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. . Story<br />

MARCH 9, 1964<br />

/he TuiAe en' me m&tcsrL rictuAe yncLd^<br />

The United Theatre Owners of the Heart of America, concluding its seventh annual Show A Rama<br />

convention in Konsas City, Mo., Thursday (5) elected new officers. From left to right: Jay Wooten,<br />

Hutchinson, Kas., exhibitor, president; Douglas J. Lightner, Commonwealth Theatres, first vice-president;<br />

Glen Dickinson |r., Dickinson Theatres, second vice-president; Abbott Sher, Kansas City area theatre<br />

owner, treasurer, and Fred Souttor, Fox Midwest Theatres, secretary .<br />

on Show-A-Rama, page 6<br />

INAL EXECUTIVE EDITION


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You'll advancefto the bank!<br />

with all<br />

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(For fupthei<br />

informatior<br />

call youi<br />

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officer<br />

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craziest<br />

troop of cav/alry<br />

that ever<br />

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'tell off a ^<br />

horse...<br />

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to t>ie f?^^''"' selections -frolic<br />

Mu&C by R^''^ ^"^"^ ^"^ '^« NEW CHRISTY<br />

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\ NATIONAL FILM WEEKLY<br />

ibIishMl in Nine Sectional Editions<br />

BEN SHLYEN<br />

itor-in-Chief<br />

and Publisher<br />

MLD M. MERSEREAU, Associate<br />

Publisher & General Manager<br />

lE SHLYEN ....Monaging Editor<br />

SH FRA2E Field Editor<br />

Equipment Editor<br />

THATCHER<br />

JRIS SCHLOZMAN Business Mgr.<br />

icition Offices: 825 Van Bnint Blvd.<br />

us CUy 24. Mo. Jesse Shlyen, Man-<br />

[<br />

Editor : Morris Scholzman. Business<br />

uer; Hugh Fraze, Field Editor: I. L.<br />

dier. Editor Tlie Modern Tlieatre<br />

Ion. Teleptwne CHestnut 1-7777.<br />

irlal Offices: 1270 Slith A»e., Ilocker<br />

Center. New York 20, N. Y. Donald<br />

Mersereau, Associate Publisher &<br />

ril Manager; Frank Leyendccker.<br />

editor. Telephone COIumbus 5-6370.<br />

ral Offices: Editorial—920 N. Mlch-<br />

Aie.. Chicago 11. 111.. Frances B.<br />

Telephone superior 7-3973. Ad?ert—5811<br />

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;trn Offices: 6362 Hollywood Blvd..<br />

mood 28, Calif.. Syd Cassyd. Telec<br />

Hollywood 5-1186.<br />

Ion Office: Anthony Gruner. 1 Wood-<br />

1 Way. FInchley. N. 12. Telephone<br />

side 6733.<br />

le MODERN THEATRE Section Is Ined<br />

In the first Issue of each month.<br />

ny: J. 8. Conners. 140 State St.<br />

nU: Mary Charles Watts. 205 Waltoo<br />

;.. N. W.<br />

Imore: George BrovMiing. 208 E.<br />

Stb<br />

St.<br />

on: Guy Llvliigston. 80 Boylston,<br />

oston. Mass.<br />

lotte: Blanche Carr. 301 S. Church.<br />

Inoatl: Frances Uanford. UNlverslty<br />

7180.<br />

Ward fland; W. Marsh. Plain Dealer,<br />

mbus: Fred Oestrelcher, 52V4 W.<br />

orth Broadway.<br />

as: Mable Guinan. 5927 Wlnton.<br />

iv: Bruce Marshall. 2881 8. Cherry<br />

•ay.<br />

Moines: Pat Cooney. 2727 49th St.<br />

olt: H. F. Beves, 906 Foi Theatre<br />

ld(., woodward 2-1144.<br />

tJord: AUen M. Wldcm. CH 9-8211.<br />

inapolls: Norma Geraghty. 436 N.<br />

lllnols<br />

St.<br />

wxirtlle: Robert Cornwall. 1199 Edgeood<br />

Ave.<br />

Chester, N. H.: Ouy Langley, P.O.<br />

01 56.<br />

iphls: Null Adams. 707 Spring St,<br />

Dl: Mirtha Lummus. 622 N.E. 98 St.<br />

»iuk«: Wm. NIchol, 2251 S. Layton.<br />

neipolls: Jon P:mkakc, 729 8th Ave.<br />

Z.<br />

Orleans: Mrs. Jack Auslet, 2268<br />

t. (Haude Ave.<br />

ihomi City: Sam Brunk, 3416 N.<br />

Irglnla,<br />

llu: Irving Baker. 5108 Izard St.<br />

ladtlphla: Al ZurawskI, The Bulletin.<br />

Jihurgh: R. F. Kllngensmlti, 516 Jeantie,<br />

Wllktasburg. 412-241-2809.<br />

Hand, Ore.: Arnold Marks, Journal.<br />

Louis: Jo« & Joan Pollack, 7335<br />

Jiaftsbury, University City, PA 5-7181.<br />

Francisco: Dolores Barusch, 25 Tay-<br />

» St , ORdway 3-4813.<br />

Kington: Virginia R. Collier, 2129<br />

lorlda Ave., N. W. DUpont 7-0892.<br />

In<br />

Canada<br />

ilreil: Room 314, 625 Belmont St.,<br />

ules Larochelle.<br />

John: 43 Waterloo, Sam Babb.<br />

into: 2675 Bayvlew Ave., Wlllowdale,<br />

'nl. W. Gladlsh.<br />

courer: 411 Lyric Theatre Bldg. 761<br />

iranrtlle St., Jack Droy.<br />

'ember Audit Bureau of Circulations<br />

llshed weekly, except one Issue at<br />

end. by Associated Publications. Inc.,<br />

Van Brunt Blvd., Kansas City. MIs-<br />

1, 64124. Subscription rates: Sectional<br />

Ion. {S per year: foroign $10. Na-<br />

«1 Eiecutlve Edition. $10: foreign.<br />

Single copy 35c. Second class postpaid<br />

at Kansas City. Mo.<br />

ARCH<br />

r 84<br />

19 6 4<br />

No. 20<br />

i<br />

t/W/TY<br />

ONWARD and upward might well be<br />

the slogan for the Show-A-Rama<br />

showmanship event that every year for<br />

the past seven has taken place in Kansas<br />

City. Under the sponsorship of the United<br />

Theatre Owners of the Heart of America,<br />

these meetings, devoted largely to discussions<br />

of plans and methods of selling<br />

pictures and the institution of the theatre,<br />

have had an attendance growth<br />

from a couple of hundred up to well over<br />

1,000. The current meetings, which were<br />

held this past week, were attended by<br />

approximately 1,500, of which 1,350 were<br />

actual registrants who came from 40<br />

states and three foreign countries. But<br />

the success of these progressive showmanship<br />

events is not gauged by attendance<br />

figures alone; it is judged by what<br />

is accomplished in the way of tangible,<br />

practical values.<br />

In a business in which it has been traditional<br />

for its two principal segments<br />

to be on opposite sides of the fence, it is<br />

gratifying to see them, instead, working<br />

together—in the common interest. And<br />

the demonstration, as it has been taking<br />

place in Kansas City, is the most positive<br />

proof that one could have that there is<br />

a very great interest on the part of exhibitors,<br />

not only in putting forth extra<br />

efforts in showmanship, but to do so in<br />

a thoroughly cooperative spirit. That<br />

spirit prevails, first, among these exhibitors<br />

themselves—many of whom are in<br />

competition to one another—and, at the<br />

same time, by working in common cause<br />

with film distributors.<br />

The root of this, and the basis for the<br />

success of the Show-A-Rama conclaves,<br />

is the example set by its co-chairmen, who<br />

have served in like capacities from their<br />

veiy beginning. Richard Orear, who is<br />

president of Commonwealth Theatres of<br />

Kansas City, and Fred Souttar, head of<br />

Fox Midwest Theatres in this area, who<br />

are in direct competition with one another<br />

in theatre operations in a number<br />

as well as in Kansas City,<br />

of situations,<br />

know the value of putting their shoulders<br />

to the wheel and working together—hard<br />

and in earnest. This spirit has penetrated<br />

and permeated the area, embracing other<br />

theatre circuits and independent operations,<br />

as well. It truly is a case of "one<br />

for all and all for one." And it has paid<br />

off—well, indeed!<br />

The showmen who come here learn new<br />

ways to promote pictures, with upcoming<br />

and current releases their targets, as it<br />

were. They bring ideas, practical ideas,<br />

with them' and they return home with a<br />

fair exchange of something extra that<br />

can be done to improve their business.<br />

This applies, not alone to picture merchandising<br />

but also to merchandising the<br />

Al WORK!<br />

extra profit items in their concession<br />

sections and to institutional activity.<br />

Moreover, the better attendance they<br />

build for their theatres also accrues to<br />

the benefit of the distributors whose<br />

product is directly involved.<br />

When you stop to think that a strictly<br />

"how-to-build-better-business" '<br />

convention<br />

in Mid-America outdraws the big<br />

national conventions that have much<br />

more to work with, financially and otherwise,<br />

it gives accent to the accomplishments<br />

and to the worthwhileness of what<br />

UTOHA has done.<br />

There is something more that underlines<br />

this effort. It knocks into a cocked<br />

hat any theory that unity cannot be<br />

achieved in this industry. For here is a<br />

concrete example of unity at work. And<br />

it has been successfully at it for seven<br />

years<br />

* *<br />

In the light of discussions now in progress<br />

between the two national exhibitor<br />

associations on pooling their manpower<br />

assets and other factors into one wagon<br />

and pulling together, they learn much<br />

from the experience of UTOHA about the<br />

possibilities open to them.<br />

UTOHA represents a fusion of two<br />

regional exhibitor organizations that had<br />

been apart for more than a dozen years.<br />

By joining ranks, they began at once<br />

to grow in stature and in strength and<br />

in accomplishment. That applies not<br />

alone to their showmanship activity, but<br />

also to all other matters, internal and external,<br />

that exhibitors must deal with.<br />

Regional or national, there is legislation,<br />

taxation, municipal, state and even federal<br />

problems to cope with, not to mention<br />

problems distinctive to this trade.<br />

Two other good examples of strong<br />

single exhibitor organizations may be<br />

cited: Michigan and Ohio. Each has a<br />

long history of unified status among exhibitors<br />

in their states, successfully<br />

maintained almost since the beginning<br />

of the industry.<br />

We go back to our reference to Fred<br />

Souttar and Dick Orear and commend<br />

them for what they have accomplished on<br />

behalf of showmanship in particular and<br />

for exhibition and the rest of this business<br />

in general. And we add to their<br />

names those others of the hard core of<br />

hard workers in UTOHA, who have<br />

worked with them—Beverly Miller, L. J.<br />

Kimbriel, Doug Lightner, Paul Ricketts,<br />

Jay Wooten. Glen Dickinson Jr., Abbott<br />

Sher and Norris Cresswell.<br />

Well done, showmen!<br />

kJL^^ //nJL/^^i^^


I<br />

Taylor<br />

GREEN SHEET GOES<br />

I<br />

NATIONAL<br />

IN NEW DISTRIBUTION PLAN<br />

Film Content Publication<br />

Could Serve As Deterrent<br />

To Classification Laws<br />

NEW YORK—Nationwide distribution of<br />

The Green Sheet, monthly appraisal of<br />

motion picture content, was announced at<br />

a press conference here. Friday 'Feb. 28 1.<br />

by Ralph Hetzel, acting president of the<br />

Motion Picture Ass'n of America, which<br />

distributes the publication iirepared by the<br />

Film Estimate Board of National Organizations.<br />

CIRCUL.ATION UP TO 60,000<br />

ing all<br />

The new distribution plan—encompass-<br />

communications media, motion pictures<br />

exhibitors, libraries, schools and other<br />

points—was approved by the MPAA board<br />

of directors, Hetzel said, and would double<br />

Green Sheet circulation to almost 60.000.<br />

at a cost of "substantially over $50,000" for<br />

production and mailing. Heretofore. The<br />

Green Sheet, in existence for 30 years, has<br />

been distributed to selected opinion-makers<br />

and institutions.<br />

Aim of the plan will be to provide the<br />

film rating service reports for use in local<br />

communications media and in other media.<br />

Hetzel pointed out that the wider distribution<br />

also is aimed at forestalling the<br />

many film classification proposals current<br />

in some states and municipalities.<br />

Mills of the MPAA. speaking at<br />

the Show-A-Rama VII convention in Kansas<br />

City, on Tuesday i3i. outlined details<br />

of the expanded circulation plan and<br />

sample Green Sheet packages were distributed<br />

to those in attendance. Mills emphasized<br />

that the nominal cost of the selfmailing<br />

sheet could be met by increased<br />

goodwill and the easy access to definite<br />

information about pictures when calls are<br />

received.)<br />

Mrs. Margaret Twyman, MPAA director<br />

of community relations, discussing the expanded<br />

plan, emphasized that The Green<br />

Sheet would be made available to all exhibitors<br />

in the U.S.. to daily newspapers<br />

and all public libraries. "Each of these new<br />

subscribers is being provided w^ith a packet<br />

of special material to help him use The<br />

Green Sheet to greatest advantage," she<br />

said. "An additional special service to newspapers<br />

and other media is being provided<br />

so that they may publish on a regular basis<br />

a column featuring abbreviated Green<br />

Sheet descriptions of the films currently<br />

playing in their immediate area.<br />

LIBRARIES TO DISPLAY<br />

"Libraries are being requested to display<br />

the monthly Green Sheet and maintain a<br />

file of all pictures reviewed so that they<br />

may service inquiries from their patrons,"<br />

she said.<br />

Exhibitors. Mrs. Twyman explained, also<br />

may subscribe to a new special edition of<br />

the publication in quantities, paying $2.50<br />

for 100 copies and at lower per-copy prices<br />

up to $12 for 1,000 for local-level distrlbu-<br />

TOA Directors Pledge Full Support;<br />

Ask Members to Utilize Information<br />

tion. These prices include postal or express<br />

charges.<br />

"It is expected," she said, "that exhibitors<br />

in each commimity will join together<br />

in obtaining sufficient copies of this new<br />

edition so that they may make it available<br />

to religious leaders. PTA groups and all<br />

other interested organizations in their respective<br />

communities."<br />

Sample kits are being sent out to exhibitors<br />

and others with a letter signed by<br />

Mrs. Marie Hamilton, director of the Film<br />

Estimate Board of National Organizations,<br />

who explained that the film estimates in<br />

The Green Sheet are derived from some<br />

COMPO Urges Exhibitors<br />

To 'Use to the Utmost'<br />

New York—The Council of Motion<br />

Picture Organizations this week .sent<br />

a letter, signed by Charles E. Mc-<br />

Carthy, executive vice-president, to all<br />

exhibitors in New York State urging<br />

them to use The Green Sheet "to the<br />

utmost."<br />

"U'e urge you," the letter read, "to<br />

make the widest possible use of this<br />

service. You should try to get it in the<br />

hands of your patrons, your local newspapers,<br />

public library, and have it read<br />

by everybody else whose opinion is valued<br />

in your community.<br />

"Vigorous use of The Green Sheet<br />

will be of immense help in cutting the<br />

ground from under those who would<br />

have motion pictures censored or classified<br />

by the state. It also will be a<br />

service to your community that will be<br />

deeply appreciated and will thus increase<br />

the stature of your theatre as<br />

a community institution.<br />

"Use The Green Sheet to the utmost."<br />

Kansas City—Tiie Tlieatre Owners<br />

of America board of directors, in its<br />

midwinter meeting liere Monday l2),<br />

resolved to give full support to the expanded<br />

distribution plan for The<br />

Green Sheet. The resolution read:<br />

"Be it resolved that TOA give full<br />

support to The Green Sheet expansion<br />

program recently inaugurated by the<br />

Motion Picture Ass'n of America and<br />

the Film Estimate Board of National<br />

Organizations.<br />

"This public service program is consistent<br />

with the aims of theatre owners<br />

and managers in their efforts to inform<br />

the public about films in current<br />

release.<br />

"Be it further resolved that all members<br />

of TOA u.se such Green Sheet<br />

services constructively in their communities.<br />

"Be it further resolved by direction<br />

of its board in meetini^ assembled in<br />

Kansas City, Mo., that a letter of commendation<br />

be prepared and sent to the<br />

MPAA and to the Film Estimate Board<br />

expressing the appreciation of TOA for<br />

this continuing excellent service in the<br />

public interest which we believe reflects<br />

credit upon our entire industry."<br />

200 to 250 reviewers from ten national or<br />

ganizations, giving "consideration to a widt<br />

range of tastes and objectivity of judg<br />

ment."<br />

Commenting on the new program. Het<br />

zel said. "The motion picture industry believes<br />

that the public should have the full<br />

est possible information to help then)<br />

choose the kind of film entertainment thai<br />

best meets their needs.<br />

"Many motion pictures today are created<br />

for selective, discriminating audiences. Thd<br />

subject matter of films has expanded, and<br />

motion pictures— as they should—deal with<br />

subjects appealing to different tastes and<br />

interests.<br />

"Many persons," he continued, "especially<br />

parents, have felt they needed to know<br />

more about pictures to guide their own<br />

moviegoing and to direct the moviegolng<br />

of younger members of the family. Hie<br />

motion picture industry has recognized this<br />

need and is doing something about It by<br />

making available, on the widest possible<br />

scale, the information in The Green Sheet.<br />

This will enable parents to make up their<br />

own minds.<br />

"We believe." Hetzel said, "that the answer<br />

in our society is free choice based on<br />

information made available freely awi<br />

widely.<br />

"This is the ultimate control in our<br />

democracy— the freedom to accept or re<br />

ject— to value or condemn—to approve or<br />

disapprove."<br />

Para. Seeks Arbitration<br />

NEW YORK—Paramount Is seeking to<br />

force arbitration of clauses of a contracts<br />

with Harry Romm Productions In a suit)<br />

for SI. 000.000 filed in New York Supreme!<br />

Court over the distribution of "Hey, L«fs'<br />

Twist." Paramount is charged with not<br />

using its best .sales efforts, failure to pay.'<br />

money due from distribution and excessive<br />

distribution fees.<br />

BOxorncE March 9. 1964,


i<br />

'<br />

KANSAS<br />

'<br />

hard<br />

.<br />

business<br />

!<br />

ganization<br />

I<br />

film<br />

TOA URGES CONCERTED EFFORT<br />

TO CORRECT INDUSTRY ILLS<br />

Use of 'Latent Power'<br />

Advocated by Pres.<br />

John H. Rowley<br />

CITY—Theatre Owners of<br />

America should continue to try "with every<br />

means at our command"<br />

to make a<br />

concerted effort to<br />

alleviate the ills of<br />

the motion picture<br />

industry. John H.<br />

Rowley, TOA president,<br />

told the midwinter<br />

meeting of the<br />

board of directors and<br />

executive committee<br />

in the Muehlebach<br />

Hotel here Monday<br />

1 2<br />

John H. Rowley<br />

1 . Rowley urged<br />

TOA to "take a good<br />

look at what is happening in our<br />

and then take advantage of our<br />

power."<br />

latent<br />

Pointing out that over the years, the orhad<br />

been regarded as not being<br />

concerned with trade practices—the<br />

day-to-day business relationships between<br />

buyer and seller—Rowley emphasized.<br />

"TOA. in order to grow, must be responsive<br />

to the wishes of its membership. Why<br />

have a TOA unless it can accomplish things<br />

that the individual cannot?"<br />

He said TOA cannot and should not buy<br />

for the individual members, but that<br />

iit should be concerned with the general<br />

trends and relationships among producers,<br />

distributors and exhibitors.<br />

Reviewing TOA activities since the last<br />

board meeting in October, Rowley then<br />

commented on the Hollywood Preview Engagement<br />

plan and the three campaigns<br />

in which the organization participated.<br />

The program has been held in abeyance,<br />

he said, because of the present product outlook,<br />

which looked promising through the<br />

summer. He said the program would not<br />

be abandoned, but would be held in readiness<br />

in the event the product situation<br />

should change, adding that TOA had demonstrated<br />

that pictures in so-called off<br />

'seasons can do creditable business provided<br />

they are properly exploited and given sufficient<br />

exhibitor support.<br />

< Speaking Tuesday at the Show-A-<br />

Rama VII convention here, Rowley again<br />

emphasized that TOA was taking a long,<br />

hard look at certain trade practices and<br />

the threat of pay TV. He called attention<br />

to the construction and remodeling siu'-<br />

vey published by BoxoFncE and warned<br />

that a situation should be thoroughly<br />

studied before new theatres were built, lest<br />

such construction upset a delicate balance<br />

of competition. In addition, he made reference<br />

to negotiations currently under way<br />

for merging of TOA and AUied States<br />

Ass'n.i<br />

Exhibition, he said, could not expect relief<br />

in the television area, with Paramount.<br />

Universal. MOM and other companies making<br />

new packages available to TV. and<br />

Allied-TOA Committee<br />

To Study Merger<br />

Kansas City—Jack Armstrong, president<br />

of Allied States Ass'n, and John<br />

H. Rowley, president of Theatre Owners<br />

of America, named a joint committee<br />

on Tuesday (3) here to further<br />

explore plans and study the possibility<br />

of the creation of a new national exhibitor<br />

trade association. The committee<br />

consists of four representatives<br />

from each organization, who will meet<br />

at an early date.<br />

In addition, the presidents of the associations<br />

announced that TOA and Allied,<br />

after approval by their boards of<br />

directors, would act jointly to protest<br />

to each distributor the current practice<br />

of blind-bidding, Armstrong and<br />

Rowley said that if the practice were<br />

not discontinued, the two organizations<br />

would take such joint action as<br />

deemed appropriate and necessary.<br />

since the economics of the industry made<br />

it virtually impossible to prevent such sales.<br />

It was hoped, he told the board, that these<br />

sales would be regulated and controlled to<br />

have the minimum effect on product.<br />

Admitting that the Premiere Showcase<br />

Plan, such as instituted in New York,<br />

threatened to change distribution patterns<br />

as a whole, he said the final verdict on<br />

the formula had not been made and it might<br />

be too early for TOA to take an official<br />

stand on the overall plan. But, he said, it<br />

would be watched and studied .so that its<br />

beneficial or harmful effects could be<br />

weighed and judged.<br />

Audience Award Plan,<br />

Kiddie Films Probed<br />

KANSAS CITY—The Theatre Owners of<br />

America board of directors and executive<br />

committee, meeting here Monday i2i. considered<br />

methods to alleviate the shortage<br />

of suitable pictures for children's matinees.<br />

Robert W. Selig. vice-president of National<br />

General Corp., reported that some interest<br />

had been expressed by groups who might<br />

be vvilliag to subsidize the production of<br />

suitable programs.<br />

A Congressman. Selig said, told him the<br />

Small Business Administration might partially<br />

finance such a program. Additionally,<br />

he said, several philanthropic organizations<br />

indicated they might partially subsidize<br />

a program. The most likely source.<br />

Selig said, might come from an arrangement<br />

with Soupy Sales, a television personality<br />

with a strong kiddle following.<br />

One plan, he continued. In which local<br />

personalities could tie in with Soupy Sales<br />

on a stage-screen idea and including a<br />

serial type program by Sales, has gone far<br />

enough to attract the interest of a bank for<br />

financing.<br />

The TOA board and executive committee<br />

endorsed the idea and asked Selig to<br />

study It further. The board also voted to<br />

continue development of a final Audience<br />

Award Poll plan for a possible national<br />

audience poll at the earliest possible time.<br />

George G. Kerasotes, chairman of the<br />

Production Code liaison committee, hailed<br />

the expansion of The Green Sheet and the<br />

TOA board passed a resolution pledging its<br />

support to the expansion program. The directors<br />

reaffirmed the Washington declaration<br />

of March. 1961, pledging adherence<br />

to the Production Code and to the principle<br />

that films were entitled to the full<br />

protection offered by the Constitution<br />

and authorizing continuance and expansion<br />

in scope of the TOA Film Content<br />

Informational Service.<br />

Kerasotes reported that Geoffrey Shurlock<br />

of the Production Code Administration<br />

admitted that film advertising appeared<br />

to be a sore spot and that If exhibitors<br />

complained loud and often<br />

enough, the quality of advertising would<br />

be forced to improve. The board voted for<br />

the appointment of a subcommittee to<br />

work closely with the Advertising Code<br />

Administration on matters of advertising<br />

content.<br />

Lamar Sarra. chairman of the legislation<br />

committee, reported that plans are continuing<br />

on a campaign for repeal of the<br />

admission tax. John Broumas. chairman<br />

of the membership committee, said 38 new<br />

individual members had joined TOA since<br />

the October convention and that 30 were<br />

added with the joining of the Glen Dickinson<br />

circuit in the Kansas City area.<br />

M. A. Kmcey reported there were Congressional<br />

bills up for consideration on the<br />

daylight time issue, and that John Rowley,<br />

TOA president, will appoint a committee<br />

to study all aspects of the fast-time<br />

problem.<br />

The board recommended the use of<br />

patriotic trailers in theatres and discussed<br />

other Issues such as pay television, community<br />

antenna systems and non-theatrical<br />

competition.<br />

Texas COMPO Board Votes<br />

To Afiiliate With TOA<br />

KANSAS CITY—Members of the executive<br />

board of Texas Council of Motion Picture<br />

Organizations have voted to affiliate<br />

with TOA, it was announced here Monday<br />

i2i by John Rowley, TOA president and<br />

a member of the Texas COMPO board. The<br />

TOA directors officially welcomed the<br />

Texas group as well as the new Indiana<br />

uirit which became a member at the October<br />

TOA convention.<br />

Texas COMPO will continue to maintain<br />

Its local Identity while performing tasks<br />

Involving both exhibitor and general Industry<br />

problems on the state and national<br />

levels.<br />

Commenting on the new affiliation, John<br />

H. Stembler. TOA board chairman, said;<br />

"TOA has added another strong link. This<br />

orgaiiization has been a power house in all<br />

industry affairs and we are mighty proud<br />

and happy to have such an aggressive<br />

group in our fold."<br />

BOXOFFICE March 9, 1964


I<br />

Neb.<br />

exploitation<br />

juvenile<br />

shows<br />

II<br />

SELLING AT THEATRE LEVEL<br />

ACCENTED AT SHOW-A-RAMA<br />

Stress Is on Unity, Work;<br />

Four Top U.S. Showmen<br />

Receive Awards<br />

KANSAS CITY—The seventh annual<br />

Show-A-Rama. i-epresenting 40 states,<br />

Puerto Rico. Mexico and several provinces<br />

of Canada, added to its reputation as the<br />

nation's top showmanship convention.<br />

Three days of meetings, concentrated on<br />

helping theatremen become better sellers<br />

of their product, ended here late Thursda.v<br />

with attendance at a new high.<br />

This year, even more than in previous<br />

Show-A-Ramas, the word was "Take home<br />

a proven promotion idea and pay for your<br />

convention trip." That the idea has caught<br />

on is evidenced by the attendance, which<br />

reached a total of 1,500. high for any kind<br />

of industry gathering. A "wedding" between<br />

the motion picture industry and television<br />

was predicted<br />

at the opening session<br />

Tuesday by<br />

George Murphy, keynote<br />

speaker, and the<br />

children will be better<br />

than both parm<br />

J ^ ents." The film in-<br />

Wfr^^^ dustry may be a giant<br />

r^ ^^^H that walks on three<br />

Y ^^^^M legs, causing it to<br />

i^^^^H make mistakes at<br />

times, but with unity<br />

George Murphy it will be able to cope<br />

with all competition.<br />

Mui-phy asserted. It was a mistake when<br />

the industry stopped selling glamor and<br />

dreams and turned to message-making<br />

and psycho themes, the veteran actor said.<br />

CANDIDATE FOR U.S.<br />

SENATE<br />

Murphy, a candidate for the U. S. senate<br />

in California, commented that the film<br />

Industry needs a representative in that<br />

legislative body, and reminded that it was<br />

an injustice for Congress to remove the<br />

tax on all tickets except those of theatres.<br />

Highlight of the closing session was the<br />

Hollywood Star Luncheon on Thursday and<br />

the presentation of the UTO Star of the<br />

Year and Best Actress awards to Natalie<br />

Wood.<br />

Paul Ricketts, UTO president, welcomed<br />

the conventioners. remarking that he<br />

hoped he would not hear the word "exhibitor"<br />

during the convention: instead,<br />

he asked that "showman" be used. He owns<br />

theatres at Ness City. Kas. Elmer Rhoden.<br />

former president of National Theatres, was<br />

at the opening session.<br />

Fittingly, United Theatre Owners of the<br />

Heart of America which has developed<br />

Show-A-Rama. selected its Showmen of<br />

America 1963. M. B. Smith, Kansas City.<br />

Commonwealth Theatres advertising-promotion<br />

head, presented the awards to four<br />

theatremen selected by the UTO board.<br />

The honored showmen then gave the conventioners<br />

a sample of their competency by<br />

presenting detailed plans for selling upcom-<br />

California Pay TV Law Poses Threat<br />

To All Theatres, Selig Reports<br />

KANSAS CITY—A plea for assistance in<br />

"*<br />

the drive for an initiative in California to<br />

end "for all time" the<br />

threat of pay TV in<br />

homes acro.ss the nation<br />

was made at the<br />

Show-A-Rama VII<br />

convention here<br />

Tuesday (3i by Robert<br />

W. Selig, vice-<br />

. president of National<br />

'W. General Corp.<br />

-.<br />

^^BMad^^^^^<br />

^^^<br />

Asking theatremen<br />

^^H^^r ^^^1 the opening-day<br />

^^^^—^^^^ session to cast out of<br />

Robert W. Selig their minds any idea<br />

of Federal Communications<br />

Commission authority for pay TV<br />

testing or any pay TV proposal other than<br />

the situation in California. Selig outlined<br />

the problem faced in that .state.<br />

The legislature in 1963. he said, "railroaded<br />

through" a revenue act which<br />

brought into being "as law" pay-TV for<br />

California. As a revenue act. it provided<br />

that one per cent of the gross would go to<br />

ing releases.<br />

The Top Showmen of America winners<br />

and their campaign presentations:<br />

Jesse L. Marlowe, manager of the Tennessee<br />

Theatre for Martin Theatres. Nashville.<br />

"A Distant Trumpet."<br />

Eddie Forester. Dallas, advertising-promotion<br />

director for Frontier Theatres:<br />

"Pink Panther."<br />

Don Rist, manager of the Senate, a Kerasotes<br />

operation at Springfield. 111.; "Viva<br />

Las Vegas."<br />

Carl Hoffman, manager of the Omaha<br />

I Theatre for Ti-i-States Theatres:<br />

"Captain Newman."<br />

Distribution sales managers were introduced<br />

at the awards session, held on Wednesday<br />

i4i by Dick Orear. president of<br />

Commonwealth Theatres, as follows: Ernest<br />

Sands. Allied Artists: Rube Jackter.<br />

Columbia: Al Fitter. United Artists: H. H.<br />

"Hi" Martin. Universal: Morris Lefko.<br />

MGM. and Charles Boasberg. Paramount.<br />

Wednesday was pay-off day. In addition<br />

to the selling plans on new releases presented<br />

in the morning, that afternoon<br />

seven working showmen distinguished for<br />

their successes bombarded the showmen<br />

present with four hours of money-making<br />

ideas.<br />

There was Oscar Brotman, owner of outdoor<br />

and indoor theatres at Chicago, who<br />

electrified his listeners when he showed<br />

them inexpensive tricks In merchandisim,'<br />

that bring in the customers. He detailed<br />

an "Invasion of<br />

"<br />

Mars which<br />

he has used at his Oasis Drive-In four<br />

years straight and took in $25,000 at the<br />

the state and one per cent of the gross t<br />

the municipality granting a pay TV fran<br />

chise. "The act," he continued, "wa<br />

shoved through unanimously, withou<br />

debate.<br />

"You may ask 'What does this mean t<br />

me?' " Selig .said, "It means you are gotai<br />

to get it. too. I will say flatly, unequivocal<br />

ly and without hesitation, 'Your theatre 1<br />

in danger.' "<br />

Since the passage of the pay TV measur<br />

in California, he said, a large, broad ant<br />

interested front of opposition has de<br />

veloped.<br />

"All we've tried to do," he said, "Is giv«<br />

the people of California a chance to ex<br />

press themselves through an initiative elec<br />

tion. Let the people decide."<br />

It costs 50 cents to $1.00 to get each<br />

petition signed, Selig added.<br />

"There is a movement across the Unitec<br />

States for the same, identical kind of law<br />

that we now have in California," he con<br />

tinued. "And if this initiative fails, yoi<br />

will have pay TV in your state."<br />

boxoffice, and he passed out booklets with<br />

step-by-step program for putting on thi£<br />

bonanza at most any alrer.<br />

Harold Wyatt. district manager of Na-t]<br />

tional General Theatres, Los Angeles<br />

proved to the satisfaction of the critica!<br />

showman that Burton Holmes Ti-aveloguef<br />

can tap the over-35 "lost audiences" and<br />

prove a goldmine at the boxoffices.<br />

Jack Frazee. Chakeres showman of Dr<br />

bana. Ohio, told how to get along with<br />

merchants and make money by selUne*<br />

them tieups and sponsored shows. William<br />

Hastings, manager of RKO Theatres" In<br />

ternational 70 Theatre in Denver, opened<br />

new vistas of extra revenue for the alert<br />

theatre operator.<br />

How to set up profitable scholastic<br />

achievement<br />

< > was related<br />

by Ed Kidwell. Frontier Theatres manager<br />

at Roswell. N. M.<br />

Promotions that lifted a declining pa<br />

tronage well into the profit column were<br />

broadcast by AI Goddard. Community Theatre.<br />

Kingston. N. Y. Buck Prewitt. Varla.<br />

Drive-In. Jackson. Miss., put the spotlight<br />

on the big profits available In special combinations<br />

backed by sharp merchandising<br />

Tommy Noonan. actor and writer, who<br />

has appeared In a number of films, mostrecently<br />

"Promises! Promises!" for Har-!<br />

lequin International, made appearancesi|!<br />

during the convention to promote "3 Nutsi<br />

and a Bolt." released by George Reganiji<br />

Film Distributing Corp. of Chicago.<br />

.Nliirc oil Show -.\-K;inia. Pace 9<br />

BOXOFFICE March 9, 1964


j—rr ^<<br />

m \<br />

1964,,,^<br />

SAMUEL<br />

BRONSTON'S<br />

firfestt<br />

WILL WIDEN THE<br />

HORIZONS OF THE<br />

MOTION PICTURE<br />

WORLD


SAMUEL BRONSTON'S<br />

Directed by HENRY HATHAWAY<br />

WILL BE PRESENTED IN<br />

tJECQECE!<br />

STARTING IN JUNE:<br />

The Planning:<br />

From the inception of its production planning, Sannue<br />

Bronston's "Circus World" was conceived in ternns of<br />

special screen process for its presentation.<br />

Its unusual 'round-the-world story had to be thought of ir<br />

ternns of audience-innpact beyond the ordinary.<br />

The Product:<br />

"Circus World" is not only big, not only breathtaking — bu<br />

overwhelnning in its sheer shownnanship and entertainnnen<br />

Scene by scene, and star by star, it is screen-filling nnotior<br />

picture pleasure.<br />

The Presentation:<br />

Accordingly, the release of "Circus World"— in Cineranna — i:<br />

being tinned to insure nnaxinnunn penetration, to audience:<br />

of all ages. It is an engagennent destined to widen th«<br />

horizons of the motion picture world.<br />

SAMUEL BRONSTON presents JOHN WAYNE- CLAUDIA CARDINALE-RITA HAYWORTH<br />

in "CIRCUS WORLD"- Also starring Lloyd Nolan - Richard Conte - John Smith • Directed by<br />

Henry Hathaway -'Music by Dimitri Tiomkin - Screenplay by Ben Hecht and Julian Halevy<br />

From an Original Story by Philip Yordan - Executive Associate Producer, Michael Waszynski<br />

Produced by Samuel Bronston - Technicolor*<br />

In (general "l^elcasc in 1965 by 'Paramount 'Pictures 'Mr^:>.


