Boxoffice-Feburary.03.1958
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FEBRUARY 3. 1958<br />
Ot I<br />
Mont<br />
OUT
IT MAKES THE Bit J<br />
J^i^<br />
\<br />
IV .<br />
^^.r^A<br />
K><br />
\iL<br />
^^<br />
H**-^
SCREEN BIGGER r<br />
Oet acciuaiiitefl<br />
wilh-'UNDEliVVATER<br />
WAKKlOir: lis different, unique!'<br />
It packs llie biy Cinemascope screen<br />
with (icket-sellinp: novelty, action<br />
romance anfl unbelievably perilous<br />
and beautiful underwater scenes<br />
filmed in authentic locations. It's'<br />
dynamite!<br />
Here are the daredevil exploits of the<br />
Underwater Demolition Team, up to<br />
now one of our country's carefullyguarded<br />
secrets. The nerve-tingling<br />
story was inspired by the actual<br />
death-defying lives of U.D.T. heroes!<br />
Dan Dailey delivers a superb performance<br />
and watch for a new<br />
eye-full, Claire Kelly.<br />
Go overboard on "UNDERWATER<br />
WARRIOR"!<br />
M-G-M Pintttti<br />
With JAMES GREGORY •<br />
AndN.-o.,,<br />
j/i^ARR^OR<br />
'•i<br />
tmemjScope<br />
DAN DAILEY<br />
ross mart.n<br />
.CLAIRE KELLY<br />
o.r«.«...<br />
ANDREW MARTON.P,^^^, VAN TORS<br />
An M C M RdtiM<br />
RAYMOND BAILEY<br />
MGM<br />
BACK ON<br />
TOP IN
No woman can give more than the gift of love!<br />
Lauben Bacall<br />
Robert Stack<br />
. . backed<br />
A motion picture for everybody'<br />
to fall in love with .<br />
by the big national impact of<br />
VIC DAMONE in his hit recording<br />
of THE GIFT OF LOVEI<br />
CZirsiE:r\^yvSc:o(=>E m.<br />
n»niii,f •'! r., (^ '•( f
. UA<br />
'<br />
"VTCMER<br />
' w<br />
> M.<br />
-•«FW'V«<br />
e r/f/^e o^fAe ///r/i'on M'cfuie /tu/uAh^<br />
HE<br />
NATIONAL FILM WEEKLY<br />
P^M SHLYEN<br />
:nd Publish*:<br />
rnall< BI<br />
i*«r Jatt law. 1*41 urtffttr m<br />
IMai'Aaa BrlaMi Bjctitn Tvnmw<br />
MM' «nm M WVlta. ni * nil<br />
4aa CHIT. SIS . sit tt^t-<br />
. WHatn i. rnstMl I MM<br />
(llaML Or* AraaM Mwtr Jaomal<br />
'<br />
nwa Bwnti. Sl«« Ba«iillii-r. it lias lu-ni with tinrxliihiliir<br />
frmn llu- tla\ nf ihr first nirkcliiilciui.<br />
Vol. of all the various tcchniiiurs dovisfd to<br />
iililizr the movie pass, none has hocii so<br />
sptM-lacular nor as extensive, nor aimed at greater<br />
overall servire tn the indn-trv. as the mass<br />
"sampling" undertaken in rerenl innnths hv exhibitor^<br />
in Detroit.<br />
.\s reported in the January 20 issue of H().\-<br />
OKFICK, more than 400,000 passes were distributed<br />
in the rampaign to get more people<br />
back in the theatres, partiiiilarly those backsliding<br />
moviegoers who hadn't been to a theatre<br />
in several vears. Ihe rampaign woikeil. and it<br />
is a su|>erb example uf what a group of exhibitors<br />
ran do on their own lueal-Ievel initiative, without<br />
wailing for national business-building promotions<br />
to stir them into aetivity. .As Harold Hrown,<br />
president of I nited Detroit Theatres, who s[»earheaded<br />
the rampaign, told lii« fellow exhibitors:<br />
"The only wa\ we lan get the average non-moviegoer<br />
baik is by giving him a sample of our<br />
produet." The mass sampling proved the point.<br />
Thousands of Detroiters turned up at theatres,<br />
admitting they hadn't been to a movie in<br />
vears and expre--ing surprise and great pleasure<br />
at the tremeiidou- strides in the overall ipiality<br />
of pieture entertainment. From this alone. Detroit<br />
exhibitors learned thev had been taking<br />
for granted so manv of the fine qualities nf their<br />
merchandise that they had been forgetting to<br />
nroj>erl\ sell. They discovered thai .selling sueh<br />
ba«ie movie facts of life as color, stereophonic<br />
Miund and the widescreen scopes must remain a<br />
dav-to-dav job. But. most of all. thev found<br />
what real strength there is in working together,<br />
how nuirh thev can arromplish for them.«'<br />
bu«inejw-building campaign, there are many<br />
thing" that exhibitor*, indiviflunllv and collerlively,<br />
can do for ihemvhe* nt the liM.d level.<br />
A» we frequently have ainled, regardlewt of what<br />
is done in the overnll nnlional camiKiign. the<br />
poinl-of-ss by theatre "links" at<br />
the local level will make for greater strengthening<br />
of the whole "chain" nalionallv.<br />
Trailers Sell Pictures<br />
.At<br />
an open forum during a national exhibitor<br />
a.ssncialion convention, the subject of attendance<br />
stimulation was being tlioroiighlv explored. During<br />
the exchange of opinions by the delegates,<br />
one exhibitor got to his feet and, in effect, said:<br />
"Let's face it. There are many ways lo attract<br />
patrons and make them repeat customers, but<br />
vouve got to admit that the most effective<br />
medium is the trailer. 1 kimw that I couldn't gel<br />
almig withnut them. I stopped running trailers<br />
once, but it was a co.slly error of judgment."<br />
Two recent surveys have given further evidence<br />
of the value of the coming attraclions<br />
trailer. Sindlinger & (!o. re|>orled that for every<br />
Sl.OOO taken in at the average theatre. S129 of<br />
that amount comes from |>ersons who are dirtxtly<br />
influencetl bv a trailer. Opinimi Hesearch ('orp.,<br />
which made a general industry survey for the<br />
Motion Picture .Aw'n of .America, re|M>rled thai<br />
the "reliabilitv index lof trailers i is far higher<br />
than that of any other medium, including newspapers."<br />
Trailers are the show wiiuluHs of the thcalr<<br />
They are the one and only way in which i<br />
patron can do his entertainment window shopping.<br />
It's harillv likelv that Macv's or liimltel's,<br />
or anv depnrlmcnl •tme. woiilil board up its<br />
fronl.s on the ihenrv that it was saving v«indow<br />
drnvsing cx|ieiisr. Window displays sell merchandise,<br />
Trailei" .ell pictures.
AN UPSWING IN ATTENDANCE<br />
REPORTED BY TOP CIRCUITS<br />
Interstate Ticket Sales<br />
First Week in January<br />
Up 50,000 Over '57<br />
NEW YORK—The oldest<br />
bromide In the<br />
business is •biu pictures do biK business."<br />
but there was a time late last year, according<br />
to showmen, that not even the big pictures<br />
were doing the kind of business expected<br />
of them.<br />
However, the situation appears to have<br />
changed since Januar> 1. with the top quality<br />
product drawing the heaviest patronage in a<br />
long lime, a checkup revealed last week. In<br />
fact, a general uptrend was noted in the<br />
answers to questions asked of cijcuit executives.<br />
htki) prices no deterrent<br />
Robert J. OXtonnell. general manager of<br />
Texas Interstate, who was in New York, was<br />
particularly enthusiastic over the upswing<br />
since the first of the year in the theatres of<br />
his circuit. He said that in the first week<br />
of the new year, his circuit had 50,000 more<br />
paid admissions than it had in the corresponding<br />
week of 1957. Among the pictures<br />
cited as doing outstanding business by O'-<br />
Donnell were "Sayonara." "Old Yeller," "A<br />
Farewell to Arms." "Raintree County" and<br />
"Peyton Place." He said that admission prices<br />
were increased on these pictures, but there<br />
were no complaints from the customers.<br />
S. H. Fabian, president of Stanley Warner,<br />
citing the same pictures plus "Pal Joey" and<br />
"Don't Go Near the Water," said there had<br />
been a boost in business on that type of product.<br />
Harry Mandel, advertising manager of RKO<br />
theatres, reported above normal business on<br />
those pictures, noting that the increase<br />
started on Decemljer 22 and held up strong<br />
throughout January.<br />
A .spokesman for Walter Reade Theatres<br />
described business as being "great," attributing<br />
it to "the product we are fortunate<br />
enough to be playing." He gave .some credit,<br />
too. to the fact that there had been no recurrence<br />
of last year's adverse weather conditions<br />
He said no change in operations<br />
could have been responsible because operations<br />
had remained unchanged.<br />
HKSPOMUNG TO NEW FILMS<br />
The comment of Shea Enterprises was brief<br />
and to the point: The public is responding<br />
well to the nev pictures."<br />
A spokesman for Associated Prudential<br />
Theatres said. In regard to the future, that<br />
"It looks encouraging If the companies will<br />
keep the big ones coming and stop selling<br />
to TV."<br />
Emanuel Prlsch of Randforce Amusement<br />
Co., which operates neighborhood hou-ses In<br />
New York, polnfpcl out that big circuit buslne-v*<br />
wttA ii; their hoases had been<br />
plBVlns' bl whirh not yet wcri'<br />
.I' res. How-<br />
. . first big,<br />
new picture. Pal Joey,' antl it did »o well<br />
Jack Warner Believes Industry Can<br />
Look to the Future With Confidence<br />
NEW YORK—Warner Bros, will make the<br />
largest investment in specific motion picture<br />
properties in its history during the next fewmonths,<br />
according to Jack L. Warner, president.<br />
Big productions are in the offing.<br />
"The motion picture<br />
industry can look to<br />
the future with -confidence."<br />
Warner<br />
stated last week in<br />
New York where Inhas<br />
been h o 1 d i n u i >.<br />
policy meetings with I<br />
Ben Kalmen-son. executive<br />
vice-president,<br />
and other officials.<br />
"The proof lies in the<br />
fact that important<br />
pictures are winning j^^^ ^ Warner<br />
more public interest<br />
and doing better business than films ever<br />
have done before."<br />
Warner said that "Giant" and the current<br />
"Sayonara" were two of the most successful<br />
boxoffice pictures in company history. He said<br />
the company was supporting its belief in the<br />
industry with a policy of continuing investments.<br />
In recent weeks, more than $1,500,000<br />
had been invested in four important story<br />
properties; "The Dark at the Top of the<br />
Stairs." the William Inge new hit play: "A<br />
Summer Place." Sloan Wilson's new novel:<br />
Edna Ferber's "Ice Palace" and Marcel Pagnol's<br />
"Fanny." to be produced by Josh Logan.<br />
Condemning "publicity space-seekers"<br />
whom he described as "undermining an important<br />
industry." Warner charged that<br />
"these people who shout about every weakness,<br />
while keeping silent about all the strong<br />
pKilnts in our industry, are not representative<br />
of the film busine.ss and are not entitled to<br />
that the circuit is taking an optimistic view<br />
of the future with its upcoming top pictures.<br />
American Broadcasting-Paramount Theatres<br />
reported "very good" business since<br />
the first of the year, "due to good solid entertainment."<br />
Ernest Emerling, advertising manager of<br />
Loew's Tlieatres, said there had been a definite<br />
upswing since Just before Christmas.<br />
The lncrea.se started prior to the holidays<br />
and has continued. The bigger pictures, he<br />
.said, were doing as good a.s they ever did. He<br />
expressed the opinion that the "bottom of<br />
the pit" has been reached and that business<br />
can go nowhere but up.<br />
SW Declares Dividend<br />
NKW Vi 'liK riic board of Stanley Warner<br />
Corp. has declared u dividend of 25 ct'iits a<br />
share on the conunon stock, payable February<br />
25 to stockholders of record February 10.<br />
-speak for it. With their one-sided statements,<br />
they are looking to steal for themselves the<br />
spotlight which is focu.sed on our Industrj'.<br />
But their distortion of the rounded and complete<br />
picture merely damages their own best<br />
interest."<br />
Warner stated that many changes are taking<br />
place in the industry, pointing out that<br />
the public had developed higher values in<br />
entertainment and culture and that "we who<br />
create and supply the films for this public<br />
must keep pace with these public advances:<br />
that is precisely what the responsible leaders<br />
of the industry are doing." Likewise, there is<br />
a need to revitalize the industry's traditional<br />
.showmanship methods of promoting pictures<br />
so that Interest in films can be .solidified and<br />
extended, he added.<br />
"By bringing the highest quality motion<br />
pictures to the screen, we will keep faith<br />
with the public upon whom our industry depends."<br />
Warner said. "It is jjerfectly obvious<br />
that people ever>nvhere want better entertainment.<br />
That is evident from the fact that<br />
even free television programs are not viewed<br />
if they are of inferior quality. We must produce<br />
every higher quality motion pictures to<br />
attract greater audiences to the theatres and<br />
it is towards this goal that we are concentrating<br />
our efforts."<br />
Warner advocated "a policy of modernization<br />
and flexibility, keeping our industrjin<br />
step with our economy and our times."<br />
He stressed the development of new talent,<br />
combined with the fullest utilization of top<br />
stars. He noted that "Sayonara" presented<br />
players in leading roles who made their<br />
screen debuts in that picture. His confidence<br />
in the future, he concluded, was expressed in<br />
the long-range program of important films<br />
which Warner Bros will relea.se<br />
Paramount to Increase<br />
Production for 1958<br />
HOLL'i'WOOD— Pajainouiil studio head Y.<br />
Frank Freemaji disclosed that the studio Is<br />
increa-sing its production -schedule to 22 films<br />
this year— three over the 1957 total. In announcing<br />
the schedule. Freeman said that<br />
the major problem in outlining the year's<br />
slate is the shortage of top stars.<br />
Tlie executive stated that Paramount is<br />
planning from 14 to 16 films In tlie topbudget<br />
bracket and five or six In Uie medium<br />
to lower cost brackets. "Most of our deals."<br />
he said, "will be made with units associated<br />
with Paramount, such as Perlberg-Seaton,<br />
Shavel.son-Ro.se. Panama-Frank and Cecil B.<br />
DeMllle." He added that "major studios will<br />
no longer operate as in the old days, turning<br />
out pictures with contract producers,<br />
writers, directors and stars. Instead, we will<br />
make the deals with what ai-e called the 'independents'<br />
and bring thom In on a participation<br />
basis."<br />
BoxorncE Pebruarj- 3. 1958
In all the 50 years of motion picture<br />
history, more stories have been filmed<br />
about the vast West than any other subject<br />
Now comes the Western that<br />
heads 'em all off at the pass!<br />
'or here is the legendary West<br />
as it really was, captured<br />
in all its beauty. . . all its<br />
)rutality. . . its strength!<br />
Here at last is the epic<br />
of the real American<br />
from Columbia<br />
n
THE EPIC OF THE REAL AMERICAN<br />
^7J773<br />
*i<br />
(<br />
V<br />
^«r«*<br />
I<br />
STARRING GLENN FORD JACK r^-~\s~<br />
z i^ i^^«-- m\
^<br />
Reece — The ruthless.<br />
reckless cattle baron.<br />
He treats cowboys<br />
Maria—The senorita from<br />
south of the border<br />
. . .yearning for<br />
excitement ... and love!<br />
;i
. >wn>anshlp<br />
I<br />
More Showmen Pledge<br />
Academy Awards Aid<br />
ipport of U»p Acntloniy<br />
:.:..:. h 28. uccordlnB l Ui 'riumvlrate. said:<br />
\ liwst the industry has Its own TV<br />
*. itiui ue plan to exploit It wltlt all the<br />
at our command in every there<br />
In the circuit. I am convinced Uial If<br />
• show hAs the enthusiastic promotion oi<br />
.r entire Industr)', the results will bo most<br />
.vardlnK to all "<br />
David B Wallerstetn. president of Balaban<br />
Kau and Great States Theatres in Illlj.<br />
said:<br />
This year's Academy telecast Is what we've<br />
Ad wanted—so let us back It for all It is<br />
worth "<br />
Henr>- G. Plltt. president of Paramount<br />
Gulf Theatres of New Orleans, said:<br />
The exhibitors' gratitude for our Indus-<br />
;. s sponsorship of this great annual television<br />
event should be expressed by an all-out<br />
enthusiastic approach pointing with pride to<br />
this as 'our show.'<br />
putt Is chairman of the Theatre Owners<br />
of America committee to tie in with the<br />
Academy Awards and develop new person-<br />
•les,<br />
syd Gates and Carlton Duffus. president<br />
dad executive secretao'. resp>ectlvely, of the<br />
Virginia Motion Picture Theatre Ass'n. are<br />
co-chairmen of the Virginia committee, which<br />
al9o consists of Seymour Hoffman of Richmond.<br />
Jeff Hofhelmer. Norfolk; P W. Westfall.<br />
Martinsville: Jack Rumsey. Covington;<br />
Prank Stover. Alexandria; Morton G. Thalhlmer<br />
jr. Richmond; Leonard Gordon, Newport<br />
New.'i; Sidney L Bowden. Norfolk; D. F.<br />
Aleshlre. Luray; Floyd Stawls. Richmond:<br />
R G. Flanary Jr.. Richlands. and Paul Roth,<br />
Silver Spring<br />
M H Chakeres of Springfield has accepted<br />
appointment as a member of the Ohio committee<br />
His theatres which have pledged cooperation<br />
are the Regent. State and Majestic.<br />
Springfield: Gloria. Urbana: State. London;<br />
Xenla. Xenla; Murphy. Wilmington; Payette.<br />
Washington Court House; State. Greenville:<br />
Colony, Hlllsboro. Sidney. Sidney; St. Mary's.<br />
at Mary's, and Cellna, Cellna.<br />
Tbe Wisconsin chairman Is Ben Marcus,<br />
president of Allied Independent Theatre<br />
Owners, who has pledged the support of at<br />
least lOO exhibitors in that state The chairman<br />
for Kansas and western Missouri Ls<br />
Richard H. Orear. executive vice-president<br />
of Commonwealth Theatres, who has reported<br />
the support of the circuit's 80 theatres.<br />
"= Pbx Midwest theatres and Allied and TOA<br />
rional heads. M B Smith, president of<br />
..< Kansas- Mlaaourl Theatre Ass'n, has pcrmally<br />
pledced his aid.<br />
Fcm Magazines Will Help<br />
To Push Awards Telecast<br />
NK"\V YORK nv motion picture fan<br />
.tgazines have pledged themselves to pro-<br />
>le the March 36 telecast of Academy<br />
Awards as the result of a recent meeting held<br />
by Ro«er H Lewis of United Artists, chairman<br />
of a special promotion committee, with<br />
editors and publishers at the Motion Picture<br />
Ass'n of America<br />
They will devote special space to the event<br />
In their April laraes. on the stands In March<br />
Allied Drive-In Banquet<br />
To Hear Joseph R. Vogel<br />
WASHINOTON-Joseph R Vu.. .<br />
,„<br />
. .,.;. ;.<br />
of Loew's, Inc , will addre.s.s the February 13<br />
banquet of the 1958 National Allied drlve-lii<br />
convention at Louisville. Tlie announcemcni<br />
was made Tuesday i28i nt National Allle
"Are you so lonely,<br />
you have to buy<br />
your friends?"<br />
r n<br />
Sorry we couldn't fill all dates<br />
for January 30th release!<br />
"You were dirt<br />
when I found you!'<br />
AVOID BEING DISAPPOINTED AGAIN<br />
SET YOUR DATE NOW<br />
FOR FEBRUARY AND<br />
MARCH ENGAGEMENTS!<br />
This one's really roUin'. .<br />
rockin' 'em everywhere!<br />
. and<br />
JOHN MclNI|.
I<br />
Today's new<br />
singing idol<br />
of the<br />
nation...<br />
launched<br />
by 20th<br />
the same way<br />
we brought<br />
Elvis<br />
and<br />
Presley<br />
Pat Boone<br />
to the screen.<br />
with<br />
strong story!<br />
sensational<br />
songs'<br />
sure-fire<br />
showmanship<br />
Sample of the sock<br />
ad campaign!<br />
Sj^ Get the press t>ookl<br />
mt OkkM »t HENRY EPHRON. scH^.,^ CLAUDE BINYON<br />
c ao^so
says<br />
—<br />
PuUeScaU<br />
TOA President Polls Board<br />
On Business-Building Plan<br />
&nest G. St«IUn«s checlclni; by telephone<br />
for oplnloiv
'<br />
r "iPttk<br />
:i prnnlttrd publication of the SlndllnKcr<br />
;. us tJuTC wa-s dispute over the con-<br />
'II drawn by SlndUnger.<br />
r. C Rhoden. president of Natlona) Thektrvs.<br />
Inc. said he did not think tlieatres<br />
»ere In for "ftnancinl doom" becaase the<br />
old films were bein« sold to television. T1>e<br />
bic pictures released in recent weeks, he<br />
aatd. h«ve resulted in a decided txMst to the<br />
rflce The drop which National Thcexperlenced<br />
in the final 1957 quarter<br />
-. :. -.tcmmed. he s;ild. addlntt that pub-<br />
• :i--.e to "dlstlttculslied entertainment<br />
:: :.:; indicates that strong pictures will<br />
,. ..'le film tlieatres to compete with home<br />
T\'<br />
From Samuel Einftel. president of the Screen<br />
producers Guild, and a leader In the flftht<br />
to keep post-1948 films away from TV. came<br />
the comment that there was nothing new<br />
If. '.he Smdlinger report. Actually, he said,<br />
urvey merely Italicized what the guild<br />
said In a statement l&sued In December.<br />
At that time. Engel said: "The guild recocnlies<br />
the Inherent rights of all per.'ions<br />
who have been associated creatively with<br />
these pictures. In participating m whatever<br />
proceeds they may one day earn on the television<br />
screens, but It Is of the firm opinion<br />
that It Is m the best interests of all persons<br />
enagaged in our industry that a concerted<br />
rff >rt be made to bring a halt of thLs suicidal<br />
. )d of distribution, which Is nothing<br />
.c or less than a quick buck' method of<br />
liquidation of valuable assets."<br />
'Missouri Traveler' Set<br />
For K.C. Benefit Date<br />
.NEW YOHK C" V WUllllcy .- "rhe Ml.ssourl<br />
Traveler." the Technicolor film starring<br />
n de Wilde. Lee Marvin and Gary<br />
11, will open at the Uptown Theatre.<br />
City, in a benefit for the Optimist<br />
of Greater Kansas City February 4.<br />
proceeds wUl go for the youth work proof<br />
the ao Optimist Clubs, a civic orgamzatlon<br />
compoaed of 1.400 cttizen-s from<br />
Industry, government and educational walks<br />
of life<br />
The premiere wUl be the springboard for<br />
600 theatre saturation in the mld-<br />
Among those who will fly to Kansas<br />
Clly from New York and Holl)-wood for the<br />
lies are de Wllde. who plays the title<br />
Marvin and Paul Ford, who will come<br />
train New York where he Ls featured on<br />
Sergeant BUko TV show. John Burre.vi.<br />
of the novel, who will also fly from<br />
York. Among thwe Invited are: Harry<br />
TYuman. Governor James T Blair Jr of<br />
and Missouri Senators Stuart Symand<br />
Tom C Hennmgs Jr . as well as<br />
Roe Bartlc of Kanaas City<br />
1 chairman of the premiere Is Mark<br />
of the Kan.Mui City Optimist Club, who<br />
ted by C L. Hathaway, paat president.<br />
Rom C. Roach of the downtown K. C<br />
mist Club<br />
Harold Rand, publicity manager of Buena<br />
VUta. and Bob Dorfman. exploitation man-<br />
•Cer. flew to Kansas City January 77 to<br />
npervtie the plans for the rcrtooal openings<br />
SINDLINGER STUDY LEAKED TO PRESS<br />
Fourth of TV Viewing<br />
Going to Old Movies<br />
NEW YORK MixrU reactions greeted the<br />
so-called "secret report" of SlndllnKcr Sc Co<br />
on the state of the Industry and the Impact<br />
of the sale of films to television.<br />
E^chlbltloii In geiuTal hulled the report as<br />
proof of Its contention that the release of<br />
feature pictures to TV was the principal<br />
onu.se for the dip In Uicatre ottondance<br />
Distribution, spokesmen for which were reluctant<br />
to be quoted, appeared to differ wlUi<br />
the resulUs of the survey, although there was<br />
.some acceptjuice of a few of the points which<br />
were brought out.<br />
SlndUnger had made the survey on assignment<br />
from Theatre Owners of America which<br />
had sought to withhold the details from the<br />
press on the grounds that the disclosures were<br />
too downbeat. The data had been gathered<br />
a.s an argument to the distributors against<br />
the sale of plcture.s to television and was designed<br />
to prove that such sales were as detrimental<br />
to distribution as they were to exhibition.<br />
DICKERING WITH PAH.VMOl'NT<br />
Whether (he report will halt the further<br />
release of pictures to tlie air waves appeared<br />
to be problematical. esp>eclally as rumors became<br />
more widespread that Paramount was<br />
on the verge of making a television deal. Reports<br />
lost week were that a deal was near,<br />
the prospective buyers being one of three; Columbia<br />
Broadcasting System or Storer Broadcasting<br />
Co. or National Telefilm Associates.<br />
There also was criticism within the trade<br />
over the withholding of the Information, especially<br />
from the tradepress. which went<br />
along with TOA's request until Bosley Crowther.<br />
film critic for The New York Times,<br />
broke the story In the Monday i27) Issue.<br />
Particularly dl.sturbed by the "leak" to the<br />
press was Ernest Stelllngs. president of Theatre<br />
Owners of America. SlndUnger had made<br />
the study at TOA request and when he had<br />
completed the report. Stelllngs had sent<br />
copies to dl.strlbutors for consideration At<br />
that time. It had been agreed within TOA that<br />
the report would not be made public while<br />
negotiations were under way In an effort to<br />
halt sale of post- 1948 films to TV. Stelllngs<br />
did not dL-ipute the fact that the facts as<br />
publl.shed in The Tlme.s were correct.<br />
Crowlher'.s answer lo Inquiries on where he<br />
obtained the report was that someone In a<br />
"high place" In the Industry had turned It<br />
over to him. In the hopes that publication<br />
would awaken "the Industry to the dangers"<br />
of a TV market flooded with motion picture<br />
features, particularly post- 1948 features<br />
The SlndUnger report disclosed that old<br />
pictures, starting last September, were utilizing<br />
one-fourth of television'.* viewing time in<br />
the United States and that the public was<br />
spending four times as many hours watching<br />
films on their home sets as they were In theatres.<br />
This has meant, according to the survey,<br />
a 7.000.000 drtip In average weekly theatre<br />
attendance in the last quarter of 1967 as<br />
compared with the same period of 19M and<br />
a loM of approximately t50.000.000 In theatre<br />
gromes Blame was placed on the .ihowing of<br />
old pictures on television<br />
One of the moat alarming portions of the<br />
report was In<br />
the summary which stated that<br />
If the post- 1948 picture.", arc released lo television,<br />
It would be a drntli blow to theatres<br />
and to production.<br />
RK.^SONS KOK (iOOU BIJSINKSS<br />
Three reu.son.s were given for the healthy<br />
theatre business from October 1954, through<br />
September 1955, a period described as the<br />
best on a con.solldated basis since 1948. The<br />
reasons were : 1 1 1 the more important stars<br />
had not been seen on television; (2i only a<br />
few old films were being presented on late TV<br />
programs and i3) the public was aware that<br />
the local theatre and the local TV station<br />
were competing for Its attention<br />
The change started In late 1955 when, according<br />
to the suri'cy. the film companies<br />
began putting their own shows on the air<br />
plus the use of film clips. In areas where the<br />
public could -see such .shows as "The 20th<br />
Century-Fox Hour." "MGM Parade. " "Disneyland"<br />
and "Warner Brothers Presents." theatre<br />
attendance dropped 17 to 20 per cent.<br />
Where the public could not see these programs,<br />
grasses rose three to seven per cent<br />
over the same period of the previous year.<br />
With the general release of pre-1948 pictures<br />
from major companies, weekly attendance.<br />
OS an average, was off from 13.5 per<br />
cent to 17.5 per cent In the last six months of<br />
1957. although It had been up from 2 1 per<br />
cent to 6.2 per cent In the first six months<br />
over the first half-year of the previous year.<br />
The survey stated that the public's viewing<br />
time In watching old pictures on television<br />
went up from 86.5 million hours a week prior<br />
to September to 426.2 million hours a week in<br />
December<br />
10 MILLIU.N HISS WtEKLY<br />
In a probe of "talked about" pictures, the<br />
sur\'ey revealed that the percentage of prospective<br />
patrons who thought about going to<br />
the theatre, but did not. increased from 64.6<br />
per cent In tlie la.st three months of 1956 to<br />
76.5 in the last quarter of last year. Slnd-<br />
Unger estimated that In lost admissions this<br />
amounted to a potential $10,000,000 weekly.<br />
Tliose film companies which sold or leased<br />
their pictures to television, the survey pointed<br />
out. took a net loss of 55.300.000 last year.<br />
TliLs figure was reached by estimating the<br />
total sum received by the companies for their<br />
backlog.s as against tiie estimated losses suffered<br />
by the drop In theatre attendance.<br />
If, during the next nine months, the national<br />
level of Uieatre grosses follows the<br />
trend of the last six months, both theatres<br />
and production will be down about 17 per<br />
rent, the report said Based on tiiat figure,<br />
theatres will have on annual Ions in net<br />
gross of t300,000,000: production will loM<br />
73 000 000 m film rentali<br />
Harold Postman Dies<br />
NKW YOltK Funeral serMccs were held<br />
hric Moiulav '27i lor Harold PiwLnian. 50.<br />
A-ii.itAiit to Alan Cumming". miitiiiger of<br />
rxchangr operatlon.t for Ijow's. Inc Postman<br />
died of a heart attack Frtday evening i24><br />
Portly after he left his office for home He<br />
had been with Loew's for many years<br />
BoxorncE PMjruary 3. 1868 15
BETWEEN THE<br />
News Page Ads<br />
THE trend toward off-the-amusementpage<br />
ads for motion pictures may become<br />
more widespread as the result of the<br />
apparent success of the idea as promoted<br />
by both United Artists and 20th Century-<br />
Fox in recent weeks. While the experiment<br />
by 20th-Pox was in the form of inslilullonal<br />
advertising for "Farewell to Arms,"<br />
calling attention to the picture's opening<br />
at the Roxy, and probablj' was a facet in<br />
the overall campaign which gave the film<br />
a smash first week. UA's off-the-amusement-page<br />
ads on "Witness for the Pi-osecution"<br />
could be measured more accurately.<br />
True. UA's ads offered something gratis,<br />
but. at least, they proved that amusement<br />
ads on news pages can get results.<br />
UA spotted display space on pages other<br />
than amusements in the New York newspapers,<br />
announcing that 1,080 "witnesses"<br />
were wanted to see "Witness for the Prosecution"<br />
at a free special preview at the<br />
Astor Theatre at 10 o'clock in the morning.<br />
The readers were asked to send for<br />
tickets. The demand was so great that two<br />
previews, on successive days, had to be<br />
arranged. More than 7.000 letters were received<br />
in six days and a special corps of<br />
girls had to be employed to take care of<br />
the requests.<br />
A response to free tickets might be expected,<br />
but not everybody can go to a show.<br />
free or otherwise, at 10 a.m. UA was specially<br />
interested in observing the type of<br />
people the ads attracted. And they got the<br />
type of people they wanted—business men,<br />
people with personally engraved stationery<br />
and others whose letters indicated intelligence<br />
and culture.<br />
The unusual pre-release preview campaign<br />
was designed to develop word-ofmouth<br />
support for "Witness for the Prosecution."<br />
The ads, placed off the amusement<br />
pages, were in line with UA's recently<br />
announced policy of directing more and<br />
more of its promotional effort to those<br />
segments of the audience that don't regularly<br />
read the amusement pages.<br />
It would be a good idea for exhibitors as<br />
a whole to tap this comparatively heretofore<br />
unused source of getting attention.<br />
Ifs worth a try. And In these days, anything<br />
new Is worth a try.<br />
Passing of Pathe<br />
ri Wii. with ;i ((.••.lilit; of rrniet that wc<br />
noted that the bankrupt Pathe Pictures.<br />
Inc., and all Its assets would go under the<br />
auctloneer'.s hammer in New "York on February<br />
4. The reason for the no.stalgic<br />
pain was that the name Pathe practically<br />
grew up with motion pictures. Of cour.se.<br />
Pathe has not cxl.stfd as a company per se<br />
for many a year, but there has been the<br />
shell and old-timers often still refer to any<br />
newsreel as Pathe News.<br />
LINES<br />
By AL STEEN<br />
Listed for sale via biddmg are not only<br />
films and photographic equipment, but the<br />
trade mark and the name of Puthe. Included<br />
in the properties are 20,000.000 feet<br />
from the Pathe News film library from the<br />
year 1910 to 1957. Also there are 80,000<br />
prints of 16mm musical films of famous<br />
artists. Mitchell cameras, lenses. 16mm and<br />
35mm reels and film cans, printing equipment,<br />
studio equipment and even a 1956<br />
Chrysler sedan.<br />
In case any exhibitor wants to buy up<br />
the films to keep them from going to television,<br />
the auction will take place at the<br />
auctioneering firm of David Strauss & Co..<br />
33 W. 60th St., from 10 a.m. to 4 p.m.<br />
The Drive-in Convention<br />
\X/E'VE been attending the drive-in conventions<br />
ever since Allied Slates Ass'n<br />
inaugurated them several years ago. Speaking<br />
strictly as an observer, we've found<br />
that these conclaves of outdoor theatre<br />
showmen often have been more helpful<br />
than the national get-togethers. The drivein<br />
operators have common problems and<br />
they discuss them seriously and return<br />
home with good advice and valuable information.<br />
And the equipment dealers and<br />
merchandising men have found the exhibitors<br />
who attend the functions to be in a<br />
buying mood.<br />
The 1958 AUied drive-in convention will<br />
open in Louisville on February 10. The<br />
chances are that it will be a success. But<br />
Allied should receive a spanking for not<br />
giving the event more publicity and advertising.<br />
Why keep it a secret? Hardly a day<br />
passes that a prospective booth buyer<br />
doesn't call BOXOFFICE and ask about<br />
the convention.<br />
"Can we still get booth space?"<br />
"What are the exact dates?"<br />
"To whom do w'e write for information?"<br />
These are just a few of the almost dally<br />
questions.<br />
For your information, the dates are February<br />
10-13 at the Kentucky Hotel. Louisville.<br />
Ky. Tlie man in charge is E. L. Ornstein.<br />
Allied Theatre Owners of Kentucky.<br />
427 South Third St.. Louisville. Ky.<br />
That's all we know<br />
Broadway Joke<br />
COME lulk.s think and perhaps rightfully<br />
so—that we partially licked thidepression<br />
of the 1930s by klddln« it So<br />
miiybe this Joke which Is beliiK lold regularly<br />
on Broadway won't be taken as downbeat.<br />
It seemti a patron teleplioned the manager<br />
of a Broadway theatre and asked<br />
wlint tlmi- the feature picture would go on.<br />
The miinaKer replied. "What time can<br />
yo« get here?"<br />
R. I. Solon Demands<br />
Midnight Show Ban<br />
PKOVIDENCE—A bill to prohibit any<br />
motion picture or .'stage production In any<br />
Rhode Island city or town from starting<br />
after 10 p.m.. except by special perml.sslon of<br />
local licen.slng authorities, has been introduced<br />
in the General Assembly by S«n<br />
Primo lacobuccl (D.i. The bill was referred<br />
to the Judiciary committee.<br />
The senator said he was prompted to Introduce<br />
the measure by reading newspaper<br />
ads heralding midnight horror shows. He<br />
pointed out that such advertising Is aimed to<br />
attract teenagers to the theatre, abetted by<br />
offers of free photographs of Juvenile motion<br />
picture "idols." He said that the fact that<br />
the hour of show was midnight contributed<br />
to juvenile delinquency.<br />
James H. Donnelly. Republican floor leader,<br />
has said that he would oppose the bill If It<br />
reached the Senate floor.<br />
There are two schools of thought on the<br />
subject in the state. Many theatre managers<br />
have been commended for running these<br />
shows, especially on Hallo^'een and other<br />
special nights, as a factor In keeping teenagers<br />
off the streets and from getting Into serious<br />
mischief. Even the police have praised efforts<br />
of local exhibitors to entertain prospective<br />
mischief-maker.s. The other \iew Is that too<br />
many .such midnight shows encourage teenagers<br />
to keep late hours.<br />
Top Simultaneous Runs<br />
Boosted by Columnist<br />
MEMPHIS— It's possible that the theatre<br />
owners who have been camp>aignlng against<br />
what they call feast-or-famine distribution<br />
policies, won't be as happy to have the good<br />
pictures spaced out as they think they will,<br />
comments Edwin Howard, amusements editor<br />
of the Press-Scimitar, in hi.s recent Front<br />
Row column.<br />
"One veteran Memphis theatre owner has<br />
a theory that more people will see each of<br />
five good pictures showing simultaneously In<br />
town than will see the same five films showing<br />
one at a time.<br />
"Moviegolng is contageous." he contends<br />
"And when you get three or four or five top<br />
films downtown at once, you get an epidemic<br />
of moviegoing. Everybody starts talking about<br />
movies, and the next step is for ever>-txKly<br />
to start going to the movies again More people<br />
come downtown when there are .several<br />
good movies on. A lot of them don't care<br />
which film they see. They know tliat if they<br />
can't get into one theatre, they can get Into<br />
another, and still see a good picture<br />
"I estimate that the five downtown theatres<br />
did a total buslne.ss of $100,000 during<br />
the two weeks following Christmas If each<br />
theatre had played it.s same picture while the<br />
others played Junk. I'll bet Uie grosses would<br />
have been considerably les-v"<br />
Salesmen Set Convention<br />
NEW '^'ORK Tlie Motion Picture Salesnifii<br />
cli-piirtiiu-nt of Uie lATSE will hold lt«<br />
annual convention at the Adolphu.s Hot«l.<br />
Dallas. February 22. 23 It will be the first<br />
convention to be held .since the .•valosmen'i<br />
organization afftllatod wltli the national<br />
body Tlir Kix)up formerly was known aj<br />
the Colo.v.rum of Motion Picture Salesmen.<br />
Wayne Biitomnn. president, will preside<br />
16 BOXOFFICE Fibniary 3. I9it
Hyman Touring West<br />
On Orderly Release<br />
NEW YORK ActlnK in the Interest of<br />
- '--ly tlLitrlbutlon of (lutihty pnxliu t<br />
iishout the year.<br />
r.u»*rd L. Hymwi.<br />
vice - president o (<br />
Anierlou) Broadcast<br />
tntt-Parmmount Theatres,<br />
and hLs asalstonc.<br />
Bernard Levy, have<br />
a into the field<br />
^4:uss the situntlon<br />
Vki-.n exhibitors.<br />
On Thursday t30>.<br />
.Ml addressed a<br />
:ng of exlUbltor<br />
orsanlMtions from the<br />
Salt Lake City and<br />
jd^^rd L. llyman<br />
Denver areas In Salt Lake City A .similar<br />
meetins has been scheduled for Tuesday (4><br />
in San FrancLsco. to l)e attended by exhibitors<br />
and exhibitor organizations from northem<br />
California. Oregon and WashliiRton<br />
FINDS RESPONSE FAVORABLE<br />
Hyman told the Salt Lake City gathering<br />
that he believed this was the first time that<br />
luch "rival'" groups as exhibitors, producers<br />
and distributors have .supported a single<br />
campaign of this type.<br />
He said the response has t>een favorable<br />
from all sources In AB-PT's effort to Insure<br />
an orderly releasing of top pictures.<br />
Hyman declared he was oppased to feature<br />
JUms on televulon and was against pay telenston.<br />
Movies, he declared, should be made<br />
only (or theatres.<br />
Turning to the promotional activities being<br />
undertaken to stimulate Interest in the<br />
Academy Awards telecast March 26. Hyman<br />
said he still hoped that the telecast will be<br />
carried on big -screen TV In theatres. A week<br />
ago. the Academy Indicated that It would<br />
be Impossible to clear the program because<br />
of the many guilds and unloivs involved In<br />
the production of the show A number of<br />
exhibitors had already made plans to carry<br />
the telecast on their screens.<br />
John C Krler. vice-president and general<br />
manager of Intermountaln Theatres. Inc.<br />
prcalded at the Salt Lake City meeting. With<br />
Hyman at the session were Bernard Levy,<br />
his assistant, and Jerry Zigmond. of San<br />
PrancUco. west coact district manager for<br />
AB-PT<br />
IN LOS ANGELES FEB. II<br />
Hyman will address another session In Los<br />
Angeles on February 11 (or exhibitors In that<br />
area. This meeting Is being .sponsored by<br />
Harry C. Arthur. Sherrtll Conrln. Pat Notarto<br />
and Rick Rlcketson. circuit executive*<br />
A Joint convention of Kansa«-Ml».ioun Theatre<br />
Assn and Allied Theatre Owners of<br />
Kansas and MLvourt will be addresaed by<br />
Hyman on March 11. This Li the first time<br />
that a TOA and Allied unit has held a Joint<br />
convention in the midwest.<br />
On March 13. Hyman will meet with exhibitors<br />
in the MlnnesoU territory In Minneapolis.<br />
While in Los Angeles. Hyman will view<br />
forthcoming product and will report on what<br />
be has iieen to exhibitors at the other sessions.<br />
Before laaving here. Hyman said be<br />
hoped that the pictures he will see will follow<br />
in an orderly fashion Into 1»S9 He said<br />
be saw indications of orderly release throughout<br />
this year<br />
Columbia Schedule Calls<br />
For 35 in Next 7 Months<br />
NL'W YORK e'oliliiiiJiii will rt'lfiusc 3a<br />
fruture films from February through August.<br />
constltuUng one of the largest groups to<br />
be handled by the distributor In a like period,<br />
.iccording to Rube Jnckter. general sales maniiger.<br />
He s»«ld the .schedule did not Lake Into<br />
iiccount '-The Bridge on the River ICwal."<br />
which Is being handled as a special release.<br />
Thirteen of the features will be In color,<br />
.seven In ClnemaSooiw and one In Technllamu.<br />
Many leading producer>. directors and<br />
actors are represented In the schedule.<br />
The tentative order of release follows:<br />
The Bridge on the River Kwal." a special<br />
release.<br />
LINEl'P FOR FEBRIARY<br />
February; "Bonjour Trlste.sse." piXKluced<br />
and directed by Otto Premlnger from the<br />
Francoise Sagan novel, photographed In<br />
France In CIncmaScope and both Technicolor<br />
and black-and-white, and starring Deborah<br />
Kerr, David Nlven. Jean Seberg. Mylcne<br />
Demongeot and Geoffrey Home. "Crash<br />
Landing." sUrrlng Gary Merrill and Nancy<br />
Davis, directed by Fred P. Sears and produced<br />
by Sam Katzman. "Going Steady."<br />
starring Molly Bee and Alan Reed Jr. and costarring<br />
Irene Hervey and Bill Goodwin, directed<br />
by Sears and produced by Katzman.<br />
"The World Was His Jury." sUrring Edmond<br />
O'Brien and Mona Freeman, directed by Sears<br />
and produced by Katzman. "How to Murder<br />
a Rich Uncle." In Cinemascope, starring<br />
Charles Coburn. Nigel Patrick and Wendy<br />
HUler. directed by Patrick and produced by<br />
John Paxton.<br />
March : "Cowboy." starring Glenn Ford and<br />
Jack Lemmon along with Anna Kashft and<br />
Brian Donlevy. produced In Technicolor by<br />
Julian Blausteln. directed by Delmer Daves<br />
and based on the Frank Harris book. "Bitter<br />
Victory." produced In Africa In Cinemascope<br />
by Paul Graeti. directed by Nicholas Ray and<br />
starring Richard Burton. Curt Jurgens. Ruth<br />
Roman and Raymond Pellcgrln "Curse of<br />
the Demon." starring Dana Andrews and costarrlng<br />
Peggy Cummins and NIall MacGlnnls.<br />
directed by Jacques Toumeur and produced<br />
by Hal E. Chester. "The True Story of<br />
Lynn Stuart." starring Betsy Palmer, directed<br />
by Lewis Seller and produced by Br>-an Foy.<br />
RELE.\SES i.N APRIL<br />
April: This Angry Age." produced by Dlno<br />
de Laurentlls In Technlrama and Technicolor<br />
in Thailand, directed by Rene Clement<br />
and starring Anthony Perkins. Silvana Mangano.<br />
Richard Conte and Jo Van Fleet. "n>e<br />
Ooddess," first original screenplay by Poddy<br />
Chayefsky. starring Kim Stanley and costarring<br />
Lloyd Bridges, directed by John<br />
Cromwell and produced by Milton Pcrlman<br />
Screaming Mlml."" starring AnlU Ekberg.<br />
Phil Carey and Gypsy Roae Lee. directed by<br />
Ocrd Oswald and produced by Harry Joe<br />
Brown and Robert Fellows. "Lets Rock."<br />
starring Julius LaRosa. Phyllis Newman and<br />
rock 'n" roll exponents, and produced and directed<br />
by Harry Ptoaler. "Paradise Lagoon.<br />
starring Kenneth More. Diane Cllento. Cecil<br />
Parker and Sally Ann Howes In Technicolor,<br />
directed by Lewis Gilbert and produced by<br />
Ian Dalrymple "High Flight." sUrrlng Ray<br />
Mllland In Cinemascope, directed by John<br />
GlUlng and produced by Irving Allen and Albert<br />
R. Broccoli 'Ghost of the China Sea,"<br />
starring David Brian, directed by Sears and<br />
produced by Charles B. Griffith.<br />
May: ""Tank Force." starring Victor Mature<br />
and Leo Oenn In Technicolor and Cinema-<br />
Scope, directed by Terence 'Young and produced<br />
by Allen and Broccoli. "Gideon of<br />
Scotland Yard." directed by John Ford In<br />
Technicolor, produced by Michael Klllanln<br />
and starring Jack Hawkins and DIanne Poa-<br />
Icr. "The Lineup. " starring Ell Wulloch and<br />
costarrlng Robert Keith and Wamer Anderson,<br />
directed by Don Slegel and produced by<br />
Jaime de Valle.<br />
June: "Revenge of Frankenstein."" with<br />
Michael Carreras as executive producer. ""The<br />
Camp on Blood Island." starring Carl Mohner,<br />
Andre Morrell. Edward Undcrdown and<br />
Walter Fttzgerald. a Hammer Film directed<br />
by Val Guest for producer Anthony Hinds<br />
and executive producer Carreras. '"The 7th<br />
Voyage of Slnbad." starring Kerwln Matthews<br />
and Kathryn Grant In Technicolor, directed<br />
by Nathan Juran and produced by<br />
Charles Schneer. "The Case Against Brooklyn."<br />
costarring Darren McGavln and Maggie<br />
Hayes, directed by Paul Wendkos and produced<br />
by Schneer. "She Played With Fire."<br />
starring Jack Hawkins and Arlene Dahl. directed<br />
by Sidney Gilliat and prt>duced by<br />
Frank Launder and Gilliat. "Apache Territory."<br />
.starring Rory Calhoun in Technicolor,<br />
directed by Ray Nazarro and produced by Calhoun<br />
and Victor M. Orsattl.<br />
MAN'Y SET FOR JVLY<br />
July: "The Key." starring William Holden<br />
and Sophia Loren and costarring Trevor<br />
Howard In CinemaScope. directed by Carol<br />
Reed and written and produced by Carl Foreman.<br />
"Gunman's Walk. " starring Van Heflln.<br />
Tab Hunter and Kathryn Grant In Cinema-<br />
Scope and Technicolor, directed by Phil Karlson<br />
and produced by Fred Kohlmar. "The<br />
Whole Truth." starring Stewart Granger.<br />
Donna Reed and George Sanders, directed by<br />
John Gulllerman and produced by Jack Clayton.<br />
"Forbidden Island." starring Jon Hall<br />
and produced and directed In Technicolor by<br />
Charles B. Griffith "Outlaws of Painted<br />
Canyon."" produced by Wallace MacDonald<br />
In color. ""Pretty Boy Floyd."" a Katcman production.<br />
August: "Me and the Colonel."' starring<br />
Danny Kaye and Curt Jurgens and costarring<br />
Nicole Maurey. directed by Peter Glenvllle.<br />
produced by William GoeU and written<br />
by S. N Behrman from his own hit play.<br />
"The Names Buchanan. " starring Randolph<br />
Scott In Technicolor and produced by Harry<br />
Joe Brown "Juke Box Jamboree." a Katcman<br />
musical production "Tlie Snorkel."" .ilarrlng<br />
Peter Van Eyck. Betta St John and Mandy<br />
Miller, directed by Guy Green and produced<br />
by Michael Carreraa.<br />
lATSE Board to<br />
Tulsa<br />
SKV, 'lOivK llir iiiiil- » iiiU i ii.eetlng of<br />
the general executive committee of the lATSE<br />
mill be held at the Mayo Hotel. TuUa. Okla .<br />
starting February 2* Tlie w.
TSn y«5?<br />
\K\o9<br />
Taud»«!!<br />
^<br />
abSSTlts<br />
r<br />
exhibitors, about its<br />
hilarious fu.*<br />
record<br />
SONGS: Teachers Pel . T
Clark and Doris<br />
are in<br />
a class<br />
i<br />
themselves in<br />
his modern unforgettable<br />
comedy that's in a<br />
class by itself!<br />
Meet<br />
v«amie -<br />
f\-megai<br />
I<br />
wv(ho calls<br />
i Instant<br />
IH Who lnv«nttd Rock and<br />
api—dih»iogv>i 0«t mora out of life . . . Oo out to a movial
:<br />
, . . The<br />
, , Arthur<br />
^-mes was borrowed<br />
by<br />
, .<br />
Sam Katzman from Warner Bros,<br />
for a costarring role with Bobby DriscoU In<br />
"The Teenage Story" at Columbia ,<br />
Bailey will play Maria In Samuel Goldwyn's<br />
production of "Porgy and Bess" .<br />
Nichols was cast for the leading femme role In<br />
RKOs "The Naked and the Dead" , , , Charlton<br />
Heston was selected to pwrtray the title<br />
role in MGMs 'Ben Hur" , O"-<br />
Connell was signed by Walter Mirisch for a<br />
top role in the Ashton production '"Man of<br />
the West" , , . Sloan Simpson will film debut<br />
In ""The Pusher." the Miro Production , . ,<br />
Accordionist Dick Contino was inked by director<br />
Lou Place to essay the title role In the<br />
Elmer C. Rhoden Jr, production of "Daddy-O"<br />
Ritz Brothers, off the screen for<br />
many years, are returning via a musical titled<br />
"Three of a Kind." which Jack Leewood will<br />
produce for 20th-Fox release . . . Rita Gam<br />
will costar with Brian Keith. Rick Jason.<br />
Mala Powers and Steve Brodle In "Sierra<br />
Baron." 20th-Fox release produced by Plato<br />
Skouras.<br />
Paramount Encountering<br />
Oil Drilling Setback<br />
There was a time when Uie magi of motion<br />
pictures looked fondly at the vaults in whlcii<br />
were stored their backlogs of finl.shed features<br />
and Intoned a logical "There's gold In<br />
them thar cans."<br />
During recent years, however, the master<br />
minds of the Industry have turned to other<br />
and varloas sources to keep their respective<br />
company coffers filled to a point where they<br />
20 BOXOFFICE February 3. 1958
. . Oramercy<br />
li<br />
. .<br />
and<br />
"<br />
do not »(tract too much wr«th from stock<br />
bolders Htid baiikcrii.<br />
Thf aimast unlvrnal salr o( prr-lW« product<br />
to trlcvLiJun Is a casf In point Tljcn.<br />
20(h•!^}X has brrn Kolns drrp Into thr<br />
bowrU of thf earth upon which lU spr«»Un«<br />
studio U built in the >uccc.v>ful search of oil<br />
More recenUy, and as woa widely publicized<br />
tn the trade and general preu. there la (he<br />
r«ftl estate development which will occupy<br />
a dominant portion of the ^ludlo's Westwood<br />
•crMMje<br />
Another studio whose land has been assayed<br />
to be potentially as productive of oil<br />
U. however, apparently encountering some<br />
difficulty In Its de.sire to capitalize on thl.s<br />
hidden black Rold with the news thai Mn>'or<br />
Norrls Poulson thLs week vetoed the ordinance<br />
providing for an oil drilling district on the<br />
Paramount lot.<br />
In a message to the city council, the mayor<br />
stated that the Irregularly -Uiaped district<br />
included at least 30 acres of residential zone,<br />
adding that the proposal to drill for oil there<br />
recalls the "representations" made at the time<br />
a dutrlct was created for drilling at 20th-<br />
Tox and charged Chat promises made at that<br />
time to owners of nearby residential property<br />
hare not been kept The mayor also said that<br />
there is no truth to the claim tluit the city<br />
has realized (533.000 in taxes from the 20th-<br />
PDx drilling, declaring that the figure Is only<br />
1140.704.<br />
Four Story Purchases<br />
Reported for Week<br />
:.• ;.•<br />
,<br />
.y^ .Hi original story by<br />
Julian Halvey and Raymond Marcus, was<br />
purchased by Columbia in a deal which also<br />
Included the authors to write the screenplay<br />
. . . "Death Greets Me Dally." a play by Jackie<br />
Coogan. has been optioned by Bartlett-JoUey<br />
Productloiu for future independent production.<br />
It's understood that actor Coogan will<br />
also appear in the screen version of his literary<br />
work . Pictures bought "Geronlmo."<br />
a yam about the famed Indian chief,<br />
as an Independent production for United<br />
Artists release . . Producer Earle Lyon and<br />
tcnpter Eric Norden obtained the screen<br />
rights to "The Little Giant." bloplc of prizefighter<br />
Bob Fitzslmmons.<br />
John Michael Hayes Joins<br />
Charles Schnee Unit<br />
Assignment agendum Charles Schnee announced<br />
that John Michael Hayes has become<br />
as.soclated with his Independent company<br />
to writ* the .icreenplay for "The Tiger<br />
Among Us" ... By Dunham has been signed<br />
by Bajac Productloiu to pen the lyrics for<br />
the theme melody of "Djcort West" .<br />
Uobcl Lennart returns to MOM to screenplay<br />
"Please Don't Eat the Daisies" . . . Arthur<br />
Welia was Inked to write an original sciencefiction<br />
yam by producer Jules Ooldstone.<br />
Roger<br />
Gorman Schedules<br />
Next for Allied Artists<br />
Roger Corman will produce and direct "The<br />
Attack of the Olant Leeches" as his next<br />
production for Allied Artistt under his twopicture<br />
pact with the studio ThL* marks<br />
the ruth horror picture to t>e dLrramr rnibarrasBlnc if Ihry dr.<br />
pli Iril low nt(ir,iN<br />
NEW YORK—Declaring that each important<br />
nrw picture U a "project In Itself" and<br />
requires the utmost In<br />
selling after Its completion<br />
lo attract the<br />
ttreotcst |>av.lble audl-<br />
I'lice. Don Hartman.<br />
producer of "Desire<br />
Under the Elms." Is<br />
prepared to devote the<br />
next six months U><br />
promote his film version<br />
of the famous Eugene<br />
O'Neill play.<br />
Hartman. who has a<br />
three-picture producing<br />
deal with Para-<br />
Don Hartman<br />
mount, paid $75,000 for the screen rights to<br />
"Desire. " which stars Sophia Loren. Anthony<br />
Pcrkln.s and Burl Ives, and has "been cleaned<br />
up and now has a highly moral tone.'" as well<br />
as a Production Code .seal, he said. He arrived<br />
from Hollywood Wednesday
7V
HE<br />
rHE<br />
EST NOVELS.. .<br />
EST PLAYS. . .<br />
Assure top entertainment from na/arner bros.<br />
NO TIME FOR SERGEANTS*<br />
PORT DOBBS<br />
DARBY'S RANGERS<br />
LAFAYETTE E S C A D R lU-^ J [th E<br />
LEFT HANDED G U r^^<br />
V Being Completed<br />
MARJORIE MORNINGS TAR *MONIONHEAD*<br />
J ]<br />
TOO MUCH. TOO SOON*<br />
J [7^ E<br />
NDISCREEf *<br />
n^ Readied for Production<br />
HOME BEFORE DARK*<br />
NAKED AND THE DEAD*<br />
ACROSS THE EVERGLADES<br />
[<br />
THE NUN'S STORY3<br />
,1<br />
CE PALACE* THE P H I<br />
L<br />
A D E L P H I<br />
A<br />
N<br />
DAM N YAN KEES** E BIG RED 1<br />
EL PASO RED<br />
AUNTIE MAME * *<br />
LETTER FROM PE KING*)<br />
THE SUNDOWNERS* ]{l<br />
HE MIRACLE**<br />
THE HANGING TREE*<br />
THE FBI<br />
YELLOWSTONE KELLY JOHN PAUL<br />
"~<br />
JONES<br />
Z<br />
THE DARK AT THE TOP OF THE STAIRS'<br />
I<br />
STORY* [as 1 U MMER PLACE*<br />
tt ••iMng nov«i * Top rated play Rigr>t out Of Ih* vary ipp draw*' journal Amarican<br />
There is no substitute<br />
I<br />
for<br />
QUALITY
—<br />
LETTERS Lettrf\<br />
Says<br />
TV Propaganda Hurfing<br />
If you dun I ihii.k tin- T\' iiulustn.' isn't<br />
out to knock out the movie Industrj' Just read<br />
the TV Guide each week Hardly an Issue<br />
without some crack at the movie Industry<br />
and how TV w ill replace it Tliere wa.s a very<br />
InteresUnK article recently by John Payne to<br />
the effect that the movie Industry would<br />
soon be a thing of the past -that we had<br />
never changed our methods until forced to.<br />
He mentioned he had made 80 movies, but<br />
now TV was the only medium left to supply<br />
entertainment. Because our Industry would<br />
soon be dead, all his plans for the future<br />
would be devoted entirely to television work.<br />
Mr. Payne's movie career was spaced over<br />
a long period of time. Some of his pictures<br />
were good and. although never a big boxoffice<br />
star, his name did pull patrons and a number<br />
of his pictures were looked -forward to by exhibitors.<br />
People saw him on our screens only<br />
five or six times a year. Just how long does<br />
Mr. Payne think he will last on TV? People<br />
get fed up with TV stars by seeing them too<br />
often. Only a few last four or five years. We<br />
will give the mediocre Mr. Payne two years<br />
at the most.<br />
Yes. TV Is in a life-and-death struggle<br />
with the motion picture industry. The stupid<br />
mistake the distributors made by giving our<br />
product to TV for the paltry millions or "the<br />
fast buck" they got from a backlog of old<br />
product saved the TV industry, when it was<br />
on the verge of going under or having to<br />
stand on Its own feet. We saved the TV industry<br />
once and it looks as if we will commit<br />
suicide by doing it again. The big brains<br />
heading our Industry think toll TV is the<br />
answer. They are being "sucked in" by the<br />
TV propaganda.<br />
Yes, I say. let's put a three-year moratorium<br />
on the .sale of movies to the TV industry.<br />
Let them use their brains and resources and<br />
produce their own programs entirely. Let us<br />
keep our movies in theatres where they belong.<br />
Hollywood is producing again; wonderful<br />
entertainment costing millions of dol-<br />
. . the<br />
lars which is paying off at the boxoffice.<br />
People have had their entertainment needs<br />
satisfied with the programs on TV .<br />
age group which attends theatres today Is<br />
between 18 and 30 years. Our lost audience<br />
Ls comprised of the younger and older citizens,<br />
whom we can bring back to theatres<br />
again with the right type of films and the<br />
proper .selling methods. It's going to take<br />
time and effort with a lot of hard-hitting<br />
showman.'ihip. but we can do It if the movie<br />
Industry will wake up before it's too late and<br />
keep the movies off TV and in the theatres<br />
where they belong.<br />
Aggie Theatre.<br />
Fort Collln.i. Colo<br />
FRANK AYDELOTTE<br />
Asks TV Clause for Exhibitors<br />
Regarding the controversy over 'I'V sales<br />
of pictures, the exhibitor can very easily rectify<br />
thU situation. A.s It stand.s today, the<br />
exhibitor Ls the one who Is paying and prepaying<br />
for thi- very features which are giving<br />
us so much concern.<br />
The features being u.sed on television alrrndy<br />
have been paid for by the exhibitors<br />
u. : In many Instances the thcatremen by<br />
•<br />
tig contracts, which in turn arc u.sed as<br />
fnu\T be i orKrd Namev withheld on request)<br />
bank collatfral. have tmaiiced llu- iimkinw uf<br />
pictures. The remedy for this situation is<br />
simple: no exhibitor should sign any contract<br />
without a clau.sc in It stipulating that<br />
the feature must not be .shown on television<br />
for the next 25 years. In this way, the producer<br />
will be bound by hLs own contract not<br />
to sell to TV. under penalty of leaving himself<br />
open to a lawsuit, for full recovery of all<br />
monies paid by him for exhibition of the film.<br />
If any producer refuses to incorporate such<br />
a clause, the exhibitor doesn't and should<br />
not sign a contract. This would mean that<br />
the producer would have to finance his product<br />
without exhibitor collateral. A stop of<br />
sales to television can be made right now.<br />
The motion picture theatre is not dead.<br />
People will come to the theatre if given something<br />
to come for. There is no business like<br />
show business when we decide to pull together.<br />
The small exhibitor with one theatre<br />
is the heart and soul of show business and he<br />
needs the help and support of the entire industry.<br />
I know the "buck" is the life blood of this<br />
business, but by reaching for the dollar, in<br />
too many instances, grave wrongs have been<br />
committed against this great Industry.<br />
College Theatre,<br />
Brantford, Ont., Canada<br />
BEN SCHACHAN<br />
Anofber Blast at TV Rivalry<br />
How can anyone in his right mind possibly<br />
think that a seven-to-ten-year clearance<br />
over TV » ill help us any when TV. with tento-25-year<br />
old pictures, has put us in the<br />
position we are in today (hundreds of theatres<br />
out of busines.s and hundreds more on<br />
the way out)?<br />
This busine.ss cannot possibly survive, if<br />
the industry continues to sell our old films<br />
to TV. I have seen several good pictures on<br />
TV this year and many more advertised as<br />
coming .soon. Many of these pictures I would<br />
have used again, if they had been kept off<br />
David Kimelman Heads<br />
Rank Branch in Phila.<br />
NEW YORK—Rank Film Distributors<br />
has<br />
opened its 15th branch office in America in<br />
Philadelphia and Irving<br />
Sochin, general<br />
.sales manager, has<br />
named David Kimelman,<br />
a veteran of 37<br />
years in the film Industry,<br />
branch manager.<br />
Kimelman. who was<br />
formerly associated<br />
with Paramount<br />
lus branch manager In<br />
Pittsburgh, n post he<br />
assumed In 1933, will David Klmrlman<br />
report to Robert Polllard.<br />
Rank regional mani«4{er. in Wiushington.<br />
D C.<br />
Rank now has offices In Atlanta, Boston,<br />
Washington, Cincinnati. Chicago. Detroit,<br />
Dnllius. Minneapolis, Kansas City, Denver,<br />
San Francisco. Los Angeles. Buffalo and New-<br />
York niv<br />
TV. One In particular from Warners, "Night<br />
and Day," was one of the best musicals Warner<br />
ever made. I have tried for eight years<br />
to get a return date on this picture. To my<br />
knowledge Warners never did offer it to the<br />
theatres as a reissue. Yet. a couple of months<br />
ago, I .saw it advertised as coming on TV<br />
This is also true with other companies and<br />
big pictures. How can we expect to sell some-<br />
giving away for<br />
thing that our competitor Is<br />
free. It doesn't make sense!<br />
Just the other day. I heard a TV master of<br />
ceremonies on one of the popular quiz programs<br />
make a remark that Ls typical of what<br />
TV is doing to theatres. The program was<br />
"Do You Trust Your Wife." The question was<br />
about movie stars. The M.C. asked the contestants<br />
if they wanted to answer the questions<br />
or trust their wives. Both elected to<br />
trust their wives. One saying he never saw<br />
movies, that he watched TV all the time. The<br />
M.C. said, in that case, he should be able<br />
to answer as well as his wife as you see all<br />
the good movies on TV. He also added,<br />
"That's the place to see them." Just yesterday,<br />
I heard another M.C. on a little local<br />
station near here, say that you see all of<br />
Hollywood's important stars and pictures on<br />
TV.<br />
With all of the good pictures they have in<br />
their possession and advertising like this<br />
how can we win? I say let TV produce their<br />
own programs and develop their own stars.<br />
Let's keep our pictures and stars off TV and<br />
on the theatre screen where they belong. I<br />
am a small town exhibitor. I used to pay the<br />
film companies $60 to $100 for good pictures<br />
and much more for percentage. Today, they<br />
are lucky to get $15 to $30. percenUge or<br />
otherwise. Reason: the common enemy—TV.<br />
Crystal Theatre,<br />
Beulah, Mich.<br />
D. O GREGORY<br />
Cites Bugs' in Pay TV Operations<br />
Don't worry about pay TV. It'.s true that<br />
It can become a problem, but not if It's<br />
handled right. All pay TV systems can be<br />
classed as one of three basic kinds. Each of<br />
these has its own problems.<br />
Cable pay TV includes Teleglobe. '51 Phonevision.<br />
the Palm Springs System, the<br />
BartlesviUe System, and a few others. There<br />
will always be small private cable systems,<br />
but large ones appear to be unsuccessful The<br />
problems of cable pay TV are well-known<br />
to many people.<br />
Coded pay TV includes Phonevlsion, Subscriber-Vision.<br />
Telemeter, and .some others.<br />
The coming tests of this kind may be very<br />
successful There is. however, one thing that<br />
will not be learned from the.se tests, and that<br />
Is the seriousness of piracy. Piracy is the<br />
a pay TV program without<br />
act of receiving<br />
paying for It. It is similar to going Into a<br />
theatre through o rear door without paying.<br />
The pay TV proprietor won't be able to loc*<br />
any door.<br />
Piracy will not become a problem until<br />
after coded pay TV becomes a good financial<br />
.success. Tliere may be laws against piracy.<br />
We will obey the law: yet we cannot .stop<br />
progress. It Is .sale to a.ssume that piracy will<br />
be technically po.sslble and profitable Gangsters,<br />
as m the prohibition era. may be attracted<br />
to it. Who will pay for the enforcement<br />
(if these laws? How much resentment<br />
will result from the police looking In everyone's<br />
home for illegal decoders? The coded<br />
pay TV people claim that theVr systems art<br />
24<br />
BOXOFFICE February 3, lOM
ptr»ic -proof<br />
ProfTMS has teen toward better<br />
understanding and more abiltty to du<br />
things<br />
Pr«ctu-ally no technical infommllon ha.hed about coded pay TV othrr<br />
than propaganda. Thu .suKxestK thnt rvrn<br />
the proponent* of coded pay TV hnve insufficient<br />
faith In Its plrate-protif leatures.<br />
Laws acalnst pay TV appear to be of qurs-<br />
Uonabie merit There '» probably .i way thnt<br />
eoded pajr TV could t>e Miuelched. Tins would<br />
occur when a court would recogiilrc the folly<br />
of tnrlnc to deal with this lmpo»tble situation<br />
and declare antl-plracy laws vntd<br />
No one seems to care at all about the third<br />
kind of pay TV at this time<br />
Van Kuys. Calif<br />
EDWARD L<br />
Questiom on TV Film<br />
BERNDS JR<br />
Sales<br />
r. w. rather hanl to ur.aci.uir.a ;he opin-<br />
:-j<br />
. expressed atwut the sale of films to TV<br />
u> that our industry could be liable for nondelivery<br />
to TV or refusal to sell.<br />
Would this mean that. In the American way<br />
of life,<br />
the manufacturer of an Item Intended<br />
for one specific use U now compelled to sell<br />
that Item anywhere, regardless of the consequence<br />
of the use of same?<br />
There was a time when the TV presentation<br />
of old movies was in 16mm. There was<br />
wme ruling that the producers did not have<br />
to convert their product to 16mm In order<br />
to meet the requirements of television.<br />
Motion picture film Is produced from the<br />
time the story Is bought until Its final completion<br />
for use on the standard-size screens<br />
of motion picture theatres. Motion pictures<br />
for theatre use were made exclusively for<br />
that purpose.<br />
Are we now to assume that the government<br />
would step In and nay that our business is<br />
compelled to let TV have our films, regardless<br />
of the manner of presentation, a fine<br />
film, for Instance, produced in Cinemascope<br />
and color? The government would say that<br />
we must let TV have that film for poor<br />
qtiallty reproduction on the .^mall TV screen<br />
m black and white?<br />
It Is a .sad situation now whereby the arts<br />
and sciences of our business have been allowed,<br />
through the .sale of old films, to re-<br />
»«rt to something that Is now offered for the<br />
«ale of products Just the same as It downgrades<br />
film stars who do commercials, the<br />
Mune Is true of fine motion pictures whose<br />
presentation on the TV screen is Intersper.sed<br />
with commercials. And yet we are told that<br />
the government might not like It. unless our<br />
nev films of today become hucksters of<br />
tomorrow<br />
Are the producers of the Broadway plays<br />
required to make their productions available<br />
for TV use?<br />
OLE TIMER<br />
Suggests Theatres Sell Records<br />
Thp pa.st frw wrrics 1 havr rrad a lot of<br />
articles In various trade magazines on the<br />
recortl bustncaa. Almost all the film companlc*<br />
now have their own record company<br />
And they are eventually going to get around<br />
to the explolUUon poa«lbllltles<br />
The only point I wish to make is why not a<br />
theatre or the exhibitor as another outlet for<br />
the wlc of th«M records "> Make It a threeway<br />
deal: reconl company, film company and<br />
theatre<br />
We have more tiuslncaa MDlng records than<br />
Minneapolis Merchants Take Over<br />
5 Loop 1st Runs for the Kids<br />
the grocery store. At any rate. I have been<br />
selling records for the past three weeks. I<br />
get them from Record Racks a guarantee<br />
sale deal where you can't get hurt with an<br />
inventory that won't sell.<br />
I .should be getting these records from the<br />
record company, with a film company Ue-up<br />
and promotion<br />
Getting back to the three weeks that I<br />
have been selling records In my concession<br />
stand as a .side line. It ha.s not been any big<br />
revenue as yet. but I luji very happy with results.<br />
I am In a .small town of 3.000 population<br />
and bu.slno.vs Is tough, but thLs record<br />
buslnes.s will build, I think, and I have nothing<br />
to lose If It doesn't.<br />
If >'ou think the above thought Is any good,<br />
drop It to a friend of yours In the business<br />
where It will do .some good and get some results<br />
on a national basis.<br />
Wayne. Neb.<br />
ExbibHor Submiis a Poem<br />
PHIL MARCH<br />
Here's a little poem I think may hold a lot<br />
of water as I had this run In my local paper<br />
and received a lot of encouragement from It.<br />
DON'T BLAME THE CHILDREN<br />
We read In the popers and hear on the air<br />
Of killing and stealing and crime everywhere:<br />
We sigh and we say as we notice the trend;<br />
ThLs young generation, where will It end?<br />
But we can be sure It's not their fault alone<br />
That, maybe, a part of It Isn't our own.<br />
Are we less guilty who place In their way<br />
Too many things that lead them astray:<br />
Too much money to spend, too much Idle<br />
time:<br />
Too many movies of passion and crime:<br />
Too many books not fit to be read:<br />
Too much evil in what they hear said:<br />
Too many children encouraged to roam<br />
By too many parents who won't stay at home:<br />
No love and affection for the kids that are<br />
their own?<br />
Kids don't make the movies, they don't write<br />
the books<br />
That paint gay pictures of gangsters and<br />
crooks:<br />
They don't make us liars, they don't run the<br />
bars.<br />
They don't make the laws, they don't buy the<br />
cars.<br />
They don't peddle the drugs that addle the<br />
brain.<br />
That's all done by older folks greedy for gain.<br />
Delinquent teenagers: oh. come now. who are<br />
we to condemn?<br />
The sin of the nation and blame It on them<br />
By the laws of the blameless, the Savior<br />
made known.<br />
there among us to cast the first stone.<br />
Who Is<br />
For. in many ca.ses. It's sad but. oh. how true.<br />
The title. "Delinquent." must fit the older<br />
folk, too<br />
We need more family pictures to get the<br />
family coming back to gixxl ibows. HBXPt<br />
HELPf<br />
Kan.
