Reade Refreshery." Besides serv<br />

Reade and non-affiliated theatres, it<br />

operates the food and beverage concessl<br />

in other enterprises, including stock car i<br />

racing tracks, beach clubs, restaurants f<br />

industrial plants.<br />

Services for Cornfield<br />

NEW YORK—Funeral services were<br />

Monday f2i for Samuel L. Cornfield, \<br />

brother of Albert Cornfield, 20th Centu<br />

Fox European managing director, and him;<br />

well known in the industry, who died Ajfl<br />

30. Burial was in Providence, R. I.<br />

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IXOFFICE :: May 7, 1955 35


. . . Jack<br />

. . . Jack<br />

. . Claude<br />

. . William<br />

. . Warren<br />

. . Lewis<br />

. . Jack<br />

. .<br />

BROAD\N A\<br />

/"harles C. JVIoskowitz, MGM vice-president<br />

and treasurer, left on a Miami vacation<br />

DeWall of RKO's branch operations<br />

and Doris Schubart were married in tJie Our<br />

Lady chapel at St. Patrick's Cathedral May 2.<br />

A reception at the Waldorf-Astoria followed<br />

Rothenberg, controller of advertising<br />

for United Artists, became father of Bonnie<br />

Lynn, his second child .<br />

B. Dana, son<br />

of P. T. Dana, Universal Pictures eastern sales<br />

head, was married to Eleanor Schano in St.<br />

Margaret's Church at Pittsburgh April 30.<br />

.<br />

.<br />

Earl Leaf, west coast editor of Stearn<br />

Publications, is in New York on his annual<br />

month's visit to meet eastern film company<br />

Hal Wallis brought the print of<br />

editors . . .<br />

his VistaVision film, "The Rose Tattoo," for<br />

Paramount executives to preview here. He<br />

will confer with Ben Gazzara, star of "Cat<br />

on a Hot Tin Roof," who will play the lead<br />

in Wallis' forthcoming "A Stone for Danny<br />

Fisher" Dauphin, French film<br />

star, arrived from Europe Allen,<br />

who directed "Illegal" for Warner Bros.,<br />

sailed on a three-month vacation in Europe<br />

with Mrs. Allen.<br />

James Cagiiey, star of "Run for Cover" for<br />

Paramount, planed to Hollywood after a<br />

promotional tour in the east and south<br />

Hillary Brooke completed work on<br />

.<br />

RKO's<br />

"Bengazi" May 4 and left for New York to<br />

negotiate a new television deal . . . David<br />

Diamond, producer with Samuel Bischoff of<br />

"A Bullet for Joey" for United Artists, returned<br />

to Hollywood after UA home office<br />

conferences Z. Porter, Allied<br />

.<br />

Artists field representative, came in for conferences<br />

with Roy M. Brewer, manager 'of<br />

exchange operations.<br />

Seymour I. Feig, manager of the RKO<br />

competitive bidding department, has been<br />

sworn to the New York state bar. Feig has<br />

been with RKO since 1940, when he joined<br />

the contract department . . . Shirley Yamaguchi,<br />

Japanese actress who is starred in<br />

"House of Bamboo" for 20th-Fox, was voted<br />

"Miss International Appeal" by the crew of<br />

the ice-breaker "West Wind," which left on<br />

its annual Arctic cruise from Brooklyn Navy<br />

yard May 2.<br />

Dore Schary, MGM vice-president in charge<br />

of production, returned to the studio May<br />

3 after an eight-day visit to New York . . .<br />

.<br />

Jules Lapidus, Warner Bros, division sales<br />

manager, returned from a Pittsburgh and<br />

Cleveland visit . . . J. R. Grainger, president<br />

of RKO, planed to the studio with stopovers<br />

in Chicago and Denver Hoffberg<br />

flew west to attend the 'Variety Club convention<br />

as delegates for New York Tent<br />

George D. Burrows, treasurer of<br />

35 . . .<br />

Allied Artists, and G. Ralph Branton, vice-<br />

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'<br />

; Sumberg<br />

.1 . Johnny<br />

. . Ben<br />

. . The<br />

. . Filmrow<br />

iw School senior and summer employe of<br />

listate Autxjmatic Candy Corp., became<br />

{.her of a baby son named Joseph Mark<br />

J . Prank Bornhorst is a new assistant on<br />

night staff at the Palace. He replaced<br />

ti;<br />

rke Maccochiero, who returned to the out-<br />

, field as assistant to E. A. Thompson,<br />

>r<br />

usf manager of the Mohawk E>rive-In.<br />

1<br />

irnhorst, a decorator for the Whitney detriment<br />

store. Is the father of five children<br />

Dwyer is serving as assistant to<br />

q'orge Lourinia at Fabian's Saratoga Drive-<br />

I. Latham. Pat Patterson. Leland manager,<br />

)s a new assistant, Richard Cook.<br />

Larry Cowen, 56, former manager of Proof's<br />

in Troy, has been cleared by a Rensse-<br />

Vt County grand jury of fii-st degree grand<br />

Vceny charges, which returned no indict-<br />

1;nt against the veteran theatreman. The<br />

ry had heard evidence on a charge that<br />

iwen had taken jewelry valued at $6,000<br />

)<br />

))m his mother, Mrs. Frances Cowen, 80,<br />

iio lives at the Jewish Home for the Aged<br />

the Capital city. She is reported to have<br />

leaded to the jury not to indict her son.<br />

jiwen was ordered released from the Rensjlaer<br />

County jail, to which he was comiitted<br />

March 4 after two detectives returned<br />

)m from Gulfport, Miss., following a widejread<br />

search of several months, so far as<br />

l,y local criminal charge was concerned.<br />

h was detained, however, on warrants charg-<br />

)g issuance of fraudulent checks in Southfipton<br />

and Red Hook, N. Y., Cornwall,<br />

inn., and Trenton, N. J.<br />

iThe Variety Club's 12th annual dinner<br />

'<br />

nee honoring retiring chief barker Jules<br />

frlmutter drew 150 to the Empire room of<br />

le Sheraton-Ten Eyck Hotel Saturday night,<br />

j'aise of Perlmutter's services during his<br />

0 consecutive terms was voiced by Chief<br />

lirker George H. Schenck and property<br />

laster Lewis H. Sumberg. On behalf of Tent<br />

presented Perlmutter with a cama<br />

and projector. Perlmutter urged conlued<br />

member and public support of the<br />

imp Thacher vacation base for needy boys.<br />

ublic Relations Group<br />

[onors Bill Treadwell<br />

NEW YORK— Bill Treadwell, new president<br />

the<br />

American Public Relations Ass'n, was<br />

inored Tuesday (3) by several hundred pubi!<br />

relations men at a luncheon at Toots<br />

lor's restaurant. Members of the motion<br />

oture industry, with whom he has negotiated<br />

!ups in the past, attended. Tony Martin of<br />

e Columbia Broadcasting System W£is<br />

astmaster. Treadwell received many gifts<br />

,id citations.<br />

,The luncheon marked Treadwell's election<br />

president, his 20th year in public relations<br />

lid his fourth win of the Silver Anvil award<br />

r meritorious public relations campaigns.<br />

fA Softball Team Opens<br />

eason With a Victory<br />

NEW YORK—The United Artists Softball<br />

.am, managed by Joseph DeLuise, won, 11<br />

2, Monday (2) over the Sterling Television<br />

'ne in the first game of the 1955 Film<br />

iftball League. It will face Eastman Kodak<br />

|ay 17, Precision May 25, 20th-Fox June 1,<br />

ithe June 1, Recordak June 13, Pathe June<br />

, Sterling July 6, Eastman Kodak July 12,<br />

th-Fox July 12, 20th-Fox July 20, Precision<br />

Illy 25 and Recordak August 2.<br />

BUFFALO<br />

Duffalo tent members attending the International<br />

Variety Convention in Los Angeles<br />

this week were Murray Whiteman,<br />

Marvin Jacobs. Dave Miller, Billy Keaton,<br />

Carl Sciandra, Gus Basil and Dewey Michaels,<br />

all w-ith their wives.<br />

Elmer F. Lux of Elmart Theatres is heading<br />

the governmental division of the Cancer<br />

Crusade for the eighth year. Lux has been<br />

prominent in all charity and special drives in<br />

the Buffalo area for a decade ... A large<br />

crowd of barkers and their wives and sweethearts<br />

attended the annual Monte Carlo<br />

Night Saturday in the Variety club rooms. On<br />

the program were games, drinks and a roast<br />

beef buffet prepared by Tent 7's famous chef,<br />

Clint.<br />

The Variety Club's Who's Who of the Month<br />

are Dorothy and Myron Gross, who are<br />

cited for their outstanding and remarkable<br />

achievements for Variety. Myron, who is<br />

manager of the local office of Cooperative<br />

Theatres is dough guy of Tent 7 and a past<br />

chief barker. Dorothy serves the Women's<br />

League as trustee and Is active on several<br />

committees . Dargush, manager of the<br />

Center, reports a big advance sale for the<br />

closed circuit telecast of the Marciano-<br />

Cockell championship fight. It will be shown<br />

on the Center's big TV screen at 11 p.m., daylight<br />

savings time. May 16. No seats will be<br />

reserved and all tickets are $3.50, including<br />

tax. This will be the fourth big fight telecast<br />

to Center audiences, all of which have been<br />

successful at the boxoffice.<br />

"Strategic Air Command" is coming to the<br />

Paramount Theatre the middle of May and<br />

Manager Edward Miller has already installed<br />

some eye-catching advance lobby displays,<br />

one of which is a 40x60 blowup of the critic<br />

raves after the world premiere at the Paramount<br />

in New York . first in a series<br />

of industrial sellout performances of "This<br />

Is Cinerama," was held in the Teck Theatre<br />

the other night when the Bell Aircraft Corp.<br />

staged the first of four Bell Aircraft nights,<br />

arranged by Manager Paul Swater.<br />

Further expansion of Stromberg-Carlson's<br />

operations in Rochester are foreseen following<br />

the merger with General Dynamics.<br />

The organization of the Kodak Town concern,<br />

manufacturers of television, radio and electronic<br />

equipment, w'ill not be changed, according<br />

to John Jay Hopkins, chairman of<br />

the board. Stromberg-Carlson will retain its<br />

name, individual identification and organizational<br />

structure except that it will operate<br />

within General Dynamics as Stromberg-Carlson<br />

Division.<br />

Industryites who attended the Dave Miller<br />

testimonial dinner still are talking about<br />

the hilarious performance put on by Al Kelly,<br />

New York comedian who was introduced as<br />

Albert Kalvin, vice-president of U-I. Kelly<br />

proceeded at first to mystify and then convulse<br />

the company with a eulogy of the honored<br />

guest, full of wonderful gestures, passionate<br />

oratorical effects and incomprehensible<br />

gibberish. He had the audience in<br />

an uproar.<br />

In a letter addressed to Miss Mary Pickford.<br />

Pickfair. Beverly Hills. Calif., in the Evening<br />

News. Ardis Smith, dram.a editor says: "What<br />

this country needs is a motion picture about<br />

a little Toronto girl, Gladys Smith, her<br />

younger brother and sister and her wonder-<br />

Judge John Knighii!;<br />

May Upset Schine Cast<br />

Buffalo—It is reported that Jud^e John<br />

Knight, who presided at the long trial of<br />

Srhine Chain Theatres, will resign soon<br />

because of illness.<br />

If the judge does resign before handing<br />

down a decision, and it is said to be<br />

doubtful that he will make one in view<br />

of his serious illness, one of the longest<br />

trials in Buffalo court history may have<br />

to be tried all over again. The government,<br />

therefore, may soon face the situation<br />

of calling for an entire new trial or<br />

dismissing the charges against the Schine<br />

Chain.<br />

The judge is confined to a Buffalo<br />

hospital where he was taken after a heart<br />

attack in his Arcade. N. Y.. home. He<br />

was 84 on April 29.<br />

ful, beautiful mother." Referring, of course,<br />

to Mary. Miss Smith said the suggestion<br />

came from reading of Miss Pickford's new<br />

book, "Sunshine and Shadow." She ended<br />

the letter thus: "If you ever consider a Mary<br />

Pickford picture, perhaps it should be arranged<br />

to end on the day the lady cuts off<br />

her curls. There's a Rubicon note there for<br />

a good director, and maybe a heart throb for<br />

the likes-of-yours."<br />

Dean Martin and Jerry Lewis and their allstar<br />

Hollywood Revue will appear in the War<br />

Memorial m Syracuse for a one-night stand<br />

May 20. All seats are reserved at $1.90 to<br />

$4.40. tax included . friends were<br />

glad to hear of the recovery of Col. William<br />

Shirley, well-known exploiteer who is out<br />

of the hospital after a recent checkup.<br />

Norman MacLaren, Canadian artist whose<br />

animated color cartoons have attracted wide<br />

admiration, was in Rochester May 5 as the<br />

guest of the Society of Motion Picture and<br />

Television Engineers, western New York section.<br />

MacLaren, head of animation for the<br />

National Film Board of Canada, is known<br />

for his film, "Neighbors," and for such short<br />

subjects as 'The Romance of Transportation"<br />

and others. He showed several of his short<br />

subjects in the Dryden Theatre in the George<br />

Eastman House for the engineers.<br />

Harry Weiner, manager of the Oswego in<br />

the town of the same name, recently put<br />

on a socko exploitation campaign for "Ma<br />

and Pa Kettle at Waikki" that included a<br />

half-page ad tieup with a local department<br />

store and a tie-in promotion with the local<br />

fraternities and sororities . . . The newly<br />

opened Wehrle Drive-In at the corner of<br />

Transit Road and Wehrle Drive, is winning<br />

the praise of all who visit it. for not only<br />

is the outdoorer beautiful in every detail,<br />

but the attractions are shown on giant screen.<br />

It is one of the first drive-ins in the Buffalo<br />

area designed for a Cinemascope screen.<br />

KINNER'S GLASS CLEANER<br />

Used by more theotres than any other<br />

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GLASS and<br />

CHROME<br />

Sold by National Theatre Supply<br />

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OXOFFICE :: May 7, 1955 37


. . Gus<br />

. . The<br />

. . The<br />

. . The<br />

. . Friends<br />

. . Margaret<br />

. . "The<br />

. .<br />

. . Alvin<br />

. . Jerry<br />

. . Milt<br />

: May<br />

'<br />

j<br />

PHILADELPHI/<br />

Two men in the audience of the Rivoli The<br />

missed the point of th<br />

atre Monday (2)<br />

picture. "Destination Big House," that criir<br />

doesn't pay. When the picture ended an<br />

Manager Raymond Wolf was taking the re,<br />

ceipts to his office on the second floor, tw<br />

men stepped from the washroom. One pi<br />

a gun in Wolf's side: the other said, "oka;<br />

let's have the dough." Wolf, instead of coir<br />

plying with the command, shouted for he!<br />

The robbers fled.<br />

WORKSHOP IN BUFFALO—Among the more than 350 who attended MGM's 15th<br />

Ticket Selling Workshop in Buffalo recently were the following (left to right) : Jerry<br />

Collins, Loew's Theatres publicity and advertising head for Toronto; Sam Oilman,<br />

publicity head, Loew's State, Syracuse, N. Y.; Jack Clark, London Loew's, London,<br />

Ont.; Lester Pollack, publicity head of Loew's Theatres, Rochester; Frank Murphy,<br />

division manager. Great Lakes Division, Loew's, Cleveland; Carl Rindcen, Shea's<br />

Buffalo, Buffalo, and Edward Meade, publicist for Shea's, Buffalo.<br />

WASHINGTON<br />

The Variety Club will hold a Mother's Day<br />

luncheon at the Shoreham Hotel May 9.<br />

Mrs. Richard Nixon will be the guest mother.<br />

Other prominent Washingtonians will attend<br />

including Commissioner and Mrs. Thomas A.<br />

Lane and Mrs. Renah F. Camalier, wife of<br />

the district commissioner. Milton S. Kronheim<br />

is chairman of the affair. There will<br />

be souvenirs, door prizes and entertainment,<br />

as well as cocktails and luncheon.<br />

Hosts for the May Day dance in the Variety<br />

clubrooms on Saturday night were Harry<br />

Friend, George Nathan, Bernard Schwartzman,<br />

David Young and Hirsh De La Viez,<br />

chairman of the entertainment committee.<br />

Music was furnished by the Art Calevas orchestra<br />

. . . Rudolph Berger, dean of the<br />

chief barkers committee, is recuperating at<br />

home after surgery . Variety membership<br />

committee has approved the following<br />

for associate memberships: Dick Baridon<br />

and Clarke Baridon. Clarke Baridon Contractors;<br />

William Weinberg, owner of the<br />

William of New York Hair Stylist shop and<br />

Max Gorin, retired builder.<br />

Parkis Dotson, manager of the Lonesome<br />

Pine Drive-In at Coeburn, Va. gave first<br />

aid treatment to a motorist who was seriously<br />

injured on the highway west of Coeburn . . .<br />

The Lee Theatre, Bluefield, Va., was destroyed<br />

by fire April 24. The theatre was<br />

owned by W. R. McCoy who lived in an<br />

apartment above the theatre.<br />

lumbia Manager Irving Martin celebrated a<br />

birthday.<br />

20th-Fox Manager Ira Sichelman, sales<br />

manager John OXeary, office manager Bob<br />

Smelzer and head booker Sara Young attended<br />

a series of sales meetings in Philadelphia.<br />

Sam Diamond, Philadelphia manager,<br />

was appointed leader for the bookers<br />

drive. He was at the local exchange Wednesday<br />

to arrange plans to increase bookings<br />

from now until June 25 . . . Catherine Caruana<br />

was vacationing in Florida.<br />

.<br />

. . Lt. and Mrs. Bert<br />

Mrs. Gus Lynch, her father and sister are<br />

visiting relatives in Italy . . . Anna MannLx,<br />

Loew's Capitol cashier, celebrated a birthday<br />

Liberty in Cumberland, and<br />

State in Cambridge, Md., closed for the summer<br />

. . . Mr. and Mrs Bobby Levine, Levine<br />

circuit, Norfolk, returned from a vacation of<br />

several weeks in Washington, New York and<br />

Cincinnati . Lloyd Wineland interests<br />

have acquired the ABC Drive-In at 7100<br />

Indian Head Highway .<br />

Maas, daughter and son-in-law of Mr. and<br />

Mrs. Henry Hiser, Hiser Theatre, Bethesda,<br />

have left for Cherry Point, N. C. after visiting<br />

their family in Washington. Grandpa<br />

Henry Hiser proudly presented his 9-week<br />

old grandson to the folk at 20th-Fox.<br />

MGM salesman Cal Bien was married recently<br />

in Baltimore to Joyce Beuchert .<br />

Salesman Tom Cosgrove returned to the<br />

office after a long illness . . . Bob Hislop, son<br />

of Edith Hislop. graduated from the Navy<br />

electronics school in Memphis and was expected<br />

home on leave for Mothers Day.<br />

The state senate has sent its congratuls<br />

tions to Grace Kelly for winning tt<br />

Academy award for her performance i<br />

"The Country Girl." A similar resolutio<br />

was introduced in the house . . . Zachary See<br />

was in town to help publicize "Shotgun" . .:..<br />

Howard Klein, a ma.ster of hypnotism, enteit<br />

tained the Variety Tent 13 at its receij<br />

general membership dinner ... An argi'<br />

ment on objections to interrogatories<br />

scheduled in the suit for one share of stoci<br />

which was started by the late Percy Frieq Wee<br />

man before his death, against Motion<br />

ture Theatre Service. The attorney for tl:<br />

plaintiff is Norman Shigon.<br />

Leo Goldstein, Samuel L. Hyman, Samui<br />

L. Lemer, Arnold R. Orsatti and Morton ,<br />

Sablosky are new members of Variety Tei<br />

13. Tent 13 will hold a canasta and gi<br />

rummy tournament May 13. Johnny nigl<br />

June 1 will feature the Phillies vs. tl<br />

Chicago Cubs, The game will be sponsore<br />

by Tent 13 and the Philadelphia Daily New<br />

Mary Kitabjian is a new clerk at BuenJ<br />

Vista, which is to distribute "Davy Crockettj<br />

produced by Disney . . . Frank Brookhouse<br />

local columnist, recently called the "Gree,<br />

Scarf," now playing at the Green Hill, tl,<br />

sleeper of the year. It is now in its sevent<br />

week . Kosoff, former local salei'<br />

man for 20th-Fox, is going to Albany in<br />

sales position for the company. Talk on Vir<br />

Street is that Gene Gantz, RKO salesman<br />

will take over Kosoff's job.<br />

Nate Milgram's DeLuxe Booking and Buyir<br />

Service is now handling the Pix In Mifflir'<br />

burg, and the CV in Sh'ppensburg. The C)<br />

formerly was known as the State, which wti<br />

j<br />

burned down last July. It has been rebulj<br />

with a Cinemascope screen and other ini<br />

provements, and it is scheduled to reope'<br />

May 12 . . Dave Rosen, independent di:<br />

.<br />

tributor, is now handling the Pittsburgh terr'<br />

tory as well as Philadelphia for some of h;<br />

accounts.<br />

Discovery proceedings are going ahead i<br />

the Yeadon Theatre suit against the maj4<br />

:t<br />

ii<br />

The Virginia at Portsmouth has been closed<br />

and will be dismantled to make room for<br />

stores . Lynch reports the removal<br />

of the Schine district offices from 640 K<br />

Street NW to the Hill building at 839 Seventeenth<br />

St. NW, Suite 310 .. . Loew's Co-<br />

ToD Feature Attractions!<br />

WASHINGTON, D. C. 920 New Jersey Ave.. N.W.<br />

. . . Jane Harrell, Paramount<br />

Myma Lipsner, 6-year-old daughter of<br />

Allied Artists Manager Milt Lipsner, celebrated<br />

a birthday<br />

booker, was given a bridal shower<br />

by<br />

Molly Maniere Friday evening in the Paramount<br />

recreation room . Seven Little<br />

Foys" was sneak-previewed at Loew's Capitol<br />

Tuesday night . Goulet was on<br />

vacation . are planning a stag<br />

dinner at the Casino Royale for Paramount<br />

salesman George Kelly May 9, in honor of<br />

h's forthcoming marriage to booker Jane<br />

Harrell.<br />

Barbara Britton has been signed for the<br />

femme lead in Allied Artists' "Night Freight."<br />

distributors. This antitrust case should Ij<br />

tried the end of this year or the beginnir<br />

of next. Norma:! Shigon, attorney for tl<br />

plaintiff, said that he will spend the suirj<br />

mer taking depositions of various represen'<br />

atlves of the defendents . Gagha'<br />

local columnist, returned to his old job i<br />

the Philadelphia Daily News . Youn<br />

Columbia exploiteer. underwent minor su:<br />

gery at Graduate Hospital.<br />

Ben Blumberg, Blumberg Bros, equipmei<br />

house, was in Hahnemann Hospital . . Jvi<br />

,<br />

1-7 will be celebrated as United Artists Wee<br />

and the local branch wants to win the intr;<br />

company contest by getting more picturi<br />

played than any other branch.<br />

38 BOXOFFICE<br />

:<br />

7, 19!<br />

r


1 I been<br />

cj Moore,<br />

•<br />

Washington<br />

. . The<br />

. . Ted<br />

,<br />

S>eer Marousis Retires<br />

iHer 40-Year Career<br />

JEW CASTLE, PA.—Speer Marousis, a<br />

leiiing exhibitor for more than 40 years,<br />

h; ended his long cai'eer in the enterlainiii;<br />

u'orld. Disminifihing grosses and lack<br />

,, iiitable film product had made his enteric<br />

,0 unprofitable in recent years and he<br />

l!,<br />

withdrawn from exhibition with the<br />

( ,;im of the Regent Theatre here. His<br />

r irement was not unexpected in the trade.<br />

11 1914 he built the Dome Theatre on<br />

Street and later he was<br />

Mier of the Penn, Capitol and Star.<br />

with the Regent. Some years ago<br />

I relinquished all his holdings except the<br />

f gent.<br />

Marousis retains his hotel interests. He<br />

an active Allied member and di-<br />

1 tji- for many years. The Regent Theatre,<br />

I said, was not sold.<br />

VEST VIRGINIA<br />

deprived of a trip to his native Lebanon by<br />

a heart attack two years ago. Wheeling<br />

i^a indoor and outdoor theatre owner S. D.<br />

fia departed Fi'iday (6) to visit his birthl.ce.<br />

which he has not seen for 56 years.<br />

.'la. who now spends most of his time in<br />

. still, Texas, planned the trip principally<br />

t see, for the first time, a brother who<br />

\is<br />

born after he came to the United States.<br />

ItVarner Zoeckler, manager of the Capitol<br />

"^eatre. Wheeling, was caught in the midst<br />

c'a promotion stunt that backfired. A huge<br />

litcard, signed by hundreds of Ohio Valley<br />

ijidents. was intended to be mailed to<br />

..mne Dru. former Wheeling girl who ap-<br />

[.'irs in "Day of Triumph." but the ex-<br />

^)itation boomeranged when an attempt was<br />

iide to mail it. Exceeding the size limitatns.<br />

the giant postcard finally was shipped<br />

ti the actress in Holly^vood.<br />

Jchine Case Attorney<br />

] Solicitor General<br />

SUjBANY—James O. Moore jr.. 45, a memk<br />

of the Buffalo law- fu-m of Raichle. Tucker<br />

which has represented the Schine<br />

(icuit and affiliates in recent antitrust<br />

(lies, is to be the new state solicitor general,<br />

.torney General Jacob K. Javits announced<br />

h appointment, effective June 1, as suc-<br />

^isor to Hem-y S. Manley. The post pays<br />

5),462 annually.<br />

Vlanley, a veteran in the state's legal service<br />

id associated with Dr. Charles A. Brind jr.,<br />

unsel for the Board of Regents and the<br />

lucation department, in the U. S. Supreme<br />

?urt censorship cases involving "The<br />

jjacle" and "La Ronde," will retire at the<br />

id of this month.<br />

'isualite Sells 2 Units,<br />

lays One in Virginia<br />

lORPOLK. VA.—Visualite Theatres, headed<br />

1 Jeff Hofheimer. has sold the Visualite<br />

jieatre and Staunton Drive-In at Staunton,<br />

., to Transamerica Theatres of Silver<br />

! rings, Md.<br />

yisualite has purchased the Autoport<br />

Jive-In at Portsmouth. Va.. from George<br />

vVis. who returned to his native Greece.<br />

le Hofheimer. formerly of Columbus. Ohio,<br />

i managing the Autoport.<br />

BALTIMORE<br />

Tack Fruchtman, who operates Keiths and<br />

the New theatres, and Natt W. Hodgton,<br />

general manager, entertained the press, radio<br />

and TV at a cocktail party to introduce Kevin<br />

McCarthy, who plays a lead in "An Annapolis<br />

Story." Harry Goldstein of Allied Artists<br />

was also one of the hosts for the affair, held<br />

at the Sheraton Belvidere. Next morning<br />

Fruchtman took off for the Variety convention<br />

in Cal.fornia, accompanied by Morton<br />

Gerber of District Theatres.<br />

Gilbert Kanour, film critic for the Evening<br />

Sun. is on a month's vacation . Kirwan,<br />

manager of the New. went to New York<br />

to see "Cinerama Holiday" . . . Bob Gruver.<br />

owner of the New Glen at Glenburnie. was<br />

in town for a meeting of the Maryland Allied<br />

. . . C. Morton Goldstein, new chairman of<br />

the Maryland censor board, took over Monday<br />

(2), replac.ng the former chairman,<br />

Sydney Traub, who failed to receive a reappointment<br />

from Gov. Theodore McKeldin.<br />

Goldstein's entrance was without any ceremony<br />

or official reception.<br />

Calvin Kirby jr. is now connected with the<br />

235 Drive-In at California, Md. . . . Additions<br />

to the staff at the Park and Plaza theatres<br />

at Lexington Park are John Phagan and<br />

David Dougherty . Waldorf Theatre<br />

at Waldorf has installed new Cinemascope<br />

equipment.<br />

Blaze Destroys Lee<br />

BLUEPIELD, VA.—The Lee Theatre here,<br />

ow^ned by W. R. McCoy, w'as destroyed by<br />

fire, which did an estimated $100,000 damage<br />

to the theatre and adjoining business houses<br />

on April 25. Origin of the blaze was not<br />

known, but it is believed to have started<br />

off an adjoining cafe.<br />

HONORED BY MILITARY—A military<br />

review at Philadelphia naval base<br />

was held to honor William Goldman,<br />

nationally known motion picture exhibitor<br />

and chairman of the Philadelphia<br />

Armed Forces Week committee. Above<br />

are Sergt. Alexander W. Reynolds, NCO<br />

administrator at the Marine barracks,<br />

and Goldman. In rear are Col. W. A.<br />

Kengla and Rear Admiral F. L. Better.<br />

Armed Forces Day is May 21.<br />

Erie Officials Restrict<br />

'Karamoja' to Adul<br />

H:<br />

ERIE, PA.—By agreement with s.;.l.<br />

Colonial Theatre here, no one under 21 v. ,<br />

admitted to showings of Kroger Babo<br />

"Karamoja," a documentary film aboi,-<br />

primitive life in Africa. District Altonity<br />

Damian McLaughlin announced this poUcj<br />

after a conference with Mayor Arthui<br />

Gardner. McLaughlin said that he could not<br />

bring any legal action to prevent the showing,<br />

as the film was passed by the Pennsylvania<br />

board of censors. He said that he and newspapers<br />

had received complaints about the<br />

"brutal" and "indecent" nature of the film,<br />

which is on the condemned list of the<br />

Catholic Legion of Decency.<br />

At the same time. Shea's A theatre here.<br />

Shea's, was exhibiting MGM's "Blackboard<br />

Jungle" which children were permitted to<br />

attend if accompanied by parents. The<br />

booking of this picture had caused a theatre<br />

problem just a few days before the scheduled<br />

opening of "Karamoja" at the Colonial.<br />

The censorship action is one of few on<br />

local records, according to police. Oldtimers<br />

recall trouble at the old Happy Hour Theatre<br />

here in 1911 when a shocker entitled "The<br />

Great Question" was presented.<br />

lettFrs<br />

Exhibitor Corrects News Story<br />

TO BOXOPFICE:<br />

On page 32 of the April 30 issue of BOX-<br />

OFFICE is a paragraph stating that I obtained<br />

"the approval of the Catholic bishop<br />

of Wheeling" lor the showing of "Karamoja"<br />

and "Half-Way to HeU."<br />

The bishop referred to not only did not<br />

see the pictures mentioned, but he never in<br />

any way approved them; or, as you put it,<br />

"found nothing objectionable in either film."<br />

Your statements are not only untrue, but<br />

they can cause me personally a great deal<br />

of embarrassment.<br />

Please correct your statement in a future<br />

Lssue of BOXOFFICE, and advise the person<br />

.supplying you with your information that a<br />

great injustice has been done to the bishop<br />

and myself by submitting such an article to<br />

you.<br />

I am sure your publication has no desire<br />

to embarrass or misquote anyone. I have<br />

read BOXOFnCE for many years and base<br />

this opinion on what you have printed during<br />

that time.<br />

JOHN G. OSBORNE<br />

Capitol Theatre Bldg.,<br />

Wheeling. W. Va.<br />

No Profit in Lake Theatre<br />

ERIE. PA.—Failure of the Lake Theatre<br />

on East 26th street "to earn a penny" since<br />

it was constructed in 1950 has prompted the<br />

owner to consider turning it into a skating<br />

rink, the city council was told this week.<br />

William Zeny. owner, said that the "big<br />

problem" in converting the structure to a<br />

skating rink was the decline in the floor level<br />

and that it would cost at least $10,000 to<br />

level it out. Zeny and his counsel Howard<br />

Plate, appeared in council chamber to protest<br />

a $68,020 city assessment on the theatre.<br />

The two men contended it should be approximately<br />

$50,000.<br />

IXOFFICE :: May 7, 1955 39


. . Members<br />

. . Pour<br />

. . . Reports<br />

. . . Paul<br />

. . The<br />

. . Warner<br />

. . Mr.<br />

. .<br />

. .<br />

:<br />

j<br />

PITTSBURGH<br />

"The Blatt Bros, circuit has reopened both<br />

. . .<br />

Shea's Theatre, Bradford, has installed<br />

Tommy<br />

a<br />

new stereophonic sound system<br />

Cowell has reopened the Lakeview Drive-In<br />

Two St. Marys<br />

on East Lake Road, Erie . . .<br />

residents, one of them a juvenile, were arrested<br />

on a charge of malicious mischief as<br />

the result of WTecking a men's restroom at<br />

the Kane Drive-In. Manager John Anderson<br />

said that the pair ripped out pipes and<br />

upset equipment in the restroom, causing<br />

$300 in damages . first-run art films<br />

Vvill be exhibited at the Rivoli Theatre, Altoona,<br />

under sponsorship of the Altoona Symphony<br />

Society. The Altoona Chamber of<br />

Commerce and the Book and Record shop<br />

there are assisting the showing of the series<br />

by advertisements and by selling tickets,<br />

according to Saul Perilman, proprietor of the<br />

theatre and former Warner Bros, salesman.<br />

Jess Cramblett mimeographs monthly programs<br />

on one sheet of paper to advertise<br />

attractions at the Village Theatre, Salisbury,<br />

/o^ SELF-SERVICE<br />

WARMER<br />

BABY BOTTLE<br />

^ DRIVE-INS<br />

AUTOMATIC<br />

SANITARY<br />

• Does not require • Holds 4 large and<br />

concession stond 2 smoll bottles,<br />

employees -- Pa- , ^o overheoting or<br />

»'""= help them- broken bottles<br />

selves.<br />

• 110-220 AC cur-<br />

'^"'•<br />

• Safe — Thermostatically<br />

controlled • Can be placed on a<br />

for right temp. shelf or counter.<br />

DON'T DELAY . . . Send<br />

Your Order to<br />

JOBIL<br />

$2/50<br />

PRODUCTS CO.<br />

Phone woodward a-5510<br />

19 Clifford 501 Woodward BIdg.<br />

Detroit 26, Michigan<br />

. . . The<br />

and the State T'heatre, Meyersdale<br />

Women's Auxiliary of the Pittsburgh Opera<br />

Society is sponsor-ng the showing of IPE's<br />

"Aida" at the SW Squirrel Hill here .<br />

. . . re-<br />

the Star and Lawrence Park drive-ins, Erie,<br />

with giant new screens and magnetic sound.<br />

The adult admission price of 65 cents is retained<br />

. of the St. Francis college<br />

A dancing school at New Kensington preagement<br />

basketball team were guests of the mansented<br />

its 25th anniversary revue at the<br />

of the Capitol Theatre, Altoona, for Liberty Theatre there.<br />

the showing of "Basketball Highlights of<br />

1955" . . . Domingo Bragado, yo-yo champion, The school district of Harmony Township,<br />

was featured at a Saturday afternoon kiddy Beaver County, plans to adopt a resolution<br />

show at the Penn Theatre. New Castle, with imposing a 4 per cent amusement tax, to be<br />

a yo-yo contest following, for which prizes effective July 4, expecting revenues to reach<br />

Sid Newman, who were awarded. Lucky kiddies too, received $4,000 annually<br />

free yo-yos.<br />

signed from Stanley Warner after 25 years<br />

with the circuit, returned to the fold as replacement<br />

for Sammy Speranza, another 25-<br />

year-man, who pulled out to join the Tony<br />

Stern-Bob Snyder sales organization .<br />

SW booker Marvin Samuelson was called to<br />

Olean, N. Y., by the death of his mother.<br />

The Penn Theatre here wni have a seamless<br />

28^2x52 feet screen for the horizontal<br />

VistaVision projection of "Strategic Air Command"<br />

. APL Central Labor Union<br />

called upon affiliated unions to support<br />

Local 171 in injunction action brought to halt<br />

picketing at Ranalh's Drive-In near Gibsonia.<br />

The projectionists local claims the<br />

theatre refuses to employ designated union<br />

operators under a contract agreement. The<br />

theatre management maintains it has twice<br />

notified the union its services are not needed<br />

from Erie are that Erie County<br />

Democrats are ousting Alden Phelps, Waterford<br />

outdoor theatre owner, as party chairman<br />

. Bros, will tradescreen<br />

"Mr. Roberts" at the Schenley Theatre at<br />

11 a.m.. May 23 . . . Mr, and Mrs. Alex Manos<br />

went out of town for a week or two following<br />

the recent death of their 14-month-old<br />

daughter Maria Joy.<br />

Joseph Bugala, general theatre manager for<br />

tlie Manos circuit, served as a panelist this<br />

week at MGM Ticket Selling Workshop meetings<br />

in Minneapolis and Des Moines . .<br />

.<br />

Pilmrow is working up a testimonial for<br />

David Kimelman, Paramount manager who<br />

is celebrating his 30th anniversary with the<br />

company here in June, which month also<br />

marks the 30th wedding anniversary of David<br />

and Leona Kimelman . and Mrs. Steve<br />

Rodnok sr„ Oakmont exhibitors, returned<br />

from St. Petersburg, Fla., where they spent<br />

Filmrow visitors included<br />

the winter . . .<br />

Prank J. Daut and C. A. McCrork, Altec<br />

executives.<br />

Paul Krumenacker, WB sales manager, was<br />

confined to St. Joseph's Hospital with virus<br />

and muscular ailments . . . Plans were<br />

announced for construction of the world's<br />

largest amphitheatre at Allentown, Pa. Costing<br />

$1,500,000 and seating 35,000 persons, the<br />

project wUl be ready for use in 1956 for<br />

operatic, symphonic and ballet presentations<br />

Reith, RKO, and Angelo Marino,<br />

U-I, made inspections and conducted fire<br />

drills on Filmrow.<br />

SAM FINEBERG<br />

TOM McCLEARY<br />

JIM ALEXANDER<br />

84 Van Broom Street<br />

PITTSBURGH 19, PA.<br />

Phone Express 1-0777<br />

Movies Are Better Than Ever • How's Your EQuipmentt<br />

'Daddy Long Legs' Opens<br />

March of Dimes Benefit<br />

NEW YORK—Many stars of the entertaii'<br />

ment world and other notables by the<br />

presence lent color to the opening of "Dadi<br />

Long Legs" Thursday (5) at the Roxy Th<br />

atre. It was a benefit performance, Spyr<br />

P. Skouras, president of 20th Century-Fc<br />

donating all proceeds to the March of Dim<br />

campaign to raise $9,000,000, earmarked f<br />

manufacture of the Salk polio vaccine.<br />

Daniel and Mrs. Salk, parents of tl<br />

discoverer of the vaccine, were presei<br />

Among those from the entertainment wor<br />

were Marilyn Monroe, Eve Arden, Gene Loc *"<br />

hart, Teresa Wright, William Boyd, Sylv<br />

Sidney, Brian Aherne, Eddie Fisher, Pari<br />

Granger, Sid Caesar, Nanette Fabrj<br />

Imogene Coca, Monica Lewis, Lee J. Col<br />

Margaret Hayes, Ruth Roman and Rita Ga:<br />

They were interviewed under the klf<br />

lights by Tex and Jinx McCrary and telecs<br />

over WPIX. There was also newsreel, rac S<br />

and still photography coverage. The Fii<br />

Army Band played outside the theatre. 1<br />

stations showed Movietone film clips of t<br />

highlights.<br />

The picture will open June 6 at the Carlt<br />

Theatre, London, with all proceeds going<br />

the Invalid Children's Aid Ass'n.<br />

Mrs. Ida Ritter to Operate w<br />

Hotel in Adirondacks<br />

NEW YORK—Mrs. Ida Ritter, a forir<br />

member of the headquarters staff of Theatd<br />

Owners of America, has purchased Silberj<br />

Hotel, Schroon Lake. Adirondacks, N. Y., fn.f<br />

Mrs. Wilma Silbert, mother of Julian Bla<br />

stein, producer, and will operate it unc<br />

that name. It was established in 1920, h|<br />

been visited by many members of the fi i<br />

industry and now accommodates 7S gues<br />

Mrs. Ritter will reopen it Memorial Day.<br />

Park Theatre Robbed<br />

PITTSBURGH—A ticket pm-chaser at t<br />

Park Theatre in Greenfield approach<br />

owner Leonard Perer and asked to see cash'<br />

Roberta Mitro. Thinking it was a social ci,<br />

Perer unlocked the door to the cashiei|<br />

office and walked away. The visitor burst<br />

upon the surprised cashier with a ha<br />

thrust menacingly in his pocket and :<br />

manded the money. The holdup man escapij<br />

with $80.<br />

Takes Over Booth Duties<br />

FARRELL, PA.—Because of a busini;<br />

decline, Louis Lampros has closed the Colon,<br />

and he has taken over duties in the pijection<br />

booth of the Capitol. He reported 1-<br />

contract with the pi'ojectionist's union e<br />

pired and he could not negotiate a deal whi<br />

would permit continued operation of t<br />

theatres. At the Hickory Drive-In nf<br />

Sharon, his brother Chris is operating t'<br />

projection machines without assistance.<br />

Mrs. Anna McVerry Dies<br />

PITTSBURGH—Mrs. Anna Alberta Vy<br />

Verry died May 1 at St. Clair Memorial H(<br />

pital here. She was the wife of Thomas '<br />

McVerry of Lawrence, Pa., operator of t<br />

Hill Theatre, Hill Station, and mother<br />

James, Dennis, Thomas and Terrene<br />

Requiem high mass was offered Thursd;<br />

(5) at St. Elizabeth's Church, Lawrence.<br />

I<br />

r<br />

40 BOXOFFICE May 7, 19!


:<br />

Son<br />

1<br />

L<br />

'<br />

Town"<br />

: May<br />

i<br />

HOLLY woo<br />

^ f-<br />

k.3<br />

AND VIEWS THE<br />

(Hollywood Office— Suite 219 at 6404 Hollywood Blvd.: Ivan Spear. Western Manager<br />