'<br />

He<br />

I<br />

may<br />

-<br />

:<br />

"<br />

Technicolor to Present<br />

l»iS>.°5?5"i*!!:''.<br />

KANSAS CITY<br />

lations<br />

diiector<br />

Curtis Kent, public refer<br />

Technicolor, Inc.,<br />

speaking at the<br />

Show - A - Rama VII<br />

convention here<br />

Tuesday < 3 ) , re-<br />

\ealed that his coml)any<br />

is preparing a<br />

Technicolor Showman<br />

of the Year"<br />

award and sales aids<br />

in its effort to "get<br />

the Technicolor<br />

message back on the<br />

theatre marquees of<br />

the nation."<br />

Curtis Kent<br />

With Technicolor's<br />

'50th anniversary upcoming in 1965, Kent<br />

said the company soon would reveal details<br />

of its "Technicolor Showman of the<br />

;Yeai-" award and would make available<br />

jpennants with the word, "Technicolor," for<br />

iuse on marquees and in lobbies. Kent also<br />

md the company had in preparation several<br />

new processes, among them, Technibcope,<br />

and its latest, Technivision 70.<br />

urged theatremen to take advantage<br />

)f the prestige of the Technicolor name in<br />

:heir advertising and on the theatre marluees.<br />

"What catches the imagination of<br />

he prospective patron to your theatre?"<br />

;ie asked. "What makes him choose the<br />

Inovie he chooses to see? It would be<br />

iidiculous for me to stand here and say<br />

Technicolor is what first sells a person on<br />

>eeing a movie, but I do believe with all<br />

ny heart that it is one of the pluses that<br />

lould swing the pendulum in your favor,<br />

lecause as you know, in any aspect of sellng<br />

there is one little plus that makes a<br />

lale."<br />

Regional Head Explains<br />

jBA Theatre Loans<br />

KANSAS CITY—The functions of the<br />

mall Business Administration in assisting<br />

heatremen to obtain loans and to better<br />

usiness management were discussed at the<br />

how-A-Rama VII convention here Tuesiay<br />

(3 1 by C. I. Moyer, regional director<br />

the government agency.<br />

if<br />

Pointing out that the theatre industry<br />

low is rallying from the initial blow dealt<br />

y television, Moyer asserted that theatre<br />

Dnstruction and remodeling showed a<br />

larked increase in 1963 and added that<br />

the futui'e portends well" for continued<br />

iiilding and renovation.<br />

"If you are planning remodeling and<br />

eed assistance in financing," he told the<br />

leatremen, "the SBA will give consideralon<br />

to your problems and its assistance."<br />

heatres, he continued, are eligible for aid<br />

cm SBA, if the annual gross does not<br />

;ceed $1,000,000.<br />

He outlined three of the plans of action<br />

•ailable from the agency to help theatre<br />

en obtain financing for improvements or<br />

imstruction. The SBA, he said, may help<br />

lie theatreman obtain a straight bank<br />

an, it may participate in such a loan, or<br />

make a direct government loan to<br />

He theatreman. The agency can lend as<br />

uch as $350,000. he added.<br />

Most loans, he said, are for ten-year<br />

i^riods. The current interest rate is five<br />

:'r cent and, in area redevelopment areas,<br />

ie interest is four per cent.<br />

Promotions and Concessions Forums<br />

At Show -A- Rama Are Informative<br />

KANSAS CITY — The Show-A-Ram:i<br />

session on the final day. Thursday i5><br />

was devoted to promotions and concessions<br />

operations in both indoor and outdoor<br />

theatres, with emphasis on smalltheatre<br />

and small-town situations.<br />

J. T. Hitt, Bentonville, Ark., past-president<br />

of the Arkansas Theatre Owners, discussed<br />

some successful showmanship ideas<br />

which bore fruit at the boxoffice. One<br />

such plan which has been going on for<br />

several years is a Wednesday matinee<br />

kiddy summer show which is sponsored<br />

entirely by one local merchant, a grocery<br />

store, which, in turn passes along the<br />

costs to its suppliers. Parents must pick<br />

up the free tickets at a point in back of<br />

the store which is reached after walking<br />

through the entire store and being exposed<br />

to the merchandise. Purchases are<br />

not required, however, since traffic is<br />

what the sponsoring store wants.<br />

The theatre benefits not only by having<br />

as much as a quarter-page devoted to the<br />

kiddy show in the grocery's one or twopage<br />

ad at no cost, but sometimes the<br />

complete weekly program is included.<br />

Hitt believes that fom- or five radio<br />

spots mean nothing, and uses a minimum<br />

of 20 daily spots before opening a picture<br />

which is suitable for radio promotion, cutting<br />

down afterward.<br />

"Fii-eworks—Do-It-Yourself Style" was<br />

the subject of an extremely informative<br />

talk by Jim Cook of the Tivoli Theatre<br />

and Dude Ranch Drive-In. Maryville. Mo.<br />

He detailed how to build, raise and fire<br />

"set pieces." such as a 9xl2-foot American<br />

flag, a bucking bronc, a profile of a sixgun<br />

about 15 feet long and five feet high<br />

with a Roman candle in it which starts<br />

firing. The set pieces are built big so they<br />

can be seen from all over the area.<br />

Virgil E. Odell. Caldwell. Ida., president<br />

of Mountain States Theatre Ass'n. told of<br />

UTOHA Passes Resolution<br />

Endorsing Green Sheet<br />

Kansas City—The United Theatre<br />

Owners of the Heart of America passed<br />

a resolution at its Show-A-Rama convention<br />

here endorsing The Green<br />

Sheet. The resolution submitted is as<br />

follows<br />

"Because the plans for expanding the<br />

distribution and, therefore, the ser\ice<br />

of The Green Sheet, both to the general<br />

public and to theatres, the I'nited Theatre<br />

Owners of the Heart of .-Vmcrica<br />

endorses this program.<br />

"Giving widespread circulation to<br />

such a fine medium of information on<br />

the content of motion pictures has long<br />

been a need. It provides theatremen<br />

with an extraordinar>- opportunity to<br />

foster goodwill in their communities,<br />

both among regular and potential patrons,<br />

therefore.<br />

"Be it resolved that all members of<br />

I'TO of the Heart of .\meriea participate<br />

in making use of The Green Sheet<br />

to the fullest possible extent."<br />

a special "dinner night" promotion when<br />

about 20 cents was added to the price of<br />

an individual ticket with the offer of a free<br />

hamburger and drink, or a chicken dinner.<br />

This greatly increased the per-patron take.<br />

as against a dollar-per-car price.<br />

Bill Proctor. National General Corp.,<br />

Beverly Hills. Calif., told of the importance<br />

of going behind the concessions stand or<br />

cafeteria while it is in operation to see<br />

how it can be improved.<br />

Bill Slaughter. Rowley United Theatres.<br />

Dallas, told the audience they should go<br />

home and re-examine their situations and<br />

look for improved methods of selling at<br />

higher prices.<br />

"There is no place for an order taker<br />

in a concessions," Lloyd Hirstine of the<br />

Capitol Drive-in Theatre. Des Moines, said.<br />

"You must have a sales force." According<br />

to Hirstine, the weakest greetings an attendant<br />

can give a patron are: "May I<br />

help you?"—Something for You?"—What<br />

Will you have?" and "Do you want something?"<br />

The customer should always be<br />

given a choice between something and<br />

something, and then a related item should<br />

be suggested.<br />

Lee Joehnck, Commonwealth Theatres,<br />

Kansas City, discussed a number of special<br />

promotions used by his circuit in recent<br />

years to activate the patron to come<br />

to the stand. Among these were steak<br />

knives, with the first one given free at the<br />

boxoffice to start a set, and the others<br />

promoted by trailers, hand-out coupons<br />

and poster displays.<br />

Bev Miller, who operates three drive-in<br />

theatres in this area, received the award<br />

presented by Ed Lachman, president of<br />

Lorraine Carbons, Inc., as "The Outstanding<br />

Showman of Show-A-Rama.<br />

The top attendance prize went to L. H.<br />

Rockhold, manager of Fox Midwest at<br />

Winfield, Kas., who won a two-week vacation<br />

trip to Acapulco for two, with a<br />

stopover at Mexico City. Nathan Jacobs.<br />

publisher of Movie Guilde. had offered a<br />

$100 bonus if the winner was a subscriber<br />

of that promotion magazine, but Rockhold<br />

was not.<br />

New NSS Promotion<br />

Described by Mel Gold<br />

Aids<br />

KANSAS CITY—New promotion aids were<br />

announced by Mel Gold, sales manager for<br />

National Screen Service, at the Show-A-<br />

Rama convention. NSS is set to go into<br />

production with a new ten-minute intermission<br />

clock trailer for drive-ins. It is fully<br />

animated: each minute segment includes a<br />

15-second sequence, with 45 seconds open for<br />

local advertising. Gold presented Cinemotion<br />

as NSS's "hottest new promotion aid." It's an<br />

animated trailer-like service for use with<br />

lobby 40x60s and on the marquee.<br />

National Screen also is introducing<br />

a new de luxe "Go to Church" trailer in<br />

color and new reflector decal signs.<br />

Tommy Scmds to Visit Ten Cities<br />

HOLLYWOOD—Tommy Sands has been<br />

set for a ten-city promotional tour for<br />

Warners' "Ensign Pulver" beginning in<br />

mid-March in Chicago.<br />

JXOFFICE March 9, 1964


"<br />

:<br />

;<br />

,<br />

Wonderama Unveiled;<br />

New Screen Process<br />

PLAINFIELD. N.J—A niw and ii'volutionaiy<br />

scicen process known as Wonderama<br />

was unveiled for the press here<br />

on Wednesday i4i at the Strand Theatre.<br />

The innovation was the result of an electronic<br />

and prismatic lens invention which<br />

involved the priming of the picture frames<br />

vertically in two halves instead of horizontally.<br />

The two parts are projected and<br />

joined together by two prismatic optic<br />

lenses to fill a screen, as in the Strand,<br />

more than 60 feet wide, more than 21 fee;<br />

high and a depth in the center of 20 feet.<br />

The first picture to be shown in the new<br />

process was "Mediterranean Holiday." in<br />

which 20 teenage sea cadets sail a threemasted<br />

clipper ship to Mediterranean<br />

countries. It is a Continental Distributing<br />

release, a division of Walter Reade-<br />

Sterling. Inc.. which also controls the<br />

process.<br />

Wonderama was designed to provide an<br />

evenly lighted picture through the use of<br />

one light source, with that light providing<br />

double the brilliance normally u.sed in<br />

theatre projectors. The Wonderama picture<br />

uses 140 amps of electricity against<br />

the normal 65 amps.<br />

Reade-Sterling claims it is the first<br />

system to be developed in which two separate<br />

pictures can be shown from one projector<br />

and. therefore, the first of its kind<br />

that can project a motion picture in depth<br />

on a curved screen from a single unit.<br />

Ordinarily, it was said, it would not be<br />

possible to project depth on a curved<br />

screen with only one lens, because it would<br />

be impossible to obtain a clear focus at<br />

different depths. Wonderama does this by<br />

dividing the picture and projecting the<br />

parts through prismatic lenses. It can be<br />

attached to any 35mm projector.<br />

The process was invented by Dr. Leon<br />

W. Wells, who was born in Poland and<br />

educated in Munich. He came to the<br />

United States in 1949 as an exchange student<br />

to study at Lehigh University. Bethlehem,<br />

Pa. He holds many awards.<br />

According to the brochure on Wonderama,<br />

prepared by Rcade-Sterling, the<br />

key to the process is in the special 35mm<br />

print which can be run through a standard<br />

projector to produce a giant image on<br />

the screen. The .special twin lenses divide<br />

the film into two halves, printed vertically<br />

.so that the joining point is invisible. An<br />

electronic choke reduces the intensity of<br />

the light at the point where the images<br />

meet, resulting in absolute illumination<br />

with no distortion.<br />

It is claimed that the deeply curved<br />

screen and lenses can be installed on any<br />

35mm projector in a matter of hours without<br />

changing anything on the projector.<br />

First Print From Europe fo AA<br />

HOLLYWOOD — Fnst print of "Train<br />

349 From Berlin," starring Jose Ferrer and<br />

Sean Flynn, son of the late Errol Flynn,<br />

has been delivered to Allied Artists from<br />

Europe, where the Ray Ventui'a-Hans Oppenheimer<br />

production was filmed in<br />

actual locales. The picture, which will be<br />

distributed by Allied Artists in the western<br />

hemisphere, was directed by Ralph Heedrich<br />

and costars Nicole Courcel.<br />

All Four of<br />

Winners on Oscarcast<br />

HOLLYWOOD— Anne Uancroft, winnci<br />

of last year's Oscar in the best performance<br />

1963's Acting<br />

by an actress category for "The Miracle<br />

Worker," will appear as a presenter on the<br />

36th Annual Awards Show, April 13,<br />

George Sidney, producer of the Academy<br />

of Motion Picture Arts and Sciences' presentation,<br />

announced.<br />

This insures the appearance of all four<br />

of last year's acting whinners. Gregory<br />

Peck, winner of the best performance by<br />

an actor "Oscar" for "To Kill a Mockingbird,"<br />

Ed Begley, winner of the supporting<br />

actor statuette for "Sweet Bird of Youth."<br />

and Patty Duke, winner of the supporting<br />

actress trophy for "The Miracle Worker."<br />

having prcviou.sly been named to the show.<br />

In keeping with Academy tradition of<br />

having actress present to actor and vice<br />

versa. Miss Bancroft will present the<br />

Award to the winner of the Oscar for the<br />

best performance by an actor; Peck to the<br />

winner for the best performance by an<br />

actress; Begley to the winner for the best<br />

performance by a supporting actress; and<br />

Miss Duke to the winner for the best performance<br />

by a supporting actor.<br />

The appearance will mark Miss Bancroft's<br />

first at the Awards Show, a Broadway<br />

commitment having prevented her<br />

from attending last year. Joan Crawford<br />

accepted the Oscar for her.<br />

The growing star-studded cast also includes<br />

Sammy Davis, jr.. Rock Hudson.<br />

Jack Lemmon. Sidney Poitier. Donna Reed.<br />

Debbie Reynolds and Edward G. Robinson<br />

Lemmon will act as master of ceremonies,<br />

while Davis will be spotlighted in a special<br />

musical segment.<br />

Jack Martin Smith has been appointed<br />

art director for the presentation. Smith<br />

will be replacing the previously announced<br />

Ted Haworth. who was forced to relinquish<br />

the assignment due to a conflicting overseas<br />

picture commitment. Smith has been<br />

nominated three times for art direction<br />

achievements, in 1949 for "Madame<br />

Bovary." in 1956 for "Teen-Age Rebel" and<br />

is a current nominee for "Cleopatra."<br />

UA Distributes Oscar Kit<br />

Geared to Nominations<br />

NEW YORK— United Artists is<br />

distributing<br />

a special Academy Awards Kit to include<br />

written, photographic and filmed<br />

material on the seven motion pictures released<br />

by the company which have been<br />

nominated for a total of 27 Oscars this<br />

year.<br />

A special inclusion in the Kit will be<br />

unique short television featurettes on<br />

16mm presenting scenes from the UA<br />

Academy Award nominees. Also contained<br />

in the Kit will be biographies and<br />

portraits of the individual nominees, scene<br />

•Stills from the UA contenders, and production<br />

background information.<br />

United Artists has scored an Impressive<br />

sweep of this years nominations with its<br />

27 selections representing the following<br />

films: Tony Richardson's "Tom Jones,'<br />

Ralph Nelson's "Lilies of the Field," Stanley<br />

Kiamer's "It's a Mad, Mad. Mad. Mad<br />

World." Billy Wilder's "Irma La Douce.<br />

John Sturges' "The Great E.scape." Hal<br />

Bartlctt's "The Caretakers" and Mirisch'^<br />

"Toys in the Attic."<br />

,<br />

Bronston Productions<br />

In Reorganization<br />

NEW YORK -Saiiiu. 1 I'.ioiLion HrodU(<br />

tions. Spanish-ba.si(i pi udiu i-i ,-<br />

of "Tl<br />

Pall of the Roman Empire" and "Clrci;<br />

World." both to be distributed in 1964 t<br />

Paramount Pictures, is going through<br />

financial reorganization and has n<br />

trenched both at its distribution office 1<br />

New York and at the Madrid studios, at<br />

cording to word received here.<br />

As a result of a decision reached late I<br />

February. Pierre Du Pont III of Wilminj<br />

ton. an original backer for Bronston glnti<br />

the time he first embarked on his large<br />

scale Spanish -made spectacles, has pel<br />

tioned for a trusteeship under which Bror<br />

ston has made voluntary assignment of h<br />

company's assets to Du Pont, as chii<br />

creditor. Jesse Moss, New York lawye<br />

has been named trustee.<br />

Bronston's chief asset is his inventory c<br />

the two productions to be released t<br />

Paramount in the western hemispher<br />

these made at a total cost of $24,000,00<br />

Paramount will take over general distrlbi<br />

"<br />

tion of "Circus World in 1965 foUowlr<br />

its initial release in Cinerama, starting 1<br />

June. Two other forthcoming Bronsto<br />

productions. "Night-Runners of Benga<br />

and "Suez." both of which were to sta;<br />

production in 1964, are also committed 1<br />

Paramount. In addition, a recent agre<<br />

ment was made with Cinerama, Inc., U<br />

the production of two other Bronston pic<br />

tures. "Paris 1900" and "Brave Ne<br />

World." the former originally scheduled 1(<br />

filming under Vittorio De Sica's directioi<br />

starting in June. All future steps are b«<br />

ing made after consultation with Du Pon<br />

Bronston's revenue is currently fort!<br />

coming from two pictures released by Alllt<br />

Artists in the western hemisphere.<br />

Days at Peking," released in 1963, and<br />

Cid, released in 1962. Bronston has mac<br />

"<br />

deals for these overseas witli individui'<br />

distributors in various foreign countrle<br />

including the J. Arthur Rank Organizatia<br />

in the United Kingdom and the Brltlsjl<br />

Commonwealth.<br />

With the recent completion of "Clrct J\<br />

World." the Bronston Studio in Madrtj<br />

has been idle and many people were dli||<br />

mi.sscd while the New York office staff s,<br />

which produced "The Kail of thf<br />

Roman Empire" and "C'irra> World."<br />

Paramount's position, under its agrrrment.s<br />

with the Bronston companies (or<br />

the release of these pictures in the<br />

western hemisphere, is fully protected<br />

by contractual safeguards and the di-stribution<br />

of these pictures b. proceeding<br />

entirely as scheduled. Balaban said.<br />

10<br />

BOXOFFICE March 9, 19 • l^


' which<br />

TESMA'<br />

Pacific<br />

at<br />

—<br />

'echnicolor Net, Sales<br />

leach Ail-Time Peak<br />

NEW YORK—Patrick Frawley, chairlan<br />

of the board and chief executive ofcer<br />

of Technicolor, Inc.. announced that<br />

le 1963 net sales and net income for the<br />

DUipany are the highest since it was<br />

)unded in 1915. The company earned $3.-<br />

92,034, or $1.21 per share ion 2,875,984<br />

lares outstanding at Dec. 28, 1963 1 for<br />

le fiscal year 1963, as compared to the<br />

ported earnings of $149,969 or six cents<br />

er share ion 2,640,478 shares outstanding<br />

t Dec. 29, 19621 for the fiscal year 1962.<br />

et sales for 1963 were $78,715,606 as comjred<br />

to the reported total of $57,927,893<br />

)r 1962.<br />

If the 1962 earnings had included the<br />

irnings of those companies acquired in<br />

)63, and the company's equity in the unstributed<br />

net income of the foreign afliates<br />

for that year Uo conform to a<br />

lange in accounting policy adopted in<br />

163 1<br />

the 1962 net income would have<br />

en $607,947 and the net sales would<br />

ive been $61,033,332. Sales for 1963 of<br />

'8,715.606 were 29 per cent greater than<br />

le restated 1962 total. The 29 per cent<br />

crease in sales came primarily from the<br />

otion picture and consumer photographic<br />

visions and the Marshall Burns compans.<br />

Pi-awley stated that "management believes<br />

at 1963 established a new plateau to<br />

ork from and we look forward to conlued<br />

improvement in over-all company<br />

lerations and earnings in 1964."<br />

MPTE Meeting Will Show<br />

aboratory Equipment<br />

NEW YORK—A feature of the equipent<br />

exhibit of the Society of Motion Picre<br />

and Television Engineers' semiannual<br />

:hnical meeting is certain to be motion<br />

:ture laboratoi-y equipment. Already<br />

;ned up for the gathering, to be held<br />

iril 13-16 at the Ambassador Hotel in<br />

s Angeles, are six companies which will<br />

ow new printing equipment, five which<br />

11 show processing equipment and three<br />

lich will show editing equipment.<br />

Other laboratory exhibits will include a<br />

wer film rewinder, automatic thennal<br />

its, stop-motion flashlight and transission<br />

dessitometers.<br />

itchcock's 'Mamie' Set<br />

y Universal for Summer<br />

NEW YORK—Milton R. Rackmil. presi-<br />

U of Universal, has concluded final<br />

angements with Alfred Hitchcock for<br />

newest picture, "Marnie." to be re-<br />

!sed throughout the U.S. in mid-July.<br />

'e picture stars Sean Conncry, star of the<br />

JTies Bond pictures for United Artists.<br />

Id "Tippi" Hedren, who played the lead<br />

(Hitchcock's "The Birds."<br />

EA to See 'Dolphins'<br />

JEW YORK — Universal will screen<br />

land of the Blue Dolphins" for execu-<br />

?s of the National Educational Ass'n<br />

fursday il2i in Washington. Producer<br />

bert B. Radnitz and Universal publicity-<br />

'imotion executives will attend. The novel<br />

the film is based has been ap-<br />

''ved for reading courses in many schools.<br />

Three Wynn Generations<br />

To Appear in<br />

Hollywood — Three<br />

'Patsy'<br />

generations<br />

of a famous acting family will appear<br />

in Jerry Lewis' picture "The Patsy"<br />

now that Ned Wynn has been signed<br />

to join his grandfather, Ed Wynn and<br />

his own father, Keenan Wynn, already<br />

working in the Paramount release.<br />

Lewis is starring in and directing<br />

the film.<br />

NGC Has Over 170 Theatres<br />

For Closed Circuit Kickoff<br />

HOLLYWOOD—Kickoff of the first<br />

theatre<br />

closed-circuit network featuring entertainment—instead<br />

of boxing fights<br />

will be launched Saturday il4i, at 11;30<br />

a.m. in over 170 theatres throughout the<br />

United States and Canada with an audience<br />

estimated at 500.000—mostly teenagers.<br />

The history-making event will headline<br />

the Beatles. England's hottest sensation,<br />

who will be seen in concert as performed<br />

in the Washington, D.C. Coliseum. They<br />

will be preceded on the program by the<br />

Beach Boys, America's popular surfing<br />

group and Lesley Gore, who will originate<br />

their end of the show from the west coast.<br />

The show will have two matinees each<br />

on Saturday and Sunday 1 i<br />

14. 15 11:30<br />

a.m. and<br />

i<br />

again at 2 p.m. timei.<br />

Locally, it will be seen in over 25 theatres.<br />

including the Orpheum. Wiltern. Pox Wilshire.<br />

Village Westwood. as well as at the<br />

Shrine Auditorium. Santa Monica Civic<br />

Auditorium and the Valley Garden Arena.<br />

TESMA, Allied to Combine<br />

Tradeshow Oct. 19-22<br />

DETROIT—Theatre<br />

Equipment & Supply<br />

Manufacturers Ass'n<br />

i<br />

and Allied<br />

States Ass'n have announced jointly<br />

that they will be associated in the presentation<br />

of a motion picture industry tradeshow<br />

October 19-22 at the Sheraton-Cadillac<br />

Hotel here concurrently with their convention.<br />

President Larry Davee. of TESMA and<br />

president Jack Armstrong of Allied made<br />

the announcement with Allied convention<br />

chairman William Wetsman. of Wisper-<br />

Wetsman Theatre. Detroit. Milton H. London.<br />

Alhed's executive director and Merlin<br />

Lewis. TESMA's executive secretary who<br />

will handle details of the tradeshow.<br />

Plans are to reserve Monday. October 19<br />

for exclusive attendance at the tradeshow<br />

for manufacturers of theatre equipment<br />

and theatre equipment dealers.<br />

Earnings of Glen Alden<br />

Up Since List Merger<br />

NEW YORK — Glen Alden Corp.. of<br />

which RKO Theatres is a subsidiary, has<br />

reported its 1963 earnings were the highest<br />

since its merger with List Industries. Albert<br />

A. List, board chairman, said the<br />

total was $7,898,000 on sales and revenues<br />

of $118,765,000. equal to $1.43 a share, compared<br />

with the 1962 figure of $7,514,000 on<br />

sales and revenues of $115,004,000. Unaudited<br />

result^s for January 1964 reflect a<br />

profit of $7,100,000.<br />

Allied Pays Tribute<br />

To Burton Robbins<br />

DETROIT—Burton E. Robbins. president<br />

of National Screen Service, was highly<br />

praised in an editorial<br />

appearing in the<br />

March issue of Allied<br />

Report, monthly news<br />

and information bulletin<br />

distributed nationally<br />

to Allied<br />

States Ass'n. Excerpts<br />

from the editorial follow<br />

:<br />

"Burton E. Robbins.<br />

illustrious son of<br />

. .<br />

. .<br />

an illustrious father,<br />

arrived at the age of<br />

44 on February 2.<br />

Burton E. Robbins<br />

just past. And it on that date that the<br />

was<br />

company which he heads. National Screen<br />

Service, started a 90-day "President's Sales<br />

Drive" to honor him ,<br />

"Shortly after becoming president of<br />

NSS some six months ago. Robbins announced<br />

to the press the need for showmanship<br />

techniques and merchandising<br />

methods at the local level and he pledged<br />

his firm's talents and resources to the exploration<br />

of new promotional ideas, also<br />

expressing the need of revamping his company's<br />

policies to meet the requirements<br />

of the 'new show business.' . . .<br />

"As he set out re-evaluating his company's<br />

objectives, he surrounded himself<br />

with top executive talent, drawn from both<br />

NSS and affiliated industries. The move<br />

provided a new youthful, yet experienced,<br />

'management team' with a strong right<br />

arm in the person of Robbins' well-trained<br />

twin. Norman, who became vice-president<br />

and general manager .<br />

"Burton E. Robbins is backing up his<br />

slogan. Showmanship Is Our Business'<br />

with a display of personal showmanship<br />

that is a timely and necessary hypo for<br />

the motion picture industry."<br />

Para.-Sony in New License<br />

For Chromatic Color TV<br />

NEW YORK—Paramount Pictures and<br />

Sony Corp. of Japan have entered into a<br />

new license agreement which lowers the<br />

royalty rate payable by Sony and giving<br />

to Sony the right to manufactuie and sell<br />

in the U.S. color television tubes and sets<br />

embodying the Chromatic principle of color<br />

television, which they developed.<br />

Sony officials reaffirmed the statement<br />

they made in 1962. when they were originally<br />

licensed to exploit the Chromatic<br />

color TV tube in Japan. Sony's work in the<br />

past two years in connection with the tube<br />

has developed the process to a point where<br />

they expect to be able to offer color television<br />

sets embodying the Chromatic principle<br />

for public use in the near future.<br />

NSS-CDA Ad Tieup<br />

MOBILE, ALA.—Cinema Distributors of<br />

America has announced a tieup with National<br />

Screen Senice to handle all advertising<br />

on "The Flesh Eaters," newly released<br />

science-fiction horror film, according<br />

to Robert Steuer, CDAs executive \acepresident.<br />

Steuer said that CDA has designed<br />

all of the advertising material. Including<br />

theatrical trailers.<br />

'XOFnCE March 9. 1964<br />

II


A GIRL ON THE VERGE OF WOMANHOOD..<br />

A WOMAN ON THE EDGE OF LONELINESS^<br />

BOTH SUSPICIOUS<br />

OF AFFECTION,<br />

YET STARVED<br />

FOR LOVE!<br />

m<br />

V<br />

f>V<br />

_jM$


JOMMIllS<br />

N<br />

ROSS HUNTER'S production<br />

OF THE ACCLAIMED BROADWAY AND<br />

LONDON STAGE SUCCESS!<br />

A<br />

J<br />

f-<br />

il\<br />

_)<br />

,;u ^,\ //<br />

TECHNICOLOR<br />

EDITH EVANS- FELIX AYLMER<br />

ELIZABETH SELLARS<br />

Screenplay by JOHN MICHAEL HAYES<br />

Directed by RONALD NEAME • Produced by ROSS HUNTER<br />

A Quota Rentals Ltd. Picture • A Universal Release<br />

OPENS RADIO CITY MUSIC HALL<br />

for the SUMMER SEASON!<br />

from Universal 1


vine's astute direction, the two great actt<br />

,<br />

:<br />

)<br />

'.<br />

\<br />

fine emotional climax. Under Peter Qleli<br />

li<br />

give truly fine characterizations, ones t j<br />

be long remembered.<br />

In support are two of Britain's knight<br />

actors. Sir John Gielgud, who contributes'<br />

j<br />

suave, elegant portrayal of King Louis V'|<br />

of France, a comparatively brief role whlij<br />

adds some lighter touches, and Sir DonaM<br />

Wolfit, who is an outstanding figure<br />

'•<br />

jealousy and discontent as Becket's enenr,<br />

the Bishop of London. These two. wl<br />

young David We.ston, playing Broth<br />

John, a Saxon monk, who first resents ai<br />

then becomes devoted to Becket, ma:<br />

their every scene count.<br />

While women play a minor part In tl I<br />

Peter O'Toole as King Henry II (left! and Richard Burton as Thomas Becket<br />

in Hal Wallis' production of "Becket," in Panavision and Technicolor.<br />

FEATURE<br />

REVIEW<br />

^Becket'<br />

Paramount<br />

By FRANK LEYENDECKER<br />

PRODUCER HAL WALLIS, whose productions<br />

over the years have won a<br />

total<br />

of 32 Academy Awards, has put forth his<br />

finest effort in this British-made picturization<br />

of the London and Broadway stage<br />

hit—a magnificent film certain to be<br />

nominated for many Academy Awards next<br />

year and likely to garner an Oscar for<br />

Richard Burton for his superb portrayal<br />

of Becket. Certainly the soft-toned Technicolor<br />

photography of Gteoffrey Unsworth,<br />

which captures the rich interiors, many of<br />

them reconstructed on the Shepperton<br />

Studio's stages, and the incomparably beautiful<br />

exteriors along England's lonely coastline<br />

are visual masterpieces, rarely, if ever,<br />

excelled on the screen.<br />

Although Edward Anhalt's screenplay,<br />

based on the Jean Anouilh play, re-creates a<br />

tempestuous part of English history In the<br />

late 12th Century, with its intrigues, adventures<br />

and pageantry, the human story<br />

of the devotion between Becket and King<br />

Henry n and their later breakup which<br />

culminates in the murder of Becket inside<br />

Canterbury Cathedral, is always uppermost<br />

and makes for a tremendously moving<br />

drama.<br />

With Burton so much in the news, in<br />

the current film "Cleopatra," on the<br />

stage In John Gielgud's production of<br />

"Hamlet" and offstage, as well, and Peter<br />

O'Toole so recently acclaimed for his<br />

"Lawrence of Arabia," the picture has<br />

strong marquee allure, both for the<br />

sophisticated patrons who saw or read the<br />

play and the mass audiences. The re-<br />

14<br />

served-seat engagements in key cities<br />

should build up strong interest for the<br />

later regular runs. The picture has already<br />

been given special awards by Parents'<br />

Magazine, Scholastic Magazine and Seventeen<br />

and Photoplay, and Saturday Review<br />

calls it "a imique triumph." Life and other<br />

magazines have scheduled large space for it.<br />

Burton, as the soft-spoken, withdrawn<br />

Becket who changes from a pleasure-loving<br />

young man to a deeply-religious figure<br />

after he is made Archbishop of Canterbury,<br />

is splendidly complemented by Peter<br />

O'Toole, as the mercurial, hot-tempered<br />

and flagrantly amorous ICing Henry II.<br />

Burton's performance increases in intensity<br />

while O'Toole's becomes more flashy, unpredictable<br />

and compelling right up to<br />

"BECKET"<br />

Hal Wallis production for ParamounT reicose<br />

Running time: 148 minutes, plus intermission<br />

In Ponovision: 2;55-l and Technicolor<br />

CREDITS<br />

Produced by Hoi Wollis. Directed by Peter<br />

Glenville. Screenploy by Edward Anhalt. Based<br />

on the ploy by Jean Anouilh. Production designer,<br />

John Bryon. Editor, Anne Coates. Musical score,<br />

Lourence Rosenthol. Conductor, Muir Mathieson.<br />

Cincmatographer, Geoffrey Unsworth- Assistant to<br />

the producer, Richard McWhorter, Production<br />

manager, Denis Holt. Art director, Maurice Carter.<br />

Costume designer, Margaret Furse. 1 st assistant<br />

director, Colin Brewer. Camera operator, Ernest<br />

Doy, Set decorator, Robert Cortwright. Set dresser.<br />

Potrick McLoughlin. Scenic ortists, FerdinorKj Bel-<br />

Ian and Simpson Robinson,<br />

his<br />

THE CAST<br />

Thomos Becket Richard Burton<br />

King Henry II Peter OToole<br />

King Louis VII of France John Gielgud<br />

Gilbert Folliot, Bishop of Donald Wolfit<br />

London . . .<br />

Queen Matilda<br />

Martito Hunt<br />

Queen Eleanor Pamela Brown<br />

Pope Alexander III Poola Stoppo<br />

Cardinal Zambelli Gino Cervi<br />

Brother John David Weston<br />

Archbishop of Canterbury Felix Aylmer<br />

Henry II Barons. .. .Nioll MocGinnis, Percy Herbert<br />

Christopher Rhodes, Peter Jeffrey<br />

Gwendolen Sian Phillips<br />

Robert de Beaumont, Duke of Leicester<br />

Inigo Jockson<br />

Peasant's daughter Jennifer Hilary<br />

Bishop of York Frank Pcttingcll<br />

and John Phillips, Veronique Verxlell, Gerald Lowson,<br />

Hamilton Dycc, Linda Morlow, Patrick Newoll,<br />

Riggs O'Hora Grohom Stark, Mogdo Kopke, Gooffrev<br />

Boyldon.<br />

proceedings, Martita Hunt has two fli<br />

scenes as the caustic Queen Mother ai<br />

Pamela Brown also does well as Kli:<br />

Henry's passionless wife. Queen Eleanc<br />

Sian Phillips has one touching momei<br />

and Jennifer Hilary, Veronique Wendt<br />

and several other beautiful girls a<br />

suitably cast as wenches and whores, tern<br />

which "Tom Jones" has made acceptab<br />

in today's period films. Felix Aylmer, i<br />

an elderly Bishop, Niall MacGinnis, Pere<br />

Herbert and other top British players a)<br />

also excellent and two familiar Italia<br />

actors. Paola Stoppa and Gino Cervi, ignll<br />

one splendid scene as the Pope and h<br />

adviser in a Rome sequence.<br />

In addition to Unsworth's notab;<br />

camerawork, which often resembles ol<br />

English tapestries, the highest praise is dt<br />

to John Bryan, for his production designi<br />

Margaret Furse for her rich and authentJ<br />

period costumes, and Laurence Rosenthi<br />

for his musical score, which is hauntln<br />

yet never distracts from the film's dram<br />

and visual beauty and it is well conducta<br />

by Muir Mathieson.<br />

In the final analysis, the film revolve<br />

around Becket and his King Henry n an<br />

it is Richard Burton and Peter OTOoli<br />

under Peter Glenville's direction, wh<br />

bring these famed medieval figures to vlvl<br />

life on the screen and make Hal Wall!<br />

superlative production one of the screen<br />

historical<br />

triumphs.<br />

Universal, Decca Declare<br />

Quarterly Dividends<br />

NEW YORK—The board of directors (<br />

Universal Pictures has declared a quarter!<br />

dividend of 25 cents per share on tl:<br />

common stock, payable March 27 to stocli<br />

holders of record March 17. 1964.<br />

At the same time, the directors of Decci<br />

Records declared a regular quarter!<br />

dividend of 30 centos per share on the con:<br />

pany's capital stock, payable March 30 t<br />

stockholders of record March 16, 1964.<br />

i<br />

London to See 'Becket'<br />

NEW YORK — Paramount has schec«<br />

uled Hal Wallis' "Becket" for an overset,<br />

premiere March 25 at the Plaza Theatre 1;<br />

London. It will be presented on a reservecj<br />

.seal, road-show policy.<br />

BOXOFFICE March 9. 196,


I<br />

: The<br />

I<br />

. . Comedian<br />

. . Maureen<br />

which<br />

'f^oUtfjCW^ ^cfront<br />

piGHT MORE productions for lensing<br />

during March are announced. The<br />

eight are in addition to the seven new<br />

films reported last week on this page,<br />

making a total of 15 new features currently<br />

before the cameras. The lineup by<br />

companies follows:<br />

COLUMBIA<br />

Mickey One. Arthur Penn. who produces<br />

and directs this film, which will be<br />

shot on location in Chicago, will costai<br />

Hurd Hatfield and Warren Beatty in this<br />

one. The suspense comedy by A. M. Sur-<br />

]gal finds Hatfield playing an impresario<br />

and Beatty a night club star in a bigcity<br />

atmosphere with night club over-<br />

;ones.<br />

NITED ARTISTS<br />

GoLDFiNGER. Thls Eon production starring<br />

Sean Connery will be lensed partly in<br />

[he United States and in England under<br />

[he Harry Saltzman and Albert R. Broccoli<br />

reins. The attempt to rob Port Knox,<br />

tcy., was written by Ian Fleming and will<br />

be shot in color.<br />

How TO Murder Your Wife. Charleston<br />

.^'reductions, owned by Gordon Carroll and<br />

Cieorge Axelrod. will roll on this Richard<br />

Juine directed script by Axelrod. who<br />

vrote the original for the satire. It was<br />

mblished by Houghton-Miflin. Jack Lemnon<br />

goes with the shapely Virna Lisi Miss<br />

i<br />

pisi doesn't speak English, as yet) in a<br />

jtory of a gay old bachelor who decides<br />

tfter his marriage that he has had enough.<br />

nd goes out to mui'der his spouse. It will<br />

e shot in color.<br />

Kiss Me Stupid. This Mirisch produc-<br />

;ion from the team of Billy Wilder and<br />

j. A. L. Diamond, will be produced and di-<br />

^cted by Wilder with Eiean Martin. Peter<br />

ellers, Kim Novak and Felicia Farr playig<br />

in a comedy about a night club singer,<br />

^ho is supposed to be the world's greatest<br />

)ver. In a small town he becomes involved<br />

(ith an amatem- songwriter, and the fun<br />

pgins. It will be shot in color.<br />

Beatles. Walter Shenson, producer,<br />

las assigned director Richard Lester to the<br />

ory about the popular Beatles, which will<br />

: lensed abroad. The vehicle for bringing<br />

le group to the screen hasn't been written<br />

yet.<br />

NIVERSAL<br />

,McHale's Navy. This successful tele-<br />

show will now go the route into a<br />

Sion<br />

I-length feature film. Si Rose has<br />

light<br />

,<br />

all his scripts into 1964-65 for the<br />

show, and Ed J. Montaigne will proce<br />

this one from a script by Frank J.<br />

1 and G. Carleton Brown. The Navy<br />

jys, who have them rolling in the homey-set<br />

aisles, are headed by Earnest Borg-<br />

Jie, Joe Flynn. Tim Conway. Carl Ballanje,<br />

Gary Vinson. Bill Sands. Yoshio Yoda.<br />

iston Stroll and Gavin.<br />

Strange Bedfellows. Mel Frank and<br />

?chael Pertwee will have the writers'<br />

•^dit on this tale set in England, which<br />

^1 find Mel Frank producing and direct-<br />

JB.<br />

Rock Hudson. Gina Lollobrigida. and<br />

% Young playing in a comedy duel of<br />

'" sexes, where the young oil magnate.<br />

.By SYD CASSDY<br />

Hudson, and his dame, Gina, are constantly<br />

battling. Gig Young as the public<br />

relations man brings them around.<br />

WARNER BROS.<br />

None But the Brave. This World War II<br />

story of a group of Marines shot down<br />

over the Pacific Islands held by Japanese<br />

soldiers will be directed by Frank Sinatra,<br />

who will star. Howard Koch is executive<br />

producer. The original by Raoul Walsh<br />

and John Twist will be scripted by Twist<br />

as a Sinatra production.<br />

William Castle, producer at Universal,<br />

has his next property for production in a<br />

novel by Rohan O'Grady, which is children-oriented.<br />

The novel was titled "Let's<br />

Kill Uncle" and perhaps sets the tone for<br />

the project . Alan Young has<br />

taken another step toward his own production<br />

activities by hiiing space in the<br />

San Fernando 'Valley. His storehouse of<br />

scripts now runs to 15. His identity has<br />

been firmly established due to his relationship<br />

as the man who talks to "Mr.<br />

Ed," in the program by that name ... A<br />

five-minute dramatic commercial for Anthony<br />

Mann's new film, "The Unknown<br />

Battle," will be released as promotional<br />

material for the World War II Norwegianbased<br />

production. Daniel Blassingame will<br />

do the commentary. The first segment depicts<br />

destruction of the Nazi potential for<br />

atom-bombs.<br />

. .<br />

Stan Margulies, vice-president of Tony<br />

Cui-tis' Reynold Productions, was scheduled<br />

to leave for London to produce "Those<br />

Magnificent Men in Their Flying Machines"<br />

to be shot in 70mm and Todd-AO<br />

in England and France starting May 11.<br />

Margulies was borrowed from Reynard by<br />

Elmo Williams, supervising dii'ector of<br />

20th-Fox's European division. The picture<br />

stars Susannah York, Pernandel, Robert<br />

Morley, Terry-Thomas, Alberto Sordi and<br />

Britt Elkland and is being directed by Ken<br />

Annakin . Setting a record of appearing<br />

in 28 out of the 30 films in which Jerry<br />

Lewis has starred. Mike Ross signed for a<br />

comedy role<br />

"<br />

in Lewis' "The Patsy. which<br />

he is starring in and directing for Paramount<br />

release. Joining the funsters is<br />

comedian and night club entertainer<br />

Buddy Lester, who has also appeared in<br />

several of Lewis' previous pictures. Ernest<br />

Lemmon Oscar Trailer<br />

Being Distributed Free<br />

H o I 1 y w o o d—The Jack Lemmon<br />

Oscar theatre trailer is being offered<br />

to exhibitors free of charge. Theatres<br />

wishing: to take advantage of this offer<br />

should contact their local National<br />

Screen Service office. Physical distribution<br />

will be handled by National<br />

Film Service.<br />

.A "live" appearance by Lemmon as<br />

master of ceremonies is featured in<br />

the reel, which is produced by .American<br />

Broadcasting Co., over whose radio<br />

and television facilities the April 13<br />

Oscarcast will be aired.<br />

D. Glucksman is producing the film in<br />

Technicolor.<br />

, . .<br />

Warner Bros, acquired the film rights to<br />

author Norman Mailer's new suspense<br />

novel, "An American Dream," the story of<br />

an ex-war hero who becomes a college<br />

professor and television personality. The<br />

tome is now being serialized in eight parts<br />

by E.squire Magazine and will be published<br />

in hard-cover book form by Dial<br />

Press this fall. Mailer is the author of<br />

•The Naked and the Dead, " Warners<br />

filmed in 1958 "The Cincinnati<br />

Kid" has been acquired for filming by<br />

Filmways. Martin Ransohoff hasn't worked<br />

out a deal for distribution, but it is almost<br />

certain that one will be forthcoming<br />

since he has some commitments to produce<br />

product for several majors.<br />

Shapely 20-year-old Mexican star Begona<br />

Palacios will play the love interest<br />

opposite Michael Anderson jr. in the Jerry<br />

Bresler production for Columbia, which is<br />

locationing in Durango, Mexico. Simultaneously<br />

set was film star Aurora Clavel,<br />

who will portray a momentary love interest<br />

in the life of Charlton Heston. The<br />

Civil War cavalry story also stars Richard<br />

Harris, Jim Hutton and Senta Berger<br />

and is being directed by Sam Peckinpah in<br />

color and Panavision . O'Hara<br />

will play a housewife who has designs on<br />

other men in "The Battle of Villa Fiorita,"<br />

the forthcoming Delmer Daves production<br />

for Jack Warner. The Rumer Godden novel<br />

was the source of the production . . . "Free<br />

Escape," a Emopean-locale film to be<br />

made in many parts of the continent, will<br />

have Jean Seberg in the starring role.<br />

Fom- pictures in a row will be scripted<br />

and directed by Burt Kennedy at MGM.<br />

Starting with "Rounders, " which is scheduled<br />

for a May 4 start in Sedona, Ariz.,<br />

with Glenn Ford and Henry Fonda starring.<br />

The second picture under the deal<br />

will be "The Last Hill," to be produced by<br />

Richard Lyons who is serving in the same<br />

capacity on "Rounders." Kennedy and<br />

Lyons were teamed on MGM's current boxoffice<br />

film, "Mail Order Bride," Buddy<br />

Ebsen starrer. Eighteen writers, a record<br />

for the studio, are currently engaged in<br />

preparation for the 1964 production season<br />

at the Walt Disney studios, in both<br />

the motion picture and television fields.<br />

Nine of the writers are on the staff, and<br />

nine free-lance, representing a new Disney<br />

high for non-cartoon operations. Principal<br />

photography for all 1964 releases has been<br />

completed.<br />

Oscar Brodney has been signed to<br />

write "Light of My Life," an original<br />

comedy in the romantic vein for producer<br />

Ross Hunter's schedule at Universal . . .<br />

Harry Kurnitz got the 20th-Fox assignment<br />

on "Venus Rising," which will be<br />

Fred Kohlmar's production at the Pico<br />

lot . . . Millard Kaufman, who wrote "Convicts<br />

Four and directed the film for Allied<br />

"<br />

Artists, has completed his first tlu-ee-act<br />

comedy, "The Side of the Dragons," aimed<br />

at Broadway production, with feature production<br />

hovering in the background . . .<br />

An original romantic comedy gets under<br />

way on the Universal City premises with<br />

Ross Hunter assigning WTiter Oscar Brodney<br />

to do "Light of My Life." . . . Dino<br />

De Laurentiis goes the religious route with<br />

another title, "God and the Devil," with<br />

Enzo Peri directing.<br />

t XOFFICE March 9, 1964 15


BOXOFFICE BAROMETEi<br />

This chart records the performance of current attractions in the opening week of their first run* ill<br />

the 20 key cities checked. Pictures with fewer than five engagements are not listed. As new nMil<br />

ore reported, ratings arc added and averages revised. Compulation is in terms of percetitog* ir<br />

relotion to normal grosses as determined by the Iheotre managers. With 100 per cent as "normal/<br />

the figures show the gross roting obove or below that mark. (Asterisk * denotes combination bills.'l<br />

UJ<br />

a:<br />

o<br />

Z<br />

-J<br />


. . the<br />

Two great stars in the story of two of the most explosive men in<br />

history. One was King of England. The other one who lived<br />

in the shadow of Kings. Then, one murderous day. they clashed...<br />

as His King<br />

MGiaGUD'"MWlI<br />

nn pl-ilrGLENVILLEedwardANHALT JEAN ANOUILH -AfWroNIRflEASt<br />

tJAR-POWERED SHOWMANSHIP!<br />

If<br />

ICHARD BURTON and PETER O'TOOLE arc the year's<br />

iV biggest boxoffice names. Hal Wallis' "Becket" stars<br />

ttlni in the kind of roles which hove won them spectacular<br />

o(ience acceptance— they play reckless warriors and roistering<br />

Ici-TS, friends in an age of violence. The film itself, a magnifi-<br />

Cft motion picture dramatization of a world-fomous play, perils<br />

Burton as Becket and O'Toolc as his King to display their<br />

0^1 brilliant talents and training in the passions of the classic<br />

*'"'3tre. Their names will attract audiences; their performances<br />

* be talked-about for years to come.<br />

T eckett" itself, one of the most moving stage productions<br />

[)<br />

ever to spellbind audiences in New York, London and<br />

•^'is, is the story of two of the most explosive men in history<br />

1<br />

e soldier who was his King's companion, and then became<br />

'COFTICE Maich 9. 1964<br />

— the King's conscience "this meddlesome priest" who was murdered<br />

in Canterbury Cathedral by the King's Knights.<br />

Paramount<br />

has created a merchandising campaign that<br />

makes brilliant use of every boxoffice element in<br />

this spectacular<br />

screen offering, with special emphasis on the stors. But<br />

there is a powerful supporting cast, an entertainment-wise<br />

producer, a brilliant director, a tremendous dramatic conflict.<br />

In bringing "Becket" to the screen, breathtaking sets had to<br />

be constructed . . . desperate battle fought, for the Panavision-<br />

Technicolor cameras to record .<br />

costumes and the cus-<br />

and 12th Century<br />

toms of the Middle Ages returned to life . . .<br />

ways of love explored.<br />

obviously "Becket" is<br />

showmen—will<br />

o motion picture that audiences—and<br />

long remember.<br />

17


.<br />

i<br />

RICHARD<br />

BURTON<br />

Not until "Beckct" have Richard Burtons tremendous abilities os an actor been<br />

properly capitalized upon by the screen, although his reputation is almost legend.<br />

Burton opens on Broadway next month as "Hamlet," in a stage production directed<br />

by John Giclgud, who also appears in "Bccket." The national publicity surrounding<br />

the Broadway appearance, on top of the "Beckct" campaign, will certainly odd to<br />

the star's magnetic appeals, and will draw additional audiences to the "Bccket" boxoffice.<br />

Burton is only one of four actors in Stratford-on-Avon history to play "Hamlet"<br />

more than 100 times (Giclgud, incidentally, was another of the fourj.<br />

An Old Vic star,<br />

Burton appeared in Christopher Fry's "The Lady's Not For Burning" for 18 months in<br />

London, and almost as long in New York It was Burton whom Winston Churchill<br />

chose as his "voice" for the British TV series of filmed war memoirs, and it was Burton<br />

who was starred on Broadway in the musical comedy, "Camelot. ' His two most recent<br />

films, "Cleopatra" and "The V.I.P.'s," have been record-breaking grossers.<br />

As Becket, Burton makes magnificent use of his splendid training and talents.<br />

bECKET<br />

In the 12th Century England of "Becket," the King<br />

ruled with the military force of his Barons, and the executive<br />

abilities of his Churchmen. The clash between Church and<br />

State was inevitable, and it was this which led to the increasing<br />

personal conflict between Henry II, great-grandson of<br />

William the Conqueror, and his boon companion. Archbishop<br />

Thomas Becket. The murder of Becket in Canterbury Cathedral<br />

climaxes the epic tragedy that is<br />

"Becket."<br />

Paris,<br />

A pleasure-loving young man educated in England and<br />

Becket becomes Archdeacon of Canterbury and close<br />

friend of the swashbuckling Henry, who is desperately trying<br />

to quell rebellions in France and Wales, lands he holds by<br />

right of conquest or of marriage. Becket faithfully serves the<br />

King, fighting beside him or carousing with him, when Henry<br />

appoints him Chancellor of England.<br />

The death of Archbishop of Canterbury is seized on by<br />

Henry as a providential means of destroying Church opposition;<br />

he names Becket his next Archbishop. But Becket takes<br />

his vows seriously; he not only lives the life of a humble<br />

priest, he opposes the Crown on all points affecting the<br />

Church. Becket is forced by Heni-y to flee.<br />

In France, he finds<br />

shelter with King Louis VII. Alternating between fury at<br />

Becket's unexpected behavior and desolation at<br />

the loss of<br />

the "only man he can trust," Henry finally grants Becket<br />

safe-conduct back to Canterbury.<br />

But Becket suspects he will not be long allowed to live .<br />

.<br />

Producer HAL WALLIS<br />

One of filmdom s top movie-mokers, "Becket" produc(|<br />

Hoi Wollis has the happy ability to combine prestige ente;<br />

toinment with boxoffice success. "Becket," his most on;<br />

bitious production in some time, is the latest in a 27-ye(j<br />

career that includes some 400 films which won well ov«i<br />

100 Academy Award nominations and a total of 32 oword,<br />

Wallis has twice won the Irving Thalberg Award.<br />

j<br />

No list of memorable films is complete without holf<br />

dozen or so Hal Wallis pictures, and it does not motter how thj<br />

list is chosen— adventure, western, comedy, droma, romonc<br />

. . . he's made them all, and successfully. There were, fc,<br />

example, such clossics as "The Life of Emile Zola," "Lou,<br />

Pasteur" and "Little Caesar." There were such suspens<br />

thrillers as "I Am o Fugitive" and 'The Maltese Falcon,<br />

such musicals as "This Is the Army" ond "Yankee DoodI<br />

Dandy," such comedies as the Dean Martin and Jerry Lew(<br />

subjects, such romances as "The Rainmaker" ond 'io>^<br />

Letters," such westerns as "Gunfight at the OK Corror onj<br />

"'Dodge City," such dromas as "Come Bock Little Shebo" onj<br />

"Summer and Smoke."<br />

All the Hoi Wollis movie-making know-how is in "Becketj<br />

Wallis tokes an active role in every facet of plonning, prtj<br />

auction and selling. With "Becket," Wallis is of his bcH<br />

office<br />

best.<br />

PARAMOUNTI


PETER O'TOOLE<br />

As "Lawrence of Arabio," Peter O'Toole won considerably more than an Academy<br />

Award nomination for his brilliant performance; he won an immediate place in the<br />

very forefront of the international screen's top boxoffice stars. Audiences wanted<br />

more of him; they still do.<br />

"Becket" is O'Toole's first picture since "Lawrence of Arabia."<br />

fi<br />

il<br />

As King Henry II in the Middle Ages, O'Toole appears in a role that might have<br />

been hand-written for him. Unlike his characterization as the introspective, selfconscious<br />

and awkward Lawrence, O'Toole himself is an out-going, laughter-loving,<br />

vividly-alive individual, one of England's finest young stars. His appearonce in<br />

"Becket" as the King capitalizes upon his own powerful personality; his King is a<br />

roistering, woman-chasing ambitious monarch who enjoys soldiering and the life<br />

is his because he wears the Crown of England.<br />

that<br />

Like Burton, O'Toole also is a man of the stage. Youngest male star ever to play<br />

with the famed Old Vic, he has appeared in everything from outright farce to "Hamlet."<br />

In "Becket," Peter OToole ranges through all the passions, memorably.<br />

A NEW MAGNIFICENCE<br />

COMES TO THE SCREEN<br />

The pomp and pageantry of the Middle Ages are not<br />

easily come by.<br />

Director PETER GLENVILLE<br />

One of the leading directors of the Broadv*/ay and London<br />

stage, Peter Glenville was the logical choice to direct Richard<br />

Burton and Peter O'Toole in Hal Wallis' screen version of<br />

"Becket." Glenville had directed the Broadway-occlaimed<br />

stage production, with Laurence Olivier and Anthony Quinn.<br />

Other of Glenville's Broadway stage triumphs include<br />

the present Alec Guinness success, "Dylan." He directed Vivien<br />

Leigh in her first musical, "Tovarich;" Quinn and Margaret<br />

Leighton in "Tchin Tchin." He directed "Separate Tables,"<br />

"Roshomon," "Hotel Poradiso" and "Take Me Along."<br />

Among Peter Glenville's films have been "Summer and<br />

Smoke," "Me and the Colonel," "The Prisoner" and "Term<br />

of<br />

Trial."<br />

Playwright JEAN ANOUILH<br />

Considered the world's most successful living playwright,<br />

Jeon Anouilh's plays— and the films made from them— attract<br />

audiences everywhere. "Becket" itself was first produced in<br />

Paris, and a year later in London with Christopher Plummer<br />

as Henry and Eric Porter as Becket. On Broadway, Laurence<br />

Olivier was Becket when Anthony Quinn appeared as the King,-<br />

Olivier changed over to ploy Henry to Arthur Kennedy's<br />

"Becket" when Quinn left the play to make "Lawrence of<br />

Arabia."<br />

More than four months were needed, after as much time<br />

spent in research and design, to reconstruct Canterbury Cathedral<br />

as it was in the time of Becket's consecration and<br />

murder, and Henry's excommunication and penance. The<br />

greatest single interior set ever built in Europe, Canterbury<br />

Cathedral is just one of many beautiful and contrasting<br />

settings required for<br />

There is<br />

"Becket."<br />

a medieval French town, to be captured by the<br />

King and Becket. There are medieval English castles, stark<br />

and cold contrasts to the French and Italian court sets, the<br />

Papal Palace and the camp of the French Army.<br />

There are costumes, ranging from the rags of the peasants<br />

to the gold and velvet of the Court of King Louis VIII<br />

of France, the uniforms of the soldiery and the robes of the<br />

Church. The weapons and armor of the time had to be duplicated,<br />

as did the furniture and farm equipment, saddles and<br />

other props .<br />

. . and<br />

they had to be fashioned in the diverse<br />

Middle Ages styles of England, France and Italy.<br />

Academy Award winning designer John Bryan handled<br />

much of the work, with a record staff of 300 artists and<br />

craftsmen; Margaret Furse did the costume designs. To get<br />

the work done, with complete authenticity, the museums of<br />

Europe were explored, the field of 12th Century literature<br />

canvassed, and dozens of historians consulted.<br />

CAMPAIGNS


.<br />

.<br />

BECKET' STARS<br />

HEADLINE-HOT!<br />

s<br />

)<br />

TALK ABOUT ROMANCE .<br />

. . I<br />

Peter O'Toole wos a magnificent romontic hero— without a heroine!<br />

-OS Lowrence. Now, in "Becket," his omorous odventures are plentiful,<br />

varied ... but always lusty. As Henry, the King, he ranges freely among<br />

his Saxon serfs ond his Queen's lodies-with Burton as Becket right<br />

there, too! The promotion possibilities ore as pleosont to envision as<br />

the girls themselves!<br />

Attention of the nation's press, radio and television<br />

is being focused this month on "Becket," and<br />

its headline-hot stars and behind-comero experts.<br />

In addition to the tremendous flow of publicity which<br />

emanated from the production itself, the spectacular's<br />

rood show engagements are adding their own<br />

audience-attracting efforts. And, of course. Paramount<br />

has mounted a major campaign.<br />

In-person activity has been set with "Becket"<br />

producer Hal Wallis and "Becket" director Peter<br />

Glenville:<br />

Wallis is expected to visit New York, Boston,<br />

San Francisco, Denver and Washington to talk<br />

about "Becket" and Glenville's itinerary includes<br />

Boston, Montreal, Toronto, Chicago and Washington.<br />

Both also have been set for television<br />

and radio breaks, local and national and<br />

"Becket" is to be featured on the NBC-TV show,<br />

"Worldwide Kingdom of Movies," on March 20th.<br />

Newspaper breaks scheduled, or already achieved,<br />

include— in New York— such nationally-distributed<br />

papers as the New York Times magazine section<br />

and drama and motion picture section (the former<br />

a picture layout; the latter, a by-line piece by Glenville),<br />

a 4-column production story in the New York<br />

Sunday News, and o New York Herald Tribune break<br />

of major proportion.<br />

Magazine publicity starts with awards: "Becket"<br />

alreody has received the Parents' Magazine "Special<br />

Merit Award," Seventeen's "Picture of the Month"<br />

occolode, and Scholastic Magazines' "Bell Ringer<br />

Award." Other magazine breaks received, or definitely<br />

set, include:<br />

I RICHARD J<br />

CQ<br />

as Becket<br />

bEC KE7<br />

W PBF)ENIE0IN70MM0NIHEGIANIIH[SIRESCRESN PiMiUIQiriM' TFPHMirninP<br />

PANAVISION- TECHNICOLOR'<br />

Two gtcjt surs in llic story of two The other one who lived in<br />

of the most explosive men in his the shadow of Kings. Then, one<br />

lorv. One was King of England. murderous day. ihev dished .<br />

Life Mogozinc color layout—Morch 13(h issue.<br />

Cosmopolitan—full pogc review, April issue.<br />

Redbook—Peter O'Toole-Rebecca West "dialogue," in<br />

Morch; review of "Becket" in April.<br />

McCoU's—Glenville interview obout the stars, Februory issue.<br />

Harper's Bazaar—Two facing full-page star drawings, with<br />

rave tor film, March issue.<br />

Porents Magazine—Aword, plus review ("Magnificent entertainment!"),<br />

Morch issue.<br />

Vogue— Burton portrait, March 15 or April 1.<br />

Good Housekeeping—Review ond photo, April issue.<br />

PTA Magazine—Rove review and still,<br />

America— Rove — review.<br />

Modern Screen "Picture of the Month" for April.<br />

Saturday Review—full-poge rave review, March 7th issue.<br />

Photoplay—Gold Medal Award.<br />

Commonweal Magazine— Full-page review<br />

nm mm [^k<br />

WOLFIT- PETER GLENVILLE EDWARD ANHALl<br />

THE BOOK<br />

New American Library is<br />

publishing a Signet paperback<br />

edition of the Jean Anouilh play,<br />

on which the picture is based, with<br />

lEdKET<br />

photographs from the film itself.<br />

The publishers ore backing their<br />

book with ads, posters and trode<br />

publicity and the Jean Anouilh<br />

name alone is certain to win considerable<br />

bookstore and library attention.<br />

bv «*<br />

,<br />

JEAN AN' '_^,,


'^^<br />

BECKET' ADVERTISING<br />

The dramatic horizontal display of the star names, in many of<br />

the ads prepared by Paramount, is guaranteed to stop and hold<br />

newspaper and magazine readers. Such advertising does more<br />

— if steals the page, no matter what the competition. Note the<br />

giant display ad at left, which swept across two full pages in the<br />

New York Sunday Times. In all the ads, considerable emphasis<br />

is also placed on romance, spectacle and high adventure. The<br />

same theme extends to posters, and displays, which make powerful<br />

use of the stars' names and likenesses. Below is a reproduction<br />

of the 24-sheet.<br />

MASS-APPEAL<br />

PROMOTIONS!<br />

Shown below is the star-powered showmanship<br />

kit to be taken on first dates across the<br />

country by Paramount's exploiteers. It contains all<br />

the material needed for editors . . . radio . . .<br />

television . . . groups<br />

.<br />

. . schools, with room for<br />

additional material to come, as the picture catches<br />

fire!<br />

Paramount has prepared as spectacular a<br />

spread of material as possible, and what the field<br />

man can't carry will be shipped by mail or air express!<br />

Among the many exploitation aids available,<br />

in addition to those cited at right, are:<br />

* Group sales aids, including special brochures<br />

and flyers for the use of teachers, program<br />

directors, etc.<br />

^IfT^rr— \'""<br />

>:MhA.<br />

RICHARD ^_SSPETER<br />

BURTON ,« OTOOLE<br />

,r^J<br />

* 36-page Souvenir Book, with covers and ten<br />

inside pages in full color, for presentation to<br />

VIP's and for sale and display in lobbies, windows,<br />

etc.<br />

* Special Applause Bulletin, issued by Motion<br />

Picture Association and sent to 50,000<br />

women's club leaders, clergy, editoriol writers,<br />

colleges, libraries, etc.<br />

* Legion of Decency Accolade, with a special<br />

story serviced to Catholic and general newspapers<br />

throughout the country.<br />

DISPLAYS<br />

TJl'erhsing and the 24-sheet illustrated above exemplify<br />

"topproach used by Paramount in its posters and other<br />

ptfiol, to emphasize the film's star-power and its sweeppit<br />

and magnificent spectacle. When backlighted, the<br />

Il40"x60" moke tremendously effective shadow box<br />

injtheatre<br />

fronts and for dressing-up store windows, Para-<br />

Is making available an exciting set of color stills from<br />

lond dramatic display may also be obtained through<br />

pe Souvenir Program, both its cover and its inside pages.<br />

RECORD ALBUMS<br />

llbums give "Becket" showmen opportunity for power-<br />

Iromotion, tied-in with all-out Decca Records support.<br />

r'buting the Laurence Rosenthal sounttrock in a de<br />

|id is backing it with extensive disc jockey promotion<br />

I advertising, plus point-of-sale material. "Becket"<br />

I etc<br />

l^iove their own local media activity . . . store and stocontest<br />

promotions ... use of the albums as prizes<br />

,*., mmw<br />

Wliyt. .PETER GLENVILLE EDWARD ANHALT<br />

JjECKET<br />

* Open and Closed End interview discs of Burton<br />

and Glenville, for use in New York and<br />

across the country.<br />

STUDY GUIDE<br />

and<br />

FILM STRIP<br />

Illustrated above are the front cover and inside spread<br />

of the Becket Educationol Study Guide, mailed to 10,000<br />

teachers of social studies and audio-visual directors in<br />

playdate cities and suburbs. Printed in two colors, the Guide<br />

contoins facts and classroom exercises on the Middle Ages,<br />

and opens into the attractive 17"x22" wall map illustroted<br />

here.<br />

A 30-frame filmstrip in color, of life in the Middle<br />

Ages, contains scenes of hunting, feasts, architecture, costumes,<br />

etc., as they appear in "Becket." A script accompanies<br />

each film strip, which is promoted in the Study<br />

Guide and also has been advertised ond publicized in teachers'<br />

magazines.<br />

Both Study Guide and Filmstrip offer "Becket" showmen<br />

additional entr/ into schools and colleges.


LOS ANGELES<br />

OMAHA, NEB<br />

TORONTO, CANADA<br />

CHICAGO, ILL<br />

DENVER, COLO<br />

BOSTON, MASS<br />

MONTREAL, CANADA....<br />

SAN FRANCISCO, CAL.,<br />

WASHINGTON, D.C<br />

NEW YORK CITY .<br />

WORLD PREMIERE<br />

. LOEW'S<br />

STATE MARCH llfh<br />

AND OTHER ROADSHOW ENGAGEMENTS<br />

.STANLEY-WARNER BEVERLY HILLS<br />

.COOPER<br />

.EGLINGTON<br />

.CINESTAGE<br />

.RKO INTERNATIONAL 70<br />

.SAXON<br />

.SEVILLE<br />

..UNITED ARTISTS<br />

.ONTARIO<br />

MARCH)<br />

MARCH i<br />

MARCH i<br />

MARO-J!<br />

APRILJZ<br />

NEXT ATTRACT<br />

NEXT ATTRAC((<br />

NEXT ATTRACk<br />

NEXT ATTRACJc<br />

GROUP SALES AIDS FOR<br />

Illustrated here are three of the many group sales aids now being used in road<br />

show engagements, to grotifying effect. Paramount anticipates that sales promotion<br />

oids like these, or reasonable adaptations of them, also will be available to later<br />

playdates of "Becket."<br />

BECKET<br />

g


'<br />

'41.<br />

i<br />

Westchester<br />

which<br />

for<br />

Shapiro<br />

and<br />

. would<br />

Pay TV Opponenls<br />

i'lan Maryland Rally<br />

BALTIMORE—A three-pronged attack<br />

gainst toll TV Is set for March 17 at<br />

0:30 am. in the Park Plaza Theatre when<br />

16 Allied Motion Picture Theatre Owners<br />

f Maryland, the Maryland Theatre Ownrs<br />

Ass'n and independent exhibitors from<br />

iroughout Maryland meet to further<br />

lans in their Anti-Pay TV crusade.<br />

Theatre owners from neighboring lo-<br />

Uities also are invited to attend.<br />

A joint statement issued by Jack Whittle,<br />


.<br />

.<br />

Janus),<br />

Two<br />

'<br />

'<br />

'<br />

j<br />

i<br />

!<br />

'Captain Newman/ Seven Days Big<br />

In 2nd \Neek Among B'way Holdovers<br />

NEW YORK — With the Times Square<br />

area playing nothiiiR but holdovers, except<br />

for the new foreiKn-laiiKuage "Two Are<br />

Guilty" at the Embassy, business held up<br />

surprisingly well mainly due to such strong<br />

product as "Captain Newman." which had<br />

a fine second week at the Radio City<br />

Music Hal: "Seven Days in May." which<br />

was a smash in its second week at the<br />

Criterion, as well as the east side Sutton<br />

Theatre, and "Dr. Strangelove. " still very<br />

big in its fifth week at the Victoria, as well<br />

as the east side Sutton Theatre.<br />

Also continuing to do good business were<br />

three "Showcase" attractions. "Dead<br />

Ringer," very good in its second week at<br />

the RKO Palace: "Sunday in New York,"<br />

good in its third week at the Forum, and<br />

"Man's Favorite Sport?," good enough but<br />

not up to the other two, in its second week<br />

at the Astor. Two that were just mild were<br />

"Dr. Crippen," in its third and final week<br />

at the Paramount, and "Love With the<br />

Proper Stranger," in its tenth and final<br />

week at Loews State although here the<br />

picture did extremely well in its previous<br />

weeks.<br />

With "Becket" slated to start a reservedseat<br />

run at Loews State, starting March<br />

11, the other two-a-day pictures continued<br />

to do fine business, particularly "The Cardinal."<br />

in it.s 12th week at the DeMllle:<br />

"It's a Mad. Mad. Mad. Mad World." in its<br />

16th week at the Warner Cinerama, and<br />

"Cleopatra, " in its 38th week at the Rivoli.<br />

All of these pictures now advertising several<br />

Academy Aw-ard nominations in the lobby<br />

or on the marquee. "Best of Cinerama" was<br />

mild in its tenth week of two-a-day at<br />

Loew's Cinerama and will be replaced by<br />

another film late in March.<br />

In the art houses, "Tom Jones," nominated<br />

for many Academy Awards, was again<br />

the leader by playing in two adjoining<br />

spots—Cinema I. where it had a big 21st<br />

NEWS .<br />

I<br />

week, and Cinema II. where it was a smash<br />

in its third week. Also continuing to strong<br />

business were "America America," nominated<br />

for best picture, in its 11th week at<br />

the Paris: "The Silence," again a smash<br />

in its fourth week at the Rialto and the<br />

east side Tians-Lux East, and the revival of<br />

"Beat the Devil," fine in its second week<br />

at the Fifth Avenue Playhouse. Four of the<br />

art spots are currently on Festivals or unusual<br />

programs, Chaplin films at the Plaza,<br />

for a smash 13th week; experimental films<br />

at the 55th Street Playhouse, shorts at the<br />

34th Street East, and a newly opened FesniMACICS<br />

NEW !••«<br />

DRIVE-IN<br />

CATALOGUE<br />

NOW READY<br />

The Theatr* Industry^ Bibl«<br />

on How To Moko Menoy<br />

Selling Merchont Adt, Con<<br />

f'TIlM cetsioni, ond Tickst S«lllni<br />

I<br />

iSlll l>'' ' ld>ai Frn on Rm|u»iI.<br />

•^.^^tT"? T-'l. TVI! w.m<br />

tm i. wu*«M . oauoo >. at. - m* >.»•«<br />

tival of great French films at the Norman-<br />

.<br />

1<br />

die.<br />

Astor— Mon's<br />

(Average Is 100)<br />

Favorite Sport? (Univ), 2nd wk. of<br />

Showcase 1 35<br />

Baronet— Dr. Strongclove (Col), 5th wk 195<br />

beekman— Point of Order Cont I), 7th wk 125<br />

Cornegie Hall Cmcmo— Dcr Rosenkovolicr<br />

(Showcorp), 1 0th wk of two-a-doy 150<br />

Cinema I—Tom Jones (UA-Lopcrt), 21st wk 175<br />

Cinemo II—Tom Jones (UA-Lopert), 3rd wk 195<br />

Coronet—To Bed ... Or Not to Bed (Confl),<br />

10th wk 135<br />

Criterion— Seven Doys in Moy (Paro), 2nd wk 185<br />

DcMille—The Cordinol Col), 12th wk. of two-a-doy 165<br />

Embassy— Two Arc Guilty (MGM) 165<br />

Festivol—The Eosy Life (tmbossy), 10th wk 150<br />

5th Avenue Boot the Devil (UA). revivol, 2nd wk. 150<br />

55th Street— Expcnmcntol films, 2nd wk 110<br />

l-ine Arts— Young ond Willing (Univ) 135<br />

Forum— Sunday in New York (MGM), 3rd wk.<br />

of Showcoso<br />

1 50<br />

Guild—Two Arc Guilty (MGM) 1 50<br />

Little Carnegie— The Fire Within (Gibraltar), 2nd wk. 140<br />

Loew's Cineromo— Best ot Cineromo (Cinerama),<br />

loth wk. of two-a-doy 110<br />

Loew's State— Love With the Proper Stronger<br />

(Para), 10th wk no<br />

Loew's Tower East— Sunday in New York (MGM),<br />

3rd wk. of Showcase<br />

1 30<br />

Murray Hill—Love With the Proper Stranger<br />

(Para), 10th wk 115<br />

Paramount— Dr. Crippen (WB), 3rd wk, ........ ..]00<br />

Pons—America America (WB), 11th wk . 150<br />

Ploza—Chaplin Film Festival (SR), 13th wk 200<br />

Rodio City Music Holl— Captain Newmon (Univ),<br />

plus stoge show, 2nd wk 165<br />

Riolto—The Silence (Janus), 4th wk 165<br />

Rivoli— Cleopatra (20th-Fox), 38th wk. of two-o-doy 140<br />

RKO Palace— Dead Ringer (WB), 2nd wk. of<br />

Showcase<br />

j 5Q<br />

Sutton—Seven Doys in May (Para), 2nd wk! ! .^ 1 90<br />

34th Street East— Progrom of shorts, 2nd wk 120<br />

Toho—The Bod Sleep Well Toho), rcvivol, 2nd wk 100<br />

Irons-Lux Eost—The Silence 4th wk 175<br />

Trans-Lux 52nd— The Doy ond the Hour (MGM)<br />

'<br />

2nd wk 105<br />

Vicforio— Dr. Strongclove (Col), 5th wk. 1 ! 165<br />

Warner— It's a Mod, Mod, Mad, Mod World<br />

(UA-Cineromo), 1 6f h wk. of two-o-day . 180<br />

World— Psychomanio (Victorio), 3rd wk ! ! ! ! 175<br />

Prize' 200 Isf Week Followed<br />

By 190 2nd Week in Buflalo<br />

BUFFALO—"The Prize" at the Center<br />

is setting a fast pace for Buffalo first runs,<br />

coming in with a 200 initial stanza and a<br />

190 second week. "Sunday in New York"<br />

is a healthy 195 at Shea's Buffalo. The<br />

Cinema and Amherst continued big in the<br />

third week of "Tom Jones."<br />

Buffalo— Sundoy in New York (MGM) 195<br />

Center—The Prize MGM), 2nd wk. |90<br />

Century—The Victors (Col). 2nd wk. .'.'.'.'.'.'. 100<br />

Cinema, Amherst—Tom Jones (UA-Lopert)<br />

3rd wk, . j^e<br />

Gronodo— The Misadventures of Merlin Jones (BV)<br />

3rd wk<br />

170<br />

Paromount— Love With the Proper Stranger<br />

(Paro), 3rd wk j25<br />

Teck—Man's Favorite Sport? (Univ), 4th wk!<br />

moveover<br />

qq<br />

Busy Week in Baltimore<br />

As Five Features Bow<br />

BALTIMORE— The busiest boxoffice of<br />

the week was reported by an art theatre<br />

showing "<br />

"Tom Jones. other newcomers<br />

had substantial grosses— "Seven<br />

Days in May" and "Mans Favorite Sport?"<br />

"The Victors" also was strong. Holdovers<br />

in the best brackets included "It's a Mad<br />

Mad. Mad. Mad World" and "Dr. Strangelove.<br />

'<br />

Charles— Tom Jones UA-Lopert) ion<br />

Five West- Any Number Con Win (MGM),'<br />

i no w K<br />

1 o •»<br />

Hippodrome—The Victors Col) ..'.<br />

150<br />

Little. Scnolor— One Mon's Woy (UA) .'. 1 35<br />

Moyfoir— Seven Doys in May (Pora) 150<br />

New— Dr. Strongclove (Col). 2nd wk 1 40<br />

Playhouse Billy Lior iCont'l) 135<br />

Stonton—Mon'i Fovorite Sport? ^Liniv) 145<br />

Town— If'i a Mad, Mod. Mod, Mod World<br />

(UA-Cincromo). 2rx) wk<br />

] 50<br />

Paramounts "Pun in Acapulco" was directed<br />

by Richard Thorpe.<br />

}<br />

B'way Sign for 'Empire';<br />

Theatre Parties Set<br />

NKW 'i'OKK Aire Guiiine.ss, current<br />

starring on the Broadway stage as "Dylat<br />

at the Plymouth Theatre, lighted the actt'<br />

motiograph spectacular sign on the et<br />

side of Broadway between 44th and 4Si<br />

Streets, which heralds "The Fall of U<br />

Roman Empire," In which he stars<br />

Emperor Marcus Aurelius, which will ha'<br />

its western hemisphere bow at the DeMU<br />

Theatre, two blocks up Broadway. Man<br />

26.<br />

Paramount Pictures, which Is releaaii<br />

the Samuel Bronston picture, has leaai<br />

the block-long space for six months, U<br />

new electric sign being the first to occui<br />

this spot since the famous Pepsi-Co'<br />

waterfall of .several years ago.<br />

The DeMille Theatre, currently playli<br />

Otto Preminger's "The Cardinal. " has bet<br />

selling reserved-seat tickets for "Romi<br />

E}mpire" since late in February and .sever<br />

theatre party dates have been set, inclut<br />

ing Conqueror Lodge No. 559 of tl<br />

Knights of Pythias, for a preview pe<br />

formance March 25. the entire proceeds<br />

be turned over to the Associated Heali<br />

Foundation: a series of special mornii<br />

performances for student groups, stariii<br />

Monday i30i at 10:30 a.m.: the Hebre<br />

Institute of Boro Park. Brooklyn, for Api<br />

29. and the Spirit Lodge of B'nai B'rit<br />

for April 5. with proceeds donated to tl<br />

Lodge's Armed Forces Committee.<br />

"The Fall of the Roman Empire" will ij<br />

the opening film to be presented at thi<br />

year's Cannes International Film Fi-U'.<br />

April 29. to be shown out of compcmiO|<br />

this being the first Bronston productu<br />

ever to be shown at Cannes, accordmg<br />

Favre LeBret. representing the FesUv<br />

committee.<br />

Columbia Records will release U<br />

soundtrack album of Dimitri Tiomkli<br />

musical score for "Roman Empire" in mlr<br />

March, just before the American and Loil<br />

don premieres.<br />

Eldorado Films Booked<br />

NEW YORK—Two Eldorado Films. r>j<br />

leases. "Sword of El Cid" and "BliU]<br />

Duke," the latter starring Camera<br />

Mitchell, had their first American shov<br />

ing at the New Amsterdam Theatre late<br />

February, according to David Bader<br />

Eldorado, which is distributing the Iiallai<br />

made pictures for the East-West Broa(<br />

casting Co. in the U.S. and Canada Boi<br />

pictures are in Eastman Color<br />

British Film to Coronet<br />

NEW YORK— "They All Died Laughing<br />

a British comedy-drama directed by Dt<br />

Chaffey. which Reade-Sterllng is rcleasli<br />

in the US. through its Continental Dli<br />

tributing division, will have its Americ»|<br />

premiere at the Coronet Theatre Marc<br />

15. Leo McKern and Janet Munro a:<br />

starred in the picture for which Siev»<br />

Pallos was executive producer.<br />

To Expand Wayne Theatre<br />

,<br />

NEW YORK — Skouras Theatres Oor<br />

has reached an agreement with Wayi;<br />

Shopping Centers. Inc., operators of »<br />

Preakness Shopping Center in Wayne. N*<br />

to expand the Wayne Theatre with a twU!<br />

house, seating 600, to start constnictlq<br />

shortly, according to Salah M. Hassenel^<br />

Skouras president.<br />

E-2<br />

BOXOmCE March 9.19^


HIGHEST CAPACITY RATING (200) FROM<br />

BOX-OFFICE* FOR NEW YORK OPENING<br />

AT WORLD THEATRE!<br />

(*BOX-OFFICE ISSUE Of FEB. 24ih<br />

firs*<br />

SET A NEW<br />

ATTENDANCE<br />

HIGH AT<br />

THE WORLD<br />

THEATRE<br />

NEW YORK<br />

AN EARTHY, WICKED<br />

SHOCKER about<br />

unnatural emotions,<br />

uninhibited passions<br />

...andlVIURDER!<br />

Novr<br />

!f<br />

PSYCHO -<br />

n<br />

MANIA<br />

TOPS<br />

EVEN<br />

THAT<br />

RECORD!<br />

LHIBITORS, NOTE:<br />

May we suggest<br />

miD fOR KICKS"<br />

a companion feature?<br />

Which<br />

girl<br />

will<br />

be the<br />

next<br />

VICTIM?<br />

THE MODEL?<br />

THE WILD CO-ED?<br />

THE NICE GIRL?<br />

THE TROLLOP?<br />

Ask about<br />

fhese two<br />

Moneymakers<br />

V<br />

ALSO<br />

STARRING<br />

SHEPPERD STRUDWICK<br />

A VICTORIA FILMS RELEASE<br />

JEAN HALE -LORRAINE ROGERS -MARGOI<br />

HARIMAN-KAY ELHAROT<br />

•<br />

SYLVIA<br />

•<br />

MILES PROOUCED BY DEL lENNEY- DIRECTED BY RICHARD L HILLIARD<br />

Recommended for ADULTS ONLY<br />

• All accessories available from Donald £. Velde, 3 1 1 IV. 43 St., N.Y. 36. N.Y.<br />

) "PAGAN HELLCAF • "VIOLATED PARADISf<br />

VICTORIA FILMS, Inc. 144W. 57St.,N.Y.19'PLaza7-6980' Jean Goldwurm. President. IRVING SOCHIN, Sales Director. Felix Bilgrey, Secretary Counsel<br />

Jack Walton<br />

TEX-STATE PICTURES<br />

4)2 So Horwood St.,<br />

Dallas, Texas<br />

214— Rl 7. 9692<br />

OFFICE :: March 9, 1964 E-3


. . Warner<br />

. . Dewey<br />

. . Nate<br />

i<br />

Two New Art House Policies; 34fb St.<br />

Shows Shorts; 55 th Experimental<br />

NEW YORK — Two of New York's<br />

dozen first-run art theatres, the new 34lh<br />

Street East Theatre, a Walter-Roade-<br />

Sterling house, and the pioneer 55th Street<br />

Playhouse, operated by Moss Enterprises,<br />

started new poUcies in mid-February. The<br />

34th Street East presented a proRram of<br />

prize-winning shorts, beginning February<br />

17 while the 55th Street devoted its<br />

program, starting Friday i21i to experimental<br />

and avant-garde features.<br />

The program at the 34th Street East included<br />

five Academy Award-winning shorts,<br />

"Dylan Thomas," starring Richard Burton;<br />

"The Golden Fish," a live-action<br />

French film distributed by Columbia;<br />

"Happy Anniversary," another French<br />

film produced and directed by Pierre<br />

Etaix; John Hubley's "Moonbird," an animated<br />

cartoon, and "Day of the Painter."<br />

a live-action featurette made by Ernest<br />

Pintoff. Also on the program are Pintoff'.'<br />

satirical cartoons. "The Critic." "The Old<br />

Man and the Flower." both distributed by<br />

Columbia; George K. Arthur's "The<br />

Farum." a British-made documentary, and<br />

"Dream of Wild Horses. " a French liveaction<br />

film in color, all of these released<br />

during the past five years.<br />

The 55th Street Playhouse recently<br />

played "Twice a Man," produced and directed<br />

by Gregory Markopoulos, and<br />

"Breath-Death." conceived and produced<br />

by Stan VanDerBeck. two young producers<br />

of experimental films. "Twice a Man."<br />

based on the legend of Phaedra, has been<br />

up-dated to a modern Staten Island setting<br />

and features Paul Kilb, Olympia Dukakis<br />

and Albert Torgerson. while "Breath-<br />

Death," which won a prize at the Belgian<br />

Experimental Film Festival, is a short film.<br />

VanDerBeck's satire on automation,<br />

"Wheels No. 2" completed the 55th Street<br />

program.<br />

The 55th Street Playhouse will operate<br />

as an autonomous venture with Al Sherman,<br />

publicist and authority on art theatre<br />

operations, as general manager, according<br />

to Larry Morris, vice-president of<br />

the Moss Circuit. Auditions are being held<br />

for films for future showings at the 55th<br />

Street, he said.<br />

Four N.Y. Art Theatres<br />

Playing Festival Films<br />

NEW YORK—A fourth New York art<br />

theatre, the 57th Street Normandie. which<br />

has been playing subsequent runs since<br />

January, has changed to a Festival policy<br />

with a series of French Classics, presented<br />

by Thomas Brandon, set to play through<br />

the spring. The opening program, two of<br />

Joan Cocleau's films. "Beauty and the<br />

Beast" and "Orpheus," was followed Friday<br />

i6i by "Zero for Conduct" and<br />

"L'Atalantee." directed by Jean Virgo. Future<br />

programs will feature French pictures<br />

made by Robert Bresson. Rene Clair. Rene<br />

Clement. Marcel Came. Jacques Feyder<br />

and Jean Renoir. Brandon said, for a<br />

three-month period.<br />

The Plaza has been playing a Festival<br />

of Charlie Chaplin features since November,<br />

the current one being "The Great<br />

Dictator."<br />

ROUNDS UP OVER S133.000—Variety<br />

Tent 7 recently completed its<br />

second annual Telethon, which resulted<br />

in cash donations and pledges of more<br />

than S133,000 for the clubs favorite<br />

charity, the Rehabilitation Center of<br />

the Children's Hospital. Left to right<br />

are Chief Barker Thomas W. Fenno;<br />

Mary Ann Mobley, former Miss America,<br />

who was one of the shining lights<br />

of the program; Telethon chairman<br />

Nathan Dickman and Robert King,<br />

general manager of WKBW-TV<br />

(Channel 7).<br />

Goldwyn Jr.<br />

Continuing<br />

Talks at Universities<br />

NEW YORK—Samuel Goldwyn jr. continued<br />

his series of talks on film production<br />

and special showings of "The Young<br />

Lovers" February 27 at Hollins College.<br />

Roanoke. Va. During the week of March 2<br />

he visited the University of Virginia, his<br />

alma mater, and Washington and Lee University<br />

in Lexington. Va. The following<br />

week he will address the Yale Drama<br />

School.<br />

His appearance has also been requested<br />

by Carnegie Tech. University of North Carolina.<br />

University of Georgia. University of<br />

Minnesota. Syracuse University. Duke and<br />

Purdue.<br />

ALBANY<br />

Qene Ganott, veteran of Fabian service in<br />

Albany and Schenectady, has been appointed<br />

manager of the Hellman Theatre<br />

by Dave Weinstein. Hellman ESiterprLses<br />

general manager. Ganott served as assistant<br />

at the Palace here after service<br />

during the war. and later succeeded Phil<br />

Rapp there when Rapp was transferred to<br />

Proctor's in Troy . manager<br />

Herb Gaines arranged a tradescrecning of<br />

"Robin and the 7 Hoods" at the Madison<br />

on Tuesday ilOi afternoon.<br />

Jo-Jo the Clown was an added feature at<br />

Saturday-Sunday matinees of "The Three<br />

Worlds of Gulliver" at the Community<br />

Theatre in Kingston. Admission was 50<br />

cents.<br />

BUFF ALO<br />

"Cd Miller has booked the Beatles clow<br />

1<br />

circuit television concert for the Pai<br />

mount Theatre on the I4th and 15th, li<br />

performances each day, al 12 noon i;<br />

2;30 p.m. Every indication is fori<br />

tremendous success, w^ith numerous pM<br />

calls to the theatre boxoffice following t<br />

nouncements on radio even before<br />

newspaper stories broke . Dlcloni<br />

Telethon chairman and Tom Fenno, dl<br />

barker of the Variety Club, announced ti<br />

collections at this writing were near<br />

the $100,000 mark. It was said to be i<br />

first telethon in American TV history<br />

receive a greater pledge total the secc<br />

year than the first year. The stupendi<br />

job of mopping up and following throi<br />

on pledges is being handled by Ha<br />

Berkson. Tony Kolinski. Myron Gross 8<br />

the Women's League of Variety.<br />

. . .<br />

nounced that "Camelot" with K<br />

Mr. and Mrs. Dewey Michaels of l<br />

Palace Theatre and Mr. and Mrs. Mar<br />

Jacobs of Sports Service, are enjoylnf<br />

vacation in Phoenix Chairman J<br />

Hayes of the 37th annual Variety Int<br />

national convention, to be held here, i<br />

Howard<br />

will be the convention time attractiooi<br />

Melody Pair.<br />

".Vmerica America" will be shown at<br />

'<br />

Loew-Shea flagship Buffalo, according<br />

Loew city manager Frank Arena, who s<br />

the Teck. also a Loew operation, will sli<br />

"It's a Mad. Mad. Mad. Mad World." sta<br />

ing March 25 . Michaels, who (<br />

erates the Palace, says that burlesque \<br />

return to the stage of that house Ma:<br />

27. Michaels said: "This will be a returr<br />

the Palace of the old-fashioned sh(<br />

people used to enjoy. We'll keep book<br />

such productions as long as people wi<br />

to see them."<br />

Switzer Grand Prize Won<br />

I<br />

By Salesman Jack Sane<br />

ST LOUIS—Jack Sane of Kenmo<br />

N.Y.. has been named grand prize win<br />

honored at a dinner at which he p<br />

in the national si<br />

contest conducted<br />

the Switzer Licoi<br />

Co., which has<br />

headquarters<br />

Sane, who<br />

here.<br />

rep<br />

sents Switzer in h<br />

York state a<br />

northwest Pennj<br />

vania. received<br />

expenses-paid va<br />

tion in Honoli<br />

with stops in<br />

Jack .Sane<br />

Louis and Los ><br />

geles. Here Sane '<br />

was<br />

sented the Switzer Salesman-of-the-'\'<br />

Award. In Los Angeles. Sane and his v<br />

attended the Western Candy Show.<br />

Wills Europe Bound<br />

NEW VOHK Chill Wills will go<br />

Europe shortly on a film merchandls<br />

tour in behalf of "McUntock" He will v<br />

cities in England. Italy. Germany. FVai<br />

and Belgium.<br />

Disney Opening Set<br />

NEW YORK— Walt Disney's "A Tl<br />

Walks" will open March 13 in 500 1<br />

cities.<br />

E-4 BOXOFFICE March 9, 1!


