Alissia Bevan - The Founder
Alissia Bevan - The Founder
Alissia Bevan - The Founder
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14 <strong>The</strong> <strong>Founder</strong> | Wednesday 21 October 2009<br />
E X T R A<br />
Film/Arts<br />
A Dramatic Introduction<br />
Emily Simpson<br />
President 09-10<br />
<strong>The</strong>y don’t make ‘em<br />
like they used to<br />
» continued from page 11<br />
film student Hannah Temple. <strong>The</strong><br />
editing style at the time of Welles<br />
and Frank Capra (director of ‘It<br />
Happened One Night’) was very audience-friendly,<br />
allowing the viewer<br />
an easy insight into the character<br />
that differs distinctly from the challenges<br />
of some more modern directors.<br />
“[<strong>The</strong> visual style] minimised<br />
the need for us to puzzle things<br />
out,” says Miss Temple. “It’s not like,<br />
say, a Tarantino, where you have to<br />
do a lot of thinking yourself...it’s a<br />
tight visual narrative.’<br />
A term for this atmosphere is <strong>The</strong><br />
Invisible Style, which defines “the<br />
director’s deliberate choice to make<br />
everything seamless.” Continues<br />
Miss Temple: “It all flows because<br />
what’s important is the romance or<br />
the comedy; what’s happening onscreen.”<br />
This style might have been<br />
what prompted Spielberg to shoot<br />
his modern classic, Schindler’s List,<br />
in black-and-white, in an effort to<br />
instil into it a timeless ideal.<br />
This collective tone of the old<br />
movies can be transferred across<br />
through the genres, as we can see if<br />
we turn in particular to one of the<br />
most ageless horror movie classics,<br />
‘Psycho’. With a director behind it<br />
who was labelled the ‘master of suspense’,<br />
and an ambience maintained<br />
throughout which may have lost its<br />
appeal had the movie been created<br />
in colour, it is no wonder that<br />
‘Psycho’ remains one of the most<br />
well-loved examples of its genre to<br />
date.<br />
In addition to the atmosphere of<br />
these black-and-white greats, one<br />
key element of their success must<br />
lie with their scripts. In the American<br />
Film Institute’s (AFI) poll of<br />
the 100 greatest movie quotes of all<br />
time, the movie with the most entries<br />
was Casablanca, with 7, while<br />
among the most highly ranked were<br />
quotes from ‘On the Waterfront’,<br />
‘Citizen Kane’ and ‘Some like it<br />
Hot’. <strong>The</strong> ending lines of ‘Casablanca’<br />
and ‘Some Like it Hot’: “Louis,<br />
I think this is the beginning of a<br />
beautiful friendship,” and “Well,<br />
nobody’s perfect,” respectively, have<br />
been referenced so often they’ve become<br />
legendary in their own right,<br />
and you’ll be hard-pressed to find a<br />
person who can deny the enigmatic<br />
resonance of the word ‘Rosebud’.<br />
Another common feature is the<br />
relative lack of profanity in the old<br />
classics, compared to our modern<br />
films. ‘Casablanca’, when you<br />
consider what we might expect of a<br />
romantic-wartime epic nowadays,<br />
is rated as PG, and though the<br />
chemistry between the lead actors’<br />
is far from lacking in passion, the<br />
content is demure, almost chaste.<br />
Similarly, considering that<br />
‘On the Waterfront’ is considered<br />
a great gangster movie, its content<br />
when compared to ‘<strong>The</strong> Godfather’,<br />
for example, is tame. <strong>The</strong>se old<br />
movies didn’t rely on crudeness<br />
as a dramatic technique; no cheap<br />
tactics were used, they simply succeeded<br />
with something that can be<br />
summed up as, simply, charisma.<br />
Though the quality of many modern<br />
movies cannot be disputed, it<br />
becomes necessary to answer our<br />
question regarding the greatness of<br />
the black-and-white films with another<br />
question. Sure, we enjoy the<br />
by-the-numbers big-budget movies<br />
Hollywood is producing now, but<br />
in decades ahead will these pass the<br />
test that has already been put to the<br />
old classics? Only time will tell –<br />
but I know who my money is on...<br />
If there is one thing that people<br />
have asked me more than anything<br />
else this term it is whether<br />
they have to be a Drama Student<br />
to join Drama Society. And the<br />
answer is plain and simple, NO!<br />
You can study absolutely anything<br />
and still be a member and that is<br />
exactly why the Union has a Drama<br />
Society: to give students from all<br />
departments an opportunity to<br />
have some drama in their lives!<br />
<strong>The</strong> next most asked question is,<br />
“How often does the society meet?”<br />
This is a tricky one as it totally depends<br />
on how much you want to do<br />
within the society. <strong>The</strong> members as<br />
a whole only meet once a term, but<br />
other aspects of the Society have<br />
weekly meetings. <strong>The</strong> Holloway<br />
Players, for example, meet every<br />
Sunday evening whereas if you’re<br />
