23.09.2014 Views

Boxoffice-Feburary.03.1958

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

FEBRUARY 3. 1958<br />

Ot I<br />

Mont<br />

OUT


IT MAKES THE Bit J<br />

J^i^<br />

\<br />

IV .<br />

^^.r^A<br />

K><br />

\iL<br />

^^<br />

H**-^


SCREEN BIGGER r<br />

Oet acciuaiiitefl<br />

wilh-'UNDEliVVATER<br />

WAKKlOir: lis different, unique!'<br />

It packs llie biy Cinemascope screen<br />

with (icket-sellinp: novelty, action<br />

romance anfl unbelievably perilous<br />

and beautiful underwater scenes<br />

filmed in authentic locations. It's'<br />

dynamite!<br />

Here are the daredevil exploits of the<br />

Underwater Demolition Team, up to<br />

now one of our country's carefullyguarded<br />

secrets. The nerve-tingling<br />

story was inspired by the actual<br />

death-defying lives of U.D.T. heroes!<br />

Dan Dailey delivers a superb performance<br />

and watch for a new<br />

eye-full, Claire Kelly.<br />

Go overboard on "UNDERWATER<br />

WARRIOR"!<br />

M-G-M Pintttti<br />

With JAMES GREGORY •<br />

AndN.-o.,,<br />

j/i^ARR^OR<br />

'•i<br />

tmemjScope<br />

DAN DAILEY<br />

ross mart.n<br />

.CLAIRE KELLY<br />

o.r«.«...<br />

ANDREW MARTON.P,^^^, VAN TORS<br />

An M C M RdtiM<br />

RAYMOND BAILEY<br />

MGM<br />

BACK ON<br />

TOP IN


No woman can give more than the gift of love!<br />

Lauben Bacall<br />

Robert Stack<br />

. . backed<br />

A motion picture for everybody'<br />

to fall in love with .<br />

by the big national impact of<br />

VIC DAMONE in his hit recording<br />

of THE GIFT OF LOVEI<br />

CZirsiE:r\^yvSc:o(=>E m.<br />

n»niii,f •'! r., (^ '•( f


. UA<br />

'<br />

"VTCMER<br />

' w<br />

> M.<br />

-•«FW'V«<br />

e r/f/^e o^fAe ///r/i'on M'cfuie /tu/uAh^<br />

HE<br />

NATIONAL FILM WEEKLY<br />

P^M SHLYEN<br />

:nd Publish*:<br />

rnall< BI<br />

i*«r Jatt law. 1*41 urtffttr m<br />

IMai'Aaa BrlaMi Bjctitn Tvnmw<br />

MM' «nm M WVlta. ni * nil<br />

4aa CHIT. SIS . sit tt^t-<br />

. WHatn i. rnstMl I MM<br />

(llaML Or* AraaM Mwtr Jaomal<br />

'<br />

nwa Bwnti. Sl«« Ba«iillii-r. it lias lu-ni with tinrxliihiliir<br />

frmn llu- tla\ nf ihr first nirkcliiilciui.<br />

Vol. of all the various tcchniiiurs dovisfd to<br />

iililizr the movie pass, none has hocii so<br />

sptM-lacular nor as extensive, nor aimed at greater<br />

overall servire tn the indn-trv. as the mass<br />

"sampling" undertaken in rerenl innnths hv exhibitor^<br />

in Detroit.<br />

.\s reported in the January 20 issue of H().\-<br />

OKFICK, more than 400,000 passes were distributed<br />

in the rampaign to get more people<br />

back in the theatres, partiiiilarly those backsliding<br />

moviegoers who hadn't been to a theatre<br />

in several vears. Ihe rampaign woikeil. and it<br />

is a su|>erb example uf what a group of exhibitors<br />

ran do on their own lueal-Ievel initiative, without<br />

wailing for national business-building promotions<br />

to stir them into aetivity. .As Harold Hrown,<br />

president of I nited Detroit Theatres, who s[»earheaded<br />

the rampaign, told lii« fellow exhibitors:<br />

"The only wa\ we lan get the average non-moviegoer<br />

baik is by giving him a sample of our<br />

produet." The mass sampling proved the point.<br />

Thousands of Detroiters turned up at theatres,<br />

admitting they hadn't been to a movie in<br />

vears and expre--ing surprise and great pleasure<br />

at the tremeiidou- strides in the overall ipiality<br />

of pieture entertainment. From this alone. Detroit<br />

exhibitors learned thev had been taking<br />

for granted so manv of the fine qualities nf their<br />

merchandise that they had been forgetting to<br />

nroj>erl\ sell. They discovered thai .selling sueh<br />

ba«ie movie facts of life as color, stereophonic<br />

Miund and the widescreen scopes must remain a<br />

dav-to-dav job. But. most of all. thev found<br />

what real strength there is in working together,<br />

how nuirh thev can arromplish for them.«'<br />

bu«inejw-building campaign, there are many<br />

thing" that exhibitor*, indiviflunllv and collerlively,<br />

can do for ihemvhe* nt the liM.d level.<br />

A» we frequently have ainled, regardlewt of what<br />

is done in the overnll nnlional camiKiign. the<br />

poinl-of-ss by theatre "links" at<br />

the local level will make for greater strengthening<br />

of the whole "chain" nalionallv.<br />

Trailers Sell Pictures<br />

.At<br />

an open forum during a national exhibitor<br />

a.ssncialion convention, the subject of attendance<br />

stimulation was being tlioroiighlv explored. During<br />

the exchange of opinions by the delegates,<br />

one exhibitor got to his feet and, in effect, said:<br />

"Let's face it. There are many ways lo attract<br />

patrons and make them repeat customers, but<br />

vouve got to admit that the most effective<br />

medium is the trailer. 1 kimw that I couldn't gel<br />

almig withnut them. I stopped running trailers<br />

once, but it was a co.slly error of judgment."<br />

Two recent surveys have given further evidence<br />

of the value of the coming attraclions<br />

trailer. Sindlinger & (!o. re|>orled that for every<br />

Sl.OOO taken in at the average theatre. S129 of<br />

that amount comes from |>ersons who are dirtxtly<br />

influencetl bv a trailer. Opinimi Hesearch ('orp.,<br />

which made a general industry survey for the<br />

Motion Picture .Aw'n of .America, re|M>rled thai<br />

the "reliabilitv index lof trailers i is far higher<br />

than that of any other medium, including newspapers."<br />

Trailers are the show wiiuluHs of the thcalr<<br />

They are the one and only way in which i<br />

patron can do his entertainment window shopping.<br />

It's harillv likelv that Macv's or liimltel's,<br />

or anv depnrlmcnl •tme. woiilil board up its<br />

fronl.s on the ihenrv that it was saving v«indow<br />

drnvsing cx|ieiisr. Window displays sell merchandise,<br />

Trailei" .ell pictures.


AN UPSWING IN ATTENDANCE<br />

REPORTED BY TOP CIRCUITS<br />

Interstate Ticket Sales<br />

First Week in January<br />

Up 50,000 Over '57<br />

NEW YORK—The oldest<br />

bromide In the<br />

business is •biu pictures do biK business."<br />

but there was a time late last year, according<br />

to showmen, that not even the big pictures<br />

were doing the kind of business expected<br />

of them.<br />

However, the situation appears to have<br />

changed since Januar> 1. with the top quality<br />

product drawing the heaviest patronage in a<br />

long lime, a checkup revealed last week. In<br />

fact, a general uptrend was noted in the<br />

answers to questions asked of cijcuit executives.<br />

htki) prices no deterrent<br />

Robert J. OXtonnell. general manager of<br />

Texas Interstate, who was in New York, was<br />

particularly enthusiastic over the upswing<br />

since the first of the year in the theatres of<br />

his circuit. He said that in the first week<br />

of the new year, his circuit had 50,000 more<br />

paid admissions than it had in the corresponding<br />

week of 1957. Among the pictures<br />

cited as doing outstanding business by O'-<br />

Donnell were "Sayonara." "Old Yeller," "A<br />

Farewell to Arms." "Raintree County" and<br />

"Peyton Place." He said that admission prices<br />

were increased on these pictures, but there<br />

were no complaints from the customers.<br />

S. H. Fabian, president of Stanley Warner,<br />

citing the same pictures plus "Pal Joey" and<br />

"Don't Go Near the Water," said there had<br />

been a boost in business on that type of product.<br />

Harry Mandel, advertising manager of RKO<br />

theatres, reported above normal business on<br />

those pictures, noting that the increase<br />

started on Decemljer 22 and held up strong<br />

throughout January.<br />

A .spokesman for Walter Reade Theatres<br />

described business as being "great," attributing<br />

it to "the product we are fortunate<br />

enough to be playing." He gave .some credit,<br />

too. to the fact that there had been no recurrence<br />

of last year's adverse weather conditions<br />

He said no change in operations<br />

could have been responsible because operations<br />

had remained unchanged.<br />

HKSPOMUNG TO NEW FILMS<br />

The comment of Shea Enterprises was brief<br />

and to the point: The public is responding<br />

well to the nev pictures."<br />

A spokesman for Associated Prudential<br />

Theatres said. In regard to the future, that<br />

"It looks encouraging If the companies will<br />

keep the big ones coming and stop selling<br />

to TV."<br />

Emanuel Prlsch of Randforce Amusement<br />

Co., which operates neighborhood hou-ses In<br />

New York, polnfpcl out that big circuit buslne-v*<br />

wttA ii; their hoases had been<br />

plBVlns' bl whirh not yet wcri'<br />

.I' res. How-<br />

. . first big,<br />

new picture. Pal Joey,' antl it did »o well<br />

Jack Warner Believes Industry Can<br />

Look to the Future With Confidence<br />

NEW YORK—Warner Bros, will make the<br />

largest investment in specific motion picture<br />

properties in its history during the next fewmonths,<br />

according to Jack L. Warner, president.<br />

Big productions are in the offing.<br />

"The motion picture<br />

industry can look to<br />

the future with -confidence."<br />

Warner<br />

stated last week in<br />

New York where Inhas<br />

been h o 1 d i n u i >.<br />

policy meetings with I<br />

Ben Kalmen-son. executive<br />

vice-president,<br />

and other officials.<br />

"The proof lies in the<br />

fact that important<br />

pictures are winning j^^^ ^ Warner<br />

more public interest<br />

and doing better business than films ever<br />

have done before."<br />

Warner said that "Giant" and the current<br />

"Sayonara" were two of the most successful<br />

boxoffice pictures in company history. He said<br />

the company was supporting its belief in the<br />

industry with a policy of continuing investments.<br />

In recent weeks, more than $1,500,000<br />

had been invested in four important story<br />

properties; "The Dark at the Top of the<br />

Stairs." the William Inge new hit play: "A<br />

Summer Place." Sloan Wilson's new novel:<br />

Edna Ferber's "Ice Palace" and Marcel Pagnol's<br />

"Fanny." to be produced by Josh Logan.<br />

Condemning "publicity space-seekers"<br />

whom he described as "undermining an important<br />

industry." Warner charged that<br />

"these people who shout about every weakness,<br />

while keeping silent about all the strong<br />

pKilnts in our industry, are not representative<br />

of the film busine.ss and are not entitled to<br />

that the circuit is taking an optimistic view<br />

of the future with its upcoming top pictures.<br />

American Broadcasting-Paramount Theatres<br />

reported "very good" business since<br />

the first of the year, "due to good solid entertainment."<br />

Ernest Emerling, advertising manager of<br />

Loew's Tlieatres, said there had been a definite<br />

upswing since Just before Christmas.<br />

The lncrea.se started prior to the holidays<br />

and has continued. The bigger pictures, he<br />

.said, were doing as good a.s they ever did. He<br />

expressed the opinion that the "bottom of<br />

the pit" has been reached and that business<br />

can go nowhere but up.<br />

SW Declares Dividend<br />

NKW Vi 'liK riic board of Stanley Warner<br />

Corp. has declared u dividend of 25 ct'iits a<br />

share on the conunon stock, payable February<br />

25 to stockholders of record February 10.<br />

-speak for it. With their one-sided statements,<br />

they are looking to steal for themselves the<br />

spotlight which is focu.sed on our Industrj'.<br />

But their distortion of the rounded and complete<br />

picture merely damages their own best<br />

interest."<br />

Warner stated that many changes are taking<br />

place in the industry, pointing out that<br />

the public had developed higher values in<br />

entertainment and culture and that "we who<br />

create and supply the films for this public<br />

must keep pace with these public advances:<br />

that is precisely what the responsible leaders<br />

of the industry are doing." Likewise, there is<br />

a need to revitalize the industry's traditional<br />

.showmanship methods of promoting pictures<br />

so that Interest in films can be .solidified and<br />

extended, he added.<br />

"By bringing the highest quality motion<br />

pictures to the screen, we will keep faith<br />

with the public upon whom our industry depends."<br />

Warner said. "It is jjerfectly obvious<br />

that people ever>nvhere want better entertainment.<br />

That is evident from the fact that<br />

even free television programs are not viewed<br />

if they are of inferior quality. We must produce<br />

every higher quality motion pictures to<br />

attract greater audiences to the theatres and<br />

it is towards this goal that we are concentrating<br />

our efforts."<br />

Warner advocated "a policy of modernization<br />

and flexibility, keeping our industrjin<br />

step with our economy and our times."<br />

He stressed the development of new talent,<br />

combined with the fullest utilization of top<br />

stars. He noted that "Sayonara" presented<br />

players in leading roles who made their<br />

screen debuts in that picture. His confidence<br />

in the future, he concluded, was expressed in<br />

the long-range program of important films<br />

which Warner Bros will relea.se<br />

Paramount to Increase<br />

Production for 1958<br />

HOLL'i'WOOD— Pajainouiil studio head Y.<br />

Frank Freemaji disclosed that the studio Is<br />

increa-sing its production -schedule to 22 films<br />

this year— three over the 1957 total. In announcing<br />

the schedule. Freeman said that<br />

the major problem in outlining the year's<br />

slate is the shortage of top stars.<br />

Tlie executive stated that Paramount is<br />

planning from 14 to 16 films In tlie topbudget<br />

bracket and five or six In Uie medium<br />

to lower cost brackets. "Most of our deals."<br />

he said, "will be made with units associated<br />

with Paramount, such as Perlberg-Seaton,<br />

Shavel.son-Ro.se. Panama-Frank and Cecil B.<br />

DeMllle." He added that "major studios will<br />

no longer operate as in the old days, turning<br />

out pictures with contract producers,<br />

writers, directors and stars. Instead, we will<br />

make the deals with what ai-e called the 'independents'<br />

and bring thom In on a participation<br />

basis."<br />

BoxorncE Pebruarj- 3. 1958


In all the 50 years of motion picture<br />

history, more stories have been filmed<br />

about the vast West than any other subject<br />

Now comes the Western that<br />

heads 'em all off at the pass!<br />

'or here is the legendary West<br />

as it really was, captured<br />

in all its beauty. . . all its<br />

)rutality. . . its strength!<br />

Here at last is the epic<br />

of the real American<br />

from Columbia<br />

n


THE EPIC OF THE REAL AMERICAN<br />

^7J773<br />

*i<br />

(<br />

V<br />

^«r«*<br />

I<br />

STARRING GLENN FORD JACK r^-~\s~<br />

z i^ i^^«-- m\


^<br />

Reece — The ruthless.<br />

reckless cattle baron.<br />

He treats cowboys<br />

Maria—The senorita from<br />

south of the border<br />

. . .yearning for<br />

excitement ... and love!<br />

;i


. >wn>anshlp<br />

I<br />

More Showmen Pledge<br />

Academy Awards Aid<br />

ipport of U»p Acntloniy<br />

:.:..:. h 28. uccordlnB l Ui 'riumvlrate. said:<br />

\ liwst the industry has Its own TV<br />

*. itiui ue plan to exploit It wltlt all the<br />

at our command in every there<br />

In the circuit. I am convinced Uial If<br />

• show hAs the enthusiastic promotion oi<br />

.r entire Industr)', the results will bo most<br />

.vardlnK to all "<br />

David B Wallerstetn. president of Balaban<br />

Kau and Great States Theatres in Illlj.<br />

said:<br />

This year's Academy telecast Is what we've<br />

Ad wanted—so let us back It for all It is<br />

worth "<br />

Henr>- G. Plltt. president of Paramount<br />

Gulf Theatres of New Orleans, said:<br />

The exhibitors' gratitude for our Indus-<br />

;. s sponsorship of this great annual television<br />

event should be expressed by an all-out<br />

enthusiastic approach pointing with pride to<br />

this as 'our show.'<br />

putt Is chairman of the Theatre Owners<br />

of America committee to tie in with the<br />

Academy Awards and develop new person-<br />

•les,<br />

syd Gates and Carlton Duffus. president<br />

dad executive secretao'. resp>ectlvely, of the<br />

Virginia Motion Picture Theatre Ass'n. are<br />

co-chairmen of the Virginia committee, which<br />

al9o consists of Seymour Hoffman of Richmond.<br />

Jeff Hofhelmer. Norfolk; P W. Westfall.<br />

Martinsville: Jack Rumsey. Covington;<br />

Prank Stover. Alexandria; Morton G. Thalhlmer<br />

jr. Richmond; Leonard Gordon, Newport<br />

New.'i; Sidney L Bowden. Norfolk; D. F.<br />

Aleshlre. Luray; Floyd Stawls. Richmond:<br />

R G. Flanary Jr.. Richlands. and Paul Roth,<br />

Silver Spring<br />

M H Chakeres of Springfield has accepted<br />

appointment as a member of the Ohio committee<br />

His theatres which have pledged cooperation<br />

are the Regent. State and Majestic.<br />

Springfield: Gloria. Urbana: State. London;<br />

Xenla. Xenla; Murphy. Wilmington; Payette.<br />

Washington Court House; State. Greenville:<br />

Colony, Hlllsboro. Sidney. Sidney; St. Mary's.<br />

at Mary's, and Cellna, Cellna.<br />

Tbe Wisconsin chairman Is Ben Marcus,<br />

president of Allied Independent Theatre<br />

Owners, who has pledged the support of at<br />

least lOO exhibitors in that state The chairman<br />

for Kansas and western Missouri Ls<br />

Richard H. Orear. executive vice-president<br />

of Commonwealth Theatres, who has reported<br />

the support of the circuit's 80 theatres.<br />

"= Pbx Midwest theatres and Allied and TOA<br />

rional heads. M B Smith, president of<br />

..< Kansas- Mlaaourl Theatre Ass'n, has pcrmally<br />

pledced his aid.<br />

Fcm Magazines Will Help<br />

To Push Awards Telecast<br />

NK"\V YORK nv motion picture fan<br />

.tgazines have pledged themselves to pro-<br />

>le the March 36 telecast of Academy<br />

Awards as the result of a recent meeting held<br />

by Ro«er H Lewis of United Artists, chairman<br />

of a special promotion committee, with<br />

editors and publishers at the Motion Picture<br />

Ass'n of America<br />

They will devote special space to the event<br />

In their April laraes. on the stands In March<br />

Allied Drive-In Banquet<br />

To Hear Joseph R. Vogel<br />

WASHINOTON-Joseph R Vu.. .<br />

,„<br />

. .,.;. ;.<br />

of Loew's, Inc , will addre.s.s the February 13<br />

banquet of the 1958 National Allied drlve-lii<br />

convention at Louisville. Tlie announcemcni<br />

was made Tuesday i28i nt National Allle


"Are you so lonely,<br />

you have to buy<br />

your friends?"<br />

r n<br />

Sorry we couldn't fill all dates<br />

for January 30th release!<br />

"You were dirt<br />

when I found you!'<br />

AVOID BEING DISAPPOINTED AGAIN<br />

SET YOUR DATE NOW<br />

FOR FEBRUARY AND<br />

MARCH ENGAGEMENTS!<br />

This one's really roUin'. .<br />

rockin' 'em everywhere!<br />

. and<br />

JOHN MclNI|.


I<br />

Today's new<br />

singing idol<br />

of the<br />

nation...<br />

launched<br />

by 20th<br />

the same way<br />

we brought<br />

Elvis<br />

and<br />

Presley<br />

Pat Boone<br />

to the screen.<br />

with<br />

strong story!<br />

sensational<br />

songs'<br />

sure-fire<br />

showmanship<br />

Sample of the sock<br />

ad campaign!<br />

Sj^ Get the press t>ookl<br />

mt OkkM »t HENRY EPHRON. scH^.,^ CLAUDE BINYON<br />

c ao^so


says<br />

—<br />

PuUeScaU<br />

TOA President Polls Board<br />

On Business-Building Plan<br />

&nest G. St«IUn«s checlclni; by telephone<br />

for oplnloiv


'<br />

r "iPttk<br />

:i prnnlttrd publication of the SlndllnKcr<br />

;. us tJuTC wa-s dispute over the con-<br />

'II drawn by SlndUnger.<br />

r. C Rhoden. president of Natlona) Thektrvs.<br />

Inc. said he did not think tlieatres<br />

»ere In for "ftnancinl doom" becaase the<br />

old films were bein« sold to television. T1>e<br />

bic pictures released in recent weeks, he<br />

aatd. h«ve resulted in a decided txMst to the<br />

rflce The drop which National Thcexperlenced<br />

in the final 1957 quarter<br />

-. :. -.tcmmed. he s;ild. addlntt that pub-<br />

• :i--.e to "dlstlttculslied entertainment<br />

:: :.:; indicates that strong pictures will<br />

,. ..'le film tlieatres to compete with home<br />

T\'<br />

From Samuel Einftel. president of the Screen<br />

producers Guild, and a leader In the flftht<br />

to keep post-1948 films away from TV. came<br />

the comment that there was nothing new<br />

If. '.he Smdlinger report. Actually, he said,<br />

urvey merely Italicized what the guild<br />

said In a statement l&sued In December.<br />

At that time. Engel said: "The guild recocnlies<br />

the Inherent rights of all per.'ions<br />

who have been associated creatively with<br />

these pictures. In participating m whatever<br />

proceeds they may one day earn on the television<br />

screens, but It Is of the firm opinion<br />

that It Is m the best interests of all persons<br />

enagaged in our industry that a concerted<br />

rff >rt be made to bring a halt of thLs suicidal<br />

. )d of distribution, which Is nothing<br />

.c or less than a quick buck' method of<br />

liquidation of valuable assets."<br />

'Missouri Traveler' Set<br />

For K.C. Benefit Date<br />

.NEW YOHK C" V WUllllcy .- "rhe Ml.ssourl<br />

Traveler." the Technicolor film starring<br />

n de Wilde. Lee Marvin and Gary<br />

11, will open at the Uptown Theatre.<br />

City, in a benefit for the Optimist<br />

of Greater Kansas City February 4.<br />

proceeds wUl go for the youth work proof<br />

the ao Optimist Clubs, a civic orgamzatlon<br />

compoaed of 1.400 cttizen-s from<br />

Industry, government and educational walks<br />

of life<br />

The premiere wUl be the springboard for<br />

600 theatre saturation in the mld-<br />

Among those who will fly to Kansas<br />

Clly from New York and Holl)-wood for the<br />

lies are de Wllde. who plays the title<br />

Marvin and Paul Ford, who will come<br />

train New York where he Ls featured on<br />

Sergeant BUko TV show. John Burre.vi.<br />

of the novel, who will also fly from<br />

York. Among thwe Invited are: Harry<br />

TYuman. Governor James T Blair Jr of<br />

and Missouri Senators Stuart Symand<br />

Tom C Hennmgs Jr . as well as<br />

Roe Bartlc of Kanaas City<br />

1 chairman of the premiere Is Mark<br />

of the Kan.Mui City Optimist Club, who<br />

ted by C L. Hathaway, paat president.<br />

Rom C. Roach of the downtown K. C<br />

mist Club<br />

Harold Rand, publicity manager of Buena<br />

VUta. and Bob Dorfman. exploitation man-<br />

•Cer. flew to Kansas City January 77 to<br />

npervtie the plans for the rcrtooal openings<br />

SINDLINGER STUDY LEAKED TO PRESS<br />

Fourth of TV Viewing<br />

Going to Old Movies<br />

NEW YORK MixrU reactions greeted the<br />

so-called "secret report" of SlndllnKcr Sc Co<br />

on the state of the Industry and the Impact<br />

of the sale of films to television.<br />

E^chlbltloii In geiuTal hulled the report as<br />

proof of Its contention that the release of<br />

feature pictures to TV was the principal<br />

onu.se for the dip In Uicatre ottondance<br />

Distribution, spokesmen for which were reluctant<br />

to be quoted, appeared to differ wlUi<br />

the resulUs of the survey, although there was<br />

.some acceptjuice of a few of the points which<br />

were brought out.<br />

SlndUnger had made the survey on assignment<br />

from Theatre Owners of America which<br />

had sought to withhold the details from the<br />

press on the grounds that the disclosures were<br />

too downbeat. The data had been gathered<br />

a.s an argument to the distributors against<br />

the sale of plcture.s to television and was designed<br />

to prove that such sales were as detrimental<br />

to distribution as they were to exhibition.<br />

DICKERING WITH PAH.VMOl'NT<br />

Whether (he report will halt the further<br />

release of pictures to tlie air waves appeared<br />

to be problematical. esp>eclally as rumors became<br />

more widespread that Paramount was<br />

on the verge of making a television deal. Reports<br />

lost week were that a deal was near,<br />

the prospective buyers being one of three; Columbia<br />

Broadcasting System or Storer Broadcasting<br />

Co. or National Telefilm Associates.<br />

There also was criticism within the trade<br />

over the withholding of the Information, especially<br />

from the tradepress. which went<br />

along with TOA's request until Bosley Crowther.<br />

film critic for The New York Times,<br />

broke the story In the Monday i27) Issue.<br />

Particularly dl.sturbed by the "leak" to the<br />

press was Ernest Stelllngs. president of Theatre<br />

Owners of America. SlndUnger had made<br />

the study at TOA request and when he had<br />

completed the report. Stelllngs had sent<br />

copies to dl.strlbutors for consideration At<br />

that time. It had been agreed within TOA that<br />

the report would not be made public while<br />

negotiations were under way In an effort to<br />

halt sale of post- 1948 films to TV. Stelllngs<br />

did not dL-ipute the fact that the facts as<br />

publl.shed in The Tlme.s were correct.<br />

Crowlher'.s answer lo Inquiries on where he<br />

obtained the report was that someone In a<br />

"high place" In the Industry had turned It<br />

over to him. In the hopes that publication<br />

would awaken "the Industry to the dangers"<br />

of a TV market flooded with motion picture<br />

features, particularly post- 1948 features<br />

The SlndUnger report disclosed that old<br />

pictures, starting last September, were utilizing<br />

one-fourth of television'.* viewing time in<br />

the United States and that the public was<br />

spending four times as many hours watching<br />

films on their home sets as they were In theatres.<br />

This has meant, according to the survey,<br />

a 7.000.000 drtip In average weekly theatre<br />

attendance in the last quarter of 1967 as<br />

compared with the same period of 19M and<br />

a loM of approximately t50.000.000 In theatre<br />

gromes Blame was placed on the .ihowing of<br />

old pictures on television<br />

One of the moat alarming portions of the<br />

report was In<br />

the summary which stated that<br />

If the post- 1948 picture.", arc released lo television,<br />

It would be a drntli blow to theatres<br />

and to production.<br />

RK.^SONS KOK (iOOU BIJSINKSS<br />

Three reu.son.s were given for the healthy<br />

theatre business from October 1954, through<br />

September 1955, a period described as the<br />

best on a con.solldated basis since 1948. The<br />

reasons were : 1 1 1 the more important stars<br />

had not been seen on television; (2i only a<br />

few old films were being presented on late TV<br />

programs and i3) the public was aware that<br />

the local theatre and the local TV station<br />

were competing for Its attention<br />

The change started In late 1955 when, according<br />

to the suri'cy. the film companies<br />

began putting their own shows on the air<br />

plus the use of film clips. In areas where the<br />

public could -see such .shows as "The 20th<br />

Century-Fox Hour." "MGM Parade. " "Disneyland"<br />

and "Warner Brothers Presents." theatre<br />

attendance dropped 17 to 20 per cent.<br />

Where the public could not see these programs,<br />

grasses rose three to seven per cent<br />

over the same period of the previous year.<br />

With the general release of pre-1948 pictures<br />

from major companies, weekly attendance.<br />

OS an average, was off from 13.5 per<br />

cent to 17.5 per cent In the last six months of<br />

1957. although It had been up from 2 1 per<br />

cent to 6.2 per cent In the first six months<br />

over the first half-year of the previous year.<br />

The survey stated that the public's viewing<br />

time In watching old pictures on television<br />

went up from 86.5 million hours a week prior<br />

to September to 426.2 million hours a week in<br />

December<br />

10 MILLIU.N HISS WtEKLY<br />

In a probe of "talked about" pictures, the<br />

sur\'ey revealed that the percentage of prospective<br />

patrons who thought about going to<br />

the theatre, but did not. increased from 64.6<br />

per cent In tlie la.st three months of 1956 to<br />

76.5 in the last quarter of last year. Slnd-<br />

Unger estimated that In lost admissions this<br />

amounted to a potential $10,000,000 weekly.<br />

Tliose film companies which sold or leased<br />

their pictures to television, the survey pointed<br />

out. took a net loss of 55.300.000 last year.<br />

TliLs figure was reached by estimating the<br />

total sum received by the companies for their<br />

backlog.s as against tiie estimated losses suffered<br />

by the drop In theatre attendance.<br />

If, during the next nine months, the national<br />

level of Uieatre grosses follows the<br />

trend of the last six months, both theatres<br />

and production will be down about 17 per<br />

rent, the report said Based on tiiat figure,<br />

theatres will have on annual Ions in net<br />

gross of t300,000,000: production will loM<br />

73 000 000 m film rentali<br />

Harold Postman Dies<br />

NKW YOltK Funeral serMccs were held<br />

hric Moiulav '27i lor Harold PiwLnian. 50.<br />

A-ii.itAiit to Alan Cumming". miitiiiger of<br />

rxchangr operatlon.t for Ijow's. Inc Postman<br />

died of a heart attack Frtday evening i24><br />

Portly after he left his office for home He<br />

had been with Loew's for many years<br />

BoxorncE PMjruary 3. 1868 15


BETWEEN THE<br />

News Page Ads<br />

THE trend toward off-the-amusementpage<br />

ads for motion pictures may become<br />

more widespread as the result of the<br />

apparent success of the idea as promoted<br />

by both United Artists and 20th Century-<br />

Fox in recent weeks. While the experiment<br />

by 20th-Pox was in the form of inslilullonal<br />

advertising for "Farewell to Arms,"<br />

calling attention to the picture's opening<br />

at the Roxy, and probablj' was a facet in<br />

the overall campaign which gave the film<br />

a smash first week. UA's off-the-amusement-page<br />

ads on "Witness for the Pi-osecution"<br />

could be measured more accurately.<br />

True. UA's ads offered something gratis,<br />

but. at least, they proved that amusement<br />

ads on news pages can get results.<br />

UA spotted display space on pages other<br />

than amusements in the New York newspapers,<br />

announcing that 1,080 "witnesses"<br />

were wanted to see "Witness for the Prosecution"<br />

at a free special preview at the<br />

Astor Theatre at 10 o'clock in the morning.<br />

The readers were asked to send for<br />

tickets. The demand was so great that two<br />

previews, on successive days, had to be<br />

arranged. More than 7.000 letters were received<br />

in six days and a special corps of<br />

girls had to be employed to take care of<br />

the requests.<br />

A response to free tickets might be expected,<br />

but not everybody can go to a show.<br />

free or otherwise, at 10 a.m. UA was specially<br />

interested in observing the type of<br />

people the ads attracted. And they got the<br />

type of people they wanted—business men,<br />

people with personally engraved stationery<br />

and others whose letters indicated intelligence<br />

and culture.<br />

The unusual pre-release preview campaign<br />

was designed to develop word-ofmouth<br />

support for "Witness for the Prosecution."<br />

The ads, placed off the amusement<br />

pages, were in line with UA's recently<br />

announced policy of directing more and<br />

more of its promotional effort to those<br />

segments of the audience that don't regularly<br />

read the amusement pages.<br />

It would be a good idea for exhibitors as<br />

a whole to tap this comparatively heretofore<br />

unused source of getting attention.<br />

Ifs worth a try. And In these days, anything<br />

new Is worth a try.<br />

Passing of Pathe<br />

ri Wii. with ;i ((.••.lilit; of rrniet that wc<br />

noted that the bankrupt Pathe Pictures.<br />

Inc., and all Its assets would go under the<br />

auctloneer'.s hammer in New "York on February<br />

4. The reason for the no.stalgic<br />

pain was that the name Pathe practically<br />

grew up with motion pictures. Of cour.se.<br />

Pathe has not cxl.stfd as a company per se<br />

for many a year, but there has been the<br />

shell and old-timers often still refer to any<br />

newsreel as Pathe News.<br />

LINES<br />

By AL STEEN<br />

Listed for sale via biddmg are not only<br />

films and photographic equipment, but the<br />

trade mark and the name of Puthe. Included<br />

in the properties are 20,000.000 feet<br />

from the Pathe News film library from the<br />

year 1910 to 1957. Also there are 80,000<br />

prints of 16mm musical films of famous<br />

artists. Mitchell cameras, lenses. 16mm and<br />

35mm reels and film cans, printing equipment,<br />

studio equipment and even a 1956<br />

Chrysler sedan.<br />

In case any exhibitor wants to buy up<br />

the films to keep them from going to television,<br />

the auction will take place at the<br />

auctioneering firm of David Strauss & Co..<br />

33 W. 60th St., from 10 a.m. to 4 p.m.<br />

The Drive-in Convention<br />

\X/E'VE been attending the drive-in conventions<br />

ever since Allied Slates Ass'n<br />

inaugurated them several years ago. Speaking<br />

strictly as an observer, we've found<br />

that these conclaves of outdoor theatre<br />

showmen often have been more helpful<br />

than the national get-togethers. The drivein<br />

operators have common problems and<br />

they discuss them seriously and return<br />

home with good advice and valuable information.<br />

And the equipment dealers and<br />

merchandising men have found the exhibitors<br />

who attend the functions to be in a<br />

buying mood.<br />

The 1958 AUied drive-in convention will<br />

open in Louisville on February 10. The<br />

chances are that it will be a success. But<br />

Allied should receive a spanking for not<br />

giving the event more publicity and advertising.<br />

Why keep it a secret? Hardly a day<br />

passes that a prospective booth buyer<br />

doesn't call BOXOFFICE and ask about<br />

the convention.<br />

"Can we still get booth space?"<br />

"What are the exact dates?"<br />

"To whom do w'e write for information?"<br />

These are just a few of the almost dally<br />

questions.<br />

For your information, the dates are February<br />

10-13 at the Kentucky Hotel. Louisville.<br />

Ky. Tlie man in charge is E. L. Ornstein.<br />

Allied Theatre Owners of Kentucky.<br />

427 South Third St.. Louisville. Ky.<br />

That's all we know<br />

Broadway Joke<br />

COME lulk.s think and perhaps rightfully<br />

so—that we partially licked thidepression<br />

of the 1930s by klddln« it So<br />

miiybe this Joke which Is beliiK lold regularly<br />

on Broadway won't be taken as downbeat.<br />

It seemti a patron teleplioned the manager<br />

of a Broadway theatre and asked<br />

wlint tlmi- the feature picture would go on.<br />

The miinaKer replied. "What time can<br />

yo« get here?"<br />

R. I. Solon Demands<br />

Midnight Show Ban<br />

PKOVIDENCE—A bill to prohibit any<br />

motion picture or .'stage production In any<br />

Rhode Island city or town from starting<br />

after 10 p.m.. except by special perml.sslon of<br />

local licen.slng authorities, has been introduced<br />

in the General Assembly by S«n<br />

Primo lacobuccl (D.i. The bill was referred<br />

to the Judiciary committee.<br />

The senator said he was prompted to Introduce<br />

the measure by reading newspaper<br />

ads heralding midnight horror shows. He<br />

pointed out that such advertising Is aimed to<br />

attract teenagers to the theatre, abetted by<br />

offers of free photographs of Juvenile motion<br />

picture "idols." He said that the fact that<br />

the hour of show was midnight contributed<br />

to juvenile delinquency.<br />

James H. Donnelly. Republican floor leader,<br />

has said that he would oppose the bill If It<br />

reached the Senate floor.<br />

There are two schools of thought on the<br />

subject in the state. Many theatre managers<br />

have been commended for running these<br />

shows, especially on Hallo^'een and other<br />

special nights, as a factor In keeping teenagers<br />

off the streets and from getting Into serious<br />

mischief. Even the police have praised efforts<br />

of local exhibitors to entertain prospective<br />

mischief-maker.s. The other \iew Is that too<br />

many .such midnight shows encourage teenagers<br />

to keep late hours.<br />

Top Simultaneous Runs<br />

Boosted by Columnist<br />

MEMPHIS— It's possible that the theatre<br />

owners who have been camp>aignlng against<br />

what they call feast-or-famine distribution<br />

policies, won't be as happy to have the good<br />

pictures spaced out as they think they will,<br />

comments Edwin Howard, amusements editor<br />

of the Press-Scimitar, in hi.s recent Front<br />

Row column.<br />

"One veteran Memphis theatre owner has<br />

a theory that more people will see each of<br />

five good pictures showing simultaneously In<br />

town than will see the same five films showing<br />

one at a time.<br />

"Moviegolng is contageous." he contends<br />

"And when you get three or four or five top<br />

films downtown at once, you get an epidemic<br />

of moviegoing. Everybody starts talking about<br />

movies, and the next step is for ever>-txKly<br />

to start going to the movies again More people<br />

come downtown when there are .several<br />

good movies on. A lot of them don't care<br />

which film they see. They know tliat if they<br />

can't get into one theatre, they can get Into<br />

another, and still see a good picture<br />

"I estimate that the five downtown theatres<br />

did a total buslne.ss of $100,000 during<br />

the two weeks following Christmas If each<br />

theatre had played it.s same picture while the<br />

others played Junk. I'll bet Uie grosses would<br />

have been considerably les-v"<br />

Salesmen Set Convention<br />

NEW '^'ORK Tlie Motion Picture Salesnifii<br />

cli-piirtiiu-nt of Uie lATSE will hold lt«<br />

annual convention at the Adolphu.s Hot«l.<br />

Dallas. February 22. 23 It will be the first<br />

convention to be held .since the .•valosmen'i<br />

organization afftllatod wltli the national<br />

body Tlir Kix)up formerly was known aj<br />

the Colo.v.rum of Motion Picture Salesmen.<br />

Wayne Biitomnn. president, will preside<br />

16 BOXOFFICE Fibniary 3. I9it


Hyman Touring West<br />

On Orderly Release<br />

NEW YORK ActlnK in the Interest of<br />

- '--ly tlLitrlbutlon of (lutihty pnxliu t<br />

iishout the year.<br />

r.u»*rd L. Hymwi.<br />

vice - president o (<br />

Anierlou) Broadcast<br />

tntt-Parmmount Theatres,<br />

and hLs asalstonc.<br />

Bernard Levy, have<br />

a into the field<br />

^4:uss the situntlon<br />

Vki-.n exhibitors.<br />

On Thursday t30>.<br />

.Ml addressed a<br />

:ng of exlUbltor<br />

orsanlMtions from the<br />

Salt Lake City and<br />

jd^^rd L. llyman<br />

Denver areas In Salt Lake City A .similar<br />

meetins has been scheduled for Tuesday (4><br />

in San FrancLsco. to l)e attended by exhibitors<br />

and exhibitor organizations from northem<br />

California. Oregon and WashliiRton<br />

FINDS RESPONSE FAVORABLE<br />

Hyman told the Salt Lake City gathering<br />

that he believed this was the first time that<br />

luch "rival'" groups as exhibitors, producers<br />

and distributors have .supported a single<br />

campaign of this type.<br />

He said the response has t>een favorable<br />

from all sources In AB-PT's effort to Insure<br />

an orderly releasing of top pictures.<br />

Hyman declared he was oppased to feature<br />

JUms on televulon and was against pay telenston.<br />

Movies, he declared, should be made<br />

only (or theatres.<br />

Turning to the promotional activities being<br />

undertaken to stimulate Interest in the<br />

Academy Awards telecast March 26. Hyman<br />

said he still hoped that the telecast will be<br />

carried on big -screen TV In theatres. A week<br />

ago. the Academy Indicated that It would<br />

be Impossible to clear the program because<br />

of the many guilds and unloivs involved In<br />

the production of the show A number of<br />

exhibitors had already made plans to carry<br />

the telecast on their screens.<br />

John C Krler. vice-president and general<br />

manager of Intermountaln Theatres. Inc.<br />

prcalded at the Salt Lake City meeting. With<br />

Hyman at the session were Bernard Levy,<br />

his assistant, and Jerry Zigmond. of San<br />

PrancUco. west coact district manager for<br />

AB-PT<br />

IN LOS ANGELES FEB. II<br />

Hyman will address another session In Los<br />

Angeles on February 11 (or exhibitors In that<br />

area. This meeting Is being .sponsored by<br />

Harry C. Arthur. Sherrtll Conrln. Pat Notarto<br />

and Rick Rlcketson. circuit executive*<br />

A Joint convention of Kansa«-Ml».ioun Theatre<br />

Assn and Allied Theatre Owners of<br />

Kansas and MLvourt will be addresaed by<br />

Hyman on March 11. This Li the first time<br />

that a TOA and Allied unit has held a Joint<br />

convention in the midwest.<br />

On March 13. Hyman will meet with exhibitors<br />

in the MlnnesoU territory In Minneapolis.<br />

While in Los Angeles. Hyman will view<br />

forthcoming product and will report on what<br />

be has iieen to exhibitors at the other sessions.<br />

Before laaving here. Hyman said be<br />

hoped that the pictures he will see will follow<br />

in an orderly fashion Into 1»S9 He said<br />

be saw indications of orderly release throughout<br />

this year<br />

Columbia Schedule Calls<br />

For 35 in Next 7 Months<br />

NL'W YORK e'oliliiiiJiii will rt'lfiusc 3a<br />

fruture films from February through August.<br />

constltuUng one of the largest groups to<br />

be handled by the distributor In a like period,<br />

.iccording to Rube Jnckter. general sales maniiger.<br />

He s»«ld the .schedule did not Lake Into<br />

iiccount '-The Bridge on the River ICwal."<br />

which Is being handled as a special release.<br />

Thirteen of the features will be In color,<br />

.seven In ClnemaSooiw and one In Technllamu.<br />

Many leading producer>. directors and<br />

actors are represented In the schedule.<br />

The tentative order of release follows:<br />

The Bridge on the River Kwal." a special<br />

release.<br />

LINEl'P FOR FEBRIARY<br />

February; "Bonjour Trlste.sse." piXKluced<br />

and directed by Otto Premlnger from the<br />

Francoise Sagan novel, photographed In<br />

France In CIncmaScope and both Technicolor<br />

and black-and-white, and starring Deborah<br />

Kerr, David Nlven. Jean Seberg. Mylcne<br />

Demongeot and Geoffrey Home. "Crash<br />

Landing." sUrrlng Gary Merrill and Nancy<br />

Davis, directed by Fred P. Sears and produced<br />

by Sam Katzman. "Going Steady."<br />

starring Molly Bee and Alan Reed Jr. and costarring<br />

Irene Hervey and Bill Goodwin, directed<br />

by Sears and produced by Katzman.<br />

"The World Was His Jury." sUrring Edmond<br />

O'Brien and Mona Freeman, directed by Sears<br />

and produced by Katzman. "How to Murder<br />

a Rich Uncle." In Cinemascope, starring<br />

Charles Coburn. Nigel Patrick and Wendy<br />

HUler. directed by Patrick and produced by<br />

John Paxton.<br />

March : "Cowboy." starring Glenn Ford and<br />

Jack Lemmon along with Anna Kashft and<br />

Brian Donlevy. produced In Technicolor by<br />

Julian Blausteln. directed by Delmer Daves<br />

and based on the Frank Harris book. "Bitter<br />

Victory." produced In Africa In Cinemascope<br />

by Paul Graeti. directed by Nicholas Ray and<br />

starring Richard Burton. Curt Jurgens. Ruth<br />

Roman and Raymond Pellcgrln "Curse of<br />

the Demon." starring Dana Andrews and costarrlng<br />

Peggy Cummins and NIall MacGlnnls.<br />

directed by Jacques Toumeur and produced<br />

by Hal E. Chester. "The True Story of<br />

Lynn Stuart." starring Betsy Palmer, directed<br />

by Lewis Seller and produced by Br>-an Foy.<br />

RELE.\SES i.N APRIL<br />

April: This Angry Age." produced by Dlno<br />

de Laurentlls In Technlrama and Technicolor<br />

in Thailand, directed by Rene Clement<br />

and starring Anthony Perkins. Silvana Mangano.<br />

Richard Conte and Jo Van Fleet. "n>e<br />

Ooddess," first original screenplay by Poddy<br />

Chayefsky. starring Kim Stanley and costarring<br />

Lloyd Bridges, directed by John<br />

Cromwell and produced by Milton Pcrlman<br />

Screaming Mlml."" starring AnlU Ekberg.<br />

Phil Carey and Gypsy Roae Lee. directed by<br />

Ocrd Oswald and produced by Harry Joe<br />

Brown and Robert Fellows. "Lets Rock."<br />

starring Julius LaRosa. Phyllis Newman and<br />

rock 'n" roll exponents, and produced and directed<br />

by Harry Ptoaler. "Paradise Lagoon.<br />

starring Kenneth More. Diane Cllento. Cecil<br />

Parker and Sally Ann Howes In Technicolor,<br />

directed by Lewis Gilbert and produced by<br />

Ian Dalrymple "High Flight." sUrrlng Ray<br />

Mllland In Cinemascope, directed by John<br />

GlUlng and produced by Irving Allen and Albert<br />

R. Broccoli 'Ghost of the China Sea,"<br />

starring David Brian, directed by Sears and<br />

produced by Charles B. Griffith.<br />

May: ""Tank Force." starring Victor Mature<br />

and Leo Oenn In Technicolor and Cinema-<br />

Scope, directed by Terence 'Young and produced<br />

by Allen and Broccoli. "Gideon of<br />

Scotland Yard." directed by John Ford In<br />

Technicolor, produced by Michael Klllanln<br />

and starring Jack Hawkins and DIanne Poa-<br />

Icr. "The Lineup. " starring Ell Wulloch and<br />

costarrlng Robert Keith and Wamer Anderson,<br />

directed by Don Slegel and produced by<br />

Jaime de Valle.<br />

June: "Revenge of Frankenstein."" with<br />

Michael Carreras as executive producer. ""The<br />

Camp on Blood Island." starring Carl Mohner,<br />

Andre Morrell. Edward Undcrdown and<br />

Walter Fttzgerald. a Hammer Film directed<br />

by Val Guest for producer Anthony Hinds<br />

and executive producer Carreras. '"The 7th<br />

Voyage of Slnbad." starring Kerwln Matthews<br />

and Kathryn Grant In Technicolor, directed<br />

by Nathan Juran and produced by<br />

Charles Schneer. "The Case Against Brooklyn."<br />

costarring Darren McGavln and Maggie<br />

Hayes, directed by Paul Wendkos and produced<br />

by Schneer. "She Played With Fire."<br />

starring Jack Hawkins and Arlene Dahl. directed<br />

by Sidney Gilliat and prt>duced by<br />

Frank Launder and Gilliat. "Apache Territory."<br />

.starring Rory Calhoun in Technicolor,<br />

directed by Ray Nazarro and produced by Calhoun<br />

and Victor M. Orsattl.<br />

MAN'Y SET FOR JVLY<br />

July: "The Key." starring William Holden<br />

and Sophia Loren and costarring Trevor<br />

Howard In CinemaScope. directed by Carol<br />

Reed and written and produced by Carl Foreman.<br />

"Gunman's Walk. " starring Van Heflln.<br />

Tab Hunter and Kathryn Grant In Cinema-<br />

Scope and Technicolor, directed by Phil Karlson<br />

and produced by Fred Kohlmar. "The<br />

Whole Truth." starring Stewart Granger.<br />

Donna Reed and George Sanders, directed by<br />

John Gulllerman and produced by Jack Clayton.<br />

"Forbidden Island." starring Jon Hall<br />

and produced and directed In Technicolor by<br />

Charles B. Griffith "Outlaws of Painted<br />

Canyon."" produced by Wallace MacDonald<br />

In color. ""Pretty Boy Floyd."" a Katcman production.<br />

August: "Me and the Colonel."' starring<br />

Danny Kaye and Curt Jurgens and costarring<br />

Nicole Maurey. directed by Peter Glenvllle.<br />

produced by William GoeU and written<br />

by S. N Behrman from his own hit play.<br />

"The Names Buchanan. " starring Randolph<br />

Scott In Technicolor and produced by Harry<br />

Joe Brown "Juke Box Jamboree." a Katcman<br />

musical production "Tlie Snorkel."" .ilarrlng<br />

Peter Van Eyck. Betta St John and Mandy<br />

Miller, directed by Guy Green and produced<br />

by Michael Carreraa.<br />

lATSE Board to<br />

Tulsa<br />

SKV, 'lOivK llir iiiiil- » iiiU i ii.eetlng of<br />

the general executive committee of the lATSE<br />

mill be held at the Mayo Hotel. TuUa. Okla .<br />

starting February 2* Tlie w.


TSn y«5?<br />

\K\o9<br />

Taud»«!!<br />

^<br />

abSSTlts<br />

r<br />

exhibitors, about its<br />

hilarious fu.*<br />

record<br />

SONGS: Teachers Pel . T


Clark and Doris<br />

are in<br />

a class<br />

i<br />

themselves in<br />

his modern unforgettable<br />

comedy that's in a<br />

class by itself!<br />

Meet<br />

v«amie -<br />

f\-megai<br />

I<br />

wv(ho calls<br />

i Instant<br />

IH Who lnv«nttd Rock and<br />

api—dih»iogv>i 0«t mora out of life . . . Oo out to a movial


:<br />

, . . The<br />

, , Arthur<br />

^-mes was borrowed<br />

by<br />

, .<br />

Sam Katzman from Warner Bros,<br />

for a costarring role with Bobby DriscoU In<br />

"The Teenage Story" at Columbia ,<br />

Bailey will play Maria In Samuel Goldwyn's<br />

production of "Porgy and Bess" .<br />

Nichols was cast for the leading femme role In<br />

RKOs "The Naked and the Dead" , , , Charlton<br />

Heston was selected to pwrtray the title<br />

role in MGMs 'Ben Hur" , O"-<br />

Connell was signed by Walter Mirisch for a<br />

top role in the Ashton production '"Man of<br />

the West" , , . Sloan Simpson will film debut<br />

In ""The Pusher." the Miro Production , . ,<br />

Accordionist Dick Contino was inked by director<br />

Lou Place to essay the title role In the<br />

Elmer C. Rhoden Jr, production of "Daddy-O"<br />

Ritz Brothers, off the screen for<br />

many years, are returning via a musical titled<br />

"Three of a Kind." which Jack Leewood will<br />

produce for 20th-Fox release . . . Rita Gam<br />

will costar with Brian Keith. Rick Jason.<br />

Mala Powers and Steve Brodle In "Sierra<br />

Baron." 20th-Fox release produced by Plato<br />

Skouras.<br />

Paramount Encountering<br />

Oil Drilling Setback<br />

There was a time when Uie magi of motion<br />

pictures looked fondly at the vaults in whlcii<br />

were stored their backlogs of finl.shed features<br />

and Intoned a logical "There's gold In<br />

them thar cans."<br />

During recent years, however, the master<br />

minds of the Industry have turned to other<br />

and varloas sources to keep their respective<br />

company coffers filled to a point where they<br />

20 BOXOFFICE February 3. 1958


. . Oramercy<br />

li<br />

. .<br />

and<br />

"<br />

do not »(tract too much wr«th from stock<br />

bolders Htid baiikcrii.<br />

Thf aimast unlvrnal salr o( prr-lW« product<br />

to trlcvLiJun Is a casf In point Tljcn.<br />

20(h•!^}X has brrn Kolns drrp Into thr<br />

bowrU of thf earth upon which lU spr«»Un«<br />

studio U built in the >uccc.v>ful search of oil<br />

More recenUy, and as woa widely publicized<br />

tn the trade and general preu. there la (he<br />

r«ftl estate development which will occupy<br />

a dominant portion of the ^ludlo's Westwood<br />

•crMMje<br />

Another studio whose land has been assayed<br />

to be potentially as productive of oil<br />

U. however, apparently encountering some<br />

difficulty In Its de.sire to capitalize on thl.s<br />

hidden black Rold with the news thai Mn>'or<br />

Norrls Poulson thLs week vetoed the ordinance<br />

providing for an oil drilling district on the<br />

Paramount lot.<br />

In a message to the city council, the mayor<br />

stated that the Irregularly -Uiaped district<br />

included at least 30 acres of residential zone,<br />

adding that the proposal to drill for oil there<br />

recalls the "representations" made at the time<br />

a dutrlct was created for drilling at 20th-<br />

Tox and charged Chat promises made at that<br />

time to owners of nearby residential property<br />

hare not been kept The mayor also said that<br />

there is no truth to the claim tluit the city<br />

has realized (533.000 in taxes from the 20th-<br />

PDx drilling, declaring that the figure Is only<br />

1140.704.<br />

Four Story Purchases<br />

Reported for Week<br />

:.• ;.•<br />

,<br />

.y^ .Hi original story by<br />

Julian Halvey and Raymond Marcus, was<br />

purchased by Columbia in a deal which also<br />

Included the authors to write the screenplay<br />

. . . "Death Greets Me Dally." a play by Jackie<br />

Coogan. has been optioned by Bartlett-JoUey<br />

Productloiu for future independent production.<br />

It's understood that actor Coogan will<br />

also appear in the screen version of his literary<br />

work . Pictures bought "Geronlmo."<br />

a yam about the famed Indian chief,<br />

as an Independent production for United<br />

Artists release . . Producer Earle Lyon and<br />

tcnpter Eric Norden obtained the screen<br />

rights to "The Little Giant." bloplc of prizefighter<br />

Bob Fitzslmmons.<br />

John Michael Hayes Joins<br />

Charles Schnee Unit<br />

Assignment agendum Charles Schnee announced<br />

that John Michael Hayes has become<br />

as.soclated with his Independent company<br />

to writ* the .icreenplay for "The Tiger<br />

Among Us" ... By Dunham has been signed<br />

by Bajac Productloiu to pen the lyrics for<br />

the theme melody of "Djcort West" .<br />

Uobcl Lennart returns to MOM to screenplay<br />

"Please Don't Eat the Daisies" . . . Arthur<br />

Welia was Inked to write an original sciencefiction<br />

yam by producer Jules Ooldstone.<br />

Roger<br />

Gorman Schedules<br />

Next for Allied Artists<br />

Roger Corman will produce and direct "The<br />

Attack of the Olant Leeches" as his next<br />

production for Allied Artistt under his twopicture<br />

pact with the studio ThL* marks<br />

the ruth horror picture to t>e dLrramr rnibarrasBlnc if Ihry dr.<br />

pli Iril low nt(ir,iN<br />

NEW YORK—Declaring that each important<br />

nrw picture U a "project In Itself" and<br />

requires the utmost In<br />

selling after Its completion<br />

lo attract the<br />

ttreotcst |>av.lble audl-<br />

I'lice. Don Hartman.<br />

producer of "Desire<br />

Under the Elms." Is<br />

prepared to devote the<br />

next six months U><br />

promote his film version<br />

of the famous Eugene<br />

O'Neill play.<br />

Hartman. who has a<br />

three-picture producing<br />

deal with Para-<br />

Don Hartman<br />

mount, paid $75,000 for the screen rights to<br />

"Desire. " which stars Sophia Loren. Anthony<br />

Pcrkln.s and Burl Ives, and has "been cleaned<br />

up and now has a highly moral tone.'" as well<br />

as a Production Code .seal, he said. He arrived<br />

from Hollywood Wednesday


7V


HE<br />

rHE<br />

EST NOVELS.. .<br />

EST PLAYS. . .<br />

Assure top entertainment from na/arner bros.<br />

NO TIME FOR SERGEANTS*<br />

PORT DOBBS<br />

DARBY'S RANGERS<br />

LAFAYETTE E S C A D R lU-^ J [th E<br />

LEFT HANDED G U r^^<br />

V Being Completed<br />

MARJORIE MORNINGS TAR *MONIONHEAD*<br />

J ]<br />

TOO MUCH. TOO SOON*<br />

J [7^ E<br />

NDISCREEf *<br />

n^ Readied for Production<br />

HOME BEFORE DARK*<br />

NAKED AND THE DEAD*<br />

ACROSS THE EVERGLADES<br />

[<br />

THE NUN'S STORY3<br />

,1<br />

CE PALACE* THE P H I<br />

L<br />

A D E L P H I<br />

A<br />

N<br />

DAM N YAN KEES** E BIG RED 1<br />

EL PASO RED<br />

AUNTIE MAME * *<br />

LETTER FROM PE KING*)<br />

THE SUNDOWNERS* ]{l<br />

HE MIRACLE**<br />

THE HANGING TREE*<br />

THE FBI<br />

YELLOWSTONE KELLY JOHN PAUL<br />

"~<br />

JONES<br />

Z<br />

THE DARK AT THE TOP OF THE STAIRS'<br />

I<br />

STORY* [as 1 U MMER PLACE*<br />

tt ••iMng nov«i * Top rated play Rigr>t out Of Ih* vary ipp draw*' journal Amarican<br />

There is no substitute<br />

I<br />

for<br />

QUALITY


—<br />

LETTERS Lettrf\<br />

Says<br />

TV Propaganda Hurfing<br />

If you dun I ihii.k tin- T\' iiulustn.' isn't<br />

out to knock out the movie Industrj' Just read<br />

the TV Guide each week Hardly an Issue<br />

without some crack at the movie Industry<br />

and how TV w ill replace it Tliere wa.s a very<br />

InteresUnK article recently by John Payne to<br />

the effect that the movie Industry would<br />

soon be a thing of the past -that we had<br />

never changed our methods until forced to.<br />

He mentioned he had made 80 movies, but<br />

now TV was the only medium left to supply<br />

entertainment. Because our Industry would<br />

soon be dead, all his plans for the future<br />

would be devoted entirely to television work.<br />

Mr. Payne's movie career was spaced over<br />

a long period of time. Some of his pictures<br />

were good and. although never a big boxoffice<br />

star, his name did pull patrons and a number<br />

of his pictures were looked -forward to by exhibitors.<br />

People saw him on our screens only<br />

five or six times a year. Just how long does<br />

Mr. Payne think he will last on TV? People<br />

get fed up with TV stars by seeing them too<br />

often. Only a few last four or five years. We<br />

will give the mediocre Mr. Payne two years<br />

at the most.<br />

Yes. TV Is in a life-and-death struggle<br />

with the motion picture industry. The stupid<br />

mistake the distributors made by giving our<br />

product to TV for the paltry millions or "the<br />

fast buck" they got from a backlog of old<br />

product saved the TV industry, when it was<br />

on the verge of going under or having to<br />

stand on Its own feet. We saved the TV industry<br />

once and it looks as if we will commit<br />

suicide by doing it again. The big brains<br />

heading our Industry think toll TV is the<br />

answer. They are being "sucked in" by the<br />

TV propaganda.<br />

Yes, I say. let's put a three-year moratorium<br />

on the .sale of movies to the TV industry.<br />

Let them use their brains and resources and<br />

produce their own programs entirely. Let us<br />

keep our movies in theatres where they belong.<br />

Hollywood is producing again; wonderful<br />

entertainment costing millions of dol-<br />

. . the<br />

lars which is paying off at the boxoffice.<br />

People have had their entertainment needs<br />

satisfied with the programs on TV .<br />

age group which attends theatres today Is<br />

between 18 and 30 years. Our lost audience<br />

Ls comprised of the younger and older citizens,<br />

whom we can bring back to theatres<br />

again with the right type of films and the<br />

proper .selling methods. It's going to take<br />

time and effort with a lot of hard-hitting<br />

showman.'ihip. but we can do It if the movie<br />

Industry will wake up before it's too late and<br />

keep the movies off TV and in the theatres<br />

where they belong.<br />

Aggie Theatre.<br />

Fort Collln.i. Colo<br />

FRANK AYDELOTTE<br />

Asks TV Clause for Exhibitors<br />

Regarding the controversy over 'I'V sales<br />

of pictures, the exhibitor can very easily rectify<br />

thU situation. A.s It stand.s today, the<br />

exhibitor Ls the one who Is paying and prepaying<br />

for thi- very features which are giving<br />

us so much concern.<br />

The features being u.sed on television alrrndy<br />

have been paid for by the exhibitors<br />

u. : In many Instances the thcatremen by<br />

•<br />

tig contracts, which in turn arc u.sed as<br />

fnu\T be i orKrd Namev withheld on request)<br />

bank collatfral. have tmaiiced llu- iimkinw uf<br />

pictures. The remedy for this situation is<br />

simple: no exhibitor should sign any contract<br />

without a clau.sc in It stipulating that<br />

the feature must not be .shown on television<br />

for the next 25 years. In this way, the producer<br />

will be bound by hLs own contract not<br />

to sell to TV. under penalty of leaving himself<br />

open to a lawsuit, for full recovery of all<br />

monies paid by him for exhibition of the film.<br />

If any producer refuses to incorporate such<br />

a clause, the exhibitor doesn't and should<br />

not sign a contract. This would mean that<br />

the producer would have to finance his product<br />

without exhibitor collateral. A stop of<br />

sales to television can be made right now.<br />

The motion picture theatre is not dead.<br />

People will come to the theatre if given something<br />

to come for. There is no business like<br />

show business when we decide to pull together.<br />

The small exhibitor with one theatre<br />

is the heart and soul of show business and he<br />

needs the help and support of the entire industry.<br />

I know the "buck" is the life blood of this<br />

business, but by reaching for the dollar, in<br />

too many instances, grave wrongs have been<br />

committed against this great Industry.<br />

College Theatre,<br />

Brantford, Ont., Canada<br />

BEN SCHACHAN<br />

Anofber Blast at TV Rivalry<br />

How can anyone in his right mind possibly<br />

think that a seven-to-ten-year clearance<br />

over TV » ill help us any when TV. with tento-25-year<br />

old pictures, has put us in the<br />

position we are in today (hundreds of theatres<br />

out of busines.s and hundreds more on<br />

the way out)?<br />

This busine.ss cannot possibly survive, if<br />

the industry continues to sell our old films<br />

to TV. I have seen several good pictures on<br />

TV this year and many more advertised as<br />

coming .soon. Many of these pictures I would<br />

have used again, if they had been kept off<br />

David Kimelman Heads<br />

Rank Branch in Phila.<br />

NEW YORK—Rank Film Distributors<br />

has<br />

opened its 15th branch office in America in<br />

Philadelphia and Irving<br />

Sochin, general<br />

.sales manager, has<br />

named David Kimelman,<br />

a veteran of 37<br />

years in the film Industry,<br />

branch manager.<br />

Kimelman. who was<br />

formerly associated<br />

with Paramount<br />

lus branch manager In<br />

Pittsburgh, n post he<br />

assumed In 1933, will David Klmrlman<br />

report to Robert Polllard.<br />

Rank regional mani«4{er. in Wiushington.<br />

D C.<br />

Rank now has offices In Atlanta, Boston,<br />

Washington, Cincinnati. Chicago. Detroit,<br />

Dnllius. Minneapolis, Kansas City, Denver,<br />

San Francisco. Los Angeles. Buffalo and New-<br />

York niv<br />

TV. One In particular from Warners, "Night<br />

and Day," was one of the best musicals Warner<br />

ever made. I have tried for eight years<br />

to get a return date on this picture. To my<br />

knowledge Warners never did offer it to the<br />

theatres as a reissue. Yet. a couple of months<br />

ago, I .saw it advertised as coming on TV<br />

This is also true with other companies and<br />

big pictures. How can we expect to sell some-<br />

giving away for<br />

thing that our competitor Is<br />

free. It doesn't make sense!<br />

Just the other day. I heard a TV master of<br />

ceremonies on one of the popular quiz programs<br />

make a remark that Ls typical of what<br />

TV is doing to theatres. The program was<br />

"Do You Trust Your Wife." The question was<br />

about movie stars. The M.C. asked the contestants<br />

if they wanted to answer the questions<br />

or trust their wives. Both elected to<br />

trust their wives. One saying he never saw<br />

movies, that he watched TV all the time. The<br />

M.C. said, in that case, he should be able<br />

to answer as well as his wife as you see all<br />

the good movies on TV. He also added,<br />

"That's the place to see them." Just yesterday,<br />

I heard another M.C. on a little local<br />

station near here, say that you see all of<br />

Hollywood's important stars and pictures on<br />

TV.<br />

With all of the good pictures they have in<br />

their possession and advertising like this<br />

how can we win? I say let TV produce their<br />

own programs and develop their own stars.<br />

Let's keep our pictures and stars off TV and<br />

on the theatre screen where they belong. I<br />

am a small town exhibitor. I used to pay the<br />

film companies $60 to $100 for good pictures<br />

and much more for percentage. Today, they<br />

are lucky to get $15 to $30. percenUge or<br />

otherwise. Reason: the common enemy—TV.<br />

Crystal Theatre,<br />

Beulah, Mich.<br />

D. O GREGORY<br />

Cites Bugs' in Pay TV Operations<br />

Don't worry about pay TV. It'.s true that<br />

It can become a problem, but not if It's<br />

handled right. All pay TV systems can be<br />

classed as one of three basic kinds. Each of<br />

these has its own problems.<br />

Cable pay TV includes Teleglobe. '51 Phonevision.<br />

the Palm Springs System, the<br />

BartlesviUe System, and a few others. There<br />

will always be small private cable systems,<br />

but large ones appear to be unsuccessful The<br />

problems of cable pay TV are well-known<br />

to many people.<br />

Coded pay TV includes Phonevlsion, Subscriber-Vision.<br />

Telemeter, and .some others.<br />

The coming tests of this kind may be very<br />

successful There is. however, one thing that<br />

will not be learned from the.se tests, and that<br />

Is the seriousness of piracy. Piracy is the<br />

a pay TV program without<br />

act of receiving<br />

paying for It. It is similar to going Into a<br />

theatre through o rear door without paying.<br />

The pay TV proprietor won't be able to loc*<br />

any door.<br />

Piracy will not become a problem until<br />

after coded pay TV becomes a good financial<br />

.success. Tliere may be laws against piracy.<br />

We will obey the law: yet we cannot .stop<br />

progress. It Is .sale to a.ssume that piracy will<br />

be technically po.sslble and profitable Gangsters,<br />

as m the prohibition era. may be attracted<br />

to it. Who will pay for the enforcement<br />

(if these laws? How much resentment<br />

will result from the police looking In everyone's<br />

home for illegal decoders? The coded<br />

pay TV people claim that theVr systems art<br />

24<br />

BOXOFFICE February 3, lOM


ptr»ic -proof<br />

ProfTMS has teen toward better<br />

understanding and more abiltty to du<br />

things<br />

Pr«ctu-ally no technical infommllon ha.hed about coded pay TV othrr<br />

than propaganda. Thu .suKxestK thnt rvrn<br />

the proponent* of coded pay TV hnve insufficient<br />

faith In Its plrate-protif leatures.<br />

Laws acalnst pay TV appear to be of qurs-<br />

Uonabie merit There '» probably .i way thnt<br />

eoded pajr TV could t>e Miuelched. Tins would<br />

occur when a court would recogiilrc the folly<br />

of tnrlnc to deal with this lmpo»tble situation<br />

and declare antl-plracy laws vntd<br />

No one seems to care at all about the third<br />

kind of pay TV at this time<br />

Van Kuys. Calif<br />

EDWARD L<br />

Questiom on TV Film<br />

BERNDS JR<br />

Sales<br />

r. w. rather hanl to ur.aci.uir.a ;he opin-<br />

:-j<br />

. expressed atwut the sale of films to TV<br />

u> that our industry could be liable for nondelivery<br />

to TV or refusal to sell.<br />

Would this mean that. In the American way<br />

of life,<br />

the manufacturer of an Item Intended<br />

for one specific use U now compelled to sell<br />

that Item anywhere, regardless of the consequence<br />

of the use of same?<br />

There was a time when the TV presentation<br />

of old movies was in 16mm. There was<br />

wme ruling that the producers did not have<br />

to convert their product to 16mm In order<br />

to meet the requirements of television.<br />

Motion picture film Is produced from the<br />

time the story Is bought until Its final completion<br />

for use on the standard-size screens<br />

of motion picture theatres. Motion pictures<br />

for theatre use were made exclusively for<br />

that purpose.<br />

Are we now to assume that the government<br />

would step In and nay that our business is<br />

compelled to let TV have our films, regardless<br />

of the manner of presentation, a fine<br />

film, for Instance, produced in Cinemascope<br />

and color? The government would say that<br />

we must let TV have that film for poor<br />

qtiallty reproduction on the .^mall TV screen<br />

m black and white?<br />

It Is a .sad situation now whereby the arts<br />

and sciences of our business have been allowed,<br />

through the .sale of old films, to re-<br />

»«rt to something that Is now offered for the<br />

«ale of products Just the same as It downgrades<br />

film stars who do commercials, the<br />

Mune Is true of fine motion pictures whose<br />

presentation on the TV screen is Intersper.sed<br />

with commercials. And yet we are told that<br />

the government might not like It. unless our<br />

nev films of today become hucksters of<br />

tomorrow<br />

Are the producers of the Broadway plays<br />

required to make their productions available<br />

for TV use?<br />

OLE TIMER<br />

Suggests Theatres Sell Records<br />

Thp pa.st frw wrrics 1 havr rrad a lot of<br />

articles In various trade magazines on the<br />

recortl bustncaa. Almost all the film companlc*<br />

now have their own record company<br />

And they are eventually going to get around<br />

to the explolUUon poa«lbllltles<br />

The only point I wish to make is why not a<br />

theatre or the exhibitor as another outlet for<br />

the wlc of th«M records "> Make It a threeway<br />

deal: reconl company, film company and<br />

theatre<br />

We have more tiuslncaa MDlng records than<br />

Minneapolis Merchants Take Over<br />

5 Loop 1st Runs for the Kids<br />

the grocery store. At any rate. I have been<br />

selling records for the past three weeks. I<br />

get them from Record Racks a guarantee<br />

sale deal where you can't get hurt with an<br />

inventory that won't sell.<br />

I .should be getting these records from the<br />

record company, with a film company Ue-up<br />

and promotion<br />

Getting back to the three weeks that I<br />

have been selling records In my concession<br />

stand as a .side line. It ha.s not been any big<br />

revenue as yet. but I luji very happy with results.<br />

I am In a .small town of 3.000 population<br />

and bu.slno.vs Is tough, but thLs record<br />

buslnes.s will build, I think, and I have nothing<br />

to lose If It doesn't.<br />

If >'ou think the above thought Is any good,<br />

drop It to a friend of yours In the business<br />

where It will do .some good and get some results<br />

on a national basis.<br />

Wayne. Neb.<br />

ExbibHor Submiis a Poem<br />

PHIL MARCH<br />

Here's a little poem I think may hold a lot<br />

of water as I had this run In my local paper<br />

and received a lot of encouragement from It.<br />

DON'T BLAME THE CHILDREN<br />

We read In the popers and hear on the air<br />

Of killing and stealing and crime everywhere:<br />

We sigh and we say as we notice the trend;<br />

ThLs young generation, where will It end?<br />

But we can be sure It's not their fault alone<br />

That, maybe, a part of It Isn't our own.<br />

Are we less guilty who place In their way<br />

Too many things that lead them astray:<br />

Too much money to spend, too much Idle<br />

time:<br />

Too many movies of passion and crime:<br />

Too many books not fit to be read:<br />

Too much evil in what they hear said:<br />

Too many children encouraged to roam<br />

By too many parents who won't stay at home:<br />

No love and affection for the kids that are<br />

their own?<br />

Kids don't make the movies, they don't write<br />

the books<br />

That paint gay pictures of gangsters and<br />

crooks:<br />

They don't make us liars, they don't run the<br />

bars.<br />

They don't make the laws, they don't buy the<br />

cars.<br />

They don't peddle the drugs that addle the<br />

brain.<br />

That's all done by older folks greedy for gain.<br />

Delinquent teenagers: oh. come now. who are<br />

we to condemn?<br />

The sin of the nation and blame It on them<br />

By the laws of the blameless, the Savior<br />

made known.<br />

there among us to cast the first stone.<br />

Who Is<br />

For. in many ca.ses. It's sad but. oh. how true.<br />

The title. "Delinquent." must fit the older<br />

folk, too<br />

We need more family pictures to get the<br />

family coming back to gixxl ibows. HBXPt<br />

HELPf<br />

Kan.


