Chairside Magazine Volume 2, Issue 1 - Glidewell Dental Labs
Chairside Magazine Volume 2, Issue 1 - Glidewell Dental Labs
Chairside Magazine Volume 2, Issue 1 - Glidewell Dental Labs
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
LMT Technical Strategies Columnist Bill Mrazek, CDT, asks:<br />
WHERE ARE WE HEADED?<br />
Crown S lost points during evaluation because it was returned<br />
on a broken model (left photo) and because there are cracks in<br />
the porcelain on the buccal and lingual surfaces (right photo).<br />
When the fine folks at LMT asked if I would offer a<br />
“real-world” perspective on the restorations in their<br />
crown experiment, I agreed without hesitation. I felt I<br />
had a pretty good grasp of the “levels” of restorations being<br />
produced in our profession. I’ve been a dental technician<br />
for 30 years and a CDT for almost 28 years. I’ve presented<br />
numerous lectures and clinics and written articles for over<br />
15 years. Many of us have looked to Willi Geller, Asami<br />
Tanaka, Lee Culp and others for inspiration, guidance and<br />
education—and continue to learn from them—in an attempt to<br />
continually raise the level of our restorations.<br />
As we know, there remains a range of acceptability in what<br />
we produce. That is not to say that high quality restorations<br />
are not being delivered on a daily basis; they certainly are.<br />
There are also restorations being delivered that are not as<br />
detailed; as accurately fitting; or as anatomically, functionally,<br />
gnathologically or esthetically correct that still fall within that<br />
range of acceptability. Then there are those that should not<br />
be delivered at all. But, in most businesses, there is a market<br />
for everything. Unfortunately, as evidenced from this study,<br />
restorative dentistry is no exception.<br />
First, let me say that my comments are not directed at<br />
specific laboratories, since I do not know where the<br />
restorations were fabricated. I evaluated each crown in the<br />
same categories used by the other dentist- and technicianevaluators<br />
(see Meet the Evaluators on page 36) and used<br />
the same 0 to 10 scale. I looked at each crown three times,<br />
on three different days, to make sure that I was being fair<br />
and consistent. I’ve arranged my observations based on the<br />
judging categories:<br />
Model and die prep (my scores range from 0 to 7.5): Crown<br />
S received a zero because the model was returned badly<br />
broken, as if dropped from a second-floor window (see photo<br />
on page 32). Crown T received the highest score because it<br />
uses one-piece double pins and the model work is neat and<br />
clean. Most of the cases use simple plastic articulators, which<br />
are common, but they allow no protrusive movement and only<br />
limited excursive movements.<br />
In most businesses, there’s a market for everything.<br />
Unfortunately, as evidenced from this study,<br />
restorative dentistry is no exception.<br />
Anatomy (my scores range from 2 to 8): Only Crown T<br />
includes a Cusp of Carabelli, even though there clearly is one<br />
on the 1st molar on the opposite side of the arch.<br />
Contours (my scores range from 5 to 7.5): Almost all units<br />
exhibit a square, boxy, overcontoured shape.<br />
Contacts/embrasures (my scores range from 0 to 8): I gave<br />
two crowns a zero—Crown W and Crown Z—because they<br />
have both mesial and distal open contacts. Crown R and<br />
Crown V have one open contact; the others have varying<br />
degrees of contact, from point to concave design.<br />
Occlusion (my scores range from 2 to 8): Crown R was<br />
totally out of occlusion; the others exhibited good centric<br />
contact, but most had lateral interferences.<br />
Shade/vitality/enamel blend (my scores range from 0 to 9):<br />
Most of the samples are too high in value, the chroma varies<br />
from crown to crown and, the lower scoring units—such as<br />
Crown S and Crown Z—don’t represent the requested A3.5<br />
shade at all.<br />
