Boxoffice-March.09.1964
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. . Story<br />
MARCH 9, 1964<br />
/he TuiAe en' me m&tcsrL rictuAe yncLd^<br />
The United Theatre Owners of the Heart of America, concluding its seventh annual Show A Rama<br />
convention in Konsas City, Mo., Thursday (5) elected new officers. From left to right: Jay Wooten,<br />
Hutchinson, Kas., exhibitor, president; Douglas J. Lightner, Commonwealth Theatres, first vice-president;<br />
Glen Dickinson |r., Dickinson Theatres, second vice-president; Abbott Sher, Kansas City area theatre<br />
owner, treasurer, and Fred Souttor, Fox Midwest Theatres, secretary .<br />
on Show-A-Rama, page 6<br />
INAL EXECUTIVE EDITION
. .the<br />
You'll advancefto the bank!<br />
with all<br />
that<br />
(For fupthei<br />
informatior<br />
call youi<br />
enlistmenl<br />
officer<br />
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M-6-M)<br />
'<br />
craziest<br />
troop of cav/alry<br />
that ever<br />
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'tell off a ^<br />
horse...<br />
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CO starring<br />
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screen P'aV<br />
^^o^-f^^<br />
'^J^;;^' Vy^Gro^Gt MARSHAU. PANAV'^'<br />
in<br />
to t>ie f?^^''"' selections -frolic<br />
Mu&C by R^''^ ^"^"^ ^"^ '^« NEW CHRISTY<br />
MltJSTRfc^<br />
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\ NATIONAL FILM WEEKLY<br />
ibIishMl in Nine Sectional Editions<br />
BEN SHLYEN<br />
itor-in-Chief<br />
and Publisher<br />
MLD M. MERSEREAU, Associate<br />
Publisher & General Manager<br />
lE SHLYEN ....Monaging Editor<br />
SH FRA2E Field Editor<br />
Equipment Editor<br />
THATCHER<br />
JRIS SCHLOZMAN Business Mgr.<br />
icition Offices: 825 Van Bnint Blvd.<br />
us CUy 24. Mo. Jesse Shlyen, Man-<br />
[<br />
Editor : Morris Scholzman. Business<br />
uer; Hugh Fraze, Field Editor: I. L.<br />
dier. Editor Tlie Modern Tlieatre<br />
Ion. Teleptwne CHestnut 1-7777.<br />
irlal Offices: 1270 Slith A»e., Ilocker<br />
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ral Offices: Editorial—920 N. Mlch-<br />
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Ion Office: Anthony Gruner. 1 Wood-<br />
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side 6733.<br />
le MODERN THEATRE Section Is Ined<br />
In the first Issue of each month.<br />
ny: J. 8. Conners. 140 State St.<br />
nU: Mary Charles Watts. 205 Waltoo<br />
;.. N. W.<br />
Imore: George BrovMiing. 208 E.<br />
Stb<br />
St.<br />
on: Guy Llvliigston. 80 Boylston,<br />
oston. Mass.<br />
lotte: Blanche Carr. 301 S. Church.<br />
Inoatl: Frances Uanford. UNlverslty<br />
7180.<br />
Ward fland; W. Marsh. Plain Dealer,<br />
mbus: Fred Oestrelcher, 52V4 W.<br />
orth Broadway.<br />
as: Mable Guinan. 5927 Wlnton.<br />
iv: Bruce Marshall. 2881 8. Cherry<br />
•ay.<br />
Moines: Pat Cooney. 2727 49th St.<br />
olt: H. F. Beves, 906 Foi Theatre<br />
ld(., woodward 2-1144.<br />
tJord: AUen M. Wldcm. CH 9-8211.<br />
inapolls: Norma Geraghty. 436 N.<br />
lllnols<br />
St.<br />
wxirtlle: Robert Cornwall. 1199 Edgeood<br />
Ave.<br />
Chester, N. H.: Ouy Langley, P.O.<br />
01 56.<br />
iphls: Null Adams. 707 Spring St,<br />
Dl: Mirtha Lummus. 622 N.E. 98 St.<br />
»iuk«: Wm. NIchol, 2251 S. Layton.<br />
neipolls: Jon P:mkakc, 729 8th Ave.<br />
Z.<br />
Orleans: Mrs. Jack Auslet, 2268<br />
t. (Haude Ave.<br />
ihomi City: Sam Brunk, 3416 N.<br />
Irglnla,<br />
llu: Irving Baker. 5108 Izard St.<br />
ladtlphla: Al ZurawskI, The Bulletin.<br />
Jihurgh: R. F. Kllngensmlti, 516 Jeantie,<br />
Wllktasburg. 412-241-2809.<br />
Hand, Ore.: Arnold Marks, Journal.<br />
Louis: Jo« & Joan Pollack, 7335<br />
Jiaftsbury, University City, PA 5-7181.<br />
Francisco: Dolores Barusch, 25 Tay-<br />
» St , ORdway 3-4813.<br />
Kington: Virginia R. Collier, 2129<br />
lorlda Ave., N. W. DUpont 7-0892.<br />
In<br />
Canada<br />
ilreil: Room 314, 625 Belmont St.,<br />
ules Larochelle.<br />
John: 43 Waterloo, Sam Babb.<br />
into: 2675 Bayvlew Ave., Wlllowdale,<br />
'nl. W. Gladlsh.<br />
courer: 411 Lyric Theatre Bldg. 761<br />
iranrtlle St., Jack Droy.<br />
'ember Audit Bureau of Circulations<br />
llshed weekly, except one Issue at<br />
end. by Associated Publications. Inc.,<br />
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Single copy 35c. Second class postpaid<br />