'mq Legs' Premiere<br />

Iroceeds to Hospital<br />

,<br />

(il.LYWOOE>—Sweet charity was the ben-<br />

..i;y from the Wednesday (4) $50-a-seat<br />

iii piemiere of 20th Century-Fox's "Daddy<br />

1 ,, Legs," which had a star-studded openii<br />

at Grauman's Chinese Theatre. Proceeds<br />

tin the debut of the Cinemascope musical,<br />

cistarring Fi'ed Astaire and Leshe Caron,<br />

Wit to St. John's Hospital in Santa Monica,<br />

Wxh earmarked the revenue for its $500,-<br />

building fund.<br />

lovieland luminaries arriving at the theat'<br />

were whisked before TV cameras to be<br />

.' wed by Ed Sullivan, who recorded<br />

M eedings for his Sunday (8) "Toast<br />

telecast. Among those in attidaiice,<br />

in addition to Astaire, were:<br />

flmer C. Rhoden, president of National<br />

T^.itre.s; Darryl P. Zanuck, 20th Century-<br />

1 : \ :ce-president in charge of production;<br />

L ma Reed, James Stewart, Victor Mature,<br />

fc;ree North, Irene Dunne, Richard Todd,<br />

F|Dert Wagner, Allan Jones. Dan Dailey, Fernido<br />

Lamas, June Allyson, Jeanne Crain,<br />

i>ene Dahl, Dick Powell, Ann Blyth, Betty<br />

Oible, Bing Crosby, Debra Paget, Mamie<br />

\a Doren, Jennifer Jones, Jane Wyman,<br />

\ui-een O'Hara, Claudette Colbert, Jane<br />

tssell, Clifton Webb, Ray Anthony, Market<br />

O'Brien, Joan Crawford, Anita Louise,<br />

\jlliam Holden, Robert Cummings, Joan<br />

Cjjlfield, Barbara Stanwyck and Robert<br />

^.ck.<br />

ilso on hand were delegates to the conrent<br />

19th annual Variety Clubs Internat;ial<br />

Convention.<br />

Daddy Long Legs" was given its New York<br />

Bmiere Thursday (5) at the Roxy, prodds<br />

going to the March of Dimes.<br />

' irriving in Denver as the first stop on<br />

s.rans-continental p. a. toiu' plugging RKO<br />

p|dio's "Son of Sinbad," were the Sintiettes,<br />

four girls garbed as Persian harem<br />

liidens. The three-week trek will include<br />

Insas City, St. Louis, Milwaukee, Chicago,<br />

Ilianapolis, Cincinnati, Detroit, Cleveland,<br />

Iffalo, Toronto, Pittsburgh, Philadelphia,<br />

Vishington, Boston and New York.<br />

of Sinbad" will be world-premiered<br />

Tesday (31) at the Fox Theatre in St.<br />

^chael Curtiz to Produce<br />

lOLLYWOOD—Michael Curtiz has been<br />

s- to produce as well as direct "The Kiss-<br />

Q-," suspense drama which Paramount will<br />

gi next month. It will topline Carol Ohmart<br />

8i Tom Tryon.<br />

'Air Command' Gets Festive Premiere<br />

U-I to Release UCLA Film<br />

HOLLYWOOD—U-I has arranged to release<br />

"A Time Out of War," Academy Award<br />

winner as the best two-reeler produced last<br />

year. The film, made at the University of<br />

California at Los Angeles, also won top honors<br />

in the recent Screen Producers Guild intercollegiate<br />

film awards sweepstakes. It was<br />

written, produced, directed and photographed<br />

by Dennis and Terry Sanders for their<br />

graduate thesis.<br />

Gig Young to Be TV Host<br />

For Warner Telefilms<br />

HOLLYWOOD—Gig Young has been inked<br />

as host for "Warner Bros. Presents," the<br />

forthcoming Warner-ABC network series of<br />

telefilms. He will serve as master of ceremonies,<br />

Introducing each of the 39 one-hour<br />

teleplays and will also be featured in the<br />

"Behind the Cameras at Warner Bros. Studios"<br />

segment.<br />

"Strategic Air Command," Paramount's<br />

film study of Uncle Sam's global air defense,<br />

was treated to a glamor-freighted<br />

west coast premiere at the Stanley Warner<br />

Beverly Theatre in Beverly Hills, attended<br />

by military brass and top film celebrities.<br />

In lower photo are James Stewart and<br />

June Allyson, stars of the Technicolor-<br />

VistaVision entry, shown with Samuel J.<br />

Briskin, who produced it. Upper photo,<br />

from left: G. Ralph Branton, Allied Artists<br />

executive, and Mrs. Branton, and A. H.<br />

Blank, Des Moines circuit operator, with<br />

Mrs. Blank. Branton formerly was an<br />

executive with the Blank chain.<br />

$21,500 to Russ Birdwell<br />

In Paul Gregory Case<br />

HOLLYWOOD—A multifaceted court action<br />

brought by freelance publicist Russell Birdwell<br />

against Paul Gregory, stage and screen<br />

producer, was wiped off the docket when,<br />

after superior coiu-t rulings were handed down<br />

in Birdwell's three breach-of-contract allegations,<br />

Gregory settled by paying over $21,500<br />

in fees. Birdwell had sought close to $600,000,<br />

contending Gregory had discharged him in<br />

the midst of a pact from which he was to<br />

have received five per cent of the producer's<br />

grosses from six legitimate stage productions.<br />

It was reported Birdwell had previously received<br />

$50,000 during the time he actively<br />

handled the Gregory account for the six<br />

stage productions.<br />

Prior to the settlement payment, the court<br />

had ruled Birdwell was entitled to an accounting<br />

on all but one of Gregory's shows but<br />

that the publicist's contract had been terminated<br />

"at will" by the defendant.<br />

BXOFFICE :<br />

7, 1955<br />

4i


-<br />

.<br />

.<br />

Blurbers<br />

STUDIO PERSONNEUTIES<br />

20th Century-Fox<br />

Resigning his post in the Warner studio publicity<br />

deportment, NED MOSS has joined the Westwood<br />

film plant to beat the drums for its new TV<br />

subsidiary.<br />

Brieiies<br />

Universal-International<br />

With Will Cowan producing and directing, filming<br />

was launched on c two-reel musical featurette<br />

headlining Eddie Howard and his orchestra.<br />

Meggers<br />

20th Century-Fox<br />

Universal-International<br />

ALBERT J. COHEN was ossigned to produce "And<br />

No One Answered," o recently-acquired melodrama<br />

by Ann Head, which is being scripted by Charles<br />

Hoffman.<br />

Options<br />

Allied Artists<br />

Producer Ace Herman set FORREST TUCKER and<br />

KEITH LAR5EN for the male leads in "Night Freight,"<br />

while Thomas Gomez was cast as the heavy. Jean<br />

Yorbrough directs. Handed the feminine lead was<br />

BARBARA BRITTON. G. PAT COLLINS, MICHAEL<br />

ROSS and LEWIS MARTIN were added to the cast.<br />

SKIPPY HOMEIER was inked by Producer Vincent<br />

Fennelly for the principol heovy role in "Gun Point,"<br />

which rolls May 6 with Fred MocMurroy, Dorothy<br />

Malone and Walter Brennan heading the cast.<br />

Alfred<br />

Werker will direct. The picture will be filmed in<br />

Cinemascope. TOMMY RETTIG was signed for the<br />

role of Fred MacMurroy's son.<br />

Columbia<br />

RUTH DONNELLY and<br />

Character<br />

JEANETTE<br />

actresses<br />

NOLAN hove been signed for featured<br />

roles in "Marshal of Medicine Bend." WARNER<br />

be seen as the principal heavy and<br />

ANDERSON will<br />

romantic rival of Randolph Scott in the Technicolor<br />

western which Producer Horry Joe Brown has before<br />

the cameras with Joseph H. Lewis directing. Veteran<br />

character actor JAMES BELL has joined the cost.<br />

JEANNE COOPER has been set to ploy the second<br />

feminine lead in Producer Sam Kotzmon's "The<br />

Houston Story," which has Lee J. Cobb, Edward<br />

Arnold and Barbara Hale in the starring roles.<br />

William Castle directs.<br />

VERNA FELTON was cost in the picfurizotion of<br />

William Inge's Pulitzer Prize drama, "Picnic," starring<br />

William Holden, Rosalind Russell, Kim Novak<br />

and Betty Field. Joshua Logon will direct, with<br />

Fred Kohlmar producing.<br />

Independent<br />

Producer Mike Todd signed DAVID NIVEN to<br />

star with Continflos, the Mexican comic, in his<br />

Todd-AO version of Jules Verne's "Around the<br />

World in 80 Days," which John Farrow will direct.<br />

Metro-Goldwyn-Mayer<br />

Joining Robert Toylor and Stewart Granger in the<br />

starring cast of "The Lost Hunt" is LLOYD NOLAN.<br />

The frontier drama is being<br />

megged by Richard Brooks.<br />

scripted and will be<br />

ANTHONY QUINN will portroy the French artist,<br />

Paul Gauguin, in "Lust for Life," starring Kirk<br />

Douglas as Vincent Von Gogh. Vincente Minnelli will<br />

direct for Producer John Houseman.<br />

RKO Radio<br />

Panamint Pictures, headed by Sam Wiesenthol and<br />

Gene Tevlin, signed HILLARY BROOKE to join Richard<br />

Carlson, Victor McLoglen, Mala Powers and Richard<br />

Conte in the cost of "Bengozi," which is being<br />

megged in Superscope and Technicolor by John<br />

Brahm. EILEEN ROWE has been signed for the<br />

role of o torch singer in a night club.<br />

FORREST TUCKER will join Claudette Colbert and<br />

Barry Sullivan to enact o leading role in "Texas<br />

Lady," the Nat Holt-Lewis Rosen production, which<br />

is in Superscope and Technicolor.<br />

Republic<br />

ANN SHERIDAN will star with Steve Cochran in<br />

"Come Next Spring," Trucolor romantic comedy to<br />

be directed by R. G. Springsteen.<br />

Inked for key roles in "Deadline Alley," newspaper<br />

drama starring Rod Cameron and Julie Bishop,<br />

were FRANCIS DE SALES, NACHO GALINDO and<br />

EDWARD COLEMAN. The William J. O'Sullivan production<br />

is being piloted by William Witney from a<br />

script by John K. Butler and Frederic Fox.<br />

20th Century-Fox<br />

CLIFTON WEBB has been assigned to star in "The<br />

Man Who Never Was," a World War II drama<br />

based upon the true-lite adventures of Ewen Montague,<br />

British naval officer. It will be filmed abroad<br />

as on Andre Hokim production, with Ronald Neame<br />

directing.<br />

Handed a contract extension wos actor JEFFREY<br />

HUNTER.<br />

United Artists<br />

Bryna Productions, headed by Kirk Douglas, signed<br />

LON CHANEr for "The Indian Fighter," which will<br />

star Douglas and is to be directed by Andre de Toth.<br />

Universal-International<br />

JAMES FLAVIN was booked for the featured role<br />

of an innkeeper in "A Time Remembered," Technicolor<br />

drama starring Rock Hudson, Cornell Borchers and<br />

beorge Sanoers. Jerry Hopper is megging the Albert<br />

J. Conen production.<br />

Veteran character actress SARAH PADDEN was<br />

signed tor a featured part in "The Kettles in the<br />

OzarKs," starring Marjorie Main and Arthur Hunnicutt,<br />

which Chanes Lamont is directing for Producer<br />

Richard Wilson.<br />

Dancer-actor TOMMY RALL was signed to a longterm<br />

tiCKet. He recently completed a top role tor<br />

the studio in "The Second Greatest Sex."<br />

SAM GILMAN was signd for the part of a young<br />

navy lieurenant in "Away All Boars," Technicolor-<br />

VistaVision entry starring Jeff Chandler. It is<br />

being lensed on locanon in the Virgin Islands with<br />

Howard Cnristie producing and Joseph Pevney as<br />

the drector.<br />

Warner Bros.<br />

tor the role of on underworld lawyer in the<br />

Set<br />

Alan Ladd starrer, "The Darkest Hour," was<br />

VOlTAIkE PERKINS. In Cinemascope and Warner-<br />

Color, the Jaguar production—also roplining Edward<br />

G. Kobinson and Joanne Dru— is being megged by<br />

Frank Tuttle.<br />

JUDITH EVELYN was signed to portray Elizabeth<br />

Tayior's mother in "Laionr/' the fjeorge Srevens-<br />

Henry Ginsberg production, based on the<br />

^<br />

novel by<br />

'<br />

tn<br />

Wither:<br />

Scripters<br />

Columbia<br />

DAVID LANG has been engaged to write an<br />

original western, "Law of Gunsignt Pass," for Producer<br />

Wallace MacOonald, with July 5 set as the<br />

tentative starting date.<br />

Independent<br />

n.<br />

penning "Mohawk" for<br />

Metro-Goldwyn-Mayer<br />

HERBERT BAKER was assigned to develop "Largely<br />

a Question of Love," based on an original by John<br />

Paxton.<br />

United Artists<br />

LAWRENCE ROMAN was signed by Producer Samuel<br />

Goldwyn jr. to do a polish job on the script of "The<br />

Sharktighters," an original screenplay by Art and<br />

Jo Nopoleon.<br />

Warner Bros.<br />

WENDELL MAYS, New York television writer, has<br />

been signed by Leland Hayward Productions to<br />

work on the screen treatment of Charles Lindbergh's<br />

Pulitzer Prize story, "The Spirit of St. Louis," which<br />

Billy Wilder will direct with James Stewart in the<br />

starring role.<br />

Story Buys<br />

Independent<br />

Desilu Productions, headed by Lucille Boll and<br />

Desi Arnoz, acquired "Journey to a Star," an original<br />

romantic comedy by Arthur Julian and Joseph Morhaim,<br />

for theatrical filming. It will be shot on<br />

location in France and Switzerland.<br />

"Bonjour Tristesse," a French novel by Francoise<br />

Sagan, was purchased by Producer-director Otto<br />

Preminger, who plans a Broadway stage version pi<br />

to filming the property next year.<br />

Hanover Pictures, headed by William E. Seli<br />

Jacques Braunstein and Robert Lord, acquired "T<br />

Gay Life," an original screenplay by iNorman<br />

Shields. The romantic drama will be produced<br />

Paris.<br />

Lights Up," o short story by Cuba Richards<br />

was purchased by Dan Duryea and Director Al"<br />

Ganzer, who plan to produce it with Duryea in t<br />

starring role.<br />

Megaphonist Roy Rowland picked up screen rial<br />

to "My Adorable," an original by Aleen Leslie, ba<<br />

on the lite ot Andrew jacKson's wife, Rachel. "<br />

Producer-director Max Nosseck purchased "(<br />

Overboard," an originol screenplay by Leonard Ho<br />

man and Malvin vVald, and pians to ti<br />

location along the New York waterfront.<br />

Metro-Goldwyn-Mayer<br />

Slated OS a starring vehicle for Grace Kelly, f<br />

rights were secured to the Ferenc Motnar play, "~<br />

RKO Radio<br />

.<br />

King Bros. Productions purchased "Seven Lant*<br />

Japan," an original by Merrill G. White<br />

in<br />

Robert Rich, and win film it on location in Japan 1<br />

_<br />

fall in Cinemascope and Technicolor. concerns It<br />

American girl singer in Nippon wno is<br />

i~l<br />

regenera<br />

through her involvement in a dangerous romar<br />

triangle.<br />

20th Century-Fox<br />

"Boy on a Dolphin," an adventure novel by Dc<br />

Devine, was odoed to the sTudio s upcoming sio]<br />

'<br />

It concerns the search, off the coast ot loreece,<br />

a sunKen ship bearing a cargo of priceless antiqu<br />

Film rights were obtained to "Painted Days/'<br />

ploy by John Byrne. A story of modern Ireior<br />

it rells of the romance between a farmer and<br />

blind girl.<br />

Purchased in manuscript form was "Island in J<br />

Sun," a soon-to-be-published novel by Alec Waui<br />

The romantic drama has a West Indian locale.<br />

Technically<br />

Allied Artists<br />

Set on the production crew for "Night Freigl<br />

were A. R. MILTUN, proauction manager;<br />

buAZER ond JACK RObtKiS, assistant directs<br />

William SICKNOK, cmemoiogropher; ACt HcKM,<br />

tilm editor, and bEORbt TKOAbT, art director.<br />

Paramount<br />

20th Century-Fox<br />

Handed a new one-year contract was cir<br />

grapher LEON SHAHROY.<br />

Title<br />

Warner Bros.<br />

Chcmges<br />

Allied Artists<br />

"Doing Time" to JAIL BUSTERS.<br />

Metro-Goldwyn-Mayer<br />

"Her Guardian Angel" (Desilu Prod.) to FOREVI<br />

New CV Demonstrated<br />

For Studio Executives<br />

HOLLYWOOD—Motion picture<br />

and vid<br />

executives were given a demonstration Moj<br />

day (2) of Camera Vision, the new phot,<br />

graphic process which calibrates motion pi<br />

ture and TV cameras into one integrated un<br />

On hand were David O. Selznick, Euge<br />

Zukor and a group from Paramount; WiUia<br />

Eglinton of RKO; Eric Howes and Sidn<br />

Zipser, representing Technicolor; Slant<br />

Coe and Robert Metzler, NBC; William Le<br />

and Richard M. Mock, Lear, Inc; Willa<br />

Brown, Mutual network, and Peter Roebec<br />

General Teleradio.<br />

Philip Rivero and Arthur S. Lyons, hea<br />

of Camera Vision, have leased a sound sta<br />

at the Sunset State studios for use as C<br />

equipment headquarters.<br />

jgtjj.<br />

i'<br />

I'<br />

EQl<br />

EC.<br />

fe<br />

42 BOXOFFICE :<br />

: May<br />

7, 18


.<br />

: May<br />

. . signed<br />

. .<br />

—<br />

—<br />

Sim Engel Is Elected<br />

EjT Producers Guild<br />

OLLYWOOD- Named to the presidency<br />

if he Screen Pi-oducers Guild for the comnl<br />

year was Samuel G. Engel, 20th-Fox<br />

Samuel G. Engrel, left, veteran 20th<br />

ntury-Fox filmmaker, takes over the<br />

vel as new president of the Screen Proicers<br />

Guild from Arthur Freed of MGM,<br />

10 completed his one-year term in the<br />

Kanization's top office.<br />

lI maker, who .succeeds Arthur Freed of<br />

i\Jl in the post. Dii-ectors also elected<br />

Kdy Adler, first vice-president; Walter<br />

tsch, second vice-president; Louis F.<br />

Kman, third vice-president; Julian Blau-<br />

Ui, secretary; Jerry Bresler, treasurer, and<br />

lc;;rt Arthur, a.ssistant trea.surer.<br />

uis D. Lighten was elected an honorary<br />

nriber of the board. Other new board memle<br />

chosen to replace seven whose terms<br />

ia>' expired are William H. Wright. Adler.<br />

tii .<br />

V'iam Thomas, William Goetz. Bresler,<br />

'rik P. Rosenberg and Robert Bassler. They<br />

oi incumbent board members Arthur. Blaut*i.<br />

Charles Brackett, Samuel Briskin, Edel-<br />

Arthur Hornblow jr.. Mirisch, Aaron<br />

Icnberg, William Perlberg, John Houseas,<br />

Sol C. Siegel. Lawrence Weingarten and<br />

Wilson.<br />

Ja'y<br />

5 latra Signed for 'Arm'<br />

J Producer Preminger<br />

:)LLYWOOD — Producer-director Otto<br />

r linger signed Frank Sinatra to star in<br />

T- Man With the Golden Arm," which<br />

•r linger plans for independent filming<br />

inr the banner of his Carlyle Productions<br />

oiJnited Artists release. The novel by NeloiAlgren<br />

is being scripted by Walter New-<br />

Hi<br />

leminger has scheduled "Arm" for lensnfifter<br />

he completes piloting "The Courtl;'ial<br />

of Billy Mitchell" at Warners for<br />

* m Sperling's United States Pictures.<br />

iCIPC Cites 'Air Command'<br />

) )LLYWOOD—Paramount's "Strategic Air<br />

Jomand." co-starring June Allyson and<br />

'a ;s Stewart, has been cited as an outtsiing<br />

April release by the Southern Cali-<br />

DH a Motion Picture Council. The organta<br />

)n is affiliated with the National Screen<br />

Wicil, which chooses "the best picture of<br />

hinonth for the whole family," and which<br />

hi e receives the coveted BOXOFFICE Blue<br />

til an Award.<br />

eOW<br />

Do They Sell Our Pictures?" is the<br />

over-all theme of the April issue of<br />

the Journal, official organ of the<br />

Screen Producers Guild. The "they" refers,<br />

of course, to the men who distribute motion<br />

pictures—specifically their respective advertising<br />

bra.ss—and those who exhibit them.<br />

The "our" applies to the fabricators of the<br />

same film fare.<br />

In limited space it is impossible to supply<br />

even a sketchy condensation of the exhaustive<br />

verbiage devoted to the subject, nor is<br />

such synopsizing necessary inasmuch as the<br />

controversial question and the hydra-faxieted<br />

i.ssue it raises are nearly as old as the movie<br />

industry itself.<br />

Suffice it to treat herein to fleeting consideration<br />

two of the counts in the producers'<br />

plaints against the above-listed trade categories.<br />

One is an article titled "New Birds<br />

in the Old Forest," by William Perlberg, veteran<br />

filmmaker who is associated with writerdirector<br />

George Seaton in the Perlberg-<br />

Seaton unit at Paramount. Perlberg, accompanied<br />

by his partner, went slumming by way<br />

of a recent cro.ss-country tour, the avowed<br />

purpose of which was to plumb theatremen's<br />

reactions to motion pictures in general and<br />

Perlberg-Seaton epics in particular. He reports—in<br />

a few hundred more-or-less wellchosen<br />

words—that the nation's showmen can<br />

be grouped into two major classifications,<br />

namely "Old Style Exhibitors" and "New<br />

Style Exhibitors." Anyone sufficiently obtuse<br />

to encounter difficulty in guessing what<br />

characteristics Perlberg, being a producer,<br />

considered in allocating his subjects had better<br />

secure and peruse his analysis.<br />

Then, the piece de resistance—at least as<br />

concerns length—was a contribution by Hal<br />

Stebbins, president of a Los Angeles advertising<br />

agency bearing his name, and who<br />

according to the editor's introductory notes<br />

is a "ranking specialist" in his field. (Major<br />

distributors, who avail themselves of the<br />

services of such little-known outfits as<br />

J. Walter Thompson, Foote, Cone & Belding,<br />

etc., please note).<br />

Articulate, indeed, is the Stebbinsian contribution;<br />

so fluent, in fact, that parts<br />

thereof might well have stemmed from a<br />

journalism major's thesis—which perhaps<br />

they did. But no reader will overlook the<br />

platitudes utilized to condemn the banalities<br />

and archaisms of which he accuses contemporary<br />

film advertising. In short, everything<br />

the "ranking specialist" offers has been<br />

said on countless preceding occasions, and<br />

has been often agreed with by those who<br />

formulate the advertisements.<br />

F^roducer John Houseman is now functioning<br />

as editor of the Journal. The April issue<br />

was the first under his supervision—and a<br />

right creditable job of editing it is, regardless<br />

of individual opinion as to the wisdom of its<br />

dominant content. In prefacing the volume.<br />

Houseman pleads for reactions to the "How<br />

Do They Sell Our Pictures?" symposium.<br />

"Berate us or praise us—but write!" he urges.<br />

In this viewpoint, the survey, no matter<br />

how complete and eruditely conducted, can<br />

serve no useful purpo.se at this time. The<br />

question with which it deals Ls too ancient,<br />

has been tossed up for grabs too often and<br />

is confronted with too much prejudice<br />

from both sides— to permit of even a semblance<br />

of resolution through largely repetitious<br />

diagnosis. It is a mercurial topic that<br />

waxes and wanes in direct proportion to<br />

prosperity or poverty in the film bu.siness.<br />

Comes a period of high profits, and everyone<br />

takes bows therefor—the producers for<br />

the superiority of their pictures, the exhibitors<br />

for their commanding showmanship, and<br />

the advertising lads for the productive genius<br />

of their campaigns.<br />

But let the doldrimis descend upon theatre<br />

cash-drawers, and the buck is passed back<br />

and forth with jet-propelled speed. "Pictures<br />

stink." wail the self-same theatremen. "Showmanship<br />

is dead," counter the producers.<br />

There is evidence that an era of those<br />

doldrums is again overtaking the motion picture<br />

trade. And this time the reasons therefor<br />

are more complex and alarming than usual<br />

largely because of a new factor that has<br />

been introduced by television.<br />

During recent years—most especially<br />

since<br />

the advent of COMPO—much has been said<br />

and written, many all-branches powwows<br />

have been held about the crying need for the<br />

industry to stop its internal bickering and<br />

embrace give-and-take cooperation for a<br />

solid-front approach to its problems.<br />

Certainly the further worrying of a timeworn,<br />

ever-existent controversy is hardly a<br />

step in that direction.<br />

Confronted with the task of trying; by every<br />

available means to lick the smog problem,<br />

the Los Angeles county air pollution control<br />

district took a gander at film production<br />

techniques and set up rigid rules governing<br />

the scheduling of lensing sequences in which<br />

scripts call for the staging of fires. Such<br />

burning scenes are hereafter to be cleared<br />

with the APCD.<br />

Fortunately the above-described issue of<br />

SPG's Journal wasn't widely circulated at last<br />

week's convention of Variety Clubs International.<br />

Otherwise there probably would<br />

have been slow bums among the visiting exhibitors,<br />

which could have made the southland's<br />

smog headache truly acute.<br />

FYom Teet Carle's Paramount praisery a<br />

dramatic casting note: "Peter Mamakos .<br />

character player . for 'The Ten<br />

Commandments' ... to portray the slavedriver<br />

who lays on the whips and torments<br />

the Hebrew workers."<br />

Alas!<br />

Poor Finestone.<br />

JFFICE :<br />

7, 1955 43


. . Sero<br />

. .<br />

. .<br />

: May<br />

.<br />

LOS ANGELES<br />

granching out into the night club sector<br />

.<br />

in addition to operating the Carlton<br />

Theatre Fred Dee has taken over the Club<br />

Braz, a Hollywood bistro . . .<br />

Booking-buying<br />

visitors included Sam Steiffel. Sherman<br />

Theatre, Sherman Oaks, and Bob McCracken,<br />

Arizona-Paramount circuit in Phoenix<br />

Formerly a Warner branch salesman here<br />

and more recently manager of the Vista in<br />

Chula Vista. Henry Slater has been appointed<br />

manager of the Harbor Drive-In in<br />

that community.<br />

To join her husband Joe (they were married<br />

a few weeks ago) in Milwaukee, where<br />

he is a booker in the Warner branch, Jean<br />

Warner Wayne quit her job in the Warner<br />

contract department here Amusement,<br />

headed by William Oldknow and Bob<br />

.<br />

Benton, is enlarging its Rancho Drive-In<br />

near San Diego from 750 to 1,000 cars.<br />

Benton left for Salt Lake City to check<br />

over the circuit's properties there.<br />

Previously assistant manager at the Victory<br />

Drive-In. August Nardom is now piloting<br />

Sero's Cherry Pass Drive-In near Hemet<br />

Here to confer with his local agents<br />

was Walter Bibo. New York independent<br />

distributor, currently handling a nudistcolony<br />

Elizabeth Ciafarani of<br />

feature . . . MGM's accounting department planed out<br />

for New York for a vacation, with a stopover<br />

in her hometown of Detroit.<br />

Renewing acquaintances along the Row<br />

was George Fink, who for many years operated<br />

the Metro Theatre in San Diego. Fink<br />

has retired from exhibition and is now<br />

running a horse ranch in that territory . . .<br />

Sam Berger of the Berger Electric Co. became<br />

a grandpop for the first time when<br />

his daughter Mrs. Joan Eliot gave birth to<br />

Jack Sherriff. salesman for<br />

a baby girl . . .<br />

the Kranz-Levin exchange, returned from<br />

a business trek to Arizona.<br />

.<br />

. . . George Tripp.<br />

The Seligman (Ariz.) Theatre in Seligman<br />

has been darkened by the Nace chain<br />

Murray Peck has been retained to handle<br />

exploitation and advertising for the<br />

Warner<br />

Knoll<br />

Theatre here<br />

salesman, took off for Arizona on business<br />

Filmrow's condolences were extended<br />

. . .<br />

to M. J. E. McCarthy, Allied Artists manager,<br />

on the death of his 80-year-old mother.<br />

She had lived here for a number of years<br />

but was buried in Butte, Mont., her hometown,<br />

with McCarthy attending the services.<br />

. . Projectionists<br />

Julius Sweet, formerly a parking lot operator<br />

on the Row. has joined the Warner<br />

exchange as a maintenance man .<br />

Local 150 claims it has been locked<br />

out of the Paradise Theatre, an Alex Schreiber<br />

operation in Westchester. Schreiber.<br />

currently in Detroit, was not available for<br />

comment on the local's charge that he has<br />

refused its demands for a two-man crew and<br />

is employing a nonunion projectionist.<br />

Widescreen at Chester<br />

CHESTER, CALIF.—A widescreen has been<br />

installed at the Chester Theatre, according<br />

to owners Mr. and Mrs. Frank Adcock.<br />

Statistics show that substantial gains were<br />

made in 1954 in the export of 8mm motion<br />

picture equipment and motion picture theatre<br />

equipment.<br />

Screen Gems Is Using<br />

42 Script Writers<br />

HOLLYWOOD—Something oi<br />

a record for<br />

TV scrivening activity—and a figure that<br />

would be impressive even by major studio<br />

standards—has been established by Screen<br />

Gems, Columbia's video subsidiary, which<br />

currently has a total of 42 writers at work<br />

on various projects. The unit, of which Ralph<br />

Cohn is vice-president and general manager,<br />

turns out such series as the Ford Theatre.<br />

Damon Runyon Theatre, Falstaff Celebrity<br />

Playhouse, Father Knows Best, Jungle Jim,<br />

Captain Midnight and You Can't Take It<br />

With You.<br />

These are being augmented by two new<br />

half-hour groups to be produced by Herbert<br />

B. Leonard. Tales of the Bengal Lancers and<br />

Circus Boy, which will be added to Leonard's<br />

slate to supplement The Adventures of<br />

Rin Tin Tin.<br />

Meantime, for the fourth successive year,<br />

the Ford dealers of America renewed the<br />

Screen Gems commitment to produce 39 halfhour<br />

entries in the Ford Theatre series.<br />

William and Edward Nassour, who are producing<br />

the TV series in association with Don<br />

Sharpe, inked Christian Drake for the male<br />

lead opposite Irish McCalla in "Sheena, Queen<br />

of the Jungle." Filming on the series was<br />

launched Monday (2) with Arthur Pierson<br />

directing.<br />

TCF Television Productions. 20th-Fox's<br />

newly formed video subsidiary, inked Jules<br />

Bricken to a long-term ticket as a producerdirector.<br />

He had previously been associated<br />

with Cavalcade of America, the Ford Theatre<br />

at Screen Gems and the Ray Milland show.<br />

For use as the basis for a 15-minute TV<br />

program and for both theatrical and video<br />

trailers. Allied Artists secured 12,000 feet<br />

of celluloid obtained by newscaster Clete<br />

Roberts during a trek to Phenix City, Ala.<br />

The material, consisting of interviews with<br />

citizens on present conditions in the onetime<br />

"sin city," will be utilized to plug AA's<br />

"Phenix City," produced by Samuel Bischoff<br />

and David Diamond.<br />

Brandeis Camp Institute<br />

Picks Steve Broidy Head<br />

HOLLYWOOD—Long active as a sponsor,<br />

Steve Broidy, president of Allied Artists, has<br />

been named president of the Brandeis Camp<br />

Institute, Jewish youth center in Santa<br />

Susanna, Calif., which functions as a leadership<br />

training center. Named vice-presidents<br />

were Dore Schary, MGM studio head, and<br />

Milton Sperling, president of United States<br />

Pictures. Elected to the board of directors<br />

were Michael Blankfort, scenarist; Max<br />

Laemmle. theatre operator: Samuel G. Engel,<br />

20th Century-Fox producer, and Harry Maizlish,<br />

owner of radio station KFWB.<br />

For his work with boys and girls, Danny<br />

Kaye has been preesnted a special Americanism<br />

award by Los Angeles Elks Lodge 99.<br />

The comedian was lauded in particular for<br />

his film, "Assignment Children," made on behalf<br />

of the United Nations International<br />

Children's Emergency Fund, and being given<br />

theatrical release by Paramount.<br />

North: A. L. Pratchett, Latin America<br />

division manager for Paramount Inten.<br />

tional, arrived from his headquarters in M.<br />

ico City for studio conferences and to attii<br />

the Variety Clubs International convent)<br />

West: J. R. Grainger, president of Ria<br />

is due in from New York early next wlT<br />

after stopovers en route in Chicago, Denjj<br />

and San Francisco.<br />

East: William Z. Porter, Alhed Artists hce"<br />

office field representative, took off r<br />

Gotham for huddles with Roy M. Brev.<br />

manager of exchange operations.<br />

West: Alfred E. Daff. U-I executive vipresident,<br />

arrived from Manhattan to pa'<br />

cipate in sales parleys slated to begin M<br />

day. Returning from business huddles<br />

New York were Clark Ramsay, executive E|(<br />

to vice-president David A. Lipton. and H<br />

Rains, studio radio-TV promotion mana.:T<br />

West: Dore Schary, MGM studio head, »•<br />

turned from New York after participatinft<br />

top-level planning huddles with Nicholas I<br />

Schenck, president of Loew's, Inc., and ota<br />

brass.<br />

East: Frank P. Rosenberg, Warner i*<br />

ducer; director Rudolph Mate and actt<br />

Jane Wyman will check out Monday (9)<br />

New York to begin filming location SM<br />

for "Miracle in the Rain." They have a th^<br />

week shooting schedule in the east.<br />

West: Edward Muhl, U-I vice-presidenii<br />

charge of production, and Howard Chri;i«<br />

producer of the studio's Technicolor-Vii<br />

Vision entry "Away All Boats." returned f:a<br />

the Virgin Islands location of the World ^i<br />

II drama. While in the Caribbean. Muhl i(<br />

Christie scouted backgrounds in Venez'll<br />

for another U-I project. En route back h(<br />

they stopped over in New York to particiit<br />

in the windup of the annual Charles J. F^<br />

man sales drive.<br />

East: George D. Bm-rows, Allied Ar4<br />

executive vice-president and treasurer,<br />

Vice-President G. Ralph Branton headedi<br />

New York to attend a Tuesday (3) mee^<br />

of the company's board of directors.<br />

East: Harry Mandell, Filmakers vice-piii<br />

dent and general sales manager, planed U<br />

for a two-week visit to New York, Bo:«<br />

and Chicago.<br />

East: Robert Palmer. Universal-Inteft<br />

tional talent executive, planed to New 'i*<br />

for a two-week scouting trip.<br />

Alice Widener Talks to MPA<br />

HOLLYWOOD—Featured speaker ata<br />

Wednesday (4) meeting of the Motion Pic<br />

Alliance was Alice Widener, editor and I*<br />

Usher of the periodical U. S. A. Scenils<br />

Borden Chase is chairman of the MPA ex'<br />

tive committee.<br />

44<br />

BOXOFFICE<br />

:<br />

7. 'I


;<br />

Drive-In,<br />

i The<br />

'<br />

: May<br />

—<br />

———<br />

— ——<br />

.<br />

'<br />

— —<br />

—<br />

; : ; : ; ; T<br />

'<br />

'<br />

iocky Mountain Allied<br />

Vill Meet in Denver<br />

DENVER — Indications point to an unsually<br />

large attendance at the convention<br />

lay 10 of the Allied Rocky Mountain Indeendent<br />

Theatres at the Park Hill Country<br />

lub, with sessions morning and afternoon.<br />

incheon, and a dinner and dance in the<br />

v-ening.<br />

Reuben Shor, Cincinnati, Allied States<br />

resident, plans to speak as will Bennie<br />

.erger. Central Allied president, of Minneaplis.<br />

Much of the session will be given to<br />

Mir.d table discussions. Neil Beezly, pres dent<br />

f Kocky Mountain Allied, will preside at<br />

le meeting.<br />

Luncheon will be at the Park Hill Club<br />

t noon, and dinner and dancing in the eveiv-;<br />

at the same place.<br />

Cii.^t will be $6 for those attending the<br />

lei'imgs and social activities, with a $5<br />

!.aiL:e covering only the dinner and dancing.<br />

hf local Allied is making the charges as<br />

ail as possible.<br />

DENVER<br />

ee Theatres have bought the Centennial<br />

at West Belleview avenue and<br />

iouth Federal boulevard, for $300,000. The<br />

win-screen drive-in, largest in the Denver<br />

rea, with space for 1,250 cars, was built last<br />

jear by Television Theatres and cost a rejiorted<br />

$500,000. Operated by Television The-<br />

Ltres last year, the drive-in closed for the<br />

Ivinter in November and sold its lease to the<br />

k. D. Jones Realty Co. The Centennial re-<br />

[ipened this week and will operate day and<br />

bate, first run, with the two other first-run<br />

jjee drive-ins in Denver, the Wadsworth and<br />

ihe Monaco.<br />

Mile High Corp., now putting the finishing<br />

touches on the Mile High Drive-In,<br />

lOO-car capacity theatre, at Deadwood, S. D.,<br />

[mnoimced it is reserving enough space back<br />

!)f the concession building for a 1,200-seat<br />

;ndoor theatre, which will make it possible to<br />

iperate either the drive-in or the indoor<br />

[louse every day of the year.<br />

'<br />

Pete Bayes, Paramount regional publicity<br />

nan announced his fourth child, a son, sevenjound<br />

Gray, born at St. Luke's Hospital . . .<br />

jATilliam Prass, freelance publicist, is handling<br />

jhe campaigns for "Kiss Me Deadly" at the<br />

ll'aramount here, and for the Utah, Salt Lake<br />

iJity. He also arranged the schedule for<br />

Starlets Marian Carr and Yvonne Doughty<br />

luring their visit to the two cities . . . Robert<br />

,3elig. Jack Felix and Tom Smiley are coi)hairmen<br />

of the fund drive for the Korean<br />

•'oundation.<br />

On the day the story broke about the Cutter<br />

x)lio vaccine, the Dimension Pictures and<br />

lilealart office was an unusually busy place.<br />

The building on Filmrow was previously occupied<br />

by the Denver office of Cutter. Many<br />

)f the visitors were doctors in their office<br />

-oats . . . Philip Heil, recently manager of<br />

he Valley, Fowler, Colo., has been made<br />

nanager of the Golden, Golden, Colo. He<br />

aicceeds Fay Boyd, who has taken a sixnonth's<br />

leave of absence because of rheuiiatic<br />

fever.<br />

Ted Galanter, Metro district field publicity<br />

Festive LA Premiere of 'Air Commond<br />

Soars First Week Gross to 260<br />

~~~^~~^~~ LOS ANGELES—A klieg-lighted, r<br />

I<br />

.®''*TB|^T^^^B1 studded premiere helped "Strateg.c<br />

'<br />

'^^^^""yi^^H Command" soar above its competito;s al<br />

the local first run rialto. The aviation dr.n<br />

hit an impressive 260 per cent in its openiu<br />

stanza, while of the other newcomer bil!.",<br />

the strongest were a dualer of "Man Without<br />

a Star" with "The Big Tip Off" at 175<br />

and "Conquest of Space" at 150.<br />

(Averogc Is 100)<br />

Beverly Canon Comillc (MGMl, reissue, 6th wk.. 75<br />

Chinese—A Man Colled Peter (20th-Fox), 5th wk..l20<br />

Downtown Poromount, Egyption The Eternal Seo<br />

(Rep) '00<br />

Fine Arts— Prince of Players (20th-Fox), 3rd wk.. 75<br />

Doctor in the House (Rep), 6th wk...l05<br />

^^^^^^^^^_ Four Stor<br />

^A^^^^^^^M Fox Hollywood— Run tor Cover (Para); I Cover the<br />

Underworld (Rep), 2nd wk 100<br />

ox Wilshire The Purple Plain 'UA), 5th wk 50<br />

F^g f~:;^^^^^^^^H Howaii Orpheum Conquest ot Space (Para)<br />

.<br />

. . . 1 50<br />

^, ..<br />

UJf S^^^^l Hillstreet—City Across the River U-l); Girls in<br />

f~L^^^M the Niaht (U-l), reissues 90<br />

Hollywood Poromount The End of the Aftoir<br />

(Col), 3rd wk ,•. ,:<br />

Pontaqes, State, Uptown Strange Lody in Town<br />

°0<br />

(WB)<br />

Warners Beverly Sfroteaic Air Commond (Para). 260<br />

Warners Downtown, Wiltern, Fox Vooue Mon<br />

Without a Star 'U-H; The Biq Tip Off (AA). .175<br />

» Warnprs Hollywood This Is Cineromo (Cineramo),^^<br />

^<br />

. 105th wk '00<br />

^\. List' 1 "Peter' Leads in Slow<br />

.* ^ M*Mj^ J Week at Frisco<br />

SAN FRANCISCO—First run theatre business<br />

did not fare too well last week, despite<br />

the fact that there were only two holdover<br />

houses. Top spot honors went to the third<br />

week of "A Man Called Peter" and the opening<br />

of "Strange Lady in Town" both rating<br />

•<br />

-miuivw^-Kva^mB^ ^" average 100.<br />

'l TW '\^^ jtFS^lBn«F Fox—A Man Called Peter (20th-Fox); A Race<br />

. -.-V/X-- -^<br />

^*T'^SjP^WMi *or Life (LP\ 3rd wk •<br />

,^ i<br />

1 }'-W^ ^n Go'den Gate— Escape to Burma (RKO); The Steel<br />

-<br />

--it JIB- I caqe (UA)<br />

Para-ount—Strange Lady in Town (WB); Pirates<br />

CONVENTION PLANNERS — Three of TripoH^(Col) lOO<br />

^ ^^^.<br />

members of Tent 25's auxiliary plan social united" A rtilts^^nnopolis Story (AA); The' Big<br />

events for the distaff side of Variety '? °" I^^',. j , , jMrMi' Vthwk'<br />

'<br />

Warf<br />

90<br />

e d Backboard Jungle (MGM), 5th wk. .. VU<br />

-^-i 1 *4 '<br />

II V*' •* •<br />

' , ' ' °°<br />

Clubs International's 19th Annual Convention<br />

in Los Angeles this week. They<br />

are (top photo), left to right; Mrs. 'Blackboard' Sets<br />

M. J. E. McCarthy, Mrs. Morton W. Scott Denver Pace<br />

and Mrs. W. H. Lollier. Below: Andrew DENVER—"The Blackboard Jungle" easUy<br />

Alvarey (left) and Gary Penabler, memtopped<br />

the town at the Orpheum with 210.<br />

bers of the Variety Boys Club of Los<br />

"East of Eden" did average busine.ss, as did<br />

Angeles, also do their part to make the<br />

"Strange Lady in Town."<br />

convention successful by making minicentre—<br />

Eost of Eden (WB) "0<br />

ature barkers for the delegates. The club Denham—Run tor Cover (Porai. 2nd wk 85<br />

.^. . .<br />

is the pet charitable project of Tent 25.<br />

.<br />

'""<br />

°^Sau;"irte;'''(°2"oth^-Fox)'""' '.'^.°.".''. .'^''.^. . . - 90<br />

Monaco and Wadsworth dr!ve-ins Smoke Signol<br />

(U-n- Connibnl Attack (Col) 100<br />

Ornheum—The Blackboard Jungle (MGM);<br />

man, was in for conferences with Frank Jen-<br />

kins, field publicity man for the Rocky Moun- "^^ '<br />

tain region. While here Galanter visited his<br />

'<br />

p JJ-S9^;l^,°,"^g;^^^J, i„ Town (WB)<br />

brother Oscar who is office manager at Uni- 'Tungle' Is Huge 400<br />

versal . . . Andrea Cleve, Yvonne White,<br />

j^ Portland Liberty<br />

Dorothy Van Dyke and Susan Ames were here<br />

PORTLAND—"The Blackboard Jungle" led<br />

for a couple of days from Hollywood whip-<br />

Marvin Fox, John Ham-<br />

boxoffices with 400.<br />

ping up the campaign for the forthcoming<br />

^^^^ ^j^^ manager, commented audiences at<br />

"Son of Sinbad."<br />

^j^g Liberty have been unusual in that week-<br />

Theatre folks seen on FUmrow included end crowds were predominantly teenagers<br />

Ross Campbell, Sheridan, Wyo.; Albert Petry. and adults during the week.<br />

. .<br />

Pagosa Springs; Larry Starsmore and Derald Broa^«-^7„Escaj.e^to^^Bur^a^^(_RKO).^^.^. ^.^.<br />

.100<br />

.<br />

Hart, Colorado Springs: Eton Beers. Santa<br />

Guild—Gir-ss siiooer (MGm\. 4th wk 150<br />

Fe; Lionel Semon, Pueblo; George and Har- uterw-Th^e^^Bi^.^c^-boo^rd^ (mgm) ••• -"OO<br />

old McCormick, Canon City; Neil Beezley. paramount—Garden 'ot Eden (FM). 2nd wk<br />

wk...l90<br />

ino<br />

Burlington; Mr. and Mrs. Fred Hall, Akron; Parkros^-Doctor i n the House ( Rep), 5th<br />

Delbert Stewart, Torrington, Wyo., and C. E.<br />

McLaughlin, Las Animas.<br />

Kevin McCarthy on Tour<br />

Kevin McCarthy, starred in AA's "An An-<br />

John Coakly has been given a term con- napolis Story," will make a personal appeartract<br />

to head 20th-Pox's scenic department. ance tour in Baltimore and Philadelphia.<br />

I o<br />

50X0FFICE :<br />

7, 1955<br />

45


: May<br />

II<br />

i<br />

/ AT DENVER'S<br />

BONFILS MEMORIAL THEATRE<br />

One of the first things seen by patrons is luxurious<br />

Guhstan carpet. This deep-piled beauty cushions the<br />

step, hushes the scuffle of first nite crowds. Ami. its<br />

distinctive, modern design was especially created to<br />

carry out the theme of the Bonfils Memorial Theatre,<br />

home of the Denver Civic Theatre.<br />

You, too, can have a Gulistan carpet especially<br />

designed. Whether it be a bank, bar, theatre, hotel,<br />

restaurant, apartment or store, Gulistan carpet makes a<br />

beautiful background that attracts the public . . . helps<br />

build a more successful business. See your Gulistan<br />

dealer, or write tiie Contract Department.<br />

I<br />

MANUFACTURED ON POWER MACHINERY IN THE U. S. A. BY A. & M. KARAGHEUSIAN, INC., 295 FIFTH AVENUE, NEW YORK 16, N. Y.<br />

46<br />

BOXOFFICE :<br />

7, 195


: May<br />

. . Send<br />

leo Bertolero, 63, Dies;<br />

leaded Black Hills<br />

,EAD. S. D— Leu Bfitolero, 63, president<br />

he Black Hills Amusement Co., a native of<br />

Uid, died in a Deadwood, S. D., hospital<br />

a;er a very short illness. He died two days<br />

aier being taken to the hospital.<br />

iertolero started in the theatre business<br />

H the early 20s when he bought the old<br />

F-d Theatre, and was joined by Charles<br />

I-^in of Deadwood, pre.sent vice-president<br />

othe company. In May of 1923, with Leo<br />

F-erson and Dan Roberts, both now dead,<br />

t four formed the amusement company, a<br />

csed corporation. Bertolero and Klein were<br />

l»?r joined by Jolui Bertolero of Rapid City,<br />

£D., a brother of Leo, who is now secretary,<br />

/total of 13 theatres in three states now<br />

r ke up the Black Hills Amusement Co.<br />

Jertolero is survived by his wife, two sons.<br />

brother and a foster brother. Funeral<br />

s vices and burial were in Lead. Fred<br />

iDwn, booker and buyer for the houses,<br />

\'nt from Denver to attend the services.<br />

ill<br />

Members of Ascap's<br />

^^estern Group Renamed<br />

HOLLYWOOD — Incumbent members of<br />

/:ap's West Coast committee were all reccted<br />

at a recent meeting. They were<br />

II Wolf Gilbert, who received 468 votes, the<br />

1 gest number of votes as chairman of the<br />

cnmittee, and Harry Warren. Dr. William<br />

( ant Still, Leo Robin, Jimmy McHugh and<br />

. mny Green.<br />

^aUL SELF-SERVICE<br />

WARMER<br />

BABY BOTTLE<br />

^ DRIVE-INS<br />

AUTOMATIC<br />

• Does not require<br />

concession stand<br />

employees — Potrons<br />

help themselves.<br />

• S o t e — Thermostaticolly<br />

controlled<br />

for right temp.<br />

DONT DfL>iy<br />

.<br />

Your Order io<br />

JOBIL<br />

B4BV BOTTLE<br />

WARMER<br />

SANITARY<br />

• Holds 4 lorge and<br />

^ 2 smoll bottles.<br />

• No overheating or<br />

broken bottles.<br />

• 110-220 AC current.<br />

Price<br />

$9750<br />

PRODUCTS CO.<br />

Pho WOodword 3-5510<br />

Clifford<br />

19 501 Woodward BIdg.<br />

Detroit 26, Michigan<br />

REPUBLICS ETERNAL SEA' HONORED—John H. Auer, associate producerdirector<br />

of Republic's "The Eternal Sea," is shown receiving a plaque of appreciation<br />

from the Long Beach Chamber of Commerce, where the film was lauded by Navy<br />

officials. In the photo, left to right: Claude Kenner, United iVrtists city manager in<br />

Long Beach; Auer; Capt. J. C. Woelfel, USN, commander of the Long Beach Naval Base,<br />

and Clint Furrer, Chamber of Commerce director and chairman of the Armed Services<br />

Commission. "The Eternal Sea" is based on the heroic life of Rear .Admiral John<br />

M. Hoskins.<br />

PORTLAND<br />

TXTarren T. "Tilly" Withers, 58, salesman<br />

at the Coliunbia office here who had<br />

been a member of the film industry 35<br />

years, died recently at his home here. He<br />

had w-orked in virtually every exchange area<br />

in the United States. He was born in Bryan,<br />

Tex. and attended Northwestern University<br />

and was graduated from Texas A&M.<br />

Withers is survived by his wife Mary and<br />

three sons, Warren, Charles and Robert.<br />

Alfred Starr, executive chairman of Theatre<br />

Owners of America, and George Gaughan,<br />

field representative, both from Tennessee, are<br />

expected here May 19 for a meeting of the<br />

Oregon TOA, Al Foreman of United Theatres,<br />

president, announced ... A surprise<br />

preview of "The Seven Little Foys" was held<br />

for the public and exhibitors at the Paramount<br />

Theatre (2).<br />

Gloria Jean, co-starring with Richard<br />

Denning in Lippert's "Air Strike," was here<br />

for a series of appearances. The picture<br />

opened Tuesday (3) at the Paramount with<br />

"Mambo."<br />

John D. Peterson, Modern Theatre Supply<br />

branch manager for five years, has purchased<br />

the Interstate Theatre Equipment Co. at 1923<br />

NW Kearney St. from Frank Becher, who<br />

retired after 32 years in the business. Peterson<br />

is from Wisconsin.<br />

United Artists will film "The Indian<br />

Fighters" in the Benham falls area of the<br />

Deschutes river ten miles south of Bend.<br />

Andre DeToth will direct the production with<br />

Kirk Douglas as the star. A company of<br />

more than 100 is scheduled to start filming<br />

May 23. More than 100 Warm Springs<br />

Indians will be seen in the picture and more<br />

than 300 horses will be supplied by mid-<br />

Oregon rangemen with the Rim Rock Riders<br />

of Bend in charge. Bend is about 150 miles<br />

east of Portland.<br />

Bay Gilbert, Hollywood songwriter whose<br />

tunes have been featured in several films,<br />

brought Joe Gaudio to Portland for the<br />

tenor's night spot debut at Amato's Supper<br />

Club here. Gaudio appears in MGM's "Interrupted<br />

Melody" in the role of Sampson.<br />

Gilbert says his daughter Joanne, singer w'ho<br />

recently closed an engagement at the<br />

Waldorf-Astoria in New York, was negotiating<br />

for a role in the western to be filmed<br />

near Bend.<br />

-^AST. 7:^JI3T£^.v7fASr£ST S£RVIC£ I<br />

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ROM<br />

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I XOFFICE :<br />

7, 1955 47


,<br />

'<br />

SAN FRANCISCO<br />

The Golden Gate Theatre is preparing for<br />

the opening of "Davy Crockett" June 22,<br />

the first week school is out. According to<br />

Mark Ailing, manager, the promotions<br />

planned will be quite effective . Lo Jones,<br />

. .<br />

Western Theatrical Equipment floor man,<br />

is resigning his post after many years to<br />

go into resort business at the Russian River.<br />

He invites all his many friends on FUmrow<br />

to come up to his restaurant and store and,<br />

incidentally, enjoy the fishing. John Sullivan<br />

is taking over as floor man at WTE.<br />

7


i<br />

named.<br />

; quite<br />

1 wood<br />

'<br />

f<br />

'<br />

which<br />

•<br />

addition<br />

^<br />

been<br />

'<br />

man,"<br />

'<br />

lege.<br />

I<br />

:<br />

'^ 33 INDUSTRY PROFILE<br />

Ben Adams Started<br />

As Filmrow Cashier<br />

EL DORADO, KAS.—Ben Adams,<br />

who owns the Roxy Theatre and the<br />

Star-Vu Drive-In, started propitiously<br />

m the industry by handling money.<br />

He was assistant cashier for Universal<br />

for 18 months in Dallas. Prom there<br />

went to Memphis as cashier for the<br />

lie<br />

old First National organization and<br />

moved on to St. Louis after several<br />

years as first cashier in the exchange<br />

nifice there.<br />

First National merged with Warner<br />

Bios, and Adams stayed on for about<br />

lue yeai's, then came to Kansas City<br />

i^ a salesman for the company. This<br />

was around 1936 and in 1939, Adams<br />

teamed up with Gus Diamond and<br />

T W. Dickson and built the Roxy<br />

That was the year "Dodge City" was<br />

released by Warners and its premiere<br />

was held in the town for which it was<br />

Adams and Jay Wooten headed<br />

the premiere arrangements and put on<br />

a show, making even the HoUycontingent<br />

sit up and take notice<br />

In 1941, Adams gave up his salesman<br />

job. moved to town and took charge of<br />

the Roxy operation. In addition to<br />

building the Star-Vu Drive-In here,<br />

five years ago Wooten and Adams built<br />

the Great Western Drive-In at Liberal,<br />

they stUl operate. Three years<br />

ago they also took over the Trail at<br />

Nevada, Mo., but the past year they<br />

sold this to their manager, Komp<br />

Jarrett. At the present time, Adams<br />

interested in the Wanee Theatre and<br />

is<br />

Wanee Drive-In at Kewanee, 111., in<br />

to the two here and the one<br />

at Liberal.<br />

Adams is married and has a daughter<br />

Sandra Sue. Mrs. Adams has always<br />

what he terms his "right-hand<br />

but Sandra Sue is away at col-<br />

From his years of experience in<br />

several phases of theatre business,<br />

Adams recently expressed these opinion.s<br />

"Business Is showing some signs of<br />

leveling off. Patronage is improving<br />

because there has been a great improvement<br />

in the quality of pictures<br />

in the last 12 months. A good picture<br />

has always done good business."<br />

Bill<br />

Allison Joins NTS<br />

Kansas City Sales Force<br />

KANSAS CITY—W. M. Allison, former<br />

sales engineer for the Oklahoma City<br />

_ branch office of<br />

National Theatre Supply,<br />

joined the Kansas<br />

City branch sales<br />

force on April 15. In<br />

announcing Allison '.s<br />

appointment, Arthur<br />

de Stef ano, branch<br />

manager, said thi.s<br />

territory has been realigned<br />

to improve<br />

service, particularly to<br />

southern and western<br />

Kansas exhibitors.<br />

This is the territory<br />

to which Allison has been initially a.ssigned.<br />

He was born in Leadville, Colo., was educated<br />

in Denver and began his motion picture<br />

career in 1931 as a film salesman for<br />

MGM in the Wyoming territory. After his<br />

discharge from the navy in World War II,<br />

he joined NTS in Oklahoma City. For the<br />

past three and a half years he has been<br />

city manager of the J. C. Parker Theatres<br />

in DaUiart, Tex., specializing in exploitation<br />

for the two indoor theatres as well as<br />

the drive-in.<br />

Allison's married daughter lives in Texas<br />

and his wife and younger daughter. Sue.<br />

will remain in Dalhart until the end of the<br />

current school term, after which they will<br />

join him in Kansas City. A farewell dinner<br />

was given him by the Dalhart Rotary Club<br />

of which he was secretary-treasurer. His<br />

theatre staff presented him a handsome<br />

portfolio.<br />

The NTS Kansas City branch is in the<br />

western district under the supervision of<br />

Lloyd C. Ownbey, vice-president, who assisted<br />

in making the an-angements for Allison<br />

to rejoin National.<br />

Springfield Optimists<br />

Hear COMPO Director<br />

SPRINGFIELD, ILL.—Speaking before the<br />

Springfield Optimist Club, Ray G. Colvin,<br />

member of the board of directors of the<br />

Council of Motion Picture Organizations,<br />

emphasized the impact that closing of<br />

motion picture theatres has on general business<br />

in communities.<br />

Citing findings of various studies in<br />

Illinois and Iowa communities, he showed a<br />

definite relation between the presence or<br />

lack of motion picture theatres and the<br />

general retail business in the cities.<br />

Colvin defended the motion picture industry<br />

against criticisms leveled at it and<br />

predicted that it was a part of American<br />

life that was here to stay, despite predictions<br />

to the contrary. He urged the businessmen<br />

present to take another look at the industry<br />

to see how it fits into the pattern of community<br />

life for both business and recreational<br />

activities.<br />

Harold Owen Opens Airer<br />

MANSFIELD, MO.—Harold Owen has<br />

opened the 250-car Owen's Open Air Theatre<br />

on Highway 5 two miles north of here. Owen's<br />

father operates the Owen Theatre and the<br />

Owen Drive-In in Seymour. The latter has<br />

started its fourth season.<br />

Xhenny' Celebrates<br />

30 Years in Theatres<br />

BETHANY. MO.— F.<br />

F. Chenoweth. di.-.Lrict<br />

manager for Kerr Theatres, which operates<br />

in this section of Missouri and Iowa, rc-<br />

CHENNY'S CELEBRATING-<br />

30 YEARS of SHOW BUSINESS!!<br />

RELAX! THERE'S MORE FUN AT THE MOVIBSI<br />

cently celebrated his 30th year in the show<br />

business by featuring Manager's Week, during<br />

which he admitted free every 30th person<br />

entering the Noll Theatre and every 30th<br />

car arriving at the Frontier Drive-In.<br />

A five-column ad in the local RepubUcan-<br />

Clipper heralded the anniversary with<br />

"Chenny's Celebrating 30 Years of Show<br />

Business."<br />

Copy related that he started his career as<br />

a rewind boy in the booth of the Dixie Theatre<br />

in Lintieus, Mo., at the age of 14. He<br />

became projectionist there when in high<br />

school. After college he worked for Central<br />

States Theatres at Burlington. Iowa, then<br />

managed the Rigney at Albany. Mo., for four<br />

years before joining Kerr Theatres.<br />

He came to Bethany in 1937, and with the<br />

exception of time spent in military service<br />

and a short time thereafter at the Ken-<br />

Palace in Vinton, Iowa, he had been here<br />

ever since.<br />

Closes at Ashland, 111.<br />

ASHLAND, ILL.—The 200-seat Ashland<br />

Theatre was closed by owner Ai'thur Samore,<br />

who said that any reopening depends on<br />

several major factors, including general<br />

economic conditions.<br />

COODTRAlLEb^<br />

IN POUBLB-<br />

QOICKTIME.<br />

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ORDER YOUR NEXT<br />

SPECIAL<br />

TRAILER<br />

WITH CONFIDENCE<br />

FROM<br />

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iXOFFICE :: May 7, 1955 49


I<br />

using<br />

. . . Stanley<br />

. . New<br />

CHICAGO<br />

Cam Levinsohn, head of the Chicago Used<br />

Chair Mart, returned with an extra spring<br />

in his step following a rest at Hot Springs,<br />

Ark., and immediately started work on replacing<br />

chairs in the 2,000-seat State Theatre.<br />

A couple of weeks ago, his company<br />

completed a reseating job at the Gopher in<br />

Minneapolis . . . Phil Higgins, recently appointed<br />

manager at the Halfield, has been<br />

transferred to the Harper. He takes over for<br />

Tony Steuever, who is spending the summer<br />

RESEAT OR RENOVATE<br />

Professionol<br />

mta^^ work on Seat<br />

|^hP|' Renovation — factory trained<br />

^^^1 crew. Your chairs recovered,<br />

Foam Rubber or New<br />

Springs. Metal parts refinished<br />

in Baked Enamel— like<br />

new. Estimates anywhere.<br />

Stock—7.200 Plywood Chairs— Like New<br />

750 Spring Upho.stered Chairs<br />

HEYWOOD-WAKEFIELD SEATING<br />

20356 GRAND RIVER<br />

DETROIT,<br />

MICHIGAN<br />

KENWOOD 3-B740<br />

CANDY - POPCORN<br />

- SEASONING -<br />

For Theatres and Drive-Ins<br />

Distributors<br />

of<br />

LORRAINE CARBONS<br />

MISSION ORANGE<br />

Send for Price List<br />

Freight Prepaid on $100.00 or More<br />

KAYLINE CANDY CO.<br />

1220 S. Michigan Avenue Chicago 5, III.<br />

on his farm at BrownviUe. Meanwhile, the<br />

Halfield will operate under the supervision<br />

of Marty O'Brien.<br />

Kurt Voss is now assisting Dick Pitts at<br />

Filmack in handling advertising and publicity<br />

affairs ... Ed Safier joined Buena<br />

Wally Dorf of the same organization<br />

Vista . . .<br />

started out on the territory ... Ed<br />

Harris, manager of the Shakespeare, is experimenting<br />

with programs slanted for children<br />

during the week. This will be in addition<br />

to the regular weekend features, which<br />

Ethel Buccieri of<br />

are a proven success . . .<br />

Pilmack returned from a holiday in Hot<br />

Springs, while Shari Thau started out on a<br />

vacation jaunt.<br />

. . . Charlotte<br />

Jack Kirsch, president of Illinois Allied,<br />

reports that the Alger circuit has joined the<br />

association . . . Another recent membership<br />

addition is the Starview Outdoor at Elgin,<br />

owned by John H. Reckas<br />

Pi-eedman of U-I left for a vacation in California<br />

. . . Filmrow visitors were Wright<br />

Catlow, Barrington; Russell Lamb, Oregon<br />

Theatre, Oregon, and Gus Constan and Lou<br />

Ingram, the Avon Theatre, Decatur.<br />

George Yonan has joined Filmack as assistant<br />

to Lou Kravitz in connection with the<br />

company's television sales. "Vonan formerly<br />

was with the Mutual and American broadcasting<br />

circuits ... A. Teitel Film Co. has<br />

acquii-ed the distribution of "Court Martial"<br />

for Chicago, Milwaukee and Indianapolis<br />

Lesritz, formerly at the Commercial<br />

Theatre, took over managership of the<br />

Esquire Theatre. Al Holec, who has been<br />

manager for several years, is trying his hand<br />

at managing a restaurant in Phoenix.<br />

James Jovan, president of the Globe Film<br />

Co. and Monroe Theatre Co., will leave May<br />

15 for a tour of London, Paris, Rome, Athens,<br />

Istanbul, Israel, Cairo and Madrid, where<br />

he will check on motion picture production<br />

and distribution. He will be accompanied by<br />

his son Constantine . B&K manager-<br />

ial changes include James Currant at tjj<br />

Crystal, Ed Conrad at the Will Rogers,<br />

M. Metzner at the Howard .<br />

. . Nor<br />

Pyle, MGM publicist here, outlined his cod<br />

pany's services at a TOA meeting held<br />

j<br />

Peoria.<br />

i<br />

Charles Teitel, left for Port Wayne to opjl<br />

an art house for Quimby Theatres . . . Bu'j<br />

ness hummed at the Chicago Theatre, whil<br />

an autographing party was held in the lobli]<br />

with Eddie Fontaine and the Chuckles sigli<br />

ing copies of their recordings. The gro) 1<br />

headlined the stage revue, with "Kiss ll<br />

Deadly" as the feature film presentationli<br />

J. Nassos, who recently took over the ma}<br />

agement of the newly remodeled Vision Ti:,<br />

atre, is preparing a program to be levell<br />

for children and teenagers . . Joseph Ma;<br />

.<br />

and Lou Kravitz of Pilmack plan to atte;<br />

the Iowa-Nebraska theatre owners sessici<br />

in Des Moines.<br />

"Cinerama Holiday" will open at Eitf;<br />

Palace June 15. Douglas Helgeson, managi;<br />

director of the Chicago Cinerama Coii<br />

reports that 1,750,000 people have seen "TS<br />

Is Cinerama" since its opening at the Pal^!<br />

on July 29, 1953. <strong>Boxoffice</strong> grosses to dit<br />

total 3V2 million dollars. The opening \<br />

"Cinerama Holiday" will be a benefit givk<br />

by Otto K. Eitel for the Peacock Camp :|<br />

Crippled Children.<br />

Herb EUisburg, manager at the PiccadiS,<br />

is losing three of his staffers at the sai^<br />

time. Holson Torgeson is being transfenl<br />

back to Germany by the Fifth Army, Jan;,<br />

Swanson is leaving to go to Glendale, Caj'<br />

fornia and Bill Miller is returning to Lyi|,<br />

The Carnegie Theai'<br />

Massachusetts . . .<br />

has been adding to its prestige because<br />

f(<br />

the lineup of art work being exhibited f<br />

local artists. Manager Davis Barrett is bus<br />

engaged handling on-the-spot sales. Priif<br />

received for the paintings are turned ov!<br />

to the artist, with no commission held ^<br />

the theatre . . . Wayne A. Langston resigrj^<br />

from Sarra, Inc., and is now associated w.ji<br />

George Ryan Films, Inc., of Mimieapolis*<br />

For Quicker, Easier Profits from Wide Screen Pictures<br />

Abbott Points a Sure-fire Way with-<br />

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i^Uo, Another Speda^ . Push<br />

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on how YOUR Theatre . . . indoor or drive-in . . .<br />

can be eosily and economically converted to exhibit<br />

the popular, new wide screen pictures NOW grossing<br />

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With the help of nationally-known RCA theatre<br />

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PACKAGE to fit your theatre and your budget.<br />

RCA Stereophonic Equipment is availoble In everything<br />

from single track magnetic sound for drlve-ln<br />

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theotres (at only $1,536) to 1, 3 and 4 track sound<br />

systems for indoor theatres (at $2,040 ond up).<br />

RCA Projection Equipment, Sound Systems and<br />

superior Oyno-Lite Wide Screens are giving complete<br />

satisfaction in hundreds of prosperous theotres<br />

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Everything in Theatre<br />

Equipment and Supplies<br />

Abbott Theatre Equipment Co. Inc.<br />

1311 South Wabash Ave. Chicago, Illinois<br />

Completes Winter Repaiii<br />

HOUSTON, MO.—Mr. and Mrs. Dick Fisfr<br />

were not idle last winter while their Sunjt.<br />

Drive-In was closed. They cleared shorts al<br />

open circuits out of their underground Wr<br />

ing, completely reconditioned the sound ajii<br />

projection equipment, checked and repaii^(<br />

in-car speakers and replaced with new spei'r'<br />

ers when necessary, painted posts and fenc-t,'<br />

widened and added to sidewalks and briglj-:<br />

ened up the restrooms. The snack bar rei<br />

brought up to date, the screen tower vp<br />

painted and new lenses installed to perr*f<br />

a larger picture. A new Simplex sound s;h<<br />

tem has been ordered, as well as a moddi;<br />

marquee sign with changeable letters.<br />

Reduces Admission for C£<br />

CRYSTAL CITY, MO.—Giving the put:<br />

more for less money is the policy of t"<br />

Crystal Hi-Way Theatre. Recently it vp<br />

completely equipped for presenting Cinenr>i<br />

Scope productions, changing to an R'i<br />

curved widescreen and to new sound equ;<br />

ment. For this patrons now only have to ff<br />

50 cents, a reduction in admission. Manajr<br />

H. E. Miller says it is the only theatre i<br />

Jefferson County presenting CS with sterc<br />

phonic sound.<br />

j<br />

50 BOXOFFICE May 7, liS


j<br />

Loew's<br />

'<br />

Doctor<br />

—<br />

——<br />

—<br />

iction Features Pace<br />

(hicago Grosses<br />

;HICAG0—Films promising excitement<br />

a3 intrigue held the boxoffice spotlight.<br />

lis included "Conquest of Space" plus<br />

•limberjack" at the Roosevelt, "Lover's Lane<br />

Bndit" plus "Cell 2455, Death Row" at the<br />

Qand. "Kiss Me Deadly" at the Chicago,<br />

fti "Violent Saturday" at the Oriental,<br />

nhree Cases of Murder" also incited interest<br />

flthe Esquire Theatre. Most holdovers exll'ienced<br />

a drop.<br />

f<br />

,i^qic<br />

The LifHe Kidnoppers (UA), 2nd wk.. .160<br />

Kiss Me Dcodly (UA), plus stage revue. 210<br />

The Fiqhting Pimpernel (Corroll) 180<br />

oce<br />

This Is Cinerama (Cineroma), 92nd<br />

200<br />

Three Coses of Murder (Ass'd Artists) 210<br />

Cell 2455, Deoth Row (Col) 215<br />

The Gloss Slipper (MGM), 4th wk 180<br />

I. ,K Hit the Deck (MGM); The Big Tip-Off<br />

AA), 4th wk 195<br />

finroe To Poris With Love (Continental) 4th<br />

1/k 200<br />

(.ntal— Violent Saturday (20th-Fox) 215<br />

. :t -Corquest of Space (Poro); Timberjock<br />

:nd wk 210<br />

.1 e— Eost of Eden (WB), 4th wk 175<br />

in the House (Reo), 2nd wk 1 70<br />

( tod Artists—The Country Girl (Para), 11th wk. 185<br />

Jods—Mon Without a Star (U-l), 3rd wk 200<br />

VId Ployhoues A Love Story (Gibraltar), 2nd<br />

',k 175<br />

Jgfeld— Verginita (IFE), 2nd wk 180<br />

';ter' Stays at Orpheum<br />

lir Its Fourth Week<br />

XANSAS CITY—Night ballgames of the<br />

,;hletics play is not affecting the art houses<br />

iich but other exhibitors, includnig drive-in<br />

Aerators, admit theii' business is being hurt<br />

••len the A's are in town. "A Man Called<br />

tter" played its fourth week at the Orpheum<br />

average business in spite of also playing<br />

j<br />

I the Fairway and Granada the past week.<br />

'lis cut the Orpheum's business on Saturday<br />

id Sunday but did not affect the Monday<br />

t'jss. It was held at the Orpheum only,<br />

"trange Lady in Town" was scheduled for<br />

necond week at the Paramount.<br />

I'n-The Gome of Love (Times Films), 2nd wk. . .200<br />

no The Gloss Slipper (MGM), 4th wk 1 75<br />

idland—Davy Crockett, Indian Scout (UA);<br />

'Iroquois Trail (UA), reissues 80<br />

.isouri—East of Eden (WB), 3rd wk.; Gog (UA),<br />

:2nd wk 65<br />

oheum—A Man Called Peter (20th-Fox), 4th<br />

Ivk 100<br />

'omount Stronge Lady in Town (WB) 120<br />

i


. . . and<br />

ST.<br />

LOUIS<br />

•The MITO film rentals committee, with<br />

Loren Cluster, chairman, presiding, met<br />

Monday (2) to consider replies received in<br />

response to the questionnaire recently sent<br />

theatre owners by the organization . . . Myra<br />

Stroud, MITO managing secretary, and Kenneth<br />

Herth of Pacific, a member of the board<br />

. . .<br />

of directors, visited RoUa and Lebanon, in<br />

connection with the current membership<br />

Members of Colosseum Loge 19 are<br />

drive . . .<br />

scheduled to meet at 1:30 p.m. on Saturday,<br />

The<br />

May 21, in the Melbourne Hotel<br />

mother of Bob Lightfoot, Allied Artists salesman,<br />

died at Oklahoma City. Mrs. Lightfoot,<br />

who was 75, had been in poor health<br />

for some time. She is also survived by two<br />

other sons.<br />

The recent Amusement Employes Welfare<br />

pnind benefit proved very successful. Gross<br />

RiO SYRUP CO.<br />

I<br />

r<br />

I<br />

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Numbers PR 2-4615<br />

Same Good Concession Service<br />

bandy to Film Row, too.<br />

EVERYTHING<br />

FOR THE THEATRE<br />

St. Louis Theatre Supply Company<br />

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"SELECT" FOUNTAIN SYRUPS<br />

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4210 W. Florissant Ave.<br />

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HANDY<br />

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receipts were $976 and expenses $288.23,<br />

leaving a net of $687.77. The fund now has<br />

a working balance of $1,542.57 . . WUliam<br />

.<br />

C. Earle jr and Harry Hoff of National Theatre<br />

Supply and their wives returned from<br />

New Orleans where they spent several days<br />

as guests of the company. They were joined<br />

there by four other couples, who also were<br />

winners in a sales campaign conducted earlier<br />

in the year.<br />

Bill Emas of the U-I office staff is the<br />

Joe W. Newsham<br />

father of a baby girl . . .<br />

with St. Louis Theatre Supply, is also the<br />

Loew's State will<br />

father of a baby girl . . .<br />

show the closed circuit telecast of the Marciano-Cockell<br />

championship heavyweight<br />

fight May 16. General admission will be<br />

$3.50, and loges $4, both including federal and<br />

state taxes.<br />

Paul L. Knieger, Fred Wehrenberg Theatres<br />

president, had a lot of fun as he toured<br />

the downtown section accompanied by Arthur<br />

K. Atkinson, Wabash Railroad president,<br />

aboard the kiddy train of the circuit's<br />

South Twin-Drive-In. The train is<br />

modeled after the Wabash's crack Blue Bird,<br />

that travels between here and Chicago daily.<br />

Krueger and Atkinson, in engineer's regalia,<br />

were in the drivers' seats. It was a fine bit<br />

of showmanship and attracted much attention.<br />

The South Twin had a grand opening<br />

program on both Friday (29) and Saturday<br />

to celebrate the completion of its playground<br />

and other facilities.<br />

National Theatre Supply is providing a 40-<br />

foot cafeteria-style concessions bar at the<br />

new 500-car drive-in north of Marion, that<br />

will be owned and operated by Stewart Cluster<br />

of Johnston City. It is due to open about<br />

Harry Wald was the winner<br />

June 15 . . .<br />

and Ben Mandel runner-up at the Variety<br />

Club's recent first annual gin rummy tourney.<br />

Tom M. Londoff, one-time manager of the<br />

old Palm Theatre, has been elected the silver<br />

anniversary year president of the North St.<br />

Louis Real Estate Salesmen's<br />

Pete Martin, manager of the<br />

Ass'n .<br />

Fanchon<br />

.<br />

&<br />

.<br />

Marco Richmond Theatre, Richmond Heights,<br />

has made Bob Goddard's Snappy Dressers in<br />

Our Town list in the St. Louis Globe-Democrat<br />

Greta Garbo's "Camille" has been<br />

. . . revived at the Pageant Theatre.<br />

Exhibitors seen along Filmrow included


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DXOFFICE :<br />

7. 1956 53


. .<br />

. .<br />

. . . Jay<br />

. . Les<br />

. . Peggy<br />

. . Nat<br />

. .<br />

. . . Don<br />

. . The<br />

. . Eddie<br />

. . Gus<br />

. . Current<br />

. . Amy<br />

: May<br />

'<br />

KANSAS CITY<br />

T>uss Bovim, western division manager for<br />

Loew's Theatres witli headquarters in<br />

St. Louis, is here managing the Midland while<br />

Maurice Druker is on<br />

vacation. Druker and<br />

wife are making an extended<br />

trip to the west<br />

coast. They went by<br />

the northern route and<br />

will return by the<br />

southern, stopping at<br />

scenic points along the<br />

way. Bovim, who managed<br />

the Midland in<br />

the late 40s, is renewing<br />

old acquaintances<br />

Russ Bovim<br />

while in town .<br />

Bernie Evens, MGM<br />

exploiteer, reports a gratifying amount of<br />

publicity in Wichita on "The Prodigal." They<br />

had two good newspaper breaks, TV and<br />

radio spots, and a supermarket's display<br />

of the Wheel of Fortune. He was also pleased<br />

to report that the Wichita Eagle is using a<br />

serialization of "The Blackboard Jungle."<br />

Ralph Morrow jr., now a private pilot for<br />

the Anchor-Hocking Glass Co. of Lancaster,<br />

Ohio, flew in for a weekend visit with his<br />

parents, Ralph Morrow sr., city salesman<br />

for Universal, and Mrs. Morrow. Ralph jr.<br />

was formerly a salesman for 20th-5'ox and<br />

a booker for U-I. The elder Morrows spent<br />

Easter in Quincy, III., where they got acquainted<br />

with then- new granddaughter .<br />

Mrs. EUeen Puhr, secretary to Larry Klein,<br />

office manager at Universal, is on a twoweek<br />

vacation celebrating her husband's return<br />

from two years with the armed forces.<br />

Jesse Clinich, assistant to the general sales<br />

manager in the Buena Vista New York office,<br />

and Tommy McMahon from the Salt Lake<br />

office were in Kansas City conferring with<br />

Tommy Thompson, local representative . . .<br />

Nemo Batrick accompanied Nick Sonday,<br />

Satisfaction — Always<br />

MISSOURI<br />

THEATRE SUPPLY COMPANY<br />

L. I. KIMBRIEL. Manager<br />

Phone Ballimoie 3070<br />

115 W. 18lh Kansas City 8. Mo.<br />

COMPLETE LINE OF CONCESSIONS<br />

EQUIPMENT AND SUPPLIES<br />

PDCHT MPKDM<br />

STAGE EQUIPMENT COMPANY<br />

aUiiim ULUiLim,<br />

general manager for Consolidated Agencies,<br />

on a trip to Wichita . . . Lydia Welborn,<br />

bookkeeper at National Screen Service, was<br />

hit by drunken drivers at 18th and Troost,<br />

with considerable damage done to her car<br />

and her nervous system.<br />

The Motion Picture Ass'n of Greater Kansas<br />

City has announced its annual spring<br />

dinner dance for Monday (23) at the Tomahawk<br />

Country Club. The affair is limited to<br />

members and their guests but visiting home<br />

office or exchange personnel from out of town<br />

will be welcomed. Harry Gaffney of Dixie<br />

Enterprises and Ralph Amacher of United<br />

Artists are co-chairmen . Hechtman<br />

says their business barometer at Capitol Flag<br />

& Banner Co. now points to MGM's "The<br />

Prodigal." He and Mrs. Hechtman will attend<br />

Parents Day at Columbia, Mo., where<br />

their son Elliott is a student at Missouri University.<br />

Paramount's short subject department head,<br />

Oscar Morgan, conferred with Manager Harry<br />

Hamburg and others . Bills, secretary<br />

to IFE division Manager Glenn Fannin,<br />

was up from Dallas to help Ralph Gregory<br />

set up the district office routine . . . Barry<br />

Bernard, RKO publicity representative operating<br />

out of Dallas office, was here several<br />

days setting up tieups for the "Harem Beauties"<br />

exploiting "Son of Sinbad." While in<br />

Kansas City they made personal appearances<br />

on KCMO-TV, modeled swimsuits at the<br />

Jones Store and selected Pontiac convertibles<br />

furnished by Smilin' Sam Schwartz to ride<br />

around the town. Smilin' Sam carried a display<br />

ad showing the girls in harem costumes.<br />

Missouri Theatre Supply has sold complete<br />

drive-in theatre equipment to Jay Wooten<br />

for his new South Hutch Drive-In at Hutchinson,<br />

Kas. This will have a capacity for 650<br />

cars and should open around June 15 .<br />

Norris Cresswell, manager of the Aladdin<br />

Theatre, reports remodeling which included<br />

new front doors and moving the boxoffice<br />

out front. Mrs. Alys Ameno, owner of the<br />

Aladdin who lives at Pittsburg, Kas., has<br />

been in town. Mrs. Ameno is also part<br />

owner of the A&A Electric Co. of Kansas<br />

City and Pittsburg which sells theatre<br />

equipment. Cresswell also reported finding<br />

of a partial plate, two teeth on platinum, at<br />

the Aladdin and about which no one has yet<br />

inquired.<br />

Jerry and Mrs. Dralie of the Drake Theatre<br />

at Bolivar, Mo., visited their son Jerry<br />

jr., who is employed in the A. V. Cauger<br />

Service Co. production department. The<br />

Drakes had just returned from a trip to<br />

Tulsa to visit their daughter. On the way<br />

to Tulsa, they stopped off to see Glenn Caldwell<br />

at Aurora, Mo. . Groves of Macon,<br />

general sales manager for the Cauger Co..<br />

and Glenn Boner, salesman for central Illinois,<br />

visited the home office In Independence<br />

. . . Mrs. Mildred Mccormick's Kar-Vue<br />

Drive-In at Reeds Springs, Mo., has been<br />

equipped for Cinemascope pictures.<br />

Columbia Division Manager Ben Marcus<br />

attended the annual meeting of the Allied<br />

Independent Theatre Owners of Iowa and<br />

Nebraska at the Hotel Savery in Des Moines<br />

Reed is the new assistant shipper<br />

at Columbia, replacing Bob Cloghley who is<br />

now booking at Paramount . . . Nancy Leavell.<br />

secretary to office Manager William Jeffries,<br />

T<br />

has resigned as of May 20 to marry Jli'<br />

Price, radio announcer on KFEE at Ottum<br />

wa, Iowa. The marriage will take place Ma<br />

29 in the Rosedale Christian Church. Lil<br />

Numaro, clerk, will replace Miss Leavell.<br />

Exhibitors seen recently on Pilmrow in


! Crest<br />

t<br />

. . Bob<br />

. . Syd<br />

. . The<br />

. . The<br />

. . Foster<br />

. .<br />

i the golfer's highest ambition and made<br />

lole-in-one recently at Santa Fe Hills<br />

Guy Bloom's Rex Theatre at Nevada, Mo.,<br />

i Ai't Pugh's Empress at Fort Scott, Kas.,<br />

]<br />

among the latest theatres to equip for<br />

:iemaScope.<br />

.<br />

Jretchen Brown was back on the job taking<br />

tation for Clarence Schultz, president of<br />

nsolidated Agencies, after recovering from<br />

gery Collier, manager of the<br />

ico Drive-In, walked the corridors at St.<br />

ry's Hospital recently where his third<br />

1 was born . Levy, National Screen<br />

vice salesman, traveled to Los Angeles<br />

a two-week vacation which took in the<br />

riety Club convention. Salesman Jack<br />

nningham has sold Ti-avel-Ad frames to<br />

Drive-In and the Fredonia (Kas.)<br />

[ive-In. They are fastened to the top of the<br />

: to exploit pictures. Kenny Clark, head<br />

(pper, returned from a two-week vacation<br />

1 Louisiana.<br />

im Witcher, MGM office manager, had a<br />

tjy time Sunday recently. His daughter<br />

J thy was confii-med and his young son John<br />

Ivid was baptized. A buffet dinner for relates<br />

was served that evening to celebrate<br />

t! occasion . . . Bud Truog, office manager<br />

B United Ai-tists' exchange, and wife left<br />

a vacation to New Orleans and other<br />

pees Bob Strowig reported his brother<br />

Olvin became father of a baby daughter<br />

RKO's short subject, "Taming the<br />

rently . . .<br />

(hppler," is being released at a very good<br />

tie with the Salk report on polio vaccine<br />

in the news.<br />

rjich<br />

BOWLING<br />

jCANSAS CITY—The final standing of the<br />

B.'n's Bowling League left the Shreve team<br />

^ the winner of the trophy. Members of<br />

t'' team were: Roger Zirfas, Joe Bondank,<br />

iinny Long, Raymond McKitrick and<br />

Iger Leaton. The final score:<br />

.'eom Won Lost Team Won Lost<br />

.reve's .82 42 Dixie 6SiA581/j<br />

ppers 73 51 Mode O'DoySl'/j 72*^<br />

mrow ?? 67 57 Jones Boys. 48 76<br />

onlev 651/2 SSVz United Film .43i/j 8OV2<br />

'he Women's League has two more weeks<br />

go.<br />

bopens at Neoga, 111.<br />

JEOGA, ILL.—The Neoga Theatre, closed<br />

see March 26, has been reopened by Kermit<br />

/ Bushur, under an arrangement worked<br />

t<br />

with a number of local merchants.<br />

THE'AVTRE EQUIPMENT<br />

442 N. ILLINOIS ST., INDIANAPOLIS, IND.<br />

"Everything for the Theatre"<br />

SELBYp^ SCREEN TOWERS<br />

SELBY INDUSTRIES, INC.<br />

1350 Ghent Hills Rd. Akron 13, Ohio<br />

Montrose (through Medino, Ohio) 6-7211<br />

EASY SIGNING—Evhibitors in thr M(;:\I office at Kansas City the other day<br />

found the task of signing for "The Trodigal" quite pleasant since the salesmen were<br />

the three pretty starlets who arc on tour for the film. The scene in left photo took<br />

place in Manager William Gaddoni's office. Left to right: Harley Fryer, Plaza, Lamar,<br />

Mo.; Gaddoni; Jolene Brand, starlet; Ernest Block, Civic, Sabetha, Kas.; Joan Patti<br />

and Darlene Engle, starlets, and Harry Hixon, Orpheum, Atchison, Kas. In right<br />

photo, Mrs. Marie Wilhemi, Norborne (Mo.) Theatre, obtains autograph of Miss Engle.<br />

INDIANAPOLIS<br />

pob Conn, 20th-Fox manager here, has been<br />

appointed central division leader for the<br />

company's Clean Sweep Drive May 15 through<br />

22. He went to Cincinnati Monday (2) for a<br />

meeting, accompanied by T. O. McCleaster,<br />

20th-Fox<br />

.<br />

central division manager .<br />

drive locally will honor salesman K. L. Dotterer,<br />

a veteran of 35 years service with the<br />

fii-m local Colosseum loge will hold<br />

its annual dinner dance at the Marott Hotel<br />

May 14.<br />

Marc J. Wolf, 'Variety International main<br />

guy, went to the Los Angeles convention,<br />

stopping at Las "Vegas on the way . . . Bea<br />

Wolf spoke on Variety's philanthropic work<br />