Stain and glaze (my scores range from 0 to 9): Most of the<br />
restorations have a poor and unrealistic-appearing application<br />
of occlusal stain, and some appear overglazed. I gave a<br />
‘0’ to Crown S because it has cracks in the buccal and lingual<br />
surfaces of the porcelain (see photo on opposite page). Crown<br />
W earned a ‘9’ because it is the only one with surface texture.<br />
Metal design/polish (my scores range from 0 to 9): Crown<br />
Z earned the ‘0’ since it did not follow the Rx request for a<br />
metal collar. The highest scores were given to those crowns<br />
that exhibit the narrowest collar at the buccal margin (such as<br />
Crown U).<br />
Accuracy of fit on die (my scores range from 0 to 9): I gave<br />
seven of the nine crowns scores of 2 or less; four of them<br />
received a ‘0’! (The two that fit the best—Crown X and Crown<br />
Y—earned a 9 and 7.5, respectively). To me, this is the most<br />
amazing aspect of the experiment, as the prep is ideal and has<br />
margins that could be read in the dark. Some of the crowns<br />
fit very loosely on the die, others have open margins, short<br />
margins, or over-extended margins that could be easily seen<br />
without any form of magnification!<br />
Final analysis: In my estimation, the clinical acceptability of<br />
Crown X and Crown Y is questionable; the remaining crowns<br />
are, without a doubt, undeliverable.<br />
In all fairness, nine samples don’t constitute an accurate<br />
representation of the work being done by the entire dental<br />
laboratory profession. But doesn’t it seem reasonable to<br />
expect that there would be at least some higher scores than<br />
we see here? Obviously, the laboratories in this experiment<br />
Nine samples don’t constitute an accurate<br />
representation of the work being done by the entire<br />
profession. But doesn’t it seem reasonable to expect<br />
that there would be at least some higher scores?<br />
sent back a product that they felt was an acceptable<br />
restoration. If these restorations are accurate representations<br />
of what they produce on a regular basis, it means their<br />
products are being accepted and delivered on a regular<br />
basis.<br />
My greatest concern is not directed at those laboratories in<br />
the experiment, but actually at the level of acceptance that<br />
apparently exists in our profession—a level of acceptance<br />
that is a shared responsibility between the dentist and the<br />
laboratory.<br />
Crown<br />
Model &<br />
Die Prep<br />
Anatomy Contours Contacts/<br />
Embrasures<br />
I truly hope that restorative dentistry can remain a respectable<br />
profession rather than becoming strictly a “business<br />
arrangement” between the dentist and laboratory, primarily<br />
based on price and turnaround time. Once we reach that point,<br />
our restorations are nothing more than a manufactured commodity.<br />
Ultimately, it is up to each of us to determine where<br />
we are headed. In what direction do you want to go? Í<br />
Occlusion<br />
Shade/<br />
Vitality<br />
Bill Mrazek, CDT, is the owner of Mrazek<br />
Prosthodontics, Ltd. and Mrazek Consulting<br />
Services in Naperville, Illinois. LMT is grateful<br />
to Bill for lending his creative input during<br />
brainstorming for this experiment, as well as<br />
for his technical expertise during its planning<br />
and execution.<br />
AVERAGE SCORES RECEIVED BY EACH CROWN IN ALL CATEGORIES<br />
Stain &<br />
Glaze<br />
Metal<br />
Design/<br />
Polish<br />
Accuracy<br />
of Fit<br />
on Die<br />
CROWN R 3.9 1.5 2.9 2.0 1.8 2.8 3.6 4.5 1.5<br />
CROWN S 3.5 4.9 4.5 6.0 5.7 5.1 5.6 6.6 2.6<br />
CROWN T 4.5 5.1 5.0 4.6 4.7 5.4 6.2 6.3 1.5<br />
CROWN U 2.3 2.7 3.0 4.7 3.9 3.6 5.1 3.6 1.9<br />
CROWN V 5.9 5.7 6.0 6.4 5.8 7.0 6.6 6.7 4.0<br />
CROWN W 5.9 4.6 4.5 4.3 5.2 4.4 4.4 5.0 4.3<br />
CROWN X 5.2 3.5 3.1 3.9 3.6 4.0 4.1 5.0 6.7<br />
CROWN Y 4.6 4.5 3.6 3.7 3.2 4.3 4.6 5.0 6.2<br />
CROWN Z 3.4 4.2 4.1 2.7 4.2 4.8 5.6 2.5 3.2<br />
LMT’s Crown Experiment 2007 LMT’s Crown Experiment 2007