Rank Will Distribute 15<br />
Films in 9'Month Period<br />
NKW YORK- Rtuik Klliii Dl.^tnlJUUJ^.^ will<br />
releasp 13 reRuUr tea lures, plus two specialized<br />
films, during the first nine months of<br />
1958. accordlnR to Irving Sochln. general<br />
sales manager, following the close of the<br />
company's five-day sales meeting at the<br />
Hotel Warwick Tuesday i28>. Seven of these<br />
films will be In color. Sochin said.<br />
The two specialized films are: •TTie Bolshoi<br />
Ballet." filmed in Eastman Color and<br />
starring Galina Ulanova In the two-act version<br />
of Giselle." and Laurence Olivier's production<br />
of "Henry V." being presented for<br />
the first time in new widescreen Superscoije<br />
and Technicolor, both of which will be given<br />
per.'ionHlized handling by a team of RFDA<br />
personnel trained for these types of films.<br />
"Henrj- V" was originally released in 1946.<br />
T\\e 1958 releases — through September will<br />
include: Januar>- 'Across the Bridge."<br />
surrlng Rod Steiger: February—"The Secret<br />
Place." starring Belinda Lee and Ronald<br />
Lewis, and Smiles of a Summer Night." a<br />
SwedLsh film with Ulla Jacob.son and Eva<br />
Dahlt>eck: March—•Campbell's Kingdom." in<br />
color, starring Dirk Bogarde. Stanley Baker<br />
and James Robertson Justice: April—"The<br />
One That Got Away." starring Hardy Ki-uger<br />
Also. May— 'Hell Etrivers." starring Stanley<br />
Baker. Peggy Cummins and Herbert Lom;<br />
and "Robbery Under Arms," in color, starring<br />
Peter Finch. Maureen Swanson and Ronald<br />
Lewis: June— "Dangerous Exile." in color,<br />
starring Louis Jourdan. Belinda Lee and<br />
Anne Heywood: July — "Night Ambush."<br />
starring Dirk Bogarde with Marius GorinR<br />
and Cyril Cusack. and Windoms Way. "<br />
in<br />
color, starring Peter Finch and Mary Ure:<br />
August—"The Gypsy and the Gentleman."<br />
In color, starring Melina Mercouri. Keith<br />
Mitchell and Flora Robson. and "Seven<br />
Thunders." with Stephen Boyd. James Robertson<br />
Justice and Kathleen Harrison.<br />
The September 1958 release will be: "Violent<br />
Playground." with Stanley Baker. Anne<br />
Heywood and David McCallum.<br />
The 1958 relea.se program for RFDA will<br />
be supported by an extensive advertising<br />
ballyhoo publicity and "circus-type" exploitation<br />
campaign, which will include national<br />
tours by Rank stars and national tieups<br />
and local-level, pre-tested newspaper and<br />
ad campaigns, according to Geoffrey Martin,<br />
director of advertising, publicity and exploltalioii.<br />
Tills proiiiolion campaign will ty conducted<br />
by a staff which Includes: Steve Edwards,<br />
advertising and publicity manager,<br />
and Leo Pillot. exploitation manager. RFDA<br />
will al.so urge exhibitors to gel out with the<br />
field men and promote new standards of<br />
showmanship. Martin said.<br />
A drive will also be made to .sell the 13<br />
Rank releases for 1957 to conventional and<br />
drive-in theatres where RFDA product has<br />
not yet been exhibited. Sochin .said. He al.so<br />
urged all the Rank regional and branch<br />
managers to keep clo.ser watch on prints<br />
which are handled by National Film Service<br />
.so that theatres get film In the best po.sslble<br />
condition.<br />
Sochin also discussed billings, collections<br />
and inspection of prints on Friday
according<br />
Landau.<br />
Added Censor Power<br />
Will be Asked in NY<br />
V<br />
\NY A UlU iiuiiit; '.lie Stutr KducttUoii<br />
..nits motion picture dlvUMon gmitcr<br />
povkcr m the field of film »dverU5lnK will be<br />
introduced in the leRUlnture here, according<br />
to James A. Pltzpntxlck. counsel for the<br />
joint levL-Jatlve committee studyUlK "offensive<br />
uiid otk^clne" publications, motion and<br />
UIl pictures<br />
Pttipatrlck ii.vk«l l>r Hugh M Flick, former<br />
director of the State Education Departmenfs<br />
motion picture dlvLMon and present<br />
executive assistant to the state education<br />
eommUsloner. who appeared as one of the<br />
final «-1tnessm at a public hearing, whether<br />
a "properly drawn" statute authorlzlrtK the<br />
division to act "If It found (rr«x« mlsrepresentaUon"<br />
of films already licensed would<br />
be helpful. FUck said it would.<br />
Current New York advertising on "The<br />
Oarden of Eden." which the court of appeals<br />
recently ordered the regents to license, was<br />
severely criticized by Fltzpatrlck and SKt<br />
Frank McDermott of the New York City polk*.<br />
They charged It emphasizes that the<br />
nudist picture had been denied a license, and<br />
Fltxpatnck claimed the advertising left the<br />
impression the public would see an "orgy of<br />
sex."<br />
Fltzpatrlck aI>io criticized the increased<br />
prices for "Peyton Place," which he said he<br />
believed were predicated on the sensational<br />
adA-ertising of the iwvel. much of which Fltzpatnck<br />
thought "sordid and nauseating."<br />
New Y'ork theatre advertising of horror<br />
films came In for a blast, too. including<br />
posters promoting "The Vampire." Copies of<br />
ads and two 40x60$ were read Into the record<br />
NY Governor Ircludes<br />
Film Tax in Budget<br />
.ALBANY The apparent confidence of the<br />
state administration that motion picture IIcertslng<br />
will continue, despite recent adverse<br />
court decisions, found reflection In the annual<br />
budget and message which Gov. Averell<br />
Harrlman sent to the legislature Monday.<br />
A breakdown of revenue estimates contained<br />
a section devoted to 'motion picture<br />
tax." In which the Governor reported that<br />
the yield for 1967-58 «-ould be MSO.OOO. on<br />
the basis of collections durlni; the first nine<br />
months of the fUical year. Terming the receipts<br />
"almost Identical" with those of a comparable<br />
period last year. Harrlman went on<br />
to say. "The same revenue «M60.000) Is an-<br />
Uclpated for ISftS-M."<br />
The tax U collected at the rate of $3 per<br />
thousand feet for original films licensed by<br />
the State Education Department motion plc><br />
ture division and t3 per thousand feet for<br />
coptea.<br />
PTTTSBUROH— Pmniylranla superior<br />
court has upheld an adnUsakm tax imposed<br />
by the itchool board of Franklin township<br />
In Greene County The action stemmed from<br />
an appeal tiled l>y Durward Coe aiul Louts<br />
Stulcr. owners of the Waynesburg Drtve-In.<br />
who claimed the le%7' was unconstitutional.<br />
Owners of a »katlng rink had Joined with the<br />
outdoor theatre owners as plaintiffs They<br />
declared that the admission tax was not<br />
onlform uuumuch a* other amusements were<br />
not taxed The Greene County common pleas<br />
court prevkwuly dUmlssed the complaint to<br />
restrain the school board from collecting<br />
lax.<br />
tiie<br />
Possible Dearth Is<br />
Seen<br />
Of Old Pictures for TV<br />
To<br />
Show Selecfivision<br />
TV Sysfem Feb. 14-20<br />
NEW VORK— Demonstrations of Se-<br />
Ifctlvlslon in operation will be held February<br />
M through February 20 The demunstmtloa><br />
of the home theatre project<br />
will be held In five areas In New York,<br />
St Louis. Wllke.s Bnrre. Pa., and Bridgeport.<br />
Conn . to Bernard Croldenberg,<br />
Selectlvlslon executive.<br />
The pictures will originate In area theatres<br />
and will be transmitted to homes<br />
and apartment houses Goldenberg said<br />
two major companies were supplying 1957<br />
product for the test showings. These<br />
showings, he explained, will be primarily<br />
for the press. Demonstrations for the<br />
public will k>e held at a later date. As the<br />
result of a newspaper story on the process,<br />
the company has received 9,000 requests<br />
from the public to witness demonstrations<br />
when they ore held.<br />
The New York showings will be held<br />
In Kew Gardens, Forest Hills, Rego Park,<br />
one uptown area and one downtown area<br />
Saal Gottlieb Named Head<br />
Of NY Film Trade Board<br />
.\K\V<br />
VoltK— Sual Gollhtb, Lotw s-.\IGM,<br />
W.I.N ui.st.illfd as president of the New York<br />
Film Board of Trade at the organization's<br />
office January 24 Jo.seph Sugar. United<br />
ArtlsUs, was named first vice-president;<br />
Joseph Rosen, Unlversal-IntematlonaJ, was<br />
named second vice-president: Alex Amswalder,<br />
20th-Fox, treasurer; Ernest Sands,<br />
Warner Bros., secretary, and Nat Cohen,<br />
.sergeant-at-arms.<br />
The new officers celebrated the Ir^stallatlon<br />
with the wives at the Waldorf-Astoria<br />
Hotel that same night.<br />
N.Y. Suit Discontinued<br />
NEW YORK— Dl.icontlnuance of on antitrust<br />
suit In behalf of the Elmwood Theatre,<br />
Queens, against RKO has been filed In federal<br />
court Damages of $1,060,000 have been<br />
.lought by Sogmore Realties, operator of the<br />
theatre .since IMS, and damages of $1,650,-<br />
000 by Copark Theatres, operators from 1946<br />
to 1949 RKO had been the only holdout<br />
among a number of major distributors and<br />
circuits sued over alleged discrimination and<br />
elimination of competition.<br />
Rites for A. J.<br />
Leonard<br />
Nt.".V VOltK Ku;;.:.4; ...::wc:. Acre held<br />
Monday iJ7t for Arthur J Leonard. 57.<br />
chief a
am<br />
'Arms<br />
Has Good Opening Week As<br />
Holdovers Dominate B'way Scene<br />
NEW YORK—SelznicK ^ A Farewell lo week at the World Tliealre, while "And God<br />
Arms." the lone new Brottdway picture of Created Woman" was still smash In Its 14th<br />
the week, had a good openlns week at the week at the ParLs and "Gervalse" set a new<br />
Roxy. de^plte unfavorable reviews from most record for the tiny 5th Avenue Playhouse<br />
of the newspaper critics Most of the other while continuing lo strong bustne.ss In Us<br />
Broadway first runs were down while await- llth week at the Baronet.<br />
InB new product, the first since Christmas in lAvcrage ii lOO)<br />
.^v„r,.l ^..^^^ Aitor—Wild li fh. Wind {Pata). 7lh wk 120<br />
several ca-ses.<br />
Boronct—— Th« Ten Commondm.nt. (Pora).<br />
64th wk of Iwo-T^loy 14U<br />
City Music Hall, where the total gro-'s was Embassy—Th» Golden Age of Comedy (OCA),<br />
over $1,300,000. just slightly below the record 6th wk<br />
,<br />
.^.^ l \ll<br />
, ,.- i, . ^ .. I.. L. 1 J f'"0 Arts—Gotos of Porn Lopcrtl. 2nd wk<br />
. 135<br />
take for "The Great Caruso, which played j,^ Avenue—Gervoisc Com i). 2nd wk I70<br />
ten weeks m 1951. Also smash were two of 55th sttcot—The Boishoi Boiiet irfda). 6th wk no<br />
. ,, ..— ,, T» ij .u Guild—The Ship Wos Looded Arthur). 2nd wk .120<br />
the tT»0-a-day films. "The Bridge on the<br />
L,ttlc Carnegie T|,c Adulteress (Tes). 2nd wk. 125<br />
River Kwai." in its sixth week at the Palace. Loews stai
DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />
DOUBLE SPECTACLE-TERROR!<br />
FABULOUS! FANTASTIC! TERRIFYING!<br />
MOrOJVIOUS BEAUTIES LOST IN A FANTASTIC HELL'ON'EARTH!<br />
ViimaWMisii<br />
-J<br />
EVIl-<br />
BClUTlFUt<br />
DEADLY<br />
V r-^<br />
4<br />
..'^<br />
ABBY DALTON SUSAN • CABOT • BRAD JACKSON<br />
MNE KEMNa RICHARD DCVOM<br />
• tifui mt ItKtM l| Httl CMMU<br />
U UtCHCM ntflMIIMU nciMt<br />
SEE ^VSEE<br />
Umi \ ClAXT<br />
LiiooDmiuusoFti susEiinmoF<br />
lOSTEMPIIE' .^ mVOiiTn'<br />
SEE^ SEE<br />
TWO mm T SUPtRWOMEN<br />
or MONSTROUS 1 WITH THE COUUSE<br />
niROI' ^^ Of CUNTS'<br />
)RGE<br />
WALDMAN
BROADWAY<br />
1^.irtin Davis, who will move from Allied<br />
ArtLsta to Paramount, was honored at<br />
a luncheon tendered by AA executives at<br />
Toots Shor's Friday (24 1 HostinK the affair<br />
were GeorRe Burrows, Edward Morey,<br />
Morey Goldstein, Norton Rltchey and John<br />
Fllnn. Personnel of the ad-publlclty department<br />
also attended. Davis will be executive<br />
assistant to Jerry Plckmnn. Paramount vicepresident.<br />
• • * Monroe Greenthal and David<br />
Dlener of the Monroe Greenthal Co left for<br />
the coast to confer with producers on advertlslnu<br />
plans for forthcoming product. • • •<br />
Bemie Kamber. advertLslng chief for Hechl-<br />
HlU-Lancaster, off to Holl>-wood for a threeweek<br />
slay on plans for "Separate Tables"<br />
• • •<br />
Director Henry Koster to Rome to prepare<br />
shooting on the life of Goya. • • • Here<br />
from the coast Is Wll'.lam Orr, Warner Bros,<br />
television executive producer. • • • Rouben<br />
MamouUan Is here to complete casting on<br />
Samuel Goldwyn's "Porgy and Bess."<br />
IT<br />
Norman Hasselo. personnel director of<br />
United Artists, was tendered a testimonial<br />
dinner Saturday i25i by the Bay Ridge Post<br />
of the American Legion, of which he was<br />
commander In 1956-57. " * • Eliot ElUofon.<br />
photographer for Life Magazine, has left for<br />
Holl>'wood where he will be color coordinator<br />
on "Bell. Book and Candle" at the Columbia<br />
studio. • • • Richard Brandt, president of<br />
Trans-Lux TTieatres. and Mrs. Brandt are<br />
vacationing in Puerto Rico and the Virgin<br />
Islands. • • • Ben Shlyen. publisher of BOX-<br />
OFFICE, was in town la.st week from Kan-<br />
.sas City. • • • James MacArthur. star of Walt<br />
Disney's "The Light in the Forest," is on a<br />
two-week tour of Mexico. • • • I*at Wayne,<br />
son of John Wayne, is in New York for meetings<br />
with Buena Vista executives on "The<br />
Young Land." in which he stars. * * * Peter<br />
Glushanok. documentary director and photographer,<br />
will teach a class in advanced motion<br />
picture direction at City College during<br />
the spring term.<br />
w<br />
Sandra Dee. who will star with Rex Harrison<br />
and Kay Kendall In MGM's "The Reluctant<br />
Debutante." to be filmed In London, left<br />
for E^irope Wednesday c29i, ' ' * Zsa Zsa<br />
Gabor, who completed "Queen of the Universe"<br />
for Allied Artists, got in from the<br />
coast January 29, and Ruta Lee, who plays<br />
In "Witness for the Prosecution," arrived Friday<br />
i31i for promotion appearances for the<br />
opening at the Astor February 6. * * • Pat<br />
E-4<br />
f9<br />
Wayne, actor-son of John Wayne, is here<br />
to publicize his "The Young Land." a Buena<br />
Vista release His mother. Mrs. Josephine<br />
Wayne, accompanied him. * * * John Saxon,<br />
Universal's young star, is al.so In New York<br />
for promotional activity for "Summer Love,"<br />
II teenage musical. • * * Robert Ryan returned<br />
to Hollywood Thursday i30i after<br />
conferring with United ArtLsts executives on<br />
"Crod's Little Acre." In which he stars.<br />
»<br />
Glna Lollobrlglda is the latest of the foreign<br />
"glamor gals" to come to the U. S. to<br />
publicize their American releases. She Is here<br />
to attend openings of "Beautiful but Dangerous"<br />
for 20th-Fox In Washington. Baltimore<br />
and Boston and for the opening at the Mayfair<br />
Theatre here February 5. Romy<br />
Sclinelder. German star of "The Story of<br />
Vickie." was here In January, and Maria<br />
Schell. the much-acclaimed .star of "Gervalse."<br />
will arrive from Munich in mid-February<br />
to attend the opening of her first<br />
Hollywood film. "The Brothers Karamazov."<br />
at the Music Hall. Claire Bloom, al.so In<br />
"Karamazov," stopped off in New York en<br />
route to London to play in "Lucrece" on the<br />
stage there.<br />
Sloan Simpson. David Ford and Lee Jones<br />
were added to the cast of "The Pusher,"<br />
MIro Productions feature being shot on location<br />
in New York and at the MIkaro Studios.<br />
Sam Leve, theatrical scenic designer,<br />
will design the sets for the Harold Robbins<br />
production. At the Gold Medal Studios,<br />
where Harry Foster Is producing "Let's Rock"<br />
for Columbia release. Wink Martlndale.<br />
Memphis dLsc jockey, has been signed for the<br />
cast and Peter Gennaro. Broadway musical<br />
choreographer. Including "The West Side<br />
Story," has been signed to handle the picture's<br />
choreography. * * • Ina Balln, who<br />
.-scored in the current Broadway hit, "Compulsion."<br />
left the cast to go to Hollywood to<br />
make her .screen debut in "Black Orchids."<br />
starring Sophia Loren.<br />
After receiving the Burstyn Award for<br />
Gervalse" Thursday evening, its producer.<br />
Annie Dorfmann hopped back to Paris. • • *<br />
Louis Novins, president of International<br />
Telemeter Corp.. Is in town from Holl.vwood.<br />
• ' • Touring the south in the interest of<br />
"The Ten Commandments" Is Edward Chumley.<br />
Paramount home office .sales executive.<br />
• • • Kenneth MacKenna. MGM story editor.<br />
A familiar scene for dritre-in owners! Sal Mineo in "Dino"<br />
wot introduced largely at outdoor theatres, and its dark<br />
filming caused many headaches Photo controsts paint<br />
with Plost X Plate screens and may hove had a lot to do<br />
with the success of this film's premiere<br />
Wall Sfreeper, "309" manager, ot Springhouse, Pa said<br />
,<br />
'Dino' did big business with me, but I think the moin<br />
reason was that they could see it" Walt headlines his<br />
Plost X Plate screen on his programs, PA announcements.<br />
A good meosure of patron reaction to your own screen is<br />
to check on how "Sol" ond you mode out' How was it'<br />
If your "gate" looked more like the dork holf of this<br />
photo, we'd be very happy to give you the facts behind<br />
twice (he picturt tor holt the cost with Ploil X Plate<br />
Write today to GEORGE ENGLISH<br />
PLAST X PLATE<br />
IRWTN. PA<br />
UA<br />
Harry Goldstein to<br />
In Promotion Post<br />
NEW YORK -Harry Goldstein, veteran indu.stry<br />
theatre and promotion executive, has<br />
been named coordinator<br />
of New York<br />
campaigns for United<br />
Artists. In the newly<br />
created post, he will<br />
work on promotion for<br />
the opening of UA releases<br />
In New York,<br />
under the supervision<br />
of Roger H. Lewis, national<br />
director of advertising,<br />
publicity and<br />
exploitation. Goldstein<br />
served with Brandt<br />
Theatres for 24 years.<br />
Harr><br />
Gold.st«in<br />
arrived from the studio last week and will<br />
stay until February 8. * * • Al Fitter. United<br />
Aiaists western division manager, back In<br />
town after a trek to Minneapolis and Kansa.s<br />
City. • • • Charles Boasberg, Warner Bros<br />
general sales manager, and Jules Lapldus,<br />
assistant general sales manager, hit the trail<br />
to Chicago. Cincinnati and Indianapolis last<br />
week. • • " Leonard Pearlman. UA's manager<br />
In South Africa, here for home office parleys<br />
And Alfred KaU. the company's home office<br />
foreign department executive, shoved off<br />
for Central and South America. * • ' Rabbi."^<br />
at two New York temples devoted their sermons<br />
last week to "The Bridge on the River<br />
Kwal."<br />
Catherine Harbula. secretary to Nick Justin,<br />
managing director of the RivoU Theatre, was<br />
married Saturday i25i to Theodore V. Marslcovetere.<br />
an engineer for Consolidated Edison<br />
Ttiey are honeymooning in Washington The<br />
bride has been with the Rlvoli since 1946<br />
• * * Audrey Louise Aslrin. daughter of Neal<br />
Astrin of the United Artists sales department,<br />
has announced her engagement to<br />
David Tell, a student at Columbia Law School<br />
• * •<br />
Newlj-weds Natalie Wood and Robert<br />
Wagner left New York for Hollywood after a<br />
four-week hone\Tnoon.<br />
The eighth annual Communion Breakfas*.<br />
for Catholic people in the motion picture Industry<br />
was held Sunday i26i at the Hotel<br />
Waldorf A.storla following mass at St<br />
Patricks Cathedral. • • * Glna Lollobrlglda<br />
Is due In town this week to attend the New<br />
York opening of "Beautiful But Dangerous"<br />
at the Mayfalr Tlieatre on February 5. She<br />
al.so will attend openings in Washington.<br />
Baltimore. Boston and Toronto. * * * Erin<br />
O'Brien is In New York from Hollywtxxl.<br />
Worldwide Coverage Set<br />
For Fox Film Opening<br />
NEW YORK HighllKhtji of the charity<br />
premiere of "Beautiful But Dangerous" Wednesday<br />
(5 1 at the Mayfalr Theatre will be<br />
broadcast by the Voice of America to France,<br />
Oermany, Austria and Italy. Celebrities, Including<br />
Glna Lollobrlglda. will be Interviewed<br />
ul.so by the Armed Forces radio network and<br />
the "Monitor" program of the National<br />
Broadca-sUng Oo.<br />
MGM's recently purcha.sed novel. "A Time<br />
lor Paris." Is a .starring vehicle for Debbie<br />
Reynolds<br />
BOXOmCE February 3. 1950
. For<br />
SYRACUSE<br />
T !»«•» SUU. fUic^hlp tjjrntn? of the Ixxa<br />
circuit »lii-n I', ojirnrd In Frbnmry II'JH<br />
wUl ob«*n-e It.^ 30tli annlvfrsao' *it^ '•>«"<br />
oprnlns o' "Rnlntrrr County." accordlnK to<br />
8«m Oilman. nmnaKfr For thrrf wcrlw.<br />
Lopw's State lla.^ l>pfn attmctlng customers<br />
with "Don't Oil Near the Water" ... At<br />
Uwws Stnmd. "And Ood Created Woman"<br />
Is in Its fourth week "Peyton Place" U<br />
ItokUnc four neek.s at Schlne's Parantount.<br />
TiM R*tenl Thealrr, .vjld to Symeus* UnlverMty.<br />
»-«s cli«««l laat vn>ek "Darby's<br />
.<br />
R*n«ers." Sol SorkUi of RKO Kelth'.s haa arrmnced<br />
for Explorer Scxnits to build a bridge<br />
in front of the theatre under the marquee.<br />
Sorkln. who was recently in Boston for a managers<br />
meeHng. Is proud of daughter Lynnc. a<br />
junior at Syracuse University, who made the<br />
deans honor ILit Beginning Febrriary 5 all<br />
RKO theatre managers will be trying for<br />
11.750 to be dUtributed in 350 prizes for ways<br />
to improve business Sorkln has special shows<br />
planned for Saturday afternoons There will<br />
be a rock "n" roll film show late Friday night<br />
il4> and a special 30-cartoon kiddy show<br />
rebniary 13 for the Lincoln's Birthday hoU-<br />
Midtown Theatre, dark for a long time. Is<br />
playing The Garden of Eden" . . . The Franklin,<br />
a former neighborhood house turned art<br />
theatre. U doing well with "The Devil's General-<br />
BUI Shirley, press agent who claims<br />
jrears well over three score and ten. distributed<br />
a dividend "stock split" of 29 cents for<br />
Christmas greetings Bill claims that he<br />
mailed more than 400 of the greetings and<br />
put $116 on deposit at the Marine Trust Co..<br />
Buffalo, for those who ca.shed In. In Buffalo<br />
they "ganged up" ^n BUI and cashed the<br />
checks Others framed them as souvenirs.<br />
The time limit U up The checks are not good<br />
after February I<br />
Robert Levitt, 47, Dies;<br />
Was Once With Selznick<br />
N"EW" YORK— Robert D Levitt. 47. former<br />
CAslem director of advertising and publicity<br />
for David O Sel/nlck and a Screen Gems executive,<br />
was found dead .Monday i27i at hU<br />
home at Ea.«t Hampton. Long Island He left<br />
a not* addressed to "To whom It may concern<br />
" Many bottles containing sleeping pills<br />
were found in the house.<br />
L«%-ltt. a former hu.'tband of Ethel Merman,<br />
musical comedy star, was well known<br />
•• a newspaper and teletislon executive He<br />
was president of California National Prodttctlon.^.<br />
TV film producing .luboldlary of the<br />
National Broadcasting Co. He left NBC December<br />
& last<br />
He joined Selznick after the war and left<br />
to rejoin the Hearst ne»%poper organization,<br />
becoming a vlce-pre-ildent and director<br />
He joined Screen Gems in 196S and left to<br />
(0 with NBC He leaves hU alfe. Mrs Barbara<br />
Kazanjlan Levitt: two brothers. Arthur<br />
Lerttt. New York SUte controller, and George<br />
Leritt. and two children by his maniage to<br />
Ethel Merman. Ethel. 13. and Robert. 13<br />
New Post for Al Sherman<br />
:.i,v. \.).^: '.A- ;-.... ....--. r aii-<br />
Amcncan Prcas. announces that Al Sherman,<br />
publicist and witter, has been appointed executive<br />
trade contact and feature writer<br />
Sherman wiu head—M.irtlii l)avl» tlhlril (ri>m Irfli. Allied<br />
ArlNIs flr|i.irlliiK ciNlrrii .i>l piih illrritnr. was hiuinrril b> .\.\ r\eiullvr» »llh a lunrheoii<br />
at TiMitx Shi>r's. I'Uturrd hrrr wUh tlir »ur»t i>f Ixiiior are. left to rlxht. hooU<br />
.Morry It. (Mildsleln. »lrr prrsldriit and erneral v.i|ps nutnatrr; KduartI Morry. vlrrl>rr%Ulriil;<br />
Martin l>av»>.^ John < Ulnn. national ad-puh dlrrrlor; . Itltrhey. vI.t -prrslilrnt of \\ I'liiurr^ ( orp.<br />
and prrMdrnt of \\ Iiilrrnatloiial (orp. \I>m> atlendlnc Ihr liiiirliron «ere Nei» York<br />
r\p»uti>rs Arthur (.rr.nblalt. I arl lt
. . Phil<br />
. . Maury<br />
. . The<br />
. Norman<br />
New<br />
. . The<br />
BUFFALO<br />
f^roTfe II. Mackrnna, manaKlHR dlrt'ctor of<br />
B.iMl'.s Lafayette and active in numerous<br />
civic affairs, has been elected to memben-hip<br />
in the National Council of the USO Mackenna.<br />
who Is local chairman of the USO.<br />
will attend a meeting of the national body<br />
March 5. 6 in Washinuton . Tcck.<br />
Buffalo home of Cinerama, is continuing lis<br />
presentation of the third attraction. "Searrh<br />
for ParadUe." ihrouKh February. It orlginally<br />
had been planned to fold February 1.<br />
Tlie closing date has been postponed because<br />
of many requests from organizations in western<br />
New York and alcmc the Canadian border<br />
that the showing be extended. For instance<br />
the apparatus optical division of the Eastmaji<br />
Kodak Co. recreation clubs of Rochester<br />
has ordered all seats for the evening showing<br />
on February 19. Teck officials said special<br />
rates will remain in effect for large groups.<br />
When Manager Lou Lrvitch of the Granada,<br />
north Buffalo Schine community house,<br />
announced that the long run of "Around the<br />
World in 80 Ehiys," was to close January 29.<br />
he received a landslide of reserved seat<br />
orders and now the run will continue through<br />
February 5 ... A tightrope walker may cross<br />
the Niagara Palls gorge below the cataract as<br />
part of a Columbia production. "The Big<br />
Circus." In a letter to the Greater Niagara<br />
Chamber of Commerce, the film producers<br />
said the walker would make the trip in<br />
safety. A wire from a helicopter and two<br />
from both sides of the river would prevent<br />
him from plunging 200 feet into the gorge.<br />
Most of the shots would be made from a long<br />
distance, not showing the wires or the helicopter.<br />
Closeups would be done in the Columbia<br />
HoUjT^'ood studios, using Niagaia<br />
PalLs .scenes as a background. The company<br />
must first obtain permission from the Niagara<br />
Parks Commission in Ontario. Canada, and<br />
the Niagara State Parks Commission in Niagara<br />
Palls. N. Y.<br />
It Is reported that Ployd Fitzsimmons. exploitation<br />
representative for MGM in the<br />
Buffalo. Albany and New England areas, has<br />
severed his connection with the company<br />
with which he has been a.s.sociated over 15<br />
years . Engel, 20th-Fox exploitation<br />
representative, was in Buffalo the other day,<br />
assisting local Paramount Theatres executives<br />
in advance promotion for "A Farewell<br />
to Arms." which ha-s started a run in the<br />
Center Theatre . Slotnick. former<br />
co-owner and manager of the Cinema In<br />
Rochester, has taken over the management<br />
of the Astor In Syracu.se, which has been renamed<br />
the Cinema and will be operated as a<br />
.specialized film house.<br />
The ZIff family of Fort Erie, Ont., across<br />
the border from Buffalo, ha.s in.serted the<br />
following notice In the Fort Erie Times Review:<br />
"For thirty years. It has been our<br />
privilege to serve you with wholesome family<br />
film entertainment. We take this opportunity<br />
to thank you for all those good years of<br />
( IIK K TO (LINK —The Varirly Club<br />
(if K'jfr.iln presented a check for $.50,672<br />
In ll-.r riTctiral palsy clinic of Tent 7 In<br />
the Childrrn's Hospital and the rehabili<br />
ation center for children of the<br />
Children's Hospital and the Crippled<br />
Children's (luild at the iMh annual installalion-iliiiiier<br />
the cither eveninK in the<br />
Hotel Statler. In the photo. Mrs. Dudley<br />
M. Irwin president of the board of manaeers<br />
of Children's Hospital, is receiving<br />
the cheek from Marvin Jacobs. riBht,<br />
chairman of the club's heart committee<br />
as Harold Bennett, outgoing chief barker,<br />
looks on. It was the largest amount ever<br />
raised by (he club for its charities.<br />
friendship and patronage. With deep regret<br />
we announce that about April 27. 1958, the<br />
Parkway Theatre will close as a theatre.<br />
Television and other forms of entertainment<br />
have made it impossible for us to continue.<br />
Plans are now completed for this fine building<br />
which will become the Parkway bowling<br />
center. Work will commence immediately<br />
after closing, about April 27. and is scheduled<br />
for completion about June 20. Tlie Fort<br />
Erie Drive-In will continue to operate, and<br />
we will u.se our years of experience and efforts<br />
to bring to you the best of movie entertainment<br />
there. A new policy for the Fort<br />
Erie Drive-In will be announced later. Again,<br />
thanking you, one and all, the Ziff Family."<br />
H. H. Martin. U-I general sales manager,<br />
and Pete Dana, eastern division sales chief,<br />
were in Buffalo for conferences with Manager<br />
Ike Erlichman and members of his staff<br />
Dewey Michaels, who operates the Palace<br />
in downtown Buffalo as a burlesque house,<br />
has changed the policy for a limited time and<br />
is pre.senting a screen attraction, "Garden<br />
of Eden." The second feature is "Blonde Sinner."<br />
E. A. Williford to Retire<br />
As Link Aviation Head<br />
BIiNCiHA.VnoN. N Y --K AliaJi Wllllford<br />
has applied for retirement as president of<br />
Link Aviation, a subsidiary of General Precision<br />
Equipment Corp.. following his 65th<br />
birthday. The board is expected to act on<br />
his request early this month. He will continue<br />
as a director of Link and probably of<br />
other GPE subsidiaries. He Is a past president<br />
of the Society of Motion Picture and<br />
Television Engineers.<br />
ALBANY<br />
Qolosseum Lege 24 held a meeting late Mondiiy<br />
afternoon at which Ralph Rlpps<br />
MGM. was admitted to member.ship and<br />
o;hcr business was transacted 20th-<br />
Fox exchange has<br />
.<br />
mapped an all-out effort<br />
for the Alex Harrison testimonial drive March<br />
2-29. A Fox picture on every .screen is the<br />
goal<br />
. Weltman. U-I manager,<br />
huddled with James Benton, head of Benton<br />
Theatres, and Frank Williams, booker, in<br />
Saratoga.<br />
.Mark down .Monday as a red letter day on<br />
Filmrow It went into the records as the<br />
first time Sid Kallet of Kallet Theatres.<br />
Oneida, had visited a local exchange In many<br />
months. Kallet and his nephew Bob. .son of<br />
Myron "Mike" Kallet. checked into the Columbia<br />
branch and went next door to attend<br />
a preview of "The Bridge on the River Kwal ."<br />
Among others viewing the film were Ella.s<br />
Schlenger. Fabian division manager, and<br />
Irene Econome. Fabian booker: Sylvan Leff.<br />
operating theatres in Utica. Watertown. and<br />
Pittsfield, Mass.. and Mrs. Leff: Leonard L<br />
Rosenthal and John Capano, Upstate Theatres,<br />
Albany: Alan Iselin, of)erator of Auto-<br />
Vision. East Greenbu.sh: Bill Barrington.<br />
manager of Neil Hellman's Turnpike Drive-<br />
In. Westmere.<br />
Introductions to exchange personnel and<br />
a luncheon with area exhibitors highlighted<br />
the first visit to Albany of H. H. "HI" Martin<br />
as U-I general sales manager. Martin, accompanied<br />
here from Boston by Division<br />
Manager Pete Dana and District Chief Joe<br />
Gins, is making a swing of eastern branches.<br />
They played host at a luncheon to Ellas<br />
Schlenger. Fabian division manager: Leonard<br />
L. Ro.senthal. counsel and adviser on film<br />
buying to Upstate Theatres: George V. Lynch,<br />
chief buyer for Schine circuit, GloversvlUe:<br />
William Kraemer. Schine head booker: Neil<br />
Hellman. Hellman Theatres: Alan V. Iselin.<br />
son-in-law of Hellman and operator of Auto-<br />
Vision. Ea.'t Greenbush: Alfred Swett. manager<br />
of the Stanley Warner Strand: Sylvan<br />
Leff. of Highland and Rialto. Utlca. Town<br />
and Black River Drive-In. Watertown. and<br />
Pltt.sf.eld Drlve-In. Pittsfield. Mass.<br />
Exhibitors Give Statue<br />
Of Moses to Hofstra<br />
NEW YORK—Dr Jack T. Johnson, vicepresident<br />
of Hofstra College, will accept a<br />
reproduction of the Michelangelo statue of<br />
Moses fr»m a group of exhibitors Thursday<br />
i6>. Among the exhibitors will l>e Max<br />
Cooper. Cove Theatre. Glen Cove: Owen<br />
Kaufman. Huntington Theatre. Huntington:<br />
Herman Plcken. Rialto. Patchogue. and Harry<br />
Blrkmier. Regent. Bayshore. all of whom are<br />
in the Na.ssau-Suffolk area.<br />
A plaque at the base of the statue will<br />
credit the college with a spirit of tolerance,<br />
and mention "The Ten Commandments'"<br />
Aon/tCiO^<br />
•OONTON, HM.<br />
Larg* Cor*<br />
Or«at«r CroUr Area<br />
MAXIMUM UOHT<br />
in New York— EASTERN THEATRE SUPPLY Co , Inc. Buffalo—<br />
Mohawk 0001<br />
NATIONAL THEATRE SUPPLY. Albonr--5 1479<br />
SUN CARBON Co .<br />
York Cifv—Circle 6 4995<br />
E-6 BOXOFFICE February 3. 1958
. Alden<br />
. David<br />
. . Joe<br />
Paul<br />
Bonjour<br />
. . Joseph<br />
Tlie<br />
Jean<br />
PITTSBURGH<br />
T lit Jay Sllvpr, wUe o( M. A. Silver. SUnlry<br />
Warnrr Ilifntrw" Ptttabunth «onc niMi-<br />
•(rr and nu-mbcr of bo*rd of directors. hu»<br />
ju»l had her first novel publLslied. "Sliudow<br />
on the Sun " Tt\r locale of the stor>' is Cuba,<br />
where Mr. Silver has been a frequent vacation<br />
visitor with her huslwiid. Tlie romantic<br />
adventure of a mother uiid her lovely<br />
daughter. "Shadow on U»e Sun" Is published<br />
by Duell. SJoun .V Pearce<br />
Waahlnfton Theatre. S«tsjivale. which hud<br />
operated a weekend show for a long period,<br />
fmally went dark nltoRether 20th-Fox<br />
tradescreened 'A Farewell to Arms" Wednesday<br />
afternoon aiid It's good to have the son<br />
of the late L. J Selznlck back in harness<br />
. , SW yttms to have closed Its Clark bulld-<br />
Inc screening room, with Joe DeMnnn laid<br />
. . .<br />
off his long time Job as projectionist<br />
Marco Ranalll. Route 8 outdoor exhibitor,<br />
recuperating frum pneumonia, planned an<br />
early vacation with Mrs Ranalll in the Sunshine<br />
State of Florida.<br />
A. Fred Setrao. who ha* been In the the-<br />
. . . Jackie<br />
.<br />
atre business at New Kensington all of his<br />
business life, has Joined the Glenn Bulck<br />
•cency there as a salesman<br />
Loughery. former Miss USA., was In Erie<br />
for the opening of Dghteen and Anxious"<br />
at the Colonial Theatre Hanna,<br />
Co-Op tKtoker. rested at home after being<br />
discharged from Shadyslde Hospital where he<br />
underwent surgery .<br />
C. Silverman.<br />
AA mwiger who is on tap as Variety Tent 1<br />
chief barker for 1959. accepted an award<br />
for the club for iLs services to the handicapped<br />
at a dinner of the Allegheny County<br />
chapter of the Perosylvanla Ass'n for Retarded<br />
Children . Phelps. Waterford<br />
ou'.door theatre owner and Erie County<br />
Democratic chairman. Ls Imlng up support for<br />
U. Gov Roy E Furmans bid for the Democratic<br />
gubernatorial nomination.<br />
Tries to Rob Cashier<br />
A.MBlUDciK. i'.\-A vuuii.iul hoodlum<br />
made an unsuccessful attempt to hold up<br />
Henrietta Kokoski, cashier of the Ambrldge<br />
Warner Theatre Described as blond, skinny<br />
and young, the bandit had a wave In his hair<br />
and wore a zipper Jacket and levls. He had<br />
been watching the theatre a half hour before<br />
maku^ a bold attempt to rob the boxofflce<br />
A note, shoved through the window aperature.<br />
directed that the cashier "turn the money<br />
'<br />
over to me At the same time the bandit<br />
kept a hand In his pocket as If to pull out<br />
a firearm The ca.shler buzzed the office<br />
upatair* and the frightened fellow lost his<br />
nenre and made off toward 7th street. The<br />
Kokoakl girl was so overcome by the Incident<br />
that she was relieved of her duties and<br />
Dorothea Hitler, assistant manager, took over<br />
duties (or the remainder of the evening The<br />
holdup attempt w-as reported to police by<br />
Joseph Zazaaro. manager of the Ambrldge<br />
Theatre<br />
Leaves Theatre Business<br />
}iA(.i:-.;_i;u'W.'.. .\::j v. .....i::. :.> jrjtncs.<br />
manager of the Hlway Drlve-In ea-^t of here<br />
for the last eight yearn, haji re.^tgncd and haa<br />
moved to Lynchburg. Va . where he plans to<br />
opermte a restaurant which Is under conitnictton<br />
Ed Ritenbaugh Stricken;<br />
Good Friend of Industry<br />
l'rri"SiHUKt.iH Till- nintloll I>HlUir lllilll-<br />
Iry tirir lost Its bplaying a two-column<br />
motion picture still reproduction, with a<br />
single column or a thumbnail cut of a star<br />
with appropriate copy. He staged a thousand<br />
parades of kiddies marching to local theatres<br />
as guests, all with banners and Identifications<br />
for those who viewed the street<br />
exploitations, plus his newspaper articles regarding<br />
announcements of Uieatre parties,<br />
benefits, appearance.s. formation of new Seek<br />
Hawkins chapters, birthdays, anniversaries,<br />
etc. He always kept the kiddies in line and<br />
in good behavior at a par.^de or theatre or<br />
at a sporis event or picnic.<br />
Ritenbaugh visited Hollywood regularly<br />
and was photographed with as many stars<br />
as he could line up. using these photos in<br />
hiS column at the time of local release of<br />
a new picture with the particular actor,<br />
actress, producer, director, etc.<br />
BALTIMORE<br />
t eo Back, head o!<br />
Home Theatres here, was<br />
host to his brother-in-law. Jeff Hofhelmer.<br />
a Norfolk exhibitor, here on busine.vs.<br />
Back ha.s been named by the National<br />
Council of Christians and Jews as chairman<br />
for Brotherhood Week (or Maryland The<br />
special week will be held during this month<br />
Lou fiaertner and Gordon Contee. head of<br />
Rltz Theatres, hosted a dinner (or John O'<br />
Leary. local 20th Century-Fox salesman being<br />
translerred to San FrancLsco. Almatt<br />
every .salesman of the Baltimore film market<br />
attended Ira Sichelman. aoih's manager,<br />
came over from Washington. So did Jack<br />
Kohler of the Wa-Miington ofdce liuidor M<br />
Makover. owner of the Edmondson Village<br />
Theatre, alio wa.s present<br />
Maurice llrndrlrkv former film buyer for<br />
the Hicks-Bakrr Theatres, is nou manager<br />
o( the .Met George l^', 1st for<br />
Schwaber Theatres. mKvd<br />
:•<br />
' from<br />
duty becauA* of the grHn>e Bill Myer.i.<br />
owner of the IVI.uxr wa.v in Pix-orn'ikr City<br />
on buslneM<br />
PHILADELPHIA<br />
. .<br />
T^u^lllg hU one-day visit to Philadelphia.<br />
James Chinirr. star of Warner Bros.'<br />
"Darby's RaiiKers." made 11 guest api>earunres<br />
on radio ond U-levUlon. Including two<br />
national .shows. Dick Clark's Bund-sUind program<br />
(rom WFIL-TV and Don McNell'i<br />
Breuk(ast Club tm ABC radio . . . The Pell<br />
MarUa<br />
Bros.' Casino Tlieatre was closed<br />
Alla.sio. new Italian discovery, was In town<br />
on a publicity tour for "The Seven HIIU of<br />
Rome, " In which she .HUrs with Mario Lanza<br />
l.«wln Plior'» Cedar Theatre is running on<br />
weekends only . AmbiLvsador has been<br />
closed . Farrow, long time MOM employe,<br />
died .<br />
Lombardl has taken<br />
back the Comeo Theatre .<br />
Seberg was<br />
taken around town by the press agents to<br />
'<br />
promote Triste.sse "<br />
. .<br />
Abe Sunberg'N Strand Tlieatre Joined the<br />
list of Negro neighborhood theatres playing<br />
stage shows on weekends. The first attraction<br />
was Prince Donnell's West Indies Review,<br />
featuring rock 'n' roll, mambo and<br />
calypso entertainers . Charlie Judge, manager<br />
of the Trans-Lux Theatre, was hospitalized<br />
at the Woman's Medical College.<br />
TV Won't Destroy Picture<br />
Business, Says Actor<br />
.NEW YORK I'l ;>M-^i'n wciiit destroy the<br />
film business, provided you have a fine motion<br />
picture, any more than the talking pictures<br />
or radio replaced the legitimate theatre—even<br />
though theatrical producers were<br />
ready to throw up their hands in the early<br />
1930s." In the opinion of James Robertson<br />
Justice. J. Arthur Rank's bearded and colorful<br />
character player. Justice arrived (rom<br />
England January 28 to act as "goodwill ambassador"<br />
(or Rank and to promote bis<br />
"<br />
"Campbell's Kingdom in the U. S.<br />
Justice will meet the press (or Intervlewa<br />
and radio-TV appearances In Detroit. Chicago<br />
and Minneapolis before going to Portland.<br />
Ore., to attend the opening of "Campbell's<br />
Kingdom" there Februao' H. followed<br />
by Seattle February 12.<br />
Boardwalk House to Be<br />
Legitimate Showcase<br />
PHILADELPHIA<br />
Lawrence Shubert Lawrence.<br />
a.s.soclate director of the Shul)ert Theatres<br />
here, announced this week that the<br />
2.400- .seat Warner Theatre on the Boardwalk<br />
in Atlantic City. N. J . will become a leglUmate<br />
theatre in September.<br />
Lawrence as an Individual, together with<br />
Michael J. Fiore. president o( the Atlantic<br />
City Chamber of Commerce, and George<br />
Hamid. owner of the SU-el Pier, will be the<br />
operators.<br />
About MO.OOO will be spent to remodel the<br />
theatre so that either musicals or dramatic<br />
plays can be presented. Lawrence said the<br />
name of the house will be changed to the<br />
Shubert and the opening show will be • hit<br />
miulcal now appearing on Bro«dw«y<br />
RCA SERVICE COMPANY INC<br />
210 12 North 12th Srrcai<br />
ritilodelpliio. ta RiltmkouM ^IHt<br />
BOXOrnCE FebruAry 3. 19M E-7
: i»m<br />
^(xacUa ^efront<br />
RN EXTHAOKUINARY >tuteinent wu.s lisuod<br />
by Associated BritLsh Picture Corp.<br />
Bbout the future of Robert Clark, who for<br />
the la.sl 12 years ha.s acted a.s the director<br />
of production for El.stn'e Studio.s Tlie .statement<br />
.^ald: "In order to free Mr. Robert Clark<br />
for other Important work In connection with<br />
the future development of the corporation,<br />
the Board of ABPC has decided to relieve<br />
him of his executive re.spon.siblllties at Elstree<br />
Studios. Mr. J. R Wallis will be the executive<br />
In charge of the .studios, under the direction<br />
of the managing director C. J. Latta."<br />
Up to the time of writing no one has yet<br />
decided whether this is a step upwards or<br />
not for Clark, a millionaire in his own right.<br />
No one was talking: neither C. J. Latta.<br />
Clark, nor his successor Jimmy Wallis, but,<br />
obviously, a statement Is expected shortly<br />
defining what actually is the nature of "the<br />
other important work in connection with the<br />
development of the corporation."<br />
• • •<br />
Is the British film industry alive to the<br />
new gimmiclo- that interest milliotvs of folk<br />
in this country, or is it out of step with such<br />
modern trends of mass marketship? Jack<br />
Prendegast, chairman of the Leeds branch<br />
of the Cinematograph Exhibitors" Ass'n and<br />
a leading British independent exhibitor,<br />
thinks so. He wants the industry to unite<br />
in a series of nationwide selling campaigns,<br />
including weekly giveaway prizes. "With each<br />
cinema levied at £1 per week, this would enable<br />
cinema owners to spend .something like<br />
£4,000 in cash prizes, and many of the advertisers<br />
on commercial television would be<br />
switched to active participation with a<br />
planned .scheme embodying every cinema."<br />
Prendegast believes his scheme would receive<br />
the support of both the British and<br />
American renters, and of the latter he says,<br />
"I am satisfied that those alert enough on<br />
the American side of the industry would<br />
willingly allow the cinema contributions of<br />
many cinemas as a first charge in an effort<br />
'o bring our patrons back to the cinemas."<br />
Bearing in mind the millions of pounds<br />
.^pent each week by hopeful Britons trying<br />
to gamble on the results of the national<br />
football teams, Prendegast has an idea that<br />
might eventually capture the imagination of<br />
the public—provided there are sufficient good<br />
films to back up the campaign.<br />
• • •<br />
Big Mike Frankovlch is never at a loss in<br />
thinking out new ways of .selling pictures or<br />
of keeping his staff conscious of the need<br />
(or .'.howman.shlp. But last week the bo.ss of<br />
Columbia Pictures excelled himself when he<br />
brought all the trappings and trimmings of<br />
the Wild West to London In connection with<br />
the new Glenn Ford Columbia production<br />
"Cow Ixiy "<br />
All :idlng the premiere had been<br />
reque .re themselves In cowboy costume,<br />
and practically everyone answered the<br />
call, even the Fleet Street photographers<br />
hired the Wi-.'.tern shirts. Jeans and holsters<br />
(or the evening, while Frunkovlch's fellow<br />
rciitcrs like Jimmy Carrcrft»i, Nat Cohen,<br />
M ,, I. .-..r Scott, looked like a trio of authen-<br />
'<br />
any cowboy feature. The stars,<br />
i,i Ken More, Roger Moore. Hu.ss<br />
Tamblyn, with their cacorl« arrived as per<br />
By ANTHONY GRUNER<br />
lUbU-uctioiLs. ai did the .society representatives,<br />
the Duchess of Argyle. Lord Londonderry.<br />
Sir John Rothen.steln. Afterwards they<br />
were entertained at the most fantastic Western<br />
parly ever held In the West End.<br />
For the night, Big Mike had Uken over<br />
The Pigalle restaurant, and had turned it<br />
into a Wild Western "gambling saloon." except<br />
that there were no tables for cards, only<br />
drinks and fried chicken and beans, southern<br />
style (300 chickens were flown over from<br />
Texas for the occasion, as were the beans i.<br />
With Woolf Phillips and his band, a square<br />
dancing demonstration from teenage employes<br />
at the American Emba.ssy, and a saloon<br />
bar over which 30 men had tteen .shot, including<br />
the deadly Johnny Ringo (this also<br />
had been flown in from Texas i. Frankovlch.<br />
his friends the stars, and the press, had<br />
themselves a ball.<br />
The press went wild about it and claimed,<br />
quite truthfully, that it was the wildest, happiest<br />
and most humdinging party since<br />
Michael Todd took over the Festival Gardens.<br />
• • «<br />
For a long time it had been difficult to<br />
persuade makers of new British films to<br />
thow extracts of their features on television.<br />
The reason: the producers feared that under<br />
the new Finance Bill relating to the British<br />
FUm Production Board, the E^dy earnings<br />
of their product might be prejudiced, if a<br />
portion of a feature film was first shown on<br />
television.<br />
Last week the Board of Trade clarified the<br />
position with a new Draft Order .stating that<br />
any number of excerpts of a film might be<br />
shown on television without the feature being<br />
disqualified from benefit, provided that each<br />
excerpt did not exceed five minutes. Thus<br />
producers wishing to use extracts on TV to<br />
exploit their pictures, need not fear that<br />
the British Film Fund Agency will take any<br />
of their much-needed lolly from them.<br />
• • «<br />
Fred Feldcamp is in the news again. The<br />
man who formerly produced The March of<br />
Time, and later in Britain "The Silken<br />
Affair" with David Niven for RKO release. i.s<br />
to make the "Eddy Chapman Story." the<br />
true life story of the British safe-cracker<br />
who managed to spy for England during the<br />
last war and yet make the Nazis believe he<br />
was working for Germany. Feldcamp says<br />
that he will make the picture early in the<br />
new year, either in Britain or on the Continent,<br />
James Nolan, former TWA executive,<br />
will be associated with him In tills newventure.<br />
• •<br />
In town last week arrived Lee Tmver. Walt<br />
DLsncy's casting director In Hollywood, who<br />
starts the search for a complete cast of top<br />
players for "Darby O'Glll and the Little<br />
People." the leprechaun which goes Into<br />
production this year. Following him shortly<br />
IS Walt DUney with Robert Steveii.son. who<br />
will direct the film, to lest Uic lineup of<br />
talent. They must all be Irish— that Is the<br />
addlctum of Disney, who has been working<br />
on this story for years, and according to his<br />
London head office Is at hust all .set to produce<br />
the story of Darby, the story-splniilng<br />
shanachle and his adventures and experiences<br />
with the King of the Leprechauns<br />
Japanese MPAA Head Host<br />
To MPEA Members in N.Y.<br />
NEW YORK The vital role motion pictures<br />
play In bringing about a better imdersliuiding<br />
l)etween nations was stressed by<br />
Shlro KIdo, president of the Motion Picture<br />
Producers Ass'n of Japan, in addre.ssing a<br />
luncheon meeting of the Motion Picture Export<br />
A.ssn of America at the Harvard Club<br />
Monday (27).<br />
Kldo paid tribute (or himself and the entire<br />
Japanese Industry to Eric Johnston and<br />
Ralph Hetzel for "their unceasing efforts to<br />
bring all of us Into clo.ser accord." He also<br />
expressed his appreciation to Hetzel. who<br />
presided over the luncheon In Johnston's<br />
alxsence. for the manner in which MPEA<br />
and Its producer- members had extended<br />
their cooperation in the form of comments<br />
and suggestions about Japanese film.-., which<br />
had enabled Tokyo's producers to tailor their<br />
product for wider American theatre acceptance.<br />
Speaking for the MPEA. George Weltner.<br />
vice-president in charge of world-wide distribution<br />
for Paramount, welcomed the official<br />
delegation to Japanese Film Week and<br />
wished Kldo success in promoting Japanese<br />
films.<br />
Others attending the luncheon included:<br />
Norton V. Ritchey and Keith Goldsmith,<br />
Allied Artists: Stanley Schneider. Columbia;<br />
Ronald Carroll and Seymour Mayer, MGM;<br />
Barney Balaban. James E. Perkins and J.<br />
William Piper. Paramount; Robert Hawkinson.<br />
RKO; Emanuel Silverstone. George<br />
Elener and Sam Burger. 20th Century-Pox;<br />
Arnold M. Picker. Louis Lober. United Artists;<br />
John J. O'Connor and Ben Cohen, Universal-<br />
International; Max Greenberg, Warner Bros.,<br />
and George Vietheer, MPEIA.<br />
The second part of Japanese Film Week<br />
at the Museum of Modern Art began Wednesday<br />
(29 1 with the showing of "The Temptress."<br />
a wide.screen color feature, and "The<br />
Crying Whales" from Nikkatsu Co. "Story<br />
of Chikamatsu" and "The Roof of Japan,""<br />
made by Daiei Co., were shown January 30<br />
and 'Untamed Woman" and "The Nature<br />
of Hokkaido." made by Toho Co.. were shown<br />
January 31.<br />
Miro Productions Formed<br />
To Make Films in N.Y.<br />
NEW YORK—Harold Robbins. who recently<br />
completed "Never Love a Stranger""<br />
in New York for Allied Artists release, has<br />
formed a production company with Gene<br />
Milford and Raymond Scott under the title<br />
of MIro Productions, Inc.<br />
Arriuigements have been made with Mlkaj-o<br />
Studios and M.K.R. Films for production,<br />
editing and .scoring facilities in New<br />
York. Miro's version of "The Pu.sher," from<br />
the novel by Ed McBain. went before the<br />
cameras January 15 with Felice Orlandl,<br />
Douglas F. Rodgers and Sloan Simpson featured.<br />
MlKord as director and Robbins a«<br />
.scenarist luid producer. Scott will l)e background<br />
composer. Allied Artists will distribute.<br />
In addition to Milford. who Is president,<br />
the other Mlro executives are: Robbins. executive<br />
vice-president; Sid Kati and Ralph<br />
Ro.senblum of M.K.R. and Scott as vice-presidents.<br />
Arthur D. Gordon, treasurer, and Max<br />
Splvak. .secretary and general coun.sel.<br />
Sub.vquent productions will Include: "Rock<br />
and Rock. " a nuislciU to star Bill Hayes, and<br />
"Never Leave Me." from a novel by Robbins.<br />
E-8<br />
BoxorricE February 3, 1968
AND VIEWS THE PRODUCTION CENTER<br />
HcUiwood Office— Suite 219 at 6404 HoUvu\K>d lllvd . tvan Sptar. Western Managcn<br />
Premiere of 'Passage'<br />
Is Held at Portland<br />
! Al•l^^.^ "Oregon<br />
Hi : ; vui '. '<br />
went into relraae January 32 with<br />
t coast premiere in PorUand. and<br />
sunulljtneous openings In 15 other theatres<br />
in the Pacific northwest and a multiple house<br />
opening in San Diego.<br />
John Erlcson. Lola Albright. Edward Piatt<br />
and Tom Gerr>- star In the film produced by<br />
Undsley Parsons and associate John H. Burrovs.<br />
• • •<br />
Seats at the March 20 premiere of Perlber«-Seaton's<br />
Teachers Pet" at the Hollywood<br />
Paramount will be awarded to 50 winners<br />
of a scholastic essay contest on Journal-<br />
I'm. sponsored by the Greater Los Angeles<br />
Press Club. The press club's "8 Ball" Foundation<br />
will also sponsor the premiere, part of<br />
the proceeds of which will be used to establish<br />
Journalism scholarships at two universities<br />
in the LA. area.<br />
• • •<br />
David O Selznlck'.s "A Farewell to Arms"<br />
»tU open in Europe Easter Sunday In 250<br />
situations in eight countries. Including England.<br />
Prance. Italy. Portugal. West Germany.<br />
Norway. Denmark and Sweden. 20th-Fox,<br />
distributors of "Arms." will utilize the simultaneous<br />
road show plan throughout Europe<br />
for the film, which was successfully orlglnaicd<br />
here.<br />
• • •<br />
LOS ANGEIJS— Police Science Productions<br />
announced the forthcoming release of their<br />
first feature length production. "The Narcotic<br />
Story." with veteran film dLstrlbutor<br />
Harry Stem cloAlng the deal for exclusive<br />
world .^es and setting the film for local<br />
first run In five United Artlsta circuit theatres.<br />
Produced and directed by Robert Larwn.<br />
the film deals with the exposure of teenagers<br />
to marijuana and heroin pushers, and has a<br />
foreword l>y both State Attorney Edmund<br />
"Pat" Brown and Senator William Beard.<br />
Chairman of the Interim Committee on Narcottea<br />
• • •<br />
South Pacific" has been set by 30lh-Pox<br />
•.-> the Baster attraction at the Egyptian<br />
Theatre, opening the first two weeks In April<br />
"^r world premiere of the Mllzl Oa>-nor-Ro.«-<br />
rto Brazil starrer will be held March 19<br />
•> the Cnterton Theatre In New York<br />
Pay for Extras Up; Also<br />
Hike Actor-Singer Base<br />
HOI l.VWi K 11) .A- o[ .l.iiiu.ii;. 30. the<br />
minimum \vuKf> u( fxtrii pluycrs wa.s uutomuticully<br />
Increivsi'd 2'v per cent. In nccorduncf<br />
with the Screen Extras Guild's collective<br />
bargaining ngreemeiil with the motion picture<br />
producer.^, signed In 1956. H. O'Nell Shank.s.<br />
executive secretary of the guild, said this<br />
increase brings minimum dally rates for extra<br />
players to the following figures: General<br />
extra. $2205: dress extra. $29.04: stand-in.<br />
S20.43: silent bit. $61.33.<br />
• • •<br />
Salary minimum for actors and singers employed<br />
In theatrical pictures under the basic<br />
agreement between producers and Screen<br />
Actors Guild was automatically Increased<br />
February 1.<br />
Day player minimum will ri.se from $80<br />
to $90 and the weekly minimum for freelance<br />
players and multiple picture players will go<br />
from $285 to $300 The minimum for .singers<br />
mouthing back to playbacks will increase<br />
from $50 to $55.<br />
Other improvements In actor conditions<br />
which took effect on the same date raise<br />
the "money break" figures In the various<br />
-schedules of the basic agreement cm follows:<br />
for weekly actors, stuntmen. singers and multiple<br />
picture players, from $1,250 to $1,500:<br />
for term contract players, from $600 to $750.<br />
The principle effect of this change Is to<br />
increase the number of actors eligible for<br />
overtime pay and other premium benefits<br />
provided In tlio cKntrnri<br />
Producer Supporl<br />
At Brussels Urged<br />
HOLLYWOOD With rejiorts reaching Clnemavllle<br />
that the United States film Industry<br />
prestige Is at slake and Ru.vsla Ls Intensifying<br />
Its efforts to become leader In the motion<br />
picture buslne.ss. producer-director Roger Corman<br />
advocated film industrj- participation In<br />
the festival to be held In connection with<br />
the Bru.s-seLs world"s fair.<br />
"This time the American film industry<br />
should participate with at least six of lt«<br />
fine.st productions, chasen by a representative<br />
committee." advl.sed Comian "Past film festivals<br />
have been flops because they were not<br />
supported by the Ass'n of Motion Picture<br />
Producers With national and international<br />
film industry standing lower than ever, the<br />
association should approve the Bruv.elLs fair<br />
and make an effort to advance the American<br />
feature as an art form.<br />
"Our participation." Corman continued,<br />
"would be good salesmanship for our country<br />
and our Industry. We should send top<br />
stars and top production representatives to<br />
be present. The fair gives us the opportunity<br />
we need to show that our motion pictures<br />
are a major asf>ect of western culture."<br />
• • •<br />
"The Liing. Hot Summer." Jerry Wald's<br />
production of William Faulkner's novel, has<br />
been selected as 20th-Fox"s entr>- for the 1958<br />
Cannes Film Festival. The picture stars Anthony<br />
Franciasa. Paul Newman. Joanne<br />
Woodward and Or-nn Welles<br />
Manager Auton la Papa<br />
HELENA. MONT— Mr and Mrs James<br />
Auien became parent* of a baby son rrcenUy<br />
Autcn is the manager of the Marlow Theatre<br />
here<br />
\\\ \ltll TO Jtltlt^ \\ \l.i)— Thrrr nipmlxr* nf Ihr ( i>«lumr l)i-»lcnpr» «.ulld<br />
are »h"»ti prrwiillm iOthl-iix' i'rodurrr Jrrt» Wairt »Uh » pUqur hutinrinc him (i>r<br />
ronllnurd and vignlflrant rrrucnlllon of thr Impi.rtanrr nf rnvlumlnc In mi>l|on<br />
plrlum. l-rfl to ritht are; llnward >hiiup. culld pre^ldmt Wild Mjr> Willi. »nd<br />
( harle* I^Malre<br />
BOXOmCE February 3. !»&• W-1
Screenwriters Pick<br />
Besl Writings of '57<br />
HOLLYWOOD— Nomination blanks for the<br />
tenth annual screenwriters awards were<br />
mailed out to members of the screen branch<br />
of the Writers Guild of America West, according<br />
to general chairman Allen Rlvkin.<br />
As in the past there are three categories:<br />
Best Written American Comedy. Best Written<br />
American Drama and Best Written American<br />
Musical In addition the executive board<br />
of the branch will name a winner of the<br />
Laurel award given yearly for the most valuable<br />
writing contribution to the Industi^<br />
over a period of years.<br />
Announcements of the winners will again<br />
be made at the annual awards dinner and<br />
show March 12 at the Moulin Rouge restaurant.<br />
• • •<br />
Cases of speculative writing charges involving<br />
several television producers, as reported<br />
by a number of Writers Guild of<br />
America West members, were reviewed by<br />
the television-radio branch's committee on<br />
speculative writing.<br />
Embarked on a vigorous campaign to eliminate<br />
this situation, the committee has before<br />
It a twofold program; ili to gather evidence<br />
of violations of this type as a basis for<br />
charges it will process against producers, and<br />
i2i to translate its findings into contractual<br />
preventives to be written into the minimum<br />
basic agreement when new negotiations are<br />
begun.<br />
• • •<br />
Michael Franklin of the legal staff of Paiamount<br />
Pictures was selected to succeed Frances<br />
Inglls as executive director of the Writers<br />
Guild of America. West. Edmund L. Hartmann.<br />
president, said the appointment, made<br />
by the council of the guild, will go before the<br />
membership for ratification at a general<br />
meeting February 13. Ml.ss Inglis. who resigned<br />
six weeks ago. will work with Franklin<br />
until her resignation ukes effect March 31.<br />
• • •<br />
Announced by the Writers Guild as erroneous<br />
was the recent report that writer employment<br />
In the major studios has dipped<br />
since last October for a record low. According<br />
to the guild's records, tmsed on official<br />
figures of employment reported to it by the<br />
various major studios, only an 11 per cent<br />
drop since October Is listed.<br />
J. Leslie Swope, 73. Killed<br />
In Automobile Crash<br />
Loo A.SUKLt.-v -J Lr.Hf riA..p»'- '?3. wa.-^<br />
killed in an automobile accident near Newhall.<br />
Calif, Friday I1' riii C'Vclu Tlicatre<br />
here has been reopened for two nights per<br />
week. Saturday and Sunday, by Mrs Harold<br />
C. Tuttle. mnna«er The house had been<br />
cloMrd for three week.n while Mrs Tultle<br />
imd her three children varatlonrd<br />
Shown above are the srripter. producer<br />
and director of >I(iM's "Les Cirls." voted<br />
by the National Screen Council as the<br />
best picture released in December. Top<br />
photo. John I'atriik scripter. is shown<br />
receivlnB his BOXOI'KU K Blue Kibbon<br />
plaque, (enter. I'mducer Sol ('. Siegel.<br />
is seen admiring the Blue Kibbon award,<br />
the sixth he has received. Bottom: I)irrcliir<br />
(leorge Cukor became a seventime<br />
honoree of the BOXOh'KICF, award<br />
with presentijtion of the plaque for "Les<br />
Girls.'<br />
Clark Ramsey Appointed<br />
To MGM Studio Ad Post<br />
HoI.I.VWUKU rill' .iijpuintnifnl ol Clark<br />
Ram.sey to the newly created post of MGM<br />
studio advertising manager was announced<br />
by Howard Sirlckllng. Ram.sey has resigned<br />
as executive assistant to David A. Llpton.<br />
vice-president In charge of advertising, publicity<br />
and promotion at U-I. the post from<br />
which he has directed UnlversaJ's advertising<br />
activities for the liLsl six years.<br />
As MCrM studio advertising manager. Ram-<br />
.sey will be directly responsible to StrtcklliiK<br />
in coordinating the company's newly announced<br />
plans for original advertising from<br />
the we.tt coast studio.<br />
Million Dollar Year<br />
ForMGMTeleburbs<br />
HOLLYWOOD — Accordmg to Virgil E.<br />
•Buzz" Ellsworth, director of MGM-TV's<br />
commercial and Industrial division, the<br />
studios teleblurb operation will gross better<br />
than $1,000,000 for its first year ending February<br />
15 and will better than double lus figure<br />
in its second year.<br />
Ellsworth said that the department—by the<br />
end of lUs initial year's operation— will have<br />
filmed 450 one-and-lwo-mlnute spots for 75<br />
advertising agencies and clients, in both black<br />
and white and color. He predicted that the<br />
television commercials will follow the general<br />
TV trend— from New York to HoUj-wood.<br />
especially now since the major studios are<br />
available for this type of shooting.<br />
• • •<br />
TTlic Milner Bros., theatrical film producers,<br />
will make their initial teleplcture sUrt with<br />
a series. 'Amazing Adventures of My Dog<br />
Kelly." written and financed by Harold Sherman.<br />
Jack Milner will produce and Dan<br />
Milner direct the scheduled 13 segments to<br />
star Kelly, the canine thesp which appeared<br />
in U-Is -Kelly and Me."<br />
• • •<br />
Action was taken at a meeting of the board<br />
of directoi-s of the Screen Directors' guild regarding<br />
the sale by Republic of post-1948<br />
films. The first step towards protecting the<br />
rights of directors in these films las indicated<br />
by earlier settlements by Republic,<br />
RKO and Warners) was a demand to Republic<br />
to furnish aJl titles they intend to release<br />
to NBC, the names of the directors<br />
whose interests are in jeopardy, the salaries<br />
paid each of these directors and running time<br />
of such films.<br />
The directors are Inviting the writers and<br />
actors guilds to join them in discussing the<br />
rights of the talent guilds in post-1948 films,<br />
with a view to presenting a united front Individually<br />
and collectively.<br />
Heilman Forms Company<br />
To Lens Todd-AO Epic<br />
HOLIA'WOOU Producer Claude Heilman<br />
announced the formation of Vintage Productions,<br />
wlilch plans to produce a $3,000,000<br />
Technicolor epic entitled "This Earth Is<br />
Mine." in Todd-AO this .summer Heilman.<br />
28-year-old former J. Arthur Rank as.soclate<br />
and Grauman's Chinese Theatre manager,<br />
will produce the film from Casey Robinson's<br />
script of the Alice Tlsdale Hobart novel. "The<br />
Cup and the Sword." Robinson will co-produce.<br />
Negotiations are now on with Todd-AO<br />
President George Shaefer for "This E^th<br />
Is Mine" to run in 66 Todd-AO theatres In<br />
the U. S. and In 12 overseas, following the<br />
run of "South Pacific." A March 1959 global<br />
day-and-date roadshow engagement will be<br />
arranged, with first-run release slated to<br />
follow In 1960<br />
The film will be Hellman's first production,<br />
and he has opened offices at the Goldwyn<br />
Studios.<br />
Manitoba Poll to Tony Curtis<br />
HOLLYWOOD T^ony Curtis was notified<br />
that he has been cho.sen winner of the Teen<br />
Club favorite actor roll for 1957 In a survey<br />
sponsored by radio station CKMD In Manitoba.<br />
Canada.<br />
W-2 BOXOmCE February 3. 1958
February<br />
Oscar TV Sponsorship<br />
Endorsed by SIMPP<br />
HOLLYWCKJU Willi the Aoudriiiy niimin«tlon<br />
poll.1 ckxird itt mldniKht Saturday il'.<br />
and with minouncrinpnt o( thr iioinmccs to<br />
br m»dr FVbruno" 17. exclt*tnpnt Is mountliiK<br />
ttradtly m cinpmavillf over the upcominR<br />
30th annual Ocar awards.<br />
This week the Society of Independent Motion<br />
Picture Producers went on record endoriunx<br />
.•sponsorsJnp of Uie Academy Awards<br />
televuMon proeram. and concluded that Industry<br />
sponsorship Ls particularly appropriate<br />
and timely tjecause it will project the Industry<br />
in a most favorable lifcht to the public<br />
when It Is untrnUy needed.<br />
Meanwhile, it was dUicloMKl by the Academy<br />
that more than three-fourths of the<br />
411 feature films ellKlble to compete thU<br />
year were distributed by the ten major companies,<br />
with the remalninn one-fourth released<br />
by 3-t Independent distributors United<br />
Artists with 53 has the highest number of<br />
features eligible: 20th-Pox Is a close second<br />
with 52 Columbia is third with 42 and U-I<br />
founh with 41 MOM has 32; Allied Artists.<br />
31. Warners. 26; Paramount. 19; Republic,<br />
19. Buena Vista, three.<br />
Of the independent film companies. American<br />
International has 16 features; DCA. IS.<br />
and Rank Film Distributors of America. 11.<br />
tXher dutributors are: Times Film Co. 4:<br />
Janus Films. 4; Kingsley International. 3;<br />
Harrison Films. 3. The following released two<br />
fllnv* each: Louus DeRochemont Associates.<br />
~ roll Pictures. Howco. Union Film Dlstrlb-<br />
-. Trans-Lu.x. United Motion Picture<br />
OrvianUations. EHlts Films. Continental Distributors.<br />
7^}paz and Excelsior. One film<br />
each was distributed by Cinerama. William<br />
Home. Joseph Brenner Associates, Tudor.<br />
Visual Drama. Trans-World. Cavalcade. Mayfair.<br />
Eden Pictures. Motion Picture Distributor.<br />
API. Luzon. Jo.seph Burstyn. Associated<br />
PUm Releasing. IFE. and Patric Film Co.<br />
'Red Mill' TV Production<br />
To Be Fred Coe's First<br />
H< >U i;-.: C- ;^nment<br />
under his exclusive OBS-TV contract<br />
as a producer will be Victor Herbert's operetta.<br />
"The Red Mill " The hour and a half<br />
magical w-tll be the DuPont .show of the month<br />
April 10 Coe's first theatrical feature. "The<br />
Left-Handed Gun." will soon t>e released.<br />
SBC-TV has been partly relieved on the<br />
April 15 telecast of the Emmy awards, with<br />
Proctor Ac Gamble buying 45 minutes of the<br />
lelerLilon Industo' show. The length of the<br />
procrmin depends on the network signing a<br />
iponaor to match the P*0 order With another<br />
sponsor, the show will run from 10 to<br />
11 30. otherwise It will end at 11.<br />
Joseph Schildkraut Gets<br />
Role in 'Diary of Anne'<br />
M« »i.i.'i 'A I M liv<br />
:<br />
K''' 'M' iiik' uir role he<br />
played on Brondwuv J'v,r;)h Schildkraut will<br />
•May the par*, of Annrs father In the ,»creen<br />
version of "The Diary of Anne Frank." for<br />
aoth-Fox.<br />
The film. sUtcd to roll MArch 3. U a<br />
Oeorge Stevens production and will also .tt«r<br />
Mllly Perkins and Shelley Winters<br />
WITH<br />
Ix'tler-late-thun-never vlin and<br />
vigor. Duke Wale>. .secretary of the<br />
Publicity Directors Committee of<br />
the A.vs'n of Motion Picture Producer>. and<br />
his milquetoast minions galloped off In all<br />
directions at the .same time planting a yarn<br />
designed to prove that picture making would<br />
be carried forth at a lively clip during 1958.<br />
The Wale.slan release wa.s in effect a compilation<br />
of the prevlou.sly -announced production<br />
plan.s of Hollywood's product .sources.<br />
Patently, it was de.slgned and timed In an<br />
effort to counter the Idea that the film<br />
capital Is approaching It.s deathbed, which<br />
belief Ls not uncommcn us a result of the<br />
widespread coverage accorded recent predictions<br />
of paralysis emanating from the<br />
chronic viewers with alarm Nonetheless the<br />
handout was pral.seworthy for lis assiduity,<br />
however belated. It would have been far<br />
more impressive, however. If the rea.sons for<br />
Its creation were not so shrleklngly transparent<br />
to ob.ser\ers of the Cinemania .scene.<br />
And what W'a.s It that Jarred Wales and<br />
his staff out of their customary do nothinglethargy?<br />
When Chicago .showman Edwin<br />
Silverman opined that within six months<br />
every Hollywood film foundry with one po.ss!ble<br />
exception would be shut down, the press<br />
gave unusual recognition to the prediction<br />
and comparable doleful deliberations by other<br />
disciples of defeat. Certainly this relegating<br />
of the mighty motion picture industry to the<br />
business obituary columns was further injurious<br />
to the always-vulnerable, overall public<br />
relations of the trade. Among tho.se industryites<br />
who rushed to challenge the logic<br />
of such (jessimistic prognostications was Eric<br />
Johnston, president of the Motion Picture<br />
Ass'n of America and Wales' big boss.<br />
Which po.'-es an inescapable question. If it<br />
Is a good idea Ut broadcast .such a symposium<br />
thLs year when the future fate of film fabrication<br />
is being .so damaglngly tossed up for<br />
grabs, why wasn't It Just as good an Idea<br />
during the many preceding years while Wales<br />
Hnd .staff were being lu.shly supported by the<br />
producers for the ostensible purpo,se of Improving<br />
the pre.ss. public and trade relations<br />
of Hollywood?<br />
But. that's our Duke— always bolting the<br />
stable door after the palfrey has been pilfered<br />
Kv«-r> body's trying to get Inlo the act<br />
evperUlly those avid for » slice of llmrllghl.<br />
Ideas and pmrnollnna<br />
are brini generated b» rommrrrlal buslnr«s»«.<br />
"'Time «as when glamor, eager anticipation<br />
and enlhuslam were built up for motion<br />
plrturr pers^tn.ilitlrs and priKlut tifins<br />
th.it was llie marvel and env> of e\ery other<br />
buitineiks. Hut now thei've found out nur<br />
^errel^. learned our know-how. and today<br />
there'll as much drama In the buildup for a<br />
•went-wlng automobile or a flip-top box a«<br />
there ever was for the newest multl-mllllon<br />
dollar motlnn pliiurr production. "<br />
' tAc, ad<br />
nauseam.<br />
There's nothing In the (.ixKlman analvkU<br />
that during recent years hasn't been -laid<br />
scores of times by dorens of lndustr> llei^and<br />
usually more Impressively and artlrulalely.<br />
So, it doesn't seem reas and the largest number<br />
of "per diem" sets.<br />
Let it be hoped that Anxious Alex's statlstlral<br />
l>enl does not launch a sets-per-day<br />
m^irathon siicii as %rslrrvear's rollegiale goldfish<br />
guifllng r
. where<br />
,<br />
DRIVE-IN THEATRE OWNERS<br />
^fB//<br />
PROJECTION AN^.^^,^ ,,,,es<br />
^ Nev.<br />
REMEAIBfR—<br />
It is imporfanf<br />
to deal with a<br />
firm that has<br />
KNOW-HOW<br />
j/ Rectifier*<br />
the<br />
SERVICE<br />
and SATISFACTION<br />
ii guaranteed!<br />
end Lorger Mo.o<br />
too^ps<br />
ProieCion<br />
;^ torger<br />
t/ Ro«o-Griiie<br />
l/ Freeie-ta*»<br />
MAINTENANCE<br />
„ .«-^OWER<br />
LONGER U^J;<br />
COST SPEAK«S ;^„,,,,. ^^^^,„,.<br />
^ Wotiograp*^ "<br />
„w "EconoiTiY<br />
j/<br />
WotiograP*^ j„„<br />
from<br />
protection<br />
..<br />
.or lo •"<br />
. ..Raincoat<br />
.q<br />
•^^"'"""'LuneSp.ok- ''•""*'<br />
Iconomy<br />
„, dirt.<br />
Most Names Valid<br />
For Pay TV Vote<br />
HOLLYWOOD— AccordlHR to L. A. assLslant<br />
city clerk Fester King, mere than 75 per cent<br />
f>f the first 8.200 signatures checked on the<br />
pay-televlslon referendum petitions are valid.<br />
The petitions, circulated by the Citizen's<br />
Committee Against Pay TV. call for a vote<br />
of the public on the franchi.se Issued by the<br />
L. A. city council to Skiatron and Fox West<br />
Coa.'-t Telemeter Corp.<br />
Meanwhile. Julius F. Tuchlcr. chairman of<br />
the Citizens Committee Again.st Pay TV.<br />
informs that the American Telephone & Telegraph<br />
Co . its equipment manufacturing sub-<br />
.sidiary. Western Electric Co.. and its 22 operating<br />
companies, if permitted by the federal<br />
government to participate in the pay TV<br />
clo-sed circuit field through u.se of its equipment<br />
and facilities, will completely monopolize<br />
the closed circuit pay television industr>'<br />
in the greater Los Angeles and Sen Francisco<br />
Bay areas.<br />
Tuchler further states that the citizen's<br />
committee will oppose the use of AT&T facilities<br />
and equipment to broadcast baseball<br />
games of the S. F. Giants and L. A. Dodgers<br />
over interstate lines via closed circuit pay<br />
TV if any attempt is made to do so in 1959.<br />
"We will exhau.st every means available<br />
to us in our fight until such time as the<br />
Congress of the United States resolves the<br />
pay TV is.sue on a national basis." said Tuchler,<br />
"There can be no compromise, whether<br />
by federal regulation or by voluntary agreement<br />
with those who oppose pay TV in any<br />
form. Television will either remain free or<br />
it will perish as the heads of the three national<br />
networks indicated this week before<br />
the House Interstate Commerce Committee<br />
hearings In Washington." he .said.<br />
More news anent pay TV was the announcement<br />
by Louis A. Novins. president of International<br />
Telemeter Corp.. that a full-scale<br />
demonstration of the Telemeter System of<br />
Pay-As-You-See Television will be staged at<br />
the Conrad Hilton Hotel in Chicago February<br />
10-15.<br />
Double Award to Critics<br />
Of Saturday Review<br />
HOLLYWOOD - Sciecn Diicctor.s Guild<br />
President George Sidney announced that the<br />
guild's 1957 award for outstanding motion<br />
picture criticism has been voted jointly to<br />
Hollis Alpert and Arthur Knight of the<br />
Saturday Review.<br />
The double award i.s being given this year<br />
because the critic's award committee's opinion<br />
was that the level of criticism was<br />
equally high In the case of both critics. Tlie<br />
awards will be made at the guild's annual<br />
dinner February 9 at the Btltmore Bowl.<br />
'>>X
DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />
DOUBLE SPECTACLE-TERROR!<br />
FABULOUS! FANTASTIC! TERRIFYING!<br />
NOTORIOUS aCAUTIES LOST IN A FANTASTIC HELL-ON-EARTH!<br />
BCAUTIFOl.<br />
DEADLY<br />
ASTOU<br />
MON<br />
«^ XBBY DXITON • SUSAN CABOT • BRAD lACKSON<br />