I<br />

Reade<br />

I<br />

Also<br />

the<br />

for<br />

which<br />

Wonderama Process<br />

Bows Before 1400<br />

PLAINPIELD, N.J.—Approximately 1.400<br />

exhibitors. New Jersey state and civic officials,<br />

members of the tradepress and executives<br />

from various major distribution<br />

companies, as well as financial representatives,<br />

attended the invitational preview of<br />

'Mediterranean Holiday," the first feature<br />

to be shown in the new Wonderama screen<br />

process, at the Strand Theatre here<br />

Wednesday i4i. The picture, which is in<br />

Eastman Color and is distributed by Walter<br />

Reade-Sterling, Inc., operator of the<br />

Strand, opened its regular run Thursday<br />

(5) and is expected to play "several weeks,"<br />

according to Walter Reade jr.<br />

BASED ON WELLS' INVENTION<br />

Reade played host to more than 400 exhibitors,<br />

press representatives and other<br />

notables who were taken to New Jersey in<br />

chartered buses and attended a cocktail<br />

party and dinner at Washington House before<br />

the premiere. In an informal speech<br />

just after the dinner. Reade said that the<br />

IWonderama process is the result of an<br />

[electronic and prismatic lens invention of<br />

Dr. Leon Wells, an American scientist born<br />

in Poland, and was developed by Leon<br />

Bronesky. The Wonderama picture, which<br />

lis divided on the film, is joined through<br />

jopt'cs and projected through two lenses<br />

lonto the screen, which is more than 60 feet<br />

Iwide, over 21 feet high and has a depth in<br />

the center of 20 feet. Wonderama is the<br />

'first of its kind that can project a motion<br />

Ipicture in depth on a curved screen from a<br />

jsingle unit. While the Wonderama system<br />

ban be attached to any 35mm projector,<br />

pew projectors were installed in the Strand<br />

jTheatre for the premiere of "Mediterranean<br />

Holiday."<br />

stressed that this new process is<br />

jideal for small theatres (one of the reasons<br />

he held the premiere in Plainfield instead<br />

3f a New York first run<br />

i<br />

lens is inexpensive<br />

to install and can be removed<br />

iust as easily following a Wonderama<br />

Ifilm engagement. Reade-Sterling plans to<br />

:harge a ten cent a seat royalty, regardjess<br />

of the theatre's admission price, Reade<br />

raid.<br />

fteade also introduced Sidney Deneau, viceioresident<br />

and general sales manager of<br />

^Continental, the distributing arm of ReadeiSterling.<br />

who spoke about the plans for<br />

,vide distribution of the new process: and<br />

j3ronesky. as well as Samuel Colosimo, chief<br />

'ngineer of Reade-Sterling, who supervised<br />

he Installation at the Strand Theatre.<br />

WANY EXECUTIVES PRESENT<br />

on hand at the dinner and the<br />

pcreening were Irving Wormser. president<br />

i)f Continental Distributing: Saul J. Turell.<br />

president of Reade-Sterling: Sheldon<br />

junsberg. executive vice-president, and Al<br />

^loersheimer, Paul Baise and other Reade-<br />

Sterling executives, as well as Charles<br />

Bimonelli, Technicolor executive: Salah M.<br />

iassenein. president of Skouras Theatres,<br />

uid Jerry Pickman. Columbia Pictures<br />

'xecutive.<br />

Reade promised that a second picture in<br />

"Vonderama. probably made abroad or in<br />

he Soviet Union, would be available later<br />

n 1964 and would be amiounced shortly.<br />

lOXOFTICE March 9, 1964<br />

B^ O A D W A Y<br />

QEORGE WELTNER, executive vicepresident<br />

of Paramount Pictures, has<br />

returned to New York following production<br />

and distribution conferences in Paris and<br />

Rome. • * " Peter Glenville, director of<br />

Hal Wallis' "Becket" for Paramount release<br />

is here from Hollywood to attend the<br />

world premiere at Loew's State March 11.<br />

Also here from Hollywood is Franklin<br />

Schaffner, who directed "The Best Man"<br />

for United Artists release, to promote the<br />

picture's summer release. Henry Levin, director<br />

of "Honeymoon Hotel" for MGM,<br />

left Hollywood, stopped in Syracuse, N.Y.,<br />

to visit his daughter, Elizabeth, and then<br />

continued to his home in Rome, Italy. E.<br />

Jonny Graff. Embassy Pictures, vice-president<br />

in charge of television, is back from a<br />

trip through the midwest and west coast<br />

areas.<br />

•<br />

At Cinerama, Inc., Michael D. Remer.<br />

member of the board of directors, is the<br />

proud father of Harry Anthony, born to<br />

Mrs. Remer at Mt. Sinai Hospital February<br />

28, and Barbara Lampe, secretary to<br />

Frederick Koehner, vice-president and<br />

treasurer, is engaged to Alan Rand, a<br />

budding soloist, and the couple plan a<br />

June wedding. * * * Edwin Gage, administrative<br />

vice-president, secretary and<br />

treasurer of Walter Reade-Sterling, has<br />

been elected to the board of governors of<br />

Pitkin Memorial Hospital in Neptune, N.J.,<br />

Gage being a resident of Deal, N.J. » *<br />

General Drive-In Corp.. comprising 13<br />

drive-ins and seven indoor theatres in New<br />

Jersey, has moved its mid-Atlantic office<br />

to the Palace Theatre Building in Orange.<br />

N.J, Robert Smerling is zone manager<br />

and Robert Deitch zone film buyer.<br />

•<br />

Leonard Satz. formerly with Technikote<br />

Corp., has been named vice-president of<br />

Nautec Corp. • • ' David Emanuel, head of<br />

Governor Films, is back from a southern<br />

trip to set playdates on "A Touch of Hell"<br />

and "Doctor in Distress" while Ruth Furst,<br />

Paramount's national director of group<br />

sales, went to Dallas for advance work on<br />

Samuel Bronston's "The Fall of the Roman<br />

Empire." United Artists division heads on<br />

the move include Eugene Jacobs, southern<br />

division manager, who went to Oklahoma<br />

City for meetings with branch personnel<br />

Wednesday, Thursday and Friday i4-6i<br />

and Eugene Tunick, eastern and Canadian<br />

division manager, who returned from a trip<br />

to Cleveland Friday 1 i<br />

6 a meeting with<br />

Sam Oshry, branch manager, and leading<br />

area exhibitors.<br />

<<br />

1 3<br />

•<br />

Samantha Eggar, young British actress<br />

who scored in "Dr. Crippen" and "The<br />

Young and Willing," both currently playing<br />

New York first runs, was guest at a<br />

reception given by Columbia Pictures at<br />

the Sherry-Netherland Hotel Tuesday<br />

before she goes to Hollywood for her first<br />

visit and first American picture, "The Collector,"<br />

which will be produced and directed<br />

by William Wyler from the bestselling<br />

novel by John Fowles. Terence<br />

Stamp, who will play opposite Samantha<br />

,went direct from England to Hollywood.<br />

' * *<br />

Debbie Reynolds, star of "The Unsinkable<br />

Molly Brown," returned to Hollywood<br />

Wednesday i4i after a visit in New-<br />

York attending the Loew's State pre\iew<br />

and giving newspaper interviews in connection<br />

with the MGM summer release and<br />

Elsa Lanchester came in from London,<br />

where she took part in promotion activities<br />

for MGM's "Honeymoon Hotel." • • • Don<br />

Murray returned from Boston Wednesday<br />

'4 1 after taking part in interviews and TV<br />

programs for his United Artists picture.<br />

"One Man's Way." which opens there next<br />

week.<br />

•<br />

Robert Walker jr., who plays the title<br />

role in "Ensign Pulver" for Warner Bros,<br />

release this summer, came on from Hollywood<br />

to accept the Photoplay Gold Medal<br />

Award on the March 5 ceremonies. John<br />

Michael Hayes, who did the screenplay for<br />

"The Carpetbaggers" and "Where Love Has<br />

Gone" for Embassy Pictures, also arrived<br />

from Hollywood Wednesday (4i while<br />

Stathis Giallelis, star of Warner Bros.<br />

"America America," was guest of honor<br />

March 4 at the International Student Center<br />

of Yale University in New Haven, the<br />

night the picture opened at the Whitney<br />

Theatre. * * * Leon D. Warshaw. medical<br />

director of United Artists, went to Washington<br />

to address a meeting of the Washington<br />

Heart Ass'n. • • * Luise Rainer,<br />

former film star, and Alan Schneider, producer<br />

of "Who's Afraid of Virginia Woolf,"<br />

which opened in London returned from<br />

Europe on the United States Friday i6i.<br />

•<br />

Paul Newman has completed filming<br />

MGM's "The Outrage" in Hollywood and<br />

is in New York for rehearsals with his wife,<br />

Joanne Woodward, for their costarring<br />

roles in the new Broadway play, "Baby<br />

Want a Kiss." * * " Paul Anka, recording<br />

star who played in "The Longest Day" for<br />

20th Century-Pox, is on a 17-day tour of<br />

leading German cities, starting in Hanover<br />

February 28 and winding up in Berlin,<br />

Wolfsburg and Misburg March 15. George<br />

Chakiris. star of United Artists "West Side<br />

Story" and "Kings of the Sun." is<br />

a European tour of Stockholm, Copenhagen.<br />

Brussels, Amsterdam and Paris,<br />

commemorating the third anniversary of<br />

"Story" in these cities.<br />

also on<br />

Frank Quinn to MGM Staff<br />

NEW YORK—Frank Quinn. columnist<br />

and film critic of the defunct New York<br />

Mirror, has joined the MGM publicity-promotion<br />

department, according to Dan Terrell,<br />

advertising, publicity and exploitation<br />

director, for the expanded public relations<br />

staff to launch "The Unsinkable Molly<br />

"<br />

Brown, has been booked for the<br />

Radio City Music Hall in early summer.<br />

Florman-Babb Expanding<br />

NEW YORK—Florman and Babb, supply<br />

and service company of motion picture<br />

equipment, has taken a controlling interest<br />

in the Camera Equipment Corp. and Ceco<br />

Indu.'itries, Inc. Robert Bregman is board<br />

chairman and Arthur Floi-man, president<br />

of the company, to be known as F &<br />

B Ceco.<br />

MGM Mourns E. C. Alvord<br />

NEW YORK — The board of Metro-<br />

Goldwyn-Mayer has adopted a resolution<br />

of profound sorrow at the death of Ellsworth<br />

C. Alvord. a director of the company<br />

who served as tax attorney for 20 years.<br />

E-5


last<br />

and<br />

William<br />

^oHcCoK "^e^iont<br />

P^<br />

SUCCESSFUL Royal Film Performance<br />

which raised more than $90,000 for the<br />

CinematoRraph Trade Benevolent Fund, an<br />

outstandingly successful new film made by<br />

Anglo Amalgamated and a speech of optimism<br />

from Robert Clark, president of the<br />

British Film Producers Assn. were the<br />

highlights of last week's industry news. A<br />

packed Odeon Theatre Leicester Squar?<br />

watched and applauded a stage show, written<br />

and produced by Vivian Cox. and the<br />

20th Century-Fo.\ film. "Move Over. Darling."<br />

starring Doris Day and James Garner,<br />

who was also one of the stars presented<br />

to Prince Philip, duke of Edinburgh,<br />

representing the queen who is shortly expecting<br />

her third child.<br />

The stage show was introduced by Richard<br />

Attenborough and Miss Millicent Martin,<br />

vv'hose new Anglo film. "Nothing But<br />

the Best. ' week received rave Fleet<br />

Street reviews. This was the 18th of the<br />

Royal Film Shows and also marked the<br />

40th anniversary of the founding of the<br />

CTBF. In his opening address Attenborough<br />

pointed out that no less than $1,500.-<br />

000 had been raised by the royal performances<br />

up to date. The show, as usual, received<br />

extensive press and television coverage<br />

and the laughter and applause at the<br />

end of "Move Over, Darling" indicated that<br />

the audience felt that they had spent their<br />

money for a good cause and a fine example<br />

of film entertainment.<br />

Considering that the pictiu-e had no big<br />

name stars and the story was an example<br />

of "black comedy" the impact that "Nothing<br />

But the Best" had on the press and<br />

the public alike last week was little short<br />

of staggering. Produced by E>avid Deutsch<br />

and directed by Clive Donner. the film<br />

wittily tells the tale of how a young man<br />

of lower class origin attains financial and<br />

social success. Owing a little of its origin<br />

to the famous Ealing comedy. "Kind Hearts<br />

and Coronets." Deutsch s film probes deeper<br />

into the changing social values of contemporary<br />

British society and its dialog<br />

has a sharper bite. Alan Bates, the star<br />

of "A Kind of Loving," plays Jimmy Brewster,<br />

the luiscrupulous young man who<br />

gets to the lop through applying one-upmanship<br />

"establishment" tactics plus his<br />

own unique contribution of murder; Denholm<br />

Elliot plays a ne'er-do-well upper class<br />

mentor to Bates, who eventually is liquidated<br />

in the interest of his pupil's advancement.<br />

Elliot is. incidentally, extremely funny in<br />

his role which is probably one of the best<br />

parts he has ever been given in any film.<br />

Millicent Martin, the singer actress from<br />

the BBC show. TW3. in another piece of inspired<br />

casting, plays Ann. a beautiful, but<br />

brittle debutante who falls for the Bates<br />

routine and thus enables our young scoundrel<br />

to enjoy the blessings of a rich fatherin-law.<br />

Other outstanding members of the<br />

cast include Harry Andrews and James<br />

Viliers plus Pauline Delany. who gives a<br />

brilliant study of a landlady suffering from<br />

an acute case of nymphomania. This is the<br />

British version of "How to Succeed in Business"<br />

and is presented with a style and wit<br />

that will be the rage of sophisticated audiences<br />

all over the world.<br />

Scriptwriter Frederick Raphael and director<br />

Donner boldly stick to terms of<br />

By ANTHONY GRUNER<br />

reference which places the future of Bates<br />

in some doubt. The law does catch up with<br />

him. but in a surprising twist the film gives<br />

him a 50-50 chance of escaping the hangman's<br />

noose. It may cause cen.sorship problems<br />

in other countries, but John Trevelyan.<br />

the chief censor over here, has given it<br />

an A certificate, which means it can be<br />

seen by children in company with an adult.<br />

• • »<br />

Robert Clark, a director of Associated<br />

British Picture Corp. and president of the<br />

British Film Producers Ass'n. is a cautiousminded<br />

man. But last week at a meeting<br />

of the Royal Society of Arts he threw<br />

caution to the winds and declared that the<br />

future for British films was terrific and he<br />

did not think that it had ever been better.<br />

Clark was chairing a lecture on the future<br />

of the British films delivered by Herbert<br />

Wilcox. And while the veteran British director<br />

had some interesting things to recall<br />

about the past, it was the introduction of<br />

the chairman w-ho collared all the press<br />

headlines.<br />

Clark began by pointing out that during<br />

the past few months there had been a tendency<br />

for the decline of cinema attendance<br />

to be arrested and he added "even slightly<br />

better than that— the tendency is the other<br />

way round." He believed that the industry<br />

had reached the stage when attendance<br />

would increase "because of the exceptionally<br />

good crop of pictures we have been<br />

having in the last few months." Clark<br />

said he thought the film industry attracted<br />

to itself too much unnecessarily harmful<br />

publicity by moaning too much. He did not<br />

think that cost had anything to do with<br />

entertainment: the public was not interested<br />

in that. Some films with big budgets<br />

had not done as well as others with smaller<br />

ones. They had all been excited wheti<br />

"Prom Russia With Love" had done very<br />

good business and equally delighted when<br />

"A Stitch in Time" seemingly did even<br />

better." It is just this type of competition<br />

we need in the business to make it really<br />

worth while."<br />

"Wilcox, in a prophetic mood, declared<br />

that "except for indigenous comedies and<br />

small realistic films of localized interests.<br />

British films in five years from now will<br />

be stone dead. From their ashes will emerge<br />

great international pictiu-es and the best<br />

of both worlds. Films comparable to<br />

"<br />

"Bridge Over the River Kwai. "Guixs of<br />

Navarone." "Lawrence of Arabia." "Tom<br />

"<br />

Jones "Becket." They will be as British<br />

as they could be, with great British<br />

actors and a great American producer with<br />

the know-how and. not unimportantly, all<br />

the money he needs."<br />

• • •<br />

Associated British Picture Corp.. in association<br />

with Butlin's. Ltd.. and a private<br />

company controlled by the holiday camp<br />

king, Billy Butlin. are working together on<br />

a project to develop an 80-acre site in<br />

Blackpool into an entertainment center to<br />

include Britain's first drivc-in cinema. Thf<br />

project will be known as Ventureland and<br />

will initially call for a Butlin Holiday Center<br />

for 8.000 persons and the ABC Drive-<br />

In Cinema with accommodation for 1.000<br />

cars.<br />

Following this phase there are plans<br />

for a zoological garden: a golf drtviil<br />

range: an exhibition and county show arei<br />

leisure gardens: an oceanarium to be knoiR<br />

as Marineland: a central car park wit<br />

accommodation for 12,000 cars: a trottte<br />

track and a golf course. There will all<br />

be a magnificent sailing and boating are<br />

The entire scheme is now being conslderc<br />

by the Blackpool Corp.. who will be in (i<br />

vor of making this seaside resort of tt<br />

north more attractive than ever before. ,<br />

• • • »<br />

George H. Ornstein has been appoint*<br />

head of United Artists production in tt<br />

United Kingdom, it was announced I<br />

Ilya Lopert. UA executive. Ornstein w1<br />

represent the company in all new produi<br />

tion projects involving the United Klni<br />

dom and will act as liaison between pit<br />

duction there and the United Artists' hoor<br />

office in New York.<br />

Joining United Artists in 1946. Ornstel<br />

has served the company in various execi<br />

tive capacities in the foreign and produi<br />

tion departments. ^.<br />

• • •<br />

"Tom Jones" added another honor to ti<br />

credits, as John Osborne won the Britiz<br />

Screen Writers Guild 1963 Award for tt<br />

Best Comedy Screenplay for his adapb<br />

tion of the Henry Fielding classic.<br />

Osborne is a leading contender in t^<br />

Motion Picture Academy's Oscar race i<br />

the Best Screenplay—based on materi;<br />

from another medium category. Also. U<br />

British Film Academy rates him a from<br />

runner for Best British Screenplay hono;<br />

for "Tom Jones."<br />

• • • ,^ ',<br />

News in brief: British Movietone Ne*<br />

. .<br />

old Pinter, starring Donald Pleasence. Ala<br />

Bates and Robert Shaw based on the sue<br />

stage pla:<br />

ne'<br />

will use Cinemascope as well as color t<br />

film this year's Grand National Steepk<br />

chase . "The Caretaker. " written by Hai<br />

cessful<br />

opens<br />

west<br />

at<br />

end<br />

the<br />

and Broadway<br />

Academy next week. It wt<br />

backed by Richard Burton. Elizabeth Ta><br />

lor. Peter Sellers. Peter Hall. Leslie Carol<br />

Peter Cadbury. Peter Bridge. Noel Cowan<br />

Harry Saltzman and Charles Kasher. Ii<br />

budget was $30,000 as all the actors an<br />

director Clive Donner, producer Micha<<br />

Birkett and Pinter were on deferred pay<br />

Harry H. Corbett and Diane Ci<br />

ments . . .<br />

lento have<br />

Sydney<br />

been<br />

Box<br />

selected<br />

film now<br />

to star in<br />

shooting<br />

the<br />

at At<br />

sociated British Elstree Studios "Rattle c<br />

a Simple<br />

"<br />

Man. Gell produce<br />

Muriel Box directs from a script by tb<br />

author of the play. Charles Dyer ... J<br />

Janni and John Schelsinger. the prodU«<br />

and director of "Billy Liar. "<br />

will b<br />

t


, each<br />

. . . Kane<br />

. . . Allied-COMPO<br />

. . George<br />

. . WB<br />

. . The<br />

. . Mr.<br />

Torregrosso.<br />

. . Altoona<br />

Marie<br />

Gateway, Fulton Houses<br />

Picketed by Local 3<br />

PITTSBURGH — lATSE Local 3 stagehands<br />

continued picketing Associated's<br />

Golden Triangle theatres, the Gateway and<br />

Fulton, after projectionists' Local 171 returned<br />

to booth duties after supporting the<br />

stagehands' strike for one week. The<br />

stagehands, without contract, had helped<br />

in installing automatic curtain controls to<br />

be operated from the projection booth,<br />

which George Stern, Associated executive,<br />

stated had cost $6,000. Before the electric<br />

power was turned on to make the connection,<br />

the stagehands suddenly were called<br />

DUt on strike and they pulled the curtains<br />

during exhibitions of pictures at the two<br />

theatres and took up picketing duties alnost<br />

immediately.<br />

The next day the projectionists refused<br />

*o cross Local 3's picket line and they<br />

ioined the stagehands in parading in front<br />

)f the theatres. Associated had nonunion<br />

nen in the booths. After one week. Local<br />

jl71 members asked to return to their jobs.<br />

f>Iorman Mervis. theatre circuit general su-<br />

[jervisor, stated that the theatre managenent<br />

had no argument with the union of<br />

projectionists and they discontinued<br />

)icketing and the next day returned to<br />

heir work in the booths.<br />

Theatre officials had charged that the<br />

stagehands had been "featherbedding" and<br />

in addition to opening and closing the<br />

:urtains in front of the screen that only<br />

line employe should be on the payroll and<br />

hat he should be assigned maintenance<br />

luties for a designated number of hours<br />

ach week. For<br />

i<br />

pulling the curtain and<br />

vith no other duty<br />

><br />

man, two in each<br />

heatre, had been paid $125 per week.<br />

>I.Y. Exhibitors Attend<br />

3V Meeting on 'Merlin'<br />

NEW YORK—Irving H. Ludwig, presilent<br />

and general sales manager of Buena<br />

'ista, played host at a conclave-breakfast<br />

or local exhibitors 'Wednesday 1 4 ) to plan<br />

jhe campaign for the New York metropolian<br />

area launching of Walt Disney's "The<br />

lisadventures of Merlin Jones," starting<br />

larch 25. More than 50 circuit executives<br />

.nd theatre managers, representing 19<br />

louses in Manhattan, Brooklyn, Queens,<br />

fassau and Westchester, attended.<br />

A "Direct Prom Disneyland" troupe,<br />

eaded by Annette Funicello. Jimmy Dodd.<br />

)onald Duck. Mickey Mouse. Goofy. Pluto<br />

nd Candy Candido. will herald the March<br />

;5 opening by appearing in person at<br />

K)ew's Olympia and the Trans-Lux 85th<br />

treet in Manhattan: Century's Marine<br />

nd Oceana. Randforce's Beverly and Sea<br />

ue, and Interboro's Fortway in Brooklyn:<br />

oew's American and Brandt's Post Road<br />

nd 167th Street in the Bronx: Century's<br />

liss. Prospect. Queens and Prospect in<br />

'ueens and four theatres in Nassau, as well<br />

s appearing in schools and on campuses<br />

iroughout the city.<br />

Other B'V executives who attended the<br />

;ieeting included James V. O'Gara. east-<br />

:"n division manager: Leo Greenfield,<br />

estern division manager. Charles LevT.<br />

dvertising-publicity director: Bob Dorflan.<br />

promotion and exploitation manager,<br />

nd Louis Gaudreau. Herb Robinson. 'Vito<br />

udlum. Frank Petraglia. Jack Herschlag<br />

nd Arlene Ludwig.<br />

Joseph E. Levine's "Contempt"<br />

Bardot and Jack Palance.<br />

rigitte<br />

3XOFTICE March 9. 1964<br />

stars<br />

PITTSBURGH<br />

groumas Theatres, which has been building<br />

new theatres and acquiring others,<br />

has taken over the Family Drive-In at<br />

Mundy's Corner near Johnstown . . . Hal<br />

H. Harrison of Cheswick. nationally known<br />

wildlife motion pictiu-e producer, lecturer<br />

and author, reports that his son George<br />

H. Harrison now is editor of the Pennsylvania<br />

Game News, published by the<br />

state Game Commission.<br />

Ralph and Millard Green, co-owners, are<br />

celebrating the tenth anniversary of Th3<br />

Guild as an art house. The brothers are<br />

sons of the late David N. Green, tobacco<br />

distributor who took over this theatre,<br />

then known as Harry Rubin's Beacon, in<br />

1938: their late uncle was Edward H. Goldberg,<br />

for two decades a Brushton exhibitor<br />

community is observing its 100th<br />

anniversary . will screen "Robin<br />

and the Seven Hoods" at<br />

the Manor Theatre<br />

March 10 at 10:30 a.m. . and<br />

Mrs. Bernard H. Buchheit reopened the<br />

Rustic Drive-In at Norvelt and were<br />

snowed and frozen out, so they tried<br />

again, opening a new outdoor season.<br />

Brighton Township, Beaver Coimty. Collected<br />

$2,278.30 in amusement taxes during<br />

1963 . Anderson. Tarentum<br />

Valley newspaper critic, has one word for<br />

UA's "The Ceremony" and it is "disaster"<br />

here has a merchandising<br />

program on Universal's "The Brass<br />

Bottle" upcoming . downtown Penn,<br />

with a shortage of product, returned UA's<br />

"West Side Story" and has Paramount's<br />

"Hud" and "Come Blow Your Horn" on<br />

schedule as well as 20th-Fox's "South Pacific."<br />

Ben Kalmenson, who started in the film<br />

business here with old First National in<br />

1927, is the 'WB third largest stockholder,<br />

this interest including the company's film.<br />

TV and record departments. His late brother<br />

Jack in more recent years was the local<br />

WB manager, his successor being Bill<br />

Lange. Ben. executive vice-president of<br />

WB. at 65, is at his peak, and after all<br />

the years he has been absent from local<br />

Pilmrow duties, remains one of the swellest<br />

guys ever to peddle films hereabouts.<br />

The Orpheum at Connellsville, one of<br />

three theatres leased by Associated from<br />

the Notopoulos circuit more than a year<br />

ago. again is being licensed and operated<br />

by the latter organization . . Jack Fontaine.<br />

.<br />

Paramount shipper for more than 39<br />

years, who suffered a stroke the morning<br />

of last August 13. has made rapid recovery<br />

and now has use of his right arm<br />

although the hand is only beginning to<br />

return to normal use. Paramount continued<br />

Jack on the payroll and he has now tm-ned<br />

in his resignation, just short of 40 years<br />

with the company. He said he would visit<br />

Filmrow friends from time to time as he<br />

responds to therapy, and he hopes someday<br />

to devote his time in assisting others<br />

who have been afflicted with strokes as<br />

the therapy work and equipment have won<br />

his major attention. Fontaine says he feels<br />

well and he certainly looked it. we are so<br />

very pleased to report.<br />

Associated circuit opened its Miami<br />

Beach, Fla.. theatre, the Roosevelt, Wednesday<br />

i4i. It is an 1.100-seat house and<br />

had been closed a number of months. The<br />

theatre has been renovated and newly<br />

decorated . Mirror places its<br />

WPBG-T'V movie ads on its theatre page<br />

... Ed Staab has been appointed Pittsburgh<br />

division sales manager for P&F<br />

Laboratories of Chicago . . . Thirty-two<br />

Lawrence County Home residents and<br />

.shut-ins were guests of the Penn. New<br />

Castle, for a showing of Walt Disney's<br />

"Merlin Jones." Leo A. Mickey, manager,<br />

gave them free admission plus a box of<br />

candy. Red Cross. Grey Ladies, etc.. furnished<br />

cookies, and the Smeal Bus Co. furnished<br />

transportation, as did the New<br />

Castle Transit Authority.<br />

A 20 per cent reduction in the price of<br />

season tickets for the Civic Light Opera<br />

which has scheduled six book shows and<br />

two revues, is announced by Hal Friedman.<br />

CLO promotion director, who is the husband<br />

of the television news reader Marie<br />

i<br />

Torre > is the gal who<br />

is hot against "indecent" movies, literature,<br />

Armstrong Utilities this week<br />

etc . . . opened an office on Main street. Butler,<br />

to sign up customers for a new TV cable<br />

service . . . Dick Liebert, Radio City Music<br />

Hall organist, who was featured here at<br />

Loew's Penn for a long run in the early<br />

1930s, will be the substitute for violinist<br />

Mischa Elman. who has a broken leg. for<br />

the Allegheny Valley Concert Ass'n in<br />

High auditorium. New Kensington.<br />

Ken<br />

Helen Louise Trautman Is<br />

Engaged to Lawrence Knee<br />

PITTSBURGH—Mr. and Mrs. Robert M.<br />

Trautman. owners and operators of the<br />

Hill-Top Drive-In. Butler, have announced<br />

the forthcoming marriage of their<br />

daughter Helen Louise to Lawrence Knee,<br />

manager of Stanley Warner's Stanley<br />

Theatre in downtown Pittsbmgh.<br />

Miss Trautman is a graduate of Westminster<br />

College. New Wilmington, and<br />

presently is employed as assistant to the<br />

producer of the John Reed King Show on<br />

KDKA-TV. She has been associated with<br />

the John Reed King Show for the past<br />

year.<br />

Knee will be celebrating his fifth year<br />

as manager of the Stanley Theatre, having<br />

taken over March 1. 1959. He has been<br />

associated with Stanley Warner Theatres<br />

and Warner Bros. Theatres for the past 22<br />

years, having managed theatres in many of<br />

the towns of the circuit.<br />

'Empire' to Philadelphia SW<br />

PHILADELPHIA — John Hicks. Paramount<br />

manager here, and John Roach of<br />

the Stanley Warner Theatre signed a contract<br />

for the showing of "The Pall of the<br />

Roman Empire" at the SW house.<br />

Lrui_>mD<br />

DRIVE-IN SCREEN SURFACING<br />

Twic e tbe Brightness Skvptf<br />

ON BETTER DRIVE-INS EVERYWHERE<br />

THE GEORGE ENGLISH CORP.— Berwrn, Pa.<br />

.N«llon«ldt Stn\u . Llltman . . Ttl. Nliort


was<br />

. . Charles<br />

UA's Political ^Best Man' Set for March Showings WASHINGTON<br />

TJoliert J. Folliard, Continental Distribu'<br />

Left to right: producer Stuart Millar, I'A vice-president David Picker and<br />

producer Lawrence Turnian at "The Best Man" trade conference in New York.<br />

NEW YORK—United Artists will hold<br />

advance screenings of its early summer<br />

release, the picturization of the political<br />

comedy "The Best Man," which was a<br />

Broadway stage hit four years ago, early<br />

in March in several key cities in order to<br />

create interest and discussions about the<br />

film. The picture will have its regular<br />

showings starting late in May, in advance<br />

of the 1964 political conventions, according<br />

to David Picker, UA vice-president.<br />

UA wants the exhibitors, circuit heads<br />

and opinion-makers to see and talk about<br />

"The Best Man," and Mori Kruschen, exploitation<br />

field man, will go out to San<br />

Francisco, Los Angeles, Chicago and perhaps<br />

Boston and Philadelphia, during<br />

NORTH JERSEY<br />

CtanJey Warner's Newark zone office announced<br />

a number of management<br />

changes, which includes the resignation<br />

of Joseph Frankel, manager of the Cranford,<br />

Cranford. Frankel had been with SW<br />

for several years, first at the Sanford, Irvington.<br />

Moving into the Cranford was Mike<br />

Demscak, former manager of the Warner.<br />

Harrison. Lou Albanese. manager of the<br />

Tlvoli. Newark, was transferred to fill<br />

the Harrison vacancy, and William Robbins,<br />

assistant at the Hollywood, East<br />

Orange, was then promoted to manager of<br />

the Tivoli. Edward Batlan retmned to his<br />

old post at the Ritz, Elizabeth, following<br />

an extended sick leave, and Carl Ledzion,<br />

who had been filling in at the Ritz, has<br />

been appointed to manage the Roosevelt,<br />

Newark.<br />

In charge of the Roosevelt since last<br />

fall, SW relief manager Esther Swiss was<br />

appointed as assistant to Bob Philips at<br />

the Hollywood. East Orange. Newcomer to<br />

the SW organization is Dick Smith, formerly<br />

of Moss' Bergen Mall Theatre. Paramus.<br />

Smith is presently stationed at the<br />

Oritani. Hackensack, where he will work<br />

with manager Murray Spector. Harry A.<br />

Weiner, manager of Warner's Wellmont,<br />

Montclair, is at home, recovering from an<br />

ENDLESS<br />

BURNS THE ENTIRE<br />

POSITIVE ROD<br />

Sov« Corbon Colt<br />

EAST COAST THEATRE SUPPLY<br />

S32I Krnwood A«c<br />

Baltimore, Morvlorx]<br />

Phone: 6«S-0U0<br />

these first screenings, according to Gabe<br />

Sumner, national director of advertising,<br />

publicity and exploitation.<br />

Picker is holding meetings in New York<br />

with the picture's two producers, Stuart<br />

Millar and Lawrence Turman, on plans for<br />

the release of "The Best Man," which was<br />

first bought for filming four years ago for<br />

$250,000 and was not produced until early in<br />

1963 to time its release in a Presidential<br />

election year. According to Sumner, the<br />

picture pulls no punches and depicts what<br />

actually goes on in hotel rooms and corridors<br />

during political meetings, as well as<br />

makes references to Eisenhower, Truman,<br />

Stevenson and other political names. The<br />

film stars Henry Fonda.<br />

operation in Morristown's Memorial Hospital.<br />

Weiner's assistant. Bob Coleman, is<br />

presently in charge at the Wellmont.<br />

Elaine Hausser, recently transferred by<br />

Fabian from Pennsylvania to the Bellevue<br />

in Upper Montclair. has been appointed<br />

manager of Fabian's Clifton Theatre, following<br />

the resignation there of Jerry Littenberg.<br />

Mrs. Hausser. who has been with<br />

Fabian for the past 12 years, recently had<br />

managed the State Theatre in Altoona.<br />

Pa., which was sold last December.<br />

BALTIMORE<br />

The House judiciary<br />

committee has killed<br />

a bill that called for abolishing the<br />

Maryland Board of Motion Picture Censors.<br />

There was not any discussion of the<br />

measure prior to the committee taking<br />

this contemplated action.<br />

Aaron B. Seidler, general manager of<br />

Affiliated Theatres, is justly proud of several<br />

new murals decorating walls of his<br />

home. They are the art work of Irwin<br />

Cohen, film buyer and booker.<br />

The Townson Theatre of the Hicks-<br />

Baker circuit had to be evacuated when<br />

the auditorium became filled with smoke<br />

from a multi-alarm nearby fire. Showing<br />

at the time was "The Great Escape." Warren<br />

Goad is manager of the house ... J.<br />

Stanley Baker, head of the circuit, is vacationing<br />

at Fort Lauderdale, Fla. John<br />

Recher is in charge during his absence.<br />

Andy Benya is now general manager in<br />

this territory for Redstone Theatres and<br />

occupies offices at Queen Chapel Drivein,<br />

West Hyattsville. He moved there from<br />

Carlins Drive-In. Baltimore, where<br />

Thomas EUeman, formerly of Ohio, is<br />

manager.<br />

iiig manager, and approximately !<br />

exhibitors of the Washington-Philadclph<br />

area attended a preview of "Mediterranea<br />

Holiday" at the Strand Theatre in Norl<br />

Plainfield, N. J., on the 4th. Among ti<br />

guests were Marvin Goldman and W. 1<br />

Gingell, K-B Theatres, Washington: Ja<<br />

Fruchtman, J-P Theatres and Aaron Sei<<br />

ler. Affiliated Theatres, Baltimore, ar<br />

i<br />

from Philadelphia— Irving Coopersmith<br />

Stanley Warner; Ed Potash of Hellma<br />

Enterpri.sos. the Claude Schlangers and Pi<br />

Beck, Schlanger Theatres, Rocco Palei<br />

and Mort Levine of Savar Corp., and N.<br />

than Milgram, Nathan Milgram Service<br />

The documentary introduced a new scree<br />

process, Wonderama, which Walter Readi<br />

Sterling is handling in the United Stat«<br />

Walter Reade jr. was host to the exhibltoi<br />

for cocktails and buffet prior to the screei<br />

ing.<br />

Greek star Stathis Giallelis will be tt<br />

guest of honor at the premiere of "Amerl(<br />

America" Wednesday 'lli at the Tran;<br />

Lux Playhouse and at a buffet suppx<br />

which will follow at the Jockey Club. Tf<br />

supper was to have been held in tl<br />

State Department's John Quincy Adan<br />

room, but there was some protest by tt<br />

Tm-ks, claiming the Greek story presen<br />

an anti-Turk postm-e. Donald Britton, wt<br />

manages the three district TL houses, wi<br />

an actor for six years and worked for El:<br />

Kazan in "Splendor in the Grass." Kaza<br />

advised Britton by phone the Greek star<br />

name is pronounced Stafis Yahahlease.<br />

Jerry Baker, manager at RKO Keith'<br />

presented the Clay-Liston fight films wit<br />

"One Man's Way." For the latter. Baki<br />

distributed 100.000 discount coupons amor<br />

the ministers and their churches. "Pin<br />

"<br />

Panther previewed Tuesday evenir<br />

(3) at MPAA to a press audience invite<br />

by UA manager Edwin Bigley and publicl:<br />

Max Miller. It will open at Keith's . . .<br />

Tl-<br />

British Beatles, according to the Interru<br />

Revenue estimates, will be paying tax rev(<br />

nues to Uncle Sam on about $50.000,(K<br />

sales of wigs and T-shirts, etc.<br />

Eddie Kushner' MGM office manager,<br />

:<br />

back at work after a vacation. Jack Poxi<br />

publicist, and his secretary Lucille Rar<br />

dale have retm-ned to the office aft*<br />

brief illnesses. Lucille had the measles . .<br />

Bill Michalson of AIP and Columbia Be<br />

Caplon. Columbia, were calling on accouni<br />

in Baltimore . Hurley, in book<br />

ing at Columbia, is rapidly recovering aiU<br />

surgery.<br />

On Filmrow for booking sessions were<br />

Mike Leventhal. Lord Baltimore: Eddi<br />

Kimpel, Rome circuit: Ron Freedman C<br />

the Rex and Avalon theatres and Bl<br />

Myers, Poconos Drive-In. all from Bait:<br />

more: Jasper Stanley. Bedford iVa.<br />

Drivc-In: Sidney Bowden. Wilder circul<br />

Norfolk: Floyd Davis. Neighborhood The<br />

atres Richmond, and Jay Gordon bring<br />

ing up his bookings for his Newport New<br />

theatres.<br />

MGM Votes Dividend<br />

NEW YORK — The board of Metro<br />

Goldwyn-Mayer has declared the regula<br />

quarterly dividend of 37 '2 cents a shar<br />

on the common stock, payable April 15 t<br />

stockholders of record March 17.<br />

E-8 BOXOFFICE March 9, 19«


I<br />

television<br />

French<br />

.<br />

, Janet<br />

NEWS AND VIEWS THE PRODUCTION CEMTER<br />

'Hollywood Office—Suite 320 at 6362 Hollywood Bird J<br />

tilestone Award Is<br />

ifon by Arlhur Freed<br />

HOLLYWOOD—Arthur Freed received<br />

e Screen Producers Guild's Milestone<br />

award, the highest<br />

honor bestowed by<br />

the men who make<br />

the pictm-es. at the<br />

annual dinner Sunday<br />

111 in the Beverly<br />

Hilton Hotel.<br />

"Tom Jones" was<br />

selected as the best<br />

produced film of<br />

Arthur Freed<br />

1963.<br />

Over 1,000 leading<br />

personalities of the<br />

motion picture and<br />

world<br />

l]<br />

i<br />

ijtended.<br />

The television award was presented to<br />

Jbert Markell for his Defender series,<br />

'liich won last year. The Jesse L. Lasky<br />

JtercoUegiate competition honor was won<br />

Wisconsin University, with Dave<br />

Brisch accepting for his alma mater.<br />

At the head table were Stanley Adams.<br />

iCap president: Julie Andrews, Robert<br />

(*ulet, Mervyn LeRoy, Shirley Jones, Jack<br />

li Warner, Samuel Goldwyn, Y. Frank<br />

feeman, George Stevens jr.. Gene Kelly,<br />

Ijbert Weitman, Fred Astaire, Lawrence<br />

^|;ingarten, Vincente Minnelli and Baron<br />

luis de Cabrol consul general i<br />

lungary Reported Set<br />

'j Aid Picture Makers<br />

iOLLYWOOD—Upon his<br />

return from a<br />

tree-week European casting and locations<br />

si>uting trip in behalf of Columbia's "The<br />

Cjilturions." director Mark Robson retted<br />

that word is circulating on the intnational<br />

filmmaking front in Belgrade.<br />

Vgoslavia, that the next nation to lure<br />

iTetofore reluctant production onto its<br />

sll with government-backed financing will<br />

t Hungary. As Yugoslavia has done with<br />

sicess, Hungary is now letting it be known<br />

tit fiscal aid will be extended to those<br />

*ling to lens within its borders and<br />

cjnply with regulations.<br />

lick<br />

Meyer to 'Cowboy'<br />

iOLLYWOOD — Richard Meyer has<br />

y led the Independent Producers Associated<br />

a head of production. The company, lo-<br />

Ced in San Francisco, will coproduce the<br />

f;er Sellers-Ty Hardin costarrer, "Sir Cowb'."<br />

in Spain. Meyer recently eoproduced<br />

'Vro" for AIP.<br />

Reynolds Will Present<br />

Sound Editors Award<br />

HOLLYWOOD — Debbie Reynolds will<br />

present the Motion Picture Sound Editors'<br />

annual Golden Reel award for major motion<br />

picture sound editing at the 11th annual<br />

awards ball at the Beverly Hilton<br />

March 14, according to Peter Berkos.<br />

MPSE president.<br />

• * *<br />

Screen Producers Guild will select its<br />

choice of the best picture from 16 films,<br />

including all five of the pictures chosen for<br />

Academy Award consideration. The Academy<br />

nominations are America America,<br />

Cleopatra, How the West Was Won. Lilies<br />

of the Field and Tom Jones. The others<br />

are The Courtship of Eddie's Father, 8' 2,<br />

The Four Days of Naples, The Great<br />

Escape, Hud. Irma La Douce, The L-<br />

Shaped Room, Love With the Proper<br />

Stranger. Son of Flubber, This Sporting<br />

Life and Sundays and Cybele.<br />

W. R. Forman Disposing<br />

Of Interests in Royal<br />

HOLLYWOOD—William R. Forman, exhibitor<br />

here and in Hawaii, announced that<br />

he will dispose of his 51 per cent interest<br />

in the Royal Theatres in the islands, under<br />

an agreement w'ith the state antitrust authorit'es.<br />

However, he will retain Consolidated<br />

Amusements, which he holds outright.<br />

ANXOUNf'ING NEW SUBSIDIARY<br />

—Pictured in Hollywood, left to right,<br />

are Eugene V. Klein. Norman Lear.<br />

Bud Yorkin and Irving H. Levin as the<br />

National General Corp. executives announced<br />

formation of a NGC subsidiary,<br />

Carthay Center Productions, for<br />

the purpose of producing feature motion<br />

pictures. Carthay's first film will<br />

be "What Are Little Girls Made Of?"<br />

Jack Warner Appeals<br />

For Sunshine Vans<br />

LOS ANGELES—Jack L.<br />

Warner, president<br />

of Warner Bros, who was presented<br />

the annual Heart award by Variety Tent<br />

25, appealed to the wealthy and successful<br />

people of Hollywood to join him in providing<br />

20 Simshine coaches, similar to the<br />

$10,000 vehicle he has given to the club, to<br />

transport crippled children outside the<br />

hospitals.<br />

The presentation was made at a dinner<br />

in the Beverly Hilton Hotel attended by<br />

1,000 film colony and show business leaders.<br />

Fied Stein was installed again as chief<br />

barker. He announced the Variety Boys<br />

Club, which boasts 3,000 members and cost<br />

$750,000 is now paid for. Louis Diaz runs<br />

the club. Tent 25 also operates the Heart<br />

Center at UCLA.<br />

The new crew includes Alfred S. Lapidus,<br />

James H. Nicholson. Herbert L. Copelan,<br />

Allan J. O'Keefe, Chester J. Doyle. William<br />

R. Forman, Eugene V. Klein, S. Charles<br />

Lee. William H. Oldknow and Ezra E.<br />

Stern.<br />

Other honor guests were Ted Dorr,<br />

Robert I. Lippert, Ben Kalmenson, Harold<br />

Mirisch, Mike FYankovich and Binnie<br />

Barnes iMrs. Prankovich 1 Leigh,<br />

Jesse White and William Orr.<br />

James Carreras, Hammer Films and<br />

Variety International official, and James<br />

B. Goodlatte of ABC Cinema, both of London,<br />

attended. Carreras read a letter from<br />

Lord Louis Mountbatten acclaiming Warner<br />

for his philanthropic activities on behalf<br />

of the club.<br />

Speakers included Merx^n LeRoy and<br />

Bette Davis<br />

Peppard Asks Freedom<br />

From MGM Contract<br />

HOLLYWOOD—A suit filed by George<br />

Peppard asks declaratory relief against<br />

MGM. claiming studio had breached contract<br />

with him and that he no longer is<br />

under any obligation to the company. The<br />

contract was signed Dec. 22. 1958. and Peppard<br />

charges that the studio failed to<br />

properly exercise its option for a third<br />

contract year and materially breached the<br />

pact by failing to pay him $60,000 for a<br />

period from April 1. 1960 through March<br />

31, 1961.<br />

Technicolor to Big Board<br />

HOLLYWOOD—Technicolor, Inc.. listed<br />

on the American and New York Curb exchange<br />

for over 35 years, has applied for<br />

listing on the New York Stock Exchange.<br />

XOFFICE March 9. 1964 W-1


'<br />

—<br />

Arthur Penn to Chicago for 'Mickey One' Film HoHOlulu and Oiher<br />

Hawaiian Areas<br />

By TATS YOSHIYAMA<br />

1<br />

Left to risht: Hurd Hatfield. Alexandra Stewart, Arthur Penn, scenarist A.<br />

M. Surgal, Warren Beatty and Teddy Hart rehearse in New York for "Mickey One."<br />

HONOLULU—Producer-director Art Ml<br />

ijolc'on. assisted by his wife Jo and a t<br />

crew of technicians, stars and local woB<br />

ers, started full-.scale production on C<br />

lumbia's "Ride the Wild Surf." Slated 1<br />

three weeks of shooting under tropic<br />

blue skies i ? > . most of the crew are hea<br />

quartered on the north shore of Oal<br />

Island on Kawela Bay. On-the-beach fUi<br />

ing activities will cover areas extendi<br />

from Haleiwa to Waimanalo.<br />

Scores of well-known island surfers ha<br />

been inked for the actual surfi<br />

sequences. Adding authenticity to the pi<br />

ture. many local guys and gals are sign<br />

in for featured and bit parts, includi:<br />

Miss Kauai of 1962. Ellilh Aguiar and M:<br />

Hawau of 1963. Sue Pickeriny. Local b<br />

Dick Kuhne is handling the color earner;<br />

NEW YORK—Producer-director Arthur<br />

Penn, who has been conducting pre-production<br />

rehearsals In New York for<br />

"Mickey One." which he plans to film entirely<br />

in Chicago for Columbia Pictures release,<br />

left for that city Sunday<br />

( 1 1 for<br />

further rehearsals preparatory to going<br />

before the cameras March 16. Interiors<br />

will be made at the Niles Studios there.<br />

Warren Beatty, star of Robert Rossen's<br />

Start on Film Based<br />

On TV McHale Series<br />

HOLLYWOOD—A feature to be made<br />

based on the McHale's Navy television<br />

series will begin .shooting March 9 for Universal<br />

with feminine parts added to TV's<br />

all-male cast. Ed Montagne, producer of<br />

the Revue-ABC series for the past two<br />

years, will produce and direct the color<br />

film, to be ready for a July release.<br />

Jean Willes has been signed as one of<br />

the two female leads. The film will headline<br />

the entire cast of the television show<br />

Ernest Borgnine. Joe Plynn. Tim Conway.<br />

Carl Ballantine, Ed.son Stroll. Gavin Mc-<br />

Leod, Gary Vinson, Billy Sands, John<br />

Wright and Yoshio Yoda.<br />

Si Rose has w-ritten a story with Frank<br />

Rill jr. and George Carleton Brown doing<br />

the screenplay.<br />

'Hoods' Previews on 10th<br />

HOLLYWOOD — Exhibitors in 32 key<br />

cities will attend special theatre showings<br />

March 10 of the big Warner Bros, summer<br />

release, "Robin and the 7 Hoods." starring<br />

Prank Sinatra. Dean Martin, Bing Crosby.<br />

Sammy Davis jr., Peter Falk. Victor<br />

Buono and Barbara Rush.<br />

Radnilz Writing an Article<br />

HOLLYWOOD — Producer Robert B.<br />

Radnitz is writing an article dealing with<br />

the making of motion pictures from children's<br />

books for Horn Book, leading literary<br />

publication devoted to children's books.<br />

Radnitz' article is based primarily on the<br />

making of his Universal picture. "Island of<br />

the Blue Dolphins. " based on Scott O'Dell's<br />

Newberry Medal winning novel of the same<br />

title.<br />

W-2<br />

forthcoming "Lilith." also for relea.se by<br />

Columbia, has the title role in "Mickey<br />

One" with Canadian actress Alexandra<br />

Stewart in the feminine lead and Hurd<br />

Hatfield, stage star, and Teddy Hart,<br />

character actor who is semi-retired and<br />

will make his first film appearance in eight<br />

years. Christian Cloquet. French cinematographer.<br />

has been signed by Penn for his<br />

first American assignment.<br />

Orry-Kelly. Designer,<br />

Dies; Award Winner<br />

HOLLYWOOD—Orry-Kelly. 67. costume<br />

designer and three-time Academy Award<br />

winner, died of cancer of the liver. He was<br />

working on Billy Wilder's "Kiss Me,<br />

Stupid" when taken ill, and entered the<br />

Cedars of Lebanon Hospital February 11.<br />

He was chief designer at Warners from<br />

1923-1945. He won Academy awards for<br />

the 1951 "An American in Paris." the 1957<br />

"Les Girls" and the 1959 "Some Like It<br />

Hot."<br />

At his bedside at the time of his death<br />

was Mrs. Jack L. Warner, who said that<br />

her husband would deliver the eulogy at<br />

services at Forest Lawn Cemetery.<br />

Kennedy War Drama<br />

Back to<br />

Theatres<br />

HOLLYWOOD— -PT- 109. • the Warner<br />

Bros, picture drama about John F. Kennedy's<br />

wartime adventures, will return to<br />

distribution March 19 at 16 theatres in the<br />

Dallas and Houston areas.<br />

Engagements elsewhere will follow during<br />

March. April and May.<br />

Warner Bros, withdrew the picture from<br />

distribution on the day the Piesident was<br />

assassinated at Dallas. The Technicolor-<br />

Panavision film originally was released<br />

la.st July 27.<br />

A Goldwyn Jr. Tour<br />

HOLLYWOOD—Samuel Goldwyn jr.<br />

left<br />

on the first part of a 40-city college lecture<br />

tour in behalf of his "The Young Lovers.<br />

Goldwyn will screen the film at each university,<br />

deliver a lecture on filmmaking and<br />

hold open seminars for the students.<br />

More locationings: And soon the Islan<br />

will be a'ohaing in locationing compaiu<br />

from both sides of the Pacific. Sinatn<br />

unit for "None But the Brave," Woi<br />

War II .script by a Japanese writer: Pr<<br />

ley's "Isle of Paradise." by a Paramou<br />

unit and Toho of Japan, all will be crowing<br />

the 50th state for production activiU<br />

Sinatra, incidentally, was en route<br />

Tokyo for initial production preparatlc<br />

for the film to be shot here.<br />

• • «<br />

New pictures in Honolulu: "Tom Joni<br />

at the Kuhio, laden with leis of awan<br />

prizes and ten Academy Award nomlii<br />

tions: "Seven Days in May": the offlc<br />

fight films: Japanese sumo iwTestlin<br />

tournament pictures from Tokyo with m(<br />

of the hefty sumo-artists who appeared<br />

Honolulu recently and now on the mii<br />

land United States: "Sunday in New Yorl<br />

and extended engagements of "It's a M(<br />

Mad. Mad, Mad World," "Wutherl<br />

Heights" and "The Victors." And o<br />

screen, on-stage performances of M<br />

Akemi Mari in "A Woman Like MonrO'<br />

Richard Harrison, beef-cake mu*<br />

man. was monopolizing the lower half<br />

dual bills in two features. "GladlaU<br />

Seven" and "The Invincible Gladlato<br />

showing at six theatres all over town.<br />

Frank Albertson<br />

Dies<br />

HOLLYWOOD—Services for Frank ><br />

bertson. 55. were held on Tuesday (3><br />

the Gates-Kingsley-Gates Mortuary. T<br />

actor entered motion pictures in 1922<br />

has been continuously active in films a<br />

television appearances until his death<br />

his home, on Saturday. February 29. I<br />

wife, two daughters and two sons surw<br />

Naify Goes to<br />

Coast<br />

NEW YORK— Marshall Naify. presldJ<br />

of United Artists Theatres and Dimensl<br />

—150. Inc.. has gone to the coast to d<br />

cuss production plans for the process a<br />

confer with Robert Naify on plans for t<br />

circuit.<br />

Showing Weekends Only<br />

JEWETT CITY. CONN.—The Perak<br />

State is now operating Fridays throu<br />

Sundays.<br />

BOXOFTICE March 9. l*<br />

,1


I<br />

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While<br />

• daughter<br />

father<br />

and<br />

..JO ooQooofloo»aflflfl8flQaa(iaoo8gQ^<br />

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TELEVISION I<br />

ACTIVITIES I<br />

rf B » B"a~a~aTnn>"g^TrBTrg^~s'B~8"B~irinrinnnr<br />

VENTUCKY, starring Dennis Weaver in<br />

a new half-hour thoroughbred racing<br />

series, will get under way next fall on the<br />

full NBC network. The show is spotted<br />

in a Saturday night slot, according to Mort<br />

Werner, program vice-president. Weaver<br />

has been on the Gunsmoke series for eight<br />

seasons.<br />

* * *<br />

It is interesting to note that the British<br />

iccent of Glynis Johns was acceptable in<br />

:his country on the Glynis show, which has<br />

oeen bought by the British Broadcasting<br />

borp. from Desilu for airing in Britain. If<br />

:he results are satisfactory, more crossf'ertilization<br />

of accents between both<br />

ountries on other programs may follow.<br />

Inside the Movie Kingdom," a 90-minjte<br />

taped NBC special, will be airing<br />

March 20. Sammy Davis jr. is starred.<br />

Jack Warner characterized the recent CBS<br />

eport about Hollywood in rather unkindly<br />

ind critical fashion at the Screen Proiucers<br />

Guild dinner, and there is hope<br />

hat NBC-TV will have a different<br />

ipproach.<br />

• • •<br />

Edie Adams was presented the<br />

Oistinguished Sales award for 1963 for her<br />

lerformance in Muriel cigar commercials,<br />

.nd the Hollywood Advertising Club ran<br />

Its International Broadcasting awards, all<br />

« not smooth sailing for the filmed jingles.<br />

). growing movement against the current<br />

ivalanche of commercials culminated in a<br />

jDo Something" campaign by the National<br />

Us'n for Better Radio and Television headquarters<br />

here to focus public attention on<br />

he issue of FCC authority and responsilility<br />

to curb overcommercialism on radio<br />

nd television. The group is urging people<br />

b write to the FCC and their own coniressman<br />

complaining about the frequency<br />

f advertising interruptions to programs,<br />

'he association reports one survey showed<br />

p commercial spots per hour; while anther<br />

station aired 22 minutes and 45 secnds<br />

of commercials within a one hour<br />

eriod. Proper use of these abuses could<br />

elp to build theatre attendance.<br />

Pull hour films based on the late Presient<br />

Kennedy's "Profiles of Courage" are<br />

leing filmed by Robert Saudek for pres-<br />

Uation on NBC-TV during the 1964-65<br />

'ason. The same net will present three<br />

•'parate but related half-hour family<br />

bmedies in a 90-minute session titled 90<br />

ristol Court on Monday nights. Each<br />

jalf-hour has its own regular continuing<br />

l»st of stars, featuring a different family,<br />

Jt all living at the same address. Maillan,<br />

a building superintendent, and other<br />

irvlce people provide the link between the<br />

iree shows, and characters from the show<br />

ill appear on the other. Shows are titled.<br />

Saren, "Tom, Dick and Mary," and<br />

Harris Against the World."<br />

The Mattel Toy Corp. will spend $7,900,-<br />

)0 of a $9,000,000 ad budget on TV. Durig<br />

the 13-week period preceding Christlas<br />

nine out of ten toy commercials go<br />

1 late Saturday morning.<br />

SMPTE's Technical<br />

Conference in April<br />

HOLLYWOOD—William Dozier, former<br />

Screen Gems vice-president in charge of<br />

west coast operations and now president of<br />

Greenway Productions, will be the main<br />

speaker at the opening luncheon April 13<br />

of the 95th technical conference of Society<br />

of Motion Pictures and Television Engineers.<br />

The convention, to be held at the Hotel Ambassador<br />

here, will be presided over by president<br />

Reid H. Ray and runs from April 12<br />

to 17.<br />

Soundstage for Use<br />

On Location Slated<br />

HOLLYWOOD — Martin Ransohoff has<br />

commissioned architects to develop a nearcollapsible<br />

two-stage soundstage for use of<br />

"The Sandpiper," which will enable the<br />

producer to do "80 per cent of shooting<br />

normally done in a Hollywood studio" on<br />

natural location area where exteriors of<br />

the picture will be filmed.<br />

The stage will cost $40,000, the producer<br />

said, noting that this low price includes<br />

"complete soundproofing designed after<br />

the successful sound stages operated in<br />

Filmways' New York studios."<br />

The picture is scheduled for August-<br />

September start in Big Sur for Columbia<br />

release.<br />

* * *<br />

Producer-director George Pal returned<br />

from Miami where he went to confer with<br />

Philip Wylie, author of the novel, "The<br />

Disappearance," upon which Pal's forthcoming<br />

MGM film is based. David Harmon<br />

will do the screenplay. Production is<br />

scheduled to start in May, with Pal producing<br />

and directing.<br />

Carthay Administrative<br />

Post to Albert Jaeger<br />

HOLLYWOOD—Albert Jaeger has been<br />

named administrative executive of Carthay<br />

Center Productions, National General<br />

Corp.'s new motion picture subsidiary, and<br />

will serve in the same capacity with Theatre<br />

Color-Vision Corp., NGC's closedcircuit<br />

TV network. Headquartering in<br />

NGC's home offices here, Jaeger will serve<br />

as liaison between Irving H. Levin. NGC<br />

executive vice-president and head of Carthay<br />

Center Productions.<br />

From 1954 to 1964, Jaeger was an executive<br />

production representative for Allied<br />

Artists Pictures' productions in England,<br />

Spain, France, Italy, Germany, Japan.<br />

Okinawa and Hong Kong. Pi-ior to 1954.<br />

he had been associated for many years<br />

with various independent producers.<br />

Consolidated Completing<br />

Raleigh Village Updating<br />

From Southeast Edition<br />

RALEIGH. N.C.— Completion of a $125.-<br />

000 renovation program which began in<br />

December at Consolidated Theatres' local<br />

Village Theatre is expected this month.<br />

Supervising the work are L. F. Register<br />

theatre manager, and Phil Nance, district<br />

manager for the big circuit.<br />

Probably the improvement that will be<br />

most appreciated by the customers, however,<br />

will be the new seating. Rocking<br />

chairs with thick padding are being installed<br />

throughout the auditorium.<br />

Gil Kurland Is Named<br />

To Post on 'Miss Jude'<br />

HOLLYWOOD— Gilbert Kurland. production<br />

executive, was appointed by James<br />

Pratt. Universal executive production manager,<br />

to serve as administrative executive<br />

representating Universal on the Universal-<br />

Alan Brown coproduction, "Miss Jude,"<br />

starring John<br />

i i<br />

Hayley Mills<br />

in real lifei. The picture is<br />

scheduled to go before the cameras in mid-<br />

April on the island of Minorca, off the<br />

coast of Spain.<br />

Bryan Forbes, who has been here from<br />

London doing preliminary work on "King<br />

Rat" which he will direct from his own<br />

screenplay for producer James Woolf and<br />

Columbia release, has been scouting local<br />

southern California areas for location sites<br />

for the film.<br />

* « *<br />

After conferring with Mexican government<br />

officials about the filming of scenes<br />

for one of his upcoming pictures in that<br />

country, producer-director Robert Aldrich<br />

departed for New York for conferences<br />

with 20th-Pox officials on his "What Ever<br />

Happened to Cousin Charlotte?" which<br />

Associates & Aldrich Co. will begin filming<br />

in Hollywood in April for 20th-Fox release.<br />

Closing Easton Theatre<br />

From New England Edition<br />

EASTON. MASS.—John Uston has closed<br />

the Easton Theatre for lack of patronage<br />

after it had been in operation 43 years.<br />

Duiing the silent pictures era. the Easton<br />

was well-known as the Miracle Theatre.<br />

The revolutionary, proven<br />

Xenon Light System for Quality<br />

Motion Picture Projection.<br />

xenosol features<br />

these advantages:<br />

COLOR FIDEI.ITV — pure<br />

whitecolored<br />

light — equally effective for<br />

black and white or color films.<br />

ECONOMV — far lower current consumptjon.<br />

Bulb guaranteed 1.500 hours<br />

— bulb averages 2,500 hours.<br />

.SI PKRIOR QUALITY PROJEC-<br />

1 ION — permanent adjustment. Even<br />

distribution of light over screen. Low<br />

temperature. No buckling of film.<br />

TROl BLE-FREE — uninterrupted<br />

performance — operates without routine<br />

maintenance. No carbons to<br />

change.<br />

CLE.\N OPER.\TION — no residue<br />

from combustion—no waste gases, no<br />

ventilation required, lower cleaning<br />

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IMMEDI.\TE STARTING — no<br />

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CINE ELECTRONICS SYSTEMS. INC.<br />

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.AN .AFFIL1.\TE OF CITY I.NVESTI.NG COMP.ANT<br />

3X0FnCE March 9. 1964 W-3


The<br />

1<br />

Academy Nominees Climbing Sfeadily<br />

In LA; Strangelove 440 2nd Week<br />

LOS ANGELES—The draw of the Oscaiiiomliiated<br />

films, several going Into general<br />

release and several among the holdovers,<br />

boosted up the pace of first runs<br />

this week. "Love With the Proper Stranger,"<br />

for which Natalie Wood was nominated<br />

as best actress, did 135 per cent in its tenth<br />

stanza and "Tom Jones," with ten nominations,<br />

did 170. "Mad World." "Cleopatra"<br />

and "How the West Was Won" continue<br />

to pay off handsomely.<br />

; Average Is 100)<br />

Beverly—Dr. Strangelove (Col), 2nd wk 440<br />

Chinese—Chorodc (Un.v), lOfh wk 95<br />

Ctneramo— It's o Mad, Mod, Mod, Mod World<br />

(UA-Cineromo), 17th wk 275<br />

Crest— Fontosio ,BV), reissue, 2nd wk 130<br />

Egyptian— The Cardinal (Col). 11th wk 165<br />

Fine Arts— The Silence (Jonus), 4th wk 100<br />

Four Star— The Merry Widow (MGM); Great Woltx<br />

(MGM), reissues 65<br />

Hollywood Paramount—Captoin Newmon,<br />

(Univ), 10th wk 85<br />

Iris— This Sporting Life (Cont'l), return run IOC<br />

Lido— The Eosy Lite (Embossy), 4th wk 100<br />

Pontoges— Cleopatra (20th-Fox), 37fh wk 250<br />

Picfoir, Orpheum, Vogue—Tom Jones (UA-<br />

Lopert), I 4th wk 1 70<br />

Village. Hillstreet, Hollywood, Wiltern— Love<br />

With the Proper Stranger (Paro). lOfh wk. ,135<br />

Worner Beverly, Baldwyn, Los Angeles—The Prize<br />

(MGMl, lOth wk no<br />

Warner Hollywood—How the West Woj Won<br />

(MGM-Cineramo), 54th wk 220<br />

Wilshire—The Victors (Col), lOth wk 75<br />

'Shock Treatment,' Fight Film<br />

135 at Seattle Coliseum<br />

SEATTLE—The Liston-Clay fight pictures<br />

and "Shock Treatment" scored a 135<br />

per cent rating at the Coliseum Theatre,<br />

with "Irma La Douce" in its 32nd week<br />

pulling 125 at the Music Box.<br />

Blue Mouse— America America :WB) 85<br />

Coliseum— Shock Treatment 20th-Fox); Cloy-<br />

Liston fight film 1 35<br />

Fifth Avenue— Love With the Proper Stranger<br />

(Paro), 3rd wk 1 10<br />

Music Box— Irmo Lo Douce (UA), 32nd wk 125<br />

Orpheum— Children of the Damned (MGM);<br />

Gladialors Seven (MI3M) 70<br />

Poromcunt— The Victors (Col), 2nd wk 100<br />

"Tom Jones' Outscores 'West'<br />

For Top Denver Honors<br />

DENVER— "Tom Jones" continued on its<br />

lofty course at the Crest and Towne, running<br />

a high 350 per cent in its second week.<br />

Another thriving second-week holdover was<br />

"Seven Days in May" at the International<br />

70. Top percentages in the city, however,<br />

were garnered by "Tom Jones" i350i and<br />

"How the West Was Won" i280i.<br />

THEATRE<br />

DRAPERIES<br />

AND<br />

STAGE<br />

CURTAINS<br />

Aloddin—Chorode (Univ), 10th wk 100<br />

Centre—The Victors (Coll. 2nd wk 100<br />

Cooper— How the West Was Won (MGM-<br />

Cineromo). 52nd wk 280<br />

Crest, Towne— Tom Jones (UA-Lopert), 2nd wk. 350<br />

Dcnham— Cleopotro ;20lh-Fox), 36th wk 120<br />

Denver—The Misodvcnturcs of Merlin Jones<br />

(BV); Arizono Sheepdog (BV), 3rd wk 125<br />

Esquire— Love on a Pillow Col) 125<br />

International 70— Seven Days in Moy<br />

'Para), 2nd wk 230<br />

Paramount— One Mon's Way (UA), Liston-Cloy<br />

fight film 100<br />

Vogue— Knife in the Water (Kanawho) 125<br />

'Seven Days in May' 200<br />

Opening in San Francisco<br />

SAN FRANCISCO— Adding "This Sporting<br />

Life." starring two Academy Award<br />

nominees, to the Fox-Warfield bill of "Love<br />

With the Proper Stranger" in the third<br />

week upped the percentage to 200. After a<br />

14-week run at the Metro. "8'2" was moved<br />

into the Music Hall. Two new Swedish<br />

films, imported by the Swedish consulate<br />

in connection with "Meet Sweden Week."<br />

were presented in addition to "The Swedish<br />

Mistress" at the Vogue Theatre. "Dr.<br />

Strangelove" continued to be good boxoffice<br />

at the Stage Door Theatre.<br />

Embassy— Children of the Domned (MGM) 100<br />

Fox-Warfield— Love With the Proper Stranger<br />

(Paro), 3rd wk Sporting Life (Cont'l),<br />

,<br />

rerun 200<br />

(Golden Gate—Man's Favorite Sport? (Univ), 3rd wk. 90<br />

Metro—The Silence (Jantjs), 2nd wk 275<br />

Orpheum— It's o Mod, Mod, Mod, Mod World<br />

(UA-Cinercmaj, 1 2th wk 500<br />

Paramount— Seven Doys in Moy (Pare) 200<br />

Presidio—To Bed ... Or Not to Bed (Cont'l) ....125<br />

Stoge Door— Dr. Strangelove (Col), 2nd wk 300<br />

St, Froncis—The Victors iCol), 5th wk 80<br />

United Artists—Tom Jones (UA-Lopert), 11th wk. 325<br />

Vogue— My Swedish Mistress (Janus), 2nd wk 100<br />

'Tom Jones' Gross Growing<br />

Each Week in Portland<br />

PORTLAND—"Tom Jones" continues to<br />

build as word-of-mouth. newspaper advertising<br />

and other publicity gets the word<br />

around. Stan Smith of the Irvington reported<br />

that his third week with "Tom<br />

Jones" was bigger than the first, with an<br />

estimate of 250 per cent at the cla.ss suburban<br />

house.<br />

Bogdod— Sunday in New York :MGM}, The<br />

L-Shoped Room (Col), rerun, 2nd wk 175<br />

Broadway—Man's Favorite Sport? (Univ), Young and<br />

Willing (Univ), 2nd wk 175<br />

Cinema 2t. Sandy Boulevord Drive-ln—Amcrico<br />

America ( WB) 200<br />

Fox—The Victors (Col); This Sporting Life<br />

'Cont'l), rerun, 2nd wk 1 70<br />

• whether it's a tnammoth draw curtain<br />

for o large proscenium arch or a dainty<br />

drape for the "powder room", the<br />

B. F. SHEARER COMPANY gives you their<br />

complete SATISFACTION GUARANTEED<br />

SERVICE in planning, producing and<br />

installing individually designed stage<br />

curtains and theatre draperies in<br />

flame-proofed materials or special<br />

woven gloss cloth, brilliant colors to<br />

match your own interior decoration.<br />

B. F. SHEARER COMPANY<br />

THIATRI lOUiPMiNT SPfCIAllSTS<br />

los itNcriis • pooriANO • sam Francisco • siArrif<br />

Guild- Murder at the Gallop rMGM), 2nd wk<br />

Hollywood— It's o Mad, Mad, Mod, Mad World<br />

(UA-Cincromo). 1 2lh wk<br />

Irvington— Tom Jonos (UA-Loperlj, 3rd wk<br />

Music Box— Love With the Proper Stranger IPoro);<br />

Li'l Abner (Pora), reissue. 4th wk<br />

Orpheum. 82nd Street Drive- In—Children of the '<br />

Damned (MGM), Glodiotort Seven !MGM) ...<br />

Paramount— Cleopatra (20th-Foxj, 35th wk<br />

Two Major Premierei<br />

Set for Albuquerque<br />

ALBUQUERQUE—Two major premier<br />

with proceeds from both to be donated<br />

charity, have been .set to open Cinerama<br />

the Pox-Winrock Theatre here In It<br />

March.<br />

The first night will be March 24. w)<br />

New Mexico Governor Jack Campbell<br />

host for the invitational gala piemie<br />

Tickets—at $5 each—will be limited to I<br />

vited guests, with proceeds to go to t<br />

Albuquerque United Community Fund.<br />

number of state and city officials are e<br />

pected for the unveiling of the new proce<br />

to be featured with "This Is Cinerama."<br />

The second premiere night will<br />

Wednesday 1<br />

25 > with members of t<br />

Junior Chamber of Commerce wives se<br />

ing tickets at $5 each. Proceeds from til<br />

showing will go to assist in train!)<br />

mentally retarded children at the stati<br />

Los Lunas Hospital and Training Scbo<br />

Remodeling of the Winrock starts Mar<br />

16, to cost $100,000. Renovation will 1<br />

elude the removal of about 35 seats, brln<br />

ing the total seating to 765.<br />

Following premiere festivities, tick)<br />

will be sold on a straight reserved-ae<br />

basis, from a top of $2.50 on Fridays ai<br />

Saturdays. Weekday matinees will<br />

$1.50.<br />

The Winrock is ciu-rently screening I<br />

final pre-Cinerama film. "Love With ti<br />

Proper Stranger." which opened March<br />

ALBUQUERQUE<br />

pilm actor Vincent Price was in San<br />

Fc as special guest and juror of a tb<br />

art exhibit held at that city's Internatlon<br />

Folk Art Museum . . . Louis Gasparinl B<br />

Marlin Butler, two longtime Albuquerqi<br />

theatremen and both officers of the N*<br />

Mexico Theatre Ass'n, were in Kansas CI'<br />

last week for the national TOA meetlnf.<br />

. . .<br />

The annual Ralph Edwards Flest* I<br />

Truth or Consequences has been set t»<br />

April 23-26 this year. Edwards anniMl<br />

brings in a number of movie and tdi<br />

vision personalities for the event . . . PUl<br />

choreographer Nico Charisse is in to*<br />

from Hollywood to visit friends and hand<br />

.some dance instruction Easter bod<br />

ings set by Frontier for several of the<br />

theatres here: "Dr. Strangelove" at tl<br />

Lobo Arts, "A Tiger Walks" at the H<br />

land, and "How the West Was Won" i<br />

the Sunshine.<br />

I<br />

Choice of showmen EVERrwHiRi'<br />

FOR SPECIAL<br />

MOTION<br />

PICTURE<br />

SERVICE<br />

TRHILERI<br />

AODDItS TOUR NEIT 0«Dtl TO 1<br />

US H,d« St. Son FrontiiMj]<br />

BOXOFTICE :: March 9, 198


HIGHEST CAPACITY RATING (200) FROM<br />

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AT WORLD THEATRE!<br />

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8X0FTICE March 9, 1964<br />

W-5


. . Mr.<br />

. . Branch<br />

. . Linda<br />

DENVER<br />

The Denver WOMPIs held then annual<br />

. .<br />

style and hat show at Camp Rondette.<br />

all proceeds going to the Holy Ghost Youth<br />

Center . and Mrs. John Roberts of<br />

Wolfberg Theatres vacationed in Las<br />

Vegas. This was a trip which they won in a<br />

drawing held at the WOMPI Funjamborce<br />

last September .<br />

manager Mark<br />

Sheridan of 20th Century-Fox<br />

Committee<br />

screened<br />

the Liston-Clay fight films .<br />

assignments are being made for the "Forward<br />

Look '64-'65" meeting which will be<br />

held in Denver In May.<br />

Denverites traveling to the Show-A-Rama<br />

in Kansas City were John Dobson. United<br />

Artists; Larry Staresmore and Howard<br />

Campbell, Westland Theatres, along with<br />

Westland managers Walter Jancke, Varsity<br />

Theatre, Lincoln, Neb.: Derald Hart,<br />

city manager. Colorado Springs: Larry<br />

Jensen. Chief. Colorado Springs: FYank<br />

Rash. Chief. Pueblo, and Clayton Cheever,<br />

Mesa Theatre. Grand Junction. Others<br />

scheduled to make the trip were Fred<br />

Knill: William Bertolero. Black Hills<br />

Amusement Co.. and William Hastings,<br />

manager of the Orpheum Theatre.<br />

II. A. Kane i.s converting his Fiesta Drivein.<br />

Las Cruces, N.M.. to a twin tower.<br />

Western Service & Supply is in.stalling Century<br />

all-transistor sound and Century projection<br />

equipment with Strong Putura<br />

lamps and Bi-Powr rectifiers. The Butler<br />

Fixture Co. of Denver is installing a completely<br />

new concession stand, which will<br />

feature cotton candy and carmcl corn. It<br />

will be completely self-service.<br />

Recent visitors to the Row were Tom<br />

Hardy and John Satterfield, Egyptian, Delta;<br />

Dr. and Mrs. W. Scott, Rio, Meeker; Lionel<br />

Semon, Lake Drive-In, Pueblo: Frank Nelson,<br />

Star, Fort Lupton; Prank Childs,<br />

Starlite Drive-In, Sterling; Bernie Newman,<br />

Gem, Walsh; Russ Dauterman, Fox,<br />

Rawlins, Wyo.; Frank Piazza, Fox, Walsenburg;<br />

Wilbur Williams, Holiday Drive-In,<br />

Boulder: Mitchell Kelloff, Uptown, Peublo,<br />

and Sam Feinstein. Lincoln, Limon.<br />

Bill Agren, longtime Fox Intermountain<br />

Theatres executive, and his wife announce<br />

the engagement of their daughter Penelope<br />

to Douglas C. Conrad. Penelope and<br />

Douglas were schoolmates at George<br />

YOUR BEST SOURCE FOR THEATRE EQUIPMENT<br />

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D Century, the only American-mode 70mm projector available<br />