in a production then the rehearsal<br />
times are decided by the director.<br />
So, what do you have planned this<br />
term for me to get my teeth sunk<br />
into, I hear you all cry?<br />
Well, let us start with our two<br />
productions, A Streetcar Named<br />
Desire by Tennessee Williams and<br />
Quills by Doug Wright – both of<br />
which have now been cast and have<br />
full production teams. However,<br />
once you become a member we<br />
will let you know of any help that<br />
is required for these two shows.<br />
‘A Streetcar Named Desire’ will<br />
be on in Jane Holloway Hall from<br />
Wednesday the 28th of October<br />
to Friday the 30th of October at<br />
7.30pm. Keep your eyes peeled<br />
around campus for their publicity<br />
campaign, and tickets will be on<br />
sale in the Union Box Office soon.<br />
Following the Marquis de Sade’s<br />
final days in Charenton asylum,<br />
‘Quills’ tells the story of one of the<br />
most sexually deviant writers of all<br />
time, and of his philosophies on<br />
love, religion, sex and censorship<br />
with violent, bloody consequences.<br />
‘Quills’ will be on from the 20th-<br />
23rd of November in the Students<br />
Union Main Hall, and is set to be<br />
Holloway’s sauciest production yet.<br />
Although we are very passionate<br />
E X T R A<br />
Arts<br />
arts@thefounder.co.uk<br />
about our productions, there is still<br />
so much more to get involved with.<br />
Community Outreach is a massive<br />
part of Drama Society and this<br />
can range from acting out scenes<br />
from plays for the folks down at<br />
Manor Farm day centre to creating<br />
exciting and educational drama<br />
workshops for the kids in the local<br />
primary schools. This term our<br />
projects include weekly reading<br />
sessions at Manor Farm Day<br />
Centre in Egham every Wednesday<br />
afternoon 1.30pm-2.30pm. This is a<br />
lovely way to get involved with the<br />
community and read out some of<br />
old folks’ favourite classics novels<br />
and plays. We would still love more<br />
people to get involved with this, so<br />
if you are interested then please do<br />
give us an email! Anyone who plays<br />
the piano or would like to do a bit<br />
of singing for this, then you will be<br />
welcomed with open arms! CRB<br />
checks will need to be done, but<br />
don’t worry these can all be sorted<br />
relatively quickly.<br />
<strong>The</strong>re is another wonderful part<br />
to the Drama Society, which over<br />
the last 3 years has rapidly grown<br />
into a blooming flower of comedy<br />
genius. Yes, of course I am talking<br />
about <strong>The</strong> Holloway Players! <strong>The</strong><br />
Players’ comedy is based around<br />
improvisation and can be compared<br />
to the likes of Whose Line<br />
is it Anyway and Mock the Week.<br />
<strong>The</strong>ir next show is in Tommy’s on<br />
Tuesday November 3rd, doors will<br />
be open from 7pm and the show<br />
will start at 8pm. Please make sure<br />
you get there early though, I was<br />
actually turned away at the door the<br />
other week as they were so packed.<br />
If you like what you see and want to<br />
be a part of <strong>The</strong> Holloway Players,<br />
then get yourself down to Munro<br />
Fox at 7pm every Sunday.<br />
Socials wise, there is plenty for<br />
you to be getting on with this term.<br />
First of all we have the Launch<br />
Nights for our two wonderful productions,<br />
details of which we will<br />
be released very soon and no doubt<br />
be plastered all over campus. <strong>The</strong>se<br />
will both include a raffle, cast and<br />
crew slave auctions, musical entertainment<br />
and much more. Also,<br />
we will be hosting a film night and<br />
showing ‘A Streetcar Named Desire’<br />
on Sunday 25th October at 6pm in<br />
ALT2 in the Arts Building.<br />
As far as theatre trips go, we<br />
have organised a trip to <strong>The</strong> Rose<br />
<strong>The</strong>atre in Kingston to go and see<br />
the Naturalist classic ‘Miss Julie’<br />
by August Strindberg, which has<br />
a post show chat with the cast and<br />
director afterwards. This will be on<br />
Thursday November the 5th, so if<br />
you’d rather stay in the warm and<br />
appreciate some good theatre then<br />
give us an email and reserve a ticket<br />
for just £13. Tickets are limited so it<br />
will be first come first serve.<br />
Phew, there does seem to be a lot<br />
going on this term. However, if you<br />
aren’t a part of any productions yet<br />
then please do not fear! <strong>The</strong>re are<br />
five more shows for us to put on<br />
this year, and YOU could be directing/producing/stage<br />
managing one<br />
of them! If you are interested in<br />
putting on a play with Drama Society<br />
then look out for the Edinburgh<br />
and Spring Term Bid Packs which<br />
will be out after Reading Week. As<br />
always please email us with any<br />
questions, queries or problems at<br />
rhuldramasociety@hotmail.com.<br />
Involved in a production?<br />
Just want to contribute to the arts section?