I MM KENNIY RICHARD DEVON - PnteK X UracM H IMtl CMIIU<br />
U UURM MIOMINMl nCtMf<br />
SEE ^ SEE<br />
illOOOIITUUSOf tl SUStlPENTDF<br />
LOSaMPmE' ^ TNEmTEI'<br />
SEE 'W' SEE<br />
110 WORIDS T SUPERWOIiEH<br />
IwnHTXEcouua<br />
OF MONSIirailS<br />
1(8801)' ,^ OF GIANTS'<br />
ERICAN<br />
INTERNATIONAL<br />
PICTURES<br />
CHARLES LLOrO<br />
120 21t« Srrco<br />
DENVER S COLORADO<br />
FAVORITE<br />
FILMS<br />
I t CUMMINS<br />
2419 Second A>cnuc<br />
SEATTLE I. WASHINGTON<br />
FAVORITE FILMS<br />
N P JACOBS<br />
1928 So Vcrfnoat Aienue<br />
LOS ANGELES 7. CALIFORNIA<br />
FAVORITE FILMS<br />
MAL GRUBER<br />
255 Hrdf SirMi<br />
SAN ERANCISCO 2. CALIFORNIA<br />
ENCORE<br />
FRED C<br />
FILMS<br />
PALOSKY<br />
252 Eml fint Sovth<br />
SALT LAKE CITY. UTAH
February<br />
. . The<br />
. . Wolter<br />
Evergreen Promotes<br />
Nyberg and Hopkins<br />
PORTLAND— Promotions<br />
.ybcrii.<br />
Portland district nmnasrr fi>i . ...^;..n tjjp-<br />
•trvs. to Orrtton and Wo-stuniitun division<br />
Bunagrr of the Fox Wr.st CooAt .sutv.ldlury<br />
Con.its(lit« of 35 lhratri>> in tl>r two .stuti-.v.<br />
and of Rrx Hupkln>. mantMtrr of ttir Hollywood<br />
Tliciitrr hrrr. to .succet^ NylwrK. were<br />
uncrd thb, week by William H Thrd-<br />
E^ergreen president.<br />
Sytier%. »itf> Everwreen since the circuit<br />
«a5 oTKantu^ 37 years ago. has been In<br />
Portland since July 1948 He came here us<br />
manaxer of the Orphoum Tlieatre. In addition<br />
he ha> manaKrd the Paramount. Uie<br />
Oriental, and wa., the flr.st manaKcr of the<br />
'>.00O new Fox which opened here In<br />
ist 1964<br />
He l>ecame Portland district manager In<br />
Januar)- 1965.<br />
The division consists of 25 theatre.^ lor3'r-d<br />
tn Seottle, Spokane. BelllnKham,<br />
E^•eret'.. Wenatchee. Al)crdeen.<br />
n. Vancouver, all in Wa&hUiKton.<br />
and theatres tn Portland and Eupene. Ore<br />
Nybers and hU wife Wilmoth expect to<br />
make their home In Seattle Their dauKhter<br />
Barbara Ann L^ a senior at the University<br />
of Oregon Active In civic affairs. Nytierg<br />
b a meml)er of the Advertising Club of Oregon,<br />
the Retail Trade Bureau of the Portland<br />
Chamt>er of Commerce and the Navy League<br />
He is alto a member of Trinity Episcopal<br />
Church.<br />
He started his theatre career In Spokane<br />
«hlle still In high school. After attending<br />
Washington State College he t>ecame assistant<br />
manager of the Pantages. He was<br />
lent to Portland as an a-vUstant manager at<br />
(he Orpheum. but returned to Spokane In<br />
1931 to t>ecome assistant manager of the<br />
new Fox He kiecame manager of that theatre<br />
U) 1938<br />
Hopkins Joined the Evergreen organlzallon<br />
in 1943. switching from automobile .sales<br />
lo «ho» businejis at the outbreak o( the war.<br />
He has managed the large Hollywood Theatre<br />
in one of Portland's busiest shopping<br />
areas for the last 16 years. He was cited by<br />
the then Secretary of the Trea.sury Henry<br />
Morganthau Jr for his efforts In the war<br />
tend drives He was also a member of the<br />
War activities Committee of the motion picture<br />
lndustr>- He has been a director of the<br />
HoUjnrood Boosters Club for 16 years and<br />
b a vice-president now He is also an active<br />
member of the Hollywood Lions Club.<br />
has held many club offices and is a pastpresident<br />
and a memlier of the Portland<br />
Prealdents Council<br />
Bom m Detroit. Mich., he has spent most<br />
of his life In Portland He attended the Vniverslty<br />
of Oregon and Ls a member of Sigma<br />
Nu He L« married and makes hLs home In<br />
inland<br />
SC Council Gives Three<br />
Dec-Jan. 4 Star Honors<br />
H(1Ll.YWOOL> h\)ur-slnr lionurs lor December<br />
and January from U>r Southern California<br />
Motion Picture Council went to MOM's<br />
"I Accii.se!" and "Seven HllLs of Rome" and<br />
Columbia's "Ttie Bridge on the River Kwol "<br />
Tliree .stars were awarded to "Wild Is the<br />
Wind. Paramount; "Story of Vickie." Buonu<br />
VLsta. and TJie Quiet American." UA<br />
Two-star pictures were Don't Oo N«iir the<br />
Water. Peyton Place. April Love. Tlie Enemy<br />
Below. How to Murder a Rich Uncle. A Farewell<br />
to Arms. Deep Six. ThLs Is Ru.ssia, Tlie<br />
Girl Most Likely.<br />
PHOENIX<br />
Rrtxona theatres will remain open during<br />
the telecast of the Academy Awards on<br />
a decision reoched here during the meeting<br />
of the Arizona Theatre A.ss'n. attended by<br />
exhibition executives from all parts of the<br />
.'tate Mony theatres on the coa.st and In the<br />
east<br />
are closing during the two-hour telecast<br />
in March However, most Arizona theatres<br />
will liLstall large TV .sets In their lobbies so<br />
those who want to see the Oscar race may<br />
do -SO.<br />
. . .<br />
lMu\s Leithold. owner of the KlVa Theatre<br />
In Scottsdale. Is playing the part of George<br />
MacCauley In "Will Succc-^s Spoil Rock<br />
Hunter?" produced by the Phoenix Little<br />
Theatre Ass'n Leithold Is quite active In the<br />
Little Theatre He was In "At War With the<br />
Army" and directed "Annlver-sary Waltz"<br />
Gene Salyer. manager of the Palms Theatre,<br />
and his wife have a baby girl<br />
.<br />
"Sayonara" went Into a .second week at the<br />
Fox Theatre and Manager Sam Bagwell reported<br />
a busy theatre. It will be followed by<br />
"Peyton Place" Studio Theatre at<br />
Coolldge held a Jitterbug and bop contest on<br />
stage In conjunction with the ElvLs Pre.sley<br />
picture "Jallhouse Rock" January 27.<br />
SALT LAKE CITY<br />
DuslnrsK ronllnued at a record pace In Salt<br />
Uike City ihrulres. with holdovers breaking<br />
all marks In the city's history Tlir Sud<br />
Sack' went into ILs seventh week. "Peyton<br />
Place" and "Sayonara" Into their sixth weeks,<br />
"<br />
and IJon't Oo Near the Water Into Its fifth<br />
"Old Veller" which opened this week, played<br />
to holdout crowds stretching us far ua a half<br />
block from the theatres<br />
I hr newly remodeled Liberty Theatre In<br />
Treiiionton. Utah, wu-s destroyed by fU-e last<br />
week. The blaze took place in the morning,<br />
when the hou.se was closed The Liberty was<br />
sold Just before Christmas by Mrs Peorl<br />
Toland. who had ojjerated It for the last<br />
15 years Otto Jorgensen. who also operates<br />
theatres In Oarlond and Brlgham City, hod<br />
leased the house and planned to open this<br />
Tuesday. Lass of building and contents was<br />
estlmoted at more than $30,000<br />
Salt Lake City's television stations have<br />
altered their policy on old motion pictures.<br />
KTVT. channel 4. which has been .showing<br />
a late movie at 11:15 p.m. moved Its old<br />
films to 11 am., when a new package of films<br />
will bo shown Channel 5 decided to put on<br />
late shows three times a week where prevlou.sly<br />
It had been putting them on only<br />
once . Al)cl was In to start a stage<br />
appearance at the University of Utah In "Inherit<br />
the Wind." The drama will be playing<br />
at the same time that "Ralntree County."<br />
In which he has a role. Is playing at the<br />
Capitol Theatre.<br />
CeiTJL<br />
PO IT./<br />
You're Missing A Beaui^Ii<br />
you haven't added Swingfog to<br />
your Insect Fighting Lquipment.<br />
Why' Because Swingiog, the only<br />
Portable Pulse Jet Fogger and<br />
Sprayer available, can help you out<br />
of the toughest (x>ntrol problems<br />
you've ever laced Swngiog will do<br />
ti<br />
SWINGFOG<br />
Succcji'u"? u\cd b> Ori»e Mi<br />
ifirougKout<br />
tht<br />
toutllrf.<br />
t<br />
the job (aster, better and more<br />
economically any time At your<br />
drive-in. it will be simple lor you<br />
to control mosquitoes, flies, midges<br />
nnd mites, wasps and bees using<br />
Swingiog in concession or parking<br />
AIP Signs Bernstein<br />
HOLLYWOOD — A one-picture deal for<br />
Richard Bernstein to produce "Korean Attack"<br />
tor American International Pictures<br />
has been doaed. "Attack." b».sed on a screenplay<br />
liy Bernstein and Oeortfe Waters. Is<br />
•lated to roll soon with Richard Duckett as<br />
tsccullve producer. Waters as a.vsoclate producer<br />
and Gabriel DeCaesar as aAsist4knt to<br />
Bematctn.<br />
For infermotien contact these dittributort:<br />
Tifa Saloft Company. Whoaton. 111.<br />
Research Products. Kansas City. Mo.<br />
Von Wan Poq Equipmanl & Supply.<br />
Portland. Or*.<br />
Toy. Incorporated. Wyckoll. N. |.<br />
Southern Mill Creek Producle Tampo<br />
Ha<br />
E. S. Browning Co.. San Francisco. Calil.<br />
Hattney Sp>ay Corp.. Dedham. Mas*.<br />
Henry Steiner. McAllen. Tex.<br />
The Toy-Air Company. New York N. Y.<br />
BOXOmCE :<br />
3. 1968 W-7
. . Reports<br />
. . The<br />
.<br />
PORTLAND<br />
IIKItl.S .mil. IIV .lOVK— Wlicn Culumbia's "Pal .lory," tin- I rank .siiialra. Kim<br />
Novak ami Kila lla.\ worth starrer protlucctl hv I red Kohlmar and directed by Cleorse<br />
Sidney, opened its London encatiement, it shattered all records at the Leicester<br />
Square Theatre iiuliidinR the one previously held by "I rom Here to Kternity." another<br />
Columbia release. The alM)ve opening-day shot shows Ihih the llritishers lined up to<br />
palroni/e the initial screening.<br />
SAN FRANCISCO<br />
•\jArirly vKill be host Monday i4i to Edward<br />
L. Hyman. vice-president of AB-PT, who<br />
will ^peak at a luncheon jointly sponsored<br />
by Tent 32 and the Northern California Theatres<br />
Ass'n. Hyman will discuss the orderly<br />
dUtrlbution of motion pictures for theatres.<br />
This will be Hyman's only speaking appearrnce<br />
in the North Pacific and exhibitors<br />
from Oregon and Washington are expected<br />
to be here for the luncheon.<br />
Women of Variety elected and in.stalled<br />
new officers last week. Sylvia O'Neal is the<br />
new president. Other officers are Mrs John<br />
Parsons, first vice-president; Mrs. Al Grub-<br />
.stick. second vice-president; Mis. Helen Addelson,<br />
corresponding secretary; Mrs. Bernie<br />
Mannheimer. recording secretary; Mrs. Ed<br />
Levin, treasurer, and Mrs. Stewart Klein,<br />
historian. Serving on the board of directors<br />
with these officers are Mis. Earl Henning,<br />
Mrs. Monroe Belling, Mrs. Manuel Levin,<br />
Mrs. Herman Rs^ and Mr^ Wesley Rosenthal.<br />
Mr>. (ieorge P. Skuuras was prestiitud the<br />
Heart Award at the Hlh annual installation<br />
of officers and Heart Award banquet. Mrs.<br />
Skouras was given the award in recognition<br />
of her work on behalf of Boys Towns in<br />
I:aly Charles M. Plncus, Blumenfeld<br />
district manager for the Stockton area, has<br />
been rea.sslgned to the Roxie Theatre, Oakland,<br />
where he will operate his district from<br />
that town. The Roxle Is the long-run theatre<br />
In Oakland.<br />
I<br />
VUlton on the Kow included Jack Newbfgebauer,<br />
Donner Theatre, Truckee; John<br />
Newton. Fair Oaks Theatre. Fair Oaks; Barney<br />
Gurnette. Crystal. Salinas; Frank Yokoi.<br />
Lincoln. Sacramento, and Al Stanford. Oaks<br />
Drive- In at Pa.so Roblcs are<br />
that the Fox Tlu-atre<br />
.<br />
may be divided Into<br />
wo .separate motion picture houses, one on<br />
the .street floor and the other In the balcony,<br />
complete with e.scniator.<br />
The U'rHterner Ilrlvr-In at Carmlchael has<br />
changed huiid.s and Is now operated by<br />
United California Theatres . Avenue<br />
Theatre here l.s going to a 28-day break. It<br />
Is II General Tlieatrlcal hou.se A preview<br />
of Walt DIsney'.H -Old Yeller. " which opened<br />
at the KKO Golden Gale Theatre January<br />
29, fculured a "dog bl-icult cocktail party" for<br />
dogs, with nrviit. rejwrters as special guest.s<br />
MGM Production Up;<br />
Recalls 100 Employes<br />
Holl.vwoou Willi it-n pictures slated<br />
to go before the cameia.s within three months<br />
and two more already in production, MGM<br />
has started building up studio personnel.<br />
Approximately 100 backlot employes have<br />
been recalled and more rehirings are anticipated<br />
following the arrival of Robert O'Brien,<br />
vice-president treasurer of Loew's, Inc., and<br />
Benjamin Melniker, vice-president and general<br />
counsel, from New York to help implement<br />
the upsurge in production.<br />
DENVER<br />
pollowing the dissolution of Variety Tent 37.<br />
local theatre and film men got together<br />
and resuiTected the old Rocky Mountain<br />
Screen Club, and have rented clubrooms at<br />
2161 Broadway on Filmiow. The rooms are<br />
being furnished, a phone installed and the<br />
new location will be much more convenient<br />
than the former location, at least to most<br />
of the members. Letters will be sent to all<br />
former Tent 37 members and an active<br />
membership campaign will be instituted.<br />
Anyone wanting further information can get<br />
it from any former Tent 37 crew member<br />
Officers of Tent 37 will hold over until elections<br />
are held.<br />
Herschel Wheeler, city manager for the<br />
Black Hills Amusement Co.. Gordon. Neb.,<br />
was hospitalized following a heart attack .<br />
Ralph Clark. UA district manager, was In<br />
holding a sales meeting. Attending were M.<br />
R Austin, local manager: William Sombar.<br />
Earl Peterson. Jay OMalln. salesmen, and<br />
Gordon Pearce. office manager . . . Revllle<br />
Kiiiffln. 20th-Fox western division manager,<br />
was calling on accounts and conferring with<br />
Dick Fulham. exchange manager.<br />
.\1 Kolitz. district manager for Rank Films,<br />
went ti) New York for a .sales meeting<br />
Harry Huffman, retired city manager for<br />
Fox Inlermountain Theatres, and Mrs. Huffman<br />
are .spending six weeks In Hawaii<br />
Theatre folks seen on Fllmrow Included Delbert<br />
Stuart. Torrlngton, W.vo.; Herbert<br />
Gumix-r, Alamo-sa; Moe Huddick, Silver City.<br />
N M., George Scotty" Allan Jr , North<br />
PUHte. Neb. and John Snwaya. Trinidad<br />
\Xrould-l>e safecrackers who broke Into the<br />
Orpheum Theatre's glass boxofflce In the<br />
outer lobby of the theatre sometime early<br />
Sunday were convinced that people In glass<br />
cages can't blow .safes. They cut their way<br />
through the glass, only to discover It would be<br />
necessary to bla.st the .safe In order to open it<br />
—a task made Impo.sslble because the boxofflce<br />
would have been shattered by the concussion.<br />
No money was taken. Two other theatres,<br />
suburban hou.ses. weren't so lucky. A safe<br />
was torn from a wall at the Mount Tabor<br />
Theatre. It was bolted to a concrete block<br />
wall in the projection room and contained<br />
S400. At the Bob White Theatre, a cash box<br />
yielded $50 and a popcorn machine contained<br />
S4.<br />
Ross Hobkirk, Liberty Theatre assistant<br />
manager, helped ballyhoo the Oregon-filmed<br />
"Oregon Passage" with an effective lobby display<br />
and an Indian in full regalia who<br />
marched on downtown streets . . . Jack Matlack,<br />
representing J. Arthur Rank, will bring<br />
British actor James Robertson Justice to<br />
Portland for a personal appearance for<br />
•Campbell's Kingdom." due at the Liberty.<br />
Walt Mirisch Signs Trio<br />
On Two Productions<br />
HOLLYWOOD— Walter B. Miri.sch assigned<br />
Alan Ladd to star in "The Man in the Net"<br />
for the Mirisch Co.. and at the same time<br />
inked Reginald Rose to script the screen version<br />
of Patrick Quentin's novel.<br />
The film, dealing with an advertising<br />
executive who quit his job to help effect a<br />
cui'e for his alcoholic wife and is suspected<br />
of murder when she disappears, will be released<br />
by United Artists.<br />
Lee J. Cobb, who won this year's Sylvania<br />
award as the be.'^t actor of 1957 for his performance<br />
in a Studio One television production,<br />
was signed by Producer MirLsch for a<br />
top role in the Gary Cooper-Julie London<br />
starrer, "Man of the West." Cobb will portray<br />
a ruthless, demented leader of a vicious gang<br />
of old west outlaws in the production slated<br />
to go l>efore the cameras on location at<br />
Sonora. Calif., with Anthony Mann directing<br />
for United ArtLsts relea.se<br />
New AIP Dual Clicks<br />
LOS ANGELES— Producer Herman Cohen<br />
announced that In the first 350 first-run playdates,<br />
his two films. "I Was a Teenage Frankenstein"<br />
and "Blood of Dracula." have gro.ssed<br />
40 per cent more than his succe.-isful film "I<br />
Was a Teenage Werewolf." which has so far<br />
gro.ssed over two million dollars. All three pictures<br />
are being released by American International<br />
Pictures.<br />
Hugh O'Brian lo 'Enough'<br />
IIOI.I.YWOOI) Ilii^-h O Brian has been<br />
signed by 20lli-Fox lor or.e of the two top<br />
mule roles In "Enough Roiie." to be produced<br />
by Herbert Bayard Swope Jr. In the<br />
spring<br />
Public Relations Firms Merge<br />
HOLLYWOOD The indeix-ndent public<br />
relations firms operated by Richard M Wilkes<br />
and George Nlcols have U-en merged into<br />
a new partnerslilp now known as Wllkes-<br />
Nlchols & Associates, public relations<br />
W-8 BOXOFFICE Febniary 3. 1958
Tkot<br />
Unholy Wife' Combo<br />
At High Spot in Loop<br />
rnUAi.o Among !Ux newcomers In the<br />
Ujup airu. Unholy Wife." combined »IU»<br />
-Th*t NUtht at the Onuid. scored the highest<br />
"Sayonara" grossed nbuve nverage again<br />
In the fourth week at ll»e Chicago Other<br />
holdovers drawing well Included "And Owl<br />
Created Woman." In a fourth week at the<br />
Loop Theatre; •'Motorcycle Oang." combined<br />
with ""Sorority Olrl.'" In a third at the Oarrlck.<br />
"Man in the Shadow." in a third at<br />
the Roosevelt, and "Don"! Oo Near the<br />
Water." in ll» fourth week at the United<br />
Artists. On the near north side. "Wild I.s the<br />
Wind"" increased It* business In the fifth week<br />
at the Bsqulre At the Cinema, ihe opening<br />
o( "Maid in Parts" was tops<br />
'.A.«rog« It 100)<br />
Co>n vnac**- Th« Lft^Thlltcn (Conf't). To Pont<br />
WMl tft - .'"O «k 195<br />
Cttocooo- Vofsnaro A !i 4th ok. 265<br />
Cn^fO- MohJ •" Porn ;-• 200<br />
fu)u-'*- Wild li IKr W,nd • JV Stn wk 20S<br />
Cr\ «• 100<br />
*'<br />
>:u''> Sa^en Wonden al tka Warld<br />
- ner 3 T ' I • ^<br />
:'---.^' Satonara .VB;. 4fh trk 110<br />
o.i Caiatree Covntr V >v ';•'< -• 14i<br />
Towe- The Han]<br />
Jee'i Teiern 44' ,<br />
)«' , le« Int II II<br />
Wkrte Saat 14', 41 I, Hebaer to^l l> 11<br />
MaaloT 14 4] ti>rtk lord 10 JO<br />
Ml U S II' I<br />
44', Menl«T IrK 1«'| >0I,<br />
Made O'OOT >e 44 le>le> t»-w. )• 41<br />
Steaaleehate >4' , 4«< , 171] Clab II 41<br />
New men t league hl-10 scores were rolled<br />
oo the Mih. White Spot scorUif a new<br />
scratch high of 8I» and Stccplacbuc a new<br />
handicap high of 1046<br />
Newspapers in Chicago<br />
Favor End of Ticket Tax<br />
KTMA Directors Hear<br />
Of Tradeshow Progress<br />
KANSAS criY- A line tuiiioul of uftlcer.s<br />
and direclor> of Knn.Mi.N-MlsM>url 'nu'utre<br />
Owners heard M. B. Smith, pre-sldent, make<br />
un enthusiastic and compn-lu-nslve progress<br />
report on the combined Sliow-u-Ruma to be<br />
held Jointly by the lix-ul KMTA-Allled groups<br />
here March 11. 12 and 13. Smith reported<br />
excellent Inter-group cooperation uiid said<br />
details of the program will be ready to relra.^e<br />
within a few days.<br />
Doc Cook, Elmer Blll.s ojid others who ottended<br />
the TOA convention ut Miami made<br />
short. Informal reports on topics which came<br />
up for discussion— both on and off the floor<br />
— there. Including more orderly release ol<br />
product and clearances of films to television<br />
by the major studios.<br />
Operation Shilt at Fulton<br />
FULTON. MO —Commonwealth Circuit of<br />
Kansas City gave up the operation of the Fulton<br />
Drive-In and the Pulton Theatre here<br />
January 31. Monroe Glenn & Associates,<br />
owners of the properties, are taking over<br />
the management of the theatre and plan to<br />
reopen the drlve-ln early In the 1958 season.<br />
Andy Dletz of Cooperative Theatres. St. Louis,<br />
will book and buy for the theatre and dnve-<br />
In under the new management.<br />
No Loss in Ransacking<br />
QUINCY. ILI A break-in at the Orpheum<br />
Theatre was discovered when desk<br />
drawers in a .second-floor office were found<br />
to have been ransacked. It Is believed Uie<br />
Intruder entered through a rear window In<br />
the boiler room and got Into the office<br />
through a ventilating grate. Nothing appeared<br />
to hove been taken<br />
t'HICAtiO F'uvorublr edituriul.i uppearlng<br />
in the ncwNpup4T> about a retiulutlon dealing<br />
with the elimination of the city's 3 per<br />
cent umu.M-ment tux on theatre admissions<br />
have awakened the public to the plight of the<br />
theatres Many people are voicing the opinion<br />
that theatre owners should receive the consldenitlun<br />
they have been .seeking, altliough<br />
some who approve tux removal Insist thai<br />
the luck of tttu-ndunce might ul.so stem from<br />
other factors, such as poor quality films, too<br />
high admissions and lack of free or Inexpensive<br />
parking space.<br />
Theatre owners were heartened by Mayor<br />
Duley"s request to the city council ordering<br />
an Investigation Into the state of affairs giving<br />
theatre owners .so much concern. While<br />
TV has received blame for the drop In theatre<br />
attendance, the 3 per cent tax has caused<br />
motion picture Industry representatives to<br />
call on the mayor for aid on various occasions<br />
within the past five months.<br />
The tax was put Into effect In 1948. when<br />
the city was hord up for funds. According<br />
to recent reports the half cent .sales tax<br />
which the city now has raises twice as much<br />
In one month as the amusement lax raised<br />
in one year. In 1948 there were 324 motion<br />
picture houses: today there are 176, and 50<br />
are reported to be "In danger."<br />
The resolution calling for appointment of<br />
a citizens' committee to make recommendations<br />
for elimination of the 3 i>er cent municipal<br />
tax on adml.s.slons .states that the S800.-<br />
000 now turned over ajinually lo the city<br />
could mean the dlffereiirr between a profit<br />
and bankruptcy.<br />
To Reopen in Cave-in-Rock<br />
CAVK-IN-KCXTK. ILL<br />
"Hie Ohio Theatre.<br />
290-.s
from<br />
KANSAS CITY<br />
•D I.. "Ilob" AdkiiM has leased the Till Tlieutrc<br />
at Hamilton. Mo , Bill Presley<br />
and took over Its operation Friday i24i. Adiclns<br />
also Is operating In two Kansas situations,<br />
the Doric at Erie and the Linn at<br />
Pleasanton . . . Jay Wooten shuttered Uie<br />
Midland Theatre In Hutchinson. Kas.. January-<br />
15. saying. "Indoor movie business has<br />
been down lor some time and we feel that<br />
we can do a better entertainment Job lor<br />
the community by concentrating on our outdoor<br />
theatres." Woolen will continue to opcrate<br />
his Ayr-Vu and SoutHutch drive-Ins.<br />
with Dick Wright, who has been Midland<br />
manager, becoming manager of the Sout-<br />
Hutch Wright has been in the business 23<br />
years and has been In Hutchinson since 1947<br />
after theatre managerships In Missouri and<br />
Illinois<br />
. . .<br />
.Mrs. Frank Meade has reassumed the operation<br />
of the Meade Theatre and the Meade<br />
Drive-In at Kingman. Kas.. which had been<br />
operated by the Commonwealth circuit for<br />
the past several years. Kenneth Quinn. who<br />
has been managing the houses, will continue<br />
In that capacity The Glenn Realty Co..<br />
which owns the Fulton Theatre at Fulton.<br />
Mo., has assumed operation of the house.<br />
Commonwealth circuit had been operating
DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />
DOUBLE SPECTACLE-TERROR!<br />
FABULOUS! FANTASTIC! TERRIFYING!<br />
MOrOJIfOUS mEAUTIKt LOST IN A FAMTABTIC HELL'ON'EARTH!<br />
w.<br />
EVIU<br />
BEAUTIFOI...<br />
aItou<br />
-4«<br />
NION<br />
.^.num<br />
m^ ABBY DAITON • SUSAN CABOT • BRAO JACKSON<br />
SEE ^SEE<br />
81000 RIIUJUS OF kl SM S(IP()(I OF<br />
LOSTFMPIIC ^^ IHEnBTlJ'<br />
M iMKM nnuiNMi nam<br />
SEE^ SEE<br />
no woaiDS T supowohfn<br />
oFHomiNus iffiTHmcouua<br />
mm' ^. OF cuMTS'<br />
CONTACT YOUR<br />
,Jn£ELn/iatLoruiL EXCHANGE<br />
:apitol film co
. . Doris<br />
. . Frances<br />
. 'LeRend<br />
. .<br />
. . The<br />
. . Abraham<br />
. . Sympathy<br />
. . Sam<br />
CHICAGO<br />
rj.iMil W.illm.U'ln. president of Balaban &<br />
KaU. went to Los AriReles to attend a<br />
meeting of the AB-PT advlsorj' committee<br />
. . Dftve Kane, formerly a field representative<br />
for Universal in this area, was on Filmrow<br />
. . . Blllle Campbell Is an attractive addition<br />
to the UA office staff . of the<br />
Lost" will break In 40 nelRhborhood hou.ses<br />
day and date February- 21. It ended Its Initial<br />
four-week run at the Woods January 23.<br />
Condolrnrrs to Charlotte FTeedman of U-I<br />
on the death of Julius Levlne. an uncle with<br />
whom she had been maklnR her home .<br />
Columbia publlcl.st John Tliompson hosted a<br />
cocktail party for Otto Premlnper. here for<br />
"Bonjour Trlstesse" exploitation. Jean Seberg<br />
was In for radio, televi.sion and personal appearances<br />
on behalf of the film January 26-<br />
28.<br />
"Somewhere There's Music," first book written<br />
by GeorRe Lea. manager of the Hyde Park<br />
Theatre, was very favorably reviewed in the<br />
Saturday Review. Since publication date.<br />
Lea has heard from two major film companies<br />
who want to discuss a screen adaptation<br />
. . . Ir\'lnR. brother of Jack and Sid Rose,<br />
died at the age of 62 . . . Marie Kruppa. head<br />
cashier at MGM. left on a three-week vacation<br />
in Acapulco . Schultz of Sam<br />
Kaplan Distributing Corp. and several Filmrowitcs<br />
celebrated her last birthday.<br />
"Old Yeller" broke in 35 outlying theatres<br />
this week . Collins has joined the accounting<br />
department at Buena Vista . . .<br />
MGM welcomed a new switchboard operator,<br />
Maria Sperando ... I. Zatkin is going to be<br />
greatly missed on Filmrow. He will return<br />
to New York City, his former home, to represent<br />
UMPO. He has been associated with<br />
UMPO here, in addition to managing the<br />
Zlegfeld. a Davis property, and prior to that<br />
I351t<br />
RCA SERVICE COMPANY. INC.<br />
1315 So Wabosti Avenue<br />
Chicago S, lllinoit WAboih 2 0679<br />
he was general manager for the Schoenstadt<br />
circuit<br />
Erwln J. rcltrson of Abbott Theatre Equipment<br />
Co. received word that his first grandchild<br />
was born In Germany to his daughter<br />
Nancy and William Hoffman Hoffman Is<br />
In the U. S. Air Corjjs . . . Hilda Merrick, office<br />
manaRcr for Modern Film Distributors,<br />
was able to return to the office following surgery<br />
Tuesday
Ray<br />
. Dewey<br />
Exhibitors<br />
Lloyd Hirsline Lists<br />
Variety '58 Program<br />
ekctfd chirf biirkcr of Variety TVnt J5. h«.i<br />
knnounc«d the pTtwram and committers (or<br />
19M.<br />
Ttir procram calls for thr tnauKumI ball<br />
U> br hrld Prbruory 15. the rrnular mcinberiblp<br />
mrrtm«s to be held on the third Monday<br />
ot each month, with important iruesl<br />
ipe*kers. a crew mertlne »n the tint Monday<br />
o( each month, three sttMC parties, to be<br />
held on Monday nlKht.s dtirtnR thr year:<br />
Uiree combination parties with the Standard<br />
Club. includlnK hu.-^band.s and wives. durliiK<br />
the year, one roK tournament, one imlus-<br />
Irywhle picnic; one .summertime party to<br />
raise money for incidental club expenses, and<br />
a Christmas party, to be held as In the past<br />
The first membership meeting of the new<br />
jrear was to be held Monday i20i night at<br />
the Standard Club. Guest speaker wa.s to<br />
be John Bennington, coach at Drake Unlreruty<br />
Basketball player Red Murrell wa.'^<br />
to be a guest.<br />
Committees named by HIrstlne for 1958 are:<br />
Entertainment — Milton Pelnberg. Dave<br />
Oold. Carl Olson. Don West. BUI Luftman.<br />
B^b Sandler. Cato Mann. Don Knight. Ken<br />
Weldon. Larry Dunn. Larry Day. Pete Peterson.<br />
Charles Callglurl. Harold McKlnney.<br />
Jake Kaplan.<br />
Heart— Lou Levy. Bob Dillon. Woodrow<br />
Prauxht. Harold McKlnney. Milton Felnberg.<br />
Richard Frank. Frank Rubel. Charles lies<br />
Membership — Bob Dillon. Larry Dunn.<br />
Charles Callgiurt. Ralph Olson. BUI Luftnian.<br />
Barney B-TStman. W F DeFrenne.<br />
Claire Grant. Max Rosenblatt.<br />
Publicity—Don Knight. Dave Gold. Char-<br />
Its Callglurl. Hal Barnes. Matt Plunkett,<br />
Larry Day. MUton Felnt)erg, Gary Sandler.<br />
Charles lies.<br />
SJck-BUI Curr>-. Jack Kennedy. Vince<br />
Ftynn. Max Rosenblatt. Charles lies. Don<br />
West.<br />
Welcoming— Nate Sandler. Milton Fclnbent.<br />
Dave Gold. Bob Dillon. Charles lies<br />
Christmas party—Lou Levy. Ed Utah and<br />
all memt>ers of Variety Club.<br />
Wallis, Douglas, Sturges<br />
Combine lor 'Junction'<br />
Hot.IVWOOD^ Three of the {>er.onalltles<br />
that made Ounflsht at the OK Corral."<br />
are uniting on another action film. "Lost<br />
Train From Harper's Junction" at Paramount<br />
The three are Hal WallLs. producer; Kirk<br />
Douclas. whom Wallis has signed for the<br />
top role, and John Sturges. who will direct.<br />
Anthony Qulnn already has been signed for<br />
Ute Technicolor film to st*r with Douglas<br />
"Train" u from an original story by Les<br />
Cnitchfleld. with a screenplay by James Poe<br />
It «r>M before the cameras in Marrh<br />
Announces Popcorn Package<br />
ST LOUIS- Thr Prunty Seed * Grain<br />
Co. lontwtabllshed local firm supplying<br />
theatre conwaaKMiatres. L« announcing a new<br />
popcuc n package for the trade U>cui an adwrtiier<br />
in BOXOFFICE. the company is reliimlnt<br />
to the pages of the magazine in this<br />
iMue with an eighth-page adverUsemrnt giving<br />
complete details of the new package,<br />
which Ls said to be Ideal for storage. a.s well<br />
as (or chUdr«n to handle<br />
ST.<br />
LOUIS<br />
Thr St. t.oul* Kevlew. falhollc we«-kly, tar-<br />
! nil a .>lory l)n.^ed on tJir fnlturr oj American<br />
Inlrrnatlonul to make Its<br />
films available<br />
for rrvlcw by the Legion of Decency prior to<br />
their rclrnse Tl>e company makes low -budget<br />
pictures aimed prlnclpully at treniiKepi The<br />
story related that AIP repre.senlatlves had<br />
repeatedly Ignored LfTtlon requt-sls (or<br />
screening privileges. AIP pictures are distributed<br />
in this territory by Realart PicIum-n<br />
of St. Louis.<br />
\ luncheon meeting of officer^ and members<br />
uf tin- Ml.vkourl-Illlnols Tlieatrc Owners<br />
will be held In the Melbourne Hotel at noon<br />
h'rbruary 11 . Sliort. a.v>lstant secretary<br />
of the army, for many years a member<br />
of Congress from the .southwest
^<br />
Late I. W. Rodgers Started Career<br />
In<br />
1893, Exhibiting a Phonograph<br />
CAIRO. ILL -I W Rodgers. founder of<br />
theatre circuit In Uie Cairo. Ill . Poplar<br />
a<br />
Bluff, Mo., area, who died recently at his<br />
winter home in Miami Beach. Fla.. at the<br />
age of 83. became an Itinerant .showman several<br />
years before the advent of motion pictures.<br />
In 1893. when he was 18. Rodgers purcha.sed<br />
a gramophone, or phonoftraph outfit, then<br />
one of the world's newest wonders which few<br />
people had ever even heard of. He figured<br />
people would be willing to pay to hear a<br />
machine "talk and sing " He and Clarence<br />
Medley, a partner, took the phonograiJh and<br />
their records on tour, giving public exhibitions<br />
In lodge halls, schools and churches.<br />
While showing in 'he south, he heard of<br />
another invention, the X-Ray. and he bought<br />
one of these machines and added it to his<br />
show. It Ls said that I. W. Rodgers urged the<br />
use of this ray machine In the study of the<br />
human body, even before the medical men<br />
recognized Us value.<br />
In 1896 came the motion picture, opening<br />
up an entirely new field to Walter Rodgers.<br />
He bought out his partner, sold his phonograph<br />
and X-ray machine and bought a<br />
movie projector, opening up a "store show"<br />
In New Orleans. Later he moved to Chattanooga.<br />
At that time films were only about<br />
50 feet long and were a continuous band,<br />
chiefly street scenes, and the exhibitors had<br />
to buy the film outright. The show lasted<br />
only a short time. The admission was five<br />
cents.<br />
In a few days all of the people in a comtheJSstre<br />
equipment<br />
44} N. ILLINOIS ST, INDIANAPOLIS, IND.<br />
"Evervthtng for the Theatre"<br />
You're Missinff Jl<br />
you haven't added Swingiog to<br />
your Insect Fighting Lquipinent.<br />
Why? Because Swingiog, the only<br />
Portable Pulse Jet Fogger and<br />
Sprayer available, can help you out<br />
of the toughest control problems<br />
yoij've r.yrr 'nr-r-r] Swinglog Will do<br />
"SWINGFOG"<br />
throughout .<br />
the country<br />
S<br />
For information contact tliese distributors<br />
Tifa Solo* Compony. Whoalon. III.<br />
Roiioarch Products. Kanaas City. Mo.<br />
VanWan Fog EquipmonI 4 Supply.<br />
Portland. Ore.<br />
Fog. Incorporated. Wyckoll. N. ).<br />
Southern Mill Creek Producla. Tampa.<br />
Fla.<br />
munlty Interested In moving pictures would<br />
have seen the film, so It was necessary to<br />
buy another picture. Rodgers suggested that<br />
the showmen exchange their films through<br />
a centrally located city to handle the distribution<br />
for the exhibitors in the iwol. This<br />
would eliminate the nece.ssity for all exhibitors<br />
to buy their films outright. Apparently,<br />
none of the other exhibitors were interested<br />
in his idea, feeling that picture shows<br />
were only a passing fancy with the American<br />
IX'oplc.<br />
When business at hLs Chattanooga theatre<br />
began to taper off. Rodgers obtained a hydrogen<br />
and oxygen outfit to make the light for<br />
his picture projector and he made another<br />
tour, playing many communities without<br />
electricity throughout the south. The .showwas<br />
usually good for three days in the average<br />
town, and Rodgers moved on. When hi.'-<br />
films and projector wore out about the same<br />
time. Walter Rodgers decided to desert the<br />
movies and settle down in another line of<br />
business. He too was beginning to have some<br />
doubts about the future of pictures.<br />
In June 1906. Walter Rodgers married<br />
Grace Sawyer of Clarksville. Tenn.. who became<br />
his business partner as well as wife.<br />
About that time the motion picture business<br />
took a new lease on life. Just as Walter<br />
Rodgers predicted, the films were made<br />
longer and told a story, and exchanges were<br />
set up in various parts of the country so that<br />
exhibitors could rent the films for a certain<br />
number of days, instead of purchasing them<br />
outright.<br />
So Walter Rodgers decided to return to the<br />
picture show busine.ss. He and Grace bought<br />
a theatre in Jonesboro. Ark. A friend. Joe<br />
Cramer, told Rodgers about the possibilities<br />
of Poplar Bluff. At Cramers insistence, he<br />
visited Poplar Bluff, liked what he saw and<br />
tried to make a deal with W. N. Barron to<br />
lease the Criterion Theatre from him. Barron<br />
would not lea.se. So Rodgers went back<br />
Beaut^ii<br />
i<br />
the job faster, better and more<br />
economically any time. At your<br />
drive-in, it will be simple for you<br />
to control mosquitoes, flies, midges<br />
and mites, wasps and bees using<br />
Swingiog in concession or parkin<br />
areas.<br />
E. S. Browning Co.. San Francigco. Calil.<br />
Harlney Spray Corp.. Dcdham. Matm.<br />
Henry Sleiner, McAllen. Tpx.<br />
The Focr Air Company. Now York. N. Y.<br />
lo Jonesboro and later to California. Rodgers,<br />
however, kept In touch with Barron and early<br />
in 1914. when the Criterion was damaged by<br />
lire. Barron wired Rodgers that he was<br />
ready to lease the theatre.<br />
So in March 1914. Mr. and Mrs. Rodgers<br />
and their son. Carson, then aged 7. arrived<br />
in Poplar Bluff. Rodgers supervised repairs<br />
to the house, installed a stage and started<br />
running vaudeville acts and motion pictures.<br />
This was the first link in the chain of theatres<br />
In Missouri. Illinois and .\rkan.sas. Mr.<br />
and Mrs. Rodgers later acquired or built.<br />
In June 1921, they bought theatres in Cairo,<br />
and moved their headquarters here.<br />
Shortly after they acquired their hou.ses i|<br />
in Poplar Bluff. Rodgers with Fred Wehrenberg<br />
of St. Louis and Robert Cluster of Salem,<br />
111., organized the Theatre Owners of St.<br />
Louis, Eastern Mi.-^.souri and Southern Illinois.<br />
At its first meeting held in the Elks Club<br />
at St. Louis. Rodgers was named the first<br />
president.<br />
INDIANAPOLIS<br />
T^r. and .Mrs. Claude .Allison have returned<br />
. . Bill<br />
to Indianapoli.s from Florida where they<br />
have made their home recently. Claude is<br />
now working for Cantor Amusements. Before<br />
moving to Florida. Claude was associated<br />
with the Williston circuit for many years.<br />
Cantor has installed Cinemascope equipment<br />
at the E.squire Theatre here, which now has<br />
The Alliance Amusement<br />
an art film policy . . .<br />
Corp. has bought the four Brailey and<br />
Browning drive-ins at Port Wayne .<br />
Sconce tied for highest scholastic honors at<br />
Culver Military Academy in Culver for the<br />
last grading period. BUI is the son of J. B.<br />
Sconce of Edinburgh. Ind.<br />
Foster Gauker, MGM manager, is back at<br />
work following a six-week rest in Florida and<br />
is feeling much better . . . Peg and Tex Richards,<br />
who operate the theatres in Scottsburg.<br />
were on the Row. Tliey have returned from<br />
a holiday in California . . Trueman Rembusch<br />
.<br />
and his wife left for Florida this week,<br />
and the James Smiths are due back from<br />
their Florida vacation soon. Jimmy manages<br />
the Twin Drive-In here.<br />
The Variety Club is a beehive of activity.<br />
The long-planned remodeling Is in progress<br />
and a major overhaul Is under way. Tentative<br />
plans call for reopiening with a Sweetheart<br />
Jack Whitley.<br />
Dance March 1 . . . Kokomo. was in town.<br />
Indoor Theatre Completed<br />
In Lancaster Drive-In<br />
LANC.\STKH. CALIF. The Lancaster<br />
Drive-Iii. one niilc north of here, now has<br />
one of the largest indoor theatres In a drivein<br />
on the West Coast. The new theatre within<br />
a theatre .seats 470 persons in reclining<br />
chali-s. is heated lor winter and air-cooled<br />
for .summer u.se. Theatregoers .-^ee motion<br />
pictures on the .same 5.000 -square foot screen<br />
used for patrons In cars.<br />
The drive- In has a capacity of 787 speakers<br />
for persons who wish lo watch the picture<br />
from their cars AddltloniU parking for 1.S0<br />
curs is provided behind the snnck bar-projection<br />
booth building for patrons utilizing the<br />
Indoor theatre .seating.<br />
The drlve-ln. which wft.s opened In August<br />
m.^if). Is owned bv R. E "Tex" Griffith.<br />
I<br />
C6 BOXOFFICE Febnian,- 3. 1958
lESEARCH<br />
for<br />
BUREAU<br />
lODERN THEATRE PLANNERS<br />
lOLLMtNT fORM FOR FREE INFORMATION<br />
• MODEHN THEATRE<br />
ANNING CNSTmrrE<br />
inl Blvd<br />
'.S-. :. y 24. Mo<br />
iatl«m«n:<br />
2-3-58<br />
Ptoos* •moll ua In your RESEARCH BUREAU<br />
Mc«iv« inlormotion rvgulorly, as released, or<br />
» loUowing subiects for Theatre Planning<br />
Acoustics<br />
Au Conditioning<br />
A>chil*ctural<br />
'Black"<br />
Lighting<br />
Building Malorial<br />
Carp*ls<br />
Coin Machines<br />
Senric*<br />
Complcls Ramodeling<br />
Decorating<br />
Drink Dispensers<br />
Ori*e-tn Equipment<br />
Other Subjects<br />
oung Capaoiy<br />
Utms<br />
n Lighting Fixlutes<br />
"" Plumbing Fixtures<br />
.<br />
"<br />
Proieclors<br />
Tj Projection Lamps<br />
Seating<br />
S'.gns<br />
^nd Marquees<br />
Sound Equipment<br />
Television<br />
Theclre Fronla<br />
Vend ng EquipmrnI<br />
ire9« 90*4 rtpiv cordt for your fuftktr con*tnirnn> rMue ol<br />
ck iMelk<br />
Speculate Future Policy<br />
Of Expose Magazines<br />
IH>U,VW(.xn> T\c future<br />
policy uf the so-cullrd rxixwr inuKiiKlncx,<br />
n.i thr rrNUlt of the r(*ii.%unitbly iioii-conseqiK-iilliil<br />
t^.OOO flnr.s which wt-rc Irvlttl uKuliLst<br />
ConflUriitliil uiid WIiI.sjht by Superior Judxe<br />
II. Burtun Noble us u result of lho.se Kn/ctl«ii<br />
htivliiR been found ituilty of the ci>n>plracy<br />
tJ print obHcene matter.<br />
The levle.s grew out of Uie widely published<br />
L-lnl.N lust Mny when the Griind Jury Indicted<br />
the tnuKaKine.s und 11 per.iona connected<br />
with them. The trial of Marjorle und<br />
Fri'd Meude ended with a Jury deadlock, and<br />
under an aKreeinent reached at that time, all<br />
charKc.i except tlie obscenity chance a«alnst<br />
the two publlcatlon.s wa.s dropped Judge<br />
NobJe'ji decision, after hearing the case on<br />
the ba.tls of the iran.scrlpt of the original<br />
trial. Involved the maximum flne.s permitted<br />
by law.<br />
Some Hollywoodiun.s believe that the fines,<br />
albeit Ihcy are generally con.sldered to be<br />
nothing more than loken.s. and the fact that<br />
Utere ore .still several .sizeable civil libel<br />
sult.s pending again.st the publications, will<br />
have a tendency to deter tho,se periodicals<br />
In their practice of making life ml.serable<br />
for occasional Individuals In the film capital<br />
through the printing of detailed reportstrue<br />
or false—of the le.ss admirable side of<br />
their private lives.<br />
On the other hand, there are observers<br />
wh3 believe that the lightne.ss of the penalties<br />
may embolden the publlcatlotts— and others<br />
of their like— to pursue to even a more scurrilous<br />
and Irresponsible degree their practices<br />
of making capital upon the vagaries of clnemanla's<br />
darlings.<br />
Only time will reveal which theorizing Ls<br />
the more realistic. And In the meantime,<br />
those Hollywoodians with skeletons In their<br />
respective closets still feel that Confidential,<br />
Whl.sper, et al,<br />
are a printed .sword of Damocles<br />
hanging over their heads.<br />
Andre Previn to Direct<br />
Music for 'Porgy-Bess'<br />
HOLLYWOOD- Andre Prrvin was .set as<br />
musical director for Somuel Ooldwyns production<br />
of 'PorKy and Bess" under an arrangement<br />
In which MOM will loan Previn to<br />
Goldwyn for one year.<br />
Previn'.* appointment Is significant Inasmuch<br />
as the producer has stated that he will<br />
give the .score of the Oenihwm-DuBo.se Hryward<br />
closslc far more Impressive pre.senlat;on<br />
and performance than has been imulble<br />
within the limitations of stage and concert<br />
presentations.<br />
Gangster Film Scheduled<br />
Next by Milner Bros.<br />
II()II.V\V(> Thr Milnir Bros, following<br />
the ifiiil iD'Aiird the new cycle of gangster<br />
blop.r iMi.st|»inrd "The Pusher" and<br />
srl .>^Klii< tlon Nrgntlallons are on with Allied<br />
Artl.«!.s for release<br />
Dan Mtlner will direct and lilrhard Bern-<br />
.slein produce Jack Mtlner i- rjmirnr pmducer<br />
W. L. McKnight Buys<br />
Boston Colonial<br />
.MINNKAIMd.l.-s WilUiiin L MrKnlghl,<br />
chairman of the board of Minnesota Mining<br />
Se Mfg Co. und major stockholder In the<br />
Prince.ss Virginia Con' . St. Paul, hiui purchOAed<br />
tile Colonial 'Dieutre und an adjoining<br />
building m Boston for tl .350.000. according<br />
to his attorney Walu>r N Trenerry,<br />
Trenerry Is president of the Prlnce-ss Virginia<br />
Corp.. which owns Uie theatre.<br />
Tills Ls the second eastern theatre to be<br />
purchased by McKnight In the last five<br />
months. Last July. Scarborough House. St.<br />
Paul, another McKnight firm headed by<br />
Trenerry. purcliu.sed the St. James Theatre<br />
in New York for $1,500,000<br />
"We have been backing New York shows<br />
for a number of years." Trenerry said, "and<br />
we decided It would be more profitable to<br />
own the theatres "<br />
TTie musical "LI'l Abner," has been playing<br />
at the St. James for 13 months, Trenerry<br />
said, adding that the BosUm theatre will be<br />
used for tryouts of New York productions and<br />
for road.show attractions. Both houses were<br />
purchased from the 138 W. 46th St. Theatre<br />
Corp.. owned by the Shubert brothers.<br />
Close South Bend Avon<br />
SOUTH BEND. IND—Tlie Avon Tlieatre<br />
here has Ix'en clo.sed Indefinitely, and Manager<br />
Clifford E. Yaniell Indicated that television<br />
and declining attendance were responsible.<br />
The theatre was remodeled and expanded<br />
le.ss than ten years ago at a cast of<br />
$75,000 ThLs Is the fifth theatre to close<br />
here In recent years. Others were the Oliver,<br />
Indiana, Armo and Times.<br />
Write, wire or phor^e —<br />
Inlernaliono! Soot Oivition<br />
Union Cily Body Compony, Inc.<br />
Union City, Indiono<br />
BOXOFHCE Fflteiwry 3. 1968 C-7
many<br />
happy<br />
returns<br />
of today<br />
Thanka to our doctona, most Americans can look Idrwanl to<br />
longer and happier lives than ever before. Some of our deadliest<br />
diseases have already l)een conciuered ; others are fast beiiip brought<br />
under control. Kven with cancer, much progress has been made.<br />
Today, more than 800,000 Americans are alive and well, cured of<br />
cancer . . . many of them, because they made a habit of having thorough<br />
health checkups every year no matter how well they felt . . .<br />
many others, because they went to their doctors at the first sign of<br />
any one of the seven danger signals that may mean cancer . . . all of<br />
them, because they went to their doctors in time.<br />
To learn how to guard uoiimclf again.st cancer, call the Anicriian<br />
Cancer Society office nejirest you or write to "Cancer" in care of<br />
your local Po
\t<br />
where<br />
Tenl 45 Membership<br />
Drive io End Mar. 1<br />
N '<br />
Uic rrccnt Varlfty<br />
CI ailed to ordfr by Chief<br />
Barkrr Brandon «ith burkrrs Pugr Bitkrr.<br />
Joel Bluc>tonc. Dun Brandon. Hrnry Olovpr.<br />
Bill Murphy. Roy Nlcuud and Rotx-rt Siiloy<br />
•ttrndins. It »«» rr-^olved thiit thr nn'nil)eralUp<br />
dnvr rnd Mikrch I. and tiuit all appllca-<br />
Uons r«crivrd on that day stiould b« included<br />
in the drivf : that the La5 Vegas award .sttall<br />
consist o( a roundtrlp plane fare at day<br />
coach rate, plus five days at hotel at ilb per<br />
day. plus $45 reKL^tratlon fee. or (360 at the<br />
option of the winner.<br />
This award will l>e given for each multiple<br />
Of 60 new meml>ers. secured overall, and not<br />
a fraction thereof The Loa Voko-s awards or<br />
other capitaJ awards will t>e given in the<br />
following order flrtt award, to the high<br />
ICAin. second award, to be determined by a<br />
drawing of all memt>ers securing new memberv<br />
each having pro rata number of chunce.s<br />
to the number of members .secured by the<br />
Individual, third award, to individual obtaining<br />
highest number of new members: fourth<br />
•ward, on a drawing between all new members.<br />
Other capital awards are two memberships<br />
to the 1968-59 Midnight Supper Club In the<br />
rrent the first four awards, or any part<br />
thereof, are not Las Vegas trip awards, as<br />
may be the case In the event less than 180<br />
or 340 new members not being secured. There<br />
will t>e additional awards to be on a drawing<br />
basis among the working members, also<br />
avards for all Variety members, new and old.<br />
which will also be on a drawing basis<br />
Tommy Sands Back Home<br />
For Shreveport Premiere<br />
SHRE\'EPORT—Tommy Sands. 20-yearotd<br />
Shm-eport crooner with 11 years of experience<br />
In the entertainment world, flew<br />
borne January 31 to share In world premiere<br />
acunttes of his first motion picture. "Sing<br />
Boy Sing." a 20th Centun-Fox production.<br />
Sands was Interviewed<br />
by press and radio<br />
at II ajn . then was guest of honor at a 6<br />
o'clock dinner, followed by his personal appeajvicc<br />
at the Don Theatre for the premiere<br />
fesuviues<br />
The young singer considers this city his<br />
booetovn because he and his mother spent<br />
»o much time here while hi* father Benny<br />
wm» on the road In a U80 show. Tommy and<br />
hit mother lived with hLi Aunt Bert and<br />
Onde Charlie Dickson on a farm near here<br />
Re attributes much of his sucoesa to his<br />
mother's devoiloo and Inspiration<br />
Young Film Actor Feted<br />
By Shreveport Friends<br />
SHREVEPORT. I^<br />
here January 22 for >• . ; .<br />
Mr and Mr« H R Young of Shreveport. who<br />
recently completed hli third motion picture<br />
Young, ae. U a Pair Park High School<br />
graduate He appeared in "Hidden Oun" and<br />
~\Jtt of Daniel Boone" for Paramount Plrturea<br />
last year and recently completed '^oung<br />
Cowboy" for the same studio Also a singer.<br />
Young records for Capitol HU Ute^t releaM<br />
b a pop number enUtJed 'The Lodiet '<br />
Three World Debuts Set<br />
In Louisiana Cities<br />
NK"W DHUCANS LouuUinn .> three top<br />
cities will l>e the site of motion picture world<br />
premieres between now and March 13 The<br />
first will be aOth-Pox'.s •Sing Boy Sing" at the<br />
Don m Shreveport. on January 31 : the second<br />
will be Unlversal's "Damn Cltl«en." the<br />
Francis Qrevenberg story, .scheduled for the<br />
Joy in New Orleans on February 12. and the<br />
third for Baton Rouge. Lu . Jerry<br />
Wald'.s "Lonti Hot Summer" will premiere<br />
un March 13<br />
Each will be a gala uffulr. Pre.vi repres«<br />
ntatlve.s and explolteers have t>een working<br />
around the clock for a week and more<br />
to give them the best treatment 20th-Pox<br />
pre-ss representative Jimmy Gillespie ho-s<br />
been In Shreveport for a week Among the<br />
activities wHl be the personal appearance of<br />
Shreveport's own Tommy Sands, star of the<br />
film<br />
'Old Yeller' Is 650<br />
At Memphis Malco<br />
Mli.MPHlS .New housi' iitienaance records<br />
were being set day by day at the Malco where<br />
"Old Yeller" racked up 650 per cent The first<br />
show was given for dogs, accompanied by<br />
their owners, and hundreds attended. Since<br />
that morning, only humans are admitted.<br />
Elton Holland. Malco manager, U walking<br />
on air.<br />
Averooc It 100)<br />
Moko—Old Y»ll»» BV) 6S0<br />
Palocc—Don't Go Ntar Hw Wotar (MGM).<br />
4th -. 120<br />
Stot»—Th« trumr B*lo» (20th-Fox) 175<br />
Strand— Peyton Ploc* i20t(>-fo«), 4lh wk 100<br />
Worncf- Soronoro WB). 4lh wk I3i<br />
Showings in Legion Hut<br />
HAMPTON, ARK.—A new moUon picture<br />
theatre has been opened here by R. D. Smith<br />
and Joe O. Davts in the American Legion<br />
Hut. but plans have been made for a building<br />
to house the new theatre.<br />
Tom Kirk Top Barker<br />
Of Variety Tenl 20<br />
M '.: :: ; ^ -Varlei.\ ... •• led<br />
dui.i.^ .-' - ijy Tom K. -; > :.': ij.irkcr<br />
Kirk, long a Pilmrow executive, now operMei<br />
TOM KIRK<br />
the Ham-KIrk drlve-ln grocery' chain.<br />
Ed Doherty, partner In E:xhlbltors Services,<br />
wa.s elected flr.-it assistant chief barker F J<br />
Kaiser. Allied Artists manager, was elected<br />
second assistant. Howard Nicholson. Paramount<br />
manager. Is the new property master<br />
Joe Kelfer, Malco official. Is dough guy<br />
These officers are all directors Other directors<br />
for 1958 are Tony Tedesco. Herb<br />
Levy. Jack Lustlg. Alton Sims. Carl Chorter<br />
and George Simpson.<br />
Martin Lancer, producer of<br />
documentaries,<br />
will produce "The Fearmakers" for UA as<br />
his first theatrical film.<br />
You're Missing A Beaut—li<br />
you haven t added Swing^og to<br />
your insect Fighting LquipmenI<br />
Why' Because Swingfog, the only<br />
Portable Pulse let Fogger and<br />
Sprayer available, can help you out<br />
of the toughest control problems<br />
you ve ever laced Swingfog will do<br />
"SWINGFOG"<br />
^uccrMfully uud by Dnr* Ini<br />
Ikroughout<br />
lk» countrf<br />
f^<br />
*-—<br />
'J<br />
;<br />
1_<br />
For Infortnotlon contoct Him* tflttribwton:<br />
Tila Saloa Compcny Whoalon. 111.<br />
Roioarch Products. Kansoa CilV' Mo.<br />
Van-Wan F09 Cqulpoiant & Supply<br />
Portland. Or*.<br />
Toy. lncocporal»d. WyckoU. N. I.<br />
Southarn Mill Cr»*k Products. Tampa<br />
r.a.<br />
the job faster, better and more<br />
economically any time At your<br />
dnve-in, it will be simple for you<br />
to control mosquitoes, flies, midges<br />
and mites, wasps and bees using<br />
Swingiog in concession or parking<br />
areas<br />
C S. Browning Co.. San Franciaco. Calil.<br />
Hartnay Spray Corp.. Dodhoin. Mosa.<br />
Honry Sivinsr. McAlUn. T*x.<br />
Tho Toy Air Compony Now York N. Y.<br />
BOXOFnCE February 3. 1968 SE-1
. .<br />
. Leon<br />
CHARLOTTE<br />
prankltn Dsbome. who Ls<br />
accused of robbing<br />
the Fletcher branch of the Stiite Trust<br />
Co of Heiidersonvllle December U. has admitted<br />
the September 20 robbery of the<br />
Pointer Drlve-In. HlRh Point Osborne also<br />
udmltted robblnR the Joy Drive-In. HenderonvlUe<br />
The Pointer and the Joy are oper-<br />
HERE'S A<br />
BRIGHT<br />
IDEA...<br />
^mm^<br />
iiled by brothers. E. Y. and C. E. Nell! Jr. . . .<br />
The Pilot Tlieatre at Pilot Mountain has<br />
been dLsmuntled and converted Into a country<br />
ham processing plant G. L. Faw of Albemarle,<br />
who visited here recently, told of<br />
flying his Cessna- 182 to Cuba for a couple<br />
of days holiday. A revolution was going on In<br />
Havana and the mllltia was stationed around<br />
the palace Faw was instructed to fly around<br />
the city In order to avoid being shot down.<br />
Ugburn HouKh, Lancaster. S. C. has t>een<br />
named manager of the Center Theatre here,<br />
by StelUngs and Gossett. chain theatre operatur.s.<br />
For the past ten years. Hough has been<br />
district manager in the Carollnas for the<br />
Stewart and Everett theatres. He succeeds<br />
William W. Prim, who is now manager of<br />
llK" Cherokee Theatre. Gaffney. S. C. • • .<br />
H. W. Edwards is the new owner of the Plx<br />
Theatre. Black Mountain. The account will be<br />
h.md.ed by Queen City Booking Service. This<br />
.-ervice will also handle the North Wilkesboro<br />
Dnve-In. N. Wilkesboro. R. B. Adams, manmer<br />
.<br />
liclty man from Dallas, to plug Sands picture.<br />
"Sing Boy Sing." opening soon at Malco<br />
Mo-Jac Drlve-In. Indianola. Miss., has closed<br />
for the winter Joy Theatre. Cleveland.<br />
Miss., which<br />
.<br />
was closed recently has reopened<br />
for fulltime operation.<br />
Amelia Ellis, Mlllington Drlve-In. Millington,<br />
was admitted to Baptist Hospiul<br />
Norman Pair. Fair. SomervUle; W. F. Rulfin<br />
Jr.. Ruffin Amu.semenls Co., Covington,<br />
and Louise Mask. Luez. Bolivar, were among<br />
Tennessee exhibitors visiting Memphis<br />
J. B. Harper, owner, advises that the Missouri<br />
Theatre at Campbell will remain closed<br />
for an Indefinite time.<br />
. . .<br />
H. G. Walden, who operates the Bay at<br />
Red Bay. Ala., and Fran at TIshlmongo.<br />
Miss., was a local vl.sitor Whyte Bedford.<br />
Ford Drlve-In. Hamilton. Ala., was in town<br />
Rountree. Holly at Holly Springs<br />
and Valley at Water Valley: Prank Heard.<br />
Lee Drive-In. Tupelo: A. N. Rotsie. Roxy.<br />
c:arksdale. and Paul Myers. Strand. Lexington,<br />
were in town from Missisippl.<br />
We're shedding light on the subject of<br />
worn-out theatre sects! Customers<br />
dont' en|oy any show when they ore<br />
uncomfortable. The groaning you hear<br />
isn't because of poor programs. More<br />
likely it's poor seating! We con com<br />
pletely rehabilitate your seats at o<br />
surprisingly low cost! Your show continues<br />
uninterrupted. Coll today for a<br />
free cstimotc.<br />
WRITE, WIRE or PHONE ALPINE 5-«4S9<br />
Monufocturart<br />
Foam Rubber &<br />
Spring Cufchiorvs,<br />
txxk and uot<br />
coven.<br />
DhMbuten<br />
Uplvjiitery fobfici<br />
ond general seating<br />
»upptm<br />
THEATRE SEAT SERVICE CO.<br />
A Oiviiion of<br />
SEATING CO.<br />
160 Hcrmi»*j|e Avenue<br />
Naihvitic, Tennessee<br />
Tillie Little, Howco Exchange, is back at<br />
work in the inspection department after<br />
several week-, at home with a back injury .<br />
Leonard Allen, Paramount publicist out of<br />
Atlanta, was here on business. Other business<br />
visitors here were Everett Olsen. Sumter<br />
Drive-In. Sumter. S. C. and Gordon Bradley,<br />
southeastern division manager for Paramount<br />
Pictures.<br />
. . . Doris<br />
Kenneth C'lontz was recently elected business<br />
agent for Local 322. lATSE. He succeeds<br />
W. H. Fowler, who was business agent for<br />
20 years. Ken is presently employed as projectionist<br />
at 20th Century-Fox<br />
Ducker. Fox assistant cashier, was on leave<br />
of absence due to illness and Ruth Svoboda.<br />
a former Fox employe, was .substituting .<br />
Exhibitors on the Row were J. W. Griffin.<br />
Forest City; Bill Suther. Concord: Klddo<br />
Bowden. New Bern:<br />
Percy Osteen. Ander.^on.<br />
MEMPHIS<br />
S. C; R L. Baker. Webb Theatre, Gastonia;<br />
Charles Burgin. Colonial Theatres. Valdese:<br />
W. B. Sams. Statesville Amusement Co..<br />
Statesville. and J. C. Holland. Lyman Theatre.<br />
Lyman, S. C.<br />
'The fnion Theatre at Grenada. Miss., has<br />
been .sold by B. F. Jackson to F. M. Kca.<br />
who will book and buy here ... 41 Drive-In.<br />
.Amory. Miss., reopened January 24 for weekend<br />
operations and will go on fulltime schedule<br />
Mr. and Mrs. J. T. HItt.<br />
February 23 . . . Plaza at Bcntonvllle and Apollo at Springdale:<br />
William Ella.--. Murr. Osceola: Don Landers.<br />
Landers. BotesvlUe: J. Fred Brown.<br />
Nevada at Prcscott and Skyvue Drive-In at<br />
Fort Smith: John Staples. Carolyn. Plggott<br />
and E. E. Reeve.s. Palace, Oil Trough, were<br />
among vislling Arkiui.sas exhibitors<br />
Tommy Sunds, one of the youthful singing<br />
rage.s. was due here February 1. accompanied<br />
by Jimmie Olllesple. 20th-Pox pub-<br />
Florida's flRST Supply House<br />
NEW ADDRESS . . .<br />
206 MEMORIAL HIGHWAY<br />
TAMPA, FLORIDA<br />
NEW PHONE . . . 8-5189<br />
NEW CONVENIENT PARKING<br />
for Our Cuttoners<br />
Visit us at our new building<br />
UNITED THEATRE SUPPLY CORP.<br />
20* Memorial Highway<br />
.ampo. Florido 'hone iSIM<br />
Mail Addrett: Bos J7S. Tampa I, Fla.<br />
SERVICE<br />
and<br />
COURTESY<br />
For over 20 yeori<br />
OUR WATCH WORD<br />
.CENTURY llV'iiSnl STRONG ^l\s<br />
CONCESSION EQUIPMENT AND SUPPLIES<br />
STANDARD THEATRE SUPPLY CO<br />
21 S L Wlihinjlon<br />
CREeNSBORO. N C<br />
219 So C^urt^ St<br />
CHARLOTTE. N C<br />
lOIKINC SERVICE<br />
13S Brcvord Court, Chorlottc, N C<br />
FRANK LOWRY^OMN WOOD<br />
PHONE fR 5-77i7<br />
JofifioM'<br />
•OONTON, N. J.<br />
Large Cor*<br />
Greater Crater Area<br />
means<br />
MAXIMUM LIOHT<br />
Evenly Oistribufed ^<br />
.n O.orQlo— 0I>.. Th.otr. S»rvi
DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />
DOUBLE SPECTACLE-TERROR!<br />
FABULOUS! FANTASTIC! TERRIFYING!<br />
NOTORIOUS BEAUTIES LOST IM A FANTASTIC HELL-ON'EARTH!<br />
V'-»<br />
•<br />
%' rvi<br />
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BE/lUTlFUt.<br />
DEADLY<br />
THE<br />
ASTOU^^WQ^<br />
MON&TER<br />
>{%*<br />
«~. ABBY OAITON SUSAN • CABOT BRAO • JACKSON<br />
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M IMKM MIIMMIMU nCIMf<br />
SEE ^ SEE<br />
y<br />
^11 MO irmu Vkloi uwm of<br />
LBST[Hi>iiE' ^ mninr<br />
TFUOi'<br />
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CONTACT YOUR<br />
EXCHANGE<br />
)l RELEASING CORP AMERICAN ASTOR FIGURES<br />
M IICHAIDSOn » f PINSON<br />
W.ltM StTMt. NW 2IS WMt 4tli Strwt<br />
LANTA ) G£0«GIA CHAILOTTf 1 NOITM CAIOIINA<br />
COLONIAL FIGURES<br />
• . ItAGAS<br />
492 So WMd $tlT«f<br />
MEMPHIS. TtNNESSCE<br />
CAFITOL RELEASING CORP<br />
« C PliCf<br />
1)7 Foaylii* Srr»ef<br />
JACKSONVILLE 2.<br />
FLOHOA<br />
MASTERPIECE FIGURE IMC<br />
221 Soylk L>b«rt> Si<br />
NEW OILEANS 12 LOUISIANA
NEVJ ORLEANS<br />
^harlcnr Kufrino. daUKliter of Mr and Mrs.<br />
Prank Rufflno. was a maid In the queen'.s<br />
court when the Krewe of VlrRllllans presented<br />
a six-act spectacular. "Legends of<br />
Mythology," (or lU 16th annual carnival<br />
HERrS YOUR CHANCE<br />
%^^K.: BIG WOMEY
.<br />
whrrr<br />
. . Jay<br />
. .<br />
Mrs<br />
. .<br />
to celebnuiU can «•!. mt or inrrt S*ndvtchM<br />
of all Mirb will br avullablp aiid<br />
IficcUl amtiiRrmrntA iirr brln« mudr to rnterlaln<br />
chUdrrn who ttrr utlrr hour> of "Ruiinlns<br />
Mardl Oroa" nht nnUvrs vrrnacular o(<br />
Joining thf m»xMvf strrrl crowds In fun<br />
and fnvolK)' and wnlchlnK thr parades' Ttir<br />
wiconxp sign will br sprrad for members and<br />
|ur>ts Ladlr> Day at thr Rarr> on Frbniarr<br />
< will be Klvrn by thr Variety auxiliary<br />
to raise money for the Heart Fund .<br />
Leon Johnxon and Waldo Mityrr have been<br />
accepted a5 rrKular members nnd Aaron<br />
Mints. James J. Curro and Roland A Sturdlntnt<br />
as asaoclaie members to Variety Tent<br />
«s<br />
LocjU tht> Trr-Jey fans ore all hepped up.<br />
•* It U luiid tiuit Presley will be In New<br />
Orleauu on Mardi Onu Day or the day before<br />
to start work on his new picture with<br />
Ute New Orleans back«round. "King Creole."<br />
Oomlng in a week or so later is Pn>ducer<br />
Jerry Wald and his crew to start working on<br />
-Mardl Gras.' The tlUe clearly identifies It<br />
with New Orleans, and as the Chamber of<br />
Ooounerce says. The Most Interesting City<br />
IB (be World "<br />
LITTLE<br />
ROCK<br />
"Thr i.>.-ii . riuor board refused to ban "Pey-<br />
•.^:. ru.o." although the board had received<br />
several requests to forbid playing of<br />
the motion picture Although members of<br />
the board .^tamped the book as "raw." they<br />
felt<br />
that the picture was of high caliber. The<br />
memtiers of the censor board are Clark Man-<br />
Dey Mrs Letcher L. Langford. Mrs W C.<br />
Bray and Mrs. J R Pair<br />
New Series for TV<br />
Hi •:.: 'r.v 1 •• ; .- 'fn Gems' next syndicated<br />
program will tie an unusual adventurenupense<br />
series. Dial 116 Jerry Hyams. director<br />
of syndication for the Columbia Pictures<br />
TV subsidiary, said the new show will be<br />
produced by Herbert Leonard, and will debut<br />
on the air nex: fall. Dial 116 will be based<br />
OB the records of the Los Angeles rescue<br />
of the county (ire department.<br />
film BOOKIOG OfflCt<br />
ATLANTA<br />
UuldovtT rilma wrrr still plraslng Atlanta<br />
liiriitrrtiorrs. Including "And Uod Crettlrd<br />
Woman" at Uie Peachlrrr Art. "Don't<br />
tK> Near Uie Water" at U>ew» Grand and<br />
"Old Yrllrr" at thr Rlalto Tlir Roxy Theatre,<br />
a Wllby-Klncey operation, closed<br />
"Around the World In 80 Days" and opened<br />
"A Farewell to Arms." All sraLi arc re.^er%'rd<br />
at night showings.<br />
Mr». Ray Collliu, secretary to U-I District<br />
Maniigrr James V Frew, returned home following<br />
a week at Providence Haspltul. Murphy.<br />
N. C . .she and her hu.sbund Rip<br />
had motored to spend the weekend with Mr<br />
and Mrs P. J Henn Shortly after their arrival.<br />
Ray broke her ankle In a freak accident<br />
and was confined to the hospital .<br />
The Carroll and Family Drlve-In at Carrollt^n<br />
have had thrrc robberies during the<br />
past two weeks, according to Manager Hewlett<br />
Jones. Approximately t200 concessions<br />
Items and 20 speakers were In the loot.<br />
William G. Greene, operator of the Glenn<br />
Theatre, has entered Newman Haspltal In<br />
that city During hLs illness. Bill Benton.<br />
Greene's son-in-law. is handling the operation<br />
of the theatre . H. H. AJLsbrook and<br />
Thomas Assald reopened the Fox In Kingsport.<br />
Friday i31>. closed for a number of<br />
months . Messrs. Reeves and Pickett, owners-operators<br />
of the Crossroads Drlve-In,<br />
Whitwell. were visiting friends on the Row<br />
with their booking agent. Al Rook of Film<br />
Booking Office<br />
.<br />
. . Following<br />
Joe Dumas, Republic office manager, spent<br />
several days In Nashville booking with the<br />
circuits located there Solomon of<br />
Independent Theatres. Chattanooga, and Bob<br />
Mascow of the Rlalto here, returned from<br />
a business trip to Hollywood<br />
their attendance at a Martin circuit manager's<br />
meeting at Columbus. Johnnie Harrell<br />
and Charlie Karr reported the closing of<br />
these Martin operations February 1: Bell.<br />
Marietta: Sunset Drlve-In. Amerlcus; Palace.<br />
Valdosta and VUla. Villa Rica. Lois Cone,<br />
Martin office, was back at her desk after<br />
being out several days with the flu.<br />
At a three-day anniversary meeting of the<br />
United American Life Insurance Co., J. Ebb<br />
Dunn was elected to the board of directors<br />
He, along with other directors, were honored<br />
for having sold at least $1,000,000 worth of<br />
life insurance during the yi-ar Duncan operates<br />
the Carroll and Family Drlve-In at<br />
Carrollton . Christ ine Gilliam. Atlanta<br />
movie censor, reviewed the pictures she<br />
has previewed recently when the Atlanta<br />
Better Films Council met at the Atlanu<br />
Woman's Club.<br />
The author of "No Time for Sergeants,"<br />
Mar HviTiuii. who Ls a Georgian, was honored<br />
at a dlnnrr by thr Atlanta Symphony Guild<br />
The dinner preceded the opening of the play<br />
at the Tower Theatre The play was originally<br />
produced on television starring Andy<br />
Griffith, then went to Broadway, and U now<br />
being turned Into a motion picture .<br />
Fllmrow vLsltors Included C A. Crute. Lyric<br />
and Whitesburg Drlve-In. HuntsvUle. Ala.:<br />
Alton Odom. Rltz and Harlem. Thomaston;<br />
Mack Nations. Southport Drive-In. Bridgeport.<br />
Ala ; Jlmmle Gaylard. Starllte Drlve-In.<br />
Troy, and MScO Drlve-In. Entcrprtse. Ala.:<br />
W. W. PIncher. Flncher Theatres. Chattanooga<br />
and R. C. Cobb. Cobb Theatres. Payette.<br />
Ala<br />
"<br />
United ArtUts' "Roar Like a Dove deals<br />
with the humorous marital woes of a gay<br />
young American wife of a Scottish lord.<br />
Sno Cone Machines<br />
Popcorn Machines<br />
Hot Dog Machines<br />
ALSO<br />
Complete Line of Concettion Supplies<br />
THE QUEEN FEATURE SERVICE, Inc.<br />
)913.t, Mor«l« Av«nw* riiofi* ALptM 1-1441<br />
Blrvningkom 3. Alobomo<br />
Eipericncc — Industry — Integrity<br />
ALBERT E ROOK<br />
160 Wilton it n w .•viK'i<br />
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SPECIAL TRAILERS<br />
13 cents p«r word<br />
STRICKLAND FILJW CO<br />
120 Pliarr lood. N E Allanro
Oo<br />
. .<br />
: February<br />
JACKSONVILLE<br />
Do* liardlnc has been absent from his projrctionist<br />
duties at the Imperial Theatre<br />
Jnr the last two months while working in<br />
south Florida as a sound engineer In the<br />
filming of "Across the E\erglade-s '<br />
Florida's<br />
biggest crowd-puller, the Florida Stale<br />
Fair and Gasparllla Carnival. Ls expected to<br />
have a half-milUon gate in Tampa during<br />
Its run February 4-15. It will incJude a mulU-<br />
GuardyourHeart<br />
1 See<br />
your<br />
doctor<br />
Get<br />
enough<br />
fest<br />
L Control<br />
jour weight<br />
Keep<br />
physically<br />
fit<br />
T-r<br />
Give to<br />
fight<br />
heart disease<br />
tude of displays m 25 exhibit balldings. a<br />
three-day run of Rlngllng Bras. & Bamum<br />
Ac Bailey circu.s. and a gala Pirate Invasion<br />
and Parade on February 10 Each year Tampa<br />
motion picture theatres benefit from the m-<br />
f.ux of winter tourusts and Florida residents<br />
drawn to the events.<br />
. . .<br />
Hank Heam, local independent boolcer, was<br />
happy to be back home after spending several<br />
months In the Will Rogers Memorial Hospital<br />
for treatment of a lung Injury<br />
The Jacksonville dog track featured Old<br />
Yeller handicap races m advance of Manager<br />
Jim Leviiie's opening of "Old Yeller" at the<br />
Florida Theatre. The new Disney film drew<br />
tremendou.s weekend crowds to the theatre<br />
and congested street and sidewalk traffic in<br />
a big part of the downtown area.<br />
.\inong the exhibitors attending the Januar>-<br />
20 "conventionette" of the Motion Picture<br />
Exhibitors of Florida were Elmer Hecht<br />
and Charles Goldstein. Wometco. Miami:<br />
Mr. and Mrs. Carl Howell. Ocala: Horlon<br />
Prudden. West Palm Beach; Ted Chapin.<br />
Daytona Beach: "Red" Tedder. Palatka: Ed<br />
Roberts. Gaines\aUe: Tommy Hyde. Tallaha.s.-iee:<br />
B. B. "Deacon" Gamer. Lakeland:<br />
Harold Spears, Atlanta: Mr. and Mrs. Philip<br />
Harling. Fabian Theatres. New York: Mr. and<br />
Mrs. Harlow Land. Mayo: Mr. and Mrs.<br />
Charles Richelieu. Largo: Ronnie Otwell.<br />
Martin Theatres. Columbus. Ga.: Mr. and<br />
Mrs D. C. McComes. Miami: Ignacio Carbonnel.<br />
Key West: P. J. Sones, Tampa: Arnold<br />
Haynes. Naples.<br />
.\lso Maurice Hensler, Aubumdale: Mr.<br />
and Mrs. C. S. Dunn. Chattahoochee: Bolivar<br />
Hyde. Lakeland: Louis and Jerry Gold. Pahokee:<br />
Jimmy Biddle. Jasper: S. E. Britton.<br />
Tampa: Bill Jibb. Tallahassee: Edward<br />
Eckert. Dunedln. and Bill Lee. Keystone .<br />
Among local persons at the Roosevelt Hotel<br />
gathering were Louis J. Finske. LaMar Sarra.<br />
Joe Deitch. French Han-ey. Mark DuPree.<br />
Robert Heekin, Joe Charles. Peyton "Sport"<br />
Bailey. Ed Rocher. Jim Levlne. George Krevo.<br />
John Thomas, all of Florida State Theatres:<br />
Fred Kent. Marshall Fling and H. S. Stewart.<br />
Jacksonville Theatre Co.: Carlton Carter<br />
Service Concessions Co.<br />
Also Roy Smith. Roy Smith Co.: Mrs. B<br />
J Stein and Jim Kirby. of Floyd Theatres:<br />
Bob and Doris Farber. Stein Theatres: Arv<br />
Rothschild and Clint Ezell. National Theatre<br />
E:nterprlses; Mr. and Mrs. B. O. Benton. Bill<br />
Wallace. Benton Bros. Film Eicpress: Frank<br />
Winchell. TourLst & Convention Bureau: Mr.<br />
and Mrs. Nathan Mallison. Jacksonville recreation<br />
department: BUI Beck. Five Points<br />
Theatre; Sheldon Mandell. St John Theatre;<br />
Horace Denning. Betty Loop: Mr. and Mrs<br />
J. W. Hill. DUle Drive-Ins; R E Turbyflll<br />
and Jack Rlgg. Rlgg Booking Ser>'lce:<br />
Charley King. Exhibitors Service, and the<br />
branch managers and staffers of Paramount.<br />
20th-Fox. MGM. United Artists. Allied ArtLsts.<br />
Universal. Warners and Columbia.<br />
over other forms of commercial entertainmrnt.<br />
And to make the slogan even n 'tout
• •<br />
'<br />
. . That<br />
Press Folk Select<br />
Globe Nominees<br />
ilt'l-l.V'iS Us.'!' ;:,'- 11 '.;>A"Kwal>. Jcuhuu<br />
Uotui esjs>, Frrd Zlnncmann<br />
.<br />
Best comedy ur musical: Don't Oo Near the<br />
Water. Les Glrl.N. Love in the Afternoon. Pal<br />
Joey. Silk Stockings.<br />
R^'-it dramatic per(ormance by an actor:<br />
-n Brando iSayonara>. Henry Fonda<br />
ry Men'. Anthony Franclasa (Hatful of<br />
K*ui>. Alec Guinness «Kwali. Charles Laugh-<br />
Ion (Witness)<br />
Best dramatic performance by an actre.ss:<br />
Marlene Dietrich (Witness". Deborah Kerr<br />
'en Knows Mr. Allison). Anna Magnanl<br />
d>. Eva Marie Saint tHatfub. Joanne<br />
A ^t«'ard 'Three Paces of E^e>.<br />
'tier nominations Included Maurice Chevalier.<br />
Glenn Ford. David Nlven. Tony Randall<br />
and PrmrUt Sinatra for best performance by<br />
actor in miL^ical or comedy; Cyd CharLsse.<br />
Tiuna Elg. Kay Kmdall. Audrey Hepburn.<br />
Jean Sinunons (or best performance by actress<br />
in same categoo'.<br />
Best supporting actor: Red Buttons. Lee<br />
J Cobb. Sessue Hayakawa. Nigel Patrick. Ed<br />
Wynn. and best supporting actress: Mildred<br />
Otmnock. Elsa Lanchester. Hope Lange.<br />
Heather Sear>. Myoshl Umekl<br />
Now In progress Ls a survey for the top<br />
male and female "World Fnim Favorites."<br />
Big Business Reported<br />
In Foreign Theatres<br />
HOLLYWOOD — Returning to 20th-Fox<br />
after a month's tour around the world, director<br />
Mark Robeon reported excellent business<br />
on all big Hollj-aood pictures in every city<br />
on his tour. He said that television poses no<br />
threat to such films as "Sayonara" and<br />
"BiKlKe on the River Kwal." which are doing<br />
capacity business He also declared that<br />
hrelcn fans are even more rabid about<br />
BoUrwood stars than domestic (arts.<br />
Robaon. who showed setnnents o( Jerry<br />
MTald's 'Teyton Place" on his tour, .lald that<br />
»ew faces get big plays In the (oreUm presu<br />
"Everywhere I went I found an eagerness<br />
10 know about American product." said Robn.<br />
"ExhilMtors axirk day and night to icU<br />
Ibeir public our tbows and it pays off "<br />
No Shorts With 'Water,'<br />
But No Patron Gripes<br />
'<br />
'NEAPOLIS—<br />
When the picture L* as<br />
a» "Don't Oo Near the Water." supg<br />
subjects aren't needed and patrons<br />
mlM them, reporta Lowell Kaplan.<br />
Bcrger circuit buyer-booker "Don't Go Near<br />
IIm Water" u runnlnc now at Berber's Oo-<br />
^bar wltlxmt shorts and doing a smash busl-<br />
MM and there are no complaints from custooMn.<br />
Of coune. Kaplan points out, tba<br />
katore picture must also be long enough to<br />
live customers their regular money's worth.<br />
MIAMI<br />
•piir .Miami, Curlb and Miracle theatres Invhulrd<br />
11<br />
"Imnd-wrltten" messiige In their<br />
iul> oil 'Hir Rn-my Below." The mr.vMkge<br />
rt.i.s doMKiicd to attract feminine Interest<br />
m a picture which ubviou.My is a mnn'.s film<br />
"How many limes." read the ad. "has the<br />
man in your life taken you to a movie uf<br />
your choice because he thought you would<br />
enjoy It even thouKh it was perhaps too<br />
'iiiu.shy' to .suit hlni? NOW! Here's one he<br />
will want very much to st-e. so why not Invite<br />
hiin to see It with you? (Actually, Honey,<br />
you'll love It too""<br />
Walter Winrhell called Chief Barker Luther<br />
Evans from California to .say that he<br />
would accept the bid to be emcee here Thursday<br />
'6' at the club's annual "Show of Shows."<br />
WInchell .said he Is looking forward to working<br />
with the areas top entertainers on making<br />
this year's show one to be remembered.<br />
The event is .scheduled for the Miami Beach<br />
auditorium Summy Wal.sh. the producer,<br />
said that participating stars will Include<br />
some of the biggest names In night club, television<br />
and radio entertainment. These names<br />
are soon to be relea.sed. The Mai Malkln orchestra,<br />
directed by Les Rohde. music director<br />
for so many years at the Olympla. will furnish<br />
the music. Tickets are to be placed on<br />
sale in strategic spots In the area.<br />
.\mold Schulman. former Miami Beach<br />
"<br />
schoolboy, whase "Wild Is the Wind hoi become<br />
the highly successful vehicle for Anna<br />
Magiiani. has taken over Joan Crawford's<br />
Sutton Place penthouse but will be back in<br />
town in March to meet Frank Sinatra for<br />
whom he Ls writing a script . print<br />
of "Farewell to .\rms." expected to be shown<br />
to the TOA convention at the Americana<br />
Hotel several weeks ago. never arrived. Nor<br />
did Ernest Hemingway, who was expected to<br />
come to Miami from Cuba to see it. Not to<br />
disappoint Hemingway, however, a print was<br />
finally sent to Havana. The Olympla. Beach<br />
and Gables open the picture this week.<br />
Mitchell Wolfson has been among prominent<br />
Dade Count lans whose photos and<br />
printed opinions, for and against a controversial<br />
amendment .soon to come before voters,<br />
have been featured In local new.spapers.<br />
Wolfson was a memlier of the charter board<br />
which created a new metropolitan government<br />
charter Variety Children's Hospital<br />
has a (500 guarantee from Arthur Murray<br />
Studios here, as the minimum the hospiui<br />
will get from the Medal Ball February<br />
23 111 the Eden Roc.<br />
f limine of "AcroM the Everglades" will<br />
soon l)e completed. There have been a numlier<br />
