STrUCTioN - Taschen
STrUCTioN - Taschen
STrUCTioN - Taschen
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
May 2013<br />
Medieval realist<br />
Van Eyck under the magnifying glass<br />
After our sumptuous, XL monographs on Leonardo, Michelangelo, Caravaggio, and<br />
Klimt, TASCHEN now puts Jan van Eyck in the spotlight. Leader of the Early<br />
Netherlandish School and arguably the most important painter of the Early<br />
Renaissance, van Eyck (c. 1390–1441) completely revolutionized the use of oil paints,<br />
allowing for great intensity and depth of color; his own contemporaries were<br />
astounded by the detailed realism of his style and the luminosity of his palette. With<br />
its unprecedented precision (down to the most minute details reflected in the background<br />
mirror), The Arnolfini Portrait is one of the most famous and beloved paintings<br />
of all time. The Ghent Altarpiece is itself a milestone in the history of art; in it,<br />
for the first time, pictorial conventions of the Middle Ages were replaced by a visual<br />
language that is still current today. In his religious paintings in particular, Jan van<br />
Eyck’s ground-breaking realism is married with a symbolism that allowed the artist to<br />
illustrate even the most complex theological concepts in a highly accessible way.<br />
This volume explores van Eyck’s complete life and work in large-scale illustrations—<br />
featuring many enlarged details—setting the cultural and historical scene for the revolutionary<br />
painting and life story of this enigmatic artist. The result is a richly faceted<br />
panorama that looks not just at the content and artistic interpretation of van Eyck’s<br />
paintings, but also at the patrons who commissioned them and the original functions<br />
they were designed to fulfill. Analysis also extends to the production of his assistants,<br />
whose workshop paintings are here presented to a broader public for the first time.<br />
This comprehensive tome is rounded off by a catalogue raisonné of all the currently<br />
known works by Jan van Eyck and his workshop, together with a detailed inventory of<br />
lost works which has been reconstructed on the basis of the literature or later copies.<br />
Opposite and pages 44-45:<br />
Arnolfini Double Portrait (detail), 1434. Photo<br />
© The National Gallery, London/Scala, Florence<br />
Van Eyck. The Complete Work<br />
Till-Holger Borchert<br />
Hardcover, 11.4 x 15.5 in., 306 pp.<br />
978-3-8228-5280-4<br />
$ 150 / CAD 170<br />
XL<br />
Format<br />
,!7ID8C2-ifciae!<br />
— 42 —