at Kansas City. Mo.<br />
ARCH<br />
r 84<br />
19 6 4<br />
No. 20<br />
i<br />
t/W/TY<br />
ONWARD and upward might well be<br />
the slogan for the Show-A-Rama<br />
showmanship event that every year for<br />
the past seven has taken place in Kansas<br />
City. Under the sponsorship of the United<br />
Theatre Owners of the Heart of America,<br />
these meetings, devoted largely to discussions<br />
of plans and methods of selling<br />
pictures and the institution of the theatre,<br />
have had an attendance growth<br />
from a couple of hundred up to well over<br />
1,000. The current meetings, which were<br />
held this past week, were attended by<br />
approximately 1,500, of which 1,350 were<br />
actual registrants who came from 40<br />
states and three foreign countries. But<br />
the success of these progressive showmanship<br />
events is not gauged by attendance<br />
figures alone; it is judged by what<br />
is accomplished in the way of tangible,<br />
practical values.<br />
In a business in which it has been traditional<br />
for its two principal segments<br />
to be on opposite sides of the fence, it is<br />
gratifying to see them, instead, working<br />
together—in the common interest. And<br />
the demonstration, as it has been taking<br />
place in Kansas City, is the most positive<br />
proof that one could have that there is<br />
a very great interest on the part of exhibitors,<br />
not only in putting forth extra<br />
efforts in showmanship, but to do so in<br />
a thoroughly cooperative spirit. That<br />
spirit prevails, first, among these exhibitors<br />
themselves—many of whom are in<br />
competition to one another—and, at the<br />
same time, by working in common cause<br />
with film distributors.<br />
The root of this, and the basis for the<br />
success of the Show-A-Rama conclaves,<br />
is the example set by its co-chairmen, who<br />
have served in like capacities from their<br />
veiy beginning. Richard Orear, who is<br />
president of Commonwealth Theatres of<br />
Kansas City, and Fred Souttar, head of<br />
Fox Midwest Theatres in this area, who<br />
are in direct competition with one another<br />
in theatre operations in a number<br />
as well as in Kansas City,<br />
of situations,<br />
know the value of putting their shoulders<br />
to the wheel and working together—hard<br />
and in earnest. This spirit has penetrated<br />
and permeated the area, embracing other<br />
theatre circuits and independent operations,<br />
as well. It truly is a case of "one<br />
for all and all for one." And it has paid<br />
off—well, indeed!<br />
The showmen who come here learn new<br />
ways to promote pictures, with upcoming<br />
and current releases their targets, as it<br />
were. They bring ideas, practical ideas,<br />
with them' and they return home with a<br />
fair exchange of something extra that<br />
can be done to improve their business.<br />
This applies, not alone to picture merchandising<br />
but also to merchandising the<br />
Al WORK!<br />
extra profit items in their concession<br />
sections and to institutional activity.<br />
Moreover, the better attendance they<br />
build for their theatres also accrues to<br />
the benefit of the distributors whose<br />
product is directly involved.<br />
When you stop to think that a strictly<br />
"how-to-build-better-business" '<br />
convention<br />
in Mid-America outdraws the big<br />
national conventions that have much<br />
more to work with, financially and otherwise,<br />
it gives accent to the accomplishments<br />
and to the worthwhileness of what<br />
UTOHA has done.<br />
There is something more that underlines<br />
this effort. It knocks into a cocked<br />
hat any theory that unity cannot be<br />
achieved in this industry. For here is a<br />
concrete example of unity at work. And<br />
it has been successfully at it for seven<br />
years<br />
* *<br />
In the light of discussions now in progress<br />
between the two national exhibitor<br />
associations on pooling their manpower<br />
assets and other factors into one wagon<br />
and pulling together, they learn much<br />
from the experience of UTOHA about the<br />
possibilities open to them.<br />
UTOHA represents a fusion of two<br />
regional exhibitor organizations that had<br />
been apart for more than a dozen years.<br />