Rank Will Distribute 15<br />

Films in 9'Month Period<br />

NKW YORK- Rtuik Klliii Dl.^tnlJUUJ^.^ will<br />

releasp 13 reRuUr tea lures, plus two specialized<br />

films, during the first nine months of<br />

1958. accordlnR to Irving Sochln. general<br />

sales manager, following the close of the<br />

company's five-day sales meeting at the<br />

Hotel Warwick Tuesday i28>. Seven of these<br />

films will be In color. Sochin said.<br />

The two specialized films are: •TTie Bolshoi<br />

Ballet." filmed in Eastman Color and<br />

starring Galina Ulanova In the two-act version<br />

of Giselle." and Laurence Olivier's production<br />

of "Henry V." being presented for<br />

the first time in new widescreen Superscoije<br />

and Technicolor, both of which will be given<br />

per.'ionHlized handling by a team of RFDA<br />

personnel trained for these types of films.<br />

"Henrj- V" was originally released in 1946.<br />

T\\e 1958 releases — through September will<br />

include: Januar>- 'Across the Bridge."<br />

surrlng Rod Steiger: February—"The Secret<br />

Place." starring Belinda Lee and Ronald<br />

Lewis, and Smiles of a Summer Night." a<br />

SwedLsh film with Ulla Jacob.son and Eva<br />

Dahlt>eck: March—•Campbell's Kingdom." in<br />

color, starring Dirk Bogarde. Stanley Baker<br />

and James Robertson Justice: April—"The<br />

One That Got Away." starring Hardy Ki-uger<br />

Also. May— 'Hell Etrivers." starring Stanley<br />

Baker. Peggy Cummins and Herbert Lom;<br />

and "Robbery Under Arms," in color, starring<br />

Peter Finch. Maureen Swanson and Ronald<br />

Lewis: June— "Dangerous Exile." in color,<br />

starring Louis Jourdan. Belinda Lee and<br />

Anne Heywood: July — "Night Ambush."<br />

starring Dirk Bogarde with Marius GorinR<br />

and Cyril Cusack. and Windoms Way. "<br />

in<br />

color, starring Peter Finch and Mary Ure:<br />

August—"The Gypsy and the Gentleman."<br />

In color, starring Melina Mercouri. Keith<br />

Mitchell and Flora Robson. and "Seven<br />

Thunders." with Stephen Boyd. James Robertson<br />

Justice and Kathleen Harrison.<br />

The September 1958 release will be: "Violent<br />

Playground." with Stanley Baker. Anne<br />

Heywood and David McCallum.<br />

The 1958 relea.se program for RFDA will<br />

be supported by an extensive advertising<br />

ballyhoo publicity and "circus-type" exploitation<br />

campaign, which will include national<br />

tours by Rank stars and national tieups<br />

and local-level, pre-tested newspaper and<br />

ad campaigns, according to Geoffrey Martin,<br />

director of advertising, publicity and exploltalioii.<br />

Tills proiiiolion campaign will ty conducted<br />

by a staff which Includes: Steve Edwards,<br />

advertising and publicity manager,<br />

and Leo Pillot. exploitation manager. RFDA<br />

will al.so urge exhibitors to gel out with the<br />

field men and promote new standards of<br />

showmanship. Martin said.<br />

A drive will also be made to .sell the 13<br />

Rank releases for 1957 to conventional and<br />

drive-in theatres where RFDA product has<br />

not yet been exhibited. Sochin .said. He al.so<br />

urged all the Rank regional and branch<br />

managers to keep clo.ser watch on prints<br />

which are handled by National Film Service<br />

.so that theatres get film In the best po.sslble<br />

condition.<br />

Sochin also discussed billings, collections<br />

and inspection of prints on Friday


according<br />

Landau.<br />

Added Censor Power<br />

Will be Asked in NY<br />

V<br />

\NY A UlU iiuiiit; '.lie Stutr KducttUoii<br />

..nits motion picture dlvUMon gmitcr<br />

povkcr m the field of film »dverU5lnK will be<br />

introduced in the leRUlnture here, according<br />

to James A. Pltzpntxlck. counsel for the<br />

joint levL-Jatlve committee studyUlK "offensive<br />

uiid otk^clne" publications, motion and<br />

UIl pictures<br />

Pttipatrlck ii.vk«l l>r Hugh M Flick, former<br />

director of the State Education Departmenfs<br />

motion picture dlvLMon and present<br />

executive assistant to the state education<br />

eommUsloner. who appeared as one of the<br />

final «-1tnessm at a public hearing, whether<br />

a "properly drawn" statute authorlzlrtK the<br />

division to act "If It found (rr«x« mlsrepresentaUon"<br />

of films already licensed would<br />

be helpful. FUck said it would.<br />

Current New York advertising on "The<br />

Oarden of Eden." which the court of appeals<br />

recently ordered the regents to license, was<br />

severely criticized by Fltzpatrlck and SKt<br />

Frank McDermott of the New York City polk*.<br />

They charged It emphasizes that the<br />

nudist picture had been denied a license, and<br />

Fltxpatnck claimed the advertising left the<br />

impression the public would see an "orgy of<br />

sex."<br />

Fltzpatrlck aI>io criticized the increased<br />

prices for "Peyton Place," which he said he<br />

believed were predicated on the sensational<br />

adA-ertising of the iwvel. much of which Fltzpatnck<br />

thought "sordid and nauseating."<br />

New Y'ork theatre advertising of horror<br />

films came In for a blast, too. including<br />

posters promoting "The Vampire." Copies of<br />

ads and two 40x60$ were read Into the record<br />

NY Governor Ircludes<br />

Film Tax in Budget<br />

.ALBANY The apparent confidence of the<br />

state administration that motion picture IIcertslng<br />

will continue, despite recent adverse<br />

court decisions, found reflection In the annual<br />

budget and message which Gov. Averell<br />

Harrlman sent to the legislature Monday.<br />

A breakdown of revenue estimates contained<br />

a section devoted to 'motion picture<br />

tax." In which the Governor reported that<br />

the yield for 1967-58 «-ould be MSO.OOO. on<br />

the basis of collections durlni; the first nine<br />

months of the fUical year. Terming the receipts<br />

"almost Identical" with those of a comparable<br />

period last year. Harrlman went on<br />

to say. "The same revenue «M60.000) Is an-<br />

Uclpated for ISftS-M."<br />

The tax U collected at the rate of $3 per<br />

thousand feet for original films licensed by<br />

the State Education Department motion plc><br />

ture division and t3 per thousand feet for<br />

coptea.<br />

PTTTSBUROH— Pmniylranla superior<br />

court has upheld an adnUsakm tax imposed<br />

by the itchool board of Franklin township<br />

In Greene County The action stemmed from<br />

an appeal tiled l>y Durward Coe aiul Louts<br />

Stulcr. owners of the Waynesburg Drtve-In.<br />

who claimed the le%7' was unconstitutional.<br />

Owners of a »katlng rink had Joined with the<br />

outdoor theatre owners as plaintiffs They<br />

declared that the admission tax was not<br />

onlform uuumuch a* other amusements were<br />

not taxed The Greene County common pleas<br />

court prevkwuly dUmlssed the complaint to<br />

restrain the school board from collecting<br />

lax.<br />

tiie<br />

Possible Dearth Is<br />

Seen<br />

Of Old Pictures for TV<br />

To<br />

Show Selecfivision<br />

TV Sysfem Feb. 14-20<br />

NEW VORK— Demonstrations of Se-<br />

Ifctlvlslon in operation will be held February<br />

M through February 20 The demunstmtloa><br />

of the home theatre project<br />

will be held In five areas In New York,<br />

St Louis. Wllke.s Bnrre. Pa., and Bridgeport.<br />

Conn . to Bernard Croldenberg,<br />

Selectlvlslon executive.<br />

The pictures will originate In area theatres<br />

and will be transmitted to homes<br />

and apartment houses Goldenberg said<br />

two major companies were supplying 1957<br />

product for the test showings. These<br />

showings, he explained, will be primarily<br />

for the press. Demonstrations for the<br />

public will k>e held at a later date. As the<br />

result of a newspaper story on the process,<br />

the company has received 9,000 requests<br />

from the public to witness demonstrations<br />

when they ore held.<br />

The New York showings will be held<br />

In Kew Gardens, Forest Hills, Rego Park,<br />

one uptown area and one downtown area<br />

Saal Gottlieb Named Head<br />

Of NY Film Trade Board<br />

.\K\V<br />

VoltK— Sual Gollhtb, Lotw s-.\IGM,<br />

W.I.N ui.st.illfd as president of the New York<br />

Film Board of Trade at the organization's<br />

office January 24 Jo.seph Sugar. United<br />

ArtlsUs, was named first vice-president;<br />

Joseph Rosen, Unlversal-IntematlonaJ, was<br />

named second vice-president: Alex Amswalder,<br />

20th-Fox, treasurer; Ernest Sands,<br />

Warner Bros., secretary, and Nat Cohen,<br />

.sergeant-at-arms.<br />

The new officers celebrated the Ir^stallatlon<br />

with the wives at the Waldorf-Astoria<br />

Hotel that same night.<br />

N.Y. Suit Discontinued<br />

NEW YORK— Dl.icontlnuance of on antitrust<br />

suit In behalf of the Elmwood Theatre,<br />

Queens, against RKO has been filed In federal<br />

court Damages of $1,060,000 have been<br />

.lought by Sogmore Realties, operator of the<br />

theatre .since IMS, and damages of $1,650,-<br />

000 by Copark Theatres, operators from 1946<br />

to 1949 RKO had been the only holdout<br />

among a number of major distributors and<br />

circuits sued over alleged discrimination and<br />

elimination of competition.<br />

Rites for A. J.<br />

Leonard<br />

Nt.".V VOltK Ku;;.:.4; ...::wc:. Acre held<br />

Monday iJ7t for Arthur J Leonard. 57.<br />

chief a


am<br />

'Arms<br />

Has Good Opening Week As<br />

Holdovers Dominate B'way Scene<br />

NEW YORK—SelznicK ^ A Farewell lo week at the World Tliealre, while "And God<br />

Arms." the lone new Brottdway picture of Created Woman" was still smash In Its 14th<br />

the week, had a good openlns week at the week at the ParLs and "Gervalse" set a new<br />

Roxy. de^plte unfavorable reviews from most record for the tiny 5th Avenue Playhouse<br />

of the newspaper critics Most of the other while continuing lo strong bustne.ss In Us<br />

Broadway first runs were down while await- llth week at the Baronet.<br />

InB new product, the first since Christmas in lAvcrage ii lOO)<br />

.^v„r,.l ^..^^^ Aitor—Wild li fh. Wind {Pata). 7lh wk 120<br />

several ca-ses.<br />

Boronct—— Th« Ten Commondm.nt. (Pora).<br />

64th wk of Iwo-T^loy 14U<br />

City Music Hall, where the total gro-'s was Embassy—Th» Golden Age of Comedy (OCA),<br />

over $1,300,000. just slightly below the record 6th wk<br />

,<br />

.^.^ l \ll<br />

, ,.- i, . ^ .. I.. L. 1 J f'"0 Arts—Gotos of Porn Lopcrtl. 2nd wk<br />

. 135<br />

take for "The Great Caruso, which played j,^ Avenue—Gervoisc Com i). 2nd wk I70<br />

ten weeks m 1951. Also smash were two of 55th sttcot—The Boishoi Boiiet irfda). 6th wk no<br />

. ,, ..— ,, T» ij .u Guild—The Ship Wos Looded Arthur). 2nd wk .120<br />

the tT»0-a-day films. "The Bridge on the<br />

L,ttlc Carnegie T|,c Adulteress (Tes). 2nd wk. 125<br />

River Kwai." in its sixth week at the Palace. Loews stai


DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />

DOUBLE SPECTACLE-TERROR!<br />

FABULOUS! FANTASTIC! TERRIFYING!<br />

MOrOJVIOUS BEAUTIES LOST IN A FANTASTIC HELL'ON'EARTH!<br />

ViimaWMisii<br />

-J<br />

EVIl-<br />

BClUTlFUt<br />

DEADLY<br />

V r-^<br />

4<br />

..'^<br />

ABBY DALTON SUSAN • CABOT • BRAD JACKSON<br />

MNE KEMNa RICHARD DCVOM<br />

• tifui mt ItKtM l| Httl CMMU<br />

U UtCHCM ntflMIIMU nciMt<br />

SEE ^VSEE<br />

Umi \ ClAXT<br />

LiiooDmiuusoFti susEiinmoF<br />

lOSTEMPIIE' .^ mVOiiTn'<br />

SEE^ SEE<br />

TWO mm T SUPtRWOMEN<br />

or MONSTROUS 1 WITH THE COUUSE<br />

niROI' ^^ Of CUNTS'<br />

)RGE<br />

WALDMAN


BROADWAY<br />

1^.irtin Davis, who will move from Allied<br />

ArtLsta to Paramount, was honored at<br />

a luncheon tendered by AA executives at<br />

Toots Shor's Friday (24 1 HostinK the affair<br />

were GeorRe Burrows, Edward Morey,<br />

Morey Goldstein, Norton Rltchey and John<br />

Fllnn. Personnel of the ad-publlclty department<br />

also attended. Davis will be executive<br />

assistant to Jerry Plckmnn. Paramount vicepresident.<br />

• • * Monroe Greenthal and David<br />

Dlener of the Monroe Greenthal Co left for<br />

the coast to confer with producers on advertlslnu<br />

plans for forthcoming product. • • •<br />

Bemie Kamber. advertLslng chief for Hechl-<br />

HlU-Lancaster, off to Holl>-wood for a threeweek<br />

slay on plans for "Separate Tables"<br />

• • •<br />

Director Henry Koster to Rome to prepare<br />

shooting on the life of Goya. • • • Here<br />

from the coast Is Wll'.lam Orr, Warner Bros,<br />

television executive producer. • • • Rouben<br />

MamouUan Is here to complete casting on<br />

Samuel Goldwyn's "Porgy and Bess."<br />

IT<br />

Norman Hasselo. personnel director of<br />

United Artists, was tendered a testimonial<br />

dinner Saturday i25i by the Bay Ridge Post<br />

of the American Legion, of which he was<br />

commander In 1956-57. " * • Eliot ElUofon.<br />

photographer for Life Magazine, has left for<br />

Holl>'wood where he will be color coordinator<br />

on "Bell. Book and Candle" at the Columbia<br />

studio. • • • Richard Brandt, president of<br />

Trans-Lux TTieatres. and Mrs. Brandt are<br />

vacationing in Puerto Rico and the Virgin<br />

Islands. • • • Ben Shlyen. publisher of BOX-<br />

OFFICE, was in town la.st week from Kan-<br />

.sas City. • • • James MacArthur. star of Walt<br />

Disney's "The Light in the Forest," is on a<br />

two-week tour of Mexico. • • • I*at Wayne,<br />

son of John Wayne, is in New York for meetings<br />

with Buena Vista executives on "The<br />

Young Land." in which he stars. * * * Peter<br />

Glushanok. documentary director and photographer,<br />

will teach a class in advanced motion<br />

picture direction at City College during<br />

the spring term.<br />

w<br />

Sandra Dee. who will star with Rex Harrison<br />

and Kay Kendall In MGM's "The Reluctant<br />

Debutante." to be filmed In London, left<br />

for E^irope Wednesday c29i, ' ' * Zsa Zsa<br />

Gabor, who completed "Queen of the Universe"<br />

for Allied Artists, got in from the<br />

coast January 29, and Ruta Lee, who plays<br />

In "Witness for the Prosecution," arrived Friday<br />

i31i for promotion appearances for the<br />

opening at the Astor February 6. * * • Pat<br />

E-4<br />

f9<br />

Wayne, actor-son of John Wayne, is here<br />

to publicize his "The Young Land." a Buena<br />

Vista release His mother. Mrs. Josephine<br />

Wayne, accompanied him. * * * John Saxon,<br />

Universal's young star, is al.so In New York<br />

for promotional activity for "Summer Love,"<br />

II teenage musical. • * * Robert Ryan returned<br />

to Hollywood Thursday i30i after<br />

conferring with United ArtLsts executives on<br />

"Crod's Little Acre." In which he stars.<br />

»<br />

Glna Lollobrlglda is the latest of the foreign<br />

"glamor gals" to come to the U. S. to<br />

publicize their American releases. She Is here<br />

to attend openings of "Beautiful but Dangerous"<br />

for 20th-Fox In Washington. Baltimore<br />

and Boston and for the opening at the Mayfair<br />

Theatre here February 5. Romy<br />

Sclinelder. German star of "The Story of<br />

Vickie." was here In January, and Maria<br />

Schell. the much-acclaimed .star of "Gervalse."<br />

will arrive from Munich in mid-February<br />

to attend the opening of her first<br />

Hollywood film. "The Brothers Karamazov."<br />

at the Music Hall. Claire Bloom, al.so In<br />

"Karamazov," stopped off in New York en<br />

route to London to play in "Lucrece" on the<br />

stage there.<br />

Sloan Simpson. David Ford and Lee Jones<br />

were added to the cast of "The Pusher,"<br />

MIro Productions feature being shot on location<br />

in New York and at the MIkaro Studios.<br />

Sam Leve, theatrical scenic designer,<br />

will design the sets for the Harold Robbins<br />

production. At the Gold Medal Studios,<br />

where Harry Foster Is producing "Let's Rock"<br />

for Columbia release. Wink Martlndale.<br />

Memphis dLsc jockey, has been signed for the<br />

cast and Peter Gennaro. Broadway musical<br />

choreographer. Including "The West Side<br />

Story," has been signed to handle the picture's<br />

choreography. * * • Ina Balln, who<br />

.-scored in the current Broadway hit, "Compulsion."<br />

left the cast to go to Hollywood to<br />

make her .screen debut in "Black Orchids."<br />

starring Sophia Loren.<br />

After receiving the Burstyn Award for<br />

Gervalse" Thursday evening, its producer.<br />

Annie Dorfmann hopped back to Paris. • • *<br />

Louis Novins, president of International<br />

Telemeter Corp.. Is in town from Holl.vwood.<br />

• ' • Touring the south in the interest of<br />

"The Ten Commandments" Is Edward Chumley.<br />

Paramount home office .sales executive.<br />

• • • Kenneth MacKenna. MGM story editor.<br />

A familiar scene for dritre-in owners! Sal Mineo in "Dino"<br />

wot introduced largely at outdoor theatres, and its dark<br />

filming caused many headaches Photo controsts paint<br />

with Plost X Plate screens and may hove had a lot to do<br />

with the success of this film's premiere<br />

Wall Sfreeper, "309" manager, ot Springhouse, Pa said<br />

,<br />

'Dino' did big business with me, but I think the moin<br />

reason was that they could see it" Walt headlines his<br />

Plost X Plate screen on his programs, PA announcements.<br />

A good meosure of patron reaction to your own screen is<br />

to check on how "Sol" ond you mode out' How was it'<br />

If your "gate" looked more like the dork holf of this<br />

photo, we'd be very happy to give you the facts behind<br />

twice (he picturt tor holt the cost with Ploil X Plate<br />

Write today to GEORGE ENGLISH<br />

PLAST X PLATE<br />

IRWTN. PA<br />

UA<br />

Harry Goldstein to<br />

In Promotion Post<br />

NEW YORK -Harry Goldstein, veteran indu.stry<br />

theatre and promotion executive, has<br />

been named coordinator<br />

of New York<br />

campaigns for United<br />

Artists. In the newly<br />

created post, he will<br />

work on promotion for<br />

the opening of UA releases<br />

In New York,<br />

under the supervision<br />

of Roger H. Lewis, national<br />

director of advertising,<br />

publicity and<br />

exploitation. Goldstein<br />

served with Brandt<br />

Theatres for 24 years.<br />

Harr><br />

Gold.st«in<br />

arrived from the studio last week and will<br />

stay until February 8. * * • Al Fitter. United<br />

Aiaists western division manager, back In<br />

town after a trek to Minneapolis and Kansa.s<br />

City. • • • Charles Boasberg, Warner Bros<br />

general sales manager, and Jules Lapldus,<br />

assistant general sales manager, hit the trail<br />

to Chicago. Cincinnati and Indianapolis last<br />

week. • • " Leonard Pearlman. UA's manager<br />

In South Africa, here for home office parleys<br />

And Alfred KaU. the company's home office<br />

foreign department executive, shoved off<br />

for Central and South America. * • ' Rabbi."^<br />

at two New York temples devoted their sermons<br />

last week to "The Bridge on the River<br />

Kwal."<br />

Catherine Harbula. secretary to Nick Justin,<br />

managing director of the RivoU Theatre, was<br />

married Saturday i25i to Theodore V. Marslcovetere.<br />

an engineer for Consolidated Edison<br />

Ttiey are honeymooning in Washington The<br />

bride has been with the Rlvoli since 1946<br />

• * * Audrey Louise Aslrin. daughter of Neal<br />

Astrin of the United Artists sales department,<br />

has announced her engagement to<br />

David Tell, a student at Columbia Law School<br />

• * •<br />

Newlj-weds Natalie Wood and Robert<br />

Wagner left New York for Hollywood after a<br />

four-week hone\Tnoon.<br />

The eighth annual Communion Breakfas*.<br />

for Catholic people in the motion picture Industry<br />

was held Sunday i26i at the Hotel<br />

Waldorf A.storla following mass at St<br />

Patricks Cathedral. • • * Glna Lollobrlglda<br />

Is due In town this week to attend the New<br />

York opening of "Beautiful But Dangerous"<br />

at the Mayfalr Tlieatre on February 5. She<br />

al.so will attend openings in Washington.<br />

Baltimore. Boston and Toronto. * * * Erin<br />

O'Brien is In New York from Hollywtxxl.<br />

Worldwide Coverage Set<br />

For Fox Film Opening<br />

NEW YORK HighllKhtji of the charity<br />

premiere of "Beautiful But Dangerous" Wednesday<br />

(5 1 at the Mayfalr Theatre will be<br />

broadcast by the Voice of America to France,<br />

Oermany, Austria and Italy. Celebrities, Including<br />

Glna Lollobrlglda. will be Interviewed<br />

ul.so by the Armed Forces radio network and<br />

the "Monitor" program of the National<br />

Broadca-sUng Oo.<br />

MGM's recently purcha.sed novel. "A Time<br />

lor Paris." Is a .starring vehicle for Debbie<br />

Reynolds<br />

BOXOmCE February 3. 1950


. For<br />

SYRACUSE<br />

T !»«•» SUU. fUic^hlp tjjrntn? of the Ixxa<br />

circuit »lii-n I', ojirnrd In Frbnmry II'JH<br />

wUl ob«*n-e It.^ 30tli annlvfrsao' *it^ '•>«"<br />

oprnlns o' "Rnlntrrr County." accordlnK to<br />

8«m Oilman. nmnaKfr For thrrf wcrlw.<br />

Lopw's State lla.^ l>pfn attmctlng customers<br />

with "Don't Oil Near the Water" ... At<br />

Uwws Stnmd. "And Ood Created Woman"<br />

Is in Its fourth week "Peyton Place" U<br />

ItokUnc four neek.s at Schlne's Parantount.<br />

TiM R*tenl Thealrr, .vjld to Symeus* UnlverMty.<br />

»-«s cli«««l laat vn>ek "Darby's<br />

.<br />

R*n«ers." Sol SorkUi of RKO Kelth'.s haa arrmnced<br />

for Explorer Scxnits to build a bridge<br />

in front of the theatre under the marquee.<br />

Sorkln. who was recently in Boston for a managers<br />

meeHng. Is proud of daughter Lynnc. a<br />

junior at Syracuse University, who made the<br />

deans honor ILit Beginning Febrriary 5 all<br />

RKO theatre managers will be trying for<br />

11.750 to be dUtributed in 350 prizes for ways<br />

to improve business Sorkln has special shows<br />

planned for Saturday afternoons There will<br />

be a rock "n" roll film show late Friday night<br />

il4> and a special 30-cartoon kiddy show<br />

rebniary 13 for the Lincoln's Birthday hoU-<br />

Midtown Theatre, dark for a long time. Is<br />

playing The Garden of Eden" . . . The Franklin,<br />

a former neighborhood house turned art<br />

theatre. U doing well with "The Devil's General-<br />

BUI Shirley, press agent who claims<br />

jrears well over three score and ten. distributed<br />

a dividend "stock split" of 29 cents for<br />

Christmas greetings Bill claims that he<br />

mailed more than 400 of the greetings and<br />

put $116 on deposit at the Marine Trust Co..<br />

Buffalo, for those who ca.shed In. In Buffalo<br />

they "ganged up" ^n BUI and cashed the<br />

checks Others framed them as souvenirs.<br />

The time limit U up The checks are not good<br />

after February I<br />

Robert Levitt, 47, Dies;<br />

Was Once With Selznick<br />

N"EW" YORK— Robert D Levitt. 47. former<br />

CAslem director of advertising and publicity<br />

for David O Sel/nlck and a Screen Gems executive,<br />

was found dead .Monday i27i at hU<br />

home at Ea.«t Hampton. Long Island He left<br />

a not* addressed to "To whom It may concern<br />

" Many bottles containing sleeping pills<br />

were found in the house.<br />

L«%-ltt. a former hu.'tband of Ethel Merman,<br />

musical comedy star, was well known<br />

•• a newspaper and teletislon executive He<br />

was president of California National Prodttctlon.^.<br />

TV film producing .luboldlary of the<br />

National Broadcasting Co. He left NBC December<br />

& last<br />

He joined Selznick after the war and left<br />

to rejoin the Hearst ne»%poper organization,<br />

becoming a vlce-pre-ildent and director<br />

He joined Screen Gems in 196S and left to<br />

(0 with NBC He leaves hU alfe. Mrs Barbara<br />

Kazanjlan Levitt: two brothers. Arthur<br />

Lerttt. New York SUte controller, and George<br />

Leritt. and two children by his maniage to<br />

Ethel Merman. Ethel. 13. and Robert. 13<br />

New Post for Al Sherman<br />

:.i,v. \.).^: '.A- ;-.... ....--. r aii-<br />

Amcncan Prcas. announces that Al Sherman,<br />

publicist and witter, has been appointed executive<br />

trade contact and feature writer<br />

Sherman wiu head—M.irtlii l)avl» tlhlril (ri>m Irfli. Allied<br />

ArlNIs flr|i.irlliiK ciNlrrii .i>l piih illrritnr. was hiuinrril b> .\.\ r\eiullvr» »llh a lunrheoii<br />

at TiMitx Shi>r's. I'Uturrd hrrr wUh tlir »ur»t i>f Ixiiior are. left to rlxht. hooU<br />

.Morry It. (Mildsleln. »lrr prrsldriit and erneral v.i|ps nutnatrr; KduartI Morry. vlrrl>rr%Ulriil;<br />

Martin l>av»>.^ John < Ulnn. national ad-puh dlrrrlor; . Itltrhey. vI.t -prrslilrnt of \\ I'liiurr^ ( orp.<br />

and prrMdrnt of \\ Iiilrrnatloiial (orp. \I>m> atlendlnc Ihr liiiirliron «ere Nei» York<br />

r\p»uti>rs Arthur (.rr.nblalt. I arl lt


. . Phil<br />

. . Maury<br />

. . The<br />

. Norman<br />

New<br />

. . The<br />

BUFFALO<br />

f^roTfe II. Mackrnna, manaKlHR dlrt'ctor of<br />

B.iMl'.s Lafayette and active in numerous<br />

civic affairs, has been elected to memben-hip<br />

in the National Council of the USO Mackenna.<br />

who Is local chairman of the USO.<br />

will attend a meeting of the national body<br />

March 5. 6 in Washinuton . Tcck.<br />

Buffalo home of Cinerama, is continuing lis<br />

presentation of the third attraction. "Searrh<br />

for ParadUe." ihrouKh February. It orlginally<br />

had been planned to fold February 1.<br />

Tlie closing date has been postponed because<br />

of many requests from organizations in western<br />

New York and alcmc the Canadian border<br />

that the showing be extended. For instance<br />

the apparatus optical division of the Eastmaji<br />

Kodak Co. recreation clubs of Rochester<br />

has ordered all seats for the evening showing<br />

on February 19. Teck officials said special<br />

rates will remain in effect for large groups.<br />

When Manager Lou Lrvitch of the Granada,<br />

north Buffalo Schine community house,<br />

announced that the long run of "Around the<br />

World in 80 Ehiys," was to close January 29.<br />

he received a landslide of reserved seat<br />

orders and now the run will continue through<br />

February 5 ... A tightrope walker may cross<br />

the Niagara Palls gorge below the cataract as<br />

part of a Columbia production. "The Big<br />

Circus." In a letter to the Greater Niagara<br />

Chamber of Commerce, the film producers<br />

said the walker would make the trip in<br />

safety. A wire from a helicopter and two<br />

from both sides of the river would prevent<br />

him from plunging 200 feet into the gorge.<br />

Most of the shots would be made from a long<br />

distance, not showing the wires or the helicopter.<br />

Closeups would be done in the Columbia<br />

HoUjT^'ood studios, using Niagaia<br />

PalLs .scenes as a background. The company<br />

must first obtain permission from the Niagara<br />

Parks Commission in Ontario. Canada, and<br />

the Niagara State Parks Commission in Niagara<br />

Palls. N. Y.<br />

It Is reported that Ployd Fitzsimmons. exploitation<br />

representative for MGM in the<br />

Buffalo. Albany and New England areas, has<br />

severed his connection with the company<br />

with which he has been a.s.sociated over 15<br />

years . Engel, 20th-Fox exploitation<br />

representative, was in Buffalo the other day,<br />

assisting local Paramount Theatres executives<br />

in advance promotion for "A Farewell<br />

to Arms." which ha-s started a run in the<br />

Center Theatre . Slotnick. former<br />

co-owner and manager of the Cinema In<br />

Rochester, has taken over the management<br />

of the Astor In Syracu.se, which has been renamed<br />

the Cinema and will be operated as a<br />

.specialized film house.<br />

The ZIff family of Fort Erie, Ont., across<br />

the border from Buffalo, ha.s in.serted the<br />

following notice In the Fort Erie Times Review:<br />

"For thirty years. It has been our<br />

privilege to serve you with wholesome family<br />

film entertainment. We take this opportunity<br />

to thank you for all those good years of<br />

( IIK K TO (LINK —The Varirly Club<br />

(if K'jfr.iln presented a check for $.50,672<br />

In ll-.r riTctiral palsy clinic of Tent 7 In<br />

the Childrrn's Hospital and the rehabili<br />

ation center for children of the<br />

Children's Hospital and the Crippled<br />

Children's (luild at the iMh annual installalion-iliiiiier<br />

the cither eveninK in the<br />

Hotel Statler. In the photo. Mrs. Dudley<br />

M. Irwin president of the board of manaeers<br />

of Children's Hospital, is receiving<br />

the cheek from Marvin Jacobs. riBht,<br />

chairman of the club's heart committee<br />

as Harold Bennett, outgoing chief barker,<br />

looks on. It was the largest amount ever<br />

raised by (he club for its charities.<br />

friendship and patronage. With deep regret<br />

we announce that about April 27. 1958, the<br />

Parkway Theatre will close as a theatre.<br />

Television and other forms of entertainment<br />

have made it impossible for us to continue.<br />

Plans are now completed for this fine building<br />

which will become the Parkway bowling<br />

center. Work will commence immediately<br />

after closing, about April 27. and is scheduled<br />

for completion about June 20. Tlie Fort<br />

Erie Drive-In will continue to operate, and<br />

we will u.se our years of experience and efforts<br />

to bring to you the best of movie entertainment<br />

there. A new policy for the Fort<br />

Erie Drive-In will be announced later. Again,<br />

thanking you, one and all, the Ziff Family."<br />

H. H. Martin. U-I general sales manager,<br />

and Pete Dana, eastern division sales chief,<br />

were in Buffalo for conferences with Manager<br />

Ike Erlichman and members of his staff<br />

Dewey Michaels, who operates the Palace<br />

in downtown Buffalo as a burlesque house,<br />

has changed the policy for a limited time and<br />

is pre.senting a screen attraction, "Garden<br />

of Eden." The second feature is "Blonde Sinner."<br />

E. A. Williford to Retire<br />

As Link Aviation Head<br />

BIiNCiHA.VnoN. N Y --K AliaJi Wllllford<br />

has applied for retirement as president of<br />

Link Aviation, a subsidiary of General Precision<br />

Equipment Corp.. following his 65th<br />

birthday. The board is expected to act on<br />

his request early this month. He will continue<br />

as a director of Link and probably of<br />

other GPE subsidiaries. He Is a past president<br />

of the Society of Motion Picture and<br />

Television Engineers.<br />

ALBANY<br />

Qolosseum Lege 24 held a meeting late Mondiiy<br />

afternoon at which Ralph Rlpps<br />

MGM. was admitted to member.ship and<br />

o;hcr business was transacted 20th-<br />

Fox exchange has<br />

.<br />

mapped an all-out effort<br />

for the Alex Harrison testimonial drive March<br />

2-29. A Fox picture on every .screen is the<br />

goal<br />

. Weltman. U-I manager,<br />

huddled with James Benton, head of Benton<br />

Theatres, and Frank Williams, booker, in<br />

Saratoga.<br />

.Mark down .Monday as a red letter day on<br />

Filmrow It went into the records as the<br />

first time Sid Kallet of Kallet Theatres.<br />

Oneida, had visited a local exchange In many<br />

months. Kallet and his nephew Bob. .son of<br />

Myron "Mike" Kallet. checked into the Columbia<br />

branch and went next door to attend<br />

a preview of "The Bridge on the River Kwal ."<br />

Among others viewing the film were Ella.s<br />

Schlenger. Fabian division manager, and<br />

Irene Econome. Fabian booker: Sylvan Leff.<br />

operating theatres in Utica. Watertown. and<br />

Pittsfield, Mass.. and Mrs. Leff: Leonard L<br />

Rosenthal and John Capano, Upstate Theatres,<br />

Albany: Alan Iselin, of)erator of Auto-<br />

Vision. East Greenbu.sh: Bill Barrington.<br />

manager of Neil Hellman's Turnpike Drive-<br />

In. Westmere.<br />

Introductions to exchange personnel and<br />

a luncheon with area exhibitors highlighted<br />

the first visit to Albany of H. H. "HI" Martin<br />

as U-I general sales manager. Martin, accompanied<br />

here from Boston by Division<br />

Manager Pete Dana and District Chief Joe<br />

Gins, is making a swing of eastern branches.<br />

They played host at a luncheon to Ellas<br />

Schlenger. Fabian division manager: Leonard<br />

L. Ro.senthal. counsel and adviser on film<br />

buying to Upstate Theatres: George V. Lynch,<br />

chief buyer for Schine circuit, GloversvlUe:<br />

William Kraemer. Schine head booker: Neil<br />

Hellman. Hellman Theatres: Alan V. Iselin.<br />

son-in-law of Hellman and operator of Auto-<br />

Vision. Ea.'t Greenbush: Alfred Swett. manager<br />

of the Stanley Warner Strand: Sylvan<br />

Leff. of Highland and Rialto. Utlca. Town<br />

and Black River Drive-In. Watertown. and<br />

Pltt.sf.eld Drlve-In. Pittsfield. Mass.<br />

Exhibitors Give Statue<br />

Of Moses to Hofstra<br />

NEW YORK—Dr Jack T. Johnson, vicepresident<br />

of Hofstra College, will accept a<br />

reproduction of the Michelangelo statue of<br />

Moses fr»m a group of exhibitors Thursday<br />

i6>. Among the exhibitors will l>e Max<br />

Cooper. Cove Theatre. Glen Cove: Owen<br />

Kaufman. Huntington Theatre. Huntington:<br />

Herman Plcken. Rialto. Patchogue. and Harry<br />

Blrkmier. Regent. Bayshore. all of whom are<br />

in the Na.ssau-Suffolk area.<br />

A plaque at the base of the statue will<br />

credit the college with a spirit of tolerance,<br />

and mention "The Ten Commandments'"<br />

Aon/tCiO^<br />

•OONTON, HM.<br />

Larg* Cor*<br />

Or«at«r CroUr Area<br />

MAXIMUM UOHT<br />

in New York— EASTERN THEATRE SUPPLY Co , Inc. Buffalo—<br />

Mohawk 0001<br />

NATIONAL THEATRE SUPPLY. Albonr--5 1479<br />

SUN CARBON Co .<br />

York Cifv—Circle 6 4995<br />

E-6 BOXOFFICE February 3. 1958


. Alden<br />

. David<br />

. . Joe<br />

Paul<br />

Bonjour<br />

. . Joseph<br />

Tlie<br />

Jean<br />

PITTSBURGH<br />

T lit Jay Sllvpr, wUe o( M. A. Silver. SUnlry<br />

Warnrr Ilifntrw" Ptttabunth «onc niMi-<br />

•(rr and nu-mbcr of bo*rd of directors. hu»<br />

ju»l had her first novel publLslied. "Sliudow<br />

on the Sun " Tt\r locale of the stor>' is Cuba,<br />

where Mr. Silver has been a frequent vacation<br />

visitor with her huslwiid. Tlie romantic<br />

adventure of a mother uiid her lovely<br />

daughter. "Shadow on U»e Sun" Is published<br />

by Duell. SJoun .V Pearce<br />

Waahlnfton Theatre. S«tsjivale. which hud<br />

operated a weekend show for a long period,<br />

fmally went dark nltoRether 20th-Fox<br />

tradescreened 'A Farewell to Arms" Wednesday<br />

afternoon aiid It's good to have the son<br />

of the late L. J Selznlck back in harness<br />

. , SW yttms to have closed Its Clark bulld-<br />

Inc screening room, with Joe DeMnnn laid<br />

. . .<br />

off his long time Job as projectionist<br />

Marco Ranalll. Route 8 outdoor exhibitor,<br />

recuperating frum pneumonia, planned an<br />

early vacation with Mrs Ranalll in the Sunshine<br />

State of Florida.<br />

A. Fred Setrao. who ha* been In the the-<br />

. . . Jackie<br />

.<br />

atre business at New Kensington all of his<br />

business life, has Joined the Glenn Bulck<br />

•cency there as a salesman<br />

Loughery. former Miss USA., was In Erie<br />

for the opening of Dghteen and Anxious"<br />

at the Colonial Theatre Hanna,<br />

Co-Op tKtoker. rested at home after being<br />

discharged from Shadyslde Hospital where he<br />

underwent surgery .<br />

C. Silverman.<br />

AA mwiger who is on tap as Variety Tent 1<br />

chief barker for 1959. accepted an award<br />

for the club for iLs services to the handicapped<br />

at a dinner of the Allegheny County<br />

chapter of the Perosylvanla Ass'n for Retarded<br />

Children . Phelps. Waterford<br />

ou'.door theatre owner and Erie County<br />

Democratic chairman. Ls Imlng up support for<br />

U. Gov Roy E Furmans bid for the Democratic<br />

gubernatorial nomination.<br />

Tries to Rob Cashier<br />

A.MBlUDciK. i'.\-A vuuii.iul hoodlum<br />

made an unsuccessful attempt to hold up<br />

Henrietta Kokoski, cashier of the Ambrldge<br />

Warner Theatre Described as blond, skinny<br />

and young, the bandit had a wave In his hair<br />

and wore a zipper Jacket and levls. He had<br />

been watching the theatre a half hour before<br />

maku^ a bold attempt to rob the boxofflce<br />

A note, shoved through the window aperature.<br />

directed that the cashier "turn the money<br />

'<br />

over to me At the same time the bandit<br />

kept a hand In his pocket as If to pull out<br />

a firearm The ca.shler buzzed the office<br />

upatair* and the frightened fellow lost his<br />

nenre and made off toward 7th street. The<br />

Kokoakl girl was so overcome by the Incident<br />

that she was relieved of her duties and<br />

Dorothea Hitler, assistant manager, took over<br />

duties (or the remainder of the evening The<br />

holdup attempt w-as reported to police by<br />

Joseph Zazaaro. manager of the Ambrldge<br />

Theatre<br />

Leaves Theatre Business<br />

}iA(.i:-.;_i;u'W.'.. .\::j v. .....i::. :.> jrjtncs.<br />

manager of the Hlway Drlve-In ea-^t of here<br />

for the last eight yearn, haji re.^tgncd and haa<br />

moved to Lynchburg. Va . where he plans to<br />

opermte a restaurant which Is under conitnictton<br />

Ed Ritenbaugh Stricken;<br />

Good Friend of Industry<br />

l'rri"SiHUKt.iH Till- nintloll I>HlUir lllilll-<br />

Iry tirir lost Its bplaying a two-column<br />

motion picture still reproduction, with a<br />

single column or a thumbnail cut of a star<br />

with appropriate copy. He staged a thousand<br />

parades of kiddies marching to local theatres<br />

as guests, all with banners and Identifications<br />

for those who viewed the street<br />

exploitations, plus his newspaper articles regarding<br />

announcements of Uieatre parties,<br />

benefits, appearance.s. formation of new Seek<br />

Hawkins chapters, birthdays, anniversaries,<br />

etc. He always kept the kiddies in line and<br />

in good behavior at a par.^de or theatre or<br />

at a sporis event or picnic.<br />

Ritenbaugh visited Hollywood regularly<br />

and was photographed with as many stars<br />

as he could line up. using these photos in<br />

hiS column at the time of local release of<br />

a new picture with the particular actor,<br />

actress, producer, director, etc.<br />

BALTIMORE<br />

t eo Back, head o!<br />

Home Theatres here, was<br />

host to his brother-in-law. Jeff Hofhelmer.<br />

a Norfolk exhibitor, here on busine.vs.<br />

Back ha.s been named by the National<br />

Council of Christians and Jews as chairman<br />

for Brotherhood Week (or Maryland The<br />

special week will be held during this month<br />

Lou fiaertner and Gordon Contee. head of<br />

Rltz Theatres, hosted a dinner (or John O'<br />

Leary. local 20th Century-Fox salesman being<br />

translerred to San FrancLsco. Almatt<br />

every .salesman of the Baltimore film market<br />

attended Ira Sichelman. aoih's manager,<br />

came over from Washington. So did Jack<br />

Kohler of the Wa-Miington ofdce liuidor M<br />

Makover. owner of the Edmondson Village<br />

Theatre, alio wa.s present<br />

Maurice llrndrlrkv former film buyer for<br />

the Hicks-Bakrr Theatres, is nou manager<br />

o( the .Met George l^', 1st for<br />

Schwaber Theatres. mKvd<br />

:•<br />

' from<br />

duty becauA* of the grHn>e Bill Myer.i.<br />

owner of the IVI.uxr wa.v in Pix-orn'ikr City<br />

on buslneM<br />

PHILADELPHIA<br />

. .<br />

T^u^lllg hU one-day visit to Philadelphia.<br />

James Chinirr. star of Warner Bros.'<br />

"Darby's RaiiKers." made 11 guest api>earunres<br />

on radio ond U-levUlon. Including two<br />

national .shows. Dick Clark's Bund-sUind program<br />

(rom WFIL-TV and Don McNell'i<br />

Breuk(ast Club tm ABC radio . . . The Pell<br />

MarUa<br />

Bros.' Casino Tlieatre was closed<br />

Alla.sio. new Italian discovery, was In town<br />

on a publicity tour for "The Seven HIIU of<br />

Rome, " In which she .HUrs with Mario Lanza<br />

l.«wln Plior'» Cedar Theatre is running on<br />

weekends only . AmbiLvsador has been<br />

closed . Farrow, long time MOM employe,<br />

died .<br />

Lombardl has taken<br />

back the Comeo Theatre .<br />

Seberg was<br />

taken around town by the press agents to<br />

'<br />

promote Triste.sse "<br />

. .<br />

Abe Sunberg'N Strand Tlieatre Joined the<br />

list of Negro neighborhood theatres playing<br />

stage shows on weekends. The first attraction<br />

was Prince Donnell's West Indies Review,<br />

featuring rock 'n' roll, mambo and<br />

calypso entertainers . Charlie Judge, manager<br />

of the Trans-Lux Theatre, was hospitalized<br />

at the Woman's Medical College.<br />

TV Won't Destroy Picture<br />

Business, Says Actor<br />

.NEW YORK I'l ;>M-^i'n wciiit destroy the<br />

film business, provided you have a fine motion<br />

picture, any more than the talking pictures<br />

or radio replaced the legitimate theatre—even<br />

though theatrical producers were<br />

ready to throw up their hands in the early<br />

1930s." In the opinion of James Robertson<br />

Justice. J. Arthur Rank's bearded and colorful<br />

character player. Justice arrived (rom<br />

England January 28 to act as "goodwill ambassador"<br />

(or Rank and to promote bis<br />

"<br />

"Campbell's Kingdom in the U. S.<br />

Justice will meet the press (or Intervlewa<br />

and radio-TV appearances In Detroit. Chicago<br />

and Minneapolis before going to Portland.<br />

Ore., to attend the opening of "Campbell's<br />

Kingdom" there Februao' H. followed<br />

by Seattle February 12.<br />

Boardwalk House to Be<br />

Legitimate Showcase<br />

PHILADELPHIA<br />

Lawrence Shubert Lawrence.<br />

a.s.soclate director of the Shul)ert Theatres<br />

here, announced this week that the<br />

2.400- .seat Warner Theatre on the Boardwalk<br />

in Atlantic City. N. J . will become a leglUmate<br />

theatre in September.<br />

Lawrence as an Individual, together with<br />

Michael J. Fiore. president o( the Atlantic<br />

City Chamber of Commerce, and George<br />

Hamid. owner of the SU-el Pier, will be the<br />

operators.<br />

About MO.OOO will be spent to remodel the<br />

theatre so that either musicals or dramatic<br />

plays can be presented. Lawrence said the<br />

name of the house will be changed to the<br />

Shubert and the opening show will be • hit<br />

miulcal now appearing on Bro«dw«y<br />

RCA SERVICE COMPANY INC<br />

210 12 North 12th Srrcai<br />

ritilodelpliio. ta RiltmkouM ^IHt<br />

BOXOrnCE FebruAry 3. 19M E-7


: i»m<br />

^(xacUa ^efront<br />

RN EXTHAOKUINARY >tuteinent wu.s lisuod<br />

by Associated BritLsh Picture Corp.<br />

Bbout the future of Robert Clark, who for<br />

the la.sl 12 years ha.s acted a.s the director<br />

of production for El.stn'e Studio.s Tlie .statement<br />

.^ald: "In order to free Mr. Robert Clark<br />

for other Important work In connection with<br />

the future development of the corporation,<br />

the Board of ABPC has decided to relieve<br />

him of his executive re.spon.siblllties at Elstree<br />

Studios. Mr. J. R Wallis will be the executive<br />

In charge of the .studios, under the direction<br />

of the managing director C. J. Latta."<br />

Up to the time of writing no one has yet<br />

decided whether this is a step upwards or<br />

not for Clark, a millionaire in his own right.<br />

No one was talking: neither C. J. Latta.<br />

Clark, nor his successor Jimmy Wallis, but,<br />

obviously, a statement Is expected shortly<br />

defining what actually is the nature of "the<br />

other important work in connection with the<br />

development of the corporation."<br />

• • •<br />

Is the British film industry alive to the<br />

new gimmiclo- that interest milliotvs of folk<br />

in this country, or is it out of step with such<br />

modern trends of mass marketship? Jack<br />

Prendegast, chairman of the Leeds branch<br />

of the Cinematograph Exhibitors" Ass'n and<br />

a leading British independent exhibitor,<br />

thinks so. He wants the industry to unite<br />

in a series of nationwide selling campaigns,<br />

including weekly giveaway prizes. "With each<br />

cinema levied at £1 per week, this would enable<br />

cinema owners to spend .something like<br />

£4,000 in cash prizes, and many of the advertisers<br />

on commercial television would be<br />

switched to active participation with a<br />

planned .scheme embodying every cinema."<br />

Prendegast believes his scheme would receive<br />

the support of both the British and<br />

American renters, and of the latter he says,<br />

"I am satisfied that those alert enough on<br />

the American side of the industry would<br />

willingly allow the cinema contributions of<br />

many cinemas as a first charge in an effort<br />

'o bring our patrons back to the cinemas."<br />

Bearing in mind the millions of pounds<br />

.^pent each week by hopeful Britons trying<br />

to gamble on the results of the national<br />

football teams, Prendegast has an idea that<br />

might eventually capture the imagination of<br />

the public—provided there are sufficient good<br />

films to back up the campaign.<br />

• • •<br />

Big Mike Frankovlch is never at a loss in<br />

thinking out new ways of .selling pictures or<br />

of keeping his staff conscious of the need<br />

(or .'.howman.shlp. But last week the bo.ss of<br />

Columbia Pictures excelled himself when he<br />

brought all the trappings and trimmings of<br />

the Wild West to London In connection with<br />

the new Glenn Ford Columbia production<br />

"Cow Ixiy "<br />

All :idlng the premiere had been<br />

reque .re themselves In cowboy costume,<br />

and practically everyone answered the<br />

call, even the Fleet Street photographers<br />

hired the Wi-.'.tern shirts. Jeans and holsters<br />

(or the evening, while Frunkovlch's fellow<br />

rciitcrs like Jimmy Carrcrft»i, Nat Cohen,<br />

M ,, I. .-..r Scott, looked like a trio of authen-<br />

'<br />

any cowboy feature. The stars,<br />

i,i Ken More, Roger Moore. Hu.ss<br />

Tamblyn, with their cacorl« arrived as per<br />

By ANTHONY GRUNER<br />

lUbU-uctioiLs. ai did the .society representatives,<br />

the Duchess of Argyle. Lord Londonderry.<br />

Sir John Rothen.steln. Afterwards they<br />

were entertained at the most fantastic Western<br />

parly ever held In the West End.<br />

For the night, Big Mike had Uken over<br />

The Pigalle restaurant, and had turned it<br />

into a Wild Western "gambling saloon." except<br />

that there were no tables for cards, only<br />

drinks and fried chicken and beans, southern<br />

style (300 chickens were flown over from<br />

Texas for the occasion, as were the beans i.<br />

With Woolf Phillips and his band, a square<br />

dancing demonstration from teenage employes<br />

at the American Emba.ssy, and a saloon<br />

bar over which 30 men had tteen .shot, including<br />

the deadly Johnny Ringo (this also<br />

had been flown in from Texas i. Frankovlch.<br />

his friends the stars, and the press, had<br />

themselves a ball.<br />

The press went wild about it and claimed,<br />

quite truthfully, that it was the wildest, happiest<br />

and most humdinging party since<br />

Michael Todd took over the Festival Gardens.<br />

• • «<br />

For a long time it had been difficult to<br />

persuade makers of new British films to<br />

thow extracts of their features on television.<br />

The reason: the producers feared that under<br />

the new Finance Bill relating to the British<br />

FUm Production Board, the E^dy earnings<br />

of their product might be prejudiced, if a<br />

portion of a feature film was first shown on<br />

television.<br />

Last week the Board of Trade clarified the<br />

position with a new Draft Order .stating that<br />

any number of excerpts of a film might be<br />

shown on television without the feature being<br />

disqualified from benefit, provided that each<br />

excerpt did not exceed five minutes. Thus<br />

producers wishing to use extracts on TV to<br />

exploit their pictures, need not fear that<br />

the British Film Fund Agency will take any<br />

of their much-needed lolly from them.<br />

• • «<br />

Fred Feldcamp is in the news again. The<br />

man who formerly produced The March of<br />

Time, and later in Britain "The Silken<br />

Affair" with David Niven for RKO release. i.s<br />

to make the "Eddy Chapman Story." the<br />

true life story of the British safe-cracker<br />

who managed to spy for England during the<br />

last war and yet make the Nazis believe he<br />

was working for Germany. Feldcamp says<br />

that he will make the picture early in the<br />

new year, either in Britain or on the Continent,<br />

James Nolan, former TWA executive,<br />

will be associated with him In tills newventure.<br />

• •<br />

In town last week arrived Lee Tmver. Walt<br />

DLsncy's casting director In Hollywood, who<br />

starts the search for a complete cast of top<br />

players for "Darby O'Glll and the Little<br />

People." the leprechaun which goes Into<br />

production this year. Following him shortly<br />

IS Walt DUney with Robert Steveii.son. who<br />

will direct the film, to lest Uic lineup of<br />

talent. They must all be Irish— that Is the<br />

addlctum of Disney, who has been working<br />

on this story for years, and according to his<br />

London head office Is at hust all .set to produce<br />

the story of Darby, the story-splniilng<br />

shanachle and his adventures and experiences<br />

with the King of the Leprechauns<br />

Japanese MPAA Head Host<br />

To MPEA Members in N.Y.<br />

NEW YORK The vital role motion pictures<br />

play In bringing about a better imdersliuiding<br />

l)etween nations was stressed by<br />

Shlro KIdo, president of the Motion Picture<br />

Producers Ass'n of Japan, in addre.ssing a<br />

luncheon meeting of the Motion Picture Export<br />

A.ssn of America at the Harvard Club<br />

Monday (27).<br />

Kldo paid tribute (or himself and the entire<br />

Japanese Industry to Eric Johnston and<br />

Ralph Hetzel for "their unceasing efforts to<br />

bring all of us Into clo.ser accord." He also<br />

expressed his appreciation to Hetzel. who<br />

presided over the luncheon In Johnston's<br />

alxsence. for the manner in which MPEA<br />

and Its producer- members had extended<br />

their cooperation in the form of comments<br />

and suggestions about Japanese film.-., which<br />

had enabled Tokyo's producers to tailor their<br />

product for wider American theatre acceptance.<br />

Speaking for the MPEA. George Weltner.<br />

vice-president in charge of world-wide distribution<br />

for Paramount, welcomed the official<br />

delegation to Japanese Film Week and<br />

wished Kldo success in promoting Japanese<br />

films.<br />

Others attending the luncheon included:<br />

Norton V. Ritchey and Keith Goldsmith,<br />

Allied Artists: Stanley Schneider. Columbia;<br />

Ronald Carroll and Seymour Mayer, MGM;<br />

Barney Balaban. James E. Perkins and J.<br />

William Piper. Paramount; Robert Hawkinson.<br />

RKO; Emanuel Silverstone. George<br />

Elener and Sam Burger. 20th Century-Pox;<br />

Arnold M. Picker. Louis Lober. United Artists;<br />

John J. O'Connor and Ben Cohen, Universal-<br />

International; Max Greenberg, Warner Bros.,<br />

and George Vietheer, MPEIA.<br />

The second part of Japanese Film Week<br />

at the Museum of Modern Art began Wednesday<br />

(29 1 with the showing of "The Temptress."<br />

a wide.screen color feature, and "The<br />

Crying Whales" from Nikkatsu Co. "Story<br />

of Chikamatsu" and "The Roof of Japan,""<br />

made by Daiei Co., were shown January 30<br />

and 'Untamed Woman" and "The Nature<br />

of Hokkaido." made by Toho Co.. were shown<br />

January 31.<br />

Miro Productions Formed<br />

To Make Films in N.Y.<br />

NEW YORK—Harold Robbins. who recently<br />

completed "Never Love a Stranger""<br />

in New York for Allied Artists release, has<br />

formed a production company with Gene<br />

Milford and Raymond Scott under the title<br />

of MIro Productions, Inc.<br />

Arriuigements have been made with Mlkaj-o<br />

Studios and M.K.R. Films for production,<br />

editing and .scoring facilities in New<br />

York. Miro's version of "The Pu.sher," from<br />

the novel by Ed McBain. went before the<br />

cameras January 15 with Felice Orlandl,<br />

Douglas F. Rodgers and Sloan Simpson featured.<br />

MlKord as director and Robbins a«<br />

.scenarist luid producer. Scott will l)e background<br />

composer. Allied Artists will distribute.<br />

In addition to Milford. who Is president,<br />

the other Mlro executives are: Robbins. executive<br />

vice-president; Sid Kati and Ralph<br />

Ro.senblum of M.K.R. and Scott as vice-presidents.<br />

Arthur D. Gordon, treasurer, and Max<br />

Splvak. .secretary and general coun.sel.<br />

Sub.vquent productions will Include: "Rock<br />

and Rock. " a nuislciU to star Bill Hayes, and<br />

"Never Leave Me." from a novel by Robbins.<br />

E-8<br />

BoxorricE February 3, 1968


AND VIEWS THE PRODUCTION CENTER<br />

HcUiwood Office— Suite 219 at 6404 HoUvu\K>d lllvd . tvan Sptar. Western Managcn<br />

Premiere of 'Passage'<br />

Is Held at Portland<br />

! Al•l^^.^ "Oregon<br />

Hi : ; vui '. '<br />

went into relraae January 32 with<br />

t coast premiere in PorUand. and<br />

sunulljtneous openings In 15 other theatres<br />

in the Pacific northwest and a multiple house<br />

opening in San Diego.<br />

John Erlcson. Lola Albright. Edward Piatt<br />

and Tom Gerr>- star In the film produced by<br />

Undsley Parsons and associate John H. Burrovs.<br />

• • •<br />

Seats at the March 20 premiere of Perlber«-Seaton's<br />

Teachers Pet" at the Hollywood<br />

Paramount will be awarded to 50 winners<br />

of a scholastic essay contest on Journal-<br />

I'm. sponsored by the Greater Los Angeles<br />

Press Club. The press club's "8 Ball" Foundation<br />

will also sponsor the premiere, part of<br />

the proceeds of which will be used to establish<br />

Journalism scholarships at two universities<br />

in the LA. area.<br />

• • •<br />

David O Selznlck'.s "A Farewell to Arms"<br />

»tU open in Europe Easter Sunday In 250<br />

situations in eight countries. Including England.<br />

Prance. Italy. Portugal. West Germany.<br />

Norway. Denmark and Sweden. 20th-Fox,<br />

distributors of "Arms." will utilize the simultaneous<br />

road show plan throughout Europe<br />

for the film, which was successfully orlglnaicd<br />

here.<br />

• • •<br />

LOS ANGEIJS— Police Science Productions<br />

announced the forthcoming release of their<br />

first feature length production. "The Narcotic<br />

Story." with veteran film dLstrlbutor<br />

Harry Stem cloAlng the deal for exclusive<br />

world .^es and setting the film for local<br />

first run In five United Artlsta circuit theatres.<br />

Produced and directed by Robert Larwn.<br />

the film deals with the exposure of teenagers<br />

to marijuana and heroin pushers, and has a<br />

foreword l>y both State Attorney Edmund<br />

"Pat" Brown and Senator William Beard.<br />

Chairman of the Interim Committee on Narcottea<br />

• • •<br />

South Pacific" has been set by 30lh-Pox<br />

•.-> the Baster attraction at the Egyptian<br />

Theatre, opening the first two weeks In April<br />

"^r world premiere of the Mllzl Oa>-nor-Ro.«-<br />

rto Brazil starrer will be held March 19<br />

•> the Cnterton Theatre In New York<br />

Pay for Extras Up; Also<br />

Hike Actor-Singer Base<br />

HOI l.VWi K 11) .A- o[ .l.iiiu.ii;. 30. the<br />

minimum \vuKf> u( fxtrii pluycrs wa.s uutomuticully<br />

Increivsi'd 2'v per cent. In nccorduncf<br />

with the Screen Extras Guild's collective<br />

bargaining ngreemeiil with the motion picture<br />

producer.^, signed In 1956. H. O'Nell Shank.s.<br />

executive secretary of the guild, said this<br />

increase brings minimum dally rates for extra<br />

players to the following figures: General<br />

extra. $2205: dress extra. $29.04: stand-in.<br />

S20.43: silent bit. $61.33.<br />

• • •<br />

Salary minimum for actors and singers employed<br />

In theatrical pictures under the basic<br />

agreement between producers and Screen<br />

Actors Guild was automatically Increased<br />

February 1.<br />

Day player minimum will ri.se from $80<br />

to $90 and the weekly minimum for freelance<br />

players and multiple picture players will go<br />

from $285 to $300 The minimum for .singers<br />

mouthing back to playbacks will increase<br />

from $50 to $55.<br />

Other improvements In actor conditions<br />

which took effect on the same date raise<br />

the "money break" figures In the various<br />

-schedules of the basic agreement cm follows:<br />

for weekly actors, stuntmen. singers and multiple<br />

picture players, from $1,250 to $1,500:<br />

for term contract players, from $600 to $750.<br />

The principle effect of this change Is to<br />

increase the number of actors eligible for<br />

overtime pay and other premium benefits<br />

provided In tlio cKntrnri<br />

Producer Supporl<br />

At Brussels Urged<br />

HOLLYWOOD With rejiorts reaching Clnemavllle<br />

that the United States film Industry<br />

prestige Is at slake and Ru.vsla Ls Intensifying<br />

Its efforts to become leader In the motion<br />

picture buslne.ss. producer-director Roger Corman<br />

advocated film industrj- participation In<br />

the festival to be held In connection with<br />

the Bru.s-seLs world"s fair.<br />

"This time the American film industry<br />

should participate with at least six of lt«<br />

fine.st productions, chasen by a representative<br />

committee." advl.sed Comian "Past film festivals<br />

have been flops because they were not<br />

supported by the Ass'n of Motion Picture<br />

Producers With national and international<br />

film industry standing lower than ever, the<br />

association should approve the Bruv.elLs fair<br />

and make an effort to advance the American<br />

feature as an art form.<br />

"Our participation." Corman continued,<br />

"would be good salesmanship for our country<br />

and our Industry. We should send top<br />

stars and top production representatives to<br />

be present. The fair gives us the opportunity<br />

we need to show that our motion pictures<br />

are a major asf>ect of western culture."<br />

• • •<br />

"The Liing. Hot Summer." Jerry Wald's<br />

production of William Faulkner's novel, has<br />

been selected as 20th-Fox"s entr>- for the 1958<br />

Cannes Film Festival. The picture stars Anthony<br />

Franciasa. Paul Newman. Joanne<br />

Woodward and Or-nn Welles<br />

Manager Auton la Papa<br />

HELENA. MONT— Mr and Mrs James<br />

Auien became parent* of a baby son rrcenUy<br />

Autcn is the manager of the Marlow Theatre<br />

here<br />

\\\ \ltll TO Jtltlt^ \\ \l.i)— Thrrr nipmlxr* nf Ihr ( i>«lumr l)i-»lcnpr» «.ulld<br />

are »h"»ti prrwiillm iOthl-iix' i'rodurrr Jrrt» Wairt »Uh » pUqur hutinrinc him (i>r<br />

ronllnurd and vignlflrant rrrucnlllon of thr Impi.rtanrr nf rnvlumlnc In mi>l|on<br />

plrlum. l-rfl to ritht are; llnward >hiiup. culld pre^ldmt Wild Mjr> Willi. »nd<br />

( harle* I^Malre<br />

BOXOmCE February 3. !»&• W-1


Screenwriters Pick<br />

Besl Writings of '57<br />

HOLLYWOOD— Nomination blanks for the<br />

tenth annual screenwriters awards were<br />

mailed out to members of the screen branch<br />

of the Writers Guild of America West, according<br />

to general chairman Allen Rlvkin.<br />

As in the past there are three categories:<br />

Best Written American Comedy. Best Written<br />

American Drama and Best Written American<br />

Musical In addition the executive board<br />

of the branch will name a winner of the<br />

Laurel award given yearly for the most valuable<br />

writing contribution to the Industi^<br />

over a period of years.<br />

Announcements of the winners will again<br />

be made at the annual awards dinner and<br />

show March 12 at the Moulin Rouge restaurant.<br />

• • •<br />

Cases of speculative writing charges involving<br />

several television producers, as reported<br />

by a number of Writers Guild of<br />

America West members, were reviewed by<br />

the television-radio branch's committee on<br />

speculative writing.<br />

Embarked on a vigorous campaign to eliminate<br />

this situation, the committee has before<br />

It a twofold program; ili to gather evidence<br />

of violations of this type as a basis for<br />

charges it will process against producers, and<br />

i2i to translate its findings into contractual<br />

preventives to be written into the minimum<br />

basic agreement when new negotiations are<br />

begun.<br />

• • •<br />

Michael Franklin of the legal staff of Paiamount<br />

Pictures was selected to succeed Frances<br />

Inglls as executive director of the Writers<br />

Guild of America. West. Edmund L. Hartmann.<br />

president, said the appointment, made<br />

by the council of the guild, will go before the<br />

membership for ratification at a general<br />

meeting February 13. Ml.ss Inglis. who resigned<br />

six weeks ago. will work with Franklin<br />

until her resignation ukes effect March 31.<br />

• • •<br />

Announced by the Writers Guild as erroneous<br />

was the recent report that writer employment<br />

In the major studios has dipped<br />

since last October for a record low. According<br />

to the guild's records, tmsed on official<br />

figures of employment reported to it by the<br />

various major studios, only an 11 per cent<br />

drop since October Is listed.<br />

J. Leslie Swope, 73. Killed<br />

In Automobile Crash<br />

Loo A.SUKLt.-v -J Lr.Hf riA..p»'- '?3. wa.-^<br />

killed in an automobile accident near Newhall.<br />

Calif, Friday I1' riii C'Vclu Tlicatre<br />

here has been reopened for two nights per<br />

week. Saturday and Sunday, by Mrs Harold<br />

C. Tuttle. mnna«er The house had been<br />

cloMrd for three week.n while Mrs Tultle<br />

imd her three children varatlonrd<br />

Shown above are the srripter. producer<br />

and director of >I(iM's "Les Cirls." voted<br />

by the National Screen Council as the<br />

best picture released in December. Top<br />

photo. John I'atriik scripter. is shown<br />

receivlnB his BOXOI'KU K Blue Kibbon<br />

plaque, (enter. I'mducer Sol ('. Siegel.<br />

is seen admiring the Blue Kibbon award,<br />

the sixth he has received. Bottom: I)irrcliir<br />

(leorge Cukor became a seventime<br />

honoree of the BOXOh'KICF, award<br />

with presentijtion of the plaque for "Les<br />

Girls.'<br />

Clark Ramsey Appointed<br />

To MGM Studio Ad Post<br />

HoI.I.VWUKU rill' .iijpuintnifnl ol Clark<br />

Ram.sey to the newly created post of MGM<br />

studio advertising manager was announced<br />

by Howard Sirlckllng. Ram.sey has resigned<br />

as executive assistant to David A. Llpton.<br />

vice-president In charge of advertising, publicity<br />

and promotion at U-I. the post from<br />

which he has directed UnlversaJ's advertising<br />

activities for the liLsl six years.<br />

As MCrM studio advertising manager. Ram-<br />

.sey will be directly responsible to StrtcklliiK<br />

in coordinating the company's newly announced<br />

plans for original advertising from<br />

the we.tt coast studio.<br />

Million Dollar Year<br />

ForMGMTeleburbs<br />

HOLLYWOOD — Accordmg to Virgil E.<br />

•Buzz" Ellsworth, director of MGM-TV's<br />

commercial and Industrial division, the<br />

studios teleblurb operation will gross better<br />

than $1,000,000 for its first year ending February<br />

15 and will better than double lus figure<br />

in its second year.<br />

Ellsworth said that the department—by the<br />

end of lUs initial year's operation— will have<br />

filmed 450 one-and-lwo-mlnute spots for 75<br />

advertising agencies and clients, in both black<br />

and white and color. He predicted that the<br />

television commercials will follow the general<br />

TV trend— from New York to HoUj-wood.<br />

especially now since the major studios are<br />

available for this type of shooting.<br />

• • •<br />

TTlic Milner Bros., theatrical film producers,<br />

will make their initial teleplcture sUrt with<br />

a series. 'Amazing Adventures of My Dog<br />

Kelly." written and financed by Harold Sherman.<br />

Jack Milner will produce and Dan<br />

Milner direct the scheduled 13 segments to<br />

star Kelly, the canine thesp which appeared<br />

in U-Is -Kelly and Me."<br />

• • •<br />

Action was taken at a meeting of the board<br />

of directoi-s of the Screen Directors' guild regarding<br />

the sale by Republic of post-1948<br />

films. The first step towards protecting the<br />

rights of directors in these films las indicated<br />

by earlier settlements by Republic,<br />

RKO and Warners) was a demand to Republic<br />

to furnish aJl titles they intend to release<br />

to NBC, the names of the directors<br />

whose interests are in jeopardy, the salaries<br />

paid each of these directors and running time<br />

of such films.<br />

The directors are Inviting the writers and<br />

actors guilds to join them in discussing the<br />

rights of the talent guilds in post-1948 films,<br />

with a view to presenting a united front Individually<br />

and collectively.<br />

Heilman Forms Company<br />

To Lens Todd-AO Epic<br />

HOLIA'WOOU Producer Claude Heilman<br />

announced the formation of Vintage Productions,<br />

wlilch plans to produce a $3,000,000<br />

Technicolor epic entitled "This Earth Is<br />

Mine." in Todd-AO this .summer Heilman.<br />

28-year-old former J. Arthur Rank as.soclate<br />

and Grauman's Chinese Theatre manager,<br />

will produce the film from Casey Robinson's<br />

script of the Alice Tlsdale Hobart novel. "The<br />

Cup and the Sword." Robinson will co-produce.<br />

Negotiations are now on with Todd-AO<br />

President George Shaefer for "This E^th<br />

Is Mine" to run in 66 Todd-AO theatres In<br />

the U. S. and In 12 overseas, following the<br />

run of "South Pacific." A March 1959 global<br />

day-and-date roadshow engagement will be<br />

arranged, with first-run release slated to<br />

follow In 1960<br />

The film will be Hellman's first production,<br />

and he has opened offices at the Goldwyn<br />

Studios.<br />

Manitoba Poll to Tony Curtis<br />

HOLLYWOOD T^ony Curtis was notified<br />

that he has been cho.sen winner of the Teen<br />

Club favorite actor roll for 1957 In a survey<br />

sponsored by radio station CKMD In Manitoba.<br />

Canada.<br />

W-2 BOXOmCE February 3. 1958


February<br />

Oscar TV Sponsorship<br />

Endorsed by SIMPP<br />

HOLLYWCKJU Willi the Aoudriiiy niimin«tlon<br />

poll.1 ckxird itt mldniKht Saturday il'.<br />

and with minouncrinpnt o( thr iioinmccs to<br />

br m»dr FVbruno" 17. exclt*tnpnt Is mountliiK<br />

ttradtly m cinpmavillf over the upcominR<br />

30th annual Ocar awards.<br />

This week the Society of Independent Motion<br />

Picture Producers went on record endoriunx<br />

.•sponsorsJnp of Uie Academy Awards<br />

televuMon proeram. and concluded that Industry<br />

sponsorship Ls particularly appropriate<br />

and timely tjecause it will project the Industry<br />

in a most favorable lifcht to the public<br />

when It Is untrnUy needed.<br />

Meanwhile, it was dUicloMKl by the Academy<br />

that more than three-fourths of the<br />

411 feature films ellKlble to compete thU<br />

year were distributed by the ten major companies,<br />

with the remalninn one-fourth released<br />

by 3-t Independent distributors United<br />

Artists with 53 has the highest number of<br />

features eligible: 20th-Pox Is a close second<br />

with 52 Columbia is third with 42 and U-I<br />

founh with 41 MOM has 32; Allied Artists.<br />

31. Warners. 26; Paramount. 19; Republic,<br />

19. Buena Vista, three.<br />

Of the independent film companies. American<br />

International has 16 features; DCA. IS.<br />

and Rank Film Distributors of America. 11.<br />

tXher dutributors are: Times Film Co. 4:<br />

Janus Films. 4; Kingsley International. 3;<br />

Harrison Films. 3. The following released two<br />

fllnv* each: Louus DeRochemont Associates.<br />

~ roll Pictures. Howco. Union Film Dlstrlb-<br />

-. Trans-Lu.x. United Motion Picture<br />

OrvianUations. EHlts Films. Continental Distributors.<br />

7^}paz and Excelsior. One film<br />

each was distributed by Cinerama. William<br />

Home. Joseph Brenner Associates, Tudor.<br />

Visual Drama. Trans-World. Cavalcade. Mayfair.<br />

Eden Pictures. Motion Picture Distributor.<br />

API. Luzon. Jo.seph Burstyn. Associated<br />

PUm Releasing. IFE. and Patric Film Co.<br />

'Red Mill' TV Production<br />

To Be Fred Coe's First<br />

H< >U i;-.: C- ;^nment<br />

under his exclusive OBS-TV contract<br />

as a producer will be Victor Herbert's operetta.<br />

"The Red Mill " The hour and a half<br />

magical w-tll be the DuPont .show of the month<br />

April 10 Coe's first theatrical feature. "The<br />

Left-Handed Gun." will soon t>e released.<br />

SBC-TV has been partly relieved on the<br />

April 15 telecast of the Emmy awards, with<br />

Proctor Ac Gamble buying 45 minutes of the<br />

lelerLilon Industo' show. The length of the<br />

procrmin depends on the network signing a<br />

iponaor to match the P*0 order With another<br />

sponsor, the show will run from 10 to<br />

11 30. otherwise It will end at 11.<br />

Joseph Schildkraut Gets<br />

Role in 'Diary of Anne'<br />

M« »i.i.'i 'A I M liv<br />

:<br />

K''' 'M' iiik' uir role he<br />

played on Brondwuv J'v,r;)h Schildkraut will<br />

•May the par*, of Annrs father In the ,»creen<br />

version of "The Diary of Anne Frank." for<br />

aoth-Fox.<br />

The film. sUtcd to roll MArch 3. U a<br />

Oeorge Stevens production and will also .tt«r<br />

Mllly Perkins and Shelley Winters<br />

WITH<br />

Ix'tler-late-thun-never vlin and<br />

vigor. Duke Wale>. .secretary of the<br />

Publicity Directors Committee of<br />

the A.vs'n of Motion Picture Producer>. and<br />

his milquetoast minions galloped off In all<br />

directions at the .same time planting a yarn<br />

designed to prove that picture making would<br />

be carried forth at a lively clip during 1958.<br />

The Wale.slan release wa.s in effect a compilation<br />

of the prevlou.sly -announced production<br />

plan.s of Hollywood's product .sources.<br />

Patently, it was de.slgned and timed In an<br />

effort to counter the Idea that the film<br />

capital Is approaching It.s deathbed, which<br />

belief Ls not uncommcn us a result of the<br />

widespread coverage accorded recent predictions<br />

of paralysis emanating from the<br />

chronic viewers with alarm Nonetheless the<br />

handout was pral.seworthy for lis assiduity,<br />

however belated. It would have been far<br />

more impressive, however. If the rea.sons for<br />

Its creation were not so shrleklngly transparent<br />

to ob.ser\ers of the Cinemania .scene.<br />

And what W'a.s It that Jarred Wales and<br />

his staff out of their customary do nothinglethargy?<br />

When Chicago .showman Edwin<br />

Silverman opined that within six months<br />

every Hollywood film foundry with one po.ss!ble<br />

exception would be shut down, the press<br />

gave unusual recognition to the prediction<br />

and comparable doleful deliberations by other<br />

disciples of defeat. Certainly this relegating<br />

of the mighty motion picture industry to the<br />

business obituary columns was further injurious<br />

to the always-vulnerable, overall public<br />

relations of the trade. Among tho.se industryites<br />

who rushed to challenge the logic<br />

of such (jessimistic prognostications was Eric<br />

Johnston, president of the Motion Picture<br />

Ass'n of America and Wales' big boss.<br />

Which po.'-es an inescapable question. If it<br />

Is a good idea Ut broadcast .such a symposium<br />

thLs year when the future fate of film fabrication<br />

is being .so damaglngly tossed up for<br />

grabs, why wasn't It Just as good an Idea<br />

during the many preceding years while Wales<br />

Hnd .staff were being lu.shly supported by the<br />

producers for the ostensible purpo,se of Improving<br />

the pre.ss. public and trade relations<br />

of Hollywood?<br />

But. that's our Duke— always bolting the<br />

stable door after the palfrey has been pilfered<br />

Kv«-r> body's trying to get Inlo the act<br />

evperUlly those avid for » slice of llmrllghl.<br />

Ideas and pmrnollnna<br />

are brini generated b» rommrrrlal buslnr«s»«.<br />

"'Time «as when glamor, eager anticipation<br />

and enlhuslam were built up for motion<br />

plrturr pers^tn.ilitlrs and priKlut tifins<br />

th.it was llie marvel and env> of e\ery other<br />

buitineiks. Hut now thei've found out nur<br />

^errel^. learned our know-how. and today<br />

there'll as much drama In the buildup for a<br />

•went-wlng automobile or a flip-top box a«<br />

there ever was for the newest multl-mllllon<br />

dollar motlnn pliiurr production. "<br />

' tAc, ad<br />

nauseam.<br />

There's nothing In the (.ixKlman analvkU<br />

that during recent years hasn't been -laid<br />

scores of times by dorens of lndustr> llei^and<br />

usually more Impressively and artlrulalely.<br />

So, it doesn't seem reas and the largest number<br />

of "per diem" sets.<br />

Let it be hoped that Anxious Alex's statlstlral<br />

l>enl does not launch a sets-per-day<br />

m^irathon siicii as %rslrrvear's rollegiale goldfish<br />

guifllng r


. where<br />

,<br />

DRIVE-IN THEATRE OWNERS<br />

^fB//<br />

PROJECTION AN^.^^,^ ,,,,es<br />

^ Nev.<br />

REMEAIBfR—<br />

It is imporfanf<br />

to deal with a<br />

firm that has<br />

KNOW-HOW<br />

j/ Rectifier*<br />

the<br />

SERVICE<br />

and SATISFACTION<br />

ii guaranteed!<br />

end Lorger Mo.o<br />

too^ps<br />

ProieCion<br />

;^ torger<br />

t/ Ro«o-Griiie<br />

l/ Freeie-ta*»<br />

MAINTENANCE<br />

„ .«-^OWER<br />

LONGER U^J;<br />

COST SPEAK«S ;^„,,,,. ^^^^,„,.<br />

^ Wotiograp*^ "<br />

„w "EconoiTiY<br />

j/<br />

WotiograP*^ j„„<br />

from<br />

protection<br />

..<br />

.or lo •"<br />

. ..Raincoat<br />

.q<br />

•^^"'"""'LuneSp.ok- ''•""*'<br />

Iconomy<br />

„, dirt.<br />

Most Names Valid<br />

For Pay TV Vote<br />

HOLLYWOOD— AccordlHR to L. A. assLslant<br />

city clerk Fester King, mere than 75 per cent<br />

f>f the first 8.200 signatures checked on the<br />

pay-televlslon referendum petitions are valid.<br />

The petitions, circulated by the Citizen's<br />

Committee Against Pay TV. call for a vote<br />

of the public on the franchi.se Issued by the<br />

L. A. city council to Skiatron and Fox West<br />

Coa.'-t Telemeter Corp.<br />

Meanwhile. Julius F. Tuchlcr. chairman of<br />

the Citizens Committee Again.st Pay TV.<br />

informs that the American Telephone & Telegraph<br />

Co . its equipment manufacturing sub-<br />

.sidiary. Western Electric Co.. and its 22 operating<br />

companies, if permitted by the federal<br />

government to participate in the pay TV<br />

clo-sed circuit field through u.se of its equipment<br />

and facilities, will completely monopolize<br />

the closed circuit pay television industr>'<br />

in the greater Los Angeles and Sen Francisco<br />

Bay areas.<br />

Tuchler further states that the citizen's<br />

committee will oppose the use of AT&T facilities<br />

and equipment to broadcast baseball<br />

games of the S. F. Giants and L. A. Dodgers<br />

over interstate lines via closed circuit pay<br />

TV if any attempt is made to do so in 1959.<br />

"We will exhau.st every means available<br />

to us in our fight until such time as the<br />

Congress of the United States resolves the<br />

pay TV is.sue on a national basis." said Tuchler,<br />

"There can be no compromise, whether<br />

by federal regulation or by voluntary agreement<br />

with those who oppose pay TV in any<br />

form. Television will either remain free or<br />

it will perish as the heads of the three national<br />

networks indicated this week before<br />

the House Interstate Commerce Committee<br />

hearings In Washington." he .said.<br />

More news anent pay TV was the announcement<br />

by Louis A. Novins. president of International<br />

Telemeter Corp.. that a full-scale<br />

demonstration of the Telemeter System of<br />

Pay-As-You-See Television will be staged at<br />

the Conrad Hilton Hotel in Chicago February<br />

10-15.<br />

Double Award to Critics<br />

Of Saturday Review<br />

HOLLYWOOD - Sciecn Diicctor.s Guild<br />

President George Sidney announced that the<br />

guild's 1957 award for outstanding motion<br />

picture criticism has been voted jointly to<br />

Hollis Alpert and Arthur Knight of the<br />

Saturday Review.<br />

The double award i.s being given this year<br />

because the critic's award committee's opinion<br />

was that the level of criticism was<br />

equally high In the case of both critics. Tlie<br />

awards will be made at the guild's annual<br />

dinner February 9 at the Btltmore Bowl.<br />

'>>X


DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />

DOUBLE SPECTACLE-TERROR!<br />

FABULOUS! FANTASTIC! TERRIFYING!<br />

NOTORIOUS aCAUTIES LOST IN A FANTASTIC HELL-ON-EARTH!<br />

BCAUTIFOl.<br />

DEADLY<br />

ASTOU<br />

MON<br />

«^ XBBY DXITON • SUSAN CABOT • BRAD lACKSON<br />

I MM KENNIY RICHARD DEVON - PnteK X UracM H IMtl CMIIU<br />

U UURM MIOMINMl nCtMf<br />

SEE ^ SEE<br />

illOOOIITUUSOf tl SUStlPENTDF<br />

LOSaMPmE' ^ TNEmTEI'<br />

SEE 'W' SEE<br />

110 WORIDS T SUPERWOIiEH<br />

IwnHTXEcouua<br />

OF MONSIirailS<br />

1(8801)' ,^ OF GIANTS'<br />

ERICAN<br />

INTERNATIONAL<br />

PICTURES<br />

CHARLES LLOrO<br />

120 21t« Srrco<br />

DENVER S COLORADO<br />

FAVORITE<br />

FILMS<br />

I t CUMMINS<br />

2419 Second A>cnuc<br />

SEATTLE I. WASHINGTON<br />

FAVORITE FILMS<br />

N P JACOBS<br />

1928 So Vcrfnoat Aienue<br />

LOS ANGELES 7. CALIFORNIA<br />

FAVORITE FILMS<br />

MAL GRUBER<br />

255 Hrdf SirMi<br />

SAN ERANCISCO 2. CALIFORNIA<br />

ENCORE<br />

FRED C<br />

FILMS<br />

PALOSKY<br />

252 Eml fint Sovth<br />

SALT LAKE CITY. UTAH


February<br />

. . The<br />

. . Wolter<br />

Evergreen Promotes<br />

Nyberg and Hopkins<br />

PORTLAND— Promotions<br />

.ybcrii.<br />

Portland district nmnasrr fi>i . ...^;..n tjjp-<br />

•trvs. to Orrtton and Wo-stuniitun division<br />

Bunagrr of the Fox Wr.st CooAt .sutv.ldlury<br />

Con.its(lit« of 35 lhratri>> in tl>r two .stuti-.v.<br />

and of Rrx Hupkln>. mantMtrr of ttir Hollywood<br />

Tliciitrr hrrr. to .succet^ NylwrK. were<br />

uncrd thb, week by William H Thrd-<br />

E^ergreen president.<br />

Sytier%. »itf> Everwreen since the circuit<br />

«a5 oTKantu^ 37 years ago. has been In<br />

Portland since July 1948 He came here us<br />

manaxer of the Orphoum Tlieatre. In addition<br />

he ha> manaKrd the Paramount. Uie<br />

Oriental, and wa., the flr.st manaKcr of the<br />

'>.00O new Fox which opened here In<br />

ist 1964<br />

He l>ecame Portland district manager In<br />

Januar)- 1965.<br />

The division consists of 25 theatre.^ lor3'r-d<br />

tn Seottle, Spokane. BelllnKham,<br />

E^•eret'.. Wenatchee. Al)crdeen.<br />

n. Vancouver, all in Wa&hUiKton.<br />

and theatres tn Portland and Eupene. Ore<br />

Nybers and hU wife Wilmoth expect to<br />

make their home In Seattle Their dauKhter<br />

Barbara Ann L^ a senior at the University<br />

of Oregon Active In civic affairs. Nytierg<br />

b a meml)er of the Advertising Club of Oregon,<br />

the Retail Trade Bureau of the Portland<br />

Chamt>er of Commerce and the Navy League<br />

He is alto a member of Trinity Episcopal<br />

Church.<br />

He started his theatre career In Spokane<br />

«hlle still In high school. After attending<br />

Washington State College he t>ecame assistant<br />

manager of the Pantages. He was<br />

lent to Portland as an a-vUstant manager at<br />

(he Orpheum. but returned to Spokane In<br />

1931 to t>ecome assistant manager of the<br />

new Fox He kiecame manager of that theatre<br />

U) 1938<br />

Hopkins Joined the Evergreen organlzallon<br />

in 1943. switching from automobile .sales<br />

lo «ho» businejis at the outbreak o( the war.<br />

He has managed the large Hollywood Theatre<br />

in one of Portland's busiest shopping<br />

areas for the last 16 years. He was cited by<br />

the then Secretary of the Trea.sury Henry<br />

Morganthau Jr for his efforts In the war<br />

tend drives He was also a member of the<br />

War activities Committee of the motion picture<br />

lndustr>- He has been a director of the<br />

HoUjnrood Boosters Club for 16 years and<br />

b a vice-president now He is also an active<br />

member of the Hollywood Lions Club.<br />

has held many club offices and is a pastpresident<br />

and a memlier of the Portland<br />

Prealdents Council<br />

Bom m Detroit. Mich., he has spent most<br />

of his life In Portland He attended the Vniverslty<br />

of Oregon and Ls a member of Sigma<br />

Nu He L« married and makes hLs home In<br />

inland<br />

SC Council Gives Three<br />

Dec-Jan. 4 Star Honors<br />

H(1Ll.YWOOL> h\)ur-slnr lionurs lor December<br />

and January from U>r Southern California<br />

Motion Picture Council went to MOM's<br />

"I Accii.se!" and "Seven HllLs of Rome" and<br />

Columbia's "Ttie Bridge on the River Kwol "<br />

Tliree .stars were awarded to "Wild Is the<br />

Wind. Paramount; "Story of Vickie." Buonu<br />

VLsta. and TJie Quiet American." UA<br />

Two-star pictures were Don't Oo N«iir the<br />

Water. Peyton Place. April Love. Tlie Enemy<br />

Below. How to Murder a Rich Uncle. A Farewell<br />

to Arms. Deep Six. ThLs Is Ru.ssia, Tlie<br />

Girl Most Likely.<br />

PHOENIX<br />

Rrtxona theatres will remain open during<br />

the telecast of the Academy Awards on<br />

a decision reoched here during the meeting<br />

of the Arizona Theatre A.ss'n. attended by<br />

exhibition executives from all parts of the<br />

.'tate Mony theatres on the coa.st and In the<br />

east<br />

are closing during the two-hour telecast<br />

in March However, most Arizona theatres<br />

will liLstall large TV .sets In their lobbies so<br />

those who want to see the Oscar race may<br />

do -SO.<br />

. . .<br />

lMu\s Leithold. owner of the KlVa Theatre<br />

In Scottsdale. Is playing the part of George<br />

MacCauley In "Will Succc-^s Spoil Rock<br />

Hunter?" produced by the Phoenix Little<br />

Theatre Ass'n Leithold Is quite active In the<br />

Little Theatre He was In "At War With the<br />

Army" and directed "Annlver-sary Waltz"<br />

Gene Salyer. manager of the Palms Theatre,<br />

and his wife have a baby girl<br />

.<br />

"Sayonara" went Into a .second week at the<br />

Fox Theatre and Manager Sam Bagwell reported<br />

a busy theatre. It will be followed by<br />

"Peyton Place" Studio Theatre at<br />

Coolldge held a Jitterbug and bop contest on<br />

stage In conjunction with the ElvLs Pre.sley<br />

picture "Jallhouse Rock" January 27.<br />

SALT LAKE CITY<br />

DuslnrsK ronllnued at a record pace In Salt<br />

Uike City ihrulres. with holdovers breaking<br />

all marks In the city's history Tlir Sud<br />

Sack' went into ILs seventh week. "Peyton<br />

Place" and "Sayonara" Into their sixth weeks,<br />

"<br />

and IJon't Oo Near the Water Into Its fifth<br />

"Old Veller" which opened this week, played<br />

to holdout crowds stretching us far ua a half<br />

block from the theatres<br />

I hr newly remodeled Liberty Theatre In<br />

Treiiionton. Utah, wu-s destroyed by fU-e last<br />

week. The blaze took place in the morning,<br />

when the hou.se was closed The Liberty was<br />

sold Just before Christmas by Mrs Peorl<br />

Toland. who had ojjerated It for the last<br />

15 years Otto Jorgensen. who also operates<br />

theatres In Oarlond and Brlgham City, hod<br />

leased the house and planned to open this<br />

Tuesday. Lass of building and contents was<br />

estlmoted at more than $30,000<br />

Salt Lake City's television stations have<br />

altered their policy on old motion pictures.<br />

KTVT. channel 4. which has been .showing<br />

a late movie at 11:15 p.m. moved Its old<br />

films to 11 am., when a new package of films<br />

will bo shown Channel 5 decided to put on<br />

late shows three times a week where prevlou.sly<br />

It had been putting them on only<br />

once . Al)cl was In to start a stage<br />

appearance at the University of Utah In "Inherit<br />

the Wind." The drama will be playing<br />

at the same time that "Ralntree County."<br />

In which he has a role. Is playing at the<br />

Capitol Theatre.<br />

CeiTJL<br />

PO IT./<br />

You're Missing A Beaui^Ii<br />

you haven't added Swingfog to<br />

your Insect Fighting Lquipment.<br />

Why' Because Swingiog, the only<br />

Portable Pulse Jet Fogger and<br />

Sprayer available, can help you out<br />

of the toughest (x>ntrol problems<br />

you've ever laced Swngiog will do<br />

ti<br />

SWINGFOG<br />

Succcji'u"? u\cd b> Ori»e Mi<br />

ifirougKout<br />

tht<br />

toutllrf.<br />

t<br />

the job (aster, better and more<br />

economically any time At your<br />

drive-in. it will be simple lor you<br />

to control mosquitoes, flies, midges<br />

nnd mites, wasps and bees using<br />

Swingiog in concession or parking<br />

AIP Signs Bernstein<br />

HOLLYWOOD — A one-picture deal for<br />

Richard Bernstein to produce "Korean Attack"<br />

tor American International Pictures<br />

has been doaed. "Attack." b».sed on a screenplay<br />

liy Bernstein and Oeortfe Waters. Is<br />

•lated to roll soon with Richard Duckett as<br />

tsccullve producer. Waters as a.vsoclate producer<br />

and Gabriel DeCaesar as aAsist4knt to<br />

Bematctn.<br />

For infermotien contact these dittributort:<br />

Tifa Saloft Company. Whoaton. 111.<br />

Research Products. Kansas City. Mo.<br />

Von Wan Poq Equipmanl & Supply.<br />

Portland. Or*.<br />

Toy. Incorporated. Wyckoll. N. |.<br />

Southern Mill Creek Producle Tampo<br />

Ha<br />

E. S. Browning Co.. San Francisco. Calil.<br />

Hattney Sp>ay Corp.. Dedham. Mas*.<br />

Henry Steiner. McAllen. Tex.<br />

The Toy-Air Company. New York N. Y.<br />

BOXOmCE :<br />

3. 1968 W-7


. . Reports<br />

. . The<br />

.<br />

PORTLAND<br />

IIKItl.S .mil. IIV .lOVK— Wlicn Culumbia's "Pal .lory," tin- I rank .siiialra. Kim<br />

Novak ami Kila lla.\ worth starrer protlucctl hv I red Kohlmar and directed by Cleorse<br />

Sidney, opened its London encatiement, it shattered all records at the Leicester<br />

Square Theatre iiuliidinR the one previously held by "I rom Here to Kternity." another<br />