before a meeting of the Indiana Council<br />

of Women, arranged by Indianapolis<br />

Screen Council members . Gauker,<br />

MGM manager, was his own shipper temporarily,<br />

when head shipper Carlos Hill<br />

reported ill and the assistant quit. Help finally<br />

arrived from Cincinnati . . .<br />

Syndicate<br />

Theatres has closed the Mode at Columbus<br />

and Vogue at Elwood, claiming shortage of<br />

product. Both had stereo sound and wide<br />

screens. The circuit has other houses in these<br />

towns.<br />

.<br />

.<br />

Beverly Cain has bought the Palace at<br />

Owensboro, Ky., from M. E. Stevenson<br />

George L. Marks is the new owner of the<br />

Gaston at Gaston, formerly held by J. P.<br />

Janney . . Christina Burnett reports she<br />

will reopen the Idaho at Terre Haute, operated<br />

by Y&W for the past five years . . .<br />

Charles Mailers has sold the Roxy at Bluffton<br />

to a photographer, who will convert it into<br />

Other closings include the<br />

a studio . . .<br />

Palace, Fairmount, owned by Richard Cosby:<br />

Amuse-U, Jasonville, Bill Passen; Maumee,<br />

Fort Wayne, R. T. Fisher, and the Pixie,<br />

Indianapolis, J. B. Sconce.<br />

. . . Keith<br />

Mr. and Mrs. Paul Love, new owners of the<br />

Star-Lite Drive-In at Shelburn, held their<br />

grand opening with a free show<br />

Lee, manager of the Terre Haute Drive-In,<br />

reported thieves raided his concession stand,<br />

taking 12 cartons of cigarets and ten pounds<br />

of hamburger.<br />

Lilliane Montevecci, ballet star, will be<br />

headlined with Cyd Charisse in MGM's<br />

"Week-End at Las Vegas."<br />

Bob Hicks to the Landers<br />

Replacing Dick Powell<br />

SPRINGFIELD, MO.—Fox Midwest city<br />

Manager George Hunter has transferred Bob<br />

Hicks from the Kickapoo Theatre to managing<br />

the Landers. Dick Powell resigned as<br />

manager at the Landers to go into business<br />

for himself.<br />

Reopens at Dupo, 111.<br />

DUPO, ILL.—The 300-seat Dupo Theatre<br />

has reopened under new owner Marvin Stott,<br />

who took over the house April 24.<br />

RCA IN-CAR<br />

SPEAKERS<br />

^NEW LAMPS<br />

and POWER<br />

EQUIPMENT<br />

A<br />

MID-WEST THEATRE<br />

SUPPLY CO., INC.<br />

Cincinnati,<br />

Ohio<br />

INDIANA REPRESENTATIVE<br />

ED N. HOWE<br />

326 Arcadia Court<br />

Ft. Wayne, Indiana<br />

Kenmore 5180<br />

EXOFFICE :; May 7, 1955<br />

55


—<br />

Thanks to the thrift of employed Americans and<br />

the cooperation of 45,000 companies which have<br />

enrolled<br />

more than 8,000,000 men and women in<br />

the PayroU Savmgs Plan<br />

• Sales of E and H Bonds (H Bond is the current-income<br />

companion piece of the E Bond, sold only to individuals<br />

and purchased in larger denominations by executives) in<br />

1954 totaled $4.9 billion, a new peacetime record.<br />

• Sales in 1954 exceeded all redemptions in that year of<br />

matured E Bonds and unmatured E and H Bonds by more<br />

than $400 million— the highest net amount since 1949.<br />

• Cash value of E and H Bonds outstanding reached a new<br />

record high of $38.2 billion, a gain of $1.5 billion in 1954.<br />

• This $38.2 billion cash holding by individuals represents<br />

14% of the national debt. Never before has the national<br />

debt of our country been so widely held.<br />

These figures, far more effectively than mere words,<br />

tell the story of The Payroll Savings Plan—why it<br />

is good for America, why it is good for business. If<br />

you do not have the Plan, or if you have the Plan<br />

and your employee percentage is less than 50%,<br />

phone, wire or write to Savings Bond Division,<br />

U. S. Treasury Department, Washington, D. C.<br />

,The United States Government does not pay for this advertising. The Treasury Department<br />

thanks, for their patriotic donation, the Advertising Council and<br />

BOXOFFICE<br />

56 BOXOFFICE May 7, vH


I at<br />

I<br />

111<br />

f<br />

lien Hall Optimistic<br />

h Arkansas ITO Talk<br />

JTTLE ROCK -CU'ii Hall. Cas.svillf, Mo..<br />

ii the principal speakers at the Arkansas<br />

invention here this week, declared that<br />

:s being gi-adually shoved out of the<br />

mliiw. Speaking on "Successful Small-<br />

.\ 11 Operation," Hall said that he was<br />

.i.inistic over business in the future.<br />

High cost of lenses and high film rentals,<br />

Slid, were taking the extra profit exhibiiiought<br />

would be made when taxes were<br />

.1 off by the government.<br />

II. ill said that a small-town operation<br />

i.s entirely different from a large city<br />

nation, that arbitration on rentals was<br />

rosary in nearly all instances and that<br />

per cent usually was not enough. He<br />

litcl that if a small-town theatre were<br />

1! like a big chain, it would be broke in<br />

(la.vs. His best year, he said was 1952.<br />

Hall continued that he used to be able to<br />

.11 the doors and tell every day within two<br />

tliit-e dollars what the gross would be, but<br />

t any more.<br />

The question and answer forum brought out<br />

veral stunts for drive-in operation, such as<br />

.iiig away a fishing car and jalopy night.<br />

K. King, Searcy, told of buying a pony<br />

,th saddle and bridle in the spring and<br />

l^ing it away in October.<br />

Ed Martin, who had previously been named<br />

receive a certificate signed by Gov. Orval<br />

iibu.-, making him an official Ai-kansas<br />

aveler, was presented this award by Orville<br />

iieney, representing the governor.<br />

In discussion of concessions, one exhibitor<br />

id that selling dill pickles at ten cents each<br />

d also helped Increase the sale of popcorn.<br />

5ks High Court Review<br />

)n Order for New Trial<br />

WASHINGTON — The operators of the<br />

eenville. Miss., Center Theatre recently<br />

3uested the Supreme Court to review an<br />

der for a new trial in their antitrust suit<br />

ainst the major distributors, Republic and<br />

iramount-Richards Theatres.<br />

The appeals court ordered the new trial<br />

cause influence had allegedly been brought<br />

bear on the jurors, who decided in favor<br />

the exhibitors, and because the judge inucted<br />

the jury in a manner prejudicial to<br />

e distributors. Partner-exhibitors Joe<br />

jplebaum and Bertram Simms told the<br />

ipreme Court that the appeals court had<br />

red in ordering the new trial on these<br />

ounds.<br />

jThe distributors responded to the effect<br />

they were entitled to a new trial and<br />

l-ed some details of the operation of the<br />

eatre in support of their contention that the<br />

eatre's financial difficulties were not from<br />

ongful treatment by the distributors. They<br />

id that the plaintiffs began issuing rubber<br />

ecks while the theatre was still being built,<br />

ten paid the distributors rental with wortha<br />

checks, and eventually became liable for<br />

linquent income and admission taxes.<br />

lyde Cole Transferred<br />

PANAMA CITY. FLA.-Clyde Cole, foririy<br />

of Phenix. Ala., is new manager of<br />

e Panama Theatre. He managed two Mar-<br />

1 theatres in Columbus, Ga., before being<br />

insferred here.<br />

James Carbery Elected<br />

Arkansas ITO President<br />

K. K. King:<br />

LITTLE ROCK — Independent Theatre<br />

Owners of Arkansas elected James Carbery<br />

of Little Rock president<br />

for the new year<br />

in their convention<br />

here this week. K. K.<br />

King, Searcy, former<br />

president, was named<br />

chairman of the board.<br />

Other office rs<br />

elected were: Secretary-treasurer,<br />

Fred<br />

Brown, Port Smith;<br />

assistant s e c r e-<br />

tary-treasurer, Nona<br />

White, Little Rock;<br />

district vice-presidents.<br />

Orris Collins, Paragould; Bill Headstream,<br />

Batesville; E. W. Savage, Booneville; Charles<br />

Revey, Stephens; Roy Cochran, North Little<br />

Rock, and Sidney Wharton, Warren.<br />

Directors: Terry Axley, England; M. S.<br />

McCord, North Little Rock; Bartus Gray,<br />

Jacksonville; Jimmy Wren, Mena; Cecil Mayberry,<br />

Eureka Springs; Cecil Cupp, Arkadelphia;<br />

Carl Burton, Forth Smith, and Jeff<br />

Singleton, Marked Tree.<br />

Jim Carbery was named representative to<br />

Exhibitors Take Note<br />

When Stunt Backfires<br />

SAVANNAH, GA.—Here is<br />

a publicity stunt<br />

that backfired. Theatre managers take note.<br />

Motorists drove downtown the other day<br />

to find every metered parking space on the<br />

sound side of Savannah's Broughton street,<br />

for a space of seven blocks, occupied by new<br />

Dodge cars, each bannered profusely and<br />

stressing the merits of the car.<br />

Theatremen acquainted with publicity<br />

stunts of all kinds chuckled and had to<br />

admit it was a mighty good show. But not<br />

the merchants whose stores paralleled the<br />

parking spaces, nor the motorists who any<br />

day have a hard time finding a pyarking space.<br />

Police headquarters was beseiged with calls.<br />

Apparently there was no violation of the law;<br />

an employe of the motor company with a<br />

bag full of nickels patrolled the area, feeding<br />

the meters. But the police won out. They<br />

dug up an old ordinance which says it's<br />

illegal to use the parking space for display<br />

purposes. But not before the cars had a<br />

chance to be on display for about four houi-s.<br />

The motor company came out the following<br />

day with a preplanned full-page ad<br />

apologizing to the public for the inconvenience.<br />

But this didn't seem to ease the feelings<br />

of the motorists who had to hunt other<br />

parking spaces.<br />

Fire Destroys Princess<br />

MOUNT DORA, FLA.—Fu'e destroyed the<br />

Princess Theatre here and spread to adjoining<br />

buildings. All patrons in the filled house<br />

escaped without injm-y. The fii-e, which<br />

originated in a grocery store next door, was<br />

coaxed toward the theatre by the draft from<br />

the ventilating fan.<br />

JA.MK.S ( .AKKKin<br />

the National TOA Board of Directors, and<br />

B. F. Fusby was named legislative director.<br />

'Jungle' Ban Referred<br />

To Loew's Attorneys<br />

ATLANTA—Loew's, Inc., has called on its<br />

legal staff for advice on the banning here of<br />

"The Blackboard Jungle."<br />

The Atlanta censor refused to grant a<br />

permit for the showing of the film at Loew's<br />

Grand several weeks ago. Her decision was<br />

appealed to the Atlanta library board, which<br />

acts as an appeals board. They, likewise, refused<br />

a permit. A second look at the film by<br />

the library board got a second and emphatic<br />

"No."<br />

After the second tiu-ndown, Loew's in New<br />

York called upon the law firm of Troutman,<br />

Sams & Lockerman to look into the matter.<br />

The attorneys viewed the film at a private<br />

screening but declined comment until "they<br />

had time to think the situation over." They<br />

apparently wanted time to confer with the<br />

New York home office on what steps should<br />

be taken.<br />

The Atlanta censor previously was involved<br />

ii legal action over another hard-hitting<br />

drama, "Scarlet Street. " and agreed to permit<br />

the showing of that film after certain<br />

cuts had been made. She has banned a number<br />

of films in past yeai-s. but local showmen<br />

didn't think it wise to wage a court fight.<br />

Several of the showmen, however, have<br />

stated that the censor is not consistent in<br />

her rulings. She recently ordered the deletion<br />

ol the word "damn" from a British-made<br />

movie, overlooking all the while that "damn"<br />

was u.sed in a very emphatic way in a movie<br />

which played ai-ound Atlanta for several<br />

years entitled "Gone With the Wind." As<br />

many recall. Clark Gable made a speech<br />

toward the end of that film in which he<br />

said, "Personally. I don't give a damn!'<br />

'X0F7ICE :: May 7, 1955<br />

SE<br />

57


—<br />

Charlotfe WOMPI Plans Chanty<br />

'Jungle' to Adults Only<br />

Draws 300 in Memphis<br />

MEMPHIS—"Blackboard Jungle," banned<br />

by censors here at its original screening and<br />

later approved for showing to adult.s only,<br />

did 300 per cent in its first week. Other<br />

grosses were just average.<br />

Requests of film distributors and theatres<br />

to consider other banned pictm-es for showings<br />

to adults only, died for lack of an<br />

answer. The censor Iward said it had no<br />

such authority and Mayor Fi-ank Tobey said<br />

it was up to the board.<br />

Molco—A Mon Called Peter (20th-Fox), 3rd wl


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EXOFFICE :: May 7, 1955 53


. . . Roy<br />

. . . WE<br />

. . The<br />

. .<br />

: May<br />

i<br />

CHARLOTTE<br />

phelma C'ulp, cashier at Warner Bros., has<br />

James Burton. RKO<br />

been home ill . . .<br />

booker, is going to marry Mary Sue Little from<br />

Hughes, Ai-k., on May 27. Burton came to<br />

RKO from Memphis in March . . . Roby<br />

Branon. RKO manager, and Dean Lynch,<br />

student salesman, made a trip to High Point<br />

to call on exhibitors . . . Bobby Lynch, MGM<br />

booker, and Jane Morrison were wed Saturday<br />

W. Frank Harris of Harris<br />

(30> . . . Theatre Sales came out in one of the ten<br />

places for election to city councilman in the<br />

primary. The runoff will be later this month<br />

Smart of Wilby-Kincey and Mrs.<br />

SERVICE<br />

and<br />

COURTESY<br />

For over 20 y'"'^<br />

OUR WATCH WORD<br />

ARC<br />

•CENTURY llVf^^°:i ^D SOUND .>IRWn« STRONG LAMPS<br />

CONCESSION EQUIPMENT AND SUPPLIES<br />

STANDARD THEATRE SUPPLY CO.<br />

215 E. Wellington St.,<br />

GREENSBORO, N. C.<br />

30 YEARS OF DEPENDABLE SHOWS<br />

H. G. ARENSON<br />

3450 SELWYN AVE., CHARLOTTE, N. C.<br />

\%<br />

Always A Pleasing BoxoHice Attraction<br />

Cinemascope<br />

Smart, accompanied by their daughter and<br />

grandchildren, went to Garden City for the<br />

weekend.<br />

.<br />

Helen Brunson, secretary at Wilby-Kincey.<br />

was in New York on her vacation<br />

Charlie Freeman, head of the booking department,<br />

became father of a baby gu'l . .<br />

.<br />

Around Filmrow buying and booking were<br />

Harold Hall. Dixie Drive-In. Columbia; Heyward<br />

Morgan. Plaza. Greenville: Steve Mitchell.<br />

Branwood. West Greenville: O. A.<br />

Kafer. Masonic. New Bern: Howard Ander-<br />

.son, Anderson circuit. Mullins: J. K. Whitley,<br />

Towel City Theatres, Kannapolis, and W. L.<br />

Parker. Gloria. Myrtle Beach.<br />

Catherine LeGrand resigned her position<br />

with Kay Films to go with the Charlotte<br />

City Coach Lines . wife of H. F.<br />

Kincey of Wilby-Kincey spent ten days in<br />

New York on a pleasure trip.<br />

The WOMPI installation banquet will be<br />

held May 24 in the Chelsea Room of the<br />

Hotel Charlotte, it was decided at the<br />

Wedne.sday (27) luncheon meeting, the first<br />

meeting for the newly organized sixth chapter<br />

of the national organization. According<br />

to Myrtle Parker, president, who presided,<br />

the committee planning the banquet Includes<br />

Pauline Griffith, Marjorie Baker and Gladys<br />

Hawkins. The County Home was also<br />

selected as the group project.<br />

Al Scruggs at Lake Wales<br />

LAKE WALES. FLA.— Al Scruggs. Tallaha.ssee,<br />

has taken over the managership of<br />

the Wales Drive-In. He relieved Leslie Pendleton,<br />

who is now devoting his entire time<br />

to the operation of the State Theatre.<br />

"1<br />

y^^ZA^<br />

THEATRE EQUIPMENT<br />

& SUPPLIES<br />

STEREOPHONIC SOUND<br />

CONCESSION EQUIPMENT<br />

i'<br />

& SUPPLIES<br />

WIDE SCREEN<br />

everything for the theatre except film<br />

wil-icin theatre supply, inc.<br />

f/<br />

T<br />

HART BEATS<br />

By HARRY HART<br />

\A7il-Kin Theatre Supply has designed am<br />

is furnishing the equipment for thi<br />

900-car drive-in being built by Storey The<br />

atres on Glenwood Avenue in Decatur. Ga<br />

Charlie Fortson said that it would be com<br />

pletely de luxe in its appointments.<br />

The same firm furnished Motiograpl_j;<br />

speakers and a new Olympic Cretors pop'q^<br />

corn macliine for Cletus Benton at his re' •*<br />

modeled Colonial Drive-In at Cleveland<br />

Tenn.. formerly known as the Cleveland<br />

South Eastern Theatre Equipment i<br />

furnishing the equipment and has designa<br />

the plans for the 1,000-car drive-in beini<br />

built by Georgia Theatres on South 41 High<br />

way. Atlanta.<br />

Bart Jones of Blevin Popcorn. Atlanta<br />

reports that he has sold a new Cretor<br />

Ambassador popcorn machine to Weis The<br />

atres at Savannah.<br />

;'<br />

Loui Strickland of Strickland Films i<br />

making a record number of theatre traileri<br />

and the plant was certainly humming whe:<br />

I<br />

called.<br />

J. C. Harwell of the State Theatre. Bessej<br />

mer. Ala., purchased Cinemascope equipi<br />

ment from Paul Jenkins. Wil-Kin salesmar<br />

John Payne is the new salesman for Dixii<br />

T!-patre Service in Atlanta.<br />

Johnny Sims is now traveling for Capitt<br />

City Supply out of Atlanta and is also as,<br />

sisting in the repair department. .L<br />

In Chattanooga. Charles E. Lynch, man'<br />

ager of the 41 Drive-In showed his mutil<br />

ated desk, which thieves really tore u,<br />

recently to get at the petty cash box. con<br />

taining about $50. In addition, they cleane<br />

out the cigaret machine.<br />

Charles, incidently, has a new daughtfj<br />

named Retta Jean.<br />

The Fincher circuit, of which the 41 Is<br />

part, has a cash night every Wednesda;']<br />

It had built up to $3,200. with still n|<br />

takers, so they divided it and drew untl<br />

they gave away $1,600. In addition, thi<br />

circuit in cooperation with Red Food Store'l<br />

is giving away a new Plymouth May 28,<br />

the 41 is really rolling along in showmanshi]j.<br />

Horace Abbott at the 58 Drive-In<br />

down with a throat infection, but said hi<br />

would be at the Tri-State convention. A<br />

the Martin Theatre in Calhoun. Ga.. Bil<br />

Blane has been sending telegrams to al<br />

local high school graduates. The wireif<br />

congratulating them and plugging the cuij<br />

rent picture, entitle the recipients to frej<br />

admission. Blane uses a lot of other gin<br />

micks. and is always thinking up new ont''<br />

to create interest in both the theatre anithe<br />

drive-in, which he also manages. ,.<br />

ft<br />

atlanffa, ga. • charlotte, n. c.<br />

:iOOKINC SERVICE<br />

135 Brevord Court, Charlotte, N. C.<br />

FRANK<br />

LOWRY — JOHN WOOD<br />

PHONE FR. 5-7787<br />

I<br />

IS YOUR BOXOFFICE SICK . . . ?<br />

CAN MAKE IT WELL.'<br />

,_, . _ CONTACT<br />

ATLAS PROMOTIONS & ADV. CO.<br />

Charlotte, N. C. Phone FR-62245—FR-60564<br />

At Dallas, Ga.. the Dallas was playinB"'"<br />

"A Man Called Peter" and people wei^^]^<br />

flocking into the small town to see it i ,|~-_<br />

such droves. I could not find a convenier;virjparking<br />

space. When I noticed the crowcjijl f<br />

in front of the theatre. I decided it was njf'',<br />

time for a gabfest so I just drove on homiHf<br />

Steve Allen, TV personality, will portra-,-.<br />

orchestra leader Benny Goodman in U-l| *Hl<br />

"The Benny Goodman Story."<br />

60 BOXOFTICE<br />

:<br />

7, 19!


. Marvin<br />

I mythical<br />

WCKSONVILLE<br />

ENTHUSIASTIC WORKSHOP ORLANDO<br />

,<br />

Mud" Chalman, ABC Theatrical Enterreported<br />

that Mr. and Mrs.<br />

^lungler, owners of the Gulf-to-Bay<br />

at Clearwater, were robbed of<br />

hundred dollars by two masked<br />

Skinner, booker at 20thiicnmpanied<br />

^<br />

Mrs. Skinner to Atlanta,<br />

she was to receive the attention of<br />

il specialists as a result of a back<br />

ton Parker, manager of the Brentwood<br />

tre, has retired from show^ business<br />

long career that began when she<br />

d as a cashier at the Imperial Theatre<br />

17. She was the first cashier employed<br />

le Florida Theatre when it opened in<br />

Becoming a full-fledged theatre manmany<br />

years ago, she is known to geners<br />

of local citizens as one who has<br />

re combined the attributes of a Southern<br />

Facing the camera is the staff of MGM's Jacksonville branch which did a splendid<br />

job in assisting Mike Simons with the Workshop at Orlando. Left to right. Bob C'apps,<br />

salesman; Charley Turner, salesman; Sarah Keller, booker; Fred Hull, branch manager;<br />

Janice Claxton, secretary; John Allen, salesman, and Max Stepkin. office manager.<br />

Missing was Jack Wiener, publicist who was working too hard to stop for the picture.<br />

with the sound busine.ss sense and flair<br />

howmanship that characterizes a sucll<br />

manager. Mrs. Parker has been suc-<br />

:d at the Brentwood by Bob Greenleaf,<br />

ORLANDO, FLA.—Some 228 Florida exhibitors<br />

were held spell-bound by the masterly Max Stepkin, office manager:<br />

Charley Turner, John Allen and Bob Capps;<br />

was promoted from an<br />

Sarah Keller,<br />

assistant's po.st<br />

exposition of show business presented by booker, and Janice eiaxton. secretary to Hull.<br />

e Florida.<br />

Mike Simons, MGM director of customer relations,<br />

and a fine group of panelists at the lined in compelling fashion a plan whereby<br />

In Simons' opening keynote talk he out-<br />

mard Allen, Paramount press aide, reid<br />

from Orlando, w'here he made arsments<br />

with commanding officers of last week (26).<br />

theatre by the merchants of Eucalyptus, Fla.<br />

MGM Ticket Selling Workshop held here each exhibitor can "institute a salute to your<br />

U. S. Air Force Base for cooperation All the panelists were outstanding showmen<br />

who gave generously of their time and<br />

ighout Florida in promoting local press<br />

of "Strategic Air Command" . . . speaking talents to bring inspirational messages<br />

on advertising, exploitation and mer-<br />

he earnestly and convincingly told how he<br />

y Crockett" promotional campaigns<br />

(Continued on following page)<br />

being set up here by Phil Conway of chandising to the exhibitors from all parts of<br />

a Vista . . Calling on booking agencies Florida.<br />

Bi were Byron Adams, United Artists, and The gathering was almost equally divided<br />

,0'Nicaud, Howco, both of Atlanta.<br />

between operators of drive-in and indoor A/ow at . . .<br />

theatres and between independent theatre<br />

owners and representatives of circuits. Nearly POPULAR PRICES<br />

all the managers of Florida State Theatres<br />

were present, and contingents were there from<br />

Taiga, Wometco, MCM Theatres. Floyd<br />

Theatres, Claughton, Bay-Lan Theatres,<br />

Dixie Drive-Ins, Stein Theatres and other<br />

circuits.<br />

STEREOPHONIC SOUND<br />

COCA-COLA RECEIVES CKEDIT<br />

The Coca-Cola Co. received great credit<br />

» VISTAVISION<br />

for its part in making a success of the workshop<br />

by supplying a steady stream of bottled<br />

• WIDE SCREENS<br />

cokes throughout the day and by providing a<br />

• delicious full-course<br />

WIDE luncheon which was<br />

SCREEN FRAMES<br />

served by efficient waiters to the guests who<br />

• ANAMORPHIC LENS<br />

were seated at two 100-yard-long tables running<br />

the length of the Coliseum.<br />

• PROJECTION LENS<br />

New<br />

1 p.m. 2 to 5 Orleans<br />

of show people gathered for informal discussions<br />

in hotels and under the marquees<br />

GET COMPLETE<br />

INFORMATION AT ONCE<br />

of Orlando theatres.<br />

It is not too much to say that the theatrical<br />

air of Orlando crackled with the enthusiasm<br />

fHE QUEEN<br />

EXTRA PROFITS from<br />

FEATURE<br />

generated by Simons and his high-powered<br />

DRIVE-IN THEATRE<br />

speaking team.<br />

SERVICE, Incorporated<br />

Besides Simons the main speakers were: INTERMISSIONS<br />

Complete Theatre and Drive-In Equipment Joe Jarvis of the Gilbert Stuart Theatre, Riverside,<br />

R. I.; Charles Kurtzman of Boston,<br />

91 2


. . Mrs.<br />

. . R.<br />

. . H.<br />

:<br />

May<br />

i<br />

i<br />

monarch! MEMPHIS<br />

Theatre Supply, Inc.<br />

Neil Blount<br />

492 So. Second St.<br />

Memphis, Tenn.<br />

COMPLETE LINE<br />

THEATRE EQUIPMENT and<br />

CONCESSION SUPPLIES<br />

TRI-STATE THEATRE SUPPLY<br />

320 So. Second St. Memphis, Tenn.<br />

RrS^ft<br />

V/ T L POPCORN<br />

TOP QUALITY<br />

ROY SMITH CO.<br />

TAMPA<br />

JACKSONVILLE<br />

.<br />

.<br />

Toe Davidson reopened his Owl Theatre at<br />

Marvell, Ark. Van Sadler has reopened<br />

her Rison Theatre at Rison, Ark.<br />

. . . R. P. Beith. whose Ferguson Theatre<br />

at Ferguson, Ark, has been closed for remodeling,<br />

has reopened M. Condra<br />

and J. H. Hart have purchased Century<br />

equipment for their new Warner Park Drivein.<br />

West Nashville. Condra and Hart also<br />

operate the Colonial and Bel-Air drive-ins<br />

at Nashville. The sale was handled by Tri-<br />

State Theatre Supply Co.<br />

.<br />

A baby daughter has been born to Mr,<br />

and Mrs. John Ferraris in Methodist Hospital.<br />

The father is in the shipping department<br />

at National Theatre Supply . . . H. G.<br />

Walden, the Bay, Red Bay, and Whyte Bedford,<br />

Ford Drive-In and Marion at Hamilton,<br />

were in town from Alabama<br />

Mis.sissippi came A. N. Ro.ssie,<br />

. . From<br />

New Roxie,<br />

Clarksdale, and Joe Davis, Globe at Shaw<br />

. . . J. W. Lyles, Kentucky Lake Drive-In,<br />

Benton, Ky., was in town on business.<br />

From Arkansas came John Staples, Carolyn<br />

and Fi-anklin, Piggott; K. H. Kinney. Hay,s,<br />

Hughes; E. E. Reeves, Palace, Oil Trough,<br />

and Marjorie Malin, Lura, Augusta . R.<br />

Epsy, Victory Theatre, Weiner, Ark., has<br />

contracted with Film Transit here to deliver<br />

Martha Graves reports<br />

and pick up films . . .<br />

that the Sunshine Theatre at<br />

Cherry<br />

Valley, Ark., has closed.<br />

Drive-In business was in full .swing with<br />

the arrival of ideal spring weather.<br />

yl makes coffee . . . 2/au make money with . .<br />

Coffee Making and Serving<br />

AUTOMATICALLY<br />

>/ No More Coffee Grounds<br />

^ No More Urn<br />

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V No More Upper Bowls<br />

Prosperous concession men everywhere now increase hot<br />

beveroge volume . . . build profits . . save time and labor<br />

with this sensational new, AUTOMATIC Coffee making and<br />

serving.<br />

Certoinly, here is the quick and easy way to make and serve<br />

hot, fresh, de-e-e-licious coffee full-bodied, extra<br />

. . .<br />

strength and always uniform . . . from one cup to 300 an<br />

hour. That "rare" COFFEE-er flavor is forever assured by our<br />

dark roast, superb hotel blend of 100% pure coffee.<br />

And look! In this revolutionary coffee-making equipment<br />

even the water inlet feeds and heats automatically by<br />

electric, thermostatic control. Yet, it is NOT A VEKDING<br />

MACHINE. Try it for a week, you'll never be without it . . .<br />

that's for sure.<br />

Cost? Believe it or<br />

making equipment<br />

ONLY cost is the<br />

your coffee.<br />

lot . . . NOTHING! AUTOMATIC coffee<br />

5 furnished of NO COST to you. Your<br />

offee you use . , . and you SAVE on<br />

Get FREE facU NOW.' Phone, wire or write.<br />

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. . you'll be amazed!<br />

INVESTIGATE!<br />

This Equipment<br />

Costs You<br />

NOTHING!<br />

• Fresh, hot coffee always ready<br />

• Serves up to 300 cups per hour<br />

• Positive portion control on a<br />

budget basis<br />

• No stale or leftover coffee<br />

• Serves one cup or 300 as fast<br />

as you need it. No waste<br />

PAN AMERICAN COFFEE SERVICE<br />

809 Professional BIdg. Phone: 9-6843 (Emergency Union 6-0195)<br />

MGM WORKSHOP<br />

(Continued from previous page)<br />

had taken over a closed Rhode Island theatrr<br />

which was overrun by rats, and had cleane^<br />

it thoroughly and had built it into a profitabl<br />

center of community life.<br />

The next speaker, Kurtzman, gave a dynami<br />

talk in which he recounted showmanshi<br />

epi.sodes and experiences in a great caree!<br />

which has carried him from California t'<br />

the Middle West and on to Canada and Ne':<br />

England. He addre.ssed the audience as "fel<br />

low workers in the garden of what make<br />

our business sick and what makes it elicit<br />

and called for "an awakening of the dor<br />

mant ideas that lie in our subconsciou<br />

minds." He called for "up-to-date merchan<br />

dising of our theatres" and said the big jo'i<br />

of merchandising "is to do the extra-c<br />

ricular work of selling your theatre in ci<br />

munities which do not care if you are<br />

F>rotestant, a Catholic or a Jew if you<br />

on the level."<br />

In a second talk, Simons vividly illustral<br />

the importance of helping newspapermi<br />

with their jobs in order to win their frienq<br />

ship and to receive publicity breaks in ne»<br />

columns. He also pointed out the many avai!<br />

able tieups with television and said "we mu:<br />

sell what television is merchandising for us<br />

Simons next covered a subject that mar<br />

exhibitors considered the most constructiv<br />

message of the workshop, that having to c'<br />

with "employe morale" and courtesy an<br />

efficiency.<br />

"Theatres are on fire all over the counti<br />

with slipshod personnel," Simons declare<br />

"Lift their morale; make them proud of the!<br />

jobs; put stars into their eyes. Teach the;<br />

to adopt attitudes that will invite patro^<br />

I<br />

to talk about your current and coming aj<br />

tractions. Employe morale sells tickets. L<br />

your employes know that they're in a grei<br />

business."<br />

In the periods before and after tl<br />

luncheon, Judson Moses gave a lucid an<br />

complete description of how exhibitors CEj<br />

increase their profits by making use of tl.<br />

33 MGM promotion services and, most in<br />

partially, he gave them information on tli<br />

.securing of similar services from other motic<br />

picture distributors. In fact, Moses and ^<br />

the speakers spoke on the high level of sj<br />

industry workshop and did not confine it^<br />

MGM alone.<br />

Horace Denning, board chairman of li<br />

Motion Picture Exhibitors of Florida, into<br />

duced Bolivar "Curly" Hyde, who gave a bri<br />

message about the aims of the Southeaste<br />

Film Festi/al set for May 16-June 16, ai<br />

said that distributors are giving 100 per ce;l<br />

cooperation in the drive, including the pr<br />

jected spending of thousands of dollars<br />

key cities of the area.<br />

The first afternoon panelist, Wilfred<br />

Smith of Ledgewood, N. J., began his talk 11<br />

complimenting Florida drive-in owners (j<br />

their "high plane of operations." He ouj<br />

lined many suggestions for exploitation ai'<br />

for the selling of concession items.<br />

.<br />

The last panelist, A. J. Kalberer, gave<br />

picture of his operations in a town of 12,0<br />

persons, and described the workings of t<br />

Roy Rogei-s Riders Club, a matinee progra<br />

for children which he has conducted f<br />

'<br />

many years.<br />

Total Exports $39,082,772<br />

Exports of motion picture films and equi~<br />

ment totaled $39,082,772 in 1954, a gain of<br />

!<br />

per cent over 1953.<br />

62 BOXOFFICC<br />

:<br />

7, 19!


J. FRANCIS WHITE and JOY N. HOUCK present<br />

KENTUCKY<br />

€ RIFLE<br />

OFF y<br />

A<br />

WORLD PREMIERE<br />

PANORAMA THEATRE<br />

NEW ORLEANS,<br />

APRIL 27<br />

CHILL WILLS<br />

LANCE FULLER<br />

and JESS BARKER<br />

in<br />

attendance.<br />

Followed by<br />

100 THEATRE Pre-Release<br />

saturation booking in the<br />

New Orleans territory.<br />

Pre-Release opening<br />

MEMPHIS TERRITORY<br />

Strand-MEMPHIS<br />

May 6<br />

Center-LITTLE ROCK<br />

May 8<br />

KENTUCKY<br />

Pre-Release saturation booking<br />

now playing in 25<br />

THEATRES<br />

and Screenploy by FRANCIS CHASE Jr. and LEE J. HEWITT-Produced and Directed by CARL K. HITTLEMAN proouctic<br />

Colorful 40x60 illustrated at<br />

left plus everything from one<br />

sheets to twenty-four sheet<br />

for bang-up 'advertising<br />

campaign all in the de luxe<br />

Campaign Book.<br />

CONTACT YOUR HOWCO EXCHANGE FOR RELEASE DATE:<br />

LANTA<br />

10 CO EXCHANGE<br />

CHARLOTTE<br />

SCREEN GUILD<br />

NEW ORLEANS<br />

LIPPERT PICTURES<br />

MEMPHIS<br />

HOWCO EXCHANGE<br />

ay icaud<br />

93 /alton Street<br />

ho : Alpine 5688<br />

Scott Lett<br />

300 W. Third St.<br />

Phone: ED 4-6426<br />

H. F. "Babe" Cohen<br />

150 S. Liberty St.<br />

Phone: RA 9538<br />

W. C. "BiM" Kroeger<br />

410 S. Second St.<br />

Phone: 37-9976<br />

0:)FFICE :: May 7, 1955<br />

63


. . George<br />

. . WOMPI<br />

. . Bob<br />

. . The<br />

. .<br />

. . . Bob<br />

. . Alex<br />

Phone:<br />

: May<br />

I<br />

ATLANTA<br />

H. C. Cunningham is new owner of the<br />

Skiland-Drive-In, Woodburg. Tenn. . . John<br />

.<br />

L. Damm is the new manager of the Princess<br />

Theatre. Etora, Pla. For several years he<br />

owned his own drive-in theatre at West<br />

. Palm Beach, Fla. Roscoe, manager<br />

of Columbia, is doubling up while district<br />

manager R. J. Ingram and his wife enjoy<br />

a Caribbean cruise . . . William "Snake"<br />

Richardson and salesman Jimmy Bello are<br />

Florida's FIRST Supply House<br />

NEW ADDRESS . . .<br />

206 MEMORIAL HIGHWAY<br />

TAMPA, FLORIDA<br />

NEW PHONE . . . 8-5189<br />

NEW CONVENIENT PARKING<br />

for Our Customers<br />

Visit us at our new building<br />

UNITED THEATRE SUPPLY CORP.<br />

206 Mc<br />

Phone 8-5189<br />

Florida<br />

lo 1, Flo.<br />

SNOW-CONE MACHINE HDQS. |<br />

Snokettes . . .$75.00 up Echols $120.00 up J<br />

Polor Petes, used $150.00 up j<br />

Repair Parts All Machines i<br />

ATLANTA POPCORN SUPPLY ]<br />

146 Walton St. Atlonto, Go. i<br />

SPECIAL TRAILERS<br />

Qualiiy and Service<br />

Serving theotres in the South for 31 yeors.<br />

12 cents per word<br />

Lowest cost anywhere<br />

STRICKLAND FILM CO.<br />

220 Phorr. Road, N. E. Atlanta<br />

back from a business trip to Tennessee . . .<br />

Mrs. Polly Puckett and Miss Betty Landers,<br />

both of Allied Artists, now are members<br />

of WOMPI . ha.s agreed to sell<br />

papers in the forthcoming Old Newsboys<br />

Day drive sponsored by the Variety Club.<br />

.<br />

.<br />

The warehouse of National Theatre Supply<br />

Co. on Filmrow suffered $3,000 fire loss . . .<br />

Stan Kramer is new assistant manager of<br />

the Arcade Theatre, Jacksonville . . . Jerry<br />

Gold, president of Florida Theatre Owners,<br />

retm-ns to Florida after a meeting with<br />

Movie Festival committees in Atlanta<br />

Mose Lebovitz attended a meeting in Atlanta<br />

of stockholders of Independent Theatres of<br />

Chattanooga Moscow has received<br />

mention for topping employe collections<br />

ii^. the American Cancer Drive in the Fulton<br />

County area. Bob turned in $334.95 ... J.<br />

Lee Friedman, advertising executive representing<br />

picture houses here, is back from an<br />

Byron Adams retui-ned<br />

Oklahoma trip . . .<br />

from a Chicago convention, then went to<br />

Jacksonville to sing praises of "Marty," UA's<br />

new release.<br />

Dave Prince, RKO district manager, has<br />

completed a miniature railroad setup at his<br />

home. Children of Filmrow workers were invited<br />

O. A.<br />

out to see the installation . . . Gross, manager of the Central Theatre in<br />

Atlanta, is vacationing in Florida with his<br />

Sam George, veteran manager of<br />

wife . . .<br />

the Atlanta Paramount, has resigned . . .<br />

Curtis Meyes, former manager of the Roxy<br />

Theatre here, has been assigned to the Paramount.<br />

Johnnie Sims has been added to the<br />

sales staff of Capital City Supply Co. . . .<br />

Mrs. Faye Lenkeit has resigned from Allied<br />

to take up a new residence in Florida.<br />

MIAMI<br />

Cam Davis, local exhibitor, filed suit in<br />

federal court to force distributors to provide<br />

him with motion pictures at "reasonable<br />

prices." His civil action, seeking $75,000<br />

damages from United World Films, Inc., and<br />

four individuals, charged United and other<br />

distributors with joining in a conspiracy<br />

harmful to Davis since he began Independent<br />

Pictures last November. Davis claimed<br />

he tried to show 16mm films in Greater<br />

Miami hotels and motels but was unable to<br />

get a regular supply of films because of the<br />

actions of United. Bernard Lowenthal, Stanley<br />

Levine, Morris Bass and Jack Glasson.<br />

Davis asked for a jury trial of his case.<br />

The new Bard Theatre, formerly the Little<br />

River, made the neighborhood children feel<br />

right at home with a Saturday matinee.<br />

Happy, the Magic Clown, was on hand in<br />

person to add to the festivities.<br />

The Variety's Children's Hospital fund has<br />

passed the midway mark, according to Leo<br />

Adeeb. Committee of 1,000 chairman. Nearly<br />

$52,000 of the $100,000 sought has been deposited<br />

in the treasury. A plaque denoting<br />

membership in the committee is awarded to<br />

each contributor of $100 or more . . . Tickets<br />

are now on sale for the Marciano-Cockell<br />

heavyweight fight on big screen theatre<br />

television at the Carib, Miami and Capitol<br />

theatres of the Wometco circuit, only theatres<br />

in town so equipped. The Capitol is<br />

for colored only . weekend in Miami<br />

always has at least three late-night previews<br />

for local patrons, as well as the Town's<br />

regular owl show at midnight.<br />

NEW orlean:<br />

The Drive-In, Vicksburg, reopened Suniiy<br />

(1). The screen tower was damaged ly<br />

. . .<br />

high winds recentlj?- and owner Mrs. W. Poiir<br />

reports all dama|es repaired<br />

Mulina reopened his 300-seat<br />

w.K<br />

Rose Thea^,<br />

. . . Theajs<br />

Franklinton . Gounares of the Rcy,<br />

Mobile, reopened the Oakdale, Mobile, oi-a<br />

seven day operation, all double bills. Formiiy<br />

named the Roosevelt, the theatre had bin<br />

closed for several months<br />

Service closed the Rex at Eunice . . .:!.<br />

Solomon will reopen his Avenue, Tyler n,<br />

and close the Star. The Avenue has b;r<br />

closed for several weeks for alterations.<br />

Horace Falls, Falls Booking Service, Daljs,<br />

has assumed ownership of the Red R;r<br />

Drive-In, Texarkana, Tex., from Mrs. lut<br />

Ketchum . . . Darrell George has taken csr<br />

ownership of the Fi'ontier Drive-In, SulpHr,<br />

which was owned by P. Duplissey ... ay<br />

Thibodeaux closed the Dixie at Lewistfg<br />

Bixler, Paramount exploiteer, as<br />

in preparing for "Strategic Air Commaii"<br />

at the Saenger Theatre.<br />

Find Stench Bombs at Theatres<br />

BIRMINGHAM—Police suspect pranksji<br />

were responsible for stench bombs founcja<br />

three suburban houses operated by Wars<br />

Theatre Co., the Ensley, College and Fjfield.<br />

The theatres have had no labor troije<br />

according to officers.<br />

flLdl BOOKIOG OfflCf<br />

Experience Industry — Integri'<br />

ALBERT E. ROOK, Owner<br />

160 Walton st. n.w.<br />

teL alpine 8314<br />

p.o. box 1422<br />

atlanta, ga.<br />

NOW with TWO conYenier)t locations for<br />

BETTER than EVER service to you \<br />

DIXIE<br />

THEATRE SERVICE<br />

& SUPPLY COMPAN^<br />

YOUR BALLANTYNE DEALER<br />

1010 North Slappey Driv« 1 95 Walton Street, N.V!<br />

P. 0. Box 771 P. 0. Box 858 ;<br />

Albany, Georgia Atlanta, Georgia<br />

Phone: HEmlock 2-2846 WAInut 4118;<br />

I<br />

COMPLETE THEATRE EQUIPMENT & SUPPLIE.'<br />

Prompt, Courteous Service 'Round the Clock 1<br />

MOODY THEATREli<br />

^ADVERTISERSli<br />

BOX 559 TIFTON, GA.^^<br />

PRINTERS OF THEATRE PROGRM<br />

QUALITY WORK • PROMPT DELI' |<br />

64<br />

BOXOFFICE<br />

;<br />

7, ^S


lanager Is Cleared<br />

n Indecency' Tiff<br />

TAMPA. FLA.—A misdemeanor charge<br />

against William Schultz, manager of the<br />

iied<br />

ate Theatre, in connection with showing<br />

jarden of Eden" has been dropped by<br />

unicipal court.<br />

Schultz was at first charged with showing<br />

obscene motion picture. "Eden" was<br />

'i<br />

imed in a nudist colony near Lutz, Fla.<br />

the charge was amended to accuse him<br />

iter<br />

showing a film which hadn't been cleared<br />

lith either the National Broad of Review or<br />

lew York state censorship authorities.<br />

Ass'n City Attorney Twomey said he was<br />

:ithdrawing the accusation after studying<br />

S. Supreme Court rulings on censoring<br />

ims for reasons of obscenity. He said he<br />

id not think a prosecution ba-sed on the<br />

o-week showing of the film here would be<br />

)held in a higher court.<br />

[Defense counsel A. W. Brubaker contended<br />

le charges were based on legislation that<br />

blated both the U. S. Supreme Court and<br />

e state of Florida laws. The city's contenm<br />

that the film had not been approved by<br />

e National Board of Review or the censorip<br />

board of New York Brubaker declared<br />

valid, "because it was a delegation of power<br />

an outside source."<br />

'Municipal Judge Johnson dropped the case<br />

;ter the city attorney had recommended that<br />

tion. explaining that a Supreme Court rulg<br />

on a similar case made it impossible to<br />

osecute Schultz.<br />

IsitaVision Ready at Idabel<br />

tDABEL, OKLA.— Paramount's Vista Vision<br />

,s been added to facilities at the State<br />

leatre, according to Buddy Gotcher, maner.<br />

Boy Pinned Under Car<br />

At Airer Near Dallas<br />

DALLAS—A 12-year-old boy suffered possible<br />

internal injuries when pinned beneath<br />

a car recently at the Denton Road Drive-In.<br />

He was taken to Parkland Memorial Ho.spital<br />

where he was X-rayed for back or internal<br />

injuries.<br />

Donald Johnson, son of Claude Johnson,<br />

had gone to the show with Robbie May<br />

Chaver, 13. and her mother Addie and another<br />

unidentified girl. The youngsters left<br />

the Chaver car during the double feature<br />

to sit on the ground in the parking spot for<br />

autos on the third ramp near the .screen.<br />

They had an in-car speaker on the ground<br />

beside them as they watched the adventure<br />

film.<br />

Marvin Lee Calhoun, 16, and John M. Henson,<br />

16. drove into the airer, pulled into the<br />

spot where the three sat and accidently ran<br />

over the boy and the Chaver girl. The girl<br />

suffered a possible foot fracture.<br />

Calhoun, the driver, told accident investigator<br />

R. P. Hamilton that he did not see the<br />

children but that an unidentified girl jumped<br />

up beside the car immediately after he had<br />

parked and shouted that he had run over a<br />

boy.<br />

Winds Rip at Airer<br />

BONHAM, TEX.—Recent heavy winds did<br />

extensive damage to the Bonham Drive-In<br />

recently, leveling part of the fence, blowing<br />

down the sign and damaging the screen.<br />

Overhaul Denton House<br />

DENTON, TEX.—The Texas Theatre Is<br />

undergoing repairs and installation of Cinemascope.<br />

Gene Hughes, manager, says this<br />

work will not interfere with the programs.<br />

Bill Allison Join.<br />

At Kansas City Oiii<br />

KANSAS CITY—W. M<br />

AUi.<br />

sales engineer for The Oklanoii: .<br />

b r a ch o f l i n •<br />

N.itional Theaut .?uri<br />

|)ly. joined the Kaii^n-s<br />

City branch suit<br />

force on April 15 li.<br />

announcing Allison'^<br />

appointment. Arthur<br />

de Stef ano, branch<br />

manager, said this<br />

territory has been realigned<br />

to improve<br />

service, particularly to<br />

s:)uthern and western<br />

Kansas exhibitors.<br />

W. M. Allison<br />

This is the territory<br />

to which Allison has been initially assigned.<br />

He was born in Leadville, Colo., was educated<br />

in Denver and began his motion picture<br />

career in 1931 as a film salesman for<br />

MGM in the Wyoming territory. After his<br />

discharge from the navy in World War II,<br />

he joined NTS in Oklahoma City. For the<br />

past three and a half years he has been<br />

city manager of the J. C. Parker Theatres<br />

in Dalhart, Tex., specializing in exploitation<br />

for the two indoor theatres as well as<br />

the drive-in.<br />

Allison's married daughter lives in Texas<br />

and his wife and younger daughter. Sue,<br />

will remain in Dalhart until the end of the<br />

current school term, after which they will<br />

join him in Kansas City. A farewell dinner<br />

was given him by the Dalhart Rotary Club<br />

of which he was secretary-treasurer. His<br />

theatre staff presented him a handsome<br />

portfolio.<br />

The NTS Kansas City branch is in the<br />

western district under the supervision of<br />

Lloyd C. Ownbey, vice-president, who assisted<br />

in making the arrangements for Allison<br />

to rejoin National.<br />

HURRY! HURRY! HURRY! HERE COMES THE<br />

3 HIN& C<br />

RCUS<br />

PARADE OF BARGAINS/<br />

AN UNUSUAL<br />

GIMMICK FOR<br />

A CO-OP AD<br />

Dole Thornhill, an accomplished<br />

ad artist who manages<br />

the Fox Capitol Theatre<br />

in Benton, III., encountered<br />

no difficulty in getting<br />

merchants to go along with<br />

the full-page co-op ad<br />

shown herewith. Thornhill<br />

did not depend on the attractive<br />

od layout alone, but<br />

added o contest gimmick,<br />

offering passes to persons<br />

who added all the numbers<br />

appearing on the page and<br />

sending in the correct total<br />

to his office. The apparent<br />

easiness of the gimmick resulted<br />

in many responses.<br />

Civic Theatre Suffers<br />

Five Thefts in Year<br />

SAN ANGELO, TEX.—For the fifth time<br />

this year, burglars made a clean sweep recently<br />

at the Civic Theatre here, with a<br />

tuxedo, a full dress suit and some tools as<br />

loot. Not content with that, they also WTecked<br />

a wire recording machine.<br />

This time the thieves entered by using a<br />

jimmy bar left at the scene, but officials at<br />

the theatre said that each entry had been<br />

by different means, through windows, the<br />

front door and skylights.<br />

John P. Kaufmann, 72, Dies<br />

NEW BRAUNFELS, TEX.—John P. "Jack"<br />

Kaufmann. 72. former theatre oi>erator, died<br />

here in the New Braunfels Hospital following<br />

a lingering illness. Kaufmann was born Jan.<br />

17, 1883, at Wrightown. Wis., and moved here<br />

in 1915. He bought an interest in the old<br />

Seekatz Opera House and another theatre and<br />

operated them for many yeai's. until failing<br />

health caused him to retire. At one time, he<br />

had control of the Blanco Theatre, Blanco.<br />

He is survived by his wife, a son. a daughter,<br />

four grandchildren, a brother and a halfbrother.<br />

Peter Hanson will portray a detective in<br />

Warners' "The Darkest Hour."<br />

B (OFFICE : : May 7. 1955 sw 65


11^<br />

Small Blaze at Citrus<br />

SAN BENITO, TEX.—Firenaen answered a<br />

call to the Citrus Drive-In recently, but the<br />

blaze didn't amount to much. It was a<br />

shorted wire under the hood of a car-, which<br />

was controlled easily.<br />

SLSULSLJLSLSLSLSUUUUUUlSLSLSLaJUiSiJ3-SJJI.9 .<br />

i.<br />

DRIVE-IN<br />

PAPERBOARD<br />

DISPOSABLE<br />

TRAYS<br />

AUTOMATIC POPCORN CARTONS<br />

NOISELESS POPCORN BAGS<br />

JUMBO PEANUTS,<br />

ROASTED<br />

RAW &<br />

STAR POPCORN MACHINES &<br />

FOOD SERVING EQUIPMENT<br />

RUSH HOUR, GOLDEN HULLESS.<br />

SILVER HULLESS & POP KING<br />

HULLESS<br />

POPCORN.<br />

In 50 lb. and 100 lb. bags.<br />

Send for price list of all supplies.<br />

^ PRUNTY POPCORN DIVISION<br />

620 N. 2nd St. St. Louis 2, Mo.<br />

Popcorn Processors—In our 81st year.<br />

JrroTrrTTTirrrinrrBTrrTnrrjrBTrrrTrirs<br />

^0^<br />

fl.<br />

FOR<br />

'Give Branch Managers Full Power<br />

To Solve Small Theatre Problems<br />

INDIANAPOLIS—A great many of the<br />

problems confronting small theatres could be<br />

settled immediately if all branch msinagers<br />

were given "real and complete autonomy" in<br />

dealing with the smaller exhibitor. Allied<br />

Thefttre Owners of Indiana declared in a<br />

bulletin to members.<br />

A nine-point argument in favor of solving<br />

problems on a local-level approach was pre-<br />

.sented by the Allied group.<br />

Declaring that the ATOI board of directors<br />

was seriously concerned about the state of<br />

industry relations that has grown out of the<br />

growing controversy over film rentals and<br />

sales policies, the bulletin said that the intraindustry<br />

attitude being created by the quarrels<br />

is harming the entire industry, "even those<br />

who are fortunate enough to be doing business<br />

on a mutally satisfactory basis."<br />

The following arguments were listed in<br />

favor of decentralization of authority in case<br />

ol small theatres:<br />

1. The most numerous and most acute problems<br />

in this controversy arise from the small<br />

situations.<br />

2. Outside of the industry the voice of the<br />

small exhibitor is not minimized in proportion<br />

to his financial contribution to the company's<br />

revenue. In many fields his influence<br />

in greater than that of his more prosperous<br />

brother exhibitors.<br />

DRIVE-IN<br />

THEATRE<br />

CONSTRUCTION<br />

PHONE WRITE WIRE<br />

3. Revenue-wise, this class of theatres contributes<br />

relatively little of the over-all film<br />

"^<br />

GRIFF/((,^<br />

^<br />

CONSTRUCTION CO.<br />

^<br />

BOX 1358 ABILENE. TEXAS PHONE 4-9383<br />

rental income so that they would be riskg<br />

little by delegating authority on their des.<br />

4. The fact that the local branch mana^r<br />

has intimate first hand knowledge of the<br />

theatres from his own observations ma^j<br />

him better equipped to handle them tin<br />

even a more experienced person from a ;-<br />

mote distance. When a local man discu:;s<br />

overheads he can personally observe the li.d<br />

and quality of equipment, theatre person;!,<br />

etc.<br />

5. His first hand knowledge extends to s;h<br />

matters governing gross potentials as aa<br />

economic conditions, theatre operating poly,<br />

housekeeping, exploitation, etc.<br />

6. Very importantly, in addition to is<br />

visual evidence, the local manager has is<br />

opinions regarding the personal charaer<br />

and integrity of the individual with wlm<br />

he is dealing.<br />

7. Fleeing home office executives of (icern<br />

with these thousands of small accoiits<br />

would free their time and effort to be e-<br />

voted to the big money situations.<br />

8. Deviation from fixed policies in deaig<br />

with this class of theatres would not jeo]rdize<br />

such a policy in other areas or claes<br />

of theatres. Multiple situation owners \th<br />

theatres in more than one exchange aredo<br />

not now automatically succeed in getng<br />

"best" terms from every branch. Nor is he<br />

resourceful branch manager limited to ne<br />

alternative in negotiating a deal diffenl<br />

from "policy." In other words, a 50 per nt<br />

picture does not have to become a 40 per .nt<br />

picture or a 30 per cent picture in ordeto<br />

work out a mutually fair deal.<br />

9. In spite of all the distributor-exhilar<br />

misunderstandings and controversies, the ii<br />

still a pretty good, solid, amicable relatnship<br />

where people deal face to face and »-<br />

son to person. That can be built on, andioi<br />

destroyed, if negotiations can be compl«a<br />

on that level with complete latitude wit ml<br />

regard to "policies" or over-riding directes.<br />

Shamrock Costs $35,000<br />

LAVERNE, OKLA.—Construction of ;he<br />

new Shamrock Drive-In has been compted<br />

at a cost of near $35,000, including equipnnt.<br />

The first drive-in in Harper County, itiiS<br />

built by Mr. and Mrs. Ermel Lee CHeruad<br />

is being managed by Darrell and Ed Richrdson.<br />

Construction was by the Price «el<br />

Building Construction Co. of Buffalo, M<br />

equipment installations were made by Hi^ell<br />

Theatre Supply of Oklahoma City.<br />

Moody Fans to Airer<br />

MOODY, TEX.—The Dixie Drive-IiOn<br />

Highway 36 is supporting a motion piiUte<br />

seven nights a week. Since the Palace c^ed<br />

down in Moody, one can tell the diffatice<br />

on the streets after sundown, especially<br />

Saturday night.<br />

We now have construction crews working in following states:<br />

TEXAS KANSAS OKLAHOMA<br />

NEW MEXICO COLORADO CALIFORNIA<br />

Goes Back to Exhibition<br />

AMHERST. TEX.—Lloyd Hutchins, fclH<br />

manager of the Center Theatre in Ke:|i<br />

Ark., is now operating the 84 Drive-In<br />

I<br />

He has installed widescreen and Cinjn<br />

Scope.<br />

66 BOXOFFICE May 71955.


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b'WXOFFICE : ; May<br />

7, 1955<br />

67


—<br />

;<br />

EASTERN OKLAHOMA<br />

By ART LAMAN<br />

•PHE new twin Admiral Diive-In opened to<br />

fine business. This gives Tulsa the largest<br />

and only twin drive-in of Oklahoma.<br />

Bob Getter is feeling better all over, since<br />

the remodeled Criterion at Sapulpa has that<br />

complete new look— it's one of the finest in<br />

the entire Video chain.<br />

seats.<br />

Made a short visit in Marlow the other day<br />

and sold O. L. Smith fireworks for the Longhorn<br />

Drive-In. Smith al.so has the downtown<br />

theatre, the Almo. While there, had a<br />

good chance to see some mighty fine projection.<br />

The widescreen is only 23 feet across,<br />

but due to the ratio it looks much wider than<br />

it really is.<br />

Out at the Longhorn, bingo night on Tuesday<br />

pulls in a lot of extra customers.<br />

Picked up a story over in Joplin, Mo., the<br />

other day. It seems "William Bendix and<br />

Robert Lowery, who are appearing in the<br />

stage play, "The Caine Mutiny Court-Martial,"<br />

failed to show up for a date in Springfield,<br />

Mo. When they started to unload to<br />

play the Auditorium at Joplin, the sheriff<br />

showed up with an attachment on the show<br />

for $1,700 the Springfield promoters claimed<br />

they lost. The show had to put up a $2,000<br />

bond in order to play the Joplin engagement.<br />

While in Joplin, went out to see my good<br />

friend Howard Larson and got a nice bit of<br />

information from this live-wire operator. Last<br />

year he shot a nice fireworks show at his<br />

Webb City Drive-In on a Saturday night,<br />

and turned away some 300 cars, .so he decided<br />

to bang up another show on Sunday the 4th,<br />

and also did a turnaway business. Howard<br />

is one fellow who doesn't fool 'em with his<br />

COOD<br />

Q\}l€M TIMB.<br />

ORDER YOUR NEXT<br />

SPECIAL<br />

TRAILER<br />

WITH CONFIDENCE<br />

FROM<br />

PO OLD DEPENDABLE<br />

fireworks—he puts on a darn good show every<br />

time—and he allows it pays off to do it<br />

just that way.<br />

Mrs. Ray Miller of Tulsa has taken over the<br />

Grotto Theatre at Turley. This theatre was<br />

acquired some four months back by John<br />

Bradley, also of Tulsa.<br />

Business-getter Eddie Jones, boss of the<br />

Down in Shawnee, Johnny Jones, who Sand Springs Drive-In, is now sporting a new<br />

ramrods the theatres in that town for Video, air conditioned Nash Rambler. It's a darn<br />

says they will have to get oxygen tanks for dandy, we know, because this writer has<br />

some of the fat people who have to climb the one also, only ours is not air conditioned.<br />

stairs to his office in the Hornbeck. It's some Eddie has done a fine job in building up his<br />

haul I know—I've made it a few times. playground, has nine rides and devices, a<br />

In Muskogee we caught the Proctor boys ferriswheel, merry-go-round, train, swings<br />

hustling extra business. That, however, is and a number of others to entertain the small<br />

only keeping things normal. Their current fry. One of the things we like the best about<br />

stuiit at the Broadway theatres is boosting this playground is the area set aside for the<br />

May as Movie Month with plenty of fancy parents—chairs inside a fence with plenty<br />

lobby displays. The top feature of the campaign<br />

is having the ticket sellers man the picture and also keep an eye on Junior. It's<br />

of speakers so Mom can see and hear the<br />

boxoffices early for a very special ticket deal a nice arrangement.<br />

four tickets to any of the Broadway theatres<br />

are offered in strip form for the price of three.<br />

It's a good stunt and is selling some extra<br />

We've had quite a stew in Oklahoma the<br />

last few days, Johnson Murray, former governor,<br />

wrote a story for the Saturday Evening<br />

Post, "Oklahoma's in a Mess," and it<br />

has really got 'em talking. Some say he's<br />

right: most of the politicians say he's wrong.<br />

But, anyhow, one of the TV stations, never<br />

overlooking a chance, has cranked up a contest<br />

for anyone who wishes to enter—it's the<br />

pro's against the con's. Who wins is anyone's<br />

guess. It will be fun to read some of the<br />

entries that come in.<br />

New drive-ins are still going up around<br />

Oklahoma. The latest is a 230-speaker job,<br />

just opened on U. S. 59 a mile and a half<br />

west of Grove. The job has a 60x30 screenall<br />

car ramps look up hill to the screen. An<br />

extra large concession stand has been installed,<br />

but playground equipment will be<br />

added later in the season. Gallen Kamp and<br />

Gene Vassar are the owners. Kamp for years<br />

operated a grocery in Miami, and Vassar<br />

has been boothman with Video Theatres of<br />

that city. The opening was set for May 29.<br />

Di'opped in on the Ozark jubilee promoters<br />

at Springfield, Mo., last week and took in<br />

the new setup at the Jewel Theatre, which<br />

has been converted into an up-to-the-minute<br />

TV theatre. No doubt many of our readers<br />

catch the Red Foley one-hour TV show on<br />

the ABC hookup each Saturday night. If so,<br />

you no doubt noticed one thing—when the TV<br />

cameras pick up the theatre auditorium all<br />

seats are filled and the house is SRO, which<br />

just goes to show, there's money in them<br />

thar hillbillies.<br />

In EI Reno we ran on to a first. At this<br />

spot west of Oklahoma City we stayed over<br />

night at the very old hotel, and the room was<br />

equipped with a bathtub with the drain hole<br />

right in the center of the tub. How many of<br />

you readers ever saw one? This must have<br />

been made about the time David Crockett<br />

was in Oklahoma.<br />

Had a fine visit with Red Slocum next<br />

morning. Red took us out to see the now<br />

BUFFALO COOLING EQUIPMENT<br />

3409 Oak Lawn, Room 107 BUFFALO ENGINEERING CO., INC Dollas, Texos<br />

completed Coliseum, which he had a gn,<br />

part in obtaining for El Reno. The build<br />

now being used for events, just receily<br />

having played an indoor circus sponsored'y<br />

the Kiwanis Club. Reports from the C|lj<br />

president say it was a great suscess. '[g<br />

more people they get out for these eve.^<br />

the more are dragged away from the TV sis<br />

Another thing Red showed us was<br />

f^<br />

Lanman Machine Works, where we i^<br />

Guy Lanman who has developed a new t|(<br />

of teeter board for schools and playgrouik<br />

This device has a great many features t^\<br />

spell safety in large letters. In fact, t|<br />

copyrighted name of the device is Safe}".<br />

Totter. One of the first of the finisk<br />

boards will be installed in Red's Drive-In, M<br />

Red has promised to give us a first-hand<br />

port in the very near future. To this writej^<br />

looks as if Lanman has made a new<br />

fine contribution to the kiddy playgroundil<br />

drive-ins and other places where chiWJ<br />

gather to play.<br />

It's always a pleasure to visit with<br />

Slocum: he's a guy who likes a good laug-^<br />

a right important thing to any man in tl|<br />

days.<br />

The world's finest lamps have been<br />

stalled in the new side, Ashcraft Ciji<br />

The Admiral can now show any type'd<br />

picture, can produce any type of sound, wl;h<br />

makes this one of the top movie spot;in<br />

Oklahoma.<br />

Alex, always promotion minded, has crarfed<br />

up his famous money sale for May 3. He's<br />

the way this stunt works: The first 100<br />

people who visit the theatre can purely<br />

an envelope at the concession stand, (Ch<br />

envelope containing from $1 to $10. The fee<br />

of the envelope is only 95 cents, so ever:ne<br />

who buys wins, at least 5 cents. It looks li' a<br />

good stunt and .should create a lot of intest.<br />

The Roundup Gang, western and hillUy<br />

stage show which has played to a lot ofuU<br />

seats during the last six months, has 3W<br />

been closed for development of a plan or<br />

drive-ins and open air spots. The new ea<br />

may be ready about the middle of May.<br />

The baseball season is now getting uler<br />

way and the sand lots will start keepii a<br />

lot of kids away from the movies, and adts,<br />

too. Fishing weather and more watei in<br />

our Eastern Oklahoma lakes also takesits<br />

toll over the weekends. Some of our lire<br />

progressive theatre operators are crankinup<br />

new ideas to upset these many pulls Dm<br />

the boxoffice.<br />

All of the drive-ins are preparing f a<br />

big Fourth. Some will shoot firework; on<br />

Saturday, some on Sunday and others 411<br />

hold their big night on Monday, the Foi.th,<br />

The Down-Town Theatres have adopt a<br />

policy of moving the bigger pictures /er<br />

to the Rialto for a holdover run. This pio<br />

has built up some good gross busines at<br />

the Rialto.<br />

Will be getting along now . . . making lUas<br />

to get out among 'em again during the (ining<br />

week and will give you people that -ay<br />

at home a rundown on what the twr<br />

fellow is doing around and about.<br />

Sue Houston Manager<br />

HOUSTON, TEX —Phil Isley, owner OJhe<br />

Capitan Theatre, is being sued for $i:'00<br />

The suit charges that Betty Joe Welwright's<br />

leg was injured when a firecrtKr<br />

exploded beside her seat in the theatre|a»t<br />

December 26.<br />

68<br />

BOXOFFICE<br />

:<br />

: May<br />

7, 9S5


I<br />

I<br />

I<br />

. . The<br />

. . G.<br />

. .<br />

. . Thoma.s<br />

. . Grover<br />

. .<br />

iAN ANTONIO<br />

.<br />

series of spot announcements were used<br />

" on local radio and television stations to<br />

jig the opening Thursday i28i of "Gangjitpi-s"<br />

at the Texas Theatre W.<br />

n has turned his neighborhood Sunset<br />

n all-Spanish theatre, showing only<br />

.<br />

•Hires made in Argentina and Spain<br />

I30R-TV. San Antonio Spanish-language<br />

vevision station, is scheduled to start its<br />

>.i test pattern May 15.<br />

('. Lyles, Paramount studio, Hollywood,<br />

A.<br />

first Cinemaiope<br />

IS in town recently attraction to<br />

.<br />

be shown on the new<br />

descreen of the Josephine was "The Prince<br />

Players" Zachary Scott was due here<br />

. . .<br />

lis week to promote "Shotgun" at the<br />

Eph Charninsky, Southern Theai<br />

Co. president, was in I'.tec<br />

New York City<br />

iiere he was elected to the board of direcrs<br />

of the National Jewish Welfare Board.<br />

. . . Manager<br />

'William E. Heliums, Austin city manager<br />

r Interstate, is a patient in Peter Bent<br />

•igham Hospital, Boston<br />

.)mmy Powers of the Texas has a Marine<br />

irps Industry and Friendship award plaque<br />

,isted in the inner lobby of the theatre.<br />

j)mmy was with the Marines during World<br />

ar II . . . Over 35 contestants participated<br />

the talent show sponsored by the Edu-<br />

.tional Guidance Ass'n at the Alameda<br />

Saturday midnight. Proceeds from the owl<br />

stage attraction went to a .scholarship fund<br />

for a local school.<br />

Tom Sumners booked "20,000 Leagues Under<br />

the Sea" as the initial attraction for<br />

his new Cinemascope widescreen at the Hi-<br />

Ho . W. Nickelson, who was<br />

connected with a local theatre chain .several<br />

years ago, has been appointed general manager<br />

of the Midtown RoUerdome here .<br />

Herbert Pickman, explolteer for Warner<br />

Bros., was a recent visitor at the Interstate<br />

office here . McDonnell,<br />

20th-Fox representative, Austin, was calling<br />

on local exhibitors.<br />

Shutters at Van Alstyne<br />

VAN ALSTYNE, TEX.—Too little patronage<br />

has brought about closing of the Royal Theatre<br />

here. Roy Muse, owner, purchased the<br />

house about a year ago from former owners<br />

who were suffering from lack of patronage.<br />

Muse had remodeled the theatre, installed<br />

new equipment and had been showing many<br />

late films. He owns theatres at Piano and<br />

Wolfe City.<br />

Equipment Exports Increase<br />

Exports of projection, sound and studio<br />

equipment, also cameras, during 1954 were<br />

valued at $14,470,800, about 23 per cent higher<br />

than in 1953.<br />

PLANNING FOR 'SHOTGUN'—Zachary<br />

Scott, left, star of Allied Artists'<br />

"Shotgun," callK on Ed Morey, vice-president<br />

of AA, at the New York home office.<br />

They are discussing personal appearances<br />

for openings of the picture in Texas and<br />

Oklahoma.<br />

Screen Is Air Expressed<br />

BUFFALO, OKLA.—Don Cole, owner of<br />

the Bi.son Theatre, had a widescreen air expressed<br />

here at considerable cost because<br />

regular transportation would not get it to<br />

Buffalo on schedule. He says the Bison has<br />

the only silver vinyl plastic radiant screen of<br />

its<br />

kind in Oklahoma.<br />

Fastest Switch In Soft Drink History<br />

63% more theatres now vending Pepsi than one year ago.<br />

And here's why Pepsi is the right choice for your theatre.<br />

iVIORE<br />

iVIORE<br />

DRINKS PER GALLON<br />

PROFIT PER DRINK<br />

Pepsi profit tops all nationally advertised and nationally<br />

available cola syrup lines. Pepsi's syrup price is<br />

the lowest of any nationally advertised cola—far<br />

lower than the nearest comparable cola. Add extra<br />

profits from Pepsi's extra drinks—128 drinks per<br />

gallon, compared with 115 for the nearest comparable<br />

cola.<br />

PEPSI IS AMERICA'S FASTEST<br />

GROVING COLA DRINK<br />

Write for full details. We'll be around to discuss<br />

mm<br />

this important subject with you.<br />

sterling Sales & Service, Inc.<br />

Theatre Equipment Supplies & Service<br />

Phone PR-3191 • 2019 Jackson Street • Dallas, Texas<br />

3X0FFICE : : May 7, 1955


. . with<br />

TV Can'f Challenge Motion Pictures<br />

On Color, Phiico Scientist Says<br />

DALLAS<br />

CHICAGO—In the field of color, the leadership<br />

held by motion pictures over television<br />

has yet to be challenged, Donald G. Fink,<br />

director of research for the Phiico Corp., contended<br />

in a technical paper presented<br />

The ppfi Cctn iHaH says<br />

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GENIUS OF LOVE<br />

at a night session to the Society of Motion<br />

Picture and Television Engineers at its 77th<br />

semiannual convention at the Drake Hotel in<br />

Chicago. Fink placed the responsibility oi<br />

rapid progress squarely on the television<br />

engineer.<br />

According to Fink, the distinction between<br />

television and the movies is the degree of<br />

control available in the distortion of chromaticity.<br />

"In this respect, at least for the<br />

time being, photography wins," said Fink.<br />

He pointed out that the advantage held by<br />

motion pictures is in the fact that the manufacture<br />

of film and its processing are much<br />

more standardized than the corresponding<br />

processes of signal generation and transmission<br />

in color television. "The producer of<br />

movies," he stated, "more often sees what he<br />

wants in the color values displayed by release<br />

prints than does the producer of color television<br />

on the monitor screen."<br />

Fink warned that "time will bring the two<br />

media closer in this more important matter of<br />

pleasing color rendition, provided the needed<br />

improvements in color television are recognized."<br />

He expressed the opinion that the television<br />

industry soon will face a situation that has<br />

faced the automobile industry in recent<br />

months; a highly saturated market with<br />

buyers looking for something better, in looks<br />

and performance, than they now have. Fink<br />

said if his hope is realized, the television<br />

industry will respond as the auto industry<br />

has responded . a steady upgrading<br />

of performance, accompanied, if necessary, by<br />

a corresponding upgrade of price.<br />

During the same period. Fink {Minted out.<br />

the motion picture industry will not be<br />

standing still. He added, "Enjoying freedom<br />

in system standards, the movie industry will<br />

continue its forays into territory not likely<br />

to be invaded by a television system bound<br />

by the confines of compatibility."<br />

Fink announced he foresees two results:<br />

engineers and physicists who understand<br />

color will enjoy steady employment, and the<br />

public will enjoy the show.<br />

'Dry Martini' as CS Musical<br />

John Thomas' "Dry Martini" will be produced<br />

as a CS musical for 20th-Fox release.<br />

HANDY SUBSCRIPTION


'<br />

Eddie<br />

. . "East<br />

. . Stanley<br />

. . Work<br />

.<br />

.<br />

. . Variety<br />

. . Manager<br />

1 O U S T O N<br />

;<br />

. . . Russell<br />

ifarly" will open its first out-of-New York<br />

.allowing at Loew's State May 12, accordto<br />

Manager Homer McCallum. To be<br />

If of that date, "The Pi-odigal" has been<br />

.t back for a May 19 opening<br />

j)vim, district manager of Loew's, arrived<br />

onday i25i for a three-day visit<br />

. . . Claude<br />

11 ct Associates has acquired property in<br />

-11 ion for construction of a 2,000-car twin<br />

ive-in.<br />

'"White Feather" replaces "Gangbusters"<br />

'day early at the Metropolitan, Ray Hay,<br />

'anager, reports ... In connection with the<br />

emiere of "Shotgun" at the Met on May 5,<br />

Allied Artists release Yvonne De Carlo,<br />

1<br />

ichary Scott and Sterling Hayden were<br />

(re .<br />

of Eden" attendance at the<br />

lajestic was a little disappointing, according<br />

Bremer, manager. It is felt that<br />

'ere was possibly some confusion with the<br />

cture "Garden of Eden," which was shown<br />

cently at the Kirby.<br />

(Earl Weaver, south Texas salesman for Combia<br />

Pictures, has been in town on busihss<br />

. B. Zimmerman, Columbia<br />

kchange, has a new Ford . . . Southwestern<br />

Jneatre Equipment Co. is taking inventory .<br />

l-els Theatre Circuit, Victoria, has equipped<br />

U 14 of its theatres for widescreen and CinnaScope,<br />

according to Oliver Doyle, general<br />

[anager . has been started on Combia-boss<br />

John Wimberry's new home on<br />

emorial Drive and Voss . . . Allied Ai'tists'<br />

leorge Bannan was in town making plans<br />

r the appearances of De Carlo and Scott at<br />

lie opening of "Shotgun."<br />

HERE'S YOUR CHANCE<br />

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erald L. Karski... . President<br />

Mary Ann Macey, candy girl at the Village<br />

Theatre, and cashier Janie Morris were dancing<br />

gals at the annual Frontier Fiesta at the<br />

University of Houston . Howard<br />

Skelton was elected director of West University<br />

Lions Club . Club Tent 34 is<br />

starting a whirlwind 30-day drive in which<br />

they hope to double their membership, according<br />

to Manager Dick Kennedy. The new<br />

1955 roster carries 324 names. Seven new<br />

members were inducted at a general membership<br />

meeting last Monday . . . Brig. Gen. Victor<br />

A. Barraco, recently retired, was honored<br />

with the No. 1 membership in the new Armed<br />

Forces Club which had its formal opening<br />

Wednesday i27i.<br />

When "The Blackboard Jungle," the shock<br />

drama everyone is talking about, was held<br />

over at Loew's State for a second week, we<br />

asked about a rumor that audiences were<br />

made up mostly of teenagers and that they<br />

were "cutting up" the theatre. Manager<br />

Homer McCallum said there was not a word<br />

of truth in it. Audiences are about equal,<br />

adults and teenagers, he said, and "if there's<br />

been a seat cut, I don't know anything about<br />

it." On opening day there were police on<br />

duty, but the crowd was so quiet and orderly<br />

that they were dismissed. There has been<br />

no need for them at all. While there have<br />

been some people, including school teachers,<br />

who have voiced disapproval of the showing<br />

of such a picture, there have been many<br />

others who have felt it was a fine thing. Several<br />

teachers attended in a body with their<br />

students. One high school teacher brought<br />

her entire class of 35.<br />

. . . First of the 100<br />

Variety barkers are urged to attend Variety<br />

boys baseball games and give them support.<br />

The boys are playing on five teams, and play<br />

ten games each week<br />

boys who will spend a week at Fort Parker,<br />

beginning June 19, has signed up. They will<br />

enjoy boating, surfing, water skiing, and all<br />

the group camp facilities at Ft. Parker State<br />

Park, between Groesbeck and Mexia . . .<br />

Cash prizes are being given out at Variety's<br />

Saturday night dances. $140 went to 11 people<br />

last time . . . Variety's Sunday night buffet<br />

suppers have had to be discontinued because<br />

of the lack of support. If attendance can be<br />

assured the Sunday family buffet may be<br />

resumed.<br />

First Oklahoma Airer<br />

Adds Double Screen<br />

TULSA— Alex Blue, co-owner and operator<br />

of the Admiral Drive-In, has announced<br />

that his theatre will become the fii-st drivein<br />

in Oklahoma to operate a "double screen,"<br />

effective early in May. The drive-in has<br />

duplicated its present accommodations to the<br />

rear of the existing outdoor screen. Some<br />

features will be shown simultaneously on<br />

both screens, and others will be offered in<br />

double-feature form giving the viewer a<br />

choice of shows.<br />

Capacity of the drive-in will be 1.350<br />

automobiles, making it one of the largest<br />

ill the southwest. At the same time, the<br />

two screens have been enlarged to 92x50<br />

feet. When a single movie is being shown<br />

on both sides, staggered schedules will permit<br />

late arrivals "to get in at the first,"<br />

according to Blue. W. F. Shaw Engineering<br />

Co. of Tulsa has charge of the construction.<br />

Last year 172 million hot di.ijs were<br />

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JXOFTICE ;: May 7, 1955 71


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• es<br />

3erger<br />

: May<br />

—<br />

:rusade idea<br />

highlights<br />

fighting nca conventio<br />

\^<br />

Vill Appeal to Government<br />

]<br />

Denied<br />

Satisfaction<br />

,t New York Offices<br />

vlINNEAPOLIS — North Central Allied<br />

•<br />

nts to launch a crusade as a means of<br />

(:aining "a fair deal for harassed exhibi-<br />

_;ki' "knights of old," according to a pro-<br />

Mtl made at the NCA annual convention<br />

re this week (2, 3), an army of exhibitors<br />

•uld descend upon the film companies' New<br />

irk offices a la crusaders of history to fight<br />

)e to toe" with sales heads to eliminate<br />

;h film rentals for top pictures and must<br />

rcentage in the smaller situations and<br />

osequent runs.<br />

[n case the "army" was denied victory in<br />

•w York, it would march on to Washington<br />

try to recruit federal government allies so<br />

mother battle could be fought on<br />

: day.<br />

»SSES VERBAL BRICKBATS<br />

The convention tossed verbal brickbats at<br />

lat was called film company "greed."<br />

idence of this, speakers charged, was<br />

ormous film company earnings coincident<br />

th small exhibitors being driven out of<br />

siness. Speakers raked distributors over<br />

5 coals for remaining blind to exhibitor<br />

!as to sell on a "live-and-let-live" basis<br />

th ability to pay as the basis for film<br />

itals.<br />

Much of this was a repetition of previous<br />

;a convention mutterings and disgruntlemt,<br />

but, if possible, the feeling was<br />

onger.<br />

\mong other matters discussed were toll TV<br />

d the hoped-for meeting of the National<br />

lied Theatre Owners of America comttee<br />

with film company presidents.<br />

Sxhibitors at the convention were warned<br />

they are able to survive present "unnsciable"<br />

film rentals, pay-as-you-watch<br />

leo would remain a threat to their exence.<br />

They were urged to get into the<br />

ht against it more actively and to do<br />

;ir financial part in the battle.<br />

VITES SUGGESTIONS FROM FLOOR<br />

Suggestions regarding the issues that<br />

lied-TOA hopes to discuss with film comny<br />

heads were invited from the floor.<br />

:n addition to Benjamin Berger and S. D.<br />

.ne, NCA president and executive counsel,<br />

^pectively, speakers included Abram F.<br />

;ers and Rube Shor, National Allied general<br />

insel and president. The announced apuance<br />

of 20th-Fox bigwigs did not maialize.<br />

Regrets were received from Al<br />

•htman, sales manager, and W. C. Gehring,<br />

assistant, and Alex Harrison, western<br />

manager,<br />

following the two-day session, Monday and<br />

esday, the MOM Ticket Selling Workshop<br />

s held on Wednesday.<br />

'resident Berger led off the sessions with<br />

bitter arraignment of those who "are<br />

I<br />

itroying the small theatres and eventually<br />

1 destroy the entire industry."<br />

'<br />

«* expressed confidence that Theatre<br />

Many Stay Over for MGM Workshop<br />

MINNEAPOLIS—President Berger noted<br />

the registration was about 200, with many<br />

members not arriving until Tuesday so as to<br />

have time to take in the MGM Ticket Selling<br />

Workshop the next day.<br />

Noticeably absent on the opening day were<br />

Bill and Sidney Volk, leading circuit owners<br />

and members of the organization since its<br />

inception. Bill was ill and private business<br />

prevented Sidney's attendance. However,<br />

Sidney was on hand for the Tuesday afternoon<br />

session.<br />

"After 30 years in the show business, you<br />

can't shut off the faucet," explained Don<br />

Buckley. The Redwood Falls, Minn., capitalist<br />

has retired from exhibition to take life easy.<br />

"After all," he said, "all my friends are here."<br />

Buckley, who spent the winter in California,<br />

even was named to one of the committees.<br />

Charlie Jackson, retired Warner Bros,<br />

salesman, was on hand, having come from<br />

Clearwater, Fla., where he now resides and<br />

recently bought a winter home. They'll<br />

summer at their Balsam Lake, Wis., summer<br />

cottage, as hitherto.<br />

S. D. Kane, executive counsel, gave a<br />

resume of the recent legislative sessions<br />

Owners of America would join National Allied<br />

in going to Washington for exhibitor relief<br />

if film company presidents refuse to meet<br />

with the joint Allied-TOA committee in the<br />

proposed roundtable on theatre owner distress.<br />

"Our house is afire and something must be<br />

done immediately," he said. "And if the<br />

roundtable eventuates but fails to accomplish<br />

a change in film companies' sales policy,<br />

I'm satisfied that the two bodies will work<br />

together to bring about legislation aimed at<br />

stopping the film companies from continuing<br />

their present vicious monopoly and enable<br />

exhibitors to buy pictures on the ability-topay<br />

basis."<br />

Berger accused the film companies of<br />

"stealing" from exhibitors the fruits of the<br />

latter's admission tax victory. Declaring<br />

that "no industry can survive half-rich and<br />

half-poor." he pointed out that while the<br />

film companies are showing bigger profits<br />

than ever before in their history, "most<br />

exhibitors at the same time, particularly the<br />

small-town and suburban theatre owners,<br />

are operating at a loss."<br />

The reason that the exhibitors have made<br />

so little progress in their present fight, he<br />

explained, is because "you can't lick a<br />

monopoly," w'hich, according to Berger, is<br />

what film production constitutes.<br />

"We are very unfortunate to have become<br />

part of an industry in which the producer<br />

has a monopoly. A monopoly is like<br />

a disease. When you cure one spot it breaks<br />

which, he .said, were highly successful from<br />

the film industry viewpoint. Defeated were<br />

a local admi-ssion tax enabling bill and a<br />

daylight savings measure.<br />

Abram F. Myers, Allied States general<br />

counsel, pointed out that while there's a<br />

shortage of new pictures reissues are in<br />

plentiful supply. "These oldies have long<br />

since been liquidated, but the film companies<br />