of oddities connected with the making<br />
of the picture in Everglades City Latest concerns<br />
Ray Osmer. Pelican Key's .social hermit<br />
Osmer broke his vow never to work<br />
again and accepted a bit part In the film<br />
Further unexpected members of the cast<br />
were two loggerhead turtles hailing from<br />
the Miami Seaquarlum.<br />
MINNSAPOUS— "Search<br />
for<br />
the (oortb Qneruna production. wlQ open<br />
March 4 at the Century" where "Seven<br />
Wonders o( the World " will have chalked up<br />
83<br />
RESEARCH BUREAU<br />
for<br />
MODERN THEATRE PLANNERS<br />
fa<br />
ENROLLMENT FORM FOR FREE INFORMATION<br />
The MODERN THEA"rRE<br />
PLANNING INSTITUTE<br />
925 Van Brunt Blvd<br />
Kansas City 24. Mo.<br />
Gonllemen:<br />
2-3-58<br />
Please enroll us in your RESEARCH BUREAU<br />
10 recsive inlormatlon regularly, aa relaosed, on<br />
the lollowing subjeirls lor Theatre Planning:<br />
n Acoustics<br />
G Air Conditioning<br />
Architoctural Service<br />
n "Black" Lighting<br />
n Building Material<br />
n Carpels<br />
n Coin Macluoes<br />
Q Complete Remodeling<br />
Decorating<br />
n Drink Dispensers<br />
D Drive-In Equipment<br />
n Oiker Subjects<br />
Theatre<br />
Seating Capacity<br />
Address<br />
City<br />
Stats<br />
Si
C ALLAN MacNAMARA PofitatI by Fobion Bochtoch<br />
"IT'S AGAIN FASHIONABLE TO BE TIIRIFT\<br />
-<br />
and 69% of our Soo Line employees are<br />
saving regularly through the Payroll Savings Plan"<br />
"It's again fasliinnahlr to Ix' flirifty, and it is reassuring<br />
to nof
which<br />
PROBLEMS<br />
A/O DIFFERENCE IN<br />
AND THEATRES'<br />
OF DRIVE-INS<br />
TOA Speaker at Meeting<br />
Of Texas Airer Ass'n<br />
Gives Program<br />
;>\; ; \ Itie mxUi annual convenUon of<br />
„.L li \.i l>rivc-ln Th«ralrc Owners Assii ut<br />
the Baiter Hotel here lasl week concludetl<br />
with a buffel dinner, trand bail iind a Uireeact<br />
(kx>r show, with music by Earl Kay'A<br />
band, in the Royal room o( the Dnlla:. Athletic<br />
Clubk<br />
The 1K8 oftlcers were Introduced. Since<br />
the bo*rd of directors felt that "U you've<br />
got a good man, keep him." Eddie Joseph.<br />
Joseph Theatres. Au.stm. was re-elected president<br />
(or a third consecutive term; Tim Fer-<br />
(uson. Downs. Grand PnUrle. veteran lrea.surer<br />
of the organization, was named first<br />
Tice- president; R. A. "Skeef Noret. Skirue.<br />
LAmesa. second vice-president. Bob<br />
Davis. Perrln. Sherman, third vice-president;<br />
A. J. Valentine. Dusk. Georgetown, treasurer,<br />
and Johnny Pagan. Buena Vista, Borger,<br />
secretary.<br />
«M DELEG.\Ti;s ATTKNU<br />
"^~<br />
The conclave, attended by more than 400<br />
delegates, representmg .some 500 drlve-lns In<br />
Texas. Oklahoma. Arkansas and Lo ui siana,<br />
had an optimistic, "upbeat" trend through<br />
the t«x)-day sessions. Aside from the usual<br />
cautions against defecuons that affect the<br />
outdoor exhibitor, speakers In the mam were<br />
confident that m 1958 and future years the<br />
motion picture buslne.-is would be good—<br />
prorlded good product, and an even flow of<br />
Mmiae. was made available. Predominant<br />
among the many talks was the constant reminder<br />
that "teenagers are your livelihood<br />
keep them happy—they're your future audience."<br />
Dtsappointmg at Tuesday's luncheon was<br />
the absence of two main speakers scheduled<br />
for the session. Julius Gordon. National Al-<br />
presi-<br />
lied executive, and Emesl G StelllnR.s.<br />
dent of Theatre Owners of America. The laller's<br />
prepared address was given by George<br />
Roacoe. field representative for TOA.<br />
I IN UCK ALL PROBLE.MS<br />
Easenttally the general problems of the<br />
«trtT»-in theatre are the idenUcal problems of<br />
coftventional theatres. " Roocoe said 'What<br />
la gtwd (or conventional theatres is basica l l y<br />
good tor drlve-tns. We are all part of an<br />
indattry that has problems, plenty of them,<br />
but no problem exists that Intelligent, concerted,<br />
cooperative effort—by all facets of<br />
exhibition, distribution and productloo—<br />
cmni Uck."<br />
StcUlngs. In his prepared speech, contended<br />
that four b«alc problems face exhibition,<br />
drlve-tns and conventional theatres alike In<br />
UUs order < 1 > the orderly release of pictures<br />
to assure a regular flow of product to the<br />
screens. i2> prevention of further sale of<br />
pictures from Hollywood to television. iJ) an<br />
Integrated business-building, promotional and<br />
•dvcTtistng campaign to bring people back<br />
to theatres, and (4> all forms of pay Ulcrlskm.<br />
"AU other problems are small in conparl-<br />
(irrf-tlnc Trxa.H (ov. Price Daniel at the sixth annual Texas Drive-In Theatre<br />
Owners .\v.'n roinrnli.in In I).ill.i.s last week Is K. K. "Ked" Slocum. exrcutlvr dlrre drlve-lns At AIP our<br />
revenue is 40 per cent from drtve-lns now.<br />
Audiences are 70 per cent teenagers, so our<br />
'action pictures with a kick' will be l>eamed<br />
at that 70 per cent audience "<br />
Again reminding of the "Frankenstein" and<br />
Dracula" double-feature booking. Nicholson<br />
.said that "double features, once known as the<br />
death knell for exhibitors, now are the llXeblood<br />
for theatre owners."<br />
The morning .lession heard Har\-ey Poserl.<br />
»peaklng for Daniel J Edelman. public relations<br />
director. Theatre Screen Advertising<br />
Bureau of Chicago and New York PoMXt<br />
said 'The motion picture adverUsment producers<br />
and distributors have formed a new<br />
research and informational agency called the<br />
Theatre Screen Advertising Bureau. This<br />
bureau will publicize for the first time the<br />
advantages of theatre screen advertising as<br />
one of the major media, and will promote the<br />
use of theatre screen advertising as a national<br />
media to advertising agencies and their<br />
clients. Now our medium, your medium, will<br />
have Its own spokesmen at the top levcLs of<br />
the advertising world."<br />
The welcoming address to delegates was<br />
given by Gov Price Daniel, who termed the<br />
outdoor theatre owners an "Integral part of<br />
Texas industry."<br />
Gordon McLendon, president of McLendon<br />
Corp., Dallas, which operates four radio stations<br />
and Trl-State Theatres, told how radio<br />
spot plugs— with a fresh copy angle—delivered<br />
over hts local station. KUF, had t>rought<br />
hefty boxofflce results at his suburban Casa<br />
Linda, a 900-seat hardtop. He cited the reruns<br />
that brought more p>atrons than "when<br />
they died a slow death In their first runs at<br />
our house"—Citizen Kane, The Snows of<br />
Kilimanjaro. Bad Day at Black Rock. Twelve<br />
O'clock High. Twelve Angry Men and King<br />
Solomon's Mines.<br />
"We ended 1957 with 'Mines' and broke the<br />
bank, as well as our previous record from<br />
Citizen Kane.'" he said<br />
"Some of you will t>e Interested to toUow<br />
the results of a new experiment at our Casa<br />
Linda Theatre, beginning February 3 R*-<br />
meml)er a western 'Streets of Laredo'T We<br />
have an announcement<br />
i was played'<br />
Thu Is an example of the technique of 'Imagery<br />
transfer' which we have developed. Our<br />
copy demands the creation of a plcturv In<br />
listeners' minds- Imagery Iraxufer, If you<br />
will No picture that can be put on a television<br />
screen, no advertisement In a newspaper<br />
can paint a picture as vivid as the picture<br />
that the human Imagination can paint upon<br />
'Continued on following page><br />
BOXOmCE Fet>ruar7 3. ISM SW-1
^m<br />
Problems the Same<br />
For Airers, Theatres<br />
(Continued trom preceding pu«ei<br />
the human mind. Often, the picture created<br />
In the li.steners' minds by the announcements<br />
are exaKgeraled pictures— but they are created<br />
by the listener himself and thus are apt<br />
to be far more provocative of attendance<br />
than any trailer showing direct scenes. Other<br />
imagery transfer spots seek to induce moods,<br />
rather than pictures.<br />
"I would not seek to tell you here that<br />
radio represents a panacea for the ills of<br />
the theatre But I will tell you that in your<br />
average metropolitan city, only 66 per cent<br />
of the homes subscribe to any daily newspaper.<br />
That means that If you use newspaper<br />
alone. >-ou automatically miss 34 per<br />
cent of the homes, because they don't even<br />
take a newspaper. Yet over 95 per cent of<br />
these homes have radio. No. radio is not the<br />
whole answer. But It Is a part of the answer<br />
—these fantastic possibilities still Inherent<br />
for us In tlie dark and uncharted seas of the<br />
human imagination."<br />
To Use 'News of<br />
Day' Facilities<br />
.According to a recent agre«'ment Universal-<br />
International News will utilize the worldwide<br />
news gathering facilities of "News of<br />
the Day."<br />
SEIVIN6 SOUTHWEST TEXAS<br />
COMPUTE CONCESSION<br />
SUPPLIU AND EQUIPMENT<br />
Call on Us Anytimt— for Anything!<br />
ALAMO CONCESSION SUPPLY COMPANY<br />
IRV. CONN, M*r.<br />
44* W. Mwtfci St. • S«ii An»onl«, T«i.<br />
THANKS TO UKIVE-IN .VSSN<br />
To the Members of the<br />
Texas Drive-In Theatre Owners Ass'n;<br />
My sincere thuiks and appreciation lor<br />
the recognition shown me during your January<br />
meeting. Tlie plaque Is beautiful and<br />
the sentiment attached made me feel so<br />
proud to be a part of an industry that gives<br />
so much to so many for so little.<br />
AgaUi I thank you, and success and happiness<br />
to all.<br />
LEROY BICKEL<br />
Branch Manager (Retired),<br />
Metro-Goldwyn-Mayer Pictures<br />
Dallas, Tex<br />
Spike Thrower at Airer<br />
Given Jail Sentence<br />
DALLAS — Joseph B. Parnell was sentenced<br />
to six months In Jail when he peaded<br />
guilty In misdemeanor court here Monday<br />
1 27 1 to a charge of throwing spikes on the<br />
parking area of the Linda Kay Drive-In at<br />
Kleberg last August. Judge Dean Gauldin<br />
.sentenced Parnell, 40, who earlier had been<br />
convicted by a jury and assessed a two-year<br />
jail term and a $2,000 fine. The judge granted<br />
Parnell a new trial because of alleged "hearsay"<br />
state testimony. The unexpected guilty<br />
plea negated the scheduled second trial.<br />
Parnell and his wife also pleaded guilty in<br />
criminal district court to felony charges ot<br />
malicious mischief in connection with the<br />
spike-throwing at the drive-in. The husband<br />
received a two-year suspended sentence and<br />
his wife was given a two-year probated term<br />
by Judge Henry King. Testimony showed that<br />
S70 damage had been done to car tires which<br />
ran over the sharp spikes.<br />
Frank Gille.spie. the dnve-in owner, testified<br />
In the misdemeanor trial that the spikes<br />
were thrown after he refused to hire a union<br />
projectionist.<br />
L. J. Duncan Receives<br />
Cable Theatre Okay<br />
WEST POINT. GA.—L. J. Duncan, operator<br />
of the Al-Dun Amusement Co. here, will<br />
be able to operate clo.'ed circuit television,<br />
or home theatre television, for 30 years here<br />
by virtue of a special ordinance passed last<br />
week in a called .session of the city council.<br />
The ordinance l.s almost identical with a<br />
simiUar document pa.ssed recently by the<br />
Lanett council.<br />
Duncan now is forming a corporation to<br />
^el up the local communications operation,<br />
and he said detalLs will be announced later.<br />
Spec.fically. the ordinance gives Duncan<br />
authority to operate an electronic home theatre<br />
and a closed circuit .system for the purpose<br />
of receiving and transmitting by means<br />
of a coaxial cable, television broadcasts and<br />
other electronic communications of pictures,<br />
sound and other signals to television and<br />
other receiving sets of subscribers to its<br />
services.<br />
Initial plans. Duncan said, call for sub-<br />
.scrlptlons to a service that will deliver programs<br />
over three or four channels by means<br />
of a cable. He said the corporation will lay<br />
the cable and make the installations in the<br />
Individual homes.<br />
Southwest Appearances<br />
Set for Clint Walker<br />
NEW YORK cum Walker, star of<br />
Warner Bros.' "Fort Dobbs." Is assisting a<br />
50-theatre Texas and Oklahoma saturation<br />
opening with an extended personal appearance<br />
tour of the two states. He will be mtroduced<br />
to theatre audiences by local ABC-TV<br />
commentators. He has built up a following<br />
by starring in the Cheyenne series produced<br />
for television by WB.<br />
Walker was at the Aztec In San Antonio<br />
Wednesday i29i and, on successive days, the<br />
Metropolitan. Houston; Majestic, Dallas, and<br />
Worth. Fort Worth.<br />
How SEAL-A PATCH TAPE can save you<br />
$300 to $800 a year on seat repairs<br />
PhotM obo»e ihow octuol restoration of theatre seots with SEAL A PATCH TAPE— the<br />
Miracle Scat Reirorer' "A ititch in time saves nine" SEAL A-PATCH TAPE mends seats<br />
quickly, easily Anyone around your theatre con do the |ob<br />
SEAL A PATCH TAPE is cosy to use— if takes only I'j to 4 minutes to repair os a rule<br />
What's more, seat con be mended up to 50 times and repairing never be noticed by customers.<br />
SEALA PATCH TAPE— is guaranteed to please or money back.<br />
Scot cover installed costs about J2 Repair with SEAL A PATCH TAPE costs only about<br />
3 to 7 cents' And some thorough job as in photos can be done in your theatre<br />
A bod seat it o poor advertisement. Think it over!<br />
Check with your Supply House— they will show you how to do it We have<br />
dealer in every supply center in the USA<br />
63 Per Cent of Canadians<br />
Have TV Sets in Homes<br />
ori.^'AA A liaMTimunt tnidc ii'port<br />
shows th.i- I'.j ,<br />
; I cent of the 4.055.000 hou.seholds<br />
In Uif tounlry had television receiving<br />
sets in 1957. compared with 54 per cent the<br />
previous year.<br />
The statement said that the largest proportion.<br />
70 per cent, was found In the provinces<br />
of Ontario and Quebec, followed by Nova<br />
Sootla with 60 per cent and BrltLsh Colun.'<br />
aO per cent. Radio sets were in use In 96 ;<br />
cent of all households In Canada.<br />
Dogs Day at Criterion<br />
OKLAHOMA CITY- It was dogs day—<br />
Saturday ili at the Criterion Theatre. The<br />
occasion was a special showing of "Old Yeller."<br />
a story about a Texas pioneer family<br />
luid » big yeller stray dog. At 10 am., the<br />
Uieatre opened Its doors to dogs ana their<br />
owners to see a preview of the film. Manager<br />
tVin Walls antlripatod ii howling success.<br />
SPROCKETS GROUND TO FOX HOLE S? 00 EACH • EXPERT SIMPLEX PROJECTOR REPAIRS • SAVE MONEY •<br />
SHIP DIRECT TO • LOU WALTERS REPAIR SERVICE-8548 SAN FERNANDO. DALLAS TEXAS. DAVIS 10341<br />
SW.2 BOXOmCE :: Februar>' 3. 1958
DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />
DOUBLE SPECTACLE-TERROR!<br />
FABULOUS! FANTASTIC! TERRIFYING!<br />
CONTACT YOUR<br />
7tts/ina£La/ial EXCHANGE<br />
EMPIRE<br />
PICTURES<br />
101 ODONNfLL<br />
DON ORIERSON<br />
20n JockuM StTMt OAILAS I. TEXAS<br />
SCREEN GUILD PRODUCTIONS<br />
LOIS SCOTT<br />
H E McKENNA<br />
7M Wnt Grand Atmm OKLAHOMA CITY 2. OKLA
. The<br />
DALLAS<br />
TViTrl Turmr, Texas representative for Orange-<br />
Crush. Ls offering to donate hus time to<br />
exhibitors to show Improved merchnndlslng<br />
of concession Items His ser^•lce Is designed<br />
to gain more profit from the snack bar. regardless<br />
of the sale of his product or not.<br />
Turner previously was with the Walgreen<br />
Drug Co for a number of years where he was<br />
taught better merchandising. For this gratis<br />
.service he can be reached here through Dan<br />
O Lawson of A.vsoclated Poixrom<br />
BUI Sarirrnt has been appointed manager<br />
of the Ed Bowen and Ted Lewis Cinderella<br />
Drive-In Dollar a carload nights are featured<br />
each Tuesday and Wednesday. The<br />
car capacity Is 950-speakers with a 50x100-<br />
foot screen . South Loop Drlve-In<br />
held over "Pal Joey" for a slx-nlght run,<br />
paired with "Beyond Mombasa," according<br />
to Manager Rex O. Hudson.<br />
. . . didn't run<br />
Jark Gordon, amusements columnist for<br />
the Port Worth Press, covered the special<br />
screening of Buena Vista's "Old Yeller" at<br />
Interstates Seventh Street Theatre for 30<br />
dogs and observed that they "were better behaved<br />
up<br />
thaii most children<br />
and down the aisles or hog the water fountain."<br />
Gordon continued with a bit of encouragement<br />
for the human race. He reported<br />
the dogs did not buy popcorn during<br />
the .showing, ".so dogs will never be as welcome<br />
In theatres as kids." The feature<br />
opened at the Worth.<br />
H. S. "Mutt" McMurry is now running his
. For<br />
added<br />
Nutmeg Showmen<br />
LOOK, MA, NO COMMERCIALS!<br />
Look for Better '58<br />
Nt:W llAVtN n!U'itUU! ^I\o^^llll•^l<br />
bkrkliiK in rnthu.iln.tm<br />
Evrn A cuMial prrutiO of t)ir statr'j<br />
30 doily nr*si>«i>rr» kIvcs the Intcrrslrd<br />
kwkrr > Rood cruAS-.srctlon of prrdoiiilnnnt<br />
(r«llt>s on both thr circuit and indciH-ndrnt<br />
level in lamr. nictropolllan centers,<br />
Hartrord. New Haven and Brld«rport.<br />
In thr Mnallrr >ttuatlons. such as<br />
Tttrrtnatton and MIddlctown.<br />
In the forefront of any dl.tcu.vilon<br />
field L* Fnuik Ferituson. promotion<br />
Batlry Theatres. .suburtMui New Haven<br />
cuit He telU BOXOFTICE that with<br />
tinued faith and confidence In the<br />
mperiority of the motion picture, nil<br />
viU reflect Increased grosses and<br />
morale over 19Sa<br />
The PrrKU-son statement u roundly<br />
onded by such enterpristiiK executives<br />
MUte Adomo. assL^tant fteneral manager,<br />
HAD Theatres. Mlddletown: Ernie<br />
operator of the State. Torrlngton;<br />
Samuel Safenovltz. new owner of<br />
Theatre. Norwich; Milton LeRoy, Blue<br />
Drive-In Theatre Corp. and Mike<br />
Hartford Operating Co.. Hartford.<br />
All contend that the industry l-;<br />
promuing future, given the proper merchandise<br />
and accompanying promotion.<br />
Ferjmson. advertLsing the British<br />
-IJoctor at Sea." at the Whitney<br />
Bacd this enticing copy: "No doubt about<br />
The devU Invented Brigltte Bardot.<br />
naughty but nice and so full of spice<br />
•howtng her twice at 8:10 and 12:10!"<br />
POT Miss Bardofs "And God<br />
Woman." playing the Lincoln here.<br />
Sampaon. Robert Spodick and Norman<br />
of the burgeoning Nu'.meg Theatre<br />
ran the lines. "If you haven t seen And<br />
Created Woman.' then, you haven't<br />
Brtcllte Bardot!"<br />
MUs Bardot's attractions have t>een<br />
ing up astounding attendance records.<br />
Boris Morros Spy Story<br />
To Be Columbia Release<br />
Srw YORK Columbia Pictures<br />
bought the motion picture and television<br />
rtfhu to the espionage experiences<br />
Morros. producer and musical director.<br />
de Rochemont will produce the picture<br />
DMU- future Morroa vUI be technical<br />
and conmltant<br />
Newspapers and Look macazlne have<br />
lished the story of Morros' adventures<br />
and counterspy Viking Press will<br />
It m book form April 1 The UUe of "Spy<br />
Counterspy" has been tenUUveljr set<br />
book and film<br />
De Rochemont Is comipletlng the<br />
Clnemlrade picture. "Clnexnlrmc'.e Adventure<br />
Ht wUl make a second In the proces*<br />
'^^pittln* the Morrof film. He ha*<br />
' a number of film* dealing with<br />
CohunbU and de Rochemoot<br />
— --^ouiy asaocUted In the production<br />
button of -Walk Ea.it on Beaoon"<br />
> ar Whittle u Batoo Fall* " Here's Reason for Return to<br />
After Novelty of TV Wears Off!<br />
WACO -Oyiiter Quill. amusementK editor movtea.<br />
of the Tribune- Hrriild here, sums up an attitude<br />
which many people are beginning to fort and watch pictures<br />
There, nt least. I sit In<br />
feel toward television, and which theutrfmen Tlie best my home set can<br />
hope will become the dominant public reaction,<br />
with the.He words, "For .screen enter-<br />
mobility, restrlct-s its use<br />
a size that robs the television<br />
tainment, make mine movies."<br />
ium .shots Or. I sliould<br />
Under a two-column head. "Look. Ma. No for the boys will still try<br />
Commercials Screen Treats, Make the pan shot. wlUi dl«>ustrous<br />
Mine Movies." Quill wrote In a recent Sunday<br />
Issue:<br />
ing! Not to say repetitive,<br />
And the commercials:<br />
• • •<br />
few clever ones lo.se their<br />
You leave your chair to cross the room and rounds. And. what Is worse,<br />
adjust the controls or change channels<br />
every few mlnute.s with<br />
The doorbell rings—someone is wanting story continuity or mood.<br />
someone at the same house number on another<br />
street.<br />
Mickey Mou.se Club, you<br />
And, nowadays. If you<br />
A plane overhead muffles the sound and tube rest There are exceptions,<br />
causes the picture to wave like Old Glory. and -some of them notable.<br />
The telephone rings Wrong number? What Shakespeare I saw the<br />
consolation Ls that?<br />
"Twelfth Nlght"--reduced<br />
The picture goes haywire The crazy mirror half (all the sp>onsor would<br />
In the carnival's Fun Hou.se can do It better. admittedly considerable)<br />
"We have temporarily lost the audio portion<br />
of the program. Please stand by"—and ing similarity: sponsor control<br />
And there are admitted<br />
watch the Jaws flap soundlessly. This never trol or. Just as bad, the<br />
happens during the commercial.<br />
stories with stock characters,<br />
The local announcer cuts in to warn of a easy cinematic situations<br />
tornado In .southwestern Arkansas.<br />
Ingredients of any vast<br />
Volume too high for dad. too low for lad. tory I but multiplied, on<br />
Mother wants Playhouse 90 at 8:30. Junior hour I : and reduction of<br />
wants Tennessee E:mle at 8:30. Dad wants to copy boys—by the advertising<br />
quiet, especially at 8:30.<br />
rector, producer and actor<br />
Honestly, now Isn't that television In your by the studio office or<br />
home?<br />
In films.<br />
Sure. I'm among the millions grateful for But we're not likely<br />
television. Ftor topical broadcasts, ball games 'Around the World In<br />
or a President addressing Congre.ss. It's tops. Peace," "Ten Commandments"<br />
But for screen entertainment, make mine fo mention only a ver\-<br />
You're Missinff A Beaui'^Ii<br />
'.<br />
you haven Swingfog to the job faster, better<br />
'..•cur Insect Fighting Equipment. economically any<br />
yVhy' Because Swingfog, the only drive-in, it will be<br />
Portable Pulse Jet Fogger and to control mosquitoes,<br />
Sprayer available, can help you out nr.d m:tes. wasps and<br />
of the toughest control problems Swingiog in concession<br />
you've ever faced Swingfog will do areas<br />
SWINGFOG<br />
Succtuiulh ut»d by Drirt Ini<br />
itinughout<br />
tht couirtry.<br />
^czi<br />
For information contact thiie dittrlbutort:<br />
Tila Sal*i Company. Wh»atoiv. 111.<br />
Rciaaich Product*. Koniaa City. Mo.<br />
Van Wan Fog Equipcntnl & Supply.<br />
Portland. Or*.<br />
E. S. Browning Co.. San<br />
Fog. Incorporated. WyckoH. N. Horlnoy Spray Corp..<br />
I.<br />
Southarn Mill Cr**k Product*. Tampa. Honry Slainor. McAlUn.<br />
Fla.<br />
Tho Fog-Air Compony.<br />
Theatre<br />
unlnterniptetl com-<br />
that have dimension.<br />
offer Is 21 Inchea,<br />
camera of tla<br />
to rloseupK or med-<br />
say. Its effective uae.<br />
the long .shot and<br />
visual results<br />
Insipid, regurgitat-<br />
.so that even the<br />
punch after a few<br />
thrown at you<br />
arrogant disregard of<br />
don't like westerns or<br />
might as well let the<br />
to be sure,<br />
But don't cite<br />
most recent one,<br />
to on hour and a<br />
go for, which is<br />
and to absurdity.<br />
areas of distress-<br />
and code con-<br />
fast-buck approach:<br />
formula plots,<br />
and the predictable<br />
entertainment fac-<br />
television, every half<br />
serious script writers<br />
agency, di-<br />
in television and<br />
the New York office<br />
to see things like<br />
Days," "War and<br />
and "Giant,"<br />
few. on television.<br />
and more<br />
time. At your<br />
simple for you<br />
flies, midges<br />
bees using<br />
or parking<br />
Prondaco. Colli.<br />
Dodham. Mass.<br />
Tax.<br />
N«w York. N. Y.<br />
iirrll t<br />
niujor<br />
on-<br />
such us<br />
and<br />
Norwich.<br />
In thl.s<br />
chief of<br />
cir-<br />
con-<br />
artistic<br />
theatre.s<br />
better<br />
sec-<br />
as<br />
Orecula.<br />
Atty.<br />
the Yale<br />
Hills<br />
Alperln.<br />
facing a<br />
Import.<br />
here.<br />
It!<br />
Shes<br />
were<br />
Created<br />
Leonard<br />
Blalek<br />
80<br />
circuit.<br />
Ood<br />
seen<br />
chalk-<br />
haa<br />
of Boris<br />
LouLt<br />
In the<br />
advlaor<br />
pub-<br />
as spy<br />
publLih<br />
and<br />
for both<br />
first<br />
"<br />
after<br />
already<br />
F^I<br />
were<br />
and<br />
and<br />
Robert Aldrlchs film. 'The Extra Edge" a<br />
Chlted Artists' rele»»e. wUl be fllme»1<br />
principally m Berlin.<br />
BUFFALO COOLING EQUIPMENT<br />
iiCr* 0«k Lawi toon lo: BUFFALO ENGINEEfiING CO.. INC Dallot T«iot<br />
BOXOFnCE February 3 ig6«<br />
SW 5
OKLAHOMA CITY<br />
pmployrs of RKO when that exchange was<br />
dosed some time b«o have all secured<br />
employment elsewhere. Ralph B. Williams,<br />
former manager Ls selling real esate here<br />
and doing very well. Dan Snider, office manager,<br />
now has the same position here with<br />
U-I under Chos. Hudgen.s. exchange manager,<br />
and geus out In the territory at times.<br />
Chester Blakely. former RKO salesman is<br />
operating a dnve-ln for Charles Welsenberg<br />
In Wichita Palls. Tex. Paul Fielding, salesman.<br />
Is with KILT in Houston as an advertising<br />
.salesman. This station Is owned by<br />
Gordon "The Old Scotchman" McClendon of<br />
Dailas and is managed by Bill Weaver, son<br />
of C. H. "Buck" Weaver, Paramount manager<br />
here. Fielding L-; doing very well for<br />
himself In a new field. He was with RKO<br />
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WESLEY TROUT<br />
P O BOX >7S, INID, OKLAHOMA<br />
and Its<br />
predeces.sors for many years and lived<br />
m Gulhne He recently .sold his home In<br />
Guthrie and bought a new one In Houston.<br />
Katherine Clark, former RKO booker is now<br />
a.'-sistant booker for Paramount. Molly Snell.<br />
RKO cashier, is with the Morrison Investment<br />
Co.. here and likes her new work very<br />
much. Rose Lee. stenographer. Is with United<br />
Artists In the same capacity. When Oklahoma<br />
City Shipping and Inspection Bureau,<br />
operated by Bet Balrd. took over the shipping<br />
for RKO. It absorbed most of the employes<br />
In the .shipping and In.spectlon rooms.<br />
Ct. K. Crumplor. Gentry and 69 Drlve-In<br />
thcares. Checotah. made a flying trip here<br />
Thursday i23i. Dick, as he is better known<br />
by the industry, met with officials of the<br />
Oklahoma City Chamber of Commerce, In<br />
reference to water resources in Oklahoma.<br />
He is past president of the Eufaula Dam<br />
Ass'n and chairman of the board of directors,<br />
director of the Mississippi Valley Water Ass'n<br />
and also director of the Arkansas Basin A.ss'n.<br />
He has been active In helping on the Eufaula<br />
dam, which is to be built on the Canadian<br />
river near Checotah. Crumpler recently made<br />
a trip to Washington, D. C, and his committee<br />
was instrumental in getting $50,000 for<br />
preliminary work on this dam.<br />
Mrs. L. A. Newcomb. who operates the<br />
Lakeside Theatre, has been recuperating in<br />
St. Anthony's Hospital with an injured back<br />
which she received in a fall in October<br />
However, .she was due to go home Wednesday<br />
'29i. her husband. Dr. Newcomb. told us. A<br />
picture of her in her hospital room appeared<br />
m the Daily Oklahoman Sunday i26i. She<br />
.
. of<br />
Blind Picture Fan Likes<br />
Westerns, Love Stories<br />
MIAMI — Woineli-o utiiiiU.s .sUilltlcv. persons<br />
Uff to ttU theatr«,s. lUid thoreforr Kuby<br />
: caA>ilrr i»t the Eiaex. retumcd thr nd-<br />
;on money to David C Hun.t. who hud<br />
:.
We took a tip<br />
from a typist<br />
The question came up at a Heads-of-Departments<br />
meeting. Production told<br />
Personnel<br />
that his new typist asked that a<br />
portion of her salar\' be set aside for U. S.<br />
Savings Bonds. Could it be arranged?<br />
How<br />
This one question posed another:<br />
many more employees, like the typist,<br />
would like to buy Savings Bonds automatically<br />
through Payroll Sa\ings, yet,<br />
were not aware that we've had a Plan for<br />
years?<br />
Finding out was simple.<br />
A phone call brought the assistance of<br />
our State Sa\ings Bond Director.<br />
He<br />
hclptcl plan a company-wide campaign,<br />
and pro\ idt'd all the materials to inform<br />
our people about tiie advantages of U. S.<br />
Savings Bonds. Everyone receix ed an application<br />
card.<br />
The upshot? Employee participation<br />
shot up to the highest percentage since<br />
the mid-Forties, .\n^.\<br />
was conducted in<br />
never interrupted.<br />
the whole program<br />
good order. Work w.is<br />
Toda\' there are more Payroll savers<br />
than e\er before in peace time. Look up<br />
your State Director in the phone book or<br />
write: Savings Bonds Di\ision. V. S.<br />
Treasur)' Dept., Wiushington, D. C<br />
ifc<br />
B O X O F F I C<br />
E<br />
tM » J co«».iiiNT Dou NOT m roi iHij Ao««iiHiiui. m riutuii nn»:m "' '"*•*» '" ""'* '*'"•"»•• "« ^w""""' ««»«' »" '« •«*«• *"«•<br />
SW-8 BOXOmCE<br />
;<br />
:<br />
Februao-<br />
3. !>*«
WISCONSIN ALLIED SPARKS<br />
BUSINESS-BUILDER DRIVE<br />
200 Exhibitors Exchange<br />
Showmanship Ideas at<br />
Milwaukee Rally<br />
IfCLWAUKEE—Some 200 exhibitors, repro-<br />
Mntu>4( pmcueally every s«.>cUon of Wlsconttn.<br />
aUended one of the most successful buslncoa-buUder<br />
ruJlles ever conducted in this<br />
are«. It waa the first mectuiK ol its type<br />
ipofLsored by AiUed of Wlscoiusin. and wus<br />
held Tuesday i21>. at the Hotel Pflster here<br />
Ben Marcus, who heads the circuit bearing<br />
his name, spearheaded the conference.<br />
•nd kept Ihlngs movUig. "I want to welcome<br />
you exhibitors, and In particular, those of<br />
you wbo came such long distances In UiLs<br />
raging snowstorm." he said "I detect a note<br />
of pessimism and. perhaps, not without a certain<br />
amount of reason. But, I want to tell<br />
you here and now. that as an exhibitor for<br />
the past 33 years, and a large chain to guide,<br />
my circuit Is not for sale! And I'll accept no<br />
offer from anyone. t>ecause I anticipate a<br />
great future In the motion picture business.<br />
CITES T\'<br />
PAGE AD<br />
"Yes, we have our problems: tas he held<br />
aloft a fuU-page TV staUon WXIX ad ballyboolng<br />
the large number of feature films to<br />
be offered the public > can you all see it?<br />
"Now. that's downright misleading. According<br />
to thLs. It gives the public the Impression<br />
that they are going to see practically<br />
every feature film on their channel<br />
shnrtly after the producers release the prod-<br />
You will note. too. that In this Ust of<br />
.^ they are going to give the public for<br />
free, are some of the same stars you are<br />
right now plugging at your theatres. So. it<br />
means you are competing against yourself!<br />
"Look! If the Boston Store here puts on a<br />
nle of men's suits priced at $26. and a little<br />
further down the street, Gimk>els came out<br />
with a similar line, perhaps a Utile shopworn<br />
or something, at about one-third the price.<br />
you can imagine what would happen.<br />
"Naturally, we anticipated some difficulty<br />
with TV. but when the producer made the<br />
fatal mistake of turning those mo\'les over<br />
to TV for free public consumption, that, was<br />
the last straw<br />
CA.VT RIDE IWt) HORSES<br />
"Thm it no question about it. TV has hurt<br />
Vi. True, It hasn't knocked us out. but It's<br />
|o( us reeling around trying to find wajrs and<br />
means to help ourselves. So, what can we do<br />
aiMut It? Well, we can register complaints.<br />
and hope that the producer will iLiten But I<br />
know for a fact, that they can't have their<br />
cake, and eat it. too. Tliey Just can't sell to<br />
TV and the exhibitor, tool"<br />
Marcus then quoted Juliu. Srttrlr. I'ul.isiti .ind Srvmiiur; Dan Dallrv. Viking, .^pplrlon: II. L.<br />
Stolzman. Kivrr K.ilLs. Sl.iiidini;: Don Dr.ikin. Wisconsin DrILs: (ieorcr .Andrews,<br />
Colonial. .Milwaukrr; Hen >lari u>. Marrus Ihralrcs. .'Milwaukrr; Evelyn (lulenbrrj,<br />
.. (1. Krinliart. .\li:onia: Sijt (ioldtxTK. Ilollyuood. WauKau:<br />
Vem Bover. N'ernah; Kudv Koutnik. lliKliHa> l.'> Ilrive-Iii; Hud Owen. VIr, (ireen<br />
Bay: Tom Watson. Blanrh.irdvillr; Kd .Mo.vle. .Marshfirld; Harold Pear>on, rxrrutivr<br />
.secret;u-.v, .Mlird. .'Mlluaukre, and rear, riichl: John .\dlrr. .\dlrr circuit, .Marshflrld.<br />
if, during this period, it is found that they<br />
have to sell to TV, perhaps a more equitable<br />
setup can be developed, and you can advertise<br />
that no film you are playing will be<br />
shown on TV for at least seven years.<br />
"Our boxoffices can still get ten times the<br />
amount from a reissue that a producer can<br />
get out of a TV station, and unless we can<br />
make these producers understand, and get<br />
on with .
and<br />
. . Read<br />
. . you<br />
. . Punch<br />
. the<br />
. but<br />
Allied Sparks Business-Builders<br />
1 Continued troni prfci-duii; putii'<br />
>'ourseIf. to operat* an up to datr thi-iitri'<br />
•Prople today, come Into a theatre wiUi a<br />
chip on thpir .Oioulder "nn-y practically dare<br />
you to RO ahead and entertain iheni And<br />
that Roes (or the picture as well a* the house<br />
Itself It reminds me of u small theatre I<br />
took over upstate a short time a«o The<br />
town people called me and asked me to look<br />
It<br />
over.<br />
"One look at that house." he sighed, "was<br />
enough to turn me away In disgust. The<br />
people who ran that theatre, dldnt deserve<br />
to make any money. Of course, It was all<br />
shuttered up. but the doors alone were<br />
enough to turn anyone away. Well, anyway<br />
I changed the marquee, replaced the doors<br />
I had a couple from another theatre still In<br />
first class condition > made a number of<br />
other changes. Todry. that theatre is paying<br />
off .. . not much, but It will come out<br />
all<br />
right as time goes on.<br />
TOO MUCH PESSIMISM<br />
"And this Is about as good an opportunity<br />
as any. to pass on a few remarks regarding<br />
pessimism. Too many of you are going around<br />
spreading the gospel of gloom. I say it's all<br />
WTong. Naturally, we can discuss our problems<br />
amongst ourselves, but let's not be carried<br />
away by having our employes kick it<br />
around with other people. When you tell<br />
other folk how bad your business is. they immediately<br />
get the idea that the theatre is<br />
not the place to go.<br />
"Talk prosperity, and do something to<br />
prove It. The fact that 'The Ten Commandments'<br />
is still packing em In, proves that<br />
there Is a lot of good business to be<br />
had. Look, If I say I'll come into your theatre<br />
and give you one good Idea, and you<br />
agree to come Into one of my theatres with<br />
a good Idea for me, I believe we are going to<br />
get somewhere. We've got enough big men<br />
here today, who are going to come up with<br />
some big ideas. That's what we're here for<br />
... an exchange of ideas. So. without further<br />
ado. let's start with Harry Mintz, an<br />
official of Stanley Warners.<br />
DECEMBER A<br />
GOOD MONTH<br />
Mlntz— "Marcus said December was a good<br />
month for hLs circuit, and so It was for ours<br />
as well, proving there Ls business to be had<br />
. . . Are you sufficiently interested in the type<br />
of cashier you have In that boxoffice? And<br />
how she greets the patron? Let us say you<br />
knew that Mr. Marcus was coming to your<br />
towTi. and you invited him to dinner Why.<br />
you'd go to the extremes to make certain that<br />
hl5 vLsit was a plea-sant one.<br />
"But, you go to a theatre, and what do you<br />
see at .some of the boxofflces? One might be<br />
paring her nails; another can be .seen reading<br />
one of her favorite novels, and the greet-<br />
.<br />
. they're getting<br />
ing. If any. Is one of boredom personified.<br />
I say they should be educated Then, you<br />
come to the doorman. Perhaps his uniform<br />
is worn and unprcs.sed. maybe even a size or<br />
two too large for him. The u.shers fall in the<br />
same categoo' But, how many of them make<br />
no attempt to show a patron to his seat<br />
They're your guests! Why not treat them<br />
iirrordingiy?<br />
Perhaps a« you enter the theatre you find<br />
It too stuffy It meanji the Janitor needs a<br />
bit of prodding the trade p«peni<br />
thlUKB are looking up<br />
b«Jfer"<br />
T:aiecky, vice-president of the I, F.<br />
.11 WBA then called on. "Like MlnU<br />
.suid. unii-.vs you tiave the cooperutioii of the<br />
projectionist, for fxample. you can't expect<br />
a good picture," Janecky asserted. "We've got<br />
to get back to the little details, if we are to<br />
remain in the theatre business.<br />
"Several of our managers are bringing in<br />
.some mighty fine rentals ... to unions, food<br />
stores, numeroas merchants and industrial<br />
firms. That's all 'found money" and always<br />
welcome.<br />
"And we've Ijeen having very good .success<br />
witJi our spook shows. One of our managers<br />
had a casket in his lobby . had to pull<br />
back the drapes to .see It but you got a .scare<br />
when you looked, for he had a dummy<br />
sitting up In that coffin that made you step<br />
back In awe for the moment. It's that type<br />
of showmanship that keeps 'em coming.<br />
Sometimes we tie It in with a giveaway ticket<br />
. . . the ticket plus 25 cents allows them to<br />
see another .show. In some of the smaller<br />
towns, we put out cards for early shows at<br />
a reduced rate.<br />
KNOW YOUR BOOTHMAN<br />
"Many a union business agent has come to<br />
learn the benefits a theatre can provide for<br />
his organization. These agents like to have<br />
their constituents know they're doing .something<br />
for them. Sold them a large number ol<br />
. . $15 a thousand . . . ol<br />
tickets. Why, we've even got them to pay for<br />
printing the cards .<br />
course, the agent and our manager have to<br />
put their signatures on them, but It has<br />
brought us a great deal of business, even<br />
though it's at a reduced rate."<br />
In his concluding remarks. Janecky explained<br />
that for a coloring contest in connection<br />
with "The Miracle of Marcelino," appearing<br />
at two Gran houses simultaneously,<br />
a total of 10,000 heralds was handed out at<br />
the schools, churches and the theatres, and<br />
over 75 per cent of them were turned in. He<br />
said the Hot Rod shows were going over big.<br />
and added that even the mayor's wife (Mrs.<br />
Fi-ank Zeldlen had become interested In<br />
kiddy movies at the Oriental Theatre, and<br />
personally was making the rounds plugging<br />
the shows.<br />
At this point. Marcus mentioned that daylight<br />
saving should be brought into the picture,<br />
and called on Big Goldberg, past president<br />
of Allied. As chairman of the legislative<br />
committee, Goldberg Intimated that most exhibitors<br />
felt that only the outdoor theatres<br />
would be really hurt.<br />
"But we've come to learn that It has hurt<br />
both indoor as well as the outdoor, and we've<br />
got to do .something about It. We took a beating<br />
last year, but we can muster our forces<br />
and lick It. Get to those mother's groups.<br />
PTAs. the farmer and even the factory<br />
worker, becau.se we find he doesn't like It as<br />
much as he had been led to believe he would<br />
Even the re.sort owners are now against daylight<br />
.saving. Why the Ray-O-Vnc company<br />
at Madl.son. which maket. batteries. Is pulling<br />
out becau.se of it. There's a bill coming<br />
up In Congress now to defeat this daylight<br />
.saving business, and we've got to get behind<br />
It"<br />
Charles Martin hailed hLs dividend ticket<br />
arrangement as the answer to boxoffice<br />
.slump. He explained that a dividend ticket<br />
. Is a part of the admission price to your<br />
theatre The amount of the dividend ticket<br />
depends on Uie average adml.sslon price. We<br />
contact the merchants In your town, and .sell<br />
them on the Idea of giving dividend tickets<br />
to their customers Tlie boxofflc* value Is<br />
3 cents: when sold to the merchant, however,<br />
you get the full admission price when redeemed."<br />
Vem Boyer. Neenah. then took over to<br />
enumerate the various approaches used to<br />
add extra revenue. He said he was particularly<br />
concerned with the booklet issued annually<br />
by the U. S. Chamber of Commerce,<br />
which lists the special days, weeks and months<br />
In 1958, and Is combined with the Trade Promotion<br />
Planning calendar, a copy of which<br />
was to be found In the kit provided each one<br />
attending the meeting.<br />
USED MONEY DATE CALENDAR<br />
Boyer a.sked the audience to turn to<br />
various pages In the calendar, and cited the<br />
many special day and week arrangements<br />
which were tied in with numerous theatres,<br />
including holiday shows, back-to-school<br />
shows. Hillbilly Jamborees, rock-around-theclock<br />
jalopy party, coloring contests, Hl-Pl<br />
spook parties one-cent .sale f)artles, etc.<br />
Larry Beltz, Grand of Wausau, elatwrated<br />
his continued success with merchant-sponsored<br />
Christmas parties. Bud Owen, Vic,<br />
Green Bay, Invited to explain his experiment<br />
on wallet -size stills of stars, said it was amazing<br />
what a handout of this nature could do<br />
for the boxoffice.<br />
Ranee Mason of the Upper Peninsula theatres,<br />
told of a halrstyllng demonstration,<br />
which he had the Beauty Salon Ass'n sponsor,<br />
which put out the tickets, promoted all<br />
the prizes, and charged 50 cents per ticket.<br />
Otto Settele. Seymour and Pulaski, explained<br />
his approach to stage spook shows.<br />
Disc jockey shows also were proving successful<br />
in his theatres. He said It was sitfprising<br />
the drawing power these jockeys had,<br />
and merely having them on stage playing<br />
audience .selections always went over big. Student<br />
high .school ticket sales, with students<br />
getting 40 per cent as their share, was a<br />
standard routine, too.<br />
"Those kids sell tickets by the hundreds,"<br />
he concluded.<br />
.<br />
REVENUE IN CAR AUCTIONS<br />
G. Ellison, Wautoma, cited his car auctions<br />
as his best extra revenue-pro
HI<br />
DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />
DOUBLE SPECTACLE-TERROR!<br />
FABULOUS! FANTASTIC! TERRIFYING!<br />
NOTORIOUS BEAUTIES LOST IN A PAMTASTIC HELL-ON-EARTH !<br />
4<br />
who<br />
has<br />
February<br />
TOA Unit in<br />
Minneapolis Area Will<br />
Be Object of Meeting March 13<br />
MINNEAPOLIS— Ben B«TK«rr. loiiKiimr Allied<br />
States topper and (or moBt of Its existence<br />
president of the local North Central<br />
Allied, ha* been Invited to a theatre owners<br />
meeting here March 13 to bring Into l)elnK<br />
a Theatre Owners of America affiliate to<br />
supplant the present National Allied unit.<br />
Exhibitors Trade Ass'n, which apparently Is<br />
on Its last legs.<br />
Berger said he "may" attend the March 13<br />
meeting "If only to express my adverse feelings<br />
In regard to TOA "<br />
Harold Field. Exhibitors Trade A.ss'n board<br />
chairman and a TOA director, did not invite<br />
Berger to last week's meeting which Field<br />
arranged to set wheels in motion for the<br />
March 13 gathering.<br />
This territory always has been a National<br />
Allied stronghold Berger last year refused<br />
to be a North Central Allied candidate for<br />
re-election as pre."iident because some of the<br />
largest dues-paying members disapproved his<br />
belligerence toward the film companies and<br />
were coaslderlng pulling out. Ted Mann, one<br />
of the area's most successful circuit owners<br />
and who opposed "fighting" with the distributors,<br />
was elected pre.-^ident and the "conservatives"<br />
took over and renamed the<br />
organization, which has been largely inactiv*'<br />
**\*»r '-mr'*<br />
HiTKiT .Miy.'. lie iccl.s .strongly that any independent<br />
exhibitor organization's principal<br />
concern today .should be with the "deplorable"<br />
situation which "finds many small-town exhibitors<br />
unable to obtain boxofflce pictures<br />
when they're 'hot.' if at all. and at an abilityto-pay<br />
price" And. he feels, TOA Isn't interested<br />
In this problem.<br />
Among those al.so prominently present at<br />
la.sl week's meeting was circuit owner Eddie<br />
Ruben who is a TOA vice-president and<br />
txiard member, and Charles Winchell. Minnesota<br />
Amu.sement Co. general manager.<br />
Mann is in California and was unable to<br />
attend.<br />
An far as known, the only trade paper<br />
invited to cover the meeting or at least given<br />
a report on it. stated that the new body's<br />
dedicated purpose would be to the proposition<br />
that "the most important job confronting<br />
exhibition today is a united effort to win<br />
back the theatre audience" and it will devote<br />
itself principally to "build" theatre busine.ss<br />
in the area.<br />
Circuit owner Gilbert Nathanson is head<br />
of the committee making arrangements for<br />
the March 13 meeting.<br />
Several years ago Field and Ruben tried<br />
tinsucce.ssfully to launch a TOA unit here.<br />
'Old Yeller' Hits 210<br />
In Milwaukee Bow<br />
MILWAUKEE— "Old Yeller" led the downtown<br />
parade, with "Around the World in 80<br />
Days" clo.se behind. But '80 Days" has been<br />
holding up for 33 con-secutive weeks. It opens<br />
next for an extended run In Green Bay. One<br />
snowstorm after another in this area hasn't<br />
helped any of the boxofflce receipts Business<br />
was good, considering.<br />
(Average Iv 100)<br />
Alhonibro And God Creoted Woman fKtng^lev).<br />
5th wW 130<br />
Polocc— Eighteen end AnxKxrt (Rcpl, QUi tn<br />
tho Woodt (-. ; 8S<br />
R.verndc Old Ysller BV) 210<br />
Strand— Around llic Worid in 80 Ooyt (UA),<br />
33rd «t 200<br />
Towne-—Rointfcc County MGV,, 4th wk 155<br />
Worncr—The Torniihcd Angols !U-I), Thof<br />
Night (U-l)<br />
US<br />
Wisconsin—Fonvor Dariing (MGM); Hit the<br />
Deck MGM '!• isue-, 2nd wk 65<br />
Grosses at Omaha<br />
Mostly Strong<br />
OMAHA—Two holdovers bettered average<br />
gro.s>^es for the third week In a row on the<br />
downtown film front last week. "Sayonara"<br />
went to 130 per cent at the Orpheum and<br />
"Eton't Go Near the Water" closed strong at<br />
the State.<br />
Brondeis—The Long Houl (Col;, Town on Triol<br />
(Col) 90<br />
OfTioho— Jamboree W6>' The Gr««n-Eycd Blendo<br />
(WB) 85<br />
Orpheum— Sayonara (WB), 3fd wk 130<br />
Stote—Don't Go Near the Water (MGM), 3rd wk 110<br />
Varieiy Club Gives<br />
Hospital Big Sum<br />
.MI.N.NEArOLId I:iii.iiL-,s,,iVf ceremonies<br />
marked the dedication of the additional floor,<br />
the fifth, to be built on the Variety Club's<br />
heart hospital on the University of Minnesota<br />
campus thLs week. 'With the club's<br />
officers and board members participating in<br />
the ceremonies. Chief Barker Joseph Podoloff<br />
presented to hospiul officials a $100,000<br />
check to defray the con.struction cost.<br />
Including the $100,000. the club now has<br />
ral-sed more than one million dollars for<br />
what constitutes its foremost philanthropic<br />
project— the building and equipping and<br />
maintenance of thLs heart hospital, the only<br />
such institution in the U.S. devoted entirely<br />
to heart ailment treatment, surgery and research<br />
In this field<br />
The addition will be known as the Arthur<br />
W. Anderson floor In honor of a former chief<br />
barker who played an important part in<br />
making the project a success. Anderson Is<br />
the Warner manager here.<br />
Among those pre.sent for the ceremonies<br />
was Variety International Chief Barker John<br />
Rowley of Dallas. Tex , came to MlnneaiMlls<br />
principally to attend and speak at the<br />
club's u-stlmonlal dinner for retiring Chief<br />
Barker 81m Heller at the Hotel NiraTS (UA).<br />
29th wk 150<br />
Century— Seven Wondcri ot the World Cineromo),<br />
77th «.i 150<br />
Gopher—Oont Go Near the Woler MGM), 5th<br />
wk 140<br />
Lyric—JamborM (WB); Tk* Gr««n-Ey*d Blond*<br />
(WB) 100<br />
Orpheum— Old Yeller BV) 190<br />
Pon— The Midnight Story (U-l), The Land Unknown<br />
LI 90<br />
Rodio Citv Soyonoro (WB), 4ft< wk 175<br />
Stote—Poyton Ploce 20fh-Fox). 5th wk 165<br />
World— And God Croatod Womon (Kingtlcy),<br />
4fh wk 150<br />
'Farewell to Arms' Sold<br />
To MAC'S Radio City<br />
.MINNKAHOLIS I>;i'. ui O Sel/JUck'.s 'A<br />
Farewell to Arms " been awarded to the<br />
Minnesota Amusement Co. on competitive<br />
bids for Twin City first runs.<br />
It will have Its territory premiere at the<br />
4,100-seat Minneapolis Radio City Theatre<br />
February 7 at upped admissions. Tlie after<br />
5 pjn price will be either $1.25 or $1.50,<br />
Instead of the usual 90 cents, .said Charles<br />
Winchell, MAC president-general manager.<br />
Both "Sayonora" and "Peyton Place" now<br />
are being shown here at $130 admission.<br />
JonnaM<br />
•OONTOM. N. J.<br />
Large Cor*<br />
Gr«al«r Crater Area<br />
m Mmncioto— NATIONAL THIATRC SUPTLY, Mmncapolii—Mom 1271<br />
in Nebrotko— THI BALLANTYNC Co , Omoho—Jockton 4444<br />
in Witconiln CHARLIS J BRtWSTtR. Mllwouke* Broodooy }-l«17<br />
MAXIMUM LIOHT<br />
NATIONAL THCATRC SUPPLY, 1037 N Ith Street.<br />
Mllvoukee J, Wiicomin<br />
l'»mn\
:<br />
r<br />
. "Junior"<br />
Maurice<br />
. .<br />
ja»t<br />
. . The<br />
Theaires Are Making<br />
Progress on Parking<br />
• KW HAVEN—Theatremen In Hartlord.<br />
.NarlanR facUlUes.<br />
but the recent opening of the city-owned<br />
1,000-car garage has loomed Importantly in<br />
patron conversation.<br />
A kwk at some of the state's 20 dally newspapers<br />
will reveal some o( the present-day<br />
thinking. Ma-it circuit and Independent exhibitors<br />
contacted by BOXOFFICE along<br />
Filmrow admit that a majority of their<br />
patrons are vitally concerned with parking<br />
space and will query cashiers about such<br />
facilities when phoning m for film data. One<br />
specific result has been sizable activity, particularly<br />
In improved relations with nearby<br />
parking lot operators on the part of theatre<br />
owners.<br />
Moreover, huge supermarket parking lots,<br />
heretofore disregarded during after-dark<br />
hours, are now being lighted and offered to<br />
theatre patrons as added courtesy and a.^<br />
evidence of chalnstores' striving to remind<br />
potential customers of continued goodwill.<br />
The Strand in Plalnville and the Luxor in<br />
UnionvUle. for example, also have been advertising.<br />
•Plenty of free parking."<br />
Ray Mc.Vamara. manager of the downtown<br />
.\B-PT .Mlyn. Hartford, was fortunate rey<br />
Owners of a business block adjoining<br />
•Jieatre tore down the structure in favor<br />
of a huge, one-level parking plaza, with<br />
tndicatkms of "pigeonhole"<br />
i<br />
building several<br />
icrels atop, with vehicles moved by automatic<br />
'-^"^i to follow. If sufficient patronage ocdurlng<br />
regular Monday through Friday<br />
ijv. .ness hours. As matters stand, the lot U<br />
practically deserted during early evening, and<br />
' - patrons, heretofore in a hectic search<br />
-hide space on streets and distant lots.<br />
r.\:: nam drive comfortably into the lot. and<br />
then walk a few steps to the Allyns main<br />
lobby!<br />
Tries Teener Bargain Price<br />
\ KF.s N D —Takmg a novel public re-<br />
.1; -.'r- ich to cement better feeling and<br />
g»iu more patronage among teetvagers. Ken<br />
Braasmann. owner of<br />
tha Orand. thu town's<br />
only movie theatre. Invited a committee of<br />
the young people, six high jtchool students.<br />
to meet with him and figure out a fair student<br />
admission price The conference agreed<br />
on 40 cent*, and Bros^mann will give It a<br />
three-month fe^t .Artii!^ mlrr.i'rinn 1- 7^ rrn*-<br />
White. S. D.. House Down<br />
\^^tIT>: S D - Thr Wlnt.- T>...ii.'r hrre<br />
has been closed indefinitely b% MiIm:. H'.ii'-<br />
. . Joe<br />
. . Tony<br />
OMAHA<br />
laniard KeUiwisch. exhibitor at Tllden. not<br />
only Ls a busy man runnlnR hi'- theatre<br />
HHd carrying out his duties as mayor but<br />
Is becoming the "shoe Itlnn" of his area ol<br />
the state He has been koIhr to other parts<br />
of the state and buying up stoclcs of shoes<br />
and making a reputation (or his bargain<br />
sales at his Tllden store He may open up<br />
other outlets . Jacobs, who headed<br />
the Omaha Columbia branch and now Is<br />
the merged Omaha-Des Moines ex-<br />
chief of<br />
change at Des Moines, spent last week here.<br />
Will Jona-i. who has the Hipp Theatre at<br />
Gregory. S D. hasn't had time to do much<br />
hunting what with his theatre busine.ss and<br />
taking care of his com crop at his ranch.<br />
He's had to move his piles of corn to keep<br />
them from spoiling because of the high moisture<br />
content . . . Renfro's Rogue's are holding<br />
to their lead In the Fllmrow Bowling League<br />
but four other teams are pressing hard: the<br />
Sly Foxes. Film Transports. Boosters and<br />
Rasenthals.<br />
Rod Bailey, exhibitor at Ainsworth. commented<br />
on one of his infrequent visits to<br />
the Row; 'TV Ls beginning to hit my territory<br />
but I'm still optimistic with good product.<br />
And I'm still getting the kid crowd<br />
Saturdays and Sundays." . Goodman.<br />
20th-Fox salesman, learned his .son Johnny<br />
will be transferred from Ft. Leonard Wood<br />
to Army conununications in Georgia February<br />
Columbia salesman Ed Cohen found<br />
12 . . .<br />
lots of excitement when he visited Winner.<br />
S. D.. last week. A community search was<br />
on for a mLssing girl. Her body was found<br />
In a well and Cohen said feelings were dan-<br />
NATIONAL THEATRE SUPPLY<br />
v. M BILL' ALLISON<br />
307 No 16th St Omaha. Neb<br />
WESeN<br />
THEATRE SUPPLY CO.<br />
214 N riMnnlH. OmjIu. Nek. .. Phant AllMlic 9046<br />
gerously hot among residents of the<br />
area.<br />
. .<br />
Don John5M>n plans to close his restaurant<br />
at Lynch March 1 and devote fulltlme<br />
Herman<br />
to<br />
operation of his Lynn Theatre .<br />
Hallberg. 20th-Pox manager, and his sales<br />
(Lowell Kyle, Tony Goodman and Edna<br />
staff<br />
Nassi ran Into the heavy snowstorm flying<br />
to a St. Louis division meeting last week. They<br />
circled the Kansas City airport for a half<br />
hour, finally were able to land and fini.sh the<br />
trip by train<br />
. . . Don<br />
. . . The<br />
Arnold Johnson, Onawa exhibitor, said<br />
running a theatre has its headaches but<br />
nothing like carrying on sheep operations.<br />
He has been spending hours at his farm near<br />
town during the lambing period<br />
Gibson announced he Is going on a onechange<br />
basis at his Springview Theatre. He's<br />
also carrying a rural mail route<br />
theatre at Naper operated by Barney Smith<br />
closed last week. Art Goodwat«r plans to<br />
shutter his Capitol at Madison this month.<br />
He also operates a restaurant at Madi.son.<br />
Visitors on the Row included Phil and<br />
George March of Wayne and Vermillion;<br />
Dick Leysinger. Ravenna: Arnold Meyerdirks.<br />
Pender: Don Campbell. Central City: Howell<br />
Roberts. Wahoo: Mrs. C. M. Gibson. Sutton:<br />
Harry Hummel, Scribner: Oscar Johnson.<br />
Falls City: Mrs. Ed Haser, Papillion. and<br />
lowans Henrj- Saggau, Denison; Robert Miller,<br />
Alton: Dick Johnson, Red Oak, and<br />
Arnold Johnson, Onawa.<br />
Lincoln Ozoner Equipped<br />
For Year-'Round Show<br />
LINCOLN. NEB.—The 84th and Drive-<br />
In is the fir.st outdoor theatre to begin<br />
wintertime operation in Lincoln.<br />
The theatre, owned by a partnership which<br />
includes Nebra.ska Senator Roman Hruska<br />
of Omaha and Lancaster County Commissioner<br />
Ru.ssell Brehm of Lincoln, has installed<br />
in-car heaters.<br />
^ RCA SOUND<br />
Theatre and Drive-In<br />
^ RCA BRENKERT<br />
PROJECTORS<br />
^ RCA 200 PROJECTORS century Built<br />
^ RCA GRIGGS PUSH-BACK CHAIRS<br />
(Original Krohler Push Bock)<br />
i RCA THEATRE CARPET<br />
SERVICE - PARTS - REPAIRS<br />
For<br />
All<br />
RCA BOOTH EQUIPMENT<br />
• BRENKERT<br />
• CENTURY<br />
• MOTIOGRAPH<br />
• SIMPLEX<br />
fv^rythtng in ffccoffc<br />
Equipment<br />
and $upplic\<br />
Editors in Small Towns<br />
In Pleas for Theatres<br />
MINNEAPOLIS— In the effort to help their<br />
towns' only movie theatre survive, smalltown<br />
newspapers throughout this territory<br />
again are pleading for better public support<br />
of the showhouses.<br />
Asserting that unless Improved patronage<br />
Is forthcoming, the Rita Theatre will have<br />
to close permanently, the Mapleton, Minn.,<br />
Enterprise, for example, declared In an editorial<br />
this would be a "disaster" for the town.<br />
"The theatre needs your .support." averred<br />
the editorial. "Folks who stay at home are<br />
looking at many pictures on TV which are<br />
second or third rate while just down the<br />
street they can see the best.<br />
"Why not take a night a week off, you<br />
businessmen and your wives, and stop in for<br />
a good show and. besides enjoying an evenning<br />
of good entertainment, do your part In<br />
helping to keep alive one of the towns biggest<br />
assets?"<br />
The Lake Crystal, Minn., Tribune also<br />
pointed out that the town soon may find<br />
itself without a theatre.<br />
"Maybe someone can figure out a magic<br />
solution to the problem." said the editorial.<br />
"To our way of thinking the only solution<br />
rests in a nine-letter word, patronage. If all<br />
the businessmen and parents who are Interested<br />
in having the theatre remain open<br />
would make it a point to attend regularly<br />
there would be no problem."<br />
At Mora. Minn., warning has been served<br />
in the newspaper that unless business Improves<br />
the town's theatre will be closed permanently<br />
in the spring and the building converted<br />
to other purposes.<br />
At Buffalo. S. D.. the Chamber of Commerce<br />
will meet with the American Legion<br />
post there to try to find means to reopen the<br />
closed Legion Theatre. The post had closed<br />
the house because of an unprofitable operation.<br />
Theatres also have given up the ghost in<br />
recent weeks at Chisholm and Preston. Minn.,<br />
Bill Haarmann Memorial<br />
Is Under Way at Omaha<br />
(1M.AH.'\- A Bill H.i.iiniai.:. ::..:i. :.,i. :and<br />
lias been started by members of the industry<br />
lure in honor of the veteran of more than<br />
30 years on Filmrow who died recently. Bill<br />
Barker of Co-Op Booking Service, sparkplug<br />
In the move, called Haarmann "one of the<br />
greatest fellows ever on Filmrow."<br />
Haarmann started In the film Industry in<br />
1926 with Paramount. He was with the company,<br />
many years as booker, until 1953. when<br />
he joined Co-Op. A wife and son sur\-lve.<br />
Contributions may be sent to the BUI Haarmann<br />
Memorial Fund, care of Bill Barker,<br />
1508 Davenport St.. Omaha.<br />
Loss Totals SI 50,000<br />
1,.\KK Lin. IOWA I<br />
I. the recent<br />
fire which destroyed the Iowa Theatre here<br />
has been estimated at $150,000 by owner<br />
Robert Bernau Tlic damage is partly covered<br />
by insurance Tlic fire which destroyed the<br />
hou.se started about 3:20 a.m. on New Year's<br />
Day and firemen battled the blaze through<br />
the day until nearly
'<br />
••iilly<br />
'<br />
. . W.<br />
. . Another<br />
. . Circuit<br />
. . "How<br />
. .<br />
Ben Berger Appeals to DJ<br />
In 'Commandments' Fuss<br />
MINNKAPOUS Chanflng th . . iiir<br />
in • "cut*" ' " '<br />
b. diu..i;.^l.;.„ Uuii<br />
he n»mf Hi'<br />
n price which hr would<br />
chargp for i> ConunandnienUi" at hu<br />
Fergus Falls. Minn, theatre. Ben Berger<br />
vknts the Justice Department to require the<br />
distributor to deliver the picture a.s per the<br />
contract he has signed and Paramount allecedly<br />
accepted without .such n>qulrement<br />
Server has written the department requeatlnc<br />
It to "stop Paramount from Its Illegal<br />
practices."<br />
When he declined to commit him.self un<br />
the admi-sslon price Berser charge.s that<br />
Paramount insisted upon a $2,750 "discriminatory"<br />
guarantee as part of the deal<br />
"We agreed to all of the Paramount terms<br />
and a contract was recently signed. Tlie<br />
Paramount branch manager. Mr. McBride.<br />
asked how much we will charge at the boxoffice<br />
for the picture." Berger wrote. "We<br />
refused to commit ourselves for the exact<br />
amount although we told him we will increase<br />
our admission prices from what we're<br />
presently charging.<br />
"Mr McBrlde .stated that New York must<br />
know what we will charge for the picture.<br />
When we refused to give the InXormation we<br />
were advised that the only way which Paramount<br />
would be willing to sell us the picture<br />
for Fergus Falls would be If we would give<br />
them a guarantee of $2,750 and that they<br />
were afraid we might pull a Truman Rembusch'<br />
on them. iNote; In one of hLs small<br />
town theatres Rembusch permitted patrons<br />
to name their own admission price for<br />
Commandments") You are probably familiar<br />
•h that<br />
"The demand of a guarantee of $2,750 i-s<br />
dlscrimmatory. In the first place, no guarantee<br />
is t>elng asked of any other exhibitor<br />
and. In the second place, Paramount knows<br />
Tcry well that this guarantee is exorbitant<br />
and would stop us from going through with<br />
the contract.<br />
"This is Just a cute way of demanding<br />
that we be a party to an illegal transaction:<br />
namely, conunittlng ourselves to what we<br />
will charge »t the bosoffice."<br />
Edward Hyman to Speak<br />
At MAC March Meeting<br />
MINTiEAPOLIS — The Minnesota Amusement<br />
Co will be host at a meeting here<br />
March 13 at which Edward L Hyman. United<br />
Paramount vice-president, will speak.<br />
The speaker will relate the progress that<br />
has been made toward an orderly release of<br />
product and what this should mean to show<br />
60 °o Being Asked<br />
MINNE.\POUS A new nonroadxhow high<br />
percentage. 60 per cent. Lt being asked in the<br />
small towns for two current blockbuster picture*.<br />
Warner BrnA "Sa)-onara" and 20th-<br />
Pox's "Peyton Place." The previous high was<br />
50 per cent, except in the case of roadshow<br />
picture^<br />
Close at Hot Springs, S. D.<br />
;i' : ..:•..;•... .. :, : ,. nuck miu<br />
Amu.^ment Co. haA cioaed the Hot Sprlng.i<br />
Theatre here after 38 yeftrs of operation<br />
Incrvaaed operating costs and lack of patronage<br />
were blamed for the shuttering<br />
MINNEAPOLIS<br />
Til hritlth is causing Henry J "Hy" Chapman,<br />
longtime Columbia manugrr hore.<br />
to retire Byron Shapiro will bo tran.sfcrred<br />
from St Louis to replace<br />
him. He l.s Chap-<br />
I<br />
^^^<br />
man's .ion - In - law.<br />
Chapman recently suffered<br />
a heart attack<br />
'"*<br />
^ and was confined to<br />
'<br />
the Variety Club heart<br />
.^^<br />
J<br />
hospital...<br />
^^ The Ten CommandmenUs"<br />
opened again<br />
In the territory last<br />
week and continues to<br />
chalk up .surpri.singly<br />
long<br />
Hy Chapman<br />
runs and sma.sh<br />
grosses. It'll open<br />
again in the nclKhborhood hou.ses March 26<br />
for Its fourth round here and third in St<br />
Paul<br />
Even though the advertising campaign for<br />
"18 and .^nxlous" already had heen .started.<br />
Its opening at the Lyric thLs week was postponed<br />
.so that "Sayonara" could be moved<br />
over to the LJtIc from Radio City after four<br />
weeks of very fine bu.slness . . . And a similar<br />
.situation prevails for "Peyton Place." which<br />
has been garnering giant grosses at the State<br />
here. For the past two weeks the "final<br />
week" has been advertised, but for a .second<br />
time public demand held up and it is remaining<br />
for a sixth .stanza . . . Ted Mann's<br />
downtown World here grabbed off another<br />
powerful boxofflce attraction in United Artists'<br />
"Witne.ss for the Prosecution." which<br />
follows "Les Girls" and "And God Created<br />
Woman," both top grossers.<br />
The German "08/15" was in its third week<br />
at the Suburban World . neigh-<br />
Iwrhood house, the Campus, was doing well<br />
with lis "Charlie Chaplin Festival."<br />
.<br />
. . "The<br />
I'nited Artists exploiteer Ed Borgen was<br />
here to beat the drum lor "Witness for the<br />
Prosecution" R. Frank went to Los<br />
Angeles for the rest of the winter .<br />
Quiet American" was .screened here for La<br />
Van Diem, a Vietnamese University of Minnesota<br />
graduate student and a native of Hue,<br />
D 2 (rton for $5 IZ<br />
THEATIE<br />
ST« EET<br />
ADOI ESS<br />
sertef/nG<br />
Indo-Chlna. The Minneapolis Star ran a<br />
lengthy article, giving hU impres-ilons of the<br />
"The Miracle of Murcellno"<br />
picture . . .<br />
opened at the neighborhood Uptown where<br />
the admi-ssion has tx-en boosted from the<br />
regular 85 cents to $1.25 for this engagement.<br />
.<br />
.<br />
.<br />
Clrculi oHiirr Shelly Orengs was in the<br />
University ho.spltal here for a checkup . . .<br />
Tlie MInneapolLs Star new.spaper preview<br />
group put ILs stamp of approval on 'The<br />
&u'my Below." State Theatre to<br />
Murder a Rich Uncle" wound up a five-week<br />
first-run at the neighborhood Westgate<br />
Circuit owner Ben Berger left on a threeweek<br />
Florida vacation owner<br />
Harold Field also is vacationing In that state.<br />
Fear Adverse Psychology<br />
From Upped Price Big Ones<br />
MINNEAPOLIS—Some leading local exhibitors,<br />
like W. R Frank, fear that ordinary<br />
"good" pictures for which admission .scales<br />
aren't boosted will suffer in consequence of<br />
the present wave of upped prlce.s offerings<br />
fairly inundating the Loop here since the<br />
holidays.<br />
The danger is that the public will get the<br />
idea that unless the adml.sslon scale is raised<br />
for a picture It Isn't sufficiently meritorious<br />
to deserve or. at least, require their attendance,<br />
say these exhibitors.<br />
No less than six of the nine downtown<br />
movie houses here have tieen charging more<br />
than the regular after 5 pjn. 90 cents. In<br />
two instances it's up to $2.65: In one, $2.25:<br />
in two. $1.50. and in one, $1.25.<br />
Others are wondering if a boxofflce pattern<br />
conspicuous locally last year is slated,<br />
too, for 1958. That pattern was record-breaking<br />
or very big gros.ses for blocktMister pictures<br />
and hard sledding for the ones that<br />
were Just "good." The.se observers cite the<br />
highly praised but modestly budgeted picture.<br />
"Slaughter on Tenth Avenue." which has<br />
been a local boxofflce failure at the fame<br />
time that a half-dozen other "big" pictures<br />
are garnering hefty takes and racking up<br />
extended runs.<br />
IXOfflCf<br />
1 r»o' 'or JJ C 3 yeon for J7<br />
U RMiiiKancc Eacloivd G Send liiToke<br />
TOWN _ iONE STATE<br />
NAME<br />
POSITION<br />
umm THE NATIONAL FIIM WEEKLY 52 issues a year<br />
(25 Von Brwnr lUd . Koniot Crty 24. Mo<br />
BoxorncE February 3. 1958 NC-7
.<br />
diiMKiged<br />
• ontract<br />
DES MOINES<br />
hcrr »li<br />
.,,,,1.1 (•.>',\imM:» m»n»uer<br />
1 movfd<br />
!'1> '>«'' '-<br />
...<br />
n,<br />
Mom... >..... .-ii- «•!»« "' *"»•<br />
^. s
;<br />
Big 3 Hold Up Well<br />
In Cincinnati Week<br />
Exploits Fad Cinercana<br />
Will Never Be on TV<br />
'*"<br />
uj ttor Qrand and F>l>nr<br />
» .. 100,<br />
to'*'*- -A"* Tlww Vv «M><br />
•5<br />
too<br />
A^OIB Is<br />
B UMt tfMnOMra Mftii are» but ratnuw<br />
a ^^-«^«*»^>»H Iwjk uf iii'.; ^x-.-.t<br />
lamn. E»«n ttic waaiEier picture*
2<br />
'Witness<br />
. Dave<br />
. .<br />
agreeing<br />
CLEVELAND<br />
l^llton A. Mooncjr, head of Cooperative Theatres<br />
of Ohio, and his missus left for a<br />
t>elated vacation In Arlr^na. The Mooney<br />
%acatlon. which usually starts before the<br />
Christmas holidays, was delayed for the<br />
gatherInK of the Mooney clan to celebrate<br />
NSS executive Paul Mooney's 80th blrtliday<br />
in Cleveland . for the Prosecution"<br />
will play the State Theatre but no date<br />
has been set at this time.<br />
Rudy Norton, Imperial Pictures manager,<br />
accompanied Jack Zlde, owner of the exchange<br />
and aLso of Allied Film Exchange.<br />
Detroit, to New York to attend an American<br />
International Pictures franchise owners meeting<br />
at the Park Sheraton Hotel . . . Mike<br />
Gould of Allied Artists has been laid up with,<br />
of all things, chicken pox. And he was pretty<br />
sick while It lasted . Sandler. Sandler<br />
Mfg. Co., made a quick recovery from<br />
pneumonia and has returned to work .<br />
The tremendous sustained business of "And<br />
God Created Woman" at the Heights Art<br />
Theatre Is the talk of the town. In Its fifth<br />
week. It was grossing more than the previous<br />
opening week record of "La Strada." Manager<br />
Nlco Jacobellis. on the basis of continued<br />
boxofflce lines for all performances, sees<br />
the picture holding over through February.<br />
P. L, Tanner, Film Transit Co., was in Ashtabula<br />
to attend the funeral of bis sister,<br />
Mrs. Elizabeth Beer. 94 . . . Danny Rosenthal,<br />
Variety Club chief barker, was so delighted<br />
with the social and economic results of the<br />
recent Monte Carlo night held In the club-<br />
®.<br />
RCA SERVICE COMPANY, INC.<br />
5531 State Rood<br />
Clcclond 34, Ohio Shadyside 1 2131<br />
THE<br />
BIG COMBINATIONS<br />
COME FROM<br />
Allied Film Eichange Imperial Pictures<br />
})10 Can Avt<br />
Ovtroit, M>ch<br />
3108 Payn* Av«.<br />
CUv«land, Ohio<br />
rooms, that he Is planning a repeat engagement<br />
In April. The club Is also plotting a<br />
Valentine party ... Ed Svlgales of Trans-<br />
Lux was vlslllng with Gus Lynch, Schlnc<br />
Ohio buyer-booker<br />
. .<br />
Frances Bolton uf NSS who underwent a<br />
heart operation last year was back In a hospital<br />
for a repeat performance This time<br />
she was In St. Vincent's Charity Hospital .<br />
Ted Levy, Buena Vlsla district manager covering<br />
the Cleveland. Cincinnati and Detroit<br />
exchanges, will be guest of honor at an industry<br />
stag dinner Monday ilOi In the Tudor<br />
Arms Hotel. This is a prelude to his marriage<br />
February 16 to I.sabell Varkle of Detroit.<br />
Sam Schultz and Jack Armstrong<br />
are In charge of the stag dinner.<br />
Vincent Lauter, manager of the West Theatre,<br />
Barberton, Is hospitalized for treatment<br />
of an ulcer . . . Tom O. McCleaster, 20th-Fox<br />
district manager; Ray Schmertz, exchange<br />
manager; Sam Llchter and Charles Goodman,<br />
salesmen, and Frank Hunt, office manager,<br />
attended a company regional meeting in St.<br />
Louis. General manager Alex Harrison outlined<br />
the new product and sales promotion<br />
policies . . . Mr. and Mrs. Carroll Harris, who<br />
recently Indicated their confidence in the<br />
motion picture industry by reopening the La<br />
France Theatre in Swanton. are also opening<br />
the Town Theatre in Whitehouse. The latter<br />
theatre had been closed five years.<br />
Rhys Cook and Richard Beals have reopened<br />
the Charve Theatre. Edgerton. Formerly<br />
operated by Herman Kruse, the house<br />
has been dark several months ... In Lorain,<br />
the Pearl Theatre, belonging to the Zegiob<br />
estate. Is now successfully showing Spanish<br />
pictures. The patronage bid is to the many<br />
Mexicans and members of other south-of-theborder<br />
couiilrles. who are employed in Lorain<br />
Conversions; the Grand. East<br />
Industries . . .<br />
Palestine, closed five years ago. is being made<br />
into apartments; Flushing Theatre. Flushing,<br />
is now a parking lot. Closed and discontinued<br />
for motion picture operation but<br />
not converted to other uses are the Neil Theatre.<br />
Fredericktown; State. Marion, and<br />
Strand, Van Wert.<br />
Universal \TPs were In town over last weekend<br />
to introduce H. H. Martin, new general<br />
sales manager, to local theatre owners at<br />
luncheon in the Statler Hotel. Present, in<br />
addition to Martin were Peter Dana, eastern<br />
division manager; Jimmy Frew, Atlsmta; Joe<br />
Gins, Boston; Peter Roslan, district manager,<br />
and Carl Reardon. local manager.<br />
MID-WEST THEATRE SUPPLY CO., INC.<br />
I<br />
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1631 CENTRAL PARKWAY CHERRY 17724 CINCINNATI 10, OHIO<br />
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Finest RCA Equipment for Drive-Ins<br />
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LAMPS<br />
«^^^^ RCA SUPER CINEX<br />
ME-<br />
Whatever You Need — We Can Supply If.<br />
Long Openings Hurt<br />
Cleveland Subruns<br />
CLEVELAND— Neighborhood theatres are<br />
complaining that no pictures are coming off<br />
the releasing line due to long runs of Peyton<br />
Place. Sayonara and Don't Go Near the<br />
Water each In Its fifth week TTie Ohio playing<br />
"Around the World in 80 Days" and the<br />
Palace with Cinerama are not helping to<br />
clear the situation which, according to several<br />
exhibitors, is rapidly becoming critical.<br />
The opinion also prevails that the above<br />
mentioned popular pictures will have drawn<br />
most of their potential audiences during tlie<br />
long f.r.st-run engagement and that even<br />
these top pictures will not have the expected<br />
drawing power by the lime they become<br />
available for general release.<br />
Price of top product Is another stumbling<br />
block. Many subrun houses say they have to<br />
pass up the top pictures because, under the<br />
asking percentage terms they have no possibility<br />
of profit. Another angle Is on deals.<br />
Exhibitors hesitate to enter Into high percentage<br />
deals, they say. because this sets a<br />
precedent on forthcoming product. So the<br />
.scales are balanced between precedent and<br />
profit In some instances.<br />
As was recently said on Filmrow In a discussion<br />
of present industry conditions, theatre<br />
ownei-s are pessimistic, but theatre managers<br />
are optimistic. These two opinions are<br />
not as inconsistent as they appear. The theatre<br />
owner is interested in the profit and<br />
loss sheets; the theatre manager is interested<br />
In the people who attend his theatre.<br />
A satisfied patron reflects the manager's optimism.<br />
The balance sheets reflect the owner's<br />
pessimism.<br />
'Seven Wonders' Garners<br />
$6,000 for Blind Deaf<br />
CLEVELAND — The opening nlghl of<br />
"<br />
"Seven Wonders of the World at the Palace<br />
Theatre was a gala and festive affair like<br />
the debuts of Its predecessors. "This Is Cinerama"<br />
and "Cinerama Holiday." Knights<br />
of Columbus sponsored the opening and about<br />
S6.000 in proceeds were turned over to the<br />
Catholic Diocese fund for the blind tmd the<br />
deaf.<br />
Two spotlights on the theatre marquee<br />
swept the city in the early evening hours and<br />
until showtime. Bands played and there was<br />
a parade of the Knights of Columbus :><br />
Euclid avenue. Civic and church leacii :<br />
><br />
were guests of the Cinerama organization at<br />