Columbia release. The alM)ve opening-day shot shows Ihih the llritishers lined up to<br />

palroni/e the initial screening.<br />

SAN FRANCISCO<br />

•\jArirly vKill be host Monday i4i to Edward<br />

L. Hyman. vice-president of AB-PT, who<br />

will ^peak at a luncheon jointly sponsored<br />

by Tent 32 and the Northern California Theatres<br />

Ass'n. Hyman will discuss the orderly<br />

dUtrlbution of motion pictures for theatres.<br />

This will be Hyman's only speaking appearrnce<br />

in the North Pacific and exhibitors<br />

from Oregon and Washington are expected<br />

to be here for the luncheon.<br />

Women of Variety elected and in.stalled<br />

new officers last week. Sylvia O'Neal is the<br />

new president. Other officers are Mrs John<br />

Parsons, first vice-president; Mrs. Al Grub-<br />

.stick. second vice-president; Mis. Helen Addelson,<br />

corresponding secretary; Mrs. Bernie<br />

Mannheimer. recording secretary; Mrs. Ed<br />

Levin, treasurer, and Mrs. Stewart Klein,<br />

historian. Serving on the board of directors<br />

with these officers are Mis. Earl Henning,<br />

Mrs. Monroe Belling, Mrs. Manuel Levin,<br />

Mrs. Herman Rs^ and Mr^ Wesley Rosenthal.<br />

Mr>. (ieorge P. Skuuras was prestiitud the<br />

Heart Award at the Hlh annual installation<br />

of officers and Heart Award banquet. Mrs.<br />

Skouras was given the award in recognition<br />

of her work on behalf of Boys Towns in<br />

I:aly Charles M. Plncus, Blumenfeld<br />

district manager for the Stockton area, has<br />

been rea.sslgned to the Roxie Theatre, Oakland,<br />

where he will operate his district from<br />

that town. The Roxle Is the long-run theatre<br />

In Oakland.<br />

I<br />

VUlton on the Kow included Jack Newbfgebauer,<br />

Donner Theatre, Truckee; John<br />

Newton. Fair Oaks Theatre. Fair Oaks; Barney<br />

Gurnette. Crystal. Salinas; Frank Yokoi.<br />

Lincoln. Sacramento, and Al Stanford. Oaks<br />

Drive- In at Pa.so Roblcs are<br />

that the Fox Tlu-atre<br />

.<br />

may be divided Into<br />

wo .separate motion picture houses, one on<br />

the .street floor and the other In the balcony,<br />

complete with e.scniator.<br />

The U'rHterner Ilrlvr-In at Carmlchael has<br />

changed huiid.s and Is now operated by<br />

United California Theatres . Avenue<br />

Theatre here l.s going to a 28-day break. It<br />

Is II General Tlieatrlcal hou.se A preview<br />

of Walt DIsney'.H -Old Yeller. " which opened<br />

at the KKO Golden Gale Theatre January<br />

29, fculured a "dog bl-icult cocktail party" for<br />

dogs, with nrviit. rejwrters as special guest.s<br />

MGM Production Up;<br />

Recalls 100 Employes<br />

Holl.vwoou Willi it-n pictures slated<br />

to go before the cameia.s within three months<br />

and two more already in production, MGM<br />

has started building up studio personnel.<br />

Approximately 100 backlot employes have<br />

been recalled and more rehirings are anticipated<br />

following the arrival of Robert O'Brien,<br />

vice-president treasurer of Loew's, Inc., and<br />

Benjamin Melniker, vice-president and general<br />

counsel, from New York to help implement<br />

the upsurge in production.<br />

DENVER<br />

pollowing the dissolution of Variety Tent 37.<br />

local theatre and film men got together<br />

and resuiTected the old Rocky Mountain<br />

Screen Club, and have rented clubrooms at<br />

2161 Broadway on Filmiow. The rooms are<br />

being furnished, a phone installed and the<br />

new location will be much more convenient<br />

than the former location, at least to most<br />

of the members. Letters will be sent to all<br />

former Tent 37 members and an active<br />

membership campaign will be instituted.<br />

Anyone wanting further information can get<br />

it from any former Tent 37 crew member<br />

Officers of Tent 37 will hold over until elections<br />

are held.<br />

Herschel Wheeler, city manager for the<br />

Black Hills Amusement Co.. Gordon. Neb.,<br />

was hospitalized following a heart attack .<br />

Ralph Clark. UA district manager, was In<br />

holding a sales meeting. Attending were M.<br />

R Austin, local manager: William Sombar.<br />

Earl Peterson. Jay OMalln. salesmen, and<br />

Gordon Pearce. office manager . . . Revllle<br />

Kiiiffln. 20th-Fox western division manager,<br />

was calling on accounts and conferring with<br />

Dick Fulham. exchange manager.<br />

.\1 Kolitz. district manager for Rank Films,<br />

went ti) New York for a .sales meeting<br />

Harry Huffman, retired city manager for<br />

Fox Inlermountain Theatres, and Mrs. Huffman<br />

are .spending six weeks In Hawaii<br />

Theatre folks seen on Fllmrow Included Delbert<br />

Stuart. Torrlngton, W.vo.; Herbert<br />

Gumix-r, Alamo-sa; Moe Huddick, Silver City.<br />

N M., George Scotty" Allan Jr , North<br />

PUHte. Neb. and John Snwaya. Trinidad<br />

\Xrould-l>e safecrackers who broke Into the<br />

Orpheum Theatre's glass boxofflce In the<br />

outer lobby of the theatre sometime early<br />

Sunday were convinced that people In glass<br />

cages can't blow .safes. They cut their way<br />

through the glass, only to discover It would be<br />

necessary to bla.st the .safe In order to open it<br />

—a task made Impo.sslble because the boxofflce<br />

would have been shattered by the concussion.<br />

No money was taken. Two other theatres,<br />

suburban hou.ses. weren't so lucky. A safe<br />

was torn from a wall at the Mount Tabor<br />

Theatre. It was bolted to a concrete block<br />

wall in the projection room and contained<br />

S400. At the Bob White Theatre, a cash box<br />

yielded $50 and a popcorn machine contained<br />

S4.<br />

Ross Hobkirk, Liberty Theatre assistant<br />

manager, helped ballyhoo the Oregon-filmed<br />

"Oregon Passage" with an effective lobby display<br />

and an Indian in full regalia who<br />

marched on downtown streets . . . Jack Matlack,<br />

representing J. Arthur Rank, will bring<br />

British actor James Robertson Justice to<br />

Portland for a personal appearance for<br />

•Campbell's Kingdom." due at the Liberty.<br />

Walt Mirisch Signs Trio<br />

On Two Productions<br />

HOLLYWOOD— Walter B. Miri.sch assigned<br />

Alan Ladd to star in "The Man in the Net"<br />

for the Mirisch Co.. and at the same time<br />

inked Reginald Rose to script the screen version<br />

of Patrick Quentin's novel.<br />

The film, dealing with an advertising<br />

executive who quit his job to help effect a<br />

cui'e for his alcoholic wife and is suspected<br />

of murder when she disappears, will be released<br />

by United Artists.<br />

Lee J. Cobb, who won this year's Sylvania<br />

award as the be.'^t actor of 1957 for his performance<br />

in a Studio One television production,<br />

was signed by Producer MirLsch for a<br />

top role in the Gary Cooper-Julie London<br />

starrer, "Man of the West." Cobb will portray<br />

a ruthless, demented leader of a vicious gang<br />

of old west outlaws in the production slated<br />

to go l>efore the cameras on location at<br />

Sonora. Calif., with Anthony Mann directing<br />

for United ArtLsts relea.se<br />

New AIP Dual Clicks<br />

LOS ANGELES— Producer Herman Cohen<br />

announced that In the first 350 first-run playdates,<br />

his two films. "I Was a Teenage Frankenstein"<br />

and "Blood of Dracula." have gro.ssed<br />

40 per cent more than his succe.-isful film "I<br />

Was a Teenage Werewolf." which has so far<br />

gro.ssed over two million dollars. All three pictures<br />

are being released by American International<br />

Pictures.<br />

Hugh O'Brian lo 'Enough'<br />

IIOI.I.YWOOI) Ilii^-h O Brian has been<br />

signed by 20lli-Fox lor or.e of the two top<br />

mule roles In "Enough Roiie." to be produced<br />

by Herbert Bayard Swope Jr. In the<br />

spring<br />

Public Relations Firms Merge<br />

HOLLYWOOD The indeix-ndent public<br />

relations firms operated by Richard M Wilkes<br />

and George Nlcols have U-en merged into<br />

a new partnerslilp now known as Wllkes-<br />

Nlchols & Associates, public relations<br />

W-8 BOXOFFICE Febniary 3. 1958


Tkot<br />

Unholy Wife' Combo<br />

At High Spot in Loop<br />

rnUAi.o Among !Ux newcomers In the<br />

Ujup airu. Unholy Wife." combined »IU»<br />

-Th*t NUtht at the Onuid. scored the highest<br />

"Sayonara" grossed nbuve nverage again<br />

In the fourth week at ll»e Chicago Other<br />

holdovers drawing well Included "And Owl<br />

Created Woman." In a fourth week at the<br />

Loop Theatre; •'Motorcycle Oang." combined<br />

with ""Sorority Olrl.'" In a third at the Oarrlck.<br />

"Man in the Shadow." in a third at<br />

the Roosevelt, and "Don"! Oo Near the<br />

Water." in ll» fourth week at the United<br />

Artists. On the near north side. "Wild I.s the<br />

Wind"" increased It* business In the fifth week<br />

at the Bsqulre At the Cinema, ihe opening<br />

o( "Maid in Parts" was tops<br />

'.A.«rog« It 100)<br />

Co>n vnac**- Th« Lft^Thlltcn (Conf't). To Pont<br />

WMl tft - .'"O «k 195<br />

Cttocooo- Vofsnaro A !i 4th ok. 265<br />

Cn^fO- MohJ •" Porn ;-• 200<br />

fu)u-'*- Wild li IKr W,nd • JV Stn wk 20S<br />

Cr\ «• 100<br />

*'<br />

>:u''> Sa^en Wonden al tka Warld<br />

- ner 3 T ' I • ^<br />

:'---.^' Satonara .VB;. 4fh trk 110<br />

o.i Caiatree Covntr V >v ';•'< -• 14i<br />

Towe- The Han]<br />

Jee'i Teiern 44' ,<br />

)«' , le« Int II II<br />

Wkrte Saat 14', 41 I, Hebaer to^l l> 11<br />

MaaloT 14 4] ti>rtk lord 10 JO<br />

Ml U S II' I<br />

44', Menl«T IrK 1«'| >0I,<br />

Made O'OOT >e 44 le>le> t»-w. )• 41<br />

Steaaleehate >4' , 4«< , 171] Clab II 41<br />

New men t league hl-10 scores were rolled<br />

oo the Mih. White Spot scorUif a new<br />

scratch high of 8I» and Stccplacbuc a new<br />

handicap high of 1046<br />

Newspapers in Chicago<br />

Favor End of Ticket Tax<br />

KTMA Directors Hear<br />

Of Tradeshow Progress<br />

KANSAS criY- A line tuiiioul of uftlcer.s<br />

and direclor> of Knn.Mi.N-MlsM>url 'nu'utre<br />

Owners heard M. B. Smith, pre-sldent, make<br />

un enthusiastic and compn-lu-nslve progress<br />

report on the combined Sliow-u-Ruma to be<br />

held Jointly by the lix-ul KMTA-Allled groups<br />

here March 11. 12 and 13. Smith reported<br />

excellent Inter-group cooperation uiid said<br />

details of the program will be ready to relra.^e<br />

within a few days.<br />

Doc Cook, Elmer Blll.s ojid others who ottended<br />

the TOA convention ut Miami made<br />

short. Informal reports on topics which came<br />

up for discussion— both on and off the floor<br />

— there. Including more orderly release ol<br />

product and clearances of films to television<br />

by the major studios.<br />

Operation Shilt at Fulton<br />

FULTON. MO —Commonwealth Circuit of<br />

Kansas City gave up the operation of the Fulton<br />

Drive-In and the Pulton Theatre here<br />

January 31. Monroe Glenn & Associates,<br />

owners of the properties, are taking over<br />

the management of the theatre and plan to<br />

reopen the drlve-ln early In the 1958 season.<br />

Andy Dletz of Cooperative Theatres. St. Louis,<br />

will book and buy for the theatre and dnve-<br />

In under the new management.<br />

No Loss in Ransacking<br />

QUINCY. ILI A break-in at the Orpheum<br />

Theatre was discovered when desk<br />

drawers in a .second-floor office were found<br />

to have been ransacked. It Is believed Uie<br />

Intruder entered through a rear window In<br />

the boiler room and got Into the office<br />

through a ventilating grate. Nothing appeared<br />

to hove been taken<br />

t'HICAtiO F'uvorublr edituriul.i uppearlng<br />

in the ncwNpup4T> about a retiulutlon dealing<br />

with the elimination of the city's 3 per<br />

cent umu.M-ment tux on theatre admissions<br />

have awakened the public to the plight of the<br />

theatres Many people are voicing the opinion<br />

that theatre owners should receive the consldenitlun<br />

they have been .seeking, altliough<br />

some who approve tux removal Insist thai<br />

the luck of tttu-ndunce might ul.so stem from<br />

other factors, such as poor quality films, too<br />

high admissions and lack of free or Inexpensive<br />

parking space.<br />

Theatre owners were heartened by Mayor<br />

Duley"s request to the city council ordering<br />

an Investigation Into the state of affairs giving<br />

theatre owners .so much concern. While<br />

TV has received blame for the drop In theatre<br />

attendance, the 3 per cent tax has caused<br />

motion picture Industry representatives to<br />

call on the mayor for aid on various occasions<br />

within the past five months.<br />

The tax was put Into effect In 1948. when<br />

the city was hord up for funds. According<br />

to recent reports the half cent .sales tax<br />

which the city now has raises twice as much<br />

In one month as the amusement lax raised<br />

in one year. In 1948 there were 324 motion<br />

picture houses: today there are 176, and 50<br />

are reported to be "In danger."<br />

The resolution calling for appointment of<br />

a citizens' committee to make recommendations<br />

for elimination of the 3 i>er cent municipal<br />

tax on adml.s.slons .states that the S800.-<br />

000 now turned over ajinually lo the city<br />

could mean the dlffereiirr between a profit<br />

and bankruptcy.<br />

To Reopen in Cave-in-Rock<br />

CAVK-IN-KCXTK. ILL<br />

"Hie Ohio Theatre.<br />

290-.s


from<br />

KANSAS CITY<br />

•D I.. "Ilob" AdkiiM has leased the Till Tlieutrc<br />

at Hamilton. Mo , Bill Presley<br />

and took over Its operation Friday i24i. Adiclns<br />

also Is operating In two Kansas situations,<br />

the Doric at Erie and the Linn at<br />

Pleasanton . . . Jay Wooten shuttered Uie<br />

Midland Theatre In Hutchinson. Kas.. January-<br />

15. saying. "Indoor movie business has<br />

been down lor some time and we feel that<br />

we can do a better entertainment Job lor<br />

the community by concentrating on our outdoor<br />

theatres." Woolen will continue to opcrate<br />

his Ayr-Vu and SoutHutch drive-Ins.<br />

with Dick Wright, who has been Midland<br />

manager, becoming manager of the Sout-<br />

Hutch Wright has been in the business 23<br />

years and has been In Hutchinson since 1947<br />

after theatre managerships In Missouri and<br />

Illinois<br />

. . .<br />

.Mrs. Frank Meade has reassumed the operation<br />

of the Meade Theatre and the Meade<br />

Drive-In at Kingman. Kas.. which had been<br />

operated by the Commonwealth circuit for<br />

the past several years. Kenneth Quinn. who<br />

has been managing the houses, will continue<br />

In that capacity The Glenn Realty Co..<br />

which owns the Fulton Theatre at Fulton.<br />

Mo., has assumed operation of the house.<br />

Commonwealth circuit had been operating


DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />

DOUBLE SPECTACLE-TERROR!<br />

FABULOUS! FANTASTIC! TERRIFYING!<br />

MOrOJIfOUS mEAUTIKt LOST IN A FAMTABTIC HELL'ON'EARTH!<br />

w.<br />

EVIU<br />

BEAUTIFOI...<br />

aItou<br />

-4«<br />

NION<br />

.^.num<br />

m^ ABBY DAITON • SUSAN CABOT • BRAO JACKSON<br />

SEE ^SEE<br />

81000 RIIUJUS OF kl SM S(IP()(I OF<br />

LOSTFMPIIC ^^ IHEnBTlJ'<br />

M iMKM nnuiNMi nam<br />

SEE^ SEE<br />

no woaiDS T supowohfn<br />

oFHomiNus iffiTHmcouua<br />

mm' ^. OF cuMTS'<br />

CONTACT YOUR<br />

,Jn£ELn/iatLoruiL EXCHANGE<br />

:apitol film co


. . Doris<br />

. . Frances<br />

. 'LeRend<br />

. .<br />

. . The<br />

. . Abraham<br />

. . Sympathy<br />

. . Sam<br />

CHICAGO<br />

rj.iMil W.illm.U'ln. president of Balaban &<br />

KaU. went to Los AriReles to attend a<br />

meeting of the AB-PT advlsorj' committee<br />

. . Dftve Kane, formerly a field representative<br />

for Universal in this area, was on Filmrow<br />

. . . Blllle Campbell Is an attractive addition<br />

to the UA office staff . of the<br />

Lost" will break In 40 nelRhborhood hou.ses<br />

day and date February- 21. It ended Its Initial<br />

four-week run at the Woods January 23.<br />

Condolrnrrs to Charlotte FTeedman of U-I<br />

on the death of Julius Levlne. an uncle with<br />

whom she had been maklnR her home .<br />

Columbia publlcl.st John Tliompson hosted a<br />

cocktail party for Otto Premlnper. here for<br />

"Bonjour Trlstesse" exploitation. Jean Seberg<br />

was In for radio, televi.sion and personal appearances<br />

on behalf of the film January 26-<br />

28.<br />

"Somewhere There's Music," first book written<br />

by GeorRe Lea. manager of the Hyde Park<br />

Theatre, was very favorably reviewed in the<br />

Saturday Review. Since publication date.<br />

Lea has heard from two major film companies<br />

who want to discuss a screen adaptation<br />

. . . Ir\'lnR. brother of Jack and Sid Rose,<br />

died at the age of 62 . . . Marie Kruppa. head<br />

cashier at MGM. left on a three-week vacation<br />

in Acapulco . Schultz of Sam<br />

Kaplan Distributing Corp. and several Filmrowitcs<br />

celebrated her last birthday.<br />

"Old Yeller" broke in 35 outlying theatres<br />

this week . Collins has joined the accounting<br />

department at Buena Vista . . .<br />

MGM welcomed a new switchboard operator,<br />

Maria Sperando ... I. Zatkin is going to be<br />

greatly missed on Filmrow. He will return<br />

to New York City, his former home, to represent<br />

UMPO. He has been associated with<br />

UMPO here, in addition to managing the<br />

Zlegfeld. a Davis property, and prior to that<br />

I351t<br />

RCA SERVICE COMPANY. INC.<br />

1315 So Wabosti Avenue<br />

Chicago S, lllinoit WAboih 2 0679<br />

he was general manager for the Schoenstadt<br />

circuit<br />

Erwln J. rcltrson of Abbott Theatre Equipment<br />

Co. received word that his first grandchild<br />

was born In Germany to his daughter<br />

Nancy and William Hoffman Hoffman Is<br />

In the U. S. Air Corjjs . . . Hilda Merrick, office<br />

manaRcr for Modern Film Distributors,<br />

was able to return to the office following surgery<br />

Tuesday


Ray<br />

. Dewey<br />

Exhibitors<br />

Lloyd Hirsline Lists<br />

Variety '58 Program<br />

ekctfd chirf biirkcr of Variety TVnt J5. h«.i<br />

knnounc«d the pTtwram and committers (or<br />

19M.<br />

Ttir procram calls for thr tnauKumI ball<br />

U> br hrld Prbruory 15. the rrnular mcinberiblp<br />

mrrtm«s to be held on the third Monday<br />

ot each month, with important iruesl<br />

ipe*kers. a crew mertlne »n the tint Monday<br />

o( each month, three sttMC parties, to be<br />

held on Monday nlKht.s dtirtnR thr year:<br />

Uiree combination parties with the Standard<br />

Club. includlnK hu.-^band.s and wives. durliiK<br />

the year, one roK tournament, one imlus-<br />

Irywhle picnic; one .summertime party to<br />

raise money for incidental club expenses, and<br />

a Christmas party, to be held as In the past<br />

The first membership meeting of the new<br />

jrear was to be held Monday i20i night at<br />

the Standard Club. Guest speaker wa.s to<br />

be John Bennington, coach at Drake Unlreruty<br />

Basketball player Red Murrell wa.'^<br />

to be a guest.<br />

Committees named by HIrstlne for 1958 are:<br />

Entertainment — Milton Pelnberg. Dave<br />

Oold. Carl Olson. Don West. BUI Luftman.<br />

B^b Sandler. Cato Mann. Don Knight. Ken<br />

Weldon. Larry Dunn. Larry Day. Pete Peterson.<br />

Charles Callglurl. Harold McKlnney.<br />

Jake Kaplan.<br />

Heart— Lou Levy. Bob Dillon. Woodrow<br />

Prauxht. Harold McKlnney. Milton Felnberg.<br />

Richard Frank. Frank Rubel. Charles lies<br />

Membership — Bob Dillon. Larry Dunn.<br />

Charles Callgiurt. Ralph Olson. BUI Luftnian.<br />

Barney B-TStman. W F DeFrenne.<br />

Claire Grant. Max Rosenblatt.<br />

Publicity—Don Knight. Dave Gold. Char-<br />

Its Callglurl. Hal Barnes. Matt Plunkett,<br />

Larry Day. MUton Felnt)erg, Gary Sandler.<br />

Charles lies.<br />

SJck-BUI Curr>-. Jack Kennedy. Vince<br />

Ftynn. Max Rosenblatt. Charles lies. Don<br />

West.<br />

Welcoming— Nate Sandler. Milton Fclnbent.<br />

Dave Gold. Bob Dillon. Charles lies<br />

Christmas party—Lou Levy. Ed Utah and<br />

all memt>ers of Variety Club.<br />

Wallis, Douglas, Sturges<br />

Combine lor 'Junction'<br />

Hot.IVWOOD^ Three of the {>er.onalltles<br />

that made Ounflsht at the OK Corral."<br />

are uniting on another action film. "Lost<br />

Train From Harper's Junction" at Paramount<br />

The three are Hal WallLs. producer; Kirk<br />

Douclas. whom Wallis has signed for the<br />

top role, and John Sturges. who will direct.<br />

Anthony Qulnn already has been signed for<br />

Ute Technicolor film to st*r with Douglas<br />

"Train" u from an original story by Les<br />

Cnitchfleld. with a screenplay by James Poe<br />

It «r>M before the cameras in Marrh<br />

Announces Popcorn Package<br />

ST LOUIS- Thr Prunty Seed * Grain<br />

Co. lontwtabllshed local firm supplying<br />

theatre conwaaKMiatres. L« announcing a new<br />

popcuc n package for the trade U>cui an adwrtiier<br />

in BOXOFFICE. the company is reliimlnt<br />

to the pages of the magazine in this<br />

iMue with an eighth-page adverUsemrnt giving<br />

complete details of the new package,<br />

which Ls said to be Ideal for storage. a.s well<br />

as (or chUdr«n to handle<br />

ST.<br />

LOUIS<br />

Thr St. t.oul* Kevlew. falhollc we«-kly, tar-<br />

! nil a .>lory l)n.^ed on tJir fnlturr oj American<br />

Inlrrnatlonul to make Its<br />

films available<br />

for rrvlcw by the Legion of Decency prior to<br />

their rclrnse Tl>e company makes low -budget<br />

pictures aimed prlnclpully at treniiKepi The<br />

story related that AIP repre.senlatlves had<br />

repeatedly Ignored LfTtlon requt-sls (or<br />

screening privileges. AIP pictures are distributed<br />

in this territory by Realart PicIum-n<br />

of St. Louis.<br />

\ luncheon meeting of officer^ and members<br />

uf tin- Ml.vkourl-Illlnols Tlieatrc Owners<br />

will be held In the Melbourne Hotel at noon<br />

h'rbruary 11 . Sliort. a.v>lstant secretary<br />

of the army, for many years a member<br />

of Congress from the .southwest


^<br />

Late I. W. Rodgers Started Career<br />

In<br />

1893, Exhibiting a Phonograph<br />

CAIRO. ILL -I W Rodgers. founder of<br />

theatre circuit In Uie Cairo. Ill . Poplar<br />

a<br />

Bluff, Mo., area, who died recently at his<br />

winter home in Miami Beach. Fla.. at the<br />

age of 83. became an Itinerant .showman several<br />

years before the advent of motion pictures.<br />

In 1893. when he was 18. Rodgers purcha.sed<br />

a gramophone, or phonoftraph outfit, then<br />

one of the world's newest wonders which few<br />

people had ever even heard of. He figured<br />

people would be willing to pay to hear a<br />

machine "talk and sing " He and Clarence<br />

Medley, a partner, took the phonograiJh and<br />

their records on tour, giving public exhibitions<br />

In lodge halls, schools and churches.<br />

While showing in 'he south, he heard of<br />

another invention, the X-Ray. and he bought<br />

one of these machines and added it to his<br />

show. It Ls said that I. W. Rodgers urged the<br />

use of this ray machine In the study of the<br />

human body, even before the medical men<br />

recognized Us value.<br />

In 1896 came the motion picture, opening<br />

up an entirely new field to Walter Rodgers.<br />

He bought out his partner, sold his phonograph<br />

and X-ray machine and bought a<br />

movie projector, opening up a "store show"<br />

In New Orleans. Later he moved to Chattanooga.<br />

At that time films were only about<br />

50 feet long and were a continuous band,<br />

chiefly street scenes, and the exhibitors had<br />

to buy the film outright. The show lasted<br />

only a short time. The admission was five<br />

cents.<br />

In a few days all of the people in a comtheJSstre<br />

equipment<br />

44} N. ILLINOIS ST, INDIANAPOLIS, IND.<br />

"Evervthtng for the Theatre"<br />

You're Missinff Jl<br />

you haven't added Swingiog to<br />

your Insect Fighting Lquipinent.<br />

Why? Because Swingiog, the only<br />

Portable Pulse Jet Fogger and<br />

Sprayer available, can help you out<br />

of the toughest control problems<br />

yoij've r.yrr 'nr-r-r] Swinglog Will do<br />

"SWINGFOG"<br />

throughout .<br />

the country<br />

S<br />

For information contact tliese distributors<br />

Tifa Solo* Compony. Whoalon. III.<br />

Roiioarch Products. Kanaas City. Mo.<br />

VanWan Fog EquipmonI 4 Supply.<br />

Portland. Ore.<br />

Fog. Incorporated. Wyckoll. N. ).<br />

Southern Mill Creek Producla. Tampa.<br />

Fla.<br />

munlty Interested In moving pictures would<br />

have seen the film, so It was necessary to<br />

buy another picture. Rodgers suggested that<br />

the showmen exchange their films through<br />

a centrally located city to handle the distribution<br />

for the exhibitors in the iwol. This<br />

would eliminate the nece.ssity for all exhibitors<br />

to buy their films outright. Apparently,<br />

none of the other exhibitors were interested<br />

in his idea, feeling that picture shows<br />

were only a passing fancy with the American<br />

IX'oplc.<br />

When business at hLs Chattanooga theatre<br />

began to taper off. Rodgers obtained a hydrogen<br />

and oxygen outfit to make the light for<br />

his picture projector and he made another<br />

tour, playing many communities without<br />

electricity throughout the south. The .showwas<br />

usually good for three days in the average<br />

town, and Rodgers moved on. When hi.'-<br />

films and projector wore out about the same<br />

time. Walter Rodgers decided to desert the<br />

movies and settle down in another line of<br />

business. He too was beginning to have some<br />

doubts about the future of pictures.<br />

In June 1906. Walter Rodgers married<br />

Grace Sawyer of Clarksville. Tenn.. who became<br />

his business partner as well as wife.<br />

About that time the motion picture business<br />

took a new lease on life. Just as Walter<br />

Rodgers predicted, the films were made<br />

longer and told a story, and exchanges were<br />

set up in various parts of the country so that<br />

exhibitors could rent the films for a certain<br />

number of days, instead of purchasing them<br />

outright.<br />

So Walter Rodgers decided to return to the<br />

picture show busine.ss. He and Grace bought<br />

a theatre in Jonesboro. Ark. A friend. Joe<br />

Cramer, told Rodgers about the possibilities<br />

of Poplar Bluff. At Cramers insistence, he<br />

visited Poplar Bluff, liked what he saw and<br />

tried to make a deal with W. N. Barron to<br />

lease the Criterion Theatre from him. Barron<br />

would not lea.se. So Rodgers went back<br />

Beaut^ii<br />

i<br />

the job faster, better and more<br />

economically any time. At your<br />

drive-in, it will be simple for you<br />

to control mosquitoes, flies, midges<br />

and mites, wasps and bees using<br />

Swingiog in concession or parkin<br />

areas.<br />

E. S. Browning Co.. San Francigco. Calil.<br />

Harlney Spray Corp.. Dcdham. Matm.<br />

Henry Sleiner, McAllen. Tpx.<br />

The Focr Air Company. Now York. N. Y.<br />

lo Jonesboro and later to California. Rodgers,<br />

however, kept In touch with Barron and early<br />

in 1914. when the Criterion was damaged by<br />

lire. Barron wired Rodgers that he was<br />

ready to lease the theatre.<br />

So in March 1914. Mr. and Mrs. Rodgers<br />

and their son. Carson, then aged 7. arrived<br />

in Poplar Bluff. Rodgers supervised repairs<br />

to the house, installed a stage and started<br />

running vaudeville acts and motion pictures.<br />

This was the first link in the chain of theatres<br />

In Missouri. Illinois and .\rkan.sas. Mr.<br />

and Mrs. Rodgers later acquired or built.<br />

In June 1921, they bought theatres in Cairo,<br />

and moved their headquarters here.<br />

Shortly after they acquired their hou.ses i|<br />

in Poplar Bluff. Rodgers with Fred Wehrenberg<br />

of St. Louis and Robert Cluster of Salem,<br />

111., organized the Theatre Owners of St.<br />

Louis, Eastern Mi.-^.souri and Southern Illinois.<br />

At its first meeting held in the Elks Club<br />

at St. Louis. Rodgers was named the first<br />

president.<br />

INDIANAPOLIS<br />

T^r. and .Mrs. Claude .Allison have returned<br />

. . Bill<br />

to Indianapoli.s from Florida where they<br />

have made their home recently. Claude is<br />

now working for Cantor Amusements. Before<br />

moving to Florida. Claude was associated<br />

with the Williston circuit for many years.<br />

Cantor has installed Cinemascope equipment<br />

at the E.squire Theatre here, which now has<br />

The Alliance Amusement<br />

an art film policy . . .<br />

Corp. has bought the four Brailey and<br />

Browning drive-ins at Port Wayne .<br />

Sconce tied for highest scholastic honors at<br />

Culver Military Academy in Culver for the<br />

last grading period. BUI is the son of J. B.<br />

Sconce of Edinburgh. Ind.<br />

Foster Gauker, MGM manager, is back at<br />

work following a six-week rest in Florida and<br />

is feeling much better . . . Peg and Tex Richards,<br />

who operate the theatres in Scottsburg.<br />

were on the Row. Tliey have returned from<br />

a holiday in California . . Trueman Rembusch<br />

.<br />

and his wife left for Florida this week,<br />

and the James Smiths are due back from<br />

their Florida vacation soon. Jimmy manages<br />

the Twin Drive-In here.<br />

The Variety Club is a beehive of activity.<br />

The long-planned remodeling Is in progress<br />

and a major overhaul Is under way. Tentative<br />

plans call for reopiening with a Sweetheart<br />

Jack Whitley.<br />

Dance March 1 . . . Kokomo. was in town.<br />

Indoor Theatre Completed<br />

In Lancaster Drive-In<br />

LANC.\STKH. CALIF. The Lancaster<br />

Drive-Iii. one niilc north of here, now has<br />

one of the largest indoor theatres In a drivein<br />

on the West Coast. The new theatre within<br />

a theatre .seats 470 persons in reclining<br />

chali-s. is heated lor winter and air-cooled<br />

for .summer u.se. Theatregoers .-^ee motion<br />

pictures on the .same 5.000 -square foot screen<br />

used for patrons In cars.<br />

The drive- In has a capacity of 787 speakers<br />

for persons who wish lo watch the picture<br />

from their cars AddltloniU parking for 1.S0<br />

curs is provided behind the snnck bar-projection<br />

booth building for patrons utilizing the<br />

Indoor theatre .seating.<br />

The drlve-ln. which wft.s opened In August<br />

m.^if). Is owned bv R. E "Tex" Griffith.<br />

I<br />

C6 BOXOFFICE Febnian,- 3. 1958


lESEARCH<br />

for<br />

BUREAU<br />

lODERN THEATRE PLANNERS<br />

lOLLMtNT fORM FOR FREE INFORMATION<br />

• MODEHN THEATRE<br />

ANNING CNSTmrrE<br />

inl Blvd<br />

'.S-. :. y 24. Mo<br />

iatl«m«n:<br />

2-3-58<br />

Ptoos* •moll ua In your RESEARCH BUREAU<br />

Mc«iv« inlormotion rvgulorly, as released, or<br />

» loUowing subiects for Theatre Planning<br />

Acoustics<br />

Au Conditioning<br />

A>chil*ctural<br />

'Black"<br />

Lighting<br />

Building Malorial<br />

Carp*ls<br />

Coin Machines<br />

Senric*<br />

Complcls Ramodeling<br />

Decorating<br />

Drink Dispensers<br />

Ori*e-tn Equipment<br />

Other Subjects<br />

oung Capaoiy<br />

Utms<br />

n Lighting Fixlutes<br />

"" Plumbing Fixtures<br />

.<br />

"<br />

Proieclors<br />

Tj Projection Lamps<br />

Seating<br />

S'.gns<br />

^nd Marquees<br />

Sound Equipment<br />

Television<br />

Theclre Fronla<br />

Vend ng EquipmrnI<br />

ire9« 90*4 rtpiv cordt for your fuftktr con*tnirnn> rMue ol<br />

ck iMelk<br />

Speculate Future Policy<br />

Of Expose Magazines<br />

IH>U,VW(.xn> T\c future<br />

policy uf the so-cullrd rxixwr inuKiiKlncx,<br />

n.i thr rrNUlt of the r(*ii.%unitbly iioii-conseqiK-iilliil<br />

t^.OOO flnr.s which wt-rc Irvlttl uKuliLst<br />

ConflUriitliil uiid WIiI.sjht by Superior Judxe<br />

II. Burtun Noble us u result of lho.se Kn/ctl«ii<br />

htivliiR been found ituilty of the ci>n>plracy<br />

tJ print obHcene matter.<br />

The levle.s grew out of Uie widely published<br />

L-lnl.N lust Mny when the Griind Jury Indicted<br />

the tnuKaKine.s und 11 per.iona connected<br />

with them. The trial of Marjorle und<br />

Fri'd Meude ended with a Jury deadlock, and<br />

under an aKreeinent reached at that time, all<br />

charKc.i except tlie obscenity chance a«alnst<br />

the two publlcatlon.s wa.s dropped Judge<br />

NobJe'ji decision, after hearing the case on<br />

the ba.tls of the iran.scrlpt of the original<br />

trial. Involved the maximum flne.s permitted<br />

by law.<br />

Some Hollywoodiun.s believe that the fines,<br />

albeit Ihcy are generally con.sldered to be<br />

nothing more than loken.s. and the fact that<br />

Utere ore .still several .sizeable civil libel<br />

sult.s pending again.st the publications, will<br />

have a tendency to deter tho,se periodicals<br />

In their practice of making life ml.serable<br />

for occasional Individuals In the film capital<br />

through the printing of detailed reportstrue<br />

or false—of the le.ss admirable side of<br />

their private lives.<br />

On the other hand, there are observers<br />

wh3 believe that the lightne.ss of the penalties<br />

may embolden the publlcatlotts— and others<br />

of their like— to pursue to even a more scurrilous<br />

and Irresponsible degree their practices<br />

of making capital upon the vagaries of clnemanla's<br />

darlings.<br />

Only time will reveal which theorizing Ls<br />

the more realistic. And In the meantime,<br />

those Hollywoodians with skeletons In their<br />

respective closets still feel that Confidential,<br />

Whl.sper, et al,<br />

are a printed .sword of Damocles<br />

hanging over their heads.<br />

Andre Previn to Direct<br />

Music for 'Porgy-Bess'<br />

HOLLYWOOD- Andre Prrvin was .set as<br />

musical director for Somuel Ooldwyns production<br />

of 'PorKy and Bess" under an arrangement<br />

In which MOM will loan Previn to<br />

Goldwyn for one year.<br />

Previn'.* appointment Is significant Inasmuch<br />

as the producer has stated that he will<br />

give the .score of the Oenihwm-DuBo.se Hryward<br />

closslc far more Impressive pre.senlat;on<br />

and performance than has been imulble<br />

within the limitations of stage and concert<br />

presentations.<br />

Gangster Film Scheduled<br />

Next by Milner Bros.<br />

II()II.V\V(> Thr Milnir Bros, following<br />

the ifiiil iD'Aiird the new cycle of gangster<br />

blop.r iMi.st|»inrd "The Pusher" and<br />

srl .>^Klii< tlon Nrgntlallons are on with Allied<br />

Artl.«!.s for release<br />

Dan Mtlner will direct and lilrhard Bern-<br />

.slein produce Jack Mtlner i- rjmirnr pmducer<br />

W. L. McKnight Buys<br />

Boston Colonial<br />

.MINNKAIMd.l.-s WilUiiin L MrKnlghl,<br />

chairman of the board of Minnesota Mining<br />

Se Mfg Co. und major stockholder In the<br />

Prince.ss Virginia Con' . St. Paul, hiui purchOAed<br />

tile Colonial 'Dieutre und an adjoining<br />

building m Boston for tl .350.000. according<br />

to his attorney Walu>r N Trenerry,<br />

Trenerry Is president of the Prlnce-ss Virginia<br />

Corp.. which owns Uie theatre.<br />

Tills Ls the second eastern theatre to be<br />

purchased by McKnight In the last five<br />

months. Last July. Scarborough House. St.<br />

Paul, another McKnight firm headed by<br />

Trenerry. purcliu.sed the St. James Theatre<br />

in New York for $1,500,000<br />

"We have been backing New York shows<br />

for a number of years." Trenerry said, "and<br />

we decided It would be more profitable to<br />

own the theatres "<br />

TTie musical "LI'l Abner," has been playing<br />

at the St. James for 13 months, Trenerry<br />

said, adding that the BosUm theatre will be<br />

used for tryouts of New York productions and<br />

for road.show attractions. Both houses were<br />

purchased from the 138 W. 46th St. Theatre<br />

Corp.. owned by the Shubert brothers.<br />

Close South Bend Avon<br />

SOUTH BEND. IND—Tlie Avon Tlieatre<br />

here has Ix'en clo.sed Indefinitely, and Manager<br />

Clifford E. Yaniell Indicated that television<br />

and declining attendance were responsible.<br />

The theatre was remodeled and expanded<br />

le.ss than ten years ago at a cast of<br />

$75,000 ThLs Is the fifth theatre to close<br />

here In recent years. Others were the Oliver,<br />

Indiana, Armo and Times.<br />

Write, wire or phor^e —<br />

Inlernaliono! Soot Oivition<br />

Union Cily Body Compony, Inc.<br />

Union City, Indiono<br />

BOXOFHCE Fflteiwry 3. 1968 C-7


many<br />

happy<br />

returns<br />

of today<br />

Thanka to our doctona, most Americans can look Idrwanl to<br />

longer and happier lives than ever before. Some of our deadliest<br />

diseases have already l)een conciuered ; others are fast beiiip brought<br />

under control. Kven with cancer, much progress has been made.<br />

Today, more than 800,000 Americans are alive and well, cured of<br />

cancer . . . many of them, because they made a habit of having thorough<br />

health checkups every year no matter how well they felt . . .<br />

many others, because they went to their doctors at the first sign of<br />

any one of the seven danger signals that may mean cancer . . . all of<br />

them, because they went to their doctors in time.<br />

To learn how to guard uoiimclf again.st cancer, call the Anicriian<br />

Cancer Society office nejirest you or write to "Cancer" in care of<br />

your local Po


\t<br />

where<br />

Tenl 45 Membership<br />

Drive io End Mar. 1<br />

N '<br />

Uic rrccnt Varlfty<br />

CI ailed to ordfr by Chief<br />

Barkrr Brandon «ith burkrrs Pugr Bitkrr.<br />

Joel Bluc>tonc. Dun Brandon. Hrnry Olovpr.<br />

Bill Murphy. Roy Nlcuud and Rotx-rt Siiloy<br />

•ttrndins. It »«» rr-^olved thiit thr nn'nil)eralUp<br />

dnvr rnd Mikrch I. and tiuit all appllca-<br />

Uons r«crivrd on that day stiould b« included<br />

in the drivf : that the La5 Vegas award .sttall<br />

consist o( a roundtrlp plane fare at day<br />

coach rate, plus five days at hotel at ilb per<br />

day. plus $45 reKL^tratlon fee. or (360 at the<br />

option of the winner.<br />

This award will l>e given for each multiple<br />

Of 60 new meml>ers. secured overall, and not<br />

a fraction thereof The Loa Voko-s awards or<br />

other capitaJ awards will t>e given in the<br />

following order flrtt award, to the high<br />

ICAin. second award, to be determined by a<br />

drawing of all memt>ers securing new memberv<br />

each having pro rata number of chunce.s<br />

to the number of members .secured by the<br />

Individual, third award, to individual obtaining<br />

highest number of new members: fourth<br />

•ward, on a drawing between all new members.<br />

Other capital awards are two memberships<br />

to the 1968-59 Midnight Supper Club In the<br />

rrent the first four awards, or any part<br />

thereof, are not Las Vegas trip awards, as<br />

may be the case In the event less than 180<br />

or 340 new members not being secured. There<br />

will t>e additional awards to be on a drawing<br />

basis among the working members, also<br />

avards for all Variety members, new and old.<br />

which will also be on a drawing basis<br />

Tommy Sands Back Home<br />

For Shreveport Premiere<br />

SHRE\'EPORT—Tommy Sands. 20-yearotd<br />

Shm-eport crooner with 11 years of experience<br />

In the entertainment world, flew<br />

borne January 31 to share In world premiere<br />

acunttes of his first motion picture. "Sing<br />

Boy Sing." a 20th Centun-Fox production.<br />

Sands was Interviewed<br />

by press and radio<br />

at II ajn . then was guest of honor at a 6<br />

o'clock dinner, followed by his personal appeajvicc<br />

at the Don Theatre for the premiere<br />

fesuviues<br />

The young singer considers this city his<br />

booetovn because he and his mother spent<br />

»o much time here while hi* father Benny<br />

wm» on the road In a U80 show. Tommy and<br />

hit mother lived with hLi Aunt Bert and<br />

Onde Charlie Dickson on a farm near here<br />

Re attributes much of his sucoesa to his<br />

mother's devoiloo and Inspiration<br />

Young Film Actor Feted<br />

By Shreveport Friends<br />

SHREVEPORT. I^<br />

here January 22 for >• . ; .<br />

Mr and Mr« H R Young of Shreveport. who<br />

recently completed hli third motion picture<br />

Young, ae. U a Pair Park High School<br />

graduate He appeared in "Hidden Oun" and<br />

~\Jtt of Daniel Boone" for Paramount Plrturea<br />

last year and recently completed '^oung<br />

Cowboy" for the same studio Also a singer.<br />

Young records for Capitol HU Ute^t releaM<br />

b a pop number enUtJed 'The Lodiet '<br />

Three World Debuts Set<br />

In Louisiana Cities<br />

NK"W DHUCANS LouuUinn .> three top<br />

cities will l>e the site of motion picture world<br />

premieres between now and March 13 The<br />

first will be aOth-Pox'.s •Sing Boy Sing" at the<br />

Don m Shreveport. on January 31 : the second<br />

will be Unlversal's "Damn Cltl«en." the<br />

Francis Qrevenberg story, .scheduled for the<br />

Joy in New Orleans on February 12. and the<br />

third for Baton Rouge. Lu . Jerry<br />

Wald'.s "Lonti Hot Summer" will premiere<br />

un March 13<br />

Each will be a gala uffulr. Pre.vi repres«<br />

ntatlve.s and explolteers have t>een working<br />

around the clock for a week and more<br />

to give them the best treatment 20th-Pox<br />

pre-ss representative Jimmy Gillespie ho-s<br />

been In Shreveport for a week Among the<br />

activities wHl be the personal appearance of<br />

Shreveport's own Tommy Sands, star of the<br />

film<br />

'Old Yeller' Is 650<br />

At Memphis Malco<br />

Mli.MPHlS .New housi' iitienaance records<br />

were being set day by day at the Malco where<br />

"Old Yeller" racked up 650 per cent The first<br />

show was given for dogs, accompanied by<br />

their owners, and hundreds attended. Since<br />

that morning, only humans are admitted.<br />

Elton Holland. Malco manager, U walking<br />

on air.<br />

Averooc It 100)<br />

Moko—Old Y»ll»» BV) 6S0<br />

Palocc—Don't Go Ntar Hw Wotar (MGM).<br />

4th -. 120<br />

Stot»—Th« trumr B*lo» (20th-Fox) 175<br />

Strand— Peyton Ploc* i20t(>-fo«), 4lh wk 100<br />

Worncf- Soronoro WB). 4lh wk I3i<br />

Showings in Legion Hut<br />

HAMPTON, ARK.—A new moUon picture<br />

theatre has been opened here by R. D. Smith<br />

and Joe O. Davts in the American Legion<br />

Hut. but plans have been made for a building<br />

to house the new theatre.<br />

Tom Kirk Top Barker<br />

Of Variety Tenl 20<br />

M '.: :: ; ^ -Varlei.\ ... •• led<br />

dui.i.^ .-' - ijy Tom K. -; > :.': ij.irkcr<br />

Kirk, long a Pilmrow executive, now operMei<br />

TOM KIRK<br />

the Ham-KIrk drlve-ln grocery' chain.<br />

Ed Doherty, partner In E:xhlbltors Services,<br />

wa.s elected flr.-it assistant chief barker F J<br />

Kaiser. Allied Artists manager, was elected<br />

second assistant. Howard Nicholson. Paramount<br />

manager. Is the new property master<br />

Joe Kelfer, Malco official. Is dough guy<br />

These officers are all directors Other directors<br />

for 1958 are Tony Tedesco. Herb<br />

Levy. Jack Lustlg. Alton Sims. Carl Chorter<br />

and George Simpson.<br />

Martin Lancer, producer of<br />

documentaries,<br />

will produce "The Fearmakers" for UA as<br />

his first theatrical film.<br />

You're Missing A Beaut—li<br />

you haven t added Swing^og to<br />

your insect Fighting LquipmenI<br />

Why' Because Swingfog, the only<br />

Portable Pulse let Fogger and<br />

Sprayer available, can help you out<br />

of the toughest control problems<br />

you ve ever laced Swingfog will do<br />

"SWINGFOG"<br />

^uccrMfully uud by Dnr* Ini<br />

Ikroughout<br />

lk» countrf<br />

f^<br />

*-—<br />

'J<br />

;<br />

1_<br />

For Infortnotlon contoct Him* tflttribwton:<br />

Tila Saloa Compcny Whoalon. 111.<br />

Roioarch Products. Kansoa CilV' Mo.<br />

Van-Wan F09 Cqulpoiant & Supply<br />

Portland. Or*.<br />

Toy. lncocporal»d. WyckoU. N. I.<br />

Southarn Mill Cr»*k Products. Tampa<br />

r.a.<br />

the job faster, better and more<br />

economically any time At your<br />

dnve-in, it will be simple for you<br />

to control mosquitoes, flies, midges<br />

and mites, wasps and bees using<br />

Swingiog in concession or parking<br />

areas<br />

C S. Browning Co.. San Franciaco. Calil.<br />

Hartnay Spray Corp.. Dodhoin. Mosa.<br />

Honry Sivinsr. McAlUn. T*x.<br />

Tho Toy Air Compony Now York N. Y.<br />

BOXOFnCE February 3. 1968 SE-1


. .<br />

. Leon<br />

CHARLOTTE<br />

prankltn Dsbome. who Ls<br />

accused of robbing<br />

the Fletcher branch of the Stiite Trust<br />

Co of Heiidersonvllle December U. has admitted<br />

the September 20 robbery of the<br />

Pointer Drlve-In. HlRh Point Osborne also<br />

udmltted robblnR the Joy Drive-In. HenderonvlUe<br />

The Pointer and the Joy are oper-<br />

HERE'S A<br />

BRIGHT<br />

IDEA...<br />

^mm^<br />

iiled by brothers. E. Y. and C. E. Nell! Jr. . . .<br />

The Pilot Tlieatre at Pilot Mountain has<br />

been dLsmuntled and converted Into a country<br />

ham processing plant G. L. Faw of Albemarle,<br />

who visited here recently, told of<br />

flying his Cessna- 182 to Cuba for a couple<br />

of days holiday. A revolution was going on In<br />

Havana and the mllltia was stationed around<br />

the palace Faw was instructed to fly around<br />

the city In order to avoid being shot down.<br />

Ugburn HouKh, Lancaster. S. C. has t>een<br />

named manager of the Center Theatre here,<br />

by StelUngs and Gossett. chain theatre operatur.s.<br />

For the past ten years. Hough has been<br />

district manager in the Carollnas for the<br />

Stewart and Everett theatres. He succeeds<br />

William W. Prim, who is now manager of<br />

llK" Cherokee Theatre. Gaffney. S. C. • • .<br />

H. W. Edwards is the new owner of the Plx<br />

Theatre. Black Mountain. The account will be<br />

h.md.ed by Queen City Booking Service. This<br />

.-ervice will also handle the North Wilkesboro<br />

Dnve-In. N. Wilkesboro. R. B. Adams, manmer<br />

.<br />

liclty man from Dallas, to plug Sands picture.<br />

"Sing Boy Sing." opening soon at Malco<br />

Mo-Jac Drlve-In. Indianola. Miss., has closed<br />

for the winter Joy Theatre. Cleveland.<br />

Miss., which<br />

.<br />

was closed recently has reopened<br />

for fulltime operation.<br />

Amelia Ellis, Mlllington Drlve-In. Millington,<br />

was admitted to Baptist Hospiul<br />

Norman Pair. Fair. SomervUle; W. F. Rulfin<br />

Jr.. Ruffin Amu.semenls Co., Covington,<br />

and Louise Mask. Luez. Bolivar, were among<br />

Tennessee exhibitors visiting Memphis<br />

J. B. Harper, owner, advises that the Missouri<br />

Theatre at Campbell will remain closed<br />

for an Indefinite time.<br />

. . .<br />

H. G. Walden, who operates the Bay at<br />

Red Bay. Ala., and Fran at TIshlmongo.<br />

Miss., was a local vl.sitor Whyte Bedford.<br />

Ford Drlve-In. Hamilton. Ala., was in town<br />

Rountree. Holly at Holly Springs<br />

and Valley at Water Valley: Prank Heard.<br />

Lee Drive-In. Tupelo: A. N. Rotsie. Roxy.<br />

c:arksdale. and Paul Myers. Strand. Lexington,<br />

were in town from Missisippl.<br />

We're shedding light on the subject of<br />

worn-out theatre sects! Customers<br />

dont' en|oy any show when they ore<br />

uncomfortable. The groaning you hear<br />

isn't because of poor programs. More<br />

likely it's poor seating! We con com<br />

pletely rehabilitate your seats at o<br />

surprisingly low cost! Your show continues<br />

uninterrupted. Coll today for a<br />

free cstimotc.<br />

WRITE, WIRE or PHONE ALPINE 5-«4S9<br />

Monufocturart<br />

Foam Rubber &<br />

Spring Cufchiorvs,<br />

txxk and uot<br />

coven.<br />

DhMbuten<br />

Uplvjiitery fobfici<br />

ond general seating<br />

»upptm<br />

THEATRE SEAT SERVICE CO.<br />

A Oiviiion of<br />

SEATING CO.<br />

160 Hcrmi»*j|e Avenue<br />

Naihvitic, Tennessee<br />

Tillie Little, Howco Exchange, is back at<br />

work in the inspection department after<br />

several week-, at home with a back injury .<br />

Leonard Allen, Paramount publicist out of<br />

Atlanta, was here on business. Other business<br />

visitors here were Everett Olsen. Sumter<br />

Drive-In. Sumter. S. C. and Gordon Bradley,<br />

southeastern division manager for Paramount<br />

Pictures.<br />

. . . Doris<br />

Kenneth C'lontz was recently elected business<br />

agent for Local 322. lATSE. He succeeds<br />

W. H. Fowler, who was business agent for<br />

20 years. Ken is presently employed as projectionist<br />

at 20th Century-Fox<br />

Ducker. Fox assistant cashier, was on leave<br />

of absence due to illness and Ruth Svoboda.<br />

a former Fox employe, was .substituting .<br />

Exhibitors on the Row were J. W. Griffin.<br />

Forest City; Bill Suther. Concord: Klddo<br />

Bowden. New Bern:<br />

Percy Osteen. Ander.^on.<br />

MEMPHIS<br />

S. C; R L. Baker. Webb Theatre, Gastonia;<br />

Charles Burgin. Colonial Theatres. Valdese:<br />

W. B. Sams. Statesville Amusement Co..<br />

Statesville. and J. C. Holland. Lyman Theatre.<br />

Lyman, S. C.<br />

'The fnion Theatre at Grenada. Miss., has<br />

been .sold by B. F. Jackson to F. M. Kca.<br />

who will book and buy here ... 41 Drive-In.<br />

.Amory. Miss., reopened January 24 for weekend<br />

operations and will go on fulltime schedule<br />

Mr. and Mrs. J. T. HItt.<br />

February 23 . . . Plaza at Bcntonvllle and Apollo at Springdale:<br />

William Ella.--. Murr. Osceola: Don Landers.<br />

Landers. BotesvlUe: J. Fred Brown.<br />

Nevada at Prcscott and Skyvue Drive-In at<br />

Fort Smith: John Staples. Carolyn. Plggott<br />

and E. E. Reeve.s. Palace, Oil Trough, were<br />

among vislling Arkiui.sas exhibitors<br />

Tommy Sunds, one of the youthful singing<br />

rage.s. was due here February 1. accompanied<br />

by Jimmie Olllesple. 20th-Pox pub-<br />

Florida's flRST Supply House<br />

NEW ADDRESS . . .<br />

206 MEMORIAL HIGHWAY<br />

TAMPA, FLORIDA<br />

NEW PHONE . . . 8-5189<br />

NEW CONVENIENT PARKING<br />

for Our Cuttoners<br />

Visit us at our new building<br />

UNITED THEATRE SUPPLY CORP.<br />

20* Memorial Highway<br />

.ampo. Florido 'hone iSIM<br />

Mail Addrett: Bos J7S. Tampa I, Fla.<br />

SERVICE<br />

and<br />

COURTESY<br />

For over 20 yeori<br />

OUR WATCH WORD<br />

.CENTURY llV'iiSnl STRONG ^l\s<br />

CONCESSION EQUIPMENT AND SUPPLIES<br />

STANDARD THEATRE SUPPLY CO<br />

21 S L Wlihinjlon<br />

CREeNSBORO. N C<br />

219 So C^urt^ St<br />

CHARLOTTE. N C<br />

lOIKINC SERVICE<br />

13S Brcvord Court, Chorlottc, N C<br />

FRANK LOWRY^OMN WOOD<br />

PHONE fR 5-77i7<br />

JofifioM'<br />

•OONTON, N. J.<br />

Large Cor*<br />

Greater Crater Area<br />

means<br />

MAXIMUM LIOHT<br />

Evenly Oistribufed ^<br />

.n O.orQlo— 0I>.. Th.otr. S»rvi


DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />

DOUBLE SPECTACLE-TERROR!<br />

FABULOUS! FANTASTIC! TERRIFYING!<br />

NOTORIOUS BEAUTIES LOST IM A FANTASTIC HELL-ON'EARTH!<br />

V'-»<br />

•<br />

%' rvi<br />

£Vll...<br />

BE/lUTlFUt.<br />

DEADLY<br />

THE<br />

ASTOU^^WQ^<br />

MON&TER<br />

>{%*<br />

«~. ABBY OAITON SUSAN • CABOT BRAO • JACKSON<br />

SEE ^SEE<br />

M IMKM MIIMMIMU nCIMf<br />

SEE ^ SEE<br />

y<br />

^11 MO irmu Vkloi uwm of<br />

LBST[Hi>iiE' ^ mninr<br />

TFUOi'<br />

^ OFHUTt'<br />

CONTACT YOUR<br />

EXCHANGE<br />

)l RELEASING CORP AMERICAN ASTOR FIGURES<br />

M IICHAIDSOn » f PINSON<br />

W.ltM StTMt. NW 2IS WMt 4tli Strwt<br />

LANTA ) G£0«GIA CHAILOTTf 1 NOITM CAIOIINA<br />

COLONIAL FIGURES<br />

• . ItAGAS<br />

492 So WMd $tlT«f<br />

MEMPHIS. TtNNESSCE<br />

CAFITOL RELEASING CORP<br />

« C PliCf<br />

1)7 Foaylii* Srr»ef<br />

JACKSONVILLE 2.<br />

FLOHOA<br />

MASTERPIECE FIGURE IMC<br />

221 Soylk L>b«rt> Si<br />

NEW OILEANS 12 LOUISIANA


NEVJ ORLEANS<br />

^harlcnr Kufrino. daUKliter of Mr and Mrs.<br />

Prank Rufflno. was a maid In the queen'.s<br />

court when the Krewe of VlrRllllans presented<br />

a six-act spectacular. "Legends of<br />

Mythology," (or lU 16th annual carnival<br />

HERrS YOUR CHANCE<br />

%^^K.: BIG WOMEY


.<br />

whrrr<br />

. . Jay<br />

. .<br />

Mrs<br />

. .<br />

to celebnuiU can «•!. mt or inrrt S*ndvtchM<br />

of all Mirb will br avullablp aiid<br />

IficcUl amtiiRrmrntA iirr brln« mudr to rnterlaln<br />

chUdrrn who ttrr utlrr hour> of "Ruiinlns<br />

Mardl Oroa" nht nnUvrs vrrnacular o(<br />

Joining thf m»xMvf strrrl crowds In fun<br />

and fnvolK)' and wnlchlnK thr parades' Ttir<br />

wiconxp sign will br sprrad for members and<br />

|ur>ts Ladlr> Day at thr Rarr> on Frbniarr<br />

< will be Klvrn by thr Variety auxiliary<br />

to raise money for the Heart Fund .<br />

Leon Johnxon and Waldo Mityrr have been<br />

accepted a5 rrKular members nnd Aaron<br />

Mints. James J. Curro and Roland A Sturdlntnt<br />

as asaoclaie members to Variety Tent<br />

«s<br />

LocjU tht> Trr-Jey fans ore all hepped up.<br />

•* It U luiid tiuit Presley will be In New<br />

Orleauu on Mardi Onu Day or the day before<br />

to start work on his new picture with<br />

Ute New Orleans back«round. "King Creole."<br />

Oomlng in a week or so later is Pn>ducer<br />

Jerry Wald and his crew to start working on<br />

-Mardl Gras.' The tlUe clearly identifies It<br />

with New Orleans, and as the Chamber of<br />

Ooounerce says. The Most Interesting City<br />

IB (be World "<br />

LITTLE<br />

ROCK<br />

"Thr i.>.-ii . riuor board refused to ban "Pey-<br />

•.^:. ru.o." although the board had received<br />

several requests to forbid playing of<br />

the motion picture Although members of<br />

the board .^tamped the book as "raw." they<br />

felt<br />

that the picture was of high caliber. The<br />

memtiers of the censor board are Clark Man-<br />

Dey Mrs Letcher L. Langford. Mrs W C.<br />

Bray and Mrs. J R Pair<br />

New Series for TV<br />

Hi •:.: 'r.v 1 •• ; .- 'fn Gems' next syndicated<br />

program will tie an unusual adventurenupense<br />

series. Dial 116 Jerry Hyams. director<br />

of syndication for the Columbia Pictures<br />

TV subsidiary, said the new show will be<br />

produced by Herbert Leonard, and will debut<br />

on the air nex: fall. Dial 116 will be based<br />

OB the records of the Los Angeles rescue<br />

of the county (ire department.<br />

film BOOKIOG OfflCt<br />

ATLANTA<br />

UuldovtT rilma wrrr still plraslng Atlanta<br />

liiriitrrtiorrs. Including "And Uod Crettlrd<br />

Woman" at Uie Peachlrrr Art. "Don't<br />

tK> Near Uie Water" at U>ew» Grand and<br />

"Old Yrllrr" at thr Rlalto Tlir Roxy Theatre,<br />

a Wllby-Klncey operation, closed<br />

"Around the World In 80 Days" and opened<br />

"A Farewell to Arms." All sraLi arc re.^er%'rd<br />

at night showings.<br />

Mr». Ray Collliu, secretary to U-I District<br />

Maniigrr James V Frew, returned home following<br />

a week at Providence Haspltul. Murphy.<br />

N. C . .she and her hu.sbund Rip<br />

had motored to spend the weekend with Mr<br />

and Mrs P. J Henn Shortly after their arrival.<br />

Ray broke her ankle In a freak accident<br />

and was confined to the hospital .<br />

The Carroll and Family Drlve-In at Carrollt^n<br />

have had thrrc robberies during the<br />

past two weeks, according to Manager Hewlett<br />

Jones. Approximately t200 concessions<br />

Items and 20 speakers were In the loot.<br />

William G. Greene, operator of the Glenn<br />

Theatre, has entered Newman Haspltal In<br />

that city During hLs illness. Bill Benton.<br />

Greene's son-in-law. is handling the operation<br />

of the theatre . H. H. AJLsbrook and<br />

Thomas Assald reopened the Fox In Kingsport.<br />

Friday i31>. closed for a number of<br />

months . Messrs. Reeves and Pickett, owners-operators<br />

of the Crossroads Drlve-In,<br />

Whitwell. were visiting friends on the Row<br />

with their booking agent. Al Rook of Film<br />

Booking Office<br />

.<br />

. . Following<br />

Joe Dumas, Republic office manager, spent<br />

several days In Nashville booking with the<br />

circuits located there Solomon of<br />

Independent Theatres. Chattanooga, and Bob<br />

Mascow of the Rlalto here, returned from<br />

a business trip to Hollywood<br />

their attendance at a Martin circuit manager's<br />

meeting at Columbus. Johnnie Harrell<br />

and Charlie Karr reported the closing of<br />

these Martin operations February 1: Bell.<br />

Marietta: Sunset Drlve-In. Amerlcus; Palace.<br />

Valdosta and VUla. Villa Rica. Lois Cone,<br />

Martin office, was back at her desk after<br />

being out several days with the flu.<br />

At a three-day anniversary meeting of the<br />

United American Life Insurance Co., J. Ebb<br />

Dunn was elected to the board of directors<br />

He, along with other directors, were honored<br />

for having sold at least $1,000,000 worth of<br />

life insurance during the yi-ar Duncan operates<br />

the Carroll and Family Drlve-In at<br />

Carrollton . Christ ine Gilliam. Atlanta<br />

movie censor, reviewed the pictures she<br />

has previewed recently when the Atlanta<br />

Better Films Council met at the Atlanu<br />

Woman's Club.<br />

The author of "No Time for Sergeants,"<br />

Mar HviTiuii. who Ls a Georgian, was honored<br />

at a dlnnrr by thr Atlanta Symphony Guild<br />

The dinner preceded the opening of the play<br />

at the Tower Theatre The play was originally<br />

produced on television starring Andy<br />

Griffith, then went to Broadway, and U now<br />

being turned Into a motion picture .<br />

Fllmrow vLsltors Included C A. Crute. Lyric<br />

and Whitesburg Drlve-In. HuntsvUle. Ala.:<br />

Alton Odom. Rltz and Harlem. Thomaston;<br />

Mack Nations. Southport Drive-In. Bridgeport.<br />

Ala ; Jlmmle Gaylard. Starllte Drlve-In.<br />

Troy, and MScO Drlve-In. Entcrprtse. Ala.:<br />

W. W. PIncher. Flncher Theatres. Chattanooga<br />

and R. C. Cobb. Cobb Theatres. Payette.<br />

Ala<br />

"<br />

United ArtUts' "Roar Like a Dove deals<br />

with the humorous marital woes of a gay<br />

young American wife of a Scottish lord.<br />

Sno Cone Machines<br />

Popcorn Machines<br />

Hot Dog Machines<br />

ALSO<br />

Complete Line of Concettion Supplies<br />

THE QUEEN FEATURE SERVICE, Inc.<br />

)913.t, Mor«l« Av«nw* riiofi* ALptM 1-1441<br />

Blrvningkom 3. Alobomo<br />

Eipericncc — Industry — Integrity<br />

ALBERT E ROOK<br />

160 Wilton it n w .•viK'i<br />

ko'" * rccoo»*"<br />

tel Mckion 5-8314 stJ!cr^°^^i^i»^<br />

p box 1422 ''*?^'i^atlantj<br />

ga fv*f* '^tfs*.*<br />

SPECIAL TRAILERS<br />

13 cents p«r word<br />

STRICKLAND FILJW CO<br />

120 Pliarr lood. N E Allanro


Oo<br />

. .<br />

: February<br />

JACKSONVILLE<br />

Do* liardlnc has been absent from his projrctionist<br />

duties at the Imperial Theatre<br />

Jnr the last two months while working in<br />

south Florida as a sound engineer In the<br />

filming of "Across the E\erglade-s '<br />

Florida's<br />

biggest crowd-puller, the Florida Stale<br />

Fair and Gasparllla Carnival. Ls expected to<br />

have a half-milUon gate in Tampa during<br />

Its run February 4-15. It will incJude a mulU-<br />

GuardyourHeart<br />

1 See<br />

your<br />

doctor<br />

Get<br />

enough<br />

fest<br />

L Control<br />

jour weight<br />

Keep<br />

physically<br />

fit<br />

T-r<br />

Give to<br />

fight<br />

heart disease<br />

tude of displays m 25 exhibit balldings. a<br />

three-day run of Rlngllng Bras. & Bamum<br />

Ac Bailey circu.s. and a gala Pirate Invasion<br />

and Parade on February 10 Each year Tampa<br />

motion picture theatres benefit from the m-<br />

f.ux of winter tourusts and Florida residents<br />

drawn to the events.<br />

. . .<br />

Hank Heam, local independent boolcer, was<br />

happy to be back home after spending several<br />

months In the Will Rogers Memorial Hospital<br />

for treatment of a lung Injury<br />

The Jacksonville dog track featured Old<br />

Yeller handicap races m advance of Manager<br />

Jim Leviiie's opening of "Old Yeller" at the<br />

Florida Theatre. The new Disney film drew<br />

tremendou.s weekend crowds to the theatre<br />

and congested street and sidewalk traffic in<br />

a big part of the downtown area.<br />

.\inong the exhibitors attending the Januar>-<br />

20 "conventionette" of the Motion Picture<br />

Exhibitors of Florida were Elmer Hecht<br />

and Charles Goldstein. Wometco. Miami:<br />

Mr. and Mrs. Carl Howell. Ocala: Horlon<br />

Prudden. West Palm Beach; Ted Chapin.<br />

Daytona Beach: "Red" Tedder. Palatka: Ed<br />

Roberts. Gaines\aUe: Tommy Hyde. Tallaha.s.-iee:<br />

B. B. "Deacon" Gamer. Lakeland:<br />

Harold Spears, Atlanta: Mr. and Mrs. Philip<br />

Harling. Fabian Theatres. New York: Mr. and<br />

Mrs. Harlow Land. Mayo: Mr. and Mrs.<br />

Charles Richelieu. Largo: Ronnie Otwell.<br />

Martin Theatres. Columbus. Ga.: Mr. and<br />

Mrs D. C. McComes. Miami: Ignacio Carbonnel.<br />

Key West: P. J. Sones, Tampa: Arnold<br />

Haynes. Naples.<br />

.\lso Maurice Hensler, Aubumdale: Mr.<br />

and Mrs. C. S. Dunn. Chattahoochee: Bolivar<br />

Hyde. Lakeland: Louis and Jerry Gold. Pahokee:<br />

Jimmy Biddle. Jasper: S. E. Britton.<br />

Tampa: Bill Jibb. Tallahassee: Edward<br />

Eckert. Dunedln. and Bill Lee. Keystone .<br />

Among local persons at the Roosevelt Hotel<br />

gathering were Louis J. Finske. LaMar Sarra.<br />

Joe Deitch. French Han-ey. Mark DuPree.<br />

Robert Heekin, Joe Charles. Peyton "Sport"<br />

Bailey. Ed Rocher. Jim Levlne. George Krevo.<br />

John Thomas, all of Florida State Theatres:<br />

Fred Kent. Marshall Fling and H. S. Stewart.<br />

Jacksonville Theatre Co.: Carlton Carter<br />

Service Concessions Co.<br />

Also Roy Smith. Roy Smith Co.: Mrs. B<br />

J Stein and Jim Kirby. of Floyd Theatres:<br />

Bob and Doris Farber. Stein Theatres: Arv<br />

Rothschild and Clint Ezell. National Theatre<br />

E:nterprlses; Mr. and Mrs. B. O. Benton. Bill<br />

Wallace. Benton Bros. Film Eicpress: Frank<br />

Winchell. TourLst & Convention Bureau: Mr.<br />

and Mrs. Nathan Mallison. Jacksonville recreation<br />

department: BUI Beck. Five Points<br />

Theatre; Sheldon Mandell. St John Theatre;<br />

Horace Denning. Betty Loop: Mr. and Mrs<br />

J. W. Hill. DUle Drive-Ins; R E Turbyflll<br />

and Jack Rlgg. Rlgg Booking Ser>'lce:<br />

Charley King. Exhibitors Service, and the<br />

branch managers and staffers of Paramount.<br />

20th-Fox. MGM. United Artists. Allied ArtLsts.<br />

Universal. Warners and Columbia.<br />

over other forms of commercial entertainmrnt.<br />

And to make the slogan even n 'tout


• •<br />

'<br />

. . That<br />

Press Folk Select<br />

Globe Nominees<br />

ilt'l-l.V'iS Us.'!' ;:,'- 11 '.;>A"Kwal>. Jcuhuu<br />

Uotui esjs>, Frrd Zlnncmann<br />

.<br />

Best comedy ur musical: Don't Oo Near the<br />

Water. Les Glrl.N. Love in the Afternoon. Pal<br />

Joey. Silk Stockings.<br />

R^'-it dramatic per(ormance by an actor:<br />

-n Brando iSayonara>. Henry Fonda<br />

ry Men'. Anthony Franclasa (Hatful of<br />

K*ui>. Alec Guinness «Kwali. Charles Laugh-<br />

Ion (Witness)<br />

Best dramatic performance by an actre.ss:<br />

Marlene Dietrich (Witness". Deborah Kerr<br />

'en Knows Mr. Allison). Anna Magnanl<br />

d>. Eva Marie Saint tHatfub. Joanne<br />

A ^t«'ard 'Three Paces of E^e>.<br />

'tier nominations Included Maurice Chevalier.<br />

Glenn Ford. David Nlven. Tony Randall<br />

and PrmrUt Sinatra for best performance by<br />

actor in miL^ical or comedy; Cyd CharLsse.<br />

Tiuna Elg. Kay Kmdall. Audrey Hepburn.<br />

Jean Sinunons (or best performance by actress<br />

in same categoo'.<br />

Best supporting actor: Red Buttons. Lee<br />

J Cobb. Sessue Hayakawa. Nigel Patrick. Ed<br />

Wynn. and best supporting actress: Mildred<br />

Otmnock. Elsa Lanchester. Hope Lange.<br />

Heather Sear>. Myoshl Umekl<br />

Now In progress Ls a survey for the top<br />

male and female "World Fnim Favorites."<br />

Big Business Reported<br />

In Foreign Theatres<br />

HOLLYWOOD — Returning to 20th-Fox<br />

after a month's tour around the world, director<br />

Mark Robeon reported excellent business<br />

on all big Hollj-aood pictures in every city<br />

on his tour. He said that television poses no<br />

threat to such films as "Sayonara" and<br />

"BiKlKe on the River Kwal." which are doing<br />

capacity business He also declared that<br />

hrelcn fans are even more rabid about<br />

BoUrwood stars than domestic (arts.<br />

Robaon. who showed setnnents o( Jerry<br />

MTald's 'Teyton Place" on his tour, .lald that<br />

»ew faces get big plays In the (oreUm presu<br />

"Everywhere I went I found an eagerness<br />

10 know about American product." said Robn.<br />

"ExhilMtors axirk day and night to icU<br />

Ibeir public our tbows and it pays off "<br />

No Shorts With 'Water,'<br />

But No Patron Gripes<br />

'<br />

'NEAPOLIS—<br />

When the picture L* as<br />

a» "Don't Oo Near the Water." supg<br />

subjects aren't needed and patrons<br />

mlM them, reporta Lowell Kaplan.<br />

Bcrger circuit buyer-booker "Don't Go Near<br />

IIm Water" u runnlnc now at Berber's Oo-<br />

^bar wltlxmt shorts and doing a smash busl-<br />

MM and there are no complaints from custooMn.<br />

Of coune. Kaplan points out, tba<br />

katore picture must also be long enough to<br />

live customers their regular money's worth.<br />

MIAMI<br />

•piir .Miami, Curlb and Miracle theatres Invhulrd<br />

11<br />

"Imnd-wrltten" messiige In their<br />

iul> oil 'Hir Rn-my Below." The mr.vMkge<br />

rt.i.s doMKiicd to attract feminine Interest<br />

m a picture which ubviou.My is a mnn'.s film<br />

"How many limes." read the ad. "has the<br />

man in your life taken you to a movie uf<br />

your choice because he thought you would<br />

enjoy It even thouKh it was perhaps too<br />

'iiiu.shy' to .suit hlni? NOW! Here's one he<br />

will want very much to st-e. so why not Invite<br />

hiin to see It with you? (Actually, Honey,<br />

you'll love It too""<br />

Walter Winrhell called Chief Barker Luther<br />

Evans from California to .say that he<br />

would accept the bid to be emcee here Thursday<br />

'6' at the club's annual "Show of Shows."<br />

WInchell .said he Is looking forward to working<br />

with the areas top entertainers on making<br />

this year's show one to be remembered.<br />

The event is .scheduled for the Miami Beach<br />

auditorium Summy Wal.sh. the producer,<br />

said that participating stars will Include<br />

some of the biggest names In night club, television<br />

and radio entertainment. These names<br />

are soon to be relea.sed. The Mai Malkln orchestra,<br />

directed by Les Rohde. music director<br />

for so many years at the Olympla. will furnish<br />

the music. Tickets are to be placed on<br />

sale in strategic spots In the area.<br />

.\mold Schulman. former Miami Beach<br />

"<br />

schoolboy, whase "Wild Is the Wind hoi become<br />

the highly successful vehicle for Anna<br />

Magiiani. has taken over Joan Crawford's<br />

Sutton Place penthouse but will be back in<br />

town in March to meet Frank Sinatra for<br />

whom he Ls writing a script . print<br />

of "Farewell to .\rms." expected to be shown<br />

to the TOA convention at the Americana<br />

Hotel several weeks ago. never arrived. Nor<br />

did Ernest Hemingway, who was expected to<br />

come to Miami from Cuba to see it. Not to<br />

disappoint Hemingway, however, a print was<br />

finally sent to Havana. The Olympla. Beach<br />

and Gables open the picture this week.<br />

Mitchell Wolfson has been among prominent<br />

Dade Count lans whose photos and<br />

printed opinions, for and against a controversial<br />

amendment .soon to come before voters,<br />

have been featured In local new.spapers.<br />

Wolfson was a memlier of the charter board<br />

which created a new metropolitan government<br />

charter Variety Children's Hospital<br />

has a (500 guarantee from Arthur Murray<br />

Studios here, as the minimum the hospiui<br />

will get from the Medal Ball February<br />

23 111 the Eden Roc.<br />

f limine of "AcroM the Everglades" will<br />

soon l)e completed. There have been a numlier<br />

of oddities connected with the making<br />

of the picture in Everglades City Latest concerns<br />

Ray Osmer. Pelican Key's .social hermit<br />

Osmer broke his vow never to work<br />

again and accepted a bit part In the film<br />

Further unexpected members of the cast<br />

were two loggerhead turtles hailing from<br />

the Miami Seaquarlum.<br />

MINNSAPOUS— "Search<br />

for<br />

the (oortb Qneruna production. wlQ open<br />

March 4 at the Century" where "Seven<br />

Wonders o( the World " will have chalked up<br />

83<br />

RESEARCH BUREAU<br />

for<br />

MODERN THEATRE PLANNERS<br />

fa<br />

ENROLLMENT FORM FOR FREE INFORMATION<br />

The MODERN THEA"rRE<br />

PLANNING INSTITUTE<br />

925 Van Brunt Blvd<br />

Kansas City 24. Mo.<br />

Gonllemen:<br />

2-3-58<br />

Please enroll us in your RESEARCH BUREAU<br />

10 recsive inlormatlon regularly, aa relaosed, on<br />

the lollowing subjeirls lor Theatre Planning:<br />

n Acoustics<br />

G Air Conditioning<br />

Architoctural Service<br />

n "Black" Lighting<br />

n Building Material<br />

n Carpels<br />

n Coin Macluoes<br />

Q Complete Remodeling<br />

Decorating<br />

n Drink Dispensers<br />

D Drive-In Equipment<br />

n Oiker Subjects<br />

Theatre<br />

Seating Capacity<br />

Address<br />

City<br />

Stats<br />

Si


C ALLAN MacNAMARA PofitatI by Fobion Bochtoch<br />

"IT'S AGAIN FASHIONABLE TO BE TIIRIFT\<br />

-<br />

and 69% of our Soo Line employees are<br />

saving regularly through the Payroll Savings Plan"<br />

"It's again fasliinnahlr to Ix' flirifty, and it is reassuring<br />

to nof


which<br />

PROBLEMS<br />

A/O DIFFERENCE IN<br />

AND THEATRES'<br />

OF DRIVE-INS<br />

TOA Speaker at Meeting<br />

Of Texas Airer Ass'n<br />

Gives Program<br />

;>\; ; \ Itie mxUi annual convenUon of<br />

„.L li \.i l>rivc-ln Th«ralrc Owners Assii ut<br />

the Baiter Hotel here lasl week concludetl<br />

with a buffel dinner, trand bail iind a Uireeact<br />

(kx>r show, with music by Earl Kay'A<br />

band, in the Royal room o( the Dnlla:. Athletic<br />

Clubk<br />

The 1K8 oftlcers were Introduced. Since<br />

the bo*rd of directors felt that "U you've<br />

got a good man, keep him." Eddie Joseph.<br />

Joseph Theatres. Au.stm. was re-elected president<br />

(or a third consecutive term; Tim Fer-<br />

(uson. Downs. Grand PnUrle. veteran lrea.surer<br />

of the organization, was named first<br />

Tice- president; R. A. "Skeef Noret. Skirue.<br />

LAmesa. second vice-president. Bob<br />

Davis. Perrln. Sherman, third vice-president;<br />

A. J. Valentine. Dusk. Georgetown, treasurer,<br />

and Johnny Pagan. Buena Vista, Borger,<br />

secretary.<br />

«M DELEG.\Ti;s ATTKNU<br />

"^~<br />

The conclave, attended by more than 400<br />

delegates, representmg .some 500 drlve-lns In<br />

Texas. Oklahoma. Arkansas and Lo ui siana,<br />

had an optimistic, "upbeat" trend through<br />

the t«x)-day sessions. Aside from the usual<br />

cautions against defecuons that affect the<br />

outdoor exhibitor, speakers In the mam were<br />

confident that m 1958 and future years the<br />

motion picture buslne.-is would be good—<br />

prorlded good product, and an even flow of<br />

Mmiae. was made available. Predominant<br />

among the many talks was the constant reminder<br />

that "teenagers are your livelihood<br />

keep them happy—they're your future audience."<br />

Dtsappointmg at Tuesday's luncheon was<br />

the absence of two main speakers scheduled<br />

for the session. Julius Gordon. National Al-<br />

presi-<br />

lied executive, and Emesl G StelllnR.s.<br />

dent of Theatre Owners of America. The laller's<br />

prepared address was given by George<br />

Roacoe. field representative for TOA.<br />

I IN UCK ALL PROBLE.MS<br />

Easenttally the general problems of the<br />

«trtT»-in theatre are the idenUcal problems of<br />

coftventional theatres. " Roocoe said 'What<br />

la gtwd (or conventional theatres is basica l l y<br />

good tor drlve-tns. We are all part of an<br />

indattry that has problems, plenty of them,<br />

but no problem exists that Intelligent, concerted,<br />

cooperative effort—by all facets of<br />

exhibition, distribution and productloo—<br />

cmni Uck."<br />

StcUlngs. In his prepared speech, contended<br />

that four b«alc problems face exhibition,<br />

drlve-tns and conventional theatres alike In<br />

UUs order < 1 > the orderly release of pictures<br />

to assure a regular flow of product to the<br />

screens. i2> prevention of further sale of<br />

pictures from Hollywood to television. iJ) an<br />

Integrated business-building, promotional and<br />

•dvcTtistng campaign to bring people back<br />

to theatres, and (4> all forms of pay Ulcrlskm.<br />

"AU other problems are small in conparl-<br />

(irrf-tlnc Trxa.H (ov. Price Daniel at the sixth annual Texas Drive-In Theatre<br />