D Strong lamps and rectifiers D Selby screen towers<br />

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D Cretors popcorn machines D Gold Medal products<br />

n Butterflake popcorn D Coca Cola and Associated equipment<br />

D 100% leasing for all equipment costing from $100 to $100,000, simply<br />

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Cone mechanisms rebuilt and remagnetized to<br />

original new condition with 2 year guorontee.<br />

Washington High School in Denver. Dou<br />

las Is now a student at the University<br />

Hawaii. The early April wedding Is to<br />

m Hawaii.<br />

Marijo, the granddaughter of Herb Gud<br />

per. La Jara Theatre. La Jara. is recove<br />

ing from open heart surgery at Childrer<br />

Hospital. Herb's son Max. Marijo's fatht<br />

went through the same operation in tl<br />

same hospital, operated on by the sao<br />

doctor just ten years ago. The Denv<br />

Post devoted an eight-column story to U<br />

unusual circumstances.<br />

MGM manager, and Ml<br />

George Fisher.<br />

Vera Cockrill. owner of the Denhai<br />

traveled to Dallas for the screening<br />

Molly Brown. The picture is set to op»<br />

at the Denham later in the year.<br />

NGC Delta, Colo., House<br />

Bought by W. E. Hardy<br />

DELTA. COLO.—W. E. Hardy of Har<<br />

Industries of New Mexico has purchaa<br />

the local Egyptian Theatre from Nation<br />

General Corp. Hardy's son Tom has bet<br />

operating the theatre under lease fro<br />

NGC for the last four years and will r<br />

main with the theatre as manager.<br />

More remodeling is planned, according i<br />

Tom Hardy. This will include new carpe<br />

ing. improved seating and other project<br />

A new and larger marquee is to extei<br />

completely across the front of U<br />

Egyptian.<br />

SEATTLE<br />

T ong-awaited "Cleopatra," certain to<br />

an extended run, opened Wednesdt<br />

(41 at the 5th Avenue Theatre. The fill<br />

exactly the same version as played !<br />

cities throughout the country, will n<br />

twice a day i matinee and evening! at poj<br />

ular prices . . . Gordon 'Wallinger lu<br />

taken over as the Seattle branch managi<br />

for Allied Artists, replacing Edmond<br />

Cruea, who has been transferred to 8i<br />

Francisco.<br />

Kenneth Snyder, formerly with MOI<br />

and recently returned from Paramount<br />

!<br />

. . .<br />

L. A., will act as AA salesman coverii<br />

Washington and Oregon Ken SepU<br />

will act as salesman for 20th-Fox in Por<br />

land, replacing Charles Powers at tl<br />

Oregon exchange .<br />

Boden, seen<br />

tary to Columbia branch manager Jairn<br />

Bcale. will become the bride of Ron Ha;<br />

inga March 21.<br />

"Venice and tl<br />

Gordon Spiess was on the Row bookin<br />

from the Mount View. Cashmere . . .<br />

"D<br />

Strangelove" has been set at the Collseu)<br />

for March 25th . . .<br />

Italian Lakes" was shown as the latest<br />

the World Cavalcade Series at the Opo<br />

House.<br />

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W-6 BOXOFTICE March 9, 19


1<br />

Pat<br />

i<br />

Francisco<br />

.<br />

.<br />

with<br />

provided<br />

LOS ANGELES<br />

rred Kunkel, western division manager for<br />

United Artists Theatres, has named<br />

)ave Morris manager of the UA in Pasaena,<br />

replacing Jim Polydoros. moved to the<br />

'our Star. Bob Rogers has taken over the<br />

rhunderbird Drive-In in La Mont .<br />

ack Sherriff, Manhattan Films, returned<br />

rom a trip to Phoenix and Tucson . . .<br />

;iayton Pantages, Cinema Distributors of<br />

imerica, was in from New York to coner<br />

with Mel Evidon and Jerry Persell of<br />

;rest Films on the distribution of "Comrton<br />

Law Wife," which will open in 46 thetres<br />

beginning April 1.<br />

Frank Kovaletz, manager of the Meralta<br />

"heatre, Downey, instigated his first anlual<br />

Golden Wedding Anniversary Party<br />

promote goodwill among the local citienry.<br />

Sixty-two couples, representing a<br />

otal of 3,410 years of connubial life, enoyed<br />

the party, which was held at Pipinos<br />

iteak House. The Southeast News, a coponsor,<br />

gave the party an eight-column<br />

lanner picture spread.<br />

A series of foreign films will be brought<br />

San Louis Obispo for the fourth conecutive<br />

year under the auspices of Fineirts<br />

International and the San Luis Obis-<br />

10 Civic and Pine Arts Ass'n. Twenty films<br />

lave been booked ... A group hosted by<br />

Ir. and Mrs. William Oldknow, Sero<br />

anusement Co., attended the Screen Proucers<br />

Guild Milestone dinner at the Bevrly<br />

Hilton Sunday<br />

< 1 ) . Among the guests<br />

ere Mr. and Mrs. Robert Benton, Mr. and<br />

Irs. Richard Seaver. Mr. and Mrs. S. Jon<br />

'.reedman and Mr. and Mrs. Morris Pynoos.<br />

yd Cassyd of <strong>Boxoffice</strong> sat at the same<br />

ible.<br />

Patterson of the Pat Patterson Proluctions,<br />

San Francisco, was in on business<br />

. . Bob Berkum. Ken Theatre, San Diego,<br />

as booking and buying on Filmrow . . .<br />

/illiam Davaney. Pacific Coast division<br />

iianager for MGM, was recuperating after<br />

jrgery . . . Dan Pavich, Lippert Theatres,<br />

;an Francisco, was here a few days. . . .<br />

oward Herty, MGM exchange advertising<br />

ead, was back from a San Francisco busiess<br />

trip.<br />

Solas-Porras, former viceresident<br />

of Azteca Films, has been ap-<br />

Jinted head of the Spanish division of<br />

:etropolitan Theatres, according to Sher-<br />

11 C. Corwin, president. Solas-Porras will<br />

jvote his time to the circuit's downtown<br />

;ate Theatre.<br />

FUmrow's rummage sale for the Budlong<br />

ihool for Handicapped Children has up-<br />

'd its date to April 10. Please bring everyling<br />

saleable to Jack Sherriff at the Man-<br />

Utan Films exchange office . . . The<br />

ilshire Theatre. Fullerton, has been sold<br />

the Art<br />

i<br />

Theatre Guild Lou Sher<br />

i<br />

, which<br />

ok over the theatre during the week. The<br />

mpletely remodeled theatre will be opated<br />

as an art house.<br />

John Gageby. managing director of the<br />

7Ptian Theatre for four years, is taking<br />

I extended leave due to illness. He was<br />

cceeded by Campbell Meiklejohn, now<br />

lur Star manager.<br />

Jerry Bresler's "Major Dundee" has bein<br />

production near Durango, Mexico, for<br />

'•lumbia<br />

release.<br />

'Son of Captain Blood'<br />

Booked by 235 Theatres<br />

LOS ANGELES—A March 18 opening in<br />

235 theatres of the Los Ange!es and San<br />

Fiancisco exchange territories has been set<br />

for "The Son of Captain Blood," a Paramount<br />

release. Cofeatured will be A. C.<br />

Lyles' "Law of the Lawless."<br />

A high-budgeted promotional campaign<br />

is backing the opening which is timed to<br />

take advantage of the Easter holiday<br />

period. Hard-sell radio, television and<br />

newspaper advertising directed at the<br />

action and adventure audience will highlight<br />

the promotion drive.<br />

New Carmel Theatre<br />

In Shopping Center<br />

CARMEL, CALIF.—The focal point of<br />

Sunset Terrace, the town's newest commercial<br />

development, will be a new, 750-<br />

seat motion picture theatre which should<br />

be ready for opening around August 1.<br />

Planned to present first-run motion pictures,<br />

the theatre has been leased for 50<br />

years by Tom Graff and Ed Dickson, both<br />

of whom have been residents of Carmel<br />

for the last eight years.<br />

Graff was formerly manager of the<br />

Carmel Theatre, which was razed in favor<br />

of the Carmel Plaza Shopping Center.<br />

Graff then managed the Golden Bough<br />

Cinema up to the time it was taken over<br />

by San Francisco film distributors.<br />

Builders of the theatre will be Jack J.<br />

Miller and Francis Sparolini, developers of<br />

the Sunset Terrace complex which will<br />

include the 14 shops in addition to the<br />

theatre. Sunset Terrace will face on San<br />

Carlos, Eighth and Mission streets.<br />

Graff, discussing the new theatre's<br />

policy, made this statement to the Carmel<br />

Pine Cone Cymbal: "We have gone extensively<br />

into programs for children's Saturday<br />

afternoon matinees, when the children<br />

will be supervised from the moment<br />

they are left in our care until they are<br />

picked up by their parents or responsible<br />

adults. No child ft'ill be allowed to leave<br />

the theatre unattended. F^irther. the theatre<br />

will be available for community entertainments<br />

and benefits."<br />

PORTLAND<br />

t"d Fessler, former Mobile. Ala., drive-in<br />

theatre operator, is working with Fled<br />

Hodge. Cinema 21 manager. Fessler is the<br />

brother of Martin Poster, who operates<br />

both the Cinema 21 and Fine Arts, with<br />

headquarters in San Francisco . . . Hodges<br />

reported that "America America" is packing<br />

the neighborhood art Cinema 21. The<br />

picture also played well in its first week<br />

at the Sandy Boulevard Drive-In.<br />

Robert F. Sisk Dies<br />

HOLLYWOOD—Robert P. Sisk. 60. a TV<br />

producer since 1955. died here recently following<br />

a long illness which began shortly<br />

after he completed the Wyatt Earp series.<br />

Prior to turning to TV activities. Sisk had<br />

served as director of advertising and publicity<br />

for RKO following a long career as a<br />

newspaperman. He also had served as a<br />

film producer with RKO. Paramount,<br />

MGM and Warner Bros.<br />

SAN FRANCISCO<br />

\X7ilIiam S. Wall, in charge of projection<br />

at the Monte Vista Drive-In, Mountain<br />

View, and who is also a professional cinematographer,<br />

has been elected president of<br />

a new film company located in San Jose.<br />

Wall is undertaking the duties of director<br />

of photography on a feature picture being<br />

produced by his firm, the Monterey Co.<br />

Work on the picture. "Through Golden<br />

Eyes." is set for an April start.<br />

Lou Sher, president of the Art Theatre<br />

Guild, purchased the Wilshire Theatre. Fullerton.<br />

and took over March 1. Manager<br />

of the State Theatre. Santa Ana. Tony<br />

Rinaldi. is also managing the Wilshire.<br />

The Art Theatre Guild's manager in<br />

Cleveland of the Continental Arts, Heights<br />

Art and Westwood theatres, recently was<br />

named "Showman of the Year" by the<br />

Cleveland film critics. He is Nico Jacobellis.<br />

Robert L. Lippert was back in San Francisco<br />

February 24 after a flying trip to<br />

London where he spent a few days setting<br />

up production for "Do You Know This<br />

Dan Duryea. To be filmed<br />

. .<br />

"<br />

Voice?<br />

in England, as yet the film has no release<br />

date . The Esquire Theatre, Stockton, is<br />

promoting "The Victors" with a contest offering<br />

the winners a weekend at the Palo<br />

Alto Cabania.<br />

. . .<br />

William Porter, auditor for Allied Artists,<br />

will come up from Los Angeles to re-establish<br />

the bookkeeping department in the<br />

city office. Agnes Cannon, after a brief absence,<br />

Howard<br />

will return to this desk Butler, 74, a salesman for 22 years for<br />

Allied Artists Pictm-es. died after a long<br />

illness . . . Aileen. wife of John M. Erickson.<br />

well known on the Row. was buried<br />

February 28.<br />

Bids are out for construction of a $300.-<br />

000 Cinerama Theatre. San Jose, to be<br />

built by Syufy Enterprises, on land owned<br />

by Winchester Properties. It will include a<br />

motel and restaurant.<br />

A general meeting for the entire membership<br />

of Variety Tent 32 has been scheduled<br />

for Tuesday evening il7i. The program<br />

will include sound and color movies<br />

"Highlights of the 1963 World Series<br />

Baseball<br />

"<br />

Games. by Dan Trist<br />

of Coca-Cola: induction of new members<br />

and a short business session<br />

O'Brien. Hollywood and<br />

. . . Margaret<br />

Broadway star,<br />

will head the cast in "A Thousand Clowns."<br />

which will play a two-week engagement at<br />

the Curran March 2-14.<br />

Starring in UA's "The Satan Bug" are<br />

Frank Sutton. Hari Rhodes. John Clarke.<br />

Harold Guild and John Anderson.<br />

NEWS<br />

HLMACK'S NEW 1964<br />

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The tools this young apprentice is learning to make will<br />

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A great investment in time, money, effort and faith<br />

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of us has a stake in his success—and every one of us<br />

must invest something—for on the developing skills of<br />

America's young tool-makers depends the continued<br />

functioning of all industries.<br />

You can protect your investment by joining with other<br />

leading American businessmen lo promote the Treasury's<br />

Payroll Savings Plan for U.S. Savings Bonds. The<br />

Treasury Department's Plan helps safeguard the individual<br />

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attitudes so necessary for the growth of our economy<br />

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When you bring the Payroll Savings Plan into your<br />

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Don't pass this<br />

In freedom itself.<br />

investment opportunity by. Call your<br />

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In your plant. ..promote the PAYROLL SAVINGS PLAN for U.S. SAVINGS BONDS<br />

The U. S. Goremment does not pay for iMs advertlstmtnt. The Trtasury Departmtnt ihankj.for their palrloiism. The Adveriislxg Council and Ihh magadat.<br />

BOXOFFICE<br />

W-8 BOXOFTICE March 9, IS*:


'<br />

will<br />

—<br />

—<br />

—<br />

—<br />

—<br />

-<br />

. . Among<br />

Tom Jones' Climbs<br />

ro 700 at KC Kimo<br />

KANSAS CITY—Oscar nominations con-<br />

Inued to boost "Tom Jones" at Dickinon's<br />

Kimo, where a second record week<br />

700 per cent was rung up. "It's a Mad,<br />

if<br />

Jad, Mad, Mad World" in its 11th week<br />

,t Durwood's Empire and "The Misadvenui-es<br />

of Merlin Jones" in its third week at<br />

'ox's Uptown and Granada doubled aver-<br />

,ge business. "Charade" chalked up 190<br />

)er cent in the sixth week at the Pox<br />

>laza. "One Man's Way" had a big openng<br />

week at the Fox Brookside with 170<br />

ler cent above average.<br />

(Average Is 100)<br />

irookside—One Mon's Way (UA) 1 70<br />

opri— Cleopotro (20th-Fox), 16th wk 100<br />

rest Riverside, Boulevard—Commondo (AlP);<br />

Toipedo Boy (AlP) 90<br />

mpire It's o Mod, Mod, Mod, Mod World<br />

(UA-Cineramo), I 1 th wk 200<br />

Tom Jones lUA), 2nd wk 700<br />

jrrio<br />

ammount, Avenue Americo Americo (WB) ....120<br />

lozo—Chorode (Univ), 6th wk 190<br />

ockhill— Billy Lior (Confl) 95<br />

:oxy— Sundoy in New York (MGM), 2nd wk 100<br />

i3rd, Heart, Lecwood, Hillcrest, Stiownee, Isis,<br />

Parkway One, Electric, Centre, Aztec, Dickinson,<br />

Englewood Children of the Domncd (MGM);<br />

Glodiotors 7 (MGM) 1 30<br />

Iptown, Cjranada The Misodventures of Merlin<br />

Jones (BV), 3rd wk 200<br />

Cardinal,' 'Tom Jones' Pace<br />

Chicago's Good Business<br />

CHICAGO—While there were unpredictible<br />

dips in business at some of the theiitres<br />

around town, others continued to do<br />

lantastic business as was evidenced the<br />

last week with "Dr. Strangelove" in the<br />

bird week at the Esquire: "Seven Days<br />

n May" in the second week at the United<br />

lU'tists. and "The Cardinal" in the 11th<br />

i.'eek at the Woods.<br />

Promises! Promises! (Harlequin), 4th wk. !apri<br />

.200<br />

'ornegie Charade (Univ), moveover, 2nd wk.<br />

.<br />

..145<br />

hicogo Man's Favorite Sport? (Univ), 2nd wk. ..125<br />

^nemo Billy Liar (Cent' I) 135<br />

.quire Dr. Strongelove (Col), 3rd wk 290<br />

'»(>— Fontosio (BV), 6th wk<br />

icVickers— It's a Mod, Mod, Mod, Mod World<br />

100<br />

(UA-Cineroma), 15th wk 135<br />

iictioel Todd Tom Jones (UA-Loper»), 11th wk. . .250<br />

|riental Sunday in New York (MGM), 2nd wk. ..150<br />

posevelt Soldier in the Roin (AA), 3rd wk 125<br />

jetc Lake The Victors (Col), 4th wk<br />

nited Artists Seven Days in Moy (Para),<br />

100<br />

i2nd wk 200<br />

oods—The Cardinal (Col), 11th wk 250<br />

(orld Playhouse Knife in the Water (Kanawha),<br />

2nd wk 125<br />

Junday in New York' 165<br />

-t Indianapolis Loew's<br />

INDIANAPOLIS—The state high school<br />

asketball tournament attracted the atntion<br />

of most teenagers Thursday. Prilay<br />

and Saturday and business at the first<br />

!ui theatres consequently was slack in<br />

lost instances. Among the week's new atactions,<br />

"Sunday in New York" opened<br />

"<br />

!St. "How the West Was Won is climb-<br />

|ig again since the word came out that<br />

make way for "Mad World" March<br />

•cic—Dead Ringer (WB); Liston-Cloy fight<br />

picture 1 25<br />

guire This Sporting Life (Confl) 115<br />

diono— How the West Wos Won (MGM-<br />

Cineromo), 38th wk 165<br />

Mh's—The Cardinol (Col), 3rd wk 110<br />

tew's—Sundoy in New York (MGM) 150<br />

pc—America Americo (WB) 80<br />

[Special promotion for UA's film, "One<br />

an's Way," is being made by Fawcett<br />

iblications in a campaign making tens<br />

thousands of newsstands and bookracks<br />

the United States and Canada a signlard<br />

for Prank Ross' screen drama based<br />

1 the life and career of Norman Vincent<br />

i^ale.<br />

Showmanship Is Heart<br />

Of UTO's Show-A-Rama<br />

By VELMA WEST SYKES<br />

KANSAS CITY—Hollywood built the<br />

motion picture business with glamor and<br />

that's what Show-A-Rama VII used to stage<br />

and open its UTO convention at the Continental<br />

Hotel Tuesday i3i. The decorations,<br />

the lovely girl pages in attractive costumes,<br />

the advertising for pictures coming<br />

up were all glamor editions—even to the<br />

special blue silk-striped coats worn by<br />

those in charge of the occasion. Richard H.<br />

Orear, president of Commonwealth Theatres,<br />

acted as master of ceremonies and introduced<br />

Paul Ricketts, UTO president, for the<br />

welcome address.<br />

Ricketts. who owns theatres at Ness<br />

City. Kas., noted with pride the nearly<br />

1,000 in attendance from all over the<br />

United States and felt he could say this<br />

area is not only the Heart of America but<br />

the "Heart of Showmanship." And he<br />

hoped he would not hear the word "exhibitor"<br />

used dui'ing the convention—he<br />

wanted "showman" to be used instead. Emphasizing<br />

that those in attendance were<br />

there to get ideas to take home, he called<br />

attention to the nearly 50 experts in the<br />

exhibition field who had come to share<br />

their know-how with others. He welcomed<br />

those back who had attended before and<br />

suggested newcomers would come back<br />

next year.<br />

Elmer C. Rhoden, who admitted having<br />

51 years in show business, was called on to<br />

introduce the keynote speaker, George Mui--<br />

phy. Since he had a list of credits three<br />

pages long on Murphy, Rhoden decided to<br />

mention only the highlights—a star in 40<br />

pictures, with one company 20 years, the<br />

first man to receive an Oscar for services<br />

rendered the motion pictui-e industry and<br />

"soon to be a United States Senator."<br />

Murphy could not equal Rhoden's record<br />

in years, but certainly one who has<br />

been 38 years in the entertainment business.<br />

30 of those with motion pictures, can<br />

still be called a veteran. And his voice<br />

of experience proclaimed it "a great industry."<br />

"If I am fortunate enough to be elected<br />

United States Senator." he said, "I shall<br />

be a spokesman for our industry, which<br />

should be represented. And I hope I'll have<br />

the intestinal fortitude to call attention to<br />

Five New DirectoTs Are<br />

Named to UTOHA Board<br />

Kansas City—Named to the board of<br />

directors of the United Theatre Owners<br />

of the Heart of .-Xmerica at its concluding<br />

Show-.A-Rama VII session here<br />

Thursday (5) were Dennis Montee.<br />

Hutchinson. Has.: Dick Conley. Fox<br />

Midwest: Dan Meyers, Dickinson Theatres;<br />

Elmer Bills sr.. Salisbur)', Mo., and<br />

Leon Robertson, Plaza Theatre, Ottawa,<br />

Kas.<br />

RolM-rtson was named to ser\'e the<br />

unexpired term of Bill Bradfield of<br />

Carthage, who resigned from the board<br />

after selling his theatres to the Dickinson<br />

circuit.<br />

George Murphy<br />

Elmer Rhoden<br />

the injustice of having the tax removed<br />

from all theatre tickets except those in<br />

motion picture theatres. The record of omindustry<br />

whenever our government has<br />

needed help is one of the brightest—and I<br />

think we deserve the same consideration as<br />

other industries from the tribunes in Congress."<br />

After Murphy's talk, Orear presented him<br />

with a plaque from the UTO citing his<br />

many contributions to the industi-y and<br />

for his present association with Technicolor.<br />

"Technicolor does a lot for us exhibitors,"<br />

Orear commented.<br />

SHOW-A-RAMA SIDELIGHTS<br />

A new theatre operation as of March<br />

1, the Arrow Theatre Corp., was represented<br />

by RoUin Stonebrook of Cherokee,<br />

Iowa. The circuit has indoor houses in<br />

Spencer. Storm Lake. Cherokee and Sac<br />

City and a diive-in in each of the towns<br />

except Sac City. Gordon McKinnon. manager,<br />

also attended and both reported business<br />

good . the exhibitor couples<br />

were Mr. and Mrs. Bob Klinge of Joplin.<br />

where he manages the Lux for the Dickinson<br />

circuit. On March 15 he is also taking<br />

over the management of the Webb City<br />

Drive-In and the 66 Drive-In and the Roxy<br />

Theatre in Carthage. Thus he becomes the<br />

area manager for these various locations.<br />

Bill Bradfield. former owner and operator<br />

of these three theatres, has retired.<br />

While underwater photography has become<br />

quite a science. Earl Kerr of the Kerr<br />

Theatres at Knoxville. Iowa, and at Bethany.<br />

Mo., does not believe patrons would<br />

go for miderwater viewing of films so is<br />

having to rebuild his drive-in at Knoxville.<br />

The recently constructed Red Rock<br />

dam. the biggest in Iowa, would put his<br />

drive-in under water so he moved the<br />

screen and the speakers but the rest of<br />

the airer is having to be reconstructed<br />

about 35 miles from Des Moines and an<br />

April 20 opening is planned. Kerr now<br />

lives at Pine. Colo., for health reasons and<br />

his manager at Knoxville is Carl Schwanbeck<br />

while Presl Chenoweth supervises the<br />

Bethany operation.<br />

Thomas A. Burke of the Buike Theatre<br />

Associates of Minneapolis says pictures<br />

that are national hits do well with them<br />

but the mediocre ones drop down—also<br />

that it is surprising how many really good<br />

pictures don't score. His circuit operates<br />

80 theatres, some in northern Minnesota,<br />

which is considered a depressed area be-<br />

I<br />

Continued on next pagei<br />

"iXOFFICE :: March 9. 1964 C-1


. . Robert<br />

. . Mrs.<br />

"<br />

;<br />

Showmanship Is<br />

Heart of UTO's 7th<br />

Annual Show-A-Rama Convention<br />

(Continued from preceding page)<br />

cause of the slack in mine operation, but<br />

business picks up in tiie summer resort<br />

season . P. Gelmar of Stillwater,<br />

Minn., has four theatres— all indoor—<br />

in two different states. Besides his<br />

Stillwater house he has one in Duluth. one<br />

in Fargo and in Fairmont. N. D. Exhibitors<br />

from the same general location like<br />

to dis-<br />

. . . J. R. Holt,<br />

cuss localized problems, as these two were<br />

doing.<br />

His big problem is to get pictures for<br />

family entertainment, said Howard Kennedy<br />

of Broken Bow. Neb., a showman<br />

since 1929. He has an indoor house, the<br />

Bow Theatre, and the Broken Bow Drivein<br />

which will open May 1. "I get irritated<br />

and could go way out on this and think<br />

more of us should speak up." Kennedy<br />

said. "The women are the ones who bring<br />

the family and if a picture has no appeal<br />

for women, it's no good for my theatres.<br />

Modern communications being what they<br />

are. there is very little difference between<br />

city and small town people. If the producers<br />

would spend as much money making<br />

family pictures as they do on these<br />

big sex films, not just a mess of corn, we<br />

could all do business today."<br />

Dale H. Danielson of the Dream Theatre<br />

at Russell. Kas.. and the Sky-Vu Drivein<br />

in partnership with Dean Zimmerman.<br />

reported business was up in January. The<br />

drive-in opening is planned for March 26<br />

.... Don Bowin. who has the Waterloo<br />

Theatre at Waterloo. Iowa, also reported<br />

who<br />

business very good<br />

has been operating the Star Theatre at<br />

Lebanon. Mo., for the last eight months<br />

and was new at the business, says he loves<br />

it and feels better pictures are needed all<br />

the time. P. L. "Doc" Lowe is part owner<br />

of the Star . May Carnes. manager<br />

of the Kimo in Kansas City, says they<br />

have played to SRO crowds ever since<br />

"Tom Jones" opened. The Kimo is an art<br />

house, with a seating capacity of 503 . . .<br />

Jane Whitworth. who manages the Mission,<br />

another Dickinson house, says business is<br />

off and on there, as Terry Boyle said about<br />

the Overland at Overland Park. Most of<br />

their pictures are sub-runs.<br />

From Washington, D. C. came Robert<br />

Quick, civilian chief of the department<br />

which provides motion picture entertainment<br />

for military installations. He says<br />

that each situation operates its own theatre<br />

but that all booking and buying is<br />

done through his office. His film buyer,<br />

looking for tke<br />

"'"-<br />

THE<br />

WORLDS<br />

FINEST<br />

THEATRES<br />

nay OH<br />

HURLEY<br />

SCREENS,<br />

RIGHT SCREEN<br />

RIGHT PRICE?<br />

SUPEROPTICA<br />

LmlicuhfJ ptoti uirloc*<br />

SUPERGLO<br />

Nan- •Dtkuhltd ptoti uiHet*<br />

MATTE WHITE<br />

&ft quolity pfO|fCtion, reol economy<br />

See four independent tKcotfc<br />

lupptr deoler Of wnte<br />

HUMJY SCMIN COMPANY. INC<br />

9^17 lUnWi IM<br />

L. H. Rockhold Wins<br />

Vacation in Acapulco<br />

Kansas City— I.. H. Rockhold, manager<br />

for Fox Midwest at Winfield. Kas..<br />

won the two -week vacation trip to<br />

Acapulco for two, with a stopover at<br />

the Del Prado in Mexico City. Nathan<br />

Jacobs, publisher of Movie Guide, had<br />

offered a $100 bonus if the winner was<br />

a subscriber to his promotion magazine,<br />

but Rockhold was not.<br />

Five tickets were drawn at the<br />

Wednesday afternoon session of .Show-<br />

A-Rama in the sixth floor meeting hall<br />

of the Continental Hotel, a requirement<br />

being that the ticket holder had to be<br />

present to win.<br />

Harold L. Tabor, was also in attendance<br />

with him. They pay the same rate for pictures<br />

that regular exhibitors pay but do<br />

not make any special effort to promote<br />

the pictures. As to the kind of pictures.<br />

he said they have found that "if the pictures<br />

don't move, the audience will " . , .<br />

W. P. Florence, who has the Cameo Theatre<br />

at Magnolia. Ark., and is president<br />

of the TOA of Arkansas, also has the<br />

Rocket Drive-In. Although in a college<br />

town, he does not play many art pictures.<br />

Sophisticated comedies seem to be most<br />

popular.<br />

Ron Kreuger. president of the Fred Wehrenberg<br />

Theatres of St. Louis, is the grandson<br />

of the circuit's founder and his mother.<br />

Mrs. Paul Kreuger. is chairman of the<br />

board. According to Lester R. Kroff. film<br />

buyer and booker, the company now operates<br />

six drive-ins and four hardtops in<br />

St. Louis, Pulton and De Soto. Pour of the<br />

drive-ins are among the largest in the<br />

state, all of them with a capacity for 1,-<br />

100 cars. This is the third generation for<br />

the family as when Mrs. Kreuger was a<br />

little girl, she used to drive around St.<br />

Louis in a little pony cart to advertise<br />

serials. She said her mother and father<br />

started the circuit in 1905 in a converted<br />

bakeshop with 99 chairs. Kroff says they<br />

favor catering to the family trade— in fact,<br />

this has been the policy from the beginning.<br />

Doc" Cook of Maryville, Mo., who has<br />

a winter home at Fort Myers. Fla.. arrived<br />

completely worn outi?i from a wonderful<br />

cruise with Mrs. Cook and with Mr. and<br />

Mrs. Tom Edwards of Eldon. Mo., who have<br />

a winter home at Fort Lauderdale. Fla.<br />

The two couples, so long associated in theatre<br />

business in Missouri, took the cruise<br />

to Jamaica and Nassau, during which<br />

time the Cooks celebrated their 45th wedding<br />

anniversary. As the result of this<br />

marriage. Cook has a son Jim who now<br />

operates the family theatres in Maryville.<br />

the Tivoli Theatre and the Dude Ranch<br />

Drive-In. Jim also attended the convention.<br />

"Doc" is on the TOA board, so attended<br />

that meeting which preceded<br />

Show-A-Rama VII.<br />

Bernard J. McKeiina of the McKenna<br />

Theatre at Raton. N. M.. is another showman<br />

who says he does his best business<br />

with family pictures—and not Just Dis-<br />

.<br />

ney films, he adds ... On the other han<br />

Walt Jancke of the Varsity and State thi<br />

atres at Lincoln, Neb., says he has tried fi<br />

years, has asked would-be censors why thi<br />

don't support family pictures if that<br />

what they want, but has found that to ai<br />

vertise a film as "family" is boxoffl<br />

poison Fred Krill of Denver. Coli<br />

.<br />

formerly<br />

.<br />

with Commonwealth TheatT'<br />

and with Gibraltar Enterprises, now has<br />

booking service for 15 independent theatr<br />

and says they do best with good. down-t<<br />

earth comedies and wholesome entertali<br />

ment.<br />

Speaking for herself and husband, wl<br />

was viewing the equipment booths. Ml<br />

J. H. Hargroder of the General Theat<br />

Corp., Hattiesburg, Miss., says they ha'<br />

been operating 15 years and play nothli<br />

but action and family pictures. They ha'<br />

two drive-ins. the Beverly and the Broai<br />

way. "We just don't play those of(-be:<br />

dramas." she explained. "Every minister<br />

our area gets an annual pass and he U6<br />

it. too. We get letters from them con<br />

mending us for our service to the con<br />

munity. We cater to the family trade at<br />

have a tremendous playground which tb(<br />

enjoy. I wish we could get film rentals do«<br />

but we have a steady business because i<br />

our policy. And we run our theatre I<br />

reading <strong>Boxoffice</strong> and never miss the ed<br />

torials. These always seem to know oi<br />

problems and try to work out solutioi<br />

fair to all phases of the industry.<br />

Prank Patterson, who has the Mansfle!<br />

Theatre and De Soto Drive-In at Man<br />

field. La., also has a small theatre at Jiini<br />

tion City. Ark., the little town Ripley w<br />

up because it has two parishes in Louisian<br />

and the story was also carried in Boxomc<br />

Patterson plays Disney pictures but sa;<br />

Disney makes some turkeys, too. and h<br />

folks also like Elvis Pi-esley and Joh<br />

Wayne. "They want action— these yacketj<br />

yack films don't do too well for us," t<br />

said.<br />

Earl Cleveland Manager<br />

For Frisina in Mexico<br />

MEXICO. MO. — Earl Cleveland, man<br />

ager for the past six years of the AJ<br />

cadia Theatre and the Olney Drive-In I<br />

Olney. 111., recently took over managemer<br />

of Frisina theatres here. Cleveland hi<br />

been with the circuit for ten years; h<br />

managerial experience also includes t»<br />

years at the helm of a theatre in Sedalt<br />

Cleveland steps into the position forma<br />

ly held here by Bob Spencer, who acceptc<br />

a position with Commonwealth Theatn<br />

and was assigned to Hot Springs. Art, I<br />

manage the Malco and Central theatre<br />

Spencer, who has moved his family to HI<br />

Springs, represented Frisina here for tl<br />

years.<br />

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C-2 BOXOFFICE March 9, 19«<br />

l!


I<br />

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i^XOFFICE March 9, 1964<br />

C-3


Lois<br />

.<br />

. . Their<br />

. . Mr.<br />

with<br />

h<br />

!<br />

'<br />

j<br />

KANSAS CITY<br />

!<br />

•The WOMPIs. as usual, wcie on dock lor<br />

various chores during Sho\v-A-Rama.<br />

such as clolhinR check rooms, WOMPI<br />

booth and the Will Rogers booth. Those<br />

helping were the following Anello.<br />

:<br />

Bonnie Aumiller, Bessie Buchhorn, Myrtle<br />

Cain, Barbara Clark, Carolyn Fleming,<br />

Mary Heueison, Goldie Lewis. Thelma Masters.<br />

Gladys Melson, Beverly Marroquin.<br />

Sue McGuire, Helen Nolhnagel. Nancy Porter,<br />

Bernice Powell. Virginia Free, Margaret<br />

Stanley, Carol Schenkel, Jo Ann Sharitz,<br />

Betty Smythe, Myrtle Taylor, Fredye Taylor,<br />

Jo Ann Weaver, Dorothy Wackerman.<br />

Goldie Woerner, Vera Wood and Anna Mae<br />

DePoortere.<br />

LawTencc Gilbreath. who operated the<br />

Isis Theatre for over 50 years, died recently<br />

at the Asbury Hospital in Salina. He<br />

had been ill only a short time. Gilbreath<br />

began his theatre business in 1912 and was<br />

assLsted by his wife Stella. In September<br />

of 1959 the theatre burned and later was<br />

rebuilt by subscription and for a short time<br />

Carpets-Door Mats<br />

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MISSOURI THEATRE SUPPLY<br />

lis WMt lltk Koiwot aty •, Mo.<br />

BolHmofO 1-M7e<br />

DRIVE-IN OWNERS--<br />

Now ... a 4-inch east oluminum (^/LQ<br />

speaker, unpointed, with protective ^ ^07<br />

screen, straight cord. 4^<br />

SHREVE THEATRE SUPPLY CO.<br />

217 West IStfc HA 1-7849 Kantai City, Mo.<br />

was operated by Loran Cullens. taoothnian<br />

for Gilbreath. but Gilbreath had taken it<br />

over again.<br />

Clyde Crump, who took over the management<br />

of the Centre Theatre for Commonwealth<br />

Theatres in December, will leave<br />

for St. Louis March 14 to become manager<br />

of the Cinema Theatre in Florissant, St.<br />

Louis suburb, for General Drive-In Corp.<br />

Crump formerly managed the Waldo Theatre<br />

for Clark Rhoden.<br />

Julian King, veteran in<br />

the industry, renewed<br />

acquaintances with many old friends<br />

at Show-A-Rama. King, who is now with<br />

Bennett Film Service in Republic, Mo.,<br />

was w^ith MGM here for many years and<br />

later went to Des Moines and Omaha for<br />

Film Classics.<br />

T. E. Roller reports that Interstate Highway<br />

44 has closed his Airway Theatre at<br />

Mount Vernon. Mo. Roller sold the equipment<br />

to Jess Ruble & Sons, w-ho are building<br />

a new Mount Vernon drive-in. Mr. and<br />

Mrs. Roller bought a new home in Mount<br />

Vernon and is retiring from show business.<br />

.<br />

Sophisticated comedies are what Dennis<br />

Montee of the Ayrvu Drive-In at Hutchin-<br />

.son, Kas., has found most pleasing for his<br />

patrons—and such good slapstick entertainment<br />

as "McLintock!" In fact, "Mc-<br />

Lintock!" was mentioned gratefully by several<br />

Show-A-Rama visitors. Montee has<br />

five theatres, two drive-ins each at Liberal<br />

and at Meade and the Flag Theatre at<br />

Hutchinson William Bertalero of the<br />

Black Hills<br />

. . .<br />

Amusement Co. at Denver,<br />

Colo., has ten theatres in South Dakota.<br />

Wyoming and Nebraska. His patrons prefer<br />

Disneys, family and action pictures<br />

Dan Flanagan, general manager of<br />

. .<br />

the<br />

Center Drive-In Corp at Lincoln. Neb.. Is<br />

responsible for five drive-ins. Both he and<br />

Paul Ellberry. who manages the Airport<br />

Drive-In at Lincoln, say they play westerns,<br />

horror, comedy 'Jerry Lewis a favorite<br />

i and that they've been open five days<br />

a week this winter.<br />

George Cohn. who was with Columbia<br />

pictures for six years in St. Louis, is now<br />

with his father-in-law, Herman Gorelick,<br />

who owns the Crest Film Distributors.<br />

They handle Independent product, state<br />

rights franchises and when the majo<br />

have a lot of good pictures, things get<br />

.<br />

little rough. However, there is a constat <<br />

demand for good product .so business ji<br />

never too dull . . . Mr. and Mrs, W. I'll<br />

Bancroft of the Hillcrest Drive-In at O<br />

tawa, Kas., are hoping to reopen East4<br />

if the weather permits . neighbo<br />

Hank Doering. says Garnett is going i<br />

have a .second bank, which .sounds as<br />

the town is prospering and Mr<br />

Glen Cooper of Dodge City. Hays and M(<br />

Pherson have kept three of their drive-li<br />

open weekends and the one in South Do


;<br />

NEW<br />

He<br />

UOO-Car Airer Soon<br />

kl Oklahoma City<br />

rom Southwest Edition<br />

OKLAHOMA CITY—A 1,400-car de luxe<br />

jrive-in equipped for 70mm projection will<br />

36 constructed on Northwest highway just<br />

;ast of MacArthur boulevard by Ferris<br />

Enterprises at a cost of around $250,000.<br />

It will be equipped with in-car heaters.<br />

1 drive-in innovation in this area.<br />

Charles and Maurice Ferris said the new<br />

jutdoor theatre, to be the largest in this<br />

;erritory, will be opened around May 1.<br />

Data includes a 40x70-foot concession<br />

stand equipped to serve full dinners in<br />

Datron cars, and 55-foot double-lane servng<br />

counter; a patio with tables and<br />

;hairs: playground w^ith attendants: all<br />

;eramic lounges: a 55x1 24-foot, all-steel<br />

icreen tower.<br />

The drive-in will employ 30 persons.<br />

A public contest will be conducted to<br />

name the new drive-in.<br />

The Ferris project, the first since the<br />

;onstruction of the North Perm Twin<br />

Drive-In by R. Lewis Barton, which was<br />

spened early in 1963, is the second one anlounced<br />

this year. The other, announced<br />

)y Farris Shanbour. is in the southern part<br />

)f the city.<br />

Seventeen Magazine Votes<br />

Becket' for April's Best<br />

rom Eastern Edition<br />

YORK—Hal Wallis' "Becket" has<br />

)een selected as "the picture of the month"<br />

or April by Seventeen Magazine, it is anlounced<br />

by entertainment editor Edwin<br />

filler.<br />

Three-Point Criterio for Judging<br />

Films as Arf Revealed by Crowther<br />

From Southeast Edition<br />

RALEIGH. N.C.—Articulate, resourceful,<br />

truthful—a movie has to be all of the.se<br />

for Bosley Crowther to admire it fully.<br />

These words comprise the critic's definition<br />

of art—that is. art as applied to the<br />

medium of the motion picture. The first<br />

letters of the words spell "art." And<br />

Crowther is convinced the cinema is an art<br />

form.<br />

Crowther, who is the influential, longtime<br />

motion picture critic of the New York<br />

Times, appeared in the "Contemporary<br />

Scene" lecture series at the North Carolina<br />

State College Union here. Local students.<br />

townspeople and many from out of town<br />

attended his lecture on "The Movies as a<br />

20th-century Art Form."<br />

In trying to decide if a movie is articulate,<br />

the critic explained, he asks himself<br />

if it has been a profound and significant<br />

experience for the viewer. Resourceful?<br />

He wants to know how fully the medium<br />

has been used. As for truthful, the question<br />

is "How vividly does it force one to<br />

see?" Or, "How fully does it convince us<br />

of its reality?"<br />

Crowther said that "many are disinclined<br />

to think of the movies as an art<br />

form. The movie merchants have no concept<br />

of pictures as anything but entertainment.<br />

"But just during the lifetime of many of<br />

us here tonight, the movies have grown<br />

into an art form—possibly, the last art<br />

form. But the attitude of the merchants<br />

has kept Americans from embracing the<br />

movies as art."<br />

He referred to "Hud" as "a really great<br />

American film." He said the scene of the<br />

cattle being herded into a pit to be shot<br />

to death upon the order of the old grandfather<br />

was a scene in which "we had a<br />

communication of emotion, which corresponded<br />

to Tolstoy's definition of art."<br />

But the pressures upon those who would<br />

like to use the film in an artistic way are<br />

great, he said. The pictures that are pure<br />

escapist fare are usually more popular at<br />

the boxoffice. He mentioned those films<br />

which star Doris Day. who "is virginal at<br />

the age of 40." and Natalie Wood "making<br />

love with a proper stranger."<br />

Spectacular films have come to be the<br />

trademark of American movies today, he<br />

said, although "Cleopatra" is likely to be<br />

the last of the big spectaculars. He made<br />

no apologies for being one of the few<br />

metropolitan critics who lavished praise on<br />

"Cleopatra. " said the picture had in it,<br />

"at least, before they started cutting it up,<br />

considerable eloquence and a fine Caesar<br />

in Rex Harrison."<br />

In recent years, he said, the films from<br />

abroad "made by intelligent men for mature<br />

audiences." are providing some competition<br />

for American movies and leading<br />

to a great change in motion pictures.<br />

"Those who neglect motion pictures." he<br />

concluded, "are missing a great deal. The<br />

best of them remind us that spiritual<br />

qualities do prevail in the world."<br />

Translation for Paleface:<br />

"Don't waste time with old-fashioned<br />

way sending message. BEST way to<br />

SELL used equipment, find HELP, SELL<br />

or BUY theatres, is with<br />

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Please insert the following ad times in the CLEARING HOUSE<br />

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»XOFFICE :: March 9, 1964 C-5


. . Filmakers<br />

. . . Universal<br />

at<br />

. . Al<br />

. . Dick<br />

which<br />

—<br />

"<br />

. . Irwin<br />

j<br />

I<br />

CHICAGO<br />

T^uriiiK February Iho city cciksor board iv-<br />

Mtwod 58 films. 29 of which were<br />

forelBii; ndulU>d six. ifjocled thirc mid<br />

ordered cuts in six . . . Tlie Society of Motion<br />

Picture and Television EnKinecrs<br />

heard William Hcdden and Gene Carr of<br />

Calvin Productions talk on "Industrial Motion<br />

Picture Production" at its monthly<br />

meetinK . has enlarged their<br />

quarters at 615 North Wabash Ave. .<br />

B&K State Lake opened "America America"<br />

on the 6th.<br />

. The<br />

Mrs. Oscar Brotman left for a holiday<br />

in California. She will bo joined by Oscar<br />

after the Show-A-Rama convention in<br />

Kansas City. Local film folk at the convention<br />

included George Regan, independ-<br />

. . Mr. and Mrs. Sam<br />

ent distributor .<br />

Levinsohn announced the engagement of<br />

their granddaughter Deborah Lee Hartman<br />

of Wilmette to Harlan Waldinger of<br />

Des Moines. Levinsohn, president of Chicago<br />

Used Chair Mart, said he has sold<br />

the building at 829 South Stale St., the<br />

company's home for the past 20 years,<br />

and is moving to larger and air-conditioned<br />

quarters at 1320 South Waba.sh effective<br />

Lee Artoe. president of<br />

April 15 . . .<br />

ElectroCarbons. left on a two-week trip<br />

in western states to see exhibitors about<br />

his Cinema carbons and cold light reflector.<br />

The Bel-Air Drive-In opened the new<br />

season with "Comedy of Terrors" and "X".<br />

— Our "20th" Year —<br />

CANDY-POPCORN<br />

SEASONING — BOXES — BAGS<br />

For Theatres and Drive-ins<br />

— SEND FOR NEW —<br />

COMPLETE PRICE LIST<br />

Disiribirton<br />

For<br />

ORANGE CRUSH and<br />

FULL LINE SYRUPS<br />

POPCORN BUTTER CUPS<br />

We Carry Full Line Hot & Cold Cups<br />

Freight Paid on Ortl«n of $123 00 or More<br />

KAYLINE<br />

CANDY COMPANY INC.<br />

WE—«-4«4><br />

1314 S. Woboth Ave. Chicago 5, III.<br />

theWtre equipment<br />

442 N. ILLINOIS ST., INDIANAfOLIS, IND.<br />

"EveTj/thing /or the Theatre"<br />

Some bO ncigliboi hood liicatns uiid drive-<br />

. . .<br />

ins in this area booked the combo<br />

The Armitage Theatre, 3553 West Armitage.<br />

joined the Chicago American's<br />

Movie Directory and will list programs<br />

every Saturday and Sunday. Jerry Spielman<br />

is the manager . . . David B. Wallerstein.<br />

president of B&K, was appointed<br />

chairman of a ten-man committee named<br />

by Mayor Daley to study the feasibility of<br />

building a domed sports arena in Chicago,<br />

and to consider methods of financing<br />

it.<br />

Sally Mills, who plays an airline hostess<br />

in "Sunday in<br />

"<br />

New 'York, opened<br />

at the Oriental in the Loop, is the daughter<br />

of Col. and Mrs. Lawrence W. Mills of<br />

suburban Elmhurst . . . The Lake in Oak<br />

Park will present the Beatles via closedcircuit<br />

TV March 14 and 15 . . . The<br />

Esquire on the near north side is featuring<br />

oil paintings by Clifford Lee of<br />

Cnicago along with "Dr. Strangelove." The<br />

film is breaking records at the Esquire .<br />

The Regal 's<br />

. .<br />

new stage show features Gene<br />

Chandler, rock and roll star, and a group<br />

of 33 entertainers.<br />

The Loop Theatre has scheduled two<br />

Academy award winning films, "Two<br />

Women" and "The Sky Above— and Mud<br />

Below." The cast of Arthur Penn's "Mickey<br />

One" will be here 55 days for shooting of<br />

location scenes. In the group are Warren<br />

Beatty, Franchot Tone, Hurt Hatfield and<br />

Alexandra Stewart . Borde was appointed<br />

booker for the Aragon. the ballroom<br />

which Oscar Brotman had planned<br />

to convert into a skating rink. Popular<br />

demand is altering the skating rink arrangement.<br />

It is planned now to establish<br />

a policy of big bands and topflight acts.<br />

Sarge J. Randle, projectionist, died . . .<br />

Foreign films are highlighting the Sunday<br />

Film Guild programs at the Clark Theatre<br />

this month, including Heavens Above,<br />

Winter Light, Good Soldier Schweik, Dentist<br />

in the Chair, and Sparrow^s Can't Sing<br />

publicist Ben Katz is hosting<br />

a special showing of "Captain Newman<br />

"<br />

the Surf prior to the Eastertime<br />

oix-ning at the Chicago Theatre<br />

Williams Hanmer, president of Wilding,<br />

Inc.. Chicago-based film studio, has appointed<br />

Harold Kinzle. Carl Nelson and C.<br />

Rankin Bingham as vice-president<br />

R. H. Dunbar, manager for<br />

. . .<br />

Warner Bros.,<br />

is hosting a screening of "Robin and the<br />

Seven<br />

"<br />

Hoods at the Surf March 10.<br />

Nat Nathanson and his wife Natalie<br />

were in town from New 'York for a short<br />

visit. Nat, former Allied Artists manager,<br />

was here to close some AA deals . . . Dick<br />

Balaban of H&E Balaban has moved to a<br />

new suburban home . Graff, former<br />

Universal manager, was in town to<br />

close deals for the closed-circuit telecast<br />

.<br />

. . . Irvln«|<br />

|<br />

of the Indianapolis Speedway event via]<br />

MCA . . . Nick De Luca. who became 111'<br />

while in Los Angeles, was making a rapid,<br />

recovery Joseph, head of Modern<br />

Film Distributors, has had to<br />

I<br />

prolong<br />

his stay at Michael Reese. He is in Roomi<br />

315-B, Baumgarten Pavilion<br />

Davis and his wife were vacationing Inj<br />

Arizona.<br />

. . . Condolences<br />

. . .<br />

Dick Taylor, who recently joined Para-j<br />

mount here as publicist, is setting up a<br />

campaign for the opening of "Becket"<br />

at the Cinestage on the 19th<br />

to Kermit Russell on the death ot|<br />

his brother Morrie in an automobile accident.<br />

He was 39 Ben Katz, Universal^<br />

,<br />

publicist, was expecting a visit by Ro6s.<br />

Hunter in behalf of "Chalk Garden."<br />

Critics in Montreal Give<br />

|<br />

High Praise to 'Cardinal'<br />

From Conodion Editior^ i<br />

MONTREAI^"The Cardinal "<br />

is doing!<br />

great at the Seville Theatre here. Critics<br />

have been full of praise. For instance, Mlkel<br />

Gutwillig of the weekly "EnVille" had the!<br />

following to say about "The Cardinal": |<br />

'If you suspect that Hollywood has for-i<br />

gotten how to make great movies. I suggesti<br />

that you pay a visit to the Seville Theatre!<br />

No one has asked us to plug 'The Cardinal.'!<br />

but here's a movie that will remain with youj<br />

a long time.<br />

;<br />

" 'The Cardinal' proves conclusively thati<br />

you can be controversial yet constructive'<br />

compelling and challenging yet warm anci<br />

humorous, loaded with honesty and Inl<br />

tegrity yet wonderful entertainment. It's si<br />

real winner. And it's a refreshing deviation<br />

from the sex-and-slaughter formula thal|<br />

has characterized many of the hard-ticketi<br />

reserved-seat pictures. The three hours jusi<br />

whiz by. Some characters cannot live with-l<br />

out one of these pointless four -hour grue-|<br />

some jobs ihate-and-gore sagas >. But the>i<br />

can have them. If you want to see real lift)<br />

—with its majesty and dignity—go see 'Th<<br />

Cardinal.'<br />

Charles Maguire to Argyle<br />

i<br />

From Western Edificir |<br />

HOLLYWOOD—Charles Maguire. untl<br />

recently Elia Kazan's production aide, ha<br />

joined Robert Wise's Argyle Enterprise<br />

as associate producer. His first asslgnmen<br />

will be on "The Sand Pebbles." which Wis<br />

will produce and direct for 20th-Fox lati<br />

this year. Maguire's last film with Kazai<br />

was "America America." released b;<br />

Warners.<br />

Big Pie Cut for Ascap<br />

From Western Edition<br />

LOS ANGELES — Ascaps 1963 grOB<br />

revenue was $37,798,908. of which $30.<br />

585.428 is being divided among 7,092 mem<br />

ber writers and 2.312 publishing firms, re<br />

ported George Hoffman, treasurer. He wa<br />

here to confer with west coast members<br />

JLoWtAMlA<br />

VfJi:^<br />

BOONTON, N. J.<br />

LQrge Cor*<br />

Grcalar Cratar Area<br />

MAXIMUM LIGHT<br />

In<br />

lllinon<br />

Univcriol Xenon tlcctronici, 4437 No Btoodwoy, Chicago<br />

Phone: 243-3330<br />

in Mitiouri— MUiourc Theatre Supply Compony, Konsot Cify—BoHimor*<br />

1-3070<br />

Notionol Thcolrc Supply, St Louii— Jettcnon )-«3S0<br />

BOXOFTICE ;; March 9, 196


I<br />

Big Orleans Saenger<br />

To Be Dual Theatre<br />

From Southeast Edition<br />

NEW ORLEANS—The Saenger Theatre,<br />

one of the south's most luxurious motion<br />

picture palaces, will be divided into two<br />

separate auditoriums, one upstairs and one<br />

down. The reconstruction started Wednesday<br />

after the Clay-Liston closed-circuit<br />

telecast in the theatre Tuesday night.<br />

The balcony was closed, but operation<br />

will continue in the downstairs section.<br />

Paramount Gulf Theatres, which operates<br />

the Saenger, has long considered making<br />

the showcase a dual theatre, and at one<br />

time hoped to have the remodeling done in<br />

time for "Cleopatra" in the upstairs section,<br />

which will be equipped for the showing<br />

of 70mm, roadshows and extended run<br />

films. However, this hope was not to be fulfilled:<br />

"Cleopatra" opened February 28 in<br />

the downstairs section, no reserved seats,<br />

two performances a day, at $1.35 to $2 for<br />

adults, children under II, $1 at all times.<br />

The Saenger, built in the 1920s by the<br />

late E. V. Richards and the brothers Julian<br />

and Abe Saenger. was opened Feb. 5, 1927.<br />

Walt Guarino, manager, said no names<br />

had been decided on for the two sections.<br />

The top theatre will seat 800 to 1.000,<br />

while the downstairs capacity will remain<br />

at 1,900. The entrance to the second floor<br />

will be on Rampart street, with escalators<br />

connecting with the second floor. The<br />

downstairs theatre will use the present boxoffice<br />

on Canal street.<br />

Video Theatres in Hugo<br />

Assigned to Geo. Robison<br />

From Southwest Edition<br />

HUGO. OKLA.—George W. Robison, a<br />

native of this town, became manager of<br />

the local Erie Theatre and Circus Di-ive-<br />

In February 15 following the resignation<br />

of George Davis.<br />

Robison, 33, formerly was administrative<br />

supply technician for the local National<br />

Guard unit for 12 years and has been in<br />

the Guard for 15 years. He is a graduate of<br />

Hugo High School and has completed<br />

three years of college, chiefly through<br />

night classes. He and his wife Lavella<br />

have two children, Mike, 8, and Cathy, 6.<br />

Davis, who had been with Video Independent<br />

Theatres for four years, left the<br />

local theatres to enter Army service for<br />

six months. Following the completion of<br />

his active duty, he plans to rejoin the<br />

.circuit.<br />

Ralph Nelson Manuscripts<br />

Added to Arts Archives<br />

From North Centrol Edition<br />

MADISON, WIS. — Memorabilia from<br />

producer-director Ralph Nelson's career<br />

will be added to the manuscript collection<br />

of the Wisconsin Center for Theatre Research<br />

at the University of Wisconsin.<br />

David M, Knauf, director of the center,<br />

announced that Nelson had accepted an<br />

linvitation to make a contribution from his<br />

personal collection to the archives which<br />

are available for scholarly study related to<br />

|the<br />

performing arts.<br />

Nelson's contributions will include his<br />

personal marked copy of James Poe's<br />

jscript for "Lilies of the Field," United<br />

Artists release and current Oscar con-<br />

'tender.<br />

AT DOUBLE SCREENING—Exhibitors from the middle west gathered at<br />

Chicago for screenings of Universal's "The Chalk Garden" and "Bedtime Story,"<br />

one in the morning and the other in the afternoon with a luncheon in between.<br />

Seen above in front of the Carnegie Theatre where the screenings were held are,<br />

left to right: Peter Rosian. regional sales chief; Harry Buxbaum. Chicago manager;<br />

Henry H. Martin, general sales manager; Harry Lustgarten, B&K Theatres<br />

chief buyer; David Wallerstein, B&K president; Milton Rackmil, Universal president,<br />

and Oscar Brotman, Brotman Theatres.<br />

Trend to Suburban Theatres in U, S,<br />

Begins to Reverse Itself in Boston<br />

From New England Edition<br />

BOSTON—The trend to exhibition in<br />

suburban areas and the opening of firstrun<br />

pictures in neighborhood theatres has<br />

apparently ended here. The opening of<br />

the first-run product in the suburbs, which<br />

was tried several times about a year ago,<br />

is now considered impractical.<br />

Big pictures, roadshow pictui'es with<br />

tickets pui-chased in advance, highly exploitable<br />

pictui-es and high rated art films,<br />

have brought the suburban dwellers back<br />

to the city for film fare.<br />

The move to suburbia has been halted,<br />

too, with the building of ultramodern<br />

apartment houses along the banks of the<br />

Charles river, a downtown swank apartment<br />

house going up right on Tremont, a<br />

downtown business street, and the Prudential<br />

Centre's two high rise apartment<br />

houses looming up.<br />

More intown theatres, too, have helped<br />

spell the end of the first-run suburban<br />

movement. In the past year, these new<br />

art houses have opened in the city: Cinema,<br />

Kenmore Square: Cinema, Park Square,<br />

and the Paris Cinema on Boylston street.<br />

Downtown theatres are always sold out<br />

on Saturday nights now, with lines, and<br />

there seems to be a concentrated movement<br />

on the part of the suburbanites to<br />

get back into town. Motion picture people<br />

thought just a short while back that suburbia<br />

would be taking over and there was<br />

talk about building new theatres in suburban<br />

locations for first runs, but only shopping<br />

centers were found to be feasible for<br />

such construction, surveys revealed.<br />

Showmanship of exhibitors in luring<br />

suburbanites out of their bedi'ooms (suburbs<br />

have been called Boston's bedrooms"<br />

by booking film fare they can't resist has<br />

been most effective as proven by the Friday<br />

night and Saturday night lines at<br />

all first-run downtown theatres showing<br />

well exploited product.<br />

"Lines" pictures now or recently playing<br />

in Boston are: "Tom Jones," Beacon Hill;<br />

"The Cardinal," Saxon; "Strait-Jacket,"<br />

Astor: "Charade," Memorial, and "The<br />

Easy Life," Exeter.<br />

"Only a strong array of big product<br />

will do it," says Boston's colorful showman<br />

Ben Sack, returned recently from a<br />

booking-buying trip with a list of big<br />

films for his five Hub houses.<br />

"We've got to beat TV, suburban stay<br />

home habits, like 'I just got home, I don't<br />

wanna drive back in town again,' pre-<br />

Broadway musical tryouts, weather and<br />

a host of other things, but if we can give<br />

them bigger than life type of pictures like<br />

'Tom Jones,' 'The Cardinal.' 'The Victors.'<br />

then, w-e'll make it." Sack declared.<br />

A most important factor in the "difference<br />

between average business and good<br />

business," Sack believes, is advance bookings<br />

of theatre groups. At Sack Theatres, a<br />

special department, headed by Leonard<br />

Barrack, handles gi-oup sales.<br />

"They start working way in advance<br />

of opening." Sack said. "They start as soon<br />

as I buy the pictuie. In that way. they<br />

have plenty of time to contact banks, insuiance<br />

companies, organizations, schools<br />

and churches.<br />

At the Music Hall, Sack's biggest theatre,<br />

4,400 seats, cultural attractions of<br />

the performing arts are being booked between<br />

pictures. The Metropolitan Opera<br />

Company comes to the Music Hall in April<br />

for a week and many concerts and dance<br />

groups are getting bookings at the big<br />

house.<br />

Don Partridge Is Feted<br />

HOLLYWOOD—Don Partridge, chief receptionist<br />

at Columbia's Gower Street<br />

studios, retired February 28 after 28 years<br />

of service at the front reception desk. He<br />

was honored at a party given him by the<br />

studio on the lot's Stage 2. Partridge came<br />

to Columbia one day in 1936 to have lunch<br />

with a friend, was offered the receptionist<br />

job, and has been there ever since.<br />

BOXOFFICE March 9, 1964 C-7


COUEGE<br />

IS BUSINESS*<br />

BEST<br />

FRIEND<br />

Business employs almost half of<br />

the product of colleges—the college<br />

graduate. Business management Is<br />

largely composed of college graduates.<br />

Business concerns benefit extensively<br />

from the research colleges<br />

engage in. Business owes college a<br />

great debt.<br />

Higher education is facing during the<br />

next decade greatly enlarged student<br />

enrollmenl.s, the problems of an explosion<br />

of knowledge, and the need<br />

to meet ever growing demands for<br />

ever better educated men and women.<br />

These problems involve va.stly increased<br />

costs which cannot be met<br />

out of present income.<br />

The operating cost of higher education<br />

today is over four and a half<br />

billion dollars a year and will at least<br />

double in this decade.<br />

Business and industry, as major beneficiaries<br />

of American higher education,<br />

must recognize a re-^^ponsibilily<br />

to contribute their fair share.<br />

American business corporations produce<br />

much of the nation's wealth.<br />

They have enormous power for good.<br />

We believe they can exercise it in a<br />

meaningful way — as many do now —<br />

by providing voluntary support for<br />

colleges and universities of<br />

choice.<br />

their<br />

These conclusions, and the following<br />

statement of conviction, were<br />

outcomes of a recent conference of<br />

business leaders sponsored in New<br />

York by the Council for Financial<br />

Aid to Education, Inc.<br />

'Of'<br />

MIOMIfl tOWCAttOM<br />

i(f<br />

We believe thai, in the liylit of the pre>>eHt<br />

urgency, now is the lime for a broader ami<br />

deeper participation by the business community<br />

in the support of higher education.<br />

We therefore call upon our colleagues in<br />

American business and industry to help<br />

KENNETH H. KLIPSTEIN.<br />

Ajneriean Cyanatnid Co.<br />

JOSEPH A. GR.\ZIER,<br />

Atiieriean Radiator & Standard<br />

Sanitary Corporation<br />

M. NIELSEN,<br />

The Babrock & WHeox Co.<br />

HARMON S. EBERHARD,<br />

Caterpillar Tractor Co.<br />

HAROLD H. HELM,<br />

Cheniintl Bank Sew York<br />

Trust Company<br />

F. W. MISCH,<br />

Chrysler Corporation<br />

FRANK O. H. WILLIAMS,<br />

Connerticut General Life<br />

Insurance Company<br />

WESLEY M. DIXON,<br />

Container Corporation of America<br />

THOMAS C. FOGARTY,<br />

ContiJiental Can Company, Inc.<br />

SAMIEL LENHEK.<br />

E. I.dii Pont de Semours & Company<br />

MARION B. FOLSOM,<br />

Kastman Kodak Company<br />

LEWIS B. CUYLER.<br />

First \'alional City Hank<br />

RALPH J. CORDINER,<br />

(Irnerat Electric Company<br />

LEONARD F. OENZ.<br />

Cicneral Foods Corporation<br />

t;KORunfit lor f'tiwiNrliil AU to KdueoUvm<br />

Aitvirtisiiiy Council and the Council for Finaticial Aid to Education.<br />

BOXOFFICE<br />

C-8<br />

BOXOFTICE :<br />

: March<br />

9. 196^


was<br />

.<br />

which<br />

Chorlotte,<br />

was<br />

which<br />

Switzer Group B Award<br />

Won by Charlie Brown<br />

ST. LOUIS—Winner of the Switzer<br />

Licorice Co. Group B sales award<br />

i<br />

for<br />

smaller territories i is<br />

Charlie Brown of<br />

Charlotte. N. C.<br />

whose sales territory<br />

consists of Virginia,<br />

North Carolina and<br />

South Carolina.<br />

As his award.<br />

Brown was given a<br />

trophy and a oneweek,<br />

expenses-paid<br />

trip to Los Angeles,<br />

where he and his wife<br />

Charlie Brown attended the Western<br />

Candy show. Brown<br />

was honored at a dinner at the Biltmore<br />

Hotel in Los Angeles.<br />

Headquarters for the Switzer Licorice Co<br />

are here at 621 North First St.<br />

Mariin Circuit Updating<br />

Marietta Belmont Theatre<br />

MARIETTA. GA.—The Belmont Theatre,<br />

which Martin Theatres recently purchased<br />

from James Ward, is to be remodeled<br />

and enlarged, according to circuit<br />

officials. The Belmont is located in<br />

the Belmont Hills Shopping Center.<br />

Also to be renovated throughout is the<br />

Marietta Strand, another Martin unit. The<br />

lobby is to be enlarged and modernized,<br />

public rooms now on the second floor will<br />

be relocated on the ground floor for the<br />

convenience of patrons, the auditorium<br />

and screen enlarged. In the circuits announced<br />

program of making the Strand<br />

"one of the finest theatres" in the country,<br />

the theatre will get a new marquee and<br />

new front.<br />

Updating Nearly Complete<br />

At Montgomery Paramount<br />

MONTGOMERY. ALA.—The Paramount<br />

Theatre is in the middle of an extensive<br />

remodeling, keeping its programs going<br />

daily while moving right along with the improvement<br />

work. George Deavours. city<br />

manager for Alabama Theatres, said that<br />

the Paramount will probably only need to<br />

be closed a day or two before a grand<br />

opening in April, The renovation started<br />

February 10.<br />

Deavours said that all seats will be renovated<br />

and leg room in the orchestra extended<br />

from 36 to 42 inches. There will be a<br />

new marquee, different entrance, completely<br />

changed lobby and concession area<br />

and a stage will be added. Walls in the<br />

auditorium also are to be completely draped<br />

to improve .sound.<br />

$178 Theatre Robbery<br />

KANNAPOLIS. N.C.— Burglars took $178<br />

from the manager's office at the Fine Arts<br />

Theatre. 99 West Main St,<br />

Young People Stay Away in Droves<br />

When Sick' Pictures Are Screened<br />

MIAMI— "More than ever, today it's the<br />

young people who are going to<br />

the movies,<br />

and if the producers heed what this vast<br />

group has to say, there will be no more<br />

sick' films." Herb Kelly of the Miami<br />

News wrote in a recent movie feature.<br />

"Audienscope, Inc., an organization<br />

which surveys the different facets of show<br />

business," continued Kelly, "turned its attention<br />

recently to secondary school and<br />

college students. They furnish the life blood<br />

to the boxoffice."<br />

The Audienscope sui'vey revealed, according<br />

to Kelly, that "when a picture,<br />

whether from Hollywood or abroad, turns<br />

to sick and unpleasant subjects just for<br />

the sake of sensationalism, the young men<br />

and women stay away in droves."<br />

SERIOUS FILMS ACCEPT.^BLE<br />

Kelly's article continues:<br />

The young people want more light comedy<br />

and they want identifiable characters<br />

and situations. They will accept serious<br />

movies, but they want them to be "thoughtprovoking."<br />

Foreign and domestic pictures<br />

are all right, too. but the mere fact that<br />

they were made in Italy. Sweden or France<br />

is no selling point. What are the actors<br />

trying to say and is it worth saying?<br />

That's what the young population demands<br />

to know.<br />

Students and others in the young class<br />

wonder why more films aren't made that<br />

deal with the many-sided aspects of college<br />

life. By that they don't mean something<br />

like those empty-headed Sandra Dee<br />

stories where youths and grownups act like<br />

jerks. Cinemascope, color and lovely wardrobe<br />

are attractive, but students want the<br />

subject matter to match the beauty. Young<br />

people have serious problems, regardless of<br />

what adults think. "The L-Shaped Room"<br />

and "David and Lisa" are prime examples.<br />

They were boxoffice smashes.<br />

POOR BOXOFFICE RECORDS<br />

Let's cite a few sick and far-out films that<br />

were disasters. "The Balcony. " ridiculed<br />

religion and made a joke of sexual<br />

perversion, was a bomb. "Viridiana." which<br />

was confusing and meaningless, had patrons<br />

demanding a refund of their admission<br />

price. "Last Year at Marienbad" played to<br />

almost empty houses. Now these are "art"<br />

movies and their appeal is limited. But<br />

the pattern is no different in the conmiercial<br />

film houses. "The Leopard" was beautiful<br />

but the point was vague. "Nine Houis to<br />

"<br />

Rama slow and uninteresting. Both<br />

films were gems of color and photography,<br />

but that wasn't enough to sell them.<br />

"Lilies of the Field" played to large<br />

crowds, yet a synopsis of it sounds absolutely<br />

dull. It was merely about a Negro<br />

ex-sergeant in the Army who meets five<br />

nuns and helps them to fix the shabby<br />

roof on their house. But it told the story<br />

of brotherly love with warmth and humor.<br />

"<br />

"Hud another hit because audiences<br />

could identify themselves with Paul Newman.<br />

Pat Neal and Melvyn Douglas in the<br />

everyday rat race where ethics and honesty<br />

go out the window. "Irma La Douce"<br />

was just a story about a prostitute and her<br />

business manager, but it had comedy and<br />

even some pathos and all of it was believable.<br />

And "Charade" stayed for weeks and<br />

weeks because it was light romance, suspense<br />

and laughter. It was bright.<br />

Movies are still our best and most widespread<br />

form of entertainment for all<br />

classes and the students survey merely<br />

proves what old heads in show business<br />

have known all along. There's nothing<br />

wrong with the movies that a good picture<br />

won't cure.<br />

Lifetime Pass Presented<br />

To Critic Frank Grosjean<br />

SHREVEPORT. LA.—Frank Grosjean.<br />

veteran reporter for the Shreveport Journal<br />

who retired January 1 after 42 years<br />

of service, was presented February 26 with<br />

a Ufetime pass to the Strand and Saenger<br />

theatres by Ted Hatfield, manager of the<br />

two theatres. Hatfield said it was the first<br />

lifetime theatre pass ever issued by his<br />

circuit.<br />

Grosjean, correspondent here for <strong>Boxoffice</strong><br />

and a member of the National<br />

Screen Council, covered motion picture developments<br />

for the Journal throughout his<br />

association with that newspaper. He received<br />

his first theatre pass in 1915 from<br />

the late E. V. Richards jr., manager of the<br />

Saenger Theatre, one of the city's first<br />

film houses. Richards later was head of a<br />

circuit that included the Saenger. the circuit's<br />

headquarters being in New Orleans.<br />

Grosjean first started writing movie<br />

news for his father's paper. The Caucasian,<br />

which went out of business in 1926. His column<br />

for the Caucasian was titled "Film<br />

"<br />

Facts. was also the title of a column<br />

he wrote later for the Journal, along<br />

with other amusements items covering the<br />

local theatres.<br />

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Even'y Distributed<br />

in Georgia— Rhodes Sound & Projecfion Service, Savannah—ADoms<br />

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rn North Corolino— Stondord Theatre Supply, 215 E. Washington St.,<br />