a dinner In the Statler Hotel, then were taken<br />
by automobile to the Palace where n crowd<br />
had been drawn by the bands and spotllghu.<br />
An invitational press and tradescreenlng<br />
were held at the Palace the night before the<br />
sponsored opening.<br />
Critics were lavish In praise of "Seven<br />
Wonders of the World, " that It Is<br />
the best of the Cinerama films shown locally.<br />
"This Is Cinerama" opened in November 1956<br />
and ran continuously for 32 weeks. It was<br />
followed by "Cinerama Holiday," which ran<br />
30 week.s. Manager Max Mink has been very<br />
successful In bringing to Cleveland bus loads<br />
of patrons from surrounding towns under a<br />
portal -to -portal price policy, which Included<br />
the trip, dinner and the show.<br />
A number of New- England locations will<br />
be the scene of filming Warners' "Home<br />
Before Dark"<br />
BOXOFFICE February 3. 1958
DOUBLE BOXOFFICE BLOCKBUSTER I NO. 18<br />
DOUBLE SPECTACLE-TERROR!<br />
FABULOUS! FANTASTIC! TERRIFYING!<br />
NOTORIOUS BEAUTIES LOST IN A FANTASTIC HELL-ON-EARTH!<br />
evil-<br />
BE*I1TIFUI<br />
DEADLY<br />
THE<br />
XsTpU^^^N<br />
^ ABBY OAITON SUSAN CABOT • •<br />
MM BRAD JACKSON<br />
KENNIT<br />
M RICHARD MUnCM DEVON WIIMUIWHU PKIUH<br />
N^ON&TER |/<br />
SlVtSE<br />
HOOD RITUALS Of » 1<br />
LOST(MI>IR('<br />
GIANT<br />
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SU SfRPEHT OF<br />
^ THHORTU'<br />
• fitteH Mi IMrIM ki nui CNHU<br />
SEE<br />
TWO WORLDS ] SUPERWOMEN<br />
Of MONSTROUS i WITH THE COURAfiE<br />
TERROR' .^ OF CIANTS'<br />
CONTACT YOUR<br />
1/nXiBjyiatLonjGL EXCHANGE<br />
REALART PICTURES<br />
JAY M GOLDBERG<br />
SELMA G ILACHSCHLEGEK<br />
16)2 Crntrel farkvor<br />
CINCINNATI 10, OHIO<br />
ALLIED FILM EXCHANGE<br />
JACK ZIOE<br />
2)10 Com Arrnu*<br />
OrrHOIT 1. MICHIGAN<br />
IMPERIAL PICTURE CO<br />
IIUOY<br />
NORTON<br />
2101 faynt At*«u«<br />
CLEVELAND 14. OHIO<br />
il
. Arthur<br />
. George<br />
. . Sklrball<br />
. . U-I<br />
. Frank<br />
. Peter<br />
. . Nat<br />
. .<br />
. Jim<br />
. . . Jack<br />
. . James<br />
. Mrs.<br />
Harry<br />
. . CMPEA<br />
Minnie<br />
.<br />
. . Mrs.<br />
. . . Gus<br />
. . . Sheldon<br />
. . Steve<br />
. . Jack<br />
. New<br />
. . Peter<br />
. . Mark<br />
. . Lewis<br />
February<br />
. . Abe<br />
. . Lewis<br />
. . It's<br />
The<br />
"<br />
Review of Film Industry Events in Cleveland Area<br />
CLEVELANI>—A resume of film IndustO'<br />
neu-s in Cleveland diirlR 1957:<br />
JANUARY<br />
Hie Suburban Miiplc HelRhUs Council takes<br />
under advisement the establishment of local<br />
censorsliip to control the t>TJe of pictures<br />
shown at It.s only theatre on weekends . . .<br />
John Selby. Selby Industries. Akron, reports<br />
his company fabricated and installed a record<br />
36 drlve-ln screen lowers In 1956 . . .<br />
. . .<br />
Joe KrenIti succeeds Jerry McGowan as MGM<br />
Andrew Putka, state senator.<br />
salesman . , .<br />
advocates return of modified state film censorship<br />
Local 5-F of lATSE re-elects Ed<br />
Graves president for two-year term<br />
.<br />
Henry Oreenberger re-elected president of<br />
Cleveland Motion Picture Exhibitors Ass'n:<br />
Joe Rembrandt, vice-president: Louis Weltz.<br />
executive secretao'. and James Kalafat,<br />
IFE closes Cleveland office,<br />
treasurer . . .<br />
under management of Mark Goldman<br />
Rlckle Labowltch marks 25th year as CMPEA<br />
corresponding secretary.<br />
FEBRUARY<br />
Sklrball Bros, enlarge and modernize the<br />
Stark Drive-In . Masek, with NTS<br />
30 years, announces plans to retire . . . ElU.';<br />
Lewin. WB booker, becomes father of a son.<br />
Richard Mark . Wellman. Girard<br />
theatre owner, blames night shopping hours<br />
for drop in theatre attendance . . . RKO exchange<br />
closes . . . Variety Club announces<br />
February 16 as opening date for the new-<br />
Tudor Arms location.<br />
The Charve Theatre, Edgerton, reopens<br />
fcr Charles Lewis, sponsored by local bank<br />
and merchants who claim a dark hou.se hurt.s<br />
their business . and Babe Barach.<br />
NSS. celebrate their 37th wedding anniversary<br />
. Bros, acquires Park Theatre.<br />
Mansfield, from Selected Theatres circuit<br />
. Goodman joins 20th-Fox as<br />
salesman . exchange stages buffet<br />
luncheon for all RKO employes.<br />
RKO's Frank Belles Joins UA as salesman<br />
Goldsmith and Otto Braeunlg<br />
open DCA exchange, thiis accountine for<br />
DRIVE-IN<br />
Practically<br />
Yearly<br />
YaorW<br />
dding<br />
THEATRES!<br />
DOUBLE<br />
GROSSES'^<br />
INSTALL<br />
EPRAD<br />
"Hot-Shot"<br />
IN THE CAR<br />
HEATERS<br />
Low-Cott, Smoll, Ltght,<br />
Compoct, Rugg«d, Cconofnicol,<br />
Ampitt Pow«r,<br />
0«Mgn«d Sp«c(Mc«dly<br />
for Dri*« In<br />
frot»*« orm ft«orFr doubled hf<br />
K«at*r«<br />
EASY<br />
TERMS<br />
THEATRE EQUIPMENT CO.<br />
1206 Ch.rry St ToUdo 4, Okto<br />
In<br />
Memoriam<br />
Death.s in Cleveland area motion picture<br />
circles iB.-it year:<br />
JOE ANXHULIS, film Building elkvator operator tor<br />
ten voor^<br />
JOSEPH W AMREIHN, WB proicctioniit<br />
SEYMOUR AMSTER, :r, Lo^ Angclcj, irrtereited in<br />
Fo fri.^on! u'u) otfK'r Ctcvclond ttiootres.<br />
MRS. STEPHEN ANDREWS, wit* of MGM Iwod<br />
%htppi*r<br />
M BELLONI, Bro'<br />
Fine, Union Square manager, buys DeLuxe<br />
Drive-In, La Porte, Ind. . . . Irving Marcus.<br />
NSS. .succeeds Aaron Wayne. UA. as president<br />
of the Cleveland Salesmen's Club.<br />
APRIL<br />
.<br />
. . .<br />
Miles "Bud" Mutchler succeeds Prank<br />
Masek, who retired, as NTS mniiager . . .<br />
Jan Sherwin, WB shipper, succeeds Harry<br />
Schoenberg as States Film manager<br />
Indu.stry farewell dinner held in honor of<br />
Krank Miusek. who Is moving to Tucson. Ariz.<br />
Mailers Bros, of Fort Wayne .sell.i three<br />
LH-fliuice theatres to Jack Armstrong<br />
New York Investors buy Euclid- 105th St.<br />
. . EMdie<br />
property, including Alhambra Theatre for reported<br />
State. Youngslown. Installs<br />
$1,100,000 . . . Todd-AO . Armstrong lakes<br />
over Woodvllle Drive-In. Mlllbury<br />
Berginan and wife Ethel celebrate 26th wedding<br />
anniversary 600-car Midway<br />
.<br />
Auto Theatre on Route 33, opens May 30 for<br />
LouLs Wetzel<br />
MAY<br />
Peter Wellman, Girard theatre owner. Introduces<br />
his bride to Filmrow . Horwitz.<br />
Washington circuit, announces his engagement<br />
to Janet Price . Goldman.<br />
IFE district manager, dies . . . Irwin Pollard.<br />
Imperial Pictures, dies . . . Cleveland Cinema<br />
Club marks its 41sl anniversary ... I. J.<br />
Schmertz, 20th-Fox manager, announces his<br />
retirement after being with the company 52<br />
years . Plrozzl appointed area 20th-<br />
Pox publicity representative to succeed Sol<br />
Gordon, promoted to Chicago territory.<br />
Mrs. Fiederick Chapman succeeds Mrs.<br />
Joseph Chase as president of the Motion Picture<br />
Council . . . Nate Schultz celebrates 20th<br />
anniversary as Monogram and AA franchise<br />
owner.<br />
JUNE<br />
General Theatres acquires the Gusdanovlc<br />
theatres, the Avalon. Regent and LaSaUe.<br />
bringing the circuit total to ten . . Loren and<br />
.<br />
Hazel Solether. Falls Theatre, Chagrin Palls,<br />
celebrate golden wedding anniversary with<br />
gala affair at the home of their son James,<br />
Jack Gertz Enterpri.ses<br />
mayor of Chagrin Falls . . .<br />
moves from Warner to Film build-<br />
"Cinerama Holiday" opens June 27.<br />
ing . . .<br />
sponsored by Junior League with proceeds<br />
going to Cleveland Museum of Natural History<br />
"The Ten Commandments" closes<br />
. . . "This Is Cinerama" closes<br />
after 29 weeks . . .<br />
after 32 weeks at the Palace.<br />
Nico Jacobellls. managing director. Heights<br />
Art and other Art Theatre Guild houses,<br />
leaves for summer in Europe, including the<br />
Rudy Norton appointed manager<br />
film festival . .<br />
of Imperial Pictures by owner Jack Zide<br />
Elna Gebhart Installed as president<br />
of Cleveland Cinema Club . HorwiU<br />
and Janet Price married In Park synagogue<br />
Lynch succeeds the late Harold<br />
Ralves as Schine Ohio booker ... Ed Shulman<br />
and Louis Sher of Art Theatre Guild<br />
add Ritz. Memphis, to chain of art theatres<br />
Schermer, Paramount booker,<br />
goes to work for Uncle Sam . Schwartr.<br />
Lexington Theatre, and his wife leave for<br />
Europe.<br />
JULY<br />
. . . Jack<br />
.<br />
.<br />
M. B. Horwlti, Washington circuit, became<br />
a two-time gieat grandfather . .<br />
Leonard Oreenberger. Fairmount Tlieatre. Is<br />
one of Uie organizers of Uie new Terrace<br />
Country Club in Bedford Heights<br />
Silverthorne. Hippodrome, and Jack Lewis,<br />
Keiths lOSth St.. lease Mayfield Tlieatre lor<br />
art presentation Wellman. Girard.<br />
buys Sharon Drive-In. Sharon. Pa , and appoints<br />
.son Mike as manager . a second<br />
boy for Marty Orassgreen. Columbia .salesman.<br />
Horace Adams. ITO president, owner of<br />
drive-ins and the Ascot race track, buys Raceway<br />
track. Florence. Ky. Hanna,<br />
only local legitimate theatre, installs widescreen<br />
lor spot summer film programs, opening<br />
with "Johnny Tremaln<br />
Jerry<br />
Llpow becomes member of Paramount 100<br />
ME-4 BOXOFFICE<br />
:<br />
3. 1958
. . Associated<br />
. Leonard<br />
Nat<br />
Sylvester<br />
. .<br />
. Carl<br />
. . Park<br />
, Avon<br />
. Paramount<br />
. . The<br />
nlsht<br />
Per Cent Club Ivanhoc TTifatrt. Toledo,<br />
Joe Robins.<br />
convrrtcd Into bowling alleys . .<br />
Warrrn. uodrniucs sunicry.<br />
A rOH ST<br />
I J SmprtJ! tftrt'wcll lostimonlal dinner<br />
brUiRs out a record Indu.stry representation,<br />
with CioorKe Hoover. International Variety<br />
Club. OA t(>u.slmastrr Wolf announces<br />
coaitructlon of a SO.OOO-square-foot warebouse<br />
in Cleveland Ray Schmertz appointed<br />
to succeed his dad as 30th-Fox manager<br />
Anne Sii«Klo promoted at Columbia<br />
from office work to booker, succeeding Jack<br />
Kenehan. appointed States Film manager.<br />
Variety Club annual golt tournament ends<br />
in tie between Ben Lefkowlch. Community<br />
circuit, and Joe Miiyer. Hippodrome assistant<br />
manager Tlie Embassy, downtown subrun<br />
house, switches to first runs . . Joe<br />
Robins. Warren and Nlles theatre owner,<br />
dies m his Miami winter home where he was<br />
convale.sclnK from surRcry.<br />
si>:ptkmhkk<br />
.<br />
. .<br />
.<br />
Haael Mack. NSS. leaves for a six-week<br />
European trip circuit Is out<br />
of Belmont Theatre. Youngstown. owned by<br />
Peter Wellman of Glrnrd Jim Scovllle,<br />
retired local circuit owner now living In<br />
Tucson, here on his annual visit . . ITOO<br />
convention set for December 3. 4 In Columbus<br />
Robins Amusement Co.. Warren, sues<br />
Paramount and State Theatre Co. of Youngstown<br />
on grounds of conspiracy to Ignore long<br />
established availabilities between Youngstown<br />
and Warren. In rejecting Its bid for<br />
The Ten Commandments." Asks $22,375<br />
triple damages.<br />
Granada Theatre. Toledo, razed for parking<br />
lot Ralph Bevlngton closes<br />
hawk Theatre. Waynesburg . . E.<br />
hU Mo-<br />
A. Gollen<br />
reopens star. Deshler . Leon Enken elected<br />
.<br />
president Robins Amusement Co. . . . Mayfield<br />
Art Theatre holds gala opening.<br />
.<br />
OCTOBER<br />
Prank Slavik. formerly of Mumac Theatre.<br />
Mlddlefleld. buys new Margate Drlve-In.<br />
JUargate. Fla Elmer DeWltt. longtime<br />
numager of the Mailers Theatres In Defiance.<br />
buy^ Wayne Theatre. Port Wayne. Ind. . . .<br />
Sky-Hi Drive-In Installs heaters for all year<br />
operation The State. Allen and Hippodrome<br />
all report capacity crowds for the<br />
Robinson -Basil 10 fight on closed TV.<br />
Ed Mott. Wooster. celebrates 45 years In<br />
show business Steffens. Columbia,<br />
L*rTy Heller of Town Theatre. Canton, takes<br />
O'T Park. North Canton .<br />
Pierce,<br />
manager Berea Theatre. Berea. named vicepresident.<br />
welcomes his first child, a daughter . . .<br />
Berea Chamber of Commerce . . .<br />
John "Casey Weln resigns as Local B-5 president<br />
and business manager, stays on with<br />
Locals P-5 and B-6 David Sandler. Sandler<br />
Mfg. Co . introduces new in -car heater .<br />
I^vld "Danny" Rosenthal .succeeds Marshall<br />
P" • as Variety Club chief barker<br />
NO\'EMBEB<br />
Mrs. S*m Weiss re-elected president Variety<br />
•uxlUary George Manos. no relation to<br />
man of same name who Is a circuit owner,<br />
opens State. Canton, and changes policy from<br />
burleoque to pictures . Sylvester Plerc*.<br />
manager. Berea Theatre. Berea. and vice-prestdent.<br />
Berea CofC. won elecUon as councUman-at-Unte<br />
Prank Murphy. LoWa<br />
Theatres dlviaion manager, announces policy<br />
of dally matinees for "Around the World In<br />
> D»ys during Xmas week<br />
Variety Club .iponsoni a 32-theatre kiddy<br />
morning matinee for the benefit of lt« charity<br />
Dogs Have Their Day<br />
At Memphis Cinema<br />
Mrlii|ihls Mrlll|llll^ h.lil .1 liiciMr |irrmirrr<br />
for lion's— .it (lir Malco. It Ht.irlril<br />
.it !• a.ni Thr r.lnlllr^ wrnt to \rr .1 vtorv<br />
iilxiut Sptkp. «ho had thr tlllr ri>lr In<br />
Old Vcllcr." .M.iii.iKrr KlUiii llolUnd<br />
made only oiir rrqulrrmrnt— there must<br />
br a human on Ihr other end of thr<br />
Irxsh. Thr human wah admitted frpp on<br />
the dole's llrkrt. Conrrwtlon .<br />
Jack and .\ will share honors<br />
with Gene iC Cabinet Corp ><br />
and Anne Vogpl Each member is Invited to<br />
bring along a guest couple<br />
BoxorncE February 3. I9M<br />
ME-5
. . Frank<br />
. . Cliff<br />
. Joseph<br />
. .<br />
DETROIT<br />
n \. KrikorUn of the Holly Thoalre. Holly.<br />
WHS in town for a Fllmrow visit Monday<br />
fthfad of the btg snow . Perry of<br />
MOM reported closing of the Century at<br />
Coopersvllle. operated by Al Heffernn and<br />
booked by Bill Clark . Jones. Buena<br />
Vista manaKer. reported "Old Yellcr" doing<br />
record business at the Madison . J.<br />
Lee. Pox manaRer. led his gang of Jack<br />
Sturm. Tim Cleary. Al Champacne and<br />
EUeen Bresnahan to St. Louis lor the big<br />
RESEAT OR RENOVATE<br />
Pf3!(Uicnjl wOfk on Hit renotalion— FictO'y trjined<br />
crp« Your chairt rKChrrfd. using foam rubbrr or new<br />
tcringt Metal t*^\ rtfl ishrtj lUf nrw. Wide irleclion<br />
of eicri:efit utrd chairs for quich tale<br />
OGLESBY EQUIPMENT COMPANY<br />
20356 Crvd Ni
'Seven Wonders' Will End<br />
78-Week Run in Detroit<br />
UtTKOIT riu- dfci-Mon to cl.<br />
W>':ul of the World' at the M; :<br />
il.i.:<br />
ly. Febniury 9. »lll give this third<br />
.ima production clear UUr to a rank<br />
J play Detroit m either lefiltlinate or<br />
n picture theatres TJie current at-<br />
s- the top threv lon«-r\in •ttractloiu<br />
.. .. :.on opened Monday. Aug 13. 19S6. (or<br />
»n uivitatiunal screening, with the public<br />
opening the following night—giving It a run<br />
D( 78 weeks.<br />
ThLs ties the record of 78 weeks set by lUs<br />
predeces.»or. "Cinerama Holiday." but again<br />
Is 21 weeks short of the alltlnie 99-week<br />
record establLvhed by the fln-t of tht- trio.<br />
"'<br />
- Is Cinerama " The three unique prons<br />
have kept the Music Hall, once conliUtTcd<br />
a gorgeous white elephant and closed<br />
tor long periods when it was known as the<br />
:i Theatre, continually occupied since<br />
.rst opening March 23. 1953—a "con-<br />
Uiuous run" of almost five years!<br />
E\-ldence of the pulling power of the<br />
ttronger pictures currently available, the<br />
first long-run record. excluding the<br />
Cinerama trio. Is currently being established<br />
»v -.Ground the World in 80 Days" at the<br />
1 Artists Theatre, which is In Its 57th<br />
. With thLs run. the Todd-AO spectacle<br />
schpses the former record of 43 weeks shared<br />
»y It* predecessor. "Oklahoma!" at the UA<br />
The Ten Commandments." recently closed<br />
icross the park at the Madison Theatre<br />
Produced in part In Nigeria. Unlversals<br />
Ulark of the Hawk" deals with dramatic<br />
'orces In Africa<br />
LETTERS<br />
Rcfurn to Faith Needed<br />
tvirywIUTC one rrads oi iiii- prevailing<br />
slack condition of the present econonilr .setup,<br />
which seems to have seeped surreptitiously<br />
into the very foundation of the Thriitre<br />
World In fact. It .seems to be a fashionable<br />
trend with conversation to accept the downward<br />
trend as Inevitable.<br />
However, there has never been a time when<br />
niank.nd did not seek out entertainment and<br />
from the earliest days of the first cameras,<br />
the foregone conclu.ston of everyone was that<br />
the movies are here to stay Granted as time<br />
progressed with better standards of education<br />
open to everyone, higher standards of movies<br />
were demanded, and higher standards have<br />
been presented to the public.<br />
Film, this one word alone, when one ponders<br />
It. conjures up Innumerable synonyms<br />
theatre, amphitheatre, actre.ss, actor, studio<br />
and glamor to quote a few. Each one of tiiese<br />
words In their turn presents to the mind a<br />
fabulous story of adventure of life and of<br />
living In the present age and our glorious past<br />
Faith, somehow this word seems to be out<br />
of place with the fashionable, exciting glamorous<br />
world of the Theatre. But, FAITH and<br />
Its component parts are neces.>-ory and more<br />
necessary today than ever t)efore. Each and<br />
everyone connected with film, theatre, etc.,<br />
must renew their faith and have their thinking<br />
afire with only succes.s thoughts. If this<br />
theatre business is to once more take Its rightful<br />
place as a No, 1 medium of entertainment.<br />
MURIELLE LOSEE<br />
Receptionist. Columbia Pictures. Detroit.<br />
Detroit 'Girl of Week'<br />
BOXOFFICE Reader<br />
Is<br />
UETKOIT-A pcTl young mtsa with an<br />
avid interest In tlie film buslnens to which<br />
she has devoted her whole working life. »a»<br />
.sflected as the girl of the week (or the series,<br />
She Wdrks Downtown." by our neighbor<br />
publication. The Downtowner. Honored wa«<br />
Sylvia Ru.vsell, secretary at the DLntrlbutors<br />
Corp. of America office, whose picture doubtless<br />
helped Increase the paper's circulation<br />
also<br />
Ml.ss RusAcll was formerly In the Universal-<br />
International exchange, before DCA opened<br />
a branch here. The solid depth of her Interest<br />
in the Industry Is evidenced by the<br />
fact that .she Is probably the only girl In the<br />
exchange territory to be a subscriber—and<br />
reader—of the National Executive Edition<br />
of BOXOFFICE.<br />
Detroit Boothman, Wife<br />
Suffocate in Home Fire<br />
DETROIT F'rancls Charles Miles. 41. projectionist<br />
at the downtown National Theatre,<br />
and his wife Marian died from suffocation<br />
during a fire In their home January 23<br />
He had been the projectionist at the Booth.<br />
Maxlne. Roxy. and East End theatres and<br />
also worked at WWJ-TV.<br />
He was the son of Charles Miles, projectionist<br />
at the first-run Michigan Theatre and<br />
one of the oldest active members of Local<br />
199. The elder Miles and his wife had been<br />
visiting at the victims' home until within<br />
two hours before the fatal fire.<br />
Miles is survived by two children. Sandra<br />
and Judith. His wife also is survived by two<br />
children, Russell and Joyce Krug.<br />
Step Right Off to More Profits<br />
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your buildings, screen, equipment ond your profiti.<br />
Call or write today for full details on how "Color Charm" painting by our<br />
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S
. . Mr.<br />
. . Nat<br />
and<br />
Gray<br />
. David<br />
. . G.<br />
. .<br />
by<br />
. . George<br />
. . Paramount<br />
Robert Morrell Dies;<br />
S&S Circuit Manager<br />
CINCINNATI— Robert F. Morrell. general<br />
•<br />
- - ' •''• S.VS Amusement Corp. since<br />
1950. died at hl.s home<br />
Friday i24i at age of<br />
41. He hod been under<br />
H doctor's care for<br />
two months while contlnuinK<br />
his regular activities,<br />
but Friday<br />
morning he became HI<br />
and collapsed of a<br />
^J^<br />
^^^^l|^^^ heart ailment.<br />
survived by his<br />
^H^l^^" ^<br />
He Is<br />
^^^^^ J^ V »i(e Louise, a daugh-<br />
^^^^ ^%*^ ter Carol, and two<br />
Itohrrt .Morrrll sons Robert and John.<br />
Morrell came to Cincinnati<br />
from Brooklyn in 1940 and was<br />
booker at the local MGM branch until he<br />
Joined S&S. a theatre circuit headed by<br />
Ruben Slior. He was in charge of arrangemenUs<br />
for the National Allied convention in<br />
Cincinnati in 1957: he recently conducted<br />
one of the film clinics at the annual convention<br />
of Independent Theatre Owners of<br />
Ohio in Columbus; and was assisting the<br />
ITOO secretary William Carroll in setting<br />
up displays at the National Allied drive-in<br />
convention to be held in Louisville In February.<br />
Shor. who was in Florida vacationing, flew<br />
home after Morrell's death.<br />
Sam Fritz Quits Industry;<br />
Manager at Cleveland<br />
CLEVELAND— Sam Fritz, manager of the<br />
Milliard Square Theatre in suburban Lakewood<br />
and a unit of the Associated circuit,<br />
resigned from that position and from the<br />
industry effective February 1 to become a<br />
partner with his brother in a furniture refinLshlng<br />
business in Akron.<br />
This Is a radical change for FYitz. who has<br />
been In the picture business most of his adult<br />
life. He managed theatres prior to World<br />
War II. during which he served in the Navy.<br />
After the war he returned to the picture business.<br />
While manager of the HllUard Square Theatre,<br />
he effected a tie-up with the Lakewood<br />
police department in which automobile<br />
drivers who showed better-than-average road<br />
courtesy were given a certificate of driving<br />
merit and a card entitling the bearer to be<br />
the guest of the theatre. This has been In<br />
general practice In Lakewood for several<br />
years and has greatly added to the stature of<br />
the theatre. Becau.sc all cards to be redeemed<br />
had to be presented pcr.sonally to Fritz, he<br />
came to know the people and was able to win<br />
many of them as regular patrons.<br />
FrIU took a course In furniture making and<br />
upholstering under the GI bill .so Ls quailfled<br />
to go Into the furniture refinlshlng business.<br />
Theatre in Morenci. Mich..<br />
Is Closed by C. W. Harris<br />
MORLNCI. MICH. C. W. Harris, who<br />
own.H the Fiiyctte Theatre In Fayette, Ohio,<br />
hkJt rlovd the R
Monday.s<br />
River Kwai' Leads<br />
Boslon Holdovers<br />
bUSH'N fiyt.iti ri.iii- .iiul Sijyon.i<br />
were ruiinlnK nrck-mul-ncck nt the two 1..<br />
est downtown thrutrfs. tx)th riitrrinK thii:<br />
fifth vetki Cold and ley wrathrr niiide drlv-<br />
Ulf haziirdou.s. bmUKht .spotty ttrixiscs in niuiiy<br />
»ltu«t!on> However, the .>tronK prudurt continued<br />
to do ifood bu.Mne.vs. with "Bridge on<br />
(he River Kwui" ^ettlnK the clty'.s htiih mark<br />
of ISO.<br />
(Av«roo« i% 100)<br />
Aifo'- ••lalrc* CoynlT MGM). I4ih and flnol<br />
-« 70<br />
t»a::>n H Old Teller HVl 4th ok . . 130<br />
•o»'."» S««>(h »o« Porodhc SW o~k.^.' ^ * •<br />
Blood o» Droculo MP) 100<br />
World IK to DoTi Soi A' u'^j llM '^<br />
* 1 30<br />
Slo'r- ,orT> La^iut ot the lo»t UA);<br />
TW Oolton GrrH ^Ai 170<br />
Raintrec County' 300 Opening<br />
Cheers Providence<br />
PROVIDtNCE — Despite bitter cold<br />
weather, ram and .snow. "Ralntree County" at<br />
Loew's State racked up a tremendous 300 to<br />
lead all downtown proRrams A combination<br />
borror bill at the RKO Albcc. "I Was a Teen-<br />
M« Frankenstein" and "Blood of Dracula."<br />
copped -lecond honors with 110. Considering<br />
the unfavorable weather. "Sayonara. " playing<br />
lor a fourth week at the Majestic, did well to<br />
hit 80 A strong recession has hit this area, the<br />
state unemployment bureau reporting<br />
50.000 out of work ThLs. in ILself could account<br />
for a .sizable drop in Iwxofflce grosses.<br />
AJtx*— I Wot o To«fio9o FrankoRifcin ;AIP)-<br />
Wood of Droculo Alp) 300<br />
Lo*w \—Kotntrcf Counry 'MC^i 300<br />
M«i«t? : - J«ronara .".Bi 4th wk 80<br />
Slron^^MMof Rock and Roll (Poro). Tko Dovirt<br />
MIh Im Paro 75<br />
Holdovers Continue High<br />
In Downtown Hartford<br />
HARTFORD— Poyt.. II Place" was doing<br />
•ell in a third week at Loew's Poll as was<br />
"Ar:d God Created Woman" In a Fourth<br />
: at E M Loew<br />
-Man In Hm ikliotr U->: Tkit It<br />
RaMla L I 9 J<br />
A/f—Tka iakor It WM Poro) Ueo In Iha<br />
I<br />
AHiiaaaa A>.>, 2n.-) ran 75<br />
M Lt>o~—Aad 6e4 Craatod Woaiott (Kinotlay).<br />
4fh .k ^ ' ',40<br />
TV. Corolatt Taan UAv Stroat o»<br />
^c.ton Placo .'Ofh-fo.' 3rd «.k !H0<br />
-. Man CodlroT i^ I: TIta OalacHva<br />
90<br />
r^fmpatt in rK« flotll P3c A.e..^ MM WatM h> M Oar* UA'<br />
J4th .k ,50<br />
"Mark of the Hawk." a ITnlversal releane.<br />
WIU have ita world prrmirnr tn Detroit March<br />
II<br />
BOXOFFICE February 3 1868<br />
RKhtiKI^ IIAKK MKi:riN(;— Mcrvyn<br />
I.rrDV. director of "llunic Itrriirr ll.irk,"<br />
.mil Ihr sl.ir f tin- fiini, .li-.tn Simmons,<br />
.irp shiiMn ch.itliiii: «ith Kifi ll.irdliiK.<br />
Kiislnii (-riiught<br />
Ills sl.irs and sliixiliiiK st.iff to Itnsliiii (ur<br />
Irn days for shuts in atui anuiiiil the<br />
urea.<br />
New Presidents Elected<br />
By Locals 439 and 186<br />
HARIT-'OHD MiiiiUislups iil two lA regional<br />
locals have elected officers.<br />
Eric Crawshaw has been named president<br />
of Local 439. lATSE. Nevk- London, Conn.<br />
Serving with him arc Leslie Nowell. vicepresident;<br />
John S. Kane, financial .secretai-y<br />
and treasurer: Benjamin H. Rose, recording<br />
secretary: Fred Nowell. business agent;<br />
Thomas Kenure. Antone Osowskl and W. W.<br />
Lucas, trustees and executive board; Nowell,<br />
delegate to third district, with Lucas as his<br />
alternate: and Lucas and Fred Nowell. central<br />
labor union delegates, with Kane and<br />
Robert Hyde as their alternates.<br />
The new president of Motion Picture Machine<br />
Operators. Local 186. Springfield. Mass.,<br />
Is Edward Whittle. Fellow officers are Guy<br />
Best, vice-president; Eklward J O'Connor Jr..<br />
busine.ss agent; Arthur J. Payette, corresponding<br />
.secretary-treasurer: Lewis Lambert,<br />
Donald Crowley and Owen Holmes, executive<br />
board Local 186 gave O'Connor a traveling<br />
bag and briefcase.<br />
New Co. Will Operate<br />
Capitol in Middletown<br />
.\K\V H.WL.N .\ :.. ......i;...;, :.s being<br />
formed to operate the long-.thuttered Capitol<br />
Theatre. Middletown. by officers and<br />
.stockholders of the Capitol Theatre Realty<br />
Corp . headed by Mrs. Alexander Saraceno and<br />
Nicholas A Sarnceno. following vacating of<br />
the lease by the forn-.er tenant, the Capitol<br />
Theatre Operating Co., also of Middletown.<br />
The theatre will be redecorated and will<br />
.specialize In first runs, according to the<br />
Saracenos.<br />
MIddletown's other finit-runa—the Palace<br />
•nd Middle.sex—are operated by the M&D<br />
Theatres, headed by Sal Adomo sr . and his<br />
.son Mike<br />
Bristol<br />
Bargain Matinees<br />
.'.;.'.'.<br />
iiA.i..'. ',,„ .^;.,i.,, , A mini Mull-<br />
Bgement Corp ha« announced a new Fjirly<br />
Bird barsaln hour plan at the fir.st-run<br />
Cameo at BrLstol. with adult patrons charged<br />
SS rents from 4 4& to 6 p m . through<br />
Fridays Dennis J Rich Is manager<br />
Benjamin Sack Adds<br />
Copley fo Circuit<br />
111 ".SIGN A deal hioi been signed In New<br />
Y'.ili lidding the Copley Theatre in Copley<br />
Square to the Benjumin Sack circuit Sack operates<br />
the Beacon Hill, the Saxon and the<br />
new Oory theatres, all In downtown Boston,<br />
lis well as two theatres In FItchburg With<br />
the acquisition of the Copley, the name will<br />
be changed to the Capri Theatre with a<br />
policy of long-run cngagemcnt.s of art and<br />
foreign films and the best Hollywood product.<br />
The Copley Theatre, built In the '208 by<br />
the late E E Cllve as a repertory theatre,<br />
i.s owned by the Shubert interests For the<br />
liasl tin years It hius played only short engagements<br />
of films and stage plays. Last<br />
September, Richard Davis of l/MPO took a<br />
lea-se on it a.s an outlet for hLs foreign product<br />
After exten.slve alterations at a co^t<br />
of $120,000, Davis reopened it with a tenwci'k<br />
run of ".Marcellno."<br />
Adopts Five-Day Policy<br />
NKW U.WES Till M.1U..II U10.S circuit<br />
ha.s dropped Tue.sday- Wednesday performances<br />
temporarily at the Palace. Stafford<br />
Springs. Tlic theatre, managed by Hal Bogue.<br />
Ls to resume a fulltlme schedule after the cold<br />
weather.<br />
Theafreman on Fire Board<br />
NEW HAVEN—George H Wilkinson Jr.,<br />
president of the MPTO of Connecticut, and<br />
operator of the Wllkln.son Theatre at<br />
Wallingford, has been named to the board<br />
of fire commi.ssloners.<br />
Reseating and<br />
Seat Repair are<br />
SO simple<br />
with Internationals<br />
Internolionol Seal Divition<br />
Union City Body Compony, Inc.<br />
Union City, Indiana<br />
NE-l
)<br />
. . Sam<br />
. . Floyd<br />
BOSTON<br />
£rn
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iMini>i>!£L<br />
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»^ my MLTON • SDSAN CABOT •<br />
BRAD JACKSON<br />
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U UKMUN WKMUIIOIIU rXTMl<br />
SEE ^SEE<br />
SAUCE T GIAXI<br />
IIOOORITUAISOFaI SUStRPENTOF<br />
LOST EMPIRE' ^ THE VORni'<br />
SEE^ SEE<br />
OF MONSTROUS 1 WITH THE CtUlAfi<br />
TERROR' ^ OFUANTS'<br />
EMBASSY PICTURES CORP<br />
JOSEPH LEVINE<br />
20 WinchcJtcr StrMt
. Annual<br />
. . Phil<br />
^<br />
and<br />
. Don<br />
. .<br />
"Back<br />
NEW HAVEN<br />
'Thr West Knd. BildKriwrl .subst-qucnl-run<br />
house, which plays Italian product Montlavs<br />
and Tuesdays, is ndvcrtisliik- In the<br />
New Haven dallies . . . The White Way here<br />
has a new Tuesday -Thursday chlnaware deal<br />
The holdover enRageinent of "Pal Joey"<br />
broke house records at the FIshman suburban<br />
RlvoU and Howard<br />
Warner Bros, booked Snyonara" into two<br />
Menden houses, a rarity indeed. The film, at<br />
75 cents top. played the Merlden and Capitol<br />
New Haven Arena week's engagement<br />
of "Ice Capades" January 23-29,<br />
cot a $4 80 top price<br />
llarrj- K. Shaw, division manager. Loew's<br />
Poll-New England Theatres, got advance promotion<br />
under way for key openings of "Raintree<br />
County." "Peyton Place" ha,s held over<br />
in every Poll A house in the territory . . .<br />
Perakos circuit booked a revival bill, consisting<br />
of "Pearl of the South Pacific" and<br />
"Yankee Pasha" into the first-run Palace.<br />
New Britain . Stanley Warner booked "War<br />
and Peace" Into latter city's first-run Embn.'i.'jy.<br />
advert ising "Ijist Chance to See! "<br />
PROVIDENCE<br />
n freezing rain, coming upon the heels of<br />
a New England blizzard, all but paralyzed<br />
traffic and pedestrian travel, seriously<br />
cutting Into local gro.K.ses. Weather predictions<br />
indicated further rough weather, so this<br />
section was battening down for the new onslaught<br />
"Sayonara" held for a fourth<br />
week at<br />
. . .<br />
the Stanley Warner Majestic . . .<br />
The new Art Cinema held "Gervaise" for a<br />
second week Nemirow. RKO Albee<br />
.<br />
manager, presented a "blood-chilling" horror<br />
show, headed by "I Was a Teenage Frankenstein"<br />
and "Blood of Dracula."<br />
The 1958 Ice Capades opened for a ten-day<br />
run at the R.I. auditorium. The initial performance<br />
was for the benefit of the Roger<br />
Williams Hospital Aid As.s'n . Al Slner.<br />
. .<br />
.Strand manager, booked "Mister Rock and<br />
Roll.<br />
" starring Alan Freed, with "The Devils<br />
Hairpin" A special midnight horror stage<br />
.show wa-s offered by Albert J. Clarke, manager<br />
of the Stanley Warner Majestic. Publicity<br />
offered large ".spirit portraits ' of Marilyn<br />
Monroe cfor the boysi and "spirit pictures"<br />
of Elvis Presley for the female patrons.<br />
As an added gadget, two passes were offered<br />
to anyone staying through the complete show.<br />
Tickets were offered at 90 cents and patronage,<br />
despite weather conditions, was considired<br />
good.<br />
".\round the World" Is still playing to satisfactory<br />
houses at the Elmwood. a nelghborhooder<br />
converted for this attraction and<br />
forthcoming pictures.<br />
Christy's, a noted .seafood restaurant In<br />
nearby Newport, is seeking a permit to present<br />
motion pictures. Many technicalities<br />
will have to be overcome before such a license<br />
is granted. It was believed that special<br />
evening performances would be given after<br />
the restaurant's patrons fini.sh dinner. Sometime<br />
ago. a nearby nightclub, now closed, arranged<br />
to show oldlime films to their patrons<br />
on Sunday nights, when dancing was not permitted.<br />
The venture failed to lure the expected<br />
attendance.<br />
Cash Settlement Given<br />
Patron in Bridgeport<br />
BRIDGEPORT. CONN.— Albert E. Eccles.<br />
former state senator, has accepted S5.250 in<br />
settlement of a $20,000 superior court negligence<br />
action against Warner Bros. Theatres.<br />
Eccles claimed he injured his back and<br />
left hand Oct. 16, 1953, when he opened a<br />
door in the lobby of the defendant's Warner<br />
Theatre here and fell down a flight of steps.<br />
The complainant .said he thought the door<br />
led to a restroom.<br />
The settlement was reached after a jury<br />
had been .selected and the pleadings read in<br />
preparation for trial in the action.<br />
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SWINGFOG"<br />
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ihioughout<br />
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For information contact these distributors:<br />
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Rvnearch Produdi, Koniia* City. Mo.<br />
Van-Wan Toq Equipmanl & Supply.<br />
Portland. Or*.<br />
Fog. Incorporalod. Wyckofl. N. I.<br />
Southern Mill Crook ProducI*. Tampa<br />
NE-4<br />
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drive-in, it will be simple for you<br />
to control mosquitoes, flies, midges<br />
TT.d mites, "wasps and bees using<br />
Swingfog in concession or parking<br />
areas.<br />
EL S. Browning Co.. San Francikco. Calil.<br />
Harlnoy Spray Corp.. Dedham. Ma**.<br />
Henry Sloinor. McAllon. Tox.<br />
Tho I'oq Air Company Now York N. Y.<br />
HARTFORD<br />
prid It. (Ireenway. Loew's Palace manager.<br />
IS leiiring and moving to Chatsworth,<br />
Calif. We'll have a profile story on Fred on<br />
lhe.se pages very .shortly . . The Hamilton,<br />
.<br />
Waterbury, booked a live rock-and-roll showon<br />
a recent Sunday The show, featuring Lou<br />
Dennis, WBRY di.sc Jockey, appeared al 5:10<br />
and 8:40, in addition to a double screen program,<br />
containing "Quantez" and "Mister<br />
Rock and Roll."<br />
. . .<br />
.Mrs. Helene DolKin. wife of the Pine film<br />
buyer, has been named instructor in dramatics<br />
for the older adult division, Hartford<br />
Jewish Community Center, this season .<br />
The independent Lido. Waterbury. played no<br />
le.ss than three attractions the other day.<br />
On screen: "The Beginning of the End" and<br />
"The Unearthly " "Outlaw's Son"<br />
Former State Treasurer Joseph A. Adomo. son<br />
of Sal Adorno sr.. general manager, M&D<br />
Theatres, served as Middlesex county cochairman<br />
for the United Republican dinner<br />
held at the Hartford Statler-Hllton.<br />
BRIDGEPORT<br />
"pjominick Marcharoli, stage manager of<br />
Loews Majestic Theatre, has resigned to<br />
become stage manager of the city-owned<br />
Klein Memorial auditorium Felix,<br />
.<br />
manager of the now closed E. M. Lowe drivein<br />
in Mllford. is currently in Hartford serving<br />
as relief for E. M. Lowe managers . . .<br />
Patricia Capello. cashier at the Merrltt.<br />
donned a Japanese costume for the opening<br />
night of ""Sayonara."<br />
.<br />
.<br />
Manager Robert Carney of Loew's<br />
Joseph<br />
PoU.<br />
Waterbury. celebrated a birthday .<br />
Ta.ssineri, sUge manager at Loew's Poll, has<br />
taken a ten-week leave of absence to go on<br />
tour with Katharine Hepburn and Alfred<br />
Drake in the Shakespearean production.<br />
"Much Ado About Nothing" to<br />
Methu.selah." with T>'rone Power, has been<br />
booked Into the Klein Memorial for Friday,<br />
February 21. The show is the first legitimate<br />
attraction to play the house in a couple of<br />
seasons.<br />
NEWHAMPSHIRE<br />
T\ i,;it(his. Inc.. operating theatres In New<br />
Hampshire and "Vermont, has filed a bill<br />
of equity against the city of Keene in<br />
Che.shlre County .superior court Tlie action<br />
is to prevent seizure of Keene land owned by<br />
the Latchls firm for a parking lot project beside<br />
Railroad .square It is claimed that the<br />
company's theatre property would be irreparably<br />
damaged if the city took the adjoining<br />
warehou.se property The city has offered<br />
$37,500 but the Latchls Interests contend<br />
this is not enough.<br />
Part of the operations of the New Hampshire<br />
department of employment .security<br />
have been moved into the ba.semcnt of the<br />
Capitol Tlieatre in Concord while the new<br />
DEC office building Is being constructed.<br />
Marline Carol. French actre.ss. will star<br />
with Jeff Chandler and Jack Palance In<br />
United ArtlsUs' "Tlu" Extra Edge "<br />
BOXOFFICE February 3, 1958
.<br />
win<br />
ASN Physical Assets<br />
To Du-Art Films<br />
MONTREAL— Al You: Snt of Du-<br />
Art Film Laboratories. .ti.i..'Ui.>. a here that<br />
Du-Art. Uirouiih t(s .subnldlao'. A.vsoclatrd<br />
Screen Indu.itrlcs. hoa acquired the phy.slcul<br />
uels of AvNorluted Screen News of Ciuiadu.<br />
3000 Northdirte Ave.<br />
AMociatfd Screen News Is the oldest and<br />
tamrsi motion picture laboratory In Canada<br />
Founded In 1930. A.ssoclated &pt>cliillzes In<br />
I'rlCiil releo-se prlntlnK for most of the<br />
r Anierlcan producers and In liKtu.strlul<br />
^!iJ trlevLslon work (or Canadian and American<br />
producers.<br />
Officers of the new company, to t)o known<br />
M Associated Screen Industries, are Al Young.<br />
.dent: Irwin Young, vice-president: Mur-<br />
Brtskin. -secretary, and Jack Fellers.<br />
UfAiurer Murniy Brl.skln, formerly executive<br />
a5.«L«tant to the president of Associated Screen<br />
assume Uie position of executive<br />
or of the new company.<br />
Charles Krupp, Sportsman and Filmman, Dies<br />
'Soyonara' Is Still High<br />
In 2nd Toronto Week<br />
TORONTO- Not so many holdovers were<br />
on view in the first-line theatres but there<br />
was one which set the pace In the week's<br />
(To&ses. this l>etng "Sayonara" In Its second<br />
*c«k al the Imperial, followed by "Don't Go<br />
Near the Water" at Loew's. also for a second<br />
Mama.<br />
iAvcrofl* li 100)<br />
tgiinron—Z«f« Ho«r Pora),<br />
r-'Tirt Holrplii .Par^' 100<br />
ttcopod* in Japan (U-l);<br />
3H ot Guilt S?' 105<br />
Ho. fo Myrdcr o Rkh Unci* (Col) 105<br />
SoTonoro .'. -^ . '^ : -k 120<br />
L>on r Co Near th* WoUr MGM),<br />
lis<br />
Th» Sod Vock (Pofo) 105<br />
TtKT tntmr B«low 20tK-Fo«) 115<br />
ArovHl >h« Worid in SO Oayt (UA),<br />
115<br />
T.ni> La
. . UACL<br />
' Pembroke<br />
. . John<br />
. . Three<br />
. . Good<br />
. . The<br />
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MONTREAL<br />
^^lrcctor^ oj Coasolidatcd TlieaLrcs have declared<br />
a reKular quarterly dividend of<br />
13 cents per share quarterly, payable March<br />
Jo Oupcher. IFDL district mnnaKer. left by<br />
plane from Montreal Airport January 31<br />
on a three-week business trip to Paris . .<br />
Robert CralR, formerly of the MonUand Theatre.<br />
Ls now at the head office of the United<br />
Amusement Corp, . Is chanulng Its<br />
policy at two theatres here. StartlnR February<br />
20. the Ahuntslc and the Francals will present<br />
Prench-lansuaRe films Instead of ESigllsh-speakiiu;<br />
pictures.<br />
The Rex Theatre of BeauceviUe has been<br />
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acquired by A. Benimd liDin luinitr owner<br />
G. A. Roy . Fllllon. district manager<br />
at Gcvaert, is back at his desk following an<br />
absence of two week-s due to lllne.ss . . .<br />
Ruby Rablnovltch of International Film Distributors<br />
spent a weekend at St. Sauveur<br />
enjoying Laurentian skiing boxoffice<br />
results were the report from the Locw's<br />
with lt,s .showing of Warner Bros.' "Sayonara."<br />
starring Marlon Brando and Introducing to<br />
picturegoers Mliko Taka Avenue<br />
Theatre, showing for the fifth week "Brothers<br />
in Law." starring Richard Attenborough, Ian<br />
Carmlchael and Jill Adams, reported good<br />
attendance. On the .same bill Is "The Sceptre<br />
and the Mace" of the National Film Board.<br />
John Levitt left for an extended sales trip<br />
for Columbia . British film experts<br />
came here to prepare for location shooting of<br />
a su.spense thriller. The trio mcluded Andy<br />
Worker, director Jack Cardiff and still cameraman<br />
Arthur Evans. Since much of the<br />
story Lakes place in a hospital, the trio made<br />
clinical film research at the Neurological<br />
Institute and General Ho.spital. The picture,<br />
"Intent to Kill," will star Richard Todd and<br />
Betsy Drake and will be ready for release in<br />
June. The script is from a novel by Michael<br />
Bryan. Location filming is expected to take<br />
place in a few weeks. Todd and a few supporting<br />
actors will be here for the filming.<br />
Cardiff is well known for his photographic<br />
work in such works as "Stairway to Heaven."<br />
starring David Niven and Kim Hunter; "Red<br />
Shoes" and many other well-known films.<br />
Intent to Kill" has to do with the plan to<br />
liquidate a president of a South American republic.<br />
Exhibitors at local Filmrow included Abbf<br />
Marois. chaplain of the "Centre des Loisirs,"<br />
Beauport: Abbe Dion, Parish Hall, Gaspe<br />
Seminary; Henri Ma-sse, Rivoli, Coaticook;<br />
Harold Bell, Opera House, Coaticook; Phil<br />
Karabian, Pine, Ste. Adele; Jules Boire. Bijou,<br />
Napierville; Paul Paquin, Imperial, Weedon;<br />
Paul Desjarlais, Brandon. St. Gabriel<br />
de Brandon: A. Ratelle. Labelle, Labelle:<br />
Laurent Poulin, BeauceviUe, BeauceviUe; Jack<br />
Korman, Garden, Laval West; A. Racett*,<br />
Lido. L'Ab
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JJfr. «nd Mrs. Johnson huvc sold their 350-<br />
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Donna<br />
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rpOR SALE<br />
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Also new Brifiih-Luxury Choirs oToiloble<br />
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Gerry Sutherland, Odeon district manager,<br />
and iMaynard Joiner, head of Famous Players<br />
in British Columbia, were on vacations south<br />
of the tKJrder . . . Nellie Gath, longtime employe<br />
of the FPC district office who had been<br />
in a hospital for the last six month.s. has<br />
gone home . Kelly, former Odeon<br />
manager, is now selling cars for Vancouver<br />
FPC closed the Regent in Burnaby.<br />
Motors . . .<br />
The building was bought by local in-<br />
terests who will convert it into a store. FPC<br />
also will close the suburban Kerrisdale<br />
shortly. It is under option to local interests<br />
Owen, former Odeon manager<br />
in England and recently an assistant at the<br />
Odeon in Victoria, was moved up to manager<br />
of the Odeon at Duncan on Vancouver<br />
Island, replacing Maud Smithe. home after<br />
a heart attack.<br />
Lynette Wright, former head usherette at<br />
the Odeon Vogue, is now cashier at the Orpheum<br />
. Miller. Studio Theatre<br />
cashier, resigned to get maiTied . Karp.<br />
head booker at the FPC district office who<br />
has been with the chain for 29 years, is resigning<br />
to join West Coast Theatre Service<br />
on Filmrow a.s head booker. He succeeds Doug<br />
White, who has moved to Dawson Creek as<br />
a hotel manager. Ted Ro.ss, assistant to Karp.<br />
has been promoted to the head booking job at<br />
the FPC office. The a.ssistanfs job will be<br />
abolished since FPC now has only three suburban<br />
theatres left here. The local first-run<br />
hou.ses of the circuit are all booked from<br />
Toronto.<br />
WINNIPEG<br />
The Medicine Hat Shrine Club sponsored<br />
Theatre Night at the Townc January 22.<br />
The film was "The Promoter." All proceeds<br />
were donated to the Shrine band . . . Holding<br />
over in Edmonton were the double bill of "The<br />
Mountain" and "Leather Saint" at the Palace<br />
Theatre: "Ten Commandments" at the Garneuu.<br />
fourth week: "Tammy and the Bachelor"<br />
and "Kelly and Me" at the Sahara. 14th<br />
week; In Its .second week at the Paramount.<br />
"Pal Joey": and in Its second week. "Sayonara"<br />
at the Odeon.<br />
The CrewcutK, Canadian recording .slurs.<br />
appeared In Calgary at the Jubilee auditorium<br />
January 15. and followed this up with<br />
iin iipix'arance at the sales ))avillon In Edmonton<br />
January 17.<br />
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])t] Watt l]ll> A>a PhofM CHarry S1SS-* Voncouvar ?, B C<br />
Hillis Cass Named<br />
Canadian MGM Head<br />
NE\\' YORK -Hilli.s Ca.ss, formerly Canadian<br />
sales manager for MGM, has succeeded<br />
Henry Nathan-<br />
Mjn as president of<br />
.\1GM Pictures of Canada.<br />
Nathanson retired<br />
last month after 30<br />
years as the top executive<br />
in MGMs Canadian<br />
dLstrlbution.<br />
Nalhanson trained<br />
Cass over several years<br />
a.ssoclation to be hLs<br />
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ST.<br />
JOHN<br />
IJeavy rain and wind lashed the .soulii and<br />
west coasts of Nova Scotia and brought<br />
more than four to six inches of rain in 36<br />
hours, causing widespread flooding that cut<br />
off communications, washed out railway lines<br />
and roads. Many theatres in the affected<br />
areas closed. Others used emergency prints<br />
when their film was held up. Film exchanges<br />
arranged for film transportation by bus and<br />
truck where possible. The CNR said it may<br />
be a week before trains are mnning between<br />
Halifax and Yarmouth.<br />
. . . April<br />
liiy Davis, United Artists manager, and<br />
Maurice Elman. B&L Poster manager, shared<br />
a S500 winning ticket at a B'nai B'rith charity<br />
drawini; conducted by chaiiman Joshua<br />
Lieberman, partner of the B&L circuit . .<br />
Popular Joe LeBlanc. owner and operator of<br />
the Capitol. Shediac. is entering his 12th<br />
term as mayor. He was elected by acclamation.<br />
He has also been a Liberal member of<br />
the Assembly for several years<br />
Love. Sad Sack. Jailhouse Rock. Baby Face<br />
Nelson. Perri and the Hunchback of Notre<br />
Dame were doing solid boxoffice business In<br />
the Maritimes.<br />
The Camp Gaeetown Theatre. Oromocto.<br />
which was to have oi)ened January 20. will<br />
open the middle of February. It will be operated<br />
by the Department of National Dcfen.se<br />
Power of MGM's 16mm department<br />
has resigned her position with the company<br />
to get married. She will reside in New-<br />
York City<br />
Film Critic Calls Video<br />
'Paltry Substitution'<br />
OTTAWA In the first of a series of lectures<br />
on "The Public Arts" In Convocation<br />
hall of Queens University at Kingston. Clyde<br />
Gllmour. film critic of the Toronto Telegram,<br />
told a lai-ge audience that television programs<br />
were a paltry substitution for modem<br />
moving pictures as presented In theatres.<br />
Mediocrity In Iheiitrical films no longer<br />
could .suffice as a medium of entertainment,<br />
however, he declared, becau.se of a more discriminating<br />
public which had developed a<br />
high level of dLscerument of values In the<br />
film medium<br />
K 4 BOXOrFICE Febniarv .1. 1958
!<br />
C»nJit*dti9n, • CautMnnit' • C^ncMiiatLA. • 'TMi^iti^uL^tU<br />
MOBiIH<br />
FBRUARY 3, 1958<br />
SECTION OF BOXOFFICi<br />
rfc# /oft !/»'» rampi of th^ Worntr Park Dnrv In Theatre, No\h*iltt. 7enn , art built os a meiianine, r/cvared fo gi^c<br />
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Due to the resulting THREE DIMENSIONAL, cylindrically shaped<br />
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Rtlitift DOfltion of cjrboni ai rrv l*«pKoi,%t<br />
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{-.;•<br />
I MODERN<br />
THEATRE<br />
FEBRUARY 3, 1958<br />
o n t n I<br />
IN 1957, according to a survey<br />
reported herein, exhibitors invested<br />
$24,000,000 in new drive-in theatre construction,<br />
concrete evidence oi their<br />
confidence in the motion picture industry<br />
and the outdoor operation.<br />
There are now more than 4,500<br />
drive-ins in the United States, and<br />
additional construction is underway or<br />
in the planning stages, to help maintain<br />
the national total ol theatres in<br />
the face of the shuttering oi marginal<br />
indoor<br />
houses.<br />
New occasions bring new customs,"<br />
and the changing times have brought<br />
the drive-in theatre into great favor<br />
with the moviegoing public.<br />
Certainly,<br />
the drive-in is an answer to the oiltouted<br />
comfort of watching TV in the<br />
relaxed atmosphere of informality, with<br />
the "plus" of big-screen projection.<br />
Trends are to larger drive-ins— 1,000<br />
to 2,500-cars, or more— to<br />
twin screens<br />
and to the year-around operation, even<br />
in northern climates.<br />
The yeor-around operation has been<br />
made possil.le in three ways: in-car<br />
heaters, heated, air-conditioned auditoriums,<br />
and the unique situation at the<br />
All- Weather in Copiague, N. Y.,<br />
where<br />
an indoor theatre operates in conjunction<br />
with a drive-in or alone<br />
An article in<br />
this issue discusses the<br />
problems encountered in wintertime<br />
operation in several cities, the solutions<br />
evolved, and the success enjoyed<br />
by those theatres maintaining the yeararound<br />
schedule.<br />
Particularly valuable<br />
to all exhibitors will be the promotional<br />
pr- \ to stimulate and mainly<br />
•<br />
patronage.<br />
Operating the Ycar-Around Drivc-ln 8<br />
a: Ttic All-Wcathcr Drive-ln<br />
b. How Drivc-lns Cope With Tfiose Cold, Cold Months<br />
Drive- In Story: 1957 13<br />
Don't Let Mosquitoes Nip <strong>Boxoffice</strong> Alexander M. Cochran 16<br />
A Drive-in Is Only as Good os Its Ramps William H. Black 19<br />
How to Get the Best in Sound and Projection<br />
at the Drive-ln Theatre Wesley Trout 23<br />
Lomp Increases Light 51 Per Cent 32<br />
Serves 2,000 Patrons in 15 Minutes Dorothy Shensa Miller 35<br />
A Gay Wagon Wheels in Candy Profits 40<br />
Profits From Popcorn Phyllis Haeger 43<br />
Gimmicks Sell Popcorn! 44<br />
Check, Teste and Test 48<br />
Drive-ln Theatres the World Over Ed Lachman 58<br />
Garden-Type Beouty For o Hordtop Earl Moses 62<br />
DEPARTMENTS:<br />
Projection and Sound 23 New Equipment<br />
o I • .<br />
Refreshment<br />
c<br />
Service<br />
-ic<br />
ii<br />
and Developments '^<br />
65<br />
Reoders' Service Bureau at 54 Literature 69<br />
Advertising Index at 54 About People and Product 70<br />
ON THE COVER<br />
A feature of the Warner Park Drwc-In in Nashville is its entrance<br />
and exit system which permits patrons to enter tpithout<br />
interference from exit traffic which leat^es the grounds by way of<br />
an underpass leading to another highwuy.<br />
I L. THATCHtR, Managing (ditor<br />
Th» MODERN THEATRE S«:tion of BOXOff ICE it .nc uMa in tne firit iiiue o< »ach month<br />
EdiTortot or oan«rol buiinoii corrtiDonQtnca irtauia b« Qddrtiiea to Aiiociattfd PublicoTiont.<br />
825 Von Brum Blvd. Kontoi Cilv 24, Mc '- -— -rnrtjcntatrvc Cofl Mot, *5 Roclwtallcr<br />
Ploio. New York 20. N Y. Ctnlrol .c Ewmg HulChi»on Orgon.zolion,<br />
35 Eoit Wocli«r Dnv*. Chicooo I. III.; Wtitcr :jtrvo Bob W«tt»ttin & Auociotat.<br />
672 South Lotavtttt Pork Ploct, Loi Angalat :i >.^i' t
What clicks at the box office?<br />
"NATIONAL" CARBON ARC<br />
brightest man-made light!<br />
NATI0^4AL CARBON COMPANY<br />
JAMtS GARNER, slatting in DARBY'S RANGERS. A Watnet Btos. Pioduction.<br />
ATIONAL PROJECTOR CARBONS<br />
bring out exciting realism!<br />
"National" carbon arcs match the sun's color balance. That<br />
means yiir audience can enjoy all the realism Hollywood<br />
puts on film. Deep colors come to life. Wide, wide screens<br />
show sharpness in every detail. For drive-ins, life-like<br />
imapes travel h»ndreermits adequate house lightinR.<br />
Thc«c alotcrr burning "National" Prnjrctor Carfxtn.t help<br />
cut operating rrtnlH: "i^uprrr" Irnm.Kmm.and 9vim rarlx>u.s<br />
— lOnim, Itmm and IS.timm High Intensity CarlH}n3.<br />
'.UZ"f S"-* tin '# '')•?• r'»f%t o' t)ri*'»** r»fh^« rmporaitnn<br />
• Olvl*lwi o* Union CarM4* Corpomttan • MO tmtl 42n^ Stnvt. M»m York t7. H.Y.<br />
UNION<br />
CAROIOC<br />
SAICS orriCtS AlUnU CliK4(o. DtlU*. KansM Cil>. Lm An(«ki. Ntn York, htbbutgh. S«n frtiKiKO • IN CMAM: Union C«>bidt Canada lunitad. Toronto<br />
BOXOmCE February 3. IMS
OPERATING THE<br />
YEAR-AROUND DRIVE-IN<br />
Even in fhe Cold Weather Areas, Many Outdoor Exhibitors Do a 12-Month Business<br />
ALL WEATHER DRIVE IN THEATRE COPIAGUE, LONG ISLAND ASSOCIATED PRUDENTIAL THEATRES, OWNER<br />
Dual icrrice /s given to (he patron at the All Weather, the indoor auditorium<br />
and the ojtdoor screen The single building contains projection lor both<br />
screens, a joint concessions area, a l,500seat auditorium, a terrace restaurant.<br />
ARCHITECT DREW E8ERS0N<br />
restroom facilities lor indoor and outdoor operations Based on o division 0/<br />
costs of these facilities, the indoor house was erected at a cost of $175 per<br />
seat, as compared to the usual cost of S27S per seat for a new indoor house<br />
'/#/,<br />
• r<br />
X<br />
A<br />
rjj i^' -<br />
Architect Dfrv> ibcr^on planned the indoor auditorium on the theory that it woj part<br />
of on outdoor operation, gave it a floor covering of Neoprene matting and plastic covered<br />
teati To clean, a nightly hosing, with a machine sucking up the water in 30<br />
acre area was utilized for the all weather opera-<br />
Shown above is the manner in which the 28-<br />
minutes<br />
lion Cars enter upper right and swing right<br />
along the entrance rood which takes them in<br />
front 0/ the screen tower and down along the<br />
Jill<br />
romps A playfield<br />
\ n<br />
is located in back of the<br />
indoor auditorium building and a special area<br />
in which indoor patrons con pork their cars it<br />
located at the end of the oblong center service<br />
1..^<br />
area of the grounds The throw to the 52«/30<br />
outdoor screen is 390 feel Operating over the<br />
T<br />
huge area are several gasotir}e driven tally-ho<br />
U.k<br />
i m t m ,<br />
f - i I trains which transport indoor house patrans from<br />
parking lot to theatre<br />
rr<br />
^R-t<br />
CSr<br />
^/?<br />
firit floor plan of Ih* irtdoor theatre building Above the conctuiont area at tight 11 a Itrtoct nttouront<br />
The MODERN THEATRE SECTION
LviT May. AssoclatMl Pnidrntlal<br />
Theairw opt'iifd one of the counirys truly<br />
unique Uieutres. the AU-WraUier DrJvr-In<br />
I CopiuKUf. LonK Island, n mllliun-duUur<br />
project which included an Indoor house<br />
(•Ung l.SOO pittroru and an outdoor<br />
scre«n-and-ranip ore* to accommixlate<br />
3.500 cars. It has one boxofflce— ihe pu-<br />
Iron enters by car. buys a ticket, and talcfs<br />
his choice of the indoor house or the outdoor<br />
screen There Is one concessions area.<br />
U> serve l»th theatres, one projection room.<br />
Throushout. the well-known theatre architect.<br />
Drew Eborson. planned the project<br />
for maxunmn efficiency The Indoor theatre,<br />
for example, can be hased down<br />
nlghUy because all materials are plastic.<br />
IncludinB floorlns.<br />
"I personally believe that this type of<br />
theatre exhibition should give a rebirth to<br />
the Industry." says Eberson. "and should<br />
hare a tremendous impact on reallgnlnR<br />
exhibition policies In accordance with the<br />
changes over the lost 25 years,"<br />
After nine months, what have been the<br />
results^ Here is what Asaoclated Prudential<br />
Theatres reports:<br />
• When the weather is bad. there Is usually<br />
a full house In the indoor theatre.<br />
When the weather Is bad—that Is. snow.<br />
fof or heavy mist—the outdoor portion Is<br />
closed, as far as the screen Is concerned.<br />
• If the weather Is fair, even though<br />
cold. It's<br />
50-50—half of the patrons go inside,<br />
half stay in their cars.<br />
• The Joint concessions operation works<br />
fine. Ftood Ls permitted in the indoor auditorium.<br />
Complaints from non-eeters are<br />
few. but there have been some squawks.<br />
OPERATION<br />
PROVED OUT<br />
• The Joint operation proved its worth<br />
last fall and winter When other outdoor<br />
operations in the area fell off. the All-<br />
Weather maintained a good pace of patronage.<br />
• There are no dual management problems.<br />
There Is a manaclng director who Is<br />
in charge of both indoor tmd outdoor theatres,<br />
with a house maruger for the Indoor.<br />
• To stimulate winter attendance, an lc«<br />
skating rink has been installed When the<br />
we*ther is right, it Is well -patronized Skating<br />
privileges are free to patrons.<br />
• The percentage of walk-ins L^ .^mall.<br />
eren though there are residential developments<br />
not too far away.<br />
• A terrace restaurant, located above the<br />
concessions area, can be operated profitably<br />
about eight months of the year, ownen<br />
have decided.<br />
A 3-City Report:<br />
How Drive-ins<br />
Those Cold.<br />
MIRACLEMIkl<br />
TOLEDO:<br />
By<br />
ANNA KLINE<br />
The Miracle Mile Drlve-In Theatre. Toledo.<br />
Ohio. IS currently In Its third year<br />
of winter operations, and has solved many<br />
problems in order to make winter bu.slness<br />
profitable.<br />
With normal winter temperatures ranging<br />
as low as ten above zero < abnormal cold<br />
days in Toledo are below zero>. and with<br />
snow, sleet, and rain common. It Is no easy<br />
task to lure patrons to a drlve-ln.<br />
Most important, of course, says Fred<br />
Lentz. manager, are the In-car heaters.<br />
The heaters are provided without charge,<br />
and are plugged into the speaker post by<br />
the patron. The Miracle Mile has tried and<br />
experimented with numerous types of heaters,<br />
and has adopted the "Hot Shot" heater<br />
which Is small enough for easy handling,<br />
compact racking, and built for stacking<br />
compactly, one up>on the other. The cord<br />
is easily wrapped with this type heater.<br />
The heater unit Is small, but. says bentz.<br />
the amount of heat is more than comparable<br />
to those of larger type, as they consist<br />
of "Circular Chromalux Type" heating<br />
elrmrnt. said<br />
to afford more heat dissipation<br />
per square Inch of heating area.<br />
The theatre has "heater carts." built to<br />
specification, for racking and easy Inventory<br />
every night for all heaters.<br />
To cope with the possible lav? of heaters,<br />
a system has been evolved that Is practically<br />
100 per cent theftproof. All cars, upon<br />
entering the theatre, are Issued either a<br />
heater or a heater tag. Upon exiting, all<br />
cars must surrender one or the other All<br />
exit* are kept clased until Just prior to<br />
break time At iwch time the heater carts<br />
are pulled, via a Jeep, to the exits, and<br />
ramp attendants are on guard to collect<br />
either a healer or heater tag.<br />
The Jeep not only Is useful to pull the<br />
Cope With<br />
Cold Months<br />
heater carts to the exits, but plays a big<br />
part throughout the winter in keeping<br />
weather conditions under control. The<br />
Miracle Mile uses a four-wheel drive Jeep<br />
which has both a snow plow and pushboard<br />
attachment The snow plow Ls removed<br />
when summer weather returns, but Is worth<br />
lis weight In gold during the cold.<br />
During the winter,<br />
Is constantly on the weather forcca.st. When<br />
snow is predicted, the maintenance men are<br />
well prepared. As .soon as the snow begins<br />
to fall, the workers start removing snow<br />
around the boxofflce area and conce.s-slons<br />
stand. An Ice remover i.s kept in back of<br />
each boxofflce at all times.<br />
the management eye<br />
Tlie theatre Is equipped with heavy rollers<br />
to cojje with snow on the ramps. The<br />
workers do not attempt to remove the heavy<br />
snow from the ramps, but compress It<br />
there, and In the ramp drives. If there Is<br />
drifting, however, the Jeep .snow plow is<br />
used to push all excess snow to the drainage<br />
ditches at each side of the theatre. The<br />
plow is also used to clear all entrance and<br />
exit drives around the theatre.<br />
Tlie Miracle Mile Drlve-In has learned<br />
how to cope with all the elements except<br />
one—FOG Should the pea-soup fog roll<br />
In off the lake, and interfere with a .show,<br />
a "rain check" Is Issued or admission In<br />
cash is refunded. To discourage cash refunds,<br />
however, three rain checks are issued<br />
for every two adiUt admission tickets.<br />
This helps compensate for the disappointment<br />
of the patrons In not being able to<br />
obtain their planned entertainment. This<br />
procedure works out very well, since most<br />
patrons prefer the bargain offer of an extra<br />
ticket.<br />
One of the advantages of winter operation<br />
Is the fact that dusk arrives early, and<br />
a good starting hour on week days Is 7<br />
p.m.. gUing the average patron a chance<br />
to see a complete program and be home In<br />
plenty of time for a good nights sleep for<br />
those who work or go to .school the next<br />
day.<br />
On Sundays and hoUdoys. the Miracle<br />
Mile features an "Early Bird" or "Twilight"<br />
program, which begins at 6:30 pjn.<br />
Through experience, the theatre has found<br />
It best to offer one complete show on nett-<br />
Continutd on pOf* 12<br />
BOXOmCE<br />
Fetaruarr 3<br />
S«ctio« iibo>M>« Ik* rfM/ inrfoo* oitJ aw(rfoo> proi^Kt-cn at !*• All Wtalhtt Dtnt In Tht«tn<br />
I9M
!<br />
HEALTHFUL. RADIANT HEAT .<br />
. . JUST<br />
LIKE SUN RAYS • LIVING ROOM COMFORT • THE ONLY MAN-MADE PORTABLE SUN RAYS<br />
I<br />
tepi3<br />
FLAM ELESS<br />
IN-CAR HEATER*<br />
3nd air-conditioners for Drive-In Theatres<br />
DON'T LET COLD WEATHER INTERFERE<br />
WITH PROFITS! Order your BERNZ-0-<br />
MATIC FLAMELESS HEATERS NOW! You'll<br />
be ready to re-open in 10 to 14 days for continuous<br />
BIG PROFIT OPERATIONS.<br />
This is the heater that is revolutionizinfr the<br />
Drive-In business by expanding its season to<br />
52 weeks a year. Check with the proprre.ssive<br />
Drive-Ins that have successfully installed Bernz-<br />
O-Matic P'lamele.ss Heaters! They are our best<br />
boosters<br />
Easy payments<br />
rental plan can be arranged<br />
NO INSTALLATION • NO WIRING • NO BATTERIES • NO FUMES • NO HEATING ELEMENTS TO REPLACE • NO BIG ELECTRIC BILLS<br />
STANFORD INDUSTRIES, INC.<br />
6400W 95th street •Oaklanil.liynois*Phone:Garden 4 3070
. . EVERY<br />
HERE IS<br />
A TYPICAL PERFORMANCE REPORT FROM A DRIVEIN NOW OPERATING WITH<br />
FLAMELESS<br />
-CAR HEATERS<br />
"•D JAf; 2<br />
^-^ ST OAKLAlVfi<br />
,LL<br />
This unsolicited endorsement is<br />
one of nuny received trorn progressive<br />
Oriv«-lns already using<br />
BCRN20-MATIC IN CAR HEATERS<br />
«"0 COSTS ui%;//"„«= ^" TNE UP p "'' "'«'£» "
four<br />
.shrimp<br />
—<br />
THOSE COLD. COLD MONTHS<br />
Continue from poqc 9<br />
cl*ys and on Sundays. bccau.v ovpriime tor<br />
operators Is reduced to a minimum. On<br />
Fridays and Salurday.i. an additional feature<br />
i."5 added, and ilic main feature Is also<br />
repeated.<br />
you win find you need this extra<br />
strength, as 80 per cent of our business is<br />
done on the weekend," said Lentz.<br />
DEVELOP POLAR BEAR CLUB<br />
Several succe.ssful promotional programs<br />
have been developed by the Miracle Mile<br />
Dnve-In Theatre, most p>opular of which is<br />
the "Polar Bear Club." Signs around the<br />
boxoffice and newspaper advertising promote<br />
this club, as do screen trailers. The<br />
theatre Issues special membership cards for<br />
patrons. Each time the holder visits the<br />
theatre, the card is rubber-stamped with<br />
a picture of a polar bear. After five such<br />
visits, the card entitles an entire carload to<br />
be admitted free.<br />
Originally, a punch was used, but since<br />
this method of marking attendance could<br />
easily be duplicated, the rubber stamp was<br />
substituted.<br />
Service-charge passes, good only on weekdays,<br />
are distributed to the entire personnel<br />
of leading factories, in rotation. One pass<br />
Is given to each employe, with an expiration<br />
date of two weeks from a pay day. These<br />
passes are attached to the paychecks, and<br />
It has been found that each service pass<br />
used is also good for at least one fully paid<br />
admission.<br />
Each year between Nov. 17 and 20. the<br />
Miracle Mile celebrates its anniversary by<br />
giving free birthday cake and coffee to all<br />
patrons, as well as free .souvenir tickets<br />
which will admit a patron to the celebration<br />
to be held a year from then. This<br />
event Is fully promoted with a half-page<br />
Merchant Co-Op ad, plus giveaways for<br />
all.<br />
NEW YEARS EVE SHOW<br />
On New Year's E^fe. a special program Is<br />
always .scheduled, including fireworks, hats,<br />
and favors. Durlnr November and December,<br />
.screen advertising, such as Christmas<br />
Club trailers and best wLshes from merchants,<br />
helps. The theatre has a Bank<br />
Nlte on Sundays, and a kitchenware giveaway<br />
for a six-week period, on \^ednesday<br />
of each week, to spark attendance on lho.se<br />
day.i. Ticket stub numbers are jxisted In<br />
the conce-sslons stand, with winners entitled<br />
to 50 cents In merchandise, plus a free<br />
pass to the theatre. Another promotion Is<br />
the sale of gift ticket books, entitling the<br />
buyer to obtain $6 worth of admissions<br />
'eight tickets! for $4.98, In a sea.son book.<br />
Trailers on the .-screen help boost business<br />
at the conce.vslons building. All hot<br />
foods are es{K-clally popular, thouKh the<br />
ubiquitous hotdog and hot chocolate are<br />
getting plenty of competition from such<br />
specialties as a eS-cent pizza pie. a tl 15<br />
i<br />
chicken dinner pieces of golden<br />
French-fried chicken. Frrnch-frled potatoes,<br />
carrots, celery and hot roll. In a takeout<br />
basket : rolls, hamburgers, hot<br />
.soups, and—never underestimate It!—hot<br />
popcorn! Chill, at 20 cents. Is also a big<br />
favorite.<br />
Newspaper advertising of Miracle Mile<br />
attractions mentions the In-car heaters<br />
and usually includes the phrase, "Will not<br />
be shown on TV<br />
'<br />
tiny vision i for .seven<br />
years."<br />
Lentz points out that pensons who attend<br />
the theatre during the winter months do<br />
not have to be "re-sold" for the warm<br />
weather season, having established a habitpattern<br />
that makes film entertainment an<br />
important part of their recreational<br />
scheme.<br />
DETROIT:<br />
By H. F. REVES<br />
Winter operation of drive-ins is in its<br />
first season in the Detroit metropolitan<br />
area, and in its effectively second season<br />
in upstate Michigan, providing some interesting<br />
backlog of experience from the<br />
pioneers.<br />
While many drive-ins have operated from<br />
snowfall to snowfall for years, the first to<br />
attempt all-winter operation in the state<br />
was apparently the N-K at Muskegon, operated<br />
by Nick Kurls, which has three or<br />
four winters of experience now—but is not<br />
actually a drive-in in practice during the<br />
winter. This is a dual-utilization project,<br />
with a sizable annex to the concessions<br />
building to house about 300 patrons in<br />
comfortable theatre-type seats. They view<br />
the regular outdoor screen, sitting in enclosed<br />
comfort, and this is run for practical<br />
purposes like an indoor hou.se. The<br />
experience has evidently justified continuation<br />
of the operation from the boxoffice<br />
standpoint, and naturally the very convenient<br />
concessions stand has l)een a significant<br />
help as well.<br />
The N-K points to one pattern of<br />
drivein<br />
operation, utilizing the powerful appeal<br />
of the huge outdoor screen, which appears<br />
very feasible and presumably ultimately<br />
profitable for Michigan weather.<br />
The Sky at Adrian, ojjerated by the<br />
Jenkins family, proudly claimed title as<br />
the first drive-in to operate through the<br />
winter with an Installation of heaters during<br />
the 1956-57 season. This has been since<br />
further developed.<br />
THREE THEATRE INSTALLATIONS<br />
During 1957. major heater installations<br />
were made in three large drive-ln.s—the<br />
Northland at Flint, operated by William<br />
Oleksyn, and the East Side and West Side<br />
at Detroit, the oldest and only prewar<br />
drive-ins in the state, operated by Smith<br />
Management Co. These, of course, are operating<br />
this year all winter. Also on the<br />
operating list this winter—without heaters—<br />
are the Dort at Flint—operated al.so<br />
by William Oleksyn, which had a prior experience<br />
with winter operation a year ago;<br />
the Van Dyke at Detroit, operated by Detroit<br />
Theatre Enterprises, and the Pontlac<br />
at Pontiac. operated by Elton Samuels. The<br />
latter two were understood to be operating<br />
weekends only, and the Van D>'ke was<br />
closed for two weeks before Christmas.<br />
"We haven't had any operational problems—this<br />
is our first year—except for<br />
the Dort," says Alden Smith of Coojjerative<br />
Theatres, film buyer for four of these<br />
houses and one of the best informed men<br />
in the industry here on outdoor operation.<br />
The pattern of weekend operation at<br />
the Pontlac is much like that during the<br />
rest of the year, reports William Clark of<br />
Clark Theatre Service, film buyer for this<br />
house. The same type of attractions is<br />
booked as in the rest of the year, and no<br />
special promotional activities<br />
are reported.<br />
Here are some practical experiences and<br />
ideas in winter operation gleaned from a<br />
roundup of Michigan exhibitors in the business<br />
• Many younger people will come to the<br />
Continued on page 56<br />
The concrjuoni lection ot the All Weather Drive /n ierra both the indoor and outdoor patroni. for eight<br />
manth\ out ot the year, the deck patio doublei Oi an outdoor reitaurant The entrance to the indoor theatre<br />
It lo the right ol the conceisioni area<br />
12 The MODEJIN THEATRE SECnON
' -Ins<br />
DRIVE<br />
THE MEOfORD (MASS i<br />
IN THEATRE<br />
THE TREND IS TOWARD THE DE LUXE SUPER-CAPACITY<br />
THEATRE. WITH THE MILLION-DOLLAR PROJECT ON HAND<br />
DRIVE-IN STORY: 1957<br />
Exhibitors Invest $24,000,000 in 119 Theatres<br />
By PHIL HANNUM<br />
Drive-in thcatrcs with capacity<br />
equivalent to nearly 325.000 indoor theatre<br />
seals, based on 2.5 persons per car. and<br />
representing an Investment close to $24.-<br />
000.000 In the industrys future were placed<br />
under construction or completed In 31<br />
states in 1957. This substantial investment<br />
was surprLsing when contrasted with the<br />
view of many Industry leaders that outdoor<br />
theatre construction had reached the<br />
national saturation point two or three years<br />
a«o<br />
Durlnjc the year. 103 new projects not<br />
lusly<br />
included In BOXOPTICEs con-<br />
,,ng survey of drlve-ln theatre-s were<br />
announced, partly constructed or completed.<br />
The value of these theatres<br />
•mounted to (19.850.250 Combined car<br />
capacity of these projects was an estimated<br />
73.480. Also opening during the year were<br />
16 large drlve-lns which had b^-en listed<br />
on previous surveys, their construction<br />
costing an estimated well over $5,000,000.<br />
with speaker posts for 18,279 cars.<br />
Surprising was the continued emphasis<br />
the building of luxurious super<br />
accommodating 1.000-2.000 cars<br />
and costing from $250 000 to mor«<br />
than $1,000,000 Grand openings of two<br />
of these $1,000,000 giants were hlghUghU<br />
of the Industry year, as the All-Weather<br />
Drlvr-In, Coplague, N Y . and the Tacoivy-<br />
Palmyra Drlve-ln, Palmyra, N. J., Joined<br />
the rank,s of drlve-ln theatres operating<br />
throughout the year.<br />
ALso placed in operation in time for<br />
profitable 1957 seasons were the Shipyard<br />
Drive-In. 1.700 cars, a $500,000 unit.<br />
Providence. R I ; Suffolk Downs. 1.700<br />
cars. $500,000. East Boston: the 2.000-car<br />
V'lklng Drive-In. Corpus ChrLstl: 1.200-car<br />
Circle Drlve-ln. Richmond. Va.. and Joe<br />
Warrens Super 50 Drive-In. 1,007-cars,<br />
near Albany. Supplementing these typical<br />
completed projects, are such developments<br />
as the $1 200,000 Loew's drlve-ln near Houston,<br />
which is waiting for a good weather<br />
break late this month or early March for<br />
Its grand opening; a Baltimore project that<br />
will have speakers for 1,240 cars and Indoor<br />
.seating for 3.000 patrons when completed,<br />
and a 1.600-car Long Beach. Calif,, drlve-ln<br />
for Cabart Theatres.<br />
The most revolutionary development in<br />
the 1957 construction picture, and one<br />
which could be the forerunner of a wave of<br />
new dnve-ln construction and of relatively<br />
Inexpensive expansion of existing outdoor<br />
theatres, was a drlve-ln with wireless<br />
speakers Placed under construction in<br />
Dover. N J . last year for Walter Rrade<br />
Theatres. thU dnve-ln without speaker<br />
posts will be opened In the .spring<br />
It will utlll7.e the 210.000 square feet of<br />
the upper level of a two-decker parking<br />
foot screen, parking places for 950-1,000<br />
cars and a combined restaurant-projection<br />
booth. Cars enlerlnK the theatre level will<br />
be supplied with a transistor-powered hifidellty.<br />
self-contained speaker which operates<br />
on a radiation system of remote control,<br />
receiving waves from "underground"<br />
sound cables. These cables are copper wire<br />
loops attached to the celling of the first<br />
floor of the parking lot. Although speakers<br />
receive waves from these cables anywhere<br />
on the theatre level, the speakers become<br />
useless if taken from the theatre area.<br />
Another cheerful aspect of the 1957 drlveln<br />
construction picture was the activity of<br />
the Eric Corp. of Philadelphia, directed by<br />
Samuel Shapiro, president, in the Pennsylvania-New<br />
Jersey area. In midsummer, this<br />
corporation opened the $300,000 Manahawkln<br />
Drlve-ln. a 1.100-car unit In Manahawkin.<br />
N. J., and followed up In December<br />
with the grand o[>enlnK of the Mac-<br />
Dade Drive-In at Olenolden. Pa., the latter<br />
being a 1.200-car situation into which the<br />
corporation had funneled an investment of<br />
around $500 000. Al.so projected by the<br />
corporation was another half million dollar<br />
drlve-ln at Bristol. Pa., and a $300,000<br />
super drlve-Jn at Somers Point, N. J.<br />
Along with enthusiasm for building the<br />
super units, which permit .such a wide<br />
range of de.