Owners .\v.'n roinrnli.in In I).ill.i.s last week Is K. K. "Ked" Slocum. exrcutlvr dlrre drlve-lns At AIP our<br />

revenue is 40 per cent from drtve-lns now.<br />

Audiences are 70 per cent teenagers, so our<br />

'action pictures with a kick' will be l>eamed<br />

at that 70 per cent audience "<br />

Again reminding of the "Frankenstein" and<br />

Dracula" double-feature booking. Nicholson<br />

.said that "double features, once known as the<br />

death knell for exhibitors, now are the llXeblood<br />

for theatre owners."<br />

The morning .lession heard Har\-ey Poserl.<br />

»peaklng for Daniel J Edelman. public relations<br />

director. Theatre Screen Advertising<br />

Bureau of Chicago and New York PoMXt<br />

said 'The motion picture adverUsment producers<br />

and distributors have formed a new<br />

research and informational agency called the<br />

Theatre Screen Advertising Bureau. This<br />

bureau will publicize for the first time the<br />

advantages of theatre screen advertising as<br />

one of the major media, and will promote the<br />

use of theatre screen advertising as a national<br />

media to advertising agencies and their<br />

clients. Now our medium, your medium, will<br />

have Its own spokesmen at the top levcLs of<br />

the advertising world."<br />

The welcoming address to delegates was<br />

given by Gov Price Daniel, who termed the<br />

outdoor theatre owners an "Integral part of<br />

Texas industry."<br />

Gordon McLendon, president of McLendon<br />

Corp., Dallas, which operates four radio stations<br />

and Trl-State Theatres, told how radio<br />

spot plugs— with a fresh copy angle—delivered<br />

over hts local station. KUF, had t>rought<br />

hefty boxofflce results at his suburban Casa<br />

Linda, a 900-seat hardtop. He cited the reruns<br />

that brought more p>atrons than "when<br />

they died a slow death In their first runs at<br />

our house"—Citizen Kane, The Snows of<br />

Kilimanjaro. Bad Day at Black Rock. Twelve<br />

O'clock High. Twelve Angry Men and King<br />

Solomon's Mines.<br />

"We ended 1957 with 'Mines' and broke the<br />

bank, as well as our previous record from<br />

Citizen Kane.'" he said<br />

"Some of you will t>e Interested to toUow<br />

the results of a new experiment at our Casa<br />

Linda Theatre, beginning February 3 R*-<br />

meml)er a western 'Streets of Laredo'T We<br />

have an announcement<br />

i was played'<br />

Thu Is an example of the technique of 'Imagery<br />

transfer' which we have developed. Our<br />

copy demands the creation of a plcturv In<br />

listeners' minds- Imagery Iraxufer, If you<br />

will No picture that can be put on a television<br />

screen, no advertisement In a newspaper<br />

can paint a picture as vivid as the picture<br />

that the human Imagination can paint upon<br />

'Continued on following page><br />

BOXOmCE Fet>ruar7 3. ISM SW-1


^m<br />

Problems the Same<br />

For Airers, Theatres<br />

(Continued trom preceding pu«ei<br />

the human mind. Often, the picture created<br />

In the li.steners' minds by the announcements<br />

are exaKgeraled pictures— but they are created<br />

by the listener himself and thus are apt<br />

to be far more provocative of attendance<br />

than any trailer showing direct scenes. Other<br />

imagery transfer spots seek to induce moods,<br />

rather than pictures.<br />

"I would not seek to tell you here that<br />

radio represents a panacea for the ills of<br />

the theatre But I will tell you that in your<br />

average metropolitan city, only 66 per cent<br />

of the homes subscribe to any daily newspaper.<br />

That means that If you use newspaper<br />

alone. >-ou automatically miss 34 per<br />

cent of the homes, because they don't even<br />

take a newspaper. Yet over 95 per cent of<br />

these homes have radio. No. radio is not the<br />

whole answer. But It Is a part of the answer<br />

—these fantastic possibilities still Inherent<br />

for us In tlie dark and uncharted seas of the<br />

human imagination."<br />

To Use 'News of<br />

Day' Facilities<br />

.According to a recent agre«'ment Universal-<br />

International News will utilize the worldwide<br />

news gathering facilities of "News of<br />

the Day."<br />

SEIVIN6 SOUTHWEST TEXAS<br />

COMPUTE CONCESSION<br />

SUPPLIU AND EQUIPMENT<br />

Call on Us Anytimt— for Anything!<br />

ALAMO CONCESSION SUPPLY COMPANY<br />

IRV. CONN, M*r.<br />

44* W. Mwtfci St. • S«ii An»onl«, T«i.<br />

THANKS TO UKIVE-IN .VSSN<br />

To the Members of the<br />

Texas Drive-In Theatre Owners Ass'n;<br />

My sincere thuiks and appreciation lor<br />

the recognition shown me during your January<br />

meeting. Tlie plaque Is beautiful and<br />

the sentiment attached made me feel so<br />

proud to be a part of an industry that gives<br />

so much to so many for so little.<br />

AgaUi I thank you, and success and happiness<br />

to all.<br />

LEROY BICKEL<br />

Branch Manager (Retired),<br />

Metro-Goldwyn-Mayer Pictures<br />

Dallas, Tex<br />

Spike Thrower at Airer<br />

Given Jail Sentence<br />

DALLAS — Joseph B. Parnell was sentenced<br />

to six months In Jail when he peaded<br />

guilty In misdemeanor court here Monday<br />

1 27 1 to a charge of throwing spikes on the<br />

parking area of the Linda Kay Drive-In at<br />

Kleberg last August. Judge Dean Gauldin<br />

.sentenced Parnell, 40, who earlier had been<br />

convicted by a jury and assessed a two-year<br />

jail term and a $2,000 fine. The judge granted<br />

Parnell a new trial because of alleged "hearsay"<br />

state testimony. The unexpected guilty<br />

plea negated the scheduled second trial.<br />

Parnell and his wife also pleaded guilty in<br />

criminal district court to felony charges ot<br />

malicious mischief in connection with the<br />

spike-throwing at the drive-in. The husband<br />

received a two-year suspended sentence and<br />

his wife was given a two-year probated term<br />

by Judge Henry King. Testimony showed that<br />

S70 damage had been done to car tires which<br />

ran over the sharp spikes.<br />

Frank Gille.spie. the dnve-in owner, testified<br />

In the misdemeanor trial that the spikes<br />

were thrown after he refused to hire a union<br />

projectionist.<br />

L. J. Duncan Receives<br />

Cable Theatre Okay<br />

WEST POINT. GA.—L. J. Duncan, operator<br />

of the Al-Dun Amusement Co. here, will<br />

be able to operate clo.'ed circuit television,<br />

or home theatre television, for 30 years here<br />

by virtue of a special ordinance passed last<br />

week in a called .session of the city council.<br />

The ordinance l.s almost identical with a<br />

simiUar document pa.ssed recently by the<br />

Lanett council.<br />

Duncan now is forming a corporation to<br />

^el up the local communications operation,<br />

and he said detalLs will be announced later.<br />

Spec.fically. the ordinance gives Duncan<br />

authority to operate an electronic home theatre<br />

and a closed circuit .system for the purpose<br />

of receiving and transmitting by means<br />

of a coaxial cable, television broadcasts and<br />

other electronic communications of pictures,<br />

sound and other signals to television and<br />

other receiving sets of subscribers to its<br />

services.<br />

Initial plans. Duncan said, call for sub-<br />

.scrlptlons to a service that will deliver programs<br />

over three or four channels by means<br />

of a cable. He said the corporation will lay<br />

the cable and make the installations in the<br />

Individual homes.<br />

Southwest Appearances<br />

Set for Clint Walker<br />

NEW YORK cum Walker, star of<br />

Warner Bros.' "Fort Dobbs." Is assisting a<br />

50-theatre Texas and Oklahoma saturation<br />

opening with an extended personal appearance<br />

tour of the two states. He will be mtroduced<br />

to theatre audiences by local ABC-TV<br />

commentators. He has built up a following<br />

by starring in the Cheyenne series produced<br />

for television by WB.<br />

Walker was at the Aztec In San Antonio<br />

Wednesday i29i and, on successive days, the<br />

Metropolitan. Houston; Majestic, Dallas, and<br />

Worth. Fort Worth.<br />

How SEAL-A PATCH TAPE can save you<br />

$300 to $800 a year on seat repairs<br />

PhotM obo»e ihow octuol restoration of theatre seots with SEAL A PATCH TAPE— the<br />

Miracle Scat Reirorer' "A ititch in time saves nine" SEAL A-PATCH TAPE mends seats<br />

quickly, easily Anyone around your theatre con do the |ob<br />

SEAL A PATCH TAPE is cosy to use— if takes only I'j to 4 minutes to repair os a rule<br />

What's more, seat con be mended up to 50 times and repairing never be noticed by customers.<br />

SEALA PATCH TAPE— is guaranteed to please or money back.<br />

Scot cover installed costs about J2 Repair with SEAL A PATCH TAPE costs only about<br />

3 to 7 cents' And some thorough job as in photos can be done in your theatre<br />

A bod seat it o poor advertisement. Think it over!<br />

Check with your Supply House— they will show you how to do it We have<br />

dealer in every supply center in the USA<br />

63 Per Cent of Canadians<br />

Have TV Sets in Homes<br />

ori.^'AA A liaMTimunt tnidc ii'port<br />

shows th.i- I'.j ,<br />

; I cent of the 4.055.000 hou.seholds<br />

In Uif tounlry had television receiving<br />

sets in 1957. compared with 54 per cent the<br />

previous year.<br />

The statement said that the largest proportion.<br />

70 per cent, was found In the provinces<br />

of Ontario and Quebec, followed by Nova<br />

Sootla with 60 per cent and BrltLsh Colun.'<br />

aO per cent. Radio sets were in use In 96 ;<br />

cent of all households In Canada.<br />

Dogs Day at Criterion<br />

OKLAHOMA CITY- It was dogs day—<br />

Saturday ili at the Criterion Theatre. The<br />

occasion was a special showing of "Old Yeller."<br />

a story about a Texas pioneer family<br />

luid » big yeller stray dog. At 10 am., the<br />

Uieatre opened Its doors to dogs ana their<br />

owners to see a preview of the film. Manager<br />

tVin Walls antlripatod ii howling success.<br />

SPROCKETS GROUND TO FOX HOLE S? 00 EACH • EXPERT SIMPLEX PROJECTOR REPAIRS • SAVE MONEY •<br />

SHIP DIRECT TO • LOU WALTERS REPAIR SERVICE-8548 SAN FERNANDO. DALLAS TEXAS. DAVIS 10341<br />

SW.2 BOXOmCE :: Februar>' 3. 1958


DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />

DOUBLE SPECTACLE-TERROR!<br />

FABULOUS! FANTASTIC! TERRIFYING!<br />

CONTACT YOUR<br />

7tts/ina£La/ial EXCHANGE<br />

EMPIRE<br />

PICTURES<br />

101 ODONNfLL<br />

DON ORIERSON<br />

20n JockuM StTMt OAILAS I. TEXAS<br />

SCREEN GUILD PRODUCTIONS<br />

LOIS SCOTT<br />

H E McKENNA<br />

7M Wnt Grand Atmm OKLAHOMA CITY 2. OKLA


. The<br />

DALLAS<br />

TViTrl Turmr, Texas representative for Orange-<br />

Crush. Ls offering to donate hus time to<br />

exhibitors to show Improved merchnndlslng<br />

of concession Items His ser^•lce Is designed<br />

to gain more profit from the snack bar. regardless<br />

of the sale of his product or not.<br />

Turner previously was with the Walgreen<br />

Drug Co for a number of years where he was<br />

taught better merchandising. For this gratis<br />

.service he can be reached here through Dan<br />

O Lawson of A.vsoclated Poixrom<br />

BUI Sarirrnt has been appointed manager<br />

of the Ed Bowen and Ted Lewis Cinderella<br />

Drive-In Dollar a carload nights are featured<br />

each Tuesday and Wednesday. The<br />

car capacity Is 950-speakers with a 50x100-<br />

foot screen . South Loop Drlve-In<br />

held over "Pal Joey" for a slx-nlght run,<br />

paired with "Beyond Mombasa," according<br />

to Manager Rex O. Hudson.<br />

. . . didn't run<br />

Jark Gordon, amusements columnist for<br />

the Port Worth Press, covered the special<br />

screening of Buena Vista's "Old Yeller" at<br />

Interstates Seventh Street Theatre for 30<br />

dogs and observed that they "were better behaved<br />

up<br />

thaii most children<br />

and down the aisles or hog the water fountain."<br />

Gordon continued with a bit of encouragement<br />

for the human race. He reported<br />

the dogs did not buy popcorn during<br />

the .showing, ".so dogs will never be as welcome<br />

In theatres as kids." The feature<br />

opened at the Worth.<br />

H. S. "Mutt" McMurry is now running his


. For<br />

added<br />

Nutmeg Showmen<br />

LOOK, MA, NO COMMERCIALS!<br />

Look for Better '58<br />

Nt:W llAVtN n!U'itUU! ^I\o^^llll•^l<br />

bkrkliiK in rnthu.iln.tm<br />

Evrn A cuMial prrutiO of t)ir statr'j<br />

30 doily nr*si>«i>rr» kIvcs the Intcrrslrd<br />

kwkrr > Rood cruAS-.srctlon of prrdoiiilnnnt<br />

(r«llt>s on both thr circuit and indciH-ndrnt<br />

level in lamr. nictropolllan centers,<br />

Hartrord. New Haven and Brld«rport.<br />

In thr Mnallrr >ttuatlons. such as<br />

Tttrrtnatton and MIddlctown.<br />

In the forefront of any dl.tcu.vilon<br />

field L* Fnuik Ferituson. promotion<br />

Batlry Theatres. .suburtMui New Haven<br />

cuit He telU BOXOFTICE that with<br />

tinued faith and confidence In the<br />

mperiority of the motion picture, nil<br />

viU reflect Increased grosses and<br />

morale over 19Sa<br />

The PrrKU-son statement u roundly<br />

onded by such enterpristiiK executives<br />

MUte Adomo. assL^tant fteneral manager,<br />

HAD Theatres. Mlddletown: Ernie<br />

operator of the State. Torrlngton;<br />

Samuel Safenovltz. new owner of<br />

Theatre. Norwich; Milton LeRoy, Blue<br />

Drive-In Theatre Corp. and Mike<br />

Hartford Operating Co.. Hartford.<br />

All contend that the industry l-;<br />

promuing future, given the proper merchandise<br />

and accompanying promotion.<br />

Ferjmson. advertLsing the British<br />

-IJoctor at Sea." at the Whitney<br />

Bacd this enticing copy: "No doubt about<br />

The devU Invented Brigltte Bardot.<br />

naughty but nice and so full of spice<br />

•howtng her twice at 8:10 and 12:10!"<br />

POT Miss Bardofs "And God<br />

Woman." playing the Lincoln here.<br />

Sampaon. Robert Spodick and Norman<br />

of the burgeoning Nu'.meg Theatre<br />

ran the lines. "If you haven t seen And<br />

Created Woman.' then, you haven't<br />

Brtcllte Bardot!"<br />

MUs Bardot's attractions have t>een<br />

ing up astounding attendance records.<br />

Boris Morros Spy Story<br />

To Be Columbia Release<br />

Srw YORK Columbia Pictures<br />

bought the motion picture and television<br />

rtfhu to the espionage experiences<br />

Morros. producer and musical director.<br />

de Rochemont will produce the picture<br />

DMU- future Morroa vUI be technical<br />

and conmltant<br />

Newspapers and Look macazlne have<br />

lished the story of Morros' adventures<br />

and counterspy Viking Press will<br />

It m book form April 1 The UUe of "Spy<br />

Counterspy" has been tenUUveljr set<br />

book and film<br />

De Rochemont Is comipletlng the<br />

Clnemlrade picture. "Clnexnlrmc'.e Adventure<br />

Ht wUl make a second In the proces*<br />

'^^pittln* the Morrof film. He ha*<br />

' a number of film* dealing with<br />

CohunbU and de Rochemoot<br />

— --^ouiy asaocUted In the production<br />

button of -Walk Ea.it on Beaoon"<br />

> ar Whittle u Batoo Fall* " Here's Reason for Return to<br />

After Novelty of TV Wears Off!<br />

WACO -Oyiiter Quill. amusementK editor movtea.<br />

of the Tribune- Hrriild here, sums up an attitude<br />

which many people are beginning to fort and watch pictures<br />

There, nt least. I sit In<br />

feel toward television, and which theutrfmen Tlie best my home set can<br />

hope will become the dominant public reaction,<br />

with the.He words, "For .screen enter-<br />

mobility, restrlct-s its use<br />

a size that robs the television<br />

tainment, make mine movies."<br />

ium .shots Or. I sliould<br />

Under a two-column head. "Look. Ma. No for the boys will still try<br />

Commercials Screen Treats, Make the pan shot. wlUi dl«>ustrous<br />

Mine Movies." Quill wrote In a recent Sunday<br />

Issue:<br />

ing! Not to say repetitive,<br />

And the commercials:<br />

• • •<br />

few clever ones lo.se their<br />

You leave your chair to cross the room and rounds. And. what Is worse,<br />

adjust the controls or change channels<br />

every few mlnute.s with<br />

The doorbell rings—someone is wanting story continuity or mood.<br />

someone at the same house number on another<br />

street.<br />

Mickey Mou.se Club, you<br />

And, nowadays. If you<br />

A plane overhead muffles the sound and tube rest There are exceptions,<br />

causes the picture to wave like Old Glory. and -some of them notable.<br />

The telephone rings Wrong number? What Shakespeare I saw the<br />

consolation Ls that?<br />

"Twelfth Nlght"--reduced<br />

The picture goes haywire The crazy mirror half (all the sp>onsor would<br />

In the carnival's Fun Hou.se can do It better. admittedly considerable)<br />

"We have temporarily lost the audio portion<br />

of the program. Please stand by"—and ing similarity: sponsor control<br />

And there are admitted<br />

watch the Jaws flap soundlessly. This never trol or. Just as bad, the<br />

happens during the commercial.<br />

stories with stock characters,<br />

The local announcer cuts in to warn of a easy cinematic situations<br />

tornado In .southwestern Arkansas.<br />

Ingredients of any vast<br />

Volume too high for dad. too low for lad. tory I but multiplied, on<br />

Mother wants Playhouse 90 at 8:30. Junior hour I : and reduction of<br />

wants Tennessee E:mle at 8:30. Dad wants to copy boys—by the advertising<br />

quiet, especially at 8:30.<br />

rector, producer and actor<br />

Honestly, now Isn't that television In your by the studio office or<br />

home?<br />

In films.<br />

Sure. I'm among the millions grateful for But we're not likely<br />

television. Ftor topical broadcasts, ball games 'Around the World In<br />

or a President addressing Congre.ss. It's tops. Peace," "Ten Commandments"<br />

But for screen entertainment, make mine fo mention only a ver\-<br />

You're Missinff A Beaui'^Ii<br />

'.<br />

you haven Swingfog to the job faster, better<br />

'..•cur Insect Fighting Equipment. economically any<br />

yVhy' Because Swingfog, the only drive-in, it will be<br />

Portable Pulse Jet Fogger and to control mosquitoes,<br />

Sprayer available, can help you out nr.d m:tes. wasps and<br />

of the toughest control problems Swingiog in concession<br />

you've ever faced Swingfog will do areas<br />

SWINGFOG<br />

Succtuiulh ut»d by Drirt Ini<br />

itinughout<br />

tht couirtry.<br />

^czi<br />

For information contact thiie dittrlbutort:<br />

Tila Sal*i Company. Wh»atoiv. 111.<br />

Rciaaich Product*. Koniaa City. Mo.<br />

Van Wan Fog Equipcntnl & Supply.<br />

Portland. Or*.<br />

E. S. Browning Co.. San<br />

Fog. Incorporated. WyckoH. N. Horlnoy Spray Corp..<br />

I.<br />

Southarn Mill Cr**k Product*. Tampa. Honry Slainor. McAlUn.<br />

Fla.<br />

Tho Fog-Air Compony.<br />

Theatre<br />

unlnterniptetl com-<br />

that have dimension.<br />

offer Is 21 Inchea,<br />

camera of tla<br />

to rloseupK or med-<br />

say. Its effective uae.<br />

the long .shot and<br />

visual results<br />

Insipid, regurgitat-<br />

.so that even the<br />

punch after a few<br />

thrown at you<br />

arrogant disregard of<br />

don't like westerns or<br />

might as well let the<br />

to be sure,<br />

But don't cite<br />

most recent one,<br />

to on hour and a<br />

go for, which is<br />

and to absurdity.<br />

areas of distress-<br />

and code con-<br />

fast-buck approach:<br />

formula plots,<br />

and the predictable<br />

entertainment fac-<br />

television, every half<br />

serious script writers<br />

agency, di-<br />

in television and<br />

the New York office<br />

to see things like<br />

Days," "War and<br />

and "Giant,"<br />

few. on television.<br />

and more<br />

time. At your<br />

simple for you<br />

flies, midges<br />

bees using<br />

or parking<br />

Prondaco. Colli.<br />

Dodham. Mass.<br />

Tax.<br />

N«w York. N. Y.<br />

iirrll t<br />

niujor<br />

on-<br />

such us<br />

and<br />

Norwich.<br />

In thl.s<br />

chief of<br />

cir-<br />

con-<br />

artistic<br />

theatre.s<br />

better<br />

sec-<br />

as<br />

Orecula.<br />

Atty.<br />

the Yale<br />

Hills<br />

Alperln.<br />

facing a<br />

Import.<br />

here.<br />

It!<br />

Shes<br />

were<br />

Created<br />

Leonard<br />

Blalek<br />

80<br />

circuit.<br />

Ood<br />

seen<br />

chalk-<br />

haa<br />

of Boris<br />

LouLt<br />

In the<br />

advlaor<br />

pub-<br />

as spy<br />

publLih<br />

and<br />

for both<br />

first<br />

"<br />

after<br />

already<br />

F^I<br />

were<br />

and<br />

and<br />

Robert Aldrlchs film. 'The Extra Edge" a<br />

Chlted Artists' rele»»e. wUl be fllme»1<br />

principally m Berlin.<br />

BUFFALO COOLING EQUIPMENT<br />

iiCr* 0«k Lawi toon lo: BUFFALO ENGINEEfiING CO.. INC Dallot T«iot<br />

BOXOFnCE February 3 ig6«<br />

SW 5


OKLAHOMA CITY<br />

pmployrs of RKO when that exchange was<br />

dosed some time b«o have all secured<br />

employment elsewhere. Ralph B. Williams,<br />

former manager Ls selling real esate here<br />

and doing very well. Dan Snider, office manager,<br />

now has the same position here with<br />

U-I under Chos. Hudgen.s. exchange manager,<br />

and geus out In the territory at times.<br />

Chester Blakely. former RKO salesman is<br />

operating a dnve-ln for Charles Welsenberg<br />

In Wichita Palls. Tex. Paul Fielding, salesman.<br />

Is with KILT in Houston as an advertising<br />

.salesman. This station Is owned by<br />

Gordon "The Old Scotchman" McClendon of<br />

Dailas and is managed by Bill Weaver, son<br />

of C. H. "Buck" Weaver, Paramount manager<br />

here. Fielding L-; doing very well for<br />

himself In a new field. He was with RKO<br />

YOUR COMPLETE<br />

EQUIPMENT HOUSE<br />

CENTURY<br />

DEALER<br />

SUPPLIES<br />

EQUIPMENT<br />

CONCESSION<br />

SUPPLIES<br />

FULLY EQUIPPED<br />

REPAIR DEPARTMENT<br />

OKLAHOMA THEATRE SUPPLY CO<br />

628 Wc^f Grand Ave Telephone: RE 6-8691<br />

Oktohoma City 2, Okla.<br />

FAST SERVICE !<br />

SEATS<br />

REBUILT<br />

REPAIRED, RECOVERED<br />

No Job Too Large or Too Small<br />

Sliillcd, dependable croMsmonjhip Widest<br />

choice of fabrics, colors. Rofes surprisingly<br />

reasonable<br />

EAKER THEATRE SEAT SERVICE<br />

Okla Clry 11, Ohio<br />

PO Boi *3JS Pho CA 7-36t3<br />

SETTER QUALITY SOUND REPRODUCTION-,<br />

• Tc»t Loopa for chfcttnq lound I cm foof r,t 'jOCiOfy o* Molion Picf<br />

• Spociol pric»i on vocuum lubot.<br />

WESLEY TROUT<br />

P O BOX >7S, INID, OKLAHOMA<br />

and Its<br />

predeces.sors for many years and lived<br />

m Gulhne He recently .sold his home In<br />

Guthrie and bought a new one In Houston.<br />

Katherine Clark, former RKO booker is now<br />

a.'-sistant booker for Paramount. Molly Snell.<br />

RKO cashier, is with the Morrison Investment<br />

Co.. here and likes her new work very<br />

much. Rose Lee. stenographer. Is with United<br />

Artists In the same capacity. When Oklahoma<br />

City Shipping and Inspection Bureau,<br />

operated by Bet Balrd. took over the shipping<br />

for RKO. It absorbed most of the employes<br />

In the .shipping and In.spectlon rooms.<br />

Ct. K. Crumplor. Gentry and 69 Drlve-In<br />

thcares. Checotah. made a flying trip here<br />

Thursday i23i. Dick, as he is better known<br />

by the industry, met with officials of the<br />

Oklahoma City Chamber of Commerce, In<br />

reference to water resources in Oklahoma.<br />

He is past president of the Eufaula Dam<br />

Ass'n and chairman of the board of directors,<br />

director of the Mississippi Valley Water Ass'n<br />

and also director of the Arkansas Basin A.ss'n.<br />

He has been active In helping on the Eufaula<br />

dam, which is to be built on the Canadian<br />

river near Checotah. Crumpler recently made<br />

a trip to Washington, D. C, and his committee<br />

was instrumental in getting $50,000 for<br />

preliminary work on this dam.<br />

Mrs. L. A. Newcomb. who operates the<br />

Lakeside Theatre, has been recuperating in<br />

St. Anthony's Hospital with an injured back<br />

which she received in a fall in October<br />

However, .she was due to go home Wednesday<br />

'29i. her husband. Dr. Newcomb. told us. A<br />

picture of her in her hospital room appeared<br />

m the Daily Oklahoman Sunday i26i. She<br />

.


. of<br />

Blind Picture Fan Likes<br />

Westerns, Love Stories<br />

MIAMI — Woineli-o utiiiiU.s .sUilltlcv. persons<br />

Uff to ttU theatr«,s. lUid thoreforr Kuby<br />

: caA>ilrr i»t the Eiaex. retumcd thr nd-<br />

;on money to David C Hun.t. who hud<br />

:.


We took a tip<br />

from a typist<br />

The question came up at a Heads-of-Departments<br />

meeting. Production told<br />

Personnel<br />

that his new typist asked that a<br />

portion of her salar\' be set aside for U. S.<br />

Savings Bonds. Could it be arranged?<br />

How<br />

This one question posed another:<br />

many more employees, like the typist,<br />

would like to buy Savings Bonds automatically<br />

through Payroll Sa\ings, yet,<br />

were not aware that we've had a Plan for<br />

years?<br />

Finding out was simple.<br />

A phone call brought the assistance of<br />

our State Sa\ings Bond Director.<br />

He<br />

hclptcl plan a company-wide campaign,<br />

and pro\ idt'd all the materials to inform<br />

our people about tiie advantages of U. S.<br />

Savings Bonds. Everyone receix ed an application<br />

card.<br />

The upshot? Employee participation<br />

shot up to the highest percentage since<br />

the mid-Forties, .\n^.\<br />

was conducted in<br />

never interrupted.<br />

the whole program<br />

good order. Work w.is<br />

Toda\' there are more Payroll savers<br />

than e\er before in peace time. Look up<br />

your State Director in the phone book or<br />

write: Savings Bonds Di\ision. V. S.<br />

Treasur)' Dept., Wiushington, D. C<br />

ifc<br />

B O X O F F I C<br />

E<br />

tM » J co«».iiiNT Dou NOT m roi iHij Ao««iiHiiui. m riutuii nn»:m "' '"*•*» '" ""'* '*'"•"»•• "« ^w""""' ««»«' »" '« •«*«• *"«•<br />

SW-8 BOXOmCE<br />

;<br />

:<br />

Februao-<br />

3. !>*«


WISCONSIN ALLIED SPARKS<br />

BUSINESS-BUILDER DRIVE<br />

200 Exhibitors Exchange<br />

Showmanship Ideas at<br />

Milwaukee Rally<br />

IfCLWAUKEE—Some 200 exhibitors, repro-<br />

Mntu>4( pmcueally every s«.>cUon of Wlsconttn.<br />

aUended one of the most successful buslncoa-buUder<br />

ruJlles ever conducted in this<br />

are«. It waa the first mectuiK ol its type<br />

ipofLsored by AiUed of Wlscoiusin. and wus<br />

held Tuesday i21>. at the Hotel Pflster here<br />

Ben Marcus, who heads the circuit bearing<br />

his name, spearheaded the conference.<br />

•nd kept Ihlngs movUig. "I want to welcome<br />

you exhibitors, and In particular, those of<br />

you wbo came such long distances In UiLs<br />

raging snowstorm." he said "I detect a note<br />

of pessimism and. perhaps, not without a certain<br />

amount of reason. But, I want to tell<br />

you here and now. that as an exhibitor for<br />

the past 33 years, and a large chain to guide,<br />

my circuit Is not for sale! And I'll accept no<br />

offer from anyone. t>ecause I anticipate a<br />

great future In the motion picture business.<br />

CITES T\'<br />

PAGE AD<br />

"Yes, we have our problems: tas he held<br />

aloft a fuU-page TV staUon WXIX ad ballyboolng<br />

the large number of feature films to<br />

be offered the public > can you all see it?<br />

"Now. that's downright misleading. According<br />

to thLs. It gives the public the Impression<br />

that they are going to see practically<br />

every feature film on their channel<br />

shnrtly after the producers release the prod-<br />

You will note. too. that In this Ust of<br />

.^ they are going to give the public for<br />

free, are some of the same stars you are<br />

right now plugging at your theatres. So. it<br />

means you are competing against yourself!<br />

"Look! If the Boston Store here puts on a<br />

nle of men's suits priced at $26. and a little<br />

further down the street, Gimk>els came out<br />

with a similar line, perhaps a Utile shopworn<br />

or something, at about one-third the price.<br />

you can imagine what would happen.<br />

"Naturally, we anticipated some difficulty<br />

with TV. but when the producer made the<br />

fatal mistake of turning those mo\'les over<br />

to TV for free public consumption, that, was<br />

the last straw<br />

CA.VT RIDE IWt) HORSES<br />

"Thm it no question about it. TV has hurt<br />

Vi. True, It hasn't knocked us out. but It's<br />

|o( us reeling around trying to find wajrs and<br />

means to help ourselves. So, what can we do<br />

aiMut It? Well, we can register complaints.<br />

and hope that the producer will iLiten But I<br />

know for a fact, that they can't have their<br />

cake, and eat it. too. Tliey Just can't sell to<br />

TV and the exhibitor, tool"<br />

Marcus then quoted Juliu. Srttrlr. I'ul.isiti .ind Srvmiiur; Dan Dallrv. Viking, .^pplrlon: II. L.<br />

Stolzman. Kivrr K.ilLs. Sl.iiidini;: Don Dr.ikin. Wisconsin DrILs: (ieorcr .Andrews,<br />

Colonial. .Milwaukrr; Hen >lari u>. Marrus Ihralrcs. .'Milwaukrr; Evelyn (lulenbrrj,<br />

.. (1. Krinliart. .\li:onia: Sijt (ioldtxTK. Ilollyuood. WauKau:<br />

Vem Bover. N'ernah; Kudv Koutnik. lliKliHa> l.'> Ilrive-Iii; Hud Owen. VIr, (ireen<br />

Bay: Tom Watson. Blanrh.irdvillr; Kd .Mo.vle. .Marshfirld; Harold Pear>on, rxrrutivr<br />

.secret;u-.v, .Mlird. .'Mlluaukre, and rear, riichl: John .\dlrr. .\dlrr circuit, .Marshflrld.<br />

if, during this period, it is found that they<br />

have to sell to TV, perhaps a more equitable<br />

setup can be developed, and you can advertise<br />

that no film you are playing will be<br />

shown on TV for at least seven years.<br />

"Our boxoffices can still get ten times the<br />

amount from a reissue that a producer can<br />

get out of a TV station, and unless we can<br />

make these producers understand, and get<br />

on with .