Greensboro, N.C.—BRoadwoy 2-6165<br />

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BOXOFFICE :: March 9. 1964 SE-1


Konioi<br />

. . Sumiy<br />

. The<br />

Tedder.<br />

JACKSONVILLE<br />

T iiiil.i SlriiiRtT. coiiu'ly concessions altund-<br />

;int lU the suburban EdKewood Theatre,<br />

was crowned queen of a centennial celebration<br />

held at the George Washington<br />

Hotel marking the 100th anniversary of<br />

the Battle of Olustee, the only major battle<br />

of the Civil War fought on Florida soil.<br />

Confederate forces were credited with winning<br />

the battle in a wooded area near<br />

Jacksonville. Art Castner. manager of the<br />

Edgewood who is a New York Yankee, excused<br />

Linda from work so she could help<br />

celebrate the Confederate victory.<br />

Many local Filmrow figures attended the<br />

grand opening of Smith Management's<br />

new Seminole Cinema, located between<br />

Sanford and Winter Park, the evening of<br />

February 25. On screen was the area premiere<br />

of "Cleopatra." After the opening.<br />

Sam Seletsky. Smith Management official<br />

from Boston, returned the visit by calling<br />

at Filmrow offices . . . The local Tomlinson<br />

Co.. owned by John Tomlinson. is now<br />

booking the new Dolphin Drive-In which<br />

is<br />

located at Freeport in the Grand Bahama<br />

Cold Drink<br />

Dispensers<br />

ROY SMITH CO.<br />

365 PARK ST. JACKSONVILLE<br />

RCA and Brenkert<br />

Parts Available Thru Us<br />

THE QUEEN FEATURE SERVICE, INC.<br />

1912


HIGHEST CAPACITY RATING (200) FROM<br />

BOX-OFFICE* FOR NEW YORK OPENING<br />

AT WORLD THEATRE!<br />

(*BOX-OFFICE ISSUE OF FEB. 24fh)<br />

First<br />

SET A NEW<br />

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HIGH AT<br />

THE WORLD<br />

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AN EARTHY, WICKED<br />

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...andlVIURDER!<br />

Novr<br />

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EXHIBITORS, NOTE:<br />

May we suggesf<br />

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OS o companion feature?<br />

Which<br />

girl<br />

will<br />

be the<br />

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THE MODEL?<br />

THE WILD CO-ED?<br />

THE NICE GIRL?<br />

THE TROLLOP?<br />

Aik about<br />

these two<br />

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Recommended for ADULTS ONLY<br />

• All accessories available from Donald B. Velde, 3 1 1 W. 43 St.. N. Y. 36, N. Y.<br />

"PAGAN HELLCAF *<br />

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VICTORIA FILMS, Inc. 144W.57St.,N.Y.19'PLaza7-B980' Jean Goldwurm, President • IRVING SOCHIN, Sales Director. Felix Bilgrey, Secretary Counsel<br />

Sam and/or Steve Davis<br />

INDEPENDENT FILM<br />

DISTRIBUTORS<br />

133 Luckie St., N.W.,<br />

Atlanta, Georgia, 30303<br />

404—524-7579<br />

404—524-7580<br />

Don Kay<br />

DON KAY ENTERPRISES<br />

150 So. Liberty St.,<br />

New Orleons, La.<br />

504—5250765<br />

504—529-3012<br />

Harry Kerr<br />

DOMINANT PICTURES<br />

221 So. Church St.,<br />

Charlotte, N.C.<br />

704—334-1391<br />

704—334-3321<br />

BOXOFFICE March 9. 1964 SE-3


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The International chair line gives<br />

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IGO Taylor Street, Nashville. Tenn.—Tel. CHapol 2-2581<br />

Tom Jones' Strikes<br />

Fancy in Memphis<br />

MEMPHIS—Two first runs did 250 perl<br />

cent of avoraKi" biLsiness for the week, one!<br />

a newcomer to Memptil.s and the other t|<br />

'<br />

i<br />

holdover for a .second week. "Tom Jones"<br />

attracted 2ii0 per cent business at the Pal-'<br />

ace In Its Initial week, while "Mans Pa-j<br />

vorite Sport?" ran up 250 per cent durhiR<br />

its second week at the Strand, only al<br />

few points behind its first week.<br />

'Avofaqe 1% 100,'<br />

Guild— Knitc in the Wolcr Kan^who). 2nd wk. .. 75'<br />

Maico- The Mitodvcnlurc* of Merlin Jonei IBV),<br />

|<br />

Disneyland After Dork BV). 2nti wk 125,<br />

Polocc- Tom Jonci UA-Lopert) 2S0'<br />

Ploza— Move Over, Oorlinq '20th-Fox) 125|<br />

Stole— Love With the Proper Stranger (Poro) 200<br />

Strond- Mon's Fovoritc Sport? Univ), 2nd wk. , .2S0l<br />

Wnrnor Soldier in the Roin AA), 2nd ~k Ml<br />

M E MPHI S<br />

\A7ith the coming of March and moderate|<br />

weather in this area, a number ofj<br />

drive-ins and some theatres, closed during|<br />

bad weather, are reopening for the season.<br />

Mrs. Genevieve Lovell. owner, reopened<br />

her Lake Drive-In at Sardis. Miss.. March<br />

6. Owner Jack Braunagel reopened his<br />

Dixie Drive-In at Hope. Ark.. March 6 and<br />

Exhibitors Services announced that the<br />

Skylark Drive-In at Pocahontas. Ark., reopened<br />

March 7. Jack LeMaster has reopened<br />

his Globe Theatre at Drew, Miss.<br />

Savannah moviegoers are moving outdoors<br />

for the summer. The Savannah Theatre<br />

will close March 9 and Skyvue Drlve-<br />

In, Savannah, opens March 10. Exhibitors<br />

Services announced.<br />

The Better Films Council announced<br />

thai "Tom Jones " is its adult movie ot]<br />

the month choice and "Kings of the Sun"|<br />

as the family movie of the month. MrsJ<br />

Cleve Read is film reporter.<br />

Leon Rountree. Holly. Holly Springs: MTj<br />

and Mrs. Bert Bays. Grenada. Grenada,<br />

and Theron Lyles. Ritz. Oxford, were<br />

among visiting Mississippi exhibitorsj<br />

Amelia Ellis. Prayser Drive-In. Frayser:i<br />

and Louise Mask. Luez. Bolivar, were<br />

visiting from Tennessee. From Arkanaasi<br />

came Ann Hiitchins. State. Corning: andi<br />

L. F. Haven. Imperial. Forest City.<br />

A NY 'Weekend' Deal<br />

HOLLYWOOD—Emanuel Barling, president<br />

of Cinema-Video International, has<br />

signed a contract with Thomas E. Rodgers<br />

of Trans-Lux Theatres and Bernard<br />

Brandt of Brandt Theatres for "Weekend."<br />

Brandi will refurnish and redecorate thel<br />

Globe Theatre on Broadway for the open-l<br />

ing. The Danish award-wiiuier will open<br />

al the Trans-Lux on 52nd street and the<br />

Globi' in mid-April.<br />

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I free<br />

I<br />

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promotion<br />

'<br />

I<br />

I<br />

j<br />

East<br />

I<br />

lespie<br />

I<br />

'<br />

;<br />

recently<br />

I<br />

13<br />

!<br />

"<br />

. . Jack<br />

—<br />

. .<br />

.<br />

.<br />

CHARLOTTE<br />

1<br />

T ulu Porter, dancing star in Universal's<br />

"The Brass Bottle." is in the Charlotte<br />

exchange area helping presell the film which<br />

opens at Consolidated Theatres' Plaza Friday<br />

1. She came in February 27 to begin<br />

a heavy schedule of personal appearances<br />

continuing through March 14. Exploitation<br />

stunts reminiscent of the roaring<br />

'20s were set up for Miss Porter by<br />

David Kane, Universal publicity manager,<br />

including press luncheons, invitational<br />

cocktail parties in conjunction with the<br />

March 13 grand opening of the Charlotte<br />

Chr.vsler-Plymouth Corp., and a parade of<br />

TV celebrities and beauty queens from<br />

towns and cities of both Carolinas. Following<br />

the parade, the new Chr.vsler-Plymouth<br />

company will be host for free hot dogs,<br />

soft drinks and balloons. For the first time<br />

in history, children under 12 will be given<br />

rides on a "magic flying carpet<br />

(known to its inventor as an airmobile<br />

which he once navigated across the Mississippi<br />

riven flying about a foot off the<br />

ground.<br />

beauty contest selecting "Miss Bras.s<br />

will be held, the winner receiving<br />

a one week, all-expense-paid trip to the<br />

New York World's Fair. A limerick contest<br />

for "The Brass Bottle" will reward<br />

its winner w'ith a two-week, all-expense-paid<br />

trip to the fair while other contestants<br />

share prizes consisting of 400 appliances.<br />

Miss Porter, other exotic dancers<br />

and "the magic carpet" will also visit Columbia<br />

and Greenville, S. C, and Fayetteville.<br />

Raleigh. Durham. 'Winston-Salem and<br />

Greensboro, North Carolina.<br />

Several managerial changes have been<br />

made in Consolidated theatres. Jackie<br />

Pearce was transferred from the East 70<br />

Drive-In. Burlington, to the North 220<br />

Drive-In. Asheboro. Leroy June moved<br />

from the Starlite. Spartanburg. S. C, to the<br />

70 at Burlington, Mrs. Carolyn Gilis<br />

the new manager at the Starlite<br />

in Spartanburg.<br />

I Everett Olsen, former Paramount exploiteer<br />

in the Charlotte office and more<br />

at Paramount's Dallas exchange,<br />

stopped by to visit old friends on his way<br />

FILMACK'S NEW 1964<br />

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FRANK LOVntY . . . TOMMY WHITE<br />

PHONE n. 5-7787<br />

to the Paramount home office in New York,<br />

where he has been assigned after four<br />

years in Dallas.<br />

Scott Lett, Howco vice-president, returned<br />

from a New York business trip . .<br />

.<br />

Viola 'Wister of Howco spent a w^eekend<br />

with her parents in Marion, then attended<br />

the state Republican convention February<br />

27, 28 in Greensboro as a delegate.<br />

Senator Barry Goldwater was one of the<br />

speakers.<br />

Irene Monahan of Howco spent a weekend<br />

in Charleston, S. C, where she went<br />

especially to attend the capping ceremony<br />

of her niece, Mary Veronica Cleaver, a<br />

student nurse at St. Francis of Xavier Hospital<br />

. Malone, Howco shipper, has<br />

returned to work after a tonsillectomy .<br />

Mr. and Mrs. Harry Cooke, Center Theatre,<br />

Mount Olive, have a new grandson.<br />

He was born on Valentine Day to their<br />

daughter and son-in-law. Dr. and Mrs.<br />

Miles Britt, Norfolk, Va. The baby has<br />

been named John Miles Britt III.<br />

Projects approved by WOMPIs at their<br />

February meeting included providing bingo<br />

prizes and entertainment for the Crittenton<br />

Home, buying books for retarded children at<br />

Wilmore School and working in the coffee<br />

shop at Presbyterian Hospital. Miss Willie<br />

Lloyd, a student of religious education at<br />

Pfeiffer College, was chosen as recipient of<br />

a $200 WOMPI scholarship for 1964. Sylvia<br />

Lambert, finance chairman, announced<br />

that proceeds from a chili supper and<br />

white elephant sale March 5 at the Piedmont<br />

Natural Gas Co. would go to the<br />

WOMPI charity fund. A comedy skit commemorating<br />

Washington's birthday w-as<br />

given by the Sling-Shot Mountaineers<br />

Doris Furr, Dessie Guyer. Ruth Collins and<br />

Rose Hutton, all of Columbia, with Jeanette<br />

Royster, Buena Vista, as emcee.<br />

New Manchester Drive-In<br />

May Open in Mid-April<br />

MANCHESTER, TENN.— Completion<br />

the 530-car drive-in two miles north of<br />

here on Highway 41 is expected around<br />

mid-April if weather permits, according to<br />

J. S. Cardwell of Sparta, general manager<br />

and secretary-treasurer of the Mid-Tennessee<br />

Amusement Co.<br />

The circuit, headed by Ernest Martin of<br />

Winchester, also owns the Arnold Drive-<br />

In on Highway 55 as well as theatres in<br />

Sparta, McMinnville, DeKalb, Smithville,<br />

Dayton and Lawrencebui'g.<br />

Martin Sends Chuck Yawn<br />

To Strand, Athens, Tenn.<br />

ATHENS. TENN.—Charles "Chuck"<br />

Yawn, a native of Florida, is the new manager<br />

of the Strand Theatre, assigned here<br />

by Martin Theatres, the operating circuit.<br />

Yawn comes here from Alabama where he<br />

had served w-ith Martin units .several years.<br />

Yaw'n follows Oscar Swain in the local<br />

post. Swain having resigned to accept a<br />

position with Associated Theatres of Cleveland<br />

as city manager of that circuit's thi'ee<br />

Youngstown, Ohio, drive-ins. Swain had<br />

been manager here only a few months.<br />

Updating in New London<br />

From Eastern Edition<br />

NEW LONDON. CONN.—Stanley Warner<br />

plans extensive remodeling of the firstrun,<br />

downtown Garde.<br />

of<br />

Every Week<br />

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ALL Of THESE PRACTICAL<br />

SERVICE DEPARTMENTS<br />

ADLINES AND EXPLOITIPS<br />

*<br />

EXHIBITOR HAS HIS SAY<br />

*<br />

FEATURE BOOKING CHART<br />

*<br />

FEATURE REVIEW DIGEST<br />

& ALPHABETICAL INDEX<br />

*<br />

REVIEWS OF FEATURES<br />

SHORT SUBJECT CHART<br />

*<br />

SHOWMANDISING IDEAS<br />

And in fhe News Section<br />

BOXOFHCE BAROMETER<br />

Service That Serves!<br />

.<br />

BOXOFFICE March 9. 1964 SE-5


. . Gulf<br />

. . Lorraine<br />

. . Buford<br />

. . The<br />

J<br />

NEW ORLEANS<br />

UtTb Ik-niiiii, MGM division manaRer, assisted<br />

by Tpiiy Tuiner. hosted exhlbllois<br />

and radio-TV lepiesentatives In this aien<br />

at sciceninRs and presentations for Children<br />

of the Damned. Seven Faces of Dr.<br />

Lao. Rhino, Golden Arrow. Seven Gladiators<br />

and Mail Order Bride. They are<br />

slated for radio-TV saturation campaigns.<br />

Also present were H. A. Arata. local MGM<br />

manager: Andy Sullivan. MGM home office:<br />

Tom Baldridge and Judson Moses.<br />

Atlanta: Arthur Harnett, free-lance publicist<br />

and advertising man here.<br />

T. G. Solomon. Jim DeNevc and Louis<br />

Dwyer attended the Show-A-Rama VII<br />

convention in Kansas City . States<br />

Theatres has added the Tringas in Fort<br />

P<br />

Walton and the Florida Drive-In at Shaliniar.<br />

Fla.. taking over from Tringas Theatres.<br />

Gulf States closed the Ocean City<br />

Drive-In.<br />

Exhibitors in town included Preacher<br />

Crossley. Laurel. Mis-s.: Mrs. Aubrey Lasseigne.<br />

Berwick: Frank DeGraauw. Abbeville;<br />

Doyle Maynard. Natchitoches: Bill<br />

Darce and wife. Morgan City; Herb Hargroder.<br />

Hattiesburg: Gordon and Randolph<br />

Ogden. Baton Rouge: Jack Minckler.<br />

Bogalusa: W. E. Limmroth. Mobile: Ira<br />

Olroyd. Frankhn. and Fred Williams. Baton<br />

Rouge . Moss has succeeded<br />

Betty Murray on the Exhibitors Cooperative<br />

Service staff.<br />

Henry Glover and wife. Largo. Fla.. ex-<br />

n<br />

hibttors. on their way to Kansas City for^<br />

the Show-A-Rama convention, stopped^<br />

here for the funeral of Joe Fabacher. re-i<br />

tired AA salesman . Lyric In Mc-I<br />

Comb, a T. G. Solomon property which ha&<br />

been dark for months, was reopened by ai<br />

new lessee .<br />

Styles Is a sales rep«j<br />

resentative for Emba.ssy Pictures, headH<br />

quartered at Atlanta, where James Frew<br />

is the Embassy manager. ^j<br />

The first of a series of fashion promo*<br />

tion by Designer Travilla for MGM't<br />

"Signpost to Murder" took place February<br />

27 in Alexandria. The studio shipped<br />

Joanne Woodward's Travilla wardrobe<br />

from the film to the .southern city for a<br />

charity fashion show which was attended<br />

by approximately 2.000 social, style and<br />

civic leaders. The theme of the show wa^<br />

"Murder in Fashion" with TVavilla addressing<br />

the group and explaining the transformation<br />

of a couturiers top designs Intc<br />

motion picture fashions. He also showed hit<br />

latest spring collection, exhibiting portrait<br />

stills of Miss Woodward wearing the new<br />

styles.<br />

. . . Exhibitors<br />

WOMPIs entertained the ladies of 8t<br />

Annas Home at a game social recently<br />

The motif of the party was in keeping<br />

with St. Valentine's Day. Participating<br />

were Marie C. Berglund. Eugenie Copping<br />

Betty Ogden. Lillian Sherick. Martha<br />

Froeba. Margaret Gabosh. Claire Rita<br />

Stone, and Charlotte Niemeyer<br />

calling on the trade included<br />

Claude Bourgeois. B&D Theatres. Biloxl:<br />

Charles Waterall sr. and jr.. Alabama theatre<br />

operators: Phillip Salles, Covington<br />

and A. J. Colletti. his wife and young son<br />

Michael. Star. Jeanerette, whose first stop<br />

was at Theatre Owners Service.<br />

.•\ctor Joseph Gotten and his wife Patricia<br />

Medina headed the cast of "Sever<br />

Ways of Love" at the Municipal Auditorium<br />

Saturday and Sunday i7, 8'.<br />

{|<br />

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in flavor, in sales, in profits<br />

Here's the ade-type beverage that has created the kind of buying action and reaction<br />

needed to build sales volume and profits. Why? Because it has a refreshing,<br />

invigorating flavor that satisfies a customer's desire for a thirsl-qucnching drink.<br />

1 Cramores Dri-Syrup beverage mix off'ers you more than volume building taste<br />

qualities, too. It is easy to prepare, easy to serve and is packaged in easy-io-store<br />

portion-packed, foil-lined bags. You simply add the contents to water in your<br />

dispenser, cool and serve. T Fortified with Vitamin "C", Cramores<br />

Dri-Syrups are available in ten popular flavors— orange, lemon,<br />

pink lemon, lime, grape, orange-pineapple, fruit punch, cherry,<br />

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' See why Cramores is in<br />

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CRAMORE PRODUCTS, INC.<br />

Point Pleasant Beach. New Jersey<br />

'*^^^<br />

W^ ^<br />

Joe Fabacher, Retired<br />

t<br />

Film Salesman, Is Dead ^<br />

NEW ORLEANS—Joseph J. Fabacher<br />

salesman for Allied Artists 18 years until<br />

his retirement some time ago. died shortly<br />

after he became ill while viewing televlslor<br />

at his home on Tuesday evening recently<br />

He was 66. He was the son of Petei<br />

Fabacher sr., a pioneer exhibitor here<br />

Joseph started his film career when 16, a<br />

career interrupted only by World War I<br />

service.<br />

A requiem mass was offered at Matei<br />

Dolorosa Church. Survivors include hli<br />

wife Elizabeth, a daughter Mrs. Anthony<br />

Pigalio jr.. three brothers and two sisters<br />

One brother Peter jr. is a projectionist at<br />

the RKO Orpheum.<br />

Tucson. Syracuse First<br />

To See 'Cleo' on 35mm<br />

HOLLYWOOD—First showings of 20th-<br />

Fox's "Cleopatra" in the 35mm Cinema-<br />

Scope prints occurred February 26 at the<br />

Catalina Theatre, Tucson, and a house In<br />

Syracuse. NY. ahead of the general April<br />

release of the 195-minute version to cities<br />

that are not playing the Todd-AO prints.<br />

Seats were not reserved but the policy<br />

was "scheduled performances," with dally<br />

showings at 2 and 8 p.m<br />

1<br />

SE-6 BOXOFTICE March 9. 19«4


I<br />

he<br />

,<br />

would<br />

I<br />

Identical<br />

'<br />

—<br />

><br />

MIAMI<br />

production of the Columbia Pictures release.<br />

"Wonders of Miami and Miami<br />

Beach," started in New York at Kennedy<br />

International Airport recently—in a snowstorm.<br />

The opening sequence of the<br />

musical "travelark," depicting the outstanding<br />

features of this area, focused on<br />

tourists heading for fun in the sun in<br />

Miami Beach as they boarded an Eastern<br />

Air Lines jet. The scene has now shifted to<br />

this area when segments of the film will<br />

be shot at the Hialeah race course.<br />

A columnist has quoted a helpful correrespondent<br />

who suggests that theatres<br />

designate in their ads for imported films<br />

which language is used in the version they<br />

are about to show. The correspondent related<br />

that he had read a review of "Three<br />

Fables of Love" which said that English<br />

subtitles were used along with the original<br />

French dialog. Yet, when the correspondent<br />

caught the picture at Wometco's Parkway<br />

the evening after reading the review,<br />

ran into a badly dubbed version.<br />

"A good many film buffs," wrote the<br />

correspondent, "prefer foreign films in<br />

their native tongue with added titles. If<br />

you, through your column, might persuade<br />

Wometco to indicate in its ads which theatres<br />

are showing the film with titles only<br />

and which have the English soundtrack, it<br />

be appreciated by a good many of<br />

j<br />

us."<br />

Liston's Stand Stops<br />

Orleans Telecast<br />

NEW ORLEANS—Both Loew's State and<br />

'the Saenger Theatre canceled the telecast<br />

of the Sonny Liston-Cassius Clay<br />

heavyweight bout the night before the<br />

event. The cancellation was made shortly<br />

after Liston's public statement that he<br />

would not stand for piping a telecast of<br />

his title defense at Miami Beach into any<br />

theatre that had racially segregated seating.<br />

statements from the management<br />

of both theatres in local newspapers<br />

stated: "In view of Sonny Liston's feelings<br />

expressed over the weekend and the<br />

laws of Louisiana, which we are advised<br />

are incompatible, we regret the closed<br />

circuit telecast of the Liston-Clay championship<br />

fight has been canceled . . . Tickets<br />

sold will be refunded at the boxoffice.<br />

The only place in this area which folilowed<br />

through as contracted to telecast<br />

the fight was in the Municipal Auditorium<br />

where segregated seating has been outlawed<br />

by a recent ruling by a federal judge.<br />

However, for a week the New Orleans Philharmonic-Symphony<br />

Society and the New<br />

Orleans Boxing Club were in a hassle<br />

whether or not the telecast could be presented.<br />

The symphony, which has engaged<br />

a portion of the Auditorium, contended<br />

that the telecast would conflict<br />

with its symphony performance.<br />

Judge David Gertler of the civil district<br />

court, after a hearing of a case brought<br />

into court by symphony society, ruled that<br />

the telecast would go on as scheduled under<br />

certain conditions: that the symphony<br />

should start its performance an horn- or so<br />

earlier like they did during the staging of<br />

the Carnival balls, so that the doors of the<br />

other side of the auditorium could open<br />

at 8:15 p.m. to admit the fight fans as<br />

scheduled. But, declared Judge Gertler,<br />

no vending would be allowed in the fight<br />

seating area or in hallways before 9 p.m.,<br />

the expected time for the end of the concert<br />

and the beginning of the fight. The<br />

judge also issued a preliminary injunction<br />

against further auditorium conflicts<br />

with the symphony's current lease, .set to<br />

run through April 7.<br />

Another incident, in relation with the<br />

telecast of the fight, was the attempt of<br />

three Negro college coeds to be admitted<br />

to Loew's State Theatre on Saturday<br />

night. They were arrested on charges of<br />

refusing to move away from the cashier's<br />

window. The three ranged in age from 20<br />

to 22.<br />

After their arrest, a spokesman for the<br />

Congress of Racial Equality said CORE<br />

sent telegrams to boxers Sonny Liston and<br />

Cassius Clay asking them to refuse to allow<br />

the televised broadcast of their heavyweight<br />

title fight in segregated movie theatres?<br />

Kennedy Memorial Films<br />

Being Chosen by Stevens<br />

From New England Edition<br />

BOSTON — George Stevens jr.,<br />

motion<br />

picture director for the U.S. Information<br />

Agency, will have the assignment of compiling<br />

the "Oral History" section of the<br />

proposed John P. Kennedy Memorial Library<br />

to be built here on Harvard University<br />

land.<br />

A series of booths, in which visitors will<br />

press a button to see and hear any of<br />

the late President Kennedy's speeches delivered<br />

in the U.S. and abroad, is envisioned.<br />

Material will come from miles of<br />

film amassed by USIA and countless spools<br />

of video tape being compiled by the National<br />

Ass'n of Broadcasters.<br />

A full theatre within the library, where<br />

planned and continually changing programs<br />

on the Kennedy lifetime can be<br />

presented, is also envisioned. The USIA<br />

had begun preparing a Kennedy documentary<br />

film before the November 22 assassination,<br />

but the job of selecting films<br />

and tapes from all other sources will be a<br />

long and painstaking one.<br />

Video Tape Facilities<br />

Bought by Armistead<br />

From Western Edition<br />

HOLLTWOOD — Sale of International<br />

Production. Inc., video tape equipment and<br />

facilities to Mark Armistead Television has<br />

been announced by Bob Brandt, IPI president,<br />

and Mark Armistead of the purchasing<br />

firm.<br />

This acquisition by Armistead makes it<br />

the largest and most complete independent<br />

video tape facilities company in the world,<br />

its equipment now Including three black<br />

and white mobile recording units, a color<br />

mobile unit and complete broadcast studio<br />

facilities at the Steve Allen Playhouse.<br />

Armistead. which acquired Allied Artists<br />

studios two weeks ago. is converting the AA<br />

studios into a video tape center.<br />

IPI will maintain its international video<br />

tape division as a creative production and<br />

programing unit utilizing rented tape facilities.<br />

It has elected the following board<br />

of directors: Brandt, Richard M. Rosenbloom,<br />

Allen Shaw, Clarence E. Fleming<br />

jr.. Dr. George L. Coleman, William G.<br />

Cooper and William P. Wallace.<br />

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30X0FFICE March 9, 1964 SE-7


THIS S^ACC CONTRlBiiTCO IV THC PUBLIbHCR At A PUBLIC aCNVirr<br />

Tomorrow, scientists may discover the cause of leukemia.<br />

! But today we need your help.<br />

The American Cancer Society is devoting more research<br />

money to leukemia than to any other form of cancer.<br />

Many difTerent possibilities are being explored — viruses,<br />

anticancer drugs, early diagnosis, imniunology, bone<br />

marrow transplantation.<br />

Progress is being made. Lives are prolonged by many<br />

months, sometimes by years, wiih drugs and other therapy.<br />

I he course of leukemia has been slowed and even<br />

temporarily halted<br />

AMERICAN CANCER SOCIETY<br />

BOXOFFICE<br />

by chemicals and blood transfusions.<br />

And today there is hope. Many research scientists<br />

believe that the next major breakthrough may be against<br />

eukcniia. Hut much more could and should be done —<br />

now. This will lake money — lots of money.<br />

Your dollars will help speed the day of victory. Please<br />

give generously. .Mail your check to CANCER, c/o<br />

your local post olVice.<br />

SE-8 BOXOmCE March 9, 196-


,<br />

payable<br />

'<br />

•<br />

^<br />

member<br />

! up<br />

I<br />

I<br />

•<br />

1 a<br />

I<br />

when<br />

An income protection plan providing<br />

regular monthly income to the exhibitor<br />

he is disabled due to illness or accii<br />

I<br />

,<br />

pay<br />

I<br />

fixed<br />

I<br />

employe<br />

'<br />

•<br />

'<br />

reviewed<br />

i<br />

i<br />

for<br />

I<br />

tives<br />

j<br />

Co.<br />

,<br />

at<br />

Accident-Health Plan<br />

For COMPO Members<br />

DALLAS— Members of Texas COMPO.<br />

their families and employes are eligible<br />

to apply for extensive accident and health<br />

coverage at a substantial savings under<br />

an association plan now in effect. Kyle<br />

Rorex, executive director of Texas COMPO.<br />

said the plan will be highly beneficial,<br />

especially for the independent exhibitor<br />

who will be able to apply for dependable<br />

and broad coverage at a price similar to<br />

that now enjoyed only by multiemploye<br />

companies. The exhibitor can choose one<br />

or more of the six basic plans which will<br />

be offered. Available is a hospital indemnity<br />

plan providing up to $750 a month<br />

for as long as 12 months:<br />

A catastrophe hospital plan with a deductible<br />

feature to protect the exhibitor<br />

against catastrophic hospital bills<br />

to $10,000 for himself and each member<br />

of his family.<br />

dent.<br />

• A basic hospitalization plan providing<br />

from $8 to $25 per day room and board.<br />

• An overhead expense plan which would<br />

up to $1,000 a month to help meet<br />

expenses such as rent, heat, utilities.<br />

salaries, etc. when the exhibitors<br />

i is disabled by accident or sickness.<br />

And finally, an accidental death program<br />

with benefits available as high as<br />

$200,000.<br />

Several plans by various companies were<br />

and the one selected is to be<br />

underwritten by Fireman's Fund Insurance<br />

Co. Harrison Del Rose, insui'ance counselor<br />

Texas COMPO in Dallas, will serve<br />

as liaison agent between exhibitor and<br />

insurance company. Rorex said representaof<br />

the Fireman's Fund Insurance<br />

will call on Texas exhibitors personally<br />

to explain the details of the program.<br />

To be eligible to obtain the association<br />

rates the participant must be a member of<br />

Texas COMPO.<br />

North Richland Hills<br />

Site of New Theatre<br />

NORTH RICHLAND HILLS, TEX.—Civic<br />

leaders, including the mayors of North<br />

Richland Hills. Richland Hills and Haltom<br />

City, participated in ground-breaking ceremonies<br />

for an indoor motion pictm'e theatre<br />

at the Richland Plaza Shopping Center.<br />

Construction cost of the theatre is<br />

estimated at $250,000.<br />

Thompson P. Magee. executive promotional<br />

director of the shopping center,<br />

said the theatre will be built on the present<br />

parking area adjacent to the Montgomery<br />

Ward & Co. facility.<br />

COMPO of Tex., Formed<br />

In 1951 Joins TOA Ranks<br />

DALLAS — The 800-theatre Texas<br />

COMPO. which was organized in 1951 by<br />

circuit and independent exhibitors to stage<br />

the big "Movietime in Texas," has joined<br />

ranks with Theatre Owners of America.<br />

The affiliation, voted by the board here,<br />

was announced Tuesday 1 i<br />

3 the Show-<br />

A-Rama convention in Kansas City by<br />

John Rowley. TOA president, and a member<br />

of the Texas COMPO executive board.<br />

•Texas COMPO. perhaps the last of the<br />

big state organizations without national<br />

affiliation, will continue to maintain its<br />

local identity while performing tasks involving<br />

both exhibitor and general industry<br />

problems on the national level," Kyle Rorex.<br />

executive secretary said.<br />

The late R. J. O'Donnell and H. A.<br />

"Colonel" Cole, who then represented TOA<br />

and Allied States, respectively, served as<br />

cochairman of the Movietime in Texas<br />

campaign and headed efforts to make the<br />

organization permanent. In addition to<br />

these two, the original board included Karl<br />

Hoblitzelle. Interstate Theatres president:<br />

Edward H. Rowley. Rowley United Theatres;<br />

H. J. Griffith. Frontier Theatres:<br />

Phil Isley, Isley Theatres: Julius Gordon,<br />

Jefferson Amusement Co.. and the late<br />

Claude Ezell and Henry Griffing.<br />

Texas COMPO supplied an important<br />

part of the leadership and procedure in<br />

the early part of the national exhibitor<br />

campaign that brought relief on the federal<br />

admissions tax. and subsequently played<br />

major roles in obtaining concessions on<br />

three occasions in the Texas admissions<br />

tax. finally bringing it to the same level<br />

as the federal levy.<br />

"In the last few years, Texas COMPO<br />

has been successful in its attempt to discourage<br />

misguided censorship legislation<br />

that could have hobbled Texas exhibitors,"<br />

Rorex related. Other legislative activities<br />

have alleviated some of the occupation<br />

taxes and brought about a substantial adjustment<br />

in fire insurance rates for Texas<br />

exhibitors."<br />

For ten years state and Congressional<br />

lawmakers in Texas have been given Texas<br />

COMPO passes at Christmas, good for admission<br />

to any of the more than 800<br />

Texas theatres.<br />

Texas COMPO has maintained an ac-<br />

CHOIci^f SHOWMEN EVERYWHERE<br />

FOR SPECIAL<br />

MOTION<br />

PICTURE<br />

SERVICE<br />

TRHILERS<br />

Address your neit order to<br />

125 Hyde St. San Froncitco<br />

five speakers bureau from the start,<br />

which<br />

has sent industry speakers to practically<br />

every town in the state to address civic<br />

groups at length on the merits of a motion<br />

picture theatre in community life.<br />

Successfully sponsored by Texas COMPO<br />

were the Oscar Race campaigns staged<br />

nationally to stimulate interest in the<br />

Academy Awards pictures and stars; also<br />

the Drive-In Theatre Week of a few years<br />

ago.<br />

Several years ago Texas COMPO began<br />

publishing picture rating reports of<br />

the Texas Motion Picture Board of Review,<br />

and today furnishes these classifications<br />

on all feature motion pictures coming<br />

into the Texas exchange area. This service<br />

is used not only by Texas COMPO members<br />

but also by many newspapers, periodicals,<br />

civic, church and school groups in<br />

Texas and surrounding states.<br />

The present board is headed by Hoblitzelle<br />

as chairman: John Q. Adams. Interstate:<br />

John H. Rowley, H. J. Griffith. William<br />

O'Donnell and Earl Podolnick. with<br />

Paul Short representing the executive<br />

board. O'Donnell heads Cinema Arts Theatres<br />

and Podolnick heads Trans-Texas.<br />

On the executive committee are Kenneth<br />

Blackledge. Dub Blankenship. Harold<br />

Brooks. Bruce Collins. T. A. Collins. H. A.<br />

Daniels. Frank Dowd. Rubin S. Frels. Ed<br />

V. Green. Syd Hall jr.. Harold Hodge. R.<br />

J. Payne. Phil Isley. C. D. Leon. W. E.<br />

Mitchell. Al Reynolds. Maggie Scott. Bill<br />

Slaughter. Lynn Smith sr.. Sam Turner<br />

and Raymond Willie.<br />

Texas COMPO maintains its headquarters<br />

at 20013-A Young St.. Dallas, with a<br />

branch office at 406 Perry-Brooks Bldg. in<br />

Austin. Kyle Rorex has served as executive<br />

director since the start. Sue Benningfield<br />

has been the secretary for 12 years,<br />

and John D. Reed, general counsel, heads<br />

the Austin office.<br />

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. . H.<br />

. . Evelyn<br />

Buchanan<br />

DALLAS<br />

John II. Rowley, pit'sldi'iit. annouiicfd<br />

Rowley Uiiiled Thi»aln>s has taken over<br />

the Hampton Road Drive-In here after Us<br />

purchase from C. D. Leon. Stanley Warner<br />

has been operatniK the drlve-in for several<br />

years. Rowley said the Hampton Road<br />

would be under the supervision of John<br />

A. Callalian. who is city manager over<br />

the Texas. Wynnewood and Vogue theatres<br />

of the Oak Cliff area. Plans are<br />

under way to put the drive-in in first<br />

class condition and it will run the best<br />

product available for drive-ins in this<br />

area.<br />

The picture was produced by Howard<br />

Ted Lewis Booking Agency i<br />

I<br />

jh 4703 No. Ccnfrol Exprcsiwoy^ 5, nf<br />

'Ui»s«^-* ^3*? «oy Dallas S, Taxot Christie and stars Brian Keith, Robert<br />

'i<br />

Culp and Judi Meredith.<br />

Brays father. Robert C. Houston. Burial<br />

was in San Antonio. He is survived by his<br />

wife, a son and two daughters .<br />

were happy to see Myrtle Kitts. secretary<br />

of Local B53 on the Row. She has been<br />

confined to her home with arthritis for<br />

quite sometime. She dropped by the exchanges<br />

to say hello to friends who have<br />

sent her cards and w-ords of encouragement<br />

throughout her illness.<br />

Around the first of April the shipping<br />

and inspection of Allied Artists will be<br />

shifted to the Universal shipping and inspection<br />

department. The employes now at<br />

Mose Wootcn. head shipper at Paramount,<br />

was proudly passing out candy they will move to Universal or retire from<br />

Allied Artists have not yet decided whether<br />

Friday in celebration of the birth of his<br />

the industry . Neeley of Weisenburg<br />

Theatres left Tuesday for Kansas<br />

new son named Darrin Wade.<br />

City to attend the Show-A-Rama where<br />

Sympathy to Mr. and Mrs. Lew Bray of she hopes to pick up ideas for futiu'e use<br />

Harlingen in the recent death of Mrs. during the Texas Drive-In Theatre Owner's<br />

Ass'n conventions held here each<br />

year B. "Buck " returned<br />

from Oklahoma City where he had<br />

been a week booking with Video and other<br />

You, too, can laugh<br />

circuit offices.<br />

ail the way to the bank Ed Holliday Gets Initial<br />

Managerial Assignment<br />

From Southeast Edition<br />

FORT SMITH—It's Manager Ed Holliday<br />

now at the Temple Theatre, where he<br />

had served as a management trainee for<br />

several months. Holliday succeeded to the<br />

manager's desk February 15. when the<br />

former manager, Dave Porter, took over<br />

his own new .iob as city manager for Gulf<br />

Theatres in Pensacola, Fla. Porter had<br />

served at the Temple helm for several<br />

years.<br />

by using BOXOFFICE S<br />

Holliday said the Temple policy and<br />

quality<br />

Clearing House for<br />

would remain the same as when<br />

Porter was in charge.<br />

BUYING-SELLING-TRADING<br />

Pension Plan Director<br />

new or used equipment.<br />

Seeking Beneficiaries<br />

From Western Edition<br />

HOLLYWOOD — The Producers-Writers<br />

Guild of America Pension Plan, administered<br />

by Andrew B. MacDonald. is seeking<br />

beneficiaries of eight deceased members<br />

Projection Equipment Repaired<br />

Exp«rt M«chanic»—Work GuorQnte«d<br />

and is asking help to locate them.<br />

Replacement Parts For—BRENKERT- The late members are Scott W. Darling.<br />

SIMPLEX-CENTURY &<br />

Harvey Gates, David Hertz, Ethel Hill.<br />

MOTIOGRAPH<br />

Thomas Job, Wilfred H. Pettitt, Raymond<br />

LOU WALTERS Sales & Service Co. Schrock and Edmond Seward jr.<br />

4207 Lownrlcw Av«., Oalloi 27, Taiu<br />

Switched to Theatres<br />

Prom Western Edition<br />

HOLLYWOOD — "The Plainsman,'<br />

May We Help You?<br />

filmed as a television pilot by Revue, has<br />

been switched to release as a theatrical feature<br />

by Universal and goes into local dis-<br />

"Satisfaction Guaranteed"<br />

phone LA 8-6302 or write<br />

tribution under the title of "The Raiders."<br />

Kennedy War Drama<br />

^<br />

Back to Theatres<br />

H()1,LVW(j(jU I'l 109. the Warner<br />

Bros, picture drama aljout John F. Kennedy's<br />

wartime adventures, will return to<br />

distribution March 19 at 16 theatres In<br />

the Dallas and Houston areas.<br />

Engagements elsewhere will follow during<br />

March, April and May.<br />

Warner Bros, withdrew the picture from<br />

distribution on the day the President was<br />

assa.ssinated at Dallas. The Technicolor-<br />

Panavision film originally was relca.s


HIGHEST CAPACITY RATING (200) FROM<br />

BOX-OFFICE* FOR NEW YORK OPENING<br />

AT WORLD THEATRE!<br />

(*BOX-OFflCE ISSUE OF FEB. 24th)<br />

firs*<br />

SET A NEW<br />

ATTENDANCE<br />

HIGH AT<br />

THE WORLD<br />

THEATRE<br />

NEW YORK<br />

Mow<br />

II<br />

PSYCHO<br />

MANIA"<br />

TOPS<br />

EVEN<br />

THAT<br />

RECORD!<br />

EXHIBITORS, NOTE:<br />

May we suggest<br />

*WILD FOR KICKS'<br />

OS a companion feature?<br />

AN EARTHY, WICKED<br />

SHOCKER about<br />

unnatural emotions,<br />

uninhibited passions<br />

...andlVIURDER! «<br />

Which<br />

girl<br />

will<br />

be the<br />

next<br />

VICTIM?<br />

THE MODEL?<br />

THE WILD COED?<br />

THE NICE GIRL?<br />

THE TROLLOP?<br />

Ask about<br />

these two<br />

Moneymakers<br />

V<br />

ALSO<br />

STARRING<br />

SHEPPERD STRUDWICK<br />

A VICTORIA FILMS RELEASE<br />

JEAN HALE LORRAINE ROGERS" MARGOT<br />

HARTMAN-KAY ELHAROI<br />

•<br />

SYLVIA MILES<br />

•<br />

PRODUCED BY DEL lENNEY- DIRECTED BY RICHARD L MILLIARD<br />

Recommended for ADULTS ONLY<br />

• All accessories available from Donald £. Ve/de, 3 1 1 tV. 43 St.. N.Y. 36. N.Y.<br />

> "PAGAN HELLCAF • "VIOLATED PARADISf<br />

VICTORIA FILMS, Inc. 144 W. 57 St., N.Y.19' Plaza 7-6980 -Jean Goldwurm. President. IRVING SOCHIN, Sales Director . Felix Bilgrey, Secretary Counsel<br />

Jack Walton<br />

TEXSTATE PICTURES<br />

412 So Norwood St.,<br />

Dallas, Texas<br />

214— R I 7-9692<br />

'XOFFICE :: March 9, 1964<br />

SW-3


OKLAHOMA CITy<br />

The Sonny I.istun-Cassius Clay imhl pictures<br />

opened here on the day after<br />

the fisticuff encoiiiUer in the Midwest and<br />

Warner theatres, operated by Stanley<br />

Warner Management Co.. Paul Townsend<br />

resident manager. The picture was screened<br />

at the Midwest for exhibitors and distributors.<br />

The closed-circuit showing at<br />

the Municipal Auditorium drew almost a<br />

capacity crowd and sports writers reported<br />

the TV pictures were all that they were<br />

cracked up to be. including the loud outbursts<br />

of Clay after he was declared the<br />

winner by a TKO at the beginning of the<br />

seventh round.<br />

.Another theatre closed several years has<br />

been reopened. Bill Edmonston has sold<br />

YOUR COMPLETE<br />

EQUIPMENT HOUSE<br />

CENTURY<br />

DEALER<br />

SUPPLIES<br />

EQUIPMENT<br />

CONCESSION<br />

SUPPLIES<br />

FULLY EQUIPPED<br />

REPAIR DEPARTMENT<br />

OKLAHOMA THEATRE SUPPLY CO.<br />

628 West Grand Ave. TelepKone: CE «-869l<br />

Oklahoma City 2, Okla.<br />

i^k^fortke<br />

at the<br />

THE<br />

WORLDS<br />

FINEST<br />

THEATRES<br />

RB.Y ON<br />

HURLEY<br />

SCREENS,<br />

RIGHT SCREEN<br />

RIGHT PRICE?<br />

SUPEROPTICA<br />

Lnlkulaltd pearl ur/sce<br />

SUPERGLO<br />

Nonltntkahtti ptorl uittoc*<br />

MATTE WHITE<br />

orl quoltrr p'OjCCrton. real economic<br />

See fout tndcpcndcnr theatre<br />

lopplf


—<br />

—<br />

——<br />

and<br />

——<br />

'Sunday in New York'<br />

Minneapolis Leader<br />

MINNEAPOLIS—The Academy Awards<br />

nominations meant stepped up business for<br />

"Tom Jones." 160 at the World, and "Love<br />

With the Proper Stranger." 140 at the<br />

Lyric, over last week's returns, but the<br />

eyebrow-raiser along Hennepin avenue was<br />

the Gopher's "sleeper," "Sunday in New<br />

York," which zoomed to the top of the<br />

heap with a 200 count in its second week.<br />

"Dr. Strangelove" debuted solidly at 150 at<br />

the Mann and "How the West Was Won"<br />

kept rolling along steadily at 180 per cent.<br />

(Average Is 100)<br />

Century Cleopotro (20th-Fox), 36th wk 80<br />

Cooper— How the West Wot Won (MGM-<br />

Cinerama), 51 St wk ] 80<br />

Gopher— Sunday in New York (MGM), 2nd wk. . .200<br />

Lyric Love With the Proper Stronger (Para),<br />

3rd wk 140<br />

Mann Dr. Strangelove (Col) 1 50<br />

Orpheum Dead Ringer (WB) 90<br />

St. Louis Park Seven Days in Moy (Para), 3rd wk. 120<br />

State Moil Order Bride (MGM) 100<br />

Suburban World, Campus Knife in the Water<br />

(Konawtia) 95<br />

World Tom Jones (UA-Lopert), 2nd wk 160<br />

Holdovers Register Gains<br />

At Omaha Theatres<br />

OMAHA—It was a week of holdovers<br />

right down the line and all held up well.<br />

In fact, a couple of offerings showed<br />

gains. City Manager Don Shane said the<br />

two Tri-States circuit theatres, the Orpheum<br />

and Omaha, did well with the Liston-Clay<br />

fight closed circuit program. The<br />

Orpheum was 99.9 per cent sold out and<br />

the Omaha about 60 per cent. The Indian<br />

Hills Cinerama Theatre receipts climbed<br />

in the 39th week of "How the West Was<br />

"<br />

Won the Cooper had a bigger third<br />

week than its second with "Sunday in<br />

New York.<br />

Admiral Tom Jones (UA-Lopert), 2nd wk 300<br />

Cooper Sunday in New York (MGM), 3rd wk 110<br />

Indian Hills How the West Was Won (MGM-<br />

Cineramo), 39tti wk 210<br />

Omaha Man's Favorite Sport? (Univ), 3rd wk. ..115<br />

Orpheum Seven Days in Moy (Para), 2nd wk. ..110<br />

State The Misadventures of Merlin Jones<br />

(BV), 2nd wk 150<br />

"Merlin Jones' Star of Week<br />

In Three Milwaukee Theatres<br />

MILWAUKEE—"The Misadventures of<br />

Merlin Jones" drew exceptional grosses in<br />

every house it played but was a sellout at<br />

the neighborhood Point Theatre for every<br />

performance. With one exception, all theatres<br />

reported average or better for the<br />

week.<br />

Cinema I It's o Mod, Mod, Mad, Mod World<br />

(UA-Cinerama). 10th wk. .<br />

300<br />

Cinema II Love With the Proper Stranger<br />

(Para), 3rd wk ]00<br />

Downer Nurse on Wheels (Janus) 150<br />

Oriental Show Boot (MGM), reissue 2nd wit 100<br />

Polace, Point, Moyfair The Misadventures of<br />

Merlin Jones (BV) 260<br />

Riverside Sunday in New York (MGM) . . . 165<br />

SIrond Cleopatra (20th-Fox), 33rd wk 125<br />

Times Light Fantastic (Embassy) )00<br />

Tower Tiaro Tohiti (Zenith), 2nd .<br />

wk 75<br />

Townc Seven Doys in May (Para) 1 75<br />

Warner—Dead Ringer (WB) 100<br />

95 -Year-Old Minneapolis Doorman<br />

Setting Records for<br />

MINNEAPOLIS—Patrons of the Minnesota<br />

Amusement Co. Lyric Theatre here<br />

are regularly greeted by a doorman who is<br />

unique in the business in more respects<br />

than one—not the least of which is<br />

Charles Cobb's age, 95 years.<br />

Lyric Manager Bob Carr, Charlie's employer<br />

and friend, is quick to point out that<br />

Cobb holds a regular, responsible, fulltime<br />

position as doorman and is furthermore a<br />

conscientious and exemplary employe. "I<br />

can set my watch by Charlie's arrival at<br />

the theatre every morning at 10. and he's<br />

never been late." he reports.<br />

Despite his years. Charlie Cobb is a<br />

relative newcomer to the theatre business,<br />

beginning his present career as theatre<br />

employe at the advanced age of 85 when<br />

with Maco at the old Radio City Theatre.<br />

Prior to his Maco employment, Charlie<br />

worked at a number of jobs, primarily as<br />

a telegraph operator for a stock broker, a<br />

position he held for 23 years until he became<br />

one of the earliest victims of automation<br />

with the full advent of the tickertape<br />

machine in 1937.<br />

A native of Lawrence, Mass.. Charlie's 55<br />

years in Minnesota have made him an enthusiastic<br />

midwesterner along with his wife<br />

of nearly 60 years. The couple are moviegoers<br />

as well, often getting out to the pictures<br />

for an evening's entertainment, and<br />

both found "The Ten Commandments"<br />

their alltime favorite film.<br />

Charlie's plans for continued employment<br />

extend into the indefinite future, and<br />

he intends to remain on the job as long as<br />

he is needed. In that he enjoys meeting<br />

the public and finds his job pleasant, he<br />

would recommend the movie business to<br />

anyone looking for a future—even 85-<br />

year-olds.<br />

Asked the standard question of sprightly<br />

oldsters—the secret of his longevity and<br />

Punctuality<br />

i^w<br />

ACE Elects Norm Colbert<br />

HOLL'YWOOD — Norman Colbert has<br />

been elected vice-president of the American<br />

Cinema Editors by the board of directors<br />

to fill the unexpired term of Phillip<br />

Anderson, who resigned to go to Africa<br />

as supervising editor on UA's "Mr. Moses."<br />

Robert Belcher was named to replace<br />

Colbert.<br />

Paramounfs "The Patsy" stars Ina<br />

Balin. Greorge Raft, Keenan Wynn. Peter.<br />

Lorre. John Carradine and Phil Poster.


. . Charles<br />

"Sergeant<br />

Grandpa<br />

. . Mr.<br />

•^.-";<br />

D E S<br />

MOINES<br />

l^an the Flit Guns, Men! The Beatles Are<br />

Coming! Satiiiday il4i has been<br />

set aside as "music appreciation day" here,<br />

when the Beatles, the Beach Boys and Leslie<br />

Gore all are coming to town via the<br />

"magic" of closed-circuit TV. Two shows<br />

at the KENT Theatre are scheduled at the<br />

strange hours of 11:30 a.m. and 1:30 p.m..<br />

and the admission is two bucks. Somehow,<br />

can't ever recall as a teenager going for<br />

anything as horrid as the Beatles. Guess<br />

I was too busy eating goldfish at the time.<br />

Once upon a time—30 .years ago— there<br />

were three very courteous young ushers<br />

employed at the Uptown Theatre in Minneapolis<br />

They were good friends but each<br />

finally hung up his flashlight and went<br />

out into the world to seek his fortune. And<br />

just recently the three—Jerry Bloedow<br />

i\Vest-Vue Drive-In at Des Moines i. Richard<br />

Simmons<br />

i<br />

Preston of the<br />

Yukon 'I and Bob Mowen i realtor at Pomona.<br />

Calif. —got together for some<br />

1<br />

reminiscing that went 'way around the<br />

clock. The reunion was at "Sergeant<br />

Preston's place." not in the frozen Yukon<br />

but in sunny California. The event was the<br />

highlight of Jerry and Mrs. Bloedow's sixweek<br />

winter vacation in the southwest.<br />

Three of the w'eeks were spent at Apache<br />

Junction. Ariz., and Jerry would qualify as<br />

a public relations man for this desert vacation<br />

spot. It was Bloedow's fourth visit<br />

there in four years.<br />

Additional Nostalgia Department: The<br />

Rialto at Port Etodge is undergoing a facelifting<br />

and so far there has been found in<br />

the wall: one adult admission ticket for<br />

26 cents and one 1939 golf ticket for Leo<br />

Peterson, a Central States manager of<br />

some time ago. We're waiting for them to<br />

uncover a giant 'Wurlitzer or at least the<br />

white bouncing ball.<br />

Walter .Alien of Maquoketa has purchased<br />

the Bel-Air Drive-In at Davenport from<br />

George Dinelli of Peru, 111. Allen, who also<br />

operates the Corral Drive-In at Molinc.<br />

plans some renovating at the Davenport<br />

spot . Callgiuri, Paramount's<br />

chieftain here, spent a share of the week in<br />

Omaha and Lincoln.<br />

in the way of "live" theatre here. Amoni;<br />

the coming attractions at KRNT Theatre:<br />

Allen Sherman, the satire genius:<br />

"How to Succeed in Business Without Even<br />

Trying." heel clicker Jose Greco, alas, and<br />

the local boxoffice moneymaker. Ferlin<br />

Husky.<br />

Ivooking for Something? Don't know' if<br />

Jim McKnight, exhibitor at Oelwein, ever<br />

found the wooden Indian he wanted for "4<br />

for Texas." At the time, we mentioned the<br />

Des Moines Art Center as a possible aid<br />

for a Bureau of Ml.ssing Wooden Indians.<br />

Now it is announced that the Art Center<br />

is trying to track down a suit of armor and<br />

a mummy! Any leads?<br />

Second Mlinar Gets<br />

Marquee Billing<br />

CRESCO. IOWA—Michael Kim Mlinar<br />

was the second member of his family in<br />

five years to receive top billing at the<br />

Cresco Theatre. His brother Mark, now 5,<br />

and a veteran, received the same marquee<br />

"treatment" when he arrived in 1959. Appearing<br />

on the marquee was this: "Premiere<br />

Showing. Wed. Jan. 29 at 8:14 a.m.<br />

Michael Kim Mlinar."<br />

Although both young men deserve the<br />

honor, it probably helped that their dad<br />

Keith owns the Cresco Theatre. Michael<br />

Kim was born January 29. The "premiere"<br />

announcement went up shortly thereafter<br />

and remained for a week. It brought lots<br />

of comment and congratulations from all<br />

citizens in this city of 4.000.<br />

Michael Kim's early enti-y into "showbusiness"<br />

comes as no surprise. He's third<br />

generation ! Jo.seph Mlinar has<br />

been an exhibitor for 41 years at Spring<br />

Valley. Minn. The elder Mlinar has the<br />

State Theatre there, and according to son<br />

Keith, was his "tutor" in the theatre business<br />

until Keith crossed the Iowa-Minnesota<br />

border ten years ago and took over<br />

the Cresco filmhouse.<br />

and new seats and making other im-<br />

OMAHA<br />

"Merlin" and "Tom," the Jones boys, were<br />

in their second week here at the Orpheum<br />

"<br />

and IngersoU. "Sunday in New York was<br />

a month at the Capri and "Seven Days in T E. Macke planned to get the Mullen Theatre<br />

at Mullen. Neb., back into operation<br />

May" stayed on for a second week at the<br />

Paramount ... A bunch of the Iowa exhibitors<br />

went to Kansas City for Show- been closed for a long period . . . Harmon<br />

the first of this month. The theatre has<br />

A-Rama VII and their comments will be Grunke has had his projectors and booth<br />

recorded upon return.<br />

equipment all worked over at Quality Theatre<br />

Supply and is rearing to go at the<br />

March finds a varied bill of fare on tap<br />

O'Neill Drive-In . . Fine w-eekend weather<br />

had all the drive-in boys itchy and many<br />

probably will get underway .soon, particularly<br />

in view of the fact that the extremely<br />

light snowfall this winter has left<br />

HLMACK'S NEW I9C«<br />

DRIVE-IN the grounds In good shape.<br />

CATALOGUE<br />

The newly remodeled Ritz Theatre at<br />

Cambridge opened the last day of the<br />

NOW<br />

0^<br />

READY! month and is .scheduled for two changes a<br />

Th« Th«otr« Induttr^S BibU week, on Thursday-Friday-Saturday and<br />

on How To Moll* Money Sunday. Monday-Tuesday basis. The Cambridge<br />

Clarion gave the Ritz a big sendoff<br />

Selling M«rchont Adt, Con><br />

catiiont. ond Ticket Selling<br />

'<br />

i.m:tin Ideoi Free on Requett.<br />

with a four-column spread on its first page<br />

and reported how Mr. and Mrs. Roberts<br />

nuNACK nuuLn ce. and their son Bob had spent many hours of<br />

t»7 ft. WAUftH - CMKACO S. HI. MA f-iH labor painting, polishing, mstalling a new-<br />

-<br />

floor<br />

provements. The Roberts family recently<br />

purcha.sed the theatre from C. A. Phillips.<br />

Other work Includes a rebuilt natural gas<br />

furnace, cooling system, new ticket booth,<br />

new lobby tile. Philippine mahogany paneling<br />

at the rear of the auditorium and completely<br />

reconditioned projection equipment.<br />

The new- owners are planning to redecorate<br />

the outside of the building in the spring.<br />

Denman Kountze jr., the Omaha World-<br />

Herald movie critic, received a "Thanks.<br />

Mr. Kountze" in 60-polnt type at the top<br />

of a Dundee Theatre ad for his review of<br />

"Billy Liar." but the rest of the ad was<br />

not quite so complimentary. Beneath the<br />

big headline proclaiming thanks, the ad<br />

continued "for your nice article on 'Billy<br />

Liar' even though it w-as lost in your Friday<br />

column. We are reprinting it word for<br />

word, for the benefit of tho.se moviegoers<br />

who didn't wade through a personal dissertation<br />

on your thoughts of Walter Mltty<br />

and for those who don't look on the television<br />

and radio page for your guidance on<br />

films." In his lead Kountze opened with<br />

"The latest Mitty-esque adventure is<br />

called 'Billy Liar' " and closed with an objective<br />

analysis of the movie.<br />

Herman Gould, former partner, in the<br />

Center Drive-In Theatres who has been<br />

visiting in Omaha from his retirement spot<br />

in Florida, was among a group from here<br />

who attended Show-A-Rama VII in Kansas<br />

City. Hei-man has a bunch of key<br />

rings he has been selling for the benefit<br />

of the Will Rogers Memorial Hospital,<br />

where he -spent considerable time a few<br />

years ago for treatment . and Mrs.<br />

Edgar Becker and his wife of the Hi-Vue<br />

Drive-In at Hartington were in town preparing<br />

for their opening.<br />

Nebraska Foundation<br />

Tax Question Raised<br />

LINCOLN—The state tax cauldron which<br />

has been bubbling under heated stirring by<br />

many hands of recent years received a<br />

vigorous sw-irling by state senator Terry<br />

Carpenter of Scottsbluff last week.<br />

The legislator said he had requested an<br />

attorney general's opinion on the taxability<br />

of foundations, such as the Cooper<br />

Foundation in Lincoln and the Eppley<br />

Foundation in Omaha.<br />

The Cooper Foundation has theatres in<br />

a number of states, including de luxe Cinerama<br />

situations in Omaha. Denver. Minneapolis<br />

and Oklahoma City.<br />

The Scottsbluff senator also asked the<br />

legislative council to obtain a list of all<br />

foundations in Nebraska and the taxexempt<br />

intangible holdings of these<br />

organizations.<br />

Most foundations claim tax exemption<br />

of cash and securities because of their<br />

educational and charitable activities.<br />

A perennial i.ssue in the strite has been<br />

whether Nebraska should broaden its tax<br />

base to include a sales and or income tax.<br />

An amendment was approved by voters<br />

which would make it mandatory drop to <<br />

the state property tax levy should a sales |<br />

tax and Income tax or both be adopted.<br />

i<br />

Britain's singing group, the Beatles, are<br />

spotlighted in a feature article in Seventeen<br />

magazine stating that their first motion<br />

picture will be for United Artists, with<br />

its release scheduled for August.<br />

NC-2 BOXOFFICE March 9, 1964


HIGHEST CAPACITY RATING (200) FROM<br />

BOX-OFFICE* FOR NEW YORK OPENING<br />

AT WORLD THEATRE!<br />

f*BOX-OfF;CE ISSUE OF FEB. 24th)<br />

First<br />

SET A NEW<br />

ATTENDANCE<br />

HIGH AT<br />

THE WORLD<br />

THEATRE<br />

NEW YORK<br />

Mow<br />

w<br />

PSYCHO-<br />

MANIA"<br />

TOPS<br />

EVEN<br />

THAT<br />

RECORD!<br />

EXHIBITORS, NOTE:<br />

May we suggest<br />

•WHO FOR KICKS"<br />

OS a companion feature?<br />

AN EARTHY, WICKED<br />

SHOCKER about<br />

unnatural emotions,<br />

uninhibited passions<br />

...and MURDER!<br />

Which<br />

girl<br />

will<br />

be the<br />

next<br />

VICTIM?<br />

THE MODEL?<br />

THE WILD CO-ED?<br />

THE NICE GIRL?<br />

THE TROLLOP?<br />

Ask about<br />

these two<br />

Moneymakers<br />

X<br />

SKHOMUNIA<br />

A VICTORIA FILMS RELEASE<br />

ALSO<br />

STARRING<br />

SHEPPERD STRUDWICK<br />

JtAN HALE -LORRAINE ROGERS- MARGOT<br />

HARTMAN'KAY ELHAROT • SYLVIA MILES<br />

•<br />

PRODUCED BY DEL lENNEY- DIRECTED BY RICHARD L MILLIARD<br />

Recommended for ADULTS ONLY<br />

• All accessories available from Donald E. Velde, 3 II IV. 43 St.. N.Y. 36. N.Y.<br />

> "PAGAN HELLCAF • "VIOLATED PARADISE"<br />

VICTORIA FILMS, Inc. 144W. 57Sl,N,Y.19'PLaza7-6980' Jean Goldwurm, President. IRVING SOCHIN, Sales Director • Felix Bilgrey, Secretary Counsel<br />