By joining ranks, they began at once<br />
to grow in stature and in strength and<br />
in accomplishment. That applies not<br />
alone to their showmanship activity, but<br />
also to all other matters, internal and external,<br />
that exhibitors must deal with.<br />
Regional or national, there is legislation,<br />
taxation, municipal, state and even federal<br />
problems to cope with, not to mention<br />
problems distinctive to this trade.<br />
Two other good examples of strong<br />
single exhibitor organizations may be<br />
cited: Michigan and Ohio. Each has a<br />
long history of unified status among exhibitors<br />
in their states, successfully<br />
maintained almost since the beginning<br />
of the industry.<br />
We go back to our reference to Fred<br />
Souttar and Dick Orear and commend<br />
them for what they have accomplished on<br />
behalf of showmanship in particular and<br />
for exhibition and the rest of this business<br />
in general. And we add to their<br />
names those others of the hard core of<br />
hard workers in UTOHA, who have<br />
worked with them—Beverly Miller, L. J.<br />
Kimbriel, Doug Lightner, Paul Ricketts,<br />
Jay Wooten. Glen Dickinson Jr., Abbott<br />
Sher and Norris Cresswell.<br />
Well done, showmen!<br />
kJL^^ //nJL/^^i^^
I<br />
Taylor<br />
GREEN SHEET GOES<br />
I<br />
NATIONAL<br />
IN NEW DISTRIBUTION PLAN<br />
Film Content Publication<br />
Could Serve As Deterrent<br />
To Classification Laws<br />
NEW YORK—Nationwide distribution of<br />
The Green Sheet, monthly appraisal of<br />
motion picture content, was announced at<br />
a press conference here. Friday 'Feb. 28 1.<br />
by Ralph Hetzel, acting president of the<br />
Motion Picture Ass'n of America, which<br />
distributes the publication iirepared by the<br />
Film Estimate Board of National Organizations.<br />
CIRCUL.ATION UP TO 60,000<br />
ing all<br />
The new distribution plan—encompass-<br />
communications media, motion pictures<br />
exhibitors, libraries, schools and other<br />
points—was approved by the MPAA board<br />
of directors, Hetzel said, and would double<br />
Green Sheet circulation to almost 60.000.<br />
at a cost of "substantially over $50,000" for<br />
production and mailing. Heretofore. The<br />
Green Sheet, in existence for 30 years, has<br />
been distributed to selected opinion-makers<br />
and institutions.<br />
Aim of the plan will be to provide the<br />
film rating service reports for use in local<br />
communications media and in other media.<br />
Hetzel pointed out that the wider distribution<br />
also is aimed at forestalling the<br />
many film classification proposals current<br />
in some states and municipalities.<br />
Mills of the MPAA. speaking at<br />
the Show-A-Rama VII convention in Kansas<br />
City, on Tuesday i3i. outlined details<br />
of the expanded circulation plan and<br />
sample Green Sheet packages were distributed<br />
to those in attendance. Mills emphasized<br />
that the nominal cost of the selfmailing<br />
sheet could be met by increased<br />
goodwill and the easy access to definite<br />
information about pictures when calls are<br />
received.)<br />
Mrs. Margaret Twyman, MPAA director<br />
of community relations, discussing the expanded<br />
plan, emphasized that The Green<br />
Sheet would be made available to all exhibitors<br />
in the U.S.. to daily newspapers<br />
and all public libraries. "Each of these new<br />
subscribers is being provided w^ith a packet<br />
of special material to help him use The<br />
Green Sheet to greatest advantage," she<br />
said. "An additional special service to newspapers<br />
and other media is being provided<br />
so that they may publish on a regular basis<br />
a column featuring abbreviated Green<br />
Sheet descriptions of the films currently<br />
playing in their immediate area.<br />
LIBRARIES TO DISPLAY<br />
"Libraries are being requested to display<br />
the monthly Green Sheet and maintain a<br />
file of all pictures reviewed so that they<br />
may service inquiries from their patrons,"<br />
she said.<br />
Exhibitors. Mrs. Twyman explained, also<br />
may subscribe to a new special edition of<br />
the publication in quantities, paying $2.50<br />
for 100 copies and at lower per-copy prices<br />
up to $12 for 1,000 for local-level distrlbu-<br />
TOA Directors Pledge Full Support;<br />