and<br />

. . Read<br />

. . you<br />

. . Punch<br />

. the<br />

. but<br />

Allied Sparks Business-Builders<br />

1 Continued troni prfci-duii; putii'<br />

>'ourseIf. to operat* an up to datr thi-iitri'<br />

•Prople today, come Into a theatre wiUi a<br />

chip on thpir .Oioulder "nn-y practically dare<br />

you to RO ahead and entertain iheni And<br />

that Roes (or the picture as well a* the house<br />

Itself It reminds me of u small theatre I<br />

took over upstate a short time a«o The<br />

town people called me and asked me to look<br />

It<br />

over.<br />

"One look at that house." he sighed, "was<br />

enough to turn me away In disgust. The<br />

people who ran that theatre, dldnt deserve<br />

to make any money. Of course, It was all<br />

shuttered up. but the doors alone were<br />

enough to turn anyone away. Well, anyway<br />

I changed the marquee, replaced the doors<br />

I had a couple from another theatre still In<br />

first class condition > made a number of<br />

other changes. Todry. that theatre is paying<br />

off .. . not much, but It will come out<br />

all<br />

right as time goes on.<br />

TOO MUCH PESSIMISM<br />

"And this Is about as good an opportunity<br />

as any. to pass on a few remarks regarding<br />

pessimism. Too many of you are going around<br />

spreading the gospel of gloom. I say it's all<br />

WTong. Naturally, we can discuss our problems<br />

amongst ourselves, but let's not be carried<br />

away by having our employes kick it<br />

around with other people. When you tell<br />

other folk how bad your business is. they immediately<br />

get the idea that the theatre is<br />

not the place to go.<br />

"Talk prosperity, and do something to<br />

prove It. The fact that 'The Ten Commandments'<br />

is still packing em In, proves that<br />

there Is a lot of good business to be<br />

had. Look, If I say I'll come into your theatre<br />

and give you one good Idea, and you<br />

agree to come Into one of my theatres with<br />

a good Idea for me, I believe we are going to<br />

get somewhere. We've got enough big men<br />

here today, who are going to come up with<br />

some big ideas. That's what we're here for<br />

... an exchange of ideas. So. without further<br />

ado. let's start with Harry Mintz, an<br />

official of Stanley Warners.<br />

DECEMBER A<br />

GOOD MONTH<br />

Mlntz— "Marcus said December was a good<br />

month for hLs circuit, and so It was for ours<br />

as well, proving there Ls business to be had<br />

. . . Are you sufficiently interested in the type<br />

of cashier you have In that boxoffice? And<br />

how she greets the patron? Let us say you<br />

knew that Mr. Marcus was coming to your<br />

towTi. and you invited him to dinner Why.<br />

you'd go to the extremes to make certain that<br />

hl5 vLsit was a plea-sant one.<br />

"But, you go to a theatre, and what do you<br />

see at .some of the boxofflces? One might be<br />

paring her nails; another can be .seen reading<br />

one of her favorite novels, and the greet-<br />

.<br />

. they're getting<br />

ing. If any. Is one of boredom personified.<br />

I say they should be educated Then, you<br />

come to the doorman. Perhaps his uniform<br />

is worn and unprcs.sed. maybe even a size or<br />

two too large for him. The u.shers fall in the<br />

same categoo' But, how many of them make<br />

no attempt to show a patron to his seat<br />

They're your guests! Why not treat them<br />

iirrordingiy?<br />

Perhaps a« you enter the theatre you find<br />

It too stuffy It meanji the Janitor needs a<br />

bit of prodding the trade p«peni<br />

thlUKB are looking up<br />

b«Jfer"<br />

T:aiecky, vice-president of the I, F.<br />

.11 WBA then called on. "Like MlnU<br />

.suid. unii-.vs you tiave the cooperutioii of the<br />

projectionist, for fxample. you can't expect<br />

a good picture," Janecky asserted. "We've got<br />

to get back to the little details, if we are to<br />

remain in the theatre business.<br />

"Several of our managers are bringing in<br />

.some mighty fine rentals ... to unions, food<br />

stores, numeroas merchants and industrial<br />

firms. That's all 'found money" and always<br />

welcome.<br />

"And we've Ijeen having very good .success<br />

witJi our spook shows. One of our managers<br />

had a casket in his lobby . had to pull<br />

back the drapes to .see It but you got a .scare<br />

when you looked, for he had a dummy<br />

sitting up In that coffin that made you step<br />

back In awe for the moment. It's that type<br />

of showmanship that keeps 'em coming.<br />

Sometimes we tie It in with a giveaway ticket<br />

. . . the ticket plus 25 cents allows them to<br />

see another .show. In some of the smaller<br />

towns, we put out cards for early shows at<br />

a reduced rate.<br />

KNOW YOUR BOOTHMAN<br />

"Many a union business agent has come to<br />

learn the benefits a theatre can provide for<br />

his organization. These agents like to have<br />

their constituents know they're doing .something<br />

for them. Sold them a large number ol<br />

. . $15 a thousand . . . ol<br />

tickets. Why, we've even got them to pay for<br />

printing the cards .<br />

course, the agent and our manager have to<br />

put their signatures on them, but It has<br />

brought us a great deal of business, even<br />

though it's at a reduced rate."<br />

In his concluding remarks. Janecky explained<br />

that for a coloring contest in connection<br />

with "The Miracle of Marcelino," appearing<br />

at two Gran houses simultaneously,<br />

a total of 10,000 heralds was handed out at<br />

the schools, churches and the theatres, and<br />

over 75 per cent of them were turned in. He<br />

said the Hot Rod shows were going over big.<br />

and added that even the mayor's wife (Mrs.<br />

Fi-ank Zeldlen had become interested In<br />

kiddy movies at the Oriental Theatre, and<br />

personally was making the rounds plugging<br />

the shows.<br />

At this point. Marcus mentioned that daylight<br />

saving should be brought into the picture,<br />

and called on Big Goldberg, past president<br />

of Allied. As chairman of the legislative<br />

committee, Goldberg Intimated that most exhibitors<br />

felt that only the outdoor theatres<br />

would be really hurt.<br />

"But we've come to learn that It has hurt<br />

both indoor as well as the outdoor, and we've<br />

got to do .something about It. We took a beating<br />

last year, but we can muster our forces<br />

and lick It. Get to those mother's groups.<br />

PTAs. the farmer and even the factory<br />

worker, becau.se we find he doesn't like It as<br />

much as he had been led to believe he would<br />

Even the re.sort owners are now against daylight<br />

.saving. Why the Ray-O-Vnc company<br />

at Madl.son. which maket. batteries. Is pulling<br />

out becau.se of it. There's a bill coming<br />

up In Congress now to defeat this daylight<br />

.saving business, and we've got to get behind<br />

It"<br />

Charles Martin hailed hLs dividend ticket<br />

arrangement as the answer to boxoffice<br />

.slump. He explained that a dividend ticket<br />

. Is a part of the admission price to your<br />

theatre The amount of the dividend ticket<br />

depends on Uie average adml.sslon price. We<br />

contact the merchants In your town, and .sell<br />

them on the Idea of giving dividend tickets<br />

to their customers Tlie boxofflc* value Is<br />

3 cents: when sold to the merchant, however,<br />

you get the full admission price when redeemed."<br />

Vem Boyer. Neenah. then took over to<br />

enumerate the various approaches used to<br />

add extra revenue. He said he was particularly<br />

concerned with the booklet issued annually<br />

by the U. S. Chamber of Commerce,<br />

which lists the special days, weeks and months<br />

In 1958, and Is combined with the Trade Promotion<br />

Planning calendar, a copy of which<br />

was to be found In the kit provided each one<br />

attending the meeting.<br />

USED MONEY DATE CALENDAR<br />

Boyer a.sked the audience to turn to<br />

various pages In the calendar, and cited the<br />

many special day and week arrangements<br />

which were tied in with numerous theatres,<br />

including holiday shows, back-to-school<br />

shows. Hillbilly Jamborees, rock-around-theclock<br />

jalopy party, coloring contests, Hl-Pl<br />

spook parties one-cent .sale f)artles, etc.<br />

Larry Beltz, Grand of Wausau, elatwrated<br />

his continued success with merchant-sponsored<br />

Christmas parties. Bud Owen, Vic,<br />

Green Bay, Invited to explain his experiment<br />

on wallet -size stills of stars, said it was amazing<br />

what a handout of this nature could do<br />

for the boxoffice.<br />

Ranee Mason of the Upper Peninsula theatres,<br />

told of a halrstyllng demonstration,<br />

which he had the Beauty Salon Ass'n sponsor,<br />

which put out the tickets, promoted all<br />

the prizes, and charged 50 cents per ticket.<br />

Otto Settele. Seymour and Pulaski, explained<br />

his approach to stage spook shows.<br />

Disc jockey shows also were proving successful<br />

in his theatres. He said It was sitfprising<br />

the drawing power these jockeys had,<br />

and merely having them on stage playing<br />

audience .selections always went over big. Student<br />

high .school ticket sales, with students<br />

getting 40 per cent as their share, was a<br />

standard routine, too.<br />

"Those kids sell tickets by the hundreds,"<br />

he concluded.<br />

.<br />

REVENUE IN CAR AUCTIONS<br />

G. Ellison, Wautoma, cited his car auctions<br />

as his best extra revenue-pro


HI<br />

DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />

DOUBLE SPECTACLE-TERROR!<br />

FABULOUS! FANTASTIC! TERRIFYING!<br />

NOTORIOUS BEAUTIES LOST IN A PAMTASTIC HELL-ON-EARTH !<br />


4<br />

who<br />

has<br />

February<br />

TOA Unit in<br />

Minneapolis Area Will<br />

Be Object of Meeting March 13<br />

MINNEAPOLIS— Ben B«TK«rr. loiiKiimr Allied<br />

States topper and (or moBt of Its existence<br />

president of the local North Central<br />

Allied, ha* been Invited to a theatre owners<br />

meeting here March 13 to bring Into l)elnK<br />

a Theatre Owners of America affiliate to<br />

supplant the present National Allied unit.<br />

Exhibitors Trade Ass'n, which apparently Is<br />

on Its last legs.<br />

Berger said he "may" attend the March 13<br />

meeting "If only to express my adverse feelings<br />

In regard to TOA "<br />

Harold Field. Exhibitors Trade A.ss'n board<br />

chairman and a TOA director, did not invite<br />

Berger to last week's meeting which Field<br />

arranged to set wheels in motion for the<br />

March 13 gathering.<br />

This territory always has been a National<br />

Allied stronghold Berger last year refused<br />

to be a North Central Allied candidate for<br />

re-election as pre."iident because some of the<br />

largest dues-paying members disapproved his<br />

belligerence toward the film companies and<br />

were coaslderlng pulling out. Ted Mann, one<br />

of the area's most successful circuit owners<br />

and who opposed "fighting" with the distributors,<br />

was elected pre.-^ident and the "conservatives"<br />

took over and renamed the<br />

organization, which has been largely inactiv*'<br />

**\*»r '-mr'*<br />

HiTKiT .Miy.'. lie iccl.s .strongly that any independent<br />

exhibitor organization's principal<br />

concern today .should be with the "deplorable"<br />

situation which "finds many small-town exhibitors<br />

unable to obtain boxofflce pictures<br />

when they're 'hot.' if at all. and at an abilityto-pay<br />

price" And. he feels, TOA Isn't interested<br />

In this problem.<br />

Among those al.so prominently present at<br />

la.sl week's meeting was circuit owner Eddie<br />

Ruben who is a TOA vice-president and<br />

txiard member, and Charles Winchell. Minnesota<br />

Amu.sement Co. general manager.<br />

Mann is in California and was unable to<br />

attend.<br />

An far as known, the only trade paper<br />

invited to cover the meeting or at least given<br />

a report on it. stated that the new body's<br />

dedicated purpose would be to the proposition<br />

that "the most important job confronting<br />

exhibition today is a united effort to win<br />

back the theatre audience" and it will devote<br />

itself principally to "build" theatre busine.ss<br />

in the area.<br />

Circuit owner Gilbert Nathanson is head<br />

of the committee making arrangements for<br />

the March 13 meeting.<br />

Several years ago Field and Ruben tried<br />

tinsucce.ssfully to launch a TOA unit here.<br />

'Old Yeller' Hits 210<br />

In Milwaukee Bow<br />

MILWAUKEE— "Old Yeller" led the downtown<br />

parade, with "Around the World in 80<br />

Days" clo.se behind. But '80 Days" has been<br />

holding up for 33 con-secutive weeks. It opens<br />

next for an extended run In Green Bay. One<br />

snowstorm after another in this area hasn't<br />

helped any of the boxofflce receipts Business<br />

was good, considering.<br />

(Average Iv 100)<br />

Alhonibro And God Creoted Woman fKtng^lev).<br />

5th wW 130<br />

Polocc— Eighteen end AnxKxrt (Rcpl, QUi tn<br />

tho Woodt (-. ; 8S<br />

R.verndc Old Ysller BV) 210<br />

Strand— Around llic Worid in 80 Ooyt (UA),<br />

33rd «t 200<br />

Towne-—Rointfcc County MGV,, 4th wk 155<br />

Worncr—The Torniihcd Angols !U-I), Thof<br />

Night (U-l)<br />

US<br />

Wisconsin—Fonvor Dariing (MGM); Hit the<br />

Deck MGM '!• isue-, 2nd wk 65<br />

Grosses at Omaha<br />

Mostly Strong<br />

OMAHA—Two holdovers bettered average<br />

gro.s>^es for the third week In a row on the<br />

downtown film front last week. "Sayonara"<br />

went to 130 per cent at the Orpheum and<br />

"Eton't Go Near the Water" closed strong at<br />

the State.<br />

Brondeis—The Long Houl (Col;, Town on Triol<br />

(Col) 90<br />

OfTioho— Jamboree W6>' The Gr««n-Eycd Blendo<br />

(WB) 85<br />

Orpheum— Sayonara (WB), 3fd wk 130<br />

Stote—Don't Go Near the Water (MGM), 3rd wk 110<br />

Varieiy Club Gives<br />

Hospital Big Sum<br />

.MI.N.NEArOLId I:iii.iiL-,s,,iVf ceremonies<br />

marked the dedication of the additional floor,<br />

the fifth, to be built on the Variety Club's<br />

heart hospital on the University of Minnesota<br />

campus thLs week. 'With the club's<br />

officers and board members participating in<br />

the ceremonies. Chief Barker Joseph Podoloff<br />

presented to hospiul officials a $100,000<br />

check to defray the con.struction cost.<br />

Including the $100,000. the club now has<br />

ral-sed more than one million dollars for<br />

what constitutes its foremost philanthropic<br />

project— the building and equipping and<br />

maintenance of thLs heart hospital, the only<br />

such institution in the U.S. devoted entirely<br />

to heart ailment treatment, surgery and research<br />

In this field<br />

The addition will be known as the Arthur<br />

W. Anderson floor In honor of a former chief<br />

barker who played an important part in<br />

making the project a success. Anderson Is<br />

the Warner manager here.<br />

Among those pre.sent for the ceremonies<br />

was Variety International Chief Barker John<br />

Rowley of Dallas. Tex , came to MlnneaiMlls<br />

principally to attend and speak at the<br />

club's u-stlmonlal dinner for retiring Chief<br />

Barker 81m Heller at the Hotel NiraTS (UA).<br />

29th wk 150<br />

Century— Seven Wondcri ot the World Cineromo),<br />

77th «.i 150<br />

Gopher—Oont Go Near the Woler MGM), 5th<br />

wk 140<br />

Lyric—JamborM (WB); Tk* Gr««n-Ey*d Blond*<br />

(WB) 100<br />

Orpheum— Old Yeller BV) 190<br />

Pon— The Midnight Story (U-l), The Land Unknown<br />

LI 90<br />

Rodio Citv Soyonoro (WB), 4ft< wk 175<br />

Stote—Poyton Ploce 20fh-Fox). 5th wk 165<br />

World— And God Croatod Womon (Kingtlcy),<br />

4fh wk 150<br />

'Farewell to Arms' Sold<br />

To MAC'S Radio City<br />

.MINNKAHOLIS I>;i'. ui O Sel/JUck'.s 'A<br />

Farewell to Arms " been awarded to the<br />

Minnesota Amusement Co. on competitive<br />

bids for Twin City first runs.<br />

It will have Its territory premiere at the<br />

4,100-seat Minneapolis Radio City Theatre<br />

February 7 at upped admissions. Tlie after<br />

5 pjn price will be either $1.25 or $1.50,<br />

Instead of the usual 90 cents, .said Charles<br />

Winchell, MAC president-general manager.<br />

Both "Sayonora" and "Peyton Place" now<br />

are being shown here at $130 admission.<br />

JonnaM<br />

•OONTOM. N. J.<br />

Large Cor*<br />

Gr«al«r Crater Area<br />

m Mmncioto— NATIONAL THIATRC SUPTLY, Mmncapolii—Mom 1271<br />

in Nebrotko— THI BALLANTYNC Co , Omoho—Jockton 4444<br />

in Witconiln CHARLIS J BRtWSTtR. Mllwouke* Broodooy }-l«17<br />

MAXIMUM LIOHT<br />

NATIONAL THCATRC SUPPLY, 1037 N Ith Street.<br />

Mllvoukee J, Wiicomin<br />

l'»mn\


:<br />

r<br />

. "Junior"<br />

Maurice<br />

. .<br />

ja»t<br />

. . The<br />

Theaires Are Making<br />

Progress on Parking<br />

• KW HAVEN—Theatremen In Hartlord.<br />

.NarlanR facUlUes.<br />

but the recent opening of the city-owned<br />

1,000-car garage has loomed Importantly in<br />

patron conversation.<br />

A kwk at some of the state's 20 dally newspapers<br />

will reveal some o( the present-day<br />

thinking. Ma-it circuit and Independent exhibitors<br />

contacted by BOXOFFICE along<br />

Filmrow admit that a majority of their<br />

patrons are vitally concerned with parking<br />

space and will query cashiers about such<br />

facilities when phoning m for film data. One<br />

specific result has been sizable activity, particularly<br />

In improved relations with nearby<br />

parking lot operators on the part of theatre<br />

owners.<br />

Moreover, huge supermarket parking lots,<br />

heretofore disregarded during after-dark<br />

hours, are now being lighted and offered to<br />

theatre patrons as added courtesy and a.^<br />

evidence of chalnstores' striving to remind<br />

potential customers of continued goodwill.<br />

The Strand in Plalnville and the Luxor in<br />

UnionvUle. for example, also have been advertising.<br />

•Plenty of free parking."<br />

Ray Mc.Vamara. manager of the downtown<br />

.\B-PT .Mlyn. Hartford, was fortunate rey<br />

Owners of a business block adjoining<br />

•Jieatre tore down the structure in favor<br />

of a huge, one-level parking plaza, with<br />

tndicatkms of "pigeonhole"<br />

i<br />

building several<br />

icrels atop, with vehicles moved by automatic<br />

'-^"^i to follow. If sufficient patronage ocdurlng<br />

regular Monday through Friday<br />

ijv. .ness hours. As matters stand, the lot U<br />

practically deserted during early evening, and<br />

' - patrons, heretofore in a hectic search<br />

-hide space on streets and distant lots.<br />

r.\:: nam drive comfortably into the lot. and<br />

then walk a few steps to the Allyns main<br />

lobby!<br />

Tries Teener Bargain Price<br />

\ KF.s N D —Takmg a novel public re-<br />

.1; -.'r- ich to cement better feeling and<br />

g»iu more patronage among teetvagers. Ken<br />

Braasmann. owner of<br />

tha Orand. thu town's<br />

only movie theatre. Invited a committee of<br />

the young people, six high jtchool students.<br />

to meet with him and figure out a fair student<br />

admission price The conference agreed<br />

on 40 cent*, and Bros^mann will give It a<br />

three-month fe^t .Artii!^ mlrr.i'rinn 1- 7^ rrn*-<br />

White. S. D.. House Down<br />

\^^tIT>: S D - Thr Wlnt.- T>...ii.'r hrre<br />

has been closed indefinitely b% MiIm:. H'.ii'-<br />


. . Joe<br />

. . Tony<br />

OMAHA<br />

laniard KeUiwisch. exhibitor at Tllden. not<br />

only Ls a busy man runnlnR hi'- theatre<br />

HHd carrying out his duties as mayor but<br />

Is becoming the "shoe Itlnn" of his area ol<br />

the state He has been koIhr to other parts<br />

of the state and buying up stoclcs of shoes<br />

and making a reputation (or his bargain<br />

sales at his Tllden store He may open up<br />

other outlets . Jacobs, who headed<br />

the Omaha Columbia branch and now Is<br />

the merged Omaha-Des Moines ex-<br />

chief of<br />

change at Des Moines, spent last week here.<br />

Will Jona-i. who has the Hipp Theatre at<br />

Gregory. S D. hasn't had time to do much<br />

hunting what with his theatre busine.ss and<br />

taking care of his com crop at his ranch.<br />

He's had to move his piles of corn to keep<br />

them from spoiling because of the high moisture<br />

content . . . Renfro's Rogue's are holding<br />

to their lead In the Fllmrow Bowling League<br />

but four other teams are pressing hard: the<br />

Sly Foxes. Film Transports. Boosters and<br />

Rasenthals.<br />

Rod Bailey, exhibitor at Ainsworth. commented<br />

on one of his infrequent visits to<br />

the Row; 'TV Ls beginning to hit my territory<br />

but I'm still optimistic with good product.<br />

And I'm still getting the kid crowd<br />

Saturdays and Sundays." . Goodman.<br />

20th-Fox salesman, learned his .son Johnny<br />

will be transferred from Ft. Leonard Wood<br />

to Army conununications in Georgia February<br />

Columbia salesman Ed Cohen found<br />

12 . . .<br />

lots of excitement when he visited Winner.<br />

S. D.. last week. A community search was<br />

on for a mLssing girl. Her body was found<br />

In a well and Cohen said feelings were dan-<br />

NATIONAL THEATRE SUPPLY<br />

v. M BILL' ALLISON<br />

307 No 16th St Omaha. Neb<br />

WESeN<br />

THEATRE SUPPLY CO.<br />

214 N riMnnlH. OmjIu. Nek. .. Phant AllMlic 9046<br />

gerously hot among residents of the<br />

area.<br />

. .<br />

Don John5M>n plans to close his restaurant<br />

at Lynch March 1 and devote fulltlme<br />

Herman<br />

to<br />

operation of his Lynn Theatre .<br />

Hallberg. 20th-Pox manager, and his sales<br />

(Lowell Kyle, Tony Goodman and Edna<br />

staff<br />

Nassi ran Into the heavy snowstorm flying<br />

to a St. Louis division meeting last week. They<br />

circled the Kansas City airport for a half<br />

hour, finally were able to land and fini.sh the<br />

trip by train<br />

. . . Don<br />

. . . The<br />

Arnold Johnson, Onawa exhibitor, said<br />

running a theatre has its headaches but<br />

nothing like carrying on sheep operations.<br />

He has been spending hours at his farm near<br />

town during the lambing period<br />

Gibson announced he Is going on a onechange<br />

basis at his Springview Theatre. He's<br />

also carrying a rural mail route<br />

theatre at Naper operated by Barney Smith<br />

closed last week. Art Goodwat«r plans to<br />

shutter his Capitol at Madison this month.<br />

He also operates a restaurant at Madi.son.<br />

Visitors on the Row included Phil and<br />

George March of Wayne and Vermillion;<br />

Dick Leysinger. Ravenna: Arnold Meyerdirks.<br />

Pender: Don Campbell. Central City: Howell<br />

Roberts. Wahoo: Mrs. C. M. Gibson. Sutton:<br />

Harry Hummel, Scribner: Oscar Johnson.<br />

Falls City: Mrs. Ed Haser, Papillion. and<br />

lowans Henrj- Saggau, Denison; Robert Miller,<br />

Alton: Dick Johnson, Red Oak, and<br />

Arnold Johnson, Onawa.<br />

Lincoln Ozoner Equipped<br />

For Year-'Round Show<br />

LINCOLN. NEB.—The 84th and Drive-<br />

In is the fir.st outdoor theatre to begin<br />

wintertime operation in Lincoln.<br />

The theatre, owned by a partnership which<br />

includes Nebra.ska Senator Roman Hruska<br />

of Omaha and Lancaster County Commissioner<br />

Ru.ssell Brehm of Lincoln, has installed<br />

in-car heaters.<br />

^ RCA SOUND<br />

Theatre and Drive-In<br />

^ RCA BRENKERT<br />

PROJECTORS<br />

^ RCA 200 PROJECTORS century Built<br />

^ RCA GRIGGS PUSH-BACK CHAIRS<br />

(Original Krohler Push Bock)<br />

i RCA THEATRE CARPET<br />

SERVICE - PARTS - REPAIRS<br />

For<br />

All<br />

RCA BOOTH EQUIPMENT<br />

• BRENKERT<br />

• CENTURY<br />

• MOTIOGRAPH<br />

• SIMPLEX<br />

fv^rythtng in ffccoffc<br />

Equipment<br />

and $upplic\<br />

Editors in Small Towns<br />

In Pleas for Theatres<br />

MINNEAPOLIS— In the effort to help their<br />

towns' only movie theatre survive, smalltown<br />

newspapers throughout this territory<br />

again are pleading for better public support<br />

of the showhouses.<br />

Asserting that unless Improved patronage<br />

Is forthcoming, the Rita Theatre will have<br />

to close permanently, the Mapleton, Minn.,<br />

Enterprise, for example, declared In an editorial<br />

this would be a "disaster" for the town.<br />

"The theatre needs your .support." averred<br />

the editorial. "Folks who stay at home are<br />

looking at many pictures on TV which are<br />

second or third rate while just down the<br />

street they can see the best.<br />

"Why not take a night a week off, you<br />

businessmen and your wives, and stop in for<br />

a good show and. besides enjoying an evenning<br />

of good entertainment, do your part In<br />

helping to keep alive one of the towns biggest<br />

assets?"<br />

The Lake Crystal, Minn., Tribune also<br />

pointed out that the town soon may find<br />

itself without a theatre.<br />

"Maybe someone can figure out a magic<br />

solution to the problem." said the editorial.<br />

"To our way of thinking the only solution<br />

rests in a nine-letter word, patronage. If all<br />

the businessmen and parents who are Interested<br />

in having the theatre remain open<br />

would make it a point to attend regularly<br />

there would be no problem."<br />

At Mora. Minn., warning has been served<br />

in the newspaper that unless business Improves<br />

the town's theatre will be closed permanently<br />

in the spring and the building converted<br />

to other purposes.<br />

At Buffalo. S. D.. the Chamber of Commerce<br />

will meet with the American Legion<br />

post there to try to find means to reopen the<br />

closed Legion Theatre. The post had closed<br />

the house because of an unprofitable operation.<br />

Theatres also have given up the ghost in<br />

recent weeks at Chisholm and Preston. Minn.,<br />

Bill Haarmann Memorial<br />

Is Under Way at Omaha<br />

(1M.AH.'\- A Bill H.i.iiniai.:. ::..:i. :.,i. :and<br />

lias been started by members of the industry<br />

lure in honor of the veteran of more than<br />

30 years on Filmrow who died recently. Bill<br />

Barker of Co-Op Booking Service, sparkplug<br />

In the move, called Haarmann "one of the<br />

greatest fellows ever on Filmrow."<br />

Haarmann started In the film Industry in<br />

1926 with Paramount. He was with the company,<br />

many years as booker, until 1953. when<br />

he joined Co-Op. A wife and son sur\-lve.<br />

Contributions may be sent to the BUI Haarmann<br />

Memorial Fund, care of Bill Barker,<br />

1508 Davenport St.. Omaha.<br />

Loss Totals SI 50,000<br />

1,.\KK Lin. IOWA I<br />

I. the recent<br />

fire which destroyed the Iowa Theatre here<br />

has been estimated at $150,000 by owner<br />

Robert Bernau Tlic damage is partly covered<br />

by insurance Tlic fire which destroyed the<br />

hou.se started about 3:20 a.m. on New Year's<br />

Day and firemen battled the blaze through<br />

the day until nearly


'<br />

••iilly<br />

'<br />

. . W.<br />

. . Another<br />

. . Circuit<br />

. . "How<br />

. .<br />

Ben Berger Appeals to DJ<br />

In 'Commandments' Fuss<br />

MINNKAPOUS Chanflng th . . iiir<br />

in • "cut*" ' " '<br />

b. diu..i;.^l.;.„ Uuii<br />

he n»mf Hi'<br />

n price which hr would<br />

chargp for i> ConunandnienUi" at hu<br />

Fergus Falls. Minn, theatre. Ben Berger<br />

vknts the Justice Department to require the<br />

distributor to deliver the picture a.s per the<br />

contract he has signed and Paramount allecedly<br />

accepted without .such n>qulrement<br />

Server has written the department requeatlnc<br />

It to "stop Paramount from Its Illegal<br />

practices."<br />

When he declined to commit him.self un<br />

the admi-sslon price Berser charge.s that<br />

Paramount insisted upon a $2,750 "discriminatory"<br />

guarantee as part of the deal<br />

"We agreed to all of the Paramount terms<br />

and a contract was recently signed. Tlie<br />

Paramount branch manager. Mr. McBride.<br />

asked how much we will charge at the boxoffice<br />

for the picture." Berger wrote. "We<br />

refused to commit ourselves for the exact<br />

amount although we told him we will increase<br />

our admission prices from what we're<br />

presently charging.<br />

"Mr McBrlde .stated that New York must<br />

know what we will charge for the picture.<br />

When we refused to give the InXormation we<br />

were advised that the only way which Paramount<br />

would be willing to sell us the picture<br />

for Fergus Falls would be If we would give<br />

them a guarantee of $2,750 and that they<br />

were afraid we might pull a Truman Rembusch'<br />

on them. iNote; In one of hLs small<br />

town theatres Rembusch permitted patrons<br />

to name their own admission price for<br />

Commandments") You are probably familiar<br />

•h that<br />

"The demand of a guarantee of $2,750 i-s<br />

dlscrimmatory. In the first place, no guarantee<br />

is t>elng asked of any other exhibitor<br />

and. In the second place, Paramount knows<br />

Tcry well that this guarantee is exorbitant<br />

and would stop us from going through with<br />

the contract.<br />

"This is Just a cute way of demanding<br />

that we be a party to an illegal transaction:<br />

namely, conunittlng ourselves to what we<br />

will charge »t the bosoffice."<br />

Edward Hyman to Speak<br />

At MAC March Meeting<br />

MINTiEAPOLIS — The Minnesota Amusement<br />

Co will be host at a meeting here<br />

March 13 at which Edward L Hyman. United<br />

Paramount vice-president, will speak.<br />

The speaker will relate the progress that<br />

has been made toward an orderly release of<br />

product and what this should mean to show<br />

60 °o Being Asked<br />

MINNE.\POUS A new nonroadxhow high<br />

percentage. 60 per cent. Lt being asked in the<br />

small towns for two current blockbuster picture*.<br />

Warner BrnA "Sa)-onara" and 20th-<br />

Pox's "Peyton Place." The previous high was<br />

50 per cent, except in the case of roadshow<br />

picture^<br />

Close at Hot Springs, S. D.<br />

;i' : ..:•..;•... .. :, : ,. nuck miu<br />

Amu.^ment Co. haA cioaed the Hot Sprlng.i<br />

Theatre here after 38 yeftrs of operation<br />

Incrvaaed operating costs and lack of patronage<br />

were blamed for the shuttering<br />

MINNEAPOLIS<br />

Til hritlth is causing Henry J "Hy" Chapman,<br />

longtime Columbia manugrr hore.<br />

to retire Byron Shapiro will bo tran.sfcrred<br />

from St Louis to replace<br />

him. He l.s Chap-<br />

I<br />

^^^<br />

man's .ion - In - law.<br />

Chapman recently suffered<br />

a heart attack<br />

'"*<br />

^ and was confined to<br />

'<br />

the Variety Club heart<br />

.^^<br />

J<br />

hospital...<br />

^^ The Ten CommandmenUs"<br />

opened again<br />

In the territory last<br />

week and continues to<br />

chalk up .surpri.singly<br />

long<br />

Hy Chapman<br />

runs and sma.sh<br />

grosses. It'll open<br />

again in the nclKhborhood hou.ses March 26<br />

for Its fourth round here and third in St<br />

Paul<br />

Even though the advertising campaign for<br />

"18 and .^nxlous" already had heen .started.<br />

Its opening at the Lyric thLs week was postponed<br />

.so that "Sayonara" could be moved<br />

over to the LJtIc from Radio City after four<br />

weeks of very fine bu.slness . . . And a similar<br />

.situation prevails for "Peyton Place." which<br />

has been garnering giant grosses at the State<br />

here. For the past two weeks the "final<br />

week" has been advertised, but for a .second<br />

time public demand held up and it is remaining<br />

for a sixth .stanza . . . Ted Mann's<br />

downtown World here grabbed off another<br />

powerful boxofflce attraction in United Artists'<br />

"Witne.ss for the Prosecution." which<br />

follows "Les Girls" and "And God Created<br />

Woman," both top grossers.<br />

The German "08/15" was in its third week<br />

at the Suburban World . neigh-<br />

Iwrhood house, the Campus, was doing well<br />

with lis "Charlie Chaplin Festival."<br />

.<br />

. . "The<br />

I'nited Artists exploiteer Ed Borgen was<br />

here to beat the drum lor "Witness for the<br />

Prosecution" R. Frank went to Los<br />

Angeles for the rest of the winter .<br />

Quiet American" was .screened here for La<br />

Van Diem, a Vietnamese University of Minnesota<br />

graduate student and a native of Hue,<br />

D 2 (rton for $5 IZ<br />

THEATIE<br />

ST« EET<br />

ADOI ESS<br />

sertef/nG<br />

Indo-Chlna. The Minneapolis Star ran a<br />

lengthy article, giving hU impres-ilons of the<br />

"The Miracle of Murcellno"<br />

picture . . .<br />

opened at the neighborhood Uptown where<br />

the admi-ssion has tx-en boosted from the<br />

regular 85 cents to $1.25 for this engagement.<br />

.<br />

.<br />

.<br />

Clrculi oHiirr Shelly Orengs was in the<br />

University ho.spltal here for a checkup . . .<br />

Tlie MInneapolLs Star new.spaper preview<br />

group put ILs stamp of approval on 'The<br />

&u'my Below." State Theatre to<br />

Murder a Rich Uncle" wound up a five-week<br />

first-run at the neighborhood Westgate<br />

Circuit owner Ben Berger left on a threeweek<br />

Florida vacation owner<br />

Harold Field also is vacationing In that state.<br />

Fear Adverse Psychology<br />

From Upped Price Big Ones<br />

MINNEAPOLIS—Some leading local exhibitors,<br />

like W. R Frank, fear that ordinary<br />

"good" pictures for which admission .scales<br />

aren't boosted will suffer in consequence of<br />

the present wave of upped prlce.s offerings<br />

fairly inundating the Loop here since the<br />

holidays.<br />

The danger is that the public will get the<br />

idea that unless the adml.sslon scale is raised<br />

for a picture It Isn't sufficiently meritorious<br />

to deserve or. at least, require their attendance,<br />

say these exhibitors.<br />

No less than six of the nine downtown<br />

movie houses here have tieen charging more<br />

than the regular after 5 pjn. 90 cents. In<br />

two instances it's up to $2.65: In one, $2.25:<br />

in two. $1.50. and in one, $1.25.<br />

Others are wondering if a boxofflce pattern<br />

conspicuous locally last year is slated,<br />

too, for 1958. That pattern was record-breaking<br />

or very big gros.ses for blocktMister pictures<br />

and hard sledding for the ones that<br />

were Just "good." The.se observers cite the<br />

highly praised but modestly budgeted picture.<br />

"Slaughter on Tenth Avenue." which has<br />

been a local boxofflce failure at the fame<br />

time that a half-dozen other "big" pictures<br />

are garnering hefty takes and racking up<br />

extended runs.<br />

IXOfflCf<br />

1 r»o' 'or JJ C 3 yeon for J7<br />

U RMiiiKancc Eacloivd G Send liiToke<br />

TOWN _ iONE STATE<br />

NAME<br />

POSITION<br />

umm THE NATIONAL FIIM WEEKLY 52 issues a year<br />

(25 Von Brwnr lUd . Koniot Crty 24. Mo<br />

BoxorncE February 3. 1958 NC-7


.<br />

diiMKiged<br />

• ontract<br />

DES MOINES<br />

hcrr »li<br />

.,,,,1.1 (•.>',\imM:» m»n»uer<br />

1 movfd<br />

!'1> '>«'' '-<br />

...<br />

n,<br />

Mom... >..... .-ii- «•!»« "' *"»•<br />

^. s


;<br />

Big 3 Hold Up Well<br />

In Cincinnati Week<br />

Exploits Fad Cinercana<br />

Will Never Be on TV<br />

'*"<br />

uj ttor Qrand and F>l>nr<br />

» .. 100,<br />

to'*'*- -A"* Tlww Vv «M><br />

•5<br />

too<br />

A^OIB Is<br />

B UMt tfMnOMra Mftii are» but ratnuw<br />

a ^^-«^«*»^>»H Iwjk uf iii'.; ^x-.-.t<br />

lamn. E»«n ttic waaiEier picture*


2<br />

'Witness<br />

. Dave<br />

. .<br />

agreeing<br />

CLEVELAND<br />

l^llton A. Mooncjr, head of Cooperative Theatres<br />

of Ohio, and his missus left for a<br />

t>elated vacation In Arlr^na. The Mooney<br />

%acatlon. which usually starts before the<br />

Christmas holidays, was delayed for the<br />

gatherInK of the Mooney clan to celebrate<br />

NSS executive Paul Mooney's 80th blrtliday<br />

in Cleveland . for the Prosecution"<br />

will play the State Theatre but no date<br />

has been set at this time.<br />

Rudy Norton, Imperial Pictures manager,<br />

accompanied Jack Zlde, owner of the exchange<br />

and aLso of Allied Film Exchange.<br />

Detroit, to New York to attend an American<br />

International Pictures franchise owners meeting<br />

at the Park Sheraton Hotel . . . Mike<br />

Gould of Allied Artists has been laid up with,<br />

of all things, chicken pox. And he was pretty<br />

sick while It lasted . Sandler. Sandler<br />

Mfg. Co., made a quick recovery from<br />

pneumonia and has returned to work .<br />

The tremendous sustained business of "And<br />

God Created Woman" at the Heights Art<br />

Theatre Is the talk of the town. In Its fifth<br />

week. It was grossing more than the previous<br />

opening week record of "La Strada." Manager<br />

Nlco Jacobellis. on the basis of continued<br />

boxofflce lines for all performances, sees<br />

the picture holding over through February.<br />

P. L, Tanner, Film Transit Co., was in Ashtabula<br />

to attend the funeral of bis sister,<br />

Mrs. Elizabeth Beer. 94 . . . Danny Rosenthal,<br />

Variety Club chief barker, was so delighted<br />

with the social and economic results of the<br />

recent Monte Carlo night held In the club-<br />

®.<br />

RCA SERVICE COMPANY, INC.<br />

5531 State Rood<br />

Clcclond 34, Ohio Shadyside 1 2131<br />

THE<br />

BIG COMBINATIONS<br />

COME FROM<br />

Allied Film Eichange Imperial Pictures<br />

})10 Can Avt<br />

Ovtroit, M>ch<br />

3108 Payn* Av«.<br />

CUv«land, Ohio<br />

rooms, that he Is planning a repeat engagement<br />

In April. The club Is also plotting a<br />

Valentine party ... Ed Svlgales of Trans-<br />

Lux was vlslllng with Gus Lynch, Schlnc<br />

Ohio buyer-booker<br />

. .<br />

Frances Bolton uf NSS who underwent a<br />

heart operation last year was back In a hospital<br />

for a repeat performance This time<br />

she was In St. Vincent's Charity Hospital .<br />

Ted Levy, Buena Vlsla district manager covering<br />

the Cleveland. Cincinnati and Detroit<br />

exchanges, will be guest of honor at an industry<br />

stag dinner Monday ilOi In the Tudor<br />

Arms Hotel. This is a prelude to his marriage<br />

February 16 to I.sabell Varkle of Detroit.<br />

Sam Schultz and Jack Armstrong<br />

are In charge of the stag dinner.<br />

Vincent Lauter, manager of the West Theatre,<br />

Barberton, Is hospitalized for treatment<br />

of an ulcer . . . Tom O. McCleaster, 20th-Fox<br />

district manager; Ray Schmertz, exchange<br />

manager; Sam Llchter and Charles Goodman,<br />

salesmen, and Frank Hunt, office manager,<br />

attended a company regional meeting in St.<br />

Louis. General manager Alex Harrison outlined<br />

the new product and sales promotion<br />

policies . . . Mr. and Mrs. Carroll Harris, who<br />

recently Indicated their confidence in the<br />

motion picture industry by reopening the La<br />

France Theatre in Swanton. are also opening<br />

the Town Theatre in Whitehouse. The latter<br />

theatre had been closed five years.<br />

Rhys Cook and Richard Beals have reopened<br />

the Charve Theatre. Edgerton. Formerly<br />

operated by Herman Kruse, the house<br />

has been dark several months ... In Lorain,<br />

the Pearl Theatre, belonging to the Zegiob<br />

estate. Is now successfully showing Spanish<br />

pictures. The patronage bid is to the many<br />

Mexicans and members of other south-of-theborder<br />

couiilrles. who are employed in Lorain<br />

Conversions; the Grand. East<br />

Industries . . .<br />

Palestine, closed five years ago. is being made<br />

into apartments; Flushing Theatre. Flushing,<br />

is now a parking lot. Closed and discontinued<br />

for motion picture operation but<br />

not converted to other uses are the Neil Theatre.<br />

Fredericktown; State. Marion, and<br />

Strand, Van Wert.<br />

Universal \TPs were In town over last weekend<br />

to introduce H. H. Martin, new general<br />

sales manager, to local theatre owners at<br />

luncheon in the Statler Hotel. Present, in<br />

addition to Martin were Peter Dana, eastern<br />

division manager; Jimmy Frew, Atlsmta; Joe<br />

Gins, Boston; Peter Roslan, district manager,<br />

and Carl Reardon. local manager.<br />

MID-WEST THEATRE SUPPLY CO., INC.<br />

I<br />

I<br />

I<br />

1631 CENTRAL PARKWAY CHERRY 17724 CINCINNATI 10, OHIO<br />

I<br />

Finest RCA Equipment for Drive-Ins<br />

0^<br />

NEW NEW NEW<br />

RCA IMPAC SPEAKERS<br />

LAMPS<br />

«^^^^ RCA SUPER CINEX<br />

ME-<br />

Whatever You Need — We Can Supply If.<br />

Long Openings Hurt<br />

Cleveland Subruns<br />

CLEVELAND— Neighborhood theatres are<br />

complaining that no pictures are coming off<br />

the releasing line due to long runs of Peyton<br />

Place. Sayonara and Don't Go Near the<br />

Water each In Its fifth week TTie Ohio playing<br />

"Around the World in 80 Days" and the<br />

Palace with Cinerama are not helping to<br />

clear the situation which, according to several<br />

exhibitors, is rapidly becoming critical.<br />

The opinion also prevails that the above<br />

mentioned popular pictures will have drawn<br />

most of their potential audiences during tlie<br />

long f.r.st-run engagement and that even<br />

these top pictures will not have the expected<br />

drawing power by the lime they become<br />

available for general release.<br />

Price of top product Is another stumbling<br />

block. Many subrun houses say they have to<br />

pass up the top pictures because, under the<br />

asking percentage terms they have no possibility<br />

of profit. Another angle Is on deals.<br />

Exhibitors hesitate to enter Into high percentage<br />

deals, they say. because this sets a<br />

precedent on forthcoming product. So the<br />

.scales are balanced between precedent and<br />

profit In some instances.<br />

As was recently said on Filmrow In a discussion<br />

of present industry conditions, theatre<br />

ownei-s are pessimistic, but theatre managers<br />

are optimistic. These two opinions are<br />

not as inconsistent as they appear. The theatre<br />

owner is interested in the profit and<br />

loss sheets; the theatre manager is interested<br />

In the people who attend his theatre.<br />

A satisfied patron reflects the manager's optimism.<br />

The balance sheets reflect the owner's<br />

pessimism.<br />

'Seven Wonders' Garners<br />

$6,000 for Blind Deaf<br />

CLEVELAND — The opening nlghl of<br />

"<br />

"Seven Wonders of the World at the Palace<br />

Theatre was a gala and festive affair like<br />

the debuts of Its predecessors. "This Is Cinerama"<br />

and "Cinerama Holiday." Knights<br />

of Columbus sponsored the opening and about<br />

S6.000 in proceeds were turned over to the<br />

Catholic Diocese fund for the blind tmd the<br />

deaf.<br />

Two spotlights on the theatre marquee<br />

swept the city in the early evening hours and<br />

until showtime. Bands played and there was<br />

a parade of the Knights of Columbus :><br />

Euclid avenue. Civic and church leacii :<br />

><br />

were guests of the Cinerama organization at<br />

a dinner In the Statler Hotel, then were taken<br />

by automobile to the Palace where n crowd<br />

had been drawn by the bands and spotllghu.<br />

An invitational press and tradescreenlng<br />

were held at the Palace the night before the<br />

sponsored opening.<br />

Critics were lavish In praise of "Seven<br />

Wonders of the World, " that It Is<br />

the best of the Cinerama films shown locally.<br />

"This Is Cinerama" opened in November 1956<br />

and ran continuously for 32 weeks. It was<br />

followed by "Cinerama Holiday," which ran<br />

30 week.s. Manager Max Mink has been very<br />

successful In bringing to Cleveland bus loads<br />

of patrons from surrounding towns under a<br />

portal -to -portal price policy, which Included<br />

the trip, dinner and the show.<br />

A number of New- England locations will<br />

be the scene of filming Warners' "Home<br />

Before Dark"<br />

BOXOFFICE February 3. 1958


DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />

DOUBLE SPECTACLE-TERROR!<br />

FABULOUS! FANTASTIC! TERRIFYING!<br />

NOTORIOUS BEAUTIES LOST IN A FANTASTIC HELL-ON-EARTH!<br />

evil-<br />

BE*I1TIFUI<br />

DEADLY<br />

THE<br />

XsTpU^^^N<br />

^ ABBY OAITON SUSAN CABOT • •<br />

MM BRAD JACKSON<br />

KENNIT<br />

M RICHARD MUnCM DEVON WIIMUIWHU PKIUH<br />

N^ON&TER |/<br />

SlVtSE<br />

HOOD RITUALS Of » 1<br />

LOST(MI>IR('<br />

GIANT<br />

]<br />

SU SfRPEHT OF<br />

^ THHORTU'<br />

• fitteH Mi IMrIM ki nui CNHU<br />

SEE<br />

TWO WORLDS ] SUPERWOMEN<br />

Of MONSTROUS i WITH THE COURAfiE<br />

TERROR' .^ OF CIANTS'<br />

CONTACT YOUR<br />

1/nXiBjyiatLonjGL EXCHANGE<br />

REALART PICTURES<br />

JAY M GOLDBERG<br />

SELMA G ILACHSCHLEGEK<br />

16)2 Crntrel farkvor<br />

CINCINNATI 10, OHIO<br />

ALLIED FILM EXCHANGE<br />

JACK ZIOE<br />

2)10 Com Arrnu*<br />

OrrHOIT 1. MICHIGAN<br />

IMPERIAL PICTURE CO<br />

IIUOY<br />

NORTON<br />

2101 faynt At*«u«<br />

CLEVELAND 14. OHIO<br />

il


. Arthur<br />

. George<br />

. . Sklrball<br />

. . U-I<br />

. Frank<br />

. Peter<br />

. . Nat<br />

. .<br />

. Jim<br />

. . . Jack<br />

. . James<br />

. Mrs.<br />

Harry<br />

. . CMPEA<br />

Minnie<br />

.<br />

. . Mrs.<br />

. . . Gus<br />

. . . Sheldon<br />

. . Steve<br />

. . Jack<br />

. New<br />

. . Peter<br />

. . Mark<br />

. . Lewis<br />

February<br />

. . Abe<br />

. . Lewis<br />

. . It's<br />

The<br />

"<br />

Review of Film Industry Events in Cleveland Area<br />

CLEVELANI>—A resume of film IndustO'<br />

neu-s in Cleveland diirlR 1957:<br />

JANUARY<br />

Hie Suburban Miiplc HelRhUs Council takes<br />

under advisement the establishment of local<br />

censorsliip to control the t>TJe of pictures<br />

shown at It.s only theatre on weekends . . .<br />

John Selby. Selby Industries. Akron, reports<br />

his company fabricated and installed a record<br />

36 drlve-ln screen lowers In 1956 . . .<br />

. . .<br />

Joe KrenIti succeeds Jerry McGowan as MGM<br />

Andrew Putka, state senator.<br />

salesman . , .<br />

advocates return of modified state film censorship<br />

Local 5-F of lATSE re-elects Ed<br />

Graves president for two-year term<br />

.<br />

Henry Oreenberger re-elected president of<br />

Cleveland Motion Picture Exhibitors Ass'n:<br />

Joe Rembrandt, vice-president: Louis Weltz.<br />

executive secretao'. and James Kalafat,<br />

IFE closes Cleveland office,<br />

treasurer . . .<br />

under management of Mark Goldman<br />

Rlckle Labowltch marks 25th year as CMPEA<br />

corresponding secretary.<br />

FEBRUARY<br />

Sklrball Bros, enlarge and modernize the<br />

Stark Drive-In . Masek, with NTS<br />

30 years, announces plans to retire . . . ElU.';<br />

Lewin. WB booker, becomes father of a son.<br />

Richard Mark . Wellman. Girard<br />

theatre owner, blames night shopping hours<br />

for drop in theatre attendance . . . RKO exchange<br />

closes . . . Variety Club announces<br />

February 16 as opening date for the new-<br />

Tudor Arms location.<br />

The Charve Theatre, Edgerton, reopens<br />

fcr Charles Lewis, sponsored by local bank<br />

and merchants who claim a dark hou.se hurt.s<br />

their business . and Babe Barach.<br />

NSS. celebrate their 37th wedding anniversary<br />

. Bros, acquires Park Theatre.<br />

Mansfield, from Selected Theatres circuit<br />

. Goodman joins 20th-Fox as<br />

salesman . exchange stages buffet<br />

luncheon for all RKO employes.<br />

RKO's Frank Belles Joins UA as salesman<br />

Goldsmith and Otto Braeunlg<br />

open DCA exchange, thiis accountine for<br />

DRIVE-IN<br />

Practically<br />

Yearly<br />

YaorW<br />

dding<br />

THEATRES!<br />

DOUBLE<br />

GROSSES'^<br />

INSTALL<br />

EPRAD<br />

"Hot-Shot"<br />

IN THE CAR<br />

HEATERS<br />

Low-Cott, Smoll, Ltght,<br />

Compoct, Rugg«d, Cconofnicol,<br />

Ampitt Pow«r,<br />

0«Mgn«d Sp«c(Mc«dly<br />

for Dri*« In<br />

frot»*« orm ft«orFr doubled hf<br />

K«at*r«<br />

EASY<br />

TERMS<br />

THEATRE EQUIPMENT CO.<br />

1206 Ch.rry St ToUdo 4, Okto<br />

In<br />

Memoriam<br />

Death.s in Cleveland area motion picture<br />

circles iB.-it year:<br />

JOE ANXHULIS, film Building elkvator operator tor<br />

ten voor^<br />

JOSEPH W AMREIHN, WB proicctioniit<br />

SEYMOUR AMSTER, :r, Lo^ Angclcj, irrtereited in<br />

Fo fri.^on! u'u) otfK'r Ctcvclond ttiootres.<br />

MRS. STEPHEN ANDREWS, wit* of MGM Iwod<br />

%htppi*r<br />

M BELLONI, Bro'<br />

Fine, Union Square manager, buys DeLuxe<br />

Drive-In, La Porte, Ind. . . . Irving Marcus.<br />

NSS. .succeeds Aaron Wayne. UA. as president<br />

of the Cleveland Salesmen's Club.<br />

APRIL<br />

.<br />

. . .<br />

Miles "Bud" Mutchler succeeds Prank<br />

Masek, who retired, as NTS mniiager . . .<br />

Jan Sherwin, WB shipper, succeeds Harry<br />

Schoenberg as States Film manager<br />

Indu.stry farewell dinner held in honor of<br />

Krank Miusek. who Is moving to Tucson. Ariz.<br />

Mailers Bros, of Fort Wayne .sell.i three<br />

LH-fliuice theatres to Jack Armstrong<br />

New York Investors buy Euclid- 105th St.<br />

. . EMdie<br />

property, including Alhambra Theatre for reported<br />

State. Youngslown. Installs<br />

$1,100,000 . . . Todd-AO . Armstrong lakes<br />

over Woodvllle Drive-In. Mlllbury<br />

Berginan and wife Ethel celebrate 26th wedding<br />

anniversary 600-car Midway<br />

.<br />

Auto Theatre on Route 33, opens May 30 for<br />

LouLs Wetzel<br />

MAY<br />

Peter Wellman, Girard theatre owner. Introduces<br />

his bride to Filmrow . Horwitz.<br />

Washington circuit, announces his engagement<br />

to Janet Price . Goldman.<br />

IFE district manager, dies . . . Irwin Pollard.<br />

Imperial Pictures, dies . . . Cleveland Cinema<br />

Club marks its 41sl anniversary ... I. J.<br />

Schmertz, 20th-Fox manager, announces his<br />

retirement after being with the company 52<br />

years . Plrozzl appointed area 20th-<br />

Pox publicity representative to succeed Sol<br />

Gordon, promoted to Chicago territory.<br />

Mrs. Fiederick Chapman succeeds Mrs.<br />

Joseph Chase as president of the Motion Picture<br />

Council . . . Nate Schultz celebrates 20th<br />

anniversary as Monogram and AA franchise<br />

owner.<br />

JUNE<br />

General Theatres acquires the Gusdanovlc<br />

theatres, the Avalon. Regent and LaSaUe.<br />

bringing the circuit total to ten . . Loren and<br />

.<br />

Hazel Solether. Falls Theatre, Chagrin Palls,<br />

celebrate golden wedding anniversary with<br />

gala affair at the home of their son James,<br />

Jack Gertz Enterpri.ses<br />

mayor of Chagrin Falls . . .<br />

moves from Warner to Film build-<br />

"Cinerama Holiday" opens June 27.<br />

ing . . .<br />

sponsored by Junior League with proceeds<br />

going to Cleveland Museum of Natural History<br />

"The Ten Commandments" closes<br />

. . . "This Is Cinerama" closes<br />

after 29 weeks . . .<br />

after 32 weeks at the Palace.<br />

Nico Jacobellls. managing director. Heights<br />

Art and other Art Theatre Guild houses,<br />

leaves for summer in Europe, including the<br />

Rudy Norton appointed manager<br />

film festival . .<br />

of Imperial Pictures by owner Jack Zide<br />

Elna Gebhart Installed as president<br />

of Cleveland Cinema Club . HorwiU<br />

and Janet Price married In Park synagogue<br />

Lynch succeeds the late Harold<br />

Ralves as Schine Ohio booker ... Ed Shulman<br />

and Louis Sher of Art Theatre Guild<br />

add Ritz. Memphis, to chain of art theatres<br />

Schermer, Paramount booker,<br />

goes to work for Uncle Sam . Schwartr.<br />

Lexington Theatre, and his wife leave for<br />

Europe.<br />

JULY<br />

. . . Jack<br />

.<br />

.<br />

M. B. Horwlti, Washington circuit, became<br />

a two-time gieat grandfather . .<br />

Leonard Oreenberger. Fairmount Tlieatre. Is<br />

one of Uie organizers of Uie new Terrace<br />

Country Club in Bedford Heights<br />

Silverthorne. Hippodrome, and Jack Lewis,<br />

Keiths lOSth St.. lease Mayfield Tlieatre lor<br />

art presentation Wellman. Girard.<br />

buys Sharon Drive-In. Sharon. Pa , and appoints<br />

.son Mike as manager . a second<br />

boy for Marty Orassgreen. Columbia .salesman.<br />

Horace Adams. ITO president, owner of<br />

drive-ins and the Ascot race track, buys Raceway<br />

track. Florence. Ky. Hanna,<br />

only local legitimate theatre, installs widescreen<br />

lor spot summer film programs, opening<br />

with "Johnny Tremaln<br />

Jerry<br />

Llpow becomes member of Paramount 100<br />

ME-4 BOXOFFICE<br />

:<br />

3. 1958


. . Associated<br />

. Leonard<br />

Nat<br />

Sylvester<br />

. .<br />

. Carl<br />

. . Park<br />

, Avon<br />

. Paramount<br />

. . The<br />

nlsht<br />

Per Cent Club Ivanhoc TTifatrt. Toledo,<br />

Joe Robins.<br />

convrrtcd Into bowling alleys . .<br />

Warrrn. uodrniucs sunicry.<br />

A rOH ST<br />

I J SmprtJ! tftrt'wcll lostimonlal dinner<br />

brUiRs out a record Indu.stry representation,<br />

with CioorKe Hoover. International Variety<br />

Club. OA t(>u.slmastrr Wolf announces<br />

coaitructlon of a SO.OOO-square-foot warebouse<br />

in Cleveland Ray Schmertz appointed<br />

to succeed his dad as 30th-Fox manager<br />

Anne Sii«Klo promoted at Columbia<br />

from office work to booker, succeeding Jack<br />

Kenehan. appointed States Film manager.<br />

Variety Club annual golt tournament ends<br />

in tie between Ben Lefkowlch. Community<br />

circuit, and Joe Miiyer. Hippodrome assistant<br />

manager Tlie Embassy, downtown subrun<br />

house, switches to first runs . . Joe<br />

Robins. Warren and Nlles theatre owner,<br />

dies m his Miami winter home where he was<br />

convale.sclnK from surRcry.<br />

si>:ptkmhkk<br />

.<br />

. .<br />

.<br />

Haael Mack. NSS. leaves for a six-week<br />

European trip circuit Is out<br />

of Belmont Theatre. Youngstown. owned by<br />

Peter Wellman of Glrnrd Jim Scovllle,<br />

retired local circuit owner now living In<br />

Tucson, here on his annual visit . . ITOO<br />

convention set for December 3. 4 In Columbus<br />

Robins Amusement Co.. Warren, sues<br />

Paramount and State Theatre Co. of Youngstown<br />

on grounds of conspiracy to Ignore long<br />

established availabilities between Youngstown<br />

and Warren. In rejecting Its bid for<br />

The Ten Commandments." Asks $22,375<br />

triple damages.<br />

Granada Theatre. Toledo, razed for parking<br />

lot Ralph Bevlngton closes<br />

hawk Theatre. Waynesburg . . E.<br />

hU Mo-<br />

A. Gollen<br />

reopens star. Deshler . Leon Enken elected<br />

.<br />

president Robins Amusement Co. . . . Mayfield<br />

Art Theatre holds gala opening.<br />

.<br />

OCTOBER<br />

Prank Slavik. formerly of Mumac Theatre.<br />

Mlddlefleld. buys new Margate Drlve-In.<br />

JUargate. Fla Elmer DeWltt. longtime<br />

numager of the Mailers Theatres In Defiance.<br />

buy^ Wayne Theatre. Port Wayne. Ind. . . .<br />

Sky-Hi Drive-In Installs heaters for all year<br />

operation The State. Allen and Hippodrome<br />

all report capacity crowds for the<br />

Robinson -Basil 10 fight on closed TV.<br />

Ed Mott. Wooster. celebrates 45 years In<br />

show business Steffens. Columbia,<br />

L*rTy Heller of Town Theatre. Canton, takes<br />

O'T Park. North Canton .<br />

Pierce,<br />

manager Berea Theatre. Berea. named vicepresident.<br />

welcomes his first child, a daughter . . .<br />

Berea Chamber of Commerce . . .<br />

John "Casey Weln resigns as Local B-5 president<br />

and business manager, stays on with<br />

Locals P-5 and B-6 David Sandler. Sandler<br />

Mfg. Co . introduces new in -car heater .<br />

I^vld "Danny" Rosenthal .succeeds Marshall<br />

P" • as Variety Club chief barker<br />

NO\'EMBEB<br />

Mrs. S*m Weiss re-elected president Variety<br />

•uxlUary George Manos. no relation to<br />

man of same name who Is a circuit owner,<br />

opens State. Canton, and changes policy from<br />

burleoque to pictures . Sylvester Plerc*.<br />

manager. Berea Theatre. Berea. and vice-prestdent.<br />

Berea CofC. won elecUon as councUman-at-Unte<br />

Prank Murphy. LoWa<br />

Theatres dlviaion manager, announces policy<br />

of dally matinees for "Around the World In<br />

> D»ys during Xmas week<br />

Variety Club .iponsoni a 32-theatre kiddy<br />

morning matinee for the benefit of lt« charity<br />

Dogs Have Their Day<br />

At Memphis Cinema<br />

Mrlii|ihls Mrlll|llll^ h.lil .1 liiciMr |irrmirrr<br />

for lion's— .it (lir Malco. It Ht.irlril<br />

.it !• a.ni Thr r.lnlllr^ wrnt to \rr .1 vtorv<br />

iilxiut Sptkp. «ho had thr tlllr ri>lr In<br />

Old Vcllcr." .M.iii.iKrr KlUiii llolUnd<br />

made only oiir rrqulrrmrnt— there must<br />

br a human on Ihr other end of thr<br />

Irxsh. Thr human wah admitted frpp on<br />

the dole's llrkrt. Conrrwtlon .<br />

Jack and .\ will share honors<br />

with Gene iC Cabinet Corp ><br />

and Anne Vogpl Each member is Invited to<br />

bring along a guest couple<br />

BoxorncE February 3. I9M<br />

ME-5


. . Frank<br />

. . Cliff<br />

. Joseph<br />

. .<br />

DETROIT<br />

n \. KrikorUn of the Holly Thoalre. Holly.<br />

WHS in town for a Fllmrow visit Monday<br />

fthfad of the btg snow . Perry of<br />

MOM reported closing of the Century at<br />

Coopersvllle. operated by Al Heffernn and<br />

booked by Bill Clark . Jones. Buena<br />

Vista manaKer. reported "Old Yellcr" doing<br />

record business at the Madison . J.<br />

Lee. Pox manaRer. led his gang of Jack<br />

Sturm. Tim Cleary. Al Champacne and<br />

EUeen Bresnahan to St. Louis lor the big<br />

RESEAT OR RENOVATE<br />

Pf3!(Uicnjl wOfk on Hit renotalion— FictO'y trjined<br />

crp« Your chairt rKChrrfd. using foam rubbrr or new<br />

tcringt Metal t*^\ rtfl ishrtj lUf nrw. Wide irleclion<br />

of eicri:efit utrd chairs for quich tale<br />

OGLESBY EQUIPMENT COMPANY<br />

20356 Crvd Ni


'Seven Wonders' Will End<br />

78-Week Run in Detroit<br />

UtTKOIT riu- dfci-Mon to cl.<br />

W>':ul of the World' at the M; :<br />

il.i.:<br />

ly. Febniury 9. »lll give this third<br />

.ima production clear UUr to a rank<br />

J play Detroit m either lefiltlinate or<br />

n picture theatres TJie current at-<br />

s- the top threv lon«-r\in •ttractloiu<br />

.. .. :.on opened Monday. Aug 13. 19S6. (or<br />

»n uivitatiunal screening, with the public<br />

opening the following night—giving It a run<br />

D( 78 weeks.<br />

ThLs ties the record of 78 weeks set by lUs<br />

predeces.»or. "Cinerama Holiday." but again<br />

Is 21 weeks short of the alltlnie 99-week<br />

record establLvhed by the fln-t of tht- trio.<br />

"'<br />

- Is Cinerama " The three unique prons<br />

have kept the Music Hall, once conliUtTcd<br />

a gorgeous white elephant and closed<br />

tor long periods when it was known as the<br />

:i Theatre, continually occupied since<br />

.rst opening March 23. 1953—a "con-<br />

Uiuous run" of almost five years!<br />

E\-ldence of the pulling power of the<br />

ttronger pictures currently available, the<br />

first long-run record. excluding the<br />

Cinerama trio. Is currently being established<br />

»v -.Ground the World in 80 Days" at the<br />

1 Artists Theatre, which is In Its 57th<br />

. With thLs run. the Todd-AO spectacle<br />

schpses the former record of 43 weeks shared<br />

»y It* predecessor. "Oklahoma!" at the UA<br />

The Ten Commandments." recently closed<br />

icross the park at the Madison Theatre<br />

Produced in part In Nigeria. Unlversals<br />

Ulark of the Hawk" deals with dramatic<br />

'orces In Africa<br />

LETTERS<br />

Rcfurn to Faith Needed<br />

tvirywIUTC one rrads oi iiii- prevailing<br />

slack condition of the present econonilr .setup,<br />

which seems to have seeped surreptitiously<br />

into the very foundation of the Thriitre<br />

World In fact. It .seems to be a fashionable<br />

trend with conversation to accept the downward<br />

trend as Inevitable.<br />

However, there has never been a time when<br />

niank.nd did not seek out entertainment and<br />

from the earliest days of the first cameras,<br />

the foregone conclu.ston of everyone was that<br />

the movies are here to stay Granted as time<br />

progressed with better standards of education<br />

open to everyone, higher standards of movies<br />

were demanded, and higher standards have<br />

been presented to the public.<br />

Film, this one word alone, when one ponders<br />

It. conjures up Innumerable synonyms<br />

theatre, amphitheatre, actre.ss, actor, studio<br />

and glamor to quote a few. Each one of tiiese<br />

words In their turn presents to the mind a<br />

fabulous story of adventure of life and of<br />

living In the present age and our glorious past<br />

Faith, somehow this word seems to be out<br />

of place with the fashionable, exciting glamorous<br />

world of the Theatre. But, FAITH and<br />

Its component parts are neces.>-ory and more<br />

necessary today than ever t)efore. Each and<br />

everyone connected with film, theatre, etc.,<br />

must renew their faith and have their thinking<br />

afire with only succes.s thoughts. If this<br />

theatre business is to once more take Its rightful<br />

place as a No, 1 medium of entertainment.<br />

MURIELLE LOSEE<br />

Receptionist. Columbia Pictures. Detroit.<br />

Detroit 'Girl of Week'<br />

BOXOFFICE Reader<br />

Is<br />

UETKOIT-A pcTl young mtsa with an<br />

avid interest In tlie film buslnens to which<br />

she has devoted her whole working life. »a»<br />

.sflected as the girl of the week (or the series,<br />

She Wdrks Downtown." by our neighbor<br />

publication. The Downtowner. Honored wa«<br />

Sylvia Ru.vsell, secretary at the DLntrlbutors<br />

Corp. of America office, whose picture doubtless<br />

helped Increase the paper's circulation<br />

also<br />

Ml.ss RusAcll was formerly In the Universal-<br />

International exchange, before DCA opened<br />

a branch here. The solid depth of her Interest<br />

in the Industry Is evidenced by the<br />

fact that .she Is probably the only girl In the<br />

exchange territory to be a subscriber—and<br />

reader—of the National Executive Edition<br />

of BOXOFFICE.<br />

Detroit Boothman, Wife<br />

Suffocate in Home Fire<br />

DETROIT F'rancls Charles Miles. 41. projectionist<br />

at the downtown National Theatre,<br />

and his wife Marian died from suffocation<br />

during a fire In their home January 23<br />

He had been the projectionist at the Booth.<br />

Maxlne. Roxy. and East End theatres and<br />

also worked at WWJ-TV.<br />

He was the son of Charles Miles, projectionist<br />

at the first-run Michigan Theatre and<br />

one of the oldest active members of Local<br />

199. The elder Miles and his wife had been<br />

visiting at the victims' home until within<br />

two hours before the fatal fire.<br />

Miles is survived by two children. Sandra<br />

and Judith. His wife also is survived by two<br />

children, Russell and Joyce Krug.<br />

Step Right Off to More Profits<br />

Paint Your Drive-ln Theater<br />

The "COLOR CHARM" Way<br />

Today's competitive business colls for COLOR—to ATTRACT and<br />

KEEP customers Make sure of o big hcod start for ffic new season by<br />

hoving our expert painters "Color Charm" your theatre now<br />

"Color Charm" painting distinguishes your theatre It assures your<br />

showmanship and your drivc-in theatre extra "pulting-in power." It brightens<br />

your buildings, screen, equipment ond your profiti.<br />

Call or write today for full details on how "Color Charm" painting by our<br />

skilled craftsmen con odd beauty and business in your drive-in. Fast,<br />

reliable service All work guaranteed Rcosonabic prices<br />

S


. . Mr.<br />

. . Nat<br />

and<br />

Gray<br />

. David<br />

. . G.<br />

. .<br />

by<br />

. . George<br />

. . Paramount<br />

Robert Morrell Dies;<br />

S&S Circuit Manager<br />

CINCINNATI— Robert F. Morrell. general<br />

•<br />

- - ' •''• S.VS Amusement Corp. since<br />

1950. died at hl.s home<br />

Friday i24i at age of<br />

41. He hod been under<br />

H doctor's care for<br />

two months while contlnuinK<br />

his regular activities,<br />

but Friday<br />

morning he became HI<br />

and collapsed of a<br />

^J^<br />

^^^^l|^^^ heart ailment.<br />

survived by his<br />

^H^l^^" ^<br />

He Is<br />

^^^^^ J^ V »i(e Louise, a daugh-<br />

^^^^ ^%*^ ter Carol, and two<br />

Itohrrt .Morrrll sons Robert and John.<br />

Morrell came to Cincinnati<br />

from Brooklyn in 1940 and was<br />

booker at the local MGM branch until he<br />

Joined S&S. a theatre circuit headed by<br />

Ruben Slior. He was in charge of arrangemenUs<br />

for the National Allied convention in<br />

Cincinnati in 1957: he recently conducted<br />

one of the film clinics at the annual convention<br />

of Independent Theatre Owners of<br />

Ohio in Columbus; and was assisting the<br />

ITOO secretary William Carroll in setting<br />

up displays at the National Allied drive-in<br />

convention to be held in Louisville In February.<br />

Shor. who was in Florida vacationing, flew<br />

home after Morrell's death.<br />

Sam Fritz Quits Industry;<br />

Manager at Cleveland<br />

CLEVELAND— Sam Fritz, manager of the<br />

Milliard Square Theatre in suburban Lakewood<br />

and a unit of the Associated circuit,<br />

resigned from that position and from the<br />

industry effective February 1 to become a<br />

partner with his brother in a furniture refinLshlng<br />

business in Akron.<br />

This Is a radical change for FYitz. who has<br />

been In the picture business most of his adult<br />

life. He managed theatres prior to World<br />

War II. during which he served in the Navy.<br />

After the war he returned to the picture business.<br />

While manager of the HllUard Square Theatre,<br />

he effected a tie-up with the Lakewood<br />

police department in which automobile<br />

drivers who showed better-than-average road<br />

courtesy were given a certificate of driving<br />

merit and a card entitling the bearer to be<br />

the guest of the theatre. This has been In<br />

general practice In Lakewood for several<br />

years and has greatly added to the stature of<br />

the theatre. Becau.sc all cards to be redeemed<br />

had to be presented pcr.sonally to Fritz, he<br />

came to know the people and was able to win<br />

many of them as regular patrons.<br />

FrIU took a course In furniture making and<br />

upholstering under the GI bill .so Ls quailfled<br />

to go Into the furniture refinlshlng business.<br />

Theatre in Morenci. Mich..<br />

Is Closed by C. W. Harris<br />

MORLNCI. MICH. C. W. Harris, who<br />

own.H the Fiiyctte Theatre In Fayette, Ohio,<br />

hkJt rlovd the R


Monday.s<br />

River Kwai' Leads<br />

Boslon Holdovers<br />

bUSH'N fiyt.iti ri.iii- .iiul Sijyon.i<br />

were ruiinlnK nrck-mul-ncck nt the two 1..<br />

est downtown thrutrfs. tx)th riitrrinK thii:<br />

fifth vetki Cold and ley wrathrr niiide drlv-<br />

Ulf haziirdou.s. bmUKht .spotty ttrixiscs in niuiiy<br />

»ltu«t!on> However, the .>tronK prudurt continued<br />

to do ifood bu.Mne.vs. with "Bridge on<br />

(he River Kwui" ^ettlnK the clty'.s htiih mark<br />

of ISO.<br />

(Av«roo« i% 100)<br />

Aifo'- ••lalrc* CoynlT MGM). I4ih and flnol<br />

-« 70<br />

t»a::>n H Old Teller HVl 4th ok . . 130<br />

•o»'."» S««>(h »o« Porodhc SW o~k.^.' ^ * •<br />

Blood o» Droculo MP) 100<br />

World IK to DoTi Soi A' u'^j llM '^<br />

* 1 30<br />

Slo'r- ,orT> La^iut ot the lo»t UA);<br />

TW Oolton GrrH ^Ai 170<br />

Raintrec County' 300 Opening<br />

Cheers Providence<br />

PROVIDtNCE — Despite bitter cold<br />

weather, ram and .snow. "Ralntree County" at<br />

Loew's State racked up a tremendous 300 to<br />

lead all downtown proRrams A combination<br />

borror bill at the RKO Albcc. "I Was a Teen-<br />

M« Frankenstein" and "Blood of Dracula."<br />

copped -lecond honors with 110. Considering<br />

the unfavorable weather. "Sayonara. " playing<br />

lor a fourth week at the Majestic, did well to<br />

hit 80 A strong recession has hit this area, the<br />

state unemployment bureau reporting<br />

50.000 out of work ThLs. in ILself could account<br />

for a .sizable drop in Iwxofflce grosses.<br />

AJtx*— I Wot o To«fio9o FrankoRifcin ;AIP)-<br />

Wood of Droculo Alp) 300<br />

Lo*w \—Kotntrcf Counry 'MC^i 300<br />

M«i«t? : - J«ronara .".Bi 4th wk 80<br />

Slron^^MMof Rock and Roll (Poro). Tko Dovirt<br />

MIh Im Paro 75<br />

Holdovers Continue High<br />

In Downtown Hartford<br />

HARTFORD— Poyt.. II Place" was doing<br />

•ell in a third week at Loew's Poll as was<br />

"Ar:d God Created Woman" In a Fourth<br />

: at E M Loew<br />

-Man In Hm ikliotr U->: Tkit It<br />

RaMla L I 9 J<br />

A/f—Tka iakor It WM Poro) Ueo In Iha<br />

I<br />

AHiiaaaa A>.>, 2n.-) ran 75<br />

M Lt>o~—Aad 6e4 Craatod Woaiott (Kinotlay).<br />

4fh .k ^ ' ',40<br />

TV. Corolatt Taan UAv Stroat o»<br />

^c.ton Placo .'Ofh-fo.' 3rd «.k !H0<br />

-. Man CodlroT i^ I: TIta OalacHva<br />

90<br />

r^fmpatt in rK« flotll P3c A.e..^ MM WatM h> M Oar* UA'<br />

J4th .k ,50<br />

"Mark of the Hawk." a ITnlversal releane.<br />

WIU have ita world prrmirnr tn Detroit March<br />

II<br />

BOXOFFICE February 3 1868<br />

RKhtiKI^ IIAKK MKi:riN(;— Mcrvyn<br />

I.rrDV. director of "llunic Itrriirr ll.irk,"<br />

.mil Ihr sl.ir f tin- fiini, .li-.tn Simmons,<br />

.irp shiiMn ch.itliiii: «ith Kifi ll.irdliiK.<br />

Kiislnii (-riiught<br />

Ills sl.irs and sliixiliiiK st.iff to Itnsliiii (ur<br />

Irn days for shuts in atui anuiiiil the<br />

urea.<br />

New Presidents Elected<br />

By Locals 439 and 186<br />

HARIT-'OHD MiiiiUislups iil two lA regional<br />

locals have elected officers.<br />

Eric Crawshaw has been named president<br />

of Local 439. lATSE. Nevk- London, Conn.<br />

Serving with him arc Leslie Nowell. vicepresident;<br />

John S. Kane, financial .secretai-y<br />

and treasurer: Benjamin H. Rose, recording<br />

secretary: Fred Nowell. business agent;<br />

Thomas Kenure. Antone Osowskl and W. W.<br />

Lucas, trustees and executive board; Nowell,<br />

delegate to third district, with Lucas as his<br />

alternate: and Lucas and Fred Nowell. central<br />

labor union delegates, with Kane and<br />

Robert Hyde as their alternates.<br />

The new president of Motion Picture Machine<br />

Operators. Local 186. Springfield. Mass.,<br />

Is Edward Whittle. Fellow officers are Guy<br />

Best, vice-president; Eklward J O'Connor Jr..<br />

busine.ss agent; Arthur J. Payette, corresponding<br />

.secretary-treasurer: Lewis Lambert,<br />

Donald Crowley and Owen Holmes, executive<br />

board Local 186 gave O'Connor a traveling<br />

bag and briefcase.<br />

New Co. Will Operate<br />

Capitol in Middletown<br />

.\K\V H.WL.N .\ :.. ......i;...;, :.s being<br />

formed to operate the long-.thuttered Capitol<br />

Theatre. Middletown. by officers and<br />

.stockholders of the Capitol Theatre Realty<br />

Corp . headed by Mrs. Alexander Saraceno and<br />

Nicholas A Sarnceno. following vacating of<br />

the lease by the forn-.er tenant, the Capitol<br />

Theatre Operating Co., also of Middletown.<br />

The theatre will be redecorated and will<br />

.specialize In first runs, according to the<br />

Saracenos.<br />

MIddletown's other finit-runa—the Palace<br />

•nd Middle.sex—are operated by the M&D<br />

Theatres, headed by Sal Adomo sr . and his<br />

.son Mike<br />

Bristol<br />

Bargain Matinees<br />

.'.;.'.'.<br />

iiA.i..'. ',,„ .^;.,i.,, , A mini Mull-<br />

Bgement Corp ha« announced a new Fjirly<br />

Bird barsaln hour plan at the fir.st-run<br />

Cameo at BrLstol. with adult patrons charged<br />

SS rents from 4 4& to 6 p m . through<br />

Fridays Dennis J Rich Is manager<br />

Benjamin Sack Adds<br />

Copley fo Circuit<br />

111 ".SIGN A deal hioi been signed In New<br />

Y'.ili lidding the Copley Theatre in Copley<br />

Square to the Benjumin Sack circuit Sack operates<br />

the Beacon Hill, the Saxon and the<br />

new Oory theatres, all In downtown Boston,<br />

lis well as two theatres In FItchburg With<br />

the acquisition of the Copley, the name will<br />

be changed to the Capri Theatre with a<br />

policy of long-run cngagemcnt.s of art and<br />

foreign films and the best Hollywood product.<br />

The Copley Theatre, built In the '208 by<br />

the late E E Cllve as a repertory theatre,<br />

i.s owned by the Shubert interests For the<br />

liasl tin years It hius played only short engagements<br />

of films and stage plays. Last<br />

September, Richard Davis of l/MPO took a<br />

lea-se on it a.s an outlet for hLs foreign product<br />

After exten.slve alterations at a co^t<br />

of $120,000, Davis reopened it with a tenwci'k<br />

run of ".Marcellno."<br />

Adopts Five-Day Policy<br />

NKW U.WES Till M.1U..II U10.S circuit<br />

ha.s dropped Tue.sday- Wednesday performances<br />

temporarily at the Palace. Stafford<br />

Springs. Tlic theatre, managed by Hal Bogue.<br />

Ls to resume a fulltlme schedule after the cold<br />

weather.<br />

Theafreman on Fire Board<br />

NEW HAVEN—George H Wilkinson Jr.,<br />

president of the MPTO of Connecticut, and<br />

operator of the Wllkln.son Theatre at<br />

Wallingford, has been named to the board<br />

of fire commi.ssloners.<br />

Reseating and<br />

Seat Repair are<br />

SO simple<br />

with Internationals<br />

Internolionol Seal Divition<br />

Union City Body Compony, Inc.<br />

Union City, Indiana<br />

NE-l


)<br />

. . Sam<br />

. . Floyd<br />

BOSTON<br />

£rn


DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />

DOUBLE SPECTACLE-TERROR!<br />

FABULOUS! FANTASTIC! TERRIFYING!<br />

Noromous bsautics lost in a fantastic HELL'ON'EARTH!<br />

vV<br />

BEAUTIFUL...<br />

OEAOtr<br />

ji<br />

^<br />

THE<br />

ASTO0$D\N<br />

A^<br />

^M<br />

iMini>i>!£L<br />

^^ I<br />

»^ my MLTON • SDSAN CABOT •<br />

BRAD JACKSON<br />

. JUNE mnn richaro devon r„tKi at tmat *, mu cmmu<br />

U UKMUN WKMUIIOIIU rXTMl<br />

SEE ^SEE<br />

SAUCE T GIAXI<br />

IIOOORITUAISOFaI SUStRPENTOF<br />

LOST EMPIRE' ^ THE VORni'<br />

SEE^ SEE<br />

OF MONSTROUS 1 WITH THE CtUlAfi<br />

TERROR' ^ OFUANTS'<br />

EMBASSY PICTURES CORP<br />

JOSEPH LEVINE<br />

20 WinchcJtcr StrMt


. Annual<br />

. . Phil<br />

^<br />

and<br />

. Don<br />

. .<br />

"Back<br />

NEW HAVEN<br />

'Thr West Knd. BildKriwrl .subst-qucnl-run<br />

house, which plays Italian product Montlavs<br />

and Tuesdays, is ndvcrtisliik- In the<br />

New Haven dallies . . . The White Way here<br />

has a new Tuesday -Thursday chlnaware deal<br />

The holdover enRageinent of "Pal Joey"<br />

broke house records at the FIshman suburban<br />

RlvoU and Howard<br />

Warner Bros, booked Snyonara" into two<br />

Menden houses, a rarity indeed. The film, at<br />

75 cents top. played the Merlden and Capitol<br />

New Haven Arena week's engagement<br />

of "Ice Capades" January 23-29,<br />

cot a $4 80 top price<br />

llarrj- K. Shaw, division manager. Loew's<br />

Poll-New England Theatres, got advance promotion<br />

under way for key openings of "Raintree<br />

County." "Peyton Place" ha,s held over<br />

in every Poll A house in the territory . . .<br />

Perakos circuit booked a revival bill, consisting<br />

of "Pearl of the South Pacific" and<br />

"Yankee Pasha" into the first-run Palace.<br />

New Britain . Stanley Warner booked "War<br />

and Peace" Into latter city's first-run Embn.'i.'jy.<br />

advert ising "Ijist Chance to See! "<br />

PROVIDENCE<br />

n freezing rain, coming upon the heels of<br />

a New England blizzard, all but paralyzed<br />

traffic and pedestrian travel, seriously<br />

cutting Into local gro.K.ses. Weather predictions<br />

indicated further rough weather, so this<br />

section was battening down for the new onslaught<br />

"Sayonara" held for a fourth<br />

week at<br />

. . .<br />

the Stanley Warner Majestic . . .<br />

The new Art Cinema held "Gervaise" for a<br />

second week Nemirow. RKO Albee<br />

.<br />

manager, presented a "blood-chilling" horror<br />

show, headed by "I Was a Teenage Frankenstein"<br />

and "Blood of Dracula."<br />

The 1958 Ice Capades opened for a ten-day<br />

run at the R.I. auditorium. The initial performance<br />

was for the benefit of the Roger<br />

Williams Hospital Aid As.s'n . Al Slner.<br />

. .<br />

.Strand manager, booked "Mister Rock and<br />

Roll.<br />

" starring Alan Freed, with "The Devils<br />

Hairpin" A special midnight horror stage<br />

.show wa-s offered by Albert J. Clarke, manager<br />

of the Stanley Warner Majestic. Publicity<br />

offered large ".spirit portraits ' of Marilyn<br />

Monroe cfor the boysi and "spirit pictures"<br />

of Elvis Presley for the female patrons.<br />

As an added gadget, two passes were offered<br />

to anyone staying through the complete show.<br />

Tickets were offered at 90 cents and patronage,<br />

despite weather conditions, was considired<br />

good.<br />

".\round the World" Is still playing to satisfactory<br />

houses at the Elmwood. a nelghborhooder<br />

converted for this attraction and<br />

forthcoming pictures.<br />

Christy's, a noted .seafood restaurant In<br />

nearby Newport, is seeking a permit to present<br />

motion pictures. Many technicalities<br />

will have to be overcome before such a license<br />

is granted. It was believed that special<br />

evening performances would be given after<br />

the restaurant's patrons fini.sh dinner. Sometime<br />

ago. a nearby nightclub, now closed, arranged<br />

to show oldlime films to their patrons<br />

on Sunday nights, when dancing was not permitted.<br />

The venture failed to lure the expected<br />

attendance.<br />

Cash Settlement Given<br />

Patron in Bridgeport<br />

BRIDGEPORT. CONN.— Albert E. Eccles.<br />

former state senator, has accepted S5.250 in<br />

settlement of a $20,000 superior court negligence<br />

action against Warner Bros. Theatres.<br />

Eccles claimed he injured his back and<br />

left hand Oct. 16, 1953, when he opened a<br />

door in the lobby of the defendant's Warner<br />

Theatre here and fell down a flight of steps.<br />

The complainant .said he thought the door<br />

led to a restroom.<br />

The settlement was reached after a jury<br />

had been .selected and the pleadings read in<br />

preparation for trial in the action.<br />

You're Missing A Beaui-^Ii<br />

you haven't added Swingfog to<br />

your Insect Fighting Equipment.<br />

Why' Because Swingiog, the only<br />

Portable Pulse Jet Fogger and<br />

": •<br />

; .'-r available, con help you out<br />

toughest control problems<br />

you ve ever faced. Swingfog "will do<br />

SWINGFOG"<br />

Succcis'u//)! uiv6 by Dri»c /ni<br />

ihioughout<br />

the<br />

country<br />

For information contact these distributors:<br />

Tila Salon Company. Whoaton. 111.<br />

Rvnearch Produdi, Koniia* City. Mo.<br />

Van-Wan Toq Equipmanl & Supply.<br />

Portland. Or*.<br />

Fog. Incorporalod. Wyckofl. N. I.<br />

Southern Mill Crook ProducI*. Tampa<br />

NE-4<br />

ri'i.<br />

the job faster, better and more<br />

economically any time. At your<br />

drive-in, it will be simple for you<br />

to control mosquitoes, flies, midges<br />

TT.d mites, "wasps and bees using<br />

Swingfog in concession or parking<br />

areas.<br />

EL S. Browning Co.. San Francikco. Calil.<br />

Harlnoy Spray Corp.. Dedham. Ma**.<br />

Henry Sloinor. McAllon. Tox.<br />

Tho I'oq Air Company Now York N. Y.<br />

HARTFORD<br />

prid It. (Ireenway. Loew's Palace manager.<br />

IS leiiring and moving to Chatsworth,<br />

Calif. We'll have a profile story on Fred on<br />

lhe.se pages very .shortly . . The Hamilton,<br />

.<br />

Waterbury, booked a live rock-and-roll showon<br />

a recent Sunday The show, featuring Lou<br />

Dennis, WBRY di.sc Jockey, appeared al 5:10<br />

and 8:40, in addition to a double screen program,<br />

containing "Quantez" and "Mister<br />

Rock and Roll."<br />

. . .<br />

.Mrs. Helene DolKin. wife of the Pine film<br />

buyer, has been named instructor in dramatics<br />

for the older adult division, Hartford<br />

Jewish Community Center, this season .<br />

The independent Lido. Waterbury. played no<br />

le.ss than three attractions the other day.<br />

On screen: "The Beginning of the End" and<br />

"The Unearthly " "Outlaw's Son"<br />

Former State Treasurer Joseph A. Adomo. son<br />

of Sal Adorno sr.. general manager, M&D<br />

Theatres, served as Middlesex county cochairman<br />

for the United Republican dinner<br />

held at the Hartford Statler-Hllton.<br />

BRIDGEPORT<br />

"pjominick Marcharoli, stage manager of<br />

Loews Majestic Theatre, has resigned to<br />

become stage manager of the city-owned<br />

Klein Memorial auditorium Felix,<br />

.<br />

manager of the now closed E. M. Lowe drivein<br />

in Mllford. is currently in Hartford serving<br />

as relief for E. M. Lowe managers . . .<br />

Patricia Capello. cashier at the Merrltt.<br />

donned a Japanese costume for the opening<br />

night of ""Sayonara."<br />

.<br />

.<br />

Manager Robert Carney of Loew's<br />

Joseph<br />

PoU.<br />

Waterbury. celebrated a birthday .<br />

Ta.ssineri, sUge manager at Loew's Poll, has<br />

taken a ten-week leave of absence to go on<br />

tour with Katharine Hepburn and Alfred<br />

Drake in the Shakespearean production.<br />

"Much Ado About Nothing" to<br />

Methu.selah." with T>'rone Power, has been<br />

booked Into the Klein Memorial for Friday,<br />

February 21. The show is the first legitimate<br />

attraction to play the house in a couple of<br />

seasons.<br />

NEWHAMPSHIRE<br />

T\ i,;it(his. Inc.. operating theatres In New<br />

Hampshire and "Vermont, has filed a bill<br />

of equity against the city of Keene in<br />

Che.shlre County .superior court Tlie action<br />

is to prevent seizure of Keene land owned by<br />

the Latchls firm for a parking lot project beside<br />

Railroad .square It is claimed that the<br />

company's theatre property would be irreparably<br />

damaged if the city took the adjoining<br />

warehou.se property The city has offered<br />

$37,500 but the Latchls Interests contend<br />

this is not enough.<br />

Part of the operations of the New Hampshire<br />

department of employment .security<br />

have been moved into the ba.semcnt of the<br />

Capitol Tlieatre in Concord while the new<br />

DEC office building Is being constructed.<br />

Marline Carol. French actre.ss. will star<br />

with Jeff Chandler and Jack Palance In<br />

United ArtlsUs' "Tlu" Extra Edge "<br />

BOXOFFICE February 3, 1958


.<br />

win<br />

ASN Physical Assets<br />

To Du-Art Films<br />

MONTREAL— Al You: Snt of Du-<br />

Art Film Laboratories. .ti.i..'Ui.>. a here that<br />

Du-Art. Uirouiih t(s .subnldlao'. A.vsoclatrd<br />

Screen Indu.itrlcs. hoa acquired the phy.slcul<br />

uels of AvNorluted Screen News of Ciuiadu.<br />

3000 Northdirte Ave.<br />

AMociatfd Screen News Is the oldest and<br />

tamrsi motion picture laboratory In Canada<br />

Founded In 1930. A.ssoclated &pt>cliillzes In<br />

I'rlCiil releo-se prlntlnK for most of the<br />

r Anierlcan producers and In liKtu.strlul<br />

^!iJ trlevLslon work (or Canadian and American<br />

producers.<br />

Officers of the new company, to t)o known<br />

M Associated Screen Industries, are Al Young.<br />

.dent: Irwin Young, vice-president: Mur-<br />

Brtskin. -secretary, and Jack Fellers.<br />

UfAiurer Murniy Brl.skln, formerly executive<br />

a5.«L«tant to the president of Associated Screen<br />

assume Uie position of executive<br />

or of the new company.<br />

Charles Krupp, Sportsman and Filmman, Dies<br />

'Soyonara' Is Still High<br />

In 2nd Toronto Week<br />

TORONTO- Not so many holdovers were<br />

on view in the first-line theatres but there<br />

was one which set the pace In the week's<br />

(To&ses. this l>etng "Sayonara" In Its second<br />

*c«k al the Imperial, followed by "Don't Go<br />

Near the Water" at Loew's. also for a second<br />

Mama.<br />

iAvcrofl* li 100)<br />

tgiinron—Z«f« Ho«r Pora),<br />

r-'Tirt Holrplii .Par^' 100<br />

ttcopod* in Japan (U-l);<br />

3H ot Guilt S?' 105<br />

Ho. fo Myrdcr o Rkh Unci* (Col) 105<br />

SoTonoro .'. -^ . '^ : -k 120<br />

L>on r Co Near th* WoUr MGM),<br />

lis<br />

Th» Sod Vock (Pofo) 105<br />

TtKT tntmr B«low 20tK-Fo«) 115<br />

ArovHl >h« Worid in SO Oayt (UA),<br />

115<br />

T.ni> La


. . UACL<br />

' Pembroke<br />

. . John<br />

. . Three<br />

. . Good<br />

. . The<br />

. . The<br />

MONTREAL<br />

^^lrcctor^ oj Coasolidatcd TlieaLrcs have declared<br />

a reKular quarterly dividend of<br />

13 cents per share quarterly, payable March<br />

Jo Oupcher. IFDL district mnnaKer. left by<br />

plane from Montreal Airport January 31<br />

on a three-week business trip to Paris . .<br />

Robert CralR, formerly of the MonUand Theatre.<br />

Ls now at the head office of the United<br />

Amusement Corp, . Is chanulng Its<br />

policy at two theatres here. StartlnR February<br />

20. the Ahuntslc and the Francals will present<br />

Prench-lansuaRe films Instead of ESigllsh-speakiiu;<br />

pictures.<br />

The Rex Theatre of BeauceviUe has been<br />

BEST features<br />

the complete line of<br />

dependable<br />

internationally<br />

and<br />

famous<br />

BflLLflnrvnE<br />

SOUND MASTER<br />

EQUIPMENT<br />

PROJEaORS<br />

LAMPHOUSES<br />

SOUND SYSTEMS<br />

RECTIFIERS<br />

IN-A-CAR<br />

JUNCTION<br />

WILLIAMS<br />

SPEAKERS<br />

BOXES<br />

SCREENS<br />

ANAMORPHIC LENSES<br />

You un always depend on BEST<br />

for PARTS and SERVICE<br />

for ALL types of theatre equipment.<br />

BEST<br />

THEATRE SUPPLY REG D.<br />

ARMAND BESSE, Prop<br />

9370 St Hubert Street Montreol, Que.<br />

Phonr DUpont 7 7818<br />

.<br />

.<br />

acquired by A. Benimd liDin luinitr owner<br />

G. A. Roy . Fllllon. district manager<br />

at Gcvaert, is back at his desk following an<br />

absence of two week-s due to lllne.ss . . .<br />

Ruby Rablnovltch of International Film Distributors<br />

spent a weekend at St. Sauveur<br />

enjoying Laurentian skiing boxoffice<br />

results were the report from the Locw's<br />

with lt,s .showing of Warner Bros.' "Sayonara."<br />

starring Marlon Brando and Introducing to<br />

picturegoers Mliko Taka Avenue<br />

Theatre, showing for the fifth week "Brothers<br />

in Law." starring Richard Attenborough, Ian<br />

Carmlchael and Jill Adams, reported good<br />

attendance. On the .same bill Is "The Sceptre<br />

and the Mace" of the National Film Board.<br />

John Levitt left for an extended sales trip<br />

for Columbia . British film experts<br />

came here to prepare for location shooting of<br />

a su.spense thriller. The trio mcluded Andy<br />

Worker, director Jack Cardiff and still cameraman<br />

Arthur Evans. Since much of the<br />

story Lakes place in a hospital, the trio made<br />

clinical film research at the Neurological<br />

Institute and General Ho.spital. The picture,<br />

"Intent to Kill," will star Richard Todd and<br />

Betsy Drake and will be ready for release in<br />

June. The script is from a novel by Michael<br />

Bryan. Location filming is expected to take<br />

place in a few weeks. Todd and a few supporting<br />

actors will be here for the filming.<br />

Cardiff is well known for his photographic<br />

work in such works as "Stairway to Heaven."<br />

starring David Niven and Kim Hunter; "Red<br />

Shoes" and many other well-known films.<br />

Intent to Kill" has to do with the plan to<br />

liquidate a president of a South American republic.<br />

Exhibitors at local Filmrow included Abbf<br />

Marois. chaplain of the "Centre des Loisirs,"<br />

Beauport: Abbe Dion, Parish Hall, Gaspe<br />

Seminary; Henri Ma-sse, Rivoli, Coaticook;<br />

Harold Bell, Opera House, Coaticook; Phil<br />

Karabian, Pine, Ste. Adele; Jules Boire. Bijou,<br />

Napierville; Paul Paquin, Imperial, Weedon;<br />

Paul Desjarlais, Brandon. St. Gabriel<br />

de Brandon: A. Ratelle. Labelle, Labelle:<br />

Laurent Poulin, BeauceviUe, BeauceviUe; Jack<br />

Korman, Garden, Laval West; A. Racett*,<br />

Lido. L'Ab


DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />

DOUBLE SPECTACLE-TERROR!<br />

FABULOUS! FANTASTIC! TERRIFYING!<br />

Moromous bkautieb lost in a fantastic HELL-ON-EARTH!<br />

^J \^^ •<br />

i»^<br />

EVIL...<br />

BEAUTIFUl-<br />

ASTO<br />

MON<br />

.MMLtRlNSl<br />

m^ ABBY OALTDN<br />

A • SUSAN CABOT • BRAD JACKSON<br />

« MM KEimrr<br />

SEE ^SEE<br />

SiVtCt T GUNT<br />

IIOOO IIIUUS OF 1 1 SUSOPENIOF<br />

losi EMPmE' ^ iH( vofinr<br />

- nCHARO DEVON • rntmM ml InctM *t MtU CMMM<br />

U MIMIUII INKIUIMHl KTHf<br />

SEE^ SEE<br />

OFHONSTiraUS IviTHTHECOUUCF<br />

mm' ^ OF GIANTS'<br />

CONTACT YOUR<br />

.JrLtBWiatlanaL EXCHANGE<br />

I H ALLEN<br />

130 Coritofl St<br />

MONTO, CANADA<br />

E V ATKINSON<br />

S97S Monklood Art<br />

MONTtEAL. CANADA<br />

ASTRAL FILMS LIMITED<br />

RALPH<br />

ZELICKSON<br />

1S7 Rup«rt A>«<br />

WINNIPEG. CANADA<br />

A SWITZER<br />

714 Etfhth A>«. Wnt<br />

CALGARY, CANADA<br />

ST.<br />

E<br />

WHaPLEY<br />

162 Union Sr<br />

JOHN. CANADA<br />

A E. ROLSTON<br />

21S2 W I2r«i Arc.<br />

VANCOUVER. CANADA


. . . Archie<br />

. . Brenton<br />

. . Nora<br />

. Sidney<br />

. . Lou<br />

. . . Gertrude<br />

VANCOUVER<br />

JJfr. «nd Mrs. Johnson huvc sold their 350-<br />

stuter In Eston. Sask., ihe only theaUe<br />

in the (arming community, to Herbert Shea.<br />

;i newcomer to the show bu.slne&s .<br />

Donna<br />

Peterson, a former cashier at the local International<br />

Cinema, who now U cashier at<br />

the Rivoh In Long Beacli. Calil., was here<br />

rpOR SALE<br />

YES! lOfOOO LATE MODEL<br />

USED OR RECONDITIONED<br />

Also new Brifiih-Luxury Choirs oToiloble<br />

THEATRE CHAIRS<br />

:<br />

Spring edge steel bottom seat cushions artd<br />

fully upholstered bocks—«prir>g bock types also.<br />

Carpetir\g. aspholt. rubber, Vinyl tiles end<br />

noleum.<br />

WE ARE FAaORY AGENTS-<br />

AT BARGAIN PRICES<br />

Drop ui a line— wc will Qive you photogrophs<br />

ar>d full information.<br />

^^<br />

LA<br />

SALLE rr<br />

RECREATIONS,<br />

Lttl.<br />

TTiutrc Chairv Carpet. Linoleum and Tile DnrisJon.<br />

945 GRANVILLE ST., VANCOUVER<br />

MARINE 5034-5428<br />

.jmk<br />

J. M. RICE and CO. LTD.<br />

m<br />

"Everything ior the Theatre"<br />

Ballantyne Sound Systems.<br />

Hilux Anamorphic Lenses.<br />

Williams Silver Screens.<br />

New & Rebuilt Theatre Chairs.<br />

EXPERT REPAIR DEPARTMENT<br />

71 Broodwoy Ave.<br />

Winnipeg, Mon.<br />

PK. SPS-1219<br />

10029 Jasper Ave.<br />

Edmonton, Alto,<br />

Ph. 38502<br />

IVERYTHING FOR THt THtATRl<br />

MOTIOGRAPH Equipment<br />

Complete line foctory ports<br />

EXPERT REPAIRS ?;'.7.°^r.:I<br />

We S*)l ond Service<br />

Theatre Chotri, Rectifivrs, Arc Lompi,<br />

(ound Equipn^ent, 16mm and 35mm Pro|e'wood.<br />

Gerry Sutherland, Odeon district manager,<br />

and iMaynard Joiner, head of Famous Players<br />

in British Columbia, were on vacations south<br />

of the tKJrder . . . Nellie Gath, longtime employe<br />

of the FPC district office who had been<br />

in a hospital for the last six month.s. has<br />

gone home . Kelly, former Odeon<br />

manager, is now selling cars for Vancouver<br />

FPC closed the Regent in Burnaby.<br />

Motors . . .<br />

The building was bought by local in-<br />

terests who will convert it into a store. FPC<br />

also will close the suburban Kerrisdale<br />

shortly. It is under option to local interests<br />

Owen, former Odeon manager<br />

in England and recently an assistant at the<br />

Odeon in Victoria, was moved up to manager<br />

of the Odeon at Duncan on Vancouver<br />

Island, replacing Maud Smithe. home after<br />

a heart attack.<br />

Lynette Wright, former head usherette at<br />

the Odeon Vogue, is now cashier at the Orpheum<br />

. Miller. Studio Theatre<br />

cashier, resigned to get maiTied . Karp.<br />

head booker at the FPC district office who<br />

has been with the chain for 29 years, is resigning<br />

to join West Coast Theatre Service<br />

on Filmrow a.s head booker. He succeeds Doug<br />

White, who has moved to Dawson Creek as<br />

a hotel manager. Ted Ro.ss, assistant to Karp.<br />

has been promoted to the head booking job at<br />

the FPC office. The a.ssistanfs job will be<br />

abolished since FPC now has only three suburban<br />

theatres left here. The local first-run<br />

hou.ses of the circuit are all booked from<br />

Toronto.<br />

WINNIPEG<br />

The Medicine Hat Shrine Club sponsored<br />

Theatre Night at the Townc January 22.<br />

The film was "The Promoter." All proceeds<br />

were donated to the Shrine band . . . Holding<br />

over in Edmonton were the double bill of "The<br />

Mountain" and "Leather Saint" at the Palace<br />

Theatre: "Ten Commandments" at the Garneuu.<br />

fourth week: "Tammy and the Bachelor"<br />

and "Kelly and Me" at the Sahara. 14th<br />

week; In Its .second week at the Paramount.<br />

"Pal Joey": and in Its second week. "Sayonara"<br />

at the Odeon.<br />

The CrewcutK, Canadian recording .slurs.<br />

appeared In Calgary at the Jubilee auditorium<br />

January 15. and followed this up with<br />

iin iipix'arance at the sales ))avillon In Edmonton<br />

January 17.<br />

COMPLETE BUYING & BOOKING SERVICE ALL ADVERTISING • TICKETS • TRAILERS<br />

FOR 35MM & 16MM EXHIBITORS DATE STRIPS • PRINTED PROGRAMS<br />

• DISTRIBUTORS FOB NIW AND USID TMIATRl EQUIPMENT<br />

• Owan Bird • Douq Whita • Ertc Rotabournc<br />

WEST COAST BOOKING ASSOCIATION WEST COAST THEATRE SERVICE, LTD.<br />

])t] Watt l]ll> A>a PhofM CHarry S1SS-* Voncouvar ?, B C<br />

Hillis Cass Named<br />

Canadian MGM Head<br />

NE\\' YORK -Hilli.s Ca.ss, formerly Canadian<br />

sales manager for MGM, has succeeded<br />

Henry Nathan-<br />

Mjn as president of<br />

.\1GM Pictures of Canada.<br />

Nathanson retired<br />

last month after 30<br />

years as the top executive<br />

in MGMs Canadian<br />

dLstrlbution.<br />

Nalhanson trained<br />

Cass over several years<br />

a.ssoclation to be hLs<br />

.successor, the experience<br />

the younger<br />

Hillis Cass executive gained In the<br />

Canadian sales field<br />

being part of his preparation for the numlier<br />

one MGM post in Canada.<br />

ST.<br />

JOHN<br />

IJeavy rain and wind lashed the .soulii and<br />

west coasts of Nova Scotia and brought<br />

more than four to six inches of rain in 36<br />

hours, causing widespread flooding that cut<br />

off communications, washed out railway lines<br />

and roads. Many theatres in the affected<br />

areas closed. Others used emergency prints<br />

when their film was held up. Film exchanges<br />

arranged for film transportation by bus and<br />

truck where possible. The CNR said it may<br />

be a week before trains are mnning between<br />

Halifax and Yarmouth.<br />

. . . April<br />

liiy Davis, United Artists manager, and<br />

Maurice Elman. B&L Poster manager, shared<br />

a S500 winning ticket at a B'nai B'rith charity<br />

drawini; conducted by chaiiman Joshua<br />

Lieberman, partner of the B&L circuit . .<br />

Popular Joe LeBlanc. owner and operator of<br />

the Capitol. Shediac. is entering his 12th<br />

term as mayor. He was elected by acclamation.<br />

He has also been a Liberal member of<br />

the Assembly for several years<br />

Love. Sad Sack. Jailhouse Rock. Baby Face<br />

Nelson. Perri and the Hunchback of Notre<br />

Dame were doing solid boxoffice business In<br />

the Maritimes.<br />

The Camp Gaeetown Theatre. Oromocto.<br />

which was to have oi)ened January 20. will<br />

open the middle of February. It will be operated<br />

by the Department of National Dcfen.se<br />

Power of MGM's 16mm department<br />

has resigned her position with the company<br />

to get married. She will reside in New-<br />

York City<br />

Film Critic Calls Video<br />

'Paltry Substitution'<br />

OTTAWA In the first of a series of lectures<br />

on "The Public Arts" In Convocation<br />

hall of Queens University at Kingston. Clyde<br />

Gllmour. film critic of the Toronto Telegram,<br />

told a lai-ge audience that television programs<br />

were a paltry substitution for modem<br />

moving pictures as presented In theatres.<br />

Mediocrity In Iheiitrical films no longer<br />

could .suffice as a medium of entertainment,<br />

however, he declared, becau.se of a more discriminating<br />

public which had developed a<br />

high level of dLscerument of values In the<br />

film medium<br />

K 4 BOXOrFICE Febniarv .1. 1958


!<br />

C»nJit*dti9n, • CautMnnit' • C^ncMiiatLA. • 'TMi^iti^uL^tU<br />

MOBiIH<br />

FBRUARY 3, 1958<br />

SECTION OF BOXOFFICi<br />

rfc# /oft !/»'» rampi of th^ Worntr Park Dnrv In Theatre, No\h*iltt. 7enn , art built os a meiianine, r/cvared fo gi^c<br />

ptrittt 'Mcrr«n ffw S70 cor IhraUt hoi an additional walk in ropocitr ol 100, and wot built at a coK<br />

oi {'75.000 It It ow>«d br I'x Condro Amu\*m9nt Co onir hport ot a pratttitd multiplt omjttm*nl ctnttt<br />

featuring:<br />

cJjrii >e-Jj^n<br />

Kynvra lioi i


!<br />

FOR BIGGER PROFITS<br />

E<br />

GO BIG in promoting Coca-Cola — America's mostprei'erred<br />

soft drink — in the big, Big, BIG CUP.*<br />

GO BIG in promoting Coke with Popcorn. The two<br />

greatest profit-makers at your refreshment stand<br />

)W| are natural partners. Put 'em together, and sell<br />

more of both<br />

^i<br />

GO BIG in decorating your refreshment stand with<br />

the attractive, sales-appealing disphi\ inaU'iials<br />

available /'reco/'c/?ar^e from The Coca-Cola Company.<br />

*Tcsl.i prove thai, gifvn a choice, customers prefer the<br />

large size . . . actually like being tradcd-up!<br />

Serve<br />

(mM<br />

GO. ..GO. ..GO.<br />

SIGN OF GOOD TASTE<br />

"CMf* n A •tft'tTiai* f*tDt-KA*B. e*rr*>aMt i«ia ntc coc»-cowt ooMMun.


sGO BIG


—<br />

Here's your finest equipment<br />

for a BIG head start on the new season<br />

DIT-MCO DRIVE-IN EQUIPMENT IS SPECIFICALLY<br />

DESIGNED TO MEET ALL YOUR NEEDS — AND NATIONALLY<br />

RECOGNIZED AS THE FINEST ON THE MARKET.<br />

Better<br />

Lighting — Low Maintenance<br />

DIT MCO oiiures you lighting thot'll lervc your installation best— help you reduce occi<br />

dent hozords— lets you choose exoctly what you need DIT MCO offers you the most com<br />

picle selection of modern romp ond directional lights, flooding and moonlight units<br />

Aisle, concession, romp end, CKit ond restroom lights available in addition to those shown<br />

Tops in quality, beouty. Long lasting and economical. All DIT-MCO lighting<br />

signs ovoilable with glass or plexiglas panels.<br />

4 RAMP<br />

LIGHT<br />

ENTRANCE<br />

40 INCH DIRECTIONAL<br />

LIGHTS -Single or<br />

Double Face. ALL<br />

STANDARD WORDED<br />

PANELS.<br />

20 INCH DIRECTIONAL<br />

LIGHTS Single Foce<br />

Only. ALL STANDARD<br />

WORDED PANELS.<br />

Speakers and Equipment— As Modern as<br />

Tomorrow<br />

DIT-MCO speakers are unparalleled in acoustic quality—most<br />

advanced in electronic ond mechanicol design. Three "In-a-<br />

Cor" models to choose from. Plus "Standee" speaker for concession,<br />

patio, playground, back romp and overflow areas.<br />

Plus all metal Concession Building speaker. All designed to<br />

give you top-most quality in high and low frequencies in keeping<br />

with today's new methods of sound reproduction.<br />

DELUXE<br />

SPEAKER<br />

The Original and Only)<br />

UNIVERSAL SPEAKER AMBASSADOR SPEAKER STANDEE SPEAKER<br />

CONCESSION BUILDING<br />

SPEAKER<br />

World's Largest Manufacturer of Drive-In Theatre Equipment<br />

Othtr Wtll Known and Widely Used<br />

DIT MCO Producti:<br />

DIT MCO Easy Change Morquce Letters—DIT-MCO<br />

Screen Coating—Double ("T" Type) Atomic Jet<br />

Lomp House Blower— NeoSeol Burial Wire—Aluminum<br />

and Wood Safety Ladders— Drag Brooms<br />

Koiled Kords—Straighf Cords— Inside Speaker Units<br />

— Volume Controls—Tronsformers for All Makes of<br />

Speakers.<br />

Write, wire or phone for complete dttoils. Prices on<br />

all<br />

itemi<br />

SEE US AT BOOTH 55 — FIFTH NATIONAL ALLIED DRIVE IN THEATRE<br />

CONVENTION — KENTUCKY HOTEL — LOUISVILLE — FEBRUARY 11 13. PORTHOLE BLOWER<br />

SINGLE STACK ATOMIC<br />

jn LAMP HOUSE BLOWER<br />

'HTLcLrLufcic.tu hlnjcj<br />

Oo-yrtpucuxjf<br />

505 W. 9th Street HArrison 1-8006 or 1 8007 Kansas City, Mo.<br />

The MODERN THEATRE SECHON


Since<br />

J E TA R C !<br />

OUT OF THE LABORATORIES,<br />

PEOPLED BY THE WORLDS<br />

GREATEST<br />

LIGHTING<br />

PROJECTION<br />

ENGINEERS<br />

— Ga4fte6. tlte A/eiu<br />

THE MOST POWERFUL PROJECTION<br />

ARC LAMP EVER DEVELOPED<br />

Delivers Sl^o more light thon any lomp using the commonly ooiloble<br />

H 7/M 8 lens Whot hos been heretofore the finest projection of<br />

any gouge film by any process pales by comparison of brilliance Un<br />

bclievobiy better Kreen images arc now possible on the lorgnt<br />

screens in eiislence.<br />

NOW I MORE THAN EVER!<br />

f C(/k»Ktii&mfl>»ti'a STRONG -tAifiiOUuLtufA^/^j<br />

Delivers 46,000 lumens when projecting small aperture ]5mm pictures<br />

(.825 I 600), even with on fl 7 or fl 8 lens, 55,000 lumens for<br />

CmcmoScope 35mm (.912 x .715), 56,000 lumens for MGM 65mm and<br />

Todd-AO 70mm, and 65,000 lumens for Fox CincmoScopc 55mm<br />

(I 340 X 106)'<br />

A<br />

TOTALLY DIFFERENT SYSTEM!<br />

Light reflected to the screen by conventional type lamps is picked<br />

up solely from the flot, disc-like foce of the arc source by a single<br />

mirror.<br />

Since brilliance increases as an arc is constricted, air jets supplied<br />

by an integrated blower, hove been arranged in concentric<br />

circles around the positive carbon and directed toward its burning<br />

end.<br />

Due to the resulting THREE DIMENSIONAL, cylindrically shaped<br />

light source, the available pickup angle is increased to more than<br />

260 . the conventionol reflector<br />

pickup angle is only 160 ,<br />

on auxiliary 6-inch spherical reflector<br />

is located behind the<br />

positive carbon to utilize this increased<br />

availability of light. This<br />

J<br />

Rtlitift DOfltion of cjrboni ai rrv l*«pKoi,%t<br />

door ii octflid slightly.<br />

auxiliary reflector picks up light from the arc and reimages it to the main<br />

mirror to be combined with the light from the croter. Total lumens are thus<br />

increased 12-15%.<br />

The mam mirror, an integral port of the rear door,<br />

IS of the cold gloss type, 21 inches in diamelor<br />

the largest ever put into regular production<br />

^ot further detaih write<br />

THE STRONG ELECTRIC CORPORATION<br />

1 1 City Pork Avenue Toledo 1, Ohio<br />

YOU NEVER GO WRONG WHEN YOUR LAMPS ARE ^*^<br />

BOXOmCE rvbnimry 3. 1860


{-.;•<br />

I MODERN<br />

THEATRE<br />

FEBRUARY 3, 1958<br />

o n t n I<br />

IN 1957, according to a survey<br />

reported herein, exhibitors invested<br />

$24,000,000 in new drive-in theatre construction,<br />

concrete evidence oi their<br />

confidence in the motion picture industry<br />

and the outdoor operation.<br />

There are now more than 4,500<br />

drive-ins in the United States, and<br />

additional construction is underway or<br />

in the planning stages, to help maintain<br />

the national total ol theatres in<br />

the face of the shuttering oi marginal<br />

indoor<br />

houses.<br />

New occasions bring new customs,"<br />

and the changing times have brought<br />

the drive-in theatre into great favor<br />

with the moviegoing public.<br />

Certainly,<br />

the drive-in is an answer to the oiltouted<br />

comfort of watching TV in the<br />

relaxed atmosphere of informality, with<br />

the "plus" of big-screen projection.<br />

Trends are to larger drive-ins— 1,000<br />

to 2,500-cars, or more— to<br />

twin screens<br />

and to the year-around operation, even<br />

in northern climates.<br />

The yeor-around operation has been<br />

made possil.le in three ways: in-car<br />

heaters, heated, air-conditioned auditoriums,<br />

and the unique situation at the<br />

All- Weather in Copiague, N. Y.,<br />

where<br />

an indoor theatre operates in conjunction<br />

with a drive-in or alone<br />

An article in<br />

this issue discusses the<br />

problems encountered in wintertime<br />

operation in several cities, the solutions<br />

evolved, and the success enjoyed<br />

by those theatres maintaining the yeararound<br />

schedule.<br />

Particularly valuable<br />

to all exhibitors will be the promotional<br />

pr- \ to stimulate and mainly<br />

•<br />

patronage.<br />

Operating the Ycar-Around Drivc-ln 8<br />

a: Ttic All-Wcathcr Drive-ln<br />

b. How Drivc-lns Cope With Tfiose Cold, Cold Months<br />

Drive- In Story: 1957 13<br />

Don't Let Mosquitoes Nip <strong>Boxoffice</strong> Alexander M. Cochran 16<br />

A Drive-in Is Only as Good os Its Ramps William H. Black 19<br />

How to Get the Best in Sound and Projection<br />

at the Drive-ln Theatre Wesley Trout 23<br />

Lomp Increases Light 51 Per Cent 32<br />

Serves 2,000 Patrons in 15 Minutes Dorothy Shensa Miller 35<br />

A Gay Wagon Wheels in Candy Profits 40<br />

Profits From Popcorn Phyllis Haeger 43<br />

Gimmicks Sell Popcorn! 44<br />

Check, Teste and Test 48<br />

Drive-ln Theatres the World Over Ed Lachman 58<br />

Garden-Type Beouty For o Hordtop Earl Moses 62<br />

DEPARTMENTS:<br />

Projection and Sound 23 New Equipment<br />

o I • .<br />

Refreshment<br />

c<br />

Service<br />

-ic<br />

ii<br />

and Developments '^<br />

65<br />

Reoders' Service Bureau at 54 Literature 69<br />

Advertising Index at 54 About People and Product 70<br />

ON THE COVER<br />

A feature of the Warner Park Drwc-In in Nashville is its entrance<br />

and exit system which permits patrons to enter tpithout<br />

interference from exit traffic which leat^es the grounds by way of<br />

an underpass leading to another highwuy.<br />

I L. THATCHtR, Managing (ditor<br />

Th» MODERN THEATRE S«:tion of BOXOff ICE it .nc uMa in tne firit iiiue o< »ach month<br />

EdiTortot or oan«rol buiinoii corrtiDonQtnca irtauia b« Qddrtiiea to Aiiociattfd PublicoTiont.<br />

825 Von Brum Blvd. Kontoi Cilv 24, Mc '- -— -rnrtjcntatrvc Cofl Mot, *5 Roclwtallcr<br />

Ploio. New York 20. N Y. Ctnlrol .c Ewmg HulChi»on Orgon.zolion,<br />

35 Eoit Wocli«r Dnv*. Chicooo I. III.; Wtitcr :jtrvo Bob W«tt»ttin & Auociotat.<br />

672 South Lotavtttt Pork Ploct, Loi Angalat :i >.^i' t


What clicks at the box office?<br />

"NATIONAL" CARBON ARC<br />

brightest man-made light!<br />

NATI0^4AL CARBON COMPANY<br />

JAMtS GARNER, slatting in DARBY'S RANGERS. A Watnet Btos. Pioduction.<br />

ATIONAL PROJECTOR CARBONS<br />

bring out exciting realism!<br />

"National" carbon arcs match the sun's color balance. That<br />

means yiir audience can enjoy all the realism Hollywood<br />

puts on film. Deep colors come to life. Wide, wide screens<br />

show sharpness in every detail. For drive-ins, life-like<br />

imapes travel h»ndreermits adequate house lightinR.<br />

Thc«c alotcrr burning "National" Prnjrctor Carfxtn.t help<br />

cut operating rrtnlH: "i^uprrr" Irnm.Kmm.and 9vim rarlx>u.s<br />

— lOnim, Itmm and IS.timm High Intensity CarlH}n3.<br />

'.UZ"f S"-* tin '# '')•?• r'»f%t o' t)ri*'»** r»fh^« rmporaitnn<br />

• Olvl*lwi o* Union CarM4* Corpomttan • MO tmtl 42n^ Stnvt. M»m York t7. H.Y.<br />

UNION<br />

CAROIOC<br />

SAICS orriCtS AlUnU CliK4(o. DtlU*. KansM Cil>. Lm An(«ki. Ntn York, htbbutgh. S«n frtiKiKO • IN CMAM: Union C«>bidt Canada lunitad. Toronto<br />

BOXOmCE February 3. IMS


OPERATING THE<br />

YEAR-AROUND DRIVE-IN<br />

Even in fhe Cold Weather Areas, Many Outdoor Exhibitors Do a 12-Month Business<br />

ALL WEATHER DRIVE IN THEATRE COPIAGUE, LONG ISLAND ASSOCIATED PRUDENTIAL THEATRES, OWNER<br />

Dual icrrice /s given to (he patron at the All Weather, the indoor auditorium<br />

and the ojtdoor screen The single building contains projection lor both<br />

screens, a joint concessions area, a l,500seat auditorium, a terrace restaurant.<br />

ARCHITECT DREW E8ERS0N<br />

restroom facilities lor indoor and outdoor operations Based on o division 0/<br />

costs of these facilities, the indoor house was erected at a cost of $175 per<br />

seat, as compared to the usual cost of S27S per seat for a new indoor house<br />

'/#/,<br />

• r<br />

X<br />

A<br />

rjj i^' -<br />

Architect Dfrv> ibcr^on planned the indoor auditorium on the theory that it woj part<br />

of on outdoor operation, gave it a floor covering of Neoprene matting and plastic covered<br />

teati To clean, a nightly hosing, with a machine sucking up the water in 30<br />

acre area was utilized for the all weather opera-<br />

Shown above is the manner in which the 28-<br />

minutes<br />

lion Cars enter upper right and swing right<br />

along the entrance rood which takes them in<br />

front 0/ the screen tower and down along the<br />

Jill<br />

romps A playfield<br />

\ n<br />

is located in back of the<br />

indoor auditorium building and a special area<br />

in which indoor patrons con pork their cars it<br />

located at the end of the oblong center service<br />

1..^<br />

area of the grounds The throw to the 52«/30<br />

outdoor screen is 390 feel Operating over the<br />

T<br />

huge area are several gasotir}e driven tally-ho<br />

U.k<br />

i m t m ,<br />

f - i I trains which transport indoor house patrans from<br />

parking lot to theatre<br />

rr<br />

^R-t<br />

CSr<br />

^/?<br />

firit floor plan of Ih* irtdoor theatre building Above the conctuiont area at tight 11 a Itrtoct nttouront<br />

The MODERN THEATRE SECTION


LviT May. AssoclatMl Pnidrntlal<br />

Theairw opt'iifd one of the counirys truly<br />

unique Uieutres. the AU-WraUier DrJvr-In<br />

I CopiuKUf. LonK Island, n mllliun-duUur<br />

project which included an Indoor house<br />

(•Ung l.SOO pittroru and an outdoor<br />

scre«n-and-ranip ore* to accommixlate<br />

3.500 cars. It has one boxofflce— ihe pu-<br />

Iron enters by car. buys a ticket, and talcfs<br />

his choice of the indoor house or the outdoor<br />

screen There Is one concessions area.<br />

U> serve l»th theatres, one projection room.<br />

Throushout. the well-known theatre architect.<br />

Drew Eborson. planned the project<br />

for maxunmn efficiency The Indoor theatre,<br />

for example, can be hased down<br />

nlghUy because all materials are plastic.<br />

IncludinB floorlns.<br />

"I personally believe that this type of<br />

theatre exhibition should give a rebirth to<br />

the Industry." says Eberson. "and should<br />

hare a tremendous impact on reallgnlnR<br />

exhibition policies In accordance with the<br />

changes over the lost 25 years,"<br />

After nine months, what have been the<br />

results^ Here is what Asaoclated Prudential<br />

Theatres reports:<br />

• When the weather is bad. there Is usually<br />

a full house In the indoor theatre.<br />

When the weather Is bad—that Is. snow.<br />

fof or heavy mist—the outdoor portion Is<br />

closed, as far as the screen Is concerned.<br />

• If the weather Is fair, even though<br />

cold. It's<br />

50-50—half of the patrons go inside,<br />

half stay in their cars.<br />

• The Joint concessions operation works<br />

fine. Ftood Ls permitted in the indoor auditorium.<br />

Complaints from non-eeters are<br />

few. but there have been some squawks.<br />

OPERATION<br />

PROVED OUT<br />

• The Joint operation proved its worth<br />

last fall and winter When other outdoor<br />

operations in the area fell off. the All-<br />

Weather maintained a good pace of patronage.<br />

• There are no dual management problems.<br />

There Is a manaclng director who Is<br />

in charge of both indoor tmd outdoor theatres,<br />

with a house maruger for the Indoor.<br />

• To stimulate winter attendance, an lc«<br />

skating rink has been installed When the<br />

we*ther is right, it Is well -patronized Skating<br />

privileges are free to patrons.<br />

• The percentage of walk-ins L^ .^mall.<br />

eren though there are residential developments<br />

not too far away.<br />

• A terrace restaurant, located above the<br />

concessions area, can be operated profitably<br />

about eight months of the year, ownen<br />

have decided.<br />

A 3-City Report:<br />

How Drive-ins<br />

Those Cold.<br />

MIRACLEMIkl<br />

TOLEDO:<br />

By<br />

ANNA KLINE<br />

The Miracle Mile Drlve-In Theatre. Toledo.<br />

Ohio. IS currently In Its third year<br />

of winter operations, and has solved many<br />

problems in order to make winter bu.slness<br />

profitable.<br />

With normal winter temperatures ranging<br />

as low as ten above zero < abnormal cold<br />

days in Toledo are below zero>. and with<br />

snow, sleet, and rain common. It Is no easy<br />

task to lure patrons to a drlve-ln.<br />

Most important, of course, says Fred<br />

Lentz. manager, are the In-car heaters.<br />

The heaters are provided without charge,<br />

and are plugged into the speaker post by<br />

the patron. The Miracle Mile has tried and<br />

experimented with numerous types of heaters,<br />

and has adopted the "Hot Shot" heater<br />

which Is small enough for easy handling,<br />

compact racking, and built for stacking<br />

compactly, one up>on the other. The cord<br />

is easily wrapped with this type heater.<br />

The heater unit Is small, but. says bentz.<br />

the amount of heat is more than comparable<br />

to those of larger type, as they consist<br />

of "Circular Chromalux Type" heating<br />

elrmrnt. said<br />

to afford more heat dissipation<br />

per square Inch of heating area.<br />

The theatre has "heater carts." built to<br />

specification, for racking and easy Inventory<br />

every night for all heaters.<br />

To cope with the possible lav? of heaters,<br />

a system has been evolved that Is practically<br />

100 per cent theftproof. All cars, upon<br />

entering the theatre, are Issued either a<br />

heater or a heater tag. Upon exiting, all<br />

cars must surrender one or the other All<br />

exit* are kept clased until Just prior to<br />

break time At iwch time the heater carts<br />

are pulled, via a Jeep, to the exits, and<br />

ramp attendants are on guard to collect<br />

either a healer or heater tag.<br />

The Jeep not only Is useful to pull the<br />

Cope With<br />

Cold Months<br />

heater carts to the exits, but plays a big<br />

part throughout the winter in keeping<br />

weather conditions under control. The<br />

Miracle Mile uses a four-wheel drive Jeep<br />

which has both a snow plow and pushboard<br />

attachment The snow plow Ls removed<br />

when summer weather returns, but Is worth<br />

lis weight In gold during the cold.<br />

During the winter,<br />

Is constantly on the weather forcca.st. When<br />

snow is predicted, the maintenance men are<br />

well prepared. As .soon as the snow begins<br />

to fall, the workers start removing snow<br />

around the boxofflce area and conce.s-slons<br />

stand. An Ice remover i.s kept in back of<br />

each boxofflce at all times.<br />

the management eye<br />

Tlie theatre Is equipped with heavy rollers<br />

to cojje with snow on the ramps. The<br />

workers do not attempt to remove the heavy<br />

snow from the ramps, but compress It<br />

there, and In the ramp drives. If there Is<br />

drifting, however, the Jeep .snow plow is<br />

used to push all excess snow to the drainage<br />

ditches at each side of the theatre. The<br />

plow is also used to clear all entrance and<br />

exit drives around the theatre.<br />

Tlie Miracle Mile Drlve-In has learned<br />

how to cope with all the elements except<br />

one—FOG Should the pea-soup fog roll<br />

In off the lake, and interfere with a .show,<br />

a "rain check" Is Issued or admission In<br />

cash is refunded. To discourage cash refunds,<br />

however, three rain checks are issued<br />

for every two adiUt admission tickets.<br />

This helps compensate for the disappointment<br />

of the patrons In not being able to<br />

obtain their planned entertainment. This<br />

procedure works out very well, since most<br />

patrons prefer the bargain offer of an extra<br />

ticket.<br />

One of the advantages of winter operation<br />

Is the fact that dusk arrives early, and<br />

a good starting hour on week days Is 7<br />

p.m.. gUing the average patron a chance<br />

to see a complete program and be home In<br />

plenty of time for a good nights sleep for<br />

those who work or go to .school the next<br />

day.<br />

On Sundays and hoUdoys. the Miracle<br />

Mile features an "Early Bird" or "Twilight"<br />

program, which begins at 6:30 pjn.<br />

Through experience, the theatre has found<br />

It best to offer one complete show on nett-<br />

Continutd on pOf* 12<br />

BOXOmCE<br />

Fetaruarr 3<br />

S«ctio« iibo>M>« Ik* rfM/ inrfoo* oitJ aw(rfoo> proi^Kt-cn at !*• All Wtalhtt Dtnt In Tht«tn<br />

I9M


!<br />

HEALTHFUL. RADIANT HEAT .<br />

. . JUST<br />

LIKE SUN RAYS • LIVING ROOM COMFORT • THE ONLY MAN-MADE PORTABLE SUN RAYS<br />

I<br />

tepi3<br />

FLAM ELESS<br />

IN-CAR HEATER*<br />

3nd air-conditioners for Drive-In Theatres<br />

DON'T LET COLD WEATHER INTERFERE<br />

WITH PROFITS! Order your BERNZ-0-<br />

MATIC FLAMELESS HEATERS NOW! You'll<br />

be ready to re-open in 10 to 14 days for continuous<br />

BIG PROFIT OPERATIONS.<br />

This is the heater that is revolutionizinfr the<br />

Drive-In business by expanding its season to<br />

52 weeks a year. Check with the proprre.ssive<br />

Drive-Ins that have successfully installed Bernz-<br />

O-Matic P'lamele.ss Heaters! They are our best<br />

boosters<br />

Easy payments<br />

rental plan can be arranged<br />

NO INSTALLATION • NO WIRING • NO BATTERIES • NO FUMES • NO HEATING ELEMENTS TO REPLACE • NO BIG ELECTRIC BILLS<br />

STANFORD INDUSTRIES, INC.<br />

6400W 95th street •Oaklanil.liynois*Phone:Garden 4 3070


. . EVERY<br />

HERE IS<br />

A TYPICAL PERFORMANCE REPORT FROM A DRIVEIN NOW OPERATING WITH<br />

FLAMELESS<br />

-CAR HEATERS<br />

"•D JAf; 2<br />

^-^ ST OAKLAlVfi<br />

,LL<br />

This unsolicited endorsement is<br />

one of nuny received trorn progressive<br />

Oriv«-lns already using<br />

BCRN20-MATIC IN CAR HEATERS<br />

«"0 COSTS ui%;//"„«= ^" TNE UP p "'' "'«'£» "


four<br />

.shrimp<br />

—<br />

THOSE COLD. COLD MONTHS<br />

Continue from poqc 9<br />

cl*ys and on Sundays. bccau.v ovpriime tor<br />

operators Is reduced to a minimum. On<br />

Fridays and Salurday.i. an additional feature<br />

i."5 added, and ilic main feature Is also<br />

repeated.<br />

you win find you need this extra<br />

strength, as 80 per cent of our business is<br />

done on the weekend," said Lentz.<br />

DEVELOP POLAR BEAR CLUB<br />

Several succe.ssful promotional programs<br />

have been developed by the Miracle Mile<br />

Dnve-In Theatre, most p>opular of which is<br />

the "Polar Bear Club." Signs around the<br />

boxoffice and newspaper advertising promote<br />

this club, as do screen trailers. The<br />

theatre Issues special membership cards for<br />

patrons. Each time the holder visits the<br />

theatre, the card is rubber-stamped with<br />

a picture of a polar bear. After five such<br />

visits, the card entitles an entire carload to<br />

be admitted free.<br />

Originally, a punch was used, but since<br />

this method of marking attendance could<br />

easily be duplicated, the rubber stamp was<br />

substituted.<br />

Service-charge passes, good only on weekdays,<br />

are distributed to the entire personnel<br />

of leading factories, in rotation. One pass<br />

Is given to each employe, with an expiration<br />

date of two weeks from a pay day. These<br />

passes are attached to the paychecks, and<br />

It has been found that each service pass<br />

used is also good for at least one fully paid<br />

admission.<br />

Each year between Nov. 17 and 20. the<br />

Miracle Mile celebrates its anniversary by<br />

giving free birthday cake and coffee to all<br />

patrons, as well as free .souvenir tickets<br />

which will admit a patron to the celebration<br />

to be held a year from then. This<br />

event Is fully promoted with a half-page<br />

Merchant Co-Op ad, plus giveaways for<br />

all.<br />

NEW YEARS EVE SHOW<br />

On New Year's E^fe. a special program Is<br />

always .scheduled, including fireworks, hats,<br />

and favors. Durlnr November and December,<br />

.screen advertising, such as Christmas<br />

Club trailers and best wLshes from merchants,<br />

helps. The theatre has a Bank<br />

Nlte on Sundays, and a kitchenware giveaway<br />

for a six-week period, on \^ednesday<br />

of each week, to spark attendance on lho.se<br />

day.i. Ticket stub numbers are jxisted In<br />

the conce-sslons stand, with winners entitled<br />

to 50 cents In merchandise, plus a free<br />

pass to the theatre. Another promotion Is<br />

the sale of gift ticket books, entitling the<br />

buyer to obtain $6 worth of admissions<br />

'eight tickets! for $4.98, In a sea.son book.<br />

Trailers on the .-screen help boost business<br />

at the conce.vslons building. All hot<br />

foods are es{K-clally popular, thouKh the<br />

ubiquitous hotdog and hot chocolate are<br />

getting plenty of competition from such<br />

specialties as a eS-cent pizza pie. a tl 15<br />

i<br />

chicken dinner pieces of golden<br />

French-fried chicken. Frrnch-frled potatoes,<br />

carrots, celery and hot roll. In a takeout<br />

basket : rolls, hamburgers, hot<br />

.soups, and—never underestimate It!—hot<br />

popcorn! Chill, at 20 cents. Is also a big<br />

favorite.<br />

Newspaper advertising of Miracle Mile<br />

attractions mentions the In-car heaters<br />

and usually includes the phrase, "Will not<br />

be shown on TV<br />

'<br />

tiny vision i for .seven<br />

years."<br />

Lentz points out that pensons who attend<br />

the theatre during the winter months do<br />

not have to be "re-sold" for the warm<br />

weather season, having established a habitpattern<br />

that makes film entertainment an<br />

important part of their recreational<br />

scheme.<br />

DETROIT:<br />

By H. F. REVES<br />

Winter operation of drive-ins is in its<br />

first season in the Detroit metropolitan<br />

area, and in its effectively second season<br />

in upstate Michigan, providing some interesting<br />

backlog of experience from the<br />

pioneers.<br />

While many drive-ins have operated from<br />

snowfall to snowfall for years, the first to<br />

attempt all-winter operation in the state<br />

was apparently the N-K at Muskegon, operated<br />

by Nick Kurls, which has three or<br />

four winters of experience now—but is not<br />

actually a drive-in in practice during the<br />

winter. This is a dual-utilization project,<br />

with a sizable annex to the concessions<br />

building to house about 300 patrons in<br />

comfortable theatre-type seats. They view<br />

the regular outdoor screen, sitting in enclosed<br />

comfort, and this is run for practical<br />

purposes like an indoor hou.se. The<br />

experience has evidently justified continuation<br />

of the operation from the boxoffice<br />

standpoint, and naturally the very convenient<br />

concessions stand has l)een a significant<br />

help as well.<br />

The N-K points to one pattern of<br />

drivein<br />

operation, utilizing the powerful appeal<br />

of the huge outdoor screen, which appears<br />

very feasible and presumably ultimately<br />

profitable for Michigan weather.<br />

The Sky at Adrian, ojjerated by the<br />

Jenkins family, proudly claimed title as<br />

the first drive-in to operate through the<br />

winter with an Installation of heaters during<br />

the 1956-57 season. This has been since<br />

further developed.<br />

THREE THEATRE INSTALLATIONS<br />

During 1957. major heater installations<br />

were made in three large drive-ln.s—the<br />

Northland at Flint, operated by William<br />

Oleksyn, and the East Side and West Side<br />

at Detroit, the oldest and only prewar<br />

drive-ins in the state, operated by Smith<br />

Management Co. These, of course, are operating<br />

this year all winter. Also on the<br />

operating list this winter—without heaters—<br />

are the Dort at Flint—operated al.so<br />

by William Oleksyn, which had a prior experience<br />

with winter operation a year ago;<br />

the Van Dyke at Detroit, operated by Detroit<br />

Theatre Enterprises, and the Pontlac<br />

at Pontiac. operated by Elton Samuels. The<br />

latter two were understood to be operating<br />

weekends only, and the Van D>'ke was<br />

closed for two weeks before Christmas.<br />

"We haven't had any operational problems—this<br />

is our first year—except for<br />

the Dort," says Alden Smith of Coojjerative<br />

Theatres, film buyer for four of these<br />

houses and one of the best informed men<br />

in the industry here on outdoor operation.<br />

The pattern of weekend operation at<br />

the Pontlac is much like that during the<br />

rest of the year, reports William Clark of<br />

Clark Theatre Service, film buyer for this<br />

house. The same type of attractions is<br />

booked as in the rest of the year, and no<br />

special promotional activities<br />

are reported.<br />

Here are some practical experiences and<br />

ideas in winter operation gleaned from a<br />

roundup of Michigan exhibitors in the business<br />

• Many younger people will come to the<br />

Continued on page 56<br />

The concrjuoni lection ot the All Weather Drive /n ierra both the indoor and outdoor patroni. for eight<br />

manth\ out ot the year, the deck patio doublei Oi an outdoor reitaurant The entrance to the indoor theatre<br />

It lo the right ol the conceisioni area<br />

12 The MODEJIN THEATRE SECnON


' -Ins<br />

DRIVE<br />

THE MEOfORD (MASS i<br />

IN THEATRE<br />

THE TREND IS TOWARD THE DE LUXE SUPER-CAPACITY<br />

THEATRE. WITH THE MILLION-DOLLAR PROJECT ON HAND<br />

DRIVE-IN STORY: 1957<br />

Exhibitors Invest $24,000,000 in 119 Theatres<br />

By PHIL HANNUM<br />

Drive-in thcatrcs with capacity<br />

equivalent to nearly 325.000 indoor theatre<br />

seals, based on 2.5 persons per car. and<br />

representing an Investment close to $24.-<br />

000.000 In the industrys future were placed<br />

under construction or completed In 31<br />

states in 1957. This substantial investment<br />

was surprLsing when contrasted with the<br />

view of many Industry leaders that outdoor<br />

theatre construction had reached the<br />

national saturation point two or three years<br />

a«o<br />

Durlnjc the year. 103 new projects not<br />

lusly<br />

included In BOXOPTICEs con-<br />

,,ng survey of drlve-ln theatre-s were<br />

announced, partly constructed or completed.<br />

The value of these theatres<br />

•mounted to (19.850.250 Combined car<br />

capacity of these projects was an estimated<br />

73.480. Also opening during the year were<br />

16 large drlve-lns which had b^-en listed<br />

on previous surveys, their construction<br />

costing an estimated well over $5,000,000.<br />

with speaker posts for 18,279 cars.<br />

Surprising was the continued emphasis<br />

the building of luxurious super<br />

accommodating 1.000-2.000 cars<br />

and costing from $250 000 to mor«<br />

than $1,000,000 Grand openings of two<br />

of these $1,000,000 giants were hlghUghU<br />

of the Industry year, as the All-Weather<br />

Drlvr-In, Coplague, N Y . and the Tacoivy-<br />

Palmyra Drlve-ln, Palmyra, N. J., Joined<br />

the rank,s of drlve-ln theatres operating<br />

throughout the year.<br />

ALso placed in operation in time for<br />

profitable 1957 seasons were the Shipyard<br />

Drive-In. 1.700 cars, a $500,000 unit.<br />

Providence. R I ; Suffolk Downs. 1.700<br />

cars. $500,000. East Boston: the 2.000-car<br />

V'lklng Drive-In. Corpus ChrLstl: 1.200-car<br />

Circle Drlve-ln. Richmond. Va.. and Joe<br />

Warrens Super 50 Drive-In. 1,007-cars,<br />

near Albany. Supplementing these typical<br />

completed projects, are such developments<br />

as the $1 200,000 Loew's drlve-ln near Houston,<br />

which is waiting for a good weather<br />

break late this month or early March for<br />

Its grand opening; a Baltimore project that<br />

will have speakers for 1,240 cars and Indoor<br />

.seating for 3.000 patrons when completed,<br />

and a 1.600-car Long Beach. Calif,, drlve-ln<br />

for Cabart Theatres.<br />

The most revolutionary development in<br />

the 1957 construction picture, and one<br />

which could be the forerunner of a wave of<br />

new dnve-ln construction and of relatively<br />

Inexpensive expansion of existing outdoor<br />

theatres, was a drlve-ln with wireless<br />

speakers Placed under construction in<br />

Dover. N J . last year for Walter Rrade<br />

Theatres. thU dnve-ln without speaker<br />

posts will be opened In the .spring<br />

It will utlll7.e the 210.000 square feet of<br />

the upper level of a two-decker parking<br />

foot screen, parking places for 950-1,000<br />

cars and a combined restaurant-projection<br />

booth. Cars enlerlnK the theatre level will<br />

be supplied with a transistor-powered hifidellty.<br />

self-contained speaker which operates<br />

on a radiation system of remote control,<br />

receiving waves from "underground"<br />

sound cables. These cables are copper wire<br />

loops attached to the celling of the first<br />

floor of the parking lot. Although speakers<br />

receive waves from these cables anywhere<br />

on the theatre level, the speakers become<br />

useless if taken from the theatre area.<br />

Another cheerful aspect of the 1957 drlveln<br />

construction picture was the activity of<br />

the Eric Corp. of Philadelphia, directed by<br />

Samuel Shapiro, president, in the Pennsylvania-New<br />

Jersey area. In midsummer, this<br />

corporation opened the $300,000 Manahawkln<br />

Drlve-ln. a 1.100-car unit In Manahawkin.<br />

N. J., and followed up In December<br />

with the grand o[>enlnK of the Mac-<br />

Dade Drive-In at Olenolden. Pa., the latter<br />

being a 1.200-car situation into which the<br />

corporation had funneled an investment of<br />

around $500 000. Al.so projected by the<br />

corporation was another half million dollar<br />

drlve-ln at Bristol. Pa., and a $300,000<br />

super drlve-Jn at Somers Point, N. J.<br />

Along with enthusiasm for building the<br />

super units, which permit .such a wide<br />

range of de.