Joe Loeffler<br />

LOMAC DISTRIBUTING<br />

1000 Currie Ave.,<br />

Minneapolis, Minn.<br />

612— FE 2-6633<br />

CO.<br />

>XOFFICE March 9. 1964<br />

NC-3


Wesley<br />

'<br />

MILWAUKEE<br />

Hll was in r


—<br />

—<br />

—<br />

'Sirangelove' Jams<br />

Cleveland Traffic<br />

CLEVELAND—Not before has an ait<br />

house picture caused traffic jams but that's<br />

what has been occurring around the<br />

Heights and Westwood theatres, one on the<br />

east side, the other on the west, since they<br />

started showing "Dr. Strangelove." "Seven<br />

Days in May" was also in the high percentage<br />

brackets with 200 in its second<br />

week at the State Theatre.<br />

(Average Is 100)<br />

Allen Dead Ringer (WB) 95<br />

Cinema<br />

Mon in the Middle (20th-Fox),<br />

2nd wk Not Established<br />

Colony America America (WB) 1 50<br />

Continental Good Soldier Schweik (SR), 2nd wk. 90<br />

Heights, Westwood Dr. Strangelove (Col) 575<br />

Hippodrome The Misadventures of Merlin<br />

Jones (BV), 2nd wk 90<br />

Ohio Tom Jones (UA-Lopert), 2nd wk 225<br />

Palace It's a Mod, Mad, Mod, Mod World<br />

(UA-Cinerama), H th wk 175<br />

State Seven Days in May (Para), 2nd wk 200<br />

"Seven Days' Averages 210<br />

In Three Cincy Area Theatres<br />

CINCINNATI—Considering that the motion<br />

pictm-e business was contending with<br />

an unusual number of live attractions, attendance<br />

in first-run theatres was fairly<br />

good. "Tom Jones" in its third week at<br />

the Times followed closely by newcomer<br />

"Seven Days in May" playing three suburban<br />

houses, headed an interesting and<br />

varied bill.<br />

Albee 4 for Texas (WB), 2nd wk 85<br />

Ambassador, Oakley Drive- In; Madison, Covington,<br />

Ky. Seven Days in Moy (Pora) 210<br />

Capitol— It's o Mad, Mod, Mod, Mod World<br />

(UA-Cineramo), 1 1 th wk 1 75<br />

Esquire, Hyde Park To Bed ... Or Nof to Bed<br />

(Cont'l) 100<br />

Grond Cleopotra (20th-Fox), 36th wk 80<br />

Guild War of the Buttons (Bronston) 130<br />

Keith The Cardinal (Col), 3rd wk 100<br />

Palace Sundoy in New York (MGM), 2ncl wk. .100<br />

Times Tom Jones (UA-Looert), 3rd wk 300<br />

Valley Dr. Strangelove (Col) 200<br />

No Quickie Dayton Okay<br />

To Antenna TV System<br />

COLUMBUS—The "gross injustice perpetrated<br />

on the public" by community antenna<br />

system franchises may be curbed by<br />

action of the FCC, forecast Ken Prickett,<br />

executive secretary of the Independent<br />

Theatre Owners of Ohio. It is reported<br />

that the FCC views the Dayton, Ohio, controversy<br />

over CATV has some aspects of a<br />

test case. The FCC is developing its policy<br />

on the community antenna situation.<br />

Chairman E. William Henry of the FCC<br />

met recently with Mayor Frank R.<br />

Somers of Dayton and Dayton city commissioner<br />

Robert L. Schell. After the<br />

meeting, Somers and Schell said that Dayton<br />

officials will delay their decision on an<br />

application by the Miami Valley Broadcasting<br />

Corp. for a CATV franchise until<br />

the FCC acts on a microwave application<br />

for the broadcasting corporation.<br />

The Dayton commission in January<br />

tabled a franchise application from the<br />

corporation by vote of 3-2. Chairman<br />

Henry said the FCC would begin consideration<br />

soon for the microwave application.<br />

He said he had no idea when a decision<br />

may be reached. It is understood that the<br />

FCC is negotiating with the broadcasting<br />

industry and CATV promoters on legislation<br />

to clarify the agency's jurisdiction over<br />

community antenna systems.<br />

Mayor Somers, in agreement with<br />

Prickett. said; "CATV is, without a doubt,<br />

a foremnner of pay TV. One of our concerns,<br />

besides taxes and use of city streets<br />

and utility poles for their cables, is protecting<br />

the existing stations in Dayton and<br />

the people who cannot afford CATV."<br />

Somers said that it may not be economically<br />

feasible for Miami Valley<br />

Broadcasting to establish CATV if its<br />

microwave application is rejected by the<br />

FCC. The mayor said he discussed the<br />

situation with officials of American Telephone<br />

& Telegraph. They said they will<br />

not allow use of AT&T cables for pay TV<br />

but would permit such use by CATV.<br />

Prickett said that "there is clear indication<br />

that these outfits are going into<br />

towns and getting franchises with no idea<br />

of paying the city for the privilege." He<br />

criticized the "quickie" method of passage<br />

of emergency legislation in Wauseon and<br />

Napoleon before anyone could study the<br />

proposals. Prickett said the Dayton case<br />

is important because that community is<br />

the largest city to date in which CATV<br />

promoters have attempted to set up cable<br />

systems.<br />

The Wauseon and Napoleon franchises<br />

were granted to Direct Channel Associates,<br />

Inc. of Stow, Ohio, after a one-day consideration<br />

and passage of the franchise<br />

ordinance.<br />

Prickett praised the successful fight in<br />

Dayton to table the CATV ordinance conducted<br />

by Carl Rogers, manager of Loews<br />

Theatre: Ansel Winston, RKO city manager;<br />

Bob Keyes, manager of the Victory<br />

Theatre and officers of the projectionists<br />

and stagehands unions.<br />

'Tom Jones' 250 Standout<br />

Among Detroit Offerings<br />

DETROIT—The terrific opening of "Tom<br />

Jones ' at the Trans-Lux Krim ran 250.<br />

head and shoulders ahead of anything else<br />

in town. "The Cardinal." in its seventh<br />

week at the Madison, was i-unner-up with<br />

130.<br />

Adams The Misadventures of Merlin Jones<br />

(BV), 2nd wk 100<br />

Fox—A Yonk in Viet-Nom (AA); Cry of Bottle<br />

(AA) 95<br />

Grond Circus A Globol Affoir (MGM); Life in<br />

Donger (AA)<br />

] ]q<br />

Madison The Cardinal (Col), 9th wk. ......... \30<br />

Mercury Chorode (Univ), 7th wk Not Available<br />

Michigan Love With the Proper Stronger<br />

(Para), 4fh wk 125<br />

Polms— Stroit-Jocket (Col); The Moniac (Col)',<br />

Ith wk 120<br />

Trans-Lux Krim—Tom Jones (UA-Loper't),' 2rid' wk, 250<br />

Detroit Area Drive-In<br />

Boothmen Sign Pact<br />

DETROIT — Detroit drive-in theatres<br />

have concluded a contract with lATSE<br />

Local 199. covering employment of projectionists<br />

for the four-year term. The<br />

details were not disclosed, but Roy R.<br />

Ruben, business agent of Local 199. confirmed<br />

that they include increases in<br />

wages, in pension t«rms, and in fringe<br />

benefits. The contract was agreed upon<br />

after seven weeks of negotiation, and is<br />

retroactive to the start of this year. It<br />

runs until Jan. 1, 1968. It covers all 14<br />

drive-ins in this area.<br />

The contract for indoor theatres has a<br />

considerable time to run.<br />

BOXOFFICE March 9. 1964<br />

Bedford Exhibitor<br />

And Aide Assist<br />

BEDFORD. OHIO—The Still well Theatre<br />

has stepped right up to the front to<br />

see that one of Bedford's children gets her<br />

"<br />

chance. The "child is 16-year-old Mary<br />

Jane Altomondo whose right leg and hip<br />

were removed to stop the spread of cancer<br />

and save her life. The young lady had<br />

always planned to be a dancer, but the<br />

operation changed those plans, and she<br />

now has decided that there's lots more to<br />

life than dancing.<br />

The Stillwell is owned by Samuel E.<br />

Schultz, who is also half owner of the<br />

Mapletown at Maple Heights near Bedford.<br />

Schultz also is a member of the board of<br />

the Cuyahoga County Cancer Society.<br />

Louis Swee. manager of the theatre, is<br />

also more than casually interested in Mary<br />

Jane's case for he lost a sister to the<br />

disease about 10 years ago, and he knows<br />

how staggering the expenses can be.<br />

So. while Mary Jane was still in New<br />

York, awaiting the operation, the two theatremen<br />

announced they would give a<br />

benefit evening for Mary Jane. Industry<br />

rules will prevent the naming in advance<br />

of the film to be shown but Schultz<br />

promises a "Hollywood sneak preview" with<br />

one of the ten best first-run pictures, one<br />

not yet shown in Cleveland. This will be<br />

Samuel Schultz<br />

Cancer Sufferer<br />

on March 17.<br />

In the meantime Louis Swee is being<br />

bombarded with offers. Radio station<br />

WERE will have eight disc jockeys at the<br />

opening; the auto title bureau in Bedford<br />

offered help of any kind: a restaurant out<br />

Southgate way will send 100 pies, and<br />

money donations range "both ways from<br />

$5." The student body of Bedford High<br />

School, where Mary Jane was a junior before<br />

the time out for the hospital, is expected.<br />

After the Stillwell fills up, the<br />

overflow will be directed to the Mapletow-n<br />

and its 1,800 seats where they'll see<br />

the same show.<br />

Renovated Loma Theatre<br />

Opened by the Jack Lalos<br />

DETROIT—Formal invitations and an<br />

attractive brochure marked the grand<br />

opening of the new Loma Theatre, described<br />

as "The Showcase of the Fruit<br />

Belt," at Coloma March 3 by Jack and<br />

Helen Lalo. The brochure presented an<br />

artist's sketch of the architectural distinctiveness<br />

of the house, gave contractor<br />

credits, and recited the history of motion<br />

pictures in Coloma since 1910. in a manner<br />

fully worthy of a de luxe big city theatre.<br />

ME-1


. . Betty<br />

!<br />

. . Mike<br />

. . Nick<br />

. . William<br />

. . Projectionist<br />

. . Ken<br />

. . George<br />

. .<br />

. .<br />

. .<br />

. .<br />

He<br />

i<br />

I<br />

;<br />

I<br />

DETROIT<br />

TTniled Drtroit Theatres diiw 16.500 patrons<br />

for the Liston-Clay fight— with<br />

sellouts at the Michigan and Palms Theatres<br />

downtown and the Woods in Grosse<br />

Pointe. and 7.000 in the 12.000-seat arena<br />

at Cobo Hall. The independently operated<br />

5.041 -seat Fox Theatre sold standing room<br />

only. The Nederlander circuit's 2.477-seai<br />

Riviera had to refund when equipment<br />

trouble developed an hour before the fight.<br />

but their 1.298-seat Carmen in Dearborn<br />

had a sellout.<br />

Marjorie Rice of United Artists was in to<br />

enjoy the beauties of the Fisher Theatre<br />

building on her pre-Washington birthday<br />

holiday . Watters of the Jam<br />

Handy Organization was down to visit at<br />

Jack Zide's Allied Film Exchange . . . Mr.<br />

NEWS<br />

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HIGHEST CAPACITY RATING (200) FROM<br />

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EXHIBITORS, NOTE:<br />

May we suggest<br />

"WHO FOR KICKS"<br />

as a companion feature?<br />

AN EARTHY, WICKED<br />

SHOCKER about<br />

unnatural emotions,<br />

uninhibited passions<br />

...andlVIURDER!<br />

Which<br />

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LEE PHILIPS<br />

SttHOMANIA<br />

A VICTORIA FILMS RELEASE<br />

STARRING<br />

SHEPPERD STRUOWICK<br />

with<br />

JEAN HALE -LORRAINE ROGERS • MARGOI<br />

HARTMAN-KAY ELHAROT • SYLVIA MILES<br />

•<br />

PROOUCEO BY DEL lENNEY- DIRECTED BY RICHARD I HIUIARO<br />

Recommended tor ADULTS ONLY<br />

All accessories available from Donald E. Velde, 31 1 IV. 43 St., N.Y. 36, N.Y.<br />

>•<br />

"PAGAN HELLCAF • "VIOLATED PARADISE"<br />

VICTORIA FILItIS, Inc. U4W. 57 St., N.Y.19-PLaza 7-6980 -Jean Goldwurm, President . IRVING SOCHIN, Sales Director. Fein Bilgrey, Secretary Counsel<br />

Ed Salzberg<br />

SCREEN CLASSICS<br />

T632 Central Pkwy.,<br />

Cincinnati, Ohio<br />

5T3—CH 1-3671<br />

Robert Buermele<br />

JAMES HENDEL FILMS<br />

315 Fo> Building<br />

Detroit, Michigan<br />

313—WO 5 3062<br />

BOXOFTICE March 9, 1964<br />

ME-3


y<br />

CINCINNATI<br />

The prt'sj-nt publirity thiout;lioul the luilioii<br />

pt'ilainliiK to the pU^hl of the<br />

haidpiessed mountain pt'ople in Kentucky<br />

and West Virginia is nothlnK new to the<br />

folks on Filmrow. Nora Davis. Cincinnati<br />

Theatres secretary, a number of years af,'o<br />

started lier own campaign which has been<br />

supported by her co-workers in easing to<br />

some extent the dire conditions that face<br />

the hill people. This past week collections<br />

have been made throughout the city and<br />

Filmrow though Miss Davis has been working,<br />

too. Nora sends the Row's contribution<br />

to the fire department. Falmouth. Ky..<br />

where the town's firemen on their day off<br />

distribute the food and clothings.<br />

Ruth Lyons, star of the WL'W-TV-radio<br />

50-50 Club, was presented the Variety<br />

Tent 3 Humanitarian award last week for<br />

her outstanding philanthropic "50-50<br />

"<br />

Christmas Fund the tent's first assistant.<br />

Ray Russo. The fund, started a number<br />

of years ago by Miss Lyons through<br />

contributions by her audience, was set up<br />

originally to provide every child patient<br />

in a local hospital with a toy. The impact<br />

of a toy for each sick child in a hospital<br />

has influenced the growth of the fund<br />

since its foundation. Today, not only are<br />

toys provided for every sick child in a<br />

recipient hospital, but expensive equipment<br />

to ease a child's discomfort, has been<br />

provided for the hospital operating on<br />

very stringent budgets.<br />

The 728-seat Dabel, Mid-States Theatres'<br />

Dayton Cinerama house, is to close<br />

March 15 after a 34-week-run of "How<br />

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—<br />

—<br />

—<br />

—<br />

— —<br />

was<br />

—<br />

—<br />

. . Wally<br />

leaving<br />

he<br />

12-Inch Snow Blocks<br />

Boston <strong>Boxoffice</strong>s<br />

BOSTON—A storm Friday night, February<br />

28, dumped 12 more inches of snow on<br />

the Cape and added to the city's aheady<br />

heavy snow cover. Also contributing to a<br />

cut in percentages at first-run theatres was<br />

the ciurent policy of towing away cars by<br />

the Boston police department. There were<br />

only two openings during the week, "A<br />

Global Affair" doing above average at the<br />

Orpheum, and "Katu" coming in slightly<br />

above average at the Center. "The Silence"<br />

performed well at the Kenmore Square<br />

In a second week at each situation.<br />

. 150<br />

(Average Is 100)<br />

Astor Seven Dovs in Moy [Para), 3rd wl< )50<br />

Beacon Hill Tom Jones :UA-Lopert), 11th wk. ..160<br />

Boston It's a Mod, Mod, Mod, Mod World<br />

(UA-Cineramo), 16th wk 170<br />

Capri The Doll (Konawha), 3rd wk 120<br />

Center Kotu (SR). Foil Guy (SR) 135<br />

Exeter—The Eosy Life (Embassy), 5th wk 150<br />

Esquire Poinf of Order (Point), 2nd wk 160<br />

Gary The Victors (Col), 4th wk 140<br />

Kenmcre Cinema, Park Square Cinema The<br />

Silence (Janus); The Old Mon and fhe Flowers<br />

(SR), 2nd wk.<br />

Mayflower<br />

.<br />

Children of fhe Domned (MGM),<br />

Glodiotors Seven (MGM), 2nd wk 135<br />

Memorial Mon's Fovorife Sport? (Univ); Hide and<br />

Seek (Univ), 2nd wk 1 55<br />

Music Hall The Misadventures of Merlin Jones<br />

(BV), 3rd wk 165<br />

Orpheum A Global Affair (MGM) 1 50<br />

Paramount Love With the Proper Stranger<br />

(Para), 2nd wk 140<br />

Pons Cinema Billy Liar (Confl), 4th wk 120<br />

Soxon The Cardinal (Col), 1 2th wk 1 75<br />

West End Cinema Family Diory (MGM), .130<br />

2nd wk. .<br />

The Silence' Up 75 Points<br />

2nd Week in Hartford<br />

HARTFORD — Janus Films' 'The Silence"<br />

bounded to a brisk 175 in its second<br />

Art Cinema week.<br />

Allyn A Global Affair (MGM) 90<br />

Art Cinema The Silence (Janus), 2nd wk 175<br />

Burnside The Priis (MGM), I Oth wk 80<br />

Cine Webb Tom Jones !UA-Lopert), 3rd wk 165<br />

Cinerama South Seas Adventure (Cineromo),<br />

5th wk 90<br />

Eostwood, Meadows Dnve-ln, Webster The<br />

cofeatures . . .<br />

Comedy of Terrors (AlP), various .100<br />

Elm America America (WB) 90<br />

E. M. Loew's The Cordinol (Col), I Oth wk. .... 70<br />

Loew's Palace Children of the Damned<br />

(MGM), 2nd wk 60<br />

Loew's Poll Sundoy in New York (MGM) 130<br />

Rivoli—The Easy Life (Embassy), 2nd wk 115<br />

of Merlin<br />

(BV), 90<br />

Strond,<br />

Jones<br />

PlazQ The<br />

2nd wk<br />

Misodventures<br />

'Sunday in New York' 165<br />

Highlights New Haven Week<br />

NEW HAVEN— MGM's "Sunday in<br />

York<br />

"<br />

New<br />

among the tow-n's brighter<br />

lights, chalking up a handsome 165 in its<br />

first Paramount week.<br />

Crown, Bowl Drive-In The Comedy of Terrors<br />

(AIP); Covolry Commond (Parade) 100<br />

Lincoln The Silence Janus) 155<br />

Loew's College Tom Jones (UA-Lopert), 2nd wk. 150<br />

Paramount Sunday in New York (MGM) 165<br />

Milford Drive-In, SW Roger Sherman The Victors<br />

(Col), The Wackiest Ship in the Army Col),<br />

reissue, (dnve-in companion feature). 3rd wk. ..115<br />

SW Cinemart The Misadventures of Merlin<br />

Jones (BV), 2nd wk 120<br />

Wholley—Cleopatra (20th-Fox), 9th wk 100<br />

Sponsors 'Jones' Bow<br />

HARTFORD—The Hartford women's division,<br />

American Jewish Congress, sponsored<br />

two showings of UA-Lopert's "Tom<br />

Jones" at the Lockwood & Gordon Cine<br />

Webb, charging $1.50 admission.<br />

Sperie Perakos Completes Tour<br />

NE-W BRITAIN—Sperie P. Perakos, vicepresident<br />

and general manager of Perakos<br />

Theatre Associates, completed a swing<br />

through the circuit's northern Connecticut<br />

situations.<br />

'Tom Jones' Near Record<br />

In Worcester Cinema ... 1<br />

WORCESTER, MASS.— Redstone Theatres'<br />

John P. Lowe reported a six-week<br />

engagement of UA-Lopert's "Tom Jones'<br />

at the Cinema 1, ranking it among the<br />

town's long-run bookings. Twentieth-Fox's<br />

"Cleopatra" will play Loew's Poli at $1.75<br />

top admission.<br />

A visitor in town was hometowner Clifford<br />

Davis, who newly completed a rolt<br />

in UA-Stanley Kramer's "Invitation to a<br />

Gunfighter," which teams Yul Brynner<br />

and Janice Rule.<br />

Grants Airer Permit<br />

In Great Barrington<br />

GREAT BARRINGTON. MASS.—After a<br />

public hearing attended by nearly 100 residents,<br />

selectmen granted a permit to two<br />

Pittsfield men to build and operate a drivein<br />

theatre on Route 7 at the north end of<br />

town.<br />

Horace A. Decelles and Gerald A. Duprey<br />

plan to build a 500-car capacity airer on<br />

30 acres they purchased on the east side of<br />

the Stockbridge road. Associated with<br />

them in the operation will be Robert<br />

Sharby of Pittsfield. Both Decelles and<br />

Sharby are former managers of Pittsfield<br />

theatres—Sharby at the Berkshire Drivein<br />

and Decelles at the Capitol.<br />

Robert J. Donelan, attorney who represented<br />

the theatremen at the public hearing,<br />

said that more than $100,000 would be<br />

invested in the theatre project.<br />

Decelles said construction would begin<br />

as soon as weather permits. It is hoped<br />

that the drive-in will be ready for its opening<br />

show in June.<br />

SPRINGFIELD<br />

f^hester L. Stoddard, president of New<br />

England Theatres, conferred with John<br />

R. Patno jr.. Paramount . Beach,<br />

producer of West Springfield's summer<br />

tent operation, Storrowton Music Fair, and<br />

his wife Bobbie flew home from a fewweeks<br />

of Florida sunshine,<br />

Joe Mansfield. UA field exploitation man.<br />

was in the territory ahead of "Prom Russia<br />

With Love " . . . Redstone Theatres began<br />

construction on the long-anticipated<br />

dual theatre concept, to be known as<br />

Cinema 1 and Cinema 2, on Riverdale road.<br />

West Springfield . . . E. M. Loew has yet<br />

to disclose whether he intends to proceed<br />

with plans for a hardtop adjacent to the<br />

E. M. Loew Riverdale Drive-In. Murray<br />

Lipson has the sole hardtop in the town at<br />

the moment, the first-run art outlet, the<br />

Majestic.<br />

Allen Widem Reappointed<br />

HARTFORD—Allen M. Widem. Hartford<br />

Times amusements editor, has been<br />

appointed to another five-year term on the<br />

West Hartford Development Commission.<br />

TV Ads for 'Merlin lones'<br />

HARTFORD— William Decker, resident<br />

manager for Stanley Warner, bought TV<br />

time as supplementary promotion on<br />

Strand engagement of Buena Vista's "The<br />

Misadventures of Merlin Jones."<br />

Daytz Circuit Opens<br />

Harvard Square Unit<br />

BOSTON — Al Daytz theatre interests<br />

have opened a new 500-seat house in Cambridge<br />

near Harvard Square called the<br />

Esquire, now playing "Point of Order."<br />

Daytz said the new theatre will run first<br />

runs with downtown Boston theatres.<br />

Daytz interests now operate the Park<br />

Square Cinema and the Kenmore Square<br />

Cinema in downtown Boston. The Esquire<br />

is the third theatre in their new art circuit<br />

in Greater Boston.<br />

'Would-Be Stars' Should<br />

Await Discovery at Home<br />

WINDSOR, CONN.—The would-be<br />

acting<br />

"star " his home town for<br />

Broadway or Hollywood isn't necessarily<br />

taking the right step, Allen M. Widem.<br />

Hartford Times amusements editor, told<br />

the Windsor Jesters.<br />

Talent scouts for both theatre and motion<br />

pictures-television visit metropolitan<br />

Hartford regularly, he commented, and are<br />

able to adequately judge capabilities on<br />

home grounds,<br />

"The key to success, of course, is adequate<br />

preparation. " added. "The trick<br />

that tmns the key is being seen at the<br />

right time in the right circumstance."<br />

'Peyton Place' Author<br />

Grace Metalious Dies<br />

GILMANTON, N.H. — Grace Metalious,<br />

39. of Gilmanton. who gained nationwide<br />

fame and made an estimated million dollars<br />

by writing several sensational novels<br />

which were made into motion pictures, died<br />

of a liver ailment at Beth Israel Hospital<br />

in Boston, February 25,<br />

The novelist, whose own life was almost<br />

as crowded with drama as the characters<br />

in her books, wrote Peyton Place, Return<br />

to Peyton Place. The Tight White Collar<br />

and No Adam in Eden.<br />

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BOXOFFICE March 9. 1964 NE-1


. . Jimmy<br />

1<br />

.<br />

BOSTON<br />

Kfarjory Adams. Bastoii Globe film critic,<br />

was citi'd us of "truly lop stature" In<br />

the February 21 Issue of Life magazine in<br />

an article about Joan Crawford's press conference<br />

here . Fund certificates<br />

of merit have been presented by William<br />

S. Koster. executive director of the Jimmy<br />

Fund to Lt. Col. Franklin C. Davis, commanding<br />

officer. U.S. Army recruiting main<br />

station. Boston Army Base, and to M Sgt.<br />

Frank J. Carr for "extraordinary cooperation<br />

which they volunteered during the<br />

Jimmy Fund drive." George Patenaude of<br />

the Variety Club of New England assisted<br />

Koster in the presentation ceremony.<br />

The Soulh Knd Music Center is sponsoring<br />

an advance showing of "Becket" Monday.<br />

April 6, at the Gary Theatre, which stars<br />

Richard Burton as Thomas A. Becket.<br />

Proceeds will go to the student aid fund of<br />

the South End Music Center, focus of<br />

musical excellence in the south end for<br />

more than 50 years. Richard Burton wi'l<br />

be here in person during the showings of<br />

ENDLESS<br />

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BOXOFTICE :; March 9, 1964 NE-3


theatre<br />

. . Jim<br />

.<br />

Ella<br />

I<br />

Marge Mortensen Enjoys Challenge VERMONT<br />

Of Managing Willimantic Capitol<br />

By ALLEN M. WIDEM<br />

WILLIMANTIC. CONN. One of Coiin.cticut's<br />

half dozen female theatre managers,<br />

trim Mrs. Marse Mortensen of the<br />

downtown, first-run Stanley Warner Capitol<br />

finds her job vigorously challenging.<br />

Moreover, she's readily "accepted" by<br />

the predominantly male atmosphere.<br />

Wh.Mi the male 'world' of managers on<br />

the Stanley Warner circuit gets together,"<br />

she told this <strong>Boxoffice</strong> correspondent,<br />

"there doesn't seem to be much more than<br />

passing acknowledgement of the fact that<br />

th.'re are only a few gals in the room.<br />

"Th? main business—and rightly so. of<br />

course— is that we're all in show business.<br />

Soft-spoken Mrs. Mortensen got into<br />

the exhibition field through a casual phon^call<br />

some three and a half years ago.<br />

"I called the then manager, Edward<br />

Stewart, and asked if he needed a new<br />

cashier. He told be to come on down for an<br />

interview."<br />

A year and a half later. Mrs. Morensen<br />

had m.oved up to managership, spiritedly<br />

swinging into constant community-conscious<br />

activity, including the American Red<br />

'<br />

Cross Bloodmobile pas.ses awardea<br />

to donors I.<br />

She's conducted "searches" for moviestar<br />

Icokalikes, hosted special kiddies matinees<br />

and scheduled series of motion pic-<br />

POGO, WE<br />

'0017A CON{-<br />

THENEEP<br />

FOR PEOPLE'S<br />

SUPPORT<br />

OF THE<br />

WAWERJCAN<br />

N CANCER<br />

SOatTYl<br />

WE GOTTA<br />

REACH<br />

eVER'/BOOy<br />

WITH THE<br />

ETC<br />

ture classics on patron request.<br />

Is there a future for female theatre managers?<br />

"Yes!" she says emphatically.<br />

"This business has always been and probably<br />

will be a male business, but there is<br />

room lor a gal willing to work beyond the<br />

regularly accepted '9 to 5' shift and also<br />

wanting to sit down and devise ways and<br />

movie promotion.<br />

means of<br />

"Of course, this means a lot of late<br />

hours and. understandably, weeks, and unless<br />

you're willing to concede these things,<br />

why. the future is bleak."<br />

HARTFORD<br />

. .<br />

Fileen McClure has been named assistant<br />

manager of the Stanley Warner Palace.<br />

Norwich . . . Mrs. Audrey Rushon,<br />

Lockwood & Gordon's Windsor Plaza, distributed<br />

novelties to the first 25 patrons on<br />

the opening night of Warners' "4 for<br />

Texas" . Brooks LeWitt, owner-manager<br />

of the Berlin Drive-In, provided free coffee<br />

after the second feature screening during<br />

a triple-film program.<br />

Sam Scheckter, at one time Springfield,<br />

Mass.. district manager for E. M. Loew's<br />

Theatres and more recently in the discount<br />

shopping center field, has opened his<br />

own advertising agency, to be known as<br />

Advertising Promotions, at 146 Chestnut<br />

St.. Springfield. Some years ago, Scheckter<br />

was with Warner Bros. Theatres in this<br />

district, supervising the Colonial mow the<br />

Lockwood & Gordon Cinerama<br />

i<br />

Bob Tirrell,<br />

Lockwood & Gordon district<br />

manager, screened Warner's "The Incredible<br />

Mr. Limpet" at the Windsor Plaza for<br />

circuit managers and press . Kelly,<br />

Universal's Connecticut sales supervisor,<br />

reports continuing top grosses for "Charade."<br />

the Cary Grant-Audrey Hepburn<br />

starring vehicle holding over despite subzero<br />

weather and attendant patron discouraging<br />

factors in both large cities and<br />

tiny hamlets across the state.<br />

Arthur Lockwood, president, and Doug<br />

Amos, general manager. Lockwood & Gordon<br />

Enterprises, met with Manny Friedman.<br />

Hartford resident manager, on upcoming<br />

product for the Cinerama Theatre.<br />

UA-Stanley Kramers "It's a Mad, Mad,<br />

"<br />

Mad, Mad World is to follow current<br />

"South Seas Adventure" at the de luxe<br />

showcase.<br />

"Thret- Prot


—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

.Very<br />

"<br />

—<br />

Academy Nominations<br />

Lift Toronto Films<br />

TORONTO—There was plenty of excitement<br />

all at once, what with five theatres<br />

Ijlaying features for which Academy<br />

Award nominations were announced, two<br />

brand new side-by-side theatres being<br />

opened in a suburban shopping center, and<br />

Richard Burton and Elizabeth Taylor rating<br />

extra attention because of the opening<br />

of his Hamlet at the O'Keefe Centre. Also<br />

adding to a resurgence of interest in films<br />

was the introduction of three new pictures,<br />

"Sunday in New York" at Loew's, "Seven<br />

Days in May" at the Imperial and affiliated<br />

theatres and "To Bed ... Or Not to Bed"<br />

at two units, along with the Clay vs. Listen<br />

fight film at ten theatres.<br />

(Average Is 100)<br />

Carlton— It's a Mod, Mad, Mad, Mad World<br />

(UA-Cineroma), 11th wk 105<br />

Hollywood Love With the Proper Stranger (Para),<br />

3rd wk 105<br />

Hyland Tom Jones (UA-Lopert), 10th wk 110<br />

Imperial Seven Doys in Moy (Para) 115<br />

Loew's Sundoy in l^ew York (MGM) 115<br />

Tivoli—The Cardinal (Col), 11th wk 105<br />

Towne To Bed ... Or Not to Bed (IFD) 110<br />

University Cleopatra (20th-Fox), 36th wk 105<br />

Uptown Charade (Univ), 10th wk 100<br />

Outstanding Product Attracts<br />

Good Attendance in Montreal<br />

MONTREAL—<strong>Boxoffice</strong> results of the<br />

first-run theatres of Montreal were satisfactory<br />

as the various theatres continued<br />

good programs. At the Alouette Theatre,<br />

'Cleopatra" was kept on for a week more<br />

than intended and attendance was good to<br />

see the big picture for the last time in<br />

Montreal— for a while. At Cinerama's Imperial.<br />

"It's a Mad, Mad, Mad, Mad World<br />

continued as a solid attraction. "The Cardinal"<br />

was well patronized and the Seville<br />

in latest advertising for the picture, of<br />

course, drew attention to its several nominations<br />

for Oscar awards.<br />

Alouette Cleopatra (20th-Fox), 36th wk Good<br />

Avenue Lord ot the Flies (IFD), 3rd wk Good<br />

Capitol Palm Springs Weekend (WB) Good<br />

Cinema Festival Le Coporol Epingle (SR), 3rd wk. Good<br />

C.nema Place Vjlle Mane The Conjugal Bed<br />

(IFD), 10th wk Good<br />

Dcrvol Theatre (Red Room) In the French Style<br />

(Col)<br />

Good<br />

Dcrvol Theatre (Salle Doree) Sword of<br />

Lancelot (Univ) Good<br />

Imperial— It's a Mad, Mad, Mad, Mad World<br />

(UA-Cineromo), 11th wk Excellent<br />

K?nt Mrs. Gibbons' Boys (SR) Good<br />

Loew's Move Over, Darling (20th-Fox), 3rd wk. Good<br />

Poloce Charade (Univ), 2nd wk Good<br />

Seville The Cardinal (Col), 5th wk Excellent<br />

Westmount All the Way Home (Para) Good<br />

Good Weather Keeps Patrons<br />

A'way From Vancouver Theatres<br />

VANCOUVER—Cold with clear skies and<br />

strong sun during the afternoons sent people<br />

out on to the highways for the weekend.<br />

Gas stations and roadside eating stands did<br />

midsummer business but did not leave too<br />

much for the downtown theatres, particularly<br />

on Sunday. The Liston-Clay affair<br />

kept most people home Tuesday except for<br />

those attending the closed circuit telecast<br />

showings at the Agrodome and Exhibition<br />

Gardens at PNE grounds.<br />

Copitol The Priie (MGM), 4th wk Fair<br />

Odeon The Cardinal (Col), 10th wk Slow<br />

Orpheum— 4 tor Texos (WB) Very Good<br />

Paradise McLintock! (UA), moveover, 4th wk. Good<br />

Pork Carry On, Cobby (Governor), 3rd wk Foir<br />

Strand Holiday in Spain (SR) Average<br />

Studio This Sporting Life (IFD), 4th wk. . Good<br />

Vogue, SIX other theatres Doctor in Distress<br />

(SR)<br />

Average<br />

Interior scenes of Paramount's "The Circus"<br />

were filmed at the Samuel Bronston<br />

Studios in Madrid.<br />

Immigration Up in '63;<br />

UK Arrivals in Lead<br />

OTTAW.^— Immigration, one of the<br />

brightest factors in the future of Canadian<br />

theatres last year, continued the upward<br />

trend started in 1962. A total of 93,151 persons<br />

entered the Dominion in 1963, a gain<br />

of 18,565. The arrivals from the United<br />

Kingdom was up sharply, from 15,603 to<br />

24,603.<br />

Guy Favreau, minister of citizenship<br />

and immigration, has set a goal for his department<br />

of 100,000 new Canadians in 1964.<br />

He pointed out that new offices in various<br />

countries had been and were being opened;<br />

a vigorous promotional program was under<br />

way: and that some regulations, especially<br />

those for doctors, were being eased in<br />

search of young, skilled workers and businessmen<br />

with capital and experience. Two<br />

extra offices have already been opened in<br />

Prance.<br />

Immigrants from Italy ranked second in<br />

1963, with 14,427 as against 13.641 the year<br />

before. Italians led the new arrivals for the<br />

five years from 1957 to 1961.<br />

Immigration from the United States<br />

the third largest supplier of new residents<br />

for Canada—rose slightly last year to 11,-<br />

736 from 11,643.<br />

There were increases as well from other<br />

major sources of Canadian immigration:<br />

from Germany to 6,744 from 5,548: from<br />

Greece to 4,759 from 3,741: from Portugal<br />

to 4,000 from 2,928: and from France to<br />

3,569 from 2,674.<br />

Immigration from Hong Kong, which<br />

dropped sharply in 1962 following an<br />

RCMP crackdown on a Chinese immigration<br />

racket, jumped to 1,008 from 426.<br />

Most of last year's immigrants were<br />

headed for destinations in Ontario— 49.-<br />

216. Quebec drew 23,264, British Columbia<br />

9,254 and Alberta 4,731.<br />

Immigration from all European countries<br />

increased to 68,896 from 53,650, accounting<br />

for most of the overall increase. There<br />

were 2,431 from African countries, 1,369<br />

from the Middle East, 2,543 from other<br />

Asian countries, 1,692 from Australia and<br />

New Zealand, and 2,163 from Mexico, Central<br />

and South America.<br />

$900,000 FPC Theatre<br />

For West Vancouver<br />

WEST VANCOUVER—Famous<br />

Players<br />

plans to build a 900-seat theatre at Park<br />

Royal that will cost more than $900,000<br />

Maynard Joiner, general manager of Famous<br />

Players for British Columbia, will<br />

place the plan before municipal council<br />

here.<br />

Famous Players asked permission to build<br />

the theatre immediately west of the new<br />

Park Royal bowling alley.<br />

Reeve Alex Forst said it would be built<br />

at a cost of $900,000 to $1 million.<br />

Patsy Awards April 4<br />

From Western Edition<br />

HOLLYWOOD—The American Humane<br />

Society's 14th annual Patsy award, the<br />

animal world's counterpart to motion picture's<br />

Oscar and television Emmys. will be<br />

presented April 4 at the RKO Pantages<br />

Theatre. The nominations of animals performing<br />

in motion pictures and television<br />

in 1963 will be announced soon.<br />

Filmmaking Project<br />

Moves a Step Ahead<br />

MONTREAI The National Film Board<br />

has set up a six-man advisory committee<br />

to help deal with applications under the<br />

Franco-Canadian agreement on the sharing<br />

of films and film production. Primarily<br />

affected are the projected featurelength<br />

films in both French and English.<br />

NF^ chairman Guy Roberge, Montreal,<br />

announced that the following film industry<br />

representatives would work with him on<br />

the project ithe members were appointed<br />

for one year<br />

i<br />

:<br />

Don Wilder of Peterson Productions, Toronto:<br />

Claude Jutra, president of L'Ass'n<br />

Profe-ssionnelle des Cineastes, which comprises<br />

some 104 filmmakers of Quebec and<br />

other Canadian provinces: Charles Everett,<br />

president of the Association of Motion Picture<br />

Laboratories of Canada, Ottawa:<br />

Pierre Harwood of Omega Films, and<br />

Pierre Juneau and Michael Spencer of the<br />

Nat'onal Film Board, Montreal.<br />

The coproduction agreement between<br />

France and Canada was signed last<br />

autumn by Paul Martin, Canadian minister<br />

of external affairs, and French minister for<br />

cultural affairs Andre Malraux.<br />

Juneau, one of the prime movers of the<br />

film treaty, explained that the agreement<br />

opens the door for French financing of<br />

Canadian films. Canadian filmmakers<br />

could obtain part of ther financing in<br />

France if they agreed to import a proportional<br />

number of cast and crew from<br />

France If, for instance. Fiance put up 30<br />

per cent of the money, they could expect<br />

that 30 per cent of the cast and crew would<br />

bo French.<br />

The treaty will also facilitate the distribution<br />

of such coproduced films in France,<br />

where fims of national origin are subsidized<br />

by the government and foreign<br />

fi'ms are admitted and distributed on a<br />

quota system. Under the treaty, Canadian<br />

fi'ms made jointly by Canadian and<br />

French producers would be distributed as if<br />

they were French.<br />

Juneau said that when two film producers,<br />

one in France and one in Canada,<br />

get together on such a deal, "some authority<br />

in each country has to examine the<br />

project and certify that it is bona fide."<br />

The new committee on which Juneau serves<br />

has been set up for that purpose and "not<br />

to judge the value of scripts or to make<br />

judgments about the artistic quality of<br />

the project."<br />

Norman Jackson. Auditor<br />

For Famous Players, Dies<br />

TORONTO—Norman Jack.son, 63, as-<br />

.sistant general auditor for Famous Players<br />

Canadian, died at his home here. He<br />

joined FPC in 1923 when that company<br />

took over operation of the Allen theatres.<br />

He was presented a silver tray last year<br />

to mark 40 years with the company. Surviving<br />

are two daughters, now married to<br />

Frank McLaven and Robert Elliott, and a<br />

brother Frank.<br />

Manager<br />

Vaughan Publicity<br />

From Western Edit;cn<br />

HOLLYWOOD—Braverman-Miri.sch has<br />

set Al Vaughan as publicity manager for<br />

the Hollywood-New York based advertising<br />

and public relations organization. Vaughan<br />

checks into his new post immediately.<br />

BOXOFFICE March 9. 1964 K-1


. . Paul<br />

MONTREAL<br />

Kfany local theatres started showing the<br />

official pictures of the Sonny Liston-<br />

Cassius Clay championship boxing fight<br />

just two days following the Miami match.<br />

The following United Amiusement Corp.<br />

houses added the fight film to their regular<br />

feature programs— the Strand. Rialto.<br />

Savoy, Dorval and the Versailles' Blue and<br />

Red rooms, the Francais. Rivoli. Papineau<br />

and Granada ... An estimated 9.000<br />

persons paid more than $40,000 to watch<br />

Cassius Clay defeat Sonny Liston at Montreal<br />

Forum s closed-circuit television presentation.<br />

It was the first time that the<br />

Forum ventured into that field and Ken<br />

Reardon. general manager, said. "It was<br />

an experiment and well worthwhile. We<br />

felt that the picture we received was excellent."<br />

Nate Halpern. president of Theatre<br />

Network Television, said that the<br />

Montreal venture was very satisfactory.<br />

Jean-Pierre Desmarais. president of Select<br />

Films, reported he had made a wide<br />

choice of films during his stay in Paris.<br />

Back home a few days Desmarais left on<br />

another buying trip for his distributing<br />

company. Before leaving he enjoyed a<br />

weekend of skiing with his son. Desmarais<br />

is also a great lover of fishing and hunting<br />

. Gendron. owner of the Laurier<br />

Cinema of Victoriaville and of the Drummond<br />

Theatre of Drummondville. was vacationing<br />

in Miami Beach, from where he<br />

postcarded Archie Cohen and Eddie White,<br />

manager and booker at Warner . . . Andre<br />

Pepin of Art-Films was in Quebec City<br />

on business.<br />

Ernest Cousins. 98. grand old man of<br />

Montreal and one of the founders of United<br />

Amusement Corp.. was given high homage<br />

BEST THEATRE SUPPLY REG'D<br />

4810 Saint Denis Street<br />

Montreal 34<br />

Tel. No. 842 6762<br />

Car} now serve you beiter from<br />

larger quarters and extended<br />

repair department<br />

Complete booth equipment<br />

Auditorium seating<br />

Marquee letters<br />

Sound screens & Scope lenses<br />

Extensive stock of replacement parts<br />

Marquee letters & boards


I<br />

remodeled<br />

1 of<br />

I handled<br />

'<br />

Qttawa<br />

I<br />

inations<br />

I annual<br />

,<br />

Santa<br />

[<br />

demy<br />

I<br />

i<br />

Heavy damage resulted from a fire which<br />

gutted the modern Azure Theatre at Mani-<br />

waki north of here when a spotlight ignited<br />

j<br />

stage drapes while preparations were be-<br />

I<br />

ing made for a fashion show Saturday.<br />

i<br />

I<br />

I<br />

flames<br />

. ister<br />

! odicals<br />

,<br />

per<br />

]<br />

market.<br />

;<br />

did<br />

i<br />

'<br />

at<br />

1<br />

'<br />

sive<br />

I<br />

I<br />

I<br />

j<br />

I<br />

. mention<br />

. . The<br />

. . The<br />

. . . The<br />

. . . Paulette<br />

. . NFB's<br />

. . Sam<br />

:<br />

Toionto-Hamilton section, where the lowest<br />

wage for males is $1 per hour and<br />

85 cents for women . Academy at<br />

Lindsay, which was closed in 1956, will be<br />

for which a community fund<br />

$56,000 has been raised to enable the<br />

theatre to operate once more. At Waterloo,<br />

the Waterloo which has 632 seats has<br />

been reopened with a cinema policy following<br />

completion of renovation.<br />

.<br />

.<br />

Elizabeth Taylor attended a screening of<br />

"Becket" at the FPC University in Toronto<br />

where the lengthy "Cleopatra" is showing.<br />

Richard Burton stars in both productions<br />

The appointment of Bertrand Frank,<br />

.<br />

a<br />

.<br />

salesman as manager of the Montreal<br />

branch for Astral Films, succeeding William<br />

Elman who becomes eastern division<br />

manager, was announced by Jerry H. Solway<br />

Clay vs. Liston fight film.<br />

by 20th-Fox, opened at ten chain<br />

theatres in Toronto.<br />

OTTAWA<br />

exhibitors eagerly awaited nomannouncement<br />

for the 36th<br />

Oscar awards to be presented at<br />

Monica April 13. Local arrangements<br />

are under way for the annual Aca-<br />

Sweepstakes by the Ottawa Theatre<br />

Managers Ass'n. headed by J. C. Brennan<br />

of the FPC Capitol.<br />

Francois Theriault, whose father built the<br />

theatre in 1949. suffered bm-ns to his face<br />

and hands when he tried to extinguish the<br />

before firemen arrived. The estimated<br />

loss was $165,000, mainly in destruction<br />

of the interior.<br />

. . . "The<br />

The government headed by Prime Min-<br />

L. B. Pearson has revived a proposal<br />

I for the banning of trade and other peripublished<br />

outside of this country<br />

which contain advertising of more than 5<br />

cent aimed specifically at the Canadian<br />

The previous federal government<br />

not implement the proposal<br />

Cardinal" secui-ed a sixth substantial week<br />

the Nelson, a unit of 20th Century Theaires.<br />

"Move Over, Darling" was impresin<br />

its multitheatre presentation for a<br />

third week at the Elmdale and Somerset<br />

and the Queensway Drive-In.<br />

A site on Confederation Square in the<br />

heart of the Canadian capital has been selected<br />

for the National Center for the Arts,<br />

a federal project expected to cost $9,000,-<br />

000. Plans make provision for a stage theatre,<br />

music hall and other features but no<br />

is made of a cinema.<br />

EVERYTHING FOR THE THEATRE<br />

MOTIOGRAPH Equipment<br />

Complete line focfory ports<br />

EXPERT REPAIRS r,or.°«?or°:<br />

We Sell and Service<br />

Theatre Chain, Rectifiers, Arc Lamps<br />

Sound Equipment, 16mm and 3Smm Prolectar*<br />

SHARP S THEATRE SUPPLIES, Ltd,<br />

Phones AM 2-7266 and AM 2-4076<br />

104 Fourth St, S,W. Calgary, Alt.<br />

VANCOUVER<br />

The Clay-Liston fight over closed TV circuit<br />

in Vancouver, Victoria. Winnipeg<br />

and Calgary, was handled by Northwest Releasing,<br />

the Doug-Isman-Solly Volchock<br />

organization. It was presented in the PNE<br />

Gardens and the Agrodome to an estimated<br />

5,000, well under capacity, but profitable.<br />

The reception, sound, and picture was<br />

okay at the gardens, but at the Agrodome<br />

the sound was like early talkies and the<br />

picture like a peepshow. Hugh Picket of<br />

Famous Artists handled the ticket sale,<br />

which was a switch for this longtime film<br />

buff who has, or has had, finest collection<br />

of stills circa 1933-40 on the Pacific coast.<br />

He generally handles traveling road companies,<br />

singles, and even amateur light<br />

opera companies from lower mainland.<br />

Kelly, son of Sucha Singh, was in town<br />

to set booking for an early March opening<br />

of the Sundown Drive-In, Kamloops. This<br />

airer on the main Ti'ans-Canada highway<br />

is now in nice spot with new motels, both<br />

open and under construction all around it<br />

opening of Roger's Pass route<br />

through the Rocky mountains makes direct<br />

connection between Calgary and Vancouver<br />

by way of Fraser canyon, has<br />

boomed the tourist and camping trade in<br />

Kamloops, Salmon Arm, Sicamous and<br />

Revelstoke where the theatres have been<br />

hit by TV. Sicamous, formerly just a<br />

transfer point for shuttle service to Okanagan<br />

Valley, now is large tourist center<br />

with 15 motels. Almost all the Mara Lake<br />

frontage has been taken up at $100 a<br />

front foot. This sum would have bought<br />

the entire acreage ten years ago. The same<br />

situation exists around Shuswap Lake, the<br />

Salmon Arm district, Okanagan and Skaha<br />

Lakes, touching Vernon, Kelowna and<br />

Penticton. The whole area is one big<br />

year-around playground with vast potential.<br />

Roger's Pass handled over a million<br />

people last year.<br />

Herb Stevenson of Prince George, Revelstoke.<br />

Sylan Lake and Edson was in<br />

town to confer with Owen Bird and West<br />

Coast Booking Service on new product and<br />

spring bookings. He left for Los Angeles<br />

for a week or ten days . McLimor,<br />

owner of the Capitol and Yukon at Whitehorse,<br />

was at West Coast Booking.<br />

Several drive-ins in the Lower Mainland<br />

district reopened Friday 1 6 > for the season<br />

the Surrey, operated by Lionel Courchene<br />

on King George highway: the Hillcrest,<br />

Trans-Canada highway, owned by Lome<br />

Dainard, and the Chilliwack, Ralph Clark<br />

Kind, former MGM steno-biller<br />

who resigned several weeks ago, gave birth<br />

to a baby daughter recently. Sally Hayden<br />

succeeded her at MGM.<br />

Dick Sharp succeeded Dick W>inenka, resigned,<br />

as inspector . "The Columbia"<br />

has been booked at the Strand<br />

Theatre by Nat Levant. The production,<br />

acclaimed by critics, is very timely in this<br />

area since the signing by Canada and<br />

the U.S. of a treaty for development of<br />

the upper Columbia River. Bill Orr of<br />

NFB had book marks at all libraries and<br />

book stores advertising the feature.<br />

. . .<br />

Rock Andrus jetted to Ottawa, Toronto<br />

and Chicago on business for Modern Film<br />

Distributors, of which he is owner. Andrus<br />

has Canadian rights to Mom and Dad.<br />

Street Corner and Because of Eve<br />

Gerry Sutherland, district manager for<br />

Odeon Theatres, was quoted in <strong>Boxoffice</strong><br />

of April 8, 1963, on the opening of the new<br />

Odeon, built on the site of the Plaza here,<br />

as follows: "The Vancouver New Odeon<br />

is a $225,000 gamble,—Were gambling that<br />

TV will continue to show the same kind<br />

of stuff that it's showing now. The thinking<br />

middle class people are being driven<br />

away from their TV sets and back into<br />

the theatre." Judging by the activity now<br />

going on in refurbishing and reopening<br />

Odeon theatres in metropolitan Vancouver.<br />

Odeon's gamble is paying off.<br />

Quoted in the press, and interviewed<br />

over CBC TV last week, Odeon's Sutherland<br />

has this to say:<br />

. . . "Lawrence<br />

"Irma La Douce" still is one of the<br />

biggest boxoffice attractions in Odeon<br />

history in British Columbia<br />

of Arabia" still was doing well after nine<br />

months at roadshow prices, more business<br />

than some films do when they first open.<br />

And coming soon to the New Odeon is<br />

"Tom Jones." which Sutherland confidently<br />

predicts will be the record-breaking<br />

movie of the year.<br />

Harry Woolfe. United Artists, reported<br />

"Irma La Douce," since breaking at the<br />

Vogue and a seven-house multiple break<br />

in October has been off Vancouver screens<br />

only two days in 20 weeks. In that time<br />

it has racked up 60 weeks of playing time,<br />

far in excess of the total playing time<br />

received by any special in pre-TV days in<br />

a year in the same area. Currently at the<br />

Circle, a house in a lower income bracket<br />

district, it is completing its seventh week.<br />

This house normally has trouble stretching<br />

even top product two weeks. After Circle.<br />

"La Douce" is slated to go back downtown to<br />

the Paradise for a further extended run.<br />

George Abernathy of the Park at Parksville<br />

was in on regular visit. This mid-Vancouver<br />

Island town hemmed in by Nanaimo<br />

and Port Alberni. both with large<br />

shopping centers, has had tough sledding<br />

lately, particularly with almost perfect<br />

TV reception . . . Ted Bradley, operator of<br />

a 16mm Maple Leaf Service Theatre in<br />

the army camp at Chilliwack, also was in<br />

lining up bookings.<br />

i<br />

FOR SALE<br />

y>x-::.;^:=i5<br />

BOXOFFICE March 9. 1964 K-3


ANY WAY YOU MEASURE IT<br />

i<br />

BOXOFFICE IS FIRST AND FOREMOS<br />

— read and relied on by more theatremen than any ofher film trade journal in the world!


^<br />

c-auutme^tit'<br />

MARCH 9, 1964<br />

SECTION OF BOXOFFICE<br />

r/ii's handsome, two-lane, self-service snack bar in the new Rolling Hills Theatre, a hardtop in Torrance, Calif., was done<br />

in drive-in theatre style, and offers popcorn, ice cream and cold drinks. Vending machines supplement the stand.


ANY. uto. U.S. p»r. err<br />

o 1M3, rcpsi-coi.> commnv<br />

Now it s Pepsi- UP FRONT EVERYWHERE<br />

TV, Radio, Magazines, Newspapers, Outdoor Posters, Point-of-Sale-Pepsi is<br />

one of the world's largest advertisers, in all media. That's why more and<br />

more people today are saying "Pepsi, please!" Pepsi is moving out front<br />

. . display it<br />

.<br />

up front! Call your local Pepsi -Cola Bottler today, or write:<br />

National Accounts Dept., Pepsi-Cola Company, 500 Park Avenue, N. Y. C.<br />

PEPSICOLA<br />

The MODERN THEATRE SECTION


The mitLtiLL IN ew<br />

L-^TLJ >X<br />

MORE LIGHT<br />

for all Indoor theatre screens up to 65 feet<br />

and drive-In screens up to 120 feet.<br />

PROJECTION ARC<br />

A Product of<br />

LAMP<br />

LESS COST<br />

The ^tx^ Electric Corporation<br />

11 City Park Avenue • Toledo, Ohio 43601<br />

Phone; (419) 248-3741<br />

to buy and less to use. Efficient utilization<br />

of standard 20-lnch carbons Insures THE<br />

GREATEST AMOUNT OF LIGHT EVER DE-<br />

LIVERED PER CARBON DOLLAR. Permits<br />

projection of an extra reel per carbon.<br />

Brochure on request<br />

^A^IDER USE<br />

Matches the optical requirements of all 35mm<br />

and 70mm projectors. A single knob allows<br />

instant change between film widths. A calibrated<br />

scale with reference pointer facilitates<br />

precise reset of burner focus ... a Strong<br />

exclusive.<br />

GREATER CONVENIENCE<br />

Unit construction permits instant removal of<br />

components for cleaning and inspection. 25%<br />

lower silhouette permits easy installation in<br />

low-celling projection rooms.<br />

The FUTU R A I<br />

for utmost economy in operation with standard<br />

11mm carbon trim burning at 75 to 105<br />

amperes.<br />

MORE FEATURES<br />

The FUTU RA n<br />

with automatic crater positioner for 13.6mm<br />

carbon trim burning at 120 to 160 amperes,<br />

or for 11mm carbon trim burning at 100 to<br />

125 amperes.<br />

New type relocated arc Imager system eliminates<br />

parallax. Big 18-inch first surface Strong<br />

Tufcold reflectors used in lamps operating<br />

above 95 amperes assure lower aperture<br />

temperatures. Silvered reflectors used in<br />

lamps burning under 95 amperes. Streamlined<br />

ammeter for reading arc current. Automatic<br />

trimming light. Inside dowser system<br />

BOXOFFICE March 9, 1964


I MODBRH MARCH 9, 1964<br />

o n t n I<br />

0


HERE'S<br />

WHY YOU SHOULD BE<br />

OFFERING YOUR CUSTOMERS<br />

Dr PEPPER - BOTH WAYS*<br />

The reason is demand. When any product<br />

aren't offering them both Dr Pepper and<br />

increases in sales for a number of con-<br />

Dietetic<br />

Dr Pepper.<br />

secutive years,<br />

more and more people are<br />

Remember, Dr Pepper is<br />

not a copy of some<br />

making that product their favorite. Dr Pepper<br />

soft drink you might already sell.<br />

Dr Pepper<br />

fountain sales have steadily increased for 15<br />

years — and Dr Pepper fans have increased<br />

is<br />

not a cola or a root beer, but a distinctive<br />

blend of many deep fruit flavors.<br />

by the millions.<br />

That's why you<br />

might be overlooking true,<br />

Take advantage of this continuing growth in<br />

demand for Dr Pepper. Write to the Fountain-<br />

Vending Division, Dr Pepper Company, P. 0.<br />

complete service to your customers if you<br />

Box 5086, Dallas, Texas 75222.<br />

"B^V DRINK<br />

Dr Pepper<br />

Dr Pepper Company. Dallas, Texas 1964<br />

BOXOFFICE :: March 9, 1964


. The<br />

PIZZA PIES GO OVER BIG IN<br />

THREE EL<br />

PASO DRIVE-INS<br />

Jack Veeren, El Paso city manager for Stanley<br />

Warner of Texas, Inc., left, shows Phil Cato a<br />

delicious pizza just coming out of the oven at the<br />

Bordertown Drive-In Theatre of that city. Notice<br />

the big pizza menu card above the oven. Six<br />

varieties are offered— cheese, mushrooms, sausage,<br />

anchovies or pepperoni—or they may be had in<br />

combination.<br />

By JOHN C. WILSON<br />

Jack J. Veeren. city manager in<br />

El Paso, Tex. for Stanley Warner of Texas.<br />

Inc., has long been acclaimed the "dean"<br />

of concessions and merchandising art in<br />

the Southwest. The SW circuit's recent<br />

venture in introducing pizza pies has<br />

proven no less a challenge for the man<br />

who came to this country from his native<br />

Holland in 1949. a penniless husband and<br />

father. Since Manager Veeren has charge<br />

of four ozoners within the city limits—the<br />

Bordertown Twin-Screen (which is actually<br />

two theatres in onei, the Del Norte and El<br />

Pa.so. his responsibilities are four-fold in<br />

both theatre management and the concessions.<br />

A thorough and understanding individual,<br />

Veeren tells his story of success,<br />

primarily centered at the Bordertown. His<br />

praises for immaculate premises also go<br />

to his manager—Bob Wyatt.<br />

Courtesy! The most important Intangible<br />

Item tops the list in selling. Schools held at<br />

brief intervals, usually as a "surprise attack,"<br />

have proved the personnel to be experts<br />

in the marketing of this highly specialized<br />

item, pizza.<br />

Every member of the concessions team<br />

reports to work in clean white shirts,<br />

neatly pressed trousers and a spotless white<br />

apron. Each customer is greeted as if he or<br />

she is the only person to be served tonight.<br />

A cheerful "hello" or "good evening"<br />

.seems to put them in the right mood for<br />

buying. And, since our story concerns<br />

pizzas—here is how it is done in El Pa.so.<br />

THREE-PHASE PIZZA OVENS<br />

The old tried-and-proven adage of "you<br />

have to spend money to make money," is<br />

no less true at drive-ins. Three-phase pizza<br />

ovens made by the Bakers Pride Oven Co.<br />

were installed in the concessions of the<br />

drive-ins. Because of the volume of patronage<br />

at the Bordertown, two ovens were<br />

installed there: one each at the El Paso<br />

and Del Norte. Operating on 220 volts<br />

electricity, the ovens are compact and required<br />

no special type of installation.<br />

On the first night pizzas were available,<br />

banners were attached to the concessions<br />

counter, windows and walls. The attendants<br />

wore pizza badges and on the screen was<br />

a pizza trailer. The projectionist announced<br />

through the speaker system that<br />

free samples of pizza would be served within<br />

a specified time. Hundreds of adults and<br />

children swamped the concessions stand.<br />

Two ladies handed out samples the minute<br />

the patrons entered the door. The .snack<br />

bar attendants followed up on the giveaway<br />

by asking everyone how he liked the<br />

pizza and if he wanted to buy a pizza. The<br />

secret is to ask the patron alter he Tias<br />

taken the first bite of the sample. Also, the<br />

sample must be handed out when the patron<br />

comes in. Not later, this is very important,<br />

because if you give the sample at<br />

the end of the line there is no chance to<br />

sell the pizza. The free sampling Is repeated<br />

at the drive-ins on occasion.<br />

To put across a sales campaign, a few<br />

things are essential. First, everyone, from<br />

the manager on down, must be enthusiastic<br />

about the item: you cannot sell a product<br />

you do not believe in. Have plenty of sign<br />

advertisement and the help supplied with<br />

badges. A combination sale is also a good<br />

promotion. Such as: a large 46-ounce<br />

drlHk with a regular eight-inch pizza for<br />

only $1. At a predetermined time the projectionist<br />

announces over the speaker system:<br />

"From now i7:15i until 8:15 a really<br />

big special. Save 24 cents by buying a giant<br />

drink of your choice and a cheese pizza,<br />

regular size, for only a buck! Hurry, hurry,<br />

becau.se after 8:15 the price will be the<br />

regular $1.24 for this once-in-a-lifetime<br />

combination! Hurry, hurry, the pizzas are<br />

ready."<br />

PIZZA MUST BE READY TO GO<br />

Many special combinations can be<br />

The pizza must be made<br />

created this way.<br />

up in advance and really ready to go. If<br />

the patron has to wait, he will not be back<br />

the next time. Pizzas are also made up in<br />

advance on busy weekend nights. About<br />

six to eight pizzas are in the oven, ready to<br />

go and the customer walks out happy because<br />

he was served in a jiffy. The large<br />

12-inch size is sold for SI. 25 icheese) and<br />

$1.40 pepperoni I I<br />

small eight-inch size<br />

is sold for 65 cents icheese* and 75<br />

cents (pepperoni I. Another interesting fact<br />

is that the sales of other items have not<br />

dropped and the pizza sales continue to<br />

rise.<br />

The Bordertown is selling about 200<br />

pizzas a week, and with the other two<br />

drive-ins, about 400 to 500 are sold weekly.<br />

CLEANLINESS<br />

ESSENTIAL<br />

In this highly competitive business of<br />

selling to "public fancy." it is necessary to<br />

have something worthwhile to sell, in an<br />

atmosphere of absolute cleanliness, which<br />

is of paramount importance in both the<br />

selling area and the stoclcroom. All operations<br />

are kept spotlessly clean. Painted a<br />

semi-glo.ss white, the walls and fixtures are<br />

not allowed to become untidy: an appearance<br />

that would most certainly discourage<br />

patrons' appetites. Repainting is done<br />

whenever necessary, walls and paneling are<br />

washed down frequently and stock is arranged<br />

for eye appeal.<br />

Attendants at the Bordertown Drive-ln display the eight and 12-inch pizzas which the theatre concessions<br />

bakes, while a lovely patron samples a cut of the popular Italian-born pastry Because of special con<br />

struct/on of the ovens, t>oth sizes of pies are baked for only three minutes at 625 . Crusts, and all the<br />

fixin's ore obtained from Original Pizza Supply<br />

The MODERN THEATRE SECTION


—<br />

NEED FOR MORE IMPROVEMENT IN<br />

variety, better displays and more suggestive<br />

selling by attendants to create plus<br />

sales.<br />

"Employe Training: The Power of Suggestion"<br />

was touched on by B. F. Ross,<br />

CONCESSIONS OPERATIONS CITED The Coca-Cola Co., Los Angeles.<br />

"When a waitress takes an order and<br />

47<br />

—<br />

'2<br />

43<br />

per<br />

per<br />

cent increase:<br />

cent increase; confectionery<br />

vending machines<br />

stores<br />

that is all, she doesn't sell anything," said<br />

—40 per cent increase: government—40 Ross. "Selling is the art of influencing a<br />

C DWARD S. per cent increase: variety stores—27 per customer's thinking to cause him to purchase<br />

what we want him to purchase. One<br />

Redstone, Northeast cent increase, while theatres showed a<br />

Diive-In Theatre decrease of 28 per cent.<br />

way is through suggestion. About 65 per<br />

Corp.. Boston, and<br />

Bush said that the 28 per cent loss of cent of your customers will purchase suggested<br />

items. A simple suggestion and you<br />

president of the National<br />

Ass'n of Con-<br />

candy sales in theatres would seem to indicate<br />

that candy is not keeping pace in have a bigger order, and all that it takes<br />

cessionaires,<br />

holding its share of that source of total is a few extra words."<br />

addressed more than<br />

volume and suggested that the opportunity<br />

100 amusement-recreation<br />

industry con-<br />

In relating the "Ice Cream Story." Forest<br />

to sell more candy exists and deserves careful<br />

consideration, regarding a wider<br />

Continued on page 17<br />

cessionaires, equipment<br />

manufacturers<br />

[dward S. Redstone and suppliers during<br />

the two-day, western<br />

regional concessions conference sponsored<br />

by NAC at the Biltmore Hotel in Los<br />

Angeles. February 17 and 18.<br />

OVERLOOK IMPORTANT FACET<br />

PART OF EVERY GOOD PERFORMANCE<br />

In discussing the subject, "The Management<br />

of Improvement," Redstone declared<br />

CRUSH 'n corn is as much a part of a movie date as the movie itself. Your<br />

that "most of us are so involved in<br />

profits show what your customers know . . . popcorn and Orange-CRUSH<br />

running our respective businesses that we<br />

are a number-one combination with theater goers across the country. That's<br />

lose sight of the fact that an important<br />

'cause Orange-CRUSH has the refreshing taste they enjoy best. No orange<br />

facet of our enterprises should be the<br />

problem of improvement." Continuing, he<br />

drink sells like Orange-CRUSH. No other orange drink brings you a greater<br />

said: "Obviously, through improvement we volume of repeat business. That's because Orange-CRUSH is the best-liked<br />

might increase our sales, often decrease orange drink in the country.<br />

the cost of operations and, of equal importance,<br />

we more effectively compete." And remember: Grape-CRUSH, Fruit-CRUSH, CRUSH-Lemonade,<br />

Redstone spelled out three important HIRES ROOT BEER and OLD COLONY beverages are all members of<br />

steps for effective action:<br />

the same profit-making family.<br />

1. We must first be concerned with developing<br />

and maintaining a philosophy of<br />

improvement centering around the problem<br />

of attitude of our personnel.<br />

2. We must then use a procedure designed<br />

to implement the improvement, attitude<br />

and philosophy in everyday practice,<br />

and<br />

3. The final step in the process is the<br />

establishment of agreed-upon objectives.<br />

"Through improvement," he concluded,<br />

"management executives may find a new<br />

approach to future profits."<br />

Major C. Bush, national sales manager.<br />

Curtiss Candy Co., Chicago, emphasized the<br />

great opportunity that exists for increased<br />

candy sales in concessions.<br />

GREATER PUSH ON CANDY<br />

"My company feels it is on the threshold<br />

of being of real service to your industry,"<br />

said Bush, "with tested, proven-successful<br />

ideas which will be developed in your own<br />

type outlets through your own people. Let<br />

us assure you we will be anxious to see you<br />

with these ideas and suggestions as quickly<br />

as we are sure of their value and success."<br />

1963, according to Bush, was the first<br />

year in a long time that the candy industry<br />

growth exceeded the population increase.<br />

Some recent candy industry sta-<br />


SALES INCREASE WITH NEW CAFETERIA<br />

Larger Building, Centrally<br />

Located, Also Means Faster<br />

Service and Enlarged Menu<br />

I^Ei'LACEMENT OK AN Older and<br />

smaller concessions building at the Dearborn<br />

Drive-In in the west side Detroit suburb<br />

of Dearborn has brought an increase<br />

in the average concessions sale per customer<br />

of ten cents, according to owner<br />

James H. Ross. The new structure is<br />

located back in a more central position by<br />

approximately three ramps, and was considered<br />

actually so important that it was designed<br />

to require a net loss of 42 car positions<br />

in this big, modern 1.400-car theatre.<br />

The Dearborn Drive-In is an instance<br />

where major investment in new equipment<br />

for the concessions department has meant<br />

significant improvement in gross—in a<br />

highly competitive situation where customers<br />

expect the best. Dearborn patrons<br />

have at least 13 drive-ins of 1,000-car capacity<br />

or larger available to them. Something<br />

has to attract them, to this specific<br />

house—and Ross' policy is to offer something<br />

that will keep his patrons coming.<br />

There are two major advantages to the<br />

new concessions installation, according to<br />

Ross:<br />

1. Faster service is provided by the new<br />

building, with less crowding. There is<br />

orderly service, and everyone gets his allotted<br />

turn. With the former station operation<br />

in the old building, people had to<br />

reach over the heads of other customers,<br />

to get an order, and then push back<br />

through the crowd on the way out.<br />

No. 3 Attractiye, new and larger concessions building at the Dearborn (Mich.) Driye-ln Theatre, with<br />

glass doors leading into the arcade from the patio which is cement in o red and white pattern.<br />