are getting film rentals for them in<br />

excess of their original prices," .said Myers,<br />

"It's typical of film company practices<br />

getting all the traffic will bear."<br />

Convention visitors were invited to make<br />

the Variety Club their headquarters and were<br />

provided with tickets for Cinerama.<br />

There was a telegram of regret from A. L.<br />

Anderson, Plankington, N. D., explaining his<br />

absence on account of illness. A telegram<br />

from Walter Branson, RKO sales manager,<br />

conveyed his best wishes for the convention's<br />

success.<br />

Committee chairmen were: nominating,<br />

Sim Heller. Grand Rapids, resolutions, Clarence<br />

Kaake, Duluth, and finance, Martin<br />

Lebedoff, Minneapolis.<br />

out in another. There is only one logical<br />

answer: place the monopoly under government<br />

control. If this is not done, and qiuckly,<br />

we all w^ill perish.<br />

"I have tried to point out this predicament<br />

to the National Allied boards for the past<br />

several years and have been offering a plan<br />

to combat the monopoly. However, the<br />

boards, comprising deliberate, hard-headed,<br />

conservative businessmen, always felt my<br />

proposal was too radical.<br />

"Only recently, as you are familiar, the<br />

present board found that it had exhausted<br />

all peaceful efforts and there's nothing left<br />

to be done except to ask the government<br />

for help.<br />

"During all my lifetime I have been fighting<br />

film company monopoly. I was naive in<br />

thinking that the distributors would see the<br />

light and stop destroying the small theatreowner.<br />

"I learned rather late that monopolies cannot<br />

be cured. They must be destroyed. As a<br />

born optimist, I regret that I now have<br />

become a pessimist. An exhibitor once was<br />

proud to say he was a theatre owner. That<br />

no longer is the case."<br />

Alex Kling Adds Signs<br />

BELLE FOURCHE, S.<br />

D.—Alex Kling has<br />

erected a new neon sign at the entrance to<br />

his Kling Drive-In on Highway 212, and has<br />

installed new driveway umbrella lamps anri<br />

two new floods.<br />

XOFFICE :<br />

7, 1955 NC


. . John<br />

—<br />

. . The<br />

. . Fontas<br />

. . George<br />

. . The<br />

. . Ben<br />

, .<br />

D E S<br />

MOINES<br />

pveryone here is excited about Variety Club's<br />

new project—the sending of children with<br />

heart defects to the Variety Hospital in Minneapolis<br />

for the very special operation which<br />

i^ accomplished there. The women's committee<br />

also will support this project and Chief<br />

Barker Fi-ank Rubel and Betty Olson, chairman,<br />

are busy working on the necessary plans<br />

for a successful year of "saving children's<br />

lives." Invitations to the membership tea for<br />

the women's division are in the mail and the<br />

affair is to be held May 13 at the home of<br />

Mrs. Myron Blank.<br />

Mable Magnusson, Lou Levy's secretary at<br />

Universal, was away from her desk for two<br />

days with the flu , . . Mildred Davis, Univer-<br />

.ca', is a temporary widow while husband Tom<br />

is working in Kansas City .<br />

MeiTick,<br />

the film, stage and television personality,<br />

visited his family and friends last week. He<br />

was called to Des Moines because of the illness<br />

of his father, former state representative<br />

Fred Stiffler of Norwalk. Merrick, who appeared<br />

on Jack Benny's television show last<br />

month, has appeared on over 80 top television<br />

shows and has a role in Cecil B. DeMille's<br />

"Ten Commandments," now being filmed.<br />

Three starlets in "Three for the Show"<br />

Evelyn Bunn, Laura Brock and June Edwards<br />

—appeared at the Orpheum, where the picture<br />

was being shown, and passed out autographed<br />

photographs ... J. J. Jacobson,<br />

Davenport theatreman, was amused at 'j^<br />

12-year-old daughter the other eventi<br />

While dining in a restaurant, a waitress cov<br />

plimented her on her dress and observ',<br />

"It looks like a beautiful Christian Did'<br />

Susan Jacobson replied, "I'm sorry, miss, ijtl<br />

I'm Jewish."<br />

Dorothy Day Gottlieb, former publicity ijl:<br />

at Tri and Central States, had a hand n<br />

picking the Drake Relays queen last weeend,<br />

glamorous Angle Branch, senior at 1b<br />

University of Houston . Jessel i-<br />

peared as emcee at the Beth El Jacob Syigogue<br />

tercetenary celebration here recently<br />

milwauke:<br />

T arry Beltz of Wausau Theatres, "Wausii<br />

was seen on Pilmrow . TS,;-<br />

consin Theatre celebrated its 31st an}-<br />

versary night with a big stage show .<br />

;<br />

Edward Remig, Film Distributors Audit (),<br />

is visiting Benny Benjamin's Realart ;•<br />

change . . . Daniel Hans has been promodi<br />

from projectionist to manager of the Jeff<br />

son Theatre, Jefferson . . . Russell Leddy»ft<br />

the Orpheum Theatre, Green Bay, wasp<br />

booking . Campus Theatre, Ripon, js<br />

installed a new plastic screen.<br />

Tom Morgan has taken over the manafment<br />

of the Grand and Times, Clintonv.s,<br />

and the drive-in at Menomonie ...On<br />

Enterprises moved its office from the Emye<br />

building to 5906 Port Washington Rd. . :<br />

Standard Theatres is constructing new, late<br />

'<br />

.'creen towers at its drive-ins in Sheboyi'a, j<br />

Racine, Janesville and Beloit , . . Olsr<br />

Trampe, who attended the recent Natickl<br />

Film Carriers convention in New York, is<br />

elected to the national board of directors .<br />

The Gem Theatre, Gillett, was reopened a.-?:<br />

being closed for three months.<br />

Jack Lorentz, 20th-Fox manager, retur'd<br />

from a vacation in Florida . Maijs<br />

of Marcus Theatres and Hugo Vogel of Thitre<br />

Equipment Co. were in Los Angeles.0<br />

attend the national Variety convention. £.ii<br />

Kaufman, who was vacatiomng in Hawii,<br />

also attended .<br />

Goergiades, for)?r<br />

manager of the Badger Out Door Theae,<br />

Janesville, was awarded $6,000 for his sKre<br />

of the profits in the drive-in. Georgiades a<br />

former booker for Fox-Wisconsin Hik<br />

. . .<br />

Toilette of Marcus Theatres reports the baling<br />

of a new drive-in north of Clintonville'.<br />

G. P. Jonckowski, exhibitor at River F;/5,<br />

reports the death of his father.<br />

Minneapolis lA Seeks<br />

Reserved Seat Staffs<br />

MINNEAPOLIS—lATSE is trying to orgj^<br />

ize all reserved seat ticket sellers and talti<br />

at theatres and elsewhere. Local exhibiW<br />

fear that If the new union is launched, effp<br />

eventually will be made to bring the frontifH<br />

the-houses staffs in the unreserved siita<br />

theatres into it, including the managers.<br />

William Donnelly, lATSE representaH<br />

here, who is directing the present m(9i<br />

claims sufficient progress already has KB<br />

made so that "we'll soon be able to conjc<br />

employers regarding a contract."<br />

Affected immediately will be the Lyce|il<br />

local legitimate theatre; the Century, wlp<br />

Cinerama holds forth, the baseball pai-k, |i'<br />

municipal auditorium and the wrestling ii<br />

boxing office. Donnelly say he expectsfl<br />

initial membership of from 40 to 50.<br />

f<br />

74<br />

BOXOFFICE :: May 1, ^


AA)<br />

; May<br />

. . Among<br />

'eter' Doubles Par<br />

a Omaha 3rd Week<br />

OMAHA—The State Theatre did even<br />

jtter in its third week than the second<br />

ith "A Man Called Peter" and more than<br />

Des Moines Youngsters Flock to See<br />

'Davy Crockett/<br />

' (UA's, *" not<br />

I •*/ if\^i Disney}<br />

b^Ull^jpry<br />

'vonne De Carlo and Zachary Scott, starred<br />

» Allied Artists' "Shotgun," will make an<br />

'day, 11 -city Texas tour.<br />

£^<br />

been closely<br />

associated with the Cecil Theatre during his<br />

long service with Ai'thur.<br />

Mr. and Mrs. Klemas have two sons, Pfc.<br />

Roger L. Klemas, serving with a medical<br />

detachment in Germany, and Fireman Ted<br />

D. Klemas, serving in the Navy at Guam.<br />

DES MOINES—Like the Mexican lio :.<br />

that stormed the Alamo to make a i-.r-i.-. ,<br />

Davy Crockett, Des Moines youngsters sioi m :<br />

two theatres here last weekend to make hi:;<br />

an even greater hero to the film industiy<br />

"They ,say he's on television," gasped Mrs<br />

Loretta Conley, manager of the Uptown Theatre.<br />

"I don't know. I don't ever have time<br />

to watch television. But that's one place<br />

where television has helped us, I gue.ss."<br />

Mrs. Conley, like Mrs. Pearl Fort, manager<br />

of the Hiland Theatre, spent much of FYiday<br />

evening and all day Saturday and Sunday<br />

meeting the onslaught of thousands of youngsters<br />

who whooped into the two theatres.<br />

With some parents acting as scouts, the<br />

youngsters were lured to the theatres by the<br />

film, "Davy Crockett, Indian Scout," United<br />

Artists reissue, originally released in 1950.<br />

An estimated 5,000 youngsters saw it during<br />

the weekend. Mrs. Conley said the Uptown's<br />

regular 2 p.m. matinee started instead at<br />

11:30 a.m. Saturday, but the theatre still<br />

couldn't hold all the children. "I thought<br />

we had every kid in Des Moines Friday<br />

night," added Mrs. Fort. "But on Saturday<br />

and Sunday I realized we hadn't seen any<br />

of them. They just pour in. You wonder<br />

where they all come from. I've been in the<br />

theatre business since 1943, but I've never<br />

seen anything to equal this."<br />

"This is the biggest thing we've ever had,<br />

and I've been here about a year," said Mrs.<br />

Conley, explaining how the Uptown was<br />

jammed all day Sunday. And how did the<br />

coonskin cap set behave?<br />

"Oh, pretty well." Mrs. Conley reported.<br />

"The biggest trouble is how they get in and<br />

out of their seats to go to the confectionery<br />

counter. Pretty soon it gets so you can't tell<br />

who's supposed to be sitting where. Saturday<br />

we were about all ready to jump in the<br />

river."<br />

Roy G. Jones, 74, Retired,<br />

Dies at Shenandoah<br />

SHENANDOAH. IOWA—Roy G. Jones, 74,<br />

retired theatre operator, died recently at<br />

Hand Community Ho.spital here where he<br />

had been a patient since April 6. Born in<br />

Page County, near Clarinda, he had been in<br />

the theatre business in Des Moines for 25<br />

years. Following that, he and his wife moved<br />

to Glenwood where he supervised a lx)ys'<br />

cottage at the Glenwood State School for<br />

over four years. He then retired and spent<br />

a year in Tampa. Fla., and three years in<br />

Hot Springs, Ark. He is survived by his<br />

wife. Mary Ruth, a brother and a number of<br />

nieces and nephews.<br />

7"^<br />

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XOFFICE :<br />

7, 1955 75


-<br />

^K<br />

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INCINNATI -Rme' Opens in Kentucky 'DoctOr' ShOWS U. : 5Si<br />

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Arter Star AppearcEnce<br />

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|


. . Nat<br />

. . . Leo<br />

. . . Another<br />

. . Urban<br />

. . Al<br />

. . "Doctor<br />

. . Joe<br />

. . The<br />

. . RKO<br />

: May<br />

CLEVELAND<br />

T eonard Mishkind of General Theatres became<br />

father of a son at Lakeside Hospital,<br />

named Howard Dale. He is the third<br />

child and only son ... A fifth child was born<br />

to the Jack Ochses of the Ochs Drive-In circuit.<br />

The baby is theii- fourth boy and is<br />

named Gregg Stanley . . . Leroy Kendis of<br />

Associated Theatres is wearing a cast on his<br />

shoulder, injured in a fall . . . Off on a<br />

three-months trip to Europe this w^eek went<br />

August Ilg, pioneer Lorain theatre owner,<br />

retu-ed since he sold his Ohio Theatre to<br />

Nate and Sam Schultz . Barach, National<br />

Screen Service manager, and his wife<br />

planed west over the weekend. Las Vegas was<br />

their first stop. Barach will attend the<br />

Variety convention in Los Angeles . . . Schine<br />

circuit has clo.^ed the Tiffin Tlieatre for the<br />

summer. It has been operating on a weekend<br />

policy . . . Joe Scully, auditor, was at Republic<br />

SIMPLEX XL MECHANISMS^<br />

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Jones is an individualist not bound by<br />

custom. Last week he played "A Man Called<br />

Peter" at his Star Theatre, Upper Sandusky,<br />

to such good business that he rebooked for<br />

two weeks after the first run.<br />

The Hippodrome will be the first downtown<br />

Cleveland house to have complete Vista-<br />

Vision equipment. A RCA Dyna-Lite screen<br />

measuring 25x58 feet and new lenses will be<br />

installed by Oliver Theatre Supply Co. for<br />

the opening of "Strategic Air Command"<br />

May 19. RCA technical engineer Frank<br />

Grande is supervising the installation.<br />

Some of the Hollywood glamor recently<br />

rubbed off on circuit owner Jack Shulman and<br />

his wife when they, Grace Kelly, Gary Grant<br />

and Mrs. Grant were all in Las Vegas at the<br />

same time . . . Soger's new Pilmrow restaurant<br />

made a hit with film folk by listing on<br />

its menu a 20th-Fox Cleveland Sweepstakes<br />

special sandwich. The stunt (and the sandwich)<br />

was the talk of the Row . Margolian,<br />

RKO publicity man, has arranged a<br />

style show tieup with the Higbee Co. for<br />

the May 12 appearance of fom- starlets who<br />

are touring 16 cities to promote "The Son<br />

of Sinbad." The picture has a June 2 date<br />

at the Palace.<br />

Mac Mink and his wife Dorothy have<br />

turned the keys of the Palace over to Frank<br />

Smith of the RKO circuit in Chicago for<br />

two weeks while they vacation in New York<br />

vacationist is Peter Rosian,<br />

U-I district manager, who with his wife Mae<br />

is acquii-ing a Florida tan . Ander-<br />

PI<br />

son. manager of the 3,800-seat Uptown 1;.<br />

atre, has announced that starting Mayis<br />

he will present stage shows every Suniy<br />

featuring top name bands. First one will<br />

Lionel Hampton, with Louis<br />

jt<br />

Armstrong j,<br />

lowing. Two matinee and two evening<br />

]j<br />

formances are contemplated.<br />

Joe Shagrin, owner of the Foster These,<br />

Youngstown, reports his twin brother Rx,<br />

H<br />

a talent agent of Hollywood, will be in tlse<br />

parts in May . Krenitz, Republic sasman,<br />

and wife have as their house guts<br />

their daughter Marilyn and small son fm<br />

Bridgeport, Conn ... It is reported that le<br />

Majestic in Lima is closed again ... Last<br />

word from the Cleveland Clinic is that 'A<br />

salesman Jack Share is now definitely m<br />

the road to recovei-y after surgery, .s:<br />

weekend he suffered a relapse.<br />

"Marty," the UA picture everybody's tking<br />

about, drew a full and enthusiastic hs,e<br />

at the Friday night screening in the 2h-<br />

Fox screen room . mother of Mva<br />

Ro.5enblatt, AA secretary, died last week<br />

.<br />

The son of Warner Manager Bill Twj's<br />

secretary. Staff Sgt. Forrest Weaver, a<br />

member of the famous SAC, stationecat<br />

Okinawa.<br />

The Columbus interests that operate t-ee<br />

art houses in this territory—the Bexle; in<br />

Columbus, the Studio in Detroit and he<br />

Heights in Cleveland—have added a fo\th,<br />

the Avalon in Toledo, a former Marvin Ha-is<br />

operation . in the House" di so<br />

well at the Fairmount Theatre that it pi ed<br />

two full weeks and half of a third, the:by<br />

hanging up a house run record.<br />

Off for Los Angeles and the Variety n-<br />

vention this weekend were Irwin Shenki of<br />

Berlo Vending and his wife Annette: Leoird<br />

Greenberger, manager of the Fairmount nd<br />

his wife Finances, and Jack Silverthorne-. .<br />

Bob Ditrick, MGM booker welcomed his rsi<br />

child recently—a son . District J,<br />

ager Morris Lefko's son Bob graduati<br />

June from Syracuse University . . . ParamI<br />

sneak-previewed "The Seven Little Foys<br />

Tuesday (3) at the StiUman Theatre . . .K)<br />

secretary Bob Wile urges all members tcjill<br />

out the questionnaii'es sent out by the Bu]<br />

of Census in Washington, to supply stati]<br />

important in the campaign against the<br />

eral admission tax.<br />

COLUMBUi<br />

T ouis K. Sher, owner of the Bexley Art i<br />

atre here, has acquii-ed the Little, Ylo»<br />

Springs, Ohio and the Crescent at Louis lie<br />

Ky. Sher also operates the Cleveland Heht-<br />

Art Theatre. He is planning to acquire ;ditional<br />

theatres m other cities. Richard Icker,<br />

assistant manager of the Bexley, hasi!<br />

named manager of the Little, which w:|<br />

operated on a split policy of art filmsjj<br />

commercial features. The Crescent<br />

an art house.<br />

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Lou Holleb, general manager of thd<br />

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hopes to open the new outdoor theatre<br />

in a few days. The In-Town has been i{|<br />

construction for several months.<br />

Bill Dalton, who was organist in the •20^<br />

and early Thirties at the Majestic, GiPd<br />

and Ohio, is back in town as organist a{<br />

Tremont restaurant.<br />

78<br />

BOXOFFICE<br />

:<br />

7|


, mohoo,<br />

I<br />

•<br />

Jatres.<br />

.<br />

Birthday<br />

'<br />

'<br />

for<br />

. . The<br />

. . Ralph<br />

—<br />

— —<br />

tiNCINNATI<br />

lou Clemmer finally reopened his Cruise-In<br />

in Miami.sburg, Ohio. Saturda? (30) with<br />

,w all steel screen tower. The old tower<br />

IS destroyed by a fire several weeks ago . . .<br />

'-he Immortal City," a Technicolor picture<br />

owing art treasure.s in Rome, including the<br />

is itican, scheduled to open in the Guild<br />

'leatre following completion of the current<br />

'toctor in the House."<br />

Imts. John Eifert, sales manager at War-<br />

(rs, underwent surgery at Christ Hospital<br />

Roberta Burns, daughter of booker Bill<br />

'irns, WB, is making preparations for her<br />

arriage in June . . . Lillian Ahem, cashier<br />

Paramount, was on vacation for a week<br />

greetings to Rube Shor, May 9;<br />

lastave J. Boudot, May 13; Mark S. Cum-<br />

[ins. May 15; Bob Frederick. May 4.<br />

•Ben Bein, service manager at National<br />

ireen Service, was due to leave the hos-<br />

(tal and convale.sce at home . Bur-<br />

-g, exploiteer for Paramount, went home<br />

•cently to attend the 55th wedding aniiirsai-y<br />

of his parents . local Fox<br />

reening room is having a widescreen in-<br />

'lUed by the Midwest Theatre Supply.<br />

Willis Vance, owner of the Guild and the<br />

i^ntral Ticket Office, reports his first grandiild<br />

was born (a girl) to his elder daughir<br />

Jane. The Varices have three daughters<br />

. Sid Katz of the Kay-Lee Corp., a theire<br />

promotional organization, will attend the<br />

lied Theatres convention in Minneapolis May<br />

5. Katz and Joe Lee also will -Ije present<br />

the exhibitors convention in Atlanta<br />

lay 15-17.<br />

jA de luxe drive-in will be constructed in<br />

biu'ban Oakley by Midstates Theatres, acrding<br />

to Nick Shafer and Roy White. Fully<br />

[Uipped for all types of film presentations,<br />

. will accommodate approximately 900 cars.<br />

'Rifle' Opens in Kentucky<br />

After Star Appearance<br />

CINCINNATI—Screen Clas.sics. headed by<br />

Edward Salzberg, has scheduled many prerelease<br />

engagements in Kentucky of the widescreen,<br />

Pathe color film, "Kentucky Rifle,"<br />

May 5 to 17.<br />

Stars Chill Wills and Lance Puller appealed<br />

at the annual Blue Grass Festival<br />

in Lexington Tuesday (3i under the guidance<br />

of Bob Cox, district manager for Schine<br />

Theatres. Among the theatres included in<br />

the prerelease run are the Ben Ali, Lexington;<br />

Margie Grand, Harlan; Russell, Maysville;<br />

Madison, Richmond; Capitol, Frankfort;<br />

Leed.s, Winchester; Reda Drive-In, London;<br />

Hippodrome. Corbin; Manring, Middlesboro;<br />

Paris, Paris; Starlight, Danville; Weddington,<br />

Pikeville; Ti-ail, Ashland; NoTO.<br />

Cumberland; Midway, Cynthiana.<br />

The film world-premiered at the Panorama<br />

Theatre in New Orleans April 27. It opened<br />

at the Paramount Center in Owensboro, Ky..<br />

May 4.<br />

Chakeres Gift to Court<br />

SPRINGFIELD—The municipal court has<br />

a new 16mm sound projector and screen,<br />

thanks to Chakeres Theatres. Presenting the<br />

gift was Michael H. Chakeres, vice-president.<br />

Participating in the presentation were Police<br />

Chief LawTence A. Abbott; Theodore Rose,<br />

projectionist and sound engineer for Chakeres;<br />

Patrolman Dallas Hanlin. mvmicipal<br />

court bailiffs Frank Kinsler and Lymon Alexander<br />

and Judge Ben J. Goldman. The equipment<br />

is being used by the court and police<br />

in showing traffic safety films.<br />

ERNIE<br />

'Doctor' Shows Up Best<br />

In Cincinnati Run^<br />

CINCINNATI—"Doctor in the Hoi,<br />

.<br />

the Guild art theatre, made the best sii,. i .<br />

for the week and probably will renuun. ,•-.<br />

the Guild for several weeks. "A Man Caller,<br />

Peter" also continued to hold up well and<br />

was .slated for its fourth week in Keith.-,<br />

Albee— Eost o» Eden WB), 2nd wk 90<br />

Grond—Coptoin Lightfoot (U-l), Dettry (U-l)....nO<br />

Polace—Three tor the Show (Col) 00<br />

Guild—Doctor in the House (Rep) '


; May<br />

i<br />

Tri-States City Manager<br />

Made Kentucky 'Colonel'<br />

From North Control Edition<br />

CEDAR RAPIDS, lOWA—Hany L,<br />

Moore,<br />

city manager for Tri-States Theatre Corp.<br />

here and formerly associated with Leo F.<br />

Keiler of the Columbia Amusement Co., Paducah,<br />

Ky., for 20 years, has just been honored<br />

with the title of "Colonel" by the governor<br />

of Kentucky. The title came just in<br />

time for the Derby.<br />

Moore's son, Harry L. Moore jr.. is a midshipman<br />

in his second year at the U. S. Naval<br />

Academy at Annapolis.<br />

Moore has been with Tri-States seven years.<br />

FOR SALE!^<br />

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Advertising Method ... is<br />

PROGRAMS!<br />

fMT Sample Kit! FREE!<br />

Theatrical Advertising Co.<br />

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Phone: Woodward 1-2158<br />

ir SEAT UPHtlLSTERING OUR SPECIALTY -A-<br />

Heavy-Duty Automotive Miterlals<br />

Sfwed Sett Covers M^de-to-Order<br />

All sizes, all colors, most reasonaljle<br />

SERVICE SEATING CO.<br />

1507 W. KIrby<br />

Detroit S, Mich. nrier 7-8015<br />

"Detroit's Theatrical Florist"<br />

EARL BRADLEY, Florist<br />

(Formerly Lorenzen's)<br />

19800 Jomes Couzens Hwy. Phone<br />

Detroit 35, Mich. BRoodwoy 3-4646<br />

DETROIT POPCORN CO.<br />

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BOWLING<br />

DETROIT—Allied Film and Republic are<br />

tied in the Film Bowling League. Latest<br />

standings are;<br />

Team Won Lost Teom Won Lost<br />

Allied Film 37 23 AA 31 29<br />

Republic .37 23 Theotricol .23 37<br />

UA 34 26 RKO 18 42<br />

New team three-game high: Allied Film,<br />

2547; RKO Radio, 2519; Republic, 2479. Individual<br />

thi-ee-game highs: Hogg, 618; Stimac,<br />

614, England, 591.<br />

High team single game: Allied Film, 936;<br />

Allied Artists, 901; Theatrical. 879. Individual<br />

highs: Sturgess, 245; Stimac, 245; Baran, 243.<br />

The championship roll off featured Allied<br />

Film vs RKO Radio, with Allied taking the<br />

lead and RKO runner up.<br />

New officers elected for the 1955-56 season<br />

are: president. Bill Kozaren; vice-presidents.<br />

Jack Susami and Bud KUbride; secretary and<br />

treasurer, Stanley Baran.<br />

The Film Bowling banquet was held April<br />

IS at the Variety Club atop Hotel Tuller.<br />

Among the guests were Bill Clark of Clark<br />

Theatre Service. Harold Brown, Jack Haynes<br />

and Tom Byrele of United Detroit Theatres,<br />

and Ray Branch of Film Truck Service.<br />

'Gate of Heir Premieres<br />

At Detroit Theatre<br />

DETROIT—The fu-st Japanese picture in<br />

color to be shown in Detroit opened Friday<br />

(61, at the Krim Theatre in suburban Highland<br />

Park. Winner of the New York Film<br />

Critics' award for the best foreign motion<br />

picture of the year, "Gate of Hell" also<br />

captured the grand prize at the Cannes and<br />

Venice Film festivals.<br />

Filmed in Eastman Color, the feature was<br />

produced by Masaichi Nagata for the Daiei<br />

Motion Picture Co. of Tokyo. Before the<br />

actual shooting began, a crew of Daiei<br />

technicians came to the United States to<br />

study the Eastman Color process at Rochester,<br />

N. Y., and the making of color films at<br />

Warner Bros, studios in Burbank, Calif.<br />

"Gate of Hell" also won the recent aw'ard<br />

of the Academy of Arts and Sciences for<br />

the best color film in 1954.<br />

Jack Zide, Irwin Pollarci<br />

Buy Imperial Pictures<br />

CLEVELAND—Jack Zide of Allied Film<br />

Exchange. Detroit, and Irwin Pollard, former<br />

Cleveland Republic branch manager, purchased<br />

Imperial Pictures, only local independent<br />

exchange, from Mrs. Bernie Rubin.<br />

They took immediate possession. Pollard returns<br />

to Cleveland to take charge. Present<br />

personnel, including booking-manager Betty<br />

Bluffestone, will be retained.<br />

Airer Goes Mociern<br />

WARSAW. KY.—Riverview Drive-In, Carrollton,<br />

has contracted for a widescreen for<br />

showing Cinemascope, VistaVision and<br />

Superscope. The airer recently opened for<br />

the season with new projection and sound<br />

equipment.<br />

Ruth Roman With Paul Douglas<br />

Ruth Roman will play the femme lead opposite<br />

Paul Douglas in Columbia's "Joe Macbeth."<br />

$300,000 to Chesapeake<br />

For Pictures Sold to TV<br />

CLEVELAND— At the annual stockholdJi<br />

meeting of the Chesapeake Industries r<br />

Cleveland April 27, President William<br />

;<br />

Eagle Lion pictures to TV had netted abo,<br />

MacMillen jr. stated that the sale of ti<br />

$300,000 and that their sale abroad add<br />

another $30,000. He al.so revealed that .settli<br />

ment of the company's antitrust suit agairj<br />

Loew's, RKO and others is expected with,<br />

the next two months, with what he termi<br />

"substantial recovery" anticipated.<br />

All officers were re-elected as follows: Wi<br />

liam C. MacMillen jr., president; Livingsti<br />

Goddard, treasurer; John O. Henry, secii<br />

tary; Arthur S. Kleeman, chairman: Domi<br />

H. Carter, William R. Daley, James H. Drum,<br />

Chalmers G. Graham, James M. King jr., E.<br />

gene F. Kinkead, Neely Powers. Everett<br />

Reese, Charles Shipman, L. C. Turner al<br />

Kenneth M. Young.<br />

Associated Circuit Heads<br />

Buy Apartment Building<br />

CLE'VELAND—Three executives of As.y.<br />

ciated Theatres, Meyer Fine, Abe Kranr<br />

and Leroy Kendis, have purchased the i'<br />

suite apartment building on East 30th str4<br />

between Euclid and Chester avenues fora<br />

reported $970,000. Seller wa,s the 2925 Euclj,<br />

Inc.<br />

This is the most modern residential apa)-<br />

ment in the downtown area, built in lis<br />

by Maurice Kleinman. The new owners ha<br />

formed East 30th Apartments to operate le<br />

project.<br />

Columbia Gets TV Permiti<br />

PADUCAH—The Columbia Amusement C.,><br />

Leo F. Keiler, president and general me<br />

ager, has received an FCC permit aaathoriz:^ i<br />

a television station here. A local newspa)r t<br />

was the rival applicant for the permit. (.[•<br />

lumbia owns and operates the Aixade, (K<br />

lumbia, Kentucky and Rialto theatres and ijes<br />

Paducah Drive-In, and the Capitol and V.«!<br />

sity theatres in Murray. It is also construct^<br />

a 1,000-car twin-screen drive-in at Wlti<br />

Paducah.<br />

Several Houses Improve


I<br />

Uprising<br />

I ramount—The<br />

;<br />

PROVIDENCE—<br />

. for<br />

—<br />

old Weather Dampens<br />

ioston <strong>Boxoffice</strong>s<br />

BOSTON—Cold, rainy weather put the<br />

kmper on business here, with many of the<br />

bldovers suffering. "Glass Slipper" aplaled<br />

to the children for vacation week.<br />

Paris With Love" led the field of<br />

!'o<br />

I'wcomers, while "Cell 2455. Death Row"<br />

|is also good.<br />

|iealh Row' Dominates<br />

'ew Haven Scene<br />

NEW HAVEN—Three of the four major<br />

iiwntowners did above average business.<br />

i;el! 2455" made the highest score with 140.<br />

'."he Blackboard Jungle" had a strong hold-<br />

;er at Laew's Poli.<br />

Deoth Row (Col); Seminole<br />

Mlege Cell 2455,<br />

luprising (Col) 140<br />

Eternal Sea (Rep); The Atomic<br />

Kid iRep) 75<br />

I—The Blackboard Jungle (MGM); Green Scarf<br />

,Regol). 2nd wk 120<br />

ger Sherman—The Purple Plain (UA); The Steel<br />

Coge lUA) 110<br />

temal Soa' Hits 140<br />

Providence Bo'w<br />

Parades, blaring bands,<br />

'captions, personal appearances and other<br />

istivities incidental with a world premiere,<br />

|,e first ever held locally, sent "The Eternal<br />

t:a" off to a grand start, but the one-week<br />

|(gagement met opposition in a continuing<br />

i.ne-chilling rainy period. Racking up a<br />

ild 140, the picture set the pace among<br />

[iwntown houses.<br />

(Dee—The Eternal Seo (Rep) 140<br />

U„'s_The Blockboord Jungle (MGM), 2nd wk.. . 1 15<br />

lliestic— East ot Eden (V^B), 2nd wk 100<br />

litropoliton— He;i Raiders of the Deep (IFE) 90<br />

byhouse— Four Ways Out (IFE) 100<br />

lond—Tight Spot (Col) 100<br />

.irtford Packs<br />

avy' Reissue<br />

.HARTFORD—Biggest attraction of the<br />

I'ek here was a revival of "Davy Crockett,<br />

diau Scout," bringing out youngsters by<br />

f tliousands. School vacation, of coui'se,<br />

lilt the difference between normal and<br />

rinendous boxoffice receipts.<br />

yn—Mombo (Para); I Cover the Underworld<br />

(Rep) 80<br />

t—Doctor in<br />

A Loew—Cell<br />

the<br />

2455,<br />

House<br />

Death<br />

(Rep)<br />

Row<br />

110<br />

(Col); Seminole<br />

Uprising ,Coi) 95<br />

li—Man Without a Star (U-l); Yellowneck (Rep), 100<br />

loce—The Gloss Slipper (MGM); Shadow of<br />

Tombstone (Rep); 2nd d. t. wk 125<br />

and—Davy Crockett, Indion Scout (UA), revival;<br />

Tarion's Hidden Jungle (RKO) 220<br />

/ill Distribute 'Eden'<br />

BOSTON—Walter Bibo. president of Ex-<br />

.• i;<br />

highest point," and a check for $500 i-<br />

the Variety Club and his industry fnci.i.<br />

in attendance.<br />

The Roof Garden was nearly filled with<br />

exhibitors, distributors, managers and equipment<br />

men. Among those who came in from<br />

out of town were Norman Zalkind, Harry<br />

Zeitz, Spero Latchis, Bill Canning. Joe<br />

Stanzler, Morris and Melvin Safner. Richard,<br />

11-year-old .son of Phil Bloomberg, came in<br />

from Salem with his daddy. Larry Gardiner,<br />

ret red RKO sales manager was greeted enthu.siastically<br />

by his former friends, as was<br />

Louis Stern, former exhibitor who is now in<br />

another field of business. Another rare visitor<br />

to the d'strict was Irving Green, who now<br />

operates only one theatre, the Park in<br />

Everett.<br />

Hartford Airer Opening<br />

Postponed to June 15<br />

HARTFORD—Approximate opening date<br />

of the $600,000, 2,070-car Meadows Drive-In<br />

being built in the North Meadows section of<br />

Hartford has been changed from May 15 to<br />

June 15. Atty. Bernard E. Francis, counsel<br />

for the Meadows Drive-In Theatre Corp. of<br />

Hartford, which will lease the ozoner to the<br />

Smith Management Corp. of Boston, announced,<br />

"We're planning to install at least<br />

800 in-car heaters."<br />

The Meadows, believed to be largest drivein<br />

in the world, will play first-run attractions.<br />

COODTRAILI<br />

IN DOUBLE<br />

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BOXOFFICE, 52 issues per year (13 ^1 which contain<br />

The MODERN THEATRE Section).<br />

D<br />

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liXOFFICE :: May 7, 1955 NE<br />

STATE<br />

POSITION


[<br />

BOSTON<br />

The Brattle Theatre, Cambridge, will return<br />

to a summer season of legitimate stage<br />

productions starting July 5, according to<br />

Bryant Haliday and Cyrus Harvey jr. Three<br />

years ago, when Haliday and Harvey purchased<br />

the property, they put in rear projection<br />

equipment and have been showing<br />

foreign and art films. The theatre will return<br />

to films in the early fall . . . Jack Benny<br />

was honored at the 18th amiual goodwill<br />

dinner of the Massachusetts Committee of<br />

Catholics, Protestants and Jews at the Hotel<br />

Statler Thursday evening (5). Benny, Gen.<br />

Walter Bedell Smith, former undersecretary<br />

of state, and Gov. Theodore McKeldin of<br />

Maryland received citations. Maxwell Rabb<br />

of Boston, secretary of the cabinet, was the<br />

toastmaster.<br />

Donald Sweenie resigned as manager of<br />

the Nashoba Drive-In, Boxboro. to devote his<br />

full time to his winter job as an agricultural<br />

chemical broker. He opened the Nashoba<br />

four years ago with a group of West Acton<br />

businessmen and has been active in its operation<br />

as manager. This spring, Joseph E.<br />

IMAGE & SOUND SERVICE CORP.<br />

"The Best Value In Sound Service"<br />

445 Statler Building<br />

Levine, in partnership with Barnet Yanofsky,<br />

took a 15-year lease on the property and are<br />

now operating it. No replacement for Sweenie<br />

has been announced by Levine, president of<br />

Embassy Pictures.<br />

Nat Hochberg, who has been an exhibitor<br />

for a number of years, has been appointed a<br />

booker at Affiliated Theatres Corp. by President<br />

Ai-thui- Howard and Vice-President Seth<br />

Field, replacing Carl Goldman, who resigned<br />

to become lENE executive secretary. He is a<br />

brother of Joe Hochberg, buyer and head<br />

booker of Affiliated . . . Ken Forkey, Park<br />

Theatre, Worcester, returned from a vacation<br />

spent in Florida, looking tanned and rested.<br />

Loew's State and the Pilgrim are cai-rylng<br />

the closed circuit telecast of the heavyweight<br />

championship fight between Rocky Marciano<br />

and Dan Cockell on Monday evening (16).<br />

The State, with 3,500 seats, is charging $3.50<br />

for the entire house. As the fight starts at<br />

11 p.m., the management is emptying the<br />

theatre at 9:30 that evening, reopening at<br />

10:30 for fight fans. The Pilgrim is charging<br />

$4.40 and $3.30 per seat for reserved seats<br />

in the orchestra, and $2.80 per seat for the<br />

unreserved balcony. The management is<br />

emptying the theatre at 7, reopening at 8,<br />

allowing the fans to see the entire program<br />

of two pictures before the fight.<br />

The heavy campaign on MGM's "The Prodigal"<br />

is under way here with Floyd Fitzsimmons<br />

and Karl Fasick working with Arthur<br />

Canton of New York and local theatre<br />

publicists. TV, radio and newspapers wilij^<br />

used freely along with other gimmicks<br />

Over at Universal, Johnnie McGrail is W(c.<br />

ing with Jeff Livingston, eastern publity<br />

head, on the TV saturation campaign on le<br />

package deal of "Revenge of the Great:;"<br />

and "Cult of the Cobra."<br />

John Ford is to be honored by the le<br />

Society of Boston at a dinner planned or<br />

Saturday i7> at the Sheraton Plaza Hel<br />

Plans are to give him the society's gold mal<br />

for 1955 for his films representing the Ish<br />

way of life. He is to receive a hands le<br />

scroll prepared by the Franciscan Sister of<br />

Mary. Paul Tierney, president of the soc.y,<br />

is toastmaster; Dr. William Roche is geral<br />

chairman, and John McGrail, Universal jblicist,<br />

is chau-man for the motion picturendustry.<br />

Also at the head table will be he<br />

Most Rev. John Petit, Bishop of Meneviol<br />

Wales, and the Irish consul, the Hon. Joh D<br />

Shields.<br />

Anne Murphy of Jamaica Plain, wlier<br />

of the United Artists-Boston Post jingle n-<br />

test for "Vera Cruz," and her mother jse i<br />

placed aboard an American Airlines jJae \<br />

for a week's visit to Mexico City and in<br />

Cruz by publicists Joe Mansfield and lai.<br />

Fasick . . . After setting up several priu.<br />

screenings of the UA fUm "Marty," to-<br />

Mansfield left for Rochester and Syracust':<br />

escort film star Marion Carr to Bostorfo:<br />

press interviews. Miss Carr plays Frida i<br />

the Mickey Spillane film "Kiss Me De^lj<br />

. . . Al Clarke is now managing the lioi.<br />

Theatre, Springfield, for B&Q AssociatesH.<br />

formerly was Edward Fay's righthand j.ai.<br />

at the Majestic, Providence.<br />

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HU 2-7257<br />

82 BOXOFFICE May 7|


i<br />

I<br />

. , . Pat<br />

. . . Paul<br />

. . The<br />

. . Harry<br />

. . Charlotte<br />

. . Ernest<br />

>lan New England'Prodigal' Promotion N EW H AV £•<br />

N<br />

:<br />

'<br />

.<br />

A trailer truck toured the city heralding the<br />

opening of "The Prodigal" at Loew'r^ P".<br />

:<br />

The truck, out of New York, is on an es-vcT<br />

tour ... A local high school boy, who i:<br />

only has the name of Davy Crockett Sj<br />

descended from the Scottish forebbu,:. ;<br />

the famed Indian scout, was located by 1.<br />

Hillman, Roger Sherman manager, for newspaper<br />

breaks prior to the opening of "Davy<br />

Crockett—Indian Scout" . Sitzer<br />

of the Loew's Poli-New England Theatres was<br />

in Springfield for a regional convention of<br />

the National Secretaries Ass'n.<br />

Theatremcn salhered at New Haven recently to confer with MGM sales directors<br />

and publicists on exploitation plans for "The Prodigal." Top photo includes a group<br />

of Loew's Poll Connecticut men. Left to right: Matt Saunders and Harry Rose, Bridgeport;<br />

Joe Boyle, Norwich; Tony Masella, Meriden; Lou Cohen, Hartford. Standing<br />

are Lou Brown, Loew's Poll ad-publicity chief; Arthur Canton of MGM; Bob Carney,<br />

Waterbury; Oscar Doob, MGM; Harry F. Shaw, Poli division manager; John Di-<br />

Benedetto, Worcester; Sid Klepper, New Haven; Fred Greenway, Hartford, and Phil<br />

Gravitz, MGM manager at New Haven. Standing in the corner is Charles Gaudino,<br />

Springfield.<br />

In the bottom photo are a group of Stanley Warner Theatre managers. Seated:<br />

Manager Phil Gravitz; Nick Brickates, SW Connecticut district manager; Larry<br />

Germain, booker, and Joe Liss, Albany-Boston district manager. Standing; Floyd<br />

Fitzsimmons, Arthur Canton of MGM; Elmer Hirth, SW buyer and booker; Larry<br />

Lapidus and Oscar Doob of MGM.<br />

iARTFORD<br />

;urglars broke into the Wallingford home<br />

of George H. Wilkinson jr., MPTO of<br />

mnecticut president, for the second time<br />

two years, escaping with a reported $5,000<br />

stocks and a gold necklace. Wilkinson,<br />

lio owns and operates the Wilkinson The-<br />

LAST CHANCE!<br />

MARCIANO FIGHT<br />

FLEETWOOD TV-$2450.00<br />

Building? . . . Contact us for closed circuit |<br />

information data.<br />

j<br />

NORPAT.Inc. 113 West 42 St. N.Y.C. _j<br />

atre there, found the home ransacked shortly<br />

before midnight and contacted police.<br />

The SW Commodore Hull. Derby, offered<br />

a yo-yo champ as an added Saturday matinee<br />

children's show attraction . . . Jack<br />

Shields, SW Capitol, Ansonia. made an effective<br />

"This Is Your Army" tieup with local<br />

components of the National Guard. Guardsmen<br />

were stationed in front of an Army display<br />

in the theatre lobby . . . Sal Adorno sr,,<br />

general manager of M&D Theatres, Middletown,<br />

has been named chairman of theatre<br />

collections for the cancer campaign.<br />

Fred R. Greenway, Loew's Poli Palace, offered<br />

glass slippers to the first 100 patrons<br />

in line opening day of "The Glass Slipper"<br />

Buchleri, Hartford Theatres, invited<br />

the staff of the Hartford Hospital to attend<br />

a screening of "Doctor in the House."<br />

.'\ sneak preview of "The Seven Little Foys"<br />

was held at the Paramount, while "Mad at<br />

the World" was given a sneak showing at the<br />

Roger Sherman . Shaw, Loew's Poli<br />

division manager, was at the home office for<br />

two days of conferences . Borgnine,<br />

who plays the title role in "Marty," returned<br />

to his home town for a press preview of the<br />

film. The star's wife, father and other members<br />

of his family were present for his return.<br />

Others present included Bemie Kamber,<br />

press representative for Hecht-Lancaster;<br />

Irving Mendelson, local UA manager; Louis<br />

Brown, advertising-publicity chief for Loew's<br />

Poli-New- England Theatres; Irving Hillman,<br />

manager of the Roger Sherman; Mat Saunders,<br />

manager of Loew's Poli, Bridgeport, and<br />

Lou Cohen, manager of Loew's Poli, Hartford.<br />

FALL RIVER<br />

Cocial workers of the area were given a preview<br />

of "Cell 2455, Death Row" at the<br />

Empire Theatre as guests of Manager John<br />

McAvoy . . . Children's Circus Week was observed<br />

at Nathan Yamins' Embassy Theatre<br />

during the Easter vacation. The observance<br />

was preceded by a parade in the center of<br />

the city. Children enjoyed rides on ground<br />

concessions, the free miniature circu.s lobby<br />

display and a stage show, which featured the<br />

final day of the special program. Local merchants<br />

distributed tickets for the event.<br />

.<br />

Mac Wiseman and his Hill Billies played a<br />

successful one-night stand at the Empire.<br />

Manager McAvoy was selected as a judge for<br />

a beauty show sponsored by a leading local<br />

merchant Westport Drive-In,<br />

operated by Nathan Yamins, ha.s been increased<br />

to accommodate 100 more cars. It<br />

is located in the nearby town of Westport<br />

Slayer is recuperating at the Union<br />

Hospital following a major operation. He<br />

is manager of the Durfee Theatre.<br />

Starr Talks on Toll TV<br />

NEW HAVEN—Subscription TV was discussed<br />

by Alfred Starr of Nashville, former<br />

TOA president and now chairman of the TOA<br />

executive committee, in an address before<br />

Connecticut exhibitors at the Lincoln Theatre.<br />

The talk was open to all state showmen.<br />

More than 75 attended.<br />

Vacations in Arizona<br />

HARTFORD—A. J. "Jack" Bronstein,<br />

president of East Hartford Family Drive-In<br />

Theatre Corp., has returned from a threeweek<br />

vacation trip to Arizona.<br />

I)X0FFICE :: May 7, 1955 83


'<br />

. . . Joe<br />

. . . The<br />

. . Rejected<br />

. . Lea<br />

:<br />

WINNIPEG<br />

•pari Fainblitt, formerly with International<br />

Films, is the new booker at Warner<br />

Bros., replacing Barney Brookler. who resigned<br />

and is contemplating the formation<br />

of another booking service company in this<br />

Among visitors to the Paragon<br />

territory . . .<br />

offices on Filmrow were Izzy Berenbaum of<br />

the Starlite. Regina; Emil Schmidt, who is<br />

building the Blue Moon Drive-In near Morden.<br />

and Harry Baldwin of the Avalon.<br />

On Filmrow were Morris Druil,<br />

. Som'is . .<br />

Shoal Lake; Garnet Wright. Keewatin; Tom<br />

Morris. Virden: Charlie Chaplin. United<br />

Artists general manager; Cecil Fox. assistant<br />

general sales manager for 20-Fox. and Murray<br />

Sweigman. Theatre Poster Service. Toronto.<br />

Travel has been banned on most provincial<br />

highways and the film men were stranded<br />

in the city . . . JARO Manager Phil Geller<br />

will replace retiring Joe Huber as manager<br />

FOR SALE<br />

YES! 8,500 LATE MODEL<br />

USED OR RECONDITIONED<br />

Also new British-Luxury Choirs available<br />

THEATRE<br />

CHAIRS<br />

Spring edge steel bottom seat cushions and<br />

upholstered backs— spring back types also.<br />

fully<br />

Carpeting, asphalt, rubber. Vinyl tiles and<br />

WE ARE FACTORY AGENTS-<br />

PRICES MOST REASONABLE<br />

"LA SALLE"<br />

RECREATIONS, Ltd.<br />

Theatre Ctiairs, Carpet. Linoleum and Tile Division. )<br />

945 GRANVILLE ST., VANCOUVER d<br />

MARINE 5034-5428<br />

^<br />

\<br />

of the 20th-Fox branch office here June 1.<br />

Huber has a splendid record of 34 years of<br />

faithful service with the same company, and<br />

is being pensioned upon retirement.<br />

Mesho Triller held "Childi-en of Love" for<br />

a second week at the Dominion. In advertising<br />

his second week Triller used a photo<br />

of his lineup in front of the theatre . . .<br />

Tom Pacey advertised the fourth and final<br />

week of "A Man Called Peter" at the Odeon.<br />

Saskatchewan Labor Minister C. C. Williams<br />

said he would be glad to look into his<br />

province's system of censoring films at the<br />

next session of the legislature to see if some<br />

improvements can be made. Williams made<br />

the statement during consideration of an<br />

item of $13,910 for the provincial film censor<br />

for 1955-56. Hanley representative Robert<br />

Walker had suggested the province should<br />

re-examine its position. He said Saskatchewan,<br />

in substituting a censor for the criminal<br />

code, was leading to a "totalitarian" type of<br />

thinking. "If you repose that supreme power<br />

in a censor, you repudiate the principle that<br />

everyone is entitled to literary freedom."<br />

Walker stated during a session in parliament.<br />

Drive-In operators report an unusually large<br />

amount of speakers have been stolen for the<br />

.short amount of time they have been In<br />

operation. Patrons are also removing relish,<br />

mustard and raw onion receptacles from the<br />

condiment bars and strewing the contents<br />

over floors and walkways. Most managers<br />

bar and lock their- refreshment bars and<br />

buildings right after the Sunday midnight<br />

intermission for fear of damage, bodily<br />

harm, or robbery.<br />

'Murder' at Art House<br />

TORONTO—"Three Cases of Murder" was<br />

the British opus at the International Cinema,<br />

while the Hollywood introduced a new British<br />

picture in "Court Martial." Against these<br />

were three Italian pictures: "I Falsari" at<br />

the Studio. "Barber of Seville" at the Pylon<br />

and "Donne Senza Nome" at Major's St.<br />

Clair.<br />

J. M. RICE & CO., Ltd.<br />

202 Canada Bldg.<br />

Telephone 93-5486<br />

Winnipeg, Manitoba<br />

10029 Jasper Ave.<br />

Telephone 28502<br />

Edmonton, Alberta<br />

35mm and 16mm Motion Picture and Sound Equipment<br />

EXPERT REPAIR DEPARTMENT<br />

Sole agents in Western Canada for Ballantyne Sound, Projectors, Drivein<br />

Equipment and 3-D Equipment.<br />

Check This List and See Us Soon:<br />

Screens<br />

Radio Tubes and<br />

DArc Lamps<br />

Tungor Bulbs<br />

P . „ Theatre Chairs<br />

|—I<br />

'—<br />

Carbons Lenses<br />

D Generators Lamps d Tickets<br />

Electrical Supplies F] Batteries<br />

VANCOUVER^-<br />

Qrpheum Manager Ivan Ackery lost anotlf<br />

member of his floor staff when Jimr<br />

Webster was promoted to assistant manaj}<br />

of the Capitol, replacing Gerry Anthoi,<br />

who resigned. Both houses are PPC uni<br />

Segal. IFD booker, has quit sb'<br />

bus:ness .<br />

MGM here,<br />

. Roy Clouston, formerly w:!<br />

is now with International Fii<br />

.<br />

Frank Martineau. tot<br />

Distributors . . .<br />

artist, is doing some lobby displays for tf<br />

Studio Theatre.<br />

Peter Sigalet is now on the floor staff f:<br />

the International Cinema . Poll, si<br />

of Donn Foil of the Studio, was marr I<br />

to Elizabeth Tangye. Both are members<br />

I<br />

the violin section of the Vancouver Symph(;(<br />

orchestra.<br />

Foto-Nite ran up against the law ji<br />

Sa.'^katoon. Sask. The Tivoli. Broadway ei<br />

Victory have been charged with conduct|<br />

a scheme or operation of a lottery contriir<br />

to the criminal code . by e<br />

Alberta board of censors were "The 'V.ii<br />

One." "Public Enemy." "She Shoulda Sjl<br />

No" and "The French Line." The last \lSi<br />

approved after alterations, but is still mS<br />

ing from British Columbia screens. T(-<br />

vision is not any competition for the Burn;)<br />

Film Council, Vic Price, retii'ing presides<br />

told the annual meeting. The group p-<br />

sented 194 shows attended by 24.560 pecf<br />

over a 6-month period, an increase of I<br />

per cent in attendance. All units are f<br />

16mm.<br />

Ivan Ackery gave "Royal Symphony<br />

treatment at the Orpheum with half<br />

ads in two daily papers. Jack Reid desefti<br />

mention for cutting it down from 60 1<br />

minutes to fit in with the Orpheum proi<br />

Okanagan fruit belt area arotjl<br />

Penticton will have two new drive-ins ;(<br />

a new four-wall theatre this summer. 1<br />

berta theatre owner F. Steffin will buili^i<br />

500-seater in competition to the FPC Cajt)<br />

and expects to open in September. A ArH<br />

in will be erected on Highway 97 by Aij<br />

Morris, while Pete Barnes, operator of tlMi<br />

Vancouver area theatres, will build a*<br />

Pow-Pow Drive-In at Oreville, Wash.,|<br />

hold 500 cars. The latter will cost $150J<br />

Canadian NFB Film to G<br />

To Latin America Video<br />

\<br />

MONTREAL—The National Film Boanp:<br />

Canada has signed a contract with FOR/1<br />

(Fremantle Overseas Radio & Televis:<br />

giving that company rights for distribuji;<br />

of NFB films to television stations in L;<br />

America. Paul Talbot, president, signed<br />

Fremantle when in Ottawa and A. W. Ti?<br />

man. commissioner, signed for the NFiaf<br />

Canada. The arrangement takes effect i-<br />

mediately.<br />

Of the many NFB subjects to be distribi'd<br />

by FOR-TV. some will be in Spanishori<br />

Portuguese. Others will have music id<br />

sound effect tracks only, to which author?d<br />

Spanish or Portuguese commentaries. ;Pplied<br />

by the board, will be dubbed inJyi<br />

local announcers.<br />

The contract was concluded as one of le:<br />

results of a survey of NFB distribu'ni<br />

activity in Mexico and Cuba, made ea er.<br />

this year by Len W. Chatwin, directonofdistribution<br />

for NFB.<br />

86 BOXOFFICE May 7,


'<br />

'<br />

—<br />

: May<br />

—<br />

. . . Curly<br />

. . . Miss<br />

. . Manager<br />

. . Sam<br />

.<br />

.<br />

'oronto Holds Steady<br />

luring Warm Weather<br />

'rORONTO—With a spell of warm weather,<br />

ironto first runs were steady to good on<br />

y dovers at seven theatres and three new<br />

tures.<br />

J<br />

The best grosser was "Battle Cry"<br />

3 the Imperial, while among the extended<br />

e;agements. "The Country Girl" still had<br />

H)Ull in its fifth w'eek at Shea's.<br />

:<br />

,<br />

i|<br />

Average Is 100)<br />

anion University Eost of Eden (WB), 3rd wk. 100<br />

flond—To Paris with Love (JARO), 4th wk 100<br />

lenol— Bottle Cry ;WB) 20<br />

I<br />

Llws^The Gloss Slipper (MGM), 2nd wk<br />

1<br />

115<br />

Htown White Feother (20th-Fox) 105<br />

C-on—A Mon Colled Peter (20th-Fox), 4th wk. . .100<br />

5jjs_The Country Girl (Poro), 5th wk 105<br />

T>1 —Seven Angry Men (AA); The Mighty<br />

•ortress AA) 110<br />

l,ne~Aido IFE), 4th wk 100<br />

own— Bedevilled !MGM) 110<br />

racouver Grosses<br />

How Average<br />

'/ANCOUVER— Receipts here were down<br />

\ h most houses far below average. "Hit the<br />

1 ck" was only fair at the Capitol and was<br />

(, after six days. "A Man Called Peter"<br />

TS below expectations at the Vogue, but<br />

1 s held.<br />

(,itol— Hit the Deck MGM) Fair<br />

(emo— Reor Window Paro), Sobrino (Para)..Foir<br />

i< heum—Many Rivers to Cross (MGM) Fair<br />

(odise— High Society AA); Dial Red O<br />

AA)<br />

Moderate<br />

Iza—Court Martial (JARO); Five Guns West<br />

SR)<br />

Averoge<br />


. . . Joe<br />

. . . The<br />

. . Rejected<br />

. . Lea<br />

'<br />

WINNIPEG<br />

pari Fainblitt, formerly with International<br />

Films, is the new booker at Warner<br />

Bros., replacing Barney Brookler. who resigned<br />

and is contemplating the formation<br />

of another booking service company in this<br />

territory . . . Among visitors to the Paragon<br />

offices on Filmi-ow were Izzy Berenbaum of<br />

the Starlite, Regina; Emil Schmidt, who is<br />

building the Blue Moon Drive-In near Morden,<br />

and Harry Baldwin of the Avalon.<br />

Souris ... On Filmrow were Morris Druil,<br />

Shoal Lake: Garnet Wright, Keewatin; Tom<br />

Morris, Virden; Charlie Chaplin, United<br />

Artists general manager: Cecil Fox, assistant<br />

general sales manager for 20-Fox, and Murray<br />

Sweigman, Theatre Poster Service, Toronto.<br />

Travel has been banned on most provincial<br />

highways and the film men were stranded<br />

in the city . . . JARO Manager Phil Geller<br />

will replace retiring Joe Huber as manager<br />

FOR SALE<br />

YES! 8.500 LATE MODEL<br />

USED OR RECONDITIONED<br />

Also new British-Luxury Choirs available<br />

THEATRE<br />

CHAIRS<br />

Spring edge steel bottom seat cushions and<br />

fully upholstered bocks— spring bock types also.<br />

Corpeting, asphalt, rubber, Vinyl tiles and<br />

Imoleum,<br />

WE ARE FACTORY AGENTS-<br />

PRICES MOST REASONABLE<br />

11<br />

you photographs<br />

LA SALLE"<br />

RECREATIONS, Ltd.<br />

Theatre Chairs, Carpet, Linoleum and Tile Division.<br />

945 GRANVILLE ST., VANCOUVER<br />

MARINE 5034-5428<br />

of the 20th-Fox branch office here June 1.<br />

Huber has a splendid record of 34 years of<br />

faithful service with the same company, and<br />

is being pensioned upon retii'ement.<br />

Mesho Triller held "Children of Love" for<br />

a second week at the Dominion. In advertising<br />

his second week Triller used a photo<br />

of his lineup in front of the theatre . . .<br />

Tom Pacey advertised the fourth and final<br />

week of "A Man Called Peter" at the Odeon.<br />

Saskatchewan Labor Minister C. C. Williams<br />

said he would be glad to look into his<br />

province's system of censoring films at the<br />

next session of the legislature to see If some<br />

improvements can be made. Williams made<br />

the statement during consideration of an<br />

item of $13,910 for the provincial film censor<br />

for 1955-56. Hanley representative Robert<br />

Walker had suggested the province should<br />

re-examine its position. He said Saskatchewan,<br />

in substituting a censor for the criminal<br />

code, was leading to a "totalitarian" type of<br />

thinking. "If you repose that supreme power<br />

in a censor, you repudiate the principle that<br />

everyone is entitled to literary freedom,"<br />

Walker stated during a session in parliament.<br />

Drive-In operators report an unusually large<br />

amount of speakers have been stolen for the<br />

short amount of time they have been in<br />

operation. Patrons are also removing relish,<br />

mustard and raw onion receptacles from the<br />

condiment bars and strewing the contents<br />

over floors and walkways. Most managers<br />

bar and lock their refreshment bars and<br />

buildings right after the Sunday midnight<br />

intermission for fear of damage, bodily<br />

harm, or robbery.<br />

'Murcier' at Art House<br />

TORONTO—"Three Ca.ses<br />

of Murder" was<br />

the British opus at the International Cinema,<br />

while the Hollyvi'ood introduced a new British<br />

picture in "Court Martial." Against these<br />

were three Italian pictures: "I Falsari" at<br />

the Studio, "Barber of Seville" at the Pylon<br />

and "Donne Senza Nome" at Major's St.<br />

Clair.<br />

J. M. RICE & CO., Ltd.<br />

202 Canada Bldg.<br />

Telephone 93-548G<br />

Winnipeg, Manitoba<br />

10029 Jasper Ave.<br />

Telephone 28502<br />

Edmonton, Alberta<br />

35mm and 16mm Motion Picture and Soimd Equipment<br />

EXPERT REPAIR DEPARTMENT<br />

Sole agents in Western Canada for Ballantyne Sound, Projectors, Drivein<br />

Equipment and 3-D Equipment.<br />

[]] Screens<br />

n Arc Lamps<br />

Rectifiers<br />

n Generators<br />

Electrical<br />

Check This List cmd See Us Soon:<br />

Radio Tubes and<br />

Tungor Bulbs<br />

Theatre Chairs<br />

n Carbons Lenses<br />

Lamps<br />

Tickets<br />

Supplies r] Batteries<br />

VANCOUVER<br />

Qrpheum Manager Ivan Ackery lost anotlmember<br />

of his floor staff when Jimi<br />

Webster was promoted to assistant mana;<br />

of the Capitol, replacing Gerry Anthoi<br />

who resigned. Both houses are FPC un<br />

Segal, IFD booker, has quit sh<br />

business .<br />

MGM here,<br />

. Roy Clouston, formerly w:<br />

is now with International Pij<br />

.<br />

Frank Martineau. lo.l<br />

Distributors . . .<br />

artist, Ls doing some lobby displays for t><br />

Studio Theatre. f<br />

Peter Sigalet is now on the floor staff!<br />

the International Cinema . Poll, si<br />

of Donn Foli of the Studio, was marrl<br />

to Elizabeth Tangye. Both are members!<br />

the violin section of the Vancouver SymphcJF<br />

orchestra.<br />

Foto-Nite ran up against the law Ji<br />

Saskatoon, Sask. The Tivoli, Broadway sa<br />

Victory have been charged with conducts<br />

a scheme or operation of a lottery contris<br />

to the criminal code . by t<br />

Alberta board of censors were "The vJi<br />

One," "Public Enemy," "She Shoulda Sfl<br />

No" and "The French Line." The last ijs<br />

approved after alterations, but is still moling<br />

from British Columbia screens. Tflvision<br />

is not any competition for the Bumij!<br />

Film Council, Vic Price, retiring presid^<br />

told the annual meeting. The group<br />

sented 194 shows attended by 24,560 ped<br />

over a 6-month period, an increase ofjl<br />

per cent in attendance. All units are C<br />

16mm.<br />

Ivan Ackery gave "Royal Symphony"<br />

treatment at the Orpheum with half-pl<br />

ads in two daily papers. Jack Reld deseij<br />

mention for cutting it down from 60 toj<br />

minutes to fit in with the Orpheum progil<br />

Okanagan fruit belt area aroi]<br />

Penticton will have two new drive-ins i(<br />

a new four-wall theatre this summer. »<br />

berta theatre owner P. Steffin will buili<br />

500-seater in competition to the FPC CapSl'<br />

and expects to open in September. A drp<br />

in will be erected on Highway 97 by A<br />

Morris, while Pete Barnes, operator of tlje.<br />

Vancouver area theatres, will build<br />

Pow-Pow Drive-In at Oreville, Wash.,i<br />

hold 500 cars. The latter will cost $150JftJ<br />

Canadian NFB Film to Glr'<br />

To Latin America Vicieo<br />

MONTREAL—The National Film BoanpL<br />

Canada has signed a contract with FORil<br />

(Fremantle Overseas Radio & Televisii<br />

giving that company rights for distribuil<br />

of NFB films to television stations in Ll<br />

America. Paul Talbot, president, signedbBfjjj<br />

Fremantle when in Ottawa and A. W. Tip gj,<br />

man, commissioner, signed for the NPlb ijf]<br />

Canada. The arrangement takes effect p<br />

mediately.<br />

| ijj.<br />

Of the many NFB subjects to be distribifl<br />

by FOR-TV, some will be in SpanishDl^<br />

Portuguese. Others will have music id<br />

sound effect tracks only, to which authored,<br />

Spanish or Portuguese commentaries, fp|<br />

plied by the board, will be dubbed inp<br />

local announcers.<br />

The contract was concluded as one off<br />

results of a survey of NFB distribuM<br />

activity in Mexico and Cuba, made ea:|f<br />

this year by Len W. Chatwin, directoilo<br />

distribution for NFB.<br />

86 BOXOFFICE May 7,


I<br />

I r the top, the goal of $5,105,000 being ext<br />

1 m.^iands<br />

'<br />

'<br />

I<br />

' distinction<br />

—<br />

—<br />

: May<br />

—<br />

. . . Miss<br />

. . Manager<br />

. .<br />

'oronto Holds Steady<br />

luring Warm Weather<br />

'I'ORONTO—With a spell of warm weather,<br />

"iionto first runs were steady to good on<br />

Hdovers at seven theatres and three new<br />

ritures. The best gi-osser was "Battle Cry"<br />

3 the Imperial, while among the extended<br />

djagements. "The Country Girl" still had<br />

3 mil in its fifth week at Shea's.<br />

.<br />

(Average Is 100)<br />

University Eost of Eden (WB), 3rd wk.lOO<br />

Inton<br />

ond—To Poris with Love (JARO), 4th wk 100<br />

||,erial"-Bottlc Cry (WB) 20<br />

iJw's^Thc Gloss Slipper (MGM), 2nd wk<br />

1<br />

115<br />

Rtown—White Feother (20th-Fox) 105<br />

Con—A Man Colled Peter (20th-Fox). 4fh wk. .100<br />

Sios—Thc Country Girl (Para), 5fh wk 105<br />

Tall—Seven Angry Men (AA); The Mighty<br />

ortress (AA) 110<br />

l.ne— Aido (IFE), 4tli wk 100<br />

d own—Bedevilled (MGM) 110<br />

racouver Grosses<br />

How Average<br />

'/ANCOUVER—Receipts here were down<br />

\l h most houses far below average. "Hit the<br />

]ck" was only fair at the Capitol and was<br />

(, after six days. "A Man Called Peter"<br />

\s below expectations at the Vogue, but<br />

\)s<br />

held.<br />

Aitol Hit the Deck (MGM) Fair<br />

demo— Reor Window (Para); Sobrino (Para).. Fair<br />

Qheum Mony Rivers to Cross (MGM) Fair<br />

Bodise— High Society (AA); Dial Red O<br />

AA)<br />

Moderate<br />

lizo—Court Martial (JARO); Five Guns West<br />

SR)<br />

Average<br />

d,nd The Gloss Slipper (MGM), 2nd wk Fair<br />

idio The Little Fugitive (UA), 3rd wk, .. Moderate<br />

;\I|ge<br />

. . , Averoge<br />

A Man Colled Peter (20th-Fox) .<br />

IFB's 'Stratford' Wins<br />

Canadian Film Award<br />

l)TrAWA—The National Film Board's "The<br />

i'atford Adventure" was chosen by the<br />

(inadian Film Awards as the top 1954 Caii.1ian<br />

made short subject. The picture deals<br />

vh the Shakespearean Festival, which is<br />

I'.v in its third year at Stratford, Ont. Accding<br />

to Walter Herbert, chairman of the<br />

Sards committee, this is the first time the<br />

t'up has given a chief award to the govemilnt<br />

film agency.<br />

Ivinners of class awards, in addition to<br />

'I ratford," were "Gift of the Glaciers" by<br />

i' Alberta government; "Where None Shall<br />

lirst," produced by the United Church of<br />

(nada. and "Riches of the Earth," NFB.<br />

.iecond prizes went to "It's in the Cards,"<br />

I'lduced by Crawley Films, and "High Tide<br />

1 Newfoundland," "The Homeless Ones" and<br />

;ie Little Indian," all from NFB.<br />

]?C Officials Acclaimed<br />

br Hospital Fund Aid<br />

TORONTO—Both President J. J. Fitzgib-<br />

1 !.


I<br />

"txclusive<br />

. . Lucien<br />

. . Herman<br />

. . Doreen<br />

. . H.<br />

. .<br />

. . Manager<br />

. . Ernie<br />

MONTREAL<br />

. Wide<br />

John Filion has been appointed regional<br />

manager in eastern Canada for Gevaert.<br />

He started his career with the Bell Telephone<br />

Co. of Canada<br />

as a salesman, entering<br />

Arrow Films after<br />

serving with the Royal<br />

Canadian Aii' Force<br />

during World War II.<br />

He held the position of<br />

district manager until<br />

his appointment with<br />

Gevaert. .<br />

publicity has been<br />

given to International<br />

Variety's presentation<br />

o f George Formby,<br />

John Filion British film and stage<br />

star, in a giant revue to be offered at the<br />

Montreal Forum May 9.<br />

. . .<br />

Quebec province exhibitors are closely<br />

checked on admittance of children, but just<br />

the same, reports come up every so often<br />

of breaches of the law including that theatres<br />

in smaller towns openly advertise<br />

special Sunday matinees for children<br />

The Montreal chapter of the Professional<br />

Technicians showed three colored fUms at<br />

their annual meeting . . . City of Montreal's<br />

open-air theatre will be in operation late in<br />

Jime. It will have a seating capacity of<br />

2,500, and stage and screen shows will be<br />

presented.<br />

Bill Young, head booker at Paramount, was<br />

home ill . . . Columbia's Sales Salute Drive,<br />

Jan. 1-June 25, comprising all branches of<br />

the company, both Canadian and American,<br />

is very much to the fore in Montreal. District<br />

and local office Manager I. Levit has been<br />

asking all exhibitors to help make the drive<br />

John Levitt, salesman for<br />

a success . . .<br />

Columbia, has left on another business trip<br />

to Shawinigan Falls and district . . . "The<br />

Long Gray Line" opened at the Palace Theatre.<br />

D. V. Rosen, Toronto general manager of<br />

International Film Distributors and of Allied<br />

Artist Pictures of Canada, conferred with<br />

MOTIOGRAPH equipment<br />

Cgnplali llni<br />

ol lictory pifts<br />

Everything for the theatre<br />

We Sell and Service<br />

Theatre Chain, Rectiflon, Are Lamps,<br />

Sound Equipment, 16mm af>d 35mm Projectors<br />

SHARP'S THEATRE SUPPLIES, Ltd.<br />

Phones: 2-4076 and 2-7266<br />

Film Exchange BIdg. Colgary, Alto.<br />

Conadion Distributor For Film<<br />

. . . Billy<br />

.<br />

District Manager Joe Oupcher<br />

Daniels, screen and recording artist, enjoyed<br />

success at the United Amusement's<br />

Seville Theatre Goldberg, of<br />

WB's New York City office visited the local<br />

branch office where plans are being made to<br />

renovate and modernize Masters,<br />

Toronto,<br />

.<br />

Warner Bros, general manager for<br />

Canada, conferred with Manager Alxhie<br />

Cohen . Jean is the new accountant<br />

at Montreal Poster, succeeding Rene Brosseau<br />

... A. Kucen, auditor, 20th-Fox's New<br />

York City office, is at the Montreal branch.<br />

Jacqueline Osher, cashier at United Artists,<br />

has been sent to the Toronto office for a<br />

few weeks, replacing the Toronto cashier<br />

absent because of Illness . . .<br />

The Filmi'ow<br />

office staff was much interested in the news<br />

concerning Pierrette DeQuoy, formerly secretary<br />

to Gerry Chernoff, 20th-Fox manager.<br />

Some time ago she left to study art in<br />

France, and met Serge N. Emelyanov of<br />

Toulon. Now they plan to marry in Montreal.<br />

Mrs. Jean-Gay Tremblay, (Carmen Hamel),<br />

cashier at IFD. postcarded her colleagues<br />

here from Miami Beach, Fla., where she is<br />

honeymooning . Acker, stenographer<br />

at Warner Bros., and Isadore Glassman<br />

plan to marry early this summer .<br />

Paul "Vanier, salesman for Warner Bros.<br />

16mm division, left by automobile on a business<br />

trip to the Gaspe peninsula . . .<br />

Exhibitors<br />

on Filmrow included Maurice Phaneuf,<br />

manager of the Granada at Sherbrooke, a<br />

UAC house; Eugene Venne of the Avalon,<br />

Longueuil; Ai-mand Gingras of the Canada,<br />

Levis. Quebec; G. Tremblay of the Palace at<br />

Ai-vida and the Capitol at Chicoutimi; Mel<br />

Cohen, of the Rex, Ste. Anne-de-Bellevue.<br />

Tent 28 Schedules Three<br />

More Charity Events<br />

TORONTO—In addition to the five-engagement<br />

tour of British comedian George Formby,<br />

which opens Monday (9) at Montreal,<br />

Toronto "Variety Tent 28 has lined up three<br />

special attractions to aid the "Variety 'Village<br />

Vocational School for handicapped boys.<br />

An outstanding feature is the aimual International<br />

League benefit baseball game at the<br />

local ball park late in June, through which<br />

Tent 28 expects to raise $50,000 or more, as<br />

usual.<br />

Also booked is a Scottish band concert,<br />

under the management of Sol Hurok, which<br />

w'ill go into Maple Leaf Gardens here in the<br />

early fall. Negotiations are also proceeding<br />

for a sponsored Canadian tour by an English<br />

road company.<br />

Chief Barker Harry S. Mandell and his<br />

associates report they are deeply grateful<br />

to the associations of theatre managers for<br />

the benefit nights at Hamilton, St. Catharines,<br />

Belleville, Brantford, Windsor, Toronto, North<br />

Bay, Peterborough, Guelph and Chatham, as<br />

well as to Canvasman George Altman for his<br />

one-man scrap metal campaign for the same<br />

cause.<br />

The George Formby bookings include Montreal,<br />

Ottawa. Toronto, Hamilton and London.<br />

P. Gonzales Gonzales Borrowed<br />

Borrowed from Batjac Productions, Pedro<br />

Gonzales Gonzales will have a featured role<br />

in RKO's "Bengazi."<br />

F<br />

trip hoi's<br />

i<br />

FPC Plans Experimer<br />

To Share Transit Cost<br />

TORONTO—FPC President J. J. Fitzg<br />

bons reported at the company's annual mei.<br />

ing that a test would be made in Va<br />

couver of a plan for the sharing of patro<br />

public transportation costs in a tiein with tt a<br />

British Columbia Electric Co.<br />

A transit ticket for the return<br />

would be given to the theatregoer on pi:,.<br />

senting a transfer at the boxoffice. For t-<br />

part, the transit firm would furnish thea^'<br />

information through its telephone serve<br />

while, in exchange, the theatres would i-.i<br />

range to advertise the advantages of the piL<br />

lie utility through the medium of the sere<br />

Fitzgibbons said that, if the test proiii:j<br />

satisfactory, a similar plan would be offe^f<br />

to the Toronto Transit commission.<br />

He also told the meeting that televisjii<br />

competition was tapering off, but said tijtj<br />

the T'V broadcasting stations at Kitche:<br />

and Quebec City, in which the chain h;<br />

50 per cent interest, were going very wel<br />

Fitzgibbons expressed the belief t<br />

Famous Players earnings in 1955 would<br />

equal to the showing last year. The circ<br />

secured about 42 per cent of the total theaje'<br />

gross for all Canada and paid 45 per cent<br />

total film rentals.<br />

OTTAWA<br />

.<br />

'IVA'anager Clare Chamberlain of the Gl«'<br />

Cinema was happy with a holdover fc"<br />

fom-th week of "Mr. Hulot's Holiday," brol<br />

for two nights by the stage appearance<br />

Ruth Draper Warren supervi<br />

the 1955 start of the Aladdin Drive-In<br />

20th Century Theatres unit here, while LI.<br />

Williams turned on the lights for the Ift<br />

Elmsley near Smiths Falls . . With<br />

.<br />

assist by Manager Ray Tubman of the Ci\<br />

Paramount conducted a special screeCfg<br />

tol.<br />

of "Assignment Children" for a Parliamkt<br />

gathering.<br />

R, E. Maynard of the Francais had "Sam<br />

and Delilah" for a first Ottawa run in<br />

French language version.<br />

Sunday services continue in the Cap<br />

for the congregation of Chalmers Chi)<br />

while reconstruction of the downtown edi<br />

is carried out following considerable fire 6i<br />

age . Ray Tubman had the ani<br />

concert of the Ottawa Philharmonic Soc<br />

between pictures.<br />

Buys J. T. Farrell Rights<br />

From Hollywood Edition<br />

HOLLYWOOD—Producer Lew Kerner,<br />

recently acquired film rights to the Jame<br />

Farrell novel, "Studs Lonigan," has seci<br />

similar rights to all of Farrell's other li'<br />

properties. "Studs Lonigan" is being<br />

for lensing as a United Artists release.<br />

Good Housekeeping for May selects<br />

follcwlng pictures for all the family:<br />

signment Children," "The Blackbc<br />

Jungle," "Interrupted Melody" and<br />

Glass Slipper." Recommended for<br />

is "Tight Spot."<br />

88<br />

BOXOFFICE May 7,


v Srrihp U<br />

H<br />

Cauu>me/nt • C&Hce-uc»tvs • AftiititlnaAiCc<br />

©PBIH<br />

MAY<br />

7. 1955<br />

l^utomaiic vending is an<br />

important adjunct to the<br />

nearby concession stand<br />

in the recently remodeled<br />

RKO Keith's<br />

Theatre in Washington,<br />

D. C, This new cold<br />

drink machine offering<br />

eight different flavors<br />

and a choice of six carbonated<br />

and two noncarbonated<br />

drinks is recessed<br />

into the wall, as<br />

is also the receptacle for<br />

used cups. It is a dual<br />

machine which can serve<br />

two people at once, and<br />

there are also two builtin<br />

coin changers. The<br />

de luxe first run Washington<br />

theatre was recently<br />

reopened after a<br />

$100,000 remodeling extending<br />

over a period of<br />

eight months.<br />

featuring<br />

i^onceddlond unci ^y^uiomutlc Uencli


50,000,000 times a day . . .<br />

IT'S A MATTER OF<br />

Coca-Cola is the most asked-for<br />

soft drink in drug stores !<br />

*<br />

^IJO y U »>. L h FL-AT;.<br />

1<br />

. Patrons of drug store soda fountains<br />

buy more Coca-Cola than all other<br />

soft drinks combined.<br />

2. When these people patronize your theatre,<br />

they'll look for their favorite.<br />

3. You can turn their proven preference<br />

into profit — by selling them<br />

what they want: Coca-Cola.<br />

...more than<br />

9,600 theatres do!<br />

•1954 surveys by Alfred Politz Research, Inc.


1 XOFFICE<br />

I<br />

,35' «'<br />

Mi H***"*<br />

..w<br />

Vi<br />

^1<br />

^r^<br />

c<br />

^<br />

I^<br />

'"r' !n seporO«e mon^^'J i„o,ion, o-^^ (


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Keep an Ear<br />

to the Ground!<br />

m<br />

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You'll hear an exciting sound! . . . appealing, realisstereophonic<br />

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Yes, stereophonic sound is making a "big noise"<br />

everywhere. The top films, the name films, the big box office films<br />

— all are using this new directional sound technique! Movie-goers<br />

who have already heard it want more . . . and those who have not<br />

yet heard it are anxiously awaiting a chance!<br />

What an opportunity this is for you! Give 'em what<br />

they're so eager to hear— stereophonic sound at its best! And to<br />

make sure it's the best, use the greatest sound system in the<br />

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The MODERN THEATRE SEClE


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IBest for today's screens<br />

a, ns/CXTST for tlxe f\xt\ire<br />

Drive-in screens have grown wider to show the<br />

new processes . . . and they're sti/lgrowing/That's<br />

why RCA Dyn-Arc Projection Lamps are advanceengineered<br />

for lighting power far beyond that of<br />

conventional lamp designs.<br />

RCA Dyn-Arcs give all the light you need for<br />

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hits. They're perfect for use with an f/1.7<br />

lens. And with present standard or Hitex carbons,<br />

Dyn-Arcs throw more light per ampere<br />

than any other lamp in their field.<br />

The Dyn-Arc brings you still another important<br />

benefit. It has been designed to take full advantage<br />

of the newer developments in the projection<br />

arc lighting field.<br />

Dyn-Arc's "Instant Acting" ventilating assembly<br />

keeps reflector cool and dust free. Automatic<br />

water circulator available to lower overall operating<br />

temperature. And thanks to a large, highspeed<br />

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Best for today's screens, a wust for the future . .<br />

RCA Dyn-Arc Lamps! Your independent RCA<br />

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RADIO CORPORATION of AMERICA<br />

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IXOFFICE May 7, 1955


ml<br />

B The btillioncy of your projected pictures,<br />

regardless of the efficiency of oil other equipment,<br />

is dependent directly upon the condition<br />

6f your lamphouse reflector. The only light<br />

which con reach your screen niust necessorily<br />

be reflected to it by this mirroi.<br />

since a drop of only 10% in their reflective<br />

efficiency results in a corresponding decrease in<br />

screen brilliancy, and accordingly also represents<br />

a loss amounting to 10% of the cost of your<br />

current ond carbons.<br />

I<br />

All reflectors gradually deteriorate to a state<br />

where replacement cost becomes insignificant.<br />

NATIONAL<br />

iilfJill^i'lHl'M<br />

OivMlgn ol Nol'ionsl • Simple. •Bludwolb.lix.<br />

•THEKFS A IMNCH NEAR YOU"<br />

I Genuine National Precision Reflectors are<br />

available for replacement in all types ond mokes<br />

of arc lamps.<br />

A SUBSIDIARY or<br />

The MODERN THEATRE SECT


—<br />

HA Y 7, 19 5 5<br />

n t n t<br />

'<br />

Vending-Profits From Beverages Increase When Theatres<br />

Install Modern Machines M. 8. kapp 8<br />

Combs, Perfume, Photos, Cookies, Cigarets—All Vendable<br />

in Theatres frank Leyendecker 10<br />

Ice Cream in the Theatre Lee Koken 16<br />

Ice Cream is a Year-Round Profitable Item J. J. Fitzgibbons jr. 18<br />

High Gross Profit Produced by Sale of Soft Ice Cream 20<br />

Automatic Vending Sales Up 7% in 1954 30<br />

Hot Tips on Merchandising Hot Dogs 33<br />

Hollywood Theatre Installs New Sign in the Tradition of<br />

Times Square 38<br />

Theotre Maintenance Questions and Answers Dave E. Smalley 39<br />

Lamps—for Decor and Added Lighting Doris Herzig 40<br />

Remodeling Projects, 1955— Kingston, N. Y., Washington, D. C.<br />

Walter Reade Updates a 30-Year-Old House Without Closing 42<br />

Remodeling Brings New Glamour to Oldtimer 45<br />

Simplicity Is Keynote in the Art House Elsie Loeb 48<br />

Facts About Horizontal VistaVision 49<br />

Step-By-Step Servicing of Sound Systems Wesley Trout 52<br />

How to Use the New Demagnetization Tools 59<br />

A New Concept in Projection Lenses Developed to Solve<br />

Light Problems 60<br />

An Ice Skating Rink for Winter <strong>Boxoffice</strong> 61<br />

Modified Anamorphic Lens Solves Problem of Long Drive-In Throw.. 62<br />

Construction Economies Enable Drive-ln in Small Town to Have<br />

Latest Equipment 64<br />

DEPARTMENTS:<br />

Projection and Sound 52<br />

Drive-ln Theatres 61<br />

Readers' Service Bureau 71<br />

Advertisers' Index 72 Literature<br />

ON THE COVER<br />

New Equipment and<br />

Developments 73<br />

About People and Product 75<br />

The automatic vender of cold beverages was given an attractive<br />

location near the stairway to the balcony in the remodeled RKO<br />

Keith's Theatre, Washington, D. C. It is owned an operated by<br />

ABC Vending Corp.<br />

76<br />

T,HE development of the concessions<br />

business in recent years has<br />

macie it necessary for exhibitors to become<br />

merchandisers as well as showmandisers.<br />

As in all businesses where<br />

commodities are offered for sale, the<br />

greatest profits accrue to those which<br />

are best exploited by all the tricks of<br />

advertising, promotion and display<br />

supported by careful buying and sound<br />

management.<br />

Promotion ideas cmd methods which<br />

have been proved by actual experience<br />

in the theatre field are related in<br />

articles in this issue by exhibitors and<br />

concessions industry leaders. They are<br />

well worth reading and being put into<br />

practice by other theatremen.<br />

Particular emphasis has been placed<br />

on the automatic vending machine and<br />

the important port it plays in producing<br />

plus sales for the theatre concessions<br />

operation. Theatremen have<br />

found that the automatic vender not<br />

only takes over at late shows when the<br />

concessions stand is closed, it produces<br />

additional business by taking care of<br />

the overflow at rush periods and intermissions.<br />

Starting with automatic candy machines,<br />

theatremen have now branched<br />

out with venders for beverages, ice<br />

cream, cigarets, cookies, pastry, perfume<br />

and numerous novelty items. All<br />

of these not only increase theatre<br />

profits, but perform a desired service<br />

for the patron.<br />

More and more theatres, indoor as<br />

well as drive-in, are now selling ice<br />

cream, ranging from ice cream bars<br />

and novelty items to the soft, or frozen<br />

custard, product. A special section on<br />

Ice Cream in the Theatre is published<br />

herein to give exhibitors many pointers<br />

on increasing their sales of this profitable<br />

refreshment item.<br />

I. L. THATCHER, Managing Editor<br />

T>ie MODERN THEATRE Section of BOXOFFICE is included in the first issue of eocti month.<br />

Editorial or general business correspondence should be addressed to Associated Publications,<br />

325 Van Brunt Blvd., Kansas City 24, Mo. Eastern Representative: A. J. Stocker, 9 Rockefeller<br />

=laza. New York 20, N. Y.; Central Representatives: Ewing Hutchison end E. E. Yeck, 35<br />

East Wacker Drive, Chicago 1, III.; Western Representative: Bob Wettitein, 672 South<br />

LOfoyette Pork Place, Los Angeles 5,<br />

Calif.


mAwLo<br />

Profits From Beverages ^lA<br />

Increase When Theatres \ I<br />

Install Modern Machines Nf<br />

r/ie clean, modern lines of Apco's eight-drink, dual-cup station SodaShoppe blend hi<br />

moniously with the formal decor of the grand lobby of Loew's Kings Theatre *<br />

Brooklyn, N. Y. The huge, interior-illuminated plastic door embellishment manages i<br />

emphasize the product with restrained good taste. This automatic dispenser handles pe:<br />

crowds with speed and efficiency and requires mmimum servicing.<br />

By M. B. RAPP*<br />

I HERE HAVE BEEN soiTie minor rumblings<br />

recently about soft drink and candy<br />

concession earnings having fallen off somewhat;<br />

and, since coin-operated vending<br />

machines play a very important role in<br />

these operations, I've done some intensive<br />

investigating and have come up with some<br />

very interesting observations.<br />

Since soft drink and candy concessions<br />

have come to play such an important role<br />

in the profit statements of theatres and<br />

concessionaires, it has only been natural<br />