O<br />

'<br />

DRIVE-IN STORY: 1957<br />

Continued horn pogt '2<br />

unius which will accommodate in the nelRhborhood<br />

of 750 cars. The latter figure once<br />

a»Ealn. as In 1955 and 1956. represents the<br />

national average-size dnve-ln constructed<br />

duriHR the year.<br />

Ea,siorn states led the drlve-ln construction<br />

parade in 1957 with 32 new units, far<br />

in front of the next most active section, the<br />

West, which added 21 drive-ins. Fifteen<br />

units were completed or started in the<br />

Mideast: Southeast, ten; New England.<br />

elRht: Central, seven; Southwest, six. and<br />

North Central, four. Pennsylvania was the<br />

busiest state in the construction field, with<br />

12 new airers projected or opened. California<br />

was in second place with ten new<br />

drlve-lns. Other lea^lers were New Jersey,<br />

nine: Kentucky. New York and Ohio, six<br />

each.<br />

Following is a state-by-state tabulation<br />

of new drive-in theatres, with asterisk denoting<br />

that the drive-in has been opened:<br />

ALABAMA<br />

Arob—Pinetrec, buymg ond booking by Horry Smith,<br />

opcrotor o* 31 Drive-ln, Cullmon*<br />

Lcighton—Oixio. ISO cars, owr^d by L. P. Howord*<br />

ARIZONA<br />

Fort Huochuco—Sierra Visto, 500 cars, beirx] built<br />

by A. J. Enterprises in coniunctton with o shopping<br />

center A J Brorntem. form«»r New England dnvein<br />

controctor, is president ond son Jc>seph, viceprcs'dcnt,<br />

gererol mortoger, A. J. Enterprises<br />

Yuaio— I.OOO-cor dr>ve-in for Woyne Arnold ond<br />

Marvin Bell<br />

CALIFORNIA<br />

Arcoto—$140,000, 600-CQr dnve-jn, Wolter Bell'<br />

Irsdio—Oasis. 400,500g opening by Lippert Theatres<br />

Lokeport—300 cors. Bob Reese, owner of LokeporT<br />

T n f -; • r e<br />

Lancaster—LorKoster Orivc-ln odds 470-seGt tndoof<br />

theatre to its focitities for hondhng 787 cors in<br />

regulor romp area; R E- "Tex" Griffith, owner<br />

Lon9 8«ocli— Precision Fabricators aworded controct<br />

to build dnve-m of 6475 Atlanhc Ave , for<br />

Cobort Theatres Corp.<br />

Las ArtgelM—Peter Pon, 300 cors. Eorl Strebc'<br />

Mojove —Otstfict zorwnQ boord opproves application of<br />

* i Keefe ood associates to build dnve-m on<br />

fcCJuTh skde of Highway 466 near here<br />

Myore Flot— SufHct, for Roy Chevcrton ood Ted<br />

Jennings*<br />

Sartto Fa Springs— 1,S00-cor dnve-m to be constructed<br />

northeost of Norwolk boulevard and Lokelorwl<br />

rood<br />

S0U9US—Corf ol, for Mr. and Mrs. Henry Ostrum<br />

COLORADO<br />

Grand Juncfion—Monument View, 350 cors, built<br />

bv Guy QTVl Earr^st Corlucc arvd A. 8. Moore"<br />

Manco» —MorKos, 250 cors, Phil Belt, owner<br />

Poonio — 266 -cor drivi*-in for Tom Poulos, owner of<br />

•t^


eitc^^'%,,euc^^'^<br />

^iffffttyouRdRmm<br />

ELECTRIC<br />

ELECTRIC<br />

^iBCnOMOV£ ALL-ELECTRIC<br />

ALLEL<br />

ecTRic<br />

ALL-ELECTRIC<br />

IN-CAR HEATERS<br />

fpprovtd by UndemrUen* Ljboritorie<br />

~<br />

for outdoor uit<br />

tUCTKOMOBl Ti,<br />

SAFEST ibecause<br />

^ Fan-Circulated Electric Heat keeps<br />

Only Electromode Heaters have the<br />

Windshield Dry and Clear<br />

exclusive Safety Grid Heating Element<br />

(illustrafed above) All electric<br />

"^ No Dangerous Fumes<br />

wires ore insulated, embedded and<br />

completely sealed inside this finned<br />

•^ Completely Weather-Proofed<br />

aluminum casting. There<br />

and<br />

is<br />

Grounded<br />

positively<br />

no danger<br />

^<br />

of fire, shock, or burn. Heat<br />

Quiet<br />

is fan-circulated<br />

Operation. No<br />

throughout interference<br />

the car<br />

with<br />

and Speaker<br />

heater case remains cool to touch.<br />

Above jhowj front jnd r*ir views o»<br />

heater,<br />

A built-in mounted on<br />

Safety<br />

speaker po$t Easily<br />

Switch automatically<br />

'K' Sturdily accessible<br />

Constructed to<br />

prevents "Take<br />

Eas)r-lo-|rip handle and<br />

overheating.<br />

^<br />

It"<br />

ei-<br />

Ira loni. heavil|f insulated eitension<br />

cord Heater may be placed on dash,<br />

board, door or any<br />

Scratch-Resistant horinintal surtac*<br />

Silver Grey<br />

Finish<br />

O^her Electromode Electric Heaters For<br />

PROJECTION ROOMS • OFFICES •<br />

TICKET BOOTHS<br />

REFRESHMENT STANDS<br />

Made by Worlds Leading Exclusive Mar^ufacturer of<br />

All-Electric<br />

CHILD-PROOF<br />

Heaters for HOME INDUSTRY • FARM<br />

•<br />

The Electromode is known as the<br />

"child-proof heater. Positively no<br />

exposed hot wires or glowing coils.<br />

Completely weafherproofed<br />

BUCTRomove<br />

ond<br />

grounded. May be handled with complete<br />

safety by children or odults,<br />

Divitim Of<br />

even while in operation.<br />

COMMERCIAl CONTROIS CORPORATION<br />

ROCHESTER 3, N. Y.


A portable logging machine being used lor mosquito control at an Indianapolii drive in theatre The machine,<br />

known ai the Dyna Fog jr , is light weight and has only one moving part Under normal conditions a<br />

treatment once a week, before the weekend, is sullicient. Many types ol lormulations can be used<br />

in the unit, one ol which is Insecto Fog speciticolly manuloctured lor it by Brulin & Co ,<br />

Inc<br />

Don't Let Mosquitoes Nip <strong>Boxoffice</strong><br />

Elimination of Breeding Places and Fogging<br />

The Drive-In Effectively Control the Pests<br />

By ALEXANDER M. COCHRAN*<br />

The NiED FOR Insect control In<br />

drive-tn theatres is so great that without<br />

tt a theatre could become bankrupt in a<br />

short time. Weed control is also important<br />

and has a definite connection with Insect<br />

control.<br />

Mosquitoes are the all-important Insect<br />

pest. They must have standing water to<br />

breed In, not Just dampness. Do not be<br />

guilty of breeding your own mosquitoes<br />

locally on your own property in such places<br />

as catch basins, puddles of water, stopped<br />

up brooks, faulty roof drains, etc. The<br />

easiest approach to eliminating local mosquito<br />

breedinK Is to ellmlnnte the standln«<br />

wal«r. If it Is Impossible to do this it<br />

will be necessary to lurvicide the water.<br />

I would suggest you contact your local<br />

mosquito commission or state university<br />

for correct larviciding techniques, but it<br />

advisable to use an Insecticide In fuel oil<br />

or kerosene instead of motor oil. A small<br />

amount of this light oil will cover a vast<br />

area.<br />

Once you have determined that there Is<br />

no local breeding you must then contend<br />

with migratory adult mo.squltoca which fall<br />

into two classes: long range and short<br />

range. The long range masqulto Is generally<br />

more of a problem than the short<br />

16<br />

*PrMid*n


RED ARROW SELENIUM RECTIFIERS<br />

3-PH ASE<br />

60 TO 100 AMPERE<br />

90 TO 135 AMPERE<br />

120 TO lao AMPERE<br />

SINGLE PHASE<br />

70 TO 90 AMPERE<br />

BO TO 135 AMPERE<br />

>ctltl*ps with all !>


You can MEASURE<br />

the difference !<br />

With an ordinary<br />

photographic light meter<br />

TK« mott important foctor to contld«r whan rcpoinlinQ<br />

your drive in icrcvn i\<br />

GREATER<br />

REFLECTIVITY<br />

THi LIVING FACTOR OF A SCR6FN'<br />

And NOW vou con octuollv mcoiure incrcotcd<br />

rcMccMvity before you buy— coty. occurotely,<br />

Micntidcolly and AT NO COST' Moil the coupon<br />

bcio- »«f a run TfSTING SAMPLE "*<br />

CampbeH's Drive-In<br />

WHITE<br />

Paint o tmoll test orco Mith the tree tc«t somplc.<br />

Then check it* rctlectivity Comporc the reoding<br />

vith ony other tcrcen point. You'll be amazed ot<br />

the greoter reflectivity you get with Compbcll<br />

It Pays to Paint with Campbell<br />

• lncreo%cd rttUctivity<br />

• Creoter picture<br />

brillior>ce<br />

• Rator-tharp imogct<br />

• Higher vnibtlity<br />

• Longer wcor in ony<br />

weather<br />

• Greotor covcroge<br />

per gollon<br />

DON'T DUAY<br />

Only


'<br />

While<br />

A DRIVE-IN IS ONLY AS GOOD AS ITS RAMPS<br />

Exact and Economical Ramp Planning Achieved Through Mathematics<br />

By WILLIAM H BLACK<br />

Ir ii.u ALWAYS be«n a matter of<br />

ajnazrniriit to mi- that in an operation as<br />

big as a drlve-ln Iheatre there has been<br />

so much hit and miss ramp design.<br />

Stated In its smiplest form, any theatre<br />

Is only as good as lis seats, and l( a dnvo-<br />

In is so graded that cver>- position m tho<br />

theatre does not have Rood visibility, then<br />

it diies not fulfill Its first retjuin-mcnt.<br />

POOR DESIGN COSTLY<br />

Miiuy otiitTwise smart theatre owners<br />

have, through a desire to economize or<br />

through just plain ignorance, (alien Into<br />

the trap of building a poorly ramped theatre.<br />

While their desire to economize Is<br />

understandable. It Is an unlortunate truth<br />

that a poor design Is always the most<br />

costly one. and tiiat the theatre has to<br />

live with some ramps that are either entirely<br />

useless or. at best, are far from satlsfactoo'-<br />

The writer has seen many theatres<br />

where thousands of dollars could<br />

have t>een saved in the ramping, and paradoxically<br />

the more economical design would<br />

have resulted in a much better theatre.<br />

In conversations with many designers of<br />

drlve-ins. I have found that the majority<br />

of them have been using very Inexact<br />

methods of ramp planning. E^ven those few<br />

who have used the graphic method of design,<br />

that is. using a thread stretched from<br />

a pomt of the screen to establish grades<br />

through the field, have, because of the<br />

margin of error that is Iniierent in this<br />

William H Black<br />

In thif coprriflited<br />

orticle, publithed ei<br />

clutoelf in (he Mod<br />

€tn Thcotre S«:ary fill to build up the field to Insure<br />

proper drainage.<br />

It will be necessary then to keep the<br />

ramps as low as possible so we will use<br />

only a minimum of fill. The layout of the<br />

theatre a'iU be as shown in Fig- 1-<br />

FIG. I<br />

Because of the flatness of the field, we<br />

will keep the high points of the field<br />

Continued on tallowing pogo<br />

IISO'<br />

FIGURE<br />

I<br />

BOxorncE Fetauary 3. l»M 19


DRIVE-IN RAMP PLANNING<br />

Continued from preceding pogt<br />

through the center hnc and drain the<br />

ramps both ways.<br />

FIGURE<br />

II<br />

FIGURE III<br />

Let us assume that the present grade ol<br />

the field Is Elevation 10.0. and that the<br />

roadways on either side of the field wlU<br />

be the lowest finished area, but when<br />

built up and surfaced they will be six<br />

inches above the present grade so their<br />

elevation will be lO.O-rO.5 or 10.5.<br />

Now to insure the drainage we will pitch<br />

from the center line to the outer edge of<br />

the road, and we figure this arc at the<br />

valley of Ramp 9 which we will tentatively<br />

establish as the low ramp in the theatre,<br />

and we find the arc to be 292 feet. We will<br />

take 0.4 feet per 100 feet as the minimum<br />

pitch for drainage, so 0.4x2.92:^1.168.<br />

Rounding off this figure to 1.2 feet and<br />

adding it to our road grade we have<br />

10.5+1.2=11.7. which will be the grade of<br />

the valley or low part of Ramp 9 at the<br />

center line.<br />

-fAcc or sdtten<br />

FIGURE IV<br />

tr£ LtftL<br />

OF vicweh<br />

ON NEXT RAmP<br />

PITCH OF RAMP<br />

We will use 0.8 of a foot as the pitch of<br />

the ramp (how to arrive at this figure will<br />

be shown later) and adding this to our<br />

valley grade we have 11.7+0.8=12.5. which<br />

will be the peak grade of Ramp 9 at the<br />

center<br />

line.<br />

Now that we have calculated our grades<br />

for Ramp 9 at the center line, we will go<br />

on with calculating our other ramp grades,<br />

but first let us establish the mathematical<br />

basis for the method of doing this. We will<br />

do this by beginning with .the geometric<br />

theories applying to similar triangles, and<br />

to illustrate we will draw two right triangles<br />

as shown in Pig. n.<br />

$orrgti or ncjunt<br />

r Lttr. IS s<br />

FIGURE<br />

V<br />

eter TOP or CAD<br />

NAur$<br />

ere ifKfi<br />

etevr<br />

AAur I<br />

j/itm 11.1x113<br />

FIG. 11<br />

Here we have the big triangle XZY and<br />

the small triangle ACB. Now we will prove<br />

that these two triangles are similar. First,<br />

it Is apparent that Angle A and Angle X<br />

are the same, for they are the common angle<br />

In the two triangles, so they must be<br />

equal. Then as we know that both Angle Z<br />

and Angle C are right angles, they also have<br />

the same number of degrees and are<br />

therefore equal. We also know that any<br />

triangle has a total of 180 in its three<br />

angles, therefore, triangle ACB; 180° and<br />

triangle XZY=180°. so if we set up a<br />

simple equation, we have angle B--180—AC<br />

and angle Y=180-XZ. We have already<br />

established that angles AC and XZ are<br />

equal .so it follows that angle B and angle<br />

Y must also be equal, therefore the two<br />

triangles are similar. Now in any similar<br />

triangles the corresponding sides of the<br />

triangle are always proportionate. In<br />

other words. If In these two triangles, side<br />

XZ is twice the length of side AC then<br />

side YZ would be twice as long as its corros|K>ndinK<br />

side BC and similarly YZ would<br />

be twice the leil«th of BA.<br />

FIGURE VI<br />

riAK IL It t<br />

FIG. Ill<br />

If we now .sci)iiiiitc these two triangles<br />

a.s shown in Fig. III. we have not changed<br />

any of the parts of the triangles, but only<br />

20<br />

Th« MODERN THEATRE SECTION


I<br />

Fig<br />

their poaltlons. but >f you will not*-, the<br />

common lino YBA Is a straight line<br />

We will now add to thLs diUKriim <br />

.terrom a*0i(<br />

FIG. IV<br />

Now in Fig. rv let us designate the<br />

various points In theolre termlnolo«y. For<br />

example, let u.s Miy that line YZ Indlruies<br />

face of the screen oiid point Y Indl-<br />

% the bottom of the picture We will<br />

ay that point B indicates the top of a<br />

ear on a ramp and that point A indicates<br />

the eye level of a person silting in a car<br />

tn the next rump. It is obvious then from<br />

this that the person at A would have to<br />

tec over point B In order to catch the bot-<br />

Uxn of the picture at point Y<br />

,toTTo>to0nc rumi<br />

lt»r. if i<br />

fICURI VTI<br />

g'l ilv It »<br />

^*ll.tf<br />

PROCEED TO GRADING<br />

To get on to the gradint; We have already<br />

established the lowe.st pan of the<br />

theaue as being at Ramp 9. so wc will start<br />

with It In order now to use actual figures,<br />

we will use the data we have from our plan<br />

Pig. I'. From this we see that Ramp 9 Is<br />

470 feet from the screen and the distance<br />

between ramps Ls 40 feet The height of<br />

Ihe bottom of the picture is 25.5 feet above<br />

the present grade of 10.0 so the elevation of<br />

the picture is 25.5-i-10.0 or 35.5. To complete<br />

the ree on the<br />

sale side If we establish the height of a<br />

car at 5.5 feet and the height of the eyes<br />

of a viewer when seated to be four feet<br />

alwve the ground.<br />

On the basis of this data, we will go on<br />

now to establish the grade at the peak of<br />

Ramp 10. We will redraw the diagram<br />

IV • and add the known figures to it.<br />

This will be Pig. V.<br />

FIG. V<br />

We now want to find the grade at the<br />

apex of the small triangle or point A. In<br />

order to do this we have to establish the<br />

length of the line BC which Is done as<br />

follows<br />

First, we subtract the elevation at point<br />

B from the elevation at point Y. and we<br />

fmd that to be 35.5-18.0=17.5. which Is<br />

the length of the lUie ZY. Now we knowthat<br />

the corresponding sides of these triangles<br />

are proportionate, and we already<br />

have the lengths of their bases, they being<br />

470 feet for the big triangle and 40 feet for<br />

the small one. We can now set up a simple<br />

raUo that will give length of the unknown<br />

line BC.<br />

A PRACTICAL FIGURE<br />

BC Is to 40 in the same proportion that<br />

17J ts to 470. If we set this up In Its<br />

BC 17.5<br />

mathematical form we get — Slm-<br />

40 470<br />

17 5 • 40<br />

pllfylng this further we get BC =<br />

470<br />

and compleUng this multiplication and dl-<br />

700<br />

Ttalon we have BC - . 1 49 which we<br />

470<br />

wUl round off to 15 as thta only means an<br />

addition of one one-hundredth of a foot<br />

from our 1 49 figure, and It gives us a more<br />

practical figure for grading.<br />

Now we know that line BC U 1 5 feet tn<br />

FIGURE VIM<br />

lengUi. so In order to find the elevation of<br />

point Z. we subtract this from the known<br />

elevation at point B. and we get 18.0—1.6=<br />

16 5 or the eye elevation of point A.<br />

Since we have established the height of<br />

the seated viewer's eye at 4.0 feet above<br />

the ground, we subtract 4.0 from 16.5<br />

which gives us a grade of 12.5 or the peak<br />

grade of Ramp 10.<br />

Having established the procedure, we<br />

will now calculate the remaining peak<br />

grades to Ramp 20.<br />

Using our ratio formula, we find the peak<br />

grade of Ramp 11 as follows:<br />

12.5—peak R^imp 10 35.5—bottom of<br />

5.5—height of car picture<br />

-18.0—elev. at top<br />

18.0—elev. at lop of of car—<br />

car Ramp 10<br />

17.5—length<br />

vertical<br />

of<br />

of the big<br />

angle<br />

leg<br />

Ratio:<br />

X 40 —space between Ramps 10-11<br />

1.37 or say 1.4<br />

17.5 510 —distance l>etwcen screen and<br />

Ramp 10<br />

18.0 elev. at top of car<br />

1.4 length of line BC<br />

16.6 elev of viewer's eyes<br />

- 4.0 distance from viewer's eyes to<br />

ground<br />

12.6 peak elev. of Ramp 11<br />

Ramp 13:


DRIVE-IN RAMP PLANNING<br />

Continued from preceding page<br />

This Indicates further that we are cominK<br />

up In our grades as we ko forward<br />

which, of course, means usine extra fill<br />

material. As we have found that a valley<br />

grade of 11.7 at the center Unc is adequate<br />

for drainage, let us use this as a constant<br />

figure for all Uie forward ramps.<br />

We will now reduce our Ramp 8 grades<br />

from 12 6 and 11.8 to 12.5 for the peak and<br />

11.7 for the valley.<br />

NOTE: You have seen from the diagram<br />

of Pig. Vn that the line of the pitch of<br />

the rump lines up with the bottom of the<br />

picture. I have found that in most cases<br />

this works out all right. It sometimes calls<br />

for some modification, in the forward<br />

ramps particularly, but as each case could<br />

differ, we will proceed on this generalization<br />

for this particular case.<br />

Now we will take Ramp 7 and calculate<br />

its grades. First, we will diagram It as in<br />

Pig. Vni. using the constant valley grade<br />

of 11.7 to find the peak grade.<br />

FIG. VIII<br />

Calculating we have:<br />

23.8 V 15 11.7<br />

= 0.9 0.9<br />

405<br />

12.6 — peak elev. Ramp 7<br />

We establish then that a peak grade of<br />

12.6 will give us the proper pitch. Now for<br />

a double check let us sec how this grade<br />

check.s out with our established grade on<br />

Rump 8.<br />

12.6 35.5<br />

5.5 -18.1<br />

18.1 17.4 X 40<br />

1.8<br />

18.1<br />

1.8<br />

16.3<br />

16.3<br />

—12.6<br />

3.7<br />

390<br />

This .shows that the view height on<br />

Ramp 8 is lower than the 4.0 feet required,<br />

so the clearance from Ramp 8 over the car<br />

on Ramp 7 is more than enough.<br />

It is obvious then that we have passed<br />

the critical point of car clearance, and we<br />

may proceed forward, establishing the<br />

ramp pitch only on the remaining ramps<br />

to give us the peak grades<br />

We will use the valley grade of 11,7,<br />

Ramp 6:<br />

35.5<br />

-11.7<br />

23.8 X 15<br />

360 '<br />

Ramp 5:<br />

23.8 v 15<br />

325<br />

Ramp 4:<br />

357<br />

1.25<br />

285<br />

- .98 11.7 -f-<br />

1.0=; 12.7<br />

'distance to Ramp 6-1-15')<br />

357<br />

325<br />

= 1.1 11.7 -h 1.1 ^ 12.8<br />

11.7 + 1.3 = 13.0<br />

Ramp 3:


I'. KM<br />

HOW TO GET THE BEST<br />

IN SOUND AND PROJECTION<br />

AT THE DRIVE-IN THEATRE<br />

Modificafion of Present Boofh Equipment<br />

Or Replacement With Improved Designs<br />

Should Be Considered Before Reopening<br />

By<br />

WESLEY TROUT<br />

Wetley<br />

Traul<br />

^^OOD PRO-<br />

JBCTION AND SOUND arC<br />

Vital in the operation<br />

of any size drlve-ln<br />

theatre. We will end<br />

e a V o r to present<br />

iome helpful suKRes-<br />

1 1 o n s In obtainlnR<br />

better projection and<br />

sound reproduction,<br />

pointins up some of<br />

the requirements<br />

necessary in order to<br />

obtain satisfactory scri-en tma«e and Rood<br />

sound quality.<br />

This season, many exhibitors will carefully<br />

review existinK projection and sound<br />

equipment with a view of either replacing<br />

or making some modifications. In order to<br />

obtain better results: namely, amplifier,<br />

sound head, speakers, arc lamps or projector<br />

mechanisms. In some situations the<br />

installation of a better quality projection<br />

lens or refinishlnK the screen surface would<br />

vastly Improve the screen image, or even<br />

both for clearer and better illuminated<br />

picture.<br />

We mention first the replacement of<br />

projection lens or refinishing the screen<br />

surface, because we are well aware of the<br />

problems associated with getting enough<br />

light on the drlve-ln theatre screen. Of<br />

course, if you have high quality lens and<br />

good screen surface, your arc lamp may<br />

need .some modification, such as changing<br />

from 16-lnch reflector to an 18-inch reflector.<br />

And we would like to bring to your<br />

attention the Importance of sufficient amperage:<br />

using the correct size carbons U<br />

a "must" for an evenly Illuminated picture.<br />

Ukewlse. it Ls neces.sary to correctly<br />

align your optical system, be/ore you reopen,<br />

for obtaining all the light the lamp<br />

and optical system can put out.<br />

In some situations one can trim the<br />

."'hutter blades slightly and thereby increase<br />

the light, provided the screen surface<br />

is in good condition. Both shutter<br />

blades must be trimmed an equal amount.<br />

The gear train must not have too much<br />

backlash or you will have a "travel ghast."<br />

The best plan Is to make a model shutter<br />

of the one you have and trim It down Just<br />

to the point where there Is only a slight<br />

"travel ghost." then make the other 'regular<br />

.shutter I blades slightly wider to eliminate<br />

any streaking up or down. We have<br />

done this In many drive-ins and secured<br />

very .'iatlsfactor>- Increase In screen Illumination.<br />

Coo4 tound and prof«cl>0« con b» othi^^td enty wHk 900^ •quipflwnt k»pt in good condittof Thh h •<br />

'•T "•" tquipptd drrtt ,n ihrctrt pro(*cl>on room (.ompt, i»ltnium r»a* All wiring 11 m conduit and Qrrvnlitid, wirtx lor tk* prOfMtion lompt com* up Itirovgh tfct<br />

pro/«cto/ boi* A work ligkt. vitk a win guard around it, >i aqmpprd with o long atlrttiom tord<br />

CURVED TRAP AND GATE<br />

We would like to sugge.st the Installation<br />

of the new curved film trap and gate. If<br />

you have Centur>-. RCA or Simplex XL<br />

projectors ThL^ device will improve your<br />

picture definition and deliver a steady picture<br />

The new eur%ed gate and film trap<br />

can be installed easily without additional<br />

machining. drlUlng or tapping holes, or<br />

special tools. Use of the new curved device<br />

is a definite advantage for those having<br />

trouble in holding focus because of higherpowered<br />

projection arcs, which are necessarj-<br />

for wldcscreen projection In drlve-ln<br />

theatres In .lome cases It Ls advi.iable to<br />

use the renlur>- or RCA WBl


BEST IN SOU ND AND PROJECTION<br />

Continued liom p'f^iJ "j<br />

r"3


aiid k(«ptnK surpUis oil clrnnrd off o(<br />

tnt'chftnism und .sound heads Is very ImporUtnt<br />

111 dnvc-ins whrro such equipment<br />

U subjected to more dust and dirt.<br />

In some cn.ses. when the drive-ln has<br />

•<br />

d for the sea.son. the equipment Is<br />

ply covered up; In others, equipment Is<br />

dismantled and .stored. In either ca.se.<br />

equipment .should be thorouKhly cleaned<br />

•nd carefully checked for replacement of<br />

worn parts before It l.s put Into operation<br />

•gain. If you have not iiutnlled "fox hole"<br />

aprocket.s for combination prints, we suktest<br />

you do .so tx-fore you reopen, thereby<br />

na you more time to make the in.stalln-<br />

:. and check over the projector and<br />

sound head for any other replacements.<br />

Be sure to check your idler rollers, shoes,<br />

film trap. etc. for wear. Better projection<br />

can only be obtained when the<br />

mechani.Mn U In Rood adjustment and worn<br />

parts replaced.<br />

HAND OILtO PROJECTORS<br />

There are still a larKe number of projector<br />

mechanisms thot have to be oiled<br />

by hand. u.sinK a smoU oil can or a medium-size,<br />

pump-type oil can. This type of<br />

projector must be thorouKhly cleaned before<br />

you reopen because the Kcar tram and<br />

bearlnss are not tlRhtly enclased and will<br />

accumulate more dust then a mechanism<br />

In which the gears are tightly sealed in<br />

and run in an oil bath.<br />

We suRRest that you completely disassemble<br />

the mechanism lopen type> and<br />

wash the parts in kerosene, using a stlflbrlstle<br />

brush for scrubbing. Be sure to<br />

carefully wlpie all the parts and lubricate<br />

after you have reassembled the mechanism.<br />

Only a few drops of oil. except in the intermittent<br />

movement, is sufficient, thereby<br />

avoldinK a flood of oil that will eventually<br />

rim down into the sound head and cause<br />

trouble. Always wipe all surplus oil off of<br />

parts—keep a clean rag in your hand and<br />

wipe any .surplus oil off as you lubricate<br />

your projector. Do not lubricate or clean<br />

the projector while It Is in operation, unless<br />

you are seeking trouble. A ras or oil<br />

can spout causht in the gears can cause<br />

plenty of damage. The best, and wi.se procedure,<br />

is to oil your equipment each day<br />

before you start. Use oil sparingly on all<br />

drive-In equipment, but u.se enouRh. of<br />

course, to properly lubricate. A mixture of<br />

dirt and oil will cause rapid wearing of the<br />

ear teeth.<br />

CAUSE OF PICTURE "WEAVE"<br />

Picture •weave" 'side motion' is usually<br />

cau-sed by improper adjustment and<br />

grooved lateral guide rollers, or It can l)e<br />

caawd by too much endplay In the Intermittent<br />

.sprocket. "The .shoes that hold the<br />

film In place against the intermittent<br />

sprocket .ihould aLso be correctly adjusted<br />

and not "ride" the sprocket. Accumulation<br />

cf dirt or undercut sprocket teeth will<br />

cause picture Jump.<br />

Worn starwheel. cam<br />

or bearings will also contribute to an unsteady<br />

picture and a noisy intermittent<br />

movement<br />

Tec much tension on film Is Just as<br />

Best For<br />

iONG THROW!<br />

That's why more<br />

and more drive-ins<br />

choose Bausch&Lomb<br />

Build i\ipacity patronage ... for<br />

bcttcr-than-cvcr profits . . . by<br />

giving all of your patrons the<br />

world's most satisfying screen<br />

images. Unequalled edgc-to-edge<br />

sharpness and definition, at all<br />

ranges, all angles. Breathtaking<br />

contrast... vivid, brilliant images.<br />

Tops in<br />

"Come back again!" appc.il.<br />

WRITE tor complete information:<br />

loldcrsE-118, E-12.^. E-55.<br />

Uau.sch & Lomb Optica! Co..<br />

72026 St. Paul St.. RiKhcstcr 2. N. Y.<br />

, A.*.,1 • • Op' f •' S«*. '• '1 '»'• I-


. . . best<br />

. . . coft<br />

. our<br />

. . hope<br />

want<br />

. . from<br />

. a<br />

. .<br />

. .<br />

Bag Your Trash<br />

Model LS-1 LiMcr Shark<br />

Thf "LitltT Shark" .-.ui-Li uj):<br />

lift-r cans, loose iiP\vs|)a|> the Slop. Stoop and Touch<br />

out of litter pick-up. (llialleiigo \our<br />

lUCM to la-trr. Neater work .<br />

lc«> fati).'iic. Adds dignity to a<br />

roiilinc. di>lastcful job. .Safe, .Sanitary,<br />

and most Economical.<br />

('.iwstrurtinn: Powerful verticalshaft<br />

ga>oliMr engine with recoil<br />

starter. All-slccl direil-connedcd<br />

suction ini(x-ller. W elded steel suction<br />

case with replaceable stainless<br />

steel liner. All steel suction shroud,<br />

"iO" wide, heavily reinforced. Broadtread,<br />

rubber-tired wheels. Large<br />

heavy litter bags. Special bag-support<br />

rack. Short, single-turn, direct<br />

litter travel within suction case assures<br />

no-clogging o{)eration.<br />

TARRANT Mfg. Co.<br />

55 Jumel Place<br />

Saratoga Springs, N. Y.<br />

Guaranteed<br />

Deliverf<br />

fresh from<br />

You can increase Box Office wiih<br />

ORCHID<br />

PROMOTION<br />

.<br />

.<br />

,<br />

.<br />

.<br />

From a drive- in thcofrc in FLORIDA*,"<br />

orchids arrived in perfect conditton<br />

a full house to repeat<br />

. . had<br />

promotion<br />

.<br />

in near future!" WISCONSIN'," .<br />

gave orchids for Mother's Day<br />

loved them to use<br />

. . mothers<br />

promotion aqain!"<br />

from ARKANSAS*,'<br />

beautiful promotion<br />

orchids<br />

grcot<br />

truly<br />

success<br />

.<br />

we've ever hod!" These ore |u»t<br />

o few ot the mony Icttcn wc receive from<br />

theatre and drive-in theatre owners across<br />

the country prolsing the Vondo Orchid Promotion.<br />

The exotic, dainty orchids ore flown<br />

dewy fresh from Howoii . thrill to every<br />

woman who receives one! See how the Vando<br />

Orchid PromoHon con MAKE MONEY for YOU<br />

but a few cents eochf Try It yourself!<br />

"Nomes or fcquc-.i<br />

W» furnish ntwipopcr mots, w/nrfow ttreamers<br />

oryd odvcrtising mottrial Order orchids<br />

today for new 6ojr office profits Write tor<br />

your brochure on other Hawaiian Flowers for<br />

Sales Promotions<br />

H. C. KRUEGER<br />

FLOWERS OF HAWAII<br />

670 S Lofoyetto Pork Place<br />

Lot Anrjslrs S7, California<br />

BEST IN<br />

SOUND AND PROJECTION<br />

Continued trom preceding page<br />

• , not enough. In our article, Modem<br />

1 heatre. Lssue of December 7, 1957, on page<br />

16, we presented data on proper film tension<br />

and adju.stment of lateral KUide rollers.<br />

Becau.se the picture image is magnified<br />

so many times, particularly widescreen<br />

projection in drive-in theatres, it is of utmo.st<br />

importance that a steady picture<br />

should be projected. If the intermittent<br />

movement is in good condition and lateral<br />

guide rollers adjusted correctly, there is<br />

no good reason for inferior projection. If<br />

your gear train in the mechanism has too<br />

much backlash, new gears should be installed<br />

or you may have "travel ghost."<br />

particularly more so if you trim the shutter<br />

blades.<br />

CARE OF TAKEUP<br />

ASSEMBLY<br />

Be sure to check the takeup mechanism<br />

and fire trap rollers. It is wise to take<br />

apart the takeup assembly and thoroughly<br />

clean before you put equipment in operation.<br />

The teiision should be adjusted to<br />

take up a reel when it is full, any more<br />

tension than this is unnecessary. The magazines,<br />

upper and lower, should be checked<br />

for aligrmient and to see that bolts or<br />

-screws are tight. The upfier magazine<br />

spindle should have enough tension to prevent<br />

the reel from "racing."<br />

Glass should be used in<br />

the observation<br />

ports, set in a shadow box. the boxed affair<br />

to be painted a dull black inside. For<br />

the lens poi-ts. we recommend a high<br />

quality glass, special for this purpose, distributed<br />

by National Theatre Supply. Or.<br />

you can use a blower for the lens ports,<br />

distributed by leading theatre supply dealers.<br />

We suggest you follow this advice and<br />

keep the dust from blowing into your projection<br />

room. By keeping the dust out, you<br />

will be able to keep your lenses and projectors<br />

cleaner.<br />

Next, check your sound heads and make<br />

replacement, if needed, of guide rollers,<br />

sprockets, exciter lamp, etc. Tlioroughly<br />

clean the unit and check exciter lamp focus<br />

and run either a 7,000 or 9,000 t*st loop<br />

to check the sound lens focus, doiriQ the<br />

latter after you have the sound equipment<br />

cleaned and in operation. Check the felt<br />

roller on the guide roller bracket; in most<br />

cases, this should be replaced for good operation.<br />

Also be sure to check the rotary<br />

stabilizer and see that it coasts for at least<br />

20 or more seconds after the film leaves It,<br />

Of course, there should be sufficient tension<br />

on the shaft so that there will be<br />

smooth film travel past the scanning beam.<br />

Check the speed of the mechanism. Also<br />

check the motor and couplings to the<br />

sound head drive.<br />

LUBRICATING<br />

INSTRUCTIONS<br />

The arc lamp sliould be thoroughly<br />

cleaned and connections, in most cases,<br />

should be renewed at the arc mechanl.sm<br />

• the positive and negative cartxin holder<br />

connections). After a thorough cleaning,<br />

26 Th» MODERN THEATRE SECTION


the enilrr mfchiuu.s(n .should br lubricated<br />

ccordtng tu the iniututacturrr'.s lubrication<br />

chart. UsT only thi- lubrication .sp«-<br />

ctally rt'commrndod for your hunp Do not<br />

use graphite on any pojt unlc.vs .sprclally<br />

reconunendfd for crrtaln piirt.s by the munufacturrr<br />

Do not um> tjraphite on Stronn<br />

or National Coiutellatlon hiwh inten.sity<br />

lomp-s Use only the .sp«-iial lubricant c )inpotuid<br />

for iK'.st results. Use the correct<br />

carbon trim for the ampcraRo you arc using—never<br />

overload curboiu.<br />

TESTING MAGNETIC SOUND<br />

If your reflectors have been in service<br />

• lonK time, it is best to have them refin-<br />

Istied and obtain more screen liKht. In<br />

situations where hmh omperaKC Is used.<br />

replace your reflectors with the new Bau.sch<br />

and Lomb BALcold reflectors and keep<br />

down the heat at the aperture. The newreflectors<br />

are obliunable for most leading<br />

makes of projection lamps. Tlie reflectors<br />

must fit snugly In their holders but not too<br />

Ught. because It may cause them to crack<br />

when parts get hot. Be sure to use an<br />

allgrmieni tool and carefully align your<br />

optical system— reflector, aperture and projection<br />

lens— for maximum lluhi output<br />

If you have magnetic sound, the penthouse<br />

reproducers should be carefully<br />

checked and cleaned: the rotary stabilizer<br />

and guide rollers should be carefully<br />

checked. On general maintenance of either<br />

optical or magnetic sound heads, we suggest<br />

you read our article, published in<br />

June 1957. on magnetic sound. The film<br />

must track perfectly straight from the upper<br />

reel down tiirough the penthouse reproducer,<br />

and there should be just enough<br />

pull" on the upper reel to keep it from<br />

racing. Vse test loops and reel tor a<br />

thorough checkup on your penthouse reproducer<br />

for high quality sound reproduction.<br />

Likewise, this procedure should<br />

be followed m the optical sound head.<br />

If you have single-track. m.Tgnrtic sound<br />

in your drlve-ln. be sure to demagnetize all<br />

the parts befcre running a magnetic print.<br />

This is necessary when running all combination<br />

prints now. Any steel part that Is<br />

magnetized and comes in contact with magnetic<br />

track or tracks will cause deterioration<br />

of both sound quality and level A<br />

Jeweler's small compass can be used for<br />

this purpwe In .some places—particularly<br />

on the trap and gate— it is generally necessary<br />

to remove the magnetized parts in<br />

order to thoroughly demagnetize effec-<br />

Urtly. Most leading supply dealers can<br />

supply a degausser 'demagnetizing device'.<br />

CHECKUP WITH COMPASS<br />

Again, we want to remind you that equipment<br />

must be demagnetized when running<br />

combination prints. Do not damage prints<br />

bjr neglecting to check your equipment with<br />

a compaaa at least every two or three<br />

montha. If you have worked on the<br />

mechanism with magnetized tools, be sure<br />

to demagnetize acaln.<br />

Pt>r high quality sound reproduction. It<br />

should be understandable that the pre-amplirier<br />

and power amplifier, or amplifiers<br />

%^^<br />

ILlf .^v\..\HH'l(rs |jiil> ca«l'«l aMcS<br />

lUi |.^ h.,ai/i fMtar OMKUIt*. i tv ii >Kk>»cjliT i*>«la4 l«. 1114 m tact Mel tl<br />

IM i>«a»c •' ciri >4aitlt« tmHH al all llatt.<br />

AUTOMATIC-fOOLfHOOF-WEATHEHrtOOF<br />

NOTHING TO INSTALL NOTHING TO HOOK Vr<br />

Wiiit lodoj tor tomplttt Jtiaih and ipccrfKOiioni<br />

PALMER ENGINEERING & DEVELOPMENT CO.<br />

I4t«' , N C>< II Monfc Cal'f<br />

BOXOmCE<br />

CettHmitd on Wovinf<br />

reteuary 3. 1958<br />

27


BEST IN SOUND AND PROJECTION<br />

Continued Irom preceding page<br />

mu.si Of 111 tip-top cuiiditlon. Tubes sliould<br />

be carefully checked: In push-pull staKe.<br />

the tubes must be carefully mutclied m<br />

order to obtain Rood sound output. All<br />

voltases should be checked and compared<br />

wJth the manufacturer's recommendation,<br />

or at least checked with a reliable lube<br />

manual, because correct voltapes are absolutely<br />

necessary for Rood sound reproduction,<br />

free from distortion and with sufficient<br />

Rain for various recordinRs. etc.<br />

Tubes should fit .sockets snuRly and<br />

pronRs should be clean. Leaking plate to<br />

grid coupling condensers are often responsible<br />

for distortion; low voltages will cause<br />

low output, and in the grid circuit, poor<br />

reproduction. A complete set of new tubes<br />

should always be kept on hand in ca.se of<br />

an emergency. In case of trouble, check<br />

or replace tubes first.<br />

We cannot overemphasize the importance<br />

of keeping drive-in speakers in tiptop<br />

condition. We have found this item<br />

very sadly neglected—poor connections, bad<br />

cords, bad speaker cones, etc. It should be<br />

understandable that the quality of the<br />

sound, due to small speaker, cannot compete<br />

with the indoor speaker system, but<br />

very good quality, free from distortion, can<br />

be obtained by checking the speakers daily<br />

and replacing defective ones. Generally<br />

The problem ol incrcoiing light iry driyeins hoi been iohed, to o certain ettent, by newly designed /amps<br />

and new screen surfaces The new livc-to-onc high speed intermittent movement is another improvement.<br />

Successfully tested in the field it is now being installed in Simplex XL projectors lor drive ins or conventional<br />

theatres According to the company, light transmission has been increased as much as 15 per<br />

cent Picture definition has been improved, since each frame is exposed for a longer time The<br />

heart of the new Hi Speed intermittent is a standard 90 Geneva movement, the most reliable in the field<br />

today. Narrower shutter blades can be used with this movement which reduces flicker Other manufacturers<br />

will probably follow with higher speed movements for drive ins The pictures shows the old<br />

style (left) and the new Hi Speed intermittent movement for drive-in mechanisms<br />

the transformer matches an impedance<br />

isecondar>'i of 3.2 ohm.s: supplied for two<br />

impedances matching of either a 2.500 or<br />

7.500 ohm line. For high quality sound<br />

reproduction, impedance matching Ls important.<br />

If you are in doubt, consult your<br />

wiring data sheets and make sure the impedance<br />

is correct for your particular sound<br />

system. Keep dirt and dust out of speaker<br />

housing. Make sure of good connections by<br />

going over all the connections in the .system<br />

before you reopen your drive-in.<br />

One can make a fair test of the sound<br />

output quality by first setting the exciter<br />

lamp perfectly, checking the sound lens<br />

focus, and then thread in a film with good<br />

music, singing and dialog recording. The<br />

.sound reproduction of these various recordings<br />

should be clear and sharp. A test<br />

reel can be purchased for making this<br />

test, but any good recording will do. provided<br />

it has music, male and female singing,<br />

plus some dialog.<br />

Overall Prequencv Response Measurements—Measurements<br />

of the overall frequency<br />

response of the .sound system, including<br />

the projector, cannot be perfectly<br />

made without multifrequency test film,<br />

plus knowledge, to a certain extent, on its<br />

use. In several previous articles, we have<br />

presented data on using test loops and test<br />

films. Generally, data is furnished on how<br />

to use test loops and make frequency response<br />

test when purchasing these items.<br />

Bigger Drive-In profits when you<br />

fog with TIKA, give patrons a<br />

fresh, fragrant atmosphere, fo»iptctily<br />

inscct-frrc ! Lowest-cost<br />

coverage of your premises with<br />

true, clean fog that destroys all<br />

insects . . . cannot stain windshields<br />

or car finishes. One-man<br />

operation.<br />

wi.N GooDwii.L.Whcn not in use,<br />

lend your TIKA equipment for<br />

Public Health In.sect Control.<br />

(«MYIMGulOflWIIIF«S USIINCSE»lMH4t6J<br />

PRODUCTS DIVISION<br />

YOUR COMPETITORS!<br />

MOSQUITOES, FLIES, ALL INSECT PESTS<br />

KILLED ON<br />

CONTACT<br />

BY<br />


use too much solder as tl will cause » hmh<br />

resistance Joint—Just use enough solder to<br />

firmly weld the connection.<br />

When cluH-klnK over your rump spi-ukers.<br />

If ony .sp«'aker falls to function, first step<br />

ts to check the connections (If you are sure<br />

the speaker Is In good condition' to make<br />

sure they are right: then chixk the transformer,<br />

and see that no wires are "short-<br />

InK" out Trace throush the Junction box<br />

with a hiKh quality set of headphones for<br />

sound output. You can nLso check with<br />

jrour ohmmeter for shorts, but do not have<br />

system turned on when making this test.<br />

Use your wirlnK dtattram for checklnn correctness<br />

of connections, if you are In doubt.<br />

We have always found an ohmmeter excellent<br />

for taking readings across sound<br />

sjrstem for suspected siiorts. Then use a<br />

high quality pair of headphones for checking<br />

various ramps for sound quality.<br />

CLEANING AMPLIFIER<br />

PARTS<br />

Regardless of how wrll enclosed are the<br />

amplifier components, they will accumulate<br />

carbon soot and dust: we have found cases<br />

where accumulation of carbon particles and<br />

soot caused a short or noise. So It Is wise<br />

to take a stlff-bristle brush smd clean, carefully,<br />

the Interior of the amplifier and preamplifier<br />

at least once a month. This procedure<br />

may prevent trouble later. Gently<br />

push the connections, using a wooden prod.<br />

to see there arc no loose ones. ThLs should<br />

be done about everj' two or three months.<br />

Carefully clean the tul)e prongs and .sockets<br />

when replacing tubes; always keep a complete<br />

set of spare tubes in the supply cabinet<br />

In case of emergency.<br />

Hum—Hum Is often caused by poor<br />

ground connections. Insufficient filtering<br />

tn the power supply, defective tulx? or<br />

tul)es. defective transformer or filtering in<br />

the power supply for the exciter lamps.<br />

speech lines too close to an AC power line.<br />

or can be traced to a defective condenser<br />

In the amplifier circuit.<br />

ALTERNATING AMPLIFIERS<br />

Dual or EMEsctNCY Ajuplifiers—When<br />

two or more amplifiers normally operate<br />

tn parallel, or emergency amplifier equipment<br />

Is installed: In most installations, a<br />

selector .switch Is supplied to disconnect the<br />

output, external heater and plate circuits<br />

and warping circuit 'Simplex" of the Inoperative<br />

amplifier and connect similar<br />

circuits of the operative amplifier Only<br />

one warping circuit Is used at a time.<br />

Therefore, the warping circuit should be<br />

the same In both amplifiers. In .some rases<br />

two amplifiers are wired In parallel for<br />

more power output: In other sltuatloas,<br />

with plenty of power output, one amplifier<br />

In the lat-<br />

Is used for an emergency unit.<br />

ter case, one amplifier should be used one<br />

week and the other the following week in<br />

order to keep a check on its operating condition.<br />

Po^»-(* Svm.r ro* Exmc* Lamm Usino<br />

TuvcAR Brtas. It Is very Important that<br />

ytni check tungar bulbs at least onre a<br />

month to make sure that the bult>s are<br />

tight In their sockets and springs make<br />

food contact. Loose bulbs will cause heating<br />

of the springs and crystalllutiiun. followed<br />

by spring breakage. A bunu-d-out<br />

bulb khuuld tM> replaced at once a.s the other<br />

bulb will not carry the loud. Ballu.st Inmpn<br />

for voltage regulation should make tiood<br />

contact in their .sockets Very careful l>ending<br />

of the socket contacts and burni.shing of<br />

prongs and contacts with crocus cloth may<br />

be resorted to when necessary. All electrical<br />

connections must be tight<br />

Sound Sv.stcjis Troubles— If your sound<br />

output suddenly ko<br />

and. finally, check check plate, grid, voltages,<br />

etc. with a good voltmeter. Before<br />

you do check the lubes, etc . be sure to see<br />

first If tubr.s are 111 as a fuse may be blown,<br />

cutting off the iKiwer<br />

Try the "tulK- disturbance" test by removing<br />

and replacing one tube at a time<br />

to see if each stage U working. This could<br />

narrow your trouble down to the sound<br />

head, provided the amplifier Is working<br />

okay We strongly recommend a set of<br />

headphones, high resistance. 20,000 ohms,<br />

for a check of sound quality at the output<br />

of the system This will give you u clu-ck<br />

on hum. di.stortlon and quality of sound<br />

reprrKluctlon.<br />

Riimp wiring Is always a very Important<br />

Cootinutd on lolteminq peg*<br />

Another STAR PERFORMER<br />

you can hear the<br />

difference<br />

omazing low price<br />

$i;95<br />

5 each<br />

the PROVEN JEWEL-TONE 4 speaker<br />

for all drive-in theatres<br />

ALWAYS SPECIFY BEVELITE FOR THE BEST<br />

in SPEAKERS • LETTERS<br />

BACKGROUNDS • POSTER CASES<br />

, . . Bevelite. Extensive research and experimentol<br />

The 4" jewel-tone speaker is u proven product bocked by an eld established<br />

name in theatre equipment<br />

work has gone into the building of the Bevelite 4" jewel-tone speoker. It has been<br />

thoroughly proved and tested . . surpassing<br />

oil expectations. There's no better<br />

drive-in speaker thon the jewel-tone Bevelite . . . you can hear the difference!<br />

THE BEVELITE CORP.<br />

dnu^i^ by<br />

NATIONAL THEATRE SUPPLY<br />

BOXOFTICE Fet)ruary S. I96S 29


I<br />

I<br />

tions<br />

i need<br />

!<br />

with<br />

]<br />

amperage<br />

I<br />

I<br />

the<br />

New Automatic<br />

Trash Pick-up<br />

For Drive-Ins<br />

LlffER<br />

BUG<br />

Picks Up Everything But<br />

Gravel —<br />

I jllir I5uj; uses varuurn<br />

ulcinc, no brushes, lo gather all paper litter<br />

— trays, boxes, spoons, straws —<br />

plus<br />

I i 'nrflle liulLi, matches, even ticket stubs.<br />

^ et it dofs not remove gravel or stone.<br />

Pa\- for it«olf fir«l -pason in labor savings.<br />

Easy to Opero/e — (ialhers trash<br />

ill ,1 »dlkiri(! |iai c iici need to slop or<br />

sloop. Weighs less than 100 lbs., perfectly<br />

bni.incnl. .30' intake for wirlr |pirkii[).<br />

Long Life, Service -Free —<br />

Powered by 2I/2 HP Hriggs Si ration 4<br />

r\ile engine that operates al 2/3 rated<br />

KP.M. \o chains, bells, pulleys or sprockets<br />

lo lubricate or replace.<br />

SEE THE NEW IIHER BUG 40<br />

WITH GIANT 40-INCH PICK-UP<br />

at Booth 49,<br />

National Allied Drive-ln Convention<br />

For literature and price, write Depi A<br />

Mid East Sales Co.<br />

Box 62 Lockland. Ohio<br />

BEST IN<br />

SOUND AND PROJEGION<br />

Continued from preceding poge<br />

Item m any drlve-ln theatre Ijecause faulty<br />

wiring can cause plenty of trouble. Many<br />

shorts arc caused by Inferior underRround<br />

wire and poor connections at the speaker<br />

IH)st A short can completely cut off the<br />

.sound or. In .some instances, according to<br />

the particular .sound system, it will cause<br />

a loss of volume. The only remedy, of<br />

course. Is to quickly find the short or cut<br />

the ramp out of the system for the night<br />

until short is found. Most all sound systems<br />

have ramp switches for cutting out<br />

each ramp in case of trouble.<br />

CONDUIT FOR FEEDER WIRES<br />

Galvanized conduit should be used for<br />

main feeder wires into the projection room,<br />

and this should terminate in a watertight<br />

junction box. This will eliminate<br />

water getting into the main feeders and<br />

eliminate shorts. To simply buiy the wire<br />

in the ground and run it into the projection<br />

room, at the projection room wall, is<br />

very l)ad procedure. The wiring of downlights<br />

is to be given careful consideration<br />

so that AC hum is not picked up by feeder<br />

lines anywhere.<br />

We have endeavored to cover some of<br />

the important maintenance of lenses, projectors,<br />

sound heads and amplifiers: now<br />

let us talk briefly about screens and screen<br />

surfaces. At least every two years any<br />

under-the-sky screen should be refinished.<br />

Our advice is to first obtain .some sample<br />

paints, unless you have found one satisfactory,<br />

and paint a large piece of cardboard<br />

and at night compare it with your<br />

present screen surface. We suggest you<br />

secure several samples first before you decide.<br />

Any theatre supply house or screen<br />

manufacturer can supply a high quality<br />

paint for drive-ins and It Is our advice,<br />

in order to secure more light and better<br />

picture definition, to buy a paint that has<br />

been proven the best for outdoor use and<br />

will stand up under severe weather condifor<br />

at least two years or more. You<br />

a finish that will give a good overall<br />

light from the center to the extreme side.<br />

very little fadeaway. Naturally, good<br />

picture definition will depend upon the<br />

quality of lenses used: llkewi.se. the brilliant,<br />

white light will depend on sufficient<br />

and a modern projection lamp.<br />

We are very happy to note that picture<br />

sizes for drive-ins have finally settled down<br />

to standard widths and heights based on<br />

capacity of the theatre. We favor some<br />

of the following sizes: 36x60. 40x90. 45x105<br />

and 61x144 feet. Frankly, when you have<br />

a screen size around 120 feet, you will have<br />

a screen area .sufficient for most large<br />

drive-ins, and one that will give a satlsf;ictor>'<br />

side view In most situations.<br />

NEED POWERFUL LAMPS<br />

In our recent scrle.s of articles on modem<br />

high lnten.slty lumps, we covered the<br />

subject of projection arcs suitable for drlve-<br />

Ins. where It Is no Important to have adequate<br />

equipment, and Indoor theatres using<br />

wldescreens. If your lamps are not<br />

powerful enough for your situation, then<br />

we suggest you give very serious thought<br />

to making a change to one of the new modern<br />

high intensity arcs with rotating positive<br />

carbon and 18-lnch reflector, using<br />

the new BAIxold reflectors to keep down<br />

the heat at the aperture. You will find It<br />

pays to have sufficient light for black and<br />

white prints, and to bring out all the beauty<br />

In colored prmts. If your screen area Is<br />

large, then the wise thing to do Is to Install<br />

one of the late model lamps, and<br />

check your DC power supply equipment for<br />

sufficient capacity.<br />

Generator set or rectifiers should be<br />

cleaned, checked, all electrical cormections<br />

tightened before being put back into operation.<br />

If grease or oil lubricant is used<br />

In the generator bearings, this lubricant<br />

should generally be removed and a fresh<br />

supply put in. The commutator and brushes<br />

should be checked and new brushes<br />

should be installed if they are worn over<br />

half way down. Use a small hand bellows<br />

and blow the dust out of the generator or<br />

rectifiers, whichever type of E>C conversion<br />

unit is used.<br />

CARE OF WATER COOLED LAMPS<br />

If the arc lamps are water-cooled, then<br />

be sure to take apart the water line and<br />

pump and thoroughly clean, likewise the<br />

water jacket in the arc lamp. Thoroughly<br />

clefin the tank and keep a plate glass cover<br />

over it for protection against dust or dirt.<br />

If any connections or copper tubing need<br />

replacement, now is the time to do it, before<br />

you reopen.<br />

The projector motor should receive the<br />

same maintenance as the other equipment.<br />

Keep the motor clean and lubricated:<br />

check the coupling to the soundhead<br />

to see that the screws are tight,<br />

properly aUgned, etc. This advice also applies<br />

to the exhaust fan and motor rewind.<br />

If it Is necessary to make any wire<br />

splices, be sure to solder the connection<br />

after twisting the wires tightly together in<br />

a standard splice. Simply splicing two<br />

wires together and not using solder should<br />

not be considered a perfect or permanent<br />

splice. Wires should be very clean when<br />

twisted together. So. you will find it a<br />

good idea, when checking over your electrical<br />

equipment, to check the splices that<br />

may be suspected of not being perfect.<br />

VENTILATION OF BOOTH<br />

Proper ventilation of the projection room<br />

keeps down dust and makes a better place<br />

for the projectionist to work. We have always<br />

favored forced-air type of ventilation<br />

for drlve-ln and Indoor theatres. For the<br />

drive-ln projection room, a 16-lnch exhaust<br />

fan, mounted outside of the projection<br />

room, enclosed In a good weatherproof<br />

box. pulling air through filter, same as your<br />

air conditioning filters. Into the room, is<br />

an ideal .setup. Of cour.se, the lamphouses<br />

must be properly ventilated as per our<br />

recommendation presented in this department<br />

on arc lamp maintenance. This wlU<br />

deliver a fresh flow of air, provided the<br />

room has two or three outlets, near the<br />

30 Th» MODERN THEATRE SECTION


cFiUns. covered with fine mMb wire. The<br />

(an should be tivsUkUed near the cetlini:<br />

because ihi5 is where all the heui accumu-<br />

Utes. The (an can either blow in or putt<br />

out the air. We think the (ormer is best<br />

In concliLsion, we wiuu lo point up U»e<br />

importance o( beuiK on your tiuard at uU<br />

limes to strive to give the public the very<br />

best In sound reproduction and projection<br />

There is no reasonable excuse (or inferior<br />

screen presentation and poor quality sound<br />

with pre.sent-day fine arc lamps, carbons,<br />

projectors, lezues. and greatly improved<br />

sound systems.<br />

MODIFICATION OF EQUIPMENT<br />

Your situation may need only some<br />

mmor improvements, such as a new set or<br />

lamps or larver redector. new screen surface,<br />

better quality projection lens; or. 1(<br />

the sound is poor quality, some modidca-<br />

Uon of the system wUl bring It up to par.<br />

In some cases we have installed later-type<br />

sound heads and re\-amped the amplifier<br />

circuit: in other cases, a new pre-amplifler<br />

and power amplifier were the answer,<br />

or the sound head repaired. We improved<br />

the projection by having the mechanisms<br />

rebuilt and installing a better type of lens<br />

to fit the situation.<br />

A mismatch of speed of reflectors and<br />

lenses can cause a loss of light which can<br />

be avoided. May we ask you. what good is<br />

•n P 1 7 lens with an P 2 reflector, or a<br />

slow speed lens with a high speed reflector?<br />

You must match these components<br />

as nearly as possible, and then use an<br />

aligning tool to secure proper optical<br />

alignment. You will be surprised at the<br />

Increase in light. Improper carbons, wrong<br />

carbon combinations, wrong amperage and<br />

voltage will cause a loss of Ught as much<br />

as 30 to 25 per cent. With improper lamp<br />

and projector alignment light loss can exceed<br />

15 per cent.<br />

REDUCING FOCUS TROUBLE<br />

llan>' dnve-m theatres experience focus<br />

trouble because of high amperage, poor<br />

projection room ventilation. (>oor lampbouse<br />

ventilation. This trouble has been<br />

greatly reduced, m most cases, by keeping<br />

dovn the temperature via forced air ventilation<br />

and by adequate lamphouse<br />

ventilation. The newly developed curved<br />

ate and trap, plus the new BAL.-<br />

cold reflector have reduced focus trouble,<br />

and in many instances completely eliminated<br />

it. However, high quality projection<br />

lenses are a "must" for good picture<br />

definition—do not depend on simply<br />

rcducmg the heat to do the Job Leavrs<br />

loo. must l)e cleaned more often in drlvrin*.<br />

We. again, suggest the Installation of<br />

•pedal porthole glass or a porthole bljwer<br />

for the lens port to keep out the dust and<br />

help obtain better picture definition.<br />

Finally, for better projection, we strongly<br />

recommend the "rtght" type of screen<br />

finish and the surface should t>e refln-<br />

Uhed at least every two years. No matter<br />

how perfect your lens, lamp and reflector<br />

may be. the screen surface plays a very important<br />

part in obtaming the ultimate in<br />

screen presentation.<br />

BoxorncE February 3. 196a<br />

safe * durable * easy to install<br />

Unconditionally<br />

Warranted<br />

Build Good Will With o Ptoyground Moke It Available<br />

For Daytime Birfhdoy Parties and Similar Events<br />

SLIDES<br />

Gome time flidei ore oil tteel<br />

conttruction vith elegK tp«e


LAMP INCREASES LIGHT 51%<br />

''Blown" Arc System Used in<br />

New Projection Lamp<br />

Increases Brightness by Constricting the Arc<br />

W.HEN UKIVE-IN EXIIIBITURS ItttCnd<br />

National Allicd's Diivc-ln Show. February<br />

11-13. In Louisville. Ky.. ihey will see unveiled<br />

what is characterized by the Strong<br />

Electric Corp.. as "by fur the most powerful<br />

projection arc lamp ever developed."<br />

This new arc." according to Arthur J.<br />

Hatch, president of Strong, "delivers such<br />

a tremendous amount of light that what<br />

has heretofore been the finest projection<br />

of any gauge film by any process pales by<br />

comparison of brilliance when this new<br />

light source is installed. With a light output<br />

much greater than that of any lamp<br />

ever made, unbelievably better screen images<br />

are now possible, not only in the projection<br />

of 35mm film, but also Cinema-<br />

The "blown" ore ol the new Strong lomp, seen<br />

through the window on the iide of the lamphouse,<br />

produces a light source ol three-dimensional shape<br />

making possible a more ellective optical system.<br />

Scope, and even when projected on the<br />

largest screens in existence."<br />

The new projection lamp will be known<br />

as the Jetarc.<br />

An increase in projected light volume of<br />

51 per cent over any other lamp on the<br />

market, when using the commonly available<br />

fl.7/fl.8 lens. Is afforded with this<br />

new arc when u.sed in the projection ot<br />

any width film, by any of the various<br />

processes, and with any size aperture. This<br />

tremendous volume of light is not dependent<br />

on the u.se of a lens faster than fl.7.<br />

The lamp delivers 46.000 lumens wmn<br />

piojecling small aperture 35mm pictures<br />

'.825x.600i; 55.000 lumeiLs for Cinema-<br />

Scope 35mm (.912x.715', 56,000 lumen.s<br />

for MOM 65mm and Todd-AO 70mm. and<br />

65.000 lumens for Fox Cinemascope 55mm<br />

1 1.340x1.06).<br />

A 100 per cent distribution of light can<br />

be attained over the entire screen area.<br />

A minimum in-focus distribution of 80<br />

per cent is afforded when projecting<br />

through a 35mm aperture with fl.7 lens.<br />

TOTALLY DIFFERENT<br />

SYSTEM<br />

A totally different system of producing<br />

light by carbon arc than that of present<br />

commercial techniques was necessai-y to<br />

attain these new high standards of screen<br />

illumination. In the conventional manner<br />

of burning carbons, the light projected to<br />

the screen is picked up from the flat, disklike<br />

face of the arc souixe by a single mirror.<br />

The initial development of this new<br />

system, known as the "blown" arc. was<br />

made by Dr. Edgar Gretener A.G.. Zurich.<br />

Switzerland, and Strong has obtained an<br />

exclusive license to manufacture lamps using<br />

this advanced carbon-burning technique<br />

in the United States. The use of<br />

this system not only resulted in an inherent<br />

higher brightness, but also produced<br />

a light source of such three-dimensional<br />

shape that a much more effective<br />

optical system could be utilized. The higher<br />

brightness derives from the fact that brilliance<br />

of an arc increases as it is constricted.<br />

Constriction of the arc has been accomplished<br />

by air jets arranged in concentric<br />

circles around the positive carbon<br />

and directed toward its burning end. The<br />

air pressure at these jets is supplied by a<br />

blower which is an integral part of the<br />

lamp.<br />

Due to the resulting cylindrical-shaped<br />

light .source, the light pickup angle can<br />

be increased to more than 260°. Since the<br />

The photo at left shows the relative po<br />

sition ol the positive and negative car<br />

bans in the new "blown" arc projector<br />

lamp, as the rear door is opened slightly<br />

The arc is constricted to increase brightness<br />

by concentric circles ol air jets<br />

around the positive carbon, directed toward<br />

its burning end A blower, which is<br />

an integral part ol the lamp, supplies the<br />

air pressure ot the lets The light source<br />

produced makes possible a system ol<br />

auxiliary optics which alone increase the<br />

total lumens on the screen up to 15 per<br />

cent


13S to HO iimptTcs ur 10mm rruular paiiilvrs<br />

burned ut 110 to 135 umptTcs<br />

The miiin mirror, iin UUciiriil purt o( the<br />

n*r door, is of the cold kIiixi lyp*- niul l^<br />

31 IHcJics m dlumelcr—Ihc Inruesl rrflfcim<br />

evrr put into rcKulikr pniduction (or niouon<br />

picture projection. It ha.s a (ocul<br />

length of 6''4 Inches und u workiiiK distance<br />

of 43 inches. All (Um sizes. 35mm<br />

to 70mm. und itny new intermediate width,<br />

which mltiht com-eivably be introduced in<br />

the future, cun be projected without uny<br />

chanKe of reflectors.<br />

The spot size at the aperture Is chuiiKed<br />

from the smallest, as used with standard<br />

S&mm projection, to the larttest. as for<br />

TOnun or Fbx Cinemascope, by simply<br />

shifting the position of the main reflector<br />

by means of a convenient control. Since<br />

all focusing is accomplished by positioning<br />

of the mirror, the position of the burner<br />

need never be changed.<br />

COOL IN<br />

OPERATION<br />

The lamphoiLse and reflector are completely'<br />

air conditioned. Aperture heat generated<br />

by the projection beam Is no greater<br />

than when burning an 8mm copper coated<br />

trim at 70 amperes without a heat filter.<br />

All the direct products of combustion, soot<br />

and smoke ore withdrawn by a 100 CFM<br />

suction blower which completely chanKe.s<br />

the air in tlie lamphouse every six seconds.<br />

The lamp is exceptionally cool In operation<br />

due to Its size and the fact that direct<br />

radiation from the arc to the lamphouse is<br />

practically nil because of the arc being almost<br />

completely surrounded by reflectors.<br />

The auxiliary mirror, and positive and<br />

negative carbon heads are water cooled.<br />

A water flow and air flow switch controls<br />

an interlock to a contactor so as to<br />

prevent energizing of the arc except when<br />

these cooling agents are operating.<br />

In addition to the regular, manual negative<br />

feed, which can be used for stroking<br />

the arc. there Is a separate manual control<br />

which In one easy motion gives much<br />

quicker and more positive strokinR. At<br />

the same time, it automatically positions<br />

the arc for the proper gap length of onehalf<br />

inch.<br />

POWER ADJUSTMENT CONTROL<br />

Now for the first time, rectifiers can be<br />

located at any distance from the projection<br />

lamp and the power adjusted by chanKini;<br />

a control mounted on the instrument p.un'i<br />

of the lamp The new 220 volt. three-i)ii;i-i<br />

selenium rectifier, designed by Strons especially<br />

for operation with the blown urr<br />

has a saturable reactor-type tranaformet<br />

which makes this possible. Heal Kenerate|)c.ikcr% with drop<br />

outer cone arc the answer to famous Dub'IConc<br />

^uund at an aiiia/ingl\ low price. Plenty of other<br />

features, too —<br />

plug-in terminals permit simplified<br />

|K>st scrsicing — two strews to loosen, repair or<br />

replace without special tools — nti soldering, no<br />

glue, and in a matter of seconds. Diccasi aluminum<br />

case with reinforced speaker grill. Available<br />

with optional aluminum screen guard.<br />

NewEH<br />

Series<br />

Single Cone Speakers<br />

with new 1.47 oz.<br />

Fixed Magnet<br />

Here's economy overflowing with iju.ilitv at the<br />

lowest price eser for so much. Moused in die-cast<br />

aluminum case. Speaker grill is hcavih reinforced.<br />

Calibrated air chamber results in fiJclilv of range.<br />

Response exceeds that of man\ more expensive<br />

speakers. Plug-in connectors for simplifiea servicing<br />

— done in a matter of seconds.<br />

"F" Series Single Cone<br />

Same fine speaker with all the features of the "O"<br />

Series except that it has an .8 oz. magnet. This is<br />

the last word in economy and good sound.<br />

Get Complete Drive-ln Equipment from Ballantyne<br />

"A", "Q" and "E" Series Speakers<br />

All ha\e the new- pcrmanenth fixed magnet. "A" and "Q"<br />

Series are famous, full-sized Dub'l-(!ones — the last word<br />

in sound and durability. "K" Series is a single cone in a<br />

full-size case.<br />

Amplification<br />

for any Siie Theatre<br />

.NIX, RX and KX systems.<br />

Designed and engineered<br />

cxclusisely for drive-ins.<br />

Not an adaptation. Plenty<br />

of surplus power for ample<br />

solumc a lot longer.<br />

'^f^j//j/;/yy|^C<br />

1712 Jockson Si.<br />

euipauij.<br />

Omoho 7 , Nebratka<br />

Projectors<br />

Projector Bases<br />

Rectifiers<br />

Generators<br />

Arc Lamps<br />

Soundheads<br />

BoxorncE February 3. igM 33


of<br />

/<br />

Superior Design,<br />

Construction and<br />

ORMANCE<br />

far<br />

greater<br />

strength and<br />

SAFETY !<br />

a\<br />

i A\^ERICAN<br />

PLAYGROUND<br />

AND SWIMMING<br />

POOL EQUIPMENT<br />

The wiso choice of experienced<br />

Li buyers tor nearly half j century.<br />

'i >HftMl FOR UTERATURB<br />

R-<br />

AMERICAN<br />

MATSKOUHD DIVICI CO.<br />

ANDCRSON, INDIANA, U.S. A.<br />

WOaUrS LAAGCST MANUTACTUttlS Of rwf<br />

FAK. nCMK. rt»G*OUH0, SWIMMING.<br />

root AMO DMUMG lOOM fOwrMOIt<br />

SEPTIC TANK-<br />

OUTDOOR TOILET<br />

-<br />

- .^ -CESSPOOL<br />

PloLLetft?<br />

ipt-0-SoW<br />

trie TANKS<br />

ESJroOlS<br />

, ,<br />

OUTDOOR TO'll'i<br />

l^BESS<br />

Save expensive digging and<br />

pumping. Simply pour cnryme<br />

concentrate Sept-0-SoUe into<br />

tank or toilet. Deodorizes<br />

and creates waste-consummo<br />

bacteria Makes tanks, etc.<br />

«ork like new. No lye, Hmc.<br />

Harmless to humant. animals,<br />

plumbing. Postcard brings<br />

free<br />

littraturc<br />

M. T. ABBEY CHEMICAL CO.<br />

Chojo.<br />

The Low Cost<br />

In-Car<br />

DRIVE-IN<br />

SPEAKER<br />

REPAIRS<br />

Way For<br />

Speaker Maintenance<br />

Aluminum Box Voice Colli<br />

And MoillureProofcd Portt<br />

foit Guorontud S»nic»<br />

3" • 4" 5" SI. 10 per Speaker<br />

EVANS RECONING SERVICE<br />

611 Forrtl Ax Oct Moinot. Iowa<br />

IIL<br />

tOTTOI Of nc Tv»t<br />

ILtV H I<br />

DRIVE-IN RAMP PLANNING<br />

Ramp 10:<br />

35.5<br />

12.6 peak grade<br />

23.0 .< 15<br />

= 0.7 12.5<br />

525<br />

Ramp 11:<br />

35.5<br />

-12.6<br />

22.9 A 15<br />

FIGURE IX<br />

and the<br />

the old*<br />

difference between the new and<br />

Continued Uom page 22 Ramp 11 = 13.2 1 12.6+0.6). 12 = 13.5 1 12.8+<br />

0.7i. 13 = 13.9 '13.1-0.8>. 14 = 14.4 13.5 +<br />

1<br />

0.7 ^11.8 valley<br />

grade<br />

12.6 - 0.6 = 12.0<br />

565<br />

Continuing, we find the valley grade for<br />

the remaining ramps to be:<br />

Ramp 12 = 12.2. 13 = 12.6, 14 = 13.0, 15 = 13.6.<br />

16 = 14.2, 17=14.9, 18 = 15.8. 19=16.6.<br />

20 = 17.5.<br />

Having established all of om- center line<br />

grades, we have the basis for grading the<br />

rest of the field simply by using the predetermined<br />

pitch from the center line of<br />

0.4'<br />

100 feet.<br />

There remains one other point to check,<br />

and that is to determine the clearance behind<br />

the refreshment building.<br />

The back wall of the building is midway<br />

between Ramps 12 and 13. The valley<br />

t;rade<br />

at this point has been established at<br />

12.2. A.ssume that the height of the building<br />

at the rear to be 7'-9", and the building<br />

is flat. p, 1 15 = 15^<br />

111, 17=16.4<br />

14.0- 1.0<br />

.<br />

16=15.7<br />

18=17.2 14.6+<br />

a6.1 +<br />

1.1',<br />

19=18J 116.9 + 1.21. 20=19J (17.8+<br />

0.9 1<br />

.<br />

1.31.<br />

Averaging these figures out shows that<br />

i<br />

a rise lor an error six inches in Flamp<br />

10 would mean an average addition of one<br />

foot of material over the entire area of<br />

the field from Ramp 10 on. In the small<br />

theatre we have shown here this would<br />

mean that approximately 9,000 extra yards<br />

of material would be required. Even using<br />

a low figure of 50 cents a yard for material<br />

in place, the additional cost to the<br />

theatre would be $4,500.<br />

I hope the foregoing will serve a useful<br />

purpose to owners and designers of theatres.<br />

I have personally found it to be a<br />

very practical and useful tool. After one<br />

becomes familiar with the procedure, I am<br />

sure that it will be found to be much faster<br />

and certainly much more accurate than<br />

any known method.<br />

It might be interesting to apply this to<br />

a theatre grading plan that you now have.<br />

I think the variation and the savings will<br />

surprise you.<br />

THERMOLATOR<br />

INKAR HEATERS<br />

Moke Your<br />

Cash Registers<br />

JiiMd U<br />

ith<br />

WINTER<br />

PROFITS!<br />

400 Of '-0 V. of<br />

Forccd-Aif Hiotcfi<br />

— Custom mode<br />

or Your Thcotr*<br />

—330, 308 or 115<br />

Volts.<br />

THERMOLATOR<br />

INKAR HEATERS<br />

AND WIRING CAN BE<br />

LEASED.<br />

Now You Too, Con Stay Open All<br />

Ycor For Bigger Profits!<br />

THERMOLATOR<br />

Write, Wirt or Coll<br />

CORPORATION<br />

1628 V.ctoi> Bl.d GUndole. Colif.<br />

f<br />

34 Th» MODERN THEATRE SECTION


J If<br />

AOOtO INCOME OPrOKTUNITIlS FOK PIOOESSIVE tXHIIITOftS MewM^<br />

SERVES 2,000 PATRONS IN IS MINUTES<br />

Speedy Service Is Credited<br />

To Wagon-Wheel Layout<br />

And 20 Efficient Employes<br />

By<br />

DOROTHY SHENSA MILLER<br />

9^0 ErricirNT is the wagon-wheel<br />

design of the concessions layout at the<br />

3.500-car Newark 'N. J.' Drive-In Theatre.<br />

3.000 persons can t)e served every 15 minutes'<br />

The one-stoo' refreshment building is<br />

located in the center of the field about 80<br />

feet behind the projection booth. It covers<br />

about 7.500 square feet of space and the<br />

Interior is layed out like a giant wheel.<br />

The hub. or center of the wheel, is the op)en<br />

kitchen and working area: with eight identical<br />

food hnes. like spokes, spreading out<br />

from the center section. The service Is<br />

cafeteria style, with a separate cashier<br />

serving each line. This arrangement Is<br />

efficient and speedy and is easily adapted<br />

to handle small or large crowds of people<br />

The number of lines In operation is determined<br />

by the "house." It takes all eight<br />

Checkout itationi at the end of the c/g/i( identical load linet in the busy Newark Diire tn concciitons<br />

itond are attended by competent cathien who 9i*e speedy and prompt seryict<br />

lines working, to handle the 2.000 patrons<br />

in<br />

15 minutes.<br />

In evaluating the success of a drlve-ln<br />

theatre, consideration of the food operation<br />

shares top billing with the movies.<br />

Continued on foilowing pog*<br />

S«nin9 oi mony si 5.000 Kt^ drmki on a tingle<br />

mighl, the Newark lovnd it drtlicult to keep drinkt<br />

•t the fghl temperature To tolte the problem a<br />

meooling ttoroge room 'Oi provided with a ipecmlhf<br />

conttructed 2iO gallon water tloroge tank<br />

It rt pretooled b*lore going to the miting ro/** oW<br />

ditp»»ung /owotoim<br />

Intuiated mobile laur\dry cortt are lilted by employtt<br />

with SO poundi at flaked ice Irom large ice<br />

mechirtei and then rolled into potition near the<br />

drink ditpenung machines in order to keep up<br />

with tl>« hfOTii demand lor iced beyerage\ Approti<br />

Htotelf a doien ol time tee coddiet ore no* •«<br />

Mrrict a1 tke Ifctvir*<br />

Corxetiiont attendants are assured o' a constant<br />

and readily replaced supply ol >ce with the mobile<br />

>cr caddy at each beverage station The irygertiout<br />

solutions to the problems presented by such a heorj<br />

petronoge ei iced dnnks are credited to Idword<br />

Kedstene, general manoger ol the cirrurti drrr^-ms,<br />

orsd k


SERVES 2.000 IN 15 MINUTES<br />

Continued from preceding page<br />

and allhouKh caU^rlng to a captive audience,<br />

merchandising, fast service, variety<br />

and quality food at competitive prices arc<br />

a must, tlie management of this tlu-alrc<br />

believes.<br />

The Newark is located on Route 1 at the<br />

entrance to the Pulaski Skyway leading to<br />

New York City, and is advertised as the<br />

world's largest single screen drive-In theatre.<br />

Physically, the Uieatre has the latest<br />

and most modern equipment. It is owned<br />

and operated by Redstone Drive-In Theatres<br />

of Boston. Mass.^-one of 19 such en-<br />

The Newark was built<br />

and equipped at a<br />

cost in excess of a miUlon dollars.<br />

terprises.<br />

Manuel Lima, district manager of the<br />

drive-ln says; "Tlie concessions Is a most<br />

important part of our business and we<br />

watch anything and everything that can<br />

possibly improve any phase of this operation."<br />

ONLY STILL WATER DRINKS<br />

No carbonated drinks are served at this<br />

concessions, but two flavors of a still drink<br />

—grape and orange—are dispensed, and it<br />

is not unusual to serve 5.000 iced drinks on<br />

a single night.<br />

When the concessions was first installed,<br />

it was found that drinks were served in<br />

such great numbers and so rapidly that<br />

the cooling system normally set up in conjunction<br />

with the mixing and dispensing<br />

valves was not adequate to keep the beverage<br />

at the correct temperature. This<br />

problem was unique, in that fountain men<br />

had never run into a situation of this kind<br />

and weren't prepared to come up with an<br />

answer.<br />

Edward Redstone together with the<br />

servicing people finally solved this trouble<br />

by Installing a 250-gallon water storage<br />

.<br />

'<br />

I<br />

roasted in buttered roll t V<br />

ICE IN ALL DRINKS<br />

ice caddy into place in a matter of seconds.<br />

Asked about customer reaction to still<br />

drinks. Lima said. "Occasionally we have<br />

someone ask for a carbonated drink, but<br />

have never had any real objection to our<br />

fruit beverages. Generally, most people react<br />

favorably to the taste and difference.<br />

Three sizes are available—a seven-ounce<br />

drink for ten cents, a 14-ounce for 20 cents<br />

and a 20-ounce for 30 cents.<br />

Every evening at each intermission<br />

there are two every night> a three or<br />

four-minute spiel, dehvered over the p.a.<br />

system, together with animated cartoons<br />

flashed on the screen, paint mouth waterinn<br />

pictures of food being .served at the<br />

conce.ssions. Patrons drool when they hear<br />

about golden brown Pi-ench fries and tusicihnll<br />

"Steamrollers" (selected turkey meat<br />

iPPWilMlliiF<br />

\<br />

> ^- ><br />

The refreshment service building ot the Newark is separate from the projection building, giving ample<br />

space tor serving capacity crowds in minimum time. The attractive patio is lor patrons preferring comforts<br />

of individual deck chairs Tables ore also provided for those wishing to eat while watching a movie<br />

tank in a separate walk-in cooler.