O<br />
'<br />
DRIVE-IN STORY: 1957<br />
Continued horn pogt '2<br />
unius which will accommodate in the nelRhborhood<br />
of 750 cars. The latter figure once<br />
a»Ealn. as In 1955 and 1956. represents the<br />
national average-size dnve-ln constructed<br />
duriHR the year.<br />
Ea,siorn states led the drlve-ln construction<br />
parade in 1957 with 32 new units, far<br />
in front of the next most active section, the<br />
West, which added 21 drive-ins. Fifteen<br />
units were completed or started in the<br />
Mideast: Southeast, ten; New England.<br />
elRht: Central, seven; Southwest, six. and<br />
North Central, four. Pennsylvania was the<br />
busiest state in the construction field, with<br />
12 new airers projected or opened. California<br />
was in second place with ten new<br />
drlve-lns. Other lea^lers were New Jersey,<br />
nine: Kentucky. New York and Ohio, six<br />
each.<br />
Following is a state-by-state tabulation<br />
of new drive-in theatres, with asterisk denoting<br />
that the drive-in has been opened:<br />
ALABAMA<br />
Arob—Pinetrec, buymg ond booking by Horry Smith,<br />
opcrotor o* 31 Drive-ln, Cullmon*<br />
Lcighton—Oixio. ISO cars, owr^d by L. P. Howord*<br />
ARIZONA<br />
Fort Huochuco—Sierra Visto, 500 cars, beirx] built<br />
by A. J. Enterprises in coniunctton with o shopping<br />
center A J Brorntem. form«»r New England dnvein<br />
controctor, is president ond son Jc>seph, viceprcs'dcnt,<br />
gererol mortoger, A. J. Enterprises<br />
Yuaio— I.OOO-cor dr>ve-in for Woyne Arnold ond<br />
Marvin Bell<br />
CALIFORNIA<br />
Arcoto—$140,000, 600-CQr dnve-jn, Wolter Bell'<br />
Irsdio—Oasis. 400,500g opening by Lippert Theatres<br />
Lokeport—300 cors. Bob Reese, owner of LokeporT<br />
T n f -; • r e<br />
Lancaster—LorKoster Orivc-ln odds 470-seGt tndoof<br />
theatre to its focitities for hondhng 787 cors in<br />
regulor romp area; R E- "Tex" Griffith, owner<br />
Lon9 8«ocli— Precision Fabricators aworded controct<br />
to build dnve-m of 6475 Atlanhc Ave , for<br />
Cobort Theatres Corp.<br />
Las ArtgelM—Peter Pon, 300 cors. Eorl Strebc'<br />
Mojove —Otstfict zorwnQ boord opproves application of<br />
* i Keefe ood associates to build dnve-m on<br />
fcCJuTh skde of Highway 466 near here<br />
Myore Flot— SufHct, for Roy Chevcrton ood Ted<br />
Jennings*<br />
Sartto Fa Springs— 1,S00-cor dnve-m to be constructed<br />
northeost of Norwolk boulevard and Lokelorwl<br />
rood<br />
S0U9US—Corf ol, for Mr. and Mrs. Henry Ostrum<br />
COLORADO<br />
Grand Juncfion—Monument View, 350 cors, built<br />
bv Guy QTVl Earr^st Corlucc arvd A. 8. Moore"<br />
Manco» —MorKos, 250 cors, Phil Belt, owner<br />
Poonio — 266 -cor drivi*-in for Tom Poulos, owner of<br />
•t^
eitc^^'%,,euc^^'^<br />
^iffffttyouRdRmm<br />
ELECTRIC<br />
ELECTRIC<br />
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fpprovtd by UndemrUen* Ljboritorie<br />
~<br />
for outdoor uit<br />
tUCTKOMOBl Ti,<br />
SAFEST ibecause<br />
^ Fan-Circulated Electric Heat keeps<br />
Only Electromode Heaters have the<br />
Windshield Dry and Clear<br />
exclusive Safety Grid Heating Element<br />
(illustrafed above) All electric<br />
"^ No Dangerous Fumes<br />
wires ore insulated, embedded and<br />
completely sealed inside this finned<br />
•^ Completely Weather-Proofed<br />
aluminum casting. There<br />
and<br />
is<br />
Grounded<br />
positively<br />
no danger<br />
^<br />
of fire, shock, or burn. Heat<br />
Quiet<br />
is fan-circulated<br />
Operation. No<br />
throughout interference<br />
the car<br />
with<br />
and Speaker<br />
heater case remains cool to touch.<br />
Above jhowj front jnd r*ir views o»<br />
heater,<br />
A built-in mounted on<br />
Safety<br />
speaker po$t Easily<br />
Switch automatically<br />
'K' Sturdily accessible<br />
Constructed to<br />
prevents "Take<br />
Eas)r-lo-|rip handle and<br />
overheating.<br />
^<br />
It"<br />
ei-<br />
Ira loni. heavil|f insulated eitension<br />
cord Heater may be placed on dash,<br />
board, door or any<br />
Scratch-Resistant horinintal surtac*<br />
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O^her Electromode Electric Heaters For<br />
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Divitim Of<br />
even while in operation.<br />
COMMERCIAl CONTROIS CORPORATION<br />
ROCHESTER 3, N. Y.
A portable logging machine being used lor mosquito control at an Indianapolii drive in theatre The machine,<br />
known ai the Dyna Fog jr , is light weight and has only one moving part Under normal conditions a<br />
treatment once a week, before the weekend, is sullicient. Many types ol lormulations can be used<br />
in the unit, one ol which is Insecto Fog speciticolly manuloctured lor it by Brulin & Co ,<br />
Inc<br />
Don't Let Mosquitoes Nip <strong>Boxoffice</strong><br />
Elimination of Breeding Places and Fogging<br />
The Drive-In Effectively Control the Pests<br />
By ALEXANDER M. COCHRAN*<br />
The NiED FOR Insect control In<br />
drive-tn theatres is so great that without<br />
tt a theatre could become bankrupt in a<br />
short time. Weed control is also important<br />
and has a definite connection with Insect<br />
control.<br />
Mosquitoes are the all-important Insect<br />
pest. They must have standing water to<br />
breed In, not Just dampness. Do not be<br />
guilty of breeding your own mosquitoes<br />
locally on your own property in such places<br />
as catch basins, puddles of water, stopped<br />
up brooks, faulty roof drains, etc. The<br />
easiest approach to eliminating local mosquito<br />
breedinK Is to ellmlnnte the standln«<br />
wal«r. If it Is Impossible to do this it<br />
will be necessary to lurvicide the water.<br />
I would suggest you contact your local<br />
mosquito commission or state university<br />
for correct larviciding techniques, but it<br />
advisable to use an Insecticide In fuel oil<br />
or kerosene instead of motor oil. A small<br />
amount of this light oil will cover a vast<br />
area.<br />
Once you have determined that there Is<br />
no local breeding you must then contend<br />
with migratory adult mo.squltoca which fall<br />
into two classes: long range and short<br />
range. The long range masqulto Is generally<br />
more of a problem than the short<br />
16<br />
*PrMid*n
RED ARROW SELENIUM RECTIFIERS<br />
3-PH ASE<br />
60 TO 100 AMPERE<br />
90 TO 135 AMPERE<br />
120 TO lao AMPERE<br />
SINGLE PHASE<br />
70 TO 90 AMPERE<br />
BO TO 135 AMPERE<br />
>ctltl*ps with all !>
You can MEASURE<br />
the difference !<br />
With an ordinary<br />
photographic light meter<br />
TK« mott important foctor to contld«r whan rcpoinlinQ<br />
your drive in icrcvn i\<br />
GREATER<br />
REFLECTIVITY<br />
THi LIVING FACTOR OF A SCR6FN'<br />
And NOW vou con octuollv mcoiure incrcotcd<br />
rcMccMvity before you buy— coty. occurotely,<br />
Micntidcolly and AT NO COST' Moil the coupon<br />
bcio- »«f a run TfSTING SAMPLE "*<br />
CampbeH's Drive-In<br />
WHITE<br />
Paint o tmoll test orco Mith the tree tc«t somplc.<br />
Then check it* rctlectivity Comporc the reoding<br />
vith ony other tcrcen point. You'll be amazed ot<br />
the greoter reflectivity you get with Compbcll<br />
It Pays to Paint with Campbell<br />
• lncreo%cd rttUctivity<br />
• Creoter picture<br />
brillior>ce<br />
• Rator-tharp imogct<br />
• Higher vnibtlity<br />
• Longer wcor in ony<br />
weather<br />
• Greotor covcroge<br />
per gollon<br />
DON'T DUAY<br />
Only
'<br />
While<br />
A DRIVE-IN IS ONLY AS GOOD AS ITS RAMPS<br />
Exact and Economical Ramp Planning Achieved Through Mathematics<br />
By WILLIAM H BLACK<br />
Ir ii.u ALWAYS be«n a matter of<br />
ajnazrniriit to mi- that in an operation as<br />
big as a drlve-ln Iheatre there has been<br />
so much hit and miss ramp design.<br />
Stated In its smiplest form, any theatre<br />
Is only as good as lis seats, and l( a dnvo-<br />
In is so graded that cver>- position m tho<br />
theatre does not have Rood visibility, then<br />
it diies not fulfill Its first retjuin-mcnt.<br />
POOR DESIGN COSTLY<br />
Miiuy otiitTwise smart theatre owners<br />
have, through a desire to economize or<br />
through just plain ignorance, (alien Into<br />
the trap of building a poorly ramped theatre.<br />
While their desire to economize Is<br />
understandable. It Is an unlortunate truth<br />
that a poor design Is always the most<br />
costly one. and tiiat the theatre has to<br />
live with some ramps that are either entirely<br />
useless or. at best, are far from satlsfactoo'-<br />
The writer has seen many theatres<br />
where thousands of dollars could<br />
have t>een saved in the ramping, and paradoxically<br />
the more economical design would<br />
have resulted in a much better theatre.<br />
In conversations with many designers of<br />
drlve-ins. I have found that the majority<br />
of them have been using very Inexact<br />
methods of ramp planning. E^ven those few<br />
who have used the graphic method of design,<br />
that is. using a thread stretched from<br />
a pomt of the screen to establish grades<br />
through the field, have, because of the<br />
margin of error that is Iniierent in this<br />
William H Black<br />
In thif coprriflited<br />
orticle, publithed ei<br />
clutoelf in (he Mod<br />
€tn Thcotre S«:ary fill to build up the field to Insure<br />
proper drainage.<br />
It will be necessary then to keep the<br />
ramps as low as possible so we will use<br />
only a minimum of fill. The layout of the<br />
theatre a'iU be as shown in Fig- 1-<br />
FIG. I<br />
Because of the flatness of the field, we<br />
will keep the high points of the field<br />
Continued on tallowing pogo<br />
IISO'<br />
FIGURE<br />
I<br />
BOxorncE Fetauary 3. l»M 19
DRIVE-IN RAMP PLANNING<br />
Continued from preceding pogt<br />
through the center hnc and drain the<br />
ramps both ways.<br />
FIGURE<br />
II<br />
FIGURE III<br />
Let us assume that the present grade ol<br />
the field Is Elevation 10.0. and that the<br />
roadways on either side of the field wlU<br />
be the lowest finished area, but when<br />
built up and surfaced they will be six<br />
inches above the present grade so their<br />
elevation will be lO.O-rO.5 or 10.5.<br />
Now to insure the drainage we will pitch<br />
from the center line to the outer edge of<br />
the road, and we figure this arc at the<br />
valley of Ramp 9 which we will tentatively<br />
establish as the low ramp in the theatre,<br />
and we find the arc to be 292 feet. We will<br />
take 0.4 feet per 100 feet as the minimum<br />
pitch for drainage, so 0.4x2.92:^1.168.<br />
Rounding off this figure to 1.2 feet and<br />
adding it to our road grade we have<br />
10.5+1.2=11.7. which will be the grade of<br />
the valley or low part of Ramp 9 at the<br />
center line.<br />
-fAcc or sdtten<br />
FIGURE IV<br />
tr£ LtftL<br />
OF vicweh<br />
ON NEXT RAmP<br />
PITCH OF RAMP<br />
We will use 0.8 of a foot as the pitch of<br />
the ramp (how to arrive at this figure will<br />
be shown later) and adding this to our<br />
valley grade we have 11.7+0.8=12.5. which<br />
will be the peak grade of Ramp 9 at the<br />
center<br />
line.<br />
Now that we have calculated our grades<br />
for Ramp 9 at the center line, we will go<br />
on with calculating our other ramp grades,<br />
but first let us establish the mathematical<br />
basis for the method of doing this. We will<br />
do this by beginning with .the geometric<br />
theories applying to similar triangles, and<br />
to illustrate we will draw two right triangles<br />
as shown in Pig. n.<br />
$orrgti or ncjunt<br />
r Lttr. IS s<br />
FIGURE<br />
V<br />
eter TOP or CAD<br />
NAur$<br />
ere ifKfi<br />
etevr<br />
AAur I<br />
j/itm 11.1x113<br />
FIG. 11<br />
Here we have the big triangle XZY and<br />
the small triangle ACB. Now we will prove<br />
that these two triangles are similar. First,<br />
it Is apparent that Angle A and Angle X<br />
are the same, for they are the common angle<br />
In the two triangles, so they must be<br />
equal. Then as we know that both Angle Z<br />
and Angle C are right angles, they also have<br />
the same number of degrees and are<br />
therefore equal. We also know that any<br />
triangle has a total of 180 in its three<br />
angles, therefore, triangle ACB; 180° and<br />
triangle XZY=180°. so if we set up a<br />
simple equation, we have angle B--180—AC<br />
and angle Y=180-XZ. We have already<br />
established that angles AC and XZ are<br />
equal .so it follows that angle B and angle<br />
Y must also be equal, therefore the two<br />
triangles are similar. Now in any similar<br />
triangles the corresponding sides of the<br />
triangle are always proportionate. In<br />
other words. If In these two triangles, side<br />
XZ is twice the length of side AC then<br />
side YZ would be twice as long as its corros|K>ndinK<br />
side BC and similarly YZ would<br />
be twice the leil«th of BA.<br />
FIGURE VI<br />
riAK IL It t<br />
FIG. Ill<br />
If we now .sci)iiiiitc these two triangles<br />
a.s shown in Fig. III. we have not changed<br />
any of the parts of the triangles, but only<br />
20<br />
Th« MODERN THEATRE SECTION
I<br />
Fig<br />
their poaltlons. but >f you will not*-, the<br />
common lino YBA Is a straight line<br />
We will now add to thLs diUKriim <br />
.terrom a*0i(<br />
FIG. IV<br />
Now in Fig. rv let us designate the<br />
various points In theolre termlnolo«y. For<br />
example, let u.s Miy that line YZ Indlruies<br />
face of the screen oiid point Y Indl-<br />
% the bottom of the picture We will<br />
ay that point B indicates the top of a<br />
ear on a ramp and that point A indicates<br />
the eye level of a person silting in a car<br />
tn the next rump. It is obvious then from<br />
this that the person at A would have to<br />
tec over point B In order to catch the bot-<br />
Uxn of the picture at point Y<br />
,toTTo>to0nc rumi<br />
lt»r. if i<br />
fICURI VTI<br />
g'l ilv It »<br />
^*ll.tf<br />
PROCEED TO GRADING<br />
To get on to the gradint; We have already<br />
established the lowe.st pan of the<br />
theaue as being at Ramp 9. so wc will start<br />
with It In order now to use actual figures,<br />
we will use the data we have from our plan<br />
Pig. I'. From this we see that Ramp 9 Is<br />
470 feet from the screen and the distance<br />
between ramps Ls 40 feet The height of<br />
Ihe bottom of the picture is 25.5 feet above<br />
the present grade of 10.0 so the elevation of<br />
the picture is 25.5-i-10.0 or 35.5. To complete<br />
the ree on the<br />
sale side If we establish the height of a<br />
car at 5.5 feet and the height of the eyes<br />
of a viewer when seated to be four feet<br />
alwve the ground.<br />
On the basis of this data, we will go on<br />
now to establish the grade at the peak of<br />
Ramp 10. We will redraw the diagram<br />
IV • and add the known figures to it.<br />
This will be Pig. V.<br />
FIG. V<br />
We now want to find the grade at the<br />
apex of the small triangle or point A. In<br />
order to do this we have to establish the<br />
length of the line BC which Is done as<br />
follows<br />
First, we subtract the elevation at point<br />
B from the elevation at point Y. and we<br />
fmd that to be 35.5-18.0=17.5. which Is<br />
the length of the lUie ZY. Now we knowthat<br />
the corresponding sides of these triangles<br />
are proportionate, and we already<br />
have the lengths of their bases, they being<br />
470 feet for the big triangle and 40 feet for<br />
the small one. We can now set up a simple<br />
raUo that will give length of the unknown<br />
line BC.<br />
A PRACTICAL FIGURE<br />
BC Is to 40 in the same proportion that<br />
17J ts to 470. If we set this up In Its<br />
BC 17.5<br />
mathematical form we get — Slm-<br />
40 470<br />
17 5 • 40<br />
pllfylng this further we get BC =<br />
470<br />
and compleUng this multiplication and dl-<br />
700<br />
Ttalon we have BC - . 1 49 which we<br />
470<br />
wUl round off to 15 as thta only means an<br />
addition of one one-hundredth of a foot<br />
from our 1 49 figure, and It gives us a more<br />
practical figure for grading.<br />
Now we know that line BC U 1 5 feet tn<br />
FIGURE VIM<br />
lengUi. so In order to find the elevation of<br />
point Z. we subtract this from the known<br />
elevation at point B. and we get 18.0—1.6=<br />
16 5 or the eye elevation of point A.<br />
Since we have established the height of<br />
the seated viewer's eye at 4.0 feet above<br />
the ground, we subtract 4.0 from 16.5<br />
which gives us a grade of 12.5 or the peak<br />
grade of Ramp 10.<br />
Having established the procedure, we<br />
will now calculate the remaining peak<br />
grades to Ramp 20.<br />
Using our ratio formula, we find the peak<br />
grade of Ramp 11 as follows:<br />
12.5—peak R^imp 10 35.5—bottom of<br />
5.5—height of car picture<br />
-18.0—elev. at top<br />
18.0—elev. at lop of of car—<br />
car Ramp 10<br />
17.5—length<br />
vertical<br />
of<br />
of the big<br />
angle<br />
leg<br />
Ratio:<br />
X 40 —space between Ramps 10-11<br />
1.37 or say 1.4<br />
17.5 510 —distance l>etwcen screen and<br />
Ramp 10<br />
18.0 elev. at top of car<br />
1.4 length of line BC<br />
16.6 elev of viewer's eyes<br />
- 4.0 distance from viewer's eyes to<br />
ground<br />
12.6 peak elev. of Ramp 11<br />
Ramp 13:
DRIVE-IN RAMP PLANNING<br />
Continued from preceding page<br />
This Indicates further that we are cominK<br />
up In our grades as we ko forward<br />
which, of course, means usine extra fill<br />
material. As we have found that a valley<br />
grade of 11.7 at the center Unc is adequate<br />
for drainage, let us use this as a constant<br />
figure for all Uie forward ramps.<br />
We will now reduce our Ramp 8 grades<br />
from 12 6 and 11.8 to 12.5 for the peak and<br />
11.7 for the valley.<br />
NOTE: You have seen from the diagram<br />
of Pig. Vn that the line of the pitch of<br />
the rump lines up with the bottom of the<br />
picture. I have found that in most cases<br />
this works out all right. It sometimes calls<br />
for some modification, in the forward<br />
ramps particularly, but as each case could<br />
differ, we will proceed on this generalization<br />
for this particular case.<br />
Now we will take Ramp 7 and calculate<br />
its grades. First, we will diagram It as in<br />
Pig. Vni. using the constant valley grade<br />
of 11.7 to find the peak grade.<br />
FIG. VIII<br />
Calculating we have:<br />
23.8 V 15 11.7<br />
= 0.9 0.9<br />
405<br />
12.6 — peak elev. Ramp 7<br />
We establish then that a peak grade of<br />
12.6 will give us the proper pitch. Now for<br />
a double check let us sec how this grade<br />
check.s out with our established grade on<br />
Rump 8.<br />
12.6 35.5<br />
5.5 -18.1<br />
18.1 17.4 X 40<br />
1.8<br />
18.1<br />
1.8<br />
16.3<br />
16.3<br />
—12.6<br />
3.7<br />
390<br />
This .shows that the view height on<br />
Ramp 8 is lower than the 4.0 feet required,<br />
so the clearance from Ramp 8 over the car<br />
on Ramp 7 is more than enough.<br />
It is obvious then that we have passed<br />
the critical point of car clearance, and we<br />
may proceed forward, establishing the<br />
ramp pitch only on the remaining ramps<br />
to give us the peak grades<br />
We will use the valley grade of 11,7,<br />
Ramp 6:<br />
35.5<br />
-11.7<br />
23.8 X 15<br />
360 '<br />
Ramp 5:<br />
23.8 v 15<br />
325<br />
Ramp 4:<br />
357<br />
1.25<br />
285<br />
- .98 11.7 -f-<br />
1.0=; 12.7<br />
'distance to Ramp 6-1-15')<br />
357<br />
325<br />
= 1.1 11.7 -h 1.1 ^ 12.8<br />
11.7 + 1.3 = 13.0<br />
Ramp 3:
I'. KM<br />
HOW TO GET THE BEST<br />
IN SOUND AND PROJECTION<br />
AT THE DRIVE-IN THEATRE<br />
Modificafion of Present Boofh Equipment<br />
Or Replacement With Improved Designs<br />
Should Be Considered Before Reopening<br />
By<br />
WESLEY TROUT<br />
Wetley<br />
Traul<br />
^^OOD PRO-<br />
JBCTION AND SOUND arC<br />
Vital in the operation<br />
of any size drlve-ln<br />
theatre. We will end<br />
e a V o r to present<br />
iome helpful suKRes-<br />
1 1 o n s In obtainlnR<br />
better projection and<br />
sound reproduction,<br />
pointins up some of<br />
the requirements<br />
necessary in order to<br />
obtain satisfactory scri-en tma«e and Rood<br />
sound quality.<br />
This season, many exhibitors will carefully<br />
review existinK projection and sound<br />
equipment with a view of either replacing<br />
or making some modifications. In order to<br />
obtain better results: namely, amplifier,<br />
sound head, speakers, arc lamps or projector<br />
mechanisms. In some situations the<br />
installation of a better quality projection<br />
lens or refinishlnK the screen surface would<br />
vastly Improve the screen image, or even<br />
both for clearer and better illuminated<br />
picture.<br />
We mention first the replacement of<br />
projection lens or refinishing the screen<br />
surface, because we are well aware of the<br />
problems associated with getting enough<br />
light on the drlve-ln theatre screen. Of<br />
course, if you have high quality lens and<br />
good screen surface, your arc lamp may<br />
need .some modification, such as changing<br />
from 16-lnch reflector to an 18-inch reflector.<br />
And we would like to bring to your<br />
attention the Importance of sufficient amperage:<br />
using the correct size carbons U<br />
a "must" for an evenly Illuminated picture.<br />
Ukewlse. it Ls neces.sary to correctly<br />
align your optical system, be/ore you reopen,<br />
for obtaining all the light the lamp<br />
and optical system can put out.<br />
In some situations one can trim the<br />
."'hutter blades slightly and thereby increase<br />
the light, provided the screen surface<br />
is in good condition. Both shutter<br />
blades must be trimmed an equal amount.<br />
The gear train must not have too much<br />
backlash or you will have a "travel ghast."<br />
The best plan Is to make a model shutter<br />
of the one you have and trim It down Just<br />
to the point where there Is only a slight<br />
"travel ghost." then make the other 'regular<br />
.shutter I blades slightly wider to eliminate<br />
any streaking up or down. We have<br />
done this In many drive-ins and secured<br />
very .'iatlsfactor>- Increase In screen Illumination.<br />
Coo4 tound and prof«cl>0« con b» othi^^td enty wHk 900^ •quipflwnt k»pt in good condittof Thh h •<br />
'•T "•" tquipptd drrtt ,n ihrctrt pro(*cl>on room (.ompt, i»ltnium r»a* All wiring 11 m conduit and Qrrvnlitid, wirtx lor tk* prOfMtion lompt com* up Itirovgh tfct<br />
pro/«cto/ boi* A work ligkt. vitk a win guard around it, >i aqmpprd with o long atlrttiom tord<br />
CURVED TRAP AND GATE<br />
We would like to sugge.st the Installation<br />
of the new curved film trap and gate. If<br />
you have Centur>-. RCA or Simplex XL<br />
projectors ThL^ device will improve your<br />
picture definition and deliver a steady picture<br />
The new eur%ed gate and film trap<br />
can be installed easily without additional<br />
machining. drlUlng or tapping holes, or<br />
special tools. Use of the new curved device<br />
is a definite advantage for those having<br />
trouble in holding focus because of higherpowered<br />
projection arcs, which are necessarj-<br />
for wldcscreen projection In drlve-ln<br />
theatres In .lome cases It Ls advi.iable to<br />
use the renlur>- or RCA WBl
BEST IN SOU ND AND PROJECTION<br />
Continued liom p'f^iJ "j<br />
r"3
aiid k(«ptnK surpUis oil clrnnrd off o(<br />
tnt'chftnism und .sound heads Is very ImporUtnt<br />
111 dnvc-ins whrro such equipment<br />
U subjected to more dust and dirt.<br />
In some cn.ses. when the drive-ln has<br />
•<br />
d for the sea.son. the equipment Is<br />
ply covered up; In others, equipment Is<br />
dismantled and .stored. In either ca.se.<br />
equipment .should be thorouKhly cleaned<br />
•nd carefully checked for replacement of<br />
worn parts before It l.s put Into operation<br />
•gain. If you have not iiutnlled "fox hole"<br />
aprocket.s for combination prints, we suktest<br />
you do .so tx-fore you reopen, thereby<br />
na you more time to make the in.stalln-<br />
:. and check over the projector and<br />
sound head for any other replacements.<br />
Be sure to check your idler rollers, shoes,<br />
film trap. etc. for wear. Better projection<br />
can only be obtained when the<br />
mechani.Mn U In Rood adjustment and worn<br />
parts replaced.<br />
HAND OILtO PROJECTORS<br />
There are still a larKe number of projector<br />
mechanisms thot have to be oiled<br />
by hand. u.sinK a smoU oil can or a medium-size,<br />
pump-type oil can. This type of<br />
projector must be thorouKhly cleaned before<br />
you reopen because the Kcar tram and<br />
bearlnss are not tlRhtly enclased and will<br />
accumulate more dust then a mechanism<br />
In which the gears are tightly sealed in<br />
and run in an oil bath.<br />
We suRRest that you completely disassemble<br />
the mechanism lopen type> and<br />
wash the parts in kerosene, using a stlflbrlstle<br />
brush for scrubbing. Be sure to<br />
carefully wlpie all the parts and lubricate<br />
after you have reassembled the mechanism.<br />
Only a few drops of oil. except in the intermittent<br />
movement, is sufficient, thereby<br />
avoldinK a flood of oil that will eventually<br />
rim down into the sound head and cause<br />
trouble. Always wipe all surplus oil off of<br />
parts—keep a clean rag in your hand and<br />
wipe any .surplus oil off as you lubricate<br />
your projector. Do not lubricate or clean<br />
the projector while It Is in operation, unless<br />
you are seeking trouble. A ras or oil<br />
can spout causht in the gears can cause<br />
plenty of damage. The best, and wi.se procedure,<br />
is to oil your equipment each day<br />
before you start. Use oil sparingly on all<br />
drive-In equipment, but u.se enouRh. of<br />
course, to properly lubricate. A mixture of<br />
dirt and oil will cause rapid wearing of the<br />
ear teeth.<br />
CAUSE OF PICTURE "WEAVE"<br />
Picture •weave" 'side motion' is usually<br />
cau-sed by improper adjustment and<br />
grooved lateral guide rollers, or It can l)e<br />
caawd by too much endplay In the Intermittent<br />
.sprocket. "The .shoes that hold the<br />
film In place against the intermittent<br />
sprocket .ihould aLso be correctly adjusted<br />
and not "ride" the sprocket. Accumulation<br />
cf dirt or undercut sprocket teeth will<br />
cause picture Jump.<br />
Worn starwheel. cam<br />
or bearings will also contribute to an unsteady<br />
picture and a noisy intermittent<br />
movement<br />
Tec much tension on film Is Just as<br />
Best For<br />
iONG THROW!<br />
That's why more<br />
and more drive-ins<br />
choose Bausch&Lomb<br />
Build i\ipacity patronage ... for<br />
bcttcr-than-cvcr profits . . . by<br />
giving all of your patrons the<br />
world's most satisfying screen<br />
images. Unequalled edgc-to-edge<br />
sharpness and definition, at all<br />
ranges, all angles. Breathtaking<br />
contrast... vivid, brilliant images.<br />
Tops in<br />
"Come back again!" appc.il.<br />
WRITE tor complete information:<br />
loldcrsE-118, E-12.^. E-55.<br />
Uau.sch & Lomb Optica! Co..<br />
72026 St. Paul St.. RiKhcstcr 2. N. Y.<br />
, A.*.,1 • • Op' f •' S«*. '• '1 '»'• I-
. . . best<br />
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. our<br />
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Bag Your Trash<br />
Model LS-1 LiMcr Shark<br />
Thf "LitltT Shark" .-.ui-Li uj):<br />
lift-r cans, loose iiP\vs|)a|> the Slop. Stoop and Touch<br />
out of litter pick-up. (llialleiigo \our<br />
lUCM to la-trr. Neater work .<br />
lc«> fati).'iic. Adds dignity to a<br />
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('.iwstrurtinn: Powerful verticalshaft<br />
ga>oliMr engine with recoil<br />
starter. All-slccl direil-connedcd<br />
suction ini(x-ller. W elded steel suction<br />
case with replaceable stainless<br />
steel liner. All steel suction shroud,<br />
"iO" wide, heavily reinforced. Broadtread,<br />
rubber-tired wheels. Large<br />
heavy litter bags. Special bag-support<br />
rack. Short, single-turn, direct<br />
litter travel within suction case assures<br />
no-clogging o{)eration.<br />
TARRANT Mfg. Co.<br />
55 Jumel Place<br />
Saratoga Springs, N. Y.<br />
Guaranteed<br />
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fresh from<br />
You can increase Box Office wiih<br />
ORCHID<br />
PROMOTION<br />
.<br />
.<br />
,<br />
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From a drive- in thcofrc in FLORIDA*,"<br />
orchids arrived in perfect conditton<br />
a full house to repeat<br />
. . had<br />
promotion<br />
.<br />
in near future!" WISCONSIN'," .<br />
gave orchids for Mother's Day<br />
loved them to use<br />
. . mothers<br />
promotion aqain!"<br />
from ARKANSAS*,'<br />
beautiful promotion<br />
orchids<br />
grcot<br />
truly<br />
success<br />
.<br />
we've ever hod!" These ore |u»t<br />
o few ot the mony Icttcn wc receive from<br />
theatre and drive-in theatre owners across<br />
the country prolsing the Vondo Orchid Promotion.<br />
The exotic, dainty orchids ore flown<br />
dewy fresh from Howoii . thrill to every<br />
woman who receives one! See how the Vando<br />
Orchid PromoHon con MAKE MONEY for YOU<br />
but a few cents eochf Try It yourself!<br />
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W» furnish ntwipopcr mots, w/nrfow ttreamers<br />
oryd odvcrtising mottrial Order orchids<br />
today for new 6ojr office profits Write tor<br />
your brochure on other Hawaiian Flowers for<br />
Sales Promotions<br />
H. C. KRUEGER<br />
FLOWERS OF HAWAII<br />
670 S Lofoyetto Pork Place<br />
Lot Anrjslrs S7, California<br />
BEST IN<br />
SOUND AND PROJECTION<br />
Continued trom preceding page<br />
• , not enough. In our article, Modem<br />
1 heatre. Lssue of December 7, 1957, on page<br />
16, we presented data on proper film tension<br />
and adju.stment of lateral KUide rollers.<br />
Becau.se the picture image is magnified<br />
so many times, particularly widescreen<br />
projection in drive-in theatres, it is of utmo.st<br />
importance that a steady picture<br />
should be projected. If the intermittent<br />
movement is in good condition and lateral<br />
guide rollers adjusted correctly, there is<br />
no good reason for inferior projection. If<br />
your gear train in the mechanism has too<br />
much backlash, new gears should be installed<br />
or you may have "travel ghost."<br />
particularly more so if you trim the shutter<br />
blades.<br />
CARE OF TAKEUP<br />
ASSEMBLY<br />
Be sure to check the takeup mechanism<br />
and fire trap rollers. It is wise to take<br />
apart the takeup assembly and thoroughly<br />
clean before you put equipment in operation.<br />
The teiision should be adjusted to<br />
take up a reel when it is full, any more<br />
tension than this is unnecessary. The magazines,<br />
upper and lower, should be checked<br />
for aligrmient and to see that bolts or<br />
-screws are tight. The upfier magazine<br />
spindle should have enough tension to prevent<br />
the reel from "racing."<br />
Glass should be used in<br />
the observation<br />
ports, set in a shadow box. the boxed affair<br />
to be painted a dull black inside. For<br />
the lens poi-ts. we recommend a high<br />
quality glass, special for this purpose, distributed<br />
by National Theatre Supply. Or.<br />
you can use a blower for the lens ports,<br />
distributed by leading theatre supply dealers.<br />
We suggest you follow this advice and<br />
keep the dust from blowing into your projection<br />
room. By keeping the dust out, you<br />
will be able to keep your lenses and projectors<br />
cleaner.<br />
Next, check your sound heads and make<br />
replacement, if needed, of guide rollers,<br />
sprockets, exciter lamp, etc. Tlioroughly<br />
clean the unit and check exciter lamp focus<br />
and run either a 7,000 or 9,000 t*st loop<br />
to check the sound lens focus, doiriQ the<br />
latter after you have the sound equipment<br />
cleaned and in operation. Check the felt<br />
roller on the guide roller bracket; in most<br />
cases, this should be replaced for good operation.<br />
Also be sure to check the rotary<br />
stabilizer and see that it coasts for at least<br />
20 or more seconds after the film leaves It,<br />
Of course, there should be sufficient tension<br />
on the shaft so that there will be<br />
smooth film travel past the scanning beam.<br />
Check the speed of the mechanism. Also<br />
check the motor and couplings to the<br />
sound head drive.<br />
LUBRICATING<br />
INSTRUCTIONS<br />
The arc lamp sliould be thoroughly<br />
cleaned and connections, in most cases,<br />
should be renewed at the arc mechanl.sm<br />
• the positive and negative cartxin holder<br />
connections). After a thorough cleaning,<br />
26 Th» MODERN THEATRE SECTION
the enilrr mfchiuu.s(n .should br lubricated<br />
ccordtng tu the iniututacturrr'.s lubrication<br />
chart. UsT only thi- lubrication .sp«-<br />
ctally rt'commrndod for your hunp Do not<br />
use graphite on any pojt unlc.vs .sprclally<br />
reconunendfd for crrtaln piirt.s by the munufacturrr<br />
Do not um> tjraphite on Stronn<br />
or National Coiutellatlon hiwh inten.sity<br />
lomp-s Use only the .sp«-iial lubricant c )inpotuid<br />
for iK'.st results. Use the correct<br />
carbon trim for the ampcraRo you arc using—never<br />
overload curboiu.<br />
TESTING MAGNETIC SOUND<br />
If your reflectors have been in service<br />
• lonK time, it is best to have them refin-<br />
Istied and obtain more screen liKht. In<br />
situations where hmh omperaKC Is used.<br />
replace your reflectors with the new Bau.sch<br />
and Lomb BALcold reflectors and keep<br />
down the heat at the aperture. The newreflectors<br />
are obliunable for most leading<br />
makes of projection lamps. Tlie reflectors<br />
must fit snugly In their holders but not too<br />
Ught. because It may cause them to crack<br />
when parts get hot. Be sure to use an<br />
allgrmieni tool and carefully align your<br />
optical system— reflector, aperture and projection<br />
lens— for maximum lluhi output<br />
If you have magnetic sound, the penthouse<br />
reproducers should be carefully<br />
checked and cleaned: the rotary stabilizer<br />
and guide rollers should be carefully<br />
checked. On general maintenance of either<br />
optical or magnetic sound heads, we suggest<br />
you read our article, published in<br />
June 1957. on magnetic sound. The film<br />
must track perfectly straight from the upper<br />
reel down tiirough the penthouse reproducer,<br />
and there should be just enough<br />
pull" on the upper reel to keep it from<br />
racing. Vse test loops and reel tor a<br />
thorough checkup on your penthouse reproducer<br />
for high quality sound reproduction.<br />
Likewise, this procedure should<br />
be followed m the optical sound head.<br />
If you have single-track. m.Tgnrtic sound<br />
in your drlve-ln. be sure to demagnetize all<br />
the parts befcre running a magnetic print.<br />
This is necessary when running all combination<br />
prints now. Any steel part that Is<br />
magnetized and comes in contact with magnetic<br />
track or tracks will cause deterioration<br />
of both sound quality and level A<br />
Jeweler's small compass can be used for<br />
this purpwe In .some places—particularly<br />
on the trap and gate— it is generally necessary<br />
to remove the magnetized parts in<br />
order to thoroughly demagnetize effec-<br />
Urtly. Most leading supply dealers can<br />
supply a degausser 'demagnetizing device'.<br />
CHECKUP WITH COMPASS<br />
Again, we want to remind you that equipment<br />
must be demagnetized when running<br />
combination prints. Do not damage prints<br />
bjr neglecting to check your equipment with<br />
a compaaa at least every two or three<br />
montha. If you have worked on the<br />
mechanism with magnetized tools, be sure<br />
to demagnetize acaln.<br />
Pt>r high quality sound reproduction. It<br />
should be understandable that the pre-amplirier<br />
and power amplifier, or amplifiers<br />
%^^<br />
ILlf .^v\..\HH'l(rs |jiil> ca«l'«l aMcS<br />
lUi |.^ h.,ai/i fMtar OMKUIt*. i tv ii >Kk>»cjliT i*>«la4 l«. 1114 m tact Mel tl<br />
IM i>«a»c •' ciri >4aitlt« tmHH al all llatt.<br />
AUTOMATIC-fOOLfHOOF-WEATHEHrtOOF<br />
NOTHING TO INSTALL NOTHING TO HOOK Vr<br />
Wiiit lodoj tor tomplttt Jtiaih and ipccrfKOiioni<br />
PALMER ENGINEERING & DEVELOPMENT CO.<br />
I4t«' , N C>< II Monfc Cal'f<br />
BOXOmCE<br />
CettHmitd on Wovinf<br />
reteuary 3. 1958<br />
27
BEST IN SOUND AND PROJECTION<br />
Continued Irom preceding page<br />
mu.si Of 111 tip-top cuiiditlon. Tubes sliould<br />
be carefully checked: In push-pull staKe.<br />
the tubes must be carefully mutclied m<br />
order to obtain Rood sound output. All<br />
voltases should be checked and compared<br />
wJth the manufacturer's recommendation,<br />
or at least checked with a reliable lube<br />
manual, because correct voltapes are absolutely<br />
necessary for Rood sound reproduction,<br />
free from distortion and with sufficient<br />
Rain for various recordinRs. etc.<br />
Tubes should fit .sockets snuRly and<br />
pronRs should be clean. Leaking plate to<br />
grid coupling condensers are often responsible<br />
for distortion; low voltages will cause<br />
low output, and in the grid circuit, poor<br />
reproduction. A complete set of new tubes<br />
should always be kept on hand in ca.se of<br />
an emergency. In case of trouble, check<br />
or replace tubes first.<br />
We cannot overemphasize the importance<br />
of keeping drive-in speakers in tiptop<br />
condition. We have found this item<br />
very sadly neglected—poor connections, bad<br />
cords, bad speaker cones, etc. It should be<br />
understandable that the quality of the<br />
sound, due to small speaker, cannot compete<br />
with the indoor speaker system, but<br />
very good quality, free from distortion, can<br />
be obtained by checking the speakers daily<br />
and replacing defective ones. Generally<br />
The problem ol incrcoiing light iry driyeins hoi been iohed, to o certain ettent, by newly designed /amps<br />
and new screen surfaces The new livc-to-onc high speed intermittent movement is another improvement.<br />
Successfully tested in the field it is now being installed in Simplex XL projectors lor drive ins or conventional<br />
theatres According to the company, light transmission has been increased as much as 15 per<br />
cent Picture definition has been improved, since each frame is exposed for a longer time The<br />
heart of the new Hi Speed intermittent is a standard 90 Geneva movement, the most reliable in the field<br />
today. Narrower shutter blades can be used with this movement which reduces flicker Other manufacturers<br />
will probably follow with higher speed movements for drive ins The pictures shows the old<br />
style (left) and the new Hi Speed intermittent movement for drive-in mechanisms<br />
the transformer matches an impedance<br />
isecondar>'i of 3.2 ohm.s: supplied for two<br />
impedances matching of either a 2.500 or<br />
7.500 ohm line. For high quality sound<br />
reproduction, impedance matching Ls important.<br />
If you are in doubt, consult your<br />
wiring data sheets and make sure the impedance<br />
is correct for your particular sound<br />
system. Keep dirt and dust out of speaker<br />
housing. Make sure of good connections by<br />
going over all the connections in the .system<br />
before you reopen your drive-in.<br />
One can make a fair test of the sound<br />
output quality by first setting the exciter<br />
lamp perfectly, checking the sound lens<br />
focus, and then thread in a film with good<br />
music, singing and dialog recording. The<br />
.sound reproduction of these various recordings<br />
should be clear and sharp. A test<br />
reel can be purchased for making this<br />
test, but any good recording will do. provided<br />
it has music, male and female singing,<br />
plus some dialog.<br />
Overall Prequencv Response Measurements—Measurements<br />
of the overall frequency<br />
response of the .sound system, including<br />
the projector, cannot be perfectly<br />
made without multifrequency test film,<br />
plus knowledge, to a certain extent, on its<br />
use. In several previous articles, we have<br />
presented data on using test loops and test<br />
films. Generally, data is furnished on how<br />
to use test loops and make frequency response<br />
test when purchasing these items.<br />
Bigger Drive-In profits when you<br />
fog with TIKA, give patrons a<br />
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inscct-frrc ! Lowest-cost<br />
coverage of your premises with<br />
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insects . . . cannot stain windshields<br />
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wi.N GooDwii.L.Whcn not in use,<br />
lend your TIKA equipment for<br />
Public Health In.sect Control.<br />
(«MYIMGulOflWIIIF«S USIINCSE»lMH4t6J<br />
PRODUCTS DIVISION<br />
YOUR COMPETITORS!<br />
MOSQUITOES, FLIES, ALL INSECT PESTS<br />
KILLED ON<br />
CONTACT<br />
BY<br />
use too much solder as tl will cause » hmh<br />
resistance Joint—Just use enough solder to<br />
firmly weld the connection.<br />
When cluH-klnK over your rump spi-ukers.<br />
If ony .sp«'aker falls to function, first step<br />
ts to check the connections (If you are sure<br />
the speaker Is In good condition' to make<br />
sure they are right: then chixk the transformer,<br />
and see that no wires are "short-<br />
InK" out Trace throush the Junction box<br />
with a hiKh quality set of headphones for<br />
sound output. You can nLso check with<br />
jrour ohmmeter for shorts, but do not have<br />
system turned on when making this test.<br />
Use your wirlnK dtattram for checklnn correctness<br />
of connections, if you are In doubt.<br />
We have always found an ohmmeter excellent<br />
for taking readings across sound<br />
sjrstem for suspected siiorts. Then use a<br />
high quality pair of headphones for checking<br />
various ramps for sound quality.<br />
CLEANING AMPLIFIER<br />
PARTS<br />
Regardless of how wrll enclosed are the<br />
amplifier components, they will accumulate<br />
carbon soot and dust: we have found cases<br />
where accumulation of carbon particles and<br />
soot caused a short or noise. So It Is wise<br />
to take a stlff-bristle brush smd clean, carefully,<br />
the Interior of the amplifier and preamplifier<br />
at least once a month. This procedure<br />
may prevent trouble later. Gently<br />
push the connections, using a wooden prod.<br />
to see there arc no loose ones. ThLs should<br />
be done about everj' two or three months.<br />
Carefully clean the tul)e prongs and .sockets<br />
when replacing tubes; always keep a complete<br />
set of spare tubes in the supply cabinet<br />
In case of emergency.<br />
Hum—Hum Is often caused by poor<br />
ground connections. Insufficient filtering<br />
tn the power supply, defective tulx? or<br />
tul)es. defective transformer or filtering in<br />
the power supply for the exciter lamps.<br />
speech lines too close to an AC power line.<br />
or can be traced to a defective condenser<br />
In the amplifier circuit.<br />
ALTERNATING AMPLIFIERS<br />
Dual or EMEsctNCY Ajuplifiers—When<br />
two or more amplifiers normally operate<br />
tn parallel, or emergency amplifier equipment<br />
Is installed: In most installations, a<br />
selector .switch Is supplied to disconnect the<br />
output, external heater and plate circuits<br />
and warping circuit 'Simplex" of the Inoperative<br />
amplifier and connect similar<br />
circuits of the operative amplifier Only<br />
one warping circuit Is used at a time.<br />
Therefore, the warping circuit should be<br />
the same In both amplifiers. In .some rases<br />
two amplifiers are wired In parallel for<br />
more power output: In other sltuatloas,<br />
with plenty of power output, one amplifier<br />
In the lat-<br />
Is used for an emergency unit.<br />
ter case, one amplifier should be used one<br />
week and the other the following week in<br />
order to keep a check on its operating condition.<br />
Po^»-(* Svm.r ro* Exmc* Lamm Usino<br />
TuvcAR Brtas. It Is very Important that<br />
ytni check tungar bulbs at least onre a<br />
month to make sure that the bult>s are<br />
tight In their sockets and springs make<br />
food contact. Loose bulbs will cause heating<br />
of the springs and crystalllutiiun. followed<br />
by spring breakage. A bunu-d-out<br />
bulb khuuld tM> replaced at once a.s the other<br />
bulb will not carry the loud. Ballu.st Inmpn<br />
for voltage regulation should make tiood<br />
contact in their .sockets Very careful l>ending<br />
of the socket contacts and burni.shing of<br />
prongs and contacts with crocus cloth may<br />
be resorted to when necessary. All electrical<br />
connections must be tight<br />
Sound Sv.stcjis Troubles— If your sound<br />
output suddenly ko<br />
and. finally, check check plate, grid, voltages,<br />
etc. with a good voltmeter. Before<br />
you do check the lubes, etc . be sure to see<br />
first If tubr.s are 111 as a fuse may be blown,<br />
cutting off the iKiwer<br />
Try the "tulK- disturbance" test by removing<br />
and replacing one tube at a time<br />
to see if each stage U working. This could<br />
narrow your trouble down to the sound<br />
head, provided the amplifier Is working<br />
okay We strongly recommend a set of<br />
headphones, high resistance. 20,000 ohms,<br />
for a check of sound quality at the output<br />
of the system This will give you u clu-ck<br />
on hum. di.stortlon and quality of sound<br />
reprrKluctlon.<br />
Riimp wiring Is always a very Important<br />
Cootinutd on lolteminq peg*<br />
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work has gone into the building of the Bevelite 4" jewel-tone speoker. It has been<br />
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THE BEVELITE CORP.<br />
dnu^i^ by<br />
NATIONAL THEATRE SUPPLY<br />
BOXOFTICE Fet)ruary S. I96S 29
I<br />
I<br />
tions<br />
i need<br />
!<br />
with<br />
]<br />
amperage<br />
I<br />
I<br />
the<br />
New Automatic<br />
Trash Pick-up<br />
For Drive-Ins<br />
LlffER<br />
BUG<br />
Picks Up Everything But<br />
Gravel —<br />
I jllir I5uj; uses varuurn<br />
ulcinc, no brushes, lo gather all paper litter<br />
— trays, boxes, spoons, straws —<br />
plus<br />
I i 'nrflle liulLi, matches, even ticket stubs.<br />
^ et it dofs not remove gravel or stone.<br />
Pa\- for it«olf fir«l -pason in labor savings.<br />
Easy to Opero/e — (ialhers trash<br />
ill ,1 »dlkiri(! |iai c iici need to slop or<br />
sloop. Weighs less than 100 lbs., perfectly<br />
bni.incnl. .30' intake for wirlr |pirkii[).<br />
Long Life, Service -Free —<br />
Powered by 2I/2 HP Hriggs Si ration 4<br />
r\ile engine that operates al 2/3 rated<br />
KP.M. \o chains, bells, pulleys or sprockets<br />
lo lubricate or replace.<br />
SEE THE NEW IIHER BUG 40<br />
WITH GIANT 40-INCH PICK-UP<br />
at Booth 49,<br />
National Allied Drive-ln Convention<br />
For literature and price, write Depi A<br />
Mid East Sales Co.<br />
Box 62 Lockland. Ohio<br />
BEST IN<br />
SOUND AND PROJEGION<br />
Continued from preceding poge<br />
Item m any drlve-ln theatre Ijecause faulty<br />
wiring can cause plenty of trouble. Many<br />
shorts arc caused by Inferior underRround<br />
wire and poor connections at the speaker<br />
IH)st A short can completely cut off the<br />
.sound or. In .some instances, according to<br />
the particular .sound system, it will cause<br />
a loss of volume. The only remedy, of<br />
course. Is to quickly find the short or cut<br />
the ramp out of the system for the night<br />
until short is found. Most all sound systems<br />
have ramp switches for cutting out<br />
each ramp in case of trouble.<br />
CONDUIT FOR FEEDER WIRES<br />
Galvanized conduit should be used for<br />
main feeder wires into the projection room,<br />
and this should terminate in a watertight<br />
junction box. This will eliminate<br />
water getting into the main feeders and<br />
eliminate shorts. To simply buiy the wire<br />
in the ground and run it into the projection<br />
room, at the projection room wall, is<br />
very l)ad procedure. The wiring of downlights<br />
is to be given careful consideration<br />
so that AC hum is not picked up by feeder<br />
lines anywhere.<br />
We have endeavored to cover some of<br />
the important maintenance of lenses, projectors,<br />
sound heads and amplifiers: now<br />
let us talk briefly about screens and screen<br />
surfaces. At least every two years any<br />
under-the-sky screen should be refinished.<br />
Our advice is to first obtain .some sample<br />
paints, unless you have found one satisfactory,<br />
and paint a large piece of cardboard<br />
and at night compare it with your<br />
present screen surface. We suggest you<br />
secure several samples first before you decide.<br />
Any theatre supply house or screen<br />
manufacturer can supply a high quality<br />
paint for drive-ins and It Is our advice,<br />
in order to secure more light and better<br />
picture definition, to buy a paint that has<br />
been proven the best for outdoor use and<br />
will stand up under severe weather condifor<br />
at least two years or more. You<br />
a finish that will give a good overall<br />
light from the center to the extreme side.<br />
very little fadeaway. Naturally, good<br />
picture definition will depend upon the<br />
quality of lenses used: llkewi.se. the brilliant,<br />
white light will depend on sufficient<br />
and a modern projection lamp.<br />
We are very happy to note that picture<br />
sizes for drive-ins have finally settled down<br />
to standard widths and heights based on<br />
capacity of the theatre. We favor some<br />
of the following sizes: 36x60. 40x90. 45x105<br />
and 61x144 feet. Frankly, when you have<br />
a screen size around 120 feet, you will have<br />
a screen area .sufficient for most large<br />
drive-ins, and one that will give a satlsf;ictor>'<br />
side view In most situations.<br />
NEED POWERFUL LAMPS<br />
In our recent scrle.s of articles on modem<br />
high lnten.slty lumps, we covered the<br />
subject of projection arcs suitable for drlve-<br />
Ins. where It Is no Important to have adequate<br />
equipment, and Indoor theatres using<br />
wldescreens. If your lamps are not<br />
powerful enough for your situation, then<br />
we suggest you give very serious thought<br />
to making a change to one of the new modern<br />
high intensity arcs with rotating positive<br />
carbon and 18-lnch reflector, using<br />
the new BAIxold reflectors to keep down<br />
the heat at the aperture. You will find It<br />
pays to have sufficient light for black and<br />
white prints, and to bring out all the beauty<br />
In colored prmts. If your screen area Is<br />
large, then the wise thing to do Is to Install<br />
one of the late model lamps, and<br />
check your DC power supply equipment for<br />
sufficient capacity.<br />
Generator set or rectifiers should be<br />
cleaned, checked, all electrical cormections<br />
tightened before being put back into operation.<br />
If grease or oil lubricant is used<br />
In the generator bearings, this lubricant<br />
should generally be removed and a fresh<br />
supply put in. The commutator and brushes<br />
should be checked and new brushes<br />
should be installed if they are worn over<br />
half way down. Use a small hand bellows<br />
and blow the dust out of the generator or<br />
rectifiers, whichever type of E>C conversion<br />
unit is used.<br />
CARE OF WATER COOLED LAMPS<br />
If the arc lamps are water-cooled, then<br />
be sure to take apart the water line and<br />
pump and thoroughly clean, likewise the<br />
water jacket in the arc lamp. Thoroughly<br />
clefin the tank and keep a plate glass cover<br />
over it for protection against dust or dirt.<br />
If any connections or copper tubing need<br />
replacement, now is the time to do it, before<br />
you reopen.<br />
The projector motor should receive the<br />
same maintenance as the other equipment.<br />
Keep the motor clean and lubricated:<br />
check the coupling to the soundhead<br />
to see that the screws are tight,<br />
properly aUgned, etc. This advice also applies<br />
to the exhaust fan and motor rewind.<br />
If it Is necessary to make any wire<br />
splices, be sure to solder the connection<br />
after twisting the wires tightly together in<br />
a standard splice. Simply splicing two<br />
wires together and not using solder should<br />
not be considered a perfect or permanent<br />
splice. Wires should be very clean when<br />
twisted together. So. you will find it a<br />
good idea, when checking over your electrical<br />
equipment, to check the splices that<br />
may be suspected of not being perfect.<br />
VENTILATION OF BOOTH<br />
Proper ventilation of the projection room<br />
keeps down dust and makes a better place<br />
for the projectionist to work. We have always<br />
favored forced-air type of ventilation<br />
for drlve-ln and Indoor theatres. For the<br />
drive-ln projection room, a 16-lnch exhaust<br />
fan, mounted outside of the projection<br />
room, enclosed In a good weatherproof<br />
box. pulling air through filter, same as your<br />
air conditioning filters. Into the room, is<br />
an ideal .setup. Of cour.se, the lamphouses<br />
must be properly ventilated as per our<br />
recommendation presented in this department<br />
on arc lamp maintenance. This wlU<br />
deliver a fresh flow of air, provided the<br />
room has two or three outlets, near the<br />
30 Th» MODERN THEATRE SECTION
cFiUns. covered with fine mMb wire. The<br />
(an should be tivsUkUed near the cetlini:<br />
because ihi5 is where all the heui accumu-<br />
Utes. The (an can either blow in or putt<br />
out the air. We think the (ormer is best<br />
In concliLsion, we wiuu lo point up U»e<br />
importance o( beuiK on your tiuard at uU<br />
limes to strive to give the public the very<br />
best In sound reproduction and projection<br />
There is no reasonable excuse (or inferior<br />
screen presentation and poor quality sound<br />
with pre.sent-day fine arc lamps, carbons,<br />
projectors, lezues. and greatly improved<br />
sound systems.<br />
MODIFICATION OF EQUIPMENT<br />
Your situation may need only some<br />
mmor improvements, such as a new set or<br />
lamps or larver redector. new screen surface,<br />
better quality projection lens; or. 1(<br />
the sound is poor quality, some modidca-<br />
Uon of the system wUl bring It up to par.<br />
In some cases we have installed later-type<br />
sound heads and re\-amped the amplifier<br />
circuit: in other cases, a new pre-amplifler<br />
and power amplifier were the answer,<br />
or the sound head repaired. We improved<br />
the projection by having the mechanisms<br />
rebuilt and installing a better type of lens<br />
to fit the situation.<br />
A mismatch of speed of reflectors and<br />
lenses can cause a loss of light which can<br />
be avoided. May we ask you. what good is<br />
•n P 1 7 lens with an P 2 reflector, or a<br />
slow speed lens with a high speed reflector?<br />
You must match these components<br />
as nearly as possible, and then use an<br />
aligning tool to secure proper optical<br />
alignment. You will be surprised at the<br />
Increase in light. Improper carbons, wrong<br />
carbon combinations, wrong amperage and<br />
voltage will cause a loss of Ught as much<br />
as 30 to 25 per cent. With improper lamp<br />
and projector alignment light loss can exceed<br />
15 per cent.<br />
REDUCING FOCUS TROUBLE<br />
llan>' dnve-m theatres experience focus<br />
trouble because of high amperage, poor<br />
projection room ventilation. (>oor lampbouse<br />
ventilation. This trouble has been<br />
greatly reduced, m most cases, by keeping<br />
dovn the temperature via forced air ventilation<br />
and by adequate lamphouse<br />
ventilation. The newly developed curved<br />
ate and trap, plus the new BAL.-<br />
cold reflector have reduced focus trouble,<br />
and in many instances completely eliminated<br />
it. However, high quality projection<br />
lenses are a "must" for good picture<br />
definition—do not depend on simply<br />
rcducmg the heat to do the Job Leavrs<br />
loo. must l)e cleaned more often in drlvrin*.<br />
We. again, suggest the Installation of<br />
•pedal porthole glass or a porthole bljwer<br />
for the lens port to keep out the dust and<br />
help obtain better picture definition.<br />
Finally, for better projection, we strongly<br />
recommend the "rtght" type of screen<br />
finish and the surface should t>e refln-<br />
Uhed at least every two years. No matter<br />
how perfect your lens, lamp and reflector<br />
may be. the screen surface plays a very important<br />
part in obtaming the ultimate in<br />
screen presentation.<br />
BoxorncE February 3. 196a<br />
safe * durable * easy to install<br />
Unconditionally<br />
Warranted<br />
Build Good Will With o Ptoyground Moke It Available<br />
For Daytime Birfhdoy Parties and Similar Events<br />
SLIDES<br />
Gome time flidei ore oil tteel<br />
conttruction vith elegK tp«e
LAMP INCREASES LIGHT 51%<br />
''Blown" Arc System Used in<br />
New Projection Lamp<br />
Increases Brightness by Constricting the Arc<br />
W.HEN UKIVE-IN EXIIIBITURS ItttCnd<br />
National Allicd's Diivc-ln Show. February<br />
11-13. In Louisville. Ky.. ihey will see unveiled<br />
what is characterized by the Strong<br />
Electric Corp.. as "by fur the most powerful<br />
projection arc lamp ever developed."<br />
This new arc." according to Arthur J.<br />
Hatch, president of Strong, "delivers such<br />
a tremendous amount of light that what<br />
has heretofore been the finest projection<br />
of any gauge film by any process pales by<br />
comparison of brilliance when this new<br />
light source is installed. With a light output<br />
much greater than that of any lamp<br />
ever made, unbelievably better screen images<br />
are now possible, not only in the projection<br />
of 35mm film, but also Cinema-<br />
The "blown" ore ol the new Strong lomp, seen<br />
through the window on the iide of the lamphouse,<br />
produces a light source ol three-dimensional shape<br />
making possible a more ellective optical system.<br />
Scope, and even when projected on the<br />
largest screens in existence."<br />
The new projection lamp will be known<br />
as the Jetarc.<br />
An increase in projected light volume of<br />
51 per cent over any other lamp on the<br />
market, when using the commonly available<br />
fl.7/fl.8 lens. Is afforded with this<br />
new arc when u.sed in the projection ot<br />
any width film, by any of the various<br />
processes, and with any size aperture. This<br />
tremendous volume of light is not dependent<br />
on the u.se of a lens faster than fl.7.<br />
The lamp delivers 46.000 lumens wmn<br />
piojecling small aperture 35mm pictures<br />
'.825x.600i; 55.000 lumeiLs for Cinema-<br />
Scope 35mm (.912x.715', 56,000 lumen.s<br />
for MOM 65mm and Todd-AO 70mm. and<br />
65.000 lumens for Fox Cinemascope 55mm<br />
1 1.340x1.06).<br />
A 100 per cent distribution of light can<br />
be attained over the entire screen area.<br />
A minimum in-focus distribution of 80<br />
per cent is afforded when projecting<br />
through a 35mm aperture with fl.7 lens.<br />
TOTALLY DIFFERENT<br />
SYSTEM<br />
A totally different system of producing<br />
light by carbon arc than that of present<br />
commercial techniques was necessai-y to<br />
attain these new high standards of screen<br />
illumination. In the conventional manner<br />
of burning carbons, the light projected to<br />
the screen is picked up from the flat, disklike<br />
face of the arc souixe by a single mirror.<br />
The initial development of this new<br />
system, known as the "blown" arc. was<br />
made by Dr. Edgar Gretener A.G.. Zurich.<br />
Switzerland, and Strong has obtained an<br />
exclusive license to manufacture lamps using<br />
this advanced carbon-burning technique<br />
in the United States. The use of<br />
this system not only resulted in an inherent<br />
higher brightness, but also produced<br />
a light source of such three-dimensional<br />
shape that a much more effective<br />
optical system could be utilized. The higher<br />
brightness derives from the fact that brilliance<br />
of an arc increases as it is constricted.<br />
Constriction of the arc has been accomplished<br />
by air jets arranged in concentric<br />
circles around the positive carbon<br />
and directed toward its burning end. The<br />
air pressure at these jets is supplied by a<br />
blower which is an integral part of the<br />
lamp.<br />
Due to the resulting cylindrical-shaped<br />
light .source, the light pickup angle can<br />
be increased to more than 260°. Since the<br />
The photo at left shows the relative po<br />
sition ol the positive and negative car<br />
bans in the new "blown" arc projector<br />
lamp, as the rear door is opened slightly<br />
The arc is constricted to increase brightness<br />
by concentric circles ol air jets<br />
around the positive carbon, directed toward<br />
its burning end A blower, which is<br />
an integral part ol the lamp, supplies the<br />
air pressure ot the lets The light source<br />
produced makes possible a system ol<br />
auxiliary optics which alone increase the<br />
total lumens on the screen up to 15 per<br />
cent
13S to HO iimptTcs ur 10mm rruular paiiilvrs<br />
burned ut 110 to 135 umptTcs<br />
The miiin mirror, iin UUciiriil purt o( the<br />
n*r door, is of the cold kIiixi lyp*- niul l^<br />
31 IHcJics m dlumelcr—Ihc Inruesl rrflfcim<br />
evrr put into rcKulikr pniduction (or niouon<br />
picture projection. It ha.s a (ocul<br />
length of 6''4 Inches und u workiiiK distance<br />
of 43 inches. All (Um sizes. 35mm<br />
to 70mm. und itny new intermediate width,<br />
which mltiht com-eivably be introduced in<br />
the future, cun be projected without uny<br />
chanKe of reflectors.<br />
The spot size at the aperture Is chuiiKed<br />
from the smallest, as used with standard<br />
S&mm projection, to the larttest. as for<br />
TOnun or Fbx Cinemascope, by simply<br />
shifting the position of the main reflector<br />
by means of a convenient control. Since<br />
all focusing is accomplished by positioning<br />
of the mirror, the position of the burner<br />
need never be changed.<br />
COOL IN<br />
OPERATION<br />
The lamphoiLse and reflector are completely'<br />
air conditioned. Aperture heat generated<br />
by the projection beam Is no greater<br />
than when burning an 8mm copper coated<br />
trim at 70 amperes without a heat filter.<br />
All the direct products of combustion, soot<br />
and smoke ore withdrawn by a 100 CFM<br />
suction blower which completely chanKe.s<br />
the air in tlie lamphouse every six seconds.<br />
The lamp is exceptionally cool In operation<br />
due to Its size and the fact that direct<br />
radiation from the arc to the lamphouse is<br />
practically nil because of the arc being almost<br />
completely surrounded by reflectors.<br />
The auxiliary mirror, and positive and<br />
negative carbon heads are water cooled.<br />
A water flow and air flow switch controls<br />
an interlock to a contactor so as to<br />
prevent energizing of the arc except when<br />
these cooling agents are operating.<br />
In addition to the regular, manual negative<br />
feed, which can be used for stroking<br />
the arc. there Is a separate manual control<br />
which In one easy motion gives much<br />
quicker and more positive strokinR. At<br />
the same time, it automatically positions<br />
the arc for the proper gap length of onehalf<br />
inch.<br />
POWER ADJUSTMENT CONTROL<br />
Now for the first time, rectifiers can be<br />
located at any distance from the projection<br />
lamp and the power adjusted by chanKini;<br />
a control mounted on the instrument p.un'i<br />
of the lamp The new 220 volt. three-i)ii;i-i<br />
selenium rectifier, designed by Strons especially<br />
for operation with the blown urr<br />
has a saturable reactor-type tranaformet<br />
which makes this possible. Heal Kenerate|)c.ikcr% with drop<br />
outer cone arc the answer to famous Dub'IConc<br />
^uund at an aiiia/ingl\ low price. Plenty of other<br />
features, too —<br />
plug-in terminals permit simplified<br />
|K>st scrsicing — two strews to loosen, repair or<br />
replace without special tools — nti soldering, no<br />
glue, and in a matter of seconds. Diccasi aluminum<br />
case with reinforced speaker grill. Available<br />
with optional aluminum screen guard.<br />
NewEH<br />
Series<br />
Single Cone Speakers<br />
with new 1.47 oz.<br />
Fixed Magnet<br />
Here's economy overflowing with iju.ilitv at the<br />
lowest price eser for so much. Moused in die-cast<br />
aluminum case. Speaker grill is hcavih reinforced.<br />
Calibrated air chamber results in fiJclilv of range.<br />
Response exceeds that of man\ more expensive<br />
speakers. Plug-in connectors for simplifiea servicing<br />
— done in a matter of seconds.<br />
"F" Series Single Cone<br />
Same fine speaker with all the features of the "O"<br />
Series except that it has an .8 oz. magnet. This is<br />
the last word in economy and good sound.<br />
Get Complete Drive-ln Equipment from Ballantyne<br />
"A", "Q" and "E" Series Speakers<br />
All ha\e the new- pcrmanenth fixed magnet. "A" and "Q"<br />
Series are famous, full-sized Dub'l-(!ones — the last word<br />
in sound and durability. "K" Series is a single cone in a<br />
full-size case.<br />
Amplification<br />
for any Siie Theatre<br />
.NIX, RX and KX systems.<br />
Designed and engineered<br />
cxclusisely for drive-ins.<br />
Not an adaptation. Plenty<br />
of surplus power for ample<br />
solumc a lot longer.<br />
'^f^j//j/;/yy|^C<br />
1712 Jockson Si.<br />
euipauij.<br />
Omoho 7 , Nebratka<br />
Projectors<br />
Projector Bases<br />
Rectifiers<br />
Generators<br />
Arc Lamps<br />
Soundheads<br />
BoxorncE February 3. igM 33
of<br />
/<br />
Superior Design,<br />
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ORMANCE<br />
far<br />
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OUTDOOR TO'll'i<br />
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Save expensive digging and<br />
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tOTTOI Of nc Tv»t<br />
ILtV H I<br />
DRIVE-IN RAMP PLANNING<br />
Ramp 10:<br />
35.5<br />
12.6 peak grade<br />
23.0 .< 15<br />
= 0.7 12.5<br />
525<br />
Ramp 11:<br />
35.5<br />
-12.6<br />
22.9 A 15<br />
FIGURE IX<br />
and the<br />
the old*<br />
difference between the new and<br />
Continued Uom page 22 Ramp 11 = 13.2 1 12.6+0.6). 12 = 13.5 1 12.8+<br />
0.7i. 13 = 13.9 '13.1-0.8>. 14 = 14.4 13.5 +<br />
1<br />
0.7 ^11.8 valley<br />
grade<br />
12.6 - 0.6 = 12.0<br />
565<br />
Continuing, we find the valley grade for<br />
the remaining ramps to be:<br />
Ramp 12 = 12.2. 13 = 12.6, 14 = 13.0, 15 = 13.6.<br />
16 = 14.2, 17=14.9, 18 = 15.8. 19=16.6.<br />
20 = 17.5.<br />
Having established all of om- center line<br />
grades, we have the basis for grading the<br />
rest of the field simply by using the predetermined<br />
pitch from the center line of<br />
0.4'<br />
100 feet.<br />
There remains one other point to check,<br />
and that is to determine the clearance behind<br />
the refreshment building.<br />
The back wall of the building is midway<br />
between Ramps 12 and 13. The valley<br />
t;rade<br />
at this point has been established at<br />
12.2. A.ssume that the height of the building<br />
at the rear to be 7'-9", and the building<br />
is flat. p, 1 15 = 15^<br />
111, 17=16.4<br />
14.0- 1.0<br />
.<br />
16=15.7<br />
18=17.2 14.6+<br />
a6.1 +<br />
1.1',<br />
19=18J 116.9 + 1.21. 20=19J (17.8+<br />
0.9 1<br />
.<br />
1.31.<br />
Averaging these figures out shows that<br />
i<br />
a rise lor an error six inches in Flamp<br />
10 would mean an average addition of one<br />
foot of material over the entire area of<br />
the field from Ramp 10 on. In the small<br />
theatre we have shown here this would<br />
mean that approximately 9,000 extra yards<br />
of material would be required. Even using<br />
a low figure of 50 cents a yard for material<br />
in place, the additional cost to the<br />
theatre would be $4,500.<br />
I hope the foregoing will serve a useful<br />
purpose to owners and designers of theatres.<br />
I have personally found it to be a<br />
very practical and useful tool. After one<br />
becomes familiar with the procedure, I am<br />
sure that it will be found to be much faster<br />
and certainly much more accurate than<br />
any known method.<br />
It might be interesting to apply this to<br />
a theatre grading plan that you now have.<br />
I think the variation and the savings will<br />
surprise you.<br />
THERMOLATOR<br />
INKAR HEATERS<br />
Moke Your<br />
Cash Registers<br />
JiiMd U<br />
ith<br />
WINTER<br />
PROFITS!<br />
400 Of '-0 V. of<br />
Forccd-Aif Hiotcfi<br />
— Custom mode<br />
or Your Thcotr*<br />
—330, 308 or 115<br />
Volts.<br />
THERMOLATOR<br />
INKAR HEATERS<br />
AND WIRING CAN BE<br />
LEASED.<br />
Now You Too, Con Stay Open All<br />
Ycor For Bigger Profits!<br />
THERMOLATOR<br />
Write, Wirt or Coll<br />
CORPORATION<br />
1628 V.ctoi> Bl.d GUndole. Colif.<br />
f<br />
34 Th» MODERN THEATRE SECTION
J If<br />
AOOtO INCOME OPrOKTUNITIlS FOK PIOOESSIVE tXHIIITOftS MewM^<br />
SERVES 2,000 PATRONS IN IS MINUTES<br />
Speedy Service Is Credited<br />
To Wagon-Wheel Layout<br />
And 20 Efficient Employes<br />
By<br />
DOROTHY SHENSA MILLER<br />
9^0 ErricirNT is the wagon-wheel<br />
design of the concessions layout at the<br />
3.500-car Newark 'N. J.' Drive-In Theatre.<br />
3.000 persons can t)e served every 15 minutes'<br />
The one-stoo' refreshment building is<br />
located in the center of the field about 80<br />
feet behind the projection booth. It covers<br />
about 7.500 square feet of space and the<br />
Interior is layed out like a giant wheel.<br />
The hub. or center of the wheel, is the op)en<br />
kitchen and working area: with eight identical<br />
food hnes. like spokes, spreading out<br />
from the center section. The service Is<br />
cafeteria style, with a separate cashier<br />
serving each line. This arrangement Is<br />
efficient and speedy and is easily adapted<br />
to handle small or large crowds of people<br />
The number of lines In operation is determined<br />
by the "house." It takes all eight<br />
Checkout itationi at the end of the c/g/i( identical load linet in the busy Newark Diire tn concciitons<br />
itond are attended by competent cathien who 9i*e speedy and prompt seryict<br />
lines working, to handle the 2.000 patrons<br />
in<br />
15 minutes.<br />
In evaluating the success of a drlve-ln<br />
theatre, consideration of the food operation<br />
shares top billing with the movies.<br />
Continued on foilowing pog*<br />
S«nin9 oi mony si 5.000 Kt^ drmki on a tingle<br />
mighl, the Newark lovnd it drtlicult to keep drinkt<br />
•t the fghl temperature To tolte the problem a<br />
meooling ttoroge room 'Oi provided with a ipecmlhf<br />
conttructed 2iO gallon water tloroge tank<br />
It rt pretooled b*lore going to the miting ro/** oW<br />
ditp»»ung /owotoim<br />
Intuiated mobile laur\dry cortt are lilted by employtt<br />
with SO poundi at flaked ice Irom large ice<br />
mechirtei and then rolled into potition near the<br />
drink ditpenung machines in order to keep up<br />
with tl>« hfOTii demand lor iced beyerage\ Approti<br />
Htotelf a doien ol time tee coddiet ore no* •«<br />
Mrrict a1 tke Ifctvir*<br />
Corxetiiont attendants are assured o' a constant<br />
and readily replaced supply ol >ce with the mobile<br />
>cr caddy at each beverage station The irygertiout<br />
solutions to the problems presented by such a heorj<br />
petronoge ei iced dnnks are credited to Idword<br />
Kedstene, general manoger ol the cirrurti drrr^-ms,<br />
orsd k
SERVES 2.000 IN 15 MINUTES<br />
Continued from preceding page<br />
and allhouKh caU^rlng to a captive audience,<br />
merchandising, fast service, variety<br />
and quality food at competitive prices arc<br />
a must, tlie management of this tlu-alrc<br />
believes.<br />
The Newark is located on Route 1 at the<br />
entrance to the Pulaski Skyway leading to<br />
New York City, and is advertised as the<br />
world's largest single screen drive-In theatre.<br />
Physically, the Uieatre has the latest<br />
and most modern equipment. It is owned<br />
and operated by Redstone Drive-In Theatres<br />
of Boston. Mass.^-one of 19 such en-<br />
The Newark was built<br />
and equipped at a<br />
cost in excess of a miUlon dollars.<br />
terprises.<br />
Manuel Lima, district manager of the<br />
drive-ln says; "Tlie concessions Is a most<br />
important part of our business and we<br />
watch anything and everything that can<br />
possibly improve any phase of this operation."<br />
ONLY STILL WATER DRINKS<br />
No carbonated drinks are served at this<br />
concessions, but two flavors of a still drink<br />
—grape and orange—are dispensed, and it<br />
is not unusual to serve 5.000 iced drinks on<br />
a single night.<br />
When the concessions was first installed,<br />
it was found that drinks were served in<br />
such great numbers and so rapidly that<br />
the cooling system normally set up in conjunction<br />
with the mixing and dispensing<br />
valves was not adequate to keep the beverage<br />
at the correct temperature. This<br />
problem was unique, in that fountain men<br />
had never run into a situation of this kind<br />
and weren't prepared to come up with an<br />
answer.<br />
Edward Redstone together with the<br />
servicing people finally solved this trouble<br />
by Installing a 250-gallon water storage<br />
.<br />
'<br />
I<br />
roasted in buttered roll t V<br />
ICE IN ALL DRINKS<br />
ice caddy into place in a matter of seconds.<br />
Asked about customer reaction to still<br />
drinks. Lima said. "Occasionally we have<br />
someone ask for a carbonated drink, but<br />
have never had any real objection to our<br />
fruit beverages. Generally, most people react<br />
favorably to the taste and difference.<br />
Three sizes are available—a seven-ounce<br />
drink for ten cents, a 14-ounce for 20 cents<br />
and a 20-ounce for 30 cents.<br />
Every evening at each intermission<br />
there are two every night> a three or<br />
four-minute spiel, dehvered over the p.a.<br />
system, together with animated cartoons<br />
flashed on the screen, paint mouth waterinn<br />
pictures of food being .served at the<br />
conce.ssions. Patrons drool when they hear<br />
about golden brown Pi-ench fries and tusicihnll<br />
"Steamrollers" (selected turkey meat<br />
iPPWilMlliiF<br />
\<br />
> ^- ><br />
The refreshment service building ot the Newark is separate from the projection building, giving ample<br />
space tor serving capacity crowds in minimum time. The attractive patio is lor patrons preferring comforts<br />
of individual deck chairs Tables ore also provided for those wishing to eat while watching a movie<br />
tank in a separate walk-in cooler.