for the vending machine industry to expand<br />

the types of equipment it offers in<br />

order to give the concessionaire and theatres<br />

full advantage of this great potential.<br />

Automatic merchandising sold well over<br />

one billion dollars worth of merchandise<br />

during the year 1954. The theatre market<br />

comprises a part of that total. However,<br />

that is good enough indication to show<br />

*Executive vice-president of Apco, Inc., New York.,<br />

manufacturers of the Automatic SodaShoppe and<br />

Coffee Shoppe.<br />

that automatic merchandising is beij<br />

relied upon more and more as a very ill<br />

portant sales outlet.<br />

[<br />

If sales in your soft drink concession<br />

have fallen off, perhaps if you woi^<br />

analyze the situation objectively you migt<br />

find that one of the reasons is that yj<br />

may be using old-type, obsolete equipmei).<br />

The modern, soft drink cup dispenser c)<br />

increase your present sales volume frc><br />

20 to as high as 75 per cent over olcf<br />

type equipment, and more important, aloi<br />

with this gain in volume it can increaj<br />

A Sampling of New Automatic Equipment Available for Venii<br />

i<br />

f<br />

Three flavors of drinks, one noncarbonated,<br />

are offered by the<br />

vender manufactured by Lyon Industries,<br />

Inc. Unit has 1 ,400-drink<br />

capacity, and a coin selector system<br />

requiring patron only to drop coin in<br />

slot opposite flavor desired.<br />

8<br />

New cup vender made by the cup vending<br />

division of Dr. Pepper Co. features<br />

manual operation with no expensive electronic<br />

parts. It is, of course, a singledrink<br />

vender. It has a capacity of 250<br />

cups and vends at five or ten cents.<br />

Chongemaker and slug rejector included.<br />

A three-selection vender made by<br />

Rowe-Spacarb, Inc., has a 600-cup<br />

capacity and vends at five and ten<br />

c^nts. Changemaker, patented Mix-A-<br />

Drink and Select-0-Carb and illuminated<br />

sign are standard. Non-carbonated<br />

attachments optional.<br />

The ColeSpa Special described by I<br />

Products Corp. as the "smallest mu| _<br />

pie drink cup machine ever mode's<br />

available in one, three and four-flc"<br />

models. Syrup capacity ranges /if^<br />

830 drinks to over 1,500 in the fc\-<br />

flavor<br />

model.<br />

The MODERN THEATRE SECTif


—<br />

average cents-per-person from a<br />

mal 1.4 cents per patron to as high as<br />

cents and in some cases as much as<br />

ents per patron. This is not merely a<br />

jhazard guess on my part. It is the<br />

ilt of analyzing certified reports which<br />

have received from concessionaires, the-<br />

; owners, both independent and chain,<br />

over the country: and, we have the<br />

nes on file if you want more detailed<br />

)rmation.<br />

modern, soft drink cup dispenser not<br />

)jv has "eye appeal" it has "buy appeal."<br />

"eye appeal" is achieved by beautifully<br />

minated plastic door embellishments<br />

ch attract the patron to the machine.<br />

'<br />

"buy appeal" is accomplished by offerthe<br />

patron almost any flavor drink he<br />

V want, either carbonated or non-<br />

|jonated. Together, the "buy appeal"<br />

the "eye appeal" combine to form<br />

j^it is known as sound beverage merclianng:<br />

and, the modern automatic cup<br />

i Denser generates enough "merchandisirl<br />

pull" to bring your customers to the<br />

irphine and then to sell them the produ,<br />

that the machine vends.<br />

EYE APPEAL IS IMPORTANT<br />

type of equipment usually offers a<br />

|)lder<br />

lilted selection of drinks and does not<br />

he the "eye appeal" of the modern drink<br />

K -chandiser. The older-type soft drink<br />

d'jensers do not offer the patron a choice<br />

u :arbonated or non-carbonated drinks<br />

&[, remember one-third of the nation<br />

dis not drink carbonated beverages. That<br />

Dtt' be one reason why your sales have<br />

fien off, if they have. Several other<br />

tiions for diminished soft drink sales with<br />

cJ'r-type. obsolete equipment are that<br />

equipment does not serve the drink at<br />

tl<br />

tl) proper carbonation and temperature;<br />

also, during peak periods when patrons are<br />

buying drinks faster than usual, in many<br />

cases the drink served will not be of the<br />

proper temperature. The modern, soft<br />

drink cup dispensers serve the carbonated<br />

drinks at 3 '2 volumes of carbonation which<br />

i?: approved by all of the major syrup companies<br />

and will dispense cold drinks rcsardl.ss<br />

of the number of drinks that are<br />

poured simultaneously. The new, modern<br />

dispenser can be depended upon and is a<br />

much more reliable unit from the standpoint<br />

of continuous operation. A tremendous<br />

amount of money is lost in older<br />

equipment because a good deal of the time<br />

the machine itself is inoperative.<br />

GROSSES JUMPED WITH NEW VENDERS<br />

As a concrete example of the selling<br />

power of new equipment over old-type<br />

equipment, we recently had a chain of<br />

35 theatres in Brooklyn, N. Y., replace<br />

their older-type coin-operated soft drink<br />

equipment witli new six-drink, multi-flavor,<br />

soft drink cup dispensers. They, too, were<br />

complaining that their grosses on soft<br />

drinks were falling off for the past three<br />

years. No sooner were these new six-drink<br />

dispensers installed than grosses jumped<br />

60 per cent with a corresponding increase<br />

in the average cents-per-person spent in<br />

those theatres.<br />

Many of the larger theatres throughout<br />

the country who were under the impression<br />

that their soft drink grosses were more or<br />

less at a peak in volume, were greatly surprised<br />

to find that by adding new, dualcup<br />

station eight and ten-drink vending<br />

equipment, their present large grosses and<br />

cents-per-person averages were increasd<br />

by as high as 20 and 30 per cent. These<br />

new dual-cup station machines, of course.<br />

are meant only for the larger hou.ses. but<br />

Theatre Beverage Venciu''];<br />

Third<br />

Largest Market<br />

Thcotrcs hove now become the third largest<br />

market for outomotic vending of beverages,<br />

topped only by service stations and industrial<br />

outlets, according to a survey mode by the<br />

National Bottlers' Gozettc.<br />

Theatres lead groceries end supermarkets, military<br />

installations, hospitals and institutions,<br />

tronsportation terminals and schools and colleges<br />

in automatic vending sales. The survey shows<br />

thot about 18 to 20 per cent of all beverage<br />

soles are now made through automatic vending<br />

equipment.<br />

Bottlers, who hove been devoting most of their<br />

merchandising attentions in the post to selling<br />

beveroges in bottles, hove turned to automatic<br />

vending in an expansion of the market. Many<br />

of them are supplying vending equipment and<br />

operating on a percentage basis. It may be that<br />

exhibitors in many areas will be approached by<br />

local bottling firms for a profit-sharing association,<br />

with equipment to be provided by the bottler<br />

as a result of that industry's expansion.<br />

because of the additional drink selection<br />

features and the fact that they can serve<br />

two patrons at one time, thereby not losing<br />

any sales during the peak periods and at<br />

the picture breaks, the new dual-station<br />

soft drink dispensers are now replacing<br />

most all other equipment in the larger<br />

theatres.<br />

It is important that all theatre owners<br />

realize that there are concessionaires who<br />

will make available to them all types of<br />

coin-operated automatic vending equipment<br />

Continued on page 12<br />

\j\\\ Hot and Cold Beverages in the Theatre Lobby<br />

-COLD , DRINI<br />

Oi -cup station Sodashoppe designed<br />

'0 leo/c loads. This ten-drink model<br />

»es six carbonated and four nontc<br />

inoted drinks using only six syrup<br />

'OS. Has 2,000-cup capacity, 2,800<br />

^' syrup capacity. Also available<br />

'" X and eight drink models.<br />

Three-drink Navenco Manufacturing Co.<br />

de luxe model produces drinks that are<br />

36 degrees in the cup. New type carbonator<br />

insures delivery at 3.5 carbonation<br />

of every drink.<br />

Individual syrup and water<br />

spouts of stainless steel for mixing drinks<br />

under proper sanitary conditions.<br />

A combination coffee and hot chocolate<br />

vender is the Stoner Cafe made by<br />

Stoner Manufacturing Co. Vends at five<br />

or ten cents, offers five selections.<br />

Capacity is 500 cups, slug rejector included,<br />

changemaker optional with various<br />

money combinations.<br />

SodaShoppe-Coffee Shoppe vends<br />

hot coffee in all forms, and hot<br />

chocolate, as well as three carbonated<br />

cold drinks. Has 1,000-cup<br />

capacity. Vends hot drinks for ten<br />

cents through one coin acceptor.<br />

Uses all dry ingredients.<br />

B< OFFICE : : May 7, 1955


ENDING<br />

"1<br />

COMBS, PERFUME, PHOTOS, COOKIES, CIGARET •:<br />

They're All Vendable in Theatres, Says Stanley Warner's Carl Siege!<br />

By FRANK LEYENDECKER<br />

I HE GREATEST BOOM in Vending in the<br />

past five years came through the ice cream<br />

vending machines, which, in an averagesize<br />

theatre, out-gross the manual counter<br />

two to one, according to Carl Siegel, in<br />

charge of all merchandising at Stanley<br />

Warner Corp. "We first put an ice cream<br />

machine in one of our theatres on a<br />

trial basis four years ago," he said.<br />

CUP VENDERS DOUBLE SALES<br />

"However, in the Stanley Warner operation,<br />

the most important piece of vending<br />

equipment is still the soft drink machine<br />

which sells beverages only through the cup<br />

venders. We have found that this machine<br />

has increased our sales volume to the point<br />

where it is at least double that previously<br />

sold by the manual operators of soft<br />

drinks," Siegel said.<br />

The location of the drink vending machine<br />

is of prime importance, with the best<br />

spot for it close to the water fountain and<br />

as far from the ladies' room as possible,<br />

Siegel feels. Patrons going for a drink of<br />

water will be attracted by the brightly<br />

lighted, cup vending machine, children<br />

because they like to operate brightly<br />

colored machines and the men because<br />

they are mechanically inquisitive. Women<br />

are rarely good customers for drink vending<br />

machines.<br />

Drive-Ins Put Cigaret Venders<br />

On Casters for More Sales<br />

Drive-in theatre managers seeking to stimulate<br />

their cigaret sales might take note of a device<br />

employed by the Midwest Music Co. in Denver.<br />

This company has put rubber-tired casters on<br />

cigaret venders installed in its drive-ins, upping<br />

cigaret sales from 15 to 45 per cent in each<br />

location. The additional investment for the<br />

casters, of course, is<br />

very small.<br />

In one typical Midwest location where sales<br />

were low, customers had to go into a dining room<br />

to purchase.<br />

Following the hunch that the sight of a machine<br />

would stimulate impulse sales. Midwest<br />

built a light-weight L-iron frame and mounted it<br />

on wheels which could be pushed by any employe.<br />

Fifteen feet of extension cord was added to<br />

supply power.<br />

Because the results far outweighed expectations.<br />

Midwest installed similar "portable" arrangements<br />

in<br />

12 more drive-ins.<br />

In the order of their importance, so'<br />

drink and beverages still lead all the othi<br />

vending items, with candy second, accori!<br />

ing to Siegel. Ice cream has now becon<br />

the third item in point of sales, with po<br />

corn the fourth.<br />

"When we installed ice cream vendii<br />

machines four years ago, this item w<br />

only one and one-half per cent of o<br />

operating gross. Last year, the ice crea<br />

vending volume had reached 9 per ce<br />

ol our gross and is still climbing," Sief<br />

said.<br />

VEND NOVELTY ITEMS<br />

"Other items we sell in our vending m<br />

chines include: cookies, nuts and, amo<br />

the newer novelty items, combs in t:<br />

men's rooms and perfumes in the ladi<br />

rooms. These combs and perfumes shoi<br />

pay for the maintenance of the men's a:,<br />

ladies' rooms but the machines must i<br />

well-lit and sparkling to attract attenti<br />

10<br />

The MODERN THEATRE SECTIi


;<br />

that<br />

1 jximately<br />

I<br />

<<br />

a<br />

: May<br />

jaret vending machines. Although we do<br />

encourage smoking in the theatres, the<br />

jt<br />

;e hour patrons appreciate being able to<br />

ty cigarets before leaving the theatres,<br />

rjecially as most drug stores are closed<br />

time," Siegel pointed out.<br />

The prices for our candy in the vend-<br />

machines is divided 50-50 between five<br />

ij;<br />

tits and ten cents. We recently switched<br />

!)m all five-cent items to both five and<br />

ti-cent candies because people now<br />

(Try more dimes than nickels in this era<br />

Cologne Dispensers Offer New Source of Profit<br />

A cologne spray dispenser in the<br />

ladies' restroom offers theatres a new<br />

way to turn a bit of dead wall space<br />

into a means to earn a few extra dollars.<br />

One manufacturer of cologne dispensers,<br />

Colma, Inc., maintains that the use<br />

of a dispenser is not simply a novelty,<br />

that a spray of cologne is a refreshment<br />

service which smart theatre owners will<br />

want to offer patrons, and that it will<br />

help to earn goodwill.<br />

In fact, placement of a dispenser in<br />

the men's restroom with men's colognes<br />

has been found in some locations to be<br />

successful, and that contrary to first impression,<br />

they do not appeal only to the<br />

effeminate.<br />

Cologne dispensers are available in<br />

models offering from one to five different<br />

fragrances, vending from approximately<br />

1,000 to 5,000 sprays at ten centeach.<br />

The five-column unit costs S6 t,<br />

$10 to fill, return.'; about $500 per fillint;<br />

Colma's five-fragrance dispenser<br />

s dual de luxe theatre model Univendor mokes<br />

I election of 16 candy bars available to patrons,<br />

liends at five, ten and 15 cents, five, /5 and 20<br />

iits, ten, 15 and 20 cents. Changemaker is<br />

( ional, slug rejector standard. Stoner Manufacl-ng<br />

Co.<br />

( ten-cent prices for phone calls, transirtation,<br />

etc.," Siegel said.<br />

'In the past few years, all vending busies<br />

in Stanley Warner houses more than<br />

(ubled and, in some spots it was up ap-<br />

60 per cent," Siegel said. Howhe<br />

commented that it has recently<br />

ine off nationally as much as 10 to 15 per<br />

It, even 20 per cent in the northeast secn<br />

of the U. S. This drop-off he attributed<br />

the cold weather in that part of the<br />

gantry.<br />

JUDGING A MACHINE<br />

'In looking for the best vending maines<br />

on the market, we judge a vender by<br />

ability to function as efficiently as<br />

isible. Vending augments the concesn<br />

stand and the vending equipment must<br />

judged for its eye-appeal. Animation<br />

machine is very important," according<br />

t Siegel.<br />

Siegel believes that the greatest need in<br />

sliding machines is for a drop-device popfn<br />

machine. "If someone would only<br />

lent a drop-cup device for popcorn ma-<br />

" '. automatically filling the bag like<br />

-.nk. machine fills the glass, it would<br />

1 a big need," he said.<br />

We cannot possibly do without auto-<br />

I tic merchandising in Stanley Warner<br />

' 'atres and we are constantly looking for<br />

' V vending items and are ready to try<br />

: .'thing that will serve our patrons and<br />

' luence our sales," according to Siegel.<br />

Two Venders Close Together<br />

Sell<br />

More Cigarets<br />

In any areas operators are putting two<br />

cigaret venders in a location, one for king<br />

size, one for regular, according to George<br />

Weissman, vice-president, Phillip Morris &<br />

Co. Other operators are mixing the columns,<br />

putting, for instance, kind size in<br />

one column, regular size in the next, and<br />

so on down the line of brands carried. The<br />

sales results depend on the price situation<br />

and the mechanism.<br />

"One interesting observation made by<br />

Outstanding feature of Rowe Manufacturing Co.'s<br />

14-column Ambassador cigaret vender is the showcase<br />

which displays four cigaret brands in<br />

individual<br />

velvet-lined cases inside an illuminated shadowbox.<br />

Both regular and king-size packs are handled.<br />

one of our men is that when two machines<br />

are put in a location, the sales results seem<br />

better when the machines are closed together,<br />

rather than widespread in the area,"<br />

Weissman told delegates to the 1954 convention<br />

of the National Automatic Merchandising<br />

Ass'n.<br />

Weissman also reported that in some<br />

two-machine locations operators are putting<br />

premium-price brands with a penny<br />

change in one machine and regularpriced<br />

merchandise in the other machine.<br />

This depends, of course, on<br />

local price and tax situations. He emphasized<br />

that the local situation must always<br />

be carefully analyzed.<br />

The Fruit-0-Matic is a fully automatic, refrigerated,<br />

four -selective fresh fruit and canned juice merchandiser.<br />

It has a total capacity of 208 pieces,<br />

52 on each of four belts. These four selective belts<br />

operate independently.<br />

E ICOFFICE ;<br />

7, 1&65<br />

11


{<br />

It's Cool, Man...COOL!<br />

The Manley ICE-O-BAR<br />

Cold Drink Machine<br />

fl<br />

Watch your concession profits climb<br />

like the thermometer in August) when<br />

(just<br />

you start dispensing ice-cold, thirst-quenching,<br />

soft drinks from the Manley Ice-O-Bar.<br />

The Ice-O-Bar will dispense up to 1,500<br />

ice cold drinks just as fast as two operators<br />

can draw them. Available in a variety of<br />

models, including a push-button model for<br />

exact proportioning. The Ice-O-Bar comes<br />

equipped with stainless steel faucets for any<br />

desired combination of two or three flavors<br />

... for carbonated or plain water. Easy to<br />

install in any theatre concession ... in any<br />

locality.<br />

Be ready to handle those big, thirsty<br />

crowds . . quickly, easily! Contact your<br />

.<br />

Manley representative or write direct for<br />

more information on the complete line of<br />

Manley concession equipment and supplies.<br />

Manley, Inc., 1920 Wyandotte St., Kansas<br />

City 8, Missouri. Address Dept. BO-555.<br />

VENDING<br />

BEVERAGES<br />

Continued horn page 9<br />

for the sale of their soft drinks, ice cream,<br />

candies, perfumes and many other concession<br />

items. The theatres need make no<br />

investment of capital or inventory and they<br />

are installed, serviced and maintained free<br />

of all charges to the theatre with a liberal<br />

percentage of the gross receipts going to<br />

the theatre from the concessionaire.<br />

The vending machine industry is composed<br />

of some of the most progressive and<br />

forward-thinking manufacturing companies<br />

in the world—companies that are constantly<br />

in step with the times and which<br />

produce equipment to meet the demand<br />

of the modern trend. Not only has our<br />

industry produced equipment to sell many<br />

different types of products but present-day<br />

equipment is designed to sell more of those<br />

products—to create the sale as opposed to<br />

just being available for the sale.<br />

EXPERIMENTS WITH HOT DRINKS<br />

Experiments in some theatres are now<br />

going on for the sale of hot coffee, and hot<br />

chocolate. This is being combined with a<br />

coin-operated automatic snack bar consisting<br />

of sandwich, ice cream, pastry and<br />

cookie machines. Theatres can now enjoy<br />

an average sale of from 50 to 75 cents per<br />

person by installing a bank of this type of<br />

equipment. Results of these experiments<br />

are not in as yet. However, preliminary investigation<br />

shows that they are working out<br />

very well with the concession end of the<br />

theatre profiting favorably from this type<br />

of installation. Automatic vending is work-<br />

Selective Coffee Vender<br />

ing for you. Give it the opportunity of del<br />

ing the right kind of job. Use the rigl!<br />

type of equipment, and your returns will li<br />

greater. Your soft drink and concessic<br />

income depends on you.<br />

i<br />

Carbonation and Volume of<br />

Syrup Vital<br />

to Sales<br />

Of Cold Beverages<br />

Exhibitors who have noted a decrease<br />

sales of drinks from automatic cup di<br />

pensers may well look to the volume<br />

syrup apportioned to each drink and to tl<br />

amount of carbonation.<br />

Lack of attention to these important fa<br />

tors is suspected by exhibitors and conce<br />

sionaires as the reason for the noticeat<br />

decline in sales from cup venders througl<br />

cut the country. The subject was undj<br />

discussion at the recent eastern regionl<br />

Popcorn and Concession conference of til<br />

International Popcorn Ass'n In New Yo<br />

City.<br />

PLACE IN PROMINENT POSITION<br />

i<br />

:<br />

To counteract the trend of patrons pas:<br />

ing up the venders, it was suggested<br />

Lee Koken, RKO Theatres, that, once t~:<br />

drink is properly made, the machines<br />

placed in prominent positions where th<br />

can not be missed. He further suggest,<br />

that more drinks would be sold by havi;;<br />

more machines, at various strategic loc|<br />

tions, than by fewer, multiple-drink ven:<br />

ers.<br />

Koken believes there is a place for bo,<br />

manual dispensers and automatic beve<br />

age venders in the theatre. In locatio;<br />

where he installed manual dispensers, se<br />

ing a larger cup at the stand, one-hif<br />

cents per person was picked up at U<br />

stand. Vending business, with a ten-cet<br />

cup offered by a machine, remained U<br />

same. "There was no effect other th><br />

good," he said.<br />

In order to increase beverage salL<br />

Koken also believes it might be well to f<br />

patrons take their drinks into the audita<br />

ium just as they do popcorn and candy<br />

Back to Five-Cent Popcorn<br />

J3c^ Pnopi Ma>i(fi4i,!<br />

HANDKERCHIEF<br />

VENDERS<br />

IDEAL OPERATION FOR LOBBIES,<br />

MEN'S AND LADIES' REST ROOMS<br />

Free ^auien'ii Imprinting<br />

Wrire today, learn how a small<br />

investment will bring you steady<br />

profits.<br />

STANDARD HANDKERCHIEF CO., INC.<br />

1 Bond Sf. New York 12, N. Y.<br />

The Coffee Service vender offers individual taste<br />

control by allowing patrons to choose the exact<br />

amount of cream and sugar from "none" to "rich,"<br />

as desired. Made by Mills Industries, Inc., it has<br />

a 500 cup capacity and requires no refrigeration<br />

as it uses all dry, powdered ingredients.<br />

The old-fashioned nickel bag of popccl<br />

will be featured by America's theatres diN<br />

ing Nickelodeon Week. The period of Jub!<br />

5-11 has been designated by the Varifjrl<br />

Clubs of America as Nickelodeon W€«<br />

celebrating the golden anniversary of t<br />

motion picture theatre and honoring Ift<br />

late Senator John P. Harris, the fountf<br />

of the first Nickelodeon.<br />

A feature of the national celebrationis!<br />

the Popcorn Institute's concerted pron:<br />

tion with exhibitors featuring an oH<br />

fashioned 5-cent bag of popcorn. It<br />

the nickle product that built the theatij<br />

high-profit popcorn business. A specj<br />

nickel bag is being designed.<br />

12<br />

The MODERN THEATRE SECTll


Theatre operators report<br />

HIGHEST REFRESHMENT PROFITS<br />

FROM LIMITED STAND SPACE<br />

-with Pepsi -Cola!<br />

Photographed at Refreshment Stand, Lobby, Roxy Theatre, N. Y. C.<br />

Pepsi turns<br />

syace into sales<br />

at the fastest rate in<br />

soft drink history.<br />

Check your own operation.<br />

Stand space is limited.<br />

Traffic must turn over fast.<br />

To get top volume from your refreshment space,<br />

sell the brands in the biggest demand.<br />

Pepsi-Cola is America's fastest growing beverage.<br />

Pepsi profit tops all nationally advertised and<br />

nationaUij available cola syrup lines. Pepsi's syrup<br />

price is the lowest of any nationally advertised<br />

cola. And Pepsi-Cola's heavier baume gives you<br />

13 extra lOi drinks per gallon.<br />

Pepsi can boost your beverage sales and profits<br />

all along the line. Write today for full details.<br />

Pepsi-Cola Compan<br />

3 West 57th Street, New York 19, N. Y.<br />

PtOFFICE :: May 7, 1955<br />

13


'^<br />

p^^<br />

iPAs 1955 Tradeshow To I<br />

I<br />

Its<br />

Greatest -Will Contain<br />

117 Displays of Product<br />

1 Me.<br />

I<br />

i «M t die d<br />

I<br />

I<br />

I<br />

I<br />

^<br />

M<br />

14


Convert A Few Feet Of Dead Wall Space Into<br />

An Added Service To Your Patrons - Extra Profits For You<br />

COLMA'S COLOGNE SPRAY DISPENSERS<br />

The Machines That Are Factory Guaranteed To Work!<br />

COLMA<br />

THE WORLD'S 1.-.--.SZ5: M.-jr.T.-.C . .rZRS<br />

OF COLOGNE 5???-nY 2:S?i:i5Z?.5<br />

ti<br />

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M^rffe<br />

/or<br />

mODB.M-1<br />

MODEL T-3<br />

apEXSK. 3.i3CD sxtns. Cssss S5-S6 TC<br />

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MANUFACTUKHS<br />

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OOFFICE : M5>y 7. USa 15


iCE CREAM IN THE THEATRE<br />

Ice Cream Is a Year-Round Profitable Item<br />

'Only Scratched the Surface of Theatre Sales'<br />

By J. J. FITZGIBBONS JR.*<br />

The proper merchandising of ice<br />

cream in theatres can definitely increase<br />

your profits without seriously affecting the<br />

sales of other items on your confection bar.<br />

Ice cream sales in theatres have come a<br />

long way in the past few years, and within<br />

the last two years have chalked up a sizable<br />

percentage of the confection profits<br />

in theatre operations.<br />

HIDDEN BEHIND THE COUNTER<br />

The above could not be said of ice cream<br />

ten years ago, even though some theati'es<br />

handled it, mainly because of the lack of<br />

interest on the part of the ice cream companies<br />

in general, and the fact that, nine<br />

times out of ten, it was hidden behind the<br />

candy counter and no or little advertising<br />

was done to advise patrons that the item<br />

was available. We could also mention that<br />

in the majority of situations the item being<br />

sold was a "cheater"—that is, it was available<br />

at the corner for five cents and was<br />

being sold inside the theatre for ten cents,<br />

which certainly didn't encourage the patron<br />

to buy. Fortunately, this situation has<br />

changed for the better.<br />

By bringing the ice cream cabinet out of<br />

hiding and into the open, in addition to<br />

attractive advertising and ice cream at a<br />

fair price, sales have steadily increased<br />

which has made everybody happy.<br />

Besides the merchandising of ice cream<br />

at the candy bar, sales have been increased<br />

by using coin-operated ice cream venders<br />

and by aisle selling.<br />

COUNTERSINK SELF-SERVICE UNIT<br />

When space is available, the ideal setup<br />

is to counter-sink the self-serve cabinet in<br />

the center of the bar and build the candy,<br />

soft drink and popcorn items around it.<br />

(See photo No. l.i If you want to keep<br />

down installation costs, cut the candy display<br />

area and counter-sink into the end<br />

of the bar. (See photos No. 2 and No. 3.)<br />

If the above installations are not practical,<br />

sales can still be increased by using<br />

small refrigerated merchandisers that sit<br />

on top of the counter. Because of theiismall<br />

capacity they must be constantly<br />

checked and replenished, but they still<br />

make the ice cream bar an impulse item.<br />

(See photos No. 4 and No. 5.)<br />

Aisle selling has been in existence since<br />

the days of Shakespeare, and it is still paying<br />

off today. The initial step is to announce<br />

on the screen in your intermission<br />

trailer that, as a convenience, ice cream is<br />

available for those who remain seated. As<br />

the intermission starts, spotlight the girls<br />

carrying the ice cream trays (See photo<br />

No. 6) coming up the aisle from the<br />

•Mr. Fitzgibbons is head of Theatre Confections,<br />

Ltd., which services Famous Players Canadian.<br />

1. The self-service ice cream cabiitet is countersunk 2. At the Palace Theatre, Windsor, Ont., tfce ie<br />

in the center of the concessions stand at the Regent cream cabinet is countersunk into the end of |ei<br />

Theatre, Oshawa, Ont. Candy, soft drinks and pop- bar. This method cuts down installation costs j<br />

corn are built around it. still gets the ice cream out in the open.<br />

3 This is another example of the ice cream selfservice<br />

cabinet being countersunk into the end of<br />

the concessions bar. This installation is in the<br />

Tivoli Theatre, Windsor, Ont.<br />

5. At the extreme left of this picture of the Metro- 6. Aisle selling and selling in the foyer are 'O<br />

politan Theatre's concession stand, Winnipeg, Man., important means of increasing ice cream prc's.<br />

another of the counter-top displays of ice cream Only one item should be carried on the tray •<br />

may be seen, cause two would delay sales while a choice is m ••<br />

orchestra. Keep the ice cream firm by<br />

using Perma ice packs at the bottom of<br />

the tray. Carry only one item as two or<br />

three will hold up sales while the patron<br />

makes a choice.<br />

The volume of ice cream now being sold<br />

in theatres could be increased if that<br />

cream representatives and theatre conn<br />

sionaires or suppliers sat down and ti<br />

to work out some of the misunderstandifi<br />

which now exist. Even in large ice crtin<br />

companies which have numerous divisW<br />

18 Th« MODERN THEATRE SECT J


t<br />

I<br />

runs across diverse policies as far as<br />

litres are concerned. Dairy association<br />

is and regulations regarding equipment<br />

not uniform, which results in confusion<br />

(the operator servicing a group of thealocated<br />

in different territories,<br />

he surface has only been scratched as<br />

ii'as ice cream sales in theatres are con-<br />

5ied because evei-y week new merchanng<br />

ideas are coming out. Some go over<br />

in one area and fall flat in another.<br />

u we do know for certain that ice cream<br />

n all-year-round item.<br />

atrons' tastes vary in different parts of<br />

;<br />

country so there are all types of ice<br />

iim novelties on sale—e.g.. chocolate<br />

[ ,ed bars in a bag, eat-it-all cups, revels,<br />

•<br />

cream in various shapes and sizes on<br />

ick. Dixies, and sundaes with fruit topir.<br />

No matter what the item is, it is<br />

t ice cream and if it is properly mer-<br />

Indised and gives value to the purchaser,<br />

t sales are there in your theatres.<br />

situations, the vending machines are located<br />

either alongside the beverage machines<br />

or nearby.<br />

Most of our theatres are the large, first<br />

run, downtown type of operation and with<br />

the stands operating continuously. We do<br />

not have need for ice cream vending machines,<br />

for the present at least, but for<br />

subsequent runs, for smaller theatres, or in<br />

those theatres where the stands are not<br />

operating full time or not large enough to<br />

accommodate the necessary equipment, the<br />

vending machine should be a welcome producer<br />

of extra added income.<br />

Carl Seigel of the Stanley Warner Corp.<br />

has quite a few theatres under his jurisdiction<br />

using ice cream vendinf/ n\<br />

and he will verify the statement ir.:.<br />

are a very valuable adjunct to ini<br />

dising and do a good job selling ic(<br />

and increasing the over-all conce.ssi.<br />

enue.<br />

lines,<br />

•they<br />

Average Profit on Ice Cream 55%<br />

While profit on ice cream sales will vary<br />

according to the deals made with local<br />

dairies, exhibitors agree that a 55 per cent<br />

gross profit is about average. In addition<br />

to novelty items selling for 15 and 25 cents,<br />

theatre concessions usually offer a threeounce<br />

cup for a dime. Ice cream eclairs<br />

are a popular novelty item.<br />

C CREAM IN THE TH EATRE<br />

Continued from page 17<br />

r| reason we vend by machine in these<br />

I itres is because we have no room at the<br />

it id to do the job properly or room to<br />

rail the necessary equipment. In these<br />

Jive ice cream quality . . . make 7^ on<br />

Oc sales. Cash in on the demand for<br />

lielicious soft-served cones, shakes.<br />

Serve a lOd cone in 2 seconds . . .<br />

;our food cost less than 3^. Serve a<br />

(5(5 shake in 5 seconds . . . your food<br />

lost only 6(*. Win new fans, make big<br />

rofits with a compact Sweden freezer.<br />

jasily run by untrained help.<br />

Iodil<br />

1-200-Aulomalli: continuous<br />

teier. Ample relrleeraled mix<br />

otagc. Highest capacity machine<br />

I the marKet lor your "break"<br />

Works Without Wages!<br />

INDOORS OR OUTDOORS<br />

Use FHC Venders to sell ice cream, and let paid help<br />

concentrate on higher priced items! Handle more<br />

customers more rapidly! FHC Venders combine ice<br />

cream's universal appeal witti a selection of three<br />

flavors. Sturdy, fool-proof units in Iceland Blue can<br />

be used indoors or outdoors.<br />

FRED HEBEL CORPORATION<br />

Addison, III. (suburb of Chicago)<br />

islness. "Hanilslree" loot conol.<br />

Management-set portions.<br />

Iher models lor every need.<br />

"THE QUAIITY NAME IN VENDING!''<br />

Model 3100 holds 105 bars in<br />

^QQOQ<br />

vending position, 48 in storage. TuO<br />

F.O.B. Addison,<br />

III.<br />

S DEN FREEZER MFG. CO.<br />

Depf. T-3<br />

SeoHle 99, Wash.<br />

5 selection model also available<br />

MAIL THE COUPON FOR COMPLETE INFORMATION!<br />

B '.OFFICE :; May 7, 1955 19


ICE CREAM IN THE THEATRE<br />

HIGH GROSS PROFIT<br />

PRODUCED BY<br />

SALE<br />

OF SOFT ICE CREAM<br />

A Popular Item With Patrons<br />

3oFT ICE CREAM is not Only a popular<br />

item with theatre patrons, it is looked<br />

upon with favor by both drive-in and conventional<br />

theatre exhibitors because it is<br />

a high profit item, quickly and simply<br />

served.<br />

The Music Hall of Seattle, Wash., one<br />

of the city's largest theatres (it seats<br />

2,282) took the drudgery out of snack stand<br />

duty and, just as important, improved its<br />

profit picture, by installing an automatic,<br />

continuous-fountain freezer that does away<br />

with dipping ice cream. The freezer dispenses<br />

a soft-served product used in cones,<br />

sundaes and floats. It is operated by a<br />

foot switch, leaving the girls with both<br />

hands free for holding containers. The<br />

product actually is drawn as easily and<br />

quickly as a glass of water, which means<br />

that customer service for a cone, or any<br />

fountain dish, is a matter of seconds,<br />

rather than minutes.<br />

FOUR YEAR'S EXPERIENCE<br />

The Music Hall has had the automatic<br />

fountain freezer four years and experience<br />

has shown that the gross margin of<br />

View of the refreshment stand in the Music Hall Theatre, Seattle, Wash., s/iotig<br />

girl drawing soft-served product from automatic continuous fountain frew<br />

to make floats the quick and easy way, an item that was unprofitable to ir»<br />

under the hand-dipping of ice cream method. The freezer's product is also lid<br />

for cones and sundaes. The machine is made by Sweden Manufacturing<br />

profit on a cone is more than regular ice<br />

cream products. Floats, virtually impossible<br />

to make rapidly and in any quantity<br />

when ice cream must be dipped, are made<br />

quickly and sell for 25 cents. The margins<br />

on the fountain dishes in the Music Hall<br />

have contributed heavily toward a more<br />

profitable refreshment stand operation.<br />

Cass Smith, manager of the theatre,<br />

rates popcorn as his best seller, with the<br />

freezer-made "creme" and soft drinks next.<br />

Twenty-cent bottles of soft drinks have<br />

proven popular. Coca-Cola has proven to<br />

be the best seller, although Green River<br />

sales are high. Root beer is available iia<br />

coin-operated machine. Only a very limi


!<br />

lYON<br />

MULTIPLE-DRINK VENDER<br />

Exclusive Features for HEA VY TRAFFIC, HIGH PROFIT Service<br />

{ 400-DRINK CAPACITY! The matched capacity of the Lyon<br />

^del 1400-3F yields 1400 servings from one filling of syrup and<br />

)S. Yet the vender is no larger than other Lyon models — occus<br />

only 24" x 30" of floor space. One syrup tank dispenses 600<br />

diks, the other two 400 each. One can be a non-carbonated<br />

fj^or if desired. Compact size — large capacity — Lyon plus<br />

vjues<br />

EW EYE APPEAL! Notice the marbleized front on the 1400-3F —<br />

sJrecl you expect it to be cold to touch! The far greater attptiveness<br />

of this entirely new finish means more sales for the<br />

n vender! Marbleized finish is permanent. Also equipped<br />

irror and light for greater eye appeal — a Lyon plus value!<br />

I'ERFECT FLAVOR ASSURED! The Lyon Positive Syrup Throw deli<br />

rs an accurate measured amount of syrup for each drink —<br />

y r assurance of perfect flavor from full to empty tanks. Each<br />

fi^or has its own pump. Accurate blending and special refrigetion<br />

add to the uniform high quality of Lyon cup drinks.<br />

Meet flavor — a Lyon plus value!<br />

llEW COIN SELECTOR SYSTEM! The customer drops his coin in<br />

tl slot opposite the flavor he wants — and that's all! No buttis<br />

to push, no dials to turn, no gadgets to fuss with. This<br />

aance feature of the Lyon multiple-drink vender saves time<br />

. gets a line of customers through more quickly! In addition,<br />

e h flavor has its own "Sold Out" button — if one flavor runs<br />

0, the vender keeps on selling. Reliable, cheat-proof coin<br />

iT,:hanism . . . coin changer also available. Faster service —<br />

ayon plus value!<br />

i<br />

liUTOMATIC CONTROLS! While many venders have only one<br />

rating control, Lyon models have several ... to insure that<br />

n imperfect drink is sold. Cup control<br />

an anti-jackpot control. If the<br />

c trol ... a low-level syrup control for each flavor . . . lowpssure<br />

C02 control . . . and<br />

iT:hine cannot operate correctly, it will not operate at all —<br />

tl "Sold Out" lights go on, and all coins are returned, fxfro<br />

g 'rantees of quality — a Lyon plus value!<br />

r:^<br />

ILUG-IN "ELECTRIC HEART"! The relays, timer and other comp<br />

ents making up the "heart" of the electrical system are<br />

irjnted on separate plug-in panels . . . easily removed and<br />

rdoced as a unit. Simplifies and speeds servicing — keeps every<br />

vider in operation. Moreover, all major component parts of<br />

Ln venders are interchangeable — no need to stock a new<br />

irintory of spare parts. Every model is quickly and easily<br />

ir oiled. Maximum profits — minimum problems — Lyon plus<br />

viies!<br />

\<br />

This Vender Also<br />

Available in Single and Two<br />

Flavor, 1400 Cup Capacity with<br />

Same Outstanding Features as Three Flavor.<br />

\'rite<br />

for Brochure<br />

tfl Full Particulars to L/ "^ 373 Fourth Avenue<br />

Net<br />

Y<br />

New York 16, New York<br />

YON INDUSTRIES, Inc<br />

1839 West Pico Blvd.<br />

Los Angeles, Calif.<br />

B*:OFFICE May 7, 1955<br />

21


SOFT ICE CREAM<br />

Among the Types of Continuous Freezers Available<br />

Continued from page 20<br />

In Boston, Mass.. the Center Theatre has<br />

a very profitable inside-outside concession<br />

operation featuring soft ice cream. The<br />

inside counter is for theatre patrons while<br />

the outside counter is for street customers.<br />

A varied assortment of soft ice cream<br />

items is sold. These include "Dairy Freeze"<br />

in two flavors, chocolate and vanilla;<br />

"Walkaway Sundaes" in three varieties:<br />

fudge, strawberry and vanilla, all made up<br />

on the premises; three flavors of frappes<br />

and fruit juice mixtures of the soft ice<br />

i<br />

cream and juice) all made up at the stand.<br />

Most popular of all, however, are the two<br />

flavors of plain soft ice cream.<br />

The same continuous freezer serves both<br />

sides of the coimter since it is conveniently<br />

placed for the attendants.<br />

Manufacturers of continuous freezers<br />

claim that those who install them will be<br />

catering to a pre-sold market. They call<br />

attention to the crowds of people and cars<br />

that cluster around drive-in stands selling<br />

frozen custard.<br />

Heat forces the flavor of cardboard<br />

boxes into popcorn, causing a disagreeable<br />

flavor in the corn which is often attributed<br />

to rancidity. It is important that popcorn<br />

should not be held overnight in these<br />

boxes.<br />

An exclusive, one-motion dispensing<br />

feature which does not require<br />

any foot controls is a feature<br />

of the Electro Freeze soft ice cream<br />

machine manufactured by Port<br />

Morris Machine & Tool Works, Inc.<br />

It has a refrigerated hopper.<br />

DRIVE-IN<br />

A "seeing-eye" dial to indicate<br />

at a glance if product is at the<br />

proper serving consistency, and a<br />

freezer reservoir which automatically<br />

refills with mix are included<br />

in Freez-King Corp.'s soft ice<br />

cream machine.<br />

PLAYGROUNDS<br />

Are An Extra "Adult" Income Source<br />

The Mills Masterpiece contin ii<br />

frozen custard machine with<br />

heads makes for fast<br />

One temperature dial and two<br />

gle switches control each born »<br />

that many flavors can be fr »<br />

independently.<br />

. . See How in the June Isifi<br />

MODERN THEAT f<br />

NATIONAL BRANDS<br />

ONE COMPANY SERVICE<br />

Top Quality • All Flavors<br />

81<br />

PROFIT<br />

COLA ^^ 81<br />

PROFIT<br />

Contact your local Nehi or Royal Crown Bottler or write— NEHI CORPORATION, Dept. 4, Columbus, Ga.<br />

22 The MODERN THEATRE SEC19


INTRODUCES<br />

3 All<br />

Soda B<br />

INCLUDING THESE<br />

OUTSTANDING FEATURES<br />

MODEL ESB 33A<br />

Baked red dulux<br />

finish with slainleu<br />

steel capping an<br />

base seclian — red<br />

Farmica syrup<br />

tank cover.<br />

MODEL ESB 33-C<br />

All stainless steel<br />

finish with black<br />

Formica syrup<br />

tank cover.<br />

MODEL ESB 33-B<br />

Stainless steel top<br />

section, red dulux<br />

base with stainless<br />

steel capping —<br />

black Formica<br />

syrup tank<br />

cover.<br />

II


-<br />

Promotion of Concessions iter.<br />

Root Beer Co. Aims at Kids<br />

company has developed a new jingle which<br />

will be tied in with a self-liquidating premium<br />

after 40 years as public-space carpet desW<br />

HOLLYWOOD CANDY<br />

tj<br />

DIV.<br />

for Bigelow Sanford Carpet Co. The Oriental It ij(j|<br />

tern is in the style of 1914, the year Lehner enM<br />

HOLLYWOOD BRANDS, Inc. - CENTRALIA, ILL.<br />

Bigelow's studios. The modern shell is in to^l ]^<br />

In Its New Advertising Program<br />

program. Each bottler will be able<br />

to develop a high-frequency impact in his<br />

Discussed at Canadian Meetin<br />

territory.<br />

"Kids" will be the main target of a new Following the meeting, each franchise<br />

advertising and promotion campaign Dad's holder was presented with a tailor-made<br />

Of IPA Held in Toronto<br />

Root Beer Co. will launch in 1955. Details promotion geared to his own particular<br />

Innumerable<br />

and theme of the program were recently needs and sales curve. The campaign<br />

popcorn and<br />

plans<br />

concessicj<br />

merchandising ideas keyed to<br />

outlined by W. E. Sala, national advertising<br />

director, before a meeting of the firm's promotion ideas and local radio and mer-<br />

consisted of kits complete with details on<br />

the thei;<br />

of "horizons unlimited" were exchangl<br />

Midwest bottlers at the parent plant in chandising programs<br />

and discussed at the fourth<br />

to fit the needs<br />

annual Cardian<br />

spring popcorn and concessions cc-<br />

of the<br />

Chicago.<br />

individual.<br />

ference sponsored by the Internatiou<br />

The new campaign, which was developed<br />

after a thorough study of the root To reduce the apparent height of the<br />

Popcorn Ass'n in Toronto May 6.<br />

The one-day meeting, which was Ib<br />

beer market in the United States, will place ceiling in the lobby, a suspended ceiling<br />

third regional meeting sponsored by f;<br />

its main emphasis on radio spots with of metal lath and plaster can be hung<br />

DPA in 1955, was held for all segmes<br />

"kid's appeal." To accomplish this, the from the original high ceiling.<br />

of the popcorn and concessions industn.<br />

Co-chairmen for the session were J. J.Pigibbons<br />

jr., who is head of Theatre Conf<br />

FOUB STEPS TO BIGGER SALES<br />

tions, Ltd., and Syd Spiegel, general miager<br />

of Super Pufft Popcorn, Ltd.<br />

The advance program listed the folicing<br />

AND PROFITS ... ON lOc BARS<br />

subjects and discussion leaders:<br />

Cream Merchandising—W. J. Armstroj,<br />

The Borden Co.; Hot Dogs in Theatre-<br />

Clifford G. Oates, Shopsy's Foods, LI,;<br />

What's New in Packaging—^W. G. Staiton;<br />

The Popcorn Outlook—Rufus Har^,<br />

Blevins Popcorn Co.; Shrimp Rolls Resy<br />

Sell!—Kenneth K. Fell, Flavo-Rite Poci;<br />

SMOOTH SAILIN (not<br />

Brown Gold (cocoa bean film) —Jey<br />

shown) is another popular,<br />

fast-selling bar in<br />

Weissman, C. J. Van Houten & Zoon; ThU'<br />

tre Sales Promotion—Kenneth K. WfS,<br />

the 10c size. Be sure to<br />

Theatre Confections, Ltd.; Be a Leacil<br />

stock it, too.<br />

Join IPA—Thomas J. Sullivan, execulfe<br />

vice-president of IPA.<br />

"~^—<br />

PAYDAY<br />

"TM-l-T-<br />

40 Years Bring a Chanjs<br />

« In Contract Carpet Desia<br />

^^^M-&y^eA«-<br />

The Balanced Line of "Best Sellers"<br />

The advance of carpet styling during the spa'ti -IP<br />

one man's career is seen in the carpet design cffl ''il<br />

shown by Charles Lehner, who retired recVt 'Sli<br />

best taste for the carpeting of hotels, the(P uji<br />

restaurants, other public areas.<br />

24 The MODERN THEATRE SEC<br />

tin


; regular<br />

j<br />

New Dispensing Head<br />

hr Fast Drink Service<br />

Many Items Suitable for Theatre Vending<br />

The theatreman with an eye on vending<br />

will find at least two dozen items which<br />

can be serviced through automatic equipment.<br />

Vend magazine, in its annual directory,<br />

lists this lineup of merchandise<br />

venders:<br />

Apples<br />

ij 30-gallon Everfrost soda fountain equipped<br />

\h the Speed-Sen dispensing head is designed<br />

i installations requiring a large volume, fast drink<br />

irice.<br />

A new item of concessions equipment es-<br />

^cially suitable for drive-in theatres is a<br />

y.pensing head designed for installations<br />

Ut require large volume, fast drink servi:<br />

The head may be installed on bobtail<br />

Untains, fountainettes oi- creamer units.<br />

] is available in a wide range of combi-<br />

^tions of mixing faucets and draft arms<br />

lat will meet with the needs of individual<br />

^erators. It can be used in conjunction<br />

th the regular draft arm station since<br />

soda and plain water draft arm<br />

: available along with the mixing faucets.<br />

fSyrup is easily replaced by removing the<br />

p of the Speed-Serv dispensing head and<br />

'!uring syrup into each of the two-gallon<br />

i.ntainers. Syrup is mechanically chilled<br />

cold-wall type refrigeration and mixed<br />

d dispensed by a special faucet. The unit<br />

made by Everfrost Sales.<br />

'ays Keep Ice Cream Cold<br />

I<br />

Drive-In Theatres<br />

In the drive-in theatres operated by Fa-<br />

)us Players Canadian ice cream Is pro-<br />

)ted almost identically as it is in indoor<br />

eatres except where there are cafeteriale<br />

installations. In situations such as<br />

ose a stainless steel tray 18x18 inches<br />

d six inches deep is used. Perma-Ice,<br />

lich has been frozen in the bottom,<br />

eps the ice cream cold for the items are<br />

ided on the trays just before the interssion<br />

break.<br />

Pearce Parkhurst has announced that<br />

5 firm, Pearce Parkhurst Enterprises, will<br />

itribute the new type flowing lead pencil<br />

a promotional item. According to Parkrst,<br />

his company is one of the first to<br />

er the specialty.


Best way to catch<br />

your public's eyi<br />

In the public eye for more than 30 years!<br />

Constant national advertising of constant<br />

quality makes CANADA DRY Beverages<br />

the choice of millions at home<br />

— and away from home.<br />

Give them the flavor they like -<br />

^i^«P5^,*SSi???*!'i'-'^-


lie name they know


I take<br />

*-">*^<br />

INCREASES YOUR BUSINESS BECAUSE IT<br />

Mates popcornAv^ys befter!<br />

Adds delicious buttery flavor<br />

jlj Brings out all the natural goodness of the corn<br />

jl^ Gives popcorn an appetizing butter-like<br />

appearance<br />

*lj Accentuates and intensifies all these<br />

wonderful flavors<br />

1 -—^ ^ "<br />

AVAILABLE AT ALL GOOD POPCORN SUPPLY DEALERS<br />

The Savorol Co./<br />

Popcorn Bldg., Nashville, Tenn.<br />

New Compact Serving Unit<br />

For Straws and Napkins<br />

Savings in the cost of straws and count)<br />

space at concessions stands can be realia<br />

with the Duplex Straw Dispenser and tl<br />

Shelvatray Companion, products of tl<br />

Duplex Straw Dispenser Co. The stall,<br />

less steel dispenser cuts straw costs \\<br />

IT'S THE ' lET AGE" OF<br />

BEVERAGE DISPENSING<br />

EQUIPMENT, TOO<br />

. .You crash the outmoded<br />

barriers between you and<br />

new, peak profits with<br />

A SODAMASTER<br />

SYSTEM<br />

pally to its patented iet foamaster<br />

• Fai advanced ov every other available type—thanks pri<br />

equipment guarantees that<br />

nation and the Mix-Monitor Faucet—Sod<br />

iclple of carb<br />

ejcent pri<br />

ar, regardless of your present<br />

rage costs w<br />

your profits<br />

a power dive and your bevi<br />

methods, New savings and other operating advantages are q ed<br />

nothing stands the of iet modernization<br />

by small as well a large<br />

of your beverage<br />

ts, too. Literally establishn<br />

plete details TODAY!<br />

ness eicept your own decision. Investigat'<br />

YOU GET ALL THIS-AND MORE-WITH SODAMASTER<br />

• The identical beverages<br />

from bottles—with carbor<br />

• As much as t5% saving<br />

96% savings on club soda.<br />

• A variety of flavors, instantan<br />

finger tips.<br />

usiy obtained • Unmatched service speed, avoiding dissatl<br />

equal or highe<br />

fact<br />

aiko it rush periods<br />

bottled<br />

flavor<br />

Elimination of costly, troubles<br />

suming bottle handling.<br />

Uniform coldness and perfect<br />

beverages, automatically.<br />

using unwrapped straws and dispensi;<br />

them one at a time. Two models, one 1^<br />

standard straws and the other for t!<br />

jumbo sizes, are available. The Shelvatij"<br />

Companion snaps on to the top of w<br />

dispenser and serves as a convenient locj<br />

tion for the napkins, sugar, salt, etc. I<br />

not only saves space but helps in Xi\<br />

maintenance of a fast food service.<br />

It is becoming more and more gene:<br />

knowledge that oiling of floors is det<br />

mental rather than beneficial. First to<br />

considered is the fire hazard; secoJ<br />

oiled floors are unsanitary. Theatres al<br />

many institutions are completely elimini<br />

ing the oiling of floors as time goes on, ad<br />

after removing the oil from such floors, le<br />

sealing them forever against moisture, d<br />

warping and imsanitary conditions w<br />

heavy-duty seal and finish which are 1<br />

approved materials for this.<br />

I<br />

"1 GET A REAL<br />

CHARGE OUT<br />

OF THIS"<br />

VISIT US<br />

NATIONAL RESTAURANT<br />

SHOW<br />

CHICAGO, MAY 9-13 • Booths 509-510<br />

Sojamaster Syst<br />

with faucets only<br />

lay<br />

he installed remotely,<br />

MAIL THIS COUPON TODAY<br />

Please send me full facts on the D Sodamaster<br />

a Mi« Monitor Faucet Q 100 gallon-per-hour<br />

Supercharger Carbonators.<br />

Firm<br />

y^j(jn5s General OHices: Canfield, Ohio, and<br />

Name .. .<br />

'851 Randolph St., Lo« Angelei. Calif.<br />

IN CANADA: GENERAL EQUIPMENT CORP.. LTD.. TORONTO, ONT.<br />

The NEW Patented SPEED-SCOOP<br />

Three times more efficient. Scoop and pour c<br />

bagful of popcorn in one single easy motion<br />

Mode of light, stainless aluminum. Cool hord<br />

wood handle. Perfectly balanced for maximMir<br />

efficiency and speed. Only $2.50 ot your Theo<br />

tre Supply or Popcorn Supply<br />

Dealer.<br />

SPEED-SCOOP<br />

109 Thornton Ave., Son Francisco 24, ColM<br />

28<br />

The MODERN THEATRE SECT) %


: May<br />

airatwj© saMiO<br />

d<br />

^2<br />

This fact sits well with every profit-minded theater<br />

man: MARS makes the fastest seUing chocolatecovered<br />

candy bars in all the world.<br />

Don't take a back seat. Keep MILKY WAY,<br />

SNICKERS, MARS BAR front and center in<br />

your candy counter. You'll cash in on a very<br />

profitable situation.<br />

A\ARS, INCORPORATED<br />

DXOrnCE :<br />

7, 1955 29


. The<br />

Automatic Vending Sales Up 7%<br />

In<br />

1954 Over Previous Year<br />

More than $1.5 billion worth of products<br />

were sold from at least 2,800,000 vending<br />

machines by the end of 1954. This estimate<br />

by National Automatic Merchandising<br />

Ass'n represents an increase of 7 per cent<br />

over estimated 1953 sales.<br />

Dairy products led the field in percentage<br />

increase of business over 1953. with<br />

estimated ice cream sales up substantially<br />

and milk up 32 per cent. This reflects the<br />

efforts of Agriculture Secretary Benson<br />

and the dairy industry to seek new markets<br />

for milk and milk products.<br />

Coffee vending was third in percentage<br />

increase, with a 30 per cent rise. The<br />

'coffee break" continued to intrench itself<br />

as a national institution in 1954—and employers<br />

learned that workers do not have to<br />

step so far from desk or assembly line for<br />

their cup of "Java" if a coffee machine is<br />

on hand to serve them.<br />

The "big three" of automatic merchan-<br />

Nation's No. 1 Hot Dog Merchandiser<br />

^^<br />

Rofo Grille<br />

HOT DOG BROILER<br />

Biggest Returns Per<br />

Dollar Invested<br />

The ROTO GRILLE is id<br />

DRIVE-IN THEATRES<br />

Here ROTO GRILLE<br />

equipment already o<br />

onjunction with bun<br />

INDOOR THEATRES<br />

ROTO GRILLE 3 complete Hot Dog operation<br />

the indo theatre<br />

yet geared to the<br />

TESTS PROVE ROTO GRILLE" BEST<br />

In tests made F. W. Woolworth Co., by the ROTO GRILLE<br />

proved superior to all competition in Hot Dog equipment from<br />

standpoint of quality in construction and soles oppeal.<br />

the<br />

LET THE ROTO GRILLE PUT A SIZZLE IN YOUR HOT DOG<br />

SALES,<br />

A few of the many outstanding customers increasing<br />

Hot Dog Sales with ROTO GRILLE:<br />

Video Theatres of Oklahoma Cooper Theatres of California<br />

Jefferson Amusement Co. of Texas F. W. Woolworth Stores<br />

Mid-Central Theatres of Kansas Theatre Confections Branches<br />

Theatre Confecfions, Inc., of Minnesota (Operating in Ohio, Indiana, Pennsylvania)<br />

Have You Heard the<br />

Frontier Theatres of Texas<br />

Good News<br />

About the<br />

SERVETTE 700<br />

POPCORN WARMER<br />

Here's what one enthusiastic customer writes:<br />

"The '700' really meets the needs of popcorn<br />

merchants from the standpoint of price and practicability."<br />

Designed specifically to fit both cafeteria or self<br />

service concession stands<br />

Check these outstanding features:<br />

• STREAMLINED REVERSIBLE CHROME TOP<br />

Ideal for either cafeteria service or self service.<br />

• DRAWER TYPE HEATING COMPARTMENT<br />

Complete heating assembly easily removed for servic<br />

• GREATER STORAGE CAPACITY<br />

Will hold 440 boxes o* popcorn.<br />

• LIFT OUT GLASS SLIDING DOORS<br />

Mly ed (.<br />

'^3*^<br />

Contact Your Regular Theatre Supply Dealer or Write to<br />

HOLLYWOOD SERVEMASTER COMPANY<br />

114 West 18th Street Kansas City 8, Mo.<br />

dising continued to be cigarets, soft drinlJI<br />

and candy—in that order. With only<br />

per cent of total machines on locatio;i<br />

cigarets cornered 46 per cent of consumeijj/|<br />

vending dollars. Soft drink sales were<br />

'<br />

per cent of the nation's total, with ;<br />

per cent of the venders, and 14 per cei<br />

of the "silent salesmen" account for candj<br />

14 per cent of 1954 dollars volume.<br />

National Automatic Merchandising Ass'<br />

trade organization of United States vene<br />

ing operators, machine manufacturers ar<br />

suppliers of vendible products, lists est<br />

mates for 14 categories of the industry '<br />

the 1955 Directory of Automatic Merchai<br />

dising. Of these, ten cover food and beve<br />

ages, and two are closely allied 'cigare<br />

i<br />

and cigars two remaining fields<br />

vending operations for which estimat<br />

are given are postage stamps (250,000 m;<br />

chines, $40,000,000 sales) and coin operati<br />

weighing machines 1 190,000 units, $4,75(<br />

000 sales).<br />

ANOTHER VENDING CATEGORY<br />

The association names another maj'<br />

category—service equipment, including co<br />

luggage lockers, toilet locks, transportati(<br />

accident insurance machines, etc.—whiii<br />

occupies a large share of the market, b<br />

for which no accurate figures are availab'<br />

This is also true of many miscellaneo<br />

machines and products—newspapers, bool<br />

combs, hosiery, pencils, handkerchie<br />

perfumes, photographs, hard boiled egt<br />

fresh fruit, ice and fuel are only a few.<br />

NAMA's detailed breakdown of estimat<br />

sales volume and number of machines .<br />

location is as follows:<br />

1954 (ESTIMATED)<br />

Annuol<br />

Sales<br />

CIGARETS $690,000,000<br />

SOFT DRINKS (total) 393,125,000<br />

Soft Drinks— bottled .... 320,000,000<br />

Soft Drinks— in cups 73,125,000<br />

CANDY (Packaged) 210,000,000<br />

COFFEE 65,000,000<br />

POSTAGE STAMPS<br />

BULK<br />

(Unpockoged, loose<br />

candy, nuts, gum)<br />

MILK<br />

ICE CREAM<br />

COOKIE, CRACKER<br />

AND BISCUIT<br />

(10,250,000 sold through<br />

candy machines)<br />

CHEWING GUM<br />

($2,000,000 sold through<br />

candy machines)<br />

WEIGHING MACHINE ....<br />

FRUIT JUICE (total)<br />

Individual<br />

Bulk<br />

cans<br />

Frozen Concentrates<br />

SANDWICH AND<br />

PASTRY (total)<br />

Sandwich<br />

Pastry<br />

CIGAR<br />

No.<br />

Machii'<br />

on<br />

Locatii<br />

460,Cl<br />

695,Ci<br />

650,Ci<br />

45,CI<br />

410,CI<br />

2 1, CI<br />

40,000,000 250,CI<br />

25,750,000<br />

22,400,000<br />

20,000,000 20,(^1<br />

12,750,000<br />

12,500,000<br />

4,750,000<br />

4,700,000<br />

2,750,000<br />

1,750,000<br />

200,000<br />

3,400,000<br />

1,000,000<br />

2,400,000<br />

515,0<br />

2,500,000<br />

— Popcorn Merchandit<br />

1<br />

16,0 -<br />

";<br />

12,(ll<br />

210,(1)<br />

190,(1)<br />

2,0<br />

2,0<br />

;)<br />

')<br />

2,;)<br />

:)<br />

2,0<br />

1<br />

30 The MODERN THEATRE SECTHll


I<br />

'<br />

freely<br />

lame Public Relations Director<br />

C. Edgar Hires has<br />

been appointed to the<br />

post of public relations<br />

director for<br />

Charles E. Hires Co.,<br />

root beer makers, according<br />

to Pi-esident<br />

P. W. Hires. The new<br />

public relations director,<br />

a vice-president<br />

of the company and<br />

grandson of the<br />

C. Idgar Hires<br />

founders, has been<br />

isociated with the beverage firm in many<br />

|fferent capacities for the past 20 years.<br />

1 his new position, one of his first tasks<br />

•11 be the development of a program for<br />

celebration of the 80th anniversary of<br />

Je<br />

mtinuous operation of the Hires company<br />

1956.<br />

popsit plus<br />

Compare these advantages<br />

gives you<br />

all these<br />

advantages .<br />

r<br />

jolor Carbons for Set Lighting<br />

icarbons for motion picture set lighting<br />

(pable of providing spectral energy disi.bution<br />

of approximately 3,300° k., which<br />

comparable to the spectral sensitivity of<br />

[9 present color films, are now being prot.ced<br />

by National Carbon Co., division of<br />

'lion Carbide & Carbon Corp. The new<br />

.rbons will almost double photographically<br />

fective illumination without requiring<br />

ditional power as the change in color<br />

Mperature was achieved without loss of<br />

easurable light.<br />

A slight excess of near-ultraviolet light<br />

nerated by the carbons will require the<br />

le of a very light filter. When the<br />

Iters are used, the carbon arc lamps may<br />

mixed with incandescent tung-<br />

Jm on motion picture sets.<br />

'The carbons have passed rigorous test-<br />

,' for process projection and set lighting.<br />

Of prime importance, to women especialare<br />

comfortable, clean-looking and saniry<br />

washrooms and lounges. A carelessly<br />

pt restroom can do more to impair a<br />

eatre's reputation than lack of any other<br />

tron convenience.<br />

,<br />

HEAVY DUTY<br />

"SODAMAKER"<br />

WITH 2 OR 3 FLAVORS<br />

d by leading theatre circuits in U. S. & Canada.<br />

it Refrigeroted faucets<br />

k Fastest Constant Flow Pin-Point Carbonated<br />

Ice-Cold Drinks without ice<br />

k All Stainless Steel Liners<br />

k Complete Selt-Contoined Unit<br />

k Triples your Profit with less Floor Space<br />

• Reserve Ice Bank for Rush Drive-ln Crowd<br />

Write Today. Dealer Inquiries Inyiied<br />

IPERIOR REFRIGERATOR MFG. CO., Inc.<br />

-24 Hodiamont Ave. St. Louis 12, Mo.


Open Front Invites Patrons to Enter Concessions Short ... and to the Point<br />

T<br />

Accuracy in totaling sales and in makin<br />

;<br />

change is essential at the concession stant<br />

In the concession business you must knc<br />

what the best selling items are, which yiel<br />

a greater profit and how to display an<br />

merchandise these lines.<br />

You must be certain that you are servin'<br />

the coldest drinks possible at all times sj<br />

your concessions stand. I<br />

Plan your corn popping so that whe<br />

customers are approaching the counte<br />

the corn is being freshly popped and spii:<br />

ing from the kettle.<br />

A 75-foot glass front distinguishes the concessions building in the Plainville Driye-ln Theatre, Plainyille,<br />

Conn. Patrons on the inside can watch the show while in the building, and those on the outside<br />

can plainly read the signs advertising the items offered. The open view of the interior creates<br />

an invitation to enter. Pizza pies at 60 cents, shrimp rolls at 30 cents, and popcorn at 15 and 25 cents<br />

are featured. The 1 ,000-car drive-in is owned by the Perakos Theatre circuit. John Perakos is manager.<br />

He is assistant to his brother, Sp^rie, general manager of the seven-unit circuit. The $250,000 theatre<br />

which was opened last year is located in a natural bowl setting and the theatre area is<br />

paved. The screen is 114 feet wide. The theatre is opened at 6 p.m. with a double feature program<br />

supplemented by short subjects, etc.<br />

Do not pop up a big batch of corn whejj<br />

you first come on duty and then rest.<br />

Personnel cooperation is the key ingr^<br />

dient in successful concession operation<br />

Tape recordings are very effective f(J<br />

announcements about the concession sta<br />

coming attractions, directions for reachil^Kl'<br />

restrooms and playgrounds.<br />

Buttercup • THE PROVEN PLAN<br />

THAT DOUBLeS YOUR POPCORN PROFITS!<br />

Because it seffiA MOREBOTTtRED Poficm tiumpeak-<br />

AT MORE THAN TWICE THE PROFIT TO YOU!<br />

Buttercup is g COMPim PLAN-FOR-PROFITS!<br />

• SPEED SERVICE! Only BUTTERMAT has SPEED for top<br />

results. Proved successful in over 5000 theatres!<br />

• ECONOMICAL! ...Positive product control!<br />

Complete with<br />

» DURABLE! Pays for itself in w^eeks . . .<br />

earns you money for years!<br />

• SPEED SALES! . lets your customer'ask for" a NAME BRAND!<br />

QUUITY P*«*Gt<br />

Complete with<br />

Point-of-Sale<br />

DISPLAY<br />

ACCESSORIES<br />

• NO FOLDING!<br />

• COSTS YOU LESS!<br />

• FAST FILLINC!<br />

$4.00 per lb. return!<br />

...will not "soak up" butter or leak!<br />

*<br />

•VISUALLY PRE-SELLS YOUR PATRONS!<br />

No need to explain the product. Displays •<br />

tell your customer what to "ask for" •<br />

developed by the origittators of Buttered Popco<br />

Buttercup Apron<br />

11x14 Plastic Sign<br />

Giant Display Cup<br />

Napkin Dispenser<br />

Dispenser Tube<br />

Cleaning Kit<br />

Butter Carton<br />

WRITE FOR COMPLETE<br />

DETAILS IMMEDIATELY!<br />

Please send me information on the BUTTERCUP PLAN:<br />

NAME<br />

THEATRE<br />

ADDRESS_^<br />

i<br />

1324 W. WISCONSIN AVENUE • MILWAUKEE 3, WISCONSIN<br />

CITY<br />

32 The MODERN THEATRE SECTK


Hot Tips on Merchandising Hot Dogs<br />

Exhibitors Report on Best Methods of Selling<br />

A swish of mustard followed by a spoonil<br />

of chili are standard condiments used<br />

•<br />

hot dogs at the King Ridge Drive-In.<br />

i)rristown, Tenn., reports B. M. Eiseman,<br />

dner. Patrons like the combination, and<br />

1 is the rare customer who specifies only<br />

( e.<br />

For the indoor theatre exhibitor: hot<br />

,(i grills usually have high, medium and<br />

,v t.peeds. If started at the proper heat<br />

,:ommended by the manufacturer, with<br />

\e heat gradually increased, there will be<br />

: odors. This is one phase of indoor fiat<br />

selling lohicli requires special training<br />

the co7icessions attendant.<br />

[<br />

jGood display is an important factor in<br />

.ling hot dogs. Rotating grills, rollers,<br />

la-red heating are excellent merchaniiil;<br />

aids.<br />

Tri-State Automatic Candy Corp., which<br />

frvices Tnany theatres in the New York<br />

lite area, boils frankfurters 90 to 180 secids<br />

before grilling them. This assures a<br />

. ( frank, even in rush periods when grill-<br />

17 time may be limited. Normally, a frank<br />

1 grilled for about five minutes. The boiltj<br />

in no way affects the flavor of the<br />

illed<br />

product.<br />

Herbert Ochs. operator of a chain of<br />

ive-ins with headquarters in Cleveland,<br />

ys: "We used to buy nine franks to the<br />

und and sell them for 20 cents. But once<br />

introduced the 'footlongs,' which<br />

come six to the pound and sell for 30<br />

cents, our sales jumped about 50 per cent<br />

ahead of the smaller size."<br />

Ochs uses all types of condiments—catsup,<br />

mustard, horseradish, etc. and places<br />

them all in individual dispensers. This<br />

method, he says, prevents slopping the<br />

condiment on the counter and on patrons'<br />

clothes. Frequently, the Ochs theatres will<br />

run a special, serving diced onions or<br />

sauerkraut as an inducement to buy the<br />

"footlong."<br />

Warning from theatremen who have<br />

tried it: Do not overprice your franks. In<br />

the New York area, a 15-cent price has<br />

been used by one vending company, using<br />

an all-beef frank which comes 10 to 12<br />

a pound. Most popular price nationally,<br />

both indoor and outdoor, is 20 cents.<br />

Almost without exception, patrons who<br />

buy hot dogs will buy a beverage. By introducing<br />

frankfurters, exhibitors will also<br />

increase beverage sales substantially. The<br />

Wometco circuit of Miami estimates drinks<br />

increased 15 to 20 per cent when hot dogs<br />

made their bow in indoor theatres.<br />

The Wometco circuit does not attempt<br />

to buy buns centrally, because it would be<br />

impossible to service all theatres daily with<br />

such a perishable item. Therefore, buns<br />

are ordered by individual managers, with<br />

the contract price controlled by the main<br />

office.<br />

PROFIT<br />

From Being a Good Host<br />

To Your Patrons In<br />

D. I. T.<br />

Serve to your Patrons Hot Dogs . . .<br />

1<br />

• HOT<br />

2<br />

3<br />

4<br />

Serve to your Potrons Popcorn . . .<br />

, HOT and CRISPY<br />

Serve to your Patrons Cold Beverages<br />

, ... ICE COLD<br />

While the show is on, serve your<br />

Patrons TO their cars.<br />

In<br />

darkness, wind or rain, your Patrons<br />

5<br />

are enjoying your hospitality ot its<br />

• best— in the privacy of their car? . . .<br />

WALKY SERVICE CO.<br />

401 Schweiter BIdg. ^'.r"*"*"'"'.."<br />

Buffetena<br />

itf I • i#<br />

Wichita, Kansas Movoble concession<br />

Phone: 4-5169<br />

A5k°*or nt^oture<br />

tt dog sales overage up to 2,000 a week, with about 1,000 on Saturdays at the Miami Theatre, Wometco's<br />

I t run house on the main street of Miami. The small, compact hot dog unit on the right corner of<br />

( Miami's stand takes up only about 18 inches of counter space and the yisual display is excellent.<br />

' 1 Myers, circuit concessions head, reports that beyerage sales greatly increased with the introduction<br />

I hot dogs in the Wometco theatres.<br />

EVERYTHING FOR THE CONCESSIONAIRE<br />

Popcorn Equipment — Drink Dispensers<br />

Ice Making — Candy Floss Equipment<br />

Popcorn, Oils, Boxes and Supplies<br />

Kiddie Rides<br />

Write for 50th Anniversory Catalog Quotations<br />

3918 Seeor<br />

Toledo 13, Otilo<br />

^XOFFICE :: May 7. 1955 33


:<br />

Big Increase in Automatic Vending in 1955<br />

Is Predicted; Theatres to Benefit in Boost<br />

Exhibitors who sell through automatic<br />

vending equipment can anticipate an increase<br />

in sales this year. The Coin Machine<br />

Journal, which has just completed<br />

a national survey of the vending industry,<br />

predicts a general rise in this area of merchandising<br />

in 1955. Here are some of the<br />

forecasts<br />

Beverages—Soft drinks in cups are expected<br />

to be one of the bigger gainers,<br />

with volume to increase about 13.3 per cent.<br />

Candy bars—Both bars and packet candy<br />

sales will be up, about 7.1 per cent. A reason<br />

is the attractiveness and convenience of<br />

buying candy through vending machines.<br />

Bulk candy and nuts—Bulk candy, nuts<br />

gum, etc., should reflect the buying of the<br />

huge postwar crop of children.<br />

Coffee—The industry anticipates a phenominal<br />

increase in coffee vending, with<br />

equipment for this beverage having been<br />

vastly improved in the last year or so. Sales<br />

of $66,000,000 were made in this area of<br />

vending last year; expect 23 per cent increase<br />

this year.<br />

Postage stamps—Postage stamps were<br />

being bought more and more through machines,<br />

because of convenience, it was reported.<br />

Milk and ice cream also are on the<br />

upswing as vending items.<br />

\^-,..v\<br />

i^\<br />

'sws.<br />

"The butterlike flavor of<br />

popsit plus<br />

is<br />

unequalled in the<br />

popping oil field!"<br />

\<br />

V.<br />

fs<br />

Nir


^ckage Changes Would Sell<br />

Spring Motif Creates Attractive Concess IC:'<br />

y)re Candy in Theatres<br />

andy manufacturers can improve their<br />

iilic relations and boost sales by making<br />

w packaging changes, according to Lee<br />

|L,:en, head of the concessions department<br />

jilKO Theatres.<br />

'ine<br />

of the most needed changes, accordn<br />

to Koken, is the elimination of price<br />

rikinss from candy bar wrappers. He<br />

xlained that most theatres sell the nickel<br />

,i<br />

dime bars for six and 12 cents. This<br />

Kcy, he said, creates ill will and could be<br />

itded if prices were not printed on the<br />

flppers.<br />

'Slack packing" or the practice of makri<br />

the bars smaller and keeping the packi^i<br />

the same is another bad practice that<br />

i^ds attention, Koken said. He charged<br />

Ijt it is neither good merchandismg nor<br />

[(|d public relations and has created an<br />

favorable reaction from the purchasers.<br />

inother great need among theatre consAions<br />

is for a 15-cent candy bar. The<br />

(jlmple of several theatres, which had subitited<br />

the 15-cent, one-fourth pound<br />

S'ly Ruth for the 12-cent bar and found<br />

;l't unit sales on the larger size were<br />

[liter, was cited. It was suggested that the<br />

lf;ent bar might solve some of the prob-<br />

.ejs due to increased costs.<br />

There is a definite trend toward higherjied<br />

items." Koken said. "Patrons will<br />

j( for value received."<br />

The spring motif employed in the decoration of the concessions counter at the Norva Theatre, Norfolk,<br />

Va., shows that merchandising and beauty go hand in hand to promote larger sales. The more attractive<br />

a counter the better chance for patrons being drawn to it. The Norva is a Fabian house. Decoration of the<br />

stand was done by Mrs. Helen L. Coles, manager of Berlo Vending Co.'s Norfolk branch. Mrs. Coles<br />

enjoys the distinction of being the only woman manager of any of the company's branches.<br />

FAMOUS<br />

MAKER...<br />

MOVER..:<br />

Here's a top profit combination for you. . . . the famous<br />

Heide trade-mark plus the taste appeal of all-ways popular<br />

Jujyfruits. Now backed by increased television advertising<br />

and continuing national magazine ads, Jujyfruits<br />

belong on the counter of every outlet you service. Push<br />

them for aU they're worth . . . they're worth plenty to you!<br />

HENRY ilEIDE, incorporated<br />

New York 13, New York<br />

As nationally advertised in<br />

Lookl<br />

AMERICAN GIRLI<br />

Boys Life<br />

BC OFFICE :; May 7. 1955 35


An Automatic Milk Vender for Drive-Ins<br />

A New Fire-Alarm System<br />

Is<br />

Activated by Smoke<br />

And Combination Gases<br />

A hyper-sensltive fire alarm, the C-d<br />

Two Pre-Detector system which is act<br />

vated by the presence of combination gas<br />

as well as smoke, is now being market<br />

by Pyrene—C-O-Two. ;<br />

The system is based on earlier Europe|<br />

research on the ionization chamber prij'<br />

ciple of fire detection. A series of pri<br />

detector heads containing radio-active el,j<br />

ments are spaced up to 60 feet apart<br />

the ceiling where they are able to det^<br />

the smallest smoldering fire. Each of<br />

•ill*<br />

f!<br />

The automatic milk machine is one of the new developments in vending in drive-in theatres.<br />

Following the successful public demonstration of the Food Engineering Carp's new bulk vending<br />

machine in Washington, DC, Donald W. Brous, the firm's president, said they were ready to begin<br />

moss production of the machines in the near future. Among those attending the exhibit were, from<br />

left to right, Brous, Congressman Chester Morrow from New Hampshire, Secretary of Agriculture<br />

Ezra Taft Benson and on the far right, Paul Robert, Food Engineering foreman. The group is being<br />

served by Miss Betty Laurie.<br />

WORLD'S FINEST<br />

Over-fhe-Counter<br />

POPCORN MACHINE<br />

Schematic arrangement of C-O-Two Pre-Detei<br />

system, here being activated by cigaret smc<br />

has three principal units: pre-detector head (\<br />

space-indicating cabinet (C), and fire-indicai<br />

cabinet (D). Electrical conduit (B) and alt<br />

bell (E) virtually complete assembly. Space k<br />

'<br />

eating cabinet, which may be used when<br />

or more pre-detector heads are installed, sfci<br />

location of fire in building, while fire India<br />

gives visual alarms for fire, power failure,<br />

system disturbance.<br />

IMt<br />

TWIN ELEVATOR WELLS and<br />

AUTOMATIC PUSH-BUTTON SEASONING PUMP<br />

• Greater Warming<br />

Capacity— holds<br />

equivalent of 200<br />

boxes popped corn.<br />

• New Forced Air<br />

Warming—Thermostat<br />

controlled; keeps<br />

corn crisp, f.esh.<br />

• Automatir Electric<br />

Seasonirg Pump.<br />

• Ample Space for 2<br />

busy otte ndonts<br />

CRETORS' all-steel gas or electric kettle teamed with dual<br />

elevator wells in an over-the-counter popcorn machine with<br />

enough popping and storage capacity to handle the heaviest<br />

traffic. Gives a concession stand the glamor and sales appeal<br />

so necessary for king-size profits. Earning capacity up to<br />

$75.00 per hour. Handy, over-the-counter service. See your<br />

nearest CRETORS distributor about early delivery of an<br />

"Olympic" or any other CRETORS rii.Khl.<br />

CRETORS<br />

POPCORN MACHINES<br />

Since 1885<br />

SALES OFFICE: POPCORN BLDG., NASHVILLE, TENN.<br />

FACTORY: CHICAGO, ILL.<br />

heads is connected by a single clrc<br />

with a fire-indicating cabinet capable<br />

sounding the alarm, closing ventilati<br />

activating extinguishing equipment a<br />

performing other protective functions. 1<br />

system is said to have an almost univer<br />

application indoors.<br />

At situations where it would be desira<br />

to know the location of the fire, a spat<br />

indicating cabinet is available for coniW<br />

tion to the detection system. The cabil<br />

indicates the affected area by means<br />

numbered lights. Like the fire-indicat:<br />

cabinet, the space-indicating cabinet<br />

able to activate protective devices in \<br />

area of the fire.<br />

The C-O-Two Pre-Detector system ci<br />

the approval of Underwriters' Labo)<br />

ries<br />

tories. Inc. It has undergone rigid test<br />

and has been found to be durable and r<br />

atively unaffected by low humidity<br />

temperature, dust and soot.<br />

Kiddyland operators should purchiS<br />

their devices from recognized operators.<br />

iallt:<br />

iflias<br />

Slittio<br />

Mm<br />


I<br />

usuies<br />

!<br />

iJd Open House in New Plant<br />

'-<br />

Mills Industries, Chicago<br />

larking its move to a new location at<br />

15 West North Avenue in Chicago, Mills<br />

recently held open house for<br />

I<br />

lll^totners, distributors and associates<br />

iiiu-hout the nation. A crowd of almost<br />

Names Cole-Spa Distributors 22nd Oscar to Westrex FHm<br />

Atlantic.<br />

The Westrex recorded film, "Thi Glenn<br />

Miller Story," which won an Oscar fo.- the<br />

best achievement in sound recordius ;.<br />

Cole Products Corp. has added two new<br />

distributors for its Cole-Spa line of cup<br />

vending machines. The County Sales Co. of<br />

California with home offices in San Diego<br />

and branches at Los Angeles, San FYancisco<br />

and Santa Ana will handle the entire line<br />

throughout Arizona, Nevada and California.<br />

Mid-Atlantic Vending Distributors was<br />

awarded a district that includes Delaware,<br />

Maryland, West Virginia, North Carolina<br />

and 'Washington, D. C. Spokesmen for Cole<br />

Products also reported that Jess Brewbaker,<br />

divisional sales manager for Virginia<br />

and West Virginia, would remain in<br />

that capacity under the direction of Mid-<br />

^r-<br />

Ing 1954, marks the 22nd time Wc. .'::<br />

recordings have won sinve the award -.vu.-<br />

established 25 years ago.<br />

The 1954 award was presented to the<br />

sound department of Universal-International<br />

studios by the Academy of Motion<br />

Pictures Ai-ts and Sciences at the recent<br />

Hollywood ceremonies.<br />

In addition, Columbia Pictures Studios,<br />

which was awarded the Oscar for the best<br />

picture of the year, used Westrex equipment<br />

to re-record "On the Waterfront."<br />

Tmoi J. Riggs jr., president of Mills Industries<br />

I f. L. Jacobs Co., visits with Richard Seddon,<br />

h s distributor, and J. H. Leadaman, Mills repren<br />

olive, at the recent open house held in Mills'<br />

M location.<br />

I* people inspected the new facilities, saw<br />

st products in operation and met with<br />

top management.<br />

;erving as hosts were Thomas J. Riggs<br />

president of Mills and the F. L. Jacobs<br />

Ci; Jack Keller, vice-president and gen-<br />

B^l manager of F. L. Jacobs, and Pete<br />

Uioy. Mills' new sales manager. Other<br />

Mis' sales and service personnel were on<br />

hl.d to explain new product innovations.<br />

ne of the main points of interest was<br />

tl Millshake shake and malt machine<br />

rich combines freezing, built-in refrigei;ed<br />

syrup pumps and blending, all in<br />

tt<br />

single unit.<br />

RA Increases It's<br />

Carpet Line<br />

F)m Basic Six to 29 Grades<br />

satisfy the different budget requiremits<br />

of all types of theatres, the RCA<br />

K)et line has been increased from six to<br />

2f different grades, according to M. J.<br />

ST^r, manager of the theatre and sound<br />