2. The menu offered was enlarged to give<br />

patrons more of a choice and. in general,<br />

a larger variety of higher-priced items,<br />

which helps to account for the average<br />

higher unit of sale. Among items added<br />

were a three decker sandwich (similar to<br />

a "Big Boy"^ at 55 cents, steak sandwiches<br />

at 60 cents, fresh doughnuts. French fried<br />

potatoes at 25 cents, fried chicken at $1.75,<br />

and such specialties as fried shrimp and<br />

fried fish.<br />

3. The manner of serving was adjusted<br />

to expedite handling a large number of<br />

people in a hurry during the break. Thus,<br />

No. /. The Dearborn's former concessions and projection<br />

building with its substation building at right<br />

No 2 All that was needed of the old buildiryg was<br />

the remaining projection room and power station Concessions floor plan, Dearborn (Mich) Driye-ln. Scale— '»"=:/'-0".<br />

The MODERN THEATRE SECTION


self-service is stressed, with sanawicnes<br />

wrapped and plainly marked as to type and<br />

price. Automatic doors are provided—not<br />

only for entrance, but for exit, making<br />

this one of very few drive-ins where the<br />

customer may walk out with two hands<br />

loaded with purchases and not have to<br />

worry about opening a door. There are<br />

four serving lanes, one placed opposite each<br />

of the four doors, to provide ready access<br />

for all patrons.<br />

Ross says that the new setup has proved<br />

capable of handling all the customers that<br />

come into the concessions from a full<br />

house of 3,000 patrons, almost as fast as<br />

they come in.<br />

The concessions is operated by L & L<br />

Concessions Co. The new building was designed<br />

by Jack K. Vogel, architectural<br />

engineer, who has worked on many major<br />

theatre projects across the country.<br />

TWO PRIOR REMODELINGS<br />

Over a period of years, the concessions<br />

building had been redesigned twice, but<br />

the owner still felt that the volume of<br />

business achieved was not in proportion to<br />

the theatre's patronage, and improvements<br />

were sought accordingly, explained Julian<br />

Lefkowitz, operations executive of L & L<br />

Concessions, who provided information on<br />

the highly efficient new structure.<br />

The old building was actually 80 feet<br />

across but the arcade area was too shallow<br />

(or narrow) to permit installation of the<br />

cafeteria type of seiTice facilities which has<br />

become so popular. The new building is<br />

chamfered or cut off at the front corners,<br />

to permit a minimum reduction in the<br />

number of speaker positions. The new<br />

building would be 100 feet square except for<br />

this chamfer, or essentially tapering of the<br />

sides toward the front, so that the front<br />

is only 68 feet wide, providing good vision<br />

to a maximum number of car positions.<br />

The exterior is Roman brick and field<br />

stone. There are four sets of doors, one<br />

on each side and two in the front. All doors<br />

are electrically controlled. There is no exposed<br />

woodwork on the exterior.<br />

In front of the building is a patio area,<br />

16x68 feet, with a cement floor in two<br />

colors, red and white. The roof overhangs<br />

four feet along the sides and six feet in<br />

front, providing weather protection. The<br />

entire roof of the building is insulated,<br />

providing economy in heating.<br />

An interesting feature is the use of a<br />

brick-wall screen at the rear, so that rub-<br />

The Engineer Comments on Features<br />

Of the Dearborn Concessions Project<br />

JACK K.<br />

VOGEL*<br />

Jack K. Vogel<br />

VRIVE - IN<br />

THEATRES in the<br />

Detroit area are<br />

among the finest,<br />

most well-appointed<br />

in the country.<br />

Business is consistently<br />

good and<br />

it is good because<br />

of the keen, generally<br />

friendly<br />

competition b e -<br />

tween these auto<br />

movie owners. This<br />

competition causes an almost constant<br />

updating of the area's theatres—a sort<br />

of outdoing one another at every<br />

opportunity.<br />

One of the most aggressive is Jim<br />

Ross, owner of Detroit's 1,400-car Dearborn<br />

Drive-In Theatre on Ford road.<br />

Earlier this year, Ross commissioned us<br />

to design a new de luxe refreshment<br />

service building. The old station-type<br />

concessions building was adequate when<br />

the theatre was built in 1948. But, by<br />

contemporary standards, it was away<br />

short in service, equipment and convenient<br />

location to the center of the<br />

customer population. Preliminai-y estimates<br />

placed the cost in excess of $125,-<br />

000 because Ross wanted the ultimate in<br />

this type of building.<br />

As the rest of the theatre was all<br />

electric, the decision was made to design<br />

this as an all-electric structure.<br />

We had just finished the country's first<br />

all electric drive-in theatre, the Ardmore<br />

in Pittsburgh, for Ernest and<br />

"Registered Architectural Engineer<br />

George Stern. As it was an all-new<br />

project, a compact electric load center<br />

was no real problem there. However,<br />

Dearborn's sub-station already existed<br />

—note protruding wall to the right in<br />

picture No. 1 of the old concessions-projection<br />

building. As at Ardmore, the<br />

entire Dearborn new concessions building<br />

is heated with Berko electric glass<br />

heating. Note in the center of picture<br />

No. 5, the air conditioning room with<br />

its cherry wood panel walls on the concessions<br />

area side. Note the convenient<br />

location of this room as shown on the<br />

floor plan.<br />

Tight space utilization eliminates the<br />

use of vestibules in concessions buildings.<br />

To solve this, we designed an invisible<br />

air heating wall for each set of<br />

arcade entrance doors. Installed over<br />

each set are Berko pyrolite recessed ceiling<br />

heaters with lighting units. This<br />

decreases the heat loss for the rest of<br />

the baseboard-type heating system.<br />

Thermostats are certainly an inexpensive<br />

item. We therefore cut down on the<br />

electric load by installing a separately<br />

controlled thermostat at each set of<br />

doors.<br />

Concessions buildings are always<br />

constructed in wide-open spaces lacking<br />

any protection from either weather or<br />

vandalism. Thus, metal doors for concessions<br />

buildings are proving much<br />

more practical than the conventional<br />

wooden type. Note in picture No. 5, the<br />

Amweld metal doors. These were used<br />

throughout the building except the<br />

Kawneer glass doors leading into the<br />

arcade from the patio as shown in picture<br />

No. 3. From the patio, note the<br />

modern "super-market look" with the<br />

Continued on following page<br />

Continued on following page<br />

No. 4. Automatic door pit and main water cut-off pit<br />

o( east front of the new Dearborn concessions building,<br />

also constructed beneath three other sets of automatic<br />

doors. Pits were waterproofed, vapor sealed,<br />

and topped with concrete, to prevent any heaving by<br />

frost which might affect door action.<br />

No. 5. The arcade area, showing checkout stands and Formica counters. The floor is terrazzo and walls are<br />

cherry-paneled. Back wall panels are multicolored Marlite. Ceiling is Armstrong Fireguard acoustical tile.<br />

BOXOFFICE March 9, 1964


SALES INCREASE IN NEW CAFETERIA<br />

Continued from preceding page<br />

bish ban-els axid any unsightly debris or<br />

ser\1ce facilities are not visible to the public<br />

from any position.<br />

Walls and floor are covered with tile in<br />

botli lYstroonis. Ceilings are covered in<br />

metal tile in these rooms. An unusual feature<br />

is that all fixtures are suspended from<br />

the wall rather than based on the floor.<br />

This includes toilet fixtures and partitions.<br />

so that the maintenance staff may easily<br />

clean under everything installed in these<br />

rooms.<br />

The ladies' restroom is 34x16 feet, with<br />

19 waterclosets. There is also an 11-footsquare<br />

powder room. The men's restroom.<br />

31x11 feet, has 18 individual urinals and<br />

three waterclosets. In both rcstrooms the<br />

traffic pattern is specially planned, with<br />

doors at opposite ends of the room, both<br />

being used for both in and out traffic.<br />

This allows a free flow^ in either direction<br />

and prevents jamming up of patrons.<br />

A janitors' service closet is built in as<br />

part of the men's room, with its own large<br />

slop sinlc. Adjacent to this room Is also a<br />

7xl6-foot utility and meter room, housing<br />

heavy power lines and transformers to<br />

service the building.<br />

The concessions storage room is 20x40<br />

feet, w'ith finished plastered walls and tiled<br />

ceilings. This feature is unu.sual. but Ross<br />

felt that this had several advantages, including<br />

111 better appearance: i2) improvement<br />

In cleanliness; i3) easier maintenance:<br />

i4i reduced heat loss by reason of<br />

the plastered walls and tile ceilings: and<br />

i5i better morale for personnel, by making<br />

the working quarters more attractive.<br />

The interior walls in the arcade area are<br />

finished in one-fourth-incli cheri-y paneling<br />

from floor to ceiling. The back wall of<br />

the concessions area. 64 feet across, is<br />

finished in bright multicolor hard surface<br />

panels. This paneling, rather uniquely, even<br />

encloses the two 7' 2-ton air conditioners<br />

placed at either end of the building.<br />

All lighting is recessed, and equipped<br />

with rheostat control. The lighting over<br />

each of the four cafeteria lines is separately<br />

controllable, Standard incandescent lighting<br />

is used, with Kirwin recessed fixtui'es.<br />

No. 6 Arcade area looking southeast toward front entrance. Note automatic doors, radiant electric baseboard<br />

heat, stone planter and atuminum guide rails in the new Dearborn refreshment building.<br />

No. 7. Termination of two of the lanes at cash registers is shown here and a good overall view of the layout.<br />

Specially selected building materials make for ease of maintenance and spotlessness.<br />

Hanging fluore.scent fixtures are also<br />

u.sed over each counter. wlUi indeixjndent<br />

switching. This makes it po.ssible, in combination<br />

with the separate rheostat controls,<br />

to readily signal to the public which<br />

units are In operation. All advertising and<br />

directional .signs are of plastic, either<br />

colored or white, w'ith colorful plastic lettering<br />

used to give the mes.sage.<br />

A portable microphone unit Is also uaed<br />

by the concessions manager for two pur-<br />

IX)ses: (1) to direct and control traffic;<br />

2) to stimulate interest in featured<br />

and 1<br />

items.<br />

THE ENGINEER COMMENTS<br />

Continued on page 12<br />

Continued from preceding page<br />

i<br />

traffic dividers. Every door metal or<br />

glass 1 leading In and out of the arcade<br />

has Stanley automatic hydraulic door<br />

opener equipment.<br />

Picture No. 4 shows the reinforced<br />

concrete block pits that were constructed<br />

beneath each of the four sets of automatic<br />

doors. These pits were waterproofed,<br />

vapor sealed and topped with a<br />

six inch reinforced concrete slab that<br />

was anchored to the footers 6Q inches<br />

below. This was done to prevent any<br />

possible heaving action by frost that<br />

might affect the operation of the automatic<br />

doors. Incidentally, note the roof<br />

facia in picture No. 3. It is porcelain<br />

enamel finish on Masonite. also by<br />

Kawneer. Picture No. 6 leads us to the<br />

interior of the arcade toward the beginning<br />

of one of the four service lanes.<br />

Picture No. 7 shows the termination of<br />

two of the lanes at the cash register<br />

stations. Terrazzo floors were installed<br />

throughout the area used by the public<br />

in the arcade. Picture No. 8 is a view<br />

from the area between the two planters<br />

back through the serving area toward<br />

the double doors leading into the concessions<br />

storage. iSee floor plan drawing!.<br />

Flooring here is Armstrong E^cellon<br />

vinyl tile.<br />

OVERHEAD WARMERS<br />

Prominently shown on the right are<br />

overhead warmers for the dispensing of<br />

regular popconi. hot buttered popcorn<br />

and specialized sandwiches. Prominently<br />

seen on the left of the picture are hot<br />

food units. Actually, both types of<br />

equipment are present in all four of<br />

the service lanes. Located next to the<br />

hot food units are the cold drink dispensers.<br />

Four water fountains are<br />

positioned with two inside the arcade<br />

and one next to each set of side entrance<br />

doors. A centi'al cooling system<br />

circulates water to the four outlets.<br />

Picture No. 9 shows the completed<br />

structure which we can compare with<br />

picture No. 1. the old building. Picture<br />

No. 2 shows all that we utilized from the<br />

old building now housing only the projection<br />

room and the electrical substation.<br />

It is located at the 4th and<br />

5th ramps while the new building occupies<br />

an 8.000 .square-foot-space between<br />

the 9Ui. 10th and 11th ramps.<br />

The theatre lost a toul of 42 speakers<br />

by the new construction. The new<br />

building created a net loss of 71 but<br />

razing the old concession gained 29.<br />

10 The MODERN THEATRE SECTION


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can sweep in profits with Diet-Rite Cola syrup. No sugar at all . . . less than one<br />

calorie per serving... yet Diet-Rite gives full cola pleasure in every cupful...<br />

Serve Diet-Rite, America's number 1<br />

with dynamic Diet-Rite Cola syrup!<br />

low-calorie cola. Watch your profits soar<br />

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Other fine products of Royal Crown Cola Co.: ffoya/Croivn Cola/Nehi/Upper 10/ParT-Pak<br />

COLUMBUS, GEORGIA<br />

BOXOmCE :: March 9, 1964 II


|<br />

SALES INCREASE IN NEW CAFETERIA<br />

Continued from page 10<br />

All food preparation activity, except<br />

dishwashing. Is performed out where the<br />

public can watch it. The 11-foot popcorn<br />

table ha.s a large plate glass window in<br />

front, so that people coming through the<br />

line can see the corn being popped. An 11-<br />

foot preparation section includes three electric<br />

friers and a preparation table. This<br />

is backed by two electric grills and a food<br />

freezer.<br />

The coffee equipment is located in the<br />

other half of the food preparation area,<br />

and is unusual in consisting of both an<br />

urn and a small glass unit. The two separate<br />

pieces provide maximum flexibility in<br />

operation—the urn will handle the requirements<br />

of the big nights, while the automatic<br />

is used when there is only a small<br />

crowd coming up for coffee—and the manager<br />

can make a small amount of coffee as<br />

needed, instead of a whole gallon.<br />

LARGE FREEZER AND REFRIGERATOR<br />

No 9 The exterior of (he new concessions building at the Dearborn Drhie-ln Theatre<br />

This section is backed up by a five-foot<br />

refrigerator and a six-foot freezer. Both<br />

are at table height, as is virtually all of<br />

the preparation equipment. These units<br />

store the raw materials for the 11 foot<br />

pizza table, which has two ovens.<br />

This entire food preparation complex is<br />

an island in the middle of the four-lane<br />

cafeteria, completely isolated from any<br />

wall area. Each of the serving lines is<br />

separate. A five-foot aisle around the<br />

access sides provides room for service to<br />

the preparation island.<br />

The counters are 170 feet long, divided<br />

into four complete sernng lines. The efficiency<br />

of layout and design has made it<br />

possible to handle this complete operation<br />

with no more help than was required for<br />

the small, old building with its four separate<br />

stations, Lefkowitz said—one of the<br />

most important advantages of the new<br />

building.<br />

Each serving lane has a triple rail, con-<br />

stituting a sort of maze in a rough Z pattern<br />

of flow, allowing the maximum number<br />

of people in the minimum amount of<br />

space. The lines alone will hold about 240<br />

people. 60 to a line, about half being at<br />

the serving counter at a given lime. This<br />

figure does not include people standing in<br />

line before they reach the railed area.<br />

As customers pass through the line, the<br />

first thing they encounter is an overhead,<br />

four-foot warmer displaying popcorn and<br />

buttered corn. Adjacent to this is an<br />

identical warmer used for the chicken dinner,<br />

shrimp dinner, hamburgers, fish sandwiches<br />

and pizza.<br />

Next comes a self-serve ice cream cabinet,<br />

then a counter area for potato chips,<br />

pickles, and milk. A seven-foot food<br />

warmer is next, with facilities for both wet<br />

and dry heat. Dispensed here are hot dogs,<br />

barbecues, shrimp rolls and French fries.<br />

Next are the buttered corn dispenser.<br />

drink dispenser, coffee dispensers, candy<br />

racks, and cash register. An important<br />

Jim koss, left, owner of the Dearborn Driyeln<br />

Theatre, and Julian Lefkowiti, president of L i L<br />

CorKCssions, Detroit, on opening night of the new<br />

concessions building at the Dearborn.<br />

No. 8. Looking bock through (he serving orca o( (he Dearborn Di . t.-ard the double doors leading to<br />

the conceisiom storage room. Oyerheod warmers for popcorn and sandwiches ore on the right, hot food<br />

units on the left. This equipment is duplicated in all four serrice lanes.<br />

reason for placing the butter, drink, and<br />

coffee dispensers together is that on slow<br />

nights one attendant can operate all three<br />

efficiently.<br />

A special feature is<br />

a doughnut machine,<br />

placed in an eight-foot counter which U<br />

an integral part of two of the ser\ing lines.<br />

At this point, doughnuts are sold oiUy for<br />

take home sales—in dozens or half dozens.<br />

in front of the machine.<br />

•We have found that people milling I<br />

around the front of the building have shown<br />

a great interest in watching the dough- i<br />

nuts being made." Lefkowitz says. "We ]<br />

have capitalized on the inquisitive Araerlcan<br />

public by encouraging them to take t<br />

home a bag at 75 cents a dozen. To date,<br />

;<br />

the doughnut machine has proved successful.<br />

Whether the interest will be main- ,<br />

tained. only time will tell."<br />

Continuea on page M (<br />

I<br />

j<br />

;<br />

12<br />

The MODERN THEATRE SECTION |


Astro Theatre, Omaha, Nebraska; fabrication and erection by Nebraslia<br />

Neon Sign Co., Lincoln, Nebraslo<br />

H


BAGS OF BITES<br />

Old


Mich.<br />

!<br />

—<br />

Good Maintenance Practices<br />

Prolong the Life of Drive-ln<br />

Concessions<br />

Equipment<br />

By<br />

JULIAN LEFKOWITZ<br />

(As told to Haviland F. Reves)<br />

The first show<br />

is in the lobby<br />

Movies are better than ever. So are<br />

the appetites of the people who<br />

enjoy them. That's where your ice<br />

cream novelties get into the act.<br />

Especially when they have a 4-star<br />

display in a Bally Case. Gleaming<br />

Porcelain finish gives real showmanship<br />

to your products. Whether it's<br />

in theatre lobbies or in drive-in<br />

refreshment counters, the result is<br />

the same in both places ... Increased<br />

ice cream sales.<br />

Model TI-30 above for<br />

theatre lobbies. 30"<br />

long, Approx. 875<br />

novelties.<br />

Model TI-43 to right<br />

for drive-ins, 43"<br />

long, Approx. 1194<br />

novelties.<br />

Write Dept. BX<br />

for More Details.<br />

Bally Case and Cooler, Inc.<br />

Bally, Pennsylvania<br />

Carry Out Trays and Popcorn Boxes<br />

N^^ii^-fi, $17.95 M<br />

Troy Is<br />

63ixl05/ex3<br />

inches deep.<br />

Holds all sizes<br />

of cups Including<br />

Buttercorn<br />

Cups.<br />

Red & White Striped Sunburst Design<br />

Automatic Lock Popcorn Boxes<br />

10c Boxes $ 9.90 M Freight prepaid within 200<br />

miles of Pittsburgh, Po. on<br />

I5e Boxes 12.S0 M ony combination order of<br />

-, boxes and trays amounting<br />

25c Boxes 19.80 M to $75. or more.<br />

SAMPLES ON REQUEST<br />

THEATRE CANDY CO. INC.<br />

400 Dinwiddle St., Pittsburgh 19, Pa.<br />

Arco code 412 Phone 281-8503<br />

|n last month's article (February<br />

10, Modern Theatre Section) I referred<br />

to various water problems which required<br />

the installation of water softeners to prolong<br />

the life of coffee equipment. At the<br />

Troy<br />

I I Drive-In Theatre, which is<br />

served by water fi'om artesian wells, we<br />

found that we were constantly having to<br />

replace heating elements in the food<br />

warmers and coffee equipment. The reaction<br />

of carbon in the water would coat<br />

the element, and eventually burn it<br />

through. Our solution was to install watersoftening<br />

equipment.<br />

At the Miracle Mile Drive-In at Pontiac,<br />

the presence of gas and iron in the<br />

water supply tends to build up a different<br />

type of deposit on the heating elements,<br />

and causes loss of equipment. In all outlying<br />

areas having a water well supply,<br />

whenever a predominant amount of carbon<br />

or iron is encountered, we have found<br />

it worth while to install water softeners.<br />

This not only prolongs the life of the<br />

equipment, but enables us to serve a better<br />

product in our soft di'inks and coffeemaking<br />

them more attractive and salable<br />

to oui' customers.<br />

WEEKLY DRIVE-IN MAINTENANCE<br />

Over a period of years, the nature of the<br />

interior walls of our concessions buildings<br />

has been puiposely changed from the use<br />

of cement block and painted walls, to tile,<br />

wood paneling or Formica. This is primarily<br />

a matter of decor and good merchandising<br />

policy in presenting attractive<br />

surroundings. It has caused us added<br />

maintenance problems—but it is well worth<br />

this drawback, because of the bright and<br />

cheerful atmosphere which results. The<br />

older surfaces always seemed to be cold,<br />

especially in cool weather, and they seemed<br />

to look dingy by midseason despite the<br />

best efforts to keep them clean.<br />

Our weekly cleanup of the concessions<br />

stand is usually performed on Monday<br />

nights. With the rush of business over the<br />

weekend, the use of equipment is at a peak,<br />

and at the same time we have a minimum<br />

of opportunity to assign staff to cleanup<br />

duty. Monday, further, is usually a slow<br />

night, permitting this extra attention.<br />

Weekly, all merchandise is removed<br />

from shelves, in dry storage, refrigeration,<br />

and freezer storage. The shelves and all<br />

storage equipment are scrubbed down with<br />

soap and hot water. This is done even to<br />

the back shelves of the dry storage cabinets,<br />

which are usually of wood. Storage<br />

shelves are painted, usually with a hard<br />

finish enamel, to permit this weekly<br />

scrubbing.<br />

All glass counter faces are wiped daily<br />

and washed weekly with a regular com-<br />

Continued on following page<br />

You'll sell more popcorn<br />

to capacity crowds with<br />

a Manley<br />

SUPER STADIUM<br />

POPS. Every 2 minutes — 20-25<br />

boxes of popcorn. Every<br />

hour—30 bushels of profit!<br />

STORES! Up to 180 boxes of popcorn<br />

kept hot, fresh, crisp, in<br />

elevator well which rises at<br />

flick of switch.<br />

SEASONS! Well has automatic plug-in,<br />

thermostat control, delivers<br />

accurate measure to kettle.<br />

SERVESsCorrect height for easy<br />

counter service. Stands<br />

alone or fits into coimter<br />

plan.<br />

SELLS. Built-in eye appeal. Red<br />

white modem design. Colored<br />

tubular illumination<br />

for golden-glow popcorn.<br />

Get Ready! Write for complete<br />

p=^ information today!<br />

*"<br />

MANLEY, INC.<br />

V 1920 Wyandotte • Kansas City 8, Mo.<br />

The BIGGEST Name in POPCORN for more than 35 years<br />

IF R IE IE<br />

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Send for your copy today.<br />

BERNY NOVELTY CO.,<br />

NOWI<br />

END<br />

COFFEE<br />

WASTE<br />

INC 'ry^h'/'n.y"<br />

Save money. No stole or<br />

left-over coffee when your<br />

coffeemoster is on E-Z<br />

WAY oufomofk. Coffee's<br />

fresh, hot ond ready all<br />

the time. Get the focts<br />

write now:<br />

STEa PRODUaS CO.<br />

40 8th An., S.W.<br />

Cedar Rapids, Iowa<br />

BOXOFFICE March 9, 1964<br />

15


j<br />

GOOD EQUIPMENT<br />

MAINTENANCE<br />

Continued from preceding page<br />

merclal glass cleaner. The woodwork and<br />

Fonnica surfaces here aie similarly wiped<br />

down daily with a soft cloth, and then<br />

washed weekly with an ordinary liquid<br />

household soap.<br />

Most of our larger locations have walk-in<br />

coolers. Merchandise In these units is<br />

similarly removed weekly, and the interior<br />

of the walk-in is scrubbed out with a<br />

generous amount of soap and water.<br />

In weekly maintenance of the drink<br />

equipment, all synjp pans are removed<br />

and flushed through with hot water. In<br />

dispensers having a cold water bath, the<br />

plug is removed, the bath flushed through,<br />

and the equipment wiped out as thoroughly<br />

as jwssible. The plug is replaced, and the<br />

bath filled with cold water. To this is<br />

added a tablespoon of liquid soap detergent<br />

which helps keep the bath sweet and retards<br />

the formation of bacteria.<br />

Also on a weekly schedule, the faucets<br />

are removed, completely dismantled,<br />

washed out, reassembled and replaced.<br />

Mineral oil is used to clean the surface<br />

of stainless steel in the general housecleaiung<br />

procedure. This prevents smudging<br />

and grit on the surfaces. We learned thus<br />

procedure only veiy recently, based on<br />

advice from a manufacturer. Vinegar is<br />

also often used in place of the mineral oil.<br />

which is expensive. Vinegar works about<br />

as well on stainless steel as on glass, but<br />

is not as efficient as the mineral oil.<br />

MONTHLY AND ANNUAL<br />

MAINTENANCE IN DRIVE-INS<br />

Although most concessions operators call<br />

in a local service company w^hen they have<br />

a refrigeration breakdown, we have found<br />

it efficient and economically sound to operate<br />

our own complete maintenance department.<br />

This is, of course, made possible<br />

by the large number of locations we operate.<br />

We have our own plumbing, electrical,<br />

carpentry, and refrigeration sections,<br />

staffed by two men who perform all this<br />

class of work for us.<br />

Our refrigeration man is on call for<br />

emergency service 24 hours a day.<br />

Normally he makes a general checkup each<br />

month at each location. Here he checks<br />

the coolant of the drink dispenser, cleans<br />

the compressors, oils and greases the popcorn<br />

machine, checks the compressors on<br />

the reach-in and walk-in boxes, checks<br />

settings on the drink faucets, oils and<br />

i<br />

cleans all exhaust fans, and checks the<br />

flame on all gas equipment.<br />

If the refrigeration man so-called to<br />

identify hinu finds a problem beyond his<br />

scope, he immediately and directly contacts<br />

the general mainteniuice man, who<br />

then makes a special trip out to get the<br />

equipment back in projx'r operation. The<br />

general maintenance man does plumbing,<br />

electrical, and carpentry work, and is<br />

adequately skilled in each phase. Thus he<br />

can wire a 200-volt installation for equipment,<br />

as well as change a bulb.<br />

As a result of this type of coordinated<br />

follow-through on maintenance, we are not<br />

at the mercy of some inexperienced party<br />

for service, and we know that the equipment<br />

is ready to use when we need it.<br />

In the locations that we close up for the<br />

winter, all equipment is drained. Oui- refrigeration<br />

man carries a portable air compressor<br />

on his truck, and is enabled by this<br />

means to blow out any trace of moisture<br />

from all building lines as part of wlnterization.<br />

Equipment other than the stainless<br />

steel is covered over for the winter months<br />

with a heavy motor oil. All equipment<br />

doors are left open, so as not to accumulate<br />

a foul odor in the units. Carbonators and<br />

pumps for drink equipment are removed<br />

and brought back to the warehouse, where<br />

they are rebuilt each year in time for spring<br />

opening.<br />

All coffee equipment is also brought into<br />

the warehouse, where it is de-limed. This<br />

seems like a time-consuming effort and<br />

perhaps a wasted effort, but we know that<br />

we can get a good cup of coffee out of<br />

clean equipment.<br />

Tips for Unpaved Roads<br />

Spring conditioning of unpaved roads is<br />

covered in a four-page pamphlet. "The Importance<br />

of Timely Spring Maintenance,"<br />

which is available free from the Calcium<br />

Chloride Institute, 909 Ring Bldg., Washington,<br />

D.C. 20036. The pamphlet outlines<br />

procedures for shaping to proper crown,<br />

adding binder soil or aggregate and applying<br />

calcium chloride. Included are two<br />

charts for estimating the amount of calcium<br />

chloride needed for different rates of<br />

application and road widths.<br />

Readers' Service Bureau coupon, page 31.<br />

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16 The MODERN THEATRE SECTION


NEED FOR MORE IMPROVEMENT<br />

Continued from page 7<br />

A. Nelson, Carnation Co., Los Angeles, discussed<br />

the selection, training and supervision<br />

of sales personnel, and the physical<br />

layout of snack bar and concessions stands.<br />

As to the latter. Nelson stressed these<br />

points: ease of operation— appearance —<br />

maintenance.<br />

"Layout and floor plan is of prime importance,"<br />

said Nelson. "I realize how<br />

many times we are limited in space, and<br />

have to do with what is available but here<br />

is where time-and-motion studies pay off.<br />

Placing of equipment where there will be a<br />

minimum of traffic, close to the serving<br />

areas, and as little congestion as possible<br />

behind a counter, can often increase gross<br />

sales."<br />

Continuing, he said that appearance of<br />

a good service outlet is another thing that<br />

can't be minimized. A bright, shiny, neat<br />

and clean stand wall bring customers back<br />

the second time, and they're apt to spend<br />

more each time in sanitary appearing<br />

suiToundings.<br />

Nelson, in discussing merchandising,<br />

said that most suppliers have materials<br />

and ideas for special promotions which can<br />

be secured from their salesmen, as these<br />

firms are all more than glad to cooperate<br />

and go out of their way to do a real job<br />

for their customers.<br />

Pizza came in for its share of importance<br />

in concessions sales. Gino Rudow, California<br />

Pizza Crust Co., Los Angeles, cited<br />

the high dollar volume and long profit in<br />

handling and selling pizza in refreshment<br />

PLANTERS<br />

IN THE<br />

NEW<br />

THEATER<br />

SIZE!!!<br />

centers. Popular sizes of pizza, according<br />

to Rudow, are 8 and 12 inches.<br />

The importance of using quality hybrid<br />

corn in order to get the maximum popcorn<br />

yields was emphasized by H. E. Chrisman,<br />

vice-president, Cretors and Co.,<br />

Nashville. Term.<br />

He also criticized the film<br />

New Production Facilifies<br />

yi(9K^^—_>~—»-<br />

,i


having<br />

Proper Care of<br />

the Intermittent<br />

Movement Is Vital to Projecting<br />

Rock- Steady Picture<br />

By<br />

WESLEY TROUT<br />

§\ PERFECTLY<br />

PROJECTED PICTURE Oil<br />

your screen will pay<br />

bm dividends at your<br />

boxoffice. Even<br />

though your projector<br />

may be many<br />

years old, it can be<br />

made to project a<br />

rock-steady picture, if<br />

you will follow our<br />

suggestions set forth<br />

Wesley Trout in this article.<br />

As we have stated<br />

several times in this department, the<br />

"heart" of your inechatiism is the intermittent<br />

movement. Why? First, the intermittent<br />

movement parts run at a very high<br />

speed and therefore it must be kept in good<br />

repair to withstand this strain on the cam,<br />

stanvheel and gears.<br />

As the film comes down from the upper<br />

feed sprocket, fed into the lateral guide<br />

rollers and film gate, it is pulled down at<br />

a constant speed of one and one-half feet<br />

i<br />

per second or 24 separate photographs per<br />

second Now, after the film enters into the<br />

I .<br />

film gate, it must stop at the aperture and<br />

remain absolutely motionless there for a<br />

period of 1 32nd of a second, in order to be<br />

projected on the screen. In order to be<br />

placed accurately each time at the aperture,<br />

the intermittent sprocket teeth must<br />

not be badly worn-undercut-or the placement<br />

of the next photograph will not be<br />

the same. In other w'ords, a worn intermittent<br />

sprocket can cause picture jump<br />

at this high speed. Too. the gate shoes<br />

must hold the film rigid each time and the<br />

shoes must be in good condition.<br />

CONTROL OF<br />

END-PLAY<br />

It should be understandable that sidesway<br />

will be caused by the starwheel (intermittent<br />

sprocket<br />

I end-play. In<br />

most all types of intermittent movements<br />

end-play can be eliminated but not too<br />

much as this might cause a bind and make<br />

the starwheel shaft turn hard. The lateral<br />

guide rollers at the top of the gate should<br />

hold the film in a straight line as it travels<br />

down through the film gate onto the intermittent<br />

sprocket, and these rollers must<br />

turn freely and not have any grooves.<br />

Grooves are caused by rollers being dirty<br />

on the Screen<br />

and not correctly adjusted to hug the film.<br />

Always place one drop of oil on the shaft<br />

every day and keep the rollers free of film<br />

particles and dirt. At the top of the gate,<br />

where the.se rollers are situated, there is<br />

very little clearance between each roller<br />

and mechanism cover, as you know. These<br />

rollers are not expensive and should be replaced<br />

immediately when worn too badly<br />

and you cannot adjust them to hold the<br />

film snugly.<br />

Be sure to adjust the lateral guide rollers<br />

so that they will guide the film in a<br />

straight line doivn through the film gate<br />

and so that the film perforations will ride<br />

in the center of the intermittent sprocket<br />

teeth.<br />

EXAMINE SPROCKETS DAILY<br />

Sprockets should be carefully examined<br />

every day, making certain they are perfectly<br />

clean. Accumulation of dirt on the<br />

intermittent sprocket will cause the picture<br />

to jump, not sometimes, but always,<br />

whi'.e dirt on the upper or lower sprocket<br />

may cause, if let pile up too much, the film<br />

run off.<br />

to<br />

We have known of several instances of a<br />

projector mechanism being .sent in for repairs<br />

and the complaint being "the picture<br />

jumps" and has bad sidesway. The trouble<br />

could easily have been remedied if the projectionist<br />

had cleaned the sprockets and<br />

taken the end-play out of the starwheel.<br />

Too, badly scored lateral guide rollers cause<br />

side-motion of the picture. Moreover, we<br />

want to point out that "under-cut" intermittent<br />

sprocket teeth will also cause picture<br />

to jump. But, here again, any intelligent<br />

projectionist can replace intermittent<br />

sprocket himself without having to send in<br />

the entire mechanism for such a minor job.<br />

While we are on the subject of intermittent<br />

movement, let us explain about adjusting<br />

end-play in the intermittent<br />

sprocket. While a very small amount of<br />

end-play or end movement of intermittent<br />

sprocket may do no harm, still there should<br />

be none at all. If your mechanism uses<br />

taper pins to fasten the sprocket to the<br />

starw^heel shaft ivery old-model projectors<br />

i. it may be necessary for you to<br />

install new taper pins, slightly reaming out<br />

the holes with a very small taper reamer.<br />

Late-model mechanisms have collar for<br />

adjusting end-play, and some other provision,<br />

explained in instruction book or our<br />

loose-leaf service manual.<br />

Many projectionists do not clean the<br />

starwheel shaft before replacing a new Intermittent<br />

sprocket. Don't force the<br />

sprocket as you may .spring the .shaft and<br />

really have a jumping projected image.<br />

To in-stall a new mtcrmittent, first clean<br />

the shaft very thoroughly. Having the<br />

shaft clean, cover its surface with a small<br />

amount of projector oil. Next, push the<br />

.sprocket on with a gentle, twisting motion.<br />

It should go on easily. In replacing screw<br />

or taper pins in sprocket, set them up<br />

firmly, but do not use too much force as<br />

you may damage the sprocket. If your<br />

sprocket fa.stens on with taper pins, we<br />

strongly recommend using either a pin<br />

pusher or "V" block for removing p.ns.<br />

REMOVAL OF<br />

INTERMITTENT<br />

In a few modern projectors, you do not<br />

need to remove the entire intermittent<br />

movement when changing the sprocket, but<br />

it is best to remove the movement and do<br />

the job "right" and avoid damage to the<br />

starwheel shaft, and it makes the Job<br />

easier. The shutter will have to be retimed,<br />

of course.<br />

By the way, we suggest, when adjusting<br />

the cam and starwheel, you do so only<br />

when these parts are warm. You will obtain<br />

a more precise adjustment and avoid<br />

"lock-up," in many cases, when these parta<br />

expand, due to heat from operation and the<br />

light spot at the cooling plate from the arc<br />

lamp.<br />

Let us point out here, that in order to<br />

secure quiet operation of the film with oldtype<br />

Simplex mechanisms, the "cradle"<br />

that holds the shoes and holds the film<br />

against the intermittent sprocket, must be<br />

very carefully "fitted" so that it pushes the<br />

film fiimly but does not "ride" It. This<br />

cradle can be formed to obtain the correct<br />

curvature and this will eliminate, in most<br />

cases, film noise at the intermittent<br />

sprocket.<br />

LUBRICATION OF INTERMITTENT<br />

Intermittent movement lubrication—<br />

Due to the high speed of the cam, sUrwheel<br />

and gears, it is obvious that such<br />

movements must be lubricated with carefully<br />

selected oil. Only the very highestquality<br />

oil should be used in any genevatype<br />

intermittent movement, and to maintain<br />

good lubricating quality, oil should be<br />

drained out of movement at least every<br />

three or five hundred hours of operation<br />

and the movement refilled with fresh oil.<br />

Too. one should "flush" out the old oil<br />

with fresh before refilling the case. Your<br />

movement will run more quietly and give<br />

many more years of service without replacement<br />

of parts.<br />

It should be readily understood, that as<br />

oil is used, its lubricating qualities gradually<br />

wear away and therefore it will fall<br />

Continutd on pogt JO<br />

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The MODERN THEATRE SECTION


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BOXOFFICE :: March 9, 1964 19


CARE OF INTERMITTENT<br />

Continued from page 18<br />

to cut down friction of moving parts and<br />

they will start wearing out. Moreover, continually<br />

simply adding new oil or old oil<br />

will cause the fresh oil to lose its strength<br />

and you damage the moving parts of your<br />

intermittent movement. It does not take<br />

many minutes of time to drain and refill<br />

any type of intermittent.<br />

Note: Never put in so much oil that It<br />

reaches the top of the oil gauge glass. Fill<br />

only up to the red mark and not so full<br />

it will run over and out of the case, thereby<br />

causing excess oil and a sloppy mess on<br />

the projection room floor. Movements requiring<br />

hand-oiling of the outer starwheel<br />

bearing should be oiled very carefully; one<br />

or two drops of oil will be sufficient. Overoiling<br />

will result in oil reaching the film,<br />

hence must be avoided. Use a .small can<br />

can<br />

with a spout and not a pump-type oil<br />

for oiling bearings.<br />

In replacing old intermittent parts after<br />

disassembly, or installing new parts, be<br />

sure they are perfectly clean. If they fit<br />

too tightly, have patience. These parts


!<br />

Perhaps one reason<br />

^Hrhy drive-in<br />

theatre attendance<br />

isn^t better^ is the<br />

fact that home<br />

TV screens have<br />

brighter pictures<br />

than drive-ins<br />

Can you imagine how much more enjoyable drive-in movies would be if the image on the screen<br />

had real impact and brilliancy? How can this be done? SimpK- b\- using 70nnn jirojection. The image<br />

on 35mm film has to be magnified about two million times to fill<br />

a txpical 100 foot drive-in screen.<br />

Using 70mm film, magnification is onl\- about ?4th as nnich while the larger aperture allows<br />

approximately 4 times more light to pass. Result is a picture that's tremendously brighter and sharper.<br />

With attractions such as "Lawrence of Arabia" in general release to drive-ins in 70mm, and with<br />

producers now using new methods of "printing-up" from 35mm to 7()mm .<br />

. . the future of outdoor<br />

projection is literalK' much brighter. And don't forget, toda\'s acbanced Norclco model AAII<br />

Universal 70 35 projector is not onl\' the world's fiiuvst 70mm projector—but in less than 4 minutes<br />

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For today and tomorrow, Norclco 70 35 is your wisest investment.<br />

The 1962 Academy o( Motion Picture Arts and Sciences presented<br />

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BOXOFHCE :: March 9, 1964 21


1948<br />

\<br />

small.<br />

By<br />

The<br />

\m\ Aniflc:<br />

Look to the Safety of<br />

Your Theatre<br />

NORMAN SHIGON*<br />

Restrooms<br />

The derivation of the word<br />

"toUet" springs from a Latin root meaning<br />

"to weave." From there it goes on an interesting<br />

linguistic historical Journey so<br />

that from the concept of weaving grew the<br />

idea of a "cloth." From the idea of a<br />

weaver's beam came the idea of spinning<br />

a web or a spider's web. From this concept,<br />

going from Latin into old French and then<br />

middle French grew the idea of "nets" or<br />

"snares." Therefore, while the idea in the<br />

English language at the present time of a<br />

"toilet" carries with it the concept of<br />

cleaning, dressing or adorning oneself,<br />

there is still, perhaps in the background, a<br />

sense that such a place can prove a snare.<br />

Of course, the fact is that, for many theatre<br />

owners and operators the proper<br />

maintenance of a lavatory, restroom or<br />

facility has turned into a trap or a snare.<br />

The law is clear that the theatre owner<br />

in possession or the operator does have a<br />

duty to keep and maintain public toilet<br />

facilities in a reasonably safe condition<br />

using reasonable care In inspecting them<br />

from time to time.<br />

Lavatories, restrooms or toilet facilities<br />

are part of the premises to which the public<br />

•Attorney at Low, Philodelphia.<br />

|vV<br />

As Disastrous As No<br />

,<br />

spare In the Desert,<br />

,s NO spare In the Booth<br />

The<br />

Is Impliedly InvlU'd to u.se and. therefore, as<br />

pointed out in Fox Tucson Theatres Corp.<br />

vs. Lindsay. 47 Ariz. 388, 56 P. 2d 183<br />

cl936>. they must be maintained by the<br />

owner in possession or the operator in .such<br />

a proper fashion that they are lighted<br />

under the circumstances of the particular<br />

ca.se so that they are reasonably safe for<br />

visitors to u.sc. and this duty applies to the<br />

lighting conditions in the area of steps<br />

leading from a lavatory to a lounge.<br />

The owner in possession or proprietor of<br />

a place of amusement owes an affirmative<br />

duty, according to the decision of the Fifth<br />

Circuit Court in the case of Wright vs.<br />

Paramount- Richards Theatres. Inc., 198 F.<br />

2d 303 (19521. C.A. 5 La., of using reasonable<br />

and ordinary care and to warn its patrons<br />

of hidden dangers therein, not observable<br />

in the exercise of ordinary care.<br />

While not an insurer, the owner of a theatre<br />

who is in possession or the operator of<br />

such a place of amusement owes to the pa-<br />

Irons using toilet facilities the duty of<br />

ordinary care to prevent accidents therein.<br />

This was the clear holding in Sviith vs.<br />

Saenger Theatres Corp.. 186 So. 866 (1939,<br />

La.. App.)<br />

In one case, where a theatre manager<br />

had known the condition of a toilet room to<br />

be slippery, the operator of the premises in<br />

the case of Newsman vs. Fox West Coast<br />

Theatres. 86 Cal.. App. 2d, 428. 194 P. 2d<br />

706 1 . it was held liable even to a nonpaying<br />

person upon the premises on a<br />

1<br />

theory that there had been active negligence<br />

or, at the least, that even a nonpaying<br />

gratuitous licensee would be entitled<br />

to rely upon the premises being and<br />

remaining in a relatively safe condition,<br />

and that the failure to warn such a person<br />

Z^^^<br />

For want of an extra mirror,<br />

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of a hazardous condition or to make reasonable<br />

attempts to remove the condition or<br />

to exclude such a iJcrson from their<br />

premises, rendered the owner-in-possesslon<br />

or the proprietor of .such a place of amusement<br />

liable.<br />

In fact, courts have gone so far as to<br />

charge an owner of a place of entertainment<br />

with a positive, affirmative duty to<br />

know the premises are safe for use by the<br />

public and if a hazardous condition Is<br />

created by the proprietor of such a place of<br />

amusement or by one of his servants, agents<br />

or employes, then the proprietor will be<br />

held liable. Freedman vs. Palmer Park<br />

Theatre Co.. 345 Mich., 657, 77 N.W. 2d 108<br />

(1956).<br />

It is well to remember, as has been<br />

stated previously, that many courts have<br />

held that restroom, lavatory and toilet accommodations<br />

and facilities are as much a<br />

part of the premises of places of amusement<br />

or entertainment to which patrons<br />

are invited as any auditoriums in such<br />

establishments. Dively vs. Penn-Pittshurgh<br />

Corp.. 332 Pa., 65 (1938i.<br />

CARE OF INTERMITTENT<br />

Continued from pogt 20<br />

hold the shaft straight and. in many cases,<br />

badly worn and not always adequate means<br />

of adjustment. Too. we find many projectionists<br />

not keeping these brackets in proper<br />

distance from the sprockets, the grooves of<br />

the rollers not "centered" in the sprocket<br />

teeth, and sometimes have flat places, the<br />

roller not turning freely and never given<br />

any lubrication. This coTidition of neglect<br />

should never exist in any theatre, large or<br />

Neglect of correct adjustment on<br />

important parts in any type of projector<br />

will cause film damage and inferior projection.<br />

We repeat: Examine your sprocket idlers<br />

and sprocket teeth frequently, and make<br />

sure that they turn freely. Lubricate the<br />

shafts daily. If they do not tum freely,<br />

flat spots will soon develop, which sooner<br />

or later mean trouble. All projector<br />

mechanisms have an adjustment by means<br />

of which the projectionist may determine<br />

the distance of the idler from the face of<br />

the sprocket. A fairly good plan, and easy<br />

one to follow, is to place two thicknesses of<br />

film on the sprocket, and then adjust the<br />

idlers so they rest on the film: with this<br />

adjustment and only one thickness of film<br />

when projector is In operation, the Idler<br />

roller or rollers should be the right distance<br />

from the film.<br />

To sum up. one or two drops of high<br />

grade projector oil are ample lubrication<br />

for any projector bearing requiring handoiling.<br />

To reduce tendency to over-oil. use<br />

only a medium-size oil can with a small<br />

spout opening. Most modern makes of projector<br />

mechanism use automatic oiling or<br />

sealed-in-for-life oiled bearings, with only<br />

a few bearings to be oiled by hand.<br />

Keep the idler rollers correctly adjusted;<br />

the lateral guide rollers at the top of the<br />

projector gate should be carefully adjusted,<br />

kept clean and tum freely. If lateral guide<br />

rollers do not turn, they will develop<br />

grooves and this will cause side-motion of<br />

the projected picture. The lateral guide<br />

rollers should be adjusted so that the film<br />

travels in a straight line to the Intermittent<br />

sprocket.<br />

22<br />

The MODERN THEATRE SECTION


.<br />

VI<br />

lt..><br />

• •><br />

Model FP 20 B<br />

># J -.>-I' .<br />

Model AA II<br />

AllhOne package headquarters<br />

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TRANSISTORIZED SOUND BY<br />

allantyriG<br />

ONE carefully coordinated plan even includes financing<br />

Give us the four walls and we'll give you a completed theatre including famous Noreico<br />

projection, new hi fidelity Ballantyne transistorized sound, carpet, seating, draperies —<br />

everything, even financing— All-in-One.<br />

This turn-key job includes planning, engineering and installation supervision as well—the<br />

perfect combination for the new build or lease shopping center theatres.<br />

Working with your architect, we can give you the theatre of tomorrow, with modern concepts<br />

in<br />

layout, building design, auditorium, lobby and concessions. Be sure you check this<br />

easy, businesslike way to profitable operation.<br />

Don't make a move until you've talked with Ballantyne and received a Ballantyne quotation.<br />

Among the<br />

respected<br />

names used in the Ballantyne<br />

package are . .<br />

Noreico<br />

Ideal<br />

Neumade<br />

Technikote<br />

Kollmorgen<br />

Strong<br />

Altec<br />

RCA<br />

General Register<br />

Metropolitan Stage<br />

Mohawk<br />

allantynG<br />

INSTRUMENTS AND ELECTRONICS, INC.<br />

A DIVISION OF ABC VENDING CORPORATION<br />

1712 Jackson Street, Omaha, Nebraska 68102<br />

BOXOFFICE March 9, 1964


Plymouth<br />

I<br />

A Polynesian-inspired carpet in multi-colored design is a distinctive feature of the new Moi-Kai Tlieatre in<br />

Livonia, Mich., a rapidly growing suburb of Detroit. The theatre seats 1,500 persons.<br />

By HAVILAND F. REVES<br />

#% SOLID TOUCH of the exotic<br />

atmosphere of the Pacific was brought to<br />

the west side Detroit suburb of Livonia by<br />

construction of the new Mai-Kai Theatre.<br />

This town is a far-spread community covering<br />

essentially a township, still largely<br />

vacant or farm land, but rapidly building<br />

up. The 1,500-seat Mai-Kai Theatre is<br />

only the second to be built in Livonia<br />

which has some claim to being the second<br />

largest city in the state of Michigan in<br />

area.<br />

Owner of the Mai-Kai is Nicholas<br />

George, universally known as Nick, who<br />

has operated theatres around Detroit for<br />

about 30 years. His circuit currently consists<br />

of three indoor theatres and four<br />

large drive-ins, with headquarters at the<br />

Allen Park Theatre, Detroit.<br />

nent curved lines, especially in the roof<br />

area over the front arcade, rather than<br />

reliance upon the flat and rectangular lines<br />

widely characteristic of contemporary<br />

architecture. The result is a pleasing<br />

whole, best studied perhaps in an illustrative<br />

view.<br />

The Mai-Kai is located on a 22-acre<br />

piece of land at the northeast comer of<br />

Plymouth and Parmington Roads, owned<br />

by the Jeffrey-Lauren Land Co. The present<br />

structure is the first half. es.sentially,<br />

of a projected twin-theatre development,<br />

with the second unit to be developed subsequently.<br />

Lines, hundreds of persons long,<br />

seen at this theatre almost "out In the<br />

country," for good attractions since Its<br />

openinK. indicate that the second twin<br />

should be coming along soon.<br />

The placement of the theatre is unusual<br />

for tills part of the country, in being set<br />

far back off the road, with the large parking<br />

lot area lying in front. Thus the theatre<br />

building Is seen In perspective at a<br />

d'stance and. In fact, remains in view of<br />

i<br />

the heavy passing traffic Road<br />

is a former national highway<br />

i<br />

for a considerably<br />

longer period than would any<br />

bulld'iig located close to the property line.<br />

This has a significant promotional advantage<br />

in that It allows ample time to<br />

read the announcement of the attraction<br />

board.<br />

PARKING LOT HARD SURFACED<br />

The parking area Is hard-surfaced.<br />

Walks lead directly from the parking<br />

spaces to the theatre entrance to provide<br />

easy access and egress through an extensive,<br />

landscaped area. Both entrances<br />

and exits to the parking lot have been designed<br />

and placed for maximum safety,<br />

with positioning so that they will avoid<br />

interference with the traffic on the main<br />

roads adjacent. This forethought In planning<br />

resembles the care now given to traffic<br />

control in designing a modern drive-in<br />

theatre.<br />

The main facade of the theatre is of<br />

white marble, with striking accents in the<br />

use of black vertical fins of porcelain<br />

enamel. The lower portion is a combination<br />

of glazed brick in tones of light blue<br />

and light bluish green.<br />

An arcade running the entire width of<br />

the front of the structure is a verj' distinctive<br />

feature. The roof of this section<br />

is constructed of a series of arches, and<br />

largely sets the tone of visual appesU for<br />

the building. This arcade will be continued<br />

across the front of the second theatre,<br />

giving it a continuous length of 250<br />

feet.<br />

The exterior sidewalls are of highquality<br />

face brick, in a composition of<br />

varying buff tones.<br />

NAME MEANS 'THE<br />

FINEST"<br />

The name was carefully selected to symbolize<br />

to the metropolitan public the special<br />

appeal of the Polynesian culture which<br />

is represented In a modified manner in the<br />

design and decor of the house. Mai-Kai is<br />

translated from Polynesian as meaning<br />

"The Finest," and this high quality was<br />

the objective of the builders.<br />

"The exterior design is severe and dignified."<br />

according to E. D. Straight, who<br />

heads the architectural firm of Bennett<br />

and Straight. Despite this basic design<br />

severity, the visitor to the theatre receives<br />

a first visual Impression, also noted by<br />

passersby, of lightness and airiness. This<br />

appears to derive from the use of proml-<br />

24<br />

An arcade with an unusual rooflmc extends across the entire width of the front of the Mai-Kai Theatrt,<br />

and this arcade will be extended across the front of the second theatre, which is projected, for a<br />

continuous length of 250 feet Generous parking area is provided<br />

The MODERN THEATRE SECTION


'<br />

The exotic theme is set by a number of<br />

architectural and decorative features. The<br />

unusual design of the name lettering on<br />

the sign over the upper part of the theatre<br />

auditorium, visible for a notable distance<br />

along the highway, is striking, and appears<br />

a blend with the repeated curved roof pattern<br />

of the arcade. The lobby itself, it<br />

should be noted, projects from the front of<br />

the building, so that the main structure<br />

bearing the sign is an impressive setback in<br />

the unusual white marble effect.<br />

The lobby has highly distinctive theme<br />

pieces of Polynesian sculpture on either<br />

sidewall. and is given a gardenlike effect<br />

by the liberal use of planters. The multiple<br />

full glass doors look out on the landscaped<br />

lawn, with all parking thus kept at a little<br />

distance.<br />

High illumination is given to the lobby<br />

through the use of a patterned ceiling design.<br />

Imported Italian marble is used for<br />

the lobby walls, giving a warm tone, accented<br />

by gold and blue touches. Aluminum<br />

doors lead to the foyer. An interesting<br />

feature is that the doors are glazed<br />

with clear dark blue glass, which eliminates<br />

transmission of glare from the bril-<br />

Auditorium walls of masonry block in an oHset pattern serve acoustical as well as architectural purposes.<br />

The comfortable, wide (22 inches) seats are spaced on 37-inch centers for plenty of legroom.<br />

Special Provisions for<br />

Patron Safety, Health<br />

As detailed in the text of this article,<br />

the architects and builders of the Mai-<br />

Kai Theatre took extraordinary precautions<br />

to assure patrons of comfort,<br />

safety and health.<br />

Special planning went into the arrangement<br />

of the parking area for cars<br />

and layout of entrance and e.xit lanes so<br />

as to avoid any difficulties for cars entering<br />

the theatre or emerging to the<br />

highway.<br />

Health and comfort factors were<br />

considered in the installation of an air<br />

conditioning system which not only provides<br />

temperature and humidity control<br />

but also purifies the air.<br />

The stage has an asbestos drop for<br />

fire control.<br />

-:<br />

/ i i<br />

i<br />

This rear v/ew 0/ the auditorium also shows the stepped pattern of the walls. Suspended construct/ on was<br />

used for the projection and equipment rooms which are supported from the upper structural frame.<br />