Our own branch office<br />
in your area gives you<br />
fast, dependable<br />
7*^ 'J<br />
?\ tit<br />
LOCAL SERVICE<br />
FOR A MORE<br />
PROFITABLE<br />
PIZZA BUSINESS<br />
•^-<br />
4<br />
-r.<br />
CRisp-i<br />
S--:<br />
lS><br />
— \^<br />
J'<br />
^ P/ZZA<br />
Pizza stand operators across the U.S.A. are switching to "ORIGINAL CRISPY" because of this new<br />
service set-up. They're sure of record sales . . . fast rehable service . . . more profits!<br />
And if you're not yet selling Pizza .<br />
. . we'll show you how you con<br />
add a Pizza Parlor at a FABULOUSLY LOW COST.<br />
Original Crispy Pizza will sell you all the necessary materials at low. low direct -from -factory prices<br />
... to set up your own Pizza Parlor . . . with record profits!<br />
H£f?f'S VJHfKl YOU GET!<br />
1 — Loco! Dependable Service wifh Company Branch Office<br />
2 — All Pizza Supplies 3 — Electric or Gas Ovens<br />
4 — Greater Profit Structure 5 — Direct Factory Outlet<br />
6 — Quality Controlled Merchandise k<br />
ORIGINAL CRISPY PIZZA will work out s good business<br />
deal for youl Send this money-making coupon<br />
today for tiie chance of a lifetime to receive your<br />
share of this tremendous market<br />
Origiruil Critpy Piua Cnut Ca, Inc.<br />
1J9J Blonddl Av«.<br />
New York 61, N. Y.<br />
Dear Sir:<br />
Namr<br />
A.Mrr.,<br />
Kirm<br />
City<br />
DR-2<br />
Plc«»c »cnd mr full informal ion oo this trrmmdou»<br />
Oncinal Cnipy "PIZZA BUSI NESS" Deal.<br />
Sutc.<br />
ORIGIISAl CRISPY P\UA CRUSI CO.. INC.. 1333 Blondtil A>c .N.T C<br />
f<br />
BOXOmCE Frbruary 3. 1968<br />
37
SERVES 2.000 IN 15 MINUTES<br />
Continued from page 36<br />
patron ni'od fear mLssinK any of ihp feature.<br />
Intermissions arc timed from Ifi<br />
to 30 minutes, depending on the numbers<br />
of p>eople to be .served.<br />
VARIETY IN<br />
MENU<br />
The menu list at the Newark includes<br />
hot dogs, hamburgers, pizza. French fries,<br />
shrimp roll, meat ball sandwich, ice cream,<br />
jrape and orantje soft drinks, coffee. Dutcli<br />
Treete chocolate, hot chocolate and assorted<br />
candy. The meatball sandwich was<br />
added in 1957 and has become a vei-y popular<br />
item.<br />
Hamburgers and hot dogs are still the<br />
most popular In the sandwich line. Both<br />
are prefabbed and kept in thermostatically<br />
heated, glass-covered serving counters for<br />
help-yourseU service. The hamburgers are<br />
treated a little differently in preparation<br />
than the average burger. After grilling<br />
they are kept hot in a barbecue sauce before<br />
being placed into the individually<br />
packed thermos bags.<br />
We have found that in addition to the<br />
delicious flavor, this method keeps the<br />
burger hot longer and makes the meat<br />
more succulent. ' Lima said.<br />
Each line is identically equipped with<br />
fountain and thermostatic serving coun-<br />
Tbe spacious Newark Dnve-in, located on 20 acres of ground, is one of the world's largest single screen<br />
drive-ins. It has a 2,500-car capacity, and is open the year-around, enjoying excellent winter patronage.<br />
ters. Two kinds of heat are used in these<br />
counters; dry. for the French fries, popcorn,<br />
shrimp, etc.; and wet, for the hot<br />
dogs, hamburgers, turkey rolls, etc.<br />
Pizza, another big seller, is made fresh in<br />
plain view of all customers. A five-drawer<br />
oven keeps the ei^lit .serving lines well supplied.<br />
The medium-sized, freshly baked<br />
pizza pie is GO cents.<br />
USE MOBILE INCINERATORS<br />
All food is served in disposable paper<br />
containers, and specially designed, cardboard<br />
setup trays are supplied free to all<br />
customers. Refuse is picked up during the<br />
day by employes with mobile incinerators<br />
that immediately burn up trash strewn<br />
over the area the night before.<br />
This tremendous enterprise, equivalent<br />
to six miles of highway, is open seven<br />
nights a week, 365 days of the year, and is<br />
completely set up to do a volume business<br />
in a matter of minutes.<br />
The theatre is managed by William Westreich.<br />
and enjoys excellent patronage in<br />
the winter months.<br />
FAMOUS<br />
MAKER..<br />
MOVER..:<br />
Here's a top profit combination for you, , . . the famous<br />
Heide trade-mark plus the taste appeal of all-ways popular<br />
Jujyfruits, Now backed by increased television advertising<br />
and continuing national magazine ads, Jujyfruits<br />
belong on the counter of every outlet you service. Push<br />
them for all they're worth . . . they're worth plenty to you!<br />
HENRY HEIDE,<br />
INCORPORATED<br />
New York 13, New York<br />
As nationallv attit-rtisrd in<br />
Look<br />
WIF.HICWCIHI<br />
Boys Life<br />
38 The MODERN THEATRE SECnON
^<br />
NEHI<br />
syrups<br />
in your<br />
fountain<br />
. . , and watch sales grow!<br />
Fountain owners who sell Nehi .syruiw nRrec thnt<br />
they're tops in |iopularity . . . tojw in sales. And<br />
they'll Rindly tell you why they think Ni-hi w their<br />
btwt "buy." Here's why they rvcomnu;nd the Nehi<br />
line!<br />
Royal Crown Cola and popular Nehi flavors<br />
from one source Vuu ..in > ut liuwii |>,nicr work,<br />
be nasurcd of li-w trouble and .nave time when you<br />
order from one bottler who can supply you with<br />
everything.<br />
To«wM/d.,a/.o«Kow<br />
Nuhi can Mp yov, fee your<br />
local N,hi bonier Of writ*:<br />
A thoroughly tested end approved line of dispensers—<br />
Nehi duMiierL-tera are not only modem but<br />
thorouRhly dejiendablc. Should you ever nocd 8er\'-<br />
icc— you Ret it fasil What's more, you deal with<br />
only one supplier.<br />
Convenient, focal, all-around service Your<br />
liKMil Nfhi Uutlcr Ui a nciRhlxir of yours. Me can be<br />
counted on to deliver what you need when you need<br />
it. to kr>«'p your equipment in the l)c»t of condition<br />
at all tiliiOR.<br />
NEHI CORPORATION<br />
COLUMBUS. GEORGIA<br />
n<br />
BOXOmCE Pctouary 3. 1S68<br />
II
"<br />
A GAY WAGON WHEELS IN<br />
THE CANDY PROFITS<br />
To Catch the Full Flow of Kids<br />
At the Intermission Break, This<br />
Supplementary Stand Does the<br />
Job<br />
A candy waRon that took In $100 a day<br />
in nickel, dime and quarter candy sales<br />
many times during the engagement of Walt<br />
Disney's "Perri" at the Aladdin Theatre.<br />
Denver, was the creation of VirRil M.<br />
"Andy" Anderson. Anderson Sales Co.:<br />
Ralph Bat.schelet. concessions manager for<br />
the FV)X Theatres, and Fred Hufsmith.<br />
manager of the Aladdin.<br />
The trio saw the need for a way to provide<br />
for young candy customers early in<br />
the picture's run. when the 20-foot concessions<br />
counter was so crowded at intermission<br />
by customers demanding popcorn<br />
and other items that children wanting<br />
only candy bars could not get<br />
service. The idea of an attractively styled<br />
candy wagon appealed to Anderson, Batschelet<br />
and Huf.smith as the most practical<br />
answer, since the wagon could be wheeled<br />
quietly anywhere in the theatre to escape<br />
the concessions counter jam.<br />
The candy wagon was built at a cost<br />
$125 and stocked mainly with Reese Peanut<br />
Butter Cups, Starks' Candy Wafer RoII.s<br />
and Candy Cigarets and Clark Bars from<br />
Anderson's company. The wagon also<br />
stocked a popular toy Perri squirrel.<br />
The candy wagon grossed several hun-<br />
Thf \malltr childrtn among "Perri" loiM espetially<br />
opp*c
The Story of Chocolate<br />
Is Retold in Film<br />
Aimed at<br />
Children<br />
Tlif Clunolatf Tree, " ii 16mm film to<br />
stimulate Interest In chocolate pnxlwcts<br />
available at most theatre concessions, l. i<br />
be*n released by the Nestle Co.. Inc. Iti .i<br />
charming story (or school and television<br />
showing, the picture tells of the ambition<br />
of a kindly. middle-aRcd candy shop proprietor<br />
to Krow a chocolate tree on whli-h<br />
he could display Rlltterlnc confections in<br />
his quaint little shop. As the proprietor<br />
rtlates his boyhood aspirations to a fascinated<br />
boy customer, the story Hashes baclt<br />
to the days when Hernando Cortez discovered<br />
cocoa beans In South America and<br />
took them back to Spain.<br />
A cast of professional actors develops<br />
the story of chocolate's rise to current<br />
popularity with scenes in a chocolate hou.sc<br />
In Restoration England, scenes on Bralillan<br />
cocoa plantations and scenes at<br />
Nestle's plant In Fulton, N. Y., where the<br />
company's many cocoas, bars and other<br />
products are made. The picture closes at<br />
the candy store, where the chocolate tree<br />
of the proprietor's youthful dreams becomes<br />
a reality.<br />
Ptor school use, the film can become the<br />
iMsis for themes and class discussions in<br />
A icene horn "Tht Chotololc Tie*," o> the propriXor ipins hit lolt<br />
Modern Talk-<br />
history, geography and agriculture as related<br />
to cocoa bean culture.<br />
inK Picture Service Is making arrangcments<br />
for use of the film In schools and<br />
on television.<br />
The film was produced by the United<br />
States Productions, Michael Ncbbia directing<br />
and photographing the South<br />
American sequences. Rene Bras directed<br />
the scenes shot at the Pulton Chocolate<br />
Works and Prank Telford the studio<br />
scenes.<br />
WITH THE<br />
Give ice crcjm quahty . . . make 7c on<br />
I Or «jlc5. (..i\h in on ihe demand for<br />
dehciou5 sufi-terved cuncs, shakes.<br />
Ser»c a lOt tone in 2 seci>nd5 . . .<br />
your food COM le\t than \c. Serve a<br />
25f shake in S seconds . . . yaxir fi>od<br />
cos( t>nl> ftc. Win new fans, make big<br />
profics with a ci>mpaci -Sweden freezer.<br />
Easily run hy untrained help.<br />
wmmimHnunnm-m<br />
miKn fttsf MdHn otMc<br />
•«rt«i(IMIi>i«n H'turtKI<br />
kt mi -trot ' laiinsi. Camctwmmnt<br />
«• U>, ' «i«i irM it'<br />
(v ^" •><br />
1R,at
p<br />
jr\ ORANGE n<br />
CSD1]Q8UQ<br />
^'\y^'<br />
-^—<br />
r<br />
JO 1^!<br />
\l<br />
MODEL 2300 King' DISPENSER AND SYRUP<br />
Regular Price of Dispenser ^379.00<br />
Regular Value of 24 Gallons of Syrup 56.40<br />
Total Value M35.40<br />
SPECIAL OFFER PRICE . . . ^299.00<br />
YOU SAVE . . '136.40<br />
The 24 gallons of Orange-CRUSH Syrup<br />
at 10
'<br />
null ITS<br />
Iriiiii<br />
?oM>m<br />
By<br />
q;'<br />
PHYLLIS HAEGER-<br />
Thrcf or four tlmrs a year, the Alr-Vuc<br />
Tlu-ttirf In Ooldsboro. North Carolina,<br />
plays tiie "Popcorn Oamt." Durlns a recent<br />
evrnlnK. the gamr resulted In the sale<br />
of more than 1.200 boxes of popcorn!<br />
J. S. Howard Jr. of that theatre says that<br />
they pluK the "Popcorn Game" on the<br />
screen for a week ahead. announclnR that<br />
(350 In caali and prizes will be Riven away<br />
In<br />
1.000 boxes of popcorn.<br />
Here's what goes into the boxes:<br />
• Each box has a small envelope with a<br />
penny enclosed:<br />
• In addition to the penny, some boxes<br />
include<br />
free passes:<br />
• About 10 or 15 additional boxes also<br />
Include SI<br />
bills:<br />
• Between 40 and 50 cards worth $1 each<br />
at the snack bar are placed In other<br />
boxes:<br />
• Several dimes and quarters are Included<br />
here and there, plu.s u sllvrr itollar<br />
which la marked and i.s worth S& u, the<br />
patron who seta It;<br />
• s
fered a set of photos of the local hockey<br />
team to the child who had the most plastic<br />
hockey players collected by Decemt>er<br />
21.<br />
The hockey player promotion was advertised<br />
by one-sheets and display easeLs in<br />
the lobbies or foyers of the theatres and<br />
display material on the concessions backbars.<br />
In many ca.ses. mounted photos of<br />
the local hockey teams were used as pan<br />
of the displays.<br />
Further, many of the theatres invited<br />
the local hockey teams to be present at<br />
matinees to visit with the children and tn<br />
autograph photos, a surefire attraction<br />
which also won considerable newspaper<br />
publicity. 'Two of the individual promotions<br />
will be explained at the close of this<br />
general story.*<br />
Not only did the boys and girls go alter<br />
the plastic hockey players, but the adults<br />
requested them for their children.<br />
Bockbar of the concessions in the Orpheum Theatre, Soult Ste. Marie, was largely given over to the popcorn<br />
promotion, featuring the free plastic hockey players with each purchase of popcorn At the right<br />
IS an easel bearing autographed pictures of the members of the Detroit Red Wings hockey team The Red<br />
Wings hate a form team in Soult S(e Marie, and Mrs Olgo Frenette of the theatre mode her tieup<br />
with the public relations director of the team, whom she knows personally.<br />
GIMMICKS SELL POPCORN!<br />
Gift of Tiny, Plastic Hockey Players With Purchase<br />
Increases Gross Sales In<br />
V IMMICKS WILL definitely increase<br />
the sales of pwpcorn. This has been demonstrated<br />
many times. Just recently. Theatre<br />
Confections. Ltd.. of Canada has<br />
pro%'ed it aRain nith a unique promotion<br />
designed to appeal to hockey-loving Canadians:<br />
but which may just as easily be<br />
converted to appeal to lovers of American<br />
sports, such as baseball, football and<br />
basketball.<br />
TJie gimmick is the pre.sentation of a<br />
miniature plastic hockey player with each<br />
ten-cent box of popcorn, three with each<br />
25 -cent box. Briefly, to be described in<br />
more detail, children .save players to complete<br />
teams which they present for special<br />
prizes.<br />
Famous Players Theatres<br />
a prize. Naturally, the more elaborately<br />
they set them up. such as placing them on<br />
an ice iglfissi surface, on a score board,<br />
or such, the better chance they stand to<br />
win.<br />
There are no set prizes, as the managers<br />
in most situations have promoted them<br />
from the local merchants. They consist of<br />
a variety of items, such as hockey sticks,<br />
pucks, skates. 8x10 glossy prints of the<br />
players of the local hockey team, and in<br />
a number of situations, tickets to the<br />
hockey games.<br />
As a grand prize, some of the theatres of-<br />
MUCH TRADING INTEREST<br />
There was a great deal of trading interest<br />
among the children with regards to<br />
the different players and colors, so that<br />
they could complete their teams.<br />
"We had one situation," says Jack F^tzgibbons<br />
jr.. "where a sharp httle youngster<br />
went Into business by having his parents<br />
and friends turn over the hockey players to<br />
him. which he in turn sold for five cents<br />
each!"<br />
To give an idea of how popular the stimt<br />
has been. Theatre Confections ordered<br />
200.000 players for the promotion, and by<br />
mid-December was out of stock in the<br />
warehouse. Exact count on hand in theatres<br />
was not known, but It appeared all<br />
200.000 would be gone sometime in January.<br />
The players are wrapped in cellophane<br />
and cost 1.7 cents each, but the increase in<br />
popcorn sales was substantial enough to<br />
offset the cost.<br />
The plastic players could be put in the<br />
popcorn boxes, but it was found much<br />
more effective to make a presentation of<br />
them with the purcha.se.<br />
At the Capitol Theatre. Welland. Ontario,<br />
Manager Les Mitchell arranged witli<br />
Continued on page 46<br />
INCREASED GROSS<br />
SALES<br />
The promotion went into effect<br />
the latter<br />
part of October and before the end of<br />
the year produced an increase In gro.s.s<br />
.sales of from .05 cents to 1.6 cents return<br />
per person. The plastic hockey player promotion<br />
Is In 80 theatres in Ontario, houses<br />
wlicre llicri- api>eared to be a falloff In<br />
gross confections sales becau.sc of a decrease<br />
In attendance. It Is not planned for<br />
all Famous Players house.
How tliey serve<br />
5000 ICED BEVERAGES<br />
per night<br />
iC©TSIf^^[M ICE MACHINES run 12 hours a day,<br />
all year long! produce 'Perfect ' ice !<br />
Newark Drive-In, Newark, N. J.—The daytime scene<br />
above is quiet, but by show time there'll be as many as<br />
2,400 cars! Food Concession business is fast and demanding,<br />
and the Newark will serve up to 5.000 iced beverages<br />
per night! With this volume, according to manager Manuel<br />
Lima, the ice machines are vitally important major appliances<br />
. . . and they're Scotsman!<br />
Two dependable Scotsman Super Flakers produce<br />
crushed ice of perfect size and consistency for rapid beverage<br />
service. A storage bin is used, and they fill portable<br />
carts direct from the bin.<br />
A cart stands at each beverage<br />
station, supplying Scotsman ice for the beverage containers.<br />
When empty, the cart is wheeled away and replaced<br />
by a filled one.<br />
The manager states that his Scotsman Ice Machines are<br />
operated 12 hours a day, 365 days a year! That's the kind<br />
of dependability you can count on when your ice supply<br />
goes Scotsman!<br />
Select from a broad line of 8 cube making machines and<br />
24 crushed ice models. Scotsman has a type and capacity<br />
for everv ice need!<br />
hard b
GIMMICKS SELL POPCORN<br />
Continued ito:n ^jjgr i-l<br />
the local hocki-y team to have Its star<br />
players appear lii the theatre lobby on a<br />
Saturday. On Friday, the new.spaper pub-<br />
four members of the<br />
bantam team in<br />
Brontford,<br />
Ontario,<br />
attended the mati<br />
nee or the Capitol<br />
Theatre there, and<br />
plugged the give<br />
away to each child<br />
as he entered. The<br />
newspaper published<br />
a photo of the boys<br />
token at the theatre<br />
and gave it a tour<br />
column spread which<br />
'^^<br />
riha\ ^«u»'<br />
^ LOArif OF fl \<br />
(<br />
got the promotion off<br />
to o flying start. r^^4..<br />
Thii lobby diiplay in the Capitol Theatre, St.<br />
Thotnoi, features the eoiel sign announcing the free<br />
miniature players with popcorn purchases, and<br />
shows fwo teams of miniature players in action on<br />
o field of ice (glass). Manager is J. Ellwood.<br />
lished the stars' pictures with a story on<br />
the spiorts paye telling the kids to clip the<br />
pictures and take them to the Capitol on<br />
Saturday to have them autographed.<br />
During the autographing, the players<br />
gave out occasional plastic players, and<br />
the theatre concessions gave them out with<br />
popcorn. One of the players even handed<br />
out the popcorn for awhile.<br />
A sign in the boxoffice had announced<br />
this event to the kids, and there was another<br />
sign at the concessions stand advising<br />
of the hockey players being free with<br />
the popcorn, and letting it be known that<br />
for the first five kids to bring in a complete<br />
team of hockey players there would<br />
be a pair of tickets to see a home game of<br />
the Welland team. The.se tickets Mitchell<br />
promoted from the team management.<br />
With the excellent newspaper break, the<br />
Capitol enjoyed a big attendance and gooa<br />
popcorn sales.<br />
In Brantford, Ontario. Bill Burke, manager<br />
of the Capitol, had four members of<br />
a local bantam team attend his last Elmer<br />
show. They stood in the lobby and plugged<br />
the giveaway to each child as he entered.<br />
The children couldn't miss them in their<br />
uniforms, and the boys did a good job.<br />
They also appeared on the stage with Burke<br />
to give away Elmer prizes, and Burke<br />
plugged the plastic players from the stage<br />
also.<br />
According to Burke, the newspaper took<br />
a photo of the boys with the plastic figurines<br />
and ran a "terrific four-column spread,<br />
even mentioning the spon.sor of the team<br />
and popcorn. Kids are very interested and<br />
I feel that I got the Brantford promotion<br />
away to a flying start."<br />
DRINK<br />
leader in its field!<br />
ADCO<br />
Just as certain makes of cars arc first choices of successful<br />
people, so also the Aoco Drink Dispenser is an overwhelming<br />
favorite with successful individuals in the food and beverage<br />
Q (?<br />
field.<br />
Possibly the preference of men of discrimination for Adco<br />
Dispensers may be traced to the fact that such men arc thinking<br />
first<br />
and foremost of maximum sales. And they know that<br />
Aixro. in addition lo its mechanical perfection, is always selling.<br />
lis handsome appearance and animated beverage display, consistently<br />
compels your customers to stop . . . look . . . and buy.<br />
Would you like this silent salesman to go lo work for you?<br />
Would you like to know more about his qualifications?<br />
Write for full information<br />
A. DALKIN COMPANY • 3232 N. Kilpatrick Ave. • Chicago 41, Illinois<br />
a division of AMERICAN MACHINE & FOUNDRY COMPANY<br />
ADCO<br />
46 Th» MODERN THEATRE SECTION
:<br />
,' Mia<br />
^<br />
^<br />
P<br />
ITD<br />
TORONTO<br />
AN EXHIBITORS WIFE URGES<br />
CHECK, TASTE AND TEST<br />
And Do It<br />
Yourself, Says Mrs. John W. Gardner,<br />
If You Want An Efficient Concessions Operation<br />
WoNSTAKT CHECKING is Dccessary to<br />
retain and build patronaRe at a drlve-ln<br />
theatre, according to Mrs. John W. Gardner,<br />
associated with her husband in the<br />
operation of the Turnpike Drive-In at<br />
Wcstmcre. near Albany. N. Y. While her<br />
normal post Is at the cashiers window.<br />
Serve beverages in<br />
the grand manner<br />
Mi-s. Gardner ranges over other areas. Including<br />
the concessions stand. Her husband,<br />
son of a pioneer Albany exhibitor, a<br />
skilled projectionist ihe learned booth work<br />
as a boy), a former indoor theatre owner,<br />
and builder of the first automobller in the<br />
State of Vermont, does likewise.<br />
iVi<br />
AND DO IT AT A FRACTION<br />
OF YOUR PRESENT COSTS<br />
III the nation's tamous eating pLiccs and<br />
cocktail lounges ... in luxury liners on the<br />
high seas ... at major league ballparks,<br />
drive-in restaurants and theatres, neighborhood<br />
taverns and corner drugstores, in hospitals,<br />
clubs, other institutions large and<br />
small<br />
are dispensed<br />
. . wherever<br />
. . there<br />
soft drinks<br />
you will<br />
or mixers<br />
tind SODA-<br />
.<br />
.<br />
MASTER, product of the world's largest manufacturer of multi-tiavor beverage<br />
dispensing equipment. There is no more modern, refreshing, sanitary method.<br />
SODAMASTER S leading popularity results both from this preferred manner<br />
of serving AND the fact that no other mcthcKl is so economical. Costs of club<br />
soda and flavors arc cut to a fraction. Protits multiply.<br />
CHECK THESE SPECIFIC ADVANTAGES<br />
• Ihe id«n)icol beveroget oblointd (torn bolllfl - with tarbonalion oquol or<br />
higher.<br />
• At much at 65'. tovingt on bollled flovort. 96°. tovingt on club todo<br />
• Choice of modelt 10 terve 2, 3 or 4 high cotbonoled novori plut jel and normol<br />
toda ilfeam, or con be intlolled lo terve tlill dnnkt at well ot corbonoted,<br />
including ploin driniiing water.<br />
• Vatiely of flavott. intlantaneoutly, al the finger lipt<br />
• Unmolched tervice tpeed. avoiding dittalitfaclion ond 'walliouH" of ruth<br />
periodt<br />
• Eliminolion of cotliy. troubletome, lime-contuming bollle handling<br />
• Uniform coldnett ond perfect proporlioni of bevtroget, aulomatically<br />
SEir-CONTAINID SOD*MA$IIR MODtlS INClUDt REfRICERATING SYSItM.<br />
CABBONAIOR Sr«UP TANKS AUTOMATIC CONTROLS, EVERYTHING IN A<br />
SINOll CABINET SODAMASTER REMOTE MODELS MAY BE INSTAltED IN SEPA.<br />
RATE ROOM OR BASEMENT WITH ONIY THE FAUCETS IN THE SERVICE AREA<br />
MAIL THIS COUf>ON TODAY<br />
Ri«Ot* t«nd m« full fotit on tit* ^odomotlr'<br />
Mon.lor 'oucel 100 gollon perhou.<br />
Supercharger cort>onofort<br />
firm<br />
Addrett<br />
^_^^_^_^_^^^^-^._^^^—<br />
,.^^^^.^^^^^^.—<br />
"Do It yourself: don't depend on others<br />
to check,<br />
"<br />
IS Mrs. Gardners motto. She<br />
makes it a point, for instance, to visit the<br />
Turnpike's cafeteria-type concessions setup<br />
nluhtly, al the close of boxofflce business;<br />
tests a vai-lety of food items sold.<br />
Recently. Mrs. Gardner found that the<br />
coffee tasted weak one evenlnu and notified<br />
her husband, a crack mechanic. He checked<br />
the coffee machine, discovered it was not<br />
functioning properly and corrected the<br />
trouble promptly. Mrs. Gardner tastes and<br />
samples everything, at one time or another.<br />
Incidentally, she reports that Mrs. H. E.<br />
Lewis, stand director for Trl-State Automatic<br />
Candy Corp.. "keeps everything spotless."<br />
Mrs. Lewis has been at the pinesbackgrounded<br />
Turnpike for three years.<br />
Gardner likewise tastes foods and drinks;<br />
checks all mechanical aspects of the automobller.<br />
too. The important thing is to<br />
detect flaws, even minor ones, before patrons<br />
complain, if this be at all possible,<br />
Mrs. Gardner believes. "Otherwise, you may<br />
lose their business," she explains— because<br />
they may register no complaint. Children<br />
are not averse to •speaking up," the<br />
woman exhibitor reports.<br />
Mrs. Gardner listens closely to all comments—at<br />
the ticket booth and at the concessions<br />
stand. "I do not identify myself to<br />
the customers, as the owner's wife." she<br />
stated. "I think it important that the management<br />
have 'an ear to the ground' at all<br />
times." Mrs. Gardner added. "You learn<br />
things of advantage to the drlve-ln, if you<br />
listen. Of course, there are a few people<br />
who seem to be chronic complainers. You<br />
can hardly hope to satisfy them."<br />
Mrs. Gardner observed that her husband<br />
"listens, all the time." too.<br />
"Holding over" prepared hot dogs is unwise.<br />
It Is never done at the Turnpike.<br />
Mrs. Gardner emphasized. The customercount,<br />
given to the stand manager before<br />
"break time" is usually a very accurate Indicator<br />
of the business to be done, she observed.<br />
"If we have a few 'dogs' left over." Mrs.<br />
Gardner said, "we throw them away. We<br />
do not keep them. Serving holdover food<br />
is the way to get in trouble with pa-<br />
Continued on page SO<br />
RAISED<br />
check averages<br />
'increased gross profits...'^<br />
with JAMES RIVER<br />
SMITHFIELD<br />
Pork • Beef<br />
• Turkey<br />
FLAVOR simmered<br />
in Genuine<br />
SMITHFIELD<br />
HAM STOCK<br />
BARBEQUES<br />
JAMES^<br />
RIVER<br />
W.ti Cooti Rlor.1 1405i J Moiquordl A.. . O Boi M3 Ner»elfc. Colil<br />
IN CANADA OCNtRAl EQUIPMENT CORP ONT<br />
. ,<br />
48<br />
Th« MODERN THEATRE SECTION
For new efficiency ..<br />
new speedy service., .new profits...<br />
MODERNIZE<br />
with TOASTMASTER GRISWOLD<br />
famous custom-design<br />
counter line<br />
»«^..J^<br />
"ADD-ON" versatility<br />
with "PERFECT-PROFILE" styling!<br />
They match perfectly<br />
Add appliances as you need them!<br />
need only 17 "<br />
of counter depth!<br />
FRY KETTLE: Big capacity combined<br />
(A)<br />
with economy — browns 111 lbs. of french<br />
fries (raw weight) per hour with only 13 lbs.<br />
of fat. "All-Over" heating. Exclusive 30-<br />
minute bell timer.<br />
(B) and (D) GRIDDLES: No cold or hot<br />
spots — enclosed tubular heating elements are<br />
arranged to provide even heat over the entire<br />
grid. 30' griddle makes up to 440 hamburgers<br />
an hour: is really 2 griddles in one, with a<br />
thermostat for each half. 18' griddle makes<br />
up to 240 hamburgers an hour.<br />
FOOD WARMER: Can be used wet or<br />
(C)<br />
dry. Maximum versatility; portable; no<br />
water, steam or drain connections. Adaptable<br />
to any combination of restaurant pans.<br />
One-piece cast-aluminum heat well seal.s<br />
spillage and water away from heating units.<br />
(E) HOT PLATES: Singl(^unit model ha.s<br />
an 8' heating clrmi'nt controlled by the revolutionary<br />
Robort.shaw "Thermal Eye" to<br />
bring food to cooking temperature - and hold<br />
it there. Two-unit model has two G' heating<br />
elements controlled by an infinite heat .switch.<br />
Keeps cooked foods oven-fresh for hours!<br />
the TOASTMASTER HOT-FOOD SERVER<br />
Kver>' minute counts when the crowd descends on you at<br />
intermission! Don't risk losing profitable food sales durinK<br />
those peak load periods. With a Toastmaster Hot-F'ood<br />
Server, you can cook ahead and serve deliciously hot sandwiches<br />
and meals hours later. The Hot-Food Server empio>-s<br />
a scientific system of six-sided warm air circulation and<br />
adjustable humidity controls for each drawer. These features<br />
— plus an exacting Rohertshaw thermostat — keep hot foods<br />
oven-fresh without loss of taste, texture, or eye ap(>eal!<br />
Plugs into any standard llS-volt system.<br />
Mod«l 306<br />
Ih0 complmtm lln» of mimctric cooking aqulpmentt<br />
TOfl$TMfl$TER-GRI$WOLD EDJSON
CHECK. TASTE. TEST<br />
Conl'iurrf horn poqt iS<br />
trons." Careful and constant checking<br />
makfs drivc-ln operation easier and<br />
smoother. Mrs Gardner says. Trl-SUites<br />
opeiullun IS excellent, in her opinion.<br />
Keeping labs on electrical equipment Is<br />
another safeguarding step. Mrs. Gardner<br />
pointed out. This goes for the concessions<br />
as well as for other phases of operation.<br />
Incidentally. Mr. and Mrs. Gardner<br />
closely observe management and techniques<br />
everywhere we go—not just around<br />
here." They often go to Florida, via automobile.<br />
In the winter.<br />
Only<br />
HOLLYWOOD offers<br />
Such A Complete,<br />
Balanced Line<br />
of<br />
Choice Candy Bars<br />
in the 10c class<br />
Holding that the "personal Interest"<br />
taken in ii family operation 'miikes a difference."<br />
the quiet-spoken, keen and attractive<br />
Mrs. Gardner mentioned. wiUi<br />
pride, "the increase In the number of<br />
drlve-ln patrons" and of the population<br />
categories from which they are drawn.<br />
She remarked: "You now .see many<br />
people 50 to 75 years of age in drlve-lns.<br />
You usually do not observe anything like<br />
the number, in that age grouping, indoors.<br />
And the comments heard are so encouraging.<br />
The comforts of a drlve-in are cited.<br />
One of these Is You don't have to get up<br />
for others passing you. to or from seats."<br />
There are more new cars. too. at drlve-lns."<br />
The Gardner's sons are John W. jr.. 21,<br />
and William, 12. A sixth-grader in a Sche-<br />
nectady school. William helps at the Turnpike<br />
during vacation. He quickly speaks up<br />
If he does not like the taste of anything<br />
served there, too—although this is not<br />
often. John jr. has been a drlve-in aid for<br />
years. Now a key figure at the 600-car<br />
Turnpike he is a former student at Hudson<br />
Valley Institute in Troy and an expert on<br />
electronics.<br />
Mars, Inc.<br />
Its<br />
Reorganizes<br />
Sales Structure<br />
Mars, Inc., hai reorganized Its sales<br />
structure to bring about closer sales supervision<br />
and greater control over market development,<br />
according to B. A. Bouchard,<br />
vice-president and director of sales. The<br />
sales promotion department, formerly separate<br />
from the sales department, has been<br />
eliminated and concentrated imder the division<br />
sales manager.<br />
Two more sales divisions and the position<br />
of assistant sales manager have been<br />
created to Implement the new program.<br />
H. R. Halg, sales promotion manager the<br />
last seven years, has been appointed to the<br />
new sales position. The new divisions are<br />
directed by W. W. Scott and J. J. Coady.<br />
two former territory managers. Scott manages<br />
the southern division: Coady. the central,<br />
both with headquarters in Chicago.<br />
The eastern and western divisions, formerly<br />
directed from Chicago, have newheadquarters.<br />
Manager C. A. McDonough<br />
now directs the eastern division from New<br />
York City and C. A. Rutherfoid. western<br />
sales manager, has headquarters in Los<br />
Angeles.<br />
Flaig and the four division managers are<br />
veterans of Mars' service. Flalg's experience<br />
with the company includes promotion<br />
of the Dr. I. Q. radio program.<br />
Moke More Money With<br />
E-Z WAY<br />
COFFEEMAKERS
Drive-in owners! IVIAKE MORE MONEY<br />
during intermissions!<br />
FREE! NEW!<br />
Armour<br />
wide-screen<br />
concession trailers<br />
to push Franks<br />
and other<br />
profit makers!<br />
• 8 different, one-minute films to choose from<br />
in sparkling Eastman color!<br />
• Loaded with appetite appealing pictures and action that will make<br />
'em want to buy Armour Star Franks and other items at your<br />
concession stand!<br />
• Background music sung by Bing Crosby's Starlightera.<br />
• They are yours free of any rental charge— you just pay<br />
return postage!<br />
• Mail the coupon below for complete information.<br />
Do it today!<br />
Armour and Company<br />
Frtth and Smokad Soutag* D«pt ,<br />
Union Slock Yardi<br />
Chicogo 9, lllinoii ^_, r<br />
IMcajw send tnc your folder with complete informnlion on Armour and<br />
Company's 8 new coni-tawion truilent!<br />
Nam«_<br />
Th«a»«r Addr<br />
CHy<br />
-$tot#_<br />
BOXOmCE PCtiruarjr 3. 1968 SI
Decause they like<br />
light refreshment<br />
people are saying<br />
"Pepsi, Please"!<br />
Good news for theatre<br />
opcralors— because Pepsi<br />
means more drinks per gallon—<br />
more profit per drink, too!
-<br />
Food Company Offers Sales<br />
And Merchandising<br />
To Drive-In<br />
Operators<br />
Aids<br />
A dkjiatiilifd cubiomcr is the worst advertisement."<br />
according to Miss Anita<br />
Vlrga. director of sales promotion for OriRlnal<br />
Crispy Pizza Crust Co.. Inc. "You<br />
may make the finest product possible, but<br />
if It Is not served and serviced properly<br />
the ultimate consumer will be unhappy and<br />
not only refuse to buy again, but often discredits<br />
the Item, and whoever .serves It. at<br />
every opportunity." continued Mi.ss Vlrga.<br />
Accordingly. It Is basic company policy to<br />
safeguard every step from the smallest<br />
detail in manufacture to the final serving<br />
of the pizza.<br />
As the first step, the frozen pizza crusts,<br />
prepared In the company's modem plant,<br />
are shipped to one of the 13 strategically<br />
located distribution centers to Insure complete<br />
freshness. Then, when the order i.s<br />
delivered to a new customer, the local representative<br />
Is on hand to supervise the<br />
CDoklng and merchandising that best suits<br />
the Individual situation.<br />
SPOTCHECK THE QUALITY<br />
The company maintains a roving staff of<br />
"consumer spotcheckers." who buy pizzas<br />
at places serving the company's product.<br />
If the taste is not up to par. the spotchecker<br />
confers with the owner. Sometimes<br />
the chef has not prepared the pizza properly,<br />
easy though that is. But, in most such<br />
cases the checker discovers that the owner<br />
has been trying to squeeze out a little extra<br />
profit by using too little cheese or seasoning,<br />
or materials of inferior quality. Unless<br />
this practice is corrected, service to<br />
the account is discontinued. As Miss Virga<br />
points out. this is absolutely vital to the<br />
Cmmm B b><br />
n«*nn<br />
cfwn Puje<br />
Tew I tow •!<br />
evr/r m£m m tut tnii<br />
fc^ig * •»• ••*'•<br />
^0^f^0^f^0^0^0*0*0*0^0^0^0^0*0*^*^*0^^*^*^*^<br />
Typical ol the sales help ollccd by Original Crispy<br />
Pizza Crust Co , Inc , are newspaper advertisir^g<br />
mots such OS this one The company also lurnishes<br />
point-of -purchase display material and a full-color<br />
trailer.<br />
good name of the company, which sells<br />
not only through theatres and restaurants,<br />
but also to retail stores. At the same time,<br />
it protects the retailer, for it has been demonstrated<br />
repeatedly that sales eventually<br />
drop off when quality is not maintained.<br />
The company supplies newspaper mats<br />
for drive-in theatres, and will arrange lor<br />
cooperative newspaper advertising. The<br />
company also furnishes point-of-purchase<br />
display material and a free, full-color<br />
trailer. To those ordering a sufficient<br />
quantity of pizzas, a special pizza oven de-<br />
signed for perfect baking Ls offered a*<br />
liberal terms.<br />
Original Crispy has in preparation a<br />
comprehensive TV and newspaper campaign<br />
to support the Individual customer's<br />
promotions and create a broad public acceptance<br />
of the name.<br />
"We make cur customers our friends."<br />
Miss Virga says, "and they. In turn, know<br />
the Importance of making friends of their<br />
own customers by giving top quality and<br />
service. After all. you can't beat word-ofmouth,<br />
especially In the food business."<br />
Hot Dawg! A Hot Dog Record<br />
A record 62.4 hot dogs will be consumed<br />
by each American during 1958.<br />
The prediction was made by Tee-Pak.<br />
Inc.. Chicago, manufacturer of skins for<br />
skinless franks. According to a Tee-Pak<br />
spokesman, this represents an Increase of<br />
2 '2 wieners per person over the 1957 figure<br />
of 60.1.<br />
The firm, which sponsors National Hot<br />
Dog Month each July, said a staggering<br />
total of 1 080.000.000 pounds of hot dogs<br />
was devoured by Americans in 1957. At<br />
an average of 9.2 to the pound, that's 10.-<br />
700.000.000 individual red hots.<br />
Allowing for an approximate 7 per cent<br />
annual mcrease in consumption, it is expected<br />
that "the most American of foods"<br />
will be eaten to the gastronomical tune of<br />
1.155.000.000 pounds in 1958.<br />
SNOW CONES<br />
HIGHER PROFITS -THE BUTTERCUP PLAN<br />
Put BUTTER-Mat to work, 75<br />
times a minute, to boost buttered<br />
popcorn profits by as much as 300%.<br />
Thermostatic control with a booster<br />
switch for rush periods, Trigger Bar<br />
operation makes this automatic dispenser<br />
a profit stimulator.<br />
•*:<br />
BUTTER SERVER RAISES BUTTER SALES<br />
Simple, manual<br />
operation meters butter<br />
'^ accurately to increaie butler<br />
sales. Made of shining stainless<br />
steel and enamel, the<br />
Butter Server Is thermostatically<br />
ccnlrcllod and melts butter quickly.<br />
OTMia -KH If urit- luniicvM- HOTstT- iiintsMtTie wt*Mi*- coioiirur<br />
'rk<br />
lUNICl C: D'.'" IT r»"HT '. »f l« wtVA CIKDT CltES- lUTTEi CONSOlt- OIJPUT ITAQE<br />
SUPURDISPLAY, INC. n?4 w Wisconsin Avenue. Milwau^re 3. Wts<br />
INCREASE THE PROFIT<br />
pcrccntoqc of your mock bar with SNOW<br />
CONES Use this Echols Improved Snow Sho>cr<br />
with reserve capociry lor "peok" periods<br />
Polithcd Aluminum \ \<br />
AftroctWolv hghtc^ cot« \ !<br />
At Shown JJ2S 00<br />
Srr vour local dealer or write<br />
S. T. ECHOLS, Inc. Box 612<br />
BISMARCK,<br />
MISSOURI<br />
54 Th» MODCRN THEATRE SECTION
FOR MORE INFORMATION<br />
USE THE FREE RETURN CARD<br />
I<br />
postcard at the bottom of this page is designed to help you get more informaion<br />
products ond services advertised in<br />
this issue of The Modern Theatre Section,<br />
listed in the "New Equipment and Development" and "Literature" departments,<br />
olphabeticcl Indti of Advertisers appears below; on tht back of this card is a<br />
i^eiist^ In4«x of Products. In both, FIGURES in the Key Number shown for each<br />
triiser indicate the poge on which the firm's advertisement appears. The posti<br />
below carries numbers corresponding to the page numbers— with letters odded.<br />
Je the Whole Key Number, including the letter, corresponding to the page numbers<br />
he odveriisemenis on winch you wont more information. Then: Fill in your name,<br />
ress, etc., in tht space provided, tear out cord ond mail. For more information<br />
listings in "New Equipment ond Developments" and "Literature" departments.<br />
It number corresponding to Key Numbers published with eoch item below.<br />
ALPHABETICAL INDEX OF ADVERTISERS<br />
KEY NUMBERS<br />
H- IVftLfT la/-<br />
Holl|r«ood Brands, ltic...„ .......„.._ 50a<br />
Hallywood ScrTcmoitcr Co . 41a<br />
Indiona Coih Drover Co„<br />
67d<br />
Kncislcy Ele
Food Company Offers Sales<br />
And Merchandising<br />
To Drive-In<br />
Operators<br />
Aids<br />
"A dussatislutl cuilomci is the worst advirtiscmenl."<br />
nccordliiK to Miss Anita<br />
Virtja. director of sales promotion for OriKinal<br />
Crispy Pizza Crust Co.. Inc. "You<br />
may make the finest product possible, but<br />
if it is not served and serviced properly<br />
the ultimat« consumer will be unhappy and<br />
not only refuse to buy again, but often dLscredits<br />
the item, and whoever serves it. at<br />
every opportunity." continued Miss Vii-ga.<br />
Accordingly, it is basic company policy to<br />
safeguard every step from the smallest<br />
detail in manufacture to the final serving<br />
of the pizza.<br />
As the first step, the frozen pizza crusts.<br />
prepared in the company's modem plant.<br />
are shipped to one of the 13 stratesncally<br />
located distribution centers to Insure complete<br />
freshness. Then, when the order i.s<br />
delivered to a new customer, the local representative<br />
is on hand to supervise the<br />
cooking and merchandising that best suits<br />
the individual situation.<br />
SPOTCHECK THE QUALITY<br />
The company maintains a roving staff of<br />
"consumer spotcheckers," who buy pizzas<br />
at places serving the company's product.<br />
If the taste is not up to par, the spotchecker<br />
confers with the owner. Sometimes<br />
the chef has not prepared the pizza properly,<br />
easy though that is. But, in most such<br />
ca^es the checker discovers that the owner<br />
has been trying to squeeze out a little extra<br />
profit by using too little cheese or seasoning,<br />
or materials of inferior quality. Unless<br />
this practice is corrected, service to<br />
the account is discontinued. As Miss Virga<br />
points out. this is absolutely vital to the<br />
Ct<br />
Ci<br />
good<br />
not o<br />
but a<br />
it pre<br />
onstr<br />
drop<br />
Th.<br />
for d<br />
coope<br />
comp<br />
dlspli<br />
tralle<br />
quam<br />
CONDENSED INDEX OF PRODUCTS<br />
Numbff<br />
ADMISSION CONTROL SYSTLMS.<br />
DRIVE-INS<br />
DrKt'ln Thatri Striict Co. ..S6«<br />
GantrtI Rniitv Corp. .... 68i<br />
Pllmtr Eigintirln« t Dtrdopmtfil<br />
Co 27b<br />
ADMISSION SIGNS<br />
Dun Cntrxing Corp 69c<br />
ATTRACTION BOARDS AND<br />
LETTERS<br />
Adkr Silhouttlt LtllK Co G8b<br />
Wigirn Sign Scriici Co.. .TOfe<br />
.<br />
BARBECUED MEATS<br />
Cullibrrry'i Food Co. 57»<br />
Sailhfltid Hun & Producti<br />
Co., Inc 48*<br />
BUTTER HAT<br />
Supuriliipliy, Inc. 54a<br />
CANDY<br />
Henry Heide. Inc 3&<br />
Hollywood Brandt, Inc 50a<br />
CARBON SAVERS<br />
Call Producti Co 70a<br />
Econoflllnr EntcrprlHt 69b<br />
CONCESSIONS CATERING SERVICE<br />
Sport jerYtce . 60b<br />
CONCESSIONS EQUIPMENT.<br />
DRIVE. IN<br />
Samuel Bert Mfg. Co. 57c<br />
Supurdltplay. Inc 54a. 57b<br />
Toaslmastrr Producti Di> 49a<br />
CONCESSIONS FOODS<br />
Armour & Co. 511<br />
Castlebvry'i Food Co 57a<br />
Original Crispy Pizza Crust<br />
Ca<br />
37i<br />
SmllhfieM Ham & Products<br />
Co.. Inc 48k<br />
CONCESSIONS STIMULATORS<br />
Armour & Co SlJ<br />
DRINKS. SOFT<br />
Canada Dry Ginger Ale. Inc. 47a<br />
Coca-Cola Co. 2a, 3a<br />
Nehi Corp 39a<br />
Orange Crush Co. 42a<br />
Pepsi-Cola Co 52i, S3*<br />
DRINK VENDING MACHINES<br />
Carbonic Dispenstr, Inc 48a<br />
A. Dalliin Ca 46a<br />
Sled Praducts Co 50b<br />
DRIVE-IN VACUUM CLEANERS<br />
Mid East Sales Co. 303<br />
Tarrant Mfg. Co. 26a<br />
EQUIPMENT, DRIVE-IN<br />
Oriite-ln Tliiatri Mfg. Co. 4a<br />
FILM CEMENT<br />
Fuher Mfg. Co. 28b<br />
Key<br />
Number<br />
FILM REMINDER<br />
Goldberg Brolheri 66b<br />
FILM SPLICER<br />
Harwald Co 67e<br />
FIREWORKS DISPLAY<br />
Liberty Display Fireworks . S6b<br />
HAND DRYING SERVICE<br />
ElKtric-Aire Enginemrig Corp. 67c<br />
HEATERS. IN-CAR<br />
Eleclromodo<br />
15a<br />
Stanford Industries. Inc.. lOi, 11a<br />
Tliermolalor Corp 34d<br />
HOT DOG ROTO-GRILLC<br />
Hollywood Scrvemaster Co. ..41a<br />
ICE CREAM FREEZER<br />
Sweden Freezer Mfg. Co. 41b<br />
ICE MACHINE<br />
Scotsman<br />
45a<br />
ICESHAVER<br />
Scotsman<br />
4Sa<br />
INSECT FOG MACHINES<br />
Curtis Aulomotir* Dcrtccf.<br />
Inc<br />
61k<br />
Todd SJiipyards Corp 28a<br />
INSECTICIDES<br />
Curtis Automoline Derlces, Inc 61b<br />
Todd Shipyards Corp 28a<br />
INTERMISSION SHORTS<br />
Armour & Co 51a<br />
KIDDIE RIDES FOR DRIVE-INS<br />
American Playground Device<br />
Co<br />
34a<br />
Game- Time, Inc 31a<br />
DHmer F. Harris Co. 564<br />
Allan Herschell Ca. Inc 66*<br />
Miracle Equipment<br />
Co. Back Corcr<br />
Play- Yards Original Corp 58b<br />
Robel, Inc 61a<br />
LIGHTS, DIRECTIONAL. ETC<br />
Drive- In Theatre Mfg. Co. . . 4a<br />
MOSQUITO REPELLENT<br />
Pic Corp 22a<br />
PAINT FOR DRIVE-IN SCREENS<br />
M. L Campbell Co 18a<br />
National Theatre Supply 59a<br />
PLAYGROUND EQUIPMENT<br />
American Playground Device<br />
Co<br />
34a<br />
Game-Time. Inc 31a<br />
Orlmer F. Hvris Ca S6d<br />
Allan Herschell Co., Inc 66a<br />
Miracle Equipmertt Co. Back Cover<br />
Play-Yards Original Corp. ..58b<br />
Robd, Inc 61a<br />
POPCORN MACHINES<br />
Manley, Inc 43a<br />
NEW EQUIPMENT and<br />
Full descriptions start on page 65<br />
Key<br />
Number<br />
Six-Flavor Soup Dispenser P-1673<br />
Hooded Inclqerator P-1674<br />
Automatic Popcorn Dispenser P-1675<br />
Big Volume Drip Coffeeraaker P-1676<br />
High Light Gain Screen P-1677<br />
Projection Light Gain Process P-1678<br />
Compact Counter Steam Unit P-1679<br />
OTHER NEWS of<br />
New ProHctlon Lamp 32<br />
"The Chocolate Tree" Filoi 41<br />
Quarter Midget Racing Can.<br />
K*<br />
POPCORN SCOOPS<br />
Sprrd Scoop ;<br />
POPCORN SEASONING<br />
C. F. Simonin's Sons, li^... ;<br />
POPCORN AND SUPPLIES<br />
Manley. Inc <<br />
PROJECTION ARC LAMP<br />
C. S. Aihcraft Ht(. Ca 2<br />
St'ong Electric Cor*.....<br />
PROJECTION LENSES<br />
Bausch & Lofflb Optical Ca ?<br />
Protection Optics Co.. 1^. ;<br />
S OS. CIneaa Supply C*r«. (<br />
PROJECTOR CARBONS<br />
hitiorul Carbon Co<br />
PROJECTOR PARTS<br />
SOS. Cinema Supply Ca . '<br />
PROMOTIONS<br />
Ace Hi Di'plays, Inc<br />
DeLuve Theatre Preailims .<br />
Flowers of Hanil, LU...<br />
RECTIFIERS,<br />
SELENIUM<br />
J. E. Robfn. Inc '<br />
Strong Electric Cor;<br />
REFLECTORS<br />
Heycr-Shultz.<br />
Inc<br />
SANITATION EQUIPMENT<br />
Abbey Chemical Ca<br />
County Specialties<br />
SELTUBE KITS<br />
Kncislcy Electric Ca i<br />
SIGNS. AUTO BUMPER<br />
Ace-Hi Displays. Inc<br />
SIGNS DIRECTIONAL ETC.<br />
Du^a Engraving Cory. •<br />
SNO-KONES<br />
Samuel Bert Mfg. Ca<br />
SPEAKER EQUIPMENT<br />
S. T. Echols. Inc '<br />
Drive-ln Thtatrr Mfg. Ca .<br />
Sandler Mfg. Ca<br />
SPEAKERS. IN-CAR FOR DRIVL<br />
INS<br />
Ballanlyne Ca<br />
Bevvlite Corp.<br />
Drive-ln Theatrt Mf|.<br />
EPRAD<br />
Ck..<br />
Sandler Mfg. Ca<br />
t:j<br />
SPEAKER RECONING AND ROI I<br />
Eians RKonlng Serrico<br />
Minneapolis S«rakr' Recanmi<br />
THEATRE EQUIPMENT AND<br />
SUPPLIES<br />
Indiana Cash Drawer Ca... f<br />
S.O.S. Cinena Supply Corf.. I<br />
DEVELOPMENTS<br />
Theatre Plastic Display Signs f-U<br />
Prefab' icated Boioftica hll<br />
Nontoxic Cleaning Fluid P'U<br />
Infrared Sandwich Oven M<<br />
Soft-Serve Counter Units<br />
^11<br />
Hot and Iced Tea Machini P-lt<br />
Double-Cone InCar Speaken P-><br />
PRODUCTS and EQUIPMENT<br />
Pa«i<br />
Sales Aids tor Piaa<br />
ConceiiioM Trays for Speaker Poets<br />
Ke<br />
MODERN THEATRE: Send mc more intormation about .<br />
iicms ADVERTISED on the pogcs circled bclcw:<br />
2a<br />
54
Concessions<br />
To Regional<br />
Should Cater<br />
Preferences<br />
Regional fixxl Uistos and prcfrrrncrs<br />
must bp obsiT%'t'd wiUili) rcu5on. In Uif<br />
prrparatton of dl.vlu-s iind drllcuclps (or<br />
tale al drlvp-tits. accordlnK to Oeorgr H.<br />
Schonck. Albany inivna«er for Tri-StiiU-<br />
Autonuktlc Cundy Corp. of Buffalo. N Y<br />
Uniformity in formula and output is destrablp,<br />
and i.s isenerally followed by a concessions<br />
cximpaiiy. but .sonu-ttmes varla-<br />
Uons are necessary. For Irustunce. Schenck<br />
found that patrons of outdoor stands operated<br />
by Tri-State In the Albany district<br />
liked hamburgers readied and served in<br />
barbecue sauce. The use of .sauce for this<br />
purpose was therefore continued in the<br />
Albany territory. althouKh it was not in<br />
some other sections.<br />
NO SPICY FOODS<br />
Spicy foods as a Keneml rule do not<br />
aeem to win favor at the stands supervised<br />
by Schenck. In certain outside liKales.<br />
they may be quite popular.<br />
Schenck maintains a close check, via<br />
taste and other techniques, on foods served<br />
at Trl-State operations. A one-time<br />
Warner theatre manaKer. he pointed out<br />
that the range of menus in the Albany territory<br />
IS not as wide as in some other parts<br />
of the country. Various conditions dictate<br />
this.<br />
Schenck added that weather can be a<br />
factor with which to contend In the preparation<br />
of<br />
to be the case in<br />
foods, but he has not noted this<br />
the Albany sector.<br />
Trays a Pafron Convenience<br />
Concessionaires to Hold Conference in Las Vegas<br />
The western regional conference and<br />
mriiliundLilng cUnic will be held by the<br />
Nutiuiml Aa»n of Concenalonnlres IhU<br />
month. followlUK the surceaaful aoulhweat<br />
reiiional which wa* combined with the sixth<br />
annual convention of the Texas Drive-In<br />
Theatre Ownem Aaiin in Uullaji January<br />
19-31<br />
for more sales on<br />
the most profitable<br />
concession* in your<br />
theatre!<br />
Harold P Chesler. program chairman.<br />
U uccrpting re.Nervallottfl for the western<br />
reKlonul. which Lt scheduled for the Riviera<br />
Hotel. Las Vegas. Nrv.. February 8-11. With<br />
the program covering all phases of concessions<br />
merchandising, attendance U expected<br />
from all parts of the West Reservatloiui<br />
may br udclrrwrd to Chester at the<br />
Tlieatre Candy Distributing Co.. P. O. Box<br />
3033. Halt Uike City. UUh. Alfred Olander.<br />
Associated Theatres. Los Angele.n. Is the<br />
West Coast coordinator for this meeting,<br />
which will<br />
\<br />
rmploy the braln.stormlng technique<br />
to develop new conce.nsloiu sales<br />
Ideas.<br />
A J. Schmltt. Houston Popcorn It Supply<br />
Co. Houston, was program chairman for<br />
the southwest meeting. Charles A. Oarden.<br />
Charles A. Darden Co.. Dallas, was program<br />
coordinator.<br />
^popcorn of course<br />
To soil more of the item that gives you more profit, |X)ur on F'opsit Plus<br />
— America s finest p thown ftoturt 0/ ikt<br />
Iron It Ihol Ihtr form a wcurr uirio tftroirt<br />
potroni 10 ttandit a numbtr of rl«/nt, rothtr Ikofl<br />
Ikt ont or two IhfT might hold in thtir hcndt Tkr<br />
ttvft 111 our cor with o doo/ glau<br />
popping apccialulM to the nation<br />
SIMONIN<br />
PNILAOCLFMIA J4. r*.<br />
A^ pipsit<br />
Pf Ce/l/*^<br />
BOXOmCE February 3 195«<br />
5S<br />
I*
'<br />
Wt<br />
I driving<br />
THOSE COLD. COLD MONTHS<br />
Confinurd hom page li<br />
drive-ins. even without lieati'is, without<br />
coats—girls in ordinary dresses und men<br />
even in shirt sleeves—this has. it is sug-<br />
Kested. reached the proportions of a fad in<br />
this area. The explanation is simply that<br />
modern car heaters are .so powerful tliat<br />
extra protection is unneeded.<br />
• Extra provision for starting cars is<br />
needed. One manager keeps jumpers attached<br />
to liis own car battery all the time,<br />
and simply drives up alongside a stalled<br />
car. hooks up the Jumpers, and gets the<br />
customer started. An extra battery is also<br />
ktpt in the office for reserve use as needed.<br />
• A surprising number of customers come<br />
in cold weather with small children, and<br />
even with young twibies.<br />
• Concessions business appears to run in<br />
about the .same proportion to number of<br />
customers as in the summer. There is not<br />
much of a change in items sold, except<br />
the obvious swing from ice cream to coffee<br />
and hot dogs.<br />
Mr. Drive-In Theatre Operafor!<br />
FREE<br />
COST YOU<br />
ADMISSIONS<br />
MONEY<br />
IF YOU WANT EVERY DOLLAR DUE YOU<br />
!/Hdiall TRAF-I-TROL<br />
. . . and you will<br />
INCREASE ADMISSIONS<br />
SAVE PAYROLL<br />
No Sneok ln^ (No U.hcr of Exit 0,i»c)<br />
This lOCo eHectivc one way cmt borricr will pay for its£if in a few months.<br />
Write for more complete inlormation<br />
DRIVE-IN THEATRE SERVICE<br />
CO.<br />
Loncaster Pike * Devon, Pcnno —Of See Vouf Theatre Supply Dealer<br />
* LOOK fOR US of tt
which iilvc the currrijt prot;rnm.out a letter received from<br />
a uatron which read: "We enjoyed your<br />
Year's feature very much and look<br />
.-.. -iird to spending many more nights at<br />
your theatre because of a slx-month-old<br />
aon whom we must take everywhere "<br />
A TroTcling Photography Eihibit<br />
A color ph.)'i.::.ii)hy exhibit >pon.«)rr.
DRIVE-IN THEATRES THE WORLD OVER<br />
Big Year for Foreign Development of Outdoor Tfieatres Is Foreseen<br />
By ED LACHMAN*<br />
I HIS IS THC<br />
year for foreign<br />
dnvo-ln development<br />
and there should be<br />
considerable stirring<br />
of interest and unnouncements<br />
of<br />
drlve-lns being<br />
planned for certain<br />
European countries<br />
forthcoming in<br />
the late spring.<br />
[d Lochman<br />
It is interesting to<br />
note that in certain countries outside the<br />
United States drive-ins are proportionately<br />
keeping pace with the more than 4,500 that<br />
are operating in this country.<br />
CANADA<br />
In Canada drive-ins represent almost 14<br />
per cent of total theatres or approximately<br />
230 drive-ins; 75 per cent of this niunber<br />
were built in the past three years in such<br />
far off sounding places as the Provinces<br />
of Alberta. British Columbia. Manitoba,<br />
New Brunswick. Nova Scotia, Ontario and<br />
Saskatchewan. It is interesting to note also<br />
that Prince Edward Island on the North<br />
Atlantic coast boasts of two drive-ins.<br />
HAWAII<br />
To stay<br />
for a moment with the islands,<br />
Honolulu, Hawau has a drive-in and there<br />
is also one on the Island of Guam.<br />
AUSTRALIA<br />
To go on to a larger Island. Australia<br />
now boasts of approximately 40 drive-ins.<br />
with ten in the process of building or announced<br />
planning stages. Loew's International<br />
Theatres has taken the initiative<br />
in building drive-ins there, closely followed<br />
by 20th Centui-y-Fox In as.sociation with<br />
the Hoyts' circuit, and the balance by independent<br />
theatre owners. Metro has two<br />
twin-screen theatres under construction in<br />
Australia now. Australian drive-ins have<br />
picked up all the good features developed<br />
here and have added a few of their own.<br />
For instance, in one Australian drive-in<br />
they have a laundry service where a patron<br />
leaves his wash when entering the theatre<br />
and picks up the clean clothes on the way<br />
out. Tlie custom for showing pictures has<br />
changed. Trend is to show a double feature<br />
rather than two complete shows of a<br />
single feature, which has been the normal<br />
presentation for four-wall theatres in Australia.<br />
SOUTH AMERICA<br />
Oui- neighbors to<br />
the South are bursting<br />
out all over with drive-ins: F^ve drive-ins<br />
in Puerto Rico, one drive-in in Cuba and<br />
one drive-in almost in the completion stage,<br />
one drive-in in Panama, one in Ti-inidad.<br />
one in Brazil and one in Venezuela.<br />
EUROPE<br />
It is sad, but true, in all of Europe there<br />
is but one drive-in, and that is in Rome.<br />
Italy.<br />
It was built by an independent the-<br />
• President, Lorroine Corbons, Inc. Commenis published<br />
here are excerpts from on oddrcss delivered<br />
Qt the recent Texos Drive-ln Theotre Owners convention<br />
in Dollas. Mr. Lochman visited Englartd<br />
and several countries on the Continent not long<br />
ago.<br />
atre owner and a real estate man and Is<br />
now being run by the Metro interests.<br />
Metro has introduced a most interesting<br />
approach to the presentation of foreign<br />
pictures, and I think It is a "must" for<br />
U. S. border state drive-ins and future<br />
drive-ins in foreign countries, especially<br />
for those drive-ins that plan to show foreign<br />
pictures in the States. They provide<br />
for their patrons a selection of two sound<br />
. . . an entire<br />
AMUSEMENT PARK'<br />
in<br />
one compact unit!<br />
Put "SPRING" in your SPEAKERS<br />
WITH BRAND NEW<br />
RETRACTO<br />
ALL WEATHER<br />
NEOPRENE<br />
COILED CORDS<br />
No 1t-3 Conductor<br />
GUARANTEED TO RETRACT TO ORIGINAL POSITION<br />
STRETCHES TO 7 FEET -<br />
LUGGED. TINNED -<br />
READY FOR IMMEDIATE USE -<br />
87c<br />
[och. FOB CIcYilond<br />
IN LOTS OF 100 AND OVER<br />
IMMEDIATE DELIVERY<br />
MANUFACTURED AND SOLD<br />
by<br />
SAMPLE ON REQUEST<br />
SANDLER MANUFACTURING COMPANY<br />
2108 PAYNf AVf<br />
Writt or Coll<br />
CLEVELAND 14, OHIO TO-cr 1 9248<br />
PLAY-YARD attracts<br />
customers,<br />
attention; boosts profits<br />
All in one colorful, compoct unit, PLAY-YARD<br />
IS your answer for ottrocting families with<br />
cfiildren—keeping them coming back' Its copocity<br />
is nearly double that of four kiddylond<br />
rides. It accommodates over 100 children at<br />
time Yet PLAY YARD requires on area of only<br />
27,33 feet'<br />
Designed for safety and long life, PLAY YARD<br />
includes a carousel, trains, rocket ships, can.<br />
"woman in the shoe" playhouse, slides, sandboi<br />
or woding pool, built in toys ond hobby horses.<br />
Plus two briUiont<br />
Fiberglos canopies and benches<br />
for watchful parents Plus o flotheretle on<br />
flagpole to help bring traffic into your drtve-in.<br />
For sofcty'i sake, nothing is overlooked And<br />
oil materials will withstand years of hard use<br />
ond the elements Write today far lull inlorma<br />
tion<br />
pro'if 1<br />
on how PLAY YARD coo help you corn more<br />
PLAY-YARDS ORIGINAL CORP.<br />
Cnillli. N y<br />
Avon. N Y<br />
HTocinllt ]-*4S)<br />
Avon 7311<br />
58 Th« MODERN THEATRE SECTION
. can<br />
trucks which Is avallublc In thr .s|>ciikci at<br />
tlic ritck of It .switch Vi.sitiriK this ihrutir<br />
It was very intcrestini: nnd amusins to start<br />
off u svutcncr In Italian and thrn (lick a<br />
switch on the speaker and have that srntence<br />
end In EnKll.sh Tlil.s dual sound i><br />
achieved by usiiu; a dummy reproducer<br />
with film of either an Entillsti sound track<br />
or. In this case. Eniillsh in the reproducer<br />
and Italian-dubbed sound track runnlnu<br />
siniultanroufily.<br />
DON T paint your drive-in screen<br />
UNTIL you find out about ..<br />
FIRST ON CONTINENT<br />
Since this Is thr first drlvo-ln on the<br />
Continent, and I am sure the forerunner of<br />
many more. I will dwell a little on the way<br />
the drive-ln has been received by the<br />
Roman populace and how the MOM management<br />
has had to conform to the customs<br />
and habits of It.s pnttrons. Bear in<br />
mind the people are Latin, they adhere to<br />
Latin custom, and that Is to take a lontt<br />
lunch hour and then finish work around<br />
7:30 or 8:00 o'clock. This means that tho.se<br />
who plan to attend a drlve-ln or a theatre<br />
In Italy would do so at a much later hour<br />
than we. F>or instance. It Is not unusual for<br />
the first show to start at 9:15 or 9:30 pm .<br />
and have the second show go on about<br />
11 30 pjn.<br />
In the drlve-ln. the Metro people have<br />
found that they must prepare themselves<br />
for three wares of patrons, the first wave<br />
comes in around 7:00 o'clock. The.se are<br />
the p)eopIe who work at the various U. S.<br />
and foreign embassies and who more or less<br />
work the same hours as In the States. There<br />
then Is a lull until approximately 9:30 when<br />
patrons with children arrive, and then, of<br />
course, there is the late show starting<br />
around 11:30. This drtve-in has only been<br />
open .since the latter part of AuRUst and<br />
therefore has not been In a pwsltion to<br />
really make its Impact on the Italian movtegolng<br />
public, since Rome is now In the<br />
so-called winter months, and at this period<br />
the drlve-ln may be operating part-time, or<br />
closed for the winter season.<br />
SOME NATIVE DISHES<br />
SERVED<br />
The Rome Drive-In concessions serves<br />
not only American standbys. such as hot*<br />
dogs, popcorn, hamburgers and Cokes, but<br />
it also serves .some native dishes which appear<br />
to be very tasty. While I was attending<br />
they were making up a type of rice<br />
rolls with fish and deep frying them— and.<br />
of course. Roman pizzas. These Items, during<br />
the breaks, sold like the proverbial hot<br />
"'"';. The concessions also sells wines and<br />
There was a large patio where pa-<br />
c«(es.<br />
sit. eat. drink and watch thr picnot<br />
unlike many of their sidewalk<br />
The projection equipment In the drlvc-<br />
In was American, and they were U-nlng<br />
13.6x18 Lorraine Orlux carbons<br />
Just as many of you have met with eon-<br />
:tble resistance and mtsundrrstanding<br />
:>tainlng permits to build drivr-irvs. .so<br />
are these who plan to build drtve-tns In<br />
Europe. For irulance. in order to build a<br />
drtve-ln in Rome, it was nece«*ry to build.<br />
Con
!<br />
CREATE THE<br />
MOVIE HABIT<br />
No Better Way Than a<br />
DINNERWARE<br />
PROMOTION<br />
• Lodies must come to your theatre<br />
diligently every week for a yeor in order<br />
for them to complete o full dinnerware<br />
set. Your choice of o dozen different<br />
potterns.<br />
DRIVE-INS THE WORLD OVER<br />
Continued liom preceding<br />
page<br />
not only outside the city limits, but outside<br />
of the Customs area which Is peculiar to<br />
each city In Italy, where they maintain a<br />
Customs check point. ALso a law has been<br />
pas.sed whereby a drive-in theatre cannot<br />
be built unless the population of that city<br />
is more than a million. This limits one<br />
drive-ln to Just three cities In Italy—Milan,<br />
Naplfs ,Tnd Rome.<br />
GERMANY<br />
In Germany two drive-ins were planned<br />
for 1956. but due to a new law which went<br />
into effect August 8. 1957. whereby no<br />
children under the atje of six are allowed<br />
to attend any theatre performance, and all<br />
pictures must be approved and classified<br />
for the six to 12-year group: 12 to 16 group<br />
and 16 to 18 group, it made the building of<br />
a drive-in most unattractive and all plans<br />
are abandoned for the present.<br />
Exhibitors in West Berlin were most interested<br />
in drive-ins and they plied me with<br />
many questions regarding them. They said<br />
that, despite the new German laws, they<br />
would build drive-ins tomorrow if land was<br />
available, but unfortunately the western<br />
section of Berlin is surrounded by the Reds<br />
and any drive-in built on the outskirts of<br />
the town would extend into Red territory.<br />
ENGLAND<br />
Plans were made for the building of a<br />
drive-in near the coast of southern England<br />
but this was abandoned when, in the past<br />
year England went through unusual foggy<br />
weather and the financial interests backed<br />
down. However, while England is in the<br />
50° latitude, its shores are swept by the<br />
Gulf Stream and they enjoy a rather<br />
temperate climate for at least four to five<br />
months of the year—weather that is better<br />
than in some of our northern cities in the<br />
United States and Canada.<br />
SOUTH AFRICA<br />
Jumping from the European scene to<br />
what the travel folders call "Darkest<br />
Africa." It seems that they are more enlightened<br />
to the reception of drlve-lns than<br />
the exhibitors of Europe. There are at<br />
least ten drive-ins in such strange sounding<br />
places as Bulawayo. Bloemfunteln.<br />
Vereeniging. Nairobi. Pietermaritzburg,<br />
Durban. Salisbury and Johannesburg, in<br />
which there are two.<br />
Again, as was the case in Australia.<br />
American theatre interests are spearheading<br />
this growth, namely: Loew's International<br />
Theatres and 20th Centuo'-Fox. Almost<br />
100 per cent of the foreign drive-in<br />
theatres u.se American equipment supplied<br />
by either Westrex or National Theatre Supply<br />
Export. The foreign equipment manufacturers<br />
for the time being are marking<br />
time, content to supply accessorj- equipment.<br />
Television in these foreign countries is<br />
just beginning to make itself felt and exhibitors<br />
even now complain of its Impact.<br />
They are going through some of the phases<br />
we have already experienced. Fringe theatres<br />
in certain of these countries have<br />
closed, especially in England. Australia and<br />
Canada. Since producers depend upon a<br />
return of approximately 50 per cent of the<br />
total world gross from foreign countries, it<br />
is very important for the whole motion picture<br />
industry that foreign drive-ins be encouraged<br />
to take up the slack to hold up<br />
the gross, such as the 4,500 drive-in theatres<br />
in the United States have done.<br />
If a patron is antagonized at the candy<br />
stand, it is possible to lose that person as<br />
a patron of the theatre.<br />
• The above promotion hos proven itself<br />
tremendously in the last 25 years, both<br />
at the boxoffice and in boosting concession<br />
soles.<br />
• We ore serving and satisfying some<br />
of the country's largest circuits and independent<br />
exhibitors from coost-to-coast!<br />
For complete detaili and prices,<br />
Write—Wire—or Phone:<br />
DE LUXE<br />
THEATRE<br />
PREMIUMS<br />
346 W 44th St New York 36, NY<br />
Tel: Circle 6 0342 or 6 0343<br />
CONCESSION PROFITS Sparkle<br />
w<br />
when<br />
\ ^"''''4,<br />
SPORTSERVICE<br />
works for YOU<br />
There's no subsiifute for experience"<br />
Almost Half Century's experience in refreshment catermg—<br />
Independent ond Unaffiliated.<br />
Call or write us today—to sec how we con put it to work<br />
profitably and promptly for you.<br />
SPORTSERVICE<br />
BUFFALO,<br />
703 MAIN ST .<br />
PHONE: MADISON 5014<br />
N Y.<br />
60<br />
The MODERN THEATRE SECTION
em<br />
I<br />
DRIVE-IN STORY 1957<br />
Comtmutd fnm page<br />
ltl>««a—New . In, 8 . ,« re-i, ., of lltvOCO*<br />
Wetic'i >«• man. Bill<br />
( « by rtov Of»l<br />
NORTN CAROLINA<br />
Dtfdtan tW Ori»e-ln. oi>*nv^t by Mr tji(ol. tMW.OOO protect tor<br />
••••••— *00 cor drioe-m for loitern Corp of tail<br />
Oortoe. iTOO.OOO protect hiring on lecuring<br />
special u»e eaempr>on to to«mar*ip for%ir\g ordinorKe<br />
CleniKin—MocOode 1.200 cori. It^ Corp. vow<br />
round operotHsn of Ook Lone Rood ond MocOode<br />
B'i\jl«vord*<br />
MererWeto—Pine. 400 car». Alfred Burnett*<br />
Oi*t* Blvje Horinn. for Jotm or. .Vevtcrr, Amutcment Co<br />
Riviera Drive- In Corp<br />
Kay Wnt<br />
PLORIDA<br />
u . rro. 1.000 cori.<br />
,'u. 100 cart, Mrt Ade«irte Gowftvop<br />
Palelka i '<br />
ILLINOIS<br />
LewraneevUle V J^a, i'jO cart. Frrtino Am'tt Co<br />
RINTUCKV<br />
Bertew—AutoScope. WW con Clark Srrtith. owner,<br />
Ballond Counly't f.r%r 'tr.r n ttteotre<br />
MASSACHUSITTS<br />
Beetea— Suffolk Oowm, 1,700 con. Norlt>eotl Orive-<br />
In Theotre<br />
Canten—8iu« Millt Onve-ln. Mirtotion Brot<br />
Poll Rhier — >rdo ond evport<br />
r<br />
Phone<br />
BERWICK 8791<br />
Hatclton<br />
GLADSTONE S<br />
IS86<br />
THIS IS<br />
THE FAMOUS<br />
OFFICIAL<br />
QUARTER MIDGET<br />
RACER<br />
* Uiad videly lor leMCI control br DriTt In<br />
Theatre*— FIELD PROVEN<br />
* Light vcigkl—only 19 poundi<br />
* Complete—nothing elie to bur eicept gotolmr<br />
and intcctKidc<br />
* Labor loiing—one man operation- no ichicle<br />
reg«ire4.<br />
* EconoOTKol—mere cOTCrog^^—adjuttoblc log<br />
Irom light to keo'Y<br />
Write For More Information To<br />
CURTIS<br />
DEVICES,<br />
AUTOMATIC<br />
INC<br />
OTNA reOOUCTt OIVItlOM<br />
r Roi 297 P WrtMirld Indiana<br />
^.<br />
• Mlnietwe Oe Seta Cenvartibia<br />
OTHtRt e MiiwetOTa Dhrco Trixk<br />
e Ki44y Svrray<br />
FOR THE NEW FAMILY PARTICIPATION SPORT AT DRIVEINS<br />
-J^fi/ff.<br />
CORPORATION •WASHINGTON i SYCAMORE STREETS»BERWICK PA<br />
"Wotld\ Lofgc%t Monufoctufcr ol Miniature Powered Toys"<br />
"Where Successful Soles Promotion Idcos Qriginofc"<br />
'Repraentatirci— ot your service throughout the United States'<br />
lORIL COIPOIATION<br />
• OX 111. Daei QuTOI'MT<br />
• IIWICK. PINMSTIVANIA<br />
aM lAtaraata^ m tattln^a<br />
Tk« wema el iny Orrva-ln<br />
la
;. nW~>« Keiths Theatre Indionapolii, constructed a garden wall 0/<br />
To create an outdoor atmosphere ,ndoory J'""";<br />
j~, '^'"'"/^<br />
„„ „„ ,„h ,„d,rect /igMing ono<br />
(nd.ono (.mestone ,n ,ts lobby, added arUUcal plantings<br />
°"l'°^^^ll%,^i^,
us«^ to dros-s up the bij: Krith » scrr^n urm<br />
A coal of Kray puint, tintrd with ri-d for<br />
warmth, wtu used to paint out thi* Ima rrllrf<br />
wall oriutmcMtatloti and thus incrrnMthe<br />
simplicity of styliOK Wall baji-ony box<br />
sraltni: «')is rrmovod and draporirs added<br />
In Its place. Indirectly liKhted plnnter.s<br />
were installed nlonK the auditorium wall<br />
Mid in front of Uie stane.<br />
Amp«'x stereophonic sound and new<br />
Bronkert projectors were iiustalled t)rii)i to<br />
the remodellnn.<br />
New carpetlnR extends throuRhoui thr<br />
theatre's first floor and up the stairs to<br />
the balcony In the loue and balcony. 2'J7<br />
new International seats with padded armrests<br />
replace the old s«ats. Sure to draw<br />
•pprovinK comments from any man of sixloot<br />
stature or over Is the extra leg roomsix<br />
inches to be exact—which was added<br />
between each row by the removal of the<br />
first row of Icue seats. The best sections<br />
of the theatre's old red carpeting were used<br />
to cover the balcony's floors.<br />
of an efficient,<br />
An enlarsed ladies powder room boasts<br />
modern apartment atmosphere.<br />
Decorated with modem chairs.<br />
tables, a sunburst lamp and lounRe. the<br />
powder room also offers a functional,<br />
st«ndup makeup table finished in walnut<br />
A nostalgic flavor reminiscent of the bygone<br />
gaslight era still remains in Keith's,<br />
however, in a section long closed to the<br />
general public. It is the third floor "poor<br />
people's" balcony. Ptor a 15-cent admission<br />
fee. and if you were willing to walk<br />
up three flights of stairs from a side entrance,<br />
you coiild once have taken your<br />
choice of any spot along the long, hard<br />
rows of bleacher-type benches. Stearns explains<br />
that it wasn't economically feasible<br />
Droperivt noo hong<br />
ID iHv ottat lotmtttf<br />
occupied bir wall boi<br />
lead «hick >•'•<br />
edmifioterf in lk9<br />
t t r f o m I I H<br />
ing o/ Kttlk't The<br />
lint row of baUofii<br />
leatt wot olio rt<br />
mo»ed, and new i««(i<br />
ere intlalltd >ilfi<br />
til incftei o' legiocm<br />
betwoen rowi Th€<br />
iftcom/etcenf<br />
chon<br />
dtittf, teen m tht<br />
vnalt photo at tower<br />
right, wot removed<br />
and rtploted wifft<br />
incondeicent<br />
ing<br />
light<br />
Arlihctol plants<br />
ettend ocrott (fte<br />
tfoge and along the<br />
wall oreot beneath<br />
the draper it\ The<br />
old bot relief or no<br />
mentation in the<br />
auditorium wot<br />
pointed out with o<br />
iolid color in hor<br />
many with modern<br />
Jtsign<br />
umplitity<br />
to remodel this .section, .so it was left alone<br />
—still untouched after these many years<br />
for the hometown-boy-made-Rood who returns<br />
occasionally to view the .scene of<br />
pleasant childhood memories.<br />
More pictures on following page<br />
;auty for a hardtop<br />
At tk* r««r of the aadrlotntm, prior to rtmoMiOf. iker* vat m» opt» ipore<br />
brtwren the ouditorium and the inner lobbf wfc«tfc permitted dntroettng note<br />
and light to filter in and ditturb potroni thn yap «ai doted with ocomUKol<br />
materioli ei ihon at right<br />
The ototnlKol pomelmg now tfcwarfi (k« lobtri noiia o»d light Loh&r nte*«<br />
Mem wat loeilitoled by renwmtg on "etira" let of lobby doon. and the<br />
ceoceiKOni trend wai mored t/i«k(/r le Ike r>gki to ei n«l lo rfefroct from<br />
Ike riem ol Ike oirdttortom.<br />
BOXOmCE Fvbruarr 3. 19M 63
Keiths Theatre, Indianapolis . . . Cont'd<br />
The facelifting included a new screen, draperies<br />
and indirectly lighted wall planters for the auditorium.<br />
The gray paint used to paint out the bos<br />
relief ornamentation was tinted with red for warmth.<br />
Downstairs, scots of the 1 ,096 capacity theatre were<br />
rebuilt, while 227 new bo/con)' scats were installed<br />
on wide centers. The small picture immediately<br />
above shows what the screen area in Keith's looked<br />
like before the recent improvements.<br />
^<br />
Looking into the theatre toward the auaitonum aoof,<br />
before the remodeling the patron saw this some<br />
what cluttered arrangement of assorted billboards<br />
These were replaced with an Indiana limestone<br />
garden wall, planters and the photomural. The new<br />
carpeting extends throughout the theatre's first<br />
floor and up the stairs to the balcony<br />
i<br />
These views show the new (left) and old area in<br />
which the concessions and stairway to the balcony<br />
arc located. Also to be seen in the left photo is<br />
a port of the ultramodern fricic decorating the new<br />
acoustical wall which was installed between the<br />
auditorium and the inner hhbv<br />
64 Thr MODERN THEATRE SECTION
Sii-Flavor Soup Dispenser<br />
With 800 Cup Capacity<br />
P 1673<br />
MORE<br />
FOR<br />
INFORMATION<br />
com capacity It serves tasty, prepopped<br />
corn that U kept uniformly heatrhed wire<br />
acrass the bottom of the hood prevents<br />
blowinK bits of paper and kIowIiik sparks<br />
leaving the incinerator. Made of aluml-<br />
The St>up-c>i>,» i> [x'liii; introduced to<br />
theatres, both drlve-ln and Indoor situations,<br />
as an automatic dt.sponser of six<br />
Havors of hot soups. Manufactured by<br />
Cole Products Corp.. the Soup-Spa attracts<br />
customers with a multicolored plastic<br />
panel that points up the home-cooked<br />
flavor" of the six soups available at ten<br />
cents a cup. The selections Include Instantlzed<br />
hot .soup with a choice of cream<br />
and re«ular flavors The customer merely<br />
dials the flavor he prefers nmoni; thase<br />
listed on the front control panel and deposits<br />
his coin The first drink Is always<br />
hot. since the Soup-Spa construction eliminates<br />
bulld-up In bowls airlocks and brldetnic.<br />
The Soup-Spa takes nickels, dimes<br />
and quarters and returns correct chanee<br />
A slx-iiaUon heater, two ml.xinK-bowls and<br />
the exclusive Orameter. a positive measuring<br />
device that (fives exact Innredient control,<br />
are other features of the tall 800-cup<br />
aoup dispenser.<br />
Hooded Incinerator Operates<br />
With Minimum Smoke, Smells<br />
P 1674<br />
A ten-bushel outdoor incinerator which<br />
may be used safely within ten feet of a<br />
bulkUng and which needs no watching<br />
has been devrlnped b>- the Alsto Co The<br />
Model CIO incinerator Is built with a square<br />
base, the sides ansled in to form an ample<br />
but narrow opening at the top After<br />
papers or other debris have been placed In<br />
the incinerator and the fire sUrted. a<br />
nl7Td steel, the CIO burns damp, iireen or<br />
dry refu.se to a fine ash In any weather.<br />
The .scientific draft control mlnlmi7.es<br />
smoke and .smell An eiRht-lnch-hiKh detachable<br />
ash pan ba.se and urate Ls provided<br />
for easy cleaning of the Incinerator.<br />
Jumbo Cups of Hot Popcorn<br />
Dispensed<br />
Automatically<br />
P 1675<br />
Thentrr palrt'ns r;»n stvc Ihem-selves to<br />
mmb" '.'