Ask Members to Utilize Information<br />
tion. These prices include postal or express<br />
charges.<br />
"It is expected," she said, "that exhibitors<br />
in each commimity will join together<br />
in obtaining sufficient copies of this new<br />
edition so that they may make it available<br />
to religious leaders. PTA groups and all<br />
other interested organizations in their respective<br />
communities."<br />
Sample kits are being sent out to exhibitors<br />
and others with a letter signed by<br />
Mrs. Marie Hamilton, director of the Film<br />
Estimate Board of National Organizations,<br />
who explained that the film estimates in<br />
The Green Sheet are derived from some<br />
COMPO Urges Exhibitors<br />
To 'Use to the Utmost'<br />
New York—The Council of Motion<br />
Picture Organizations this week .sent<br />
a letter, signed by Charles E. Mc-<br />
Carthy, executive vice-president, to all<br />
exhibitors in New York State urging<br />
them to use The Green Sheet "to the<br />
utmost."<br />
"U'e urge you," the letter read, "to<br />
make the widest possible use of this<br />
service. You should try to get it in the<br />
hands of your patrons, your local newspapers,<br />
public library, and have it read<br />
by everybody else whose opinion is valued<br />
in your community.<br />
"Vigorous use of The Green Sheet<br />
will be of immense help in cutting the<br />
ground from under those who would<br />
have motion pictures censored or classified<br />
by the state. It also will be a<br />
service to your community that will be<br />
deeply appreciated and will thus increase<br />
the stature of your theatre as<br />
a community institution.<br />
"Use The Green Sheet to the utmost."<br />
Kansas City—Tiie Tlieatre Owners<br />
of America board of directors, in its<br />
midwinter meeting liere Monday l2),<br />
resolved to give full support to the expanded<br />
distribution plan for The<br />
Green Sheet. The resolution read:<br />
"Be it resolved that TOA give full<br />
support to The Green Sheet expansion<br />
program recently inaugurated by the<br />
Motion Picture Ass'n of America and<br />
the Film Estimate Board of National<br />
Organizations.<br />
"This public service program is consistent<br />
with the aims of theatre owners<br />
and managers in their efforts to inform<br />
the public about films in current<br />
release.<br />
"Be it further resolved that all members<br />
of TOA u.se such Green Sheet<br />
services constructively in their communities.<br />
"Be it further resolved by direction<br />
of its board in meetini^ assembled in<br />
Kansas City, Mo., that a letter of commendation<br />
be prepared and sent to the<br />
MPAA and to the Film Estimate Board<br />
expressing the appreciation of TOA for<br />
this continuing excellent service in the<br />
public interest which we believe reflects<br />
credit upon our entire industry."<br />
200 to 250 reviewers from ten national or<br />
ganizations, giving "consideration to a widt<br />
range of tastes and objectivity of judg<br />
ment."<br />
Commenting on the new program. Het<br />
zel said. "The motion picture industry believes<br />
that the public should have the full<br />
est possible information to help then)<br />
choose the kind of film entertainment thai<br />
best meets their needs.<br />
"Many motion pictures today are created<br />
for selective, discriminating audiences. Thd<br />
subject matter of films has expanded, and<br />
motion pictures— as they should—deal with<br />
subjects appealing to different tastes and<br />
interests.<br />
"Many persons," he continued, "especially<br />
parents, have felt they needed to know<br />
more about pictures to guide their own<br />
moviegoing and to direct the moviegolng<br />
of younger members of the family. Hie<br />
motion picture industry has recognized this<br />
need and is doing something about It by<br />
making available, on the widest possible<br />
scale, the information in The Green Sheet.<br />
This will enable parents to make up their<br />
own minds.<br />
"We believe." Hetzel said, "that the answer<br />
in our society is free choice based on<br />
information made available freely awi<br />
widely.<br />
"This is the ultimate control in our<br />
democracy— the freedom to accept or re<br />
ject— to value or condemn—to approve or<br />
disapprove."<br />
Para. Seeks Arbitration<br />