liant lobby into the interior foyer. The<br />

lobby is equipped to present musical programs<br />

when desired to entertain a waiting<br />

crowd.<br />

The foyer sweeps across the back portion<br />

of the auditorium to give patrons there<br />

a clear view of the stage. Column construction<br />

in the standee rail, separating<br />

the foyer and auditorium areas, was<br />

avoided by the use of suspended construction<br />

for the projection and equipment<br />

rooms. These are located above the foyer,<br />

and supported from the upper structural<br />

frame.<br />

The concessions area and restrooms are<br />

all accessible from the foyer. The carpet<br />

here uses the Polynesian theme, embodying<br />

a special design in appropriate, varied<br />

hues. The lighting is decorative, and is<br />

subject to complete, variable -intensity<br />

control.<br />

The candy counter has a unique backbar,<br />

colorfully arranged with figures and<br />

sculpture-like landscaping to resemble the<br />

fantastic settings of "South Pacific." or<br />

other island fantasies. Suspended globes<br />

provide adequate light and carry out the<br />

theme.<br />

Controls for lights, air conditioning, and<br />

other sei-vices are provided as needed at<br />

more than one point—as in lobby, backstage,<br />

and projection booth. Parking area<br />

lights ai-e time-switch controlled. The<br />

service area for vending machines, partly<br />

separated from the main auditorium, provides<br />

access to machines conveniently<br />

from the rear.<br />

The stage has an asbestos drop for fire<br />

control, controlled by a knife in the wings<br />

placed ready to cut the rope holding the<br />

Continued on following page<br />

The refreshment counter, illuminated by pendant<br />

light fixtures, is located in the foyer and is easily<br />

accessible from the standee area at the left.<br />

BOXOFFICE :: March 9, 1964 25


.<br />

:<br />

MODIFIED POLYNESIAN THEME<br />

Continued<br />

from preceding page<br />

curtnin in an emergency. A totally new<br />

concept in theatre construction replaces<br />

dressing rooms for stage shows. A large<br />

roll-up door at the rear allows an available<br />

house trailer to be driven into the<br />

wings and hooked up for use as dressing<br />

rooms for acts.<br />

The auditorium is 60 feet wide by 27 feet<br />

high, and specifically designed to accommodate<br />

the large screen. Projection facilities<br />

include both 35 and 70mm. A special<br />

feature is the installation of closed circuit<br />

television for use for special shows available<br />

in this medium according to program<br />

and technical developments.<br />

Seating capacity for the present auditorium<br />

is about 1,500, to be duplicated in<br />

Uie second unit. Dc luxe upholstered seats,<br />

.spaced 37 inches between rows, and 22<br />

Inches wide, are used, positioned to avoid<br />

screen distortion and to give an unobstmcted<br />

view.<br />

The walls of the auditorium are of<br />

masonry block in an offset pattern serving<br />

both architectural and acoustical requirements.<br />

The ceiling is a suspended plaster<br />

plaque in a flowing design, appearing to be<br />

independent of the enclosed side walls.<br />

The whole building is air conditioned.<br />

In the auditorium this is controlled to "pinpoint<br />

degree" to meet varying conditions.<br />

The controls take account of both weather<br />

conditions and the degree of patron occupancy.<br />

Air cleanliness is an important<br />

feature of this conditioning system as<br />

well, providing air free from bacteria as<br />

CREDITS:<br />

Air Conditioning : Trane<br />

Carpet: Alexanuer Smith<br />

Changeable Letters: Bevelite<br />

CurtaiJi Controls: Vallen<br />

Generator: Hertner Transverter<br />

Lamps: "Constellation 170"<br />

Lenses: Bausch & Lomb, Kollmorgen<br />

P. A. Systcjii, Speakers: Altec-Lansinc<br />

Projectors: "National Seventy"<br />

Reflectors: Tufcold<br />

Reivinds. Film Handling Equipment<br />

Neumade<br />

Screen: Walker American<br />

Seats: American<br />

Sound: Simplex Pre-Select<br />

Spotlights: Strong Trouper<br />

Stage Draperies: Northwest Studios<br />

Ticket Machines: General Register<br />

'^HS^d<br />

i^<br />

VITA-GLAZE — new<br />

paper coating developed<br />

tor EXCLUSIVE use<br />

on BUTTERCUP.<br />

Proven<br />

Profit<br />

Join the nation's<br />

top concession merchandisers . . .<br />

Put the BUTTERCUP* Profit<br />

Package to work for you.<br />

the Dispensers...<br />

SERV-O-MAT — fully automatic butter<br />

(li.spenser — new, modern, efficient and<br />

durable . . . Trigger touch bar efficiently<br />

dispenses controlled portions of hot butter.<br />

deluxe BUTTER SERVER —low cost,<br />

manually operated . . . designed for<br />

small volume locations.<br />

with *<br />

the Buttercups VITA GLAZE<br />

Wax free, leak-proof. Name Brand<br />

BUTTERCUPS" in<br />

3 sizes<br />

... in familiar brown and yellow,<br />

imitated but never duplicated.<br />

the Sales Accessories. .<br />

Send for illustrated brochure on the<br />

complete BUTTERCUP line. Use the<br />

sales getting display items that i)oint the<br />

way to increased volume without<br />

increased overhead and sales attendants.<br />

SUPURDISPLAV INC<br />

SBRVCR SALES INC<br />

1109 NORTH 108th STREET<br />

MILWAUKEE 13,<br />

WISCONSIN<br />

well as the usual temperature and humidity<br />

requirements. The other parts of the<br />

building are individually controlled mechanieally.<br />

The system uses a centrifugal<br />

fan.<br />

The present building has 26,226 square<br />

feet and 826,350 cubic feet. The architects<br />

comment that,<br />

"The Mai-Kai is one of the few theatres<br />

designed and consti-ucted for present day<br />

entertainment. The stage will accommodate<br />

live stage productions and full-size<br />

Cinerama at its best. Sound distribution<br />

is scientifically engineered and will be<br />

clearly audible to evei-y part of the theatre<br />

auditorium and foyer."<br />

The Mai-Kai marks the first theatre<br />

project in many years for Bennett and<br />

Straight, who were architects for many of<br />

the leading theatres in this territory, as<br />

well as elsewhere, during tfee period of<br />

active indoor theatre construction before<br />

World War H.<br />

Coca-Cola Active in 1964<br />

World's Fair Promotions<br />

Theatre concessionaires will benefit by<br />

the tremendous publicity focused on Coca-<br />

Cola through two national promotions connected<br />

with the New York 1964 World's<br />

Pair. Some lucky girl with the "winning<br />

smile" will be given an all-expenses-pald<br />

week in New York City and the Fair for<br />

herself and two persons of her choice. The<br />

dream trip, courtesy of The Coca-Cola Co.,<br />

Is one of the top prizes to be awarded In<br />

the Jantzen. Inc., 1964 "Smile Girl"<br />

promotion.<br />

Girls will compete this spring in approximately<br />

30 cities at leading department<br />

stores for a chance at local and national<br />

awards. Final judging for the four "Smile<br />

Girl" winners will be held at Cypress Gardens,<br />

Fla., July 10-12.<br />

The "See-thc-Fair" Sweepstakes will be<br />

launched April 13 by Coca-Cola bottlers on<br />

a national scale, offering more than 125<br />

free trips to the World's Fair. The grand<br />

prize is a five-day trip to the Fair for the<br />

winner and 25 friends, or $25,000 in cash,<br />

drawing for which will be held June 8.<br />

Additionally, 4,000 other prizes will be<br />

given.<br />

26<br />

The MODERN THEATRE SECTION


I<br />

I<br />

;<br />

5!2mmx6"<br />

i<br />

carbon<br />

'<br />

and<br />

Strong Announces a New Arc Lamphouse<br />

35 and 70mm<br />

And Associated<br />

Rectifier Equipment<br />

The Strong Electric<br />

Corp. has developed<br />

a new high-intensity, reflector-type projection<br />

arc lamphouse and associated rectifier<br />

equipment for use with 35mm portable<br />

and semi-portable projectors and<br />

16mm projectors. The 2.600 lumens of<br />

light produced for 16mm projection and<br />

4,000 lumens produced for 35mm projection<br />

is approximately four times that of a<br />

mazda light source, in both instances sufficient<br />

for showing brilliant pictures up to<br />

18 feet in width. The snow-white character<br />

of the light makes it ideal for the<br />

projection of colored films.<br />

The type 48600-1 lamp for 16mm projectors<br />

uses a 6mmx8'/2" positive and a<br />

Strong Electric Corp.'s new high-intensity projection<br />

arc lamphouse is designed for use with 35mm<br />

portable and semi-portable projectors and 16mm<br />

,<br />

projectors.<br />

copper coated Pearlex negative<br />

to burn for an hour at 30 amperes.<br />

the type 48400-2 lamp lor 35mm projectors<br />

utilizes a 6mmx9" negative and a<br />

7mmxl2" copper-coated positive to burn<br />

America's<br />

headouarters<br />

ior all<br />

Iheatre enuipment<br />

one hour and 20 minutes at 40 amperes.<br />

Known as the Univarc, the lamphouse<br />

weighs only 55 pounds, and shipping<br />

weight is 70 pounds.<br />

Direct current for the 40 ampere, 29-30<br />

volt arc is supplied by a four-tube type<br />

16200 rectifier which measures 13"x20"x21"<br />

and weighs 125 pounds and the 30 ampere,<br />

26-28 volt arc is supplied by a two-tube<br />

type 26,000 rectifier which measures<br />

20" high by 12" wide by 11" deep and weighs<br />

100 pounds.<br />

The single-phase, full-wave rectifiers for<br />

16mm projection consist mainly of a transformer<br />

for reducing the high line voltage<br />

to a potential correct for operating the arc,<br />

an overload circuit breaker, line relay<br />

which is connected to a lamphouse automatic<br />

door switch and the necessary<br />

sockets, switches, voltmeter and terminals,<br />

all of which are housed in a substantial<br />

metal case which is provided with handles<br />

for easy portability. The AC load, or rectifier<br />

input, does not exceed the 15-ampere<br />

limit provided by any 110-volt convenience<br />

outlet.<br />

EFFECTIVE<br />

INSULATION<br />

The live parts of the lamp are effectively<br />

insulated from the grounded line current<br />

by use of a separate primary and secondary<br />

winding in the transformer. There<br />

is also a smoothing reactor which is connected<br />

in the direct current circuit to the<br />

arc. This reduces the AC component so<br />

as to eliminate light flicker.<br />

The lamphouse is provided with horizontal,<br />

vertical and focus adjustments for<br />

the reflector: manual controls for carbon<br />

alignment: an adjustable-speed motor for<br />

feeding the carbons: an arc imager: and<br />

an ammeter for reading the current at the<br />

arc.<br />

The reflector is 10 '4 inches in diameter<br />

and has a working distance of 24 inches<br />

for 35nim projection and 18 inches for<br />

16mm projection. The geometric focus is<br />

3 '2" for the 40 ampere and 4" for the 30<br />

ampere to result in an f value of f 2.3 on<br />

the 40 ampere and f 1.6 on the 30 ampere<br />

to match the commonly used lenses of<br />

modern projectors.<br />

supplies<br />

National<br />

TMKATnE auPBL.V COMPANY<br />

HEYER-SHULTZ<br />

UNBREAKABLE<br />

METAL<br />

REFLECTORS<br />

• MAXIMUM SCREEN ILLUMINATION<br />

• GUARANTEED 5 YEARS!<br />

Write for literature<br />

or see your<br />

Theatre Supply Dealer.<br />

HEYER-SHULTZ, Inc. Cedar Grove. N. J.<br />

BOXOFTICE March 9, 1964<br />

27


. ^<br />

r!4»*«!f -^isSkSA t«":/s"'vft'!»t::«iJ*s- ,~<br />

EQUIPMENT €r<br />

DEVELOPMENTS<br />

Solid-State Power Supplies<br />

For Xenon Arc Lamps<br />

g * 4<br />

FOR MORE<br />

INFORMATION<br />

Use Readers*<br />

Bureau Coupon on Page 31<br />

Glass and Brass Slides<br />

For All Theatre Purposes<br />

blowers and permits continuous operation<br />

in temperatures from C to 50 C.<br />

XMOStrots<br />

Huglu-s Electronics Co. has announced a<br />

new "Solid-state-Series" of nine power<br />

supplies designed to extend the life of<br />

high-cost xenon and xenon-mercury arc<br />

lamps in equipment such as motion picture<br />

and microfilm projectors and theatrical<br />

and photographic spot and flood<br />

lights. The units in the series utiliise highefficiency,<br />

solid-state circuiti-y throughout,<br />

feature output ratings from 30 to 5.000<br />

watts, and meet all of the technical requirements<br />

of xenon and xenon-mercury<br />

lamps to assure maximimi life, according<br />

to Hughes. Performance and operating<br />

characteristics include: inherent, selfregulating<br />

volt-ampere characteristics: DC<br />

output ripple less than 1 per cent: automatic<br />

current limiting; adjustable output<br />

range selector: and protection against<br />

high-voltage, igniter starter. Free convection<br />

cooling eliminates noisy fans and<br />

Complete Line of Endless Carbons<br />

Now Handled by West Coast Service<br />

The addition of 10mm and Umm carbons<br />

now makes it possible for West Coast<br />

Theatre Service to supply exhibitors with a<br />

complete line of Endless carbons— 7s, 8s.<br />

9s, 10s, lis and their corresponding negatives—manufactured<br />

by Sansha Electric<br />

Co. of Japan. West Coast has also added<br />

a second Japanese carbon—the Coronarc<br />

brand—in the conventional 14-inch length.<br />

West Coast is selling direct to theatres, as<br />

well as through established distributors,<br />

and. according to Howard Bell, welcomes<br />

inquiries from anyone interested in an exclusive<br />

territory.<br />

Claims mode for product described editorially<br />

on this and other pages ore taken from the<br />

manufacturers' statement.<br />

IIM!lliJ!ll>


for holidays and special events, as well as<br />

flag slides of every country. National<br />

Studios claims to have every possible date<br />

slide in stock, or will make desired ones<br />

up without extra cost. Brass date slides are<br />

said to last a lifetime. Special slides which<br />

are made to order from wording and illustrations<br />

in black and white or handcolored<br />

are available at moderate prices.<br />

Twin Package of Licorice<br />

A Good Impulse Product<br />

packed in 60-count cartons, offer over a 60<br />

per cent profit margin. The additional<br />

outer cello wrap on the Pak assures greater<br />

freshness and increased shelf life. The retail<br />

price places the Pak in the range of<br />

fast-moving impulse items and the Pak's<br />

convenient size makes it a good carryout<br />

item.<br />

Theatre Programs Use Three<br />

Pages to Sell One Big Film<br />

Fepco Theatre Advertisers announce a<br />

new, colorful Imperial program that devotes<br />

the front cover and the two inside<br />

pages to selling one big picture, and the<br />

back cover to sell coming attractions or for<br />

merchant ads. The front cover is illustrated<br />

with advertising sketches of the big picture<br />

and the name and address of the theatre<br />

and exhibition dates are shown. The inside<br />

spread may carry a brief review of the<br />

picture and scenes from the film. The programs<br />

are available for advertising motion<br />

pictures in current release. Exhibitors must<br />

provide "camera-ready" copy for merchant<br />

ads, if these are to be used on the back<br />

cover instead of coming attractions.<br />

Switzer's Licorice Co. is now marketing<br />

the 15-cent Double Pak, a package containing<br />

two individually wrapped bars of<br />

Old Fashioned Licorice. The Double Paks,<br />

[<br />

For a More Pleasant Envi<br />

A Three-Drink Fountain<br />

Dispenser From Coco-Cola<br />

The Coca-Cola Co.'s fountain sales c'epartment<br />

has announced a new threedrink<br />

fountain dispenser, the Meteor in,<br />

which requires little space and is competitively<br />

priced. The new dispenser is<br />

identical in appearance and construction<br />

to the two-drink Meteor introduced by the<br />

Machine-Tightened Screws Keep<br />

Letter Hooks From Turning<br />

Changeable copy letters manufactured<br />

by National Devices Co. have a number of<br />

features which exhibitors like, including the<br />

fact that machine- tightened screws keep<br />

the non-rusting galvanized hooks from<br />

turning, and non-sliding bronze springs<br />

securely clamp the letters to the track. The<br />

letters are adaptable to any track manufactured,<br />

or to any home-made track. All<br />

letters are self-aligning and all hook letter<br />

sizes may be used interchangeably on the<br />

same track. The letters are made of<br />

tempered Masonite, with the color baked in<br />

to form an attractive wrinkle texture. The<br />

baking process at 225° F. makes the paint<br />

very hard, durable and weather-resistant.<br />

* *<br />

GARBAGE<br />

PAIIS ,<br />

ora<br />

ssur<br />

hg fragranci<br />

^'^mm<br />

LIBERTY<br />

FIREWORKS<br />

For Record-Breaking Drive-ln<br />

Crowds<br />

You are assured Greater Value, Safety,<br />

Brilliance, Color, Flash and Noise.<br />

Spectacular LIBERTY FIREWORKS are th« greatest<br />

boxoHice attraction because they are the<br />

world's tinesti They poy for themselves in Increased<br />

attendance.<br />

READ THIS UNSOLIC- *<br />

ITED TESTIMONIAL<br />

"We have sliopptd around<br />

for fireworks to use in our<br />

drive-ins and after comparisons<br />

have found wa<br />

get the best deal from<br />

LIBERTY. Your displays<br />

are brinhter."<br />

NOTICE:<br />

GET FREE CATALOG<br />

NOWI<br />

4S page catalog, fully illustrated<br />

shows the gorgeous<br />

beauty and magnificent<br />

splendor of LIB-<br />

ERTY FIREWORKS.<br />

Reasonably priced from $35<br />

to SI. 000 and up.<br />

NEW HOME ADDRESS<br />

LIBERTY DISPLAY FIREWORKS CO.<br />

Hegeler Lane<br />

Site formerly Hegeler Zinc Plant<br />

P. O. Box 6S3, Danville, Illinois<br />

Phone 442-2559. If no answer call 444-4743<br />

PBOOORIZES INSTANTLY<br />

Made of top-quality vaporizing<br />

agents and perfumes; no moth-cake<br />

odors, yet moth-proofs too.<br />

Lasts Longer — Economical<br />

Lasts 40 to 50 days. Costs, labor<br />

Also<br />

Available . . .<br />

DEODOROMA REFILLS:<br />

sqLiare blocks for<br />

wall diffuseur<br />

negligible. Eight discs to box; versa-<br />

DEODOROMA CRYSTALS:<br />

"^ '^ "^<br />

' for spot<br />

deodorizing<br />

tile<br />

wire holders included.<br />

For full Particulars, write<br />

The C. B. Dolge Company,<br />

Westport, Connecticut<br />

vif^M^'^l^^rAy.S'<br />

OIGE<br />

BOXOFFICE March 9, 1964 29


company last year. It enables the concessionaire<br />

to serve Coca-Cola and two<br />

oUier drinks, plain or carbonated, from a<br />

hiKli-impact plastic dispenser cabinet only<br />

18 inches wide. The actual counter space<br />

occupied by the three different bases is<br />

only ten inches, slishtly more than an<br />

average sinnle-drink unit. The dispenser<br />

is refrigerated by ice, and features stayopen<br />

handles for faster filling, plus a split<br />

handle on the left valve which provides<br />

plain or carbonated water from the same<br />

valve that dispenses a soft drink. Another<br />

split handle may be ordered for the center<br />

valve, where needed, without additional<br />

cost. The Meteor III was engineered and<br />

developed jointly by The Multiplex Faucet<br />

Co. and the engineering department of<br />

Coca-Cola. It offers an exclusive, patented,<br />

syrup pressure control and capillary valve<br />

POWERFUL PLUNGER CLEARS<br />

CLOCGED TOILETS<br />

to as.sure accurate portion and quality control<br />

over both syrup and water. The highly<br />

flexible and profitable unit may also be<br />

converted to a pressure system.<br />

Ten Selection, Two-Price<br />

Candy Vending Machine<br />

the upholstery does, according to the manufacturer.<br />

National Laminating Manufacturing<br />

Co. No heat is required. Upholstery<br />

must be clean and dry. To use,<br />

merely cut off the length of tape needed,<br />

and round the corners: peel off the paper<br />

backing, using knife tip to get it started:<br />

and apply over rip and rub down hard with<br />

thumbnail or hard object. The tape Is<br />

available in both mat idulli finish, and<br />

gloss finish, and is also adhesive to glass,<br />

metals, wood, rubber, paper and most<br />

plastics.<br />

Octofold Coin Purse an<br />

Attractive Giveaway<br />

Clear Messy, Stuffed Toilets<br />

Cut Maintenance Costs with<br />

in a Jiffy!<br />

rS)<br />

TOILAFLEX<br />

Toilet<br />

jTu^NGu] Plunger<br />

Ordinary plungers just don't seat properly.<br />

They permit compressed air and water to<br />

splash back. Thus you not only h^ve a<br />

mess, but you lose the very pressure you<br />

need to clear the obstruction.<br />

National Vendors, Inc., has announced<br />

its new Crown line of merchandisers consisting<br />

of this candy vender and two<br />

cigaret venders. The Crown line incorporates<br />

the latest in contemporary design<br />

with a wide variety of color combinations<br />

for maximum compatibility with individual<br />

locations. Above the large display area is<br />

a panel of gold-colored aluminum in a<br />

beaded pattern, and there are vinyl sections<br />

on each side of the display area,<br />

available in walnut, turquoise or Newport<br />

white. Cabinet colors are buck.skin, charcoal,<br />

and champagne white. The cabinet<br />

and vinyl colors will be available in any<br />

combination. Ten selections, with a 240-<br />

item capacity and two-price vending are<br />

standard. A five-selection gum and mint<br />

unit, boosting selections to 14 and capacity<br />

to 416 items, and three-price vending are<br />

optional extras.<br />

Exhibitors looking for an attractive, inexpensive<br />

giveaway item for theatre promotions<br />

may be interested in the new<br />

Octofold coin purse of genuine leather<br />

which is available from Lon Harmon. Cut<br />

from one piece of leather with self-closing<br />

folds, the exclusive design features no<br />

stitching and no fasteners to avoid wearing<br />

holes in pockets.<br />

With "Toilaflex", expressly designea for<br />

toilets, no air or water can escape. The<br />

full pressure plows through the clogging<br />

mass and swishes it down. Can't miss!<br />

* Designed to flex at any angle<br />

* Suction-rim stops splash-back<br />

* Centers itself, can't skid around<br />

* Tapered tail gives air-tight fit<br />

Cel a TOILAFLEX" for your home loo":'<br />

Positive insurance a/iainst stuffed toilet.<br />

AT<br />

$065<br />

Higher \r\ Canada<br />

YOUR HARDWARE SUPPLIER<br />

Rip Repair Tope for Mending<br />

Vinyl and Leather Upholstery<br />

Nafco Rip Repair Tape is a new. tough,<br />

transparent, waterproof, pressure-sensitive<br />

tape for repairing rips, cuts and tears in<br />

vinyl and leather upholstery of theatre<br />

seats, lobby furniture, etc. When in place,<br />

the tape is not affected by hot or cold<br />

water, soap, steam, detergents, alcohol, oil.<br />

grease and many solvents and acids. It is<br />

said to withstand temperatures from 80<br />

below zero to 400" above. The average rip<br />

repair costs about a nickel for material and<br />

takes about one minute to apply. The tape<br />

stops rips from spreading and makes a permanent<br />

repair which should last as long as<br />

l480tLICHANAN<br />

SEND FOR FREE<br />

LITERATURE<br />

SEATING<br />

COMPANY<br />

CRANO HAf lOS. MICH.<br />

30 The MODERN THEATRE SECTION


CONDENSED INDEX OF PRODUCTS<br />

Page<br />

ATTRACTION BOARDS AND<br />

LETTERS<br />

Bevelite Mfg. Co 19<br />

Wagner Sign Service, Inc 13<br />

BUTTER CUPS FOR POPCORN<br />

Supurdisplay, Inc.,<br />

Server Sales, Inc 26<br />

BUTTER SERVERS<br />

Supurdisplay, Inc.,<br />

Server Sales, Inc 26<br />

CANDY<br />

Reese Candy Co 16<br />

Switzer Licorice Co 14<br />

CARBON SAVERS<br />

Cali Products Co 28<br />

CARRY-OUT TRAYS<br />

Theatre Candy Co., Inc 15<br />

COFFEE DISPENSERS<br />

Steel Products Co 15<br />

DEODORANTS<br />

C. B. Dolge Co 29<br />

DRINKS, SOFT<br />

Dr Pepper Co 5<br />

Crush, International, Inc., Div.<br />

Beverages International, Inc 7<br />

Pepsi-Cola Co 2<br />

Royal Crown Cola Co 11<br />

DRIVE-IN THEATRE EQUIPMENT<br />

North American Philips Co 21<br />

Selby Industries, Inc 20<br />

FILM CEMENT<br />

Fisher Mfg. Co 16<br />

FIREWORKS DISPLAY<br />

Liberty Display Fireworks<br />

Co.. Inc 29<br />

GLASS & CHROME CLEANER<br />

Kinner Products Co 16<br />

ICE CREAM MERCHANDISERS<br />

Bally Case & Cooler, Inc 15<br />

IN-CAR SPEAKER RECONING<br />

Western Electronics 28<br />

NOVELTY PRIZES<br />

Berny Novelty Co.. Inc 15<br />

PAINT FOR DRIVE-IN SCREENS<br />

Selby Industries. Inc 20<br />

PEANUTS<br />

Planters Peanuts. Div. of<br />

Standard Brands, Inc 17<br />

POPCORN EQUIPMENT AND<br />

SUPPLIES<br />

Manley. Inc 15<br />

Speed Scoop 14<br />

PROJECTION ARC LAMPS<br />

C. S. Ashcraft Mfg. Co 28<br />

Strong Electric Corp 3<br />

PROJECTION LENSES<br />

Kollmorgen Corp 27<br />

PROJECTORS<br />

Ballantyne Inst. & Elect 23<br />

North American Philips Co 21<br />

RECTIFIERS<br />

Ashcraft Mfg. Co., C. S 28<br />

BOXOFnCE :: March 9, 1964<br />

REFLECTORS<br />

Page<br />

Heyer-Shultz. Inc 27<br />

Strong Electric Corp 22<br />

SEATING. HARDTOPS<br />

Irwin Seating Co 30<br />

SNOW CONE EQUIPMENT<br />

Samuel Bert Mfg. Co 16<br />

THEATRE EQUIPMENT. LEASING<br />

Ballantyne Inst. & Elect., Inc 23<br />

THEATRE EQUIPMENT & SUPPLIES<br />

National Theatre Supply Co 27<br />

TOILET PLUNGERS<br />

Page<br />

Toilaflex, Stevens-Burt Co 30<br />

TOWERS. WINGS, PENCE,<br />

SPEAKER POSTS, BOX-<br />

OFFICES, TRAFFIC RAIL<br />

Selby Industries, Inc 20<br />

TRANSISTORIZED SOUND<br />

Ballantyne Inst. & Elect., Inc 23<br />

XENON LAMPS & POWER<br />

SUPPLIES<br />

XeTRON Div., Carbons, Inc 18<br />

Clip and Mail Tliis Postage-Free Coupon Today<br />

FOR MORE INFORMATION<br />

This form is designed to help you get more information on products and services<br />

advertised in this issue of The Modern Theatre Section or described in the "New<br />

Equipment and Developments" and "Literature" and news pages. Check: The advertisements<br />

or the items on which you want more information. Then: Fill in your<br />

name, address, etc., in the space provided on the reverse side, fold as indicated,<br />

staple or tape closed, and mail. No postage stamp needed.<br />

ALPHABETICAL INDEX OF ADVERTISERS, Issue of March 9, 1964<br />

Page<br />

n Ashcraft Mfg. Co., C. S 28<br />

D Bollantyne Inst. & Elect., Inc 23<br />

n Bert Mfg. Co., Samuel 16<br />

D Berny Novelty Co 15<br />

D Bevelite Mfg. Co 19<br />

n Call Products Co 28<br />

n Crush International, Inc., Div of Beverages<br />

International, Inc 7<br />

n Dolge Co., C. B 29<br />

D Dr Pepper Co 5<br />

n Fisher Mfg. Co 16<br />

D Heyer-Shultz, Inc 27<br />

n Irwin Seating Co 30<br />

n Kinner Products Co 16<br />

n Kollmorgen Corp 27<br />

n Liberty Display Fireworks Co, Inc 29<br />

D Monley, Inc 15<br />

Solld-Stote Power Supplies<br />

NEW EQUIPMENT and DEVELOPMENTS<br />

Page<br />

for Xenon Arc Lamps 28<br />

n Complete Line of Endless Carbons 28<br />

D Gloss and Brass Theatre Slides 28<br />

New Theotre Progroms<br />

Sell One Big Film 29<br />

n Screws Keep Chongeable<br />

Letters From Turning 29<br />

Page<br />

n National Theatre Supply Co 27<br />

D North American Philips Co 21<br />

n Pepsi-Cola Co 2<br />

n Planters Peanuts, Div. of Standard<br />

Brands, Inc 17<br />

n Reese Condy Co 16<br />

n Royal Crown Cola Co 11<br />

n Selby Industries, Inc 20<br />

n Speed Scoop 14<br />

n Steel Products Co 15<br />

n Strong Electric Corp 3, 22<br />

O Supurdisploy, Inc., Server Sales, Inc 26<br />

n Switzer Licorice Co 14<br />

n Theatre Candy Co., Inc 15<br />

Wagner Sign Service, Inc 13<br />

n Western Electronics 28<br />

n XeTRON Div., Inc., Div. of Carbons, Inc. 18<br />

Page<br />

n Twin Package of Licorice<br />

... 29<br />

n Three-Drink Fountain Dispenser<br />

From Coca-Colo 29<br />

D Ten -Selection, Two-Price Candy Vender .. 30<br />

n Rip Repair Tape for<br />

Mending Upholstery 30<br />

Coin Purse an Attractive Giveaway 30<br />

OTHER NEWS of PRODUCTS and EQUIPMENT<br />

Page<br />

D New Strong Arc Lamphouse ond<br />

Associated Rectifier Equipment 27


|<br />

;<br />

|<br />

i<br />

j<br />

about PEOPLE / and PRODUCT<br />

New Lamps in Detroit House<br />

Miss Pauline Krauss who laid been bookkeeper<br />

for The Knclsley Electric Co. for 16<br />

years died February 21 after a brief Illness.<br />

ulumnu.s. IS cluurman ol the<br />

current alumni fund campaiKn<br />

university's<br />

Clarence L, A. Wynd, vice-president,<br />

imd Gfrald B. Zornow, vice-president for<br />

marketing, of the Eastman Kodak Co..<br />

were elected to the board of trustees of the<br />

University of Rochester in New York. Both<br />

men are directors and members of the executive<br />

committee of Kodak. Wynd has<br />

served as chairman of the advisory committee<br />

for the university's department of<br />

chemical engineering and Zornow. an<br />

David W. Smerlinc has been elected a<br />

vice-president of the ABC Vending Corp.<br />

He is also vice-president of the company's<br />

Confection Cabinet Division. Chicago, and<br />

a member of the board of directors of the<br />

parent corporation. For .several years he<br />

was assistant to his father, the late Manuel<br />

Smerling. one of the founders of Confection<br />

Cabinet's predecessor company which<br />

owned and operated food-beverage concessions<br />

in more than '2.000 motion picture<br />

BOXOFFICE MODERN THEATRE:<br />

Send me more information about the products and articles checked on<br />

ibe reverse side of this coupon.<br />

Name<br />

Theatre or Circuit..<br />

Seating or Car Capacity..<br />

Position..<br />

The Adams Theatre in Detroit, Mich., was amortg (he<br />

first theatres to install the new Strong Futura projection<br />

arc lamps. Walter L. Rickens, Local 199<br />

lATSE and MPO, is shown operating one ol them.<br />

theatres in the midwest. Upon the death<br />

of his father last year. Smerling assumed<br />

management of Confection Cabinet's midwest<br />

territory. Confection Cabinet merged<br />

with ABC Vending in 1957.<br />

Street Number .<br />

City.. Zone Stote..<br />

* Fold olong this line with BOXOFFICE address out. Staple or tape closed.<br />

HAVE YOU MADE ANY IMPROVEMENTS LATELY?<br />

We'd like to know about them and so would your fellow exhibitors.<br />

If you've installed new equipment or made other improvements in your<br />

theatre, send us the details—with photos, if possible. Or if you have<br />

any tips on how to handle some phase of theatre operations, concessions<br />

sales, etc.— faster, easier or better— let other showmen in on them. Send<br />

this<br />

material to:<br />

The Editor<br />

MODERN THEATRE<br />

jk Fold along this line with BOXOFFICE oddreis out Staple or tooe closed<br />

BUSINESS REPLY ENVELOPE<br />

Firjt Clou Permtl No. 874 - Section 34.9 PLiR - Koraot City, Mo.<br />

Dr Pepper Co. reported 1963 earnings<br />

after taxes at a new high. $1,409,973 as<br />

compared to $969,227 in 1962—up 45 per<br />

cent over last year. Per share earnings for<br />

1963. also reached a new high at SI.95 compared<br />

with $1.35 in 1962. an increase o(<br />

44 per cent for the year. Number of shares<br />

outstanding increased during the year<br />

from 717.638 in 1962 to 721.365 as of record<br />

December 31, 1963.<br />

•1963 was Dr Pepper's greatest growth<br />

year." stated Wesby R. Parker, chairman<br />

and president of the firm. He said the<br />

company experienced sharp gains in all<br />

j<br />

1<br />

areas of operations including both sales<br />

and earnings. Net sales were up 25 per<br />

cent over 1962 and national syrup gallonj<br />

'.<br />

age In 1963 was more than 18 per cent<br />

ahead of the previous year. "Sales momentum<br />

which marked Dr Pepper progress<br />

,<br />

last year is continuing. " said Parker, "Jan- i<br />

uaiT starting off with a 17 per cent gain<br />

over the same month last year."<br />

i<br />

Consolidated sales of Eastman Kodak<br />

Co.'s U.S. units last year reached $1,106,-<br />

670.760. about 5 per cent above the $1,056.-<br />

072.473 of 1962.<br />

Net earnings were $144,428,503. about 3<br />

per cent above the 1962 total of $140,342.-<br />

438 The earnings were equal to $3.75 per<br />

J<br />

common share against $3.64 in 1962. based (<br />

on the 38.382,246 shares outstanding at the<br />

year-end. Net earnings were 13.1 per cent<br />

of sales in 1963. compared with 13.3 per I<br />

cent in 1962.<br />

BOXOFFICE-MODERN THEATRE<br />

825 Van Brunt Blvd.<br />

KANSAS CITY 24.<br />

_ •^iiir rir\r> rM i^<br />

MO<br />

Motion picture laboratory equipment /<br />

will be shown during the 95th technical I<br />

conference of the Society of Motion Picture .<br />

and Television Engineers, April 13-16, at i<br />

the Ambassador Hotel, Los Angeles.<br />

j<br />

The MODERN THEATRE SECTION


! I<br />

'<br />

V ADLINES & EXPLOITIPS<br />

• ALPHABETICAL<br />

INDEX<br />

• EXHIBITOR HAS HIS SAY<br />

• FEATURE RELEASE CHART<br />

• FEATURE REVIEW DIGEST<br />

• SHORTS RELEASE CHART<br />

• SHORT SUBJECT REVIEWS<br />

• REVIEWS OF FEATURES<br />

• SHOWMANDISING IDEAS<br />

THE GUIDE TO i BETTER BOOKING AND B U S I N E S S - B U I L D I N G<br />

New Faces Contest<br />

Won by Bob Walker<br />

The coveted New Faces award of the Detroit<br />

Free Press goes this year to Robert<br />

Walker as most likely star among the<br />

younger names. The runners-up in the<br />

New Faces . . . Going Places contest were<br />

Peter O'Toole and Patty Duke.<br />

The Fi-ee Press has injn this series about<br />

ten years, carrying some 20 pictures of<br />

carefully selected young actors with biographies<br />

in a daily series in midwinter. Ballots<br />

are then printed in the paper a year<br />

later and a public poll is taken to select<br />

the most promising of these actors on the<br />

basis of a year's special attention to their<br />

records. Walker, son of the well known<br />

star of the same name, has worked for<br />

20th-Fox and MGM and is in the forthcoming<br />

Warner release. "Eirsign Pulver."<br />

The management of the contest is handled<br />

by United Detroit Theatres through<br />

Marie Meyer, advertising<br />

and public relations<br />

director.<br />

The New Faces—Going Places promotion<br />

is exploited in the major United Detroit<br />

theatres with large displays in the lobbies,<br />

which are made up of photos of all the<br />

young stars seeking to gain popularity and<br />

fortune in motion pictures. Other displays<br />

have featured former contestants in the<br />

UDT-Detroit Free Press public competi-<br />

. .<br />

tion.<br />

The New Faces . Going Places contest<br />

has proven to be a holder of public interest<br />

which is valuable both to the sponsoring<br />

newspapers and the theatre industry.<br />

Dollar Bill Stunt Is<br />

Test of Public Honesty<br />

Ralph Mann, manager for Fred T. Mc-<br />

Lendon Theatres in Andalusia. Ala., tells<br />

of a "little small exploitation" he used<br />

several years ago successfully, and recently<br />

repeated it "For Love or Money."<br />

He placed a show card with a dollar<br />

bill attached on the OUTSIDE glass of<br />

the boxoffice and let it remain there day<br />

and night, even when the theatre was<br />

closed. The copy on the card:<br />

The Seventh Commandment says:<br />

"THOU SHALL NOT STEAL.<br />

Is Your Greatest Desire, Love of<br />

Right or "Love of Money"?<br />

We Believe Everyone Is Honest . . .<br />

Therefore We Test This Belief.<br />

Small copy beside the dollar bill stated<br />

that it was outside the window. Mann said<br />

he used the stunt on a picture back in<br />

1952 and the dollar bill stayed on the outside<br />

of the boxoffice 18 days before it finally<br />

was "removed by a party or parties unknown"!<br />

BOXOFHCE Showmandiaer Mar. 9, 1964<br />

Mad Machine^ Stunt With Psychological<br />

Twist, Lets Patrons Work Off Troubles<br />

Working out their frustrations. Four scenes snapped at the Skyvue Drive-ln at Manhattan, Kas., as<br />

customers "reduced their troubles" to nothing on Manager John Cochran's Mod Machine! All went tor<br />

the stunt— from a heavyweight like at left, a pregnont woman in lower center, to a child, ot right.<br />

An interesting promotion, based as it is<br />

on a bit of practical psychology, increased<br />

business at a drive-in. $100 over average<br />

Wednesday nights while it lasted, according<br />

to John Cochran, manager of the<br />

Skyvue at Manhattan. Kas.<br />

Cochran forwards the stunt to Showmandiser<br />

so that other managers may put<br />

it down on their lists of things to do the<br />

coming season.<br />

He calls the promotion "the Skyvue Drivein<br />

Mad Machine." He obtained an old car<br />

from a salvage yard at no cost. Then he<br />

advertised around by radio, by newspaper<br />

and otherwise for everyone to come out and<br />

take five swings with a ten-pound sledge<br />

hammer at the car—hit it any place!<br />

The old car was placed near the concession<br />

stand. Cochran opened early to<br />

give everyone a chance at the destruction<br />

bit. And it helped his concession sales.<br />

A regular nail hammer was available<br />

for children "to help reduce their troubles<br />

to rubble, too."<br />

The banging was limited to before the<br />

evening's show and during the concession<br />

break. Following is some of the newspaper<br />

and radio copy he used:<br />

Come Out and Have at It,<br />

The Skyvue Has a Mad Machine.<br />

There's No Use Becoming a Nervous<br />

Wreck,<br />

Wreck Our Machine Instead.<br />

If You're Mad at Your Wife or Husband.<br />

The Republicans or Democrats,<br />

Your Boss or Employes,<br />

TAXES!<br />

BILLS!<br />

— 37 —<br />

The Mad Machine Is for You. i<br />

Reduce All Your Troubles to Rubble<br />

On the Skyvue Mad Machine.<br />

|<br />

You'll Get a<br />

Let Yourself<br />

Real Bang<br />

Go to the<br />

Out of It.<br />

Skyvue.<br />

.\nd Don't Go Away Mad!<br />

!<br />

As Cochran says, a drive-in manager<br />

can have some real fun putting on this<br />

promotion.


.<br />

the<br />

!<br />

People Always Are Curious: Construct<br />

Peepbox for Theatre Front for Only $3<br />

Detailed instructions for constructinB a<br />

good peepbox. illustrated herewith, are<br />

forwarded from longtime showman Ralph<br />

B. Mann, manaKer for Fred T. McLencion<br />

Theatres at Andalusia, Ala.<br />

His headquarters are at the Martin Theatre<br />

there, where he built the peepbox as<br />

a promotion for "Beach Party."<br />

The box is 3 feet long and I'a feet high.<br />

1!2 feet wide. One interior end and all<br />

the sides should be blackened. This will<br />

throw light toward the unpainted end<br />

when a 100- watt bulb is wired up at the<br />

bottom of the black end.<br />

An illustration from the pressbook— it<br />

could be a still and a pressbook ad—is<br />

attached on the unpainted end. A hole<br />

about the size of a quarter is bored in the<br />

"peek" end ' one where the light is wired<br />

flM^m<br />

inside I<br />

For copy use your own<br />

Mann used plywood and said his peepbox<br />

was made for $3. Used on a picture<br />

like "Beach Party," it is a great attentiongetter.<br />

It was placed on a table in the<br />

inner lobby a week before playdate and<br />

all dming the run. Mann said young and<br />

old alike stopped to take a peek.<br />

Another gimmick Mann used for "Beach<br />

Party" was a cotton blanket purchased for<br />

98 cents. He imprinted, on both sides, "See<br />

what happens when 10,000 youngsters meet<br />

on 5,000 beach blankets!" The imprinted<br />

blanket was attached to a simple wooden<br />

framework 'like a curtain stretcher) and<br />

displayed for all patrons entering and<br />

leaving the theatre to see.<br />

In daytime during closed hours, it was<br />

moved out front.<br />

Mann took off for a nearby beach and<br />

Only Once In 4 Y*art<br />

* /'^nLlf Do Yow Have The Opportunity<br />

'''limWt<br />

lo Cosh In On A<br />

•^;J jm'9 ' Money-Mokina Event Like IM .<br />

Everything You Need<br />

For A Succeuful Show!<br />

—17^<br />

"22 Easy Ways to Moke Money" ore offered in kit<br />

(orm by Motion Picture Service Co , headquartered in<br />

San Froncisco One of them is hold o "Crozy' Turn<br />

About Loop Year Party" os suggested in the above<br />

reproduction of an MPS Icoflcl Other Motion Picture<br />

Service ideas are fridoy 13 Jinx Show, Marathon<br />

o( Fright, Easter Bunny Ball, Creep-Ramo,<br />

Rocket-Rama, etc A special discount is being offered<br />

on series purchase. Gerald Korski is president<br />

of Motion Picture Service Co.


,<br />

I<br />

«;[(<br />

;.,<br />

,-<br />

Mcmb^n<br />

Fervor Means Money When<br />

Promoting The Cardinal'<br />

Initial<br />

Ads Are Directed to Young People<br />

Another indication that each town presents<br />

its own peculiar problems and that<br />

each locality is a challenge to the individual<br />

showman was recently demonstrated<br />

in the highly successful run of "The Cardinal"<br />

at the Manos Theatre, Monessen, Pa.,<br />

a unit of the Manos circuit operating in<br />

western Pennsylvania and West Virginia.<br />

Many had suggested to manager Ken<br />

Woodward sr.. that he discard entirely the<br />

religious angle of the picture and to attempt<br />

to sensationalize "The Cardinal"<br />

just a bit. However, Woodward had spent<br />

several years in the highly Catholic populated<br />

town and felt this would be foolhardy.<br />

With permission of Joseph F. Bugia, his<br />

general manager. Ken decided to go at it<br />

with all fervor of a "Robe" engagement.<br />

ABSENT 15<br />

YEARS<br />

The veteran showman had just returned<br />

to the Manos circuit organization and was<br />

assigned to his former post at Monessen<br />

after an absence of 15 years.<br />

Val Gerhart. one of the section's leading<br />

radio names at station WESA, was enlisted<br />

in the campaign and demonstrated<br />

conclusively that a proper "on-the-air"<br />

handling can mean money at the boxoffice.<br />

Gerhart announced on the air that he had<br />

seen "The Cardinal" and was so impressed<br />

with the picture that he had prevailed<br />

on the theatre management to present<br />

him 100 passes good for two each. To<br />

the first 100 of his listeners who mailed him<br />

a card or letter and requested same, a pass<br />

good for two at a special screening to be<br />

held the following Friday morning would<br />

be mailed.<br />

In the next morning's mail Val received<br />

not only his requested 100 letters but several<br />

hundred more. He was forced to allot<br />

them according to the postmark. Of course,<br />

in telling of the contest Gerhart constantly<br />

plugged the quality of the picture.<br />

In the meantime, the theatre manager had<br />

contacted Catholic churches in the district<br />

with a special invitation to all nuns to<br />

attend the special Friday screening. By a<br />

lucky break, there was no school on that<br />

particular Friday and the nuns were free<br />

to come—and come they did.<br />

REFRESHMENTS SERVED<br />

To the screening let out. Manager<br />

Woodward had arranged with one of the<br />

adult women leaders of the Girl Scouts to<br />

serve all those present with coffee, doughnuts<br />

and cookies. This capable lady. Mrs.<br />

Doty of Monessen. was so busy ser\'ing that<br />

she had two urns of coffee going and had<br />

to call other women of the Girl Scouts for<br />

help. The Monessen fire department did its<br />

bit by furnishing its large coffee-making<br />

equipment.<br />

At this infoi-mal get-together after the<br />

screening, radio man Gerhart made a number<br />

of tape interviews. These were used<br />

the day before the opening and on open-<br />

Reproduced<br />

at top is<br />

the day before<br />

opening ad on<br />

'The Cardinal,"<br />

which<br />

over<br />

passes<br />

the<br />

religious<br />

angle.<br />

Similarly,<br />

the opening day<br />

ad<br />

the<br />

stressed<br />

drama<br />

and<br />

the stars<br />

in the picture.<br />

Ken<br />

Then<br />

Manager<br />

Woodward,<br />

Monessen,<br />

Pa.,<br />

went all out<br />

on the<br />

religious<br />

theme<br />

as in the<br />

bottom<br />

the<br />

Each<br />

ad.<br />

of<br />

display<br />

odvertisements<br />

were<br />

four<br />

columns wide.<br />

Tomorrow! The Year's Most-talked About Motion Picture!<br />

.S'o« Al B'iulir Prlrci' lli-I' In tl'i t nil Fojd-'ili..- \-r.i',n . . . ( ..rrijjlM' [nU.-I ,„ t- -• Peno.inon<br />

PBOIULV PR .if.MtD B^ THE ^^^^^^^l^^ ^ 9H0V\PI \( 1 ul THL Mi-iS \ M I FT<br />

tOOOBS OPBi' AT 1 V-^A-i<br />

ing day 30 times over WESA, worked in<br />

with extracts from the radio spot discs<br />

furnished by Columbia.<br />

For the run of "The Cardinal" Woodward<br />

obtained a special stereo disc, "Conquerors<br />

of the Age5," to use as an overtui-e<br />

for a period of five minutes before the start<br />

of the picture at each performance. While<br />

the disc might not be typically reUgious in<br />

nature, the effect was good with the<br />

mighty peal of trumpets and the roll of<br />

drums. As Woodward remarked. "One patron<br />

told me he thought he was going to<br />

see 'The Robe' all over again." Be that as<br />

it may, the overture put the patrons in a<br />

most receptive mood and when "The Cardinal"<br />

flashed on the screen the audience was<br />

half sold.<br />

APPE.4L TO YOUNG PEOPLE<br />

Another important facet of Woodward's<br />

Monessen campaign on "The Cardinal"<br />

was the careful revision of the pressbook<br />

ad mats and the proper timing of insertion.<br />

A four-column ad was used the day before<br />

opening which purposely avoided the<br />

religious angle to attract the younger<br />

moviegoer by headlining Romy Schneider<br />

and Carol Lynley. Oscar possibilities<br />

were also indicated. The ad on opening<br />

day also played heavily on the cast.<br />

Then in<br />

another ad used on the Saturday<br />

following the Wednesday opening.<br />

Woodward went all-out on the religious<br />

BOXOFFICE Showmondiser Mar. 9, 1964 — 39 —<br />

tDOOBS 0I'£^' AT Ills P.M.)<br />

angle—depending on the talk it would<br />

create in the churches on Sunday. It was<br />

felt the background of this ad might encourage<br />

members of the clergy to give "The<br />

Cardinal" favorable mention on Sunday<br />

morning.<br />

Ken still believes in the old saying of<br />

show business— "It's not what you do, it's<br />

how you do it," and feels that when you<br />

have an outstanding Catholic picture you<br />

should give it the works—particularly<br />

when your population is 75 per cent<br />

Catholic.<br />

Thousands Enter<br />

'Pic a Pic' Conlesl<br />

A two-month "Pic-A-Pic" contest, in<br />

which entrants were invited to stop at the<br />

RKO Orpheum Theatre in New Orleans<br />

and check a list of 25 forthcoming attractions<br />

listed on a giant board in the lobby,<br />

then write a letter, in 25 words or less,<br />

on the film he or she would like to see,<br />

and why, attracted thousands of contestants.<br />

The prizes were topped by a 1964 convertible<br />

and a roundtrip for two to London,<br />

both promoted.<br />

The giant lobby board also explained<br />

full details of the contest.<br />

Asa Booksh is RKO Orpheum manager.


—<br />

Stunt for Rag Day<br />

Tlific nearly always is something going<br />

on at colleges—sports parades, rag<br />

days, etc., which often give a theatre<br />

manager an opportunity for added promotion.<br />

M. J. Spark.s. manager of the<br />

Plaza in Dudley, England, noted the<br />

Dudley Training College was observing<br />

Rag Day on the Saturday during his<br />

•Spartacus" playdate, and approached<br />

the students on using his Roman chariot<br />

in their Rag Day procession. They<br />

thought it was a fine idea and provided<br />

seven students, .some of them in ancient<br />

Roman attire, to accompany the vehicle.<br />

Besides the four students above, a student<br />

charioteer and Vestal Virgin rode<br />

the vehicle and another walked ahead,<br />

clearing the way.<br />

Ben Katz, publicist for Universal ot Chicago, and his<br />

wife arc shown charting with comedienne Phyllis Dillcr<br />

at the 11th annual Saroh Siddons award dinner<br />

honoring Julia Meodc as Chicago's actress ot the year<br />

for her role in "Mory, Mary," held in Guild hall of<br />

the Ambassador West Hotel.<br />

An Independent Distributor Has Answer<br />

4V Aggressive Booking^ Aggressive Selling<br />

Not Blockbusters^ Will Save Day: Ripps<br />

Mike<br />

Ripps<br />

By ALLEN M. WIDEM<br />

M. A. "Mike" Ripps, well equipped to<br />

discuss in detail both exhibition and distribution,<br />

finds the<br />

greatest heartache<br />

facing the film industry<br />

these days is<br />

apathy.<br />

"There seems to be<br />

a spirit abroad in the<br />

land," comments the<br />

president of Cinema<br />

Distributors of America<br />

of Mobile "that<br />

says, in effect, the industry<br />

can move<br />

blithefully along on<br />

its own momentum,<br />

sporadic blockbusters,<br />

generated by the<br />

sufficient in themselves to get and keep<br />

people talking about motion pictures.<br />

"It's not enough to say that the blockbusters<br />

alone will maintain the boxoffice<br />

sales pace which brought this industry its<br />

greatness, stature and dignity. We have to<br />

be realistic to the point where we openly<br />

express concern about sustaining a flow<br />

of attractions, sufficient in quantity and<br />

sparkling in quality to lure more and more<br />

people back into the moviegoing habit."<br />

PL.W SAFES, NOT ENOUGH<br />

Ripps. who operated a chain of theatres<br />

—both hardtops and drive-ins—throughout<br />

the Deep South prior to turning to distribution,<br />

finds an alarming percentage of<br />

exhibitors very much willing to "go along,"<br />

in other words, conform, to the prejudiced<br />

thinking that says, most emphatically, stay<br />

with the tried-and-true pattern and you'll<br />

never get hurt.<br />

Ripps, in Hartford, Conn., to conclude<br />

booking negotiations with drive-in theatre<br />

owner Brooks LeWitt. told a <strong>Boxoffice</strong><br />

correspondent that recent CDA releases<br />

such as "I Hate Your Guts"—have demonstrated<br />

to exhibition, both circuit and<br />

independent, that the motion picture given<br />

exploitation i"We don't send pressbooks<br />

we send a man!" admonishes Ripps i on<br />

a sufficiently pentrating level can, indeed,<br />

not only meet boxoffice records but, astonishingly,<br />

smash house gross after house<br />

gross.<br />

AGGRESSIVE SELLING<br />

He's extremely gratified that independent<br />

exhibitors, long the backbone of rural<br />

motion pictures in this country, have<br />

booked CDA releases, and. moreover, have<br />

gone out and sold the films with aggressiveness,<br />

imagination and impact.<br />

"The stunts that have been staged in<br />

various towns, big, little, in-between, are<br />

stunts that can be easily applied to any<br />

city— from 8.000.000 to 800. The numbeiof<br />

citizenry Isn't important as much as<br />

the sincerity and follow-through in selling<br />

the picture. A showman, by no stretch of<br />

the imagination, should ever attempt to<br />

push a motion picture with stunts that<br />

have no application to the primary premise<br />

involved. This is fakery and not to be condoned."<br />

Ripps recalled a conversation with the<br />

late Mike Todd. "He told me, right here In<br />

Hartford, that the secret of success is in<br />

the selling, not in the situation. He meant,<br />

of course, that the most palatial playhouse<br />

can't draw beans if it's not sold. The<br />

same applies, certainly, to the motion picture,<br />

the stuff on our shelves."<br />

BE GENTLEMEN!<br />

Ripps contends that the exhibitor who's<br />

found good boxoffice gold in booking an<br />

independent release should be a gentleman<br />

—and show'man—enough to be willing to<br />

book more from the same independent<br />

distributor.<br />

"The situation is summed up very swiftly,<br />

surely, succinctly: If the dependent<br />

distributor isn't given enough encouragement<br />

with his entire output, why, inevitably,<br />

he has to retrench, and I'm afraid<br />

that in the process, we emerge into an<br />

empty era of water-down production patterns.<br />

The independent can contribute<br />

markedly, but he needs encouragement,<br />

the encouragement attainable solely<br />

through boxoffice performance."<br />

CDA releasing schedule includes a sciencc-fiction-horror<br />

drama, "The Flesheaters,<br />

"<br />

Morley.<br />

starring Hartford's own Rita Gann<br />

'Sword' Four Weeks<br />

On Extra Promotion<br />

Some extra promotion effort for the<br />

booking of "Sword and the Stone" at Albuquerque's<br />

1000-seat Hiland Theatre<br />

helped provide a solid four weeks of business.<br />

Promotions included kiddie contests on<br />

two different afternoon moppet shows on<br />

television statiom KOAT and KGGM for<br />

a full four weeks in advance of the opening.<br />

A series of products tied in with<br />

the film nationally were given to lucky<br />

children who won a variety of contests.<br />

Participating firms donated the prizes,<br />

liberally tagged with the title of the film.<br />

In addition. Safeway Stores, which has<br />

1 1 supermarkets in Albuquerque, sponsored<br />

the pressbook grocery promotion. TV station<br />

plugs were carried daily for four<br />

w'ceks. five days a week on both stations<br />

on the Uncle Roy and Captain Billy programs.<br />

Manager Lou Avollo handled the campaign.<br />

Woodrow R Prought, president of United Detroit<br />

Theatres (seated), looks over press moterial on "The<br />

Foil of the Roman Empire" with Thomas F. Daunc,<br />

Paramount manager at Detroit, following signing of<br />

the contract to present the film on a roadshow policy<br />

ot Detroit's Modison Theotre<br />

Gsmedy in<br />

Twin Bills<br />

Comedy double bills featured the February<br />

schedule of films at the Clark Theatre<br />

in Chicago. Among the comedies were<br />

Tunnel of Love, Horizontal Lieutenant. To<br />

Catch a Thief and Rally Round the Flag,<br />

Boys.<br />

— 40 BOXOFFICE Showmondiser Mar. 9, 1964


—<br />

B O X o r F I C E 6 O O KING V I D E<br />

An interpretive analysis of lay and trodepreu r«viewi. Runnina Hme is In par«ntti««s. The plus and<br />

minus signs indicate degree or merit. Listings cover current reviews, updated regularly. This department<br />

olso serves as an ALPHABETICAL INDEX to feature releases. © is for CinemoScope; V VistoVisionf)<br />

Panavision; iX Techniromo; s Other anomorphic processes. Symbol O denotes BOXOFFICE Blue Ribboii<br />

Award; © color photography. Legion of Decency (LOO) rotings: A1— Unobjectionable for General Potronage;<br />

A2— Unobjectionable for Adults or Adolescents; A3— Unobjectionable for Adults; A4 Morolly<br />

Unobjectionable for Adults, with Reservations; B—Objectionable in Part for oil; C—Condemned For<br />

listings by company in the order of release, see FEATURE CHART.<br />

i^EVIEW DIGEST<br />

AND ALPHABETICAL INDEX<br />

t: Very Good; -r Good; — Foir; — Poor; = Very Poor. In the summary t^ is rated 2 pluses, = as 2 minuses.<br />

•<br />

a. P oc I- o ob£ Ij<br />

2789 Act One (110) Bio Dr WB 12-23-63 A2<br />

2800 Affair of the Skin. An (102) Dr .Zenith 2-10-64 C<br />

2767 All the Way Home (103) Dr Pin 9-30-£3 A2<br />

27S7 OAlone Aoiinst Rome<br />

(100) Rom Spec Pjrtde 12-16-63<br />

2792 America America (174) Dr WB 1- 6-64 A3<br />

2803 ... And Suddenly It's Murder<br />

(90) C Royal 2-24-64 A2<br />

Any Number Can Win (116)<br />

Ad»-Dr HGM 10-28-63<br />

—B<br />

QBallad of a Hussar, Tht<br />

(94) Operetta Artkino 7-29-63<br />

2750 Bin Risk, The (lU) . .Susp-Dr UA 7-22-63 A3<br />

2792 Billy Liar (96) © Com Dr Conf I 1- 6-64 A3<br />

2779 O Blood Feast (71)<br />

Ho Dr <strong>Boxoffice</strong> Spec ll-lS-63<br />

2804 Brass Bottle^ The (89) Com Fant Univ 2-24-64 Al<br />

2764 Burning Court, The (102)<br />

Drama Tran»-Lux 9-16-63 A2<br />

8


Good,<br />

REVIEW DIGEST<br />

\N0 ALPHABETICAL INDEX Very Good,<br />

'<br />

Fait; Poor; Veiy Root. In the summary is rated 2 pluses, OS 2 minuses<br />

t. g


AMERICAN<br />

C.<br />

.<br />

.<br />

.<br />

.<br />

Feature productions by compony in order ot release. Running time is in parentheses. ^ Is for CinemoScope;<br />

® VistaVision; (g) Ponovision; (j Techniromo; s^ Other onomorphic processes. Symbol i.3 denotes BOXOFFICE<br />

Blue Ribbon Award; Q Color Photography. Letters ond combinotions thereof indicate story type—(Complete<br />

key on next page). For review dotes and Picture Guide page numbers, see REVIEW DIGEST.<br />

^EATURE<br />

ALLIED ARTISTS ^t<br />

I<br />

©The Gun Hawk (91) Ac. .6306<br />

liOry Calhnuil. Kud Cinlerori.<br />

Riila I.ee, Hod L:iiirt'n<br />

Cry of Battle (99) D .6307<br />

Van lleflln, Klla Moreno.<br />

James MacArthur<br />

Sliock Corridor (101) ... D.. 6305<br />

Peter Brwk, Con-Stance Towers.<br />

One I'^ans. .lames Best<br />

©Gunfight at Comanche<br />

Creek (90) W..6309<br />

Aiidie Miiriihy. Colleen Miller<br />

Soldier in the Rain (gTi/j) CD. .6401<br />

.lackk- (ilrason, Steve .McQueen.<br />

'Piifday Weld. Tom Pn.'iinn<br />

(Pre-release eng.igemenls only)<br />

Life In Danoer (63) . .Susp. .6310<br />

Derrin Nosbitt, Julie IloiiMns<br />

Soldier in the Rain<br />

(General release-Sec November)<br />

War Is Hell (81) D..6308<br />

ToDy Hussell. liaj-nes Barroli.<br />

Judy DaD<br />

INTL BUENA VISTA<br />

©Beach Parly (100) tor! Fnsler. Philip C.irev<br />

Warlords of Space ^....SF.<br />

Mary Poppins F.<br />

Jiille Andrews. Dick Van Dyke<br />

©Three Lives of<br />

Thomasina (97) Ac. 151<br />

Patrick McGoohan. Susan Rtrapshire<br />

Moon-Spinners<br />

Haylcy Mills<br />

Congo Vivo Ad<br />

Jean Seberg. Gabrlele FrezetU<br />

Lilith 0.<br />

W.irren Bestty. Jean Seberg<br />

The Love Goddesses Anth<br />

The Worlds Greatest<br />

Swindles (. ) Com D<br />

International Cast<br />

Omicron (. .) . .<br />

Renato Salvatori<br />

Com 0.<br />

BOXOFFICE BookinGuide :: March 9. 1964


cATURE<br />

IF<br />

CHART<br />

Th« k«y to leH«rt and comblnoHont Hier*«f Indlcottng ttory typ«: (Ad) Advafitur* Drama; (Ac) Aetlcn<br />

Drama; An) A nJmofad- Action; (C) Comedy; (CD) Comodv-Dramo; (Cr) Crimo Droma; (DM) Drama<br />

with Muilc; (Doc) Documentary; (Dr) Drama; (F) Fantaiy; (Ho) Horror Dromo; (HI) Hlftoricol Drama; (M) Musical<br />

(My) Mystory; (OD) Outdoor Drama (S) Spectacle; (SF) Science-Fiction; (W) Weetern.<br />

EMBASSY e 5-


BOXOFFICE BookinGuide :: March 9, 1964 9<br />

i<br />

Feb<br />

Oct<br />

.<br />

.<br />

. Mar<br />

Mar<br />

. July<br />

FEATURE<br />

CHAR<br />

UNIVERSAL<br />

QThe Thrill of It All<br />

(108) C..6316<br />

Doris Day, James Qarner,<br />

Arlene Krancls, Edw. Andrews<br />

The Traitors (71) D..6317<br />

Patrick Allen, James M&xvell,<br />

Freud: Tlie Secret Passion<br />

(formerly titled Freud)<br />

(120) D..6301<br />

Montgomery ditt. Susannab York,<br />

((ieneral release)<br />

QKiss of the Vampire<br />

(88) Ho. 6318<br />

Clifford Brans, Jennifer Daniels.<br />

Edward De Soiiza<br />

©For Love of Money (108) C. .6319<br />

Kirk Douglas, Mltzl Oaynor,<br />

dig Young, Thelma RItter<br />

®Ch»ide (120) . . .<br />

(B .MyC. .6401<br />

Ory Grant, Audrey Hepburn.<br />

Walter Matthau, James Coburn<br />

Young and Willino ara Windsor<br />

Heavens Above (117) . . C Jun 63<br />

.<br />

Peter Sellers, Cecil Parker. Brock<br />

Peters<br />

The Face of War (105) Doc Nov 63<br />

Just Once More (78) Melo. Aug 63<br />

LI11I Bergman. Gosta Ekman<br />

Nurse on Wheels (86) C. Nov 63<br />

Juliet Mlll ll.irns. Loub SIrgo<br />

PACEMAKER PICTURES<br />

QFire in the Flesh<br />

(80) MeloDr.. Jul 63<br />

CluiiUlne Dupuls. Erno Crisa<br />

PARADE RELEASING ORG.<br />

©Cavalry Command<br />

(84) Ad.. Oct 63<br />

John Agar. Richard Arlen, Myron<br />

Healy<br />

©Ballad of a Gunfighter<br />

(84) Ad. .Sep 63<br />

Marty Itobblns<br />

Shell Shock (84) Drama Jan 64<br />

Beach Dickerson. Carl Crow.<br />

PROMINENT FILMS<br />

Macbeth (120) D. Oct 63<br />

M.-iiiilce Evans. Judith Anderson<br />

RANK-ZENITH<br />

No, My Darling Daughter!<br />

(96) Com. Feb 64<br />

Mii-h.i.l Ki-iteraie. Miohiel Craig<br />

RIVIERA PRODUCTIONS<br />

©The Starfighters (81) Jan 64<br />

ROYAL FILMS INT'L<br />

The Steppe (..) Dr.. Oct 63<br />

Charles Vanel. Marina Vlady<br />

The Reluctant Saint (105).. CD..<br />

Maximilian Schell. RIcardo .Munlalban<br />

The Hunchback of Rome<br />

(84) MeloDr. .No»6a<br />

Gerald Blaln. Anna .Maria Fcrrero<br />

©Love on a Pillow<br />

(102) © Dr.. Jan 64<br />

Brlgltte Bardot. Robert llosseln<br />

© .<br />

. . And Suddenly It's Murder<br />

(90) © Com, Feb 64<br />

Vittcirio Ga.^sraan. Silvana Mangano<br />

SEVEN ARTS<br />

Small World of Sammy<br />

Lee (105) Aug 63<br />

Anthony Newley. Julia Foster<br />

©The Giant of Metropolis<br />

(92) Sc F Sep 63<br />

(Gordon Mitchell. Bella Corlez<br />

©The Invincible Glad'ator<br />

(96) Adv.. Sep 63<br />

Richard HarrUon. Isabelle Corey<br />

SHAWN INTERNATIONAL<br />

Greenwich Village Story<br />

(95) D July 63<br />

Robert llogan. Mellnda Plant<br />

Night Encounter<br />

(80) War Dr. .Jan 64<br />

Marina Vlady. Robert Hosseln<br />

TIMES FILM<br />

V, dated Paradise<br />

(67) Doc. July 63<br />

.Narration: Tliomag L, Itow. Paulette<br />

Glr,ird<br />

Violent Midnight (90) Mys..May63<br />

Lee Phillips. Shepperd Strudwtei<br />

TOPAZ FILMS<br />

Atom Age Vampire (87) Ho. Jun 63<br />

Albert Liipo. Susanne Loret<br />

©Battle of the Worlds<br />

(84) SF..Jun63<br />

riaiHle Italns. Bill Carter<br />

TRANSOCEAN FILMS<br />

Ordered to Love (82) D. Aug 63<br />

Maria Perschy, Harry Meyen<br />

TRANS-LUX<br />

The Burning Court (102)<br />

.<br />

. . . Aug 63<br />

Nadia Tiller. Jean-Claude Brialy<br />

ULTRA PICTURES<br />

©Two Nights With CItopatra<br />

(..) ® Com. .Jun 63<br />

Sophia l.flren. Alberto Sordl<br />

Love on the Riviera<br />

) Com Dr Aug 63<br />

( .<br />

.<br />

Marcello .Mastroianni.<br />

. .<br />

.Mberto SonU<br />

UMPO<br />

.<br />

. .<br />

Double Deception<br />

(101) My.. Jul 63<br />

Jiripies Itlherolles, Alice Kessler,<br />

Kessler<br />

F.'len<br />

UNION<br />

The Break (80) Adv.. Sep 63<br />

Tony Britton, William Lucas<br />

The Playgirl and the War<br />

Minister (90) . .Comedy. .No< 63<br />

Ian Carmlchael. Joan Greenwood<br />

©The Mouse on the Moon<br />

The Laugh Makers (80) Com. Nov 63<br />

(82) Com.. Jun 63 Bine Crosby. Bob Hope<br />

Margaret Rutherford. Terry-Tbom.is The Sound of<br />

MEDALLION<br />

Laughter (75) Dec 63<br />

QAIone Against Rome<br />

Ml St.ir Comedy<br />

(100) -? Dec 63 WESTFIELD PRODUCTIONS<br />

Ro^sana Podesta. Jeffries Lang ©Playgirls International<br />

©The Witch's Curse<br />

(71) Doc. .Dec 63<br />

(95) Dr..<br />

Nov 63<br />

Traynor<br />

(78)<br />

Kirk<br />

fi<br />

Morris. Helene<br />

D . .<br />

Cbannel<br />

n.^Mv Andrew-v,<br />

WOOLNER<br />

Eileen<br />

BROS.<br />

Ludmtlla Tcherlna. Anthony Steele Tbe Wastrel (84) D.. Mar 64 Edgar Allan Poe's Castic of<br />

EVE PRODUCTIONS<br />

V.an Heflln. Ellie Lambettl<br />

Death (91) Ho. .Apr 64<br />

©Europe in the Raw<br />

©The Avenger (108) t D 64 Barbara S'eele. George Riviere<br />

(70) Novelty. Nov S3 Steio Reeves. Cupla Marlicr<br />

©Hercules in the Haunted<br />

FAIRWAY INT^ FILMS<br />

©Duel of Champions<br />

World (89) t Apr 64<br />

The Sadist (84) Ac. Jul 63 (..) If- D. May 64 (TirlstoDher Lee. Reg Parks<br />

Arch Hall Jr. Helen Hovey<br />

Alan L.idd<br />

ZENITH<br />

©The Incredibly Strange Creatures ©Invasion 1700 ( )


-UidniDla<br />

Martin<br />

Jean<br />

. . 8-<br />

.<br />

.<br />

.retrr<br />

.Tatlana<br />

.Larlaaa<br />

Margarita<br />

ARGENTINA<br />

Rf»ifw<br />

. Hand in the Trap (90) S-63<br />

lAngcl) ..na* Daniel, rnncbeo<br />

llaUl<br />

A Stranger Knocks (81).. 4-22-63<br />

(Transitu) ..Blrgltlc Federplel<br />

Young Love (80) 3-2S-63<br />

(fccKislif iMfli lN.t.>r Wivkstrooi.<br />

Til Ista<br />

FRANCE<br />

Army Game. The (87) 5-27-63<br />

(SH)..C. lie TUUere. Hlcet-<br />

Itarrler<br />

Candide (90) 2-18-63<br />

(I'nlon) . -Jc.'in Pterre Caasel,<br />

I' erre Brasseur. Dahlia LatI,<br />

Nadla Qnj<br />

Cross of the Liiing (90) . . 4-22-63<br />

(Carl)— Karl Boehm. Pascale Petit<br />

Dev I iuii) the Ten Commandments.<br />

The (120) 12-23-63<br />

(I'nkini . Alain Delon, Danielle<br />

Darrleux<br />

Julie the Redhead (96) .. 12-23-63<br />

(.siLinn infl) . .Pa«ale Petit.<br />

Iianld Celln<br />

La Pouoee (90) ll-U-63<br />

(LloLirearita Volodina, Bori.s .Andreyev.<br />

Vyacheslav Tikohonov. \'sevolod Sanayev.<br />

JO BOXOFFICE BookinGuide March 9. 1964


Opinions on Current Productions<br />

^EATURE REVIEWS<br />

Symbol O denolei color; © CinemoScope; ® VIstoVision; ® Techniroma; ® other onomorphic processes. For sfory synopsis on coch picture, see reverse side.<br />

Cousins<br />

Ratio: Comedy With Music<br />

Kissin<br />

2.35-1 P ©<br />

MGM (422) Rel. Apr. '64<br />

Some of Elvis Presley's fans may find this rustic romp<br />

of the Despatch variety a little too corny for them<br />

but will also find his dual role intriguing, and 11 new<br />

songs in it make a selling point. The film started out<br />

pretty well with Elvis as a young Air Force officer given<br />

the tough assignment of getting a hillbilly cousin to<br />

sign a lease for a missile site on his mountain. From<br />

then on the shenanigans begin and in one scene when<br />

Glenda Farrell as Maw Tatum stirs the moonshine mash<br />

and sings a doleful ditty accompanied by a lugubrious,<br />

old houn'dawg, because Paw's lost, things get out of hand<br />

under Gene Nelson's direction. He was also responsible<br />

for the screenplay with Gerald Drayson Adams, and Sam<br />

Katzman produced. The antics of the Kittyhawks, man-<br />

.starved girls from a neighboring valley who capture<br />

members of the patrol and drag them into the bushes,<br />

add a type of backwoods humor that may stir up censorship<br />

in some situations. Since the swivel-hipped star<br />

appeals mostly to teenagers, the only thing that can save<br />

it from criticism is that its comedy is of the farce variety.<br />

When dealing with the absurd, it is hard to take any of<br />

the happenings seriously. Pamela Austin and Yvonne<br />

Craig are the attractive feminine leads.<br />

Elvis Presley, Pamela Austin, Yvonne Craig, Arthur<br />

O'Connell, Glenda Farrell, Jack Albertson.<br />

Paris Pick-Up<br />

Paramount I<br />

)


1<br />

'lATURE REVIEWS Story Synopsis, Exploitips, Adiines for Newspaper and Programs


'<br />

Boxofhce,<br />

. Twin<br />

'<br />

I Exclusive<br />

Complete<br />

population<br />

Canada.<br />

ITES: 20c per word, minimum 52.00, cash with copy. Four consecutive insertions for price<br />

three. CLOSING DATE: Monday noon preceding publication date. Send copy and<br />

answers to Box Numbers to BOXOFFICE. 825 Van Brunt Blvd., Kansas City 24, Mo. •<br />

HELP WANTED<br />

Theatre mcmagersi Experienced, agesaive,<br />

promotion-minded, needed for<br />

loli and large situations with large<br />

,rcuit in Western Pennsylvania. Good<br />

tuie assured for right man. Send resume<br />

ving age, experience and references<br />

9825.<br />

Young, aggressive manager who is<br />

,avy on promotions, needed by exmding<br />

theatre circuit. New York City<br />

[ea. Must be good, all around man whose<br />

iclcground can stand a check. Will conrier<br />

a man presently working as on aslilant<br />

who feels he knows the business.<br />

p salary offered. Write: Carl Marshal,<br />

emier Theatre, 505 Sutter Ave., Brook-<br />

^. New York, 11207.<br />

Advance agenti Book drive-in attraction.<br />

ist be unattached, tree to travel anylere.<br />

Top appearance, salesmanship.<br />

10.00 per weelc draw, plus percentages.<br />

sh resume, KIRMA, Box 68, Tice, Fla.<br />

kkmager wanted for small town in<br />

jtbeast Missouri. YeOr round, indoor<br />

d drive-in. Send age, experience, refmces<br />

and photo to Mr. Ron Krueger,<br />

jhrenberg Circuit, 2741 Cherokee, St.<br />

Liis Mo. 63118-<br />

tolesmon: Sensational animated signs<br />

theatre marquees etc. Immediate high<br />

ninissions. Write : National Outdoor<br />

imated Signs, P. O. Box 631 , State<br />

liege, Penna.<br />

^a»» growing Southeastern theatre cirt<br />

needs three publicity-minded manag-<br />

. Send complete information, photo,<br />

ary required and references to: Box<br />

97, Brooksville, Florida.<br />

*rdectioiiist and general<br />

aay job tor a good, sober,<br />

utility man.<br />

reliable man<br />

,e to work into all phases of indoor and<br />

door theatre operations. Minnesota,<br />

e 21 to 40. Send complete resume,<br />

erences, salary requirements and photo<br />

Boxofhce, 9842.<br />

>rire-In manoger. Immediate opening<br />

Wichita, Kansas. Benefits, hospitaliza-<br />

1, bonuses, etc. Population over 260,-<br />

screen operation. Excellent oplunitv<br />

for aggressive showman. Send<br />

ume by mail to: Box 3065, Wichita. All<br />

lies strictly confidential.<br />

ALES REPRESENTATIVESI Outdoor The-<br />

? Advertising Service. Compensation<br />

^.xensurate with obihty. Protected terri-<br />

For details, contact: Romar Vide<br />

pany, Chetek, Wise.<br />

POSITIONS WANTED<br />

lanagerl Family, 40, experienced genmanagement,<br />

drive-in and conven-<br />

Desires top management position<br />

Sial.<br />

h circuit or manager ownership with<br />

ependent. Boxoface, 9831.<br />

[onager, 18 years of experience. Protional<br />

minded, aggressive, hard steady<br />

rter. Interested in first run operation<br />

West Coast only. <strong>Boxoffice</strong>, 9843.<br />

TAPED INTERMISSION MUSIC<br />

»WVE-IN MANAGERS! ITS DRIVE-IN<br />

aSON AGAIN! Increase your profits by<br />

reasing snack bar sales, entertain your<br />

Irons with the latest up-to-the-minute<br />

^ular music. For over eight years we<br />

je produced the finest weekly pre-show<br />

intermission tapes for progressive<br />

itres from coast to coast. Each tape<br />

"idividually recorded for your specific<br />

tre by a professional voice that<br />

-1 SELLSI Our tapes are guaroni*#».*2<br />

^®*'- Write for free samples:<br />

[MMERCIAL SOUND SERVICE, P. O.<br />

199, Cheyenne, Wyoming.<br />

XOFFICE March 9, 1964<br />

GENERAL EQUIPMENT USED<br />

Simplex E-7 d Ballantyne mechanisms.<br />

W. E. soundheads with 5 point bases<br />

6 amplifier. Strong mogul & Simplex lamphouses<br />


New...from [E£\§Tr[ffl£\C!]...Type A704-the uniform magnetic sound recording film<br />

Get brilliant tone quality...greater depth...<br />

more vibrant highs.Jmproved balance<br />

LISTEN: First, to Type A704 — Eastman's new magnetic<br />

sound recording film; then, to conventional films! You'll<br />

recognize the difference immediately. "R-type" binderpermitting<br />

smoother, more homogenous oxide coatingsreduces<br />

surface noise and intermodulation distortion.<br />

At the same time, extremely wear-resistant and chemically<br />

stable, "R-type" binder minimizes oxide build-up on<br />

equipment, making for longer recording usefulness.<br />

Most important, "R-type" binder permits uniform oxide<br />

coatings of superb magnetic characteristics which result<br />

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highs, a more natural balance between highs and lows.<br />

Another valuable convenience. "Lifetime Coding" offers<br />

an accurate means of indexing film as well as a useful reference<br />

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AVAILABLE NOW: 16, 17y2 and 35mm widths-complete<br />

range of cores and windings. For further information about<br />

EASTMAN Magnetic Sound Recording Film, Type A704,<br />

and new EASTMAN Sound Recording Tapes, contact:<br />

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