—<br />
' opter.<br />
High Light Gain Registered P1677<br />
By Pearl-Surtaccd Screen<br />
Bnnhtncis Kauis of Irom 1.50 to 2.50 arc<br />
provided by the XR-170 "pearl" screens<br />
available from the Raytone Screen Corp.,<br />
us compared wtth .85 for matte white.<br />
Tliere Is said to be no visible falloff from<br />
the seats alonu the side of the theatre when<br />
the XR-170 .screen is employed, jast lus there<br />
IS no such falloff for a matte white .screen.<br />
The XR-no screen Is of both .seamless and<br />
tearproof construction. An liiKredient in<br />
the "pearl" screen surface Is the nonyellowinR<br />
Ingredient which plves the screen<br />
Its name. Installation of the XR-170 screen<br />
Is said to result in finest quality resolution,<br />
light distribution and color fidelity.<br />
Projection Process Increases P 1678<br />
Dnvc-ln Screen Light<br />
The Cineglo projector and arc lamp for<br />
35mm films, a process said to give an Increase<br />
of more than 300 per cent In Incident<br />
light to drive-in screens, is being introduced<br />
by TARC Electronics. Inc. The<br />
picture, once focused, remains in optimum<br />
focus for every frame indefinitely. Such effects<br />
of heal on film as in-and-out focus,<br />
brittleness. cmbo.ssing and distortion are<br />
eliminated by use of the CahlU-MerrlU<br />
cold focus gate. This gate operates by<br />
clamping the film Intermittently during the<br />
light and dark cycles between two pairs of<br />
optical flats, one pair fixed and the other<br />
movable. Through the hollow center sec-<br />
tlon of each pair of flats a coolant Ls continually<br />
recirculated from gate to air. or a<br />
liquid cooled heat is exchanged. The inside<br />
of the flats becomes the focal plane<br />
for the projection of pictures with highest<br />
resolution, constant focus and maximum<br />
brightness. Other Clneglo projection process<br />
applications include use for large de<br />
luxe .screens In presentation theatres: for<br />
high speed film printers, enlargers and reducers:<br />
In 16mm projectors used by amateurs<br />
and lecturers, and for 35mm and<br />
16mm still projectors which must stay in<br />
focus with high light for long periods of<br />
time.<br />
Compact Stcom Unit Guards<br />
Food Flavor and Quality<br />
P 1679<br />
Boost Drive-ln Profits With<br />
Allan Herschell Kiddie Rides<br />
fM^f<br />
\liiro and more ilrivfin lliratro arc<br />
Write lor A. H.'s new<br />
book: "Ktctdietonds<br />
a Business with o<br />
Future," $3. Tells<br />
how to build and operate<br />
a kiddiatand<br />
successfully.<br />
iSi-I^SS^^<br />
installing »oparatc kiildielanHs to in-<br />
.<br />
crease tlirir profits. Same fine lorutinn<br />
. . . same parking . . same managemenl<br />
. . . same showmanship. Cash in<br />
now while the trend is just slarlint;.<br />
The rides to use in your drive-in kid
'<br />
c<br />
ftlgiu employ porforttt«*d rlttld pli».stlc bnckgrouHcts<br />
into which letters ami JiKures or<br />
pliublr plustic arc Inserted on short pJn.s to<br />
form the sales mnuuute. Tlie bui-kKruunds<br />
are iiviuUible m Kruy. blue, white. bUck wul<br />
cleur crystal pliustic In eight sues. rajJKinu<br />
from 6x6 inches up to 20x24 Inches Characters<br />
m Pfd. white or black are made in<br />
half-inch and I'^-lnch sliu-s Characters<br />
are removed from the txicktcrouiul by simply<br />
KlvtiiK the back of the pins a firm tap<br />
Characters and b»kckj:rounds are thus reu.sable<br />
as frequently as desired, with the<br />
lett«T> and numerals Kuaranteed for three<br />
.unst breakaue. The brmht char-<br />
PU.-.IK<br />
Prefobricotcd<br />
.>lso are washable and slalnlesA.<br />
ta.sels come in black or crystal clear.<br />
With Two Lane<br />
Bonofticc<br />
Canopy<br />
P 1681<br />
""<br />
NOVi/ll "•^rbo^t'lEL^-Tl" BES<br />
BROADWAY THEATRE . . . Palmyra, N«w Jsnsy<br />
V .^ • ' loti k>««*< lu%l ocguirvil anolh*> lh»ol» am gotng<br />
to inttoii to%j# kiU lh«f«.<br />
M C M THEATRES . . . Leetburg, Florida<br />
'.>ain A Ko>p«n, 0«n*f<br />
v.^.. i..v.rf>"v"".i >j— . V".- .«•!--.•.,. ^-T,.,,- -J* comi>t«io)v *ati>lwd •rilh lh« p«rl«monc« ol<br />
Vtl rust Kilt in our Mtof^ I6.KI0 ai in* ^AIN TMIATRC h«ic W> Ka«« no Iroubl* ol any Mft<br />
Bill 9 Cumtioa. Can Mg'.<br />
SYLVIA THEATRE . . . Yorti, So. Carolina<br />
' u i>urcna
ond<br />
'<br />
The Admission<br />
Control System<br />
that<br />
means<br />
Good Business<br />
Good Shov/manship<br />
I<br />
made only<br />
fGpi General<br />
^Register<br />
11 ^<br />
Corporation<br />
your<br />
Infrared Sondwich Oven<br />
With Automatic Timer<br />
P.<br />
rri<br />
£<br />
P 1683<br />
f^l^O<br />
The Sayso infrared Sandwich Oven is<br />
beinn introduced to theatre concessions<br />
where a steady supply of hot dogs, hamburgers<br />
and precooked barbecue sandwiches<br />
are needed throughout the period<br />
the theatre is open. Distributed by the<br />
Concessions Supply Co.. the Sayso Sandwich<br />
Oven has a capacity of six hot dogs<br />
at a time, with larger models available on<br />
special order. Precooked sandwiches, sealed<br />
in cellophane bags and kept in refrigeration<br />
until ready for heating, may be prepared<br />
up to ten days in advance. When<br />
placed in the oven, these sandwiches are<br />
cooked in their cellophane bags in quick<br />
order: hot dogs in their buns in three minutes:<br />
precooked sandwiches and hamburgers,<br />
in four minutes. An automatic timer<br />
signals by buzzer when the sandwiches are<br />
cooked. The unit is equipped with two<br />
500-watt infrared bulbs. Constructed of<br />
chrome and stainless steel, the oven is<br />
eye-appealing equipment for either backbar<br />
or front counter use.<br />
Shakemaker, Soft-Serve Units<br />
For Concessions Counter<br />
P-1684<br />
a turnout capacity of 200 shakes per hour,<br />
ii complete refrigeration system that includes<br />
receiver-condenser. It Is stainless<br />
steel throughout. The companion softserve<br />
freezer serves .soft ice cream or frozen<br />
custard. It is equipped with a ^4-h.p.<br />
self-contained dasher motor, removable mix<br />
reservoir and ^^-h.p. self-contained hermetic<br />
FYeon 22 compressor. Since the mix<br />
reservoir can be removed easily from the<br />
refrigerated unit, cleaning maintenance, an<br />
operation requiring only a few minutes. Is<br />
reduced to a simple operation.<br />
Automatic Counter Machine P 1685<br />
Serves Hot and Iced Tea<br />
A counter-size machine that brews and<br />
dispenses both hot and iced tea automatically<br />
is being introduced to the theatre concessions<br />
trade by the Food Machinery and<br />
Chemical Corp. Known as the FMC Automatic<br />
TeaMaker. the unit produces uniform,<br />
high quality tea consistently, speeds<br />
customer service .uici<br />
induces the time and<br />
labor of tea preparation. It provides its<br />
own source of water heated to the ideal<br />
temperature for brewing tea. This water<br />
ADLER<br />
control<br />
riCKETAK.<br />
General Register Corp.<br />
43-01 Twenly-Se
'i
I<br />
,<br />
about PEOPLE / and PRODUCT<br />
William P. Lane. Prank R. Zierer and<br />
Hugh J. Knapp have been promoted by<br />
Eastman Kodak Co. Lane, manager of export<br />
.sales and manager for Kodak's affiliates<br />
in Latin America and the Par £^t,<br />
has been named a.ssi.stant general manager<br />
of the international division. Zierer. who<br />
has been assistant manager of Kodak Mexicana,<br />
Ltd.. was advanced to assistant manager<br />
for Kodak affiliates in Latin America.<br />
Knapp. assistant manager of the export<br />
.sales department, has moved up to manager<br />
of the department, succeeding Lane.<br />
Ounng the con.eniion of the Notional Ann ol Conccssionoifcs in Miami Beach, Flo , in November,<br />
the memberi ol the board ol directors got together lor their annual meeting, garbed in keeping with the<br />
Hondo climate From lell, and reading counter clockwue around the table: Lee Koken, RKO Industries<br />
Corp ,<br />
New York City, NAC president; James O Hoover, Martin Theatres, Columbus, Go ; Hy Becker,<br />
Bonomo Korday Gold Medal Candy Corp, Brooklyn, N Y , Arthur Segal, Selmix Dispensers, Long Island<br />
City, N. Y ,<br />
Irving Rosenblum, The Savon Co , Poterson, N J , Irving Singer, Rex Specialty Bog Corp<br />
Brooklyn, N Y ,<br />
Philip L Lowe, Lowe Merchandising, Boston, Mass , Van Myers, Wometco Theatres, Miami,<br />
Flo, Bert Nathan, Bert Nathan Interprises, Inc. Brooklyn, N Y , NAC chairman, Harold Chesler,<br />
Theoire Candy Distributing Co , Salt Lake City, Utah; Dick Tully, representing the Las Vegas Chamber ol<br />
Commerce at the meeting, Larry Blumenthal, FlavoRite Foods, New York City; Theodore Melond, The<br />
Albert Dickinson Co, Chicago; Melville B Rapp, Apco, Inc , Long Island City, N Y , and Thomas J<br />
Sullivan, executive vice president, NAC, Chicago<br />
William J. Wawrzonek. who played an<br />
important role as an industrial engineer<br />
m the development of the first ice cream<br />
pint vending machine made in this country-,<br />
has been appointed district sales man-<br />
Iyour theatre<br />
jci^t<br />
• :i/* -jr^ Ml<br />
deserves<br />
SHOW-SELLING<br />
^ATTRACTION<br />
AND<br />
LETTERS<br />
PANELS!<br />
awr in Wisconsin, Minnesota and Iowa by<br />
the Bally Case and Cooler Co.. manulacturers<br />
of refrigerated display cases and<br />
walk-in coolers. Leon Piince. general sales<br />
manager, in announcing the appointment<br />
said that Wawrzonek would esiablisii<br />
headquarters in Milwaukee.<br />
Blair Foulds, vice-president and director<br />
of the Industrial Pioducts Division,<br />
General Precision Laboratoi->-. Inc.. has<br />
announced tlie appointment of Nathaniel<br />
M. Marshall as associate director for sales<br />
in the division. Marshall, who had been<br />
national sales manager for GPL industrial<br />
products since December 1955. also had<br />
served as the division's eastern regional<br />
sales manager.<br />
Seaboard Floor Coverings. Inc., subsidiary<br />
distributing organization for A. & M.<br />
Karagheusian. Inc., became exclusive<br />
wholesale source for Guhstan carpets in<br />
the greater New York area effective Jan. 1,<br />
1958. as replacement for the Empire Carpet<br />
Corp. and the Wornock Mills. Inc. Wor-<br />
withdraw from distribution<br />
nock Mills will<br />
of the Gulistan line in New England at the<br />
same time, but will remain exclusive distributor<br />
of Gulistan carpets in western New<br />
York state and northern Pennsylvania. Empire<br />
Carpet Corp. will remain in New England<br />
as exclusive Gulistan distributor.<br />
Seaboard, in addition to<br />
taking over the<br />
greater New York area, will become the<br />
wholesale source for Gulistan carpets in<br />
northern New Jersey. Long Island. Westchester.<br />
Orange, Rockland and Sullivan<br />
counties. The company at present is distributor<br />
for southern New Jersey. Pennsylvania.<br />
Delaware. District of Columbia.<br />
Maryland. Virginia. North Carolina. parU<br />
of West Virginia and Ohio.<br />
James M. Delaney, senior partner in the<br />
accounting firm of Delaney & Woods, has<br />
completed a 21 -month assignment with the<br />
Ciutiss Candy Co.. during which he was<br />
given responsibility for initiating and carrying<br />
through a program of streamlining<br />
management and operating efficiency. On<br />
September 23. the company authorized<br />
payment of $610,000 in preferred stock dividends<br />
in 1957 and early 1958. which William<br />
C. Jakes. Curtiss president, attributed to<br />
the effectiveness of Delaney's program. Delaney<br />
served as chairman of the board for<br />
Curtiss from September 1956 to Dec 31.<br />
1957.<br />
WAGNER SIGN SERVICE, INC.<br />
?l» S HOYNf AVtNur • CHIC«CO 12, IlllNOIS<br />
CALI CARBON COUPLERS<br />
,^^<br />
Let You Burn All the Carbon /^^ '<br />
"They're Expendable"<br />
The most popular carbon saver Used by more They COSt leSS than jUSt the repairs On<br />
theatres then ALL other mokes COMBINED. high priced QutoiTiotic sovers ond are<br />
^.Al.<br />
u,w HI F,dclll» « W.alharproot<br />
MOBILTONE c!ar<br />
SPEAKERS<br />
fAih ComplHi with Co'ltd Cordi<br />
SANDLER MANUFACTURING CO<br />
'.n ^^, All TO-v 1 92«<br />
t<br />
Clr
• toxorr ici MiioitiTt*<br />
• IXNItlTO* MAS NIS MV<br />
• riATUDI KILIAU CM««1<br />
• rC«TUR( RtVllW OKCST<br />
• Rfviiws or rtAiuits<br />
• SHOiirj (tiiAsc CH**T<br />
• JMO*r SUBJICT fitvitws<br />
• SNOWIXNOISIIC<br />
tot AS<br />
BOXOfflCl<br />
THC GUIDE TO BITTCR BOOKING AND 8 U S I N £ S i B U I L D I N G<br />
Theatres Join Dallas Fights Its Waistline' Campaign<br />
Passes Offered by Interstate Houses<br />
In Citywide Weigh-ln Gimmick<br />
Interstate Theatres of Dallas stepped<br />
right into the midst of current events by<br />
putting Its weight of ten theatres t>ehmd<br />
a •Dallas Fights Its Waistline" campaign,<br />
which Is tjelng conducted by the Times-<br />
Herald there. KRLD-TV and the DaUas<br />
County Medical Society,<br />
Dieting and overweight has become a<br />
topic of conversation in this U. S.. which<br />
apparently Is growing in wal.stUnc as well<br />
as in numl)ers—a topic almost as engrossing<br />
as the weather, and special diets, reducing<br />
drugs, get almost as much public<br />
attention as Sputnik and other missiles<br />
When the Tlmos-Herald and KRU3-TV<br />
began receiving more than 1.000 requests<br />
dally for their booklet on reducing diets.<br />
the inventlTe Interstate Theatres promotion<br />
department came up with a gimmick<br />
of Its own to help the popular cause—and<br />
put Its ten local theatres in the campaign<br />
spotlight.<br />
rrs coiNC. gre.\t<br />
"The campaign Is going great m the theatres.<br />
" reports Hal Cheatham of the Interstate<br />
office.<br />
It works something like this (the rules<br />
reprinted herewith expaln It fuUy>: The<br />
set piece shown In the accompanying photo<br />
Is placed near the door of each theatre,<br />
next to It is a set of scales Theatre patrons<br />
are encouraged to weigh themselves.<br />
The poundage Is noted in a notebook at<br />
each theatre Five months afterwards the<br />
same persons drop by the same theatre and<br />
weigh again. The weight Is noted and also<br />
the loss, if any If the loss Is ten pounds or<br />
more, passes are awarded, on the basis of<br />
ten passes IT the "reduction" Is ten pounds,<br />
plus one pass for each pound lost over ten.<br />
Ftor example. U a person shows a loss of 1<br />
pounds, he recelTes 11 passes. If the loss<br />
Is under ten pounds, he Is not eligible<br />
The Times -Herald and the TV sUtlon U<br />
publlcLzins the campaign as a dtywlde<br />
health effort pointing out the dancers of<br />
orerwctght Dozens of clrlc. senrlce and<br />
social clubs are showing the film. The Ordeal<br />
of Thomas Moon." which depicts the<br />
everyday iroublea of an average fat man<br />
Doctors dramatise the prrlU of orerwctght<br />
Many groups of office workers, housewives<br />
and business executives have banded together<br />
In weight-reducing groups. The<br />
Timcs-Hcrald Is mailing a reducing booklet<br />
to all who ask for It.<br />
The IntersUte welgh-ln date expires<br />
March 1; passes are awarded for the specl-<br />
Iied reductions up to five months later.<br />
niE RILES<br />
1 Weigh on the scales placed near the<br />
door of this theatre.<br />
2 Have the doorman or the theatre manager<br />
verify your present weight for the<br />
theatre's records.<br />
3. Return to this theatre not later than<br />
five months after the Initial weighing<br />
and have the weight loss checked and<br />
verified by the theatre manager or the<br />
attendant.<br />
4. To be ehglble to win passes to this theatre,<br />
each person must lose at least ten<br />
pounds.<br />
b. A person losing at least ten pounds will<br />
receive ten passes to this<br />
theatre<br />
6 Pot each pound ovtr ten pounds the<br />
management wUl give you a pass for<br />
each pound lost.<br />
7. Persons may weigh and record their<br />
loss (weight) at any Interstate theatre<br />
In Dallas. Howewr. they ma'«t weigh<br />
and will be eligible for the free posses.<br />
one time only in only one particular<br />
theatre<br />
B This weight loss-fr«e pass offer Is valid<br />
only five months from your first welghln<br />
date<br />
9 The welgh-ln date expires March 1.<br />
1958<br />
10 If m doubt and you are overweight<br />
see your doctor.<br />
Kwoi' Tun* in Bgh Spot<br />
The River Km March-Colonel Bogey"<br />
muMc fmm "The Brldgvon the River Kwal"<br />
has hit the No 1 poalUoo on the Audience<br />
Coverage Index of nost-playcd hinas oa<br />
the radio.<br />
I<br />
JOIN<br />
jttry Rrrnoldt. right, monogcr of Ihc Tovtr<br />
Tkcairt in Dolloi. learnt Iron) Iht Koln tkot<br />
b« mar ho'C to |Oin Kit own companr'l contnt<br />
bting offered in conncio lotn ot Icail ft*<br />
poundt in the neil fi't montkt—o«t patt lor<br />
t'cry pound<br />
Cultivates New Customers<br />
By Appealing to Parents<br />
Joe Pedruccl. manager of the Roxy Theatre.<br />
Springfield. Ill . awarded parents of<br />
the first ten babies twm in 1858 a pair of<br />
theatre tickets which may be used any<br />
lime this year In presenting the tickets.<br />
Pedruccl invited the parenu to enjoy "»<br />
night out at their convenience."<br />
Pednjccl alio made him.vlf and his theatre<br />
popular with parents the Monday before<br />
ChrlsUnas with a baby-sttUng moUnee<br />
fraturlng Walt DWney's •'Dlsneyraina<br />
Tlie iJtUest Outlaw.' Johnny Applesecd'<br />
and eight color cartooru " ThU program<br />
was shown at 1 and 3 30 p.m .%o mothers<br />
could get in the final gift purchases while<br />
Um youngsters were at the theatre<br />
BOXOrnCE Sho duar rtto i. IMS — 25 — 1
A<br />
Oscar Nominees Monday 17th; Other<br />
Exploitable Dates for February<br />
February Is the shortest month in the<br />
year but it Is long In money dates for the<br />
alert showmen.<br />
A little more than two weeks from the<br />
time of this Issue the Academy Award<br />
nominations will be announced, marking<br />
the 30th annual Oscar derby, which will<br />
reach a climax March 26 when the winners<br />
will be announced and the Oscars<br />
presented.<br />
A plan for capitalizing on the nominations<br />
include publicity for the local newspaper.<br />
A personal coll on the editor is In<br />
order so he will be waiting for the prepared<br />
material and be able to make the<br />
early editions. Make sure he knows what<br />
the nominations mean to your theatre and<br />
also to amusement page readers.<br />
Similar calls should be made on the<br />
radio and television editors.<br />
Lobby displays and other promotions<br />
should be ready soon for the nominees.<br />
Other February exploitable dates:<br />
Feb. 9-15. National Boy Scout Week—<br />
week offering excellent opportunity to<br />
build goodwill by reaching the parents<br />
through the boys. Contact local Scout<br />
officials and have them arrange for<br />
troops and packs, in uniform, to show<br />
Sophia Loren Look-Alike<br />
In Lobby for Amateurs<br />
The day after Carol Montour, 110 lbs.,<br />
35-23-35. was chosen as the girl in the<br />
Twin Cities who looks most like Sophia<br />
Loren. in a promotion for "Legend of the<br />
Lost" at the RKO Orpheum in Minneapolis,<br />
the National Camera Exchange there<br />
ran a three-column ad in the Morning<br />
Tribune and the Star, evening paper, inviting<br />
amateur photographers to the Orpheum<br />
lobby to photograph the "Twin<br />
Cities MLss Sophia Loren."<br />
Copy read: "Amateur Photographers:<br />
Big Prizes. Big Thrills photographing tht<br />
glamorous Twin Cities Miss Sophia Loren<br />
. . . Win wonderful prizes, shoot glamorous<br />
photos to your heart's content. Bring your<br />
camera to the lobby of the RKO Orpheum<br />
Theatre where the glamorous queen will<br />
7:45 p.m. . . . Contest<br />
pose for you . . .<br />
gpon.sored by National Camera Exchange."<br />
The ad appeared the day after slde-byaldc<br />
photos of Miss Loren and Miss Montour<br />
appeared In the newspapers, climaxing the<br />
contest.<br />
The Orpheum gave 100 tickets to Stillman's,<br />
new .lupermarket. in return for a<br />
large-space announcement on the film In<br />
a iwge grocery ad.<br />
'Pet' Records to Deejays<br />
Radio dl.'.c JfKkfys the country over arc<br />
receiving from Columbia Records Doris<br />
Day's waxing of the title tunc from<br />
"Teacher's Pet," which Paramount will rcleaae<br />
next «prln
ill<br />
'Slim Carter' Fills<br />
Till in Small Cily<br />
Jack Marshall. mannKrr of the F^uiuo<br />
Tlictttrc In DyersburB. Teiui.. submitu-d Iho<br />
wiimliiK campiviKii in the December showman.shlp<br />
competition of Uie Crrscciu<br />
Amusomtni Co. circuit, whose hcndquuruis<br />
Is at Naahvllle. Tcnn. Sho' Stuff, tiie<br />
Crescent publication, reports Marsttall.<br />
seUUiK "Slim Carter." did 150 per cent of<br />
hU average business.<br />
8U-9(ieet cutouts of Slim and Tim Hovey<br />
were used on a top-of-the-marquee display<br />
with two-foot letters sptUinR out the film<br />
title, illuminated with 65 light bulbs. This<br />
display unit went up three days before<br />
opening.<br />
The street ballyhoo was particularly effective<br />
In Dyersburu. A local six-footer<br />
was dressed as Slim Carter and a very small<br />
boy as Tim Hovey. or Shorty. On the sixfooter's<br />
back was a sign which read. "I<br />
am SUm Carter . . . See me at the Prances<br />
Theatre Sunday. Monday. Tuesday." On<br />
Shorty's back the card read. "I'm Shorty.<br />
I cut "em down to size. Ill be there, too."<br />
These two walked the streets most of<br />
Saturday before the Sunday opening, passing<br />
out heralds on the picture.<br />
Marshall reports the gag was so effective<br />
the patrons expected to see SUm Carter<br />
In person at the theatre.<br />
'Witness' Preview Ads<br />
Start New UA Policy<br />
l:.:' \1 Artists launched in New York Its<br />
new program of off-the-amusement-page<br />
advertising and special previews with an<br />
ad Inviting readers to attend an advance<br />
showing of "Witness for the Prosecution"<br />
at the Astor Theatre on Broadway. The<br />
three-column insertion was headed. "Wanted'<br />
1.080 Witnesses!" The ads ran on page<br />
or 3 ' of the New York Times and In the<br />
2 I<br />
Dally News on the 20th.<br />
Copy asks readers to write to the Astor<br />
for preview tickets and mention cluba.<br />
community groups or other orgtmizatlons<br />
with which they may be affiliated. The preview<br />
campaign Is designed to develop wordof-mouth<br />
support for the film.<br />
Off-the-amusement-page placement of<br />
the preview ads In line with United Artists'<br />
recently announced policy of directing<br />
more and more of lis promotional effort<br />
to segments of the audience that don't regulArty<br />
read the amu.iement page.<br />
The 1.080 scats allocated for the preview<br />
represents almost 90 per cent of the Astor's<br />
full capacity of IJOO.<br />
A co-op ad campaign for "Witness" by<br />
the Inclln-Ator Chair Co. will be kicked off<br />
In eight major magazines. The quarterpage<br />
ad features a scene from the scre«n<br />
version of Agatha Christie's hit play,<br />
sbowlnir co-star Charles I>Auirhtnn riding<br />
•<br />
-Ator Chair. Th' -vt will<br />
:i the February Iss'. ..e and<br />
Garden and the Atlantic Monthly, and<br />
later In the New Yorker. American Home.<br />
House Beautiful, the Christian Herald.<br />
Harper's and the National Oeocraphlc<br />
BOXOmCE ShowmandiMf Peti t. IBM<br />
Matinee Financed by Merchants Fills<br />
Neighborhood Theatre Each Saturday<br />
This i> ticw ol the crowd of youngtlcri,<br />
upper photo, »ho ottcrid free >ho« crery<br />
SoturdoT morning ol the Villa Theotre in<br />
Soil Loke's luburb of Sugar Houic. Adjacent<br />
photo: Dick Frisbcy (left) greett o few of<br />
the youngiteri who regulorly fill the Villo<br />
Theotre to ortf capacity.<br />
Cooperation between a theatre and a<br />
community on children's shows Is paying<br />
off for Dick Prlsbey. manager of the Villa<br />
in Salt Lake's suburb of Sugar House. For<br />
the past three months, the theatre has<br />
been running free shows for children every<br />
Saturday morning. Free tickets art dlstrlbutiil<br />
by ten merchants—a cafe-restaurant,<br />
a lumber company, a plumbing shop,<br />
an egg dealer and several Independent and<br />
chain grocery stores.<br />
The tickets may be used by adults as well<br />
as children. They are given to anyone asking<br />
for them. No purchase Is necessary.<br />
The stores pay the tl2S cost of the fUm<br />
each week.<br />
In consultation with PTA and community<br />
groups, Frisbey hnes up the program<br />
each Saturday morning. The show consUta<br />
of films from the Children's Library<br />
of Motion Pictures — Disney featurrtlcs,<br />
cartoons. "Ma and Pa Kettle" features.<br />
"Francis " shows or similar attractions.<br />
Frtsbcy belleres the protcrmm has attracted<br />
betwprn 20 000 and 30.000 persotu<br />
in the time it has btun running. He has<br />
always had a capacity house. H« aoyi many<br />
Saturdays ha sees a father or mother brlitc<br />
as many as five or six children to the show.<br />
And how does this help the theatre?<br />
Well." Frisbey says. "I believe we are<br />
promoting the movlegolng habit In thousands<br />
of youngsters and I know ws are<br />
— 27 —<br />
getting adult trade for our recular shows<br />
berau.sc I see some come back during the<br />
next week."<br />
Another considerable Item Ls the 1150<br />
to $165 business each Saturday done at<br />
the refreshment stand of the 1,500-Mat<br />
Villa.<br />
Iowa Theatre Provides<br />
Rides for Its Patrons<br />
A new approach to the theatre buslneat<br />
was announced recently in Audubon. Iowa,<br />
when John Rrnflle. owner of the Rom<br />
Theatre, said he will provide transportation<br />
for adults attending movies. Those<br />
wishing rides may call the theatre from<br />
Monday through Friday between 0:30 and<br />
0:45 pjn Rides home will also be provided.
"Closing<br />
Tabloid Herald Does Good Job When It<br />
'Gives News'-An Example From England<br />
PnPkPT -UlLi of the promotion will be pre-<br />
:
.^nd<br />
National Pinup Contest<br />
In Playboy for UA Film<br />
A aaHoi..u t-r.Uit to find Uu- girl of<br />
1958 wlio moat closely rrftrmblrs iht wrllroundrd<br />
ptnup b«auUrs of World War II<br />
hiLs brt'n arrAngvd with Playboy magaxlnr<br />
r of Run Silnu. Run Drancmsler<br />
itnd Clark Qablc.<br />
Rogrr H Lfwis. I'nitrd AriisUi ud-pub-<br />
UcUy director, explained the contest to<br />
find •the girl they left behind" will bring<br />
five regional finalists to Hollywood. The<br />
grand winner will receive a screen test and<br />
a contract with Hecht-HiU-Lancaster<br />
Details of the promotion will be presented<br />
m a two-page spread in the Pi-bruary<br />
Issue of Playboy.<br />
The panel of judges Includes producer<br />
Harold Hecht. Rita Hayworth. columnist<br />
Earl Wilson, artist FYita Willis, who created<br />
the pin-up used in Uie film, and HuKh<br />
M Hefner, editor-publisher of Playboy<br />
Any girl In the U. S. Is eligible and may<br />
enter by submitting a photograph of herself<br />
In a pinup pose. Entries should be<br />
mailed on or before March IS to Hecht-<br />
HlU-LAncaster. 'The Girl They Left Behind"<br />
Contest. 202 North Canon Drive.<br />
Beverly HllU. CalU.<br />
Teenage Bandstand Above Theatre; Its<br />
Combos Fill<br />
House Four Nights<br />
Sells 'Ski Crazy' Short<br />
For Fine 4-Day Gross<br />
Here s what one manngpr, just one manager,<br />
did with "Sid Craw" a short subject<br />
for a nice four-day gross. He's Chuck<br />
KroU. Cooper Foundation Theatres showman<br />
In Lincoln. Neb. He reports:<br />
"Mailing pieces on "Ski Crazy' were sent<br />
to Pikes Peak Ski Club members. Sno Jets<br />
Club. Pine Arts members and all Ski clubs<br />
In the sUte. total of<br />
1.028 In all were sent.<br />
•Pike's Peak Ski Club announced at their<br />
meeting the playdates. also posted posters<br />
at the college. 100 11x14 window cards<br />
were distributed In windows, ski shops and<br />
hardware stores. Leaflets were passed out<br />
after school at the main high school.<br />
KRDO played the 'Ski Crazy' album and<br />
plugged the picture two days. Special<br />
40x608 were made up using the one-she«t«<br />
on "Ski Cnuor.'<br />
'Leaflets were passed out two weekends<br />
at the Pikes Peak Toll Gate and one she«ts<br />
were posted at the snack bar' on Pike's<br />
Pvak skiing area."<br />
Jimmy Fidler Contest<br />
Good for Extra Cash<br />
A Jimmy Fldlcr contest, promoted on a<br />
local radio station, was good for some extra<br />
r*- venue at the Cmpltnl Theatre In<br />
Madlsonvtlle. Ky James McI
BOXOFFICE<br />
BAROMETER<br />
Thif ctiort recordl the pcrformanc* of current attractioni in the opening week of iheir tirit runi in<br />
fht 20 key citiei checked. Picture! with fewer than five engagement! ore not listed. Ai new rum<br />
ore reported, rating! are added and average! revised Computation is in terms of percentage in<br />
relation to normal grosses o! determined by the theatre managers With 100 per cent as "normal,"<br />
the figures show the gross rating above or below that mark.<br />
(Asterisk * denotes combination bills.)<br />
.rrsassssrss;<br />
Tssm^s^sssr^^a^XEssssKsnrsRsa^^<br />
•Abominable Snowman, The (20th-Pox) 100 80 200 100 95 100 75 100 80 50 80 85 80<br />
April Lore i20th-Fox)<br />
200 125 150 190 140 150 140 133 250 225 80 250 110 140 120 125 250 125<br />
BiUsy Face Nelson (UA)
Am tNl««»r«f«ll«« analvtl* •# Mv ••« r««4«*r*«« f«vi««ft. fk* #!«• ca^ mMM- .<br />
4*«»« •» ii««ill I.Ull>«i »> cv>t«>ii r«.M>a, a»«al«4 rv«aMr«i TkM «•••»••>< x^tm<br />
o » «l an AirMAtlTICAl INDIX !• •••l»i« i«i«a.«, tok^ \J «*imi«< lOlOMicI<br />
• Im llkbon Axfd WioiM' fhaioftapkf -i C*>«f. C C'»««»»
6V<br />
Pan<br />
1<br />
REVIEW DIGEST Very Good, Good. Fail Poor. Vrrv Poor tn the jummorv n rated 2 plusd, 0\ 2 mmuici<br />
11<br />
£ '<br />
3<br />
^160 OKiu TbM I* Ht (101) O Cm. 20-Fai U- 9-S7 -f<br />
nn lUi tl Vfiit«ann (73) Mnitn WB t-lT'ST ±<br />
2iaSOlM> T ri>tr. nt<br />
(941 C Rcanlic Cmitdir U-l<br />
7107 laix UntnoOT. Th« (7B) C A^V "'*<br />
JlsaoiX"^ of (hi Lnl<br />
(109) T Atfiarlivt Oriai U*<br />
2'. l.-.Un Cirit (114) C Mui'Coia UGM<br />
2.-: '.Lilt Bt Huar (93) C Con/Min. AA<br />
?l'wL.nj Hiul. nil (B8) Action Or. Cal<br />
21'. .Lnt SItin ol trie Aauani<br />
(81) Aditnluri Dilau . U-l<br />
2124 Olnt UttHT. Tki (82) Coa. Cant'l<br />
2097 le>
nm» tt In M'oOkMaL O
.<br />
.<br />
Doc)<br />
.My.<br />
SF.<br />
Doc.<br />
Red<br />
©<br />
Th« hey lo (•ttcrt and combinoftont fh«r«ot tnduoting ttorv typ*. (Adi Adv«ntur« Oromo; (Ac) Action<br />
FEATURE CHART Ofoma; (An' Animotad-Action; \C' Comtdy; CO Comcdv-Droma; (Cr) Crime Dromo; (DM) Dramo<br />
wtth Mutic; I Oocumtntorv; D Dromo; F Fontoty; iFCi force -Comady; (Ho) Horror Dromo; (HI)<br />
Hiitoricol Dromo; iM Muiicol; Myi Mystery; 00' Oi'tdoor Dromo; (SF) Science- Fiction; (W) Weitem.<br />
RANK i X.<br />
REPUBLIC<br />
20TH-FOX<br />
UNITED ARTISTS g gg<br />
UNIVERSAL-INT L<br />
id<br />
>-<br />
<<br />
s<br />
,1t Thi Miapon (80) Ac 5611<br />
8tctarcla Mean<br />
OThe Rciless Breed (81) W 718-7<br />
Rrull Rrad). Anne lUnrroft<br />
Way lo the Gold (95) « Ad .717-9<br />
Hlirrre North. Jeffrey Hunter<br />
China Gate (96) NjiJit. Cornell Borchen.<br />
Mirhol Ray<br />
Touch of Eril (113) D. SS15<br />
rhailion Hnton. JanH Leigh. Or-<br />
Kin Weliti<br />
L<br />
10 POXnrriCE BookinGuiHo Fib 3 1968
Ma<br />
riM k«i I* l«tt«ri an^ f anklnallaat lk«M«l b>4ta«ltot »'—y ftp*' tA4l *«*wMara 0««a>«, IA«I<br />
Or«a>«: Am AnlmOad-Adlaa. ,C< C««
Sep<br />
Nov<br />
.<br />
I<br />
Jan<br />
.<br />
. .<br />
Feb<br />
^HORTS CHART<br />
Short<br />
lubixti, lti»»d by comi.onr. In ord«r ot r«l*m<br />
WALT DISNEV CLASSICS<br />
(Technicolor Rcilluet)<br />
74111 Ounbfll ol Ihc Yukon<br />
(7) M»r57<br />
74112 B«n< Trouble (9) Hv 57<br />
74HJ WInde. CltJ-ir-i (P ,)<br />
COLUMBIA<br />
ASSOHTtD<br />
FAVORITES<br />
(Trchnlcolor)<br />
2ed (8) Sep 57 ...<br />
W-962 Jerry and the<br />
Lion (7) Sep 57 ...<br />
W-963 Goldilocks ud the<br />
Ihiee Bears (11).. Oct 57<br />
W-964 Texas Tom (7) Not 57<br />
W-965 The Fishing Bear (8) Nov 57<br />
A-966 Tom & Jerry in the Holly-<br />
.<br />
..Oec57 ....<br />
wood Bool (7) .<br />
w-967 The Milky Way (8) Jan 58<br />
W-968 The Midnight Snack<br />
(9) Jan 58<br />
W-%9 Cock-a-Doodle<br />
Dog (7) Feb 58<br />
W-970 Casanova Cat (7) ..Mar 58<br />
W-971 Daredevil Droopy (6) Mar 58<br />
W-972 Jerry and the<br />
Goldfish (7) ... Apr 58<br />
W-973 D'ooiiy's Good<br />
Deed (7) May 58<br />
W-974 Jerry s Cousin (7) May 58<br />
W-975 Symplwny in<br />
Slang (7) Jun 58<br />
W-976 Sleepy-Time Tom (7) Jul 58 ..<br />
W-977 His Mouse Friday (7) Jul 58<br />
W-97g Puss 'N' Tools (7) Aug 58<br />
PARAMOUNT<br />
CARTOON CHAMPIONS<br />
(Technicolor Reissues)<br />
S171 Deep Boo Sea (7) Sep 57<br />
S17-2 Spunky Skunky (7) Sep 57<br />
S17-3Cat-Choo (7) Sep 57<br />
S17-4 Audrey the Rainmaker<br />
(8) Sep 57<br />
S17-5Cat Tamale (7) ...Sep 57<br />
517-6 By Leaps &<br />
Hounds (8) Sep 57<br />
S17-7 Scout Fellow (8) Sap 57<br />
S17-g Cat Carson Rides<br />
Again (7) Set 57<br />
S17-9 The Awful Tooth (7) Sep 57<br />
S17-10Law & Audrey (7) Sep 57<br />
S17-11 City Kitty (7) Sep 57<br />
517-12 Clown on the Farm<br />
(7) Sep 57<br />
CASPER CARTOONS<br />
(Technicolor)<br />
.<br />
E116-3 Hooky Scooky (6) Mar 57 -f<br />
B16 4 Peekaboo (6) May 57 4<br />
BIG'S Ghent of Honor (6) Jul 57<br />
B16-6 Ice Scream (6) Aug 57<br />
(1957-58)<br />
B17 IBoo Bop (7) 57<br />
B17 2 Heir Restorer (6) Jan 58<br />
BI7 3 Spook and Span (6) Feb 58<br />
HERMAN k KATNIP<br />
(Technicolor Carlttns)<br />
1116-3 Sky Scrappers (6) Jun 57 «<br />
H16'4 From Mad to Worse<br />
Aug 57<br />
(6) .<br />
(1957-58)<br />
H17 1 One Funny Knight<br />
(6) Nor 57<br />
H17-2 Frighly Cat (6) Mar 58<br />
NOVELTOONS<br />
( Technicolor)<br />
P16 4 Fishing Tackier (6) Mar 57 It<br />
P16-S Mr Money Ghs (7) Jun 57 H<br />
P16 6l'Aaiour the Merrier<br />
(7) Jul 57 ^<br />
(1957-58)<br />
P17-I PttsuH Psvl (6) Sap 57<br />
P17 2 Jumping With Toy (6) Oct 57<br />
CO I' £a<br />
6- 8<br />
6-29<br />
11-23<br />
6- 8<br />
6-29<br />
11-2)<br />
P17-3 Jolly the Cloon (6) Oct 57<br />
P17-J Cock-B-Doodle Dino<br />
S'S 'a C'S I<br />
iO OC K O C<br />
.<br />
.<br />
(6) Ok 57<br />
P17'5 Dante Dreamer (6) Jan 58 ...<br />
P17-7 Grateful Gus ) Mar 58<br />
(<br />
POPEYE CARTOONS<br />
(TKhnicolor)<br />
E16-5 The Crystal Brawl (6) Apr 57 + 6-29<br />
E16-6 Patriotic Popeye (8) May 57 4 6-29<br />
E16'7 Spree Lunch (6) Jun 57 44 11-23<br />
POPEYE CHAMPIONS<br />
E17-1 Tops in the Big Top<br />
(6) Set 57<br />
E17-2Wotta Knight (7) Sep 57<br />
E17-3Tar With a Star (7) Sep 57 ...<br />
E17 4 How Green Was My<br />
Ssinach (7) Sep 57 ....<br />
E17-5 Fistic Mystic (7) Sep 57<br />
E17-6Salari So Good (7) Sep 57<br />
E17-7 Baiking Dogs Don t<br />
File (7) Sep 57<br />
E17-8 Baby Wants Spinach<br />
(7) Sep 57<br />
20th CENTURY-FOX<br />
MOVIETONE CINEMASCOPES<br />
(Color as Indicated)<br />
7703 2 Future Baseball<br />
Champs (7) Mar 57 4 7-27<br />
7704-0 OBIuetin Fury (8). Apr 57<br />
.<br />
7705-7 laOrient Express It<br />
May 57 ...<br />
Hong Kong (9) . . .<br />
7706-5 OGuardians of the<br />
North (8) Jun 57<br />
7707-3 OTempo ol Tomorrow<br />
(9) Jul 57<br />
7708- 1 OSwamp Boat Sports<br />
(9) Aug 57<br />
7709-9 ©Midway Medley<br />
(8) Sep 57<br />
7710-7 OJoufney Thru Ceylon<br />
(9) Oct 57<br />
7711-5 ©Trotters and Ptcers<br />
(9) Nov 57<br />
7712-3 ©Legend ol the Orient<br />
(9) D« 57 ....<br />
(1957-58)<br />
7S01-4 High Divers and Dolls<br />
(7) Jan 58<br />
7802-2 The Jumping Horsa<br />
(9) Feb 58<br />
7803-0 Wild Race (or Glory<br />
(..) Mar 58<br />
7804-8 Transcontinental<br />
(10) Apr 58<br />
MOVIETONE SPECIAL<br />
7805-5 Queen Elizabeth Hailed by<br />
U. S. and Canada<br />
(15) Jan 58 ....<br />
TERRYTOONS<br />
(Technicolor)<br />
5733-1 Phoney Baloney in African<br />
Jungle Hunt (/) . Mar 57 4 7-27<br />
5734-9 Dimwit in Daddy's<br />
Little Darling (7). Apr 57<br />
5735 6 Love Is Blind (7) May 57<br />
(1957-58)<br />
5S01-6 Clint Clobber in Springtime<br />
lor Clobber (7). . 58<br />
5802-4 Dinky In It's a Living<br />
(7) Feb 58<br />
5803-2 Gaston Le Grayon in Gaston's<br />
Baby (7) . Mar 58<br />
58040 The Juggler ol Our Lady<br />
(9) Apr 58<br />
TERRYTOON TOPPERS<br />
(Technicolor Reissues)<br />
5736-4 Mighty Mouse in Beauly<br />
On the Beach (7) . Jun 57 ....<br />
5737-2 Dingbat In All This and<br />
Rabbit Stew (7). Jul 57<br />
5738 Bearer Trouble (7) Aug 57<br />
5739-8 Mighty Mouse in Goons From<br />
Sep 57<br />
the Moon (7)<br />
. .<br />
5740-6 Nulsy in Squiml<br />
Crajy (7) Oct 57<br />
5741-4 Helpful Genl (7) Nov 57<br />
5742-2 Mighty Mouse In Injun<br />
Trouble (71 Dk 57<br />
(1957-58)<br />
r831'3 Mighty Mouse In Witch's<br />
Cat (7) Jan 58<br />
5832-1 Woodman Srare That TrK<br />
(7) Feb 58<br />
5833-9 Mighty Mouse In Mysterious<br />
Stranger (7) Mar 58 .<br />
5834 7 Heckle and Jeckle in Happy<br />
Landing (7) . Apr 58<br />
TERRYTOON-CINEMASCOPES<br />
(Technicolor)<br />
S703-4 Beefy in a Bum Steer<br />
(7) Mar 57<br />
5704-2 Sniffer In the Bone<br />
Ranger (7) Apr 57 .<br />
5705-9 Gallon Is Hera (7) May 57 ..<br />
5706-7 John Dormat In Shove<br />
Thy Neighbor (7) Jun 57<br />
5707-5 Clint Clobbrr's Cat<br />
(7) Jul 57<br />
5708-3 riebus (7) Aug 57<br />
UNIVERSAL-INTERNATIONAL<br />
COLOR PARAUt<br />
Vi74 Junior Jaaborae (91 Mar 57 « 4-13<br />
3675 Crossroads of Ihc<br />
Ages (9) Mar 57 4 4-U<br />
3676 Tlie Lion Dancers (8)<br />
- Jul 57<br />
3o77 Hurray All Boats (9) Sep 57 4 7-27<br />
3678 A drirf Case (9) Oct 57 4 B-10<br />
MUSICAL FEATUHETTES<br />
3655 Swinging' and<br />
Singin' (15) Mar 57<br />
3656 Riot in Rhythm (16) Apr 57 4 8-10<br />
3657 Dance Demons (14) .May57 4 8-10<br />
3658 The Goofers (16) Jun 57 4 8-10<br />
3659 The Elgart Touch (15) Jul 57 4 7-27<br />
SPECIAL (Two Reel)<br />
3601 ©Song ol the Crape<br />
(20) Mar 57 H 4-13<br />
VARIETY VIEWS<br />
3692 Monkeys Are the<br />
Craiiest (9) Mar 57 4-13<br />
3693 Bears Go Rural (9) Apr 57 4 5-11<br />
3694 Brooklyn Visits Detroit<br />
(9) May 57 4 4-U<br />
3695 Your Zoo (9) Jun 57 4 7-27<br />
WALTER LANTZ CARIUNtS<br />
(TKhnicolor)<br />
3614 Plumber ol Seville
Sun.<br />
:<br />
;. M.<br />
ALLIED ARTISTS<br />
KriciiUI) l'rr\UA.\loii (AA)—<br />
Oary Cooper. Dorothy McOulrr.<br />
M«rJorlc Mnln PlMycd this one<br />
for ThimkaKlvlnic and couldn't<br />
hikvr made • brttrr choice Many<br />
fine comnienLs from our iwtroius<br />
cooper wa.1 terrific If you<br />
h»ven"t played It. you're mLislnt:<br />
jomrthltiR Played Wed . Thurs.<br />
Weutiitr Pair— A'. Madril, La-<br />
PUm Theatre, Antonlto. Colo.<br />
Pop. 1J55<br />
Lct'a Be Happy (AAi—Tony<br />
Martin. Vera-Ellen. Robert Flemyng<br />
If we had Kl\°en this one a<br />
d«v«"nt chance. I hone.slly U»lnk It<br />
would have come through, but<br />
since we played It Just before<br />
Christmas It did not do us any<br />
good. The picture U worth (rood<br />
playing time. Played Wed.-Sat<br />
Weather Cold — Harold Bell.<br />
Opera House. Ooatlcook. Que.<br />
Pop 8.341<br />
Net of This Earth «AA)—Paul<br />
Birch. Be%-orly Garland. Morgan<br />
Jones. Doubled this with "La5t of<br />
the Badmen." This is quite a<br />
hair-raiser. Will scare the kids<br />
and drive them out to the lobby<br />
to hide under the manager's wing<br />
Played Frl . Sat. Weather: Pair.—<br />
Michael Chiaventone. Valley<br />
Theatre. Spring Valley. 111. Pop.<br />
5.123.<br />
Spook Chasers (AA>— Huntz<br />
Hall. Stanley Clements. Darlene<br />
Fields. Whafs left of the Bower>-<br />
Boys is still good for a lot of<br />
laughs from the smallfry. but<br />
they only pay 15 cents to get in.<br />
Big kid business, but not enough<br />
money in the bank. Played FTl..<br />
Sat . Weather Pair —Michael<br />
Chiaventone. Valley Theatre.<br />
Spring Valley, ni Pop 5.123.<br />
Top of the World (AA)—Dale<br />
Robertson. Evelyn Keyea. Frank<br />
Lorejoy. Played this as lower<br />
half of double bill. Came home<br />
and found the family watching<br />
the same (Urn on TV as a late.<br />
late show. Just how bad can It<br />
get? Again the mercenary attitude<br />
of the dlstrlt>utor Is cutting<br />
our throats. Played Frl. Sat<br />
Weather: Clear and cold.—Duane<br />
BDlckson. Park Theatre. Wauloma.<br />
Wis Pop 1J70<br />
COLUMBIA<br />
Jeanne Eaxels iCoI> — Kim Novak.<br />
Jeff Chandler. Agnes Moorebead.<br />
We had tome extra adult<br />
trade on this one. which was<br />
larprlslng. The kids and teener*<br />
woodered who Mis* Eagela was.<br />
Played Sun. Weather: Snow.—<br />
Michael Chiaventone. Valley<br />
Theatre. Spring Valley, ni. Pop.<br />
SJ33<br />
Jaaaae Eagcto 'CoD—Kim Novak.<br />
Jeff Chandler. Agnea Moorebead.<br />
A really good abow. but<br />
anmebody goofed again and forgot<br />
to nut this in color With a<br />
background. It would<br />
.'^avc Improved It a lot<br />
^!> >u,Uun.i are beginning to oompl.\:n<br />
about the lack of color In<br />
product being released. I believe<br />
that when color Is left out of a<br />
picture It not only hurt« that<br />
picture, but the Industry as a<br />
whole If It Is In black and white,<br />
they are not Imprened enough lo<br />
come back again soon. Played<br />
-iHw^wa<br />
Sun. Mon Weather Oood - b<br />
Bertflund. Trail Theatre. New<br />
Town N I) pop ijoo<br />
Top Combo<br />
DoiiMril 'Molorryrlr flmic**<br />
iind "SiiriM-Uy (Url" anil bii»lnr^nwlir.<br />
It l« nnr f (hr brat<br />
ronibliu(liiii.n I'Tr plavrd. The<br />
tM-nagm r:uiie In Urge number*.<br />
Thr i\>y% went for "Gang"<br />
and thr guN went fnr "- ! Orpheum<br />
The*tre, — .'-i .<br />
Minn<br />
Pop 390.<br />
JailhOM* Bock 'MOM)—DvU<br />
Presley. Judy Tyler. Mickey<br />
Shaughneaay. Pra^ may be<br />
packing 'em In. bat this la not<br />
the pla'- nnpmaSeape tn black<br />
rid «: ^'irth It Played<br />
Wed. i .--ather: Soow.—<br />
Michael Cluavcotone. Valley<br />
Theatre. Spring Valley. lU Pop<br />
3.123<br />
IJlUr Hat, The fMOM)—A»»<br />
:S.<br />
XHIBITOR HAS HIS SAY<br />
I larfiiirr I f.w ifi .s<br />
.<br />
Granger Thin l* a<br />
in t>ar».^ i-'' >"''<br />
on<br />
uiulrr-.'.i!;<br />
!h<br />
••.. 'iry<br />
: v.'l.l<br />
- - \:<br />
Very guud MiiU the ikltuu U very<br />
funny In place* Thl" plrtiire I*<br />
I'...' t.»ir bent I havr it's<br />
.•r'.iinly not the » It<br />
I- ,1 ri- -A.'l.ir V"ll '..i.;.,,<br />
v' .-..i!; W.-.i'.h. r<br />
lUiry lIuAkliiiFoii. Orpluu... ;.,i<br />
atre, MarleUa, Minn. Pop 380<br />
PARAMOUNT<br />
Funny l-are !'i-.i Auilrry<br />
Hepburn. Fred A ' i:re, Kay<br />
Tti riipson Till. Hf'uh Avenue"<br />
]''.• : ire Is poLson for .small towns.<br />
W::: .uinii'. It has t>eautlful color<br />
.! ! M;.ry in VlstaVlslon By<br />
:;ii' ii:i;i- '.he last show .ilarted we<br />
had three left In the audience.<br />
Played Sun Weather Nice —<br />
Michael Chiaventone, Valley<br />
Theatre. Spring Valley. Ill Pop<br />
5.123<br />
Loving Yoa (Para)—Elvis Presley.<br />
Uzabeth Scott. Wendell<br />
Corey. Started this on Christmas<br />
night to excellent buslnes.-! Picture<br />
finished okay. Presley does<br />
a better job In thLt picture than<br />
he did in his first one He U<br />
boxoffice Played Wed. Thurs..<br />
Frl Weather: Good —Mel Danner.<br />
Circle Theatre. Waynoka.<br />
Okla Pop. 2.018.<br />
Trail of the Lonesome PInr.<br />
The (Para)—Reissue. Sylvia Sidney.<br />
Fred MacMurray. Henry<br />
Fonda. And the producer wants<br />
to sell these "hits" to TV. We<br />
played this during Christmas<br />
slump, a snowstorm aixd below<br />
sero weather to the l)est two-day<br />
gross (Weekend) In December.<br />
outgTOsslng .Mich current product<br />
as "3 10 lo Yuma." "Julie" and<br />
"The Young Don't Cry " Let's be<br />
smart and let TV produce Its<br />
own and give the new crop of<br />
patrons the hits on the theatre<br />
screen. Played Frl. Sat.<br />
Weather: Cold— Ken Chrlstlan-<br />
•wn. Roxy Theatre. Washburn.<br />
N D Pop 913<br />
REPUBLIC<br />
Raiders of Old rallfomU<br />
( Rep > -Jim Davis. Arleen Whelan.<br />
Faron Young. Tried a double-bill<br />
on Friday-Saturday<br />
with "The Buster Keaton Story"<br />
to no extra business. Both were<br />
tn black and white and nothing<br />
to get excited about Howertr, I<br />
think 'RAlders- wUl do very well<br />
in most small towns if they wUl<br />
play up Marty Robblns and Faron<br />
Young, who appear In the picture<br />
I got maascd up on my advert<br />
t^lng and lost a chance to do<br />
above average burtne— . "Buster<br />
Keaton" Is a cooMdy With the<br />
laughs too few and far between<br />
It featured the "troutries" side of<br />
his life and not the funny side.<br />
A mMake. PUycd TtX.. 9»X,<br />
WmUmt: Pair and cool—Victor<br />
Weber. Center Theatr*. Kenaett,<br />
Ark^ Pop xaao.<br />
ca n ial. !«. (Rep)—Robert<br />
KHUoo. Patricia Wright. Paul<br />
Rleli*rdiL X le* DO way that ihu<br />
can baip anybody The few that<br />
ABOUT PICTURES<br />
o:d<br />
r Uiyrtl '<br />
Ain'.<br />
20fh<br />
11<br />
A House, coaticook.<br />
CENTURY FOX<br />
Bernarillnr L'u'l; I', x Put<br />
BtMjne. T' I<br />
.r Ji>n
'<br />
'<br />
! This<br />
•<br />
Knillle<br />
.<br />
'"'<br />
EXHIBITOR HAS HIS SAY FOREIGN FEATURES.<br />
'OontlnuFd from preceding pare)<br />
atre, Rod Wing. Minn. Pop<br />
I0.645<br />
True Story of Jexte James, The<br />
' '- -• WriRner. Jef-<br />
Mcxirrhead.<br />
.1 of James<br />
time<br />
il with Bob<br />
n the box-<br />
The kids ate<br />
It uj), liul Uitrc weren't enough<br />
here f"r dinner Plnycd Sun.,<br />
Mon V my.— A. Madrll,<br />
I re, Antonlto.<br />
Colo ii);i i .Da<br />
UNITED ARTISTS<br />
Men in War (UA^ — Robert<br />
Ryan, Aldo Ray, Robert Keith.<br />
Was hoping for another "Attack!"<br />
but I did not get h. As for<br />
a war movie, we found it very<br />
slow moving. Plaved Wed.-Sat.<br />
Weather: Cold. — Harold Bell.<br />
Opera House, Coatlcook. Que.<br />
Pop 6.341<br />
Time Limit (VAt — Richard<br />
Wid.ai.Trk. Richard Basehart,<br />
June Lockhart. Good show that<br />
did only average business. Played<br />
Sun. Mon.. T^ies.—Jim Fraser,<br />
Auditorium Theatre. Red Wing.<br />
Minn. Pop. 10.645.<br />
Trapeie (UA»—Burt Lancaster.<br />
Glna Lollobricida, Tony Curtis.<br />
Old and last to play, but a good<br />
circus picture always does business.<br />
We were .satisfied, but the<br />
"B" rating kept it from being a<br />
solid grosser. This "B" rating Is<br />
.•itartlng to tell here. Results of<br />
"Baby Doll" publicity. I suppose.<br />
We never played It. Sure "smart."<br />
Played Sun. Mon. Weather:<br />
Springlike.—Ken Christiansen.<br />
Roxy Theatre. Washburn. N. D.<br />
Pop. 913.<br />
UNIVERSAL-INTERNAT'L<br />
Everything But the Truth<br />
lU-Ii Maureen OTIara, John<br />
Forsythe, Tim Hovey. Very good<br />
little comedy with Tim Hovey<br />
giving a great performance and<br />
all the rest of the cast living<br />
up to their good reputation.<br />
Evryone .seemed to enjoy the<br />
picf ire, ax well as yours truly.<br />
A ?:trong average crowd both<br />
nliht.s Plnycd FrI , Sat. Weather:<br />
Good — F. L. Murray. Strand Theatre,<br />
Splrltwood. Sask. Pop. 355<br />
Night Pamage fU-Ii—Jame.Iib«<br />
Hit E«»lltncy (84) 4-28-56<br />
(Ilrmnnl l>lf I'ortmmn. CkD Purtrt<br />
OKId tor Two Fatlhlnoi. A l>rTtl OIU Jolimon. llUni IViri<br />
OMikt Ml in OftK p-<br />
Three Feet in a Bed (78)<br />
(J mini Fernandel. Geilnalne Monler»<br />
Virtuous Scoundrel, The (90)<br />
i/,.n,tlii Michel BInon. Marrierlle Pleio<br />
Ae Are All Murdtfcrt (IIS) 2-16-ST<br />
(Klnt^le)) Marcel Mouloudjl. lUyaaond P«4<br />
li-gi In<br />
Winner's Circle (88)<br />
(Janu«i . Jean Cartller. Paul Frankeur<br />
GERMANY<br />
Cabaret (104) 12-21-57<br />
(lULiri. I'aul Henreid. Bit Kerblcr<br />
Oevirs General. The (120) 9-a-57<br />
(I>CA| Curt Jurgem, Marianne Cook<br />
Last Bridge, The (90)<br />
(I'nI.in). Maria Schell, Bemlurd \Tlckl<br />
last Ten Days, The (113) 5-12-56<br />
(Col Infl) Albln Bkoda. Uotte TWneeh<br />
.<br />
GREECE<br />
Bed of Grass (92) 12-7-57<br />
(Tran--L'HI ..Anna Branou. Mike NKhoU<br />
Stella (93) 10- 5-57<br />
(Uiiriim) Mellna Mercouri. Gesrtei Fmmlas<br />
.<br />
ITALY<br />
Cabiria (110)<br />
lU.peri) . Glulleiu Mastna. Francois Perler<br />
ODon Giovanni (157) 6- 1-57<br />
(HC.M Cr^are BlepI, Lla* Delia Caa*<br />
Gold of Naples (107) 4-13-57<br />
I ICA). Sophia Loren, Vlttorlo de Blea<br />
(<br />
OMouse of Ricordi (112) 6-30-56<br />
IMinsnn). Paolo Bloppa, Marta Toren<br />
La Strada (US) 11- 3-56<br />
ITraiis-Uii) . .Anibony Qulno. QluUetta<br />
Mi-liia. lilrhard Basehart<br />
(Fncllsh dubbed terslon alw available)<br />
OMiller's Beautiful Wift,<br />
The (92) © 9-28-57<br />
IIX'AI. Sophia Loren. Vlttorlo de BIca M<br />
Return of Don Camillo (110) 7- 7-56 V<br />
(IKi:-SIi) . .Fernandel. GIno Cervl<br />
ORi'iera (88) U-10-S6<br />
lll'E-Sltl Martlne Carol. Baf Vallooe<br />
2Sins of Casanova (104)<br />
(Times) . Gabilele FenelU. Corlnne Calvet<br />
Too Bad She's Bad (95) 1-21-56<br />
(ilria Klii(>ic;l . .Bo|ihla Loren. V. de flea<br />
Umbeito 0. (89) 12-3155<br />
(FaI;> Harrison). C. Battbta. M Ca.hlrn Mlftine. K Tarhlgiita<br />
OYant Kwti Pel (95) 11-17-56<br />
(Ruena Vltlal Marhlko Kyo, M Mori<br />
MEXICO<br />
Roots, The (93)<br />
(llarvLwnl Alicia Del taito, Carlos RoMea<br />
(ill<br />
RUSSIA<br />
ORcmro and Juliet Ballet (961 9 1-S6<br />
(Tnhan' Gallna I'lanova. Tori Bidamn<br />
SPAIN<br />
Fidra. tN DnlPi Daughter (102) ,<br />
(Tlmev) Kami Penella, Vlneente Parra #<br />
Marcelino (901 .<br />
. 8-31-57 ^<br />
(I'MPni Pabllio Cairo. Rafael Rivellai<br />
SWEDEN<br />
Naked Nlghl, The (821 7-21-56<br />
(Tlmrvi Harriet Andrrtaon, Ake Oroeol>ert<br />
Time of Desire. The (81 ><br />
(JanuO Baibro Laruon. Margarrtha l«>ler<br />
YUGOSLAVIA<br />
Legends tf Anika (15)<br />
(Grand Priae) . .MUina Dapesetc B (MMa<br />
14 BOXOmCE BookinGuld* Pf* S. 1«MI
•<br />
'<br />
adds<br />
rather<br />
'<br />
ng<br />
...<br />
'<br />
Opinions on Current Productions<br />
^EATURE REVIEWS<br />
|f>ll e ««—tw Mi*t »Mt«tK»l>T; C CM«ii*t«*»«i T VlilaVMwtj t ta»n. >•• r«««r>« (Id*<br />
The Sfory o/ Vfcfc/e<br />
lltirni \ ivi.i los Mintitm KrI. Frb. 'SI<br />
•f Homy<br />
'hr lulr<br />
roic ai -<br />
!'!\<br />
dubbrd ;<br />
Victoria<br />
-.1<br />
•troni; .><br />
not add<br />
tlnd ih.<br />
U strtT.<br />
r«c(cd b<br />
thlA Is UvkIacrnn Koulcer. Krn Miller, .Suvtn r.>«ter<br />
n 1<br />
The Quiet American<br />
I iillnl \rlUU iMWI I'" MIniilM<br />
(irahuiii llreriie's<br />
Amerlrnn In Iheme. ><br />
irri-i'M.v (iui:"i; j).i.v.'.i.<br />
turr .1 uction content ^<br />
tale but one whir'- •• i.e headed<br />
by Ulorgia M .< and dignified performance<br />
a.s PhuonK. the lovely native girl who Is romantically<br />
Involved with both the American and the E^ngllshman, and<br />
Kerlma. who stand out In a bit role. The Chinese New<br />
Year .scenes are colorful. A FlKuro production<br />
\udle MurphT. Mlrhjiel ltedfr.-iTe. Claude Dauphin,<br />
(iioricla Moll. Bruce Cabot. Kerlma. KIrhard Loo.<br />
Oregon Passage F ^^i*l<br />
e<br />
Wnltni<br />
Allied .\rtists ij::!7i R2 .Minute* Rel. Dec. 29. "57<br />
There i.s sufficient of Injun fighting, action, gore and<br />
other standard western Ingredients to sate the desires of the<br />
most devoted dl.sclples of celluloid a-la sagebrush. Spectators<br />
of more general and somewhat discriminating tastes may<br />
be critical becaase the historical facts upon which the story<br />
predicated were used as merely a thread upon which are<br />
is<br />
loosely strung a collection of formula situations that have<br />
been found In Cavalry-"n'-Indlan pictures ever since the<br />
'<br />
:<br />
day when Bill Hart hoisted a leg over a cayuse. But those<br />
objections should l>e considerably a-vsuaged because the feature<br />
Ls filmed In Cinemascope and De Luxe Color to accord<br />
it an aura of opulence and to accentuate the scenic beauties<br />
of the Oregon locations against which It was photographed.<br />
So, the picture stacks up as a promising booking for the<br />
double bills—to go topside where galloper fare Is generously<br />
patronized or to serve as a strong .supiwrter cLsewhcre. The<br />
two top names should be of value. In addition to process and<br />
color, in mr the bill. Considering that they ar«<br />
geared to than hLstrlonlc finesse, performances,<br />
direction of Paul Landers, are generally<br />
u..... i<br />
..,.<br />
satisfactory while producer Llndsley Parson's mount-<br />
ings are expectedlv lm!ires.sive<br />
John Kricson. I./ila Albrljht. Tonl Gerry. F.dward Plait,<br />
Judith Vmrs. II M. Wiii.int. Jon Shepodd.<br />
o<br />
Razzia<br />
Kas^lrr ( llnvt<br />
in-, Minute<br />
A grtmly-r'<br />
Uonal traff:<br />
patrons revr<br />
dlen. p.-os'.r .<br />
spou of Par;.- L-Hs<br />
(Um of 1»S« thU Is<br />
adults only Jea:.<br />
Full" and a doirr.<br />
NocJ. who SCO— ><br />
art bouses. 1<br />
that the U."^ :<br />
•tract lU agents<br />
«pln;»e cs>uatturalnl<br />
Ma.<br />
e f)1m biillds a' n<br />
excU:r.k- Ajiu ..i::r.<br />
to permit sentin,-<br />
•sccUent tn his fam::<br />
tffKttvdr suppUM th'<br />
mirtnta Another (an<br />
'.<br />
la many RoUywood<br />
tfX as a pathetir i<br />
Jeaa GaMn. M<br />
.<br />
Ua* Ventura I<br />
$tJ«4ar4<br />
Rel. Jan. 'SS<br />
vlth the intema-<br />
--u.ire film gl»««<br />
ve ped-<br />
'.t night<br />
French<br />
^^re for<br />
nags<br />
-all<br />
.., the<br />
tnd the fact<br />
-•••• i„ inbe<br />
by<br />
Mth<br />
lu<br />
•nrvs<br />
»•<br />
lerlngly<br />
Urnty.<br />
•itrl<br />
Gunfire at Indian Gap F<br />
IR 1 «<br />
li<br />
•<br />
Joe K<br />
doe* n<br />
fa!---'<br />
tr<br />
C-l<br />
tJ.<br />
bt:<br />
n-.<br />
OT. :<br />
'<br />
Republic (jTOjI 70 .Minutes Rel. I>«T. 13. 'S7<br />
Latest In the long series of Republic action dramas<br />
.1 T?-iN».-in u -I nil rlmfr'v •!-•/• -r .' ;n -'<br />
Starring Ver<br />
iiut rniitlne<br />
western wh<br />
ome<br />
newmn^rr.<br />
Miss<br />
F<br />
v. one of the screen's moat<br />
Si;<br />
rs. are ^he nnly name players<br />
bi.<br />
•ure aiil Mtufy In the •;? spot In the<br />
n<<br />
f\ duals While the title i rowl>oT-»nda<br />
Redsk;n ::<br />
• h!ch<br />
.imnn and ad- 1 by<br />
r» as a Otibrrt tu..\::Q -.ype and<br />
job as a young Mexican who Is<br />
,. ; .. ii -.M.ip and he also carries the love In-<br />
MLu Ralston, who looks well and turns in a<br />
• ••i-.if.-r K% .t'xivs Macready Is excellent as<br />
:« posing aa a respect >'><br />
V J..hns.')', u t>y Jack MartA Produced by Kudy ItaUlun for<br />
Ventura Productions<br />
\rra RalitMI. 0««rgr MarreadT. Anthooy OMVga, Barry<br />
Krllrr. John Doorelie. Chubhr Johnsoit. Rarafa Selby.<br />
ftt«4 H* hvfw r«««r«A««<br />
T |qr.<br />
rvkOotiMM. (U Vm Sr^f •»*«, •««• CMt >«. M*.. ••« tl-M. » « »< MM.<br />
'rnCE BooUaGwtd*
.ve's<br />
. . Audle<br />
. . Hear<br />
. . Tag<br />
. . "Razzia"<br />
. .<br />
FEATURE REVIEWS Story Synopsis, Exploitips; Adiines for Newspaper and Programs<br />
^|^ •«li>itv<br />
"The Quipt American" (UA)<br />
; Inclu-Chlnn wu-s a piirt of Fninci-'s<br />
c ,ii-l Redpnive. an EnKli&h new^paperninxi.<br />
*liu i.s u&in-tl by Claude Dauphin, police Inspector,<br />
to Idrnlify the Ijody of Audle Murphy, u young American.<br />
telLs what led to hLs murder. Murphy, an IdcalUt who re-<br />
.<br />
fu.s '.o believe that the pliLstic he Is selling fnlght aid the ii-<br />
Cc. young mistress. Glorgla Moll, 4o»-<br />
«i; d to her. Murphy's overtures to<br />
Gi>-....L .,i;,.w.. I iwi.i.vvr to the extent that he Is forced<br />
to lie to her alxmt a po.'oilble divorce from his wife In E^lan.l<br />
I.i: : aIi,' c.iorKia learns the truth, slie leaves<br />
1" marry Murphy. Incinsed at Murphy'.s<br />
ui^ III In the war between the Colonials<br />
oiui '.111- Cumiiiuni.siA and resentful of his happiness with<br />
CiKii-i.i. Redgrave gives the Communists a signal which<br />
lend<br />
•<br />
> Uieir killfhg Murphy during the Chinese New Year<br />
ri;( b::iiion Although Redgrave is not held responsible<br />
for Murphys death. Glorgla refuses to return to him.<br />
EXPLOITIPS:<br />
Arniiigc for boolcstore tleups of Graham Greene's novel,<br />
which was a best-seller two years ago. as well as Greene's<br />
other books. For general f»atrons. play<br />
CATCIILINES:<br />
up Audie Murphy.<br />
Graham Greene's Outstanding Best Seller—Now Comes<br />
to Pul.il ting Life on the Screen . Murphy as the<br />
.\:iurif.»ii Quietly Involved in a Colonial Empire Conflict<br />
*<br />
STORY: "The Story of VIcUe" (BY)<br />
In London. Princess Victoria, niece of William IV of<br />
England, studies British hLstory unaware that the King's<br />
death is near and she is destined to rule the great British |<br />
empire. When Lord Melbourne arrives to Inform her that ^<br />
she Is the new Queen she asks him to guide her even though<br />
.she had been advised to dismiss this great statesman. At<br />
her coronation, Victoria promises to serve her country and.<br />
when she learns of true conditions In England, .she orders<br />
unprecedented reforms. Advised to select a consort from<br />
among three unseen princes. Victoria run.s away to Dover<br />
for o glimpse of the outside world. There, she meets I»rlnce<br />
Albert, traveling incognito, and they fall In love without<br />
either knowing the other's true identity. At her birthday<br />
ball. Albert arrives late and Is almost floored to discover<br />
the Queen Is the girl he met in Dover. Being the Queen,<br />
Victoria is forced to propose to Albert, whom she unhesltantly<br />
choo.ses above her other royal suitors.<br />
EXPLOITIPS:<br />
With Romy Schneider, 18-year-old German star, currently<br />
visiting the U.S. to promote this film, play her up as the<br />
newest and loveliest European actress, following in the footsteps<br />
of Gina Lollobrlglda, Sophia Loren and Brlgltte Bardot.<br />
Use plentiful photos of Romv<br />
CATCHLINES:<br />
The Very Young and Very Lovely Girl Who Became<br />
Monarch of the World's Greatest Empire.<br />
THE STOUV: "Oregon Passage" (AA)<br />
Lt. John Ericson. experienced Indian fighter is attached<br />
to a fort where he Is confronted with a triple problem: The<br />
love of a comely Indian lass whom he has rescued and for<br />
whom he feels the tender passion; the need to capture<br />
Black Eagle, last of the warring, renegade Indian chiefs;<br />
end a new unriaionab.y jealous commanding officer whose<br />
wife—a former sweetheart of Erlcson's— is trying to use<br />
him to cet away from her domineering husband. Against<br />
the lieutenant's advise, the CO. orders several maneuvers<br />
which result In wiping out most of the post's troops. Finally,<br />
bccau.-ie of &icson's strategy, the Redskins are beaten, Black<br />
Eagle is slain—as are the feuding husband and wife and our<br />
hero winds up with the gal of his choice.<br />
EXPLOITIPS: an s<br />
Center exploitation on the Cavalry-vs. -Indians theme and<br />
*'^*<br />
the historic title. Dress sandwich men In soldier and Indian<br />
clothes and have them parade the streets with copv for the<br />
theatre and film. Dress ushers or ticket-.seller In Indian<br />
girl costumes.<br />
CATCHLINES:<br />
Indians Try to Hold Last Outpost In the West . . . Can<br />
a Man Defeat Both His Jealous Commanding Olflcer and<br />
Renegade Indians? Trail of Adventure<br />
THE<br />
•niE STORY:<br />
"GDnflre at Indian Gap" (Kep)<br />
A stagecoach on which George Mucready is a passenger<br />
successfully escapes a group of outlaws planning to hold It<br />
up but the guard Ls wounded and requires emergency treatment<br />
at a relay station, where Vera Ralston is employed. A<br />
stage bound for the opposite direction picks up Anthony<br />
George, a Mexican who.se horse has broken a leg. and the<br />
sheriff su i)octs him of being an outlaw. But Vera, who falls<br />
In love with George, helps him escape Just after Macready<br />
reveals hlm-self as the head of the outlaws. Macready forces<br />
George to take the sUtion payroll with him. Then he and<br />
Macready and his outlaws fight It out untU the sheriff arrives<br />
on the scene and clears the lovers of any guilt In the<br />
holdup.<br />
EXPLOITIPS:<br />
Play up George Macready a« the villain of "Gllda," "The<br />
Di'.iert Fox "Vera Cruz" and a dozen more " films, as well<br />
iw In MO.M'.^ 'Julius Caesar." Aa thU Is the 21st Republic<br />
IJicurr In which Vera Ralston is starred, give a prize of<br />
free tirke's to patrons who can name all or most of them.<br />
CATCIILINES:<br />
C!a!iiiod by R
I HMtM<br />
fv<br />
3t ISc p«r woctL mialmum SI SO. cash with copy,<br />
j,^ CLOSING DATE: Monday noon p«eco<br />
:,..••'i t<br />
^^^<br />
•wl (• a«rt. suit b«<br />
.•I' I 1 0*1<br />
rnwl<br />
tar at* tiMal«4 bMwin<br />
I<br />
'<br />
Wxt<br />
•<br />
..I<br />
rja tl» iMk W4 ko K<br />
•wli> .It MdMahM. F>''<br />
'Itli 173 00 rarti (hllr<br />
IS nmt *l niMtmn •> |<br />
•I rtiM uU^) M<br />
GENERAL EQUIPMENT—NEW
I<br />
Have<br />
I<br />
you heard successful exhibitors soy it again and again at TESMA.J<br />
Will ynu he ready when .<br />
. . suddenly<br />
it's<br />
dayliKht savinK's time! Positive thinking<br />
drive-in oj)erators are already making<br />
plans for a Ijig season. How? First by Ijooking<br />
only first rate films. But that alone won't<br />
get the job done I Successful exhibitors<br />
know the big net profits are rung up<br />
before the sun goes down. That's why most<br />
of them use a MIK.ACI.E I'L.\Y(;K()L'M)<br />
to induce the family out for dinner<br />
and pre-show fun. Miiacle's "new look" in<br />
playground ecjuipment has a magic<br />
appeal and showmanship \alue no other<br />
equipment can ofTir. MIIiACLK means<br />
5«i<br />
business ... if you want to do business I<br />
MAIL THIS COUPON NOWl<br />
MIRACLE EQUIPMENT CO. grinnell, iowa<br />
j<br />
I LJ ^