piiucts department of the engineering<br />

pi iucts division.<br />

he new grades will be additions to the<br />

Sii, basic types of carpeting already being<br />

Dfred by RCA. Pile heights of the new<br />

pies will vary from .15 to .5 inch. Now<br />

to .tres may choose from two grades of the<br />

fctievement type, five in the Citation type,<br />

fo Headliner, five Top Performer, five<br />

8^wman and eight Exhibitor.<br />

le carpeting, which is manufactured by<br />

T^mas L. Leedom Co., is available in<br />

Mrs and patterns of the exhibitor's<br />

:hce.<br />

lere is no better advertising for a produc<br />

than the product itself.<br />

(V/tk<br />

HOT<br />

DOG<br />

HOT DOG CHiLi<br />

DID YOU KNOW THAT-<br />

• By adding a fraction of a cent to the cost of each Hot Dog, you con eosily sell it<br />

for five cents more— picking up an EXTRA PROFIT of 4c per Hot Dog!<br />

• CASTLEBE.RRY'S HOT DOG CHILI costs less than standard brands of catsup-flr<br />

pickle relish . . . actually costs little more than mustard!<br />

• CASTLEBERRY'S HOT DOG CHILI is a quality product especially for use on<br />

Hot Dogs . . . plenty of meat, ground very fine for uniform distribution throughout<br />

the product . . . real Chili Beans ore crushed to protect your customer's neckties<br />

and dress-fronts from "tumbling bean" spots.<br />

• This economical easy-to-use product may be served in a variety of ways! Ideal<br />

for mouth-watering "Chili-burgers"; delicious over meat loaf—as a spaghetti<br />

sauce—or on left-over meats. Mokes a regular Chili Con Carne too— just add beans!<br />

MAKES A HOT DOG JUST M-E-L-T IN YOUR MOUTH"<br />

Available Through All<br />

Notional Theatre Supply Bronches<br />

29 oz. Can— Series over 50 Hot Dogs<br />

No. W Can—Serves over 200 Hot Dogs<br />

SAMPLE ON REQUEST<br />

CASTLEBERRY'S FOOD CO.<br />

AUGUSTA<br />

GA.<br />

JC OFFICE :; May 7, 1955 37


. ,<br />

HOLLYWOOD THEATRE<br />

INSTALLS NEW SIGN<br />

IN<br />

THE TRADITION<br />

OF TIMES SQUARE<br />

Facade of the Hawaii Theatre before erection of the new sign.<br />

Preliminary framework for the vertical sign may be sesn rising<br />

from the roof above the marquee.<br />

This spectacular, vertical sign, high as a four-story building, dramatizes the theatre, f<br />

different color combinations, based on turquoise blue and canary yellow backgrom<br />

create constantly running changes. The sign cost $22,000.<br />

I^AZZLING ELECTRICAL DISPLAYS like<br />

those highlighting New York's Times<br />

Square flashed onto Hollywood recently<br />

when the film city's Hawaii Theatre installed<br />

a huge, new vertical sign.<br />

High as a four-story building, the new<br />

sign contains more zeon tubing than any<br />

other theatre sign in the West. Constantly<br />

running changes cover four different color<br />

combinations based on turquoise blue and<br />

canary yellow backgrounds.<br />

Constructed at a cost of $22,000 for<br />

Albert A. Galston and J. M. Sutton, thea' [dijoi<br />

owners, the new installation was specia Sju/or<br />

designed and installed by Electrical Pre jj j<br />

ucts Corp. of Los Angeles. m]<br />

Dedication program by Debbie Reyno!<br />

and Louis Calhern was carried on NBC-'<br />

s<br />

The huge letter section being wheeled into oven Individually designed and tagged zeon tubes being Upper section showing separate zeon no<br />

tubes C .1<br />

for baking enamel. fitted precisely into place. ating the four color combinations.<br />

38 The MODERN THEATRE SECTK


; we<br />

: May<br />

^<br />

I<br />

.<br />

, . . Questions<br />

and Answers<br />

This regular Modern Theatre feature is conducted by Dove E. Smolley, contributor to mony<br />

mportont magazines on mointenance and editor of Better Maintenance Magazine. Questions from<br />

exhibitors ore welcomed. Address them to Theatre Mointenonce, The Modern Theatre, 825 Von<br />

It Blvd., Kansas City 24, Mo. Enclose stamped, self-addressed envelope for personal reply<br />

ASPHALT FLOOR DOESN'T<br />

RESPOND TO WAXING<br />

We have just installed a neiv asphalt<br />

floor and the contractor recommended<br />

tuax it to bring up a polish. Howwe<br />

have applied several coats of two<br />

erent kinds of self-polishing luax and<br />

make no showing whatever. What<br />

Tcmg"!<br />

Certain installations of asphalt tile do<br />

not respond to waxing, due to the surtexture<br />

of the tile. The wax you have<br />

lied is still there, of course, but has bee<br />

imbedded in the minute cells on the<br />

ace of the tile. Several months of wear<br />

Id probably remedy the condition, but<br />

ii<br />

[)|more immediate results, I recommend<br />

you go over the floor with No. 1 steel<br />

preferably under a floor machine.<br />

apply two coats of one of the newer<br />

1^1 coat iwaxlessi floor finishes. After<br />

fl;h I believe that subsequent waxing will<br />

e'ond with the polish you expect.<br />

rVVHAT TYPE FLOOR?<br />

We are planning to build a new movie<br />

\<br />

hitre and would like to have your recomnidations<br />

for the floors. What kinds do<br />

m think best for the lobby, foyer and ,<br />

Iti torium?<br />

Jrhe answer to your question depends a<br />

?reat deal upon how much you wish i<br />

10 nvest, the size of your theatre, etc.<br />

i« ever, if the cost is not of primary im-<br />

Wance. I would suggest either terrazzo<br />

iraarble for the lobby: rubber tile or<br />

ble vinyl tile or cork tile for the foyer<br />

of course, in any case, concrete for the<br />

torium. If the cost is an important<br />

jr, I would suggest asphalt tile in the<br />

y and linoleum lor carpeting' in the<br />

r. Rubber, flexible vinyl or cork, while<br />

; expensive than linoleum, are quieter<br />

le<br />

foyer.<br />

rWHAT ABOUT PHENOL<br />

rCO-EFFICIENT?<br />

H"(' are using a disinfectant, the label<br />

ich indicates it has a phenol co-<br />

;f of five against typhoid germs. We<br />

tii'rstand that a phenol co-efficient of<br />

fn means it has five times the killing<br />

m'r of carbolic acid, but does this label<br />

''!<br />

that the disinfectant kills only ty-<br />

! (lerms? We want a disinfectant that<br />

km all kinds of germs.<br />

A here is no known disinfectant that<br />

!!i be guaranteed to kill all kinds of<br />

In fact, there are a number of<br />

germs which have never been isolated and,<br />

on which, therefore, no test could be made.<br />

By the label in question specifying typhoid<br />

germs, it merely means it was that particular<br />

germ which was used for testing. The<br />

law requires that in claiming a phenol coefficient,<br />

the kind of germ on which the<br />

test was made must be stated. The typhoid<br />

germ is one of the hardiest of disease germs<br />

and it is assumed what will kill this germ<br />

can be depended upon to kill many others.<br />

For theatre use I would recommend one of<br />

the glycol sprays or a quarternary ammo-<br />

nium disinfectant, both of whici: odorless<br />

unless purposely scented' arid very<br />

I<br />

effective. The glycol is said lo i'ili. airborne<br />

germs but its effect is less permanent<br />

than the quarternary type. Either o! f.v


\<br />

Twin disks and cylinders suspended on Florentine Influence— Inspired by Flor- Antique brass coach lantern, moun^^<br />

rods form an unusual new table lamp, eniine wrought iron designs, this new distressed fruitwood, produces a cm.<br />

Dramatic lighting, enlivened by a touch of greenery. The metal unit comes in red and white; lamp features dainty filigree work on ing new table lamp. The shade j*. \<br />

is provided by these planter floor lamps. gray and yellow; black and white. brass rods. The shade is white cord. ported pigskin. \<br />

LAMPS... for decor and added lighting V<br />

A Pictorial Report on What's New and Suitable for the Theatre, Spring 1955<br />

i<br />

Left, ceramic urn, suitable for use in a powder room,<br />

comes in two sizes. The smaller one is suggested<br />

for a narrow table or shelf, the other for a larger<br />

surface. Translucent spun glass shade gives good<br />

light for applying make-up. Right, hammered silver<br />

treatment strikes a new note on the surface<br />

of this<br />

glass lamp. Diamond pattern incorporates three<br />

different tones of blue with gold outlines. Parchment<br />

shade repeats the hammered silver effect.<br />

Data concerning manufacturers and prices of lamps<br />

shown may be obtarned by writing to The Modern<br />

Theatre, 825 Von Brunt, Kansas City 24, Mo. Prices<br />

of table lamps range from $40 to $80, with an average<br />

around $40.<br />

By DORIS HERZIG*<br />

r ORTABLE LAMPS sepve a dual purpose<br />

in theatre lighting. Not only do they supplement<br />

illumination from overhead fixtures,<br />

but they also contribute warmth,<br />

character, and excitement to the decorative<br />

scheme.<br />

Functionally, lamps bring light down to<br />

the specific area where it is needed. At<br />

the same time, they create other, more subtle<br />

effects. They provide a feeling of intimacy<br />

so often lacking in public areas. Their<br />

interesting patterns of light and shadow<br />

heighten the dramatic atmosphere.<br />

From the unprecedented variety of strikingly<br />

original designs now on the market,<br />

units can be selected to underline the prevailing<br />

mood, whether it is elegantly traditional,<br />

sleekly modern, informally countrified,<br />

or a pleasant blend of different motifs.<br />

A relatively minor investment in theatre<br />

decor, new lamps can transform the entire<br />

appearance of a lobby by injecting fresh<br />

decorative accents and casting a warm,<br />

inviting glow.<br />

In lounge areas, table and floor lamps<br />

grouped with seating units add a feeling<br />

coziness to the furniture arrangements,<br />

large wall or drapery expanse can often<br />

enhanced by placing a handsome tal<br />

lamp in front of it. A drab foyer corn<br />

can be enlivened with a torch-type flq<br />

'<br />

lamp casting indirect light.<br />

In powder rooms, portable lamps counte<br />

act the cold, often unflattering light whi<br />

disturbs women patrons. Here lamps a<br />

most effectively used in pairs so that lig<br />

falls evenly on both sides of the face wh<br />

make-up is applied.<br />

According to The Lamp and Shade I<br />

stitute of America, there is an increasi:<br />

trend in lamp design toward combinL<br />

modern with traditional features. The r<br />

suiting forms are graceful and mellow, i<br />

corporating contemporary lines with mot,<br />

from the past, such as oil lamp founi<br />

candlestick forms, or Florentine filig^?<br />

work. These lamps harmonize with eith<br />

period or modern furnishings, yet are di<br />

tinctively styled to become focal points<br />

attention.<br />

I<br />

Modern interpretation of the candlestick<br />

motif. Slender, polished brass<br />

rods rise from a walnut base to support<br />

gleaming brass candlecups. Plasticized<br />

white fabric shade.<br />

Contemporary interpretation of the<br />

lantern motif combines bright brass,<br />

wood and plastic. Switch is incorporated<br />

into the wood sleeve on the<br />

center shaft.<br />

Bands of gray polka dots accent this<br />

charcoal-colored ceramic lamp of<br />

graceful design. The shade is imported,<br />

natural-toned linen. The lamp<br />

is 33'A inches high.<br />

Coach lantern provides an interest'<br />

motif for this new floor lamp. Topf<br />

by on American eagle, the lanternset<br />

on a shaft combining Salem WU^<br />

with French bronze.<br />

40 The MODERN THEATRE SECTIO


; May<br />

Modern Art and Heywood Comfort<br />

Skyrocket Box-office Receipts<br />

\\'\[\\ a dramatic theme of modern art and the luxurious comfort of Heywood<br />

mating, owner Burton Jones transformed the old San Diego Egyptian, with an<br />

\ irage gross of $600 a week, into the premium-price Capri with grosses as high<br />

- "^ 1 0,000. Find out how Heywood comfort can help your own box office skyrocket.<br />

lEYWOOD-WAKEFIELD COMPANY, Theatre Seating Division, Menominee, Michigan Sales Offices: Baltimore Chicago<br />

B' ;OFFICE ;<br />

7, 1955<br />

41


REMODELING PROJECTS. 1955<br />

Kingston, N. Y.<br />

Washington, D. C.^<br />

The handsome mezzanine foyer in the remodeled Community Theatre bears little resemblance to the old, shown in the photo below. Wall-towall<br />

carpeting, smart furniture and modern illumination create a charming atmosphere. The fireplace adds a cheerful note.<br />

Community Theatre, Kingston, N. Y.<br />

Walter Reade Updates a 30 -Year -Old House Without Closing<br />

IVloRE THAN A QUARTER of a mUUon doUars went into the<br />

remodeling and redecoration of the 30-year-old Broadway<br />

Theatre in Kingston, N. Y., transforming it to a modern house,<br />

renamed the Community Theatre, with an accent on patron<br />

comfort. The construction covered a six -month period and was<br />

accomplished without interruption of shows. Except for the<br />

four walls the theatre was almost completely rebuilt.<br />

One of the most interesting features of the remodeling was<br />

the new treatment of the mezzanine foyer. The well that was<br />

in the center and looked down on the orchestra floor was<br />

closed in, and the old-fashioned chandeliers and old-style dark<br />

paneling removed. Lighting was modernized and increased and<br />

wall-to-wall carpeting and smart, modern furniture installed.<br />

Paintings are supplied by the nearby Woodstock, N. J., art<br />

colony and are changed every few weeks.<br />

Men's and ladies' rooms are at either end of the lounge and<br />

have been completely refitted.<br />

The new front of the theatre is a prototype developed by<br />

Walter Reade and distinguished by its Colonial red brick<br />

and white wood front. The portico and wood columns extend<br />

to the curb and are visible for hundreds of yards in both directions<br />

on the heavily trafficked main artery on which the<br />

theatre is located. At night, the front is lit by spotlights from<br />

across the street and by lights recessed into the portico ceiling.<br />

The old well in the mezzanine foyer that looked down onto the orchesm<br />

floor was closed over to provide the new spacious lounge area. The ©i<br />

fashioned chandeliers were removed and replaced by increased lighting with mo<br />

fixtures. The dark paneling, popular in an early day, gave way to light walls '<br />

ceiling. In the new lounge paintings supplied fay a nearby art colony are chatti^<br />

every few weeks and have proved an added attraction to patrons.<br />

42


; it<br />

1 H<br />

: May<br />

IB simple while wood work against the<br />

jikgiound of the red brick building<br />

ikes the theatre an easily recognizable<br />

f dmark.<br />

Three sets of full-length Lucite doors<br />

I<br />

used at the entrance way. Clearly vis-<br />

1' through them is the cashier's counter<br />

.Mch replaces the usual boxoffice. The<br />

lis are terra cotta: carpeting does not<br />

3 in until just in front of the inner doors<br />

I the rear of the outer lobby.<br />

»hoto-electric cell equipment operates<br />

main door into the Community autor.<br />

tically as the patron goes from the<br />

J i.sual cashier's counter in the outer<br />

,(b>- to the doorman with his ticket.<br />

CONCESSIONS IN INNER LOBBY<br />

"he new Refreshery is located under the<br />

5 ir well in the inner lobby, and is adjat<br />

to the theatre auditorium through<br />

-<br />

iloor at the right. The all-enclosing<br />

1 ii;i has built-in popcorn machine, nut<br />

user, ice cream cabinet with a glass<br />

so patrons can see the refrigerated<br />

lin.s, candy cabinet and soft drink ma-<br />

: ae.s. Display cases on the rear wall will<br />

b changed for seasonal displays.<br />

.ishting of the stand is all recessed and<br />

i >ctional. The decorative panel at the<br />

ti contains the word "Refreshery" in<br />

Late lettering cut into the border and<br />

t);ismitting light from tlie rear.<br />

'.ubber matting all around the front will<br />

b: edite cleaning and minimize the dam-<br />

B<br />

from spilled food or drinks.<br />

here are several automatic drink vend-<br />

Ir machines in other parts of the tlieatre.<br />

'he Refreshery was planned by Edwin<br />

G:e. circuit vice-president and James<br />

L b. concessions department director.<br />

Ji n McNamara drew the plans.<br />

COLUMN MOTIF CARRIED OUT<br />

/ithin the auditorium all of the gingerfa<br />

ad typical of older theatres was rett/ed<br />

for the simple, clean lines of modern<br />

Destruction. The column motif that disti'.uishes<br />

the front of Community-type<br />

tlures has been carried out in the audiu<br />

urn. There is a "sunburst" in metal<br />

onoth side walls of the auditorium. Only<br />

a ;\v seats in the 1,700-seat house were<br />

te in the remodeling,<br />

ine of the novel features of the Comlity<br />

is tlie party room located at the<br />

it rear of the orchestra. There are four<br />

Mi' seats on each cf two levels, accommo-<br />

16 persons,<br />

he de luxe room is soundproofed, has<br />

own separate sound speakers and its<br />

L air-conditioning outlets. Thick-pile<br />

jeting is on the floor and clothes<br />

gers are provided for patrons at eithsr<br />

The room was designed to be sold to<br />

ps wanting to attend the show in a<br />

y, however, the room is also sold on an<br />

vidual seat basis at a slight premium.<br />

Si )king is permitted here.<br />

'alter Reade Theatres was represented<br />

diing construction by Edwin Gage. Rocct<br />

Done, circuit engineer: Nick Schermerhi<br />

1, general manager, all under the di-<br />

« ion of Gage and Walter Reade jr.<br />

This is the entranceway to the Community as seen from the sidewalk and from under the wood-columned<br />

portico which extends to the curb. The only advertising material in front of the theatre ore the two<br />

display cases on the returns, each holding a 40x60 which the theatre's own art shop maizes.<br />

One side of the outer<br />

lobby of the Community.<br />

The display<br />

cose is one of two in<br />

ths outer lobby; the<br />

cashier's counter and<br />

another case are on<br />

the other side<br />

visible in<br />

(partly<br />

the mirror).<br />

The fixture near the<br />

floor and under the<br />

coach lamp is a hot<br />

air blower to heat<br />

the out^r lobby<br />

Patrons enter from<br />

and<br />

the street at left<br />

go into the inner<br />

lobby through the<br />

righ:<br />

doors.<br />

The Refreshery is located under the stair well in the innir lobby, and is adjacent<br />

through the door at the right. Lighting is all recessed and directional.<br />

B( OFFICE :<br />

7. 1955 43


;<br />

.OMMUNITY THEATRE, KINGSTON, N. Y.<br />

m<br />

Special Patron Services Win Favor for Remodeled Theatre<br />

The party room in the Community will accommodate 16 people. There are four<br />

love seats on each of the two levels. The room, located at the right rear of the<br />

orchestra, is soundproofed, has its own speakers and its own air-conditioning<br />

outlets. Smoking is permitted here as well as in the loges.<br />

Automatic operation of the main door, as the patron goes from the cashien<br />

counter to the doorman, is one of the special features of the remodel^<br />

house. It is done by photo-electric cell equipment. This, and the pari<br />

room have created the most comment from patrons.<br />

At left 15 o v/c« of the remodeled auditorium in t|<br />

Community, and above is one of the area as it appean jjudt<br />

before. All of the old gingerbread was removed. 7i<br />

column motif that distinguishes the front of the theal<br />

is repeated in the new auditorium. Sunbursts on the woi<br />

''<br />

are metal.<br />

sdo<br />

W<br />

^<br />

COMMtNlI<br />

> ^Ht'^<br />

mm<br />

ill tie<br />

.The<br />

isidi<br />

At left is the old Broadway Theatre before<br />

the remodeling was undertaken. The<br />

old-fashioned marquee, old-styled boxoffice<br />

and small display cases are particu<br />

larly noticeable. In the new front, at<br />

the right, the portico and wood columns<br />

ore distinguishing characteristics of the<br />

Community-type theatre developed by<br />

Walter Reade Theatres. They extend to<br />

the curb and are visible for hundreds of<br />

yards in both directions on the main<br />

artery where the theatre is located At<br />

night the front is lit by spotlights from<br />

across the street and by lights recessed<br />

into the portico ceiling.<br />

(SSS<br />

*ceili<br />

(fitketi<br />

11 lickei<br />

)lavi<br />

itott<br />

in<br />

'Hen<br />

'icove<br />

44 The MODERN THEATRE SECTIOBUnCE


1<br />

n<br />

I tliiough<br />

i d<br />

.<br />

of<br />

I<br />

d<br />

: May<br />

IKO Keith's, Washington, D. C<br />

!EMODELING BRINGS NEW GLAMOUR TO OLDTIM^R<br />

At left is the new exterior lobby of RKO Kck<br />

T theatre in ttte nation's capital The stainlr^<br />

steel<br />

boxoffice has a completely illuminated egg<br />

crate ceiling, r/ier? are two ticket windows to<br />

speed ticket selling. The lobby walls are Greek<br />

Cipolin marble. Shadow box display cases with<br />

concea'.ed lighting on all sides are recessed into<br />

the walls. Note the brilliant soffit illumination<br />

A new type of slip- proof red rubber and vinyl<br />

floor covering was installed. Below is the old<br />

front of the theatre.<br />

txTENsivE REMODELING and rcnova-<br />

liom the facade and entrance right<br />

to the stage have brought new<br />

luty. luxury and a contemporary look<br />

I,<br />

d the 40-year-old RKO Keith's Theatre<br />

f Washington. D. C. The changes, howtiv.<br />

retain the original dignity and<br />

fidition of the theatre.<br />

According to John McNamara. the<br />

hitect, the finest materials to be obned<br />

were brought to Washington for<br />

'IS SIOO.OOO project which extended over<br />

: period of nearly eight months.<br />

WALLS ARE MARBLE<br />

The treatment of the entrance, the lobby<br />

the grand foyer is entirely new. The<br />

lis of the exterior vestibule are done<br />

imported Greek Cipolin marble, having<br />

white background with green vertical<br />

The boxoffice has been moved to<br />

ii:iv4.<br />

outh side of the entrance and is done<br />

.unless steel with completely lighted<br />

rate ceiling. In order to facilitate the<br />

tickets, provisions have been made<br />

two ticket windows. The new shadow<br />

X display cases, which have been re-<br />

into the marble walls, are of stainteel<br />

with concealed lighting on all<br />

.^e.s. The floor of the outside entrance<br />

3of red rubber and vinyl material.<br />

!s been covered with a new type of slip-<br />

new lobby has been created immedi-<br />

!ly inside the new Herculite glass enince<br />

doors. The walls of this lobby are<br />

i\<br />

marble and large panels of beveled plate<br />

glass. Red Leedom Wilton carpet in a<br />

contemporary floral pattern covers the<br />

floor.<br />

A SCREEN OF GLASS DOORS<br />

The lobby is separated from the grand<br />

foyer by a new screen of glass doors which<br />

permits an unobstructed view of the foyer<br />

from the street entrance. The walls of the<br />

foyer have been treated with a combination<br />

of marble, mirrors and walnut wood<br />

surfaces, and the carpet from the lobby<br />

carries through the entire foyer to the entrance<br />

door leading into the theatre.<br />

A completely new refreshment stand<br />

equipped for the sale of candies, ice cream<br />

The entire RKO Keith's Theatre building, 15th at<br />

G streets, has been completely scoured and pigeonproofed.<br />

After the cleaning the 40-year-old building<br />

looks as fresh as a new structure.<br />

and popcorn has been installed on the<br />

north side of the foyer in the line of traffic<br />

into the auditorium. The new stand is<br />

constructed of pickled walnut facing, a<br />

mirror back and the wall around the stand<br />

is covered with corrugated Transite. The<br />

candy stand is covered by a sloping canopy<br />

in which a series of recessed spotlights<br />

have been arranged to give a geometric<br />

design to the canopy soffit.<br />

The elaborate new refreshment stand was<br />

designed by J. J. McNamara and is operated<br />

by Berlo Vending Co. The candy case<br />

holds over 50 varieties. The stand includes<br />

two new plastic Pronto popcorn warmers<br />

and a Butter-Mat. An up-front, self-service<br />

ice cream freezer, the COLDisplay. is featured.<br />

3-D DISPLAYS IN BACKWALL<br />

Three-dimensional displays in the backwall<br />

shadow boxes were set up by Lee<br />

Koken. in charge of RKO Theatres concession<br />

and vending operations from coast to<br />

coast.<br />

Located near the stand is an eight-unit<br />

automatic beverage machine owned and<br />

operated by ABC Vending Corp. This<br />

equipment serves two patrons at once, and<br />

offers a choice of six carbonated and two<br />

non-carbonated cold drinks. It has two<br />

coin changers.<br />

Continuing into the theatre from the<br />

foyer, the patrons are lead through a new<br />

entry to the auditorium which has been<br />

Continued on following page<br />

I XOFFICE :<br />

7, 1955


The old foyer of RKO Keitlt's presented this appearance.<br />

The plaster ceiling was ornately decorated<br />

and old-fashioned chandeliers were used.<br />

REMODELING BRINGS NEW GLAMOUR<br />

Continued from preceding pave<br />

created from the space that was formerly<br />

the "Green Room" used by the ladies as<br />

a restroom.<br />

Patrons now enter the auditorium<br />

through a corridor that leads directly into<br />

it rather than at one side as in the old<br />

theatre. The former entrance doors are<br />

now used by the patrons only for exit.<br />

OLD BOXES REMOVED<br />

The entire auditorium has been renovated<br />

and redecorated in light beige with<br />

gold trim. The original boxes on the sides<br />

of the proscenium have been removed, and<br />

the wall surfaces at the box areas have<br />

been draped in cherry-red, fireproof materials.<br />

The new carpet throughout the<br />

auditorium is red and gold in modern design.<br />

The theatre had previously been equipped<br />

The new grand foyer is shown above, spacious and inviting. It is separated from the lobby by<br />

screen of all glass doors (extreme right). Walls of the foyer are treated with a combination of marbli<br />

mirrors and walnut wood surfaces. All new carpeting is in a modern design of red beige and blaci<br />

Marble flower boxes on either side of the foyer contain fresh flowers. Upholstered benches flank il r<br />

planter to provide conversation corners. Unusually attractive wall lamps in a simulated floral desii,:<br />

with four flower-like cups are mounted above the seating area and above the water fountain shown t<br />

the left. The ornamental stairway leads to the balcony.<br />

lor widescreen and stereophonic sound.<br />

A very pleasing addition to the RKO<br />

Keith's Theatre is the completely new<br />

ladies' cosmetic room downstairs at an<br />

intermediate level between street and<br />

basement. The walls of the cosmetic room<br />

are in pickled oak wood with one entire<br />

wall in mirror with a make-up shelf as an<br />

integral part of the mirror. The floor is<br />

in red vinyl and the furniture is covered<br />

in gray and yellow linen plastic material.<br />

Gray tile floor and walls and a red ceiling<br />

mark the principal improvements in the ad!*<br />

.ioining restroom for the ladies.<br />

The theatre is completely air cond.jir;<br />

tioned.<br />

j<br />

one of 88 owned by RKO Theatres Cori<br />

The Washington RKO Keith's Theatt; .<br />

is<br />

It is a de luxe first run downtown hous,<br />

and is managed by Jerome Baker. It wg<br />

leopened in early February.<br />

All in all, the alterations and redecd<br />

rations which were made at the 'Washind<br />

ton showcase were new in design and mod<br />

ern in concept and color, yet the refurbisM<br />

ing which was accomplished maintaind<br />

the original, inherent dignity of the theatn<br />

This was the old lobby of RKO Keith's. The flo\\<br />

was covered with rubber matting. Exposed lam \<br />

m the ceiling provided the illumination. The nc t<br />

A new inner lobby was created immediately mside the new Herculite glass entrance doors. Walls are<br />

n marble and panels of beveled plate glass The impressive shadow box display cases are recessed<br />

nto the marble walls and are of stainless steel with concealed lighting on all sides. Carpeting begins just<br />

nside the all glass doors through which the non-slip red rubber and vinyl tile of the outer lobby may<br />

be seen This is a special safety precaution for patrons on rainy or snowy days<br />

with the curved walls, and the doors which we C<br />

only partly glass, has been completely eliminat<br />

in the spacious appearance of the new lobby a.t i ^^^<br />

left. The new wide, recessed poster cases dwt 'lln<br />

the old cases which were set against the wall.<br />

46<br />

The MODERN THEATRE SECHC<br />

Bjj


.<br />

.<br />

. .<br />

Id KEITH S, WASHINGTON, D. C.<br />

^<br />

A great contrast is apparent in<br />

these before and after pictures of<br />

the auditorium. The old boxes on<br />

the sides of the proscenium were<br />

removed and those areas draped in<br />

a cherry-red fireproof material.<br />

The dark, ornate walls and ceiling<br />

have been replaced by a simple<br />

modern treatment in light beige<br />

trimmed with gold. The new carpet<br />

throughout the auditorium is<br />

red and gold in a modern design.<br />

The theatre had already been<br />

equipped for widescreen and<br />

stereophonic sound so those installations<br />

were not a part of the<br />

$100,000 remodeling job.<br />

'^<br />

.^<br />

liiefurbishing, RKO Keith's installed a completely new refreshment stand<br />

tqDped for merchandising candies, ice cream and popcorn. It is located on<br />

tknorth side of the foyer in the line of traffic into the auditorium. It is const,<br />

ted of pickled walnut facing, there is a mirror backbar and the wall around<br />

Ih itond is covered with corrugated Transite. An eight-unit automatic beverage<br />

mi line IS located nearby at the stairway.<br />

The candy bar in the old foyer is shown above at the extreme right. It was<br />

much smaller than the new refreshment bar and not so well located. Patrons<br />

3ntering the first two of the auditorium entrance doors could easily pass<br />

it up. In the new setup all patrons must pass by the stand before turning left<br />

to the corridor that leads to the auditorium. The old doors shown<br />

above are now used for exit only.<br />

Kw Is the Time . .<br />

13 clean and lelamp marquee and upril<br />

t signs. Wipe off with damp cloth all<br />

ft bulbs and neon tubing.<br />

jrighten the backings of your frames<br />

8r displays with cool-colored cards. Polls)<br />

your frames.<br />

op or wash down with plenty of clean<br />

fr 1 water the floors of your auditorium.<br />

ean your changeable attraction letters.<br />

U 3U are using metal letters, give a coat<br />

of lack paint and trim with aluminum.<br />

Check on your chairs and see that they<br />

are tightened and repaired where necessary.<br />

Inspect your carp>ets carefully, and sew<br />

the spots or seams that are beginning to<br />

open up.<br />

Inspect your roofs and remove any rubbish<br />

and check all drains.<br />

Check your curbing and sidewalks to see<br />

ihat they are clean and free of trash.<br />

Go over your house lighting to be sure<br />

you do not have any stray light or annoymg<br />

brightness in the line of vision. Check<br />

the aisle lights and the stepdown lights.<br />

Check your color combination on lighting<br />

(greens and blues should predominate<br />

for hot weather; amber and red for winter'<br />

Inspect your hand-rails on balcony stairs.<br />

Also all exits, etc.<br />

Do you carefully and thoroughly inspect<br />

your houses before opening day? Is special<br />

attention given to accident hazards .<br />

especially noticing hand-rails . . . carpets<br />

. . . aisle lights, rubber mats? Do you<br />

check the first performance of each show?<br />

—The Martin Tipster<br />

BCDFFICE :: May 7, 1955 47


}<br />

'.<br />

There are no movie display sheets on any<br />

walls, either in the outer lobby or in the<br />

intimate foyer. Instead, there are framed<br />

pictures—all art pieces loaned by the<br />

Cleveland Art Museum. Potted greens in<br />

the lobby help create the required atmosphere<br />

and this is further attained by th<br />

use of spot lights on the paintings an<br />

etchings on display for art enthusiast<br />

"The problem of what to do to convet<br />

a conventional theatre into an art thea<br />

tre is not one of addition but of sub<br />

traction," Shulman explains. "Simpliciti<br />

must be the keynote. Reason for this i<br />

that the decorations should not detrac<br />

from the art on display. Here at th<br />

Heights Ai-t Theatre, for instance, ^<br />

started our simplification program with tb<br />

marquee. We painted it white, just plai<br />

white without other color adornment. Anc<br />

on the marquee, all we use is just the tit]<br />

of the picture we are showing. Nothin<br />

else—just the title. By its mere simplicity<br />

and deviation from the conventional the<br />

a tre marquee, we attract attention.<br />

ESTABLISH A MOOD<br />

"Another item in our simplification pn t<br />

yram was to establish a mood as soon li.<br />

the patron passes the boxoffice into ttjfc<br />

'1C<br />

fS<br />

The lobby o/ the Cleveland Heights Art Theatre, Ohio, is a rendezvous for art lovers where paintings<br />

and art objects on loan from the Cleveland Art Museum are displayed in an atmosphere of intimate quiet<br />

and charm. Furnishings are smart, but simple.<br />

Simplicity Is Keynote in the Art House<br />

Conversion From Conventional Theatre<br />

Is<br />

By ELSIE LOEB<br />

One of Subtraction, Not Addition<br />

Because an art theatre is something<br />

special for a special audience, it must look<br />

special," says Edward Shulman, expert on<br />

art theatre operation and general manager<br />

of the Heights Ai-t Theatre in Cleveland<br />

Heights, Ohio. Shulman took over the<br />

Heights Theatre last November, and within<br />

two weeks changed its physical appearance<br />

from a conventional theatre to a miniature<br />

art museum, exhibiting art treasures in<br />

the two lobbies and art pictures on the<br />

screen. He also changed its name to<br />

Heights Art Theatre.<br />

That he has succeeded in accomplishing<br />

his purpose of making the divorce from the<br />

conventional to the art surroundings final<br />

is obvious from a look at the photograph<br />

of the foyer as it appears today.<br />

This foyer is not just an area to walk<br />

through to reach the auditorium. It is a<br />

rendezvous for the patrons who take their<br />

art seriously. An atmosphere of peace and<br />

relaxation is attained by the use of light<br />

gray, almost off-white, walls and drapes.<br />

The walls and woodwork in this area are<br />

painted. The long, silk, solid-color drapes<br />

from ceiling to floor not only hide the back<br />

row seats and former railing, but provide<br />

the proper background for the unusual<br />

low slate table, modern-conventional in<br />

shape. Two striking fish skin globes.<br />

48<br />

lighted within, are so placed on the table<br />

that they strike the eye immediately. And<br />

even more important, they are in direct<br />

line of vision from the boxoffice right<br />

through the outer lobby. These globes, imported<br />

from the Philippines, are in two<br />

sizes for variation interest—one of them<br />

two feet in diameter, the other, one and<br />

one-half feet in diameter. Concentric<br />

black lines on the fish skin emphasize their<br />

importance in the art scheme.<br />

Magazines are placed on the table for<br />

the use of patrons: also cigaret ash trays<br />

and an unusual floral piece, usually of<br />

simple Japanese-type arrangement. The<br />

table also affords display place for pieces<br />

of art borrowed from the Cleveland Art<br />

Museum, which reflect the background of<br />

the picture shown on the screen.<br />

Both ends of the rectangular lobby are<br />

arranged for conversation areas. Modern<br />

lounge chairs, a lamp and ash trays are<br />

provided. At the opposite end of the foyer<br />

shown in the picture there also is a hot<br />

plate with a samovar always filled with<br />

hot coffee served free before, during and<br />

after the performance.<br />

lobby. We removed the doors leading froi ;<br />

the lobby into the foyer so that the lobl<br />

and foyer are blended into the desire]<br />

mood or atmosphere.<br />

"We took out the concession starl<br />

altogether and devoted the entire foyi|<br />

space to the comfort of our patrons. Th(<br />

said we couldn't operate a theatre withovl<br />

selling popcorn, candy and soft drinls<br />

But we do. And our patrons love it. Th(<br />

:


lACTS ABOUT HORIZONTAL VISTAVIS'ON<br />

y<br />

Paramount Gives Presentation Details About New Double-Frame Process<br />

^^*.<br />

HORIZONTAL VISTAVISION PROJEaOR HEAD<br />

The new horizontal double-frame VistaVision projector and the scheme of the projector head at right.<br />

ten: weeks ago Paramount Pictures Co.<br />

hi a demonstration of its new horizontal<br />

V uVision (VistaVision by double-frame<br />

r,h:ctioni for the tradepress at the Para-<br />

T,int Theatre in New York City. Projec-<br />

'.(. tilth curved apertures made by Cen-<br />

!i / threw the picture 168 feet onto a new<br />

rr-cd Raytone screen which is 40 feet<br />

'i, I and. in square feet, the largest in any<br />

•i.;or house. Picture size was 35x64 feet.<br />

lie new process, together with the<br />

V. 'ed screen, lends depth and a sense of<br />

lueuce participation.<br />

survey now being made indicates that<br />

%teast 100 theatres in the U. S. can be<br />

re odeled to accommodate a large screen<br />

II special VistaVision projection equipmit.<br />

Other theatres can use standard<br />

V aVisio7i prints.<br />

iramount Pictures has released the folio<br />

ng detailed anA technical facts about<br />

ki3ontal VistaVision for the information<br />

0/ xhibitors.— (Editor.)<br />

Advantages:<br />

UGER IMAGE SIZE<br />

ne most important advantage is image<br />

si; which was fii-st established by compi<br />

-tion and then photographically tested.<br />

Ptimount is using the optimum image<br />

sis for large picture. If the picture image<br />

OE he film is smaller than that now used<br />

Is /istaVision, we lose general sharpness<br />

at if the picture image is larger, we lose<br />

iHepth of focus.<br />

wlistic stereoscopic effect<br />

motion pictures, a slight subjective<br />

efi'.t of stereoscopy usually accompanies<br />

c& ;ra movement. This effect is enhanced<br />

as w^e eliminate more and more of the<br />

indices by which audiences can tell that<br />

the picture is flat. In general, audiences<br />

tell that a motion picture is flat by the<br />

softness of focus, the film grain, the sheen<br />

from the screen and the straight line effect<br />

of the picture masking. In the presentation<br />

of VistaVision, we have the required<br />

sharpness, grain is invisible, we<br />

eliminate the sheen by the mirror effect<br />

of the metalized screen and the slight<br />

curvature of the screen (radius equal to<br />

projection throw) . A curve in the top and<br />

bottom line of the aperture and masking<br />

not only eliminates the straight line effect<br />

but the curvature used creates an illusion<br />

of a deep curve in the screen which further<br />

adds in the stereoscopic effect.<br />

EFFECTIVE IN ANY PART OF THEATRE<br />

Tests indicate that the illusion of curvature<br />

used in VistaVision is better than a<br />

real curvature of a screen. The focus is<br />

better, the image can be seen from a wider<br />

angle of viewing, there is no distortion of<br />

horizontal straight lines even when seen<br />

from a high balcony and side seats and<br />

further, the same depth effectiveness is<br />

produced in any part of the theatre even<br />

at great distances from the screen.<br />

EASE OF VIEWING<br />

Another advantage of the double-frame<br />

life-like VistaVision projection method is<br />

that this sharp pictm'e can be viewed with<br />

ease and comfort from seats far closer to<br />

the screen than by any other method.<br />

Everybody agrees that size adds to the<br />

picture impact on the audience. Some<br />

people have gained size by increased picture<br />

width even when it involves reducing<br />

the picture height. Some people have even<br />

sacrificed quality to gain size. With Vista-<br />

Vision, there is no reason to sacrifice either<br />

height or quahty. One look at a VistaVision<br />

double-frame pictui-e and these advantages<br />

will be immediately apparent.<br />

Presentation Details:<br />

SCREENS<br />

In preparing for double-frame projection<br />

the theatre must have, or install, a seamless<br />

metalized screen with a light gain of<br />

about 2 to 1. 3 to 1 is too high and 1 to 1<br />

is too low. The size of a screen shall be<br />

in keeping with the special recommendations<br />

which are now being prepared by<br />

Paramount for each installation. These<br />

recommendations will in general follow the<br />

previous recommendations for single-frame<br />

VistaVision, but they may vary in some<br />

cases because of the great size potential<br />

of the double-frame system. The screen<br />

shall have a curvature equal to the projection<br />

throw or 1.2 times the projection<br />

tiirow. In cases of theatres using a projection<br />

angle of over 15 degrees, the screen<br />

frame should be capable of tilting backward<br />

at the top. The amount of tilt should<br />

never exceed 5 or 6 degrees. In all cases,<br />

the screen shall be as close to the stage<br />

floor as possible.<br />

PRINTS<br />

For optimum effectiveness on large<br />

screens of from 50 to 60 feet in width,<br />

the large image of the double-frame print<br />

with double-frame projection is recommended.<br />

This large area of print is not<br />

necessary for smaller screens. Thus, the<br />

Paramount recommendation of standard<br />

Continued on following page<br />

BODFTICE ;; May 7, 1955 43


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HORIZONTAL<br />

VISTAVISION<br />

Continued from preceding page<br />

i<br />

VistaVision prints .single-frame<br />

i<br />

images<br />

for all medium to small theatres. Under<br />

all conditions of projection, it has been<br />

our experience that the standard singleframe<br />

(standard projection! VistaVision<br />

will give better quality than any other<br />

single-frame system, irrespective of the<br />

type of lens system used.<br />

Double-frame prints can be projected in<br />

any aspect ratio from 1.66 to 1 to 2 to 1.<br />

Paramount recommends filling the proscenium<br />

with picture on a largest possible<br />

screen, as determined by the physical requirements<br />

of the theatre. Most presentations<br />

will be in an aspect ratio of about<br />

1.85 to 1.<br />

The double-frame picture film has a<br />

standard optical track located in the standard<br />

position. The recording and reproduction<br />

is at 180 feet per minute in place<br />

of the normal 90 feet per minute. The<br />

sound synchronization is 18 double frames<br />

behind the picture lin the same direction<br />

as magnetic sound ><br />

All VistaVision prints, including the<br />

double-frame prints, are on regular 35mm<br />

film, which can be spliced and handled on<br />

any rewind and inspection equipment that<br />

will accommodate up to 5,000-foot reels.<br />

LENSES<br />

standard type high quality lenses are<br />

used. The lens size can be computed by the<br />

sample formula: the lens focal length in<br />

Durably tonstrutted,<br />

inches will be equal to 1.418 times the pro'<br />

jection throw in feet, divided by the desire q<br />

picture width in feet as measured at th<br />

screen. The standard lens size tables d<br />

not apply to double-frame VistaVision.<br />

PROJECTORS<br />

The double-frame projectors take thl<br />

same floor area and portholes as a stand.,?<br />

ard projector. These projectors can rei''<br />

place standard projectors or they can b<br />

installed in any place where a standar<br />

projector can be installed. They use stand<br />

ard pedestals, standard lamp houses an<br />

standard 5,000 foot magazines. The maga fhy<br />

zines are mounted vertically in the usui<br />

manner. THE FILM PASSES HORIZON<br />

TAULY THROUGH THE PROJECTOR.<br />

The projectors are furnished complet<br />

tfl<br />

with bases, movement, magazines, change,<br />

over dousers and sound heads. Normall;.!<br />

they will be supplied less lamp houses ans:<br />

less lenses. Paramount recommends usini<br />

hy-condescent condenser type lamp hous(ji Ch<br />

capable of 180 amperes, although most in<br />

stallations operate at 150 to 160 ampere ,<br />

The projection booth shall be wired t ><br />

accommodate two horizontal projector;<br />

This shall include the capability of 180 an i<br />

peres of power for the arc, motor wirin<br />

changeover control, sound head power an<br />

speech circuits, plus a 110- volt AC supp!<br />

for threading and service lights. This wiis<br />

ing shall tie in with the booth control wi]||<br />

ing so that these machines will start at'<br />

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and inter-changeably with the standai<br />

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•<br />

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See your Local Supply Dealer {or contact us direct jor Jurther injormatinti)<br />

BOODE SCREEN COMPANY • S829 VENICE BLVD. • LOS ANGELES 34, CAL.<br />

I<br />

ittr<br />

ijiO»l|(i<br />

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The MODERN THEATRE SECTK '^'S. :: \


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I he<br />

OJECTION<br />

AND SOUND<br />

Sixth of a Series on Leading Sound Equipment<br />

STEP-BY-STEP SERVICING OF SOUND SYSTEM!!<br />

6. Maintenance of Magnasync Sound Head, Speakers, Pre-Amplifiers<br />

By WESLEY TROUT<br />

laET US TELL<br />

you about the servicing<br />

and installation<br />

of the Magnasync<br />

sound system. First,<br />

equipment for<br />

this system has been<br />

carefully checked and<br />

adjusted for peak<br />

performance before it<br />

leaves the factory at<br />

No r t h Hollywood,<br />

Wesley Trout<br />

Calif., but some adjustments<br />

are always<br />

necessary after installation, in any theatre,<br />

in order to secure good sound coverage<br />

and perfect sound reproduction. This is<br />

accomplished by using suitable test loops<br />

and test film for checking over-all performance<br />

of the system. Of course, good<br />

test equipment is also necessary for checking<br />

various components. Listening tests<br />

should be made in the auditorium by an<br />

observer with good hearing.<br />

The Magnaphonic sound head is a film<br />

driven reproducer which mounts between<br />

the projector mechanism and upper magazine;<br />

the film sprocket has 32 teeth controlling<br />

the film on both sides of the<br />

magnetic head. The "fat tooth" design has<br />

been found very satisfactory for reproducers<br />

and for recording equipment, because<br />

it controls the movement of the film better.<br />

This type of "tooth" is a better match<br />

for the sprocket holes in the film, thereby<br />

assuring steady movement of the film and<br />

it tends to isolate disturbances arising in<br />

the upper feed reel and shaft and in the<br />

projector mechanism from the magnetic<br />

head. This unit requires no special maintenance<br />

except daily cleaning of the sprocket<br />

and interior of the sound head. The pa|<br />

rollers should always be checked to<br />

that they turn freely and are kept fnl<br />

of dirt accumulation. This company h|<br />

given very particular attention to the fi]<br />

path in order to minimize wearing of<br />

pickup head. This reproducer can be<br />

stalled on any make of projector, withoift i<br />

replacing or making any modern project* v\<br />

obsolete for use when using magnetic n<br />

corded films. It is an exceptionally simp<br />

mechanism to install and requires no sp<br />

cial tools.<br />

Adjustment of Pickup Head—In tl<br />

mounting of the assembly, means are pr<br />

vided for adjustment of the head (picki<br />

head) as a unit for correct azimuth, gi<br />

STUDY INSTRUCTIONS CAREFULLY<br />

Before starting your installation, instructions<br />

sent with the equipment should be<br />

very carefully studied by the installer. The<br />

equipment is very simple to operate and<br />

install, but care should be exercised to be<br />

sure to make all connections according to<br />

diagrams, and all connections should be<br />

made electrically firm. A poor connection<br />

will cause noise, and in some cases, completely<br />

cut off sound output.<br />

NOTE—Some projectors with remote<br />

dowsers cannot accommodate any penthouse<br />

reproducer until the dowser has been<br />

shifted back and remounted with a suitable<br />

adapter bracket. This can be obtained<br />

from your dealer for your particular type<br />

of mechanism.<br />

FILM MUST TRAVEL STRAIGHT<br />

Installation of Penthouse Reproducers<br />

—It is very important that this sound head<br />

be installed correctly on mechanism so<br />

film will travel in a straight line downward.<br />

In some installations, it will be desirable to<br />

shim up the sound head to effect total<br />

clearance at all points. To make the neatest<br />

possible job, use Vi-inch shim plates<br />

(Part 61011), available from factory or<br />

Magnasync distributor. I have always preferred<br />

to employ such shims to develop the<br />

28-frame Sync-lag rather than the loop<br />

adjustment. However, one can use the loop<br />

adjustment roller which can be secured<br />

into any one of the eight positions to develop<br />

the Cinemascope 28-frame sound<br />

lag. In some projectors this adjustment is<br />

bypassed, particularly Simplex XL.<br />

RIGHT PROJECTOR REPRODUCER<br />

(showing TVPlCALTHBEAOIMG DIAGRAM<br />

TERMINAL<br />

52


'<br />

nost<br />

tion and track alignment. This is acplished<br />

by using test meter and test<br />

mentioned in previous issue. The as-<br />

Dlcd heads are shielded against stray<br />

netic fields by a mu-metal case and<br />

ild. It has three 50-mil heads and one<br />

jiil head, the latter head is for the<br />

is a c/oseup of the Magnaphonic reproducer,<br />

eproducer is carefully adjusted before it leaves<br />

actory but may rteed some adjustment after<br />

lotion. (Filter system)— the flywheels are<br />

liged separately for cross-country shipments,<br />

installing these, the reproducer should be<br />

Oted on the mechanism and the dashpot filled<br />

\fiilicone oil (this oil is furnished along with an<br />

Kopper to facilitate filling). The pad rollers<br />

lc^ be adjusted so that they will be exactly the<br />

i?ss of two films from the sprocket; rollers<br />

ic i turn freely and be kept perfectly clean. Once<br />

i )!c,i,up head is adjusted as per instructions<br />

i here in this article, it does not require further<br />

iitment until a new head is installed. The life<br />

all pickup heads is around six months or<br />

Keep all the components chan with a lint-<br />

's 'loth. When pad rollers, sprocket or pickup<br />

E( become badly worn they should be immediately<br />

'.p -.ed to avoid damaging film.<br />

si:ial effects" speakers in the auditorall<br />

mounted in one unit, of course,<br />

r three, four or single-track operafor<br />

single-track operation, a small<br />

ification is necessary, and the wiring<br />

le other pickups. Each sound head is<br />

ully adjusted before it leaves the facand<br />

no adjustment should be made<br />

5S you are sure it is needed.<br />

;chanically the Magnasync reproducer<br />

tremely easy to service. Three screws<br />

tve the rear cover exposing all the<br />

ing parts for inspection and servicing.<br />

I few occasions we have been called<br />

to furnish a replacement bearing<br />

but this has only happened a few<br />

This quill is secured to the panel<br />

;.<br />

a hex nut making the replacement a<br />

simple procedure, either by a serviceor<br />

projectionist. There is practically<br />

fiction in the filter and dashpot asly,<br />

therefore, as far as we know, no<br />

cement of these parts has ever been<br />

issary. However, under certain rare<br />

itlons it would be possible for the dash-<br />

~l to lose oil. If this should occur, the<br />

ctionist should immediately replace<br />

.(required amount, using only Dowing<br />

Type 200, furnished either by the<br />

ry or your local supply dealer, and it<br />

erted into the dashpot by the use of a<br />

saon eyedropper. This oil should be<br />

kept on hand in case of emergency. This<br />

dash pot should be inspected at least every<br />

three months.<br />

According to D. J. White, president of<br />

Magnasync Co., nearly 1,500 of these reproducers<br />

are in daily operation and about<br />

the only components they are called on to<br />

replace, by an engineer or projectionist,<br />

are the scanning heads. This was anticipated<br />

as a liability in any make of magnetic<br />

reproducer. The price of replacement,<br />

after many long hours of operation, is very<br />

reasonable. They manufacture a scanning<br />

head which is available with adapter bases<br />

for all popular penthouse reproducers. We<br />

might state that all makes of scanning<br />

heads will run many million feet of film<br />

before it is necessary to replace them, but<br />

they should be carefully checked every two<br />

or three months and replaced when they<br />

show considerable wear, if you want to<br />

avoid poor sound reproduction, film damage,<br />

etc. Generally, the average life of a<br />

good scanning head is around six months,<br />

with proper care.<br />

We are passing along the information<br />

about the Magnasync scanning head which<br />

can be used, with suitable adapter, for other<br />

types of penthouse reproducers at an exceptionally<br />

reasonable price, but the writer<br />

does recommend the replacement of any<br />

component with an exact duplication, because<br />

it makes replacement simpler and<br />

easier for the engineer and projectionist.<br />

It might be well to mention here the<br />

intermittent pops which occur in all sound<br />

systems. These have been traced to a static<br />

buildup which can develop when leader<br />

stock is passed across the pole pieces when<br />

This is Model WC-1435 Magnaphonic preamplifier<br />

with front cover removed to show the components.<br />

These preamplifiers are very easy to service and<br />

very sturdy in construction. No special equipment is<br />

necessary, except the db meter, multimeter and test<br />

films listed in this department, to properly service<br />

the preamplifiers listed in this article. Of course,<br />

good vacuum tubes are necessary in order to secure<br />

peak performance, fiegardless of how well ventilated<br />

the projection room may be, some carbon<br />

dust will be in the air and it should be cleaned off<br />

of all components in the preamplifier, power amplifier<br />

and power supply unit. Carbon particles con<br />

cause plenty of trouble if let accumulate over a<br />

long time. This equipment is very neat in appearance,<br />

when properly mounted on the projection room<br />

wall. All leads should be carefully run, and they<br />

should be the size wire recommended by the manufacturer.<br />

Always be sure your wire connections are<br />

electrically firm; poor electrical connections will<br />

cause noise and sometimes completely cut off<br />

sound output.<br />

Time Proves the Accuracy<br />

Of New Sound Engineering<br />

It )ias been over a year since Cinemascope<br />

and stereoplionic sound were first introduced.<br />

It is good to note that the basic<br />

engineering decisions Irom this past experience<br />

have been supported— the optical concepts,<br />

stereophonic sound engineering specifications<br />

have not been changed from the<br />

standards chosen by expert engineering<br />

staffs. There is no question now about the<br />

fine quality of magnetic sound reproduction,<br />

if the installation has been carefully<br />

adjusted, according to the recommendations<br />

of manufacturers of magnetic sou7id<br />

systems. Too. there is no question about<br />

the reliability, if properly handled, of magnetic<br />

sound tracks, and the better coverage<br />

of all frequencies with this recording.<br />

The only changes made in Cinemascope<br />

are prints for either single-track magnetic<br />

sound or optical i photographic) recording.<br />

Very satisfactory sound can be secured, if<br />

equipment is in good condition and correctly<br />

adjusted, with optical recording.<br />

With eitfier recording. sou7id equiprtient<br />

must be kept very clean and<br />

carefully maintained by the projection<br />

staff; every two to three months the entire<br />

system should be checked with test loops<br />

and films, with suitable test equipment, for<br />

peak performance, by the projection staff<br />

or engineer. Theatres not having regular<br />

sound service can do considerable servicing<br />

by following the sound servicing data presented<br />

in this department.<br />

In this series of articles, we have covered<br />

most of the important points about<br />

maintenance of sound systems, any further<br />

data on any special problem will receive<br />

careful attention aiid answer via mail, provided<br />

a self -addressed envelope is enclosed.<br />

—W. T.<br />

such pole pieces are not properly grounded.<br />

The pole pieces of Magnasync heads are<br />

internally grounded but as a safeguard,<br />

they are grounded externally to the shield<br />

with silver paint.<br />

On new installations, check rollers, filter<br />

component and sprocket to make sure they<br />

revolve freely. Check filter arms for freedom<br />

of action within their range. These<br />

parts should be checked and cleaned daily.<br />

A very careful daily check should be<br />

made of the upper magazine to see the<br />

film comes off the reel smoothly, tracks<br />

straight down to the sound head. The film<br />

firetrap rollers should be checked for<br />

alignment and turn freely. Improper adjustment<br />

of the filter components, bent<br />

upper reel, dirty sprocket or guide rollers<br />

will cause flutter and unnecessary distortion<br />

in sound reproduction in any make of<br />

penthouse reproducer. It is important that<br />

the tension on the upper reel be steady at<br />

all times; tension on takeup reel should be<br />

just enough to turn the reel when it is full.<br />

Continued on following page<br />

IJFFICE Muv 7. 1955<br />

53


will<br />

SERVICING SOUND SYSTEMS<br />

Continued from preceding page<br />

Keep takeup clean and lubricated.<br />

These are some of the most important<br />

points to know about the operation and<br />

maintenance of this sound head and other<br />

makes of penthouse reproducers. If you<br />

will carefully follow them, you should secure<br />

good service, fine sound reproduction<br />

and practically trouble-free operation.<br />

HOW TO ADJUST HEAD<br />

Adjustment of Magnetic Head—The adjustment<br />

of the pickup head is very simple<br />

and can be accomplished with an 8,000-<br />

cycle film and a high quality db output<br />

meter. It is suggested you make the adjustment<br />

in the following sequences for best<br />

results: Thread in a loop of 8,000 c.p.s. frequency<br />

film: adjust head in and out for<br />

peak output, with db meter attached to<br />

output. You may find more than one peak:<br />

if this condition is found in either sound<br />

head, simply set at maximum peak and securely<br />

lock head. The next step is to<br />

thread in a 1,000 c.p.s. loop and balance<br />

each speaker output to the same level, by<br />

controls on amplifiers for this adjustment.<br />

Normal setting is around one-half of volume.<br />

Once this adjustment is made correctly,<br />

do not disturb again until you are<br />

sure the pickup head requires readjustment.<br />

We have covered this adjustment<br />

briefly as it has been explained how to accomplish<br />

it on other makes of reproducers.<br />

Only these tioo loops are needed, and the<br />

udjustment should be checked about every<br />

tivo or three months. These instructions<br />

are for either single or four-track magnetic<br />

reproduction.<br />

h\agna%ync preamplifier control section, model 435,<br />

showing the changeover switch and ganged fader.<br />

At the light of the changeover is a linkage assembly<br />

for remote control. The components are housed in<br />

a steel cabinet 15 inches wide, 16 inches high and<br />

6 inches deep. This should be mounted on the wall.<br />

electro-acoustical chain that can render<br />

a theatre system completely inoperative.<br />

This is the "heart" of your sound system<br />

and should receive proper maintenance.<br />

P-1435 INSTALLATION DETAIL<br />

Also, we think every theatre should ha\i<br />

a dual amplifier system for emergency u&<br />

This will avoid in many cases a complet:<br />

shutdown.<br />

Pre-Amplifiers—Each PR-435 (regular'<br />

or PC-435 < control track suppressor) pre<br />

amplifier is furnished with factory adjuste<br />

post equalization to match the associate<br />

reproducer scanning head. This adjust<br />

ment is a trimmer capacitor accessib<br />

from the top of the chassis. The PR-4;<br />

pre-amplifiers (channels No. 1, No. 2 ar<br />

No. 3<br />

1 deliver approximately .6 vol<br />

Into any load with an impedance great^<br />

than 500 ohms. PC-435 (channel No. <<br />

will deliver approximately .25 volts.<br />

Special Notes—<br />

( 1 ) Above voltages are di'<br />

veloped from standard multi-frequency tej<br />

films recorded at lOdb below 100 p'<br />

cent modulation. (2) It is not necessary<br />

furnish dummy terminations for pr<br />

amplifiers even though the load impedan<br />

may be relatively high.<br />

The PC-435 control track suppressor pr<br />

amplifier is designed and factory adjust<br />

to give minimum of 40db suppression<br />

the film and system noise developed in<br />

auditorium speakers in the absence of "e<br />

fects." A 12KC signal is recorded by t!<br />

releasing studio on channel No. 4 a fracti(<br />

WALL CABINET PREAMPLIFIER POPULAR<br />

The Audio System—The Magnasync Co.<br />

manufactures two different pre-amplifier<br />

packages. The one, according to the company,<br />

which has proved most popular and<br />

is in more general use is that identified as<br />

the WC-435 wall cabinet. The most important<br />

thing to watch in this circuit is<br />

the DC heater supply. If the Federal 1017<br />

selenium rectifier gets out of kilter the<br />

23-volt heater supply can drop and there<br />

is a noticeable loss of gain in the preamplifiers.<br />

If you notice this, use a high<br />

quality voltmeter and check the voltage<br />

and replace component that has become<br />

defective (this would be the selenium rectifier<br />

Replace with an<br />

unit, of course ) . exact duplicate immediately (supplied by<br />

your local Magnasync dealer) . It is very<br />

desirable a checkup be made regularly on<br />

this voltage. If the control circuit of the<br />

PC-435 four-channel pre-amplifier fails to<br />

function properly the cause is generally<br />

found to be a failure of the CR-701 selenium<br />

diode. While this component is well<br />

constructed and heavy duty, like any other<br />

electronic device or component, it can fail.<br />

May I suggest you keep a spare on hand.<br />

The writer cannot too strongly recommend<br />

the installation, in any make of<br />

sound system, of an emergency power supply<br />

since this is the one element in the<br />

PRE-AMPLIFIER CONTROL SECT/OM<br />

MODEL WC-435<br />

Wall box cradle (7) folds down, making plug-in of preamplifiers accessible; (8) suppressor network"<br />

optional pre-amplifier channel 4 can be thrown "On" or "Off" as desired; (9) two separate volume conlls<br />

for each preamplifier are used to balance output from the two reproducers, producing a uniform I''<br />

during changeover (except channel 4); (10) remote linkage assembly; at left of diagram, near g'9<br />

fader, is the outlet for wires coming from pre-amplifier power supply model PS-435. You will note all I'<br />

wires are colored, to the power supply and reproducer hookup. By following the diagrams you will not /''<br />

any trouble wiring the equipment, nor should any trouble be encountered when tracing down i><br />

circuits to the power supply and reproducers in case of trouble in circuit. Use an ohmmeter and a if<br />

multimeter for checking voltages, circuits, etc.<br />

"!e<br />

54 The MODERN THEATRE SECTlN


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in advance of the "effects" signal. This<br />

control signal "triggers" the suppressor<br />

pre-amplifier to maintain full output level<br />

durin;? its presence. The "effects" and<br />

control signal are concluded simultaneously<br />

and the suppressor goes into play,<br />

dropping channel No. 4 approximately<br />

40db until control signal is again used.<br />

The installation testing of the PC-435<br />

pre-amplifiers may be accomplished as follows:<br />

(1) "On-Off" switch on top of preamplifier<br />

chassis serves to disable the suppression<br />

characteristics in the "Off" position.<br />

(With suppression eliminated, the<br />

PC-435 pre-amplifier becomes, operation-<br />

a regular PR-435 and may be used as<br />

iilly,<br />

an emergency pre-amplifier for channels<br />

No. 1, No. 2, or No. 3.) '21 With the cradle<br />

down and "On-Off" switch accessible, connect<br />

indicating device lie, VTVmeter,<br />

output meter, earphones, speaker, eto to<br />

the output of channel No. 4 pre-amplifier<br />

or associated power amplifier.<br />

GAIN SHOULD BE NORMAL<br />

iZi Thread test film through somid head<br />

for a test. (4) In overation with switch in<br />

the "Off" position, the gain of the PC-435<br />

vre- amplifier should be normal at all frequencies.<br />

i5) Now, with switch in "On"<br />

position, extreme attenuation in 40 c.p.s.<br />

to 5,000 c.p.s. range will be noted. As the<br />

film reaches the higher frequencies, the<br />

output in either "On" or "Off" positions<br />

will be substantially the same.<br />

(6) In listening tests (with switch in<br />

"On" position! the absence of noise from<br />

channel No. 4 between "effects" signals will<br />

demonstrate the proper operation of the<br />

suppressor circuit. (7) The PC-435 suppressor<br />

pre-amplifier may be tested with<br />

the recommended "control track test film"<br />

if such is available, thus test film is recorded<br />

with a mixed 12KC and IKC signal<br />

on channel No. 4. The 12KC signal actuates<br />

the control section and maintains the preamplifier<br />

at normal gain. No difference in<br />

level of the IKC signal will occur in either<br />

the "On" or "Off" position of the "suppressor"<br />

switch while the test film is passing<br />

over the scanning head. To test the<br />

action of the suppressor, place the switch<br />

in the suppressor "On" position and stop<br />

the projector. ALL system noise should<br />

drop to an inaudible level. Test films recommended<br />

by the conductor of this department<br />

should be used.<br />

GANGED FADER FOR THREE CHANNELS<br />

Distribution Chassis— lai A ganged<br />

fader for channels No. 1, No. 2 and No. 3<br />

is integrated with this section with the<br />

potentiometer control protruding through<br />

a clearance opening in the face of the<br />

cradle.<br />

(b> Channel No. 4 (auditorium speakers)<br />

is controlled by a separate potentiometer<br />

located on the distribution chassis adjacent<br />

to the channel No. 4 pre-amplifier connector.<br />

The ganged fader does not attenuate<br />

this channel.<br />

(c > The changeover switch is a part of<br />

the distribution chassis w-ith clearance for<br />

Continued on following page<br />

CHECK-LIST for<br />

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you pay nothing for the<br />

screen<br />

These are the "musts" for efiBcient<br />

screen performance . . . the kind<br />

of performance that keeps your<br />

patrons happy . . . and buying<br />

tickets. For your Raytone Hilux<br />

Screen, see your regular theatre<br />

dealer today.<br />

RAYTONE<br />

SCREEN CORP.<br />

165 Clermont Ave., Brooklyn 5, N. Y.<br />

MIDWEST; Raytone Screen Corp.<br />

401 West St. Charles Rd., Lombard, III.<br />

M;OFFICE :: May 7, 1955 55


;,;jlties<br />

,<br />

SERVICING SOUND SYSTEMS<br />

Continued from preceding page<br />

the switching bar through the cradle. Scanning<br />

head balancing controls are located in<br />

pairs (marked "L" and "R") across the<br />

front edge of the distribution chassis adjacent<br />

to the connectors for channels No. 1,<br />

No. 2 and No. 3. These trimmer controls<br />

serve to balance the output of the preamplifiers<br />

in the event that the output<br />

levels of the scanning heads may be<br />

slightly different. It is necessary to adjust<br />

these controls, on any make of sound system,<br />

when installed and they should be<br />

checked again about every three montj{<br />

Each control has a minimum of<br />

attenuation.<br />

(d) A 12KC filter network is incorpora|<br />

into the distribution chassis as a part|<br />

the channel No. 4 output circuit. The filji<br />

prevents the objectionable 12KC frequeiij<br />

tone (control track signal) from reachj§<br />

the auditorium speakers.<br />

;;3Blil)!<br />

T'*'^0^xs?<br />

NOTE ACTION OF FILTER<br />

The installer should note the actionl<br />

this filter before running any freque^j<br />

response tests. Check your circuits in<br />

schematic, etc. Peaking at 12KC, this :<br />

work causes a roll-off starting at<br />

c.p.s. By carefully following our tui<br />


; May<br />

—<br />

lecking audio circuits. It should be kept<br />

mind, all equipment is given operational<br />

sts before shipping, it is, of course, not<br />

ipossible for them to get out of order dur-<br />

^ transit or handling or installation. I<br />

ive found by far the most common source<br />

difficulties by some installers, at installaon<br />

time, are misconnections or omission<br />

some connection, due to rushing the inallation.<br />

Always check and recheck your<br />

)nnections and see they are according<br />

your wiring diagram. Poor ground<br />

innection and setting of changeover<br />

ritches, etc., are another source of trouble.<br />

Good sound reproduction depends on<br />

ireful adjustment of the entire system<br />

Ith high quality test equipment and test<br />

ops and test film. Very important in the<br />

idlo amplifier is the checking of the vacun<br />

tubes at least every three months—on<br />

.Tlnd" operation, they should be checked<br />

ery 60 days. Good vacuum tubes, manu-<br />

.ctured by known reliable companies, will<br />

sure high quality sound with any make of<br />

lund system. It does not pay to use<br />

veak" vacuum tubes and "off brand"<br />

pes. A complete new set should be kept<br />

1 hand at all times. They should fit<br />

lugly in the socket, prongs should be kept<br />

lean and sockets and prongs free of dust<br />

lid carbon particles.<br />

'<br />

COMMETNTS—I made a trip of several<br />

jndred miles, just before compiling this<br />

tide, and carefully inspected an installa-<br />

)n of this equipment and found the sound<br />

production exceptionally good. An inection<br />

of the sound heads, amplifiers and<br />

,<br />

;imponents convinced me that the equiplent<br />

is rugged in construction and all the<br />

imponents very high quality in every reiect.<br />

Any of the speakers we have told you<br />

tout in this series, used with other leading<br />

akes of sound systems, can be used with<br />

DLER<br />

Continued on following page<br />

ANNOUNCES<br />

In e w<br />

sizes<br />

I" - 6" - 8" - 24"<br />

"THIRD DIMENSION"<br />

PLASTIC LETTERS<br />

Afllpr Changeable Letter Display<br />

Er|uipnipnt the proven favorite<br />

for theatre signs that build boxojjire<br />

lines—now includes a complete<br />

range of 5i7es. from 4" to<br />

24", in Plastic or Cast Aluminum<br />

Letters.<br />

Fnr Cnmplete Informatinn .About .Adlcr<br />

Lrticis ^ind Fr.iraes. Contact Your Disiiiljiitor<br />

or Write (or Free Catalog to:<br />

ADLER SILHOUETTE LETTER CO.<br />

11843.A W. Olympic Blvd.. Los Angeles 6')<br />

Brightest'Clearest<br />

FULL<br />

SCREEN<br />

IMAGE<br />

Bausch & Lomb<br />

Projection Lenses<br />

GET IMPORTANT LENS DATA<br />

For your free copy of catalog<br />

E-123, write Bausch & Lomb<br />

Optical Co., 72041 St. Paul<br />

St., Rochester 2, N. Y.<br />

^— ,<br />

/•<br />

•> , .r<br />

V'^^.<br />

• Indoors or Outdoors<br />

• Wide-Screen^ Vista-<br />

Vision or<br />

CINemaScOPE<br />

• Only B&L advanced lens design<br />

gives you full uniform edge-toedge<br />

brilliance.<br />

• Special formula colorless glass<br />

transmits true tonal values . , .<br />

color or black-and-white . . . for<br />

breathtaking contrast.<br />

• Anti-reflection Balcote cuts down<br />

normal light loss; crisper, brighter<br />

pictures for your patrons to<br />

enjoy.<br />

• Complete line for all projectors<br />

. . . for all aspect ratios.<br />

America's only complete optical source . . . from glass to finished product<br />

I XOFFICE :<br />

7, 1955 57


;<br />

;<br />

SERVICING SOUND SYSTEMS<br />

Continued from preceding page<br />

this type of theatre sound system.<br />

The filtering mechanism is very good on<br />

the reproducer and will deliver practically<br />

flutter-free reproduction, provided good<br />

house reels are used and filter mechanism<br />

is carefully adjusted as per instructions in<br />

this department. For checking this magnetic<br />

reproducer, and all others we have<br />

written about, the following test loops and<br />

films are available for an over-all test:<br />

Sound level balance film (1,000 c.p.s.)<br />

multi-frequency test film; loudspeaker balance<br />

test (speech and music) ; sound-picture<br />

test film; flutter test film (3,000 c.p.s.)<br />

loudspeaker phasing test film (500 c.p.s.<br />

warbled), and azimuth test film (8,000<br />

c.p.s.) . You should have the 1,000 c.p.s. balance<br />

loop, and the 8,000 c.p.s. test loop;<br />

likewise you should have the multi-frequency<br />

test film for an over-all check of<br />

your sound system. A good db output meter<br />

and a high quality multimeter is necessary<br />

for general tnaintenance of any make of<br />

sound system.<br />

If you have any problems pertaining to<br />

any of the sound systems we have discussed<br />

in this series, write us and we will be happy<br />

to help you, but be sure to send compl<br />

details and model of sound system<br />

fl<br />

Systematic maintenance, with emphslig<br />

on cleanliness, is necessary if you wantio<br />

keep your equipment in tip-top operattg<br />

condition, and avoid a sudden breakdoSi<br />

due, in many cases, to neglect. Keep te<br />

sprockets clean; lubricate according to le<br />

manufacturer's lubrication chart; keep<br />

pad rollers adjusted according to<br />

thickness of two films, and keep all co:<br />

tions tight.<br />

Each month in the MODERN THEATRE Se<br />

Hon, Wesley Trout will present practical que|_<br />

tions and answers pertaining to sound and pr<br />

jection. If you have a technical problem send<br />

in and it will be answered here. Enclose<br />

stamped, self-addressed envelope for a quic<br />

personal<br />

reply.<br />

An answer to problem sent in by<br />

Joseph Rattee, New England Theatre<br />

ply, Exeter, N. H.<br />

it<br />

I have received many letters from exh<br />

tors wanting to connect two rectifier:<br />

multiple for high intensity lamps. My<br />

It's no mystery that adequate screen lighting demands an adequate<br />

power supply. This is especially necessary with today's wide screens,<br />

requiring more light over a large area.<br />

The Hertner HT 135/270 Transverter meets these needs and gives<br />

users an ample source of constant D.C. power. The generator has a<br />

capacity of 90 volts and is designed for continuous operation at 135<br />

amperes with a capacity for 270 amperes during changeover period.<br />

Complete installation includes Control Panel Type G and the Dualtype<br />

HD 100/140 Rheostat.<br />

For all<br />

write for Bulletin No. 30 IB.<br />

the details of the many fine features of the HT 135 Transverter<br />

Dislribuled by National Theatre Supply.<br />

In Canada : General Theatre Supply Company<br />

THE HERTNER ELECTRIC COMPANY<br />

12690 ELMWOOD AVE. • CLEVELAND 11, OHIO<br />

MOTORS • MOTOR GENERATORS • GENERATOR SETS<br />

A SUBSIDIARY OF GENERAL PRECISION EQUIPMENT CORPORATION<br />

58<br />

vice is to purchase one large enough ft ^j,<br />

>;<br />

such lamp, because it is not practical to r ^t, Jk<br />

to connect any make of rectifiers in<br />

manner successfully.<br />

The low intensity rectifier, which l!'«'"P<br />

deliver from 15-30 amperes at 55 volts c(<br />

not possibly be paralleled to deliver t<br />

to a Suprex type arc, which might tfb<br />

at 60-65 amperes, 35 volts. While the<br />

pere output might be somewhat near<br />

rect, the voltage supplied by the rect:<br />

would be much too high for a Suprex (<br />

intensity arc.<br />

I<br />

Furthermore, one would experience i<br />

difficulty in paralleling the output<br />

these rectifiers because there is no pract<br />

way of balancing the load division bet'w<br />

the rectifiers other than inserting<br />

ammeter into the output circuit of<br />

rectifier, and then adjusting the rectii<br />

so that the ammeters read identical figi<br />

I have heard of a few instances w:<br />

two rectifiers were connected in par<br />

and fair results obtained, but I am<br />

a steady arc could not be obtained,<br />

would such a setup be practical. It is<br />

ter to trade in your small rectifiers for (<br />

built to handle the correct voltage and<br />

perage for high intensity arcs.<br />

Gaiennie Moves Up at Fairbanks<br />

L. R. Gaiennie. director of personne<br />

F'airbanks, Morse & Co., has been prom)<br />

to vice-president in charge of perso!<br />

according to Pi-esident R. H. Morse j:<br />

lieutenant commander in the Navy di<br />

World War II and the recipient of a<br />

from the University of Iowa, Gaiej<br />

joined Fairbanks in 1948 after ser<br />

assistant vice-president of the Richari<br />

Co. Gaiennie also holds degrees fl<br />

Washington University, University of ''j<br />

consin and Chicago University.<br />

The MODERN THEATRE SECll<br />

!


'<br />

'<br />

er<br />

;<br />

ers<br />

: May<br />

low to Use the New Demagnetization Tools<br />

Film with magnetically recorded sound tracks cannot be run in the<br />

projection equipment until all iron or steel parts in or near the film<br />

path hove been thoroughly demagnetized or extraneous sounds may<br />

be recorded on the film. On this page Wesley Trout describes demagnetizing<br />

processes.<br />

e demagnetization tool with the large coil we will<br />

.iignate as "A" and the other one as "B." They<br />

!(i, 0^ course, are used in the soldering gun, such<br />

Weller, model D550. Each serves a different<br />

/pose in demagnetization work on projectors and<br />

ind heads. "A" is effective on sprockets, shafts,<br />

i rollers, keepers, fire-trap rollers, intermittent<br />

oclket shoes, parts of the picture gate assembly,<br />

i many hand tools. "B" is most effective on<br />

\gnetic pickup heads and scanning drums, such<br />

• in the penthouse and photographic reproducers,<br />

.her one of these tools can be made by the pro-<br />

.iionist or serviceman.<br />

s illustrates method of demagnetizing upper and<br />

feed sprockets, with stripper plates and pad<br />

removed in order to do a good job. The coil<br />

uld be moved axially slowly back and forth over<br />

part a few times and then very slowly removed<br />

,1 de-energized, or cut off, when at least two feet<br />

"n the projector mechanism. Be sure the demagizing<br />

equipment is energized before approaching<br />

parts to be treated and removed before it is<br />

led off. If it is accidently turned off while<br />

iting ports, the correct process, as per above,<br />

uld be done all over again. Don't take chances<br />

'ny part not being fully demagnetized.<br />

The parts in the gate assembly, any make of projector,<br />

are the most critical in the machine because<br />

J/i?y are usually hardened steel and are in intimate<br />