NEW YORK—Paramount Is seeking to<br />
force arbitration of clauses of a contracts<br />
with Harry Romm Productions In a suit)<br />
for SI. 000.000 filed in New York Supreme!<br />
Court over the distribution of "Hey, L«fs'<br />
Twist." Paramount is charged with not<br />
using its best .sales efforts, failure to pay.'<br />
money due from distribution and excessive<br />
distribution fees.<br />
BOxorncE March 9. 1964,
i<br />
'<br />
KANSAS<br />
'<br />
hard<br />
.<br />
business<br />
!<br />
ganization<br />
I<br />
film<br />
TOA URGES CONCERTED EFFORT<br />
TO CORRECT INDUSTRY ILLS<br />
Use of 'Latent Power'<br />
Advocated by Pres.<br />
John H. Rowley<br />
CITY—Theatre Owners of<br />
America should continue to try "with every<br />
means at our command"<br />
to make a<br />
concerted effort to<br />
alleviate the ills of<br />
the motion picture<br />
industry. John H.<br />
Rowley, TOA president,<br />
told the midwinter<br />
meeting of the<br />
board of directors and<br />
executive committee<br />
in the Muehlebach<br />
Hotel here Monday<br />
1 2<br />
John H. Rowley<br />
1 . Rowley urged<br />
TOA to "take a good<br />
look at what is happening in our<br />
and then take advantage of our<br />
power."<br />
latent<br />
Pointing out that over the years, the orhad<br />
been regarded as not being<br />
concerned with trade practices—the<br />
day-to-day business relationships between<br />
buyer and seller—Rowley emphasized.<br />
"TOA. in order to grow, must be responsive<br />
to the wishes of its membership. Why<br />
have a TOA unless it can accomplish things<br />
that the individual cannot?"<br />
He said TOA cannot and should not buy<br />
for the individual members, but that<br />
iit should be concerned with the general<br />
trends and relationships among producers,<br />
distributors and exhibitors.<br />
Reviewing TOA activities since the last<br />
board meeting in October, Rowley then<br />
commented on the Hollywood Preview Engagement<br />
plan and the three campaigns<br />
in which the organization participated.<br />
The program has been held in abeyance,<br />
he said, because of the present product outlook,<br />
which looked promising through the<br />
summer. He said the program would not<br />
be abandoned, but would be held in readiness<br />
in the event the product situation<br />
should change, adding that TOA had demonstrated<br />
that pictures in so-called off<br />
'seasons can do creditable business provided<br />
they are properly exploited and given sufficient<br />
exhibitor support.<br />
< Speaking Tuesday at the Show-A-<br />
Rama VII convention here, Rowley again<br />
emphasized that TOA was taking a long,<br />
hard look at certain trade practices and<br />
the threat of pay TV. He called attention<br />
to the construction and remodeling siu'-<br />
vey published by BoxoFncE and warned<br />
that a situation should be thoroughly<br />
studied before new theatres were built, lest<br />
such construction upset a delicate balance<br />
of competition. In addition, he made reference<br />
to negotiations currently under way<br />
for merging of TOA and AUied States<br />
Ass'n.i<br />
Exhibition, he said, could not expect relief<br />
in the television area, with Paramount.<br />
Universal. MOM and other companies making<br />
new packages available to TV. and<br />
Allied-TOA Committee<br />
To Study Merger<br />
Kansas City—Jack Armstrong, president<br />
of Allied States Ass'n, and John<br />
H. Rowley, president of Theatre Owners<br />
of America, named a joint committee<br />
on Tuesday (3) here to further<br />
explore plans and study the possibility<br />
of the creation of a new national exhibitor<br />
trade association. The committee<br />
consists of four representatives<br />
from each organization, who will meet<br />
at an early date.<br />
In addition, the presidents of the associations<br />
announced that TOA and Allied,<br />
after approval by their boards of<br />
directors, would act jointly to protest<br />
to each distributor the current practice<br />
of blind-bidding, Armstrong and<br />
Rowley said that if the practice were<br />
not discontinued, the two organizations<br />
would take such joint action as<br />
deemed appropriate and necessary.<br />
since the economics of the industry made<br />
it virtually impossible to prevent such sales.<br />