Our own branch office<br />

in your area gives you<br />

fast, dependable<br />

7*^ 'J<br />

?\ tit<br />

LOCAL SERVICE<br />

FOR A MORE<br />

PROFITABLE<br />

PIZZA BUSINESS<br />

•^-<br />

4<br />

-r.<br />

CRisp-i<br />

S--:<br />

lS><br />

— \^<br />

J'<br />

^ P/ZZA<br />

Pizza stand operators across the U.S.A. are switching to "ORIGINAL CRISPY" because of this new<br />

service set-up. They're sure of record sales . . . fast rehable service . . . more profits!<br />

And if you're not yet selling Pizza .<br />

. . we'll show you how you con<br />

add a Pizza Parlor at a FABULOUSLY LOW COST.<br />

Original Crispy Pizza will sell you all the necessary materials at low. low direct -from -factory prices<br />

... to set up your own Pizza Parlor . . . with record profits!<br />

H£f?f'S VJHfKl YOU GET!<br />

1 — Loco! Dependable Service wifh Company Branch Office<br />

2 — All Pizza Supplies 3 — Electric or Gas Ovens<br />

4 — Greater Profit Structure 5 — Direct Factory Outlet<br />

6 — Quality Controlled Merchandise k<br />

ORIGINAL CRISPY PIZZA will work out s good business<br />

deal for youl Send this money-making coupon<br />

today for tiie chance of a lifetime to receive your<br />

share of this tremendous market<br />

Origiruil Critpy Piua Cnut Ca, Inc.<br />

1J9J Blonddl Av«.<br />

New York 61, N. Y.<br />

Dear Sir:<br />

Namr<br />

A.Mrr.,<br />

Kirm<br />

City<br />

DR-2<br />

Plc«»c »cnd mr full informal ion oo this trrmmdou»<br />

Oncinal Cnipy "PIZZA BUSI NESS" Deal.<br />

Sutc.<br />

ORIGIISAl CRISPY P\UA CRUSI CO.. INC.. 1333 Blondtil A>c .N.T C<br />

f<br />

BOXOmCE Frbruary 3. 1968<br />

37


SERVES 2.000 IN 15 MINUTES<br />

Continued from page 36<br />

patron ni'od fear mLssinK any of ihp feature.<br />

Intermissions arc timed from Ifi<br />

to 30 minutes, depending on the numbers<br />

of p>eople to be .served.<br />

VARIETY IN<br />

MENU<br />

The menu list at the Newark includes<br />

hot dogs, hamburgers, pizza. French fries,<br />

shrimp roll, meat ball sandwich, ice cream,<br />

jrape and orantje soft drinks, coffee. Dutcli<br />

Treete chocolate, hot chocolate and assorted<br />

candy. The meatball sandwich was<br />

added in 1957 and has become a vei-y popular<br />

item.<br />

Hamburgers and hot dogs are still the<br />

most popular In the sandwich line. Both<br />

are prefabbed and kept in thermostatically<br />

heated, glass-covered serving counters for<br />

help-yourseU service. The hamburgers are<br />

treated a little differently in preparation<br />

than the average burger. After grilling<br />

they are kept hot in a barbecue sauce before<br />

being placed into the individually<br />

packed thermos bags.<br />

We have found that in addition to the<br />

delicious flavor, this method keeps the<br />

burger hot longer and makes the meat<br />

more succulent. ' Lima said.<br />

Each line is identically equipped with<br />

fountain and thermostatic serving coun-<br />

Tbe spacious Newark Dnve-in, located on 20 acres of ground, is one of the world's largest single screen<br />

drive-ins. It has a 2,500-car capacity, and is open the year-around, enjoying excellent winter patronage.<br />

ters. Two kinds of heat are used in these<br />

counters; dry. for the French fries, popcorn,<br />

shrimp, etc.; and wet, for the hot<br />

dogs, hamburgers, turkey rolls, etc.<br />

Pizza, another big seller, is made fresh in<br />

plain view of all customers. A five-drawer<br />

oven keeps the ei^lit .serving lines well supplied.<br />

The medium-sized, freshly baked<br />

pizza pie is GO cents.<br />

USE MOBILE INCINERATORS<br />

All food is served in disposable paper<br />

containers, and specially designed, cardboard<br />

setup trays are supplied free to all<br />

customers. Refuse is picked up during the<br />

day by employes with mobile incinerators<br />

that immediately burn up trash strewn<br />

over the area the night before.<br />

This tremendous enterprise, equivalent<br />

to six miles of highway, is open seven<br />

nights a week, 365 days of the year, and is<br />

completely set up to do a volume business<br />

in a matter of minutes.<br />

The theatre is managed by William Westreich.<br />

and enjoys excellent patronage in<br />

the winter months.<br />

FAMOUS<br />

MAKER..<br />

MOVER..:<br />

Here's a top profit combination for you, , . . the famous<br />

Heide trade-mark plus the taste appeal of all-ways popular<br />

Jujyfruits, Now backed by increased television advertising<br />

and continuing national magazine ads, Jujyfruits<br />

belong on the counter of every outlet you service. Push<br />

them for all they're worth . . . they're worth plenty to you!<br />

HENRY HEIDE,<br />

INCORPORATED<br />

New York 13, New York<br />

As nationallv attit-rtisrd in<br />

Look<br />

WIF.HICWCIHI<br />

Boys Life<br />

38 The MODERN THEATRE SECnON


^<br />

NEHI<br />

syrups<br />

in your<br />

fountain<br />

. . , and watch sales grow!<br />

Fountain owners who sell Nehi .syruiw nRrec thnt<br />

they're tops in |iopularity . . . tojw in sales. And<br />

they'll Rindly tell you why they think Ni-hi w their<br />

btwt "buy." Here's why they rvcomnu;nd the Nehi<br />

line!<br />

Royal Crown Cola and popular Nehi flavors<br />

from one source Vuu ..in > ut liuwii |>,nicr work,<br />

be nasurcd of li-w trouble and .nave time when you<br />

order from one bottler who can supply you with<br />

everything.<br />

To«wM/d.,a/.o«Kow<br />

Nuhi can Mp yov, fee your<br />

local N,hi bonier Of writ*:<br />

A thoroughly tested end approved line of dispensers—<br />

Nehi duMiierL-tera are not only modem but<br />

thorouRhly dejiendablc. Should you ever nocd 8er\'-<br />

icc— you Ret it fasil What's more, you deal with<br />

only one supplier.<br />

Convenient, focal, all-around service Your<br />

liKMil Nfhi Uutlcr Ui a nciRhlxir of yours. Me can be<br />

counted on to deliver what you need when you need<br />

it. to kr>«'p your equipment in the l)c»t of condition<br />

at all tiliiOR.<br />

NEHI CORPORATION<br />

COLUMBUS. GEORGIA<br />

n<br />

BOXOmCE Pctouary 3. 1S68<br />

II


"<br />

A GAY WAGON WHEELS IN<br />

THE CANDY PROFITS<br />

To Catch the Full Flow of Kids<br />

At the Intermission Break, This<br />

Supplementary Stand Does the<br />

Job<br />

A candy waRon that took In $100 a day<br />

in nickel, dime and quarter candy sales<br />

many times during the engagement of Walt<br />

Disney's "Perri" at the Aladdin Theatre.<br />

Denver, was the creation of VirRil M.<br />

"Andy" Anderson. Anderson Sales Co.:<br />

Ralph Bat.schelet. concessions manager for<br />

the FV)X Theatres, and Fred Hufsmith.<br />

manager of the Aladdin.<br />

The trio saw the need for a way to provide<br />

for young candy customers early in<br />

the picture's run. when the 20-foot concessions<br />

counter was so crowded at intermission<br />

by customers demanding popcorn<br />

and other items that children wanting<br />

only candy bars could not get<br />

service. The idea of an attractively styled<br />

candy wagon appealed to Anderson, Batschelet<br />

and Huf.smith as the most practical<br />

answer, since the wagon could be wheeled<br />

quietly anywhere in the theatre to escape<br />

the concessions counter jam.<br />

The candy wagon was built at a cost<br />

$125 and stocked mainly with Reese Peanut<br />

Butter Cups, Starks' Candy Wafer RoII.s<br />

and Candy Cigarets and Clark Bars from<br />

Anderson's company. The wagon also<br />

stocked a popular toy Perri squirrel.<br />

The candy wagon grossed several hun-<br />

Thf \malltr childrtn among "Perri" loiM espetially<br />

opp*c


The Story of Chocolate<br />

Is Retold in Film<br />

Aimed at<br />

Children<br />

Tlif Clunolatf Tree, " ii 16mm film to<br />

stimulate Interest In chocolate pnxlwcts<br />

available at most theatre concessions, l. i<br />

be*n released by the Nestle Co.. Inc. Iti .i<br />

charming story (or school and television<br />

showing, the picture tells of the ambition<br />

of a kindly. middle-aRcd candy shop proprietor<br />

to Krow a chocolate tree on whli-h<br />

he could display Rlltterlnc confections in<br />

his quaint little shop. As the proprietor<br />

rtlates his boyhood aspirations to a fascinated<br />

boy customer, the story Hashes baclt<br />

to the days when Hernando Cortez discovered<br />

cocoa beans In South America and<br />

took them back to Spain.<br />

A cast of professional actors develops<br />

the story of chocolate's rise to current<br />

popularity with scenes in a chocolate hou.sc<br />

In Restoration England, scenes on Bralillan<br />

cocoa plantations and scenes at<br />

Nestle's plant In Fulton, N. Y., where the<br />

company's many cocoas, bars and other<br />

products are made. The picture closes at<br />

the candy store, where the chocolate tree<br />

of the proprietor's youthful dreams becomes<br />

a reality.<br />

Ptor school use, the film can become the<br />

iMsis for themes and class discussions in<br />

A icene horn "Tht Chotololc Tie*," o> the propriXor ipins hit lolt<br />

Modern Talk-<br />

history, geography and agriculture as related<br />

to cocoa bean culture.<br />

inK Picture Service Is making arrangcments<br />

for use of the film In schools and<br />

on television.<br />

The film was produced by the United<br />

States Productions, Michael Ncbbia directing<br />

and photographing the South<br />

American sequences. Rene Bras directed<br />

the scenes shot at the Pulton Chocolate<br />

Works and Prank Telford the studio<br />

scenes.<br />

WITH THE<br />

Give ice crcjm quahty . . . make 7c on<br />

I Or «jlc5. (..i\h in on ihe demand for<br />

dehciou5 sufi-terved cuncs, shakes.<br />

Ser»c a lOt tone in 2 seci>nd5 . . .<br />

your food COM le\t than \c. Serve a<br />

25f shake in S seconds . . . yaxir fi>od<br />

cos( t>nl> ftc. Win new fans, make big<br />

profics with a ci>mpaci -Sweden freezer.<br />

Easily run hy untrained help.<br />

wmmimHnunnm-m<br />

miKn fttsf MdHn otMc<br />

•«rt«i(IMIi>i«n H'turtKI<br />

kt mi -trot ' laiinsi. Camctwmmnt<br />

«• U>, ' «i«i irM it'<br />

(v ^" •><br />

1R,at


p<br />

jr\ ORANGE n<br />

CSD1]Q8UQ<br />

^'\y^'<br />

-^—<br />

r<br />

JO 1^!<br />

\l<br />

MODEL 2300 King' DISPENSER AND SYRUP<br />

Regular Price of Dispenser ^379.00<br />

Regular Value of 24 Gallons of Syrup 56.40<br />

Total Value M35.40<br />

SPECIAL OFFER PRICE . . . ^299.00<br />

YOU SAVE . . '136.40<br />

The 24 gallons of Orange-CRUSH Syrup<br />

at 10


'<br />

null ITS<br />

Iriiiii<br />

?oM>m<br />

By<br />

q;'<br />

PHYLLIS HAEGER-<br />

Thrcf or four tlmrs a year, the Alr-Vuc<br />

Tlu-ttirf In Ooldsboro. North Carolina,<br />

plays tiie "Popcorn Oamt." Durlns a recent<br />

evrnlnK. the gamr resulted In the sale<br />

of more than 1.200 boxes of popcorn!<br />

J. S. Howard Jr. of that theatre says that<br />

they pluK the "Popcorn Game" on the<br />

screen for a week ahead. announclnR that<br />

(350 In caali and prizes will be Riven away<br />

In<br />

1.000 boxes of popcorn.<br />

Here's what goes into the boxes:<br />

• Each box has a small envelope with a<br />

penny enclosed:<br />

• In addition to the penny, some boxes<br />

include<br />

free passes:<br />

• About 10 or 15 additional boxes also<br />

Include SI<br />

bills:<br />

• Between 40 and 50 cards worth $1 each<br />

at the snack bar are placed In other<br />

boxes:<br />

• Several dimes and quarters are Included<br />

here and there, plu.s u sllvrr itollar<br />

which la marked and i.s worth S& u, the<br />

patron who seta It;<br />

• s


fered a set of photos of the local hockey<br />

team to the child who had the most plastic<br />

hockey players collected by Decemt>er<br />

21.<br />

The hockey player promotion was advertised<br />

by one-sheets and display easeLs in<br />

the lobbies or foyers of the theatres and<br />

display material on the concessions backbars.<br />

In many ca.ses. mounted photos of<br />

the local hockey teams were used as pan<br />

of the displays.<br />

Further, many of the theatres invited<br />

the local hockey teams to be present at<br />

matinees to visit with the children and tn<br />

autograph photos, a surefire attraction<br />

which also won considerable newspaper<br />

publicity. 'Two of the individual promotions<br />

will be explained at the close of this<br />

general story.*<br />

Not only did the boys and girls go alter<br />

the plastic hockey players, but the adults<br />

requested them for their children.<br />

Bockbar of the concessions in the Orpheum Theatre, Soult Ste. Marie, was largely given over to the popcorn<br />

promotion, featuring the free plastic hockey players with each purchase of popcorn At the right<br />

IS an easel bearing autographed pictures of the members of the Detroit Red Wings hockey team The Red<br />

Wings hate a form team in Soult S(e Marie, and Mrs Olgo Frenette of the theatre mode her tieup<br />

with the public relations director of the team, whom she knows personally.<br />

GIMMICKS SELL POPCORN!<br />

Gift of Tiny, Plastic Hockey Players With Purchase<br />

Increases Gross Sales In<br />

V IMMICKS WILL definitely increase<br />

the sales of pwpcorn. This has been demonstrated<br />

many times. Just recently. Theatre<br />

Confections. Ltd.. of Canada has<br />

pro%'ed it aRain nith a unique promotion<br />

designed to appeal to hockey-loving Canadians:<br />

but which may just as easily be<br />

converted to appeal to lovers of American<br />

sports, such as baseball, football and<br />

basketball.<br />

TJie gimmick is the pre.sentation of a<br />

miniature plastic hockey player with each<br />

ten-cent box of popcorn, three with each<br />

25 -cent box. Briefly, to be described in<br />

more detail, children .save players to complete<br />

teams which they present for special<br />

prizes.<br />

Famous Players Theatres<br />

a prize. Naturally, the more elaborately<br />

they set them up. such as placing them on<br />

an ice iglfissi surface, on a score board,<br />

or such, the better chance they stand to<br />

win.<br />

There are no set prizes, as the managers<br />

in most situations have promoted them<br />

from the local merchants. They consist of<br />

a variety of items, such as hockey sticks,<br />

pucks, skates. 8x10 glossy prints of the<br />

players of the local hockey team, and in<br />

a number of situations, tickets to the<br />

hockey games.<br />

As a grand prize, some of the theatres of-<br />

MUCH TRADING INTEREST<br />

There was a great deal of trading interest<br />

among the children with regards to<br />

the different players and colors, so that<br />

they could complete their teams.<br />

"We had one situation," says Jack F^tzgibbons<br />

jr.. "where a sharp httle youngster<br />

went Into business by having his parents<br />

and friends turn over the hockey players to<br />

him. which he in turn sold for five cents<br />

each!"<br />

To give an idea of how popular the stimt<br />

has been. Theatre Confections ordered<br />

200.000 players for the promotion, and by<br />

mid-December was out of stock in the<br />

warehouse. Exact count on hand in theatres<br />

was not known, but It appeared all<br />

200.000 would be gone sometime in January.<br />

The players are wrapped in cellophane<br />

and cost 1.7 cents each, but the increase in<br />

popcorn sales was substantial enough to<br />

offset the cost.<br />

The plastic players could be put in the<br />

popcorn boxes, but it was found much<br />

more effective to make a presentation of<br />

them with the purcha.se.<br />

At the Capitol Theatre. Welland. Ontario,<br />

Manager Les Mitchell arranged witli<br />

Continued on page 46<br />

INCREASED GROSS<br />

SALES<br />

The promotion went into effect<br />

the latter<br />

part of October and before the end of<br />

the year produced an increase In gro.s.s<br />

.sales of from .05 cents to 1.6 cents return<br />

per person. The plastic hockey player promotion<br />

Is In 80 theatres in Ontario, houses<br />

wlicre llicri- api>eared to be a falloff In<br />

gross confections sales becau.sc of a decrease<br />

In attendance. It Is not planned for<br />

all Famous Players house.


How tliey serve<br />

5000 ICED BEVERAGES<br />

per night<br />

iC©TSIf^^[M ICE MACHINES run 12 hours a day,<br />

all year long! produce 'Perfect ' ice !<br />

Newark Drive-In, Newark, N. J.—The daytime scene<br />

above is quiet, but by show time there'll be as many as<br />

2,400 cars! Food Concession business is fast and demanding,<br />

and the Newark will serve up to 5.000 iced beverages<br />

per night! With this volume, according to manager Manuel<br />

Lima, the ice machines are vitally important major appliances<br />

. . . and they're Scotsman!<br />

Two dependable Scotsman Super Flakers produce<br />

crushed ice of perfect size and consistency for rapid beverage<br />

service. A storage bin is used, and they fill portable<br />

carts direct from the bin.<br />

A cart stands at each beverage<br />

station, supplying Scotsman ice for the beverage containers.<br />

When empty, the cart is wheeled away and replaced<br />

by a filled one.<br />

The manager states that his Scotsman Ice Machines are<br />

operated 12 hours a day, 365 days a year! That's the kind<br />

of dependability you can count on when your ice supply<br />

goes Scotsman!<br />

Select from a broad line of 8 cube making machines and<br />

24 crushed ice models. Scotsman has a type and capacity<br />

for everv ice need!<br />

hard b


GIMMICKS SELL POPCORN<br />

Continued ito:n ^jjgr i-l<br />

the local hocki-y team to have Its star<br />

players appear lii the theatre lobby on a<br />

Saturday. On Friday, the new.spaper pub-<br />

four members of the<br />

bantam team in<br />

Brontford,<br />

Ontario,<br />

attended the mati<br />

nee or the Capitol<br />

Theatre there, and<br />

plugged the give<br />

away to each child<br />

as he entered. The<br />

newspaper published<br />

a photo of the boys<br />

token at the theatre<br />

and gave it a tour<br />

column spread which<br />

'^^<br />

riha\ ^«u»'<br />

^ LOArif OF fl \<br />

(<br />

got the promotion off<br />

to o flying start. r^^4..<br />

Thii lobby diiplay in the Capitol Theatre, St.<br />

Thotnoi, features the eoiel sign announcing the free<br />

miniature players with popcorn purchases, and<br />

shows fwo teams of miniature players in action on<br />

o field of ice (glass). Manager is J. Ellwood.<br />

lished the stars' pictures with a story on<br />

the spiorts paye telling the kids to clip the<br />

pictures and take them to the Capitol on<br />

Saturday to have them autographed.<br />

During the autographing, the players<br />

gave out occasional plastic players, and<br />

the theatre concessions gave them out with<br />

popcorn. One of the players even handed<br />

out the popcorn for awhile.<br />

A sign in the boxoffice had announced<br />

this event to the kids, and there was another<br />

sign at the concessions stand advising<br />

of the hockey players being free with<br />

the popcorn, and letting it be known that<br />

for the first five kids to bring in a complete<br />

team of hockey players there would<br />

be a pair of tickets to see a home game of<br />

the Welland team. The.se tickets Mitchell<br />

promoted from the team management.<br />

With the excellent newspaper break, the<br />

Capitol enjoyed a big attendance and gooa<br />

popcorn sales.<br />

In Brantford, Ontario. Bill Burke, manager<br />

of the Capitol, had four members of<br />

a local bantam team attend his last Elmer<br />

show. They stood in the lobby and plugged<br />

the giveaway to each child as he entered.<br />

The children couldn't miss them in their<br />

uniforms, and the boys did a good job.<br />

They also appeared on the stage with Burke<br />

to give away Elmer prizes, and Burke<br />

plugged the plastic players from the stage<br />

also.<br />

According to Burke, the newspaper took<br />

a photo of the boys with the plastic figurines<br />

and ran a "terrific four-column spread,<br />

even mentioning the spon.sor of the team<br />

and popcorn. Kids are very interested and<br />

I feel that I got the Brantford promotion<br />

away to a flying start."<br />

DRINK<br />

leader in its field!<br />

ADCO<br />

Just as certain makes of cars arc first choices of successful<br />

people, so also the Aoco Drink Dispenser is an overwhelming<br />

favorite with successful individuals in the food and beverage<br />

Q (?<br />

field.<br />

Possibly the preference of men of discrimination for Adco<br />

Dispensers may be traced to the fact that such men arc thinking<br />

first<br />

and foremost of maximum sales. And they know that<br />

Aixro. in addition lo its mechanical perfection, is always selling.<br />

lis handsome appearance and animated beverage display, consistently<br />

compels your customers to stop . . . look . . . and buy.<br />

Would you like this silent salesman to go lo work for you?<br />

Would you like to know more about his qualifications?<br />

Write for full information<br />

A. DALKIN COMPANY • 3232 N. Kilpatrick Ave. • Chicago 41, Illinois<br />

a division of AMERICAN MACHINE & FOUNDRY COMPANY<br />

ADCO<br />

46 Th» MODERN THEATRE SECTION


:<br />

,' Mia<br />

^<br />

^<br />

P<br />

ITD<br />

TORONTO<br />

AN EXHIBITORS WIFE URGES<br />

CHECK, TASTE AND TEST<br />

And Do It<br />

Yourself, Says Mrs. John W. Gardner,<br />

If You Want An Efficient Concessions Operation<br />

WoNSTAKT CHECKING is Dccessary to<br />

retain and build patronaRe at a drlve-ln<br />

theatre, according to Mrs. John W. Gardner,<br />

associated with her husband in the<br />

operation of the Turnpike Drive-In at<br />

Wcstmcre. near Albany. N. Y. While her<br />

normal post Is at the cashiers window.<br />

Serve beverages in<br />

the grand manner<br />

Mi-s. Gardner ranges over other areas. Including<br />

the concessions stand. Her husband,<br />

son of a pioneer Albany exhibitor, a<br />

skilled projectionist ihe learned booth work<br />

as a boy), a former indoor theatre owner,<br />

and builder of the first automobller in the<br />

State of Vermont, does likewise.<br />

iVi<br />

AND DO IT AT A FRACTION<br />

OF YOUR PRESENT COSTS<br />

III the nation's tamous eating pLiccs and<br />

cocktail lounges ... in luxury liners on the<br />

high seas ... at major league ballparks,<br />

drive-in restaurants and theatres, neighborhood<br />

taverns and corner drugstores, in hospitals,<br />

clubs, other institutions large and<br />

small<br />

are dispensed<br />

. . wherever<br />

. . there<br />

soft drinks<br />

you will<br />

or mixers<br />

tind SODA-<br />

.<br />

.<br />

MASTER, product of the world's largest manufacturer of multi-tiavor beverage<br />

dispensing equipment. There is no more modern, refreshing, sanitary method.<br />

SODAMASTER S leading popularity results both from this preferred manner<br />

of serving AND the fact that no other mcthcKl is so economical. Costs of club<br />

soda and flavors arc cut to a fraction. Protits multiply.<br />

CHECK THESE SPECIFIC ADVANTAGES<br />

• Ihe id«n)icol beveroget oblointd (torn bolllfl - with tarbonalion oquol or<br />

higher.<br />

• At much at 65'. tovingt on bollled flovort. 96°. tovingt on club todo<br />

• Choice of modelt 10 terve 2, 3 or 4 high cotbonoled novori plut jel and normol<br />

toda ilfeam, or con be intlolled lo terve tlill dnnkt at well ot corbonoted,<br />

including ploin driniiing water.<br />

• Vatiely of flavott. intlantaneoutly, al the finger lipt<br />

• Unmolched tervice tpeed. avoiding dittalitfaclion ond 'walliouH" of ruth<br />

periodt<br />

• Eliminolion of cotliy. troubletome, lime-contuming bollle handling<br />

• Uniform coldnett ond perfect proporlioni of bevtroget, aulomatically<br />

SEir-CONTAINID SOD*MA$IIR MODtlS INClUDt REfRICERATING SYSItM.<br />

CABBONAIOR Sr«UP TANKS AUTOMATIC CONTROLS, EVERYTHING IN A<br />

SINOll CABINET SODAMASTER REMOTE MODELS MAY BE INSTAltED IN SEPA.<br />

RATE ROOM OR BASEMENT WITH ONIY THE FAUCETS IN THE SERVICE AREA<br />

MAIL THIS COUf>ON TODAY<br />

Ri«Ot* t«nd m« full fotit on tit* ^odomotlr'<br />

Mon.lor 'oucel 100 gollon perhou.<br />

Supercharger cort>onofort<br />

firm<br />

Addrett<br />

^_^^_^_^_^^^^-^._^^^—<br />

,.^^^^.^^^^^^.—<br />

"Do It yourself: don't depend on others<br />

to check,<br />

"<br />

IS Mrs. Gardners motto. She<br />

makes it a point, for instance, to visit the<br />

Turnpike's cafeteria-type concessions setup<br />

nluhtly, al the close of boxofflce business;<br />

tests a vai-lety of food items sold.<br />

Recently. Mrs. Gardner found that the<br />

coffee tasted weak one evenlnu and notified<br />

her husband, a crack mechanic. He checked<br />

the coffee machine, discovered it was not<br />

functioning properly and corrected the<br />

trouble promptly. Mrs. Gardner tastes and<br />

samples everything, at one time or another.<br />

Incidentally, she reports that Mrs. H. E.<br />

Lewis, stand director for Trl-State Automatic<br />

Candy Corp.. "keeps everything spotless."<br />

Mrs. Lewis has been at the pinesbackgrounded<br />

Turnpike for three years.<br />

Gardner likewise tastes foods and drinks;<br />

checks all mechanical aspects of the automobller.<br />

too. The important thing is to<br />

detect flaws, even minor ones, before patrons<br />

complain, if this be at all possible,<br />

Mrs. Gardner believes. "Otherwise, you may<br />

lose their business," she explains— because<br />

they may register no complaint. Children<br />

are not averse to •speaking up," the<br />

woman exhibitor reports.<br />

Mrs. Gardner listens closely to all comments—at<br />

the ticket booth and at the concessions<br />

stand. "I do not identify myself to<br />

the customers, as the owner's wife." she<br />

stated. "I think it important that the management<br />

have 'an ear to the ground' at all<br />

times." Mrs. Gardner added. "You learn<br />

things of advantage to the drlve-ln, if you<br />

listen. Of course, there are a few people<br />

who seem to be chronic complainers. You<br />

can hardly hope to satisfy them."<br />

Mrs. Gardner observed that her husband<br />

"listens, all the time." too.<br />

"Holding over" prepared hot dogs is unwise.<br />

It Is never done at the Turnpike.<br />

Mrs. Gardner emphasized. The customercount,<br />

given to the stand manager before<br />

"break time" is usually a very accurate Indicator<br />

of the business to be done, she observed.<br />

"If we have a few 'dogs' left over." Mrs.<br />

Gardner said, "we throw them away. We<br />

do not keep them. Serving holdover food<br />

is the way to get in trouble with pa-<br />

Continued on page SO<br />

RAISED<br />

check averages<br />

'increased gross profits...'^<br />

with JAMES RIVER<br />

SMITHFIELD<br />

Pork • Beef<br />

• Turkey<br />

FLAVOR simmered<br />

in Genuine<br />

SMITHFIELD<br />

HAM STOCK<br />

BARBEQUES<br />

JAMES^<br />

RIVER<br />

W.ti Cooti Rlor.1 1405i J Moiquordl A.. . O Boi M3 Ner»elfc. Colil<br />

IN CANADA OCNtRAl EQUIPMENT CORP ONT<br />

. ,<br />

48<br />

Th« MODERN THEATRE SECTION


For new efficiency ..<br />

new speedy service., .new profits...<br />

MODERNIZE<br />

with TOASTMASTER GRISWOLD<br />

famous custom-design<br />

counter line<br />

»«^..J^<br />

"ADD-ON" versatility<br />

with "PERFECT-PROFILE" styling!<br />

They match perfectly<br />

Add appliances as you need them!<br />

need only 17 "<br />

of counter depth!<br />

FRY KETTLE: Big capacity combined<br />

(A)<br />

with economy — browns 111 lbs. of french<br />

fries (raw weight) per hour with only 13 lbs.<br />

of fat. "All-Over" heating. Exclusive 30-<br />

minute bell timer.<br />

(B) and (D) GRIDDLES: No cold or hot<br />

spots — enclosed tubular heating elements are<br />

arranged to provide even heat over the entire<br />

grid. 30' griddle makes up to 440 hamburgers<br />

an hour: is really 2 griddles in one, with a<br />

thermostat for each half. 18' griddle makes<br />

up to 240 hamburgers an hour.<br />

FOOD WARMER: Can be used wet or<br />

(C)<br />

dry. Maximum versatility; portable; no<br />

water, steam or drain connections. Adaptable<br />

to any combination of restaurant pans.<br />

One-piece cast-aluminum heat well seal.s<br />

spillage and water away from heating units.<br />

(E) HOT PLATES: Singl(^unit model ha.s<br />

an 8' heating clrmi'nt controlled by the revolutionary<br />

Robort.shaw "Thermal Eye" to<br />

bring food to cooking temperature - and hold<br />

it there. Two-unit model has two G' heating<br />

elements controlled by an infinite heat .switch.<br />

Keeps cooked foods oven-fresh for hours!<br />

the TOASTMASTER HOT-FOOD SERVER<br />

Kver>' minute counts when the crowd descends on you at<br />

intermission! Don't risk losing profitable food sales durinK<br />

those peak load periods. With a Toastmaster Hot-F'ood<br />

Server, you can cook ahead and serve deliciously hot sandwiches<br />

and meals hours later. The Hot-Food Server empio>-s<br />

a scientific system of six-sided warm air circulation and<br />

adjustable humidity controls for each drawer. These features<br />

— plus an exacting Rohertshaw thermostat — keep hot foods<br />

oven-fresh without loss of taste, texture, or eye ap(>eal!<br />

Plugs into any standard llS-volt system.<br />

Mod«l 306<br />

Ih0 complmtm lln» of mimctric cooking aqulpmentt<br />

TOfl$TMfl$TER-GRI$WOLD EDJSON


CHECK. TASTE. TEST<br />

Conl'iurrf horn poqt iS<br />

trons." Careful and constant checking<br />

makfs drivc-ln operation easier and<br />

smoother. Mrs Gardner says. Trl-SUites<br />

opeiullun IS excellent, in her opinion.<br />

Keeping labs on electrical equipment Is<br />

another safeguarding step. Mrs. Gardner<br />

pointed out. This goes for the concessions<br />

as well as for other phases of operation.<br />

Incidentally. Mr. and Mrs. Gardner<br />

closely observe management and techniques<br />

everywhere we go—not just around<br />

here." They often go to Florida, via automobile.<br />

In the winter.<br />

Only<br />

HOLLYWOOD offers<br />

Such A Complete,<br />

Balanced Line<br />

of<br />

Choice Candy Bars<br />

in the 10c class<br />

Holding that the "personal Interest"<br />

taken in ii family operation 'miikes a difference."<br />

the quiet-spoken, keen and attractive<br />

Mrs. Gardner mentioned. wiUi<br />

pride, "the increase In the number of<br />

drlve-ln patrons" and of the population<br />

categories from which they are drawn.<br />

She remarked: "You now .see many<br />

people 50 to 75 years of age in drlve-lns.<br />

You usually do not observe anything like<br />

the number, in that age grouping, indoors.<br />

And the comments heard are so encouraging.<br />

The comforts of a drlve-in are cited.<br />

One of these Is You don't have to get up<br />

for others passing you. to or from seats."<br />

There are more new cars. too. at drlve-lns."<br />

The Gardner's sons are John W. jr.. 21,<br />

and William, 12. A sixth-grader in a Sche-<br />

nectady school. William helps at the Turnpike<br />

during vacation. He quickly speaks up<br />

If he does not like the taste of anything<br />

served there, too—although this is not<br />

often. John jr. has been a drlve-in aid for<br />

years. Now a key figure at the 600-car<br />

Turnpike he is a former student at Hudson<br />

Valley Institute in Troy and an expert on<br />

electronics.<br />

Mars, Inc.<br />

Its<br />

Reorganizes<br />

Sales Structure<br />

Mars, Inc., hai reorganized Its sales<br />

structure to bring about closer sales supervision<br />

and greater control over market development,<br />

according to B. A. Bouchard,<br />

vice-president and director of sales. The<br />

sales promotion department, formerly separate<br />

from the sales department, has been<br />

eliminated and concentrated imder the division<br />

sales manager.<br />

Two more sales divisions and the position<br />

of assistant sales manager have been<br />

created to Implement the new program.<br />

H. R. Halg, sales promotion manager the<br />

last seven years, has been appointed to the<br />

new sales position. The new divisions are<br />

directed by W. W. Scott and J. J. Coady.<br />

two former territory managers. Scott manages<br />

the southern division: Coady. the central,<br />

both with headquarters in Chicago.<br />

The eastern and western divisions, formerly<br />

directed from Chicago, have newheadquarters.<br />

Manager C. A. McDonough<br />

now directs the eastern division from New<br />

York City and C. A. Rutherfoid. western<br />

sales manager, has headquarters in Los<br />

Angeles.<br />

Flaig and the four division managers are<br />

veterans of Mars' service. Flalg's experience<br />

with the company includes promotion<br />

of the Dr. I. Q. radio program.<br />

Moke More Money With<br />

E-Z WAY<br />

COFFEEMAKERS


Drive-in owners! IVIAKE MORE MONEY<br />

during intermissions!<br />

FREE! NEW!<br />

Armour<br />

wide-screen<br />

concession trailers<br />

to push Franks<br />

and other<br />

profit makers!<br />

• 8 different, one-minute films to choose from<br />

in sparkling Eastman color!<br />

• Loaded with appetite appealing pictures and action that will make<br />

'em want to buy Armour Star Franks and other items at your<br />

concession stand!<br />

• Background music sung by Bing Crosby's Starlightera.<br />

• They are yours free of any rental charge— you just pay<br />

return postage!<br />

• Mail the coupon below for complete information.<br />

Do it today!<br />

Armour and Company<br />

Frtth and Smokad Soutag* D«pt ,<br />

Union Slock Yardi<br />

Chicogo 9, lllinoii ^_, r<br />

IMcajw send tnc your folder with complete informnlion on Armour and<br />

Company's 8 new coni-tawion truilent!<br />

Nam«_<br />

Th«a»«r Addr<br />

CHy<br />

-$tot#_<br />

BOXOmCE PCtiruarjr 3. 1968 SI


Decause they like<br />

light refreshment<br />

people are saying<br />

"Pepsi, Please"!<br />

Good news for theatre<br />

opcralors— because Pepsi<br />

means more drinks per gallon—<br />

more profit per drink, too!


-<br />

Food Company Offers Sales<br />

And Merchandising<br />

To Drive-In<br />

Operators<br />

Aids<br />

A dkjiatiilifd cubiomcr is the worst advertisement."<br />

according to Miss Anita<br />

Vlrga. director of sales promotion for OriRlnal<br />

Crispy Pizza Crust Co.. Inc. "You<br />

may make the finest product possible, but<br />

if It Is not served and serviced properly<br />

the ultimate consumer will be unhappy and<br />

not only refuse to buy again, but often discredits<br />

the Item, and whoever .serves It. at<br />

every opportunity." continued Mi.ss Vlrga.<br />

Accordingly. It Is basic company policy to<br />

safeguard every step from the smallest<br />

detail in manufacture to the final serving<br />

of the pizza.<br />

As the first step, the frozen pizza crusts,<br />

prepared In the company's modem plant,<br />

are shipped to one of the 13 strategically<br />

located distribution centers to Insure complete<br />

freshness. Then, when the order i.s<br />

delivered to a new customer, the local representative<br />

Is on hand to supervise the<br />

CDoklng and merchandising that best suits<br />

the Individual situation.<br />

SPOTCHECK THE QUALITY<br />

The company maintains a roving staff of<br />

"consumer spotcheckers." who buy pizzas<br />

at places serving the company's product.<br />

If the taste is not up to par. the spotchecker<br />

confers with the owner. Sometimes<br />

the chef has not prepared the pizza properly,<br />

easy though that is. But, in most such<br />

cases the checker discovers that the owner<br />

has been trying to squeeze out a little extra<br />

profit by using too little cheese or seasoning,<br />

or materials of inferior quality. Unless<br />

this practice is corrected, service to<br />

the account is discontinued. As Miss Virga<br />

points out. this is absolutely vital to the<br />

Cmmm B b><br />

n«*nn<br />

cfwn Puje<br />

Tew I tow •!<br />

evr/r m£m m tut tnii<br />

fc^ig * •»• ••*'•<br />

^0^f^0^f^0^0^0*0*0*0^0^0^0^0*0*^*^*0^^*^*^*^<br />

Typical ol the sales help ollccd by Original Crispy<br />

Pizza Crust Co , Inc , are newspaper advertisir^g<br />

mots such OS this one The company also lurnishes<br />

point-of -purchase display material and a full-color<br />

trailer.<br />

good name of the company, which sells<br />

not only through theatres and restaurants,<br />

but also to retail stores. At the same time,<br />

it protects the retailer, for it has been demonstrated<br />

repeatedly that sales eventually<br />

drop off when quality is not maintained.<br />

The company supplies newspaper mats<br />

for drive-in theatres, and will arrange lor<br />

cooperative newspaper advertising. The<br />

company also furnishes point-of-purchase<br />

display material and a free, full-color<br />

trailer. To those ordering a sufficient<br />

quantity of pizzas, a special pizza oven de-<br />

signed for perfect baking Ls offered a*<br />

liberal terms.<br />

Original Crispy has in preparation a<br />

comprehensive TV and newspaper campaign<br />

to support the Individual customer's<br />

promotions and create a broad public acceptance<br />

of the name.<br />

"We make cur customers our friends."<br />

Miss Virga says, "and they. In turn, know<br />

the Importance of making friends of their<br />

own customers by giving top quality and<br />

service. After all. you can't beat word-ofmouth,<br />

especially In the food business."<br />

Hot Dawg! A Hot Dog Record<br />

A record 62.4 hot dogs will be consumed<br />

by each American during 1958.<br />

The prediction was made by Tee-Pak.<br />

Inc.. Chicago, manufacturer of skins for<br />

skinless franks. According to a Tee-Pak<br />

spokesman, this represents an Increase of<br />

2 '2 wieners per person over the 1957 figure<br />

of 60.1.<br />

The firm, which sponsors National Hot<br />

Dog Month each July, said a staggering<br />

total of 1 080.000.000 pounds of hot dogs<br />

was devoured by Americans in 1957. At<br />

an average of 9.2 to the pound, that's 10.-<br />

700.000.000 individual red hots.<br />

Allowing for an approximate 7 per cent<br />

annual mcrease in consumption, it is expected<br />

that "the most American of foods"<br />

will be eaten to the gastronomical tune of<br />

1.155.000.000 pounds in 1958.<br />

SNOW CONES<br />

HIGHER PROFITS -THE BUTTERCUP PLAN<br />

Put BUTTER-Mat to work, 75<br />

times a minute, to boost buttered<br />

popcorn profits by as much as 300%.<br />

Thermostatic control with a booster<br />

switch for rush periods, Trigger Bar<br />

operation makes this automatic dispenser<br />

a profit stimulator.<br />

•*:<br />

BUTTER SERVER RAISES BUTTER SALES<br />

Simple, manual<br />

operation meters butter<br />

'^ accurately to increaie butler<br />

sales. Made of shining stainless<br />

steel and enamel, the<br />

Butter Server Is thermostatically<br />

ccnlrcllod and melts butter quickly.<br />

OTMia -KH If urit- luniicvM- HOTstT- iiintsMtTie wt*Mi*- coioiirur<br />

'rk<br />

lUNICl C: D'.'" IT r»"HT '. »f l« wtVA CIKDT CltES- lUTTEi CONSOlt- OIJPUT ITAQE<br />

SUPURDISPLAY, INC. n?4 w Wisconsin Avenue. Milwau^re 3. Wts<br />

INCREASE THE PROFIT<br />

pcrccntoqc of your mock bar with SNOW<br />

CONES Use this Echols Improved Snow Sho>cr<br />

with reserve capociry lor "peok" periods<br />

Polithcd Aluminum \ \<br />

AftroctWolv hghtc^ cot« \ !<br />

At Shown JJ2S 00<br />

Srr vour local dealer or write<br />

S. T. ECHOLS, Inc. Box 612<br />

BISMARCK,<br />

MISSOURI<br />

54 Th» MODCRN THEATRE SECTION


FOR MORE INFORMATION<br />

USE THE FREE RETURN CARD<br />

I<br />

postcard at the bottom of this page is designed to help you get more informaion<br />

products ond services advertised in<br />

this issue of The Modern Theatre Section,<br />

listed in the "New Equipment and Development" and "Literature" departments,<br />

olphabeticcl Indti of Advertisers appears below; on tht back of this card is a<br />

i^eiist^ In4«x of Products. In both, FIGURES in the Key Number shown for each<br />

triiser indicate the poge on which the firm's advertisement appears. The posti<br />

below carries numbers corresponding to the page numbers— with letters odded.<br />

Je the Whole Key Number, including the letter, corresponding to the page numbers<br />

he odveriisemenis on winch you wont more information. Then: Fill in your name,<br />

ress, etc., in tht space provided, tear out cord ond mail. For more information<br />

listings in "New Equipment ond Developments" and "Literature" departments.<br />

It number corresponding to Key Numbers published with eoch item below.<br />

ALPHABETICAL INDEX OF ADVERTISERS<br />

KEY NUMBERS<br />

H- IVftLfT la/-<br />

Holl|r«ood Brands, ltic...„ .......„.._ 50a<br />

Hallywood ScrTcmoitcr Co . 41a<br />

Indiona Coih Drover Co„<br />

67d<br />

Kncislcy Ele


Food Company Offers Sales<br />

And Merchandising<br />

To Drive-In<br />

Operators<br />

Aids<br />

"A dussatislutl cuilomci is the worst advirtiscmenl."<br />

nccordliiK to Miss Anita<br />

Virtja. director of sales promotion for OriKinal<br />

Crispy Pizza Crust Co.. Inc. "You<br />

may make the finest product possible, but<br />

if it is not served and serviced properly<br />

the ultimat« consumer will be unhappy and<br />

not only refuse to buy again, but often dLscredits<br />

the item, and whoever serves it. at<br />

every opportunity." continued Miss Vii-ga.<br />

Accordingly, it is basic company policy to<br />

safeguard every step from the smallest<br />

detail in manufacture to the final serving<br />

of the pizza.<br />

As the first step, the frozen pizza crusts.<br />

prepared in the company's modem plant.<br />

are shipped to one of the 13 stratesncally<br />

located distribution centers to Insure complete<br />

freshness. Then, when the order i.s<br />

delivered to a new customer, the local representative<br />

is on hand to supervise the<br />

cooking and merchandising that best suits<br />

the individual situation.<br />

SPOTCHECK THE QUALITY<br />

The company maintains a roving staff of<br />

"consumer spotcheckers," who buy pizzas<br />

at places serving the company's product.<br />

If the taste is not up to par, the spotchecker<br />

confers with the owner. Sometimes<br />

the chef has not prepared the pizza properly,<br />

easy though that is. But, in most such<br />

ca^es the checker discovers that the owner<br />

has been trying to squeeze out a little extra<br />

profit by using too little cheese or seasoning,<br />

or materials of inferior quality. Unless<br />

this practice is corrected, service to<br />

the account is discontinued. As Miss Virga<br />

points out. this is absolutely vital to the<br />

Ct<br />

Ci<br />

good<br />

not o<br />

but a<br />

it pre<br />

onstr<br />

drop<br />

Th.<br />

for d<br />

coope<br />

comp<br />

dlspli<br />

tralle<br />

quam<br />

CONDENSED INDEX OF PRODUCTS<br />

Numbff<br />

ADMISSION CONTROL SYSTLMS.<br />

DRIVE-INS<br />

DrKt'ln Thatri Striict Co. ..S6«<br />

GantrtI Rniitv Corp. .... 68i<br />

Pllmtr Eigintirln« t Dtrdopmtfil<br />

Co 27b<br />

ADMISSION SIGNS<br />

Dun Cntrxing Corp 69c<br />

ATTRACTION BOARDS AND<br />

LETTERS<br />

Adkr Silhouttlt LtllK Co G8b<br />

Wigirn Sign Scriici Co.. .TOfe<br />

.<br />

BARBECUED MEATS<br />

Cullibrrry'i Food Co. 57»<br />

Sailhfltid Hun & Producti<br />

Co., Inc 48*<br />

BUTTER HAT<br />

Supuriliipliy, Inc. 54a<br />

CANDY<br />

Henry Heide. Inc 3&<br />

Hollywood Brandt, Inc 50a<br />

CARBON SAVERS<br />

Call Producti Co 70a<br />

Econoflllnr EntcrprlHt 69b<br />

CONCESSIONS CATERING SERVICE<br />

Sport jerYtce . 60b<br />

CONCESSIONS EQUIPMENT.<br />

DRIVE. IN<br />

Samuel Bert Mfg. Co. 57c<br />

Supurdltplay. Inc 54a. 57b<br />

Toaslmastrr Producti Di> 49a<br />

CONCESSIONS FOODS<br />

Armour & Co. 511<br />

Castlebvry'i Food Co 57a<br />

Original Crispy Pizza Crust<br />

Ca<br />

37i<br />

SmllhfieM Ham & Products<br />

Co.. Inc 48k<br />

CONCESSIONS STIMULATORS<br />

Armour & Co SlJ<br />

DRINKS. SOFT<br />

Canada Dry Ginger Ale. Inc. 47a<br />

Coca-Cola Co. 2a, 3a<br />

Nehi Corp 39a<br />

Orange Crush Co. 42a<br />

Pepsi-Cola Co 52i, S3*<br />

DRINK VENDING MACHINES<br />

Carbonic Dispenstr, Inc 48a<br />

A. Dalliin Ca 46a<br />

Sled Praducts Co 50b<br />

DRIVE-IN VACUUM CLEANERS<br />

Mid East Sales Co. 303<br />

Tarrant Mfg. Co. 26a<br />

EQUIPMENT, DRIVE-IN<br />

Oriite-ln Tliiatri Mfg. Co. 4a<br />

FILM CEMENT<br />

Fuher Mfg. Co. 28b<br />

Key<br />

Number<br />

FILM REMINDER<br />

Goldberg Brolheri 66b<br />

FILM SPLICER<br />

Harwald Co 67e<br />

FIREWORKS DISPLAY<br />

Liberty Display Fireworks . S6b<br />

HAND DRYING SERVICE<br />

ElKtric-Aire Enginemrig Corp. 67c<br />

HEATERS. IN-CAR<br />

Eleclromodo<br />

15a<br />

Stanford Industries. Inc.. lOi, 11a<br />

Tliermolalor Corp 34d<br />

HOT DOG ROTO-GRILLC<br />

Hollywood Scrvemaster Co. ..41a<br />

ICE CREAM FREEZER<br />

Sweden Freezer Mfg. Co. 41b<br />

ICE MACHINE<br />

Scotsman<br />

45a<br />

ICESHAVER<br />

Scotsman<br />

4Sa<br />

INSECT FOG MACHINES<br />

Curtis Aulomotir* Dcrtccf.<br />

Inc<br />

61k<br />

Todd SJiipyards Corp 28a<br />

INSECTICIDES<br />

Curtis Automoline Derlces, Inc 61b<br />

Todd Shipyards Corp 28a<br />

INTERMISSION SHORTS<br />

Armour & Co 51a<br />

KIDDIE RIDES FOR DRIVE-INS<br />

American Playground Device<br />

Co<br />

34a<br />

Game- Time, Inc 31a<br />

DHmer F. Harris Co. 564<br />

Allan Herschell Ca. Inc 66*<br />

Miracle Equipment<br />

Co. Back Corcr<br />

Play- Yards Original Corp 58b<br />

Robel, Inc 61a<br />

LIGHTS, DIRECTIONAL. ETC<br />

Drive- In Theatre Mfg. Co. . . 4a<br />

MOSQUITO REPELLENT<br />

Pic Corp 22a<br />

PAINT FOR DRIVE-IN SCREENS<br />

M. L Campbell Co 18a<br />

National Theatre Supply 59a<br />

PLAYGROUND EQUIPMENT<br />

American Playground Device<br />

Co<br />

34a<br />

Game-Time. Inc 31a<br />

Orlmer F. Hvris Ca S6d<br />

Allan Herschell Co., Inc 66a<br />

Miracle Equipmertt Co. Back Cover<br />

Play-Yards Original Corp. ..58b<br />

Robd, Inc 61a<br />

POPCORN MACHINES<br />

Manley, Inc 43a<br />

NEW EQUIPMENT and<br />

Full descriptions start on page 65<br />

Key<br />

Number<br />

Six-Flavor Soup Dispenser P-1673<br />

Hooded Inclqerator P-1674<br />

Automatic Popcorn Dispenser P-1675<br />

Big Volume Drip Coffeeraaker P-1676<br />

High Light Gain Screen P-1677<br />

Projection Light Gain Process P-1678<br />

Compact Counter Steam Unit P-1679<br />

OTHER NEWS of<br />

New ProHctlon Lamp 32<br />

"The Chocolate Tree" Filoi 41<br />

Quarter Midget Racing Can.<br />

K*<br />

POPCORN SCOOPS<br />

Sprrd Scoop ;<br />

POPCORN SEASONING<br />

C. F. Simonin's Sons, li^... ;<br />

POPCORN AND SUPPLIES<br />

Manley. Inc <<br />

PROJECTION ARC LAMP<br />

C. S. Aihcraft Ht(. Ca 2<br />

St'ong Electric Cor*.....<br />

PROJECTION LENSES<br />

Bausch & Lofflb Optical Ca ?<br />

Protection Optics Co.. 1^. ;<br />

S OS. CIneaa Supply C*r«. (<br />

PROJECTOR CARBONS<br />

hitiorul Carbon Co<br />

PROJECTOR PARTS<br />

SOS. Cinema Supply Ca . '<br />

PROMOTIONS<br />

Ace Hi Di'plays, Inc<br />

DeLuve Theatre Preailims .<br />

Flowers of Hanil, LU...<br />

RECTIFIERS,<br />

SELENIUM<br />

J. E. Robfn. Inc '<br />

Strong Electric Cor;<br />

REFLECTORS<br />

Heycr-Shultz.<br />

Inc<br />

SANITATION EQUIPMENT<br />

Abbey Chemical Ca<br />

County Specialties<br />

SELTUBE KITS<br />

Kncislcy Electric Ca i<br />

SIGNS. AUTO BUMPER<br />

Ace-Hi Displays. Inc<br />

SIGNS DIRECTIONAL ETC.<br />

Du^a Engraving Cory. •<br />

SNO-KONES<br />

Samuel Bert Mfg. Ca<br />

SPEAKER EQUIPMENT<br />

S. T. Echols. Inc '<br />

Drive-ln Thtatrr Mfg. Ca .<br />

Sandler Mfg. Ca<br />

SPEAKERS. IN-CAR FOR DRIVL<br />

INS<br />

Ballanlyne Ca<br />

Bevvlite Corp.<br />

Drive-ln Theatrt Mf|.<br />

EPRAD<br />

Ck..<br />

Sandler Mfg. Ca<br />

t:j<br />

SPEAKER RECONING AND ROI I<br />

Eians RKonlng Serrico<br />

Minneapolis S«rakr' Recanmi<br />

THEATRE EQUIPMENT AND<br />

SUPPLIES<br />

Indiana Cash Drawer Ca... f<br />

S.O.S. Cinena Supply Corf.. I<br />

DEVELOPMENTS<br />

Theatre Plastic Display Signs f-U<br />

Prefab' icated Boioftica hll<br />

Nontoxic Cleaning Fluid P'U<br />

Infrared Sandwich Oven M<<br />

Soft-Serve Counter Units<br />

^11<br />

Hot and Iced Tea Machini P-lt<br />

Double-Cone InCar Speaken P-><br />

PRODUCTS and EQUIPMENT<br />

Pa«i<br />

Sales Aids tor Piaa<br />

ConceiiioM Trays for Speaker Poets<br />

Ke<br />

MODERN THEATRE: Send mc more intormation about .<br />

iicms ADVERTISED on the pogcs circled bclcw:<br />

2a<br />

54


Concessions<br />

To Regional<br />

Should Cater<br />

Preferences<br />

Regional fixxl Uistos and prcfrrrncrs<br />

must bp obsiT%'t'd wiUili) rcu5on. In Uif<br />

prrparatton of dl.vlu-s iind drllcuclps (or<br />

tale al drlvp-tits. accordlnK to Oeorgr H.<br />

Schonck. Albany inivna«er for Tri-StiiU-<br />

Autonuktlc Cundy Corp. of Buffalo. N Y<br />

Uniformity in formula and output is destrablp,<br />

and i.s isenerally followed by a concessions<br />

cximpaiiy. but .sonu-ttmes varla-<br />

Uons are necessary. For Irustunce. Schenck<br />

found that patrons of outdoor stands operated<br />

by Tri-State In the Albany district<br />

liked hamburgers readied and served in<br />

barbecue sauce. The use of .sauce for this<br />

purpose was therefore continued in the<br />

Albany territory. althouKh it was not in<br />

some other sections.<br />

NO SPICY FOODS<br />

Spicy foods as a Keneml rule do not<br />

aeem to win favor at the stands supervised<br />

by Schenck. In certain outside liKales.<br />

they may be quite popular.<br />

Schenck maintains a close check, via<br />

taste and other techniques, on foods served<br />

at Trl-State operations. A one-time<br />

Warner theatre manaKer. he pointed out<br />

that the range of menus in the Albany territory<br />

IS not as wide as in some other parts<br />

of the country. Various conditions dictate<br />

this.<br />

Schenck added that weather can be a<br />

factor with which to contend In the preparation<br />

of<br />

to be the case in<br />

foods, but he has not noted this<br />

the Albany sector.<br />

Trays a Pafron Convenience<br />

Concessionaires to Hold Conference in Las Vegas<br />

The western regional conference and<br />

mriiliundLilng cUnic will be held by the<br />

Nutiuiml Aa»n of Concenalonnlres IhU<br />

month. followlUK the surceaaful aoulhweat<br />

reiiional which wa* combined with the sixth<br />

annual convention of the Texas Drive-In<br />

Theatre Ownem Aaiin in Uullaji January<br />

19-31<br />

for more sales on<br />

the most profitable<br />

concession* in your<br />

theatre!<br />

Harold P Chesler. program chairman.<br />

U uccrpting re.Nervallottfl for the western<br />

reKlonul. which Lt scheduled for the Riviera<br />

Hotel. Las Vegas. Nrv.. February 8-11. With<br />

the program covering all phases of concessions<br />

merchandising, attendance U expected<br />

from all parts of the West Reservatloiui<br />

may br udclrrwrd to Chester at the<br />

Tlieatre Candy Distributing Co.. P. O. Box<br />

3033. Halt Uike City. UUh. Alfred Olander.<br />

Associated Theatres. Los Angele.n. Is the<br />

West Coast coordinator for this meeting,<br />

which will<br />

\<br />

rmploy the braln.stormlng technique<br />

to develop new conce.nsloiu sales<br />

Ideas.<br />

A J. Schmltt. Houston Popcorn It Supply<br />

Co. Houston, was program chairman for<br />

the southwest meeting. Charles A. Oarden.<br />

Charles A. Darden Co.. Dallas, was program<br />

coordinator.<br />

^popcorn of course<br />

To soil more of the item that gives you more profit, |X)ur on F'opsit Plus<br />

— America s finest p thown ftoturt 0/ ikt<br />

Iron It Ihol Ihtr form a wcurr uirio tftroirt<br />

potroni 10 ttandit a numbtr of rl«/nt, rothtr Ikofl<br />

Ikt ont or two IhfT might hold in thtir hcndt Tkr<br />

ttvft 111 our cor with o doo/ glau<br />

popping apccialulM to the nation<br />

SIMONIN<br />

PNILAOCLFMIA J4. r*.<br />

A^ pipsit<br />

Pf Ce/l/*^<br />

BOXOmCE February 3 195«<br />

5S<br />

I*


'<br />

Wt<br />

I driving<br />

THOSE COLD. COLD MONTHS<br />

Confinurd hom page li<br />

drive-ins. even without lieati'is, without<br />

coats—girls in ordinary dresses und men<br />

even in shirt sleeves—this has. it is sug-<br />

Kested. reached the proportions of a fad in<br />

this area. The explanation is simply that<br />

modern car heaters are .so powerful tliat<br />

extra protection is unneeded.<br />

• Extra provision for starting cars is<br />

needed. One manager keeps jumpers attached<br />

to liis own car battery all the time,<br />

and simply drives up alongside a stalled<br />

car. hooks up the Jumpers, and gets the<br />

customer started. An extra battery is also<br />

ktpt in the office for reserve use as needed.<br />

• A surprising number of customers come<br />

in cold weather with small children, and<br />

even with young twibies.<br />

• Concessions business appears to run in<br />

about the .same proportion to number of<br />

customers as in the summer. There is not<br />

much of a change in items sold, except<br />

the obvious swing from ice cream to coffee<br />

and hot dogs.<br />

Mr. Drive-In Theatre Operafor!<br />

FREE<br />

COST YOU<br />

ADMISSIONS<br />

MONEY<br />

IF YOU WANT EVERY DOLLAR DUE YOU<br />

!/Hdiall TRAF-I-TROL<br />

. . . and you will<br />

INCREASE ADMISSIONS<br />

SAVE PAYROLL<br />

No Sneok ln^ (No U.hcr of Exit 0,i»c)<br />

This lOCo eHectivc one way cmt borricr will pay for its£if in a few months.<br />

Write for more complete inlormation<br />

DRIVE-IN THEATRE SERVICE<br />

CO.<br />

Loncaster Pike * Devon, Pcnno —Of See Vouf Theatre Supply Dealer<br />

* LOOK fOR US of tt


which iilvc the currrijt prot;rnm.out a letter received from<br />

a uatron which read: "We enjoyed your<br />

Year's feature very much and look<br />

.-.. -iird to spending many more nights at<br />

your theatre because of a slx-month-old<br />

aon whom we must take everywhere "<br />

A TroTcling Photography Eihibit<br />

A color ph.)'i.::.ii)hy exhibit >pon.«)rr.


DRIVE-IN THEATRES THE WORLD OVER<br />

Big Year for Foreign Development of Outdoor Tfieatres Is Foreseen<br />

By ED LACHMAN*<br />

I HIS IS THC<br />

year for foreign<br />

dnvo-ln development<br />

and there should be<br />

considerable stirring<br />

of interest and unnouncements<br />

of<br />

drlve-lns being<br />

planned for certain<br />

European countries<br />

forthcoming in<br />

the late spring.<br />

[d Lochman<br />

It is interesting to<br />

note that in certain countries outside the<br />

United States drive-ins are proportionately<br />

keeping pace with the more than 4,500 that<br />

are operating in this country.<br />

CANADA<br />

In Canada drive-ins represent almost 14<br />

per cent of total theatres or approximately<br />

230 drive-ins; 75 per cent of this niunber<br />

were built in the past three years in such<br />

far off sounding places as the Provinces<br />

of Alberta. British Columbia. Manitoba,<br />

New Brunswick. Nova Scotia, Ontario and<br />

Saskatchewan. It is interesting to note also<br />

that Prince Edward Island on the North<br />

Atlantic coast boasts of two drive-ins.<br />

HAWAII<br />

To stay<br />

for a moment with the islands,<br />

Honolulu, Hawau has a drive-in and there<br />

is also one on the Island of Guam.<br />

AUSTRALIA<br />

To go on to a larger Island. Australia<br />

now boasts of approximately 40 drive-ins.<br />

with ten in the process of building or announced<br />

planning stages. Loew's International<br />

Theatres has taken the initiative<br />

in building drive-ins there, closely followed<br />

by 20th Centui-y-Fox In as.sociation with<br />

the Hoyts' circuit, and the balance by independent<br />

theatre owners. Metro has two<br />

twin-screen theatres under construction in<br />

Australia now. Australian drive-ins have<br />

picked up all the good features developed<br />

here and have added a few of their own.<br />

For instance, in one Australian drive-in<br />

they have a laundry service where a patron<br />

leaves his wash when entering the theatre<br />

and picks up the clean clothes on the way<br />

out. Tlie custom for showing pictures has<br />

changed. Trend is to show a double feature<br />

rather than two complete shows of a<br />

single feature, which has been the normal<br />

presentation for four-wall theatres in Australia.<br />

SOUTH AMERICA<br />

Oui- neighbors to<br />

the South are bursting<br />

out all over with drive-ins: F^ve drive-ins<br />

in Puerto Rico, one drive-in in Cuba and<br />

one drive-in almost in the completion stage,<br />

one drive-in in Panama, one in Ti-inidad.<br />

one in Brazil and one in Venezuela.<br />

EUROPE<br />

It is sad, but true, in all of Europe there<br />

is but one drive-in, and that is in Rome.<br />

Italy.<br />

It was built by an independent the-<br />

• President, Lorroine Corbons, Inc. Commenis published<br />

here are excerpts from on oddrcss delivered<br />

Qt the recent Texos Drive-ln Theotre Owners convention<br />

in Dollas. Mr. Lochman visited Englartd<br />

and several countries on the Continent not long<br />

ago.<br />

atre owner and a real estate man and Is<br />

now being run by the Metro interests.<br />

Metro has introduced a most interesting<br />

approach to the presentation of foreign<br />

pictures, and I think It is a "must" for<br />

U. S. border state drive-ins and future<br />

drive-ins in foreign countries, especially<br />

for those drive-ins that plan to show foreign<br />

pictures in the States. They provide<br />

for their patrons a selection of two sound<br />

. . . an entire<br />

AMUSEMENT PARK'<br />

in<br />

one compact unit!<br />

Put "SPRING" in your SPEAKERS<br />

WITH BRAND NEW<br />

RETRACTO<br />

ALL WEATHER<br />

NEOPRENE<br />

COILED CORDS<br />

No 1t-3 Conductor<br />

GUARANTEED TO RETRACT TO ORIGINAL POSITION<br />

STRETCHES TO 7 FEET -<br />

LUGGED. TINNED -<br />

READY FOR IMMEDIATE USE -<br />

87c<br />

[och. FOB CIcYilond<br />

IN LOTS OF 100 AND OVER<br />

IMMEDIATE DELIVERY<br />

MANUFACTURED AND SOLD<br />

by<br />

SAMPLE ON REQUEST<br />

SANDLER MANUFACTURING COMPANY<br />

2108 PAYNf AVf<br />

Writt or Coll<br />

CLEVELAND 14, OHIO TO-cr 1 9248<br />

PLAY-YARD attracts<br />

customers,<br />

attention; boosts profits<br />

All in one colorful, compoct unit, PLAY-YARD<br />

IS your answer for ottrocting families with<br />

cfiildren—keeping them coming back' Its copocity<br />

is nearly double that of four kiddylond<br />

rides. It accommodates over 100 children at<br />

time Yet PLAY YARD requires on area of only<br />

27,33 feet'<br />

Designed for safety and long life, PLAY YARD<br />

includes a carousel, trains, rocket ships, can.<br />

"woman in the shoe" playhouse, slides, sandboi<br />

or woding pool, built in toys ond hobby horses.<br />

Plus two briUiont<br />

Fiberglos canopies and benches<br />

for watchful parents Plus o flotheretle on<br />

flagpole to help bring traffic into your drtve-in.<br />

For sofcty'i sake, nothing is overlooked And<br />

oil materials will withstand years of hard use<br />

ond the elements Write today far lull inlorma<br />

tion<br />

pro'if 1<br />

on how PLAY YARD coo help you corn more<br />

PLAY-YARDS ORIGINAL CORP.<br />

Cnillli. N y<br />

Avon. N Y<br />

HTocinllt ]-*4S)<br />

Avon 7311<br />

58 Th« MODERN THEATRE SECTION


. can<br />

trucks which Is avallublc In thr .s|>ciikci at<br />

tlic ritck of It .switch Vi.sitiriK this ihrutir<br />

It was very intcrestini: nnd amusins to start<br />

off u svutcncr In Italian and thrn (lick a<br />

switch on the speaker and have that srntence<br />

end In EnKll.sh Tlil.s dual sound i><br />

achieved by usiiu; a dummy reproducer<br />

with film of either an Entillsti sound track<br />

or. In this case. Eniillsh in the reproducer<br />

and Italian-dubbed sound track runnlnu<br />

siniultanroufily.<br />

DON T paint your drive-in screen<br />

UNTIL you find out about ..<br />

FIRST ON CONTINENT<br />

Since this Is thr first drlvo-ln on the<br />

Continent, and I am sure the forerunner of<br />

many more. I will dwell a little on the way<br />

the drive-ln has been received by the<br />

Roman populace and how the MOM management<br />

has had to conform to the customs<br />

and habits of It.s pnttrons. Bear in<br />

mind the people are Latin, they adhere to<br />

Latin custom, and that Is to take a lontt<br />

lunch hour and then finish work around<br />

7:30 or 8:00 o'clock. This means that tho.se<br />

who plan to attend a drlve-ln or a theatre<br />

In Italy would do so at a much later hour<br />

than we. F>or instance. It Is not unusual for<br />

the first show to start at 9:15 or 9:30 pm .<br />

and have the second show go on about<br />

11 30 pjn.<br />

In the drlve-ln. the Metro people have<br />

found that they must prepare themselves<br />

for three wares of patrons, the first wave<br />

comes in around 7:00 o'clock. The.se are<br />

the p)eopIe who work at the various U. S.<br />

and foreign embassies and who more or less<br />

work the same hours as In the States. There<br />

then Is a lull until approximately 9:30 when<br />

patrons with children arrive, and then, of<br />

course, there is the late show starting<br />

around 11:30. This drtve-in has only been<br />

open .since the latter part of AuRUst and<br />

therefore has not been In a pwsltion to<br />

really make its Impact on the Italian movtegolng<br />

public, since Rome is now In the<br />

so-called winter months, and at this period<br />

the drlve-ln may be operating part-time, or<br />

closed for the winter season.<br />

SOME NATIVE DISHES<br />

SERVED<br />

The Rome Drive-In concessions serves<br />

not only American standbys. such as hot*<br />

dogs, popcorn, hamburgers and Cokes, but<br />

it also serves .some native dishes which appear<br />

to be very tasty. While I was attending<br />

they were making up a type of rice<br />

rolls with fish and deep frying them— and.<br />

of course. Roman pizzas. These Items, during<br />

the breaks, sold like the proverbial hot<br />

"'"';. The concessions also sells wines and<br />

There was a large patio where pa-<br />

c«(es.<br />

sit. eat. drink and watch thr picnot<br />

unlike many of their sidewalk<br />

The projection equipment In the drlvc-<br />

In was American, and they were U-nlng<br />

13.6x18 Lorraine Orlux carbons<br />

Just as many of you have met with eon-<br />

:tble resistance and mtsundrrstanding<br />

:>tainlng permits to build drivr-irvs. .so<br />

are these who plan to build drtve-tns In<br />

Europe. For irulance. in order to build a<br />

drtve-ln in Rome, it was nece«*ry to build.<br />

Con


!<br />

CREATE THE<br />

MOVIE HABIT<br />

No Better Way Than a<br />

DINNERWARE<br />

PROMOTION<br />

• Lodies must come to your theatre<br />

diligently every week for a yeor in order<br />

for them to complete o full dinnerware<br />

set. Your choice of o dozen different<br />

potterns.<br />

DRIVE-INS THE WORLD OVER<br />

Continued liom preceding<br />

page<br />

not only outside the city limits, but outside<br />

of the Customs area which Is peculiar to<br />

each city In Italy, where they maintain a<br />

Customs check point. ALso a law has been<br />

pas.sed whereby a drive-in theatre cannot<br />

be built unless the population of that city<br />

is more than a million. This limits one<br />

drive-ln to Just three cities In Italy—Milan,<br />

Naplfs ,Tnd Rome.<br />

GERMANY<br />

In Germany two drive-ins were planned<br />

for 1956. but due to a new law which went<br />

into effect August 8. 1957. whereby no<br />

children under the atje of six are allowed<br />

to attend any theatre performance, and all<br />

pictures must be approved and classified<br />

for the six to 12-year group: 12 to 16 group<br />

and 16 to 18 group, it made the building of<br />

a drive-in most unattractive and all plans<br />

are abandoned for the present.<br />

Exhibitors in West Berlin were most interested<br />

in drive-ins and they plied me with<br />

many questions regarding them. They said<br />

that, despite the new German laws, they<br />

would build drive-ins tomorrow if land was<br />

available, but unfortunately the western<br />

section of Berlin is surrounded by the Reds<br />

and any drive-in built on the outskirts of<br />

the town would extend into Red territory.<br />

ENGLAND<br />

Plans were made for the building of a<br />

drive-in near the coast of southern England<br />

but this was abandoned when, in the past<br />

year England went through unusual foggy<br />

weather and the financial interests backed<br />

down. However, while England is in the<br />

50° latitude, its shores are swept by the<br />

Gulf Stream and they enjoy a rather<br />

temperate climate for at least four to five<br />

months of the year—weather that is better<br />

than in some of our northern cities in the<br />

United States and Canada.<br />

SOUTH AFRICA<br />

Jumping from the European scene to<br />

what the travel folders call "Darkest<br />

Africa." It seems that they are more enlightened<br />

to the reception of drlve-lns than<br />

the exhibitors of Europe. There are at<br />

least ten drive-ins in such strange sounding<br />

places as Bulawayo. Bloemfunteln.<br />

Vereeniging. Nairobi. Pietermaritzburg,<br />

Durban. Salisbury and Johannesburg, in<br />

which there are two.<br />

Again, as was the case in Australia.<br />

American theatre interests are spearheading<br />

this growth, namely: Loew's International<br />

Theatres and 20th Centuo'-Fox. Almost<br />

100 per cent of the foreign drive-in<br />

theatres u.se American equipment supplied<br />

by either Westrex or National Theatre Supply<br />

Export. The foreign equipment manufacturers<br />

for the time being are marking<br />

time, content to supply accessorj- equipment.<br />

Television in these foreign countries is<br />

just beginning to make itself felt and exhibitors<br />

even now complain of its Impact.<br />

They are going through some of the phases<br />

we have already experienced. Fringe theatres<br />

in certain of these countries have<br />

closed, especially in England. Australia and<br />

Canada. Since producers depend upon a<br />

return of approximately 50 per cent of the<br />

total world gross from foreign countries, it<br />

is very important for the whole motion picture<br />

industry that foreign drive-ins be encouraged<br />

to take up the slack to hold up<br />

the gross, such as the 4,500 drive-in theatres<br />

in the United States have done.<br />

If a patron is antagonized at the candy<br />

stand, it is possible to lose that person as<br />

a patron of the theatre.<br />

• The above promotion hos proven itself<br />

tremendously in the last 25 years, both<br />

at the boxoffice and in boosting concession<br />

soles.<br />

• We ore serving and satisfying some<br />

of the country's largest circuits and independent<br />

exhibitors from coost-to-coast!<br />

For complete detaili and prices,<br />

Write—Wire—or Phone:<br />

DE LUXE<br />

THEATRE<br />

PREMIUMS<br />

346 W 44th St New York 36, NY<br />

Tel: Circle 6 0342 or 6 0343<br />

CONCESSION PROFITS Sparkle<br />

w<br />

when<br />

\ ^"''''4,<br />

SPORTSERVICE<br />

works for YOU<br />

There's no subsiifute for experience"<br />

Almost Half Century's experience in refreshment catermg—<br />

Independent ond Unaffiliated.<br />

Call or write us today—to sec how we con put it to work<br />

profitably and promptly for you.<br />

SPORTSERVICE<br />

BUFFALO,<br />

703 MAIN ST .<br />

PHONE: MADISON 5014<br />

N Y.<br />

60<br />

The MODERN THEATRE SECTION


em<br />

I<br />

DRIVE-IN STORY 1957<br />

Comtmutd fnm page<br />

ltl>««a—New . In, 8 . ,« re-i, ., of lltvOCO*<br />

Wetic'i >«• man. Bill<br />

( « by rtov Of»l<br />

NORTN CAROLINA<br />

Dtfdtan tW Ori»e-ln. oi>*nv^t by Mr tji(ol. tMW.OOO protect tor<br />

••••••— *00 cor drioe-m for loitern Corp of tail<br />

Oortoe. iTOO.OOO protect hiring on lecuring<br />

special u»e eaempr>on to to«mar*ip for%ir\g ordinorKe<br />

CleniKin—MocOode 1.200 cori. It^ Corp. vow<br />

round operotHsn of Ook Lone Rood ond MocOode<br />

B'i\jl«vord*<br />

MererWeto—Pine. 400 car». Alfred Burnett*<br />

Oi*t* Blvje Horinn. for Jotm or. .Vevtcrr, Amutcment Co<br />

Riviera Drive- In Corp<br />

Kay Wnt<br />

PLORIDA<br />

u . rro. 1.000 cori.<br />

,'u. 100 cart, Mrt Ade«irte Gowftvop<br />

Palelka i '<br />

ILLINOIS<br />

LewraneevUle V J^a, i'jO cart. Frrtino Am'tt Co<br />

RINTUCKV<br />

Bertew—AutoScope. WW con Clark Srrtith. owner,<br />

Ballond Counly't f.r%r 'tr.r n ttteotre<br />

MASSACHUSITTS<br />

Beetea— Suffolk Oowm, 1,700 con. Norlt>eotl Orive-<br />

In Theotre<br />

Canten—8iu« Millt Onve-ln. Mirtotion Brot<br />

Poll Rhier — >rdo ond evport<br />

r<br />

Phone<br />

BERWICK 8791<br />

Hatclton<br />

GLADSTONE S<br />

IS86<br />

THIS IS<br />

THE FAMOUS<br />

OFFICIAL<br />

QUARTER MIDGET<br />

RACER<br />

* Uiad videly lor leMCI control br DriTt In<br />

Theatre*— FIELD PROVEN<br />

* Light vcigkl—only 19 poundi<br />

* Complete—nothing elie to bur eicept gotolmr<br />

and intcctKidc<br />

* Labor loiing—one man operation- no ichicle<br />

reg«ire4.<br />

* EconoOTKol—mere cOTCrog^^—adjuttoblc log<br />

Irom light to keo'Y<br />

Write For More Information To<br />

CURTIS<br />

DEVICES,<br />

AUTOMATIC<br />

INC<br />

OTNA reOOUCTt OIVItlOM<br />

r Roi 297 P WrtMirld Indiana<br />

^.<br />

• Mlnietwe Oe Seta Cenvartibia<br />

OTHtRt e MiiwetOTa Dhrco Trixk<br />

e Ki44y Svrray<br />

FOR THE NEW FAMILY PARTICIPATION SPORT AT DRIVEINS<br />

-J^fi/ff.<br />

CORPORATION •WASHINGTON i SYCAMORE STREETS»BERWICK PA<br />

"Wotld\ Lofgc%t Monufoctufcr ol Miniature Powered Toys"<br />

"Where Successful Soles Promotion Idcos Qriginofc"<br />

'Repraentatirci— ot your service throughout the United States'<br />

lORIL COIPOIATION<br />

• OX 111. Daei QuTOI'MT<br />

• IIWICK. PINMSTIVANIA<br />

aM lAtaraata^ m tattln^a<br />

Tk« wema el iny Orrva-ln<br />

la


;. nW~>« Keiths Theatre Indionapolii, constructed a garden wall 0/<br />

To create an outdoor atmosphere ,ndoory J'""";<br />

j~, '^'"'"/^<br />

„„ „„ ,„h ,„d,rect /igMing ono<br />

(nd.ono (.mestone ,n ,ts lobby, added arUUcal plantings<br />

°"l'°^^^ll%,^i^,


us«^ to dros-s up the bij: Krith » scrr^n urm<br />

A coal of Kray puint, tintrd with ri-d for<br />

warmth, wtu used to paint out thi* Ima rrllrf<br />

wall oriutmcMtatloti and thus incrrnMthe<br />

simplicity of styliOK Wall baji-ony box<br />

sraltni: «')is rrmovod and draporirs added<br />

In Its place. Indirectly liKhted plnnter.s<br />

were installed nlonK the auditorium wall<br />

Mid in front of Uie stane.<br />

Amp«'x stereophonic sound and new<br />

Bronkert projectors were iiustalled t)rii)i to<br />

the remodellnn.<br />

New carpetlnR extends throuRhoui thr<br />

theatre's first floor and up the stairs to<br />

the balcony In the loue and balcony. 2'J7<br />

new International seats with padded armrests<br />

replace the old s«ats. Sure to draw<br />

•pprovinK comments from any man of sixloot<br />

stature or over Is the extra leg roomsix<br />

inches to be exact—which was added<br />

between each row by the removal of the<br />

first row of Icue seats. The best sections<br />

of the theatre's old red carpeting were used<br />

to cover the balcony's floors.<br />

of an efficient,<br />

An enlarsed ladies powder room boasts<br />

modern apartment atmosphere.<br />

Decorated with modem chairs.<br />

tables, a sunburst lamp and lounRe. the<br />

powder room also offers a functional,<br />

st«ndup makeup table finished in walnut<br />

A nostalgic flavor reminiscent of the bygone<br />

gaslight era still remains in Keith's,<br />

however, in a section long closed to the<br />

general public. It is the third floor "poor<br />

people's" balcony. Ptor a 15-cent admission<br />

fee. and if you were willing to walk<br />

up three flights of stairs from a side entrance,<br />

you coiild once have taken your<br />

choice of any spot along the long, hard<br />

rows of bleacher-type benches. Stearns explains<br />

that it wasn't economically feasible<br />

Droperivt noo hong<br />

ID iHv ottat lotmtttf<br />

occupied bir wall boi<br />

lead «hick >•'•<br />

edmifioterf in lk9<br />

t t r f o m I I H<br />

ing o/ Kttlk't The<br />

lint row of baUofii<br />

leatt wot olio rt<br />

mo»ed, and new i««(i<br />

ere intlalltd >ilfi<br />

til incftei o' legiocm<br />

betwoen rowi Th€<br />

iftcom/etcenf<br />

chon<br />

dtittf, teen m tht<br />

vnalt photo at tower<br />

right, wot removed<br />

and rtploted wifft<br />

incondeicent<br />

ing<br />

light<br />

Arlihctol plants<br />

ettend ocrott (fte<br />

tfoge and along the<br />

wall oreot beneath<br />

the draper it\ The<br />

old bot relief or no<br />

mentation in the<br />

auditorium wot<br />

pointed out with o<br />

iolid color in hor<br />

many with modern<br />

Jtsign<br />

umplitity<br />

to remodel this .section, .so it was left alone<br />

—still untouched after these many years<br />

for the hometown-boy-made-Rood who returns<br />

occasionally to view the .scene of<br />

pleasant childhood memories.<br />

More pictures on following page<br />

;auty for a hardtop<br />

At tk* r««r of the aadrlotntm, prior to rtmoMiOf. iker* vat m» opt» ipore<br />

brtwren the ouditorium and the inner lobbf wfc«tfc permitted dntroettng note<br />

and light to filter in and ditturb potroni thn yap «ai doted with ocomUKol<br />

materioli ei ihon at right<br />

The ototnlKol pomelmg now tfcwarfi (k« lobtri noiia o»d light Loh&r nte*«<br />

Mem wat loeilitoled by renwmtg on "etira" let of lobby doon. and the<br />

ceoceiKOni trend wai mored t/i«k(/r le Ike r>gki to ei n«l lo rfefroct from<br />

Ike riem ol Ike oirdttortom.<br />

BOXOmCE Fvbruarr 3. 19M 63


Keiths Theatre, Indianapolis . . . Cont'd<br />

The facelifting included a new screen, draperies<br />

and indirectly lighted wall planters for the auditorium.<br />

The gray paint used to paint out the bos<br />

relief ornamentation was tinted with red for warmth.<br />

Downstairs, scots of the 1 ,096 capacity theatre were<br />

rebuilt, while 227 new bo/con)' scats were installed<br />

on wide centers. The small picture immediately<br />

above shows what the screen area in Keith's looked<br />

like before the recent improvements.<br />

^<br />

Looking into the theatre toward the auaitonum aoof,<br />

before the remodeling the patron saw this some<br />

what cluttered arrangement of assorted billboards<br />

These were replaced with an Indiana limestone<br />

garden wall, planters and the photomural. The new<br />

carpeting extends throughout the theatre's first<br />

floor and up the stairs to the balcony<br />

i<br />

These views show the new (left) and old area in<br />

which the concessions and stairway to the balcony<br />

arc located. Also to be seen in the left photo is<br />

a port of the ultramodern fricic decorating the new<br />

acoustical wall which was installed between the<br />

auditorium and the inner hhbv<br />

64 Thr MODERN THEATRE SECTION


Sii-Flavor Soup Dispenser<br />

With 800 Cup Capacity<br />

P 1673<br />

MORE<br />

FOR<br />

INFORMATION<br />

com capacity It serves tasty, prepopped<br />

corn that U kept uniformly heatrhed wire<br />

acrass the bottom of the hood prevents<br />

blowinK bits of paper and kIowIiik sparks<br />

leaving the incinerator. Made of aluml-<br />

The St>up-c>i>,» i> [x'liii; introduced to<br />

theatres, both drlve-ln and Indoor situations,<br />

as an automatic dt.sponser of six<br />

Havors of hot soups. Manufactured by<br />

Cole Products Corp.. the Soup-Spa attracts<br />

customers with a multicolored plastic<br />

panel that points up the home-cooked<br />

flavor" of the six soups available at ten<br />

cents a cup. The selections Include Instantlzed<br />

hot .soup with a choice of cream<br />

and re«ular flavors The customer merely<br />

dials the flavor he prefers nmoni; thase<br />

listed on the front control panel and deposits<br />

his coin The first drink Is always<br />

hot. since the Soup-Spa construction eliminates<br />

bulld-up In bowls airlocks and brldetnic.<br />

The Soup-Spa takes nickels, dimes<br />

and quarters and returns correct chanee<br />

A slx-iiaUon heater, two ml.xinK-bowls and<br />

the exclusive Orameter. a positive measuring<br />

device that (fives exact Innredient control,<br />

are other features of the tall 800-cup<br />

aoup dispenser.<br />

Hooded Incinerator Operates<br />

With Minimum Smoke, Smells<br />

P 1674<br />

A ten-bushel outdoor incinerator which<br />

may be used safely within ten feet of a<br />

bulkUng and which needs no watching<br />

has been devrlnped b>- the Alsto Co The<br />

Model CIO incinerator Is built with a square<br />

base, the sides ansled in to form an ample<br />

but narrow opening at the top After<br />

papers or other debris have been placed In<br />

the incinerator and the fire sUrted. a<br />

nl7Td steel, the CIO burns damp, iireen or<br />

dry refu.se to a fine ash In any weather.<br />

The .scientific draft control mlnlmi7.es<br />

smoke and .smell An eiRht-lnch-hiKh detachable<br />

ash pan ba.se and urate Ls provided<br />

for easy cleaning of the Incinerator.<br />

Jumbo Cups of Hot Popcorn<br />

Dispensed<br />

Automatically<br />

P 1675<br />

Thentrr palrt'ns r;»n stvc Ihem-selves to<br />

mmb" '.'