contact with the magnetic tracks. They should be<br />

demagnetized very thoroughly, and it is necessary<br />

these parts be removed from the mechanism. Guide<br />

rollers, shoes and back plate must be treated very<br />

thoroughly, using the tool above and giving the same<br />

kind of treatment as the sprockets, etc. It has been<br />

found this does not have to be done so often,<br />

unless worked on with un-demagnetized tools. But<br />

it should be checked with a good compass occasionally.<br />

Procedure for demagnetizing an intermittent<br />

sprocket of projector mechanism using a 250-wait<br />

soldering gun, such as a Weller, model D550,<br />

equipped with a coil is shown. The illustrations<br />

used on this page are procedures for demagnetizing<br />

parts of Simplex, model XL projector. All methods<br />

and techniques described on demagnetizing equipment<br />

apply in principle to all other makes of projectors.<br />

How to moke this coil and another demagnetizing<br />

tool will be sent on request, provided a<br />

stamped, self-addressed envelope is sent to the<br />

writer. Also, more details on demagnetization will<br />

be included.<br />

^^^mSS<br />

Protect the drawing power of<br />

every attraction on your<br />

marquee with RCA Theatre<br />

Service . . . "first-run," topquality<br />

service that assures<br />

continuous performance in the<br />

vital operating heart of your<br />

theatre. Backed by RCA's<br />

comprehensive technical<br />

resources, your RCA Theatre<br />

Service engineer expertly<br />

handles problems in optical<br />

or magnetic sound, single or<br />

multiple track, standard or<br />

wide screen. You'll find the<br />

quality of his help an invaluable<br />

asset to any size house<br />

. . . and especially to your<br />

size house.<br />

RCA SERVICE COMPANY, Inc.<br />

XOFTICE :<br />

7, 1955


;'<br />

A New Concept in Projection Lenses<br />

Developed to Solve Light Problems<br />

New lenses to compensate for the spreading<br />

of light on the tubes of projectors<br />

which helps to solve the problem of more<br />

illumination on the screen, and particularly<br />

on the edge of the screen, have been<br />

developed by Projection Optics Co., Inc.<br />

The new lens, named the Super Hilux<br />

f/1.0 light collecting speed anastigmat projection<br />

lens, is in actual production and<br />

follows a careful review and study of all<br />

lens types by company engineers and designers<br />

and many hours of computation.<br />

"Two years ago when 3-D first came out<br />

and widescreen projection was at the<br />

threshold, we decided that a whole new<br />

concept of projection lenses was required,"<br />

Projection Optics said in making announcement<br />

of the new lens. "Lenses then on<br />

the market were designed for the small<br />

screen era. We realized that the next<br />

requirements of projection lenses were to<br />

project and transmit light evenly over a<br />

screen size many times the old size and<br />

that color correction over such a size would<br />

become an important issue."<br />

The Super Hilux anastigmatic lens.<br />

Oversize Seats<br />

With Theatre<br />

Popular<br />

Patrons<br />

So-called "love seats" are proving a<br />

weapon for some local neighborhood theatres<br />

in the competitive fight against TV,<br />

the owners of such showcases in Minneapolis,<br />

Minn., believe. Several neighborhood<br />

theatres, including the St. Louis Park,<br />

boast some of the seats which permit<br />

couples to sit in closest proximity to each<br />

other . . . and they're the seats which are<br />

in greatest demand, with patrons invariably<br />

making a beeline for them.<br />

Harold Kaplan, St. Louis Park co-owner,<br />

believes the seats are one of the magnets<br />

attracting patronage to his attractive and<br />

successful suburban theatre.<br />

In announcing the new lens the company<br />

stated: "We feel that we have<br />

achieved the optimum in color correction,<br />

flat field, definition, contrast, and most<br />

important of all, we have succeeded in getting<br />

considerably better light distribution<br />

across the screen, yet have managed to get<br />

noticeably more light transmission than<br />

any other presently made projection lens."<br />

Believing that the f number used by<br />

optical manufacturers throughout the<br />

world to identify the free aperture opening<br />

of a given focal length has been misinterpreted<br />

by many as meaning "a certain<br />

amount of light transmission," Projection<br />

Optics selected a definition which actually<br />

can be used to measure a certain performance.<br />

For this reason they selected the<br />

phrase "f/1.0 light collecting speed."<br />

"Actually, there is no accepted standard<br />

for measuring light transmission which is<br />

so vital to this theatre business. By measuring<br />

the actual amount of light the lens<br />

can collect, the trade now has a definite<br />

guide," the company said. "We here at<br />

Projection well realize that this will create<br />

quite a bit of talk. Nevertheless, we feel<br />

that this new definition will be of great<br />

value and will have a meaning which other<br />

definitions in the past have not had."<br />

A paper covering the technical aspects<br />

of the Super Hilux was presented at the<br />

recent SMPTE convention in Chicago by<br />

John R. Miles, head of the John R. Miles<br />

Co., optics designer, which has handled all<br />

research and design progress for the manufacturing<br />

company for years. Reprints of<br />

this paper are available on request.<br />

The new series will be available in effective<br />

focal lengths from 1.5 to 7 inches in<br />

the 2 25/32-inch small diameter and in<br />

effective focal lengths from 4,75 to 14<br />

inches in the high speed 4-inch diameter<br />

mount. The focal lengths from 1.5 to 3<br />

inches and from 7 to 14 inches will be<br />

available only on custom orders.<br />

In addition to being a lure for sweethearts<br />

and married people, these seats get<br />

a big play from stoutish folk who occupy<br />

them singly. The seats are the equivalent<br />

of one and one-half regular seats, and the<br />

corpulent individual, of course, finds them<br />

more comfortable. A number of his patrons<br />

having excess poundage wouldn't attend<br />

the theatre at all except for the comfort<br />

provided by the "love seats," Kaplan thinks.<br />

Kaplan and some of the other exhibitors<br />

have been considering installing more of<br />

the seats as boxoffice stimulants.<br />

Poor ground connection, defective filter<br />

condenser, shorted or grounded choke coil<br />

and defective insulation of amplifier wires<br />

are a few of the most important causes of<br />

hum in an amplifier.<br />

"<br />

Selenium Plate Rectifier<br />

Developed For Drive-Ins<br />

Is Single-Phase Type<br />

A new, single-phase selenium plate i^l<br />

tifier which fulfills all the requirements ii<br />

efficiently operating projection arc larlj<br />

burning 10mm and 11mm regular carbbi<br />

and 10mm Hitex carbons has just bfi<br />

announced by Strong Electric Corp. It<br />

developed especially to fill the needji<br />

drive-in theatres which require the ns<br />

powerful projection arc lamps but to wUh<br />

three-phase current is not economic:!<br />

available.<br />

This new rectifier incorporates all<br />

proven features of other Strong selenid<br />

Strong's new rectifier for drive-ins.<br />

plate rectifiers, such as moisture-pi<br />

selenium units, remote control relay,<br />

ifnllt<br />

flow protective device, large fan vent<br />

tor, and taps to provide adjustmentP<br />

compensate for supply voltage variati'iBi -'"<br />

through a range of 10 per cent aboveOri '*"'<br />

^<br />

10 per cent below the rated AC input vfei<br />

age throughout the output rating raiM<br />

The selenium rectifier stacks carry a thij<br />

year guarantee.<br />

A new brochure on Strong's compjl<br />

line of selenium plate and tube type rei:<br />

tiers for use with all carbon trims is av|<br />

able and will be sent free.<br />

RCA Assists Salk Telecast<br />

To assure uninterrupted transmissioi<br />

the closed-circuit telecast report on M<br />

Salk polio vaccine, the RCA Service '«<br />

assigned electronic specialists to pro'ffl<br />

maintenance at 59 cities throughout M<br />

United States. W. L. Jones, vice-presichi<br />

of the company's technical products e-j<br />

partment, supervised the arrangements brt<br />

the program which originated at the tHB<br />

vision studios at the University of Mii|i'l|<br />

gan.<br />

Sutte<br />

60 The MODERN THEATRE SECDM


I<br />

hted.<br />

iN ICE SKATING RINK FOR WINTER BOXOFFICE<br />

Drive-ln Theatre Now Under Construction Will Turn on the Ice<br />

For Skating Fans When Theatre is<br />

Wrapped Up for the Winter<br />

An ice skating rink, shown in the lower right of this sketch, will be a feature of the operation of the 63rd Street Drive-ln Theatre<br />

now under construction in Kansas City, Mo. The rink and the theatre will not be operated simultaneously, but when the<br />

theatre is closed for the season the rink will take over as the boxoffice attraction providing a year-oround operation. The<br />

1,000-car drive-in is scheduled to open late in May and the skating rink will be opened November 1.<br />

AGILITIES FOR an all-season driveoperation<br />

featuring an ice skating rink<br />

e now under construction by the E&S<br />

,"ieatre Enterprises. Inc., in Kansas City,<br />

0. The 63rd Street Drive-In will operate<br />

om April 1 until November 1 as a drive-in<br />

eat re: from November 1 until April the<br />

mpanion ice skating rink will be the<br />

ixoffice attraction.<br />

E. S. Sutter and Alex Shniderman are<br />

e officers of the S&S Operating Co. which<br />

11 act as managing agents for the 63rd<br />

reet Drive-ln Theatre and the 63rd<br />

reel Ice Skating Rink. The E&S Theatre<br />

iterprises, Inc., is the owner of the drivetheatre<br />

and the ice skating rink.<br />

RINK TO BE 100x200 FEET<br />

The skating rink is being constructed<br />

ei'-;ht acres of ground fronting on 63rd<br />

eet and James A. Reed road. Its size is<br />

0x200 feet. Adjoining the rink is a rink<br />

'usp which will house the refrigeration<br />

stem, the restrooms, sport shop and rink<br />

iicessions. There will also be an indoor<br />

I'eplace adjoining the skating area. Spec-<br />

|tor seats for 300 will be available in the<br />

tik vicinity and the parking lot will be<br />

With the drive-in accommoda-<br />

,ins, 1,000 cars can be handled and 1,200<br />

trons will be the rink's capacity, figuring<br />

800 on the ice and 400 as spectators or in<br />

the rink house.<br />

The rink is being designed so that a<br />

unique type of roof structure can be added<br />

to permit its use in both good and bad<br />

weather. The roof will have skylights<br />

which can be opened and closed, and sides<br />

that slide up similar to aircraft hangar<br />

doors. Thus skating will be either indoor or<br />

outdoor. Approximately 300 tons of electrical<br />

refrigeration will be required. It will be<br />

both a daytime and nighttime operation,<br />

with the night skating lighted.<br />

WILL NOT HAVE ROLLER SKATING<br />

While there might be a slight overlapping<br />

of the drive-in and skating rink operations,<br />

there is no intention now to operate<br />

them simultaneously. Shniderman emphasized<br />

that there will be no roller skating<br />

as this not only appeals to a different<br />

patronage but is also more of a summer<br />

sport and would compete with the theatre.<br />

The rink alone has meant an investment<br />

of around $200,000 and the cost of the<br />

drive-in is approximately the same.<br />

Morris Hoffman Co. is the contractor, with<br />

Manuel Morris the architect.<br />

There will be two entrances, two exits<br />

and two boxoffices for the drive-in, one<br />

of each on Highway 50 and the same on<br />

63rd street. Pour lanes will be going into<br />

each boxoffice, making a total of eight. The<br />

reason for the two of each, Shniderman explained,<br />

is that 50 Highway is now being<br />

widened to an eight-lane road and 63rd<br />

will eventually be a four-lane street. The<br />

dual arrangement will facilitate handling<br />

the crowds. The drive-in opening is scheduled<br />

for late May.<br />

AN OPEN PATIO TO SEAT 400<br />

The concessions building for the drive-in<br />

is 40x82 feet and is to be equipped with<br />

drive-in restaurant equipment. Hamburger<br />

sandwiches, hot dogs, barbecue beef sandwiches,<br />

French fries, milkshakes, coffee,<br />

cola, orange and other soft drinks will be<br />

served. An open patio seating 400 faces<br />

the screen which is 120 feet wide and 50<br />

feet high. It has an all-steel frame and the<br />

screen itself has an all-metal facing. RCA<br />

sound equipment is being used with RCA<br />

in-car speakers. Simplex projectors and<br />

Strong super-135 lamps.<br />

There will be a 410-foot projection throw<br />

at the 63rd Street Drive-ln which will be<br />

handled by a Hilux anamorphic lens by<br />

Projection Optics and a 4-inch diameter<br />

f/1.8 Bausch & Lomb companion lens. The<br />

widescreen lens will be a Kollmorgen f/1.7.<br />

'XOFFICE :: May 7, 1955 61


1<br />

1<br />

1<br />

2 1 Send<br />

1 3 1 Carry<br />

I<br />

Modified Anamorphic Lens Solves<br />

Problem of Long Drive-In Throw<br />

Recent Development Adds Only $150 to Regular Price<br />

In both new and remodeled drivem<br />

theatres within the past year there has<br />

developed a trend to longer projection<br />

throws, more than doubling former distance<br />

of approximately 250 feet from booth<br />

to screen. Obviously, this has led to many<br />

problems, for if longer and longer throws<br />

are to be achieved by standard techniques.<br />

it leads to larger and larger prime and<br />

Cinemascope lenses.<br />

This can reach fantastic proportions with<br />

a theoretical throw of 1.000 feet requiring<br />

a 14-inch f 1.9 prime lens and a king-sized<br />

Cinemascope lens almost 20 inches long!<br />

The two lenses together would be almost<br />

a yard in length and the estimated cost<br />

would reach $4,000!<br />

BUILT A GIANT LENS<br />

When Bausch & Lomb Optical<br />

Co. first<br />

tackled this problem the company did develop<br />

a giant anamorphic lens for Cinema-<br />

Scope which was 114 inches long and<br />

foiu- inches in diameter, backed up with a<br />

standard Bausch & Lomb lens four inches<br />

in diameter. 6.50 E-F. with an f 1.8 lens.<br />

The total assembly, which was custommade<br />

for the Corpus Drive-In Theatre.<br />

Corpus Christi, Tex., totaled 18 inches in<br />

length. It produces a widescreen picture<br />

41x82 feet, with a projection throw of<br />

646 '2 feet. iSee complete story in April 2<br />

issue of Modern Theatre.*<br />

However, Bausch & Lomb lens designers<br />

were not satisfied with this bulky, expensive<br />

solution to the problem of the long<br />

throw. They continued to experiment and<br />

came up with a system whereby they can<br />

double the effective focal length of a lens<br />

system. In other words, they can take the<br />

now largest commercially available lens,<br />

which has a seven-inch focal length with<br />

a four-inch barrel, and achieve the performance<br />

of a 14-inch lens.<br />

HOW THE LENS IS MODIFIED<br />

They do this by tiu-ning the Cinema-<br />

Scope lens element aroimd backwards and<br />

rotating it to 90 degrees. They then make<br />

several minor internal adjustments to<br />

change the air spacing of the lens elements,<br />

attach a new lens adapter and remove the<br />

old focusing ring. The total cost of the<br />

alterations, in addition to the regular cost<br />

of the lens, is only about $150.<br />

The performance of other size lenses also<br />

would be doubled by the process, as in the<br />

case of the seven-inch focal length lens.<br />

The modified anamorphic lens system<br />

permits the use of stock prime lenses in<br />

almost all situations without any serious<br />

light loss.<br />

Light loss would be a very serious prob-<br />

With a new process of modification of the anair.orphic<br />

lens, developed by Bausch & Lomb Optical<br />

Co., a normal length stock lens can achieve the<br />

performance of one twice its length. The<br />

modification makes unnecessary costly and cumbersome<br />

lens installations in drtvein theatres where<br />

the throw from the booth is exceptionally long.<br />

The young lady is holding a lens assembly incorporating<br />

the modified anamorphic lens.<br />

lem for the longer throw since longer focal<br />

lengths than those which have become<br />

standard would mean that barrel diameters<br />

would have to be greatly increased in order<br />

to maintain speed. Further this would entail<br />

some alteration of the projector heads.<br />

The larger barrels also would compel the<br />

use of larger diameter Cinemascope lenses<br />

to maintain the equality of diameter size<br />

with that of the prime lenses or more<br />

light would be lost.<br />

The new modified anamorphic lens development<br />

came in time for installation in<br />

the Crest Drive-In Theatre, Kansas City.<br />

Mo., before its recent spring opening. It<br />

was needed because the projection booth<br />

was moved to the back ramp so that a<br />

longer focal length lens could be used on<br />

standard pictures shown in widescreen<br />

ratio. To do this from the old projection<br />

booth location it would have been necessary<br />

to use very short focal length lenses which<br />

would not give the definition and good<br />

quality picture desired.<br />

With the specially modified, large diameter<br />

anamorphic lens, the Crest uses 4Hinch<br />

prime lenses.<br />

The projection throw, which was formerly<br />

250 feet at the Crest, is now 62:7 feet.<br />

Commonwealth executives report the projected<br />

picture very good.<br />

Theatre Circuit Encourages<br />

Early Church Services<br />

In Its Drive-ins<br />

Central States Theatres is making a<br />

termined effort to place its drive-ins ati<br />

disposal of churches for early Sunday sq<br />

ices. At the circuit's spring drive-in mi<br />

ing, the pubUc relations value of a comi<br />

nity Sunday morning worship was stres<br />

The Ames, Iowa, Ministerial As|<br />

through its president, the Rev. E. W. Rij<br />

ley, has expressed its appreciation for b


:<br />

May<br />

It's durable. An entirely new outer cone assembly is reinforced<br />

with a metal ring and spider—absolutely prevents<br />

collapsing or rattling. New outer cone is self-aligning.<br />

Two-coat tough finish on die-cast aluminum case.<br />

BECAUSE . . .<br />

It's uvatherproof. Every part of the speakers is treated for<br />

greatest possible resistance to rust and corrosion.<br />

BECAUSE . . .<br />

It's dependable. Heavv Alnico magnet gives ample power.<br />

BECAUSE ...<br />

// has superb sound. Double cone gives lower speaker<br />

resonance for greatly improved low frequency reproduction.<br />

Faithful undistorted reproduction at all volume levels.<br />

It's faster and easier than ever<br />

before. You merely open the<br />

case, lift out the damaged or<br />

weathered cone and drop in a<br />

new one. No gluing, no screws.<br />

It's designed so that the new<br />

cone aligns itself perfectly. And<br />

best of all, new cones are less<br />

expensive then ever before.<br />

"A** Series. Deluxe model in handsome blue and white baked-on undercoat and finish coat.<br />

"Q" Series. Exactly the same as the "A" Series except for handsome two-tone gray hammerloid<br />

finish.<br />

SINGLE CONE SPEAKERS<br />

"E" Scries. High quality singlc-conc.<br />

weather-treated speaker unit. Same<br />

case as "A" and "Q" series. Finished<br />

in tough hammerloid gray enamel.<br />

"H" Series. Quality sound at low cost. Unit<br />

housed in sturdy sand-cast aluminum case,<br />

finished in two-tone gray enamel. Weathertreated<br />

for long ser%'ice.<br />

Price $5.60 each.<br />

Double-Channel for Double-Quality<br />

in Drive-in Theatres<br />

Natural depth and directional effect for wide<br />

screen use — sound reproduction from four<br />

track magnetic stereophonic prints through<br />

only two channels of amplification. Volume<br />

control by single knob. Designed so that you<br />

use both for added power and speaker capacity,<br />

with single track magnetic or optical<br />

sound.<br />

1712 Jackson Street '^Ballantune^<br />

mipoii^<br />

Omaha, Nebraska<br />

PXOmCE :<br />

7, 1955 63


I<br />

i<br />

To cut down on personnel, the concij- f<br />

sions area was designed as a cafetei<br />

normally employing four persons duri;<br />

regular periods and six during intermissii<br />

.<br />

peaks. Another saving feature in the cocessions<br />

operation was made by allowij :<br />

more storage space than actual selling an.<br />

The extra-large storage room which s<br />

locked and inaccessible to clean-up crev ;<br />

allows the owners to buy supplies in laisji.<br />

quantities at a great saving, Crawfclr./<br />

points out.<br />

The widescreen of the Volley Drive-In, Farmington, N. M., makes a bold picture by night.<br />

Construction Economies Enable Drive-In<br />

In Small Town to Have Latest Equipment<br />

I HE Valley Drive-In which was<br />

opened recently at Farmington, N. M. by<br />

Russell P. Allen and Kelly P. Crawford,<br />

partners in the Allen Theatres, was the<br />

product of experience.<br />

It is the result of a first-hand knowledge<br />

gained from the operation of the Apache<br />

Drive-In which they opened three years<br />

earlier in the same small town. The two<br />

theatremen, who also operate three conventional<br />

houses, found that a small town<br />

operation cannot be costly and still make<br />

money—yet it must bring its patrons the<br />

best available. To solve this paradoxical<br />

problem, they decided to trim costs on the<br />

construction and design and simplify their<br />

personnel requirements. In so doing, they<br />

hoped that they would save enough to<br />

purchase the latest and best in sound and<br />

projection equipment.<br />

The Valley, managed by Prank X. Crawford<br />

reflects all of these ideas and its successful<br />

operation proves they were correct.<br />

It is keyed to the idea of offering the best<br />

in screening techniques and a simplicity<br />

of design that stresses the maximum in<br />

storage space. Not including the ten-plus<br />

acres, the cost of the 330-car project was<br />

$62,500.<br />

Both projection booth and concessions<br />

operation are combined into a single functional<br />

unit constructed of pumice blocks.<br />

"It's the most practical one I've ever constructed"<br />

was the opinion of Lester Minyard,<br />

who as foreman of the Tom Griffing<br />

Construction Co. of Abilene, Tex,, has built<br />

a lot of them.<br />

Crawford and Allen didn't miss a trii.<br />

I<br />

in the design of the concessions area al<br />

made many other innovations. The glis<br />

front of the snack bar was placed at i<br />

adult level to keep children from loiterig<br />

there during show time. The door from \e<br />

storage rooms was placed directly behil<br />

the popcorn machine and fountain equ><br />

ment to facilitate handling of the neeci<br />

supplies. Along the flagstone-type concre<br />

counter, a larger aisle was provided a)<br />

front of the slow-moving items, such i<br />

sandwiches, so patrons could pass on to 1^ (I<br />

more quickly dispensed items such i<br />

drinks and popcorn.<br />

BOOTH IS GLASS PANELED<br />

The glass-paneled projection bocl<br />

which takes up 30 feet of the buildin<br />

70-foot length contains the pride of l|<br />

drive-in, the latest in equipment.<br />

Further savings w-ere made in the ccif<br />

struction of the 35x70-foot screen, :,ft<br />

feet from the booth, by constructing it<br />

Flexboard mounted on telephone poles<br />

The need for a watchman at the<br />

to prevent sneak entrances and to dirl<br />

traffic was eliminated by installation oj<br />

flood light. Bevelite letters are used on<br />

attraction board.<br />

At the ticket booth, the partition 1]<br />

tween the cashier and ticket taker<br />

removed so that one person could fill b(!<br />

roles, if necessary.<br />

^<br />

The booth equipment at the Volley Drive-In is of the lateit<br />

and best available. It includes Simplex projectors, Bausch &<br />

Lomb lenses, Strong Mighty 90 lamps and RCA dual-channel<br />

sound. Simplex four-inch speakers are used at the ramps.<br />

Concessions equipment was kept simple. A Manley popcorn macM<br />

Manley Ice OBor, Connolly Roller Grille, Sno-Master Machine, Totf<br />

master Bun Warmer, and a Helmco-Lacy warmer are used at the Veil<br />

Drive-In. Note the flagstone-type facing of the counter.<br />

64<br />

The MODERN THEATRE SECTl'J'


Ik<br />

THE DELUXE PLASTIC SERIES<br />

The only speoker wilh a full 5-inch speaker cone.<br />

The speaker wilh the best sound.<br />

THE RAINMASTER SERIES<br />

The only speaker unit wilh a raincoat.<br />

Unbelievably resistant to rain, snow and dust.<br />

THE ECONOMY SERIES<br />

The lowest priced lull sixe 4-inch cone speaker,<br />

lew mointenance.<br />

JUNCTION BOXES AS LOW AS $4.50<br />

1^ 9«. ^^'-^^ MOTIOGRAPH, J,<br />

ncozyjo^cii<br />

SAN FRANCISCO 11, CALIF.<br />

4431 WEST LAKE STREET • CHICAGO 24, ILLINOIS<br />

er/i€ 'Wbi/t/'i 0/


Neon Star on Screen TowS<br />

everyone around Clonton, Ala., knows w/i<br />

Jackson's Clanton Drive-In is, thanks to bis<br />

manship. Since he didn't want anyone to forg<br />

overlook the fact that he had enlarged the col<br />

tional screen to a 92x40-foot widescreen, he moil<br />

a 30-foot frame star complete with lOQ-watti<br />

bulbs on the rear of the tower. At night the eltk i<br />

star which faces the road attracts the attenti^ '<br />

possersby but does not blind traffic.<br />

All theatres have a large concentrd<br />

of people in a relatively small space ^d<br />

]<br />

require large amounts of outside<br />

prevent objectionable odors. This ou<br />

air can best be introduced through a^ t j<br />

conditioning system for it can readil<br />

seen that since outside air has a hi<br />

temperature and humidity than inside<br />

this excess heat and moisture must b(<br />

moved before it is introduced to the<br />

ditioned space.<br />

At last... a popcorn seasoning in a far lighter, far more<br />

practical container! Each carton of TASTEE-POP holds 32<br />

one pound packages containing four wrapped and measured<br />

quarter-pound bars. Just put in TASTEE POP and throw<br />

the wrapper away! It's quick, neat, sanitary— and there's<br />

no waste, no drippings, no pre-melting, no messy equipment!<br />

And here's another BIG plus — TASTEE POP can be<br />

stored without refrigeration!<br />

TASTEE POP MEANS REAL ENJOYMENT! It's<br />

got that<br />

golden buttery color and rich-fiavored goodness that brings<br />

out the best in your popped corn!<br />

Try it! Make your next popcorn seasoning TASTEE POP —<br />

and turn your small popcorn concession into a big attraction!<br />

BIRD DAMAGi<br />

IS COSTLY<br />

i<br />

-Co<br />

Repellent does not<br />

harm birds. They instinctively<br />

dislike Bur-Co. No chemical<br />

reaction on building material.<br />

Does not harm humans internally|<br />

or externally.<br />

Each application proplied<br />

eliminates birds<br />

fr«fflof<br />

Consistent Quality<br />

and Outstanding Service<br />

NATIONAL<br />

H»MJJ«,<br />

66


t<br />

I<br />

.<br />

: May<br />

Mexican Theatre Gets a 32 x 80-Foot Screen<br />

DIT-MCO's NEW ST,<br />

UNIVERSAL SPKAXSR<br />

"The<br />

GREAfC<br />

SPEAKER-<br />

Designed fo give you t^<br />

latest improved quoltty<br />

high ond low frequcncii<br />

in keeping with the ne<br />

methods of rcproductic<br />

of sound today.<br />

Spcoker openings ore larger. No sound obstruction.<br />

New type louvre slants down to keep out sun and rain.<br />

Perforated metal gri!l between louvre and speaker unit<br />

prevents customer damage to unit.<br />

Hanger bracket complete is now cast as port of back<br />

holf of speaker housing. Brocket will fit any type<br />

junction box. Large 4" oil weother spcoker unit with<br />

heavy duty AInico 5, 1 .47 oz. magnet. Improved<br />

volume control shuts completely off and obovc ground;<br />

knurlcd control shaft eliminotcs the necessity of<br />

replacing control knobs.<br />

BEAUTIFUL TWO-TONE FINISH<br />

—•—<br />

DIT-MCO's<br />

STANDEE<br />

Provides<br />

SPEAKER<br />

be largest, indoor widescreer) ever manufactured by Raytone Screen Co. was installed recently at the<br />

onoro Theatre in Mexico City by the Westrex Corp. Measuring 80 feet wide by 32 feet high, the screen<br />

as built specially for the one-story, stadium-type auditorium with its 4,000 seats. To supply sound<br />

1 (he large auditorium, a Westrex multi-channel system which will handle CinemaScope, VistaVision<br />

nd Perspecta sound was installed in conjunction with 40 loudspeakers. Projection equipment included<br />

enlury CC water-cooled projectors and Ashcraft Super-Power arc lamps and selenium rectifiers.<br />

Quality Sound<br />

and<br />

Proper Volume<br />

I<br />

IIMillJlli>liiil.likiil ::;<br />

:au carbon couplers<br />

ketYou Burn All the Carbon<br />

"They're Expendable"<br />

ilhe mosf popular carbon saver. Used by more<br />

Hieotres than ALL other mokes COMBINED.<br />

ir Hundred, postpaid: Not Packed in Mixed Sizes<br />

nm $2.00<br />

nm $2.25<br />

nm or S/16-inch $2.50<br />

Urn $3.00<br />

I<br />

worrying about injury to hinh priced carjn<br />

savers. Burn 'em up. you still profit.<br />

Refund<br />

not 100%<br />

s f i e d<br />

They cost less than just the repairs on<br />

high-priced automatic savers and are<br />

more efficient.<br />

One trial<br />

convinces<br />

Most economical carbon saver you ever used!<br />

CALI Products Company<br />

3719 Marjorie Way Sacramento 20, Calif.<br />

The WORLD'S LARGEST Producer of Carbon Savers<br />

At all progressive supply houses.<br />

FIREWORKS DISPLAYS<br />

DISCOUNT<br />

25% DISCOUNT<br />

^ FROM REGULAR CATALOGUE PRICES<br />

^<br />

Pyrotechnic Fireworks Displays for all occasions.<br />

LARGE OR SMALL ... WE SELL THEM ALL!<br />

• Aerial and Ground Set Pieces<br />

• Quality Merchandise<br />

• Large Selection<br />

Send for catalog and save your money<br />

LAFER<br />

ENTERPRISES<br />

R.R. No. 1 Port Clinton, Ohio<br />

Patio oreo—playground orea—back<br />

nd truck<br />

and overflow areas. Good sound to the..<br />

help increase your business. Let your patrons enjoy<br />

the show while they are away from their cor; provide<br />

sound for those who are waiting for parking room.<br />

Speaker is made for post mounting with large, heavy<br />

duty, all weather, 6x9 speaker unit and tamper proof<br />

volume control. Mounted in attractive cost aluminum<br />

case with beautiful two toned finish.<br />

—•—<br />

DIT-MCO DIRECTIONAL LIGHTS<br />

Ramp Lights — Ramp End Exit Lights — De Luxe<br />

Aisle Lights — Aisle Lights — Two-way Aisle<br />

Lights — Restroom Lights — 40" Entrance & Exit<br />

Lights — Double or Single<br />

Lights.<br />

Wiili- III Will- r.ir Full lli'l.ill.'i. I'rii-i's iiii<br />

DRIVE-IN THEATRE MFG. CO.<br />

Face—20" Entrance & Exit<br />

•World's L.ugpsl MiimracturiT of Uriielii Thiairr<br />

Eniiipment"<br />

ll<br />

ilr<br />

Division ot<br />

DIT-MCO<br />

505 W. 9tli street. HArrison S007-aMS4. Kansas City, Mo.<br />

NEW KIDDIE RIDES!<br />

• Pony & Cart Ride<br />

• Fire Engine Ride<br />

^ * Airplane Ride<br />

=• * Rocket Ride<br />

=' * Elephant Ride<br />

' * Speed Boat Ride<br />

*Auto Ride<br />

* Miniature Trains<br />

KING AMUSEMENT CO.<br />

Mt. Clemens, Mich.<br />

XOFFICE :<br />

7. 1955 67


. . TKe<br />

68 The MODEilN TKEATKE SE'<br />

T<br />

—<br />

(^,^M<br />

Can't<br />

Promote Too Soon/ Exhibitors Say<br />

Outdoor theatre owners sliould start<br />

promoting their new drive-ins just as soon<br />

as the property is acquired and the construction<br />

wheels put in motion. That is the<br />

ad\"ice of George A. Manos. one of the<br />

leading circuit owners in the Cleveland<br />

territory, and of his associate. W. E. Gross,<br />

who will manage Manos" new outdoor theatre<br />

in the Coshocton. Ohio. area.<br />

"The theatre should be kept in the public<br />

mind from the time of purchase of the<br />

site to its opening." said Manos. And he<br />

lived up to this pwlicy in promoting the<br />

new drive-in area he acquired last October<br />

by setting out to find a name for the theatre<br />

right after the initial ptirchase announcement.<br />

This was done through a contest<br />

in the Coshocton Tribune, offering S25<br />

to anyone who submitted the most original<br />

and appropriate name.<br />

"We had almost 500 entries."" Gross relates,<br />

""and we chose the name of Elm Lane<br />

Drive-In."" A Coshocton resident hit upon<br />

this name as appropriate because of the<br />

row of elm trees planted along River<br />

as a memorial to veterans of the co;<br />

nity who died in World War I.<br />

The 20-acre tract of land on River :c:<br />

which is the site of the new drive-in. \i<br />

planted in corn at the time of purchs;.<br />

so that it was necessary to harvest e<br />

corn and cut up the stalks before anyth.^<br />

else cotild be done.<br />

Pouring of the footings for the<br />

tower was accomplished in a record thl<br />

days. The all-steel screen will meas<br />

100 feet long by 60 feet high, and it is s<br />

that it will be the second largest in Ol|<br />

The new Elm Lane Drive-In will accoi<br />

date 750 cars and is being constructed<br />

an estimated S150.000.<br />

Upholstered theatre seats should i<br />

washed or. rather, shampooed at least o:j<br />

a year. This should be done for sanit<br />

reasons and for the preservation of<br />

fabric.<br />

KOILED KORDS, retroctlle speaker<br />

cords, minimise replacements because<br />

they lost<br />

longer. KOILED KORDS do not<br />

catch in door handles, bumpers and other<br />

car accessories so speaker losses too.<br />

are reduced<br />

KOILED KORDS, retractile speaker<br />

cords, extend to six times their retracted<br />

length then return to their neat out-of-theway<br />

coil against the standard when not<br />

in<br />

use.<br />

KOILED KORDS add that touch of neatness<br />

end order that all good drive-ins<br />

strive for. KOILED KORDS are jocketed In<br />

neoprene and withstand the weather no<br />

matter how extreme.<br />

Specify neoprene-jackeied KOILED<br />

KORDS for all your new speakers and<br />

use them ahuKiys for replacements. Your<br />

theatre equipment dealer con supply you.<br />

Build »our boxoftice receipts by keeping the area around your drive-in<br />

neot OS a pin! . powerful 5-HP Gra»eiy Tractor powers 21<br />

rugged, dependable tools for every mowing or ground maintenance job!<br />

Ail-geor dri»e, power reverse. Field-tested for 34 »ears. Dependable<br />

power that will cut your maintenance costs iast\—gi>e >ou a more<br />

attractive theatre with less work! Avoilable on Easy Pay Plan.<br />

"Power vs. Drudgery" tells how Gro»ely POWER solves these upkeep<br />

problems quickly, easily. FREE—write for it today!<br />

BOX 556<br />

GRAVELY TRACTORS, INC<br />

DUNBAR, WEST VIRGINI/<br />

STOPS THE FAMILY CROWD<br />

nVT


j<br />

'<br />

I<br />

f"aph,<br />

: May<br />

No Amperage Increase Needed<br />

For<br />

Widescreen by Matching<br />

iRefiectors<br />

and New Lenses<br />

The Georgia Theatre Co. has long advertised<br />

its Bankhead Eh'ive-Irr Theatre in<br />

Atlanta as beins "Atlanta's Largest and<br />

Finest." but now it is advertising "Atlanta's<br />

Largest Drive-In Theatre Screen" and<br />

backs up this copy with photographs.<br />

The Bankhead Drive-In is an 820-<br />

speaker job with a patio seating 200. The<br />

,".ew screen is in perfect Cinemascope proportions<br />

measuring 119 feet wide by 47 feet<br />

nigh. The surface of the screen is made of<br />

Johns Manville white shingles that do not<br />

•equire painting. The additional wing<br />

,valls were made to harmonize with the<br />

I'Xisting screen using crab orchard stone<br />

,or the bases of the addition which gave<br />

-JiBs:"<br />

The new widescreen at the Bankhead Drive-In is 119 leet wide by 47 feet high. The surface is made of<br />

white shingles which require no painting. The Bankhead is on 820-car situation.<br />

Reduce the annoyance of<br />

night-flying insects with<br />

I'ew wing walls to support the screen extertsions at<br />

[le Bankhead Driye-lr) Theatre, Atlanta, Go., were<br />

ui/( of crab orchard stone and provided a bedroom<br />

;ir<br />

lie<br />

the manager on one side and a storage room on<br />

other.<br />

1<br />

lie manager an additional 16x20-foot<br />

edroom on one side and the same size<br />

torage room on the opposite side.<br />

John H. Stembler, president of the<br />

reorgia Theatre Co., reports that no addional<br />

equipment was necessary in the pro-<br />

' ';ction room to light the enlarged screen,<br />

lie theatre was pulling 95 amps before<br />

,<br />

le addition and by matching the reflectors<br />

,ith the new type lenses, it was not necesiry<br />

to increase this amperage.<br />

. Although it is not visible in the photoa<br />

stage curtain is outlined on the<br />

Uck of the screen tower in neon which<br />

lakes a beautiful approach to the theatre<br />

night.<br />

E. E. Whitaker is operations manager for<br />

e Bankhead Drive-In Theatre and Mrs.<br />

Ivia Partee is the local manager.<br />

Do not use a blower to clean theatre<br />

lors as the dust is blown into the air<br />

;d settles on aU ledges and walls and<br />

her objects, thus making it necessary to<br />

corate more often and causing other<br />

ijor cleaning expense. A good practice<br />

to use suction type cleaners and use the<br />

iction, beater and brush type at regular<br />

;ervals.<br />

Black Light Traps<br />

Recommended for<br />

• Ticket Booths<br />

• Refreshment Stands<br />

• Side of Screen<br />

• Parking Areas<br />

Gardner Black Light Traps will prevent<br />

night-flying insects from becoming a<br />

source of annoyance and a blight on the<br />

appearance of your place. They operate<br />

silently, effectively in attracting and decimating<br />

the swarms of night-flyers drawn<br />

by your lights.<br />

The light from this patented trap will<br />

in no way interfere or affect any other<br />

light source, or disturb your patrons. It is<br />

rugged all-steel construction — completely<br />

safe, weather-proof, water-proof — and<br />

reaches you fully assembled, ready to hang and plug into nearest<br />

110-120 volt, 60-cycle alternating circuit. Power consumption approximates<br />

40 watts.<br />

Full instructions and recommendations on proper placement attached<br />

to each unit. Used successfully by many drive-in theaters and<br />

refreshment stands in all parts of the country.<br />

full<br />

If<br />

not available from your supply house, phone, wire or write for<br />

information.<br />

Gardner Manufacturing Co.,<br />

3555 Barstow St., Horieon, Wis.<br />

Improve Your Theatre — And Improve Your Business<br />

XOFTICE ;<br />

7. 1955 69


lOOO-Car Drive-In Theatre<br />

To Have Indoor Auditorium<br />

And Extra-Big<br />

Concessions<br />

Walk-in facilities for 182 patrons combined<br />

with parking space for 1,000 cars<br />

will be the main feature of the Sky View<br />

Erlve-In Theatre that Lou Herman & Asso-<br />

Qlates are now constructing at Oxnard,<br />

calif. An early June opening is planned<br />

by the builders, who also operate the 101<br />

Drive-In at nearby Ventura.<br />

Ai-chitect J. Arthur Drielsma so designed<br />

the $435,000 project that its operation will<br />

be completely centralized. A single building<br />

will house the air-conditioned auditorium,<br />

the concessions stand, restrooms, manager's<br />

office and projection booth. As a<br />

further convenience, the well-equipped<br />

playground for children has been juxtaposed<br />

to the all-purpose building.<br />

AN 80-FOOT COUNTER<br />

To serve the potentially large patronage<br />

of the theatre, the concessions stand is<br />

necessarily large. It consists of an 80-foot<br />

counter and a 30-foot island. The latest<br />

equipment for the preparation and serving<br />

of food and refreshments will be in.stalled.<br />

Equipment for all of the latest innovations<br />

in screening processes, such as Cinemascope,<br />

VistaVision and others, will be<br />

used in the projection booth. To accommo-<br />

In this new drive-in theatre now under construction at Oxnard, Calif., all operations will be centraH:1<br />

in the single building. The structure will contain an indoor auditorium, concessions stand, restroot,<br />

manager's office and projection booth. The children's playground adjoins /.<br />

FOR THE FINEST IN SOUND<br />

at the Lowest Moinfenonce Cost<br />

in-the-car<br />

SPEAKERS<br />

date the new processes, a 106-foot widescreen<br />

is being constructed of metal decking<br />

on structural steel girders.<br />

Though the drive-in is situated on the<br />

heavily traveled U. S. Highway 101 running<br />

along the Pacific coast, traffic will not be<br />

a problem. The design calls for two separate<br />

boxoffices with four entering lanes 1<br />

traffic. Emptying will be facilitated by te<br />

use of three different exits.<br />

Compact Concession Stand<br />

A concession-stand package has been (-<br />

signed by Doggie-In-A-Window, Inc. le<br />

ready-made unit is suited for use as a cccessions<br />

sub-station at large drive-in op -<br />

ations or as the sole counter at small oej.<br />

The Doggie-In-A-Window consists of K<br />

THE EPRAD STAR: An economical speaker that is unsurpossed in<br />

beauty and performance. Embodies many of the features of higherpriced<br />

models and gives sound of superior quality. Has a B'i" cone<br />

ond large 1.47 oz. magnet. Fiberglas cose with atifmctx<br />

tractive molded-in colors. Fits most junction boxes. )^JU<br />

Small and compact. Will give trouble-free service, per SPEAKER<br />

"The Voice of the Drive-In"<br />

1206 CHERRY ST. TOLEDO 4, OHIO<br />

EPRAD UNIVERSAL: The w<br />

speaker. Sounds and works betti<br />

easiest to service. Die-cast a\<br />

EPRAD STEREO "2": A single Fiberglas case<br />

two-way speaker for stereophonic sound.<br />

Incorporates a new concept of binaural<br />

sound.<br />

EPRAD STEREO "3": The finest sound ever<br />

heard in a drive-in. Single case is slightly<br />

larger than regular speakers.<br />

512 00 p"<br />

speaker<br />

$1475<br />

See your favorite Independent Theatre S upply Dealer<br />

write direct, requesting full into<br />

nd litcratu<br />

A MODil fOR EVERY NEED - EVERY INSTALLATION<br />

all-metal building fully equipped for p|<br />

paring and serving hot dogs, sandwich<br />

beverages, ice cream and popcorn.<br />

The only requirement for the 7x12-<br />

unit is a concrete block or slab foundatii^<br />

In all other respects it is complete,<br />

wiring and plumbing for the triple siij*/<br />

and complete lavatory facilities are j-'<br />

stalled ready to be connected with roui<br />

plumbing and wiring on the location.<br />

Each unit is well supplied with top brarname<br />

kitchen and concessions equipmei.<br />

For brilliant, clear sound reproductif<br />

equipment should be checked with<br />

equipment regularly every 60 days.<br />

70 The MODERN THEATRE SECTI*


I<br />

'<br />

I<br />

'<br />

clnoed.<br />

I<br />

I<br />

'<br />

'<br />

I<br />

— I<br />

For MORE INFORMATION on any Product Advertised in this issue or<br />

mentioned in the New Equipment and news pages or for copies<br />

of Manufacturers' Literature listed herein— Use Postcards Below. C<br />

READERS' BUREAU<br />

NEW EQUIPMENT<br />

'land DEVELOPMENTS<br />

I<br />

Briefed from the full description storting on page 73<br />

Key<br />

Number<br />

SEASONING OIL BARS P-1316<br />

E. F. Drcu & Co., Inc.. has come out with a new Idea<br />

• In popcorn seasoning, its product Is a coconut-oU bar,<br />

and wrapped, uliicb wUl season from 12 16<br />

prcinea.«ured to<br />

ounces poi>corn. The bars are said to elimbiate guesswork<br />

or<br />

and drippings: are always uniform In composition, and<br />

ita.,'le<br />

tlie 32-pound cartons are llgbtwelgtat.<br />

STILL WATER DISPENSER P-1317<br />

Ice Caller, an ice-cooled di.^penser for non-carbonated<br />

drinks, has been developed by Krlgidrink Dispenser Co. A<br />

scaled pump circulates the beverage through Ice-cooled steel<br />

colls and then cascades It tbrout;h a well-lighted glass bowl,<br />

• Ttie makers claim that tbetr dispenser Is easily iced and<br />

Cap:iclly is 4^2 gallons of liquid.<br />

INSECT KILLING PANELS P-1318<br />

,An electrified panel being manufactured by (Jardner Maiiu-<br />

Ijcturiiig Co. attracts l.nsects with its light and kills them<br />

upon contact. Ttiis weatherproof Insecticide ia said to have<br />

a low power consumption and requires no special wiring.<br />

The makers claim that it is free of personal-lnjur>' hazards.<br />

IHAItOKERCHIEF VENDER P-1319<br />

One of the newest vending machines Is tbe handkerchief<br />

*tnjer by Standard Handkerchief Co. The company has<br />

tested the machine in the East. It a nonselective<br />

successfully is<br />

model offering men's handkerchiefs at 25 cents<br />

,ejcli. ujiit Each will hold about 40 soft cotton handkerdiicfs<br />

and is equipped with a slug rejector.<br />

(FILM MOVING CART P-1320<br />

Valley Craft i'roUucts, Inc., provides a simple and safe<br />

solution fur moving heavy film loads to and from the<br />

projection room in its new st,^ir cart. It will handle loads<br />

up to 500 pounds. Its operation being facilitated and<br />

n]ade safe by dual brake drums. Its power-ratchet drive<br />

jdviuices it from step to step when the operator pulls<br />

tbe<br />

cable.<br />

I<br />

COLORED HAND DRYERS P-1321<br />

Ojo-Ury electric face-and-hand dryers are being manufjctured<br />

by Michael Electric Co. in a choice of pre-tested<br />

Vaslel colors, plus the standard gr.iy metallic I'inL-h. The<br />

icolors were laboratory tested on the b.isis of their<br />

wycliologlcal effects, .\njther plus feature is the ozonator<br />

[Mtildi automatically deodorizes the area.<br />

RUST INHIBITOR SPRAY P-1322<br />

ilie first qulck-dr>ing rust inhibitor to be packed in a<br />

pray bomb, tbe Tuttust Instant dry racial coat, will<br />

uiLible iheatremcn to combat their ojii rust problems<br />

.iithout outside help. This WLbur Williams product<br />

k<br />

requb-es only five minutes for drying and offers longtime<br />

protection. It may be used and<br />

as luidercoat or primer<br />

comes in five colors.<br />

RANDOM-STYLE TILING p.1323<br />

A new asphalt tile, coming In long rectangular pieces, is<br />

designed to give flooring a random pattern. It has been<br />

Introduced by the lile-Tex division of Flinikote Co. Known<br />

as .Modnar, the new tile U ainilable In woodlone colors of<br />

drirtvoud. oak, maple and wabiut.<br />

SCREEN PRIMER P-1324<br />

.\ s>nihetlc rubber-based and<br />

primer which dries flat<br />

while IS being made by Spatz I'ainl Industries. Inc., to<br />

be used on new curved uidescreens with Tran»lte, Fiexrock<br />

or concrete masonry or plaster facings. Its main advantages<br />

are the ability to neutralize the alkali in the masonry<br />

screens and resistance to the elements. designed<br />

It is<br />

primarily to serve as a first coat on new screens and is<br />

recommended also for other masonry all surfaces used in<br />

drive-in buildings.<br />

LITERATURE<br />

Briefed from the description on page 76<br />

Key<br />

Number<br />

PLAY EQUIPMENT CATALOG L-1709<br />

.V 60-page catalog of outdoor play equipment and repair<br />

parts is available from .American Playground Device Co. One<br />

section discusses playground planning—best use of space,<br />

safety considerations and Installation problems. A chart gives<br />

the number of vtorkmen. work hours and materials for different<br />

size installations.<br />

SYRUP BOOKLETS L-1710<br />

Two booklets on syrup are being distributed by Hurtyi'etk<br />

& Co., flavor base specialists. They will be of<br />

interest to concessions operators who make and sell soft<br />

drinks and snow-cones and to operators cup-drink of vendhig<br />

machines using fountain syrups. One booklet gives an<br />

account of syrup making and a table of syrup cost^; the<br />

other, an illustrated account of syrup making.<br />

BOOKLET ON LIGHT CONTROL L-17U<br />

Packaged Luxtrol light control equipment is described<br />

in a booklet by tbe Superior Electric Co. Fully Illustrated,<br />

this booklet gives uses and ratings for various packages.<br />

Luxtrol is said to be suited for small operations where a<br />

complicated sultcbboard is unwarranted, it does not dissipate<br />

its power Into heat, but mto desired lamp brilliancy.<br />

Now used as a Standard reference by hundreds<br />

of America's leading DRIVE-INS.<br />

Valuable, Complete<br />

DRIVE-IN<br />

THEATRE<br />

GUIDE<br />

to Profitable Drive-In<br />

Operations<br />

only »3 per copy<br />

(In Canado add 25c. .Foreign odd 50c)<br />

228 pages — 92 illustraihns<br />

ir Written by America's leading expert on drive>fn<br />

design and operation.<br />

it Complete from A to Z . . . Inclydes financing<br />

designing — constructing — equipping — protecting<br />

— concessions — operating and promoting.<br />

it Priceless Information helps you Increose boxoffice<br />

appeal avoid costly mistokes . . . . . .<br />

hold down operotlng costs.<br />

Order YOUR Copy NOW!<br />

BOXOFFICE<br />

825 Van Brunt Blvd. Kansas City, Mo.<br />

vto Use These<br />

lERS' BUREAU COUPONS<br />

Write here the Itey number |k I<br />

of the item that interests you ^ I<br />

If out completely a separate coul|<br />

for ecch New Equipment Item.<br />

i( -Iteroture reference (above) which<br />

II rests you. Likewise for each Ad-<br />

IV Ising Product (reverse side of this<br />

Is !t) obout which you want more<br />

i rmotion. Put only one key number<br />

ir^ach square.<br />

I<br />

Write Sere the bey number A<br />

I<br />

I of the .tern that interests you W<br />

SjJOHN Q.DOE<br />

.. ..*. QUEEN^<br />

m5V! and MAIN_<br />

^ MEWBERN<br />

.<br />

J^<br />

_<br />

s.o..y4/J,_<br />

ION THtATSE Sfcr.on o( BOXOFflCE "- 1' lf»<br />

I the outer card to request one<br />

* our Items, both cards if requestii<br />

five to eight.<br />

^!n you have filled out the cou-<br />

Pi for each request, detach the<br />

f cord and mall. No postage<br />

« ]<br />

Of<br />

i<br />

>H I<br />

1-3 I<br />

W -<br />

^ i<br />

col<br />

CO S<br />

^^ s I<br />

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Cm<br />

Cm<br />

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CO<br />

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pc:<br />

H<br />

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3 u<br />

Name<br />

Theotre or<br />

Street<br />

City<br />

No<br />

Circuit<br />

State<br />

The MODERN THEATRE Section of BOXOFFICE (May<br />

Nome<br />

Theatre or Circuit<br />

Street<br />

City<br />

No<br />

Write here the key number |^ I<br />

of the item that interests you ^ I<br />

State<br />

The MODERN THEATRE Section of BOXOFFICE (May 1955)<br />

Nome<br />

Theatre or<br />

Street No<br />

City<br />

Circuit<br />

Write here the key number^<br />

of the item that interests you ^ I<br />

Stote<br />

The MODERN THEATRE Section of BOXOFFICE (May 1955)<br />

Write here the key number A<br />

|<br />

of the item that interests you^J<br />

•led In the U.S. (AHix stamp in<br />

C ado.)<br />

o<br />

H


A<br />

A<br />

A<br />

.<br />

'<br />

„'<br />

"^<br />

'•!<br />

READERS' BUREAU For literature on products advertised or mentioned in this issue, see ha<br />

side of this sheet and read how to use the postcard coupons below.<br />

^,_<br />

PRODUCTS ADVERTISED IN THIS ISSUE<br />

ADMISSION SIGNS<br />

Edgar S. Bowman 55-B<br />

ELECTRIC GENERATOR<br />

Hertner Electric Co 58-A<br />

FIREWORKS DISPLAYS<br />

Later Enterprises 67-B<br />

ATTRACTION BOARDS AND LETTERS<br />

AdIer Silhouette Letter Co<br />

FOUNTAINETTES<br />

Carbonic 57-<br />

Dispenser, Inc 28-B<br />

Wagner Sign Service, Inc 51-A Everfrost Sales, I nc 23-A<br />

Superior Refrigerator Mfg 31-A<br />

HANDKERCHIEF VENDERS<br />

BARBECUED SANDWICHES<br />

Standard Handkerchief Co., Inc 12B<br />

HOT DOG CHILE<br />

Castleberry's Food Co 25-A, 37-A<br />

Castleberry's Food Co 25-A, 37-A<br />

HOT DOG EQUIPMENT<br />

CANDY<br />

Hollytvood Sefvemaster 30-A<br />

Henry Heide, Inc 35-A ICE CREAM FREEZERS<br />

Sweden Freezer Mfg. Co Hollywood Brands, Inc 24-A<br />

19-<br />

Mars, Inc 29-A<br />

ICE CREAM VENDER<br />

Fred Hebel Corp ig.fl<br />

CARBON SAVERS<br />

Cali Products Co 67-A<br />

Payne Products Co 75-8<br />

CONCESSION EQUIPMENT, DRIVE-IN<br />

Concession Supply Co 33-C<br />

Waliiy Service Co 33-B<br />

CONCESSION FOODS<br />

Castleberry's Food Co 25-A, 37-A<br />

Flavo-Rite Foods, Inc 33-A<br />

DRINKS, SOFT<br />

Canada Dry Ginger Ale, Inc 26-A, 27-A<br />

Coca-Cola Co 2-A<br />

Nehi Corp 22-A<br />

Pepsi-Cola Co 13-A<br />

DRINK VENDING MACHINES<br />

Coca-Cola Co 2-A<br />

Evcrfrost Sales, Inc 23-<br />

Lyon Industries, Inc 21-A<br />

Manley, Inc 12.A<br />

INSECT TRAP. DRIVE-IN<br />

Gardner Mfg. Co 69-A<br />

KIDDY RIDES FOR DRIVE-INS<br />

King Amusement Co 67-D<br />

Miniature Train Co 68-C<br />

LADDERS, SAFETY<br />

Dayton Safety Ladder Co 76-<br />

MINIATURE TRAINS<br />

Miniature Train Co 68-C<br />

MOWERS, DRIVE-IN<br />

Gravely Tractor, Inc 68-8<br />

POPCORN BOXES AND SACKS<br />

Concession Supply Co 33-C<br />

POPCORN MACHINES<br />

Concession Supply Co 33-C<br />

Cretors Corp 36-A<br />

Hollywood Servemaster 30-A<br />

Manley, Inc 12-A<br />

POPCORN SCOOPS<br />

Speed Scoop 28-C<br />

POPCORN SEASONING<br />

The Savorol Co 28-<br />

POPCORN SEASONING OIL<br />

Concession Supply Co 33-C<br />

C. F. Simonin's Sons 31-B<br />

PROJECTION LENSES<br />

B.iusch & Lomb Optical Co 57-B<br />

Kollmorgen Optical Co 74.A<br />

Projection Optics Co., Inc 50-A<br />

Raytone Screen Cofp SS-C<br />

S.O.S. Cinema Supply Co. 39-A<br />

Star Cinema Supply Co. 75-<br />

PROJECTION RECTIFIERS<br />

Ashcraft Mfg. Co l-BC<br />

National Excelite 6-A<br />

PROJECTION AND SOUND<br />

Ballantyne Co 63-A<br />

International Projector Corp 4-<br />

Motiograph, Inc 65-A<br />

[Rational Ttieatre Supply Co 66-A<br />

RCA Engineering Products Co S-A<br />

Star Cinema Supply Co 75-A<br />

PROJECTOR ARC LAMPS<br />

Ashcraft Mfg. Co l-BC<br />

National Excelite 6-A<br />

Strong Electric Corp 3-A<br />

SCREEN PAINT FOR DRIVE-INS<br />

Raytone Screen Corp 55-C<br />

SCREENS FOR OUTDOOR THEATRES<br />

Ballantyne Co 63-A<br />

Bodde Screen Co 50-B<br />

SCREENS FOR INDOOR THEATRES<br />

Bodde Screen Co 50-B<br />

Raytone Screen Corp 55-C<br />

S.O.S. Cinema Supply Ca 39-A<br />

Vrfilliams Screen Co 39-B<br />

SCREEN TOWERS FOR DRIVE-INS<br />

Ballantyne Co 63-A<br />

SEATING CONVENTIONAL THEATRES<br />

American Seating Co 39-C<br />

Heywood-Wakefield Co 41-A<br />

I deal Seating Co 76-C<br />

SPEAKERS, IN-CAR FOR DRIVE-INS<br />

Ballantyne Co c, .<br />

Dri/e-ln Theatre Mfg. Co ?,"?<br />

EPRAD<br />

..•..7^|j';J<br />

Motiograph, Inc gc .<br />

RCA Engineering Products Co.. .'.'..'. "ij<br />

THEATRE EQUIPMENT AND SUPPLIE<br />

Indiana Cash Drawer Co 1<br />

75.0<br />

National Super Service Co 5^.0 \<br />

National Theatre Supply Co m.»<br />

RCA Service Co., Inc 59-!<br />

S.O.S. Cinema Supply Co 39./)<br />

TRACTORS, FOR DRIVE-IN MAINTENiCE<br />

1<br />

Gravely Tractor Co gg.) f.<br />

NUI'E: Ttie figures In the key number<br />

for each advertiser Indicate also tht<br />

on wlUch the advertisement of th.it<br />

win be found iii this MOUERN<br />

Ibsiie. The whole key number, ln< _<br />

capital letter, must be used when fill<br />

the postcard coupon below to obtain<br />

Infurmatlon about the advertL^ed prodi<br />

ALPHABETICAL<br />

of Advertisers' Key<br />

Adler Silhouette<br />

American Seating Co<br />

Anderson & Wagner (Everfrost Sales)<br />

Ashcraft Mfg. Co., C. S<br />

Ballantyne<br />

Co<br />

IN lEX<br />

Nuiiert<br />

Bausch & Lomb Optical 57-1<br />

Bodde Screen 50-1<br />

Bowman, Edgar S 55-1<br />

Burr Chemical Co 66-1<br />

Cali Products Co 67'<br />

Canada Dry Ginger Ale 26-27'<br />

Carbonic Dispenser ,28-<br />

Castleberry's Food Co 25-i37-<br />

Coca-Cola Co 2-A<br />

Colma, Inc 15-A<br />

Concession Supply Co. 33C<br />

Cretors<br />

Corp.<br />

36-A<br />

Dayton Safety Ladder 76-A l:<br />

ml<br />

o I<br />

1-3 j<br />

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w^ in<br />

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: May<br />

[easoning Oil Now Comes<br />

I<br />

Pre-Measured Bars<br />

P 1316<br />

FOR MORE<br />

INFORMATION<br />

USE Readers'<br />

Bureau Coupons, Page 71<br />

claim that it is definitely free of personalinjury<br />

hazards, but they do recommend<br />

that it be mounted out of reach of the<br />

inquisitive. When mounted on each side<br />

of the drive-in screen, the panels are effective<br />

in intercepting large insects before they<br />

cross the projection beam.<br />

Now<br />

Vending Machine<br />

For Handkerchiefs<br />

P-1319<br />

One of the newest ideas in popcorn sea-<br />

Dning is Tastee-Pop, a coconut-oil bar<br />

reduced by E. P. Drew & Co., Inc. The preleasured<br />

and wrapped bars come packed<br />

28 in cartons weighing 32 pounds. Each<br />

ar will season from 12 to 16 ounces of<br />

lopcorn. The bars are said to be econom-<br />

:al because they eliminate guesswork and<br />

aste drippings. The seasoning, according<br />

Black Light Electric Panels<br />

Attract and Kill Insects<br />

P-1318<br />

One of the latest entries into the growing<br />

vending-machine field is the handkerchief<br />

vender being produced by the Standard<br />

Handkerchief Co. The vender, which has<br />

already been successfully tested in the East.<br />

is a non-selective model selling handkerchiefs<br />

for men at 25 cents each. Each unit<br />

has a capacity of approximately 40 soft<br />

cotton handkerchiefs. A .slug rejector is<br />

standard equipment. The company also<br />

packs handkerchiefs for counter displays.<br />

Cart Simplifies Moving Film P-1320<br />

Up and Down Stairs<br />

D the maker, is always uniform in its<br />

omposition and doesn't vary from batch<br />

J batch or season to season. The 32-pound<br />

artons are also said to be lighter than<br />

rdinary containers and thus easier to<br />

andle and store.<br />

.n Ice-Cooled Dispenser<br />

;or Still Water Drinks<br />

P-1317<br />

The growing popularity<br />

of ice-cooled<br />

dispensers for non-<br />

carbonated drinks<br />

^^^ ''^^ reason cited<br />

/<br />

y S<br />

m'atJ j ifl<br />

^jBW^ tH for the development<br />

m^^\ 1<br />

°^ *^^ Ice/Cader by<br />

the Prigidrink Dispenser<br />

Co. Like the<br />

other beverage dispensers<br />

in the firm's<br />

line, the Ice/Cader<br />

stimulates sales with<br />

le combination of light, color and animaon<br />

of the liquid. A sealed pump circutes<br />

the beverage through ice-cooled steel<br />

)ils and then cascades it through a well-<br />

?hted glass bowl. The makers claim that<br />

le dispenser is easUy iced and may be<br />

eaned without difficulty. Measuring 14<br />

ches in diameter and 31 inches high, the<br />

e/Cader has a capacity of iVz gallons<br />

liquid and 25 to 30 pounds of ice. Conruction<br />

features a heavy insulation and<br />

hammertone steel base with etched and<br />

iodized inner lining.<br />

The number of insects that plague those<br />

brightly lighted areas at drive-ins and theatres<br />

can be greatly reduced by means of an<br />

electrified panel being manufactured by<br />

the Gardner Manufacturing Co. The electric<br />

panel, which kills insects upon contact,<br />

attracts them with a new type of light<br />

known as black light, which appears pale<br />

blue to the human eye and in no way interferes<br />

with the normal lighting of the area.<br />

The mechanical insecticide is constructed<br />

of steel and is weatherproof. It is said<br />

to have a power consumption equivalent<br />

to that of a 40-watt incandescent lamp and<br />

to require no special wiring. The makers<br />

Claims made for products described editorially<br />

on this ond other pages ore taken from the<br />

manufacturers'<br />

statements.<br />

A simple and safe solution to the problem<br />

of moving the heavy film loads to and<br />

from the projection room may be had with<br />

the stair cart manufactured by Valley Craft<br />

Products, Inc. The cart, which is constructed<br />

of steel tubing and mounted on<br />

pneumatic tires, was designed specifically<br />

for climbing and descending stairs with<br />

loads weighing up to 500 pounds. Its operation<br />

is both facilitated and made safe<br />

by its dual brake drums that assure control<br />

of both wheels. Accidents are reduced<br />

and fatigue is eliminated by its powerratchet<br />

drive that advances it from step<br />

to step when the operator pulls the cable.<br />

Stair carts are available in six different<br />

designs with a variety of shoes for different<br />

hauling tasks.<br />

JXOFTICE :<br />

7. 1955 73


\:<br />

Electric Hand Dryers<br />

Now Come in Colors<br />

P-1321<br />

The Ozo-Di-y line of electric face-andhand<br />

dryers manufactured by the Michael<br />

Electric Co. now is available in a choice<br />

of pre-tested pastel colors plus the standard<br />

gray-metallic finish. The new colors<br />

were chosen on the basis of their psychological<br />

effect which was determined by independent<br />

laboratory-controlled color surveys.<br />

Each of the units is equipped with<br />

an automatic push-button timer which releases<br />

30-second blasts of drying air. The<br />

chrome nozzle may be adjusted to dry<br />

either face or hands. Another plus feature<br />

of the dryers is the ozonator which automatically<br />

deodorizes the area when the<br />

machine is in use.<br />

Rust Inhibitor Packed P-1322<br />

In a Spray Bomb<br />

Theatremen can now combat their own<br />

rust problems without calling in outside<br />

specialists by means of the Totrust instant<br />

dry metal coat, the first quick-drying rust<br />

inhibitor to be packed in a spray bomb.<br />

The handy coating, manufactured by M.<br />

bur & Williams Co., requires only five miutes<br />

for drying and offers longtime pv<br />

tection. It may be used as an undercoatr<br />

as a one-coat primer finish in any one.f<br />

five colors: red, zinc chromate, wroui t<br />

iron, black and stainless steel. Its hh<br />

chemical resistance is said to make it n<br />

excellent protection wherever it is usi<br />

indoors or out, on painted or unpainri<br />

surfaces. It also may be used on alumlnte<br />

and galvanized metals. Totrust is ao<br />

available in bulk containers varying fra<br />

five-gallon to half-pint sizes.<br />

Random Plank Styling<br />

In New Asphalt Tile<br />

p-i;3<br />

i:<br />

Better Pictures Every Day<br />

NOW SHOWING<br />

^<br />

• FASTEST<br />

• SHARPEST<br />

• BRIGHTEST<br />

• CLEAREST<br />

^J^'\ and SUPER<br />

^<br />

SKAPLITi:f/1.7X<br />

The finest projection lens YOU con BUY<br />

Another new concept in asphalt flir<br />

tiles has been developed by the Tile-^x<br />

division of the Flintkote Co., which int>duced<br />

light colors, flexibility and mart -<br />

ization to the asphalt tile industry. Knon<br />

as Modnar, the new tile, unlike the cc;-<br />

ventional square tiles, comes in long r:-<br />

tangular pieces measuring four by 4<br />

inches in thicknesses of '4 and 3/16 of n<br />

inch. Available in woodtone colors if<br />

driftwood, oak, maple and walnut, Modi.r<br />

is designed to give the flooring a randjn<br />

pattern. Because the tiles may be eff><br />

tively used to achieve the random pattei,<br />

the time used for measuring and estimat g<br />

is eliminated. Waste is reduced, too. -<br />

cause the broken planks are said to heig -<br />

en the casual effect. Each of the woodto:s<br />

may be used by itself or in combinatii.<br />

as shown in the picture.<br />

SAT. ONLY<br />

SPECIAL SHOW<br />

For all exhibitors —<br />

see your Theatre<br />

Supply Dealer.<br />

Don't<br />

miss these new FAST<br />

LENSES. The SUPER<br />

SNAPLITE f/1.7 and<br />

SUPER SNAPLITE<br />

f/1.7X.<br />

77 \T<br />

Send for Bulletin 222<br />

Plant: 347 King Street / ^ _/, /<br />

Northampton, Massachusetts<br />

(^^^^C^^^W^COIC l*Olt ATIOK<br />

NEW YORK OFFICE: /sO CHURCH STREET, NEW YORK 7, N. Y.<br />

Specially Developed Primer P-1:4<br />

For Drive-in Screens<br />

Of particular interest to drive-in own s<br />

who are building new, curved wldescreiis<br />

with Transite, Plexrock or concrete n-<br />

sonry or plaster facings is the Introductn<br />

of the All-Masonry movie screen primer y<br />

the Spatz Paint Industries, Inc., whichs<br />

making a specialty of paints used at driin<br />

theatres. The main features of the w<br />

paint are its ability to neutralize the alkli<br />

present in the masonry screens and s<br />

ability to resist the elements. Designed p-<br />

marily to serve as a first coat on nv<br />

screens, the synthetic rubber-based prinr<br />

dries flat and white. The primer alsos<br />

recommended for use on all other masoi.v<br />

surfaces such as concrete block, asbess<br />

and brick used in the drive-in buildings<br />

single gallon is said to cover up to 250 r<br />

300 square feet, depending upon the polity<br />

of the surface. Application may e<br />

made with either brush or roller.<br />

74 The MODERN THEATRE SECTIf


'•<br />

the<br />

I<br />

I<br />

I A<br />

i<br />

: May<br />

.<br />

tboui PEOPLE/ and PRODUCT<br />

Bausch & LoMB Optical Co., which man-<br />

,actuies the camera lenses used in the<br />

ming of all Cinemascope productions<br />

easier and less costly. Last years report<br />

won the gold Oscar of Industry award from<br />

Financial World as the top company report<br />

of over 5,000 surveyed.<br />

The U. S. district court at San F^-anci-sco<br />

in a recent suit decided that the icemaking<br />

machine produced by Liquid Fieezs<br />

Corp. and sold by the Ajax Corp. infringed<br />

upon a patent owned by Flakice Corp. and<br />

licensed to York Corp. The wedge-principle<br />

of the patent was held by the court to be<br />

both new and practical.<br />

The Royal Photographic Society of<br />

Great Britain has awarded 1I.^ Progress<br />

Medal for 1954 to Dr. Julian H Webb,<br />

"<br />

Di.<br />

associate head of the physics aivi.ion at<br />

Kodak Laboratories. The meda. was<br />

awarded to Dr. Webb for his "important<br />

series of studies of the" photOiOipluc<br />

process extending over many years<br />

Webb's research work, which began in I'J'cii<br />

at Kodak after a teaching stint at Williams<br />

College, is mainly concerned with thi<br />

fundamental theory of photographic exposure<br />

and the structure of the latent<br />

image. During his 24 years of study, Dr.<br />

Webb also received the Williamson Award<br />

of the RPS in 1938 and the Journal Award<br />

of the Society of Motion Picture Engineers<br />

in 1934.<br />

Nothing Like This Before . .<br />

-<br />

and BRAND NEW!<br />

'il Hallouer, president of Bausch & Lomb (left),<br />

d Dr. Howard S. Coleman, director of the B&L<br />

ientific Bureau, ore shown admiring the Academy<br />

lari Oscar that was presented the optical comrrf<br />

for its scientific contributions to the motion<br />

.tufe<br />

industry.<br />

fid the majority of Cinemascope projec-<br />

'm lenses, was presented with an Oscar<br />

Academy Award ceremonies for its<br />

ientific contributions to the motion picre<br />

Industry. The award was made in<br />

cognition of the firm's efforts in making<br />

le Cinemascope revolution possible.<br />

J. F. O'Brien, manager of theatre and<br />

Idustrial equipment marketing for the<br />

.gineering products division of RCA, has<br />

inounced the appointment of Hollis D.<br />

adbury to manager of the film-recordg<br />

equipment section. Bradbury, sales<br />

anager for RCA film-recording equipent<br />

for the past four years, succeeds<br />

Uph A. Teare, who was recently pro-<br />

Dted to manager of the industrial prodts<br />

section. In his new position, Bradbury<br />

11 coordinate all planning, promotion and<br />

'les activities for the film-recording equip-<br />

Bnt used in motion picture studios and,<br />

^50, supervise the operation of the firm's<br />

Jdios in Hollywood and New York. He<br />

,s been with RCA and its predecessors<br />

ice 1927.<br />

BREAKDOWN of the Operations during<br />

i5i and synopsis of its past 75 years are<br />

mbined in the recently issued Eastman<br />

)dak Co. annual report for 1954. The<br />

port, which was distributed to the 86,000<br />

areholders of Kodak, is a foui-color, 36-<br />

ge booklet. Profusely illustrated with<br />

?h-quality color photographs and charts,<br />

e report contains information on the<br />

tnpany's sales, earnings, profits and other<br />

lancial data for 1954 with the prediction<br />

another good year in 1955. Three pages<br />

[i devoted to the history of the firm<br />

lich began with the idea of George East-<br />

|in in 1880 that many would use and<br />

!Joy photography if it could be made<br />

Yes—absolutely Brand-New Projectors pocked in original factory<br />

cases. A "once in a lifetime" buy! Priced far below wholesale<br />

cost.<br />

HERE'S THE AMAZING DEAL:<br />

2— DeVry 2810 (XD) Projectors, with large 18" 3,000' Magozines,<br />

Lenses, Lamphouses, Cables, Plugs, etc. (Brand New)<br />

1 —<br />

.Model 1100 Speaker System<br />

1—Model 2804-A (ND) Amplifier with Tubes (rebuiit)<br />

Everything for Only $775<br />

Easily and inexpensively adapted for wide-screen presentation and<br />

Cinemascope. Projectors equipped with removable type apertures.<br />

Conversion to Arc Lamphouses simple.<br />

LAST MINUTE SPECIAL! Fam.<br />

seamless screen, only 79c sq. ft.<br />

Order NOW from<br />

STAR CINEMA SUPPLY COMPANY<br />

447 Wests2nd St. York 19, N. Y.<br />

MAKE OVER 900% ON YOUR MONEY!<br />

If you have Ashcraft "D" or "E", Brenkert-<br />

Enarc, Peerless Magnarc, or Strong Mogul<br />

projection lamps, by Investing $42.50 in a<br />

CRON-O-MATIC<br />

Fully<br />

Automatic<br />

CARBON SAVER<br />

YOU CAN SAVE $400<br />

A YEAR<br />

Uses positive carbon stubs of any length, without<br />

preparation. When entirely consumed, the<br />

'''"""''"""""".'."'"''<br />

new carbon goes<br />

^<br />

into<br />

.....<br />

use without losing the<br />

light, or otherwise affecting lamp<br />

..<br />

operation.<br />

j------------- -<br />

: PAYNF PRnniirTC<br />

i rAlNe rKUUUV.13 C(\ \.\J.<br />

(Cron-O-Matic Division)<br />

Burns overage lengths (31/4") down to V*" t 2455 W. Stadium Blvd. Ann Arbor. Michigan<br />

saving 21/2" or 22.2% of corbon costs. Now in ; D Send literature on the Cron-O-Matic.<br />

. /. ,. .,. u » » 1 A ! n Ship Cron-0-Matie. nC.O.D. Including postage.<br />

use in theotres throughout Amerleo. Averoge . ^ Romittance herewith.<br />

saving $400 annuolly. It's like putting money Z<br />

in the bank.<br />

Only $42.50 j<br />

^""'<br />

: Theatre<br />

«'""<br />

aty and State<br />

EXPORT: If your dealer can't supply you, order direct. ; Frazer & Hansen, Ltd.<br />

; San Francisco. New York, Los Angeles<br />

j<br />

'XOFPICE :<br />

7, 1955<br />

75


—<br />

STRONG • STURDY • LIGHTWEIGHT<br />

Daytons<br />

lli mATHWF<br />

The following concerns have recently<br />

jiled copies of interesting descriptive literature<br />

with the Modern Theatre Information<br />

Bureau. Readers who wish copies mat/<br />

obtain them promptly by using the Readers<br />

Bureau postcard in this issue of The Modern<br />

Theatre.<br />

The accepted standard for ladders,<br />

Daytons ore built of selected, tested kiln<br />

dried Sitka Spruce, Douglas Fir, or West Coast<br />

Hemlock. Designed in accordance with the<br />

latest specifications of the "American Standards<br />

Association Safety Code," and to meet<br />

Underwriters Laboratories Standards for Ladders.<br />

Approved and Labeled by Underwriters<br />

Laboratories.<br />

DAYTON Type A<br />

struclcd of tested olrpl.<br />

spruce, reinforced willi<br />

rigid steel supports for<br />

greot strengtii, ligfitness<br />

o( weight. Hondroils<br />

of steel guard<br />

lorge roomy platform<br />

for added sofely. Con<br />

be set up instantly,<br />

eosy to carry, fold com<br />

poctly for storing.<br />

Automotic locking feature<br />

insures safety<br />

while ladder is in use.<br />

Standard rubber sofety<br />

L-1709 — The<br />

American Playground<br />

Device<br />

Co. manufacturer<br />

of playground<br />

and swimming<br />

pool equipment,<br />

has published a<br />

new and comprehensive<br />

60-page<br />

catalog for its<br />

nmmmtcnn<br />

complete line of<br />

outdoor play<br />

equipment and<br />

repair parts. Each item listed is ac-<br />

companied by an illustration and description<br />

that includes shipping weight, price<br />

and other pertinent information. A special<br />

section is devoted to the planning of playgrounds<br />

with suggestions for the best use<br />

of the ground space, safety considerations<br />

and the proper installation of various facilities.<br />

The section also includes a chart<br />

with information on the number of workmen,<br />

work hours and materials needed for<br />

different size installations.<br />

MODEL VI<br />

IDEAL FOR CONCESSION COUNT!<br />

5 coin, 5 currency compartments with bill weiijti<br />

High-grade disc tumbler lock.<br />

Warning gong rings each time drawer is ope|i<br />

Kiln-dned Indiana hardwood.<br />

Easy action drawer— roller mechanism.<br />

Office grey or natural lacquer finish (specify).<br />

Size I8I/4" X 143^" X 41/2" high.<br />

Shipping weight approx. 19 lbs.<br />

$2650 fob. Shelbyville<br />

OTHER MODELS AVAILABLE<br />

Order Through Your Theatre Supply Houstor<br />

Direct From Factory<br />

INDIANA SlSi"wERr<br />

Dept. B SHELBYVILLE, INDIANA<br />

L-1710 Hurty-Peck & Co., which has<br />

specialized in the manufacture of beverage<br />

flavor bases for over 50 years, is now distributing<br />

two booklets of definite value to<br />

concessions operations which make and<br />

sell soft drinks and sno-cones and operators<br />

of cup-drink vending machines using<br />

fountain syrups. One booklet, "Syrup Making<br />

for Cup Venders," consists of 32 pages<br />

devoted to a step by step account of syrup<br />

making. It is divided into three sections:<br />

ingredients, equipment and procedures. A<br />

table on syrup costs is also included. The<br />

second booklet, "How to Make Syrup," is<br />

a 16-page illustrated account of syrupmaking<br />

procedures.<br />

The XA^idest Line<br />

of<br />

Theatre Chairs<br />

Daylon '<br />

safetjf Mder e».<br />

2339 Gilbert Ave., Cincinnati, Ohio<br />

In Canado—SAFETY SUPPLY CO., TORONTO<br />

L-1711 Packaged Luxtrol light control<br />

equipment is described in a 12-page booklet<br />

distributed by the makers. The Superior<br />

Electric Co. Various packages and their<br />

uses and ratings are contained in the fullyillustrated<br />

material. Luxtrol, which is said<br />

to be suited for small operations where a<br />

large complicated switchboard is unwarranted,<br />

consists of an autotransformer with<br />

a movable brush-contact riding on a bared<br />

portion of the transformer winding. The<br />

desired intensity is achieved by rotation<br />

of the contact arm and jxiwer is not dissipated<br />

into heat but into the desired lamp<br />

brilliancy. Controls are available from<br />

smaU commercial sizes providing six 1,000-<br />

watt Luxtrol controls to larger units offering<br />

output capacities of 30,000 watts. Controls<br />

are available in non-interlocking and<br />

interlocking types. A price list accompanies<br />

the booklet.<br />

• The lowest priced to the<br />

most luxurious.<br />

• Sturdy cast iron and/or<br />

steel.<br />

• Comforloble full-upholstered,<br />

podded or spring<br />

bocks and seats.<br />

• Beautifully styled end<br />

standards.<br />

• Upholstering materials, finishes<br />

and colors for every<br />

taste.<br />

IDEAL<br />

BETTER<br />

SEATING<br />

MEANS<br />

BETTER<br />

BUSINESS<br />

See Your hdepei^ent Tbeatro Supply<br />

Dealer or Write for Lileralure.<br />

SEATING COMPANY<br />

Grond Rapids, MIchigon ,<br />

76 The MODERN THEATRE SECTfN h^<br />

|t>


'<br />

: ghs<br />

I<br />

1 ion<br />

I<br />

;;<br />

;<br />

—<br />

—<br />

fl)(0fflcPDDi1JJ]i/^UJD5<br />

he EXHIBITOR HAS HIS SAY about pkiukes<br />

ALLIED ARTISTS<br />

sitter Creek (AA)—Wild Bill Elliott, Carle-<br />

(1 Young, Beverly Garland. A good action<br />

i)W for weekend. Played Sat. Weather:<br />

,ay._D. W. Trisko, Runge Theatre, Runge,<br />

'K. Small-town and rural patronage.<br />

•talopy (AA)—Leo Gorcey, Huntz Hall, Ber-<br />

;rd Gorcey. This one appealed to the teen-<br />

J;rs and the youngsters and the Boys came<br />

i'ough with another "howlarious" performtce<br />

that drew in a crowd in spite of the<br />

;t they had them on TV three times the<br />

vne week. Doubled with "Royal African<br />

•ties." Played Fri., Sat. Weather: Cold.<br />

:b Walker, Uintah Theatre, Fruita, Colo.<br />

iVorld for Ransom (AA)—Dan Duryea,<br />

ne Lockhart, Patric Knowles. This is a<br />

:; picture which is very disappointing, but<br />

;:k was with us. Played bottom half and<br />

|, by. Played Wed., Thurs., Fri., Sat.<br />

..•ather: Light snow.—Harold Bell, Opera<br />

luse, Coaticook, Que. Small-town and rural<br />

jtronage.<br />

COLUMBIA<br />

>itraiiger Wore a Gun, The (Col)—Randolph<br />

,'jtt, Claire Ti-evor, Joan Weldon. We just<br />

by on this one. As someone remarked,<br />

i;<br />

\andy, your slip is showing." Another west-<br />

(i that was hurt by likewise product on<br />

" and more basketball in area. Average<br />

]>grammer. Played Thurs., Fri., Sat.<br />

rather: Fair.—Ken Christiansen, Roxy<br />

ieatre, Washburn, N. D.<br />

.'alley of Head Hunters (Col)—Johnny<br />

issmuUer, Christine Larson, Robert C.<br />

: iilk. Just a fair picture for half of the<br />

al Friday-Saturday dual biller. Don't think<br />

s measured quite up to expectations for<br />

igle Jim. The monkey got his share of<br />

from the kids, though, which saved<br />

: show. Played Fri., Sat. Weather: Nice.<br />

1 loche, Vernon Theatre, Vernon, Fla. Popu-<br />

610.<br />

The Violent Men (Col)—Glenn Ford, Bart-a<br />

Stanwyck, Edward G. Robinson. A welltde<br />

outdoor action picture of men and their<br />

jmen that should catch on in any situation.<br />

nty of action from the first shot to the<br />

J<br />

I al scene. Played Sun., Mon., Tues. Weath-<br />

( Fair.—Robert Klinge, Uptown Theatre,<br />

flalia. Mo. Medium-sized town and rural<br />

(|<br />

ronage.<br />

METRO-GOLDWYN-MAYER<br />

Itudent Prince, The (MGM)—Edmund<br />

I'dom, Ann Blyth, John Ericson. A high<br />

f ber musical that deserves your best playi<br />

time if you are in a music loving terri-<br />

Plenty of gayety in this production,<br />

Jy.<br />

lyed Wed., Thurs., Fri. Weather: Cold.—<br />

^lert Klinge, Uptown Theatre, Sedalia, Mo.<br />

f dium-size town and rural patronage.<br />

arzan, the Ape Man (MGM)—Reissue.<br />

.iiy WeissmuUer, Maureen O'Sullivan,<br />

1 Hamilton. The sound is terrible, but you<br />

^<br />

be surprised to see more business on this<br />

lie" than on the brand new Tarzan pic-<br />

' I'ii I don't know why. Played Mon.<br />

' "Tf^r: Good.—W. S. Funk, Star Theatre,<br />

phen, S. C. Small-town and rural paarzan,<br />

the Ape Man (MGM)—Johnny<br />

issniuUer, Maureen O'SuUivan, Neil Hamilton.<br />

This is strictly a reissue and plenty old.<br />

The present day Tarzan really makes this<br />

look its age but trailer brought them in. Kids<br />

seemed to enjoy it, so okay. Played Sun.,<br />

Mon. Weather: Cloudy and damp.—James<br />

Wiggs jr.. Tar Theatre, Tarboro, N. C.<br />

Population 7,500.<br />

Tennessee Champ (MGM)—Shelley Winters,<br />

Keenan Wynn, Dewey Martin. Big slack.<br />

No draw to the title, but the show is very entertaining.<br />

Many compliments. Played Fri.,<br />

Sat., Sun.—Frank Sabin, Majestic Theatre,<br />

Eureka, Mont.<br />

Valley of the Kings (MGM)—Robert Taylor,<br />

Eleanor Parker, Carlos Thompson. A very<br />

good picture in color but did below average<br />

business here.—L. Brazil jr.. New Theatre,<br />

Bearden, Ark. Small-town and rural patronage.<br />

Widescreen Version<br />

Is Quite Diiierent<br />

T EAVE HER TO HEAVEN (20th-Fox)—<br />

Reissue—Gene Tierney, Cornel Wilde,<br />

Jeanne Crain. Another excellent reissue<br />

on our widescreen that did excellent business.<br />

We played this first on the flat<br />

screen many years ago and there's no<br />

doubt about it ... it looks like a different<br />

movie on widescreen. The breathtaking<br />

scenery and locations make this a must<br />

on widescreen. Play it . . . you'll make<br />

money with it if shown this way!<br />

Astra Theatre<br />

Kitwe-Nkana<br />

Northern Rhodesia, Africa<br />

PARAMOUNT<br />

DAVE S. KLEIN<br />

Rear Window (Para) — James Stewart,<br />

Grace Kelly, Wendell Corey, Thelma Ritter.<br />

In all of my years in show business, I have<br />

never seen a show like this one. Such sexy<br />

angles. My audience went for this one, hook,<br />

line and sinker. Thelma Ritter is a scream,<br />

especially in her witty remarks. My audience<br />

was in an uproar all through the picture.<br />

More like this, Paramount, and we will be<br />

in business for a long, long time. Played<br />

Sun., Mon. Weather: Cloudy and showers.<br />

L. J. Bennett jr., Abby Theatre, Abingdon, 111.<br />

Rear Window (Para) — James Stewart,<br />

Grace Kelly, Wendell Corey. All comments<br />

on this are good. One of the few we've had<br />

of late that drew quite well and seemed to<br />

please everyone. Good in any size town. Wish<br />

we had at least four of these every month.<br />

Played Sun., Mon., Tues. Weather: Cloudy<br />

and cool.—Walt and Ida Breitling, Comfrey<br />

Theatre, Comfrey, Minn.<br />

White Christmas (Para) — Bing Crosby,<br />

Danny Kaye, Rosemary Clooney. On a few<br />

pictures it is all right to have Christmas<br />

one Sunday and Easter the next. Played<br />

Sun., Mon. Weather: Good.—Elaine S. George,<br />

Star Theatre, Heppner, Ore. Small-town and<br />

rural patronage.<br />

White Christmas (Para) — Bing Crosby,<br />

Danny Kaye, Ro.semary Clooney, Vera-Ellen.<br />

Our folks loved it. Business above average.<br />

Spots in it looked like they might have been<br />

made in VistaVision, most of it, normal<br />

Paramount photography, the good places almost<br />

as good as Universal photography.<br />

Played Wed., Thurs., Fri., Sat.—Ben Spainhour,<br />

Twilight Theatre, Greensburg, Kas.<br />

Population 1,500.<br />

RKO RADIO<br />

Cry Danger (RKO)—Dick Powell, Rhonda<br />

Fleming, Dick Erdmann. Once in a while<br />

I see a picture that just hits me exactly<br />

right— "Cry Danger" did this. I was afraid<br />

to play this picture but was buying for price.<br />

I tried it, and I can tell you small-town boys,<br />

it's a really good movie. 'You won't play<br />

better.—W. S. Funk, Star Theatre, St.<br />

Stephen, S. C. Small-town and rural patronage.<br />

Silver Lode, The (RKO)—John Payne, Lizabeth<br />

Scott, Dan Duryea. Some of the best<br />

in color and moving depth in pictures on the<br />

widescreen you'll see. A better picture than<br />

the trade rates it. Fast moving, with a somewhat<br />

impossible story, but for your action fans<br />

worth a date. Played Thurs., Fri., Sat.—Ken<br />

Christiansen, Roxy Theatre, Washburn, N. D.<br />

Susan Slept Here (RKO)—Dick Powell,<br />

Debbie Reynolds, Anne Francis. Now here is<br />

one of the cutest comedies we've played in a<br />

long time and didn't make film rental on it.<br />

Not small-town stuff, the only thing we could<br />

find wrong with it. Played Sun., Mon., Tues.<br />

Weather: Foggy, cold.—Walt and Ida Breitling,<br />

Comfrey Theatre, Comfrey, Minn. Population<br />

1,000.<br />

Susan Slept Here (RKO)—Dick Powell,<br />

Debbie Reynolds, Anne Francis. As fine a<br />

comedy as we have had in many a moon.<br />

Debb.e sure is great. Color and photography<br />

tops. <strong>Boxoffice</strong> good, customers happy, terms<br />

fair. Played Sun., Mon., Tues. Weather:<br />

Pair.—C. H. "Buck" Pryce, Alma Theatre,<br />

Alma, Wis. Small-town and rural patronage.<br />

REPUBLIC<br />

Atomic Kid (Rep) —Mickey Rooney, Robert<br />

Strauss, Elaine Davis. Lots of newsreel clipping<br />

in this one but did not hurt. This is a<br />

good comedy which I find we are short of.<br />

When you can hear them laugh, you know<br />

they are enjoying themselves. Played Wed.,<br />

Thurs., Fri., Sat. Weather: Cool.—Harold<br />

Bell, Opera House, Coaticook, Que. Smalltown<br />

and rural patronage.<br />

20th<br />

CENTURY-FOX<br />

Adventures of Hajji Baba, The (20th-Fox)<br />

—John Derek, Elaine Stewart, Roseinarie<br />

Bowe. Lots of people would have been saved<br />

(Continued on next page)<br />

Sees 'Heir in Titles<br />

As Harmiul Trend<br />

rjID YOU NOTICE the large number of<br />

pictures with "Hell" in the title and<br />

more coming? Why? Certainly that word<br />

does not have general appeal for the<br />

family trade. Probably these "hell" pictures<br />

are partly the reason that so many<br />

of us are in a hell of a mess profitwise.<br />

To succeed, theatres must have the family<br />

trade and that of the lower income group.<br />

Proper pictures for them are the cornerstones.<br />

Roxy Theatre<br />

Randolph, Neb.<br />

LEONARD J. LEISE<br />

I ICOFFICE BookinGuide : : May 7, 1955


—<br />

:<br />

May<br />

The EXHIBITOR HAS HIS SAY<br />

(Continued from preceding page)<br />

Chiaventone,<br />

Population<br />

Valley Theatre, Spring Valley,<br />

111. 5,000.<br />

some disappointment if Hajji had been dispatched<br />

to Allah at that first verdant waterhole.—Elaine<br />

S. George, Star Theatre, Hephoun,<br />

Peggie Castle, Noah Beery. A good<br />

Yellow Tomahawk, The (UA)—Rory Calner,<br />

Ore. Small-town and rural patronage. western with a name cast that did almost<br />

average doubled with "Challenge the Wild,"<br />

Adventures of Hajji Baba, The l20th-Fox>—<br />

so if you can still sell westerns on the weekend<br />

change, you can buy this one worth the<br />

John Derek, Elaine Stewart, Rosemarie Bowe.<br />

Absolutely no draw and lost plenty of what money and you won't be ashamed of it. Not<br />

I ain't got on a Friday-Saturday change.<br />

nearly so bad as some of the super Cinema-<br />

This pictm-e six months old and already<br />

Scope. Played Fri., Sat. Weather: Cold.<br />

running on twin bills, and they expect me Mayme P. Musselman, Roach Theatre, Lincoln,<br />

Kas. Small-town and rural patronage.<br />

to live and pay film rental when all keys,<br />

have bled any semblance of profit from any<br />

possibilities. Played Fri., Sat. Weather: Clear<br />

and cold.—Mayme P. Musselman, Roach Theatre,<br />

Lincoln, Kas. Small-town and rural pa-<br />

UNIVERSAL-INTERNATIONAL<br />

Abbott, CosteUo Meet Dr. Jekyll, Mr. Hyde<br />

tronage.<br />

(U-D—Bud Abbott, Lou CosteUo, Boris Karloff.<br />

Beneath the 12-Mile Reef (20th-Fox)— Turned out to be a lot of fun for the<br />

customers. Business was satisfactory. Played<br />

Robert Wagner, Terry Moore, Gilbert Roland.<br />

Tues., Wed.—Pi-ank Sabin, Majestic Theatre,<br />

Very good Cinemascope but no business. Just<br />

Eureka, Mont.<br />

can't do any business on Fox pictures. Very<br />

clear with my Cinemascope lens. Played Bengal Brigade (U-I)—Rock Hudson,<br />

Thurs., Fri., Sat. Weather: 10-15 below.—Leo Ai-lene Dahl, Ursula Tliiess. The "Rock<br />

A. Backer, Valley Theatre, Browns Valley, Hudson addicts" were sort of let down in this<br />

Minn. Farmer patronage.<br />

one. This is fair but not good enough for<br />

a Sunday playdate. If you use, play midweek.<br />

Played Sun., Mon. Weather: Cold.<br />

Beneath the 12-MUe Reef (20th-Fox)—<br />

Robert Wagner, Terry Moore, Gilbert Roland.<br />

A Cinemascope production with lots of<br />

Michael Chiaventone, Valley Theatre, Spring<br />

Valley, 111. Population 5,000.<br />

pack and excitement. Playing this second run<br />

didn't do us any good. But if you are situated<br />

to play it first run, you should do all<br />

right. Played Wed., Thurs., Fri. Weather:<br />

Cold.—Robert Klinge, Uptown Theatre, Sedalia,<br />

Mo. Medium-sized town and rural patronage.<br />

Black Widow (20th-Fox')—Ginger Rogers,<br />

Van Heflin, Gene Tierney. Cinemascope puts<br />

this picture over. In black and white it would<br />

just be another picture. Photography and<br />

acting very good but not for small towns.<br />

Lost my shirt. Played Tues., Wed. Weather:<br />

Cold.—W. L. Stratton, Lyric Theatre, Challis,<br />

Ida. Population 700.<br />

The Gambler from Natchez (20th-Pox Panoramic)—Debra<br />

Paget, Dale Robertson,<br />

Thomas Gomez. Another "big" small town<br />

picture from Panoramic. Don't be afraid of<br />

It's ideal. Acting wonderful. Dale Robertson<br />

and Debra Paget really a great team<br />

it.<br />

in this one. Business good. Played Wed.,<br />

Thurs. Weather: Nice.—Michael Chiaventone,<br />

Valley Theatre, Spring Valley, 111. Population<br />

5,000.<br />

UNITED ARTISTS<br />

The Golden Mistress (UA)—John Agar,<br />

Rosemarie Bowe, Abner Biberman. Plenty of<br />

action, in color, and a good looking girl. Did<br />

okay on weekend. Played Sat. Weather:<br />

Okay.—D. W. Trisko, Runge Theatre, Runge,<br />

Tex. Small-town and rural patronage.<br />

Gun Belt (UA)—George Montgomery, Tab<br />

Hunter, Helen Westcott. Good western in<br />

Technicolor. Pretty short but I added two<br />

cartoons and a two-reel comedy which made<br />

a fair program. Westerns do pretty good here<br />

as a rule. If you have a western situation,<br />

you can use this one, but don't expect too<br />

much. Played Fri., Sat. Weather: Cold.—<br />

F. L. Murray, Strand Theatre, Spiritwood,<br />

Sask. Small-town and rural patronage.<br />

Heidi (UA)—Elsbeth Sigmund, Heinrich<br />

Gretler, Thomas Klameth. Seemed to go over<br />

okay. Kid business 300 per cent. Enough<br />

adults to make above average Sun., Mon.<br />

Would recommend for midweek, without<br />

matinees.—Ben Spainhour, Twilight Theatre,<br />

Greensburg, Kas. Population 1,500.<br />

Jesse James' Women (UA)—Donald Barry,<br />

Peggie Castle, Jack Beutel. Color good.<br />

Terrific fight scene with two women. Did<br />

average business. We used it one day, but<br />

don't be afraid of it. If they like Jesse<br />

James stories in your town, you'll get them in.<br />

Played Tues. Weather: Cold.—Michael<br />

Calls for Sharp Scenes<br />

At Beginning of Reels<br />

In these days of multiple lens changes,<br />

the editing departments could certainly<br />

help the exhibitor and the projectionist<br />

put on a more satisfactory show by seeing<br />

to it that there is a good sharp scene at<br />

the beginning of the first two reels at<br />

least—each reel if possible. Fox's trademark<br />

and Cinemascope signature do very<br />

well for their first reel, but it seems most<br />

of their second reels open on a big scene<br />

and it takes the operator a little while<br />

to get it properly adjusted. Even with the<br />

best of lenses and stop rings on all of<br />

them, some focusing is usually needed on<br />

a lens change and a sharp scene would<br />

facilitate it.<br />

The Charm Theatre<br />

Holyrood, Kas.<br />

PAUL RICKETTS<br />

Bengal Brigade (U-D—Rock Hudson,<br />

Ai-lene Dahl, Ursula Thiess. I don't know<br />

who cares what happened to either England<br />

or Asia in 1860, I found out that my pata-ons<br />

don't. What a waste of the wonderful talent<br />

of Rock Hudson by casting him in this.<br />

Played Fri., Sat. Weather: Very good.—C. H.<br />

"Buck" Pryce, Alma Theatre, Alma, Wis.<br />

Small-town and rural patronage.<br />

Border River (U-D—Joel McCrea, Yvonne<br />

De Carlo, Pedro Armendariz. The folks I love<br />

the best in Fruita think Mr. McCrea is tops<br />

in western roles, but they prefer him in more<br />

of the family type than this. However, with<br />

McCrea, De Carlo and Alfonso Bedoya doing<br />

a stellar job with what story they had and<br />

against a backdrop of our wonderful local<br />

scenery, this satisfied most folks. Playing it<br />

after it had been milked all over the county<br />

left us as usual with too little business for the<br />

tab Universal tacked onto it. Played Sim.,<br />

Mon., Tues. Weather: Nice.—Bob Walker,<br />

Uintah Theatre, Fruita, Colo. Small-town and<br />

rural patronage.<br />

Dawn at Socorro (U-D—Rory Calhoun,<br />

Piper Laurie, David Brian. A good enough<br />

picture but the season's worst cold spell took<br />

its toll. Friday evening before this we had<br />

the worst norther of the season move in.<br />

Played Sat. Weather: Cold and windy.—D. W.<br />

Trisko, Runge Theatre, Runge, Tex. Smalltown<br />

and rural patronage.<br />

East of Sumatra (U-D—Jeff Chandler,<br />

Marilyn Maxwell, Anthony Quinn. This picture<br />

is called a drama in Technicolor but tl<br />

picture has plenty of action, moves at a fa<br />

pace throughout the whole of the picture<br />

never a dull moment. Beautiful color and<br />

good picture. That's what I says. Playi<br />

Fri., Sat. Weather: Good.—F. L. Murra<br />

Strand Theatre, Spiritwood, Sask. Sma.'<br />

town and rural patronage.<br />

The Yellow Mountain (U-D —Lex Barke<br />

Mala Powers. Howard Duff. Here is a ve<br />

good western in color. Everyone liked<br />

made a mistake by playing it only one da<br />

Played Wed. Weather: Fair.—Leo A. Bai<br />

Valley Theatre, Browns Valley, Minn. Fi<br />

patronage.<br />

WARNER BROS.<br />

Dragnet (WB)—Jack Webb, Ben Alexai<br />

der, Ann Robinson. Good. Very good. Tt<br />

will get them away from their "Squat ai<br />

Squinter" set. Book it and be happy. By W<br />

way, that word "squinter" is a new one ton<br />

but it is about the only word I can drea<br />

up to describe the way a TV pictm-e lool<br />

Played Sun., Mon.—Joe Faith, Linn Theati<br />

Linn, Mo. Small-town and rural patroni^j<br />

Drum Beat (WB)—Alan Ladd, Audrey<br />

ton, Marisa Pavan. This pictm-e in Cineiji;|<br />

Scope is tops as an outdoor drama. It is<br />

picture that will satisfy your action fans<br />

well as the seldom come crowd. Picture d;<br />

a little better than average on a three-d;j<br />

run, but with the excessive terms the pr[<br />

ducers demand these days, you cannot cor!<br />

up with anything to pay on the mortga^<br />

Play it if you can buy it right. Played Thur<br />

Fri., Sat. Weather: Good.—W. L. Strattc<br />

Lyric Theatre, Challis, Ida. Small-town ai<br />

rural patronage. i<br />

Drum Beat (WB)—Alan Ladd, Audrey Dij<br />

ton, Marisa Pavan. Just a good average west<br />

ern and not worth the percentage we pay ft<br />

this type of picture. As usual, barely bro<br />

even. Small-town theatres shouldn't be r<br />

quired to pay percentage terms on any pi<br />

ture. No profit in it. Played Sim., Mo:<br />

Tues. Weather: Chilly, windy.—Ida and Wf'<br />

Breitling, Comfrey Theatre, Comfrey, MiE<br />

Small-town and rural patronage.<br />

Duel in the Jungle (WB)—Dana Andrev<br />

Jeanne Crain, David Farrar. Warners advej<br />

tised this as a picture which took three s:<br />

faris to make. Maybe so, but I couldn't s<br />

it. It's a good picture with a few anims<br />

thrown in for good measure. Played We^<br />

Thm-s., Fri., Sat. Weather: Cold.—Hare<br />

Bell, Opera House, Coaticook, Que. Sma.<br />

town and rural patronage.<br />

MISCELLANEOUS<br />

|<br />

Anna (IFE)—Silvana Mangano, Raf Va,<br />

lone. Gaby Morlay. I don't know what I'j<br />

doing playing these foreign films, but<br />

all fau-ness to this picture it's an extra g«<br />

movie for a dubbed-in film. My few patl^I^I<br />

'^<br />

who came enjoyed it very much and they<br />

so.—W. S. Fuiok, Star Tlieatre, St. StepM<br />

S. C. Population 1,000. fj:<br />

Fangs of the WUd (LP)—Onslow Staffilij<br />

Margia Dean, Charles Chaplin jr. Here |<br />

a nice action picture with a dog starl*'<br />

pleased on Fi-iday and Satm-day and shou<br />

draw and do business any place. No b<br />

stars, but a good story. Played Fri.. Si<br />

Weather: Good.—E. M. Preiburger, Dew<br />

Theatre, Dewey, Okla. Small-town patronag<br />

The Westerner (Goldwyn Reissue)—Ga<br />

Cooper, Walter Brennan, Doris Davenpp<br />

Here is an old reissue western w'ith Ga<br />

Cooper that outgrossed all new pictures I'<br />

played on Sunday, Monday in past thr<br />

months. The public claims they want ne,<br />

pictures, but do they? Played Sun., "Mo<br />

Weather: Warm and cloudy.—Terry Axlf<br />

New Theatre, England, Ark. Small-town ai<br />

rm-al patronage.<br />

BOXOFFICE BookinGuide<br />

:<br />

7j


.<br />

1<br />

)<br />

IB rerprctive onatysis of lay and trodcpress reviews. The plus and ml<br />

oudiencc closstftcation is not rated. Listings cover current reviews<br />

., -inly;<br />

"£ cportmcnt serves also as an ALPHABETICAL INDEX to fcofure rclc.<br />

• fure Guide Review page number. For listings by compony, in the order<br />

signs Indicote degree of<br />

>ught up to dote regularly.<br />

Numeral preceding title<br />

release, sec Feature Chort.<br />

mim<br />

Very Good; ' Good; -*^ Foir; - Poor; - Very Poor In the summary<br />

i<br />

Is rotcd 2 pluses, ~ as 2<br />

A<br />

n;3liolt And Coslello Meet the Keystone Kops<br />

(80) Comedy U- 2- 5-55 +<br />

jjijvenlures of Hajii Baba, The<br />

Drama (93) 20th-Fox 10-16-54 ±<br />

a'.lventures of Robinson Crusoe (90) Drama UA 6- 5-54 4+<br />

± =£ + ± ff<br />

* - ± S+5-<br />

++ ++ + M+1-<br />

^ventures of Sadie, The ( .<br />

Comedy<br />

20th-Fox<br />

jHlrian Manhunt (65) Adv-Drama Rep 2-26-55 -<br />

SO;;da (110) Musical I.F.E. 7-31-54 +<br />

ir Striice (. .) Drama LP<br />

SBIvvays a Bride (83) Comedy U-l 6- 5-54 +<br />

a; iieritano, The (87) Drama RKO 1-8-55 +<br />

njela (<br />

.<br />

. ) Drama 20th-Fox<br />

animal Farm (75) Satire DCA 1-15-55 +<br />

;3, inaiiolis Story, An (SI) Drama AA 3-26-55 +<br />


REVIEW DIGEST<br />

++ very Good,- + Good,- ± Fair,- - Poor,- = very Poor. In the summary ++ is rated 2 pluses, = as 2 minuses.<br />

ol H tt ^ o Km|x^>iZ3:tti^Eza!^ o.* iZ k ^ a £mx£l>iZz£<br />

liS3 Gypsy Colt (72) Drama. .MGM 1-30-54 +-


Fe Passaoe ( .<br />

++ Very Good; + Good; — Foir; — Poor; — Very Poor In the summary H i$ rated 2 pluses, — as 2 minuses.<br />

KtV It^Mf UluCST<br />

(in, Tlie (92) Drama 20lh-Fox<br />

9iig Blood (76) Drama 20th-Fox<br />

ii at Dawn (87) Western RKO<br />

(!. The (82) Drama 20th-Fox<br />

li Into Laramie (82) Drama Ul<br />

\<br />

Window (112) Drama Para<br />

I Garters (90) Musical Para<br />

i Ri«» Shore ( 54) Western Rep<br />

irn From the Sea (80) Drama AA<br />

im to Treasure Island (75) Drama... UA<br />

(nge of the Creature (82) Drama U-l<br />

i^sody (115) Musical-Drama MGM<br />

t'chet Romance (80) ComeO/ U-l<br />

t Clear of Diablo (SO) Drama U-l<br />

^ij Shotoun (75) Western WB<br />

i of Fear (93) Drama WB<br />

ij- Beit (73) Drama LP<br />

)l of No Return (90) Drama<br />

'CmemaScope)<br />

20th-Fox<br />

Ritrs' Roost (..) Western UA<br />

itt Man. Ttie (SO) Drama 20th-Fox<br />

1 e Cop (92) Drama MGM<br />

w and Juliet (140) Drama UA<br />

ie'i Bump (71) Comedy-Fantasy. ... Rep<br />

Marie (102) Musical (CinemaScope) .<br />

MGM<br />

for Cover (92) Drama Para<br />

3<br />

s<br />

Mil (81) Drama UA<br />

b| na (113) Drama Para<br />

Girl ^•t Friday, The (68) Drama... RKO<br />

iiof the Earth (94) Documentary IPC<br />

U<br />

1<br />

. ) Western Rep<br />

la en Blade (76) Drama Col<br />

iatchewan (88) Drama U-l<br />

ic'l Soear. Tfie (78) Drama UA<br />

>A:hase, The ( ) Drama WB<br />

Ml of the Incas (101) Drama Para<br />

lijily Risk (69)> Drama AA<br />

ieole Uprising (74) Western Col<br />

U Angry Men (90) Drama AA<br />

5i^ Brides lor Seven Brothers (103)<br />

jisical (Cinemascope) MGM<br />

Bijhai Story, The (90) Drama Rep<br />

Wiolt, The (91) Drama Rep<br />

Bi| for Murder (82) Drama UA<br />

Sl^jn (SO) Drama AA<br />

Si( at Red River, The (86)<br />

>ma<br />

Si|>t the Pagan (92) Historical<br />

20tti-Fox


.<br />

.<br />

.<br />

.<br />

.<br />

.<br />

£BTU}]£ \^\\m<br />

Feoture producHons by company in order of release. Number in squore is notional release dote. Runnij<br />

time is in parentheses. Letters ond combinations thereof indicate story type as follows: (C) Comedy;<br />

Drama; (AD) Adventure-Drama; (CD) Comedy-Drama; (F) Fantasy; (M) Musical; (W) Western; (SW) Sup,<br />

western. Release number follows, y denotes BOXOFFICE Blue Ribbon Award Winner. Photograpli<br />

Q Color; -^y 3-D; a Wide Screen. For review dates and Picture Guide page numbers, see Review Digest.<br />

ALLIED<br />

ARTISTS<br />

3] Jungle Gents (64) C. .5420<br />

Leo Goreey, Huotz H»ll, Laurette Lue><br />

iTwo Guns and a Badge (69). .W. .5427<br />

Wayne Morris, Damian OFlyim, B. Barcroft<br />

COLUMBIA<br />

©Block Dokotas, The (65) W..721<br />

Gary .MiTriU, Wanda HendriA. John Bromfleld<br />

©Bullet Is Woiting, A (82) D..712<br />

Jtan Siminon.s. Rory Calhoun, Stephen McNally<br />

©Coine Mutiny, The (125) D, .701<br />

Humphrey Bogart, Van Johnson, Jose Ferrer<br />

Human Desire (90) D. .710<br />

Glenn Ford, Gloria Grahame, B. Crawford<br />

LIPPERT 3 |g<br />

d) Terror Ship (72) W. .5330<br />

William Lundlgan<br />

SI Silent Raiders (65) D. .5404<br />

Richard B.4rtlett, Earle Lyon, Jeanette Bordeaux<br />

@ Unholy Four, The (80) D. .5401<br />

Paulette Goddard. William Sylvester<br />

M-G-M<br />

©Betrayed<br />

1 (108)<br />

Lana Turner. Clark G.ible, Victor<br />

U©aBrigadoon (108)<br />

Gene Kelly, Van Johnson, Cyd (jiari<br />

[S Human Jungle, The (82) D. .5501<br />

Gury Merrill, Jan Sterling, Pauls Baymond<br />

On the Waterfront ( 1 08) D . . 702<br />

Marlon Brundo, Karl Maiden, Lee J. Cobb<br />

©Three Hours to Kill (77) W. .720<br />

Dana Andrews. Donna Reed, Diane Foster<br />

m Deadly Game, The (63) D . . 5402<br />

Lloyd Bridges, FInlay Currie, Slmone Silva<br />

ID Rogue Cop (92)<br />

Rnl)ert Taylor, George Raft,<br />

13 Bob Mothias Story, The (80). .D. .5502<br />

Bob Mathias, Diane Jergens. Ward Bond<br />

l©Beau Brummell (107)<br />

Elizabeth Taylor, Stewart Granger<br />

m Target Eorth (75) D. .5503<br />

Virginia Grey. Richard Crowley<br />

Denning, K.<br />

Affairs of Mcssalina, The (106). .0.<br />

.Maria FelL\, Georges Marchal<br />

©Block Knight, The (85) D..719<br />

Al.an Ladd, Patricia Medina, Morrell<br />

A.<br />

Cannibal Attack (69) D. .718<br />

Walsh, Darid Johnny Weissmuller, Judy<br />

©Fire Over Africa (84)<br />

Bruce<br />

D. .716 m The Siege (63)<br />

Maureen O'Hara, Macdonald Special cast<br />

Carey<br />

©Athena (96) ,<br />

Jane Powell, Vie Damone, Debbie 'MM<br />

©Lost Time I Saw Paris, The<br />

(116)<br />

Elizabeth Taylor, Van Johnson, Dpnr<br />

Phffft (88)<br />

C..715<br />

Judy Holliday, Jack Carsen, J. Leminoo<br />

©They Rode West (84) W..717<br />

Robert Francis, Donna Reed, Phil Carey<br />

(S Crest of the Wove (91)<br />

Gene Kelly, John Justin, Jeff Richarc<br />

©Deep in My Heart (132).<br />

Jose Ferrer, Merle Oberon, Helen Tra<br />

8 ©Black Pirates (74) D . . 5407<br />

Anthony Dexter, Con Chaney, Robert Clarke<br />

g] Bowery to Bagdad (•64) C. .5421<br />

Leo Gorcey, Huntz Hall, Eric Blore<br />

Bamboo Prison, The (80) D. .731<br />

Robert Francis, Diane Foster, KeltA<br />

Brian<br />

©Mosterson of Kansas (73) W. .<br />

George Montgomery, Nancy Gates, David Bruce<br />

©Violent Men, The (96) W..735<br />

Glenn Ford, B. Stanwyck. E. G. Robinson<br />

HI They Were So Young (80). . . .D. .5406<br />

Scott Brady, Raymond Burr, Johanna Matz<br />

a ©oBad Day ot Block Rock (82;<br />

Spencer Tracy, Robert Kyan, Anne F'<br />

Si Big Combo, The (89) D. .5508<br />

Cornel Wilde, Jean Wallace, Richard Conte<br />

©Pirates of Tripoli (72) D. .706<br />

Patricia Medina, Paul Henreld<br />

©Ten Wanted Men (80) W. .725<br />

R.indolpli Scott, JocehTi Brando, Richard Boone<br />

Women's Prison (80) D. .726<br />

Ida Lupino. Howard Duff, Jan Sterling<br />

©Jupiter's Dorling (95)..<br />

Esther Williunis, Hu'vai.i Keel. Geor<br />

©Many Rivers to Cross (95)<br />

Eleanor Partner, Robert Taylor<br />

S Dial Red O (62) D. .5509<br />

Helene Bill Elliott, Keith Larsen,<br />

m Big Tip Off, The (77)<br />

Stanley<br />

D. .5512<br />

Ricliard Conte, Virginia Grey, Constance Smith<br />

gll Seven Angry Men (90) D. .5511<br />

Itjiymond Maasey. Debra I'aget, J. Hunter<br />

©Annapolis Story, An (81) D..55I3<br />

John Derek. Diana Ljun, Kevin McCarthy<br />

High Society (61) C. .5514<br />

Leo Gorcey, Huntz Hall, Amanda Blake<br />

©Shotgun (80) D. .5515<br />

Sterling Hayden, Scott<br />

Y. De Carlo, Z.<br />

Detective, The (86) CD. .<br />

Alec Guinness, Joan Greenwood, Peter Flncb<br />

U©i=iLong Gray Line, The (138).D. .<br />

(pre-release)<br />

Tyrone Power, Maureen O'Hara<br />

New Orleans Uncensored (76). . .D. .730<br />

Arthur Franz, Beverly Garland. M. Uazurkl<br />

©Wyoming Renegodes (73) . . . W. . 727<br />

Phil Carey, Martlu Hyer, Gene Evans<br />

Jungle Moon Men (70) AD. .<br />

Johnny Weissmuller, Helene Stanton<br />

©Three for the Show (93) M. .<br />

Betty Grable, Marge and Gower Champion<br />

! Silver Star, The (73) W. .5411<br />

Edgar Buchanan. Marie Windsor, L- Chaney<br />

1<br />

Thunder Over Songolond (73) AD. .<br />

Jon Hall, Ray Montgomery, Jlarjorie Lord<br />

i Gloss Tomb, The (59) D . . 5409<br />

John Ireland<br />

Blockboord Jungle, The (100).<br />

Glenn Ford, .\nne Francis, Louis Cla<br />

[g©aHit the Deck (112)<br />

J.me Powell, Tony .Martin, Debbie<br />

©Interrupted Melody (106).<br />

Eleanor Parker. Glenn Ford, Rogd<br />

m ©Gloss Slipper, The (94). . . M<br />

Leslie Caron, .Michael Wilding, EjS<br />

Los Vegas Shakedown (77) D. .5516<br />

Dennis O'Keefe, Coleen Gray, Chas. Wlnnlnger<br />

5I0Skobengo (61) Doc. .5518<br />

Cell 2455, Deoth Row (77) D. .739 (S Air Strike (. .) D. .5413<br />

William Campbell, Marian Carr, Katllryn Grant Richard Denning. Gloria Jean. Don Hiigerty<br />

End of the Affair, The (106) D. .724 SI Phantom of the Jungle (75). .AD. .<br />

Deborah Kerr. V-an Johnson. John Mills<br />

Jon Hall, Ray Montgomery, Anne Gwynne<br />

©Seminole Uprising (74) AD. .743<br />

George Montgomery, Karln Booth<br />

Tight Spot (97) D. .728<br />

Ginger Rogers, E. G. Robinson. Brian Eeltk<br />

Body Snolchers, The D. .<br />

Kevin McCarthy, D;iiia Wyntcr, Carolyn Jones<br />

Cose of the Red Monkey D.<br />

Richard Conte, Bona Anderson<br />

Dork Venture (79) D. .5517<br />

Kranti Lovejoy, Peggie Castle, Forrest Tucker<br />

Lord of the Jungle AD. .<br />

Jolmny Shetfleld, Wayne Morris, -Nancy Hale<br />

Phenix City D. .<br />

Uidiard Kiley, Kathn'n Grant. John Mclntire<br />

Spy Chasers C .<br />

Leo Gorcey. Huntz Hall, Us* Darts<br />

©Worrior, The D. .<br />

Brrol Flynn, Joanne Dru, Peter Finch<br />

©Wiehito<br />

SW.<br />

Joel McCrea, Vera Miles, Peter Qrarea<br />

Women's Reformotory D.<br />

Beverly Michaels, Tom Drake, Carole MatttMffs<br />

©Bring Your Smile Along M.<br />

Franbie Laine, Keefe Brasselle. Connie Towers<br />

Congoceiro (Bandit, The) (92).. D..<br />

Alberto Ruschel, Martsa Prado, M. Rlbelro<br />

Chicago Syndicate D. .<br />

Dennis (I'Keefe. Xavier Cugat, Abbe Lane<br />

Five Agoinst the House D.<br />

Guy Madison, Kim Novak. Brian Keith<br />

©Gun That Won the West D. .<br />

DennLs Morgan, Paula Itayraond, R. Denning<br />

It Come From Beneath the Sea. .D. .<br />

Faith Domergue. Kenneth Tobey, Ian Keith<br />

©rziMan From Loromle, The....D..<br />

James Stewart. Cathy O'Donnell, Donald Crisp<br />

©My Sister Eileen MC. .<br />

Janet Leigh. Jack Lemmon, Betty Garrett<br />

©Prize of Gold D .<br />

Richard Wldmark. Mai Zetterllng<br />

©Rebound D. .<br />

Stewart Granger. Jean Simmons<br />

King Dinosaur (59) D. .5418<br />

Bill Bryant, Wanda Curtis<br />

Lonesome Troll, The (..) W. .5416<br />

John Agar, Wayiie Morris. Margia Dean


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CHART<br />

(AMOUNT<br />

iiTwindow (112) D. .5401<br />

I simart. Grwe Kelly. Thelma lUtter<br />

RKO RADIO<br />

REPUBLIC<br />

J Shonghoi Story (90) D. .531 1<br />

IMiiKiH'l lirlin. liuUi Jaecliel<br />

R. (I<br />

3 Tobor the Groot<br />

Roman.<br />

(77) D. .5309<br />

Cbarleo Drake, Karla Booth, Shields<br />

Arthur<br />

20TH<br />

CENTURY-FOX<br />

no (113) CD.. 5402<br />

hfty Bwlrt. Audrey Hepburn, W. Holden<br />

[C GPossion (84) D..503<br />

Ciinicl Willie, Yvonne lie Carlo, Lon Chaney<br />

OThis Is My Love (90) D . , 504<br />

Lliiila ll.irncll, Dan Duryea. Kalth Uomergue<br />

OcAdventuros of Hojii Bobo,<br />

The (93) D. .424<br />

Jolui Derek, Klalne Steuirl, Thoma.'i Gomez<br />

fj OaWoman's World (94) CD. .421<br />

tniflon Webb. June Allyson, Cornel Wilde<br />

©Cattle Queen of Montana<br />

(88) W. .505<br />

Barbara Stantrydi,<br />

lionald Beagan, Lance fuller<br />

Black 13 (75) 0, .428<br />

I'eter IJeynoUls, Rona Anderson, Lena Morris<br />

©oBlack Widow (95)<br />

D..423<br />

Van ilcflin, Giniier Rogers, Gene Tlcrney<br />

g OcjOesirec (110) D. ,425<br />

Marlon Hrando, Jean Simmons, .Merle Oberon<br />

©Outlaw's Doughter, The (75). .W. .427<br />

Bill Williams, Jim Davis, Kelly Ryan<br />

r^White Christmas (120). .M. .5403<br />

llOosby. I>. Kaye, R. Clooney. Vera-Ellen<br />

g ©Trouble in the Glen (91) D..53I3<br />

.Margaret Lorkumxl, P. Tucker, V. McLaglrii<br />

m Atomic Kid, The (86) C. ,5314<br />

Mickey Rooney, Robert Slraus.s, Elaine Davis<br />

[Hi Hell's Outpost (90) W. .5315<br />

Rod Cameron, Jcin Uslie, ehlil Wills<br />

Devil's Harbor (71) D, .429<br />

.Uliii, Hichard Greta Gvnt, .Mary Gcrmaine<br />

Other Woman, The (81) D. .430<br />

( lliico llaa li.. MnDre. Ivince Fuller<br />

SS t/QaThcre's No Business Lik*<br />

Show Business (117) M..501<br />

frthel Merman, Dan Dailey, .MarilsTi Monroe<br />

ijhre* Ring Circus (110)..<br />

bn and Levels, Zsa Zsa Gabor<br />

li African Manhunt (65) AD, ,5430<br />

Karin Booth, John ICellogg, Elliot<br />

Ross<br />

Trouble in Store (86) C, ,5431<br />

3?<br />

Margaret Rutlierford, Norman Wisdom<br />

©aCormen Jones (105) M. .422<br />

Harry Belafonte, Pearl Bailey, Dandrldge<br />

D.<br />

©cuPrinee of Players ( 1 02) . . . 502-5<br />

Richard Burton,<br />

Magi;ie McNamara, John Derek<br />

/(ridges at Toko-Ri, The<br />

r35)<br />

n n Holden,<br />

D..5405<br />

Krcdric .March, Mickey Eooney<br />

S Tarzan's Hidden Jungle (72). . . .D. .507<br />

Gordon Scoll, Vera Miles, P. Van Eyck<br />

i; OaUnderwater! (99) D. .506<br />

Jane Russell. Gilbert liolaiid. Richard Egan<br />

Corolino Connonball<br />

i<br />

(74) C. ,5326<br />

Judy Canova, lil-^ Elliot, Andy Clyde<br />

i<br />

Square Ring, The (73) D , . 5432<br />

Jack Warner. Jo.an Collins, Robert Bcatty<br />

3 ©i=iRacers, The (92) D. .505-8<br />

Ivirk Douslas, B. Darvi, Gilbert Roland<br />

©CDWhite Feather (102) W. .503-3<br />

Robert Wagner, D. Paget, J. Lund<br />

5(iquest of Space (80) AD. .5407<br />

St! Brooke. WUIiam Kedlleld, G. Johnson<br />

!«(try Girl, Tlie (104) D. .5409<br />

111 Crosby, Grace Kelly, William Holden<br />

©Yellowncck (83) D. .<br />

[9]©aUntamed (112) D. .507-4<br />

Tyrone Power, Susan Hayward, Richard Bgan<br />

m ©oRoge at Down (87) W..511<br />

Randolph Scott, Mala Poivers, Forrest Tucker<br />

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CHART<br />

UNITED ARTISTS<br />

©Jesse James' Women (83). . .W. ,5435<br />

Hon Barry, Peggie C'a-SIle, Jack Beutel<br />

©Golden Mistress, The (82) D. .5437<br />

John Agar. Rosemarie Bone, Kiki<br />

©Khyber Potrol (71) D. .5419<br />

Richard Egan. Ua»n Aadams, Patrlc Knowles<br />

Suddenly (77) D. .5436<br />

Frank Sinatra, Sttrllng Hayden, Nancy Gates<br />

Barefoot Contesso, The (128) D. .5440<br />

Bogart, .\va Gardner. E. O'Brien<br />

Hiimplirey<br />

U Little Kidnappers, The (93) . . D. .5439<br />

J. Adricnne Corrie, Wlyitley. V. Winter<br />

Operation Manhunt (77) D. .5441<br />

J. Harry TonTies. Irja Jensen, Aubucbon<br />

©SiMing Bull (105) W..5434<br />

J. Dale Robertson, Carrol Nalsh<br />

Shield for Murder (82) D. .<br />

Edmund O'Brien. Maria English<br />

Snow Creature (70) D. .5447<br />

I'aul LanJuri. Leslie Denlson<br />

Twist of Fate (89) D. .5446<br />

Ginger iiti::ers. Jacques Bergerac, Herbert Lom<br />

©White Orchid, The (81) D. .5414<br />

William LundiEan. Teggle Castle<br />

©You Know Whot Sailors Are<br />

189) C. .5445<br />

©Romeo ond Juliet (140) D..5449<br />

Laurence Harvey. Flora Kobison. S. Shentall<br />

Steel Cage, The (80) D. .5443<br />

Paul Kelly, M. O'Sullivan, W. Slejak<br />

Battle Taxi (82) AD. .5502<br />

Sterling Havden, Arthur Franz, M. Thompson<br />

©Beoehcomber, The (82) D. .5501<br />

Hobcit Newton. Glynis Johns, Donald Blnden<br />

Black Tuesday (80) D. .5450<br />

E. G. Robinson, Jean Graves -<br />

©Vera Cruz (94) AD. .5448<br />

Gary Cooper, Burt Lancaster, Denlse Darcel<br />

Canyon Crossroads (83) W. .5506<br />

IllcJiard Basehart, Phvllis Kirk, Russell Collins<br />

Good Die Younp, The (100) D. .5505<br />

John Ireland. Gloria Grahame, L. Uarvey<br />

©Saboka (81)<br />

D..5504<br />

Boris Karloff, Victor Jory, B. Denny<br />

Big House, U.S.A. (82) D. .5507<br />

Broderick Crauford, Ralph Meeker<br />

Marty (93) D. .5509<br />

Ernest Borgnine, Betsy Blair<br />

©Stranger on Horsebock (66). .W. .5508<br />

Joel McCrea, Mlroslava, Kevin McCarthy<br />

Bullet for Joey, A (85) D. .5510<br />

E. 0. Robinson. George Rart, Audrey Totter<br />

©Li:acs in the Spring (. .) M. .5511<br />

Errol Plynn, Anna Neagle, David Farrar<br />

©Purple Plain, The (100) D..5503<br />

Gregory Peck, B. Ue Banzic, Win Mlji Than<br />

Kiss Me Deadly (105) D. .5513<br />

Ralph Meeker. Clorls Leachman, Albert Decker<br />

©Robbers Roost ( . . ) W .<br />

Gen. Monlgnmciy, Bruce Bennett, B. Boone<br />

©Tiger ond the Flame (. ,) D. .<br />

Filmed In India ivlth native cast<br />

Top of the World (. .) D. .<br />

Dale Robertson. Evelyn Keyes. Frank Lovejoy<br />

©aAlexonder the Great D. ,<br />

Rlrh.ird Biirlon. (Inlre Bloom, Fredric March<br />

Brass Ring, The D. .<br />

Fatley Gr-mg.r. Atilhnny Anne Bancroft<br />

Quinn.<br />

©Gentlemen Marry Brunettes M. .<br />

Jane Russell. Jeanne Craln, Scott Brady<br />

GaKentuckion, The D .<br />

llMfl l.ania,l.'r. Plana Lynn, Una Mcrkel<br />

Night of the Hunter D. .<br />

Mltrlmm, shilley Lillian l:(,lKri Winters, Gldi<br />

Not As o Stranger D..<br />

l:.'lHri Mitcimm, Olhla F. Sinatra<br />

de llavllland.<br />

Othello D. .<br />

lU'nri Welles, Suzanne Ctouller, F»y Compton<br />

Sea Shall Not Hove Them, The D. ,<br />

.Mh'hael Redgr.ivc, Dirk Bogarde, Anthony BtMl<br />

rStor of India D<br />

(drne! Wlhle. Jean Wallace, Herbert Lom<br />

©Summertime CD, .<br />

Kalharlip ll.-nl>iirn Rn«s«no Rraral. Marl Aldon<br />

Naked Alibi, The (86) D, .431<br />

Sterling Hayden, Gloria Grahame. Gene Barry<br />

©Bengal Brigode (87) D. .434<br />

Ruck Hudson. Arlene Dabl, Theiss<br />

Ursula<br />

©Four Guns ot the Border (87), ,W. .502<br />

Rorv Calhoun, Colleen Miller, G, Nader<br />

Ricochet Romance (80) C. .504<br />

CJiill Marjorie Main, Wills, Budy Vallee<br />

©Sign of the Pagan (92) D . . 505<br />

Jeff Chandler, Jane Russell, Dan Duryea<br />

©Yellow Mountain, The (78) W. .510<br />

Lex Barker, Mala Powers, Howard Duff<br />

©Destry (91) W. .508<br />

Audie Murphy, Bcttger<br />

.Mari Blanchard, Lyle<br />

©So This Is Paris (96) MC..507<br />

Tony Curtis. Corinne Calvet. Nelson<br />

Gene<br />

©West of Zanzibor (83) D. .501<br />

Anthony Steel, Bhelia Sim<br />

Abbott and Costello Meet the<br />

Keystone Kops (80) C..513<br />

Abbott and Costello, Lynn Barl<br />

©Far Country, The (97) D, ,511<br />

James Stewart, Ruth Roman, Brennan<br />

Walter<br />

Six Bridges to Cross (99) D, .512<br />

Tony Curtis, Julia Adams, George Nader<br />

©Captain Lightfoot (92) D. .514<br />

Rock Hudson. Barbara Rush, Jeff Morrow<br />

©Land of Fury (82) D. .509<br />

Jack Hawkins. Glynls Johfls, Noel PurceQ<br />

©Smoke Signal (89) W. .516<br />

Dana Andrews. Piper Laurie, William Talman<br />

©Chief Crazy Horse (86) SW. .517<br />

Victor Mature. Suzan Ball, John Lund<br />

Ma and Pa Kettle at Waikiki<br />

(79) C. .519<br />

Marjorie Main, Percy Kilbride, Lorl Nelson<br />

©Mon Without a Stor (92) SW. .520<br />

Kirk Douglas, Jeanne Crain, Claire Trevor<br />

Cult of the Cobra (82) D. .<br />

Faith Dom^rgue, Richard Long, K. Hughes<br />

Looters, The (87) D,.524<br />

Rory Calhoun. Julie Adams, Ray D.anton<br />

-S/Revenge of the Creature (82). .D. .521<br />

John Agar, Lorl Nelson, John Bromfleld<br />

©Ain't Misbehovin' M. .<br />

I'liier Laurie. Kory Calhoun. Jack Carson<br />

© All Thot Heaven Allows D .<br />

Jane Wjnjau, Rock Hudson. Colleen JUIler<br />

©Foxfire D. .<br />

Jeff Chandler, Jane Russell. Dan Duryea<br />

©Lady GodiVa of Coventry D. .<br />

Maureen (I'llara, Groree Nmlcr, V. McLiglen<br />

©Man From Bitter Ridge (78),, W..<br />

Lex Barker, Mara Corday, Stephen McNally<br />

©One Desire D .<br />

Anne liavter. Rock Hudson. Julie Adams<br />

©Private Wor of Major Benson. D. .<br />

Chiirllnn llestnn. Julie Adams. William Demarest<br />

©Purple Mask, The D .<br />

T.in.i Curiis, ( ollwn .Miller. Angela Lansbury<br />

©This Islond Earth (87) D..527<br />

Rl's IbMMtn, Faith Dnmcrgue, Jeff Morrow<br />

©To Hell and Back D. .<br />

(iNli.. Miir.ilu- Hinrlec Prukf<br />

WARNER BROS.<br />

UNIVERSAL-INT'L.<br />

©oBlack Shield of Falworth,<br />

la ©Drognet (90) D. .401<br />

The (100) D. .430 Jack Webb, Ben Alexander. Ann Robinson<br />

Tony Curtis, Janet Leigh<br />

©Down at Socorro (80) D. .431<br />

Rory Calhoun, Piper Laurie, David Brian<br />

High and Dry (93) C, .486<br />

Paul Douglas, Alex JIacKenzle, J, Copeland<br />

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©Bounty Hunter, The (79). . . .SW. .402<br />

Randolph Scott. .Marie Windsor, D. Dorn<br />

i ©aTraek of the Cot ( 1 02) .... AD .. 405<br />

Robert Mitcbum. Diana Lynn. Teresa Wright<br />

[TJ ©Young at Heort (1 17). . . .MC-D. .409<br />

Doris Day. Frank Sinatra, E, Barrymore<br />

i©aStor Is Born, A (154) MD. .403<br />

Judy Garland, James Mason. Jack Carson<br />

[H ©aSilver Chalice, The (137) D. .408<br />

Virginia Mayo, Jack Palance. Pier Angeli<br />

S Unchained (75) D. .412<br />

Chester Morris. Barbara Hale, Elroy Hlrsch<br />

SQoBottle Cry (148)<br />

D..411<br />

Van Hellin, Aldo Ray, Tab Hunter<br />

O New York Confidential (87) D..413<br />

Brod Crawford, Anne Bancroft, Richard Conte<br />

©East of Eden (117) D. .414<br />

Julie Harris, James Dean. Raymond Massey<br />

i ©Strange Lody in Town ( 11 2). W.. 41<br />

Greer Garson, Dana Andrews. Cameron Mitchell<br />

©Seo Chase, The D, .<br />

John Wayne, Lana Turner, Tab Hunter<br />

©Tall Man Riding W.<br />

Ramlolph Scott. Dniothy Malone, Peggie Castle<br />

©Blood Alley D .<br />

©Helen of Troy D ,<br />

John W.iyne, Lauren Bacall, AnlU Eekbcrg<br />

Rossana i'odesta, Jacques Sernas, C, llardwlcke<br />

I Died o Thousond Times D, ,<br />

Waller Abel, Keverly Garland. Perry Lopea<br />

©Jagged Edge, The (..) D..<br />

Jack Pal.Mice. Sliillcv Uinlers. Lee Marvin<br />

©Land ol the Phoroahs (..).. D . .<br />

Jack ll.iwkiin. Joan Collins. Dewey Martin<br />

©Mister Roberts ( . , )<br />

Henry Fonda. James Catney. William PoweH<br />

©McConnell Story, The D, ,<br />

Alan Laild, June Allyson. Jaracs Whlimore<br />

©Moby Dick D, .<br />

Gregory Peck, R. Basehart, Orson Welles<br />

River Changes, The D. .<br />

Ross.tna Rory, Haral Maresch<br />

Target Zero D . .<br />

MISCELLANEOUS<br />

AMERICAN RELEASING CORP]<br />

Fast and Furious (74). .<br />

John Ireland, Iniiothy Malone, Bruce (\ku'<br />

©Five Guns West (78)<br />

John Lund, Dorothy .Malone, Paul Blr.<br />

ASTOR<br />

Master Plan, The (. .)<br />

Wajne Morris, Tilda Tbamar<br />

Sleeping Tiger, The (89)<br />

,\le.\i3 Smith, Alexander Knox. D. Bi<br />

BUENA VISTA<br />

©Lady and the Tramp<br />

(76) Cart..<br />

Story of two dogs<br />

©Vanishing Prairie (71) D<br />

©20,000 Leagues Under the<br />

Sea (128) D. .„<br />

Kirk Douglas. James Mason, P, Lukas >T<br />

CARROLL<br />

Four Ways Out (77)<br />

Gina Lollobri-ida. Renato Baldinl, c<br />

©Out of This World (75) Doc,<br />

CONTINENTAL DISTRIBUTING<br />

©To Paris With Love (78),, C,<br />

AJcc Guiiui.'ss, O.lilt VirJM<br />

Silvana I'ampanini. Luigi Pavese. A: "<br />

©Theodora, Slave Empress<br />

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Too Young for Love (88). . .<br />

Marin Vlady. P, M, Beck, Aldo PaHrii<br />

Woyword Wife (91) D,<br />

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VISUAL DRAMAS, INC!<br />

Gangbusters (77)<br />

D.'.<br />

Myron Healy, Don C, Harvey. Sam Ed<br />

REISSUES<br />

COLUMBIA<br />

Miss Grant Takes Richmond<br />

(87)<br />

Lucille Ball, William Holden<br />

©Return of October (89)..<br />

GIciHi Ford, Terry .Moore<br />

MGM<br />

Anchors Aweigh (..) M.<br />

GfUf Kelly, Frank Sinatra<br />

Comille (1 10) D<br />

Gnto Garho. Robert Taylor<br />

Woman's Face, A (106) D<br />

Joan Crawford. .Meliyn Douglas<br />

PARAMOUNT<br />

©Reap the Wild Wind (124). D.<br />

John U.iMii'. Susan Hajward, Bay Mllld<br />

RKO RADIO<br />

Berlin Express (. .) D. .tir,<br />

Robert Ryan, .Merle Oberon, Paul Lu^<br />

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Informer, The (. .) D<br />

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Irene Dunne. Barbara Bel Geddes<br />

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20th CENTURY-FOX<br />

Belle Starr's Doughter (85).. W..<br />

George Monlgoniers. Ituth Roman, ;;<br />

Coll Northside 777 ( ..)<br />

I<br />

James Steiiart, llikn Walker<br />

Dokoto Lil (88) V<br />

r.rortf Montgnmcrv. M.lrlp Windsor,<br />

Doy the Earth Stood Still, The<br />

(92) D..-<br />

Mlrh.u'l Rennle. Patrice Neal<br />

House ot Strangers (101), , . .D..1<br />

Eduiird G Unbuivun, Susan Ilayward<br />

Twelve O'clock High (I32)..D..J<br />

Gregory Peek. II. Mirlowe. Dean JlK<br />

Where the Sidewalk Ends<br />

(..) D../|l<br />

Dana Andrews, Gene Tlemev<br />

UNIVERSAL-INTERNATIONAL<br />

Egg ond I, The (108) C.<br />

Clainlrltn Colhcrt. Fred MacMurray. I<br />

WARNER BROS.<br />

Big Sleep, The (114)<br />

D..[f--<br />

D..[:<br />

Humiihrey Rogart. Uiiircn Bacall<br />

Saratoga Trunk (135)<br />

In rl.l l!„p,„,„ O.rv ronnn-<br />

o '•'»(:<br />

«3ISK<br />

'<br />

'%<br />

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:3GEcc


II<br />

;<br />

j<br />

'<br />

(17)<br />

i<br />

I<br />

')<br />

lywood<br />

I<br />

I.<br />

•<br />

9-23-54<br />

. . .12-16-54<br />

. . . 6-12-54<br />

.<br />

.11-12-54<br />

.<br />

:<br />

.<br />

nifcleeti, listed by compony. In order of releose. Running tima followi till*. First li notional<br />

^le, second the dote o< review in BOXOFFiCE. Symbol between dotes is rating from BOXOFFICE<br />

Mtf. tt Very Good, -f Good. ±. Fair. — Poor = . Very Poor. O Indicotes color photography. i)}jDini> fjiJiiirr<br />

Allied Artists<br />

^Uo. Title Rel Date Rating Rev'd<br />

i^yiijlity Fortress. Thi (27) ff 1-1<br />

POPULAR SCIENCE<br />

(Reissues)<br />

Siublect J7-5 (10) 1- 9-55<br />

flubjecl J7-1 (10) 1-23-55<br />

Siubject J7-2 (10) 2- 6-55<br />

'iubjetl J7-3 (10) 2-20-55<br />

Columbia<br />

old. Title Rel Date Rating Rev'd<br />

AU-STAR COMEDIES<br />

II ire Chaser, Tlie (16).. 9-30-54 + U-27<br />

XUii Will Be Kids (16) 12- 9-54 ± 2-12<br />

lUis Pest Friend (lei/j) 1-20-55<br />

1,1. Dood II (16) . . . . 2-17-55 ±3-5<br />

Jcralch-Scratch-Scralch<br />

(..) 4-28-55<br />

ASSORTED FAVORITES<br />

(Reissues)<br />

l! is Hotel S«cet (17/2) 9-16-54<br />

Ziillie Gets Her Man<br />

...10-14-54<br />

Z.utid Goes Nuts (16).. 12- 2-54<br />

2( all-Way to Hollywood<br />

(17;.2) 2-10-55<br />

2: night and a Blonde, A<br />

(14) 3- 3-55<br />

j<br />

2(iss and Yell (..).... 5- 5-55<br />

CANDID MICROPHONE<br />

(One-Reel Specials)<br />

5: ibject No. 1 (11)<br />

reissue 9-23-54<br />

5: Ibject No. 2 (IOI/2)<br />

reissue 12- 2-54 ....<br />

SJibiKt 1-13-55<br />

No. 3 (11)....<br />

52 lling Down to Reno<br />

'ISI/j) 11-18-54<br />

e 3 Good Bad Egg (17) 12-16-54<br />

Wu're Next (17) 3-17-55<br />

IS^ady. Willing But Unable<br />

161/2) 4-21-55<br />

ONE REEL SPECIALS<br />

w lumn in Rome (9) . . 9- 2-54<br />

MR. MAGOO<br />

'I<br />

(Technicolor)<br />

Pingaroo Courting (7).. 7-22-54<br />

Mi.lination Magoo<br />

„ 6'/2 ) 12-16-54<br />

Kiooo's Check-Up (6V2) 2-24-55<br />

goo Express ( . . ) 5-19-55<br />

B MAGOO C'SCOPE<br />

19 en Magoo Flew (61/2) 1- 6-55<br />

SCREEN SNAPSHOTS<br />

SPECIAL<br />

1<br />

^<br />

i7 lywood Goes to Mexico<br />

ID'/z) 7-15-54 9-18<br />

J,<br />

* lywood Grows Up<br />

-I-<br />

J,<br />

1 lywood -u'-u<br />

Marches On<br />

'"'/s'<br />

7-15-54 + 9-18<br />

9 f<br />

-f 10- 9<br />

K lywood Stars on Parade<br />

f/il 10-21-54 -f 12-18<br />

lywood Cowboy Stars<br />

[O'/j) 11-18-54<br />

lywood Life (10) + 2-19<br />

nres From Hollywood<br />

L 1-20-55<br />

* Shower of Stars<br />

•<br />

g'> 2-24-55 - 3-12<br />

lywood Fathers (10). 3-24-55<br />

lywood Plays Golf<br />

• ) 5- 5-55<br />

SERIALS<br />

(15 Chapters)<br />

g, nan (reissue) 7-29-54<br />

nj wiih Buffalo Bill 11-11.54 + 11-20<br />

"" k Arrow 2-24-55<br />

. ,<br />

STOOGE COMEDIES<br />

tzy Knights (171/2). 9- 2-54 + 10-16<br />

" in the Frontier<br />

'^' 10- 7-54 + 12-11<br />

7403 Scotched in Scotland<br />

(I51/2) U- 4-54 ± M2<br />

7404 Fling in the Ring (16). 1- 6-55<br />

7405 01 Cash and Hash (16). 2- 3-55 ±3-5<br />

7406 Gypped in the Penthouse<br />

(16) 3-10-55 ± 4-16<br />

7407 Bedlam in Paradise (16) 4-14-55<br />

THRILLS OF MUSIC<br />

(Reissues)<br />

6956 Sliitch Henderson & Orch.<br />

(10) 6- 3-54<br />

7951 Ted Weems & Orch.<br />

(lO'/j) 9-9-54<br />

7952 Gene Krupa & Orch.<br />

(10) U-11-S4<br />

7953 Lecuona Cuban Boys<br />

(IO1/2) 12-23-54<br />

7954 Tony Pastor & Orch.<br />

(10) 2-10-55<br />

7955 Elliot Lawrence & Orch.<br />

(lO'.'i) 4-14-55<br />

UPA ASSORTED<br />

(Technicolor)<br />

7501 How Now Boing Being<br />

9-54 9-25<br />

(7'/2) 9- ++<br />

7502 Scare That Child (6I/2) 1-27-55<br />

7503 Four Wheels No Brakes<br />

(61/2) 4-24-55 + 4-16<br />

7504 Baby Boogie (6) 5-19-55<br />

WORLD OF SPORTS<br />

6810 Target Tricksters (9)... 7-29-54 ± 10-16<br />

7801 Argentine Athletes (10) 9-10-54 12-11<br />

7802 Hunting Thrills (9) ... 10-14-54 + 12-25<br />

7803 Skiing the Andes (10) .11-11-54 -f 2-19<br />

7804 Rasslin' Redskin (91/2) . .12-23-54 ± 2-12<br />

7805 Flying Mallets (10) 1-10-55<br />

7806 Aquatic Acrobats (9)... 2-17-55 ±3-5<br />

7807 Fishing Paradise (9)... 3-17-55<br />

7808 Barking Champs (..).. 4-28-55<br />

Metro-Goldvryn-Mayer<br />

Prod. No. Title Rel Date Rating Re/d<br />

CARTOONS<br />

(Technicolor)<br />

W-543 Sleepy Time Squirrel<br />

(7) 6-19-54 4-9-4<br />

W-544 Homesteader Droopy<br />

(8) 7-10-54 + 8-14<br />

W-545 Bird-Brain Bird Dog<br />

(7) 7-31-54 -f 9-18<br />

W-546 Baby Butch (7) 8-14-54 + 9-18<br />

W-632 Mice Follies (7) 9- 4-54 |+ 9-25<br />

W-634 Farm of Tomorrow (7) 9-18-54 ff 11-20<br />

W-636 Neapolitan Mouse (7). 10- 2-54<br />

W-638 The Flea Circus (7).. 11- 6-54 U 12-25<br />

W-639 Downhearted Duckling<br />

(7) 11-13-54<br />

W-640 Dixieland Droopy (8). 12- 4-54<br />

CINEMASCOPE CARTOONS<br />

(Technicolor)<br />

C-631 Pet Peeve (7) 11-20-54 + 2-19<br />

C-633Touche Pussy Cat (7). .12-18-54 ff- 4-16<br />

C-635 Southbound Duckling (7)3-12-55 + 2-19<br />

C-637 Pup on a Picnic (7).. 4-30-55 -f 4-30<br />

CINEMASCOPE MUSICAL GEMS<br />

(Technicolor)<br />

K-573MGM Jubilee (10) 6-25-54<br />

K-674 Thieving Magpie, The<br />

(9) 9- 1-54<br />

K-675 Strauss Fantasy, The<br />

(9) 10-22-54 -H 9-11<br />

FTTZPATRICK TRAVELTALKS<br />

(Technicolor)<br />

T-611 Yosemite, the Magnificent<br />

(9) 9-11-54<br />

Grand T-612 Canyon, Pride of<br />

Creation (9) 10-16-54<br />

(Technicolor Reprints)<br />

T-613 Picturesque Palzcuaro<br />

(9) 11-27-54<br />

T-614 Glacier Park & Waterton<br />

Lakes (9) 12-25-54<br />

T-615 Mexican Police on Parade<br />

(9) 2-12-55 +3-5<br />

T-616 Mighty Niagara (10).. 4- 9-55<br />

GOLD MEDAL REPRINTS<br />

(Technicolor Reissues)<br />

W-661 Cat Fishin' (8) 10-30-54<br />

W-662 Part Time Pal (8) 1- 8-55<br />

W-663 Cat Concerto (7) 1-22-55<br />

W-664 Dr. Jekyll & Mr. Mouse<br />

+ (8) 2-26-55 2-26<br />

W-665 Salt Water Tabby (7) . 3-26-55<br />

PETE SMITH SPECIALTIES<br />

-560 Safe at Home (8) ,<br />

-f 6-14<br />

Paramount<br />

Prod. No. Title Rel Date Rating Re/d<br />

CARTOON CHAMPION<br />

S14-2 Butterscotch and Soda<br />

(7) 10- 1-54<br />

S14-3 Sudden Fried Chicken<br />

(7) 10- 1-54<br />

S14-4 The Friendly Ghost (9) . 10- 1-54<br />

S14-5The Bored Cuckoo (9). 10- 1-54<br />

S14-6 Santa's Surprise (9)... 10- 1-54<br />

CASPER CARTOONS<br />

(Technicolor)<br />

B13-6 Puss'n Boos (7) 7-16-54 7-10<br />

B14-1 Boos and Arrows (6) . .10-15-54 + 11- 6<br />

B14-2 Boo Ribbon Winner<br />

(6) 12- 3-54 +1-8<br />

B14-3 Hide and Shriek (7) . 1-28-55<br />

B14-4 Keep Your Grin Up (5) 3- 4-55 +4-2<br />

B14-5 Spooking With a Brogue<br />

( ) 5-27-55<br />

GRANTLAND RICE SPORTLIGHTS<br />

RI3-IO Bahamas to Windward<br />

(9) 6-18-54 +9-4<br />

R13-11 Wild Pets (or Play (9) 7-23-54 +8-7<br />

R13-12 One Hundred Unusual<br />

Boys (9) 8- 6-54 ++9-4<br />

R14-lTwin Riding Champs<br />

(10) 10- 1-54 + 10-30<br />

R14-2 Hot and Cold Glides.<br />

Slides and Rides (10) 10-22-54 + 11-20<br />

R14-3 Where Everybody Rides<br />

(9) 11- 5-54 + 12-25<br />

R14-4 Boyhood Thrills (9) .. .12-10-54 +3-5<br />

R14-5 Pike's Peak Arena, The<br />

(9) 12-24-54 + M9<br />

Swim 2-11-55 -+-4-2<br />

(9) .<br />

R14-7 Baseball's Acrobatic Ace<br />

(9) 4- 1-5B<br />

HEADLINER CHAMPION<br />

(Reissues)<br />

A14-1 Speaking of Animals and<br />

Their Families (9) 10- 1-54<br />

A14-2 Speaking of Animals in<br />

a Musical Way (8). ..10- 1-54<br />

A14-3 Stork Crazy (9) 10- 1-54<br />

A14-4 The Lonesome Stranger<br />

(10) 10- 1-54<br />

A14-5 Calling All Animals<br />

(9) 10- 1-54<br />

A14-6 Video Hounds (9) 10- 1-54<br />

HERMAN & KATNIP<br />

(Technicolor<br />

H13-3 Of Mice and Menace<br />

Cartoons)<br />

H14-1 Rail Rodents (7) 11-26-54 +<br />

H14-2 Robin Rodenthood (7). 2-25-55<br />

H14-3 Bleep Built for Two, A<br />

(7) 4- 8-55<br />

NO'VELTOONS<br />

6-19<br />

9- 4<br />

J- 5<br />

(Technicolor)<br />

P13-5 Candy Cabaret (7) 6-11-54 + 6-19<br />

P13-6 The Oily Bird (7) 7-30-54 ±8-7<br />

P14-lFido Beta Kappa (7) . .10-29-54 + 11- 6<br />

P14-2 No Ands or Butts<br />

Ifs,<br />

(6) 12-17-54 +3-5<br />

P14-3 Dizzy Dishes (6) 2- 4-55 ++ 4-16<br />

P14-4 Git Along Li'l Duckie<br />

(7) 3-25-55<br />

PACEMAKERS<br />

K13-6 Touchdown Highlights<br />

(10) 8-20-54 + 9-25<br />

K14-1 Drilling for Girls In Texas<br />

(9) 10- 8-54 + 10-23<br />

K14-2 How to Win at the Races<br />

(11) 12-17-54 + J-19<br />

K14-3 You're a Trooper (10). 1-21-55 ++4-2<br />

POPEYE CARTOONS<br />

(Technicolor)<br />

E13-5Tixi Turvy (6) 6- 4-54<br />

E13-6 Bride and Gloom (6) . . 7- 2-54 +<br />

E13-7 Greek Mirthology (7).. S- 13-54 +<br />

E13-8 Fright to the Finish (6) 8-27-54 +<br />

E14-1 Private Eye Popeye<br />

E14-3Cookin' With Gags (7). 1-14-55 + 4-30<br />

E14-4 Nurse to Meet Ya (6) 2-11-55<br />

. .<br />

E14-5 Penny Antics (8) 3-11-55<br />

E14-e Beaus Will Be Beaus<br />

( . . ) 5-20-55<br />

TOPPER<br />

M13-6 In Darkest Florida (10) 7- 9-54 +8-7<br />

M14-1 The Nerve of Some People<br />

(10) 11-19-54 +1-8<br />

2 Killers at Bay (10) .. .12-31-54 + 3-26<br />

3 Just the Bear Facts, Ma'am<br />

(9) 1-14-55 3-26<br />

4 All Chimps Ashore (10) 2- 4-55 + 4-30<br />

5 Let's Look at the Birds<br />

( . . ) 4-15-55<br />

6 Pick a Pet (. .) 4-22-55<br />

VISTAVISION SPECIAL<br />

V14-1 VV Visits Norway (17) .<br />

11- 5-54<br />

V14-2VV Visits Mexico (17) 4-29-55<br />

V14-3 VV Visits the Sun Trails 5-27-55<br />

Republic<br />

Prod. No. Title Rel Date Rating Rev'd<br />

SERIALS<br />

5481 Man With the Steel Whip 7-19-54<br />

12 Chanters<br />

12 Chapters<br />

54S2 Ghost Riders of the West 10-11-54<br />

THIS WORLD OF OURS<br />

(Trucolor)<br />

5385 Ireland (9) 8- 1-54<br />

RKO Radio<br />

Prod. No. Title Rel Date Rating Rev'd<br />

DISNEY CARTOONS<br />

(Technicolor)<br />

44.111 Dragon Around (7) . . 7-16-54 + 6-19<br />

44.112 Grin and Bear It (7). 8-U-54 ++9-4<br />

54.101 The Social Lion (7) . .1015-54 + U-20<br />

54.102 Flying Squirrel (7) .. .11-18-54 + 1-15<br />

54.104 The Pelican and the Snipe<br />

(9) 1-28-55<br />

54.105 Lake Titicaca (7) 2-18-55 + S-U<br />

in 54.106 Contrasts Rhythm<br />

(8) 3-11-55<br />

54.107 Blame It on the Samba<br />

(6) 4- 1-55<br />

DISNEY MARQUEE MUSICALS<br />

(Technicolor R»tssues)<br />

44.004 Casey at the Bat (9) 7-16-54 ++ 7-24<br />

44.005 Little Toot (9) 8-13-54 +9-4<br />

U.006 Once Upon a Wintertime<br />

(9) 9-17-54 ++ 9-U<br />

EDGAR KENNEDY<br />

.<br />

(Reissues)<br />

53,501 Host to a Ghost<br />

(17) 10- 8-54<br />

Big .11- 5-54<br />

Beef, 53.503 The (17)<br />

53.504 Mind Over Mouse (17) U-19-54<br />

53.505 Broiher Knows Best<br />

(17) 12- 3-54<br />

53.506 Home Canning (16) . .12-17-54<br />

LEON ERROL<br />

(Reissues)<br />

53.704 Twin Husbands (18) . .11-12-54<br />

53.705 I'll Take Milk ( 18)<br />

. . . 11-26-54 .<br />

53.706 Follow That Blonde<br />

(18) 12-1H4<br />

MY PAL<br />

(Reissues)<br />

53.201 I Found a Dog (..). .10- 8-54<br />

53.202 Pal's Return (20) 11-5-54 •<br />

RAY WHITELY<br />

(Reissues)<br />

53.401 Sagebrush Serenade<br />

(.,) 10-22-54<br />

53.402 Redskins and Redheads<br />

(18) 11-19-54<br />

SCHEENLINERS<br />

44.212 Riding the Wind (8) 7-23-54 + 9-11<br />

44.213 The Big Port (9) 8-20-54 + 9-11<br />

54.201 House of Knowledge 9-17-54<br />

(8)<br />

SPECIALS<br />

53.101 The Iron Fence (20).. 10- 8-54 + 10-23<br />

++ 1-8<br />

53.102 Circus Trainer (17) .<br />

53.103 Fast Freight (15) .12-17-54 + 1-22<br />

River to<br />

.<br />

. .<br />

53.104 the Past (15) 1-21-55 ± 2-12<br />

53.105 Big Top Caravan (16) 2-25-55 + 4-30<br />

53.106 Finders Keepers (ISI/2) 4- 1-55<br />

SPORTSCOPES<br />

44.312 Hot Rod Galahads (8) 7- 9-54<br />

44.313 Water Ski Marathon<br />

8- 8-54 9-18<br />

(S)<br />

Alaskan Trout (8) 9- 3-54 + 9-11<br />

54.301<br />

54.302 British Empire Games<br />

(10) 10- 1-54 + 10-30<br />

(8) Mays 10-29-54+ 1-1<br />

54,303 Willie<br />

Canadian Stampede (8) 11-26-54 1-8<br />

54,304<br />

.12-10-54 + 1-22<br />

54.305<br />

Saga 1-21-55 2-26<br />

51,306<br />

54.307<br />

Ski (8)<br />

Chamois Hunt (8)<br />

-|-<br />

2-18-55 + 3-26<br />

54.308 Here's Hockey (10)... 3-18-55<br />

Jai-Alai (8) 4-15-55<br />

54.309<br />

SPORTS SPECIALS<br />

..<br />

53,901 Football Highlights<br />

(IS'A) 12-10-54 + 1-22<br />

53,801 Basketball Highlights __<br />

(15) 4-15-55<br />

20th Century-Fox<br />

Prod. No. Title Rel Date Rating Rev'd<br />

CINEMASCOPE SPECIALS<br />

(Technicolor)<br />

7418 Piano Encores (10) July-54 + 10-23<br />

7409 A Day Aboard Jet Carrier<br />

(19) Aug. -54 ++ 11-20<br />

7414 The Miracle of Stereophonic<br />

Sound (11) Aug. -54 11-27<br />

7420 Pride of the Nation (12) Sept.-54 12-11<br />

7421 Fabulous Las Vegas (19) 0ct.-54 + 12-18<br />

7422 Cinemascope Parade (23) 0ct.-54 ..._<br />

7423 El Toro (9)


.<br />

.<br />

.<br />

.<br />

.<br />

,<br />

|<br />

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.Gerard<br />

Claude<br />

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.Martuic<br />

.<br />

.Vittorlo<br />

.Maria<br />

'<br />

•<br />

•<br />

.<br />

.<br />

CHART<br />

FOREIGN FEATURES<br />

WOODY WOODPECKER<br />

Foreign-languoge productions by native country, listed olphobeticoHy<br />

(Technicolor Reissues)<br />

9355 Solid Ivory (7) 6-28-54<br />

by title, followed by running time. Dote shown is issue of BOXOFFICE<br />

9356 Woody the Giant Killer<br />

in which review oppeored. Name of distributor Is parentheses.<br />

(7) 7-26-54<br />

AUSTRALIA<br />

Reviewed<br />

Mr. Hulot's Holiday (85) 1,30,<br />

Warner Bros.<br />

Wherever She Goes (80). ..... '0-31-53<br />

((iBIi liit'l) . Jacques Tatl, Nathallffi<br />

(M-K) . .Suzanne Parrett, Eileen Joyce<br />

Moment of Truth (87) ';19-<br />

(Arlaii) . MiiiKle Jlorgan, Jean (hi<br />

Prod. No. Title Rel Date Rating Re/d<br />

Night Is My Kingdom, The (109) [29.<br />

SEE IT HAPPEN<br />

BLUE RIBBON HIT PARADE<br />

(Davis) . .Jean Gabin. Slmone Valerii<br />

July-54 8-"<br />

(Technicolor Reissues)<br />

Pit of Loneliness (84) \\i.<br />

„_<br />

. . . . Auii.-54 + 11-6<br />

1312 Along Came Daffy (7)<br />

.<br />

7-24-54 ....<br />

.<br />

(Davis) . .Edwige FeuiUere, Simone Sia r<br />

1313 (blouse Menace (7) 8-14-54<br />

4-11-54<br />

SPORTS<br />

Moriko (81)<br />

Red Inn, The (100) ,-%• t ""•' BernarBlii *"53<br />

2-26-55<br />

( )<br />

BUGS BUNNY SPECIALS<br />

fstnffordT^J^rHi'ktas; •Michael benlson<br />

GERMANY<br />

(Technicolor)<br />

Belles of St. Trinion's, The (90). 4-30-55<br />

1728 Bewitched Bunny (7) . . . 7-24-54 9-4 ff""<br />

5424 Heckle and Jeckle in Bl<br />

Plate Symphony (7) .N0V.-54 ± 12-25 1730 Yankeo Doodle Bugs (7) 8-28-54 + 9-25<br />

Artists)<br />

. ..Wastair Sim, Joyce Grcnfell Angeliko (99) •'.<br />

'^''<br />

'o<br />

(Brenner) . Maria Schell, Dieter Bor,«<br />

2723 Lumber Jack Rabbit (7) 11-13-54 ....<br />

Berliner, The (80). .•.• • •<br />

-.^^<br />

f&!:i;"^"^'Hlbso„:-p|^p>^"^"3,<br />

5425 Torrid Toreador, A (7)<br />

2724 Baby Buggy Bunny (7). 12-18-54 + 2-19<br />

(reissue)<br />

Oec.-54<br />

2725 Beanstalk Bunny (..).. 2-12-55<br />

Fighting Pimpernel, The (88).. 5- 8-54<br />

(Josciih Burstyn)<br />

. .Gert Frobe, Ute £|1mJ<br />

. . •<br />

5501-2 Gandy Goose in Barnyard<br />

^<br />

.David Nlven. Margaret<br />

2726 Sahara Hare (7) 3-26-55 ± 4-30<br />

Lelghton<br />

Grapes Are Ripe, The (92)<br />

, . r . 3<br />

Actor (7) Jan. -55<br />

Final Test The (84) 2-27-54 (Casino).. Gust av Knuth, Camilla Sp.l<br />

j<br />

5502-0 Dear Old Switzerland<br />

CLASSICS OF THE SCREEN<br />

(Conlinental) Robert Morley, Jack Warner<br />

Keepers of the Night (109) ..L2«<br />

(7) (reissue) Jan.-55<br />

1106 This Was Yesterday (20) 7-31-54 ff 9-4<br />

(CashiO.Luise Ullrich H.msN.else|<br />

. .<br />

5503-S Yokahama Yankee, A<br />

2101 Wells Fargo Days (20).. 9-25-54 •<br />

fei?ts?^.S./^il;.-Man.ta-l^- Merry Wives of Windsor (93). .^r?l<br />

(7) Jan. -55 ± 3-19 2102 Camera Hunting (19) .. .11-20-54 + 12-25<br />

(Central Cinema) .Sonja Zlemann,<br />

I<br />

5504-6 Swooning the Swooners<br />

2103 Three Cheers (or the Girls<br />

(7) (reissue) Feb. -55<br />

(. .) 1-22-55 ^^^rV^^:^^.<br />

nelson: M.'zme'ru'nt Sunderin (80)<br />

(Prod. Reps.) .'midegarde Neff, G.<br />

5505-3 Terry Bears in Duck Fever<br />

2104Wlien the Talkies Were Young<br />

(7) Feb. -55 — 3-19<br />

(17) 3-26-55 ++ 4-16 r?^s=c°Tti^t1r*^^oSn''otkson,•MuViel1a,|w<br />

550S-1 Gandy Goose in It's All in<br />

lOE McDOAKES COMEDIES<br />

GREECE<br />

the Stars (7) (reissue) Mar.-55<br />

1406 So You Want to Be a ,<br />

fSsI '"er^.Trcvor Howard,' So^'y^uKs<br />

Borefoot Botallion , ^^<br />

(8J>).<br />

,<br />

5507-9 Aesop's Fable—The First<br />

Banker (10) 7- 3-54 -f- S-14<br />

(Brandt) .Maria Costi. Nicos Fermai]<br />

Flying Fish (7) l*lar.-55<br />

2401 So You're Taking in a Roomer<br />

n"c Utll') .""M-'Redkrav;,- A.- io


'<br />

favorite<br />

. her<br />

- ; idleaged<br />

. ..tees<br />

. . . Supreme<br />

. . Even<br />

. . Bud<br />

C)inions on Current Productions<br />

f£;]'rijiiri]£vjiiiji5<br />

• Daddy Long Legs F<br />

Rntio:<br />

Musical<br />

2.55-1 (Cinemascope-<br />

De Luxe Color)<br />

20fh-ifo!c (515-7) 126 Minutes ReL May 11, '55<br />

Fred Astaije, as agile and fleet-footed as ever, has found<br />

his best dancing partner since his 1930 teaming with Ginger<br />

Rogers in the pert little Leslie Caron, who is co-starred in<br />

a light and amusing musical version of the novel by lean<br />

Webster, which was a stage hit and then was filmed twice<br />

before, last time in 1931. Fred is also at his best in a<br />

made-to-order role of a wealthy socialite who adopts a<br />

French orphan girl and educates her without letting her<br />

meet her benefactor. He dances superbly to a lively new<br />

Johnny Mercer tune, "Sluefoot," and warbles "Something's<br />

Got to Give," already climbing to popularity on records and<br />

the airwaves, in his own casual and effective manner.<br />

The marquee draw of Astaire, plus Miss Caron, whose<br />

current "The Glass Slipper" was a strong follow-up to her<br />

record-breaking "Lili," will insure strong business genfefally.<br />

except in houses that demand action fare, for this is a bii<br />

too long for its slight plot. In addition, Terry Moore is a<br />

with the teenagers, while the title will have a<br />

nostalgic appeal for the older fans.<br />

Additional assets are the magnificent CinemaScope shots<br />

of New York City and rural France; several spectatcular<br />

dqnce sequences in which Miss Caron literally floats across<br />

the widescreen; the long-popular Mercer tune, "Dream,"<br />

which is reprised several times, and Ray Anthony and His<br />

Orchestra, who appear in one sequence.<br />

The film is well directed by Jean Negulesco (except for<br />

that excessive length) and produced in lavish style by<br />

Samuel G. Engel. Miss Moore has little to do, but she makes<br />

her presence felt. However, the best of the supporting<br />

players are the unfailing Thelma Ritter, who makes the most<br />

comedy opportunities as a sympathetic secretary, and<br />

d Clark, who also gets many laughs as Astaire's «!X-<br />

:-ive business associate. Kelly Brown, best know.'l as<br />

ballet dancer, also does well as a Harvard boy. The<br />

--::,ces are staged by Astaire and David Robel while the<br />

callets are by Roland Petit, of the famous Ballet de Paris,<br />

with special music conducted by Alfred Newman. The<br />

De Luxe color is excellent.<br />

The picture opens in the reception hall of the old Fifth<br />

Avenue mansion occupied by the wealthy socialite Fred<br />

A-'aire, who has broken the family tradition of culture by<br />

ring the drums and being a jazz enthusiast. His business<br />

:nager, Fred Clark, finally persuades Fred to accompany<br />

an economic mission to France, where, while waiting for<br />

his car to be pulled out of a ditch, he wanders into a small<br />

orphange. There he watches Leslie Caron, 18-year-old,<br />

putting her juvenile charges through on English lesson and,<br />

when he learns that her only matrimonial opportunity is a<br />

farmer, he arranges to sponsor the girl's eduon,<br />

despite the wrong interpretation Congressional com-<br />

may take of the matter. To avert gossip, Leslie is<br />

sent to a girls' college in America and beautifully outfitted,<br />

but she never knows her benefactor's real name. She writes<br />

numerous letters to her "Daddy Long Legs," but Clark prevents<br />

Fred from seeing them. Leslie meets Fred at the<br />

annual school dance, where they dance and become friendly<br />

hout the girl's knowing he is actually her guardian. Her<br />

irs to "Daddy Long Legs" tell him about the nice man<br />

-.,c- met, so Fred shows her New York and its nightclubs,<br />

but a Congressman takes the wrong interpretation and<br />

threatens to send the girl back to France. Finally, Clark's<br />

sympathetic secretary, Thelma Ritter, takes matters in her<br />

own hands and attends the girl's college graduation, where<br />

no guardian is on hand, and brings her to Fred's New York<br />

mansion. She then realizes that her "Daddy Long Legs"<br />

is not the elderly guardian she had pictured but the younger<br />

m'an she had grown to love.<br />

Fred Astaire, Leslie Caron, Terry Moore, Thelma Ritter,<br />

Fred Clark, Kelly Brown, Charlotte Austin.<br />

CATCHLINES:<br />

All the Fun of Life Is In It—All the Joy of Love Is In It . . .<br />

Fred Astaire and His Latest Partner, Leslie Caron, Will Have<br />

the Whole World Dancing to the Music in Their Hearts<br />

Dances by Astaire and Leslie Caron, M'usic by Johnny Mercer,<br />

Ballets by Roland Petit—All Wrapped in a Delightful Romantic<br />

Comedy.<br />

1762 BOXOFFICE<br />

May 7, 1955<br />

Hell's Island<br />

Pcramounl (5411)<br />

84 Minutes<br />

F<br />

o: Drama<br />

•1 (VistaVision.<br />

Teclinicoloi')<br />

Rel. June '55<br />

Adventure, romance, suspense and intrigue' are present in<br />

outsize quantities in this solidly produced Pine and Thomas<br />

.eature, which, for all il:3 lush mountings, is reminiscent oi<br />

the type of pictures the partners Bill fabricated in large<br />

numbers during the years when they were v/inning their<br />

richly merited niche high among Hollywood's bread-andbutter<br />

filmmakers. Principal contributors to the lavishnes=<br />

that elevates the entry above those earlier' efforts are<br />

VistaVision and Technicolor, both expertly utilized and upon<br />

which the smart showman v/ill latch to keynote the merchandising<br />

that may be necessary in order for the photoplay to<br />

enjoy the patronage it deserves. -<br />

Maxv/ell Shane's script, from a story by Jack Leonard<br />

and Martin M. Goldsmith, indulges itself in a few extreme<br />

situations and in occasional overlong stretches of dialog,<br />

but these weaknesses are pretty much salved by universally<br />

good performances, the steady and skilled direction by Phil<br />

Karlson and the above-mentioned P-T production accoutrements.<br />

At the van of the sincere and 'hard-working cast is<br />

jut-jawed John Payne, in a part for which past experiences<br />

have completely conditioned him— the soldier of fortune<br />

single-handedly taking on the wiles and villainies of Latin<br />

America in an effort to recover a fabulous gem—for pay, of<br />

course—ior one of the many heavies. Just so there should<br />

be at least one new twist, the No. 1 menace is a galblonde,<br />

curvaceous, sexy Mary Murphy—as seductive and<br />

shmy a character as ever tried to follow in the footsteps of<br />

Lucretia Borgia. Technicolor is becoming to her, even<br />

though the part isn't ideally suited to her soft, feminine<br />

charms. Photography, sets, costumes and other technical<br />

details are of the top caliber that is expected in contemporary<br />

P-T movies.<br />

John Payne, Mary Murphy, Francis L. Sullivan, Eduardo<br />

Noriega, Arnold Moss, Waller Reed, Pepe Hem.<br />

CATCHLINES:<br />

An Explosive Drama of the Seething Tropics ... the Story<br />

of a Woman Who Was Beautiful and Bad ... To Whom<br />

Love Was a Weapon ... the Movie That's Tops in -Thrills<br />

in Suspense.<br />

AbboftCosfello Meet the Mummy F ^^t-i<br />

'^°"'""<br />

Univ.-Infl (526) 79 Minutes ReL June '55<br />

Devotees of the Abbott and Costello brand of "who's on<br />

first" humor are certain to have their ribs tickled by this<br />

latest contribution from these two postmasters of zany (iialog.<br />

As in their previous offerings, plausibility and continuity<br />

are justifiably sacrificed, without the batting of an eyelash,<br />

for the sake of laugh-provoking slapstick situations, and<br />

the results will probably keep the smallfry bouncing in their<br />

seats at a near staie of pandemonium. Others, who are not<br />

deterred by story weakness and who want their comedy<br />

obvious, nonsensical and with plenty of action, should also<br />

contribute their share of chuckles, laughs and knee-slappings.<br />

With an established following, successfully cultivated by<br />

the series' 40 predecessors, merchandising should present<br />

no problem. The comic duo's marquee value is unquestioned,<br />

and the Egyptian theme offers endless ballyhoo ideas,<br />

not to mention lobby and front possibilities. The addition<br />

of popular songstress Peggy King, singing "You Came a<br />

Long Way From St. Louis," will no doubt appeal to the<br />

teenagers, as well as those who recall her delightful appearance<br />

on the Academy Award telecast.<br />

In spite of Miss King's sequence and a number of other<br />

musical spots, including several by the internationally famous<br />

Chandra-Kaly dancers from India, the picture is all<br />

Abbott and Costello, and what little plot is to be found,<br />

it takes second place to the duo's inimitable buffoonery.<br />

Mysterious trapdoors, strange temples, mummies that walk,<br />

hands that come out of walls and countless other paraphernalia<br />

gimmicks, contribute to the outlandish doings,<br />

which follow the able Abbott and his scatterbrained side-^<br />

kick as they seek adventure in Egypt. Little more can be<br />

said about the story, other than it does nothing to hamper<br />

the Abbott and Costello format style.<br />

Bud Abbott, Lou Costello, Marie Windsor, Michael Ansora,<br />

Don Seymour, Kurt Katch, Peggy King.<br />

CATCHLINES:<br />

Abbott and Costello Run Riot in Egypt . and Lou<br />

in Slapstick Pandemonium Among the Pyramids ... A<br />

Mummy Never Had It So Good . the Sphynx<br />

Laughed at Bud and Lou.<br />

1763


REVIEWS Adlines for Newspaper and Program |^<br />

Top oi the World F r.85°i<br />

United Artists (5514) 90 Minutes Hel. May '55<br />

Some exciting and realistically dangerous air sequences<br />

laid in the Arctic ore often weighted down by a routine<br />

romantic plot in this action picture produced by Michael<br />

Baird and Lewis R. Foster. Foster, who also directed, makes<br />

his plane disaster on an ice floe and a daring rescue )ust<br />

befoVe the ice starts breaking up, the high spot of the picture.<br />

Action fans will find the film to their liking, but the marquee<br />

draw of Dale Robertson and Evelyn Keyes will help generally.<br />

It's best suited to the supporting spot on dual bills.<br />

While Robertson is adequate as a jet pilot reassigned to<br />

the weather observation unit in Alaska, it is Frank Lovejoy,<br />

who is featured in a similar role in "Strategic Air Command<br />

(a picture that will boost his film stock), who contributes the<br />

most forceful portrayal. Miss Keyes does well enough as<br />

the cafe entertainer who is loved by both men but Nancy<br />

Gates as a long-suffering PRO officer, and Robert Arthur,<br />

as a "kid" lieutenant who tries to act grown-up, are unable<br />

to rise above their stock roles. The Alaskan aerial photography<br />

by William Clothier rates special mention. •<br />

Dale Robertson, one of the hottest jet pilots at Hickam<br />

Field Honolulu, is reassigned to Ladd Field, Alaska, as part<br />

of the weather observation unit. At the same time he gets<br />

word from his ex-wife, Evelyn Keyes, that she no longer<br />

needs his alimony as she has opened a nightspot in 1- airbanks<br />

When Robertson and his crew meet with disaster in<br />

the north, a plane flown by Frank Lovejoy, Robertson s major,<br />

reaches them in record time and brings them back to Ladd<br />

Field safely. It then develops that Lovejoy is becoming interested<br />

in Evelyn and spends too much time at her club<br />

although Nancy Gates, his PRO officer, is deeply in love<br />

with him. Robertson, impressed with Lovejoy, tells his<br />

ex-wile to leave his superior officer alone but she dares him<br />

to break them up. Robertson is assigned to a mission to the<br />

North Pole and, after they land, find themselves marooned<br />

on an ice floe. Again Lovejoy comes to the rescue with a<br />

hair-raising stunt and, when the men return, Robertson is<br />

reunited with his wife and Lovejoy returns to Miss (jotes.<br />

Dale Robertson, Evelyn Keyes, Frank Lovejoy, Nancy<br />

Gates, Robert Arthur, Paul Fix, Peter Hansen, Nick Dennis.<br />

CATCHLINES:<br />

, .v, t f .>,»<br />

The True Story of the Airmen Who Guard the Top of the<br />

World Dale Robertson and Frank Lovejoy (Starred in<br />

"Strategic Air Command") as the Heroic Fliers Whose Love<br />

Was Earthborne to Lovely Evelyn Keyes.<br />

Murder Is My Beat<br />

Drama<br />

Ratio:<br />

1.551<br />

AlUed Artists (5510) 77 Minutes Rel. Feb. 27, '55<br />

While spectators will immediately recognize—and in some<br />

instances may scoff at—the attempt to apply the "Dragnet"<br />

technique to this murder yarn, they nonetheless will be impressed<br />

with the fact that on virtually every count it<br />

transcends the overage offering in its category produced<br />

within the obviously limited budget that herein obtained<br />

As a result it earns evaluation as an above-average bit of<br />

suspenseful and satisfactory supporting celluloid that will<br />

generate no great number of squawks from the actionmarket<br />

ticket buyers who are apt to encounter it on the<br />

nether side of a dual bill.<br />

Aubrey Wisberg both wrote and<br />

, ,<br />

produced<br />

,i.<br />

the<br />

x-i<br />

tilm, a<br />

reasonably substantial credit for him in both chores. The<br />

whodunit facet of the story is developed with adequate<br />

plausibility and finishes with fewer loose ends than is<br />

usually the case in such cops-and-crooks plays. Under able<br />

direction by Edgar G. Ulmer, performances are acceptable.<br />

In the distaff topline is Barbara Payton, a bit on the baggy<br />

side and displaying only traces of the celebrated sex aPPeal<br />

that for a time made her one of Hollywood s more luridly<br />

publicized femmes fatale. Nevertheless, her name may be<br />

helpful on the marquee and in advertising. Paul Langton,<br />

as the rag-bone-hank-of-hair copper and his superior, Robert<br />

Shayne, are both convincing and restrained.<br />

La Payton a nightclub singer, is convicted of murder on<br />

purely circumstantial evidence. As Langton, who had originally<br />

arrested her, is taking the girl to prison, she spots from<br />

the train window the man she was found guilty of having<br />

killed Langton believes her and, on impluse, leaps off the<br />

train with her to launch a search. Following up a series of<br />

s'ender clues, he at length unravels the mystery and is<br />

awaiting with a marriage license when she is freed.<br />

F<br />

aDl<br />

Too Young for Love A sta:''..<br />

"'""'<br />

IFE Releasing Corp. 88 Minutes. Rel. April '55<br />

The rather touchy subject of adolescent love between two<br />

15-year-olds, which results in an illegitimate child, has been<br />

handled with sympathy and good taste in this Italian drama,<br />

which has been dubbed into English. Although there is<br />

nothing objectionable in the story treatment, the film remains<br />

adult fare—not suited to those under 16 years of age.<br />

Aldo Fabrizi (remembered from "Open City" and other<br />

notable Italian imports) will be a marquee name in the art<br />

houses.<br />

Adapted from a well-known French play, "Mother Nature,"<br />

by Andre Birabeau, the picture has been directed with<br />

understanding of adolescent problems by Lionello De Felice<br />

and splendidly acted by Pierre Michel Beck (he recently<br />

scored in a similar role in "The Game of Love") and Marina<br />

Vlady, who is extremely appealing as the shy little daughter<br />

of a petty thief who responds willingly to the love and<br />

advances of the boy. Fernand Gravet and Xenia Valderi<br />

are excellent as the boy's quarreling parents, who are<br />

blamed for his seeking affection elsewhere. Produced by<br />

Niccolo Theodoli.<br />

Pierre Michel Beck, the 15-year-old son of Fernand Gravet<br />

and Xenia Valderi, who quarrel so much that they have<br />

little time for their son, meets Marina Vlady, the 15-year-old<br />

daughter of Aldo Fabrizi, a petty thief who is often in jail<br />

for his crimes. When Pierre's parents learn he has been<br />

missing classes, they decide to send him to boarding school<br />

but he and Marina, whose lather is being led to prison<br />

again, have a few hours together before they are separated.<br />

Several months later, Pierre runs away from the school to<br />

join Marina, whom he learns is to have a baby. Permitted<br />

to take his final exams, Pierre interrupts them when he<br />

learns Marina's child has been born. When she dies in<br />

childbirth, Pierre's parents are horrified at their neglect of<br />

their son and they decide to adopt the baby.<br />

Pierre Michel Beck, Marina Vlady, Aldo Fabrizi, Fernand<br />

Gra-7fl/, Xenia Valderi, Lauro Gazzolo, Massimo Pianiorini.<br />

CATOhLINES:<br />

The 'Iruth About Adolescent Love . . . Teen-Agers Commit<br />

the Crime But Their Elders Are Really to Blame . . . Fifteen-<br />

Year-Olds Find Affection and Love—With Tragic Consequences<br />

. . . Startling and All of It True.<br />

Paramount<br />

SHORTS REVIEWS<br />

Hide and Shriek<br />

(Casper Cartoon)<br />

7 Mins.<br />

Good. A new ghost character is introduced and adds a<br />

lot of pep to the film. He is Spooky, a young ghost who,<br />

unlike Casper, wants to scare people. Mama Ghost appears,<br />

too. Casper concentrates on trying to curb Spooky, who<br />

frightens livestock as well as people, and finally has to do<br />

some terrifying himself to teach Spooky a lesson.<br />

Nurse to Meet Ya<br />

Paramount (Popeye Cartoon) 6 Mins.<br />

Good. Popeye and Bluto compete for the affections of Olive<br />

Oyl who in this little item is a nursemaid complete with baby<br />

and carriage. Since the baby cries when not being entertained,<br />

they alternate in amusing it at the expense of the<br />

other, with Popeye getting the worst of it until he is able<br />

to reach the inevitable can of spinach.<br />

Here's Hockey<br />

RKO (RKO-Pathe Sportscope) 10 Mins.<br />

Good, Hockey, the teeth-rattling, bone-banging favorite<br />

game of Canada, receives an excellent showing for its many<br />

fans. We see the Detroit Red Wings battle the Canadians in<br />

Montreal's Forum, where Jean Marc Beliveau analyzes his<br />

particular goal, and some small-town hockey, where the<br />

juvenile teams play with skill and spirit in such towns as<br />

Smith Falls and North Bay. Good fare for the sports-lovers.<br />

Mississippi Traveler<br />

Warner Bros. (Special) 17 Mins.<br />

Paul Langton, Barbara Payton, Robert Shayne, Tracey<br />

Roberts, Roy Gordon, Selena Royle, Kale McKenna.<br />

Good. Picturesque scenes of a trip by water the length of<br />

the Mississippi river. There are pauses for visits to such<br />

landmarks as the statue of Mark Twain and the house where<br />

CATCHLINES:<br />

.<br />

, „. ^ e r<br />

One Look From a Speeding Train, One Scream 1-rom a<br />

Tom Sawyer was supposed to live, and at St. Louis, Natchez,<br />

Friahtened Girl, One Chance to Turn the Tables on Murder<br />

Minneapolis, St. Paul and New Orleans. An abandoned<br />

Killers Were His Business—and Behind Every One<br />

show boat is seen. The film points up the changes in river<br />

travel.<br />

There's a Woman.<br />

BOXOFFICE May. 7, 1955 1761<br />

1764


; May<br />

I<br />

^'<br />

I<br />

l.nd<br />

I<br />

,<br />

—<br />

ilSc per word, minimum SI. 50, cash with copy. Four consecutive insertions for price<br />

CLOSING DATE: Monday noon preceding publication date. Send copy and<br />

,/ers to Box Numbers to BOXOFFICE. 825 Van Brunt Blvd., Kansas City 24. Mo. •<br />

cueRinG<br />

HELP WANTED<br />

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manager for cimin theutros In Cliicago. Peerless magnarc and HC.A Brtiikeri enarc, 5U<br />

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- Cinema Supply Corp., 602 W.<br />

\nrk 19.<br />

For sale: Une liimm sound KC.\ carbon arc proiecior<br />

nlth recilfler-ampllfli'r-speakcr. Complete<br />

inlt within iiselfl Bargain at $500. Good coniltion.<br />

Guild Theatre. 821 S. W. »th, Portland,<br />

Oregon.<br />

Two Buckingham senior refrigerated water fall<br />

drink dispensers. List pi ice $370 each. Two guaranteed<br />

reconditioned units, $250 each. Andy<br />

Dietz Enterprises. 3142 Olive St., St. Louis, Mo.<br />

4s:*. 50 pair; lenses and screens at<br />

prices. Star Clnem.i Supply. 447<br />

52nd St.. New York 19.<br />

Pair 80 amp Ballantyne rectifiers, practically<br />

new. cost $680. priced $250. Majestic Theatre,<br />

I'liiilipsburg,<br />

rings greater than ever! Super-Simplex<br />

i"''itly rebuilt, one year guarantee,<br />

Simplex rear shutter mechan-<br />

.SJU5 pair; B7 movements, $69;<br />

7


ASHCRAFT<br />

vm<br />

MORE LIGHT<br />

NOW LARGER SCREENS MORE<br />

BRILLIANTLY LIGHTED ARE POSSIBLE<br />

AIR<br />

The ultra high speed optical system of the<br />

ASHCRAFT CINEX, with the new high speed<br />

projection lenses, will produce up to 36% more<br />

light than has heretofore been possible. We<br />

mean-with the same carbons at the same current-<br />

More Light Through Increased Efficiency<br />

CONDITIONED<br />

Powerful built-in twin blowers force cold air<br />

through every part of the lamphouse, mechanism,<br />

both front and back of reflector—and eject the<br />

heat and smoke out the<br />

stack.<br />

Heat is no longer a problem.<br />

BUILT-IN<br />

AIRCOOLED HEAT FILTER<br />

The dichroic heat reflector which removes a<br />

substantial amount of heat from the light beam<br />

is mounted in the air stream inside the<br />

lamphouse front.<br />

INTENSE WATER COOLING OF<br />

CARBON CONTACTS<br />

Both contacts—of<br />

pure silver—are hollow.<br />

Cold water is forced through both contacts by the<br />

^ " automatic water recirculator. No matter how<br />

CINEX 170 IS<br />

hot the arc, the contacts are always cold.<br />

THE FIRST AND ONLY<br />

ALL PURPOSE PROJECTION LAM<br />

PREPARE YOUR THEATRE FOR THE FUTURE<br />

C. S. ASHCRAFT MANUFACTURING CO., INC.I'

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