—<br />

' opter.<br />

High Light Gain Registered P1677<br />

By Pearl-Surtaccd Screen<br />

Bnnhtncis Kauis of Irom 1.50 to 2.50 arc<br />

provided by the XR-170 "pearl" screens<br />

available from the Raytone Screen Corp.,<br />

us compared wtth .85 for matte white.<br />

Tliere Is said to be no visible falloff from<br />

the seats alonu the side of the theatre when<br />

the XR-170 .screen is employed, jast lus there<br />

IS no such falloff for a matte white .screen.<br />

The XR-no screen Is of both .seamless and<br />

tearproof construction. An liiKredient in<br />

the "pearl" screen surface Is the nonyellowinR<br />

Ingredient which plves the screen<br />

Its name. Installation of the XR-170 screen<br />

Is said to result in finest quality resolution,<br />

light distribution and color fidelity.<br />

Projection Process Increases P 1678<br />

Dnvc-ln Screen Light<br />

The Cineglo projector and arc lamp for<br />

35mm films, a process said to give an Increase<br />

of more than 300 per cent In Incident<br />

light to drive-in screens, is being introduced<br />

by TARC Electronics. Inc. The<br />

picture, once focused, remains in optimum<br />

focus for every frame indefinitely. Such effects<br />

of heal on film as in-and-out focus,<br />

brittleness. cmbo.ssing and distortion are<br />

eliminated by use of the CahlU-MerrlU<br />

cold focus gate. This gate operates by<br />

clamping the film Intermittently during the<br />

light and dark cycles between two pairs of<br />

optical flats, one pair fixed and the other<br />

movable. Through the hollow center sec-<br />

tlon of each pair of flats a coolant Ls continually<br />

recirculated from gate to air. or a<br />

liquid cooled heat is exchanged. The inside<br />

of the flats becomes the focal plane<br />

for the projection of pictures with highest<br />

resolution, constant focus and maximum<br />

brightness. Other Clneglo projection process<br />

applications include use for large de<br />

luxe .screens In presentation theatres: for<br />

high speed film printers, enlargers and reducers:<br />

In 16mm projectors used by amateurs<br />

and lecturers, and for 35mm and<br />

16mm still projectors which must stay in<br />

focus with high light for long periods of<br />

time.<br />

Compact Stcom Unit Guards<br />

Food Flavor and Quality<br />

P 1679<br />

Boost Drive-ln Profits With<br />

Allan Herschell Kiddie Rides<br />

fM^f<br />

\liiro and more ilrivfin lliratro arc<br />

Write lor A. H.'s new<br />

book: "Ktctdietonds<br />

a Business with o<br />

Future," $3. Tells<br />

how to build and operate<br />

a kiddiatand<br />

successfully.<br />

iSi-I^SS^^<br />

installing »oparatc kiildielanHs to in-<br />

.<br />

crease tlirir profits. Same fine lorutinn<br />

. . . same parking . . same managemenl<br />

. . . same showmanship. Cash in<br />

now while the trend is just slarlint;.<br />

The rides to use in your drive-in kid


'<br />

c<br />

ftlgiu employ porforttt«*d rlttld pli».stlc bnckgrouHcts<br />

into which letters ami JiKures or<br />

pliublr plustic arc Inserted on short pJn.s to<br />

form the sales mnuuute. Tlie bui-kKruunds<br />

are iiviuUible m Kruy. blue, white. bUck wul<br />

cleur crystal pliustic In eight sues. rajJKinu<br />

from 6x6 inches up to 20x24 Inches Characters<br />

m Pfd. white or black are made in<br />

half-inch and I'^-lnch sliu-s Characters<br />

are removed from the txicktcrouiul by simply<br />

KlvtiiK the back of the pins a firm tap<br />

Characters and b»kckj:rounds are thus reu.sable<br />

as frequently as desired, with the<br />

lett«T> and numerals Kuaranteed for three<br />

.unst breakaue. The brmht char-<br />

PU.-.IK<br />

Prefobricotcd<br />

.>lso are washable and slalnlesA.<br />

ta.sels come in black or crystal clear.<br />

With Two Lane<br />

Bonofticc<br />

Canopy<br />

P 1681<br />

""<br />

NOVi/ll "•^rbo^t'lEL^-Tl" BES<br />

BROADWAY THEATRE . . . Palmyra, N«w Jsnsy<br />

V .^ • ' loti k>««*< lu%l ocguirvil anolh*> lh»ol» am gotng<br />

to inttoii to%j# kiU lh«f«.<br />

M C M THEATRES . . . Leetburg, Florida<br />

'.>ain A Ko>p«n, 0«n*f<br />

v.^.. i..v.rf>"v"".i >j— . V".- .«•!--.•.,. ^-T,.,,- -J* comi>t«io)v *ati>lwd •rilh lh« p«rl«monc« ol<br />

Vtl rust Kilt in our Mtof^ I6.KI0 ai in* ^AIN TMIATRC h«ic W> Ka«« no Iroubl* ol any Mft<br />

Bill 9 Cumtioa. Can Mg'.<br />

SYLVIA THEATRE . . . Yorti, So. Carolina<br />

' u i>urcna


ond<br />

'<br />

The Admission<br />

Control System<br />

that<br />

means<br />

Good Business<br />

Good Shov/manship<br />

I<br />

made only<br />

fGpi General<br />

^Register<br />

11 ^<br />

Corporation<br />

your<br />

Infrared Sondwich Oven<br />

With Automatic Timer<br />

P.<br />

rri<br />

£<br />

P 1683<br />

f^l^O<br />

The Sayso infrared Sandwich Oven is<br />

beinn introduced to theatre concessions<br />

where a steady supply of hot dogs, hamburgers<br />

and precooked barbecue sandwiches<br />

are needed throughout the period<br />

the theatre is open. Distributed by the<br />

Concessions Supply Co.. the Sayso Sandwich<br />

Oven has a capacity of six hot dogs<br />

at a time, with larger models available on<br />

special order. Precooked sandwiches, sealed<br />

in cellophane bags and kept in refrigeration<br />

until ready for heating, may be prepared<br />

up to ten days in advance. When<br />

placed in the oven, these sandwiches are<br />

cooked in their cellophane bags in quick<br />

order: hot dogs in their buns in three minutes:<br />

precooked sandwiches and hamburgers,<br />

in four minutes. An automatic timer<br />

signals by buzzer when the sandwiches are<br />

cooked. The unit is equipped with two<br />

500-watt infrared bulbs. Constructed of<br />

chrome and stainless steel, the oven is<br />

eye-appealing equipment for either backbar<br />

or front counter use.<br />

Shakemaker, Soft-Serve Units<br />

For Concessions Counter<br />

P-1684<br />

a turnout capacity of 200 shakes per hour,<br />

ii complete refrigeration system that includes<br />

receiver-condenser. It Is stainless<br />

steel throughout. The companion softserve<br />

freezer serves .soft ice cream or frozen<br />

custard. It is equipped with a ^4-h.p.<br />

self-contained dasher motor, removable mix<br />

reservoir and ^^-h.p. self-contained hermetic<br />

FYeon 22 compressor. Since the mix<br />

reservoir can be removed easily from the<br />

refrigerated unit, cleaning maintenance, an<br />

operation requiring only a few minutes. Is<br />

reduced to a simple operation.<br />

Automatic Counter Machine P 1685<br />

Serves Hot and Iced Tea<br />

A counter-size machine that brews and<br />

dispenses both hot and iced tea automatically<br />

is being introduced to the theatre concessions<br />

trade by the Food Machinery and<br />

Chemical Corp. Known as the FMC Automatic<br />

TeaMaker. the unit produces uniform,<br />

high quality tea consistently, speeds<br />

customer service .uici<br />

induces the time and<br />

labor of tea preparation. It provides its<br />

own source of water heated to the ideal<br />

temperature for brewing tea. This water<br />

ADLER<br />

control<br />

riCKETAK.<br />

General Register Corp.<br />

43-01 Twenly-Se


'i


I<br />

,<br />

about PEOPLE / and PRODUCT<br />

William P. Lane. Prank R. Zierer and<br />

Hugh J. Knapp have been promoted by<br />

Eastman Kodak Co. Lane, manager of export<br />

.sales and manager for Kodak's affiliates<br />

in Latin America and the Par £^t,<br />

has been named a.ssi.stant general manager<br />

of the international division. Zierer. who<br />

has been assistant manager of Kodak Mexicana,<br />

Ltd.. was advanced to assistant manager<br />

for Kodak affiliates in Latin America.<br />

Knapp. assistant manager of the export<br />

.sales department, has moved up to manager<br />

of the department, succeeding Lane.<br />

Ounng the con.eniion of the Notional Ann ol Conccssionoifcs in Miami Beach, Flo , in November,<br />

the memberi ol the board ol directors got together lor their annual meeting, garbed in keeping with the<br />

Hondo climate From lell, and reading counter clockwue around the table: Lee Koken, RKO Industries<br />

Corp ,<br />

New York City, NAC president; James O Hoover, Martin Theatres, Columbus, Go ; Hy Becker,<br />

Bonomo Korday Gold Medal Candy Corp, Brooklyn, N Y , Arthur Segal, Selmix Dispensers, Long Island<br />

City, N. Y ,<br />

Irving Rosenblum, The Savon Co , Poterson, N J , Irving Singer, Rex Specialty Bog Corp<br />

Brooklyn, N Y ,<br />

Philip L Lowe, Lowe Merchandising, Boston, Mass , Van Myers, Wometco Theatres, Miami,<br />

Flo, Bert Nathan, Bert Nathan Interprises, Inc. Brooklyn, N Y , NAC chairman, Harold Chesler,<br />

Theoire Candy Distributing Co , Salt Lake City, Utah; Dick Tully, representing the Las Vegas Chamber ol<br />

Commerce at the meeting, Larry Blumenthal, FlavoRite Foods, New York City; Theodore Melond, The<br />

Albert Dickinson Co, Chicago; Melville B Rapp, Apco, Inc , Long Island City, N Y , and Thomas J<br />

Sullivan, executive vice president, NAC, Chicago<br />

William J. Wawrzonek. who played an<br />

important role as an industrial engineer<br />

m the development of the first ice cream<br />

pint vending machine made in this country-,<br />

has been appointed district sales man-<br />

Iyour theatre<br />

jci^t<br />

• :i/* -jr^ Ml<br />

deserves<br />

SHOW-SELLING<br />

^ATTRACTION<br />

AND<br />

LETTERS<br />

PANELS!<br />

awr in Wisconsin, Minnesota and Iowa by<br />

the Bally Case and Cooler Co.. manulacturers<br />

of refrigerated display cases and<br />

walk-in coolers. Leon Piince. general sales<br />

manager, in announcing the appointment<br />

said that Wawrzonek would esiablisii<br />

headquarters in Milwaukee.<br />

Blair Foulds, vice-president and director<br />

of the Industrial Pioducts Division,<br />

General Precision Laboratoi->-. Inc.. has<br />

announced tlie appointment of Nathaniel<br />

M. Marshall as associate director for sales<br />

in the division. Marshall, who had been<br />

national sales manager for GPL industrial<br />

products since December 1955. also had<br />

served as the division's eastern regional<br />

sales manager.<br />

Seaboard Floor Coverings. Inc., subsidiary<br />

distributing organization for A. & M.<br />

Karagheusian. Inc., became exclusive<br />

wholesale source for Guhstan carpets in<br />

the greater New York area effective Jan. 1,<br />

1958. as replacement for the Empire Carpet<br />

Corp. and the Wornock Mills. Inc. Wor-<br />

withdraw from distribution<br />

nock Mills will<br />

of the Gulistan line in New England at the<br />

same time, but will remain exclusive distributor<br />

of Gulistan carpets in western New<br />

York state and northern Pennsylvania. Empire<br />

Carpet Corp. will remain in New England<br />

as exclusive Gulistan distributor.<br />

Seaboard, in addition to<br />

taking over the<br />

greater New York area, will become the<br />

wholesale source for Gulistan carpets in<br />

northern New Jersey. Long Island. Westchester.<br />

Orange, Rockland and Sullivan<br />

counties. The company at present is distributor<br />

for southern New Jersey. Pennsylvania.<br />

Delaware. District of Columbia.<br />

Maryland. Virginia. North Carolina. parU<br />

of West Virginia and Ohio.<br />

James M. Delaney, senior partner in the<br />

accounting firm of Delaney & Woods, has<br />

completed a 21 -month assignment with the<br />

Ciutiss Candy Co.. during which he was<br />

given responsibility for initiating and carrying<br />

through a program of streamlining<br />

management and operating efficiency. On<br />

September 23. the company authorized<br />

payment of $610,000 in preferred stock dividends<br />

in 1957 and early 1958. which William<br />

C. Jakes. Curtiss president, attributed to<br />

the effectiveness of Delaney's program. Delaney<br />

served as chairman of the board for<br />

Curtiss from September 1956 to Dec 31.<br />

1957.<br />

WAGNER SIGN SERVICE, INC.<br />

?l» S HOYNf AVtNur • CHIC«CO 12, IlllNOIS<br />

CALI CARBON COUPLERS<br />

,^^<br />

Let You Burn All the Carbon /^^ '<br />

"They're Expendable"<br />

The most popular carbon saver Used by more They COSt leSS than jUSt the repairs On<br />

theatres then ALL other mokes COMBINED. high priced QutoiTiotic sovers ond are<br />

^.Al.<br />

u,w HI F,dclll» « W.alharproot<br />

MOBILTONE c!ar<br />

SPEAKERS<br />

fAih ComplHi with Co'ltd Cordi<br />

SANDLER MANUFACTURING CO<br />

'.n ^^, All TO-v 1 92«<br />

t<br />

Clr


• toxorr ici MiioitiTt*<br />

• IXNItlTO* MAS NIS MV<br />

• riATUDI KILIAU CM««1<br />

• rC«TUR( RtVllW OKCST<br />

• Rfviiws or rtAiuits<br />

• SHOiirj (tiiAsc CH**T<br />

• JMO*r SUBJICT fitvitws<br />

• SNOWIXNOISIIC<br />

tot AS<br />

BOXOfflCl<br />

THC GUIDE TO BITTCR BOOKING AND 8 U S I N £ S i B U I L D I N G<br />

Theatres Join Dallas Fights Its Waistline' Campaign<br />

Passes Offered by Interstate Houses<br />

In Citywide Weigh-ln Gimmick<br />

Interstate Theatres of Dallas stepped<br />

right into the midst of current events by<br />

putting Its weight of ten theatres t>ehmd<br />

a •Dallas Fights Its Waistline" campaign,<br />

which Is tjelng conducted by the Times-<br />

Herald there. KRLD-TV and the DaUas<br />

County Medical Society,<br />

Dieting and overweight has become a<br />

topic of conversation in this U. S.. which<br />

apparently Is growing in wal.stUnc as well<br />

as in numl)ers—a topic almost as engrossing<br />

as the weather, and special diets, reducing<br />

drugs, get almost as much public<br />

attention as Sputnik and other missiles<br />

When the Tlmos-Herald and KRU3-TV<br />

began receiving more than 1.000 requests<br />

dally for their booklet on reducing diets.<br />

the inventlTe Interstate Theatres promotion<br />

department came up with a gimmick<br />

of Its own to help the popular cause—and<br />

put Its ten local theatres in the campaign<br />

spotlight.<br />

rrs coiNC. gre.\t<br />

"The campaign Is going great m the theatres.<br />

" reports Hal Cheatham of the Interstate<br />

office.<br />

It works something like this (the rules<br />

reprinted herewith expaln It fuUy>: The<br />

set piece shown In the accompanying photo<br />

Is placed near the door of each theatre,<br />

next to It is a set of scales Theatre patrons<br />

are encouraged to weigh themselves.<br />

The poundage Is noted in a notebook at<br />

each theatre Five months afterwards the<br />

same persons drop by the same theatre and<br />

weigh again. The weight Is noted and also<br />

the loss, if any If the loss Is ten pounds or<br />

more, passes are awarded, on the basis of<br />

ten passes IT the "reduction" Is ten pounds,<br />

plus one pass for each pound lost over ten.<br />

Ftor example. U a person shows a loss of 1<br />

pounds, he recelTes 11 passes. If the loss<br />

Is under ten pounds, he Is not eligible<br />

The Times -Herald and the TV sUtlon U<br />

publlcLzins the campaign as a dtywlde<br />

health effort pointing out the dancers of<br />

orerwctght Dozens of clrlc. senrlce and<br />

social clubs are showing the film. The Ordeal<br />

of Thomas Moon." which depicts the<br />

everyday iroublea of an average fat man<br />

Doctors dramatise the prrlU of orerwctght<br />

Many groups of office workers, housewives<br />

and business executives have banded together<br />

In weight-reducing groups. The<br />

Timcs-Hcrald Is mailing a reducing booklet<br />

to all who ask for It.<br />

The IntersUte welgh-ln date expires<br />

March 1; passes are awarded for the specl-<br />

Iied reductions up to five months later.<br />

niE RILES<br />

1 Weigh on the scales placed near the<br />

door of this theatre.<br />

2 Have the doorman or the theatre manager<br />

verify your present weight for the<br />

theatre's records.<br />

3. Return to this theatre not later than<br />

five months after the Initial weighing<br />

and have the weight loss checked and<br />

verified by the theatre manager or the<br />

attendant.<br />

4. To be ehglble to win passes to this theatre,<br />

each person must lose at least ten<br />

pounds.<br />

b. A person losing at least ten pounds will<br />

receive ten passes to this<br />

theatre<br />

6 Pot each pound ovtr ten pounds the<br />

management wUl give you a pass for<br />

each pound lost.<br />

7. Persons may weigh and record their<br />

loss (weight) at any Interstate theatre<br />

In Dallas. Howewr. they ma'«t weigh<br />

and will be eligible for the free posses.<br />

one time only in only one particular<br />

theatre<br />

B This weight loss-fr«e pass offer Is valid<br />

only five months from your first welghln<br />

date<br />

9 The welgh-ln date expires March 1.<br />

1958<br />

10 If m doubt and you are overweight<br />

see your doctor.<br />

Kwoi' Tun* in Bgh Spot<br />

The River Km March-Colonel Bogey"<br />

muMc fmm "The Brldgvon the River Kwal"<br />

has hit the No 1 poalUoo on the Audience<br />

Coverage Index of nost-playcd hinas oa<br />

the radio.<br />

I<br />

JOIN<br />

jttry Rrrnoldt. right, monogcr of Ihc Tovtr<br />

Tkcairt in Dolloi. learnt Iron) Iht Koln tkot<br />

b« mar ho'C to |Oin Kit own companr'l contnt<br />

bting offered in conncio lotn ot Icail ft*<br />

poundt in the neil fi't montkt—o«t patt lor<br />

t'cry pound<br />

Cultivates New Customers<br />

By Appealing to Parents<br />

Joe Pedruccl. manager of the Roxy Theatre.<br />

Springfield. Ill . awarded parents of<br />

the first ten babies twm in 1858 a pair of<br />

theatre tickets which may be used any<br />

lime this year In presenting the tickets.<br />

Pedruccl invited the parenu to enjoy "»<br />

night out at their convenience."<br />

Pednjccl alio made him.vlf and his theatre<br />

popular with parents the Monday before<br />

ChrlsUnas with a baby-sttUng moUnee<br />

fraturlng Walt DWney's •'Dlsneyraina<br />

Tlie iJtUest Outlaw.' Johnny Applesecd'<br />

and eight color cartooru " ThU program<br />

was shown at 1 and 3 30 p.m .%o mothers<br />

could get in the final gift purchases while<br />

Um youngsters were at the theatre<br />

BOXOrnCE Sho duar rtto i. IMS — 25 — 1


A<br />

Oscar Nominees Monday 17th; Other<br />

Exploitable Dates for February<br />

February Is the shortest month in the<br />

year but it Is long In money dates for the<br />

alert showmen.<br />

A little more than two weeks from the<br />

time of this Issue the Academy Award<br />

nominations will be announced, marking<br />

the 30th annual Oscar derby, which will<br />

reach a climax March 26 when the winners<br />

will be announced and the Oscars<br />

presented.<br />

A plan for capitalizing on the nominations<br />

include publicity for the local newspaper.<br />

A personal coll on the editor is In<br />

order so he will be waiting for the prepared<br />

material and be able to make the<br />

early editions. Make sure he knows what<br />

the nominations mean to your theatre and<br />

also to amusement page readers.<br />

Similar calls should be made on the<br />

radio and television editors.<br />

Lobby displays and other promotions<br />

should be ready soon for the nominees.<br />

Other February exploitable dates:<br />

Feb. 9-15. National Boy Scout Week—<br />

week offering excellent opportunity to<br />

build goodwill by reaching the parents<br />

through the boys. Contact local Scout<br />

officials and have them arrange for<br />

troops and packs, in uniform, to show<br />

Sophia Loren Look-Alike<br />

In Lobby for Amateurs<br />

The day after Carol Montour, 110 lbs.,<br />

35-23-35. was chosen as the girl in the<br />

Twin Cities who looks most like Sophia<br />

Loren. in a promotion for "Legend of the<br />

Lost" at the RKO Orpheum in Minneapolis,<br />

the National Camera Exchange there<br />

ran a three-column ad in the Morning<br />

Tribune and the Star, evening paper, inviting<br />

amateur photographers to the Orpheum<br />

lobby to photograph the "Twin<br />

Cities MLss Sophia Loren."<br />

Copy read: "Amateur Photographers:<br />

Big Prizes. Big Thrills photographing tht<br />

glamorous Twin Cities Miss Sophia Loren<br />

. . . Win wonderful prizes, shoot glamorous<br />

photos to your heart's content. Bring your<br />

camera to the lobby of the RKO Orpheum<br />

Theatre where the glamorous queen will<br />

7:45 p.m. . . . Contest<br />

pose for you . . .<br />

gpon.sored by National Camera Exchange."<br />

The ad appeared the day after slde-byaldc<br />

photos of Miss Loren and Miss Montour<br />

appeared In the newspapers, climaxing the<br />

contest.<br />

The Orpheum gave 100 tickets to Stillman's,<br />

new .lupermarket. in return for a<br />

large-space announcement on the film In<br />

a iwge grocery ad.<br />

'Pet' Records to Deejays<br />

Radio dl.'.c JfKkfys the country over arc<br />

receiving from Columbia Records Doris<br />

Day's waxing of the title tunc from<br />

"Teacher's Pet," which Paramount will rcleaae<br />

next «prln


ill<br />

'Slim Carter' Fills<br />

Till in Small Cily<br />

Jack Marshall. mannKrr of the F^uiuo<br />

Tlictttrc In DyersburB. Teiui.. submitu-d Iho<br />

wiimliiK campiviKii in the December showman.shlp<br />

competition of Uie Crrscciu<br />

Amusomtni Co. circuit, whose hcndquuruis<br />

Is at Naahvllle. Tcnn. Sho' Stuff, tiie<br />

Crescent publication, reports Marsttall.<br />

seUUiK "Slim Carter." did 150 per cent of<br />

hU average business.<br />

8U-9(ieet cutouts of Slim and Tim Hovey<br />

were used on a top-of-the-marquee display<br />

with two-foot letters sptUinR out the film<br />

title, illuminated with 65 light bulbs. This<br />

display unit went up three days before<br />

opening.<br />

The street ballyhoo was particularly effective<br />

In Dyersburu. A local six-footer<br />

was dressed as Slim Carter and a very small<br />

boy as Tim Hovey. or Shorty. On the sixfooter's<br />

back was a sign which read. "I<br />

am SUm Carter . . . See me at the Prances<br />

Theatre Sunday. Monday. Tuesday." On<br />

Shorty's back the card read. "I'm Shorty.<br />

I cut "em down to size. Ill be there, too."<br />

These two walked the streets most of<br />

Saturday before the Sunday opening, passing<br />

out heralds on the picture.<br />

Marshall reports the gag was so effective<br />

the patrons expected to see SUm Carter<br />

In person at the theatre.<br />

'Witness' Preview Ads<br />

Start New UA Policy<br />

l:.:' \1 Artists launched in New York Its<br />

new program of off-the-amusement-page<br />

advertising and special previews with an<br />

ad Inviting readers to attend an advance<br />

showing of "Witness for the Prosecution"<br />

at the Astor Theatre on Broadway. The<br />

three-column insertion was headed. "Wanted'<br />

1.080 Witnesses!" The ads ran on page<br />

or 3 ' of the New York Times and In the<br />

2 I<br />

Dally News on the 20th.<br />

Copy asks readers to write to the Astor<br />

for preview tickets and mention cluba.<br />

community groups or other orgtmizatlons<br />

with which they may be affiliated. The preview<br />

campaign Is designed to develop wordof-mouth<br />

support for the film.<br />

Off-the-amusement-page placement of<br />

the preview ads In line with United Artists'<br />

recently announced policy of directing<br />

more and more of lis promotional effort<br />

to segments of the audience that don't regulArty<br />

read the amu.iement page.<br />

The 1.080 scats allocated for the preview<br />

represents almost 90 per cent of the Astor's<br />

full capacity of IJOO.<br />

A co-op ad campaign for "Witness" by<br />

the Inclln-Ator Chair Co. will be kicked off<br />

In eight major magazines. The quarterpage<br />

ad features a scene from the scre«n<br />

version of Agatha Christie's hit play,<br />

sbowlnir co-star Charles I>Auirhtnn riding<br />

•<br />

-Ator Chair. Th' -vt will<br />

:i the February Iss'. ..e and<br />

Garden and the Atlantic Monthly, and<br />

later In the New Yorker. American Home.<br />

House Beautiful, the Christian Herald.<br />

Harper's and the National Oeocraphlc<br />

BOXOmCE ShowmandiMf Peti t. IBM<br />

Matinee Financed by Merchants Fills<br />

Neighborhood Theatre Each Saturday<br />

This i> ticw ol the crowd of youngtlcri,<br />

upper photo, »ho ottcrid free >ho« crery<br />

SoturdoT morning ol the Villa Theotre in<br />

Soil Loke's luburb of Sugar Houic. Adjacent<br />

photo: Dick Frisbcy (left) greett o few of<br />

the youngiteri who regulorly fill the Villo<br />

Theotre to ortf capacity.<br />

Cooperation between a theatre and a<br />

community on children's shows Is paying<br />

off for Dick Prlsbey. manager of the Villa<br />

in Salt Lake's suburb of Sugar House. For<br />

the past three months, the theatre has<br />

been running free shows for children every<br />

Saturday morning. Free tickets art dlstrlbutiil<br />

by ten merchants—a cafe-restaurant,<br />

a lumber company, a plumbing shop,<br />

an egg dealer and several Independent and<br />

chain grocery stores.<br />

The tickets may be used by adults as well<br />

as children. They are given to anyone asking<br />

for them. No purchase Is necessary.<br />

The stores pay the tl2S cost of the fUm<br />

each week.<br />

In consultation with PTA and community<br />

groups, Frisbey hnes up the program<br />

each Saturday morning. The show consUta<br />

of films from the Children's Library<br />

of Motion Pictures — Disney featurrtlcs,<br />

cartoons. "Ma and Pa Kettle" features.<br />

"Francis " shows or similar attractions.<br />

Frtsbcy belleres the protcrmm has attracted<br />

betwprn 20 000 and 30.000 persotu<br />

in the time it has btun running. He has<br />

always had a capacity house. H« aoyi many<br />

Saturdays ha sees a father or mother brlitc<br />

as many as five or six children to the show.<br />

And how does this help the theatre?<br />

Well." Frisbey says. "I believe we are<br />

promoting the movlegolng habit In thousands<br />

of youngsters and I know ws are<br />

— 27 —<br />

getting adult trade for our recular shows<br />

berau.sc I see some come back during the<br />

next week."<br />

Another considerable Item Ls the 1150<br />

to $165 business each Saturday done at<br />

the refreshment stand of the 1,500-Mat<br />

Villa.<br />

Iowa Theatre Provides<br />

Rides for Its Patrons<br />

A new approach to the theatre buslneat<br />

was announced recently in Audubon. Iowa,<br />

when John Rrnflle. owner of the Rom<br />

Theatre, said he will provide transportation<br />

for adults attending movies. Those<br />

wishing rides may call the theatre from<br />

Monday through Friday between 0:30 and<br />

0:45 pjn Rides home will also be provided.


"Closing<br />

Tabloid Herald Does Good Job When It<br />

'Gives News'-An Example From England<br />

PnPkPT -UlLi of the promotion will be pre-<br />

:


.^nd<br />

National Pinup Contest<br />

In Playboy for UA Film<br />

A aaHoi..u t-r.Uit to find Uu- girl of<br />

1958 wlio moat closely rrftrmblrs iht wrllroundrd<br />

ptnup b«auUrs of World War II<br />

hiLs brt'n arrAngvd with Playboy magaxlnr<br />

r of Run Silnu. Run Drancmsler<br />

itnd Clark Qablc.<br />

Rogrr H Lfwis. I'nitrd AriisUi ud-pub-<br />

UcUy director, explained the contest to<br />

find •the girl they left behind" will bring<br />

five regional finalists to Hollywood. The<br />

grand winner will receive a screen test and<br />

a contract with Hecht-HiU-Lancaster<br />

Details of the promotion will be presented<br />

m a two-page spread in the Pi-bruary<br />

Issue of Playboy.<br />

The panel of judges Includes producer<br />

Harold Hecht. Rita Hayworth. columnist<br />

Earl Wilson, artist FYita Willis, who created<br />

the pin-up used in Uie film, and HuKh<br />

M Hefner, editor-publisher of Playboy<br />

Any girl In the U. S. Is eligible and may<br />

enter by submitting a photograph of herself<br />

In a pinup pose. Entries should be<br />

mailed on or before March IS to Hecht-<br />

HlU-LAncaster. 'The Girl They Left Behind"<br />

Contest. 202 North Canon Drive.<br />

Beverly HllU. CalU.<br />

Teenage Bandstand Above Theatre; Its<br />

Combos Fill<br />

House Four Nights<br />

Sells 'Ski Crazy' Short<br />

For Fine 4-Day Gross<br />

Here s what one manngpr, just one manager,<br />

did with "Sid Craw" a short subject<br />

for a nice four-day gross. He's Chuck<br />

KroU. Cooper Foundation Theatres showman<br />

In Lincoln. Neb. He reports:<br />

"Mailing pieces on "Ski Crazy' were sent<br />

to Pikes Peak Ski Club members. Sno Jets<br />

Club. Pine Arts members and all Ski clubs<br />

In the sUte. total of<br />

1.028 In all were sent.<br />

•Pike's Peak Ski Club announced at their<br />

meeting the playdates. also posted posters<br />

at the college. 100 11x14 window cards<br />

were distributed In windows, ski shops and<br />

hardware stores. Leaflets were passed out<br />

after school at the main high school.<br />

KRDO played the 'Ski Crazy' album and<br />

plugged the picture two days. Special<br />

40x608 were made up using the one-she«t«<br />

on "Ski Cnuor.'<br />

'Leaflets were passed out two weekends<br />

at the Pikes Peak Toll Gate and one she«ts<br />

were posted at the snack bar' on Pike's<br />

Pvak skiing area."<br />

Jimmy Fidler Contest<br />

Good for Extra Cash<br />

A Jimmy Fldlcr contest, promoted on a<br />

local radio station, was good for some extra<br />

r*- venue at the Cmpltnl Theatre In<br />

Madlsonvtlle. Ky James McI


BOXOFFICE<br />

BAROMETER<br />

Thif ctiort recordl the pcrformanc* of current attractioni in the opening week of iheir tirit runi in<br />

fht 20 key citiei checked. Picture! with fewer than five engagement! ore not listed. Ai new rum<br />

ore reported, rating! are added and average! revised Computation is in terms of percentage in<br />

relation to normal grosses o! determined by the theatre managers With 100 per cent as "normal,"<br />

the figures show the gross rating above or below that mark.<br />

(Asterisk * denotes combination bills.)<br />

.rrsassssrss;<br />

Tssm^s^sssr^^a^XEssssKsnrsRsa^^<br />

•Abominable Snowman, The (20th-Pox) 100 80 200 100 95 100 75 100 80 50 80 85 80<br />

April Lore i20th-Fox)<br />

200 125 150 190 140 150 140 133 250 225 80 250 110 140 120 125 250 125<br />

BiUsy Face Nelson (UA)


Am tNl««»r«f«ll«« analvtl* •# Mv ••« r««4«*r*«« f«vi««ft. fk* #!«• ca^ mMM- .<br />

4*«»« •» ii««ill I.Ull>«i »> cv>t«>ii r«.M>a, a»«al«4 rv«aMr«i TkM «•••»••>< x^tm<br />

o » «l an AirMAtlTICAl INDIX !• •••l»i« i«i«a.«, tok^ \J «*imi«< lOlOMicI<br />

• Im llkbon Axfd WioiM' fhaioftapkf -i C*>«f. C C'»««»»


6V<br />

Pan<br />

1<br />

REVIEW DIGEST Very Good, Good. Fail Poor. Vrrv Poor tn the jummorv n rated 2 plusd, 0\ 2 mmuici<br />

11<br />

£ '<br />

3<br />

^160 OKiu TbM I* Ht (101) O Cm. 20-Fai U- 9-S7 -f<br />

nn lUi tl Vfiit«ann (73) Mnitn WB t-lT'ST ±<br />

2iaSOlM> T ri>tr. nt<br />

(941 C Rcanlic Cmitdir U-l<br />

7107 laix UntnoOT. Th« (7B) C A^V "'*<br />

JlsaoiX"^ of (hi Lnl<br />

(109) T Atfiarlivt Oriai U*<br />

2'. l.-.Un Cirit (114) C Mui'Coia UGM<br />

2.-: '.Lilt Bt Huar (93) C Con/Min. AA<br />

?l'wL.nj Hiul. nil (B8) Action Or. Cal<br />

21'. .Lnt SItin ol trie Aauani<br />

(81) Aditnluri Dilau . U-l<br />

2124 Olnt UttHT. Tki (82) Coa. Cant'l<br />

2097 le>


nm» tt In M'oOkMaL O


.<br />

.<br />

Doc)<br />

.My.<br />

SF.<br />

Doc.<br />

Red<br />

©<br />

Th« hey lo (•ttcrt and combinoftont fh«r«ot tnduoting ttorv typ*. (Adi Adv«ntur« Oromo; (Ac) Action<br />

FEATURE CHART Ofoma; (An' Animotad-Action; \C' Comtdy; CO Comcdv-Droma; (Cr) Crime Dromo; (DM) Dramo<br />

wtth Mutic; I Oocumtntorv; D Dromo; F Fontoty; iFCi force -Comady; (Ho) Horror Dromo; (HI)<br />

Hiitoricol Dromo; iM Muiicol; Myi Mystery; 00' Oi'tdoor Dromo; (SF) Science- Fiction; (W) Weitem.<br />

RANK i X.<br />

REPUBLIC<br />

20TH-FOX<br />

UNITED ARTISTS g gg<br />

UNIVERSAL-INT L<br />

id<br />

>-<br />

<<br />

s<br />

,1t Thi Miapon (80) Ac 5611<br />

8tctarcla Mean<br />

OThe Rciless Breed (81) W 718-7<br />

Rrull Rrad). Anne lUnrroft<br />

Way lo the Gold (95) « Ad .717-9<br />

Hlirrre North. Jeffrey Hunter<br />

China Gate (96) NjiJit. Cornell Borchen.<br />

Mirhol Ray<br />

Touch of Eril (113) D. SS15<br />

rhailion Hnton. JanH Leigh. Or-<br />

Kin Weliti<br />

L<br />

10 POXnrriCE BookinGuiHo Fib 3 1968


Ma<br />

riM k«i I* l«tt«ri an^ f anklnallaat lk«M«l b>4ta«ltot »'—y ftp*' tA4l *«*wMara 0««a>«, IA«I<br />

Or«a>«: Am AnlmOad-Adlaa. ,C< C««


Sep<br />

Nov<br />

.<br />

I<br />

Jan<br />

.<br />

. .<br />

Feb<br />

^HORTS CHART<br />

Short<br />

lubixti, lti»»d by comi.onr. In ord«r ot r«l*m<br />

WALT DISNEV CLASSICS<br />

(Technicolor Rcilluet)<br />

74111 Ounbfll ol Ihc Yukon<br />

(7) M»r57<br />

74112 B«n< Trouble (9) Hv 57<br />

74HJ WInde. CltJ-ir-i (P ,)<br />

COLUMBIA<br />

ASSOHTtD<br />

FAVORITES<br />

(Trchnlcolor)<br />

2ed (8) Sep 57 ...<br />

W-962 Jerry and the<br />

Lion (7) Sep 57 ...<br />

W-963 Goldilocks ud the<br />

Ihiee Bears (11).. Oct 57<br />

W-964 Texas Tom (7) Not 57<br />

W-965 The Fishing Bear (8) Nov 57<br />

A-966 Tom & Jerry in the Holly-<br />

.<br />

..Oec57 ....<br />

wood Bool (7) .<br />

w-967 The Milky Way (8) Jan 58<br />

W-968 The Midnight Snack<br />

(9) Jan 58<br />

W-%9 Cock-a-Doodle<br />

Dog (7) Feb 58<br />

W-970 Casanova Cat (7) ..Mar 58<br />

W-971 Daredevil Droopy (6) Mar 58<br />

W-972 Jerry and the<br />

Goldfish (7) ... Apr 58<br />

W-973 D'ooiiy's Good<br />

Deed (7) May 58<br />

W-974 Jerry s Cousin (7) May 58<br />

W-975 Symplwny in<br />

Slang (7) Jun 58<br />

W-976 Sleepy-Time Tom (7) Jul 58 ..<br />

W-977 His Mouse Friday (7) Jul 58<br />

W-97g Puss 'N' Tools (7) Aug 58<br />

PARAMOUNT<br />

CARTOON CHAMPIONS<br />

(Technicolor Reissues)<br />

S171 Deep Boo Sea (7) Sep 57<br />

S17-2 Spunky Skunky (7) Sep 57<br />

S17-3Cat-Choo (7) Sep 57<br />

S17-4 Audrey the Rainmaker<br />

(8) Sep 57<br />

S17-5Cat Tamale (7) ...Sep 57<br />

517-6 By Leaps &<br />

Hounds (8) Sep 57<br />

S17-7 Scout Fellow (8) Sap 57<br />

S17-g Cat Carson Rides<br />

Again (7) Set 57<br />

S17-9 The Awful Tooth (7) Sep 57<br />

S17-10Law & Audrey (7) Sep 57<br />

S17-11 City Kitty (7) Sep 57<br />

517-12 Clown on the Farm<br />

(7) Sep 57<br />

CASPER CARTOONS<br />

(Technicolor)<br />

.<br />

E116-3 Hooky Scooky (6) Mar 57 -f<br />

B16 4 Peekaboo (6) May 57 4<br />

BIG'S Ghent of Honor (6) Jul 57<br />

B16-6 Ice Scream (6) Aug 57<br />

(1957-58)<br />

B17 IBoo Bop (7) 57<br />

B17 2 Heir Restorer (6) Jan 58<br />

BI7 3 Spook and Span (6) Feb 58<br />

HERMAN k KATNIP<br />

(Technicolor Carlttns)<br />

1116-3 Sky Scrappers (6) Jun 57 «<br />

H16'4 From Mad to Worse<br />

Aug 57<br />

(6) .<br />

(1957-58)<br />

H17 1 One Funny Knight<br />

(6) Nor 57<br />

H17-2 Frighly Cat (6) Mar 58<br />

NOVELTOONS<br />

( Technicolor)<br />

P16 4 Fishing Tackier (6) Mar 57 It<br />

P16-S Mr Money Ghs (7) Jun 57 H<br />

P16 6l'Aaiour the Merrier<br />

(7) Jul 57 ^<br />

(1957-58)<br />

P17-I PttsuH Psvl (6) Sap 57<br />

P17 2 Jumping With Toy (6) Oct 57<br />

CO I' £a<br />

6- 8<br />

6-29<br />

11-23<br />

6- 8<br />

6-29<br />

11-2)<br />

P17-3 Jolly the Cloon (6) Oct 57<br />

P17-J Cock-B-Doodle Dino<br />

S'S 'a C'S I<br />

iO OC K O C<br />

.<br />

.<br />

(6) Ok 57<br />

P17'5 Dante Dreamer (6) Jan 58 ...<br />

P17-7 Grateful Gus ) Mar 58<br />

(<br />

POPEYE CARTOONS<br />

(TKhnicolor)<br />

E16-5 The Crystal Brawl (6) Apr 57 + 6-29<br />

E16-6 Patriotic Popeye (8) May 57 4 6-29<br />

E16'7 Spree Lunch (6) Jun 57 44 11-23<br />

POPEYE CHAMPIONS<br />

E17-1 Tops in the Big Top<br />

(6) Set 57<br />

E17-2Wotta Knight (7) Sep 57<br />

E17-3Tar With a Star (7) Sep 57 ...<br />

E17 4 How Green Was My<br />

Ssinach (7) Sep 57 ....<br />

E17-5 Fistic Mystic (7) Sep 57<br />

E17-6Salari So Good (7) Sep 57<br />

E17-7 Baiking Dogs Don t<br />

File (7) Sep 57<br />

E17-8 Baby Wants Spinach<br />

(7) Sep 57<br />

20th CENTURY-FOX<br />

MOVIETONE CINEMASCOPES<br />

(Color as Indicated)<br />

7703 2 Future Baseball<br />

Champs (7) Mar 57 4 7-27<br />

7704-0 OBIuetin Fury (8). Apr 57<br />

.<br />

7705-7 laOrient Express It<br />

May 57 ...<br />

Hong Kong (9) . . .<br />

7706-5 OGuardians of the<br />

North (8) Jun 57<br />

7707-3 OTempo ol Tomorrow<br />

(9) Jul 57<br />

7708- 1 OSwamp Boat Sports<br />

(9) Aug 57<br />

7709-9 ©Midway Medley<br />

(8) Sep 57<br />

7710-7 OJoufney Thru Ceylon<br />

(9) Oct 57<br />

7711-5 ©Trotters and Ptcers<br />

(9) Nov 57<br />

7712-3 ©Legend ol the Orient<br />

(9) D« 57 ....<br />

(1957-58)<br />

7S01-4 High Divers and Dolls<br />

(7) Jan 58<br />

7802-2 The Jumping Horsa<br />

(9) Feb 58<br />

7803-0 Wild Race (or Glory<br />

(..) Mar 58<br />

7804-8 Transcontinental<br />

(10) Apr 58<br />

MOVIETONE SPECIAL<br />

7805-5 Queen Elizabeth Hailed by<br />

U. S. and Canada<br />

(15) Jan 58 ....<br />

TERRYTOONS<br />

(Technicolor)<br />

5733-1 Phoney Baloney in African<br />

Jungle Hunt (/) . Mar 57 4 7-27<br />

5734-9 Dimwit in Daddy's<br />

Little Darling (7). Apr 57<br />

5735 6 Love Is Blind (7) May 57<br />

(1957-58)<br />

5S01-6 Clint Clobber in Springtime<br />

lor Clobber (7). . 58<br />

5802-4 Dinky In It's a Living<br />

(7) Feb 58<br />

5803-2 Gaston Le Grayon in Gaston's<br />

Baby (7) . Mar 58<br />

58040 The Juggler ol Our Lady<br />

(9) Apr 58<br />

TERRYTOON TOPPERS<br />

(Technicolor Reissues)<br />

5736-4 Mighty Mouse in Beauly<br />

On the Beach (7) . Jun 57 ....<br />

5737-2 Dingbat In All This and<br />

Rabbit Stew (7). Jul 57<br />

5738 Bearer Trouble (7) Aug 57<br />

5739-8 Mighty Mouse in Goons From<br />

Sep 57<br />

the Moon (7)<br />

. .<br />

5740-6 Nulsy in Squiml<br />

Crajy (7) Oct 57<br />

5741-4 Helpful Genl (7) Nov 57<br />

5742-2 Mighty Mouse In Injun<br />

Trouble (71 Dk 57<br />

(1957-58)<br />

r831'3 Mighty Mouse In Witch's<br />

Cat (7) Jan 58<br />

5832-1 Woodman Srare That TrK<br />

(7) Feb 58<br />

5833-9 Mighty Mouse In Mysterious<br />

Stranger (7) Mar 58 .<br />

5834 7 Heckle and Jeckle in Happy<br />

Landing (7) . Apr 58<br />

TERRYTOON-CINEMASCOPES<br />

(Technicolor)<br />

S703-4 Beefy in a Bum Steer<br />

(7) Mar 57<br />

5704-2 Sniffer In the Bone<br />

Ranger (7) Apr 57 .<br />

5705-9 Gallon Is Hera (7) May 57 ..<br />

5706-7 John Dormat In Shove<br />

Thy Neighbor (7) Jun 57<br />

5707-5 Clint Clobbrr's Cat<br />

(7) Jul 57<br />

5708-3 riebus (7) Aug 57<br />

UNIVERSAL-INTERNATIONAL<br />

COLOR PARAUt<br />

Vi74 Junior Jaaborae (91 Mar 57 « 4-13<br />

3675 Crossroads of Ihc<br />

Ages (9) Mar 57 4 4-U<br />

3676 Tlie Lion Dancers (8)<br />

- Jul 57<br />

3o77 Hurray All Boats (9) Sep 57 4 7-27<br />

3678 A drirf Case (9) Oct 57 4 B-10<br />

MUSICAL FEATUHETTES<br />

3655 Swinging' and<br />

Singin' (15) Mar 57<br />

3656 Riot in Rhythm (16) Apr 57 4 8-10<br />

3657 Dance Demons (14) .May57 4 8-10<br />

3658 The Goofers (16) Jun 57 4 8-10<br />

3659 The Elgart Touch (15) Jul 57 4 7-27<br />

SPECIAL (Two Reel)<br />

3601 ©Song ol the Crape<br />

(20) Mar 57 H 4-13<br />

VARIETY VIEWS<br />

3692 Monkeys Are the<br />

Craiiest (9) Mar 57 4-13<br />

3693 Bears Go Rural (9) Apr 57 4 5-11<br />

3694 Brooklyn Visits Detroit<br />

(9) May 57 4 4-U<br />

3695 Your Zoo (9) Jun 57 4 7-27<br />

WALTER LANTZ CARIUNtS<br />

(TKhnicolor)<br />

3614 Plumber ol Seville


Sun.<br />

:<br />

;. M.<br />

ALLIED ARTISTS<br />

KriciiUI) l'rr\UA.\loii (AA)—<br />

Oary Cooper. Dorothy McOulrr.<br />

M«rJorlc Mnln PlMycd this one<br />

for ThimkaKlvlnic and couldn't<br />

hikvr made • brttrr choice Many<br />

fine comnienLs from our iwtroius<br />

cooper wa.1 terrific If you<br />

h»ven"t played It. you're mLislnt:<br />

jomrthltiR Played Wed . Thurs.<br />

Weutiitr Pair— A'. Madril, La-<br />

PUm Theatre, Antonlto. Colo.<br />

Pop. 1J55<br />

Lct'a Be Happy (AAi—Tony<br />

Martin. Vera-Ellen. Robert Flemyng<br />

If we had Kl\°en this one a<br />

d«v«"nt chance. I hone.slly U»lnk It<br />

would have come through, but<br />

since we played It Just before<br />

Christmas It did not do us any<br />

good. The picture U worth (rood<br />

playing time. Played Wed.-Sat<br />

Weather Cold — Harold Bell.<br />

Opera House. Ooatlcook. Que.<br />

Pop 8.341<br />

Net of This Earth «AA)—Paul<br />

Birch. Be%-orly Garland. Morgan<br />

Jones. Doubled this with "La5t of<br />

the Badmen." This is quite a<br />

hair-raiser. Will scare the kids<br />

and drive them out to the lobby<br />

to hide under the manager's wing<br />

Played Frl . Sat. Weather: Pair.—<br />

Michael Chiaventone. Valley<br />

Theatre. Spring Valley. 111. Pop.<br />

5.123.<br />

Spook Chasers (AA>— Huntz<br />

Hall. Stanley Clements. Darlene<br />

Fields. Whafs left of the Bower>-<br />

Boys is still good for a lot of<br />

laughs from the smallfry. but<br />

they only pay 15 cents to get in.<br />

Big kid business, but not enough<br />

money in the bank. Played FTl..<br />

Sat . Weather Pair —Michael<br />

Chiaventone. Valley Theatre.<br />

Spring Valley, ni Pop 5.123.<br />

Top of the World (AA)—Dale<br />

Robertson. Evelyn Keyea. Frank<br />

Lorejoy. Played this as lower<br />

half of double bill. Came home<br />

and found the family watching<br />

the same (Urn on TV as a late.<br />

late show. Just how bad can It<br />

get? Again the mercenary attitude<br />

of the dlstrlt>utor Is cutting<br />

our throats. Played Frl. Sat<br />

Weather: Clear and cold.—Duane<br />

BDlckson. Park Theatre. Wauloma.<br />

Wis Pop 1J70<br />

COLUMBIA<br />

Jeanne Eaxels iCoI> — Kim Novak.<br />

Jeff Chandler. Agnes Moorebead.<br />

We had tome extra adult<br />

trade on this one. which was<br />

larprlslng. The kids and teener*<br />

woodered who Mis* Eagela was.<br />

Played Sun. Weather: Snow.—<br />

Michael Chiaventone. Valley<br />

Theatre. Spring Valley, ni. Pop.<br />

SJ33<br />

Jaaaae Eagcto 'CoD—Kim Novak.<br />

Jeff Chandler. Agnea Moorebead.<br />

A really good abow. but<br />

anmebody goofed again and forgot<br />

to nut this in color With a<br />

background. It would<br />

.'^avc Improved It a lot<br />

^!> >u,Uun.i are beginning to oompl.\:n<br />

about the lack of color In<br />

product being released. I believe<br />

that when color Is left out of a<br />

picture It not only hurt« that<br />

picture, but the Industry as a<br />

whole If It Is In black and white,<br />

they are not Imprened enough lo<br />

come back again soon. Played<br />

-iHw^wa<br />

Sun. Mon Weather Oood - b<br />

Bertflund. Trail Theatre. New<br />

Town N I) pop ijoo<br />

Top Combo<br />

DoiiMril 'Molorryrlr flmic**<br />

iind "SiiriM-Uy (Url" anil bii»lnr^nwlir.<br />

It l« nnr f (hr brat<br />

ronibliu(liiii.n I'Tr plavrd. The<br />

tM-nagm r:uiie In Urge number*.<br />

Thr i\>y% went for "Gang"<br />

and thr guN went fnr "- ! Orpheum<br />

The*tre, — .'-i .<br />

Minn<br />

Pop 390.<br />

JailhOM* Bock 'MOM)—DvU<br />

Presley. Judy Tyler. Mickey<br />

Shaughneaay. Pra^ may be<br />

packing 'em In. bat this la not<br />

the pla'- nnpmaSeape tn black<br />

rid «: ^'irth It Played<br />

Wed. i .--ather: Soow.—<br />

Michael Cluavcotone. Valley<br />

Theatre. Spring Valley. lU Pop<br />

3.123<br />

IJlUr Hat, The fMOM)—A»»<br />

:S.<br />

XHIBITOR HAS HIS SAY<br />

I larfiiirr I f.w ifi .s<br />

.<br />

Granger Thin l* a<br />

in t>ar».^ i-'' >"''<br />

on<br />

uiulrr-.'.i!;<br />

!h<br />

••.. 'iry<br />

: v.'l.l<br />

- - \:<br />

Very guud MiiU the ikltuu U very<br />

funny In place* Thl" plrtiire I*<br />

I'...' t.»ir bent I havr it's<br />

.•r'.iinly not the » It<br />

I- ,1 ri- -A.'l.ir V"ll '..i.;.,,<br />

v' .-..i!; W.-.i'.h. r<br />

lUiry lIuAkliiiFoii. Orpluu... ;.,i<br />

atre, MarleUa, Minn. Pop 380<br />

PARAMOUNT<br />

Funny l-are !'i-.i Auilrry<br />

Hepburn. Fred A ' i:re, Kay<br />

Tti riipson Till. Hf'uh Avenue"<br />

]''.• : ire Is poLson for .small towns.<br />

W::: .uinii'. It has t>eautlful color<br />

.! ! M;.ry in VlstaVlslon By<br />

:;ii' ii:i;i- '.he last show .ilarted we<br />

had three left In the audience.<br />

Played Sun Weather Nice —<br />

Michael Chiaventone, Valley<br />

Theatre. Spring Valley. Ill Pop<br />

5.123<br />

Loving Yoa (Para)—Elvis Presley.<br />

Uzabeth Scott. Wendell<br />

Corey. Started this on Christmas<br />

night to excellent buslnes.-! Picture<br />

finished okay. Presley does<br />

a better job In thLt picture than<br />

he did in his first one He U<br />

boxoffice Played Wed. Thurs..<br />

Frl Weather: Good —Mel Danner.<br />

Circle Theatre. Waynoka.<br />

Okla Pop. 2.018.<br />

Trail of the Lonesome PInr.<br />

The (Para)—Reissue. Sylvia Sidney.<br />

Fred MacMurray. Henry<br />

Fonda. And the producer wants<br />

to sell these "hits" to TV. We<br />

played this during Christmas<br />

slump, a snowstorm aixd below<br />

sero weather to the l)est two-day<br />

gross (Weekend) In December.<br />

outgTOsslng .Mich current product<br />

as "3 10 lo Yuma." "Julie" and<br />

"The Young Don't Cry " Let's be<br />

smart and let TV produce Its<br />

own and give the new crop of<br />

patrons the hits on the theatre<br />

screen. Played Frl. Sat.<br />

Weather: Cold— Ken Chrlstlan-<br />

•wn. Roxy Theatre. Washburn.<br />

N D Pop 913<br />

REPUBLIC<br />

Raiders of Old rallfomU<br />

( Rep > -Jim Davis. Arleen Whelan.<br />

Faron Young. Tried a double-bill<br />

on Friday-Saturday<br />

with "The Buster Keaton Story"<br />

to no extra business. Both were<br />

tn black and white and nothing<br />

to get excited about Howertr, I<br />

think 'RAlders- wUl do very well<br />

in most small towns if they wUl<br />

play up Marty Robblns and Faron<br />

Young, who appear In the picture<br />

I got maascd up on my advert<br />

t^lng and lost a chance to do<br />

above average burtne— . "Buster<br />

Keaton" Is a cooMdy With the<br />

laughs too few and far between<br />

It featured the "troutries" side of<br />

his life and not the funny side.<br />

A mMake. PUycd TtX.. 9»X,<br />

WmUmt: Pair and cool—Victor<br />

Weber. Center Theatr*. Kenaett,<br />

Ark^ Pop xaao.<br />

ca n ial. !«. (Rep)—Robert<br />

KHUoo. Patricia Wright. Paul<br />

Rleli*rdiL X le* DO way that ihu<br />

can baip anybody The few that<br />

ABOUT PICTURES<br />

o:d<br />

r Uiyrtl '<br />

Ain'.<br />

20fh<br />

11<br />

A House, coaticook.<br />

CENTURY FOX<br />

Bernarillnr L'u'l; I', x Put<br />

BtMjne. T' I<br />

.r Ji>n


'<br />

'<br />

! This<br />

•<br />

Knillle<br />

.<br />

'"'<br />

EXHIBITOR HAS HIS SAY FOREIGN FEATURES.<br />

'OontlnuFd from preceding pare)<br />

atre, Rod Wing. Minn. Pop<br />

I0.645<br />

True Story of Jexte James, The<br />

' '- -• WriRner. Jef-<br />

Mcxirrhead.<br />

.1 of James<br />

time<br />

il with Bob<br />

n the box-<br />

The kids ate<br />

It uj), liul Uitrc weren't enough<br />

here f"r dinner Plnycd Sun.,<br />

Mon V my.— A. Madrll,<br />

I re, Antonlto.<br />

Colo ii);i i .Da<br />

UNITED ARTISTS<br />

Men in War (UA^ — Robert<br />

Ryan, Aldo Ray, Robert Keith.<br />

Was hoping for another "Attack!"<br />

but I did not get h. As for<br />

a war movie, we found it very<br />

slow moving. Plaved Wed.-Sat.<br />

Weather: Cold. — Harold Bell.<br />

Opera House, Coatlcook. Que.<br />

Pop 6.341<br />

Time Limit (VAt — Richard<br />

Wid.ai.Trk. Richard Basehart,<br />

June Lockhart. Good show that<br />

did only average business. Played<br />

Sun. Mon.. T^ies.—Jim Fraser,<br />

Auditorium Theatre. Red Wing.<br />

Minn. Pop. 10.645.<br />

Trapeie (UA»—Burt Lancaster.<br />

Glna Lollobricida, Tony Curtis.<br />

Old and last to play, but a good<br />

circus picture always does business.<br />

We were .satisfied, but the<br />

"B" rating kept it from being a<br />

solid grosser. This "B" rating Is<br />

.•itartlng to tell here. Results of<br />

"Baby Doll" publicity. I suppose.<br />

We never played It. Sure "smart."<br />

Played Sun. Mon. Weather:<br />

Springlike.—Ken Christiansen.<br />

Roxy Theatre. Washburn. N. D.<br />

Pop. 913.<br />

UNIVERSAL-INTERNAT'L<br />

Everything But the Truth<br />

lU-Ii Maureen OTIara, John<br />

Forsythe, Tim Hovey. Very good<br />

little comedy with Tim Hovey<br />

giving a great performance and<br />

all the rest of the cast living<br />

up to their good reputation.<br />

Evryone .seemed to enjoy the<br />

picf ire, ax well as yours truly.<br />

A ?:trong average crowd both<br />

nliht.s Plnycd FrI , Sat. Weather:<br />

Good — F. L. Murray. Strand Theatre,<br />

Splrltwood. Sask. Pop. 355<br />

Night Pamage fU-Ii—Jame.Iib«<br />

Hit E«»lltncy (84) 4-28-56<br />

(Ilrmnnl l>lf I'ortmmn. CkD Purtrt<br />

OKId tor Two Fatlhlnoi. A l>rTtl OIU Jolimon. llUni IViri<br />

OMikt Ml in OftK p-<br />

Three Feet in a Bed (78)<br />

(J mini Fernandel. Geilnalne Monler»<br />

Virtuous Scoundrel, The (90)<br />

i/,.n,tlii Michel BInon. Marrierlle Pleio<br />

Ae Are All Murdtfcrt (IIS) 2-16-ST<br />

(Klnt^le)) Marcel Mouloudjl. lUyaaond P«4<br />

li-gi In<br />

Winner's Circle (88)<br />

(Janu«i . Jean Cartller. Paul Frankeur<br />

GERMANY<br />

Cabaret (104) 12-21-57<br />

(lULiri. I'aul Henreid. Bit Kerblcr<br />

Oevirs General. The (120) 9-a-57<br />

(I>CA| Curt Jurgem, Marianne Cook<br />

Last Bridge, The (90)<br />

(I'nI.in). Maria Schell, Bemlurd \Tlckl<br />

last Ten Days, The (113) 5-12-56<br />

(Col Infl) Albln Bkoda. Uotte TWneeh<br />

.<br />

GREECE<br />

Bed of Grass (92) 12-7-57<br />

(Tran--L'HI ..Anna Branou. Mike NKhoU<br />

Stella (93) 10- 5-57<br />

(Uiiriim) Mellna Mercouri. Gesrtei Fmmlas<br />

.<br />

ITALY<br />

Cabiria (110)<br />

lU.peri) . Glulleiu Mastna. Francois Perler<br />

ODon Giovanni (157) 6- 1-57<br />

(HC.M Cr^are BlepI, Lla* Delia Caa*<br />

Gold of Naples (107) 4-13-57<br />

I ICA). Sophia Loren, Vlttorlo de Blea<br />

(<br />

OMouse of Ricordi (112) 6-30-56<br />

IMinsnn). Paolo Bloppa, Marta Toren<br />

La Strada (US) 11- 3-56<br />

ITraiis-Uii) . .Anibony Qulno. QluUetta<br />

Mi-liia. lilrhard Basehart<br />

(Fncllsh dubbed terslon alw available)<br />

OMiller's Beautiful Wift,<br />

The (92) © 9-28-57<br />

IIX'AI. Sophia Loren. Vlttorlo de BIca M<br />

Return of Don Camillo (110) 7- 7-56 V<br />

(IKi:-SIi) . .Fernandel. GIno Cervl<br />

ORi'iera (88) U-10-S6<br />

lll'E-Sltl Martlne Carol. Baf Vallooe<br />

2Sins of Casanova (104)<br />

(Times) . Gabilele FenelU. Corlnne Calvet<br />

Too Bad She's Bad (95) 1-21-56<br />

(ilria Klii(>ic;l . .Bo|ihla Loren. V. de flea<br />

Umbeito 0. (89) 12-3155<br />

(FaI;> Harrison). C. Battbta. M Ca.hlrn Mlftine. K Tarhlgiita<br />

OYant Kwti Pel (95) 11-17-56<br />

(Ruena Vltlal Marhlko Kyo, M Mori<br />

MEXICO<br />

Roots, The (93)<br />

(llarvLwnl Alicia Del taito, Carlos RoMea<br />

(ill<br />

RUSSIA<br />

ORcmro and Juliet Ballet (961 9 1-S6<br />

(Tnhan' Gallna I'lanova. Tori Bidamn<br />

SPAIN<br />

Fidra. tN DnlPi Daughter (102) ,<br />

(Tlmev) Kami Penella, Vlneente Parra #<br />

Marcelino (901 .<br />

. 8-31-57 ^<br />

(I'MPni Pabllio Cairo. Rafael Rivellai<br />

SWEDEN<br />

Naked Nlghl, The (821 7-21-56<br />

(Tlmrvi Harriet Andrrtaon, Ake Oroeol>ert<br />

Time of Desire. The (81 ><br />

(JanuO Baibro Laruon. Margarrtha l«>ler<br />

YUGOSLAVIA<br />

Legends tf Anika (15)<br />

(Grand Priae) . .MUina Dapesetc B (MMa<br />

14 BOXOmCE BookinGuld* Pf* S. 1«MI


•<br />

'<br />

adds<br />

rather<br />

'<br />

ng<br />

...<br />

'<br />

Opinions on Current Productions<br />

^EATURE REVIEWS<br />

|f>ll e ««—tw Mi*t »Mt«tK»l>T; C CM«ii*t«*»«i T VlilaVMwtj t ta»n. >•• r«««r>« (Id*<br />

The Sfory o/ Vfcfc/e<br />

lltirni \ ivi.i los Mintitm KrI. Frb. 'SI<br />

•f Homy<br />

'hr lulr<br />

roic ai -<br />

!'!\<br />

dubbrd ;<br />

Victoria<br />

-.1<br />

•troni; .><br />

not add<br />

tlnd ih.<br />

U strtT.<br />

r«c(cd b<br />

thlA Is UvkIacrnn Koulcer. Krn Miller, .Suvtn r.>«ter<br />

n 1<br />

The Quiet American<br />

I iillnl \rlUU iMWI I'" MIniilM<br />

(irahuiii llreriie's<br />

Amerlrnn In Iheme. ><br />

irri-i'M.v (iui:"i; j).i.v.'.i.<br />

turr .1 uction content ^<br />

tale but one whir'- •• i.e headed<br />

by Ulorgia M .< and dignified performance<br />

a.s PhuonK. the lovely native girl who Is romantically<br />

Involved with both the American and the E^ngllshman, and<br />

Kerlma. who stand out In a bit role. The Chinese New<br />

Year .scenes are colorful. A FlKuro production<br />

\udle MurphT. Mlrhjiel ltedfr.-iTe. Claude Dauphin,<br />

(iioricla Moll. Bruce Cabot. Kerlma. KIrhard Loo.<br />

Oregon Passage F ^^i*l<br />

e<br />

Wnltni<br />

Allied .\rtists ij::!7i R2 .Minute* Rel. Dec. 29. "57<br />

There i.s sufficient of Injun fighting, action, gore and<br />

other standard western Ingredients to sate the desires of the<br />

most devoted dl.sclples of celluloid a-la sagebrush. Spectators<br />

of more general and somewhat discriminating tastes may<br />

be critical becaase the historical facts upon which the story<br />

predicated were used as merely a thread upon which are<br />

is<br />

loosely strung a collection of formula situations that have<br />

been found In Cavalry-"n'-Indlan pictures ever since the<br />

'<br />

:<br />

day when Bill Hart hoisted a leg over a cayuse. But those<br />

objections should l>e considerably a-vsuaged because the feature<br />

Ls filmed In Cinemascope and De Luxe Color to accord<br />

it an aura of opulence and to accentuate the scenic beauties<br />

of the Oregon locations against which It was photographed.<br />

So, the picture stacks up as a promising booking for the<br />

double bills—to go topside where galloper fare Is generously<br />

patronized or to serve as a strong .supiwrter cLsewhcre. The<br />

two top names should be of value. In addition to process and<br />

color, in mr the bill. Considering that they ar«<br />

geared to than hLstrlonlc finesse, performances,<br />

direction of Paul Landers, are generally<br />

u..... i<br />

..,.<br />

satisfactory while producer Llndsley Parson's mount-<br />

ings are expectedlv lm!ires.sive<br />

John Kricson. I./ila Albrljht. Tonl Gerry. F.dward Plait,<br />

Judith Vmrs. II M. Wiii.int. Jon Shepodd.<br />

o<br />

Razzia<br />

Kas^lrr ( llnvt<br />

in-, Minute<br />

A grtmly-r'<br />

Uonal traff:<br />

patrons revr<br />

dlen. p.-os'.r .<br />

spou of Par;.- L-Hs<br />

(Um of 1»S« thU Is<br />

adults only Jea:.<br />

Full" and a doirr.<br />

NocJ. who SCO— ><br />

art bouses. 1<br />

that the U."^ :<br />

•tract lU agents<br />

«pln;»e cs>uatturalnl<br />

Ma.<br />

e f)1m biillds a' n<br />

excU:r.k- Ajiu ..i::r.<br />

to permit sentin,-<br />

•sccUent tn his fam::<br />

tffKttvdr suppUM th'<br />

mirtnta Another (an<br />

'.<br />

la many RoUywood<br />

tfX as a pathetir i<br />

Jeaa GaMn. M<br />

.<br />

Ua* Ventura I<br />

$tJ«4ar4<br />

Rel. Jan. 'SS<br />

vlth the intema-<br />

--u.ire film gl»««<br />

ve ped-<br />

'.t night<br />

French<br />

^^re for<br />

nags<br />

-all<br />

.., the<br />

tnd the fact<br />

-•••• i„ inbe<br />

by<br />

Mth<br />

lu<br />

•nrvs<br />

»•<br />

lerlngly<br />

Urnty.<br />

•itrl<br />

Gunfire at Indian Gap F<br />

IR 1 «<br />

li<br />

•<br />

Joe K<br />

doe* n<br />

fa!---'<br />

tr<br />

C-l<br />

tJ.<br />

bt:<br />

n-.<br />

OT. :<br />

'<br />

Republic (jTOjI 70 .Minutes Rel. I>«T. 13. 'S7<br />

Latest In the long series of Republic action dramas<br />

.1 T?-iN».-in u -I nil rlmfr'v •!-•/• -r .' ;n -'<br />

Starring Ver<br />

iiut rniitlne<br />

western wh<br />

ome<br />

newmn^rr.<br />

Miss<br />

F<br />

v. one of the screen's moat<br />

Si;<br />

rs. are ^he nnly name players<br />

bi.<br />

•ure aiil Mtufy In the •;? spot In the<br />

n<<br />

f\ duals While the title i rowl>oT-»nda<br />

Redsk;n ::<br />

• h!ch<br />

.imnn and ad- 1 by<br />

r» as a Otibrrt tu..\::Q -.ype and<br />

job as a young Mexican who Is<br />

,. ; .. ii -.M.ip and he also carries the love In-<br />

MLu Ralston, who looks well and turns in a<br />

• ••i-.if.-r K% .t'xivs Macready Is excellent as<br />

:« posing aa a respect >'><br />

V J..hns.')', u t>y Jack MartA Produced by Kudy ItaUlun for<br />

Ventura Productions<br />

\rra RalitMI. 0««rgr MarreadT. Anthooy OMVga, Barry<br />

Krllrr. John Doorelie. Chubhr Johnsoit. Rarafa Selby.<br />

ftt«4 H* hvfw r«««r«A««<br />

T |qr.<br />

rvkOotiMM. (U Vm Sr^f •»*«, •««• CMt >«. M*.. ••« tl-M. » « »< MM.<br />

'rnCE BooUaGwtd*


.ve's<br />

. . Audle<br />

. . Hear<br />

. . Tag<br />

. . "Razzia"<br />

. .<br />

FEATURE REVIEWS Story Synopsis, Exploitips; Adiines for Newspaper and Programs<br />

^|^ •«li>itv<br />

"The Quipt American" (UA)<br />

; Inclu-Chlnn wu-s a piirt of Fninci-'s<br />

c ,ii-l Redpnive. an EnKli&h new^paperninxi.<br />

*liu i.s u&in-tl by Claude Dauphin, police Inspector,<br />

to Idrnlify the Ijody of Audle Murphy, u young American.<br />

telLs what led to hLs murder. Murphy, an IdcalUt who re-<br />

.<br />

fu.s '.o believe that the pliLstic he Is selling fnlght aid the ii-<br />

Cc. young mistress. Glorgla Moll, 4o»-<br />

«i; d to her. Murphy's overtures to<br />

Gi>-....L .,i;,.w.. I iwi.i.vvr to the extent that he Is forced<br />

to lie to her alxmt a po.'oilble divorce from his wife In E^lan.l<br />

I.i: : aIi,' c.iorKia learns the truth, slie leaves<br />

1" marry Murphy. Incinsed at Murphy'.s<br />

ui^ III In the war between the Colonials<br />

oiui '.111- Cumiiiuni.siA and resentful of his happiness with<br />

CiKii-i.i. Redgrave gives the Communists a signal which<br />

lend<br />

•<br />

> Uieir killfhg Murphy during the Chinese New Year<br />

ri;( b::iiion Although Redgrave is not held responsible<br />

for Murphys death. Glorgla refuses to return to him.<br />

EXPLOITIPS:<br />

Arniiigc for boolcstore tleups of Graham Greene's novel,<br />

which was a best-seller two years ago. as well as Greene's<br />

other books. For general f»atrons. play<br />

CATCIILINES:<br />

up Audie Murphy.<br />

Graham Greene's Outstanding Best Seller—Now Comes<br />

to Pul.il ting Life on the Screen . Murphy as the<br />

.\:iurif.»ii Quietly Involved in a Colonial Empire Conflict<br />

*<br />

STORY: "The Story of VIcUe" (BY)<br />

In London. Princess Victoria, niece of William IV of<br />

England, studies British hLstory unaware that the King's<br />

death is near and she is destined to rule the great British |<br />

empire. When Lord Melbourne arrives to Inform her that ^<br />

she Is the new Queen she asks him to guide her even though<br />

.she had been advised to dismiss this great statesman. At<br />

her coronation, Victoria promises to serve her country and.<br />

when she learns of true conditions In England, .she orders<br />

unprecedented reforms. Advised to select a consort from<br />

among three unseen princes. Victoria run.s away to Dover<br />

for o glimpse of the outside world. There, she meets I»rlnce<br />

Albert, traveling incognito, and they fall In love without<br />

either knowing the other's true identity. At her birthday<br />

ball. Albert arrives late and Is almost floored to discover<br />

the Queen Is the girl he met in Dover. Being the Queen,<br />

Victoria is forced to propose to Albert, whom she unhesltantly<br />

choo.ses above her other royal suitors.<br />

EXPLOITIPS:<br />

With Romy Schneider, 18-year-old German star, currently<br />

visiting the U.S. to promote this film, play her up as the<br />

newest and loveliest European actress, following in the footsteps<br />

of Gina Lollobrlglda, Sophia Loren and Brlgltte Bardot.<br />

Use plentiful photos of Romv<br />

CATCHLINES:<br />

The Very Young and Very Lovely Girl Who Became<br />

Monarch of the World's Greatest Empire.<br />

THE STOUV: "Oregon Passage" (AA)<br />

Lt. John Ericson. experienced Indian fighter is attached<br />

to a fort where he Is confronted with a triple problem: The<br />

love of a comely Indian lass whom he has rescued and for<br />

whom he feels the tender passion; the need to capture<br />

Black Eagle, last of the warring, renegade Indian chiefs;<br />

end a new unriaionab.y jealous commanding officer whose<br />

wife—a former sweetheart of Erlcson's— is trying to use<br />

him to cet away from her domineering husband. Against<br />

the lieutenant's advise, the CO. orders several maneuvers<br />

which result In wiping out most of the post's troops. Finally,<br />

bccau.-ie of &icson's strategy, the Redskins are beaten, Black<br />

Eagle is slain—as are the feuding husband and wife and our<br />

hero winds up with the gal of his choice.<br />

EXPLOITIPS: an s<br />

Center exploitation on the Cavalry-vs. -Indians theme and<br />

*'^*<br />

the historic title. Dress sandwich men In soldier and Indian<br />

clothes and have them parade the streets with copv for the<br />

theatre and film. Dress ushers or ticket-.seller In Indian<br />

girl costumes.<br />

CATCHLINES:<br />

Indians Try to Hold Last Outpost In the West . . . Can<br />

a Man Defeat Both His Jealous Commanding Olflcer and<br />

Renegade Indians? Trail of Adventure<br />

THE<br />

•niE STORY:<br />

"GDnflre at Indian Gap" (Kep)<br />

A stagecoach on which George Mucready is a passenger<br />

successfully escapes a group of outlaws planning to hold It<br />

up but the guard Ls wounded and requires emergency treatment<br />

at a relay station, where Vera Ralston is employed. A<br />

stage bound for the opposite direction picks up Anthony<br />

George, a Mexican who.se horse has broken a leg. and the<br />

sheriff su i)octs him of being an outlaw. But Vera, who falls<br />

In love with George, helps him escape Just after Macready<br />

reveals hlm-self as the head of the outlaws. Macready forces<br />

George to take the sUtion payroll with him. Then he and<br />

Macready and his outlaws fight It out untU the sheriff arrives<br />

on the scene and clears the lovers of any guilt In the<br />

holdup.<br />

EXPLOITIPS:<br />

Play up George Macready a« the villain of "Gllda," "The<br />

Di'.iert Fox "Vera Cruz" and a dozen more " films, as well<br />

iw In MO.M'.^ 'Julius Caesar." Aa thU Is the 21st Republic<br />

IJicurr In which Vera Ralston is starred, give a prize of<br />

free tirke's to patrons who can name all or most of them.<br />

CATCIILINES:<br />

C!a!iiiod by R


I HMtM<br />

fv<br />

3t ISc p«r woctL mialmum SI SO. cash with copy,<br />

j,^ CLOSING DATE: Monday noon p«eco<br />

:,..••'i t<br />

^^^<br />

•wl (• a«rt. suit b«<br />

.•I' I 1 0*1<br />

rnwl<br />

tar at* tiMal«4 bMwin<br />

I<br />

'<br />

Wxt<br />

•<br />

..I<br />

rja tl» iMk W4 ko K<br />

•wli> .It MdMahM. F>''<br />

'Itli 173 00 rarti (hllr<br />

IS nmt *l niMtmn •> |<br />

•I rtiM uU^) M<br />

GENERAL EQUIPMENT—NEW


I<br />

Have<br />

I<br />

you heard successful exhibitors soy it again and again at TESMA.J<br />

Will ynu he ready when .<br />

. . suddenly<br />

it's<br />

dayliKht savinK's time! Positive thinking<br />

drive-in oj)erators are already making<br />

plans for a Ijig season. How? First by Ijooking<br />

only first rate films. But that alone won't<br />

get the job done I Successful exhibitors<br />

know the big net profits are rung up<br />

before the sun goes down. That's why most<br />

of them use a MIK.ACI.E I'L.\Y(;K()L'M)<br />

to induce the family out for dinner<br />

and pre-show fun. Miiacle's "new look" in<br />

playground ecjuipment has a magic<br />

appeal and showmanship \alue no other<br />

equipment can ofTir. MIIiACLK means<br />

5«i<br />

business ... if you want to do business I<br />

MAIL THIS COUPON NOWl<br />

MIRACLE EQUIPMENT CO. grinnell, iowa<br />

j<br />

I LJ ^

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!