It was hoped, he told the board, that these<br />
sales would be regulated and controlled to<br />
have the minimum effect on product.<br />
Admitting that the Premiere Showcase<br />
Plan, such as instituted in New York,<br />
threatened to change distribution patterns<br />
as a whole, he said the final verdict on<br />
the formula had not been made and it might<br />
be too early for TOA to take an official<br />
stand on the overall plan. But, he said, it<br />
would be watched and studied .so that its<br />
beneficial or harmful effects could be<br />
weighed and judged.<br />
Audience Award Plan,<br />
Kiddie Films Probed<br />
KANSAS CITY—The Theatre Owners of<br />
America board of directors and executive<br />
committee, meeting here Monday i2i. considered<br />
methods to alleviate the shortage<br />
of suitable pictures for children's matinees.<br />
Robert W. Selig. vice-president of National<br />
General Corp., reported that some interest<br />
had been expressed by groups who might<br />
be vvilliag to subsidize the production of<br />
suitable programs.<br />
A Congressman. Selig said, told him the<br />
Small Business Administration might partially<br />
finance such a program. Additionally,<br />
he said, several philanthropic organizations<br />
indicated they might partially subsidize<br />
a program. The most likely source.<br />
Selig said, might come from an arrangement<br />
with Soupy Sales, a television personality<br />
with a strong kiddle following.<br />
One plan, he continued. In which local<br />
personalities could tie in with Soupy Sales<br />
on a stage-screen idea and including a<br />
serial type program by Sales, has gone far<br />
enough to attract the interest of a bank for<br />
financing.<br />
The TOA board and executive committee<br />
endorsed the idea and asked Selig to<br />
study It further. The board also voted to<br />
continue development of a final Audience<br />
Award Poll plan for a possible national<br />
audience poll at the earliest possible time.<br />
George G. Kerasotes, chairman of the<br />
Production Code liaison committee, hailed<br />
the expansion of The Green Sheet and the<br />
TOA board passed a resolution pledging its<br />
support to the expansion program. The directors<br />
reaffirmed the Washington declaration<br />
of March. 1961, pledging adherence<br />
to the Production Code and to the principle<br />
that films were entitled to the full<br />
protection offered by the Constitution<br />
and authorizing continuance and expansion<br />
in scope of the TOA Film Content<br />
Informational Service.<br />
Kerasotes reported that Geoffrey Shurlock<br />
of the Production Code Administration<br />
admitted that film advertising appeared<br />
to be a sore spot and that If exhibitors<br />
complained loud and often<br />
enough, the quality of advertising would<br />
be forced to improve. The board voted for<br />
the appointment of a subcommittee to<br />
work closely with the Advertising Code<br />
Administration on matters of advertising<br />
content.<br />
Lamar Sarra. chairman of the legislation<br />
committee, reported that plans are continuing<br />
on a campaign for repeal of the<br />
admission tax. John Broumas. chairman<br />
of the membership committee, said 38 new<br />
individual members had joined TOA since<br />
the October convention and that 30 were<br />
added with the joining of the Glen Dickinson<br />
circuit in the Kansas City area.<br />
M. A. Kmcey reported there were Congressional<br />
bills up for consideration on the<br />
daylight time issue, and that John Rowley,<br />
TOA president, will appoint a committee<br />
to study all aspects of the fast-time<br />
problem.<br />
The board recommended the use of<br />
patriotic trailers in theatres and discussed<br />
other Issues such as pay television, community<br />
antenna systems and non-theatrical<br />
competition.<br />
Texas COMPO Board Votes<br />
To Afiiliate With TOA<br />
KANSAS CITY—Members of the executive<br />
board of Texas Council of Motion Picture<br />
Organizations have voted to affiliate<br />
with TOA, it was announced here Monday<br />
i2i by John Rowley, TOA president and<br />
a member of the Texas COMPO board. The<br />
TOA directors officially welcomed the<br />
Texas group as well as the new Indiana<br />
uirit which became a member at the October<br />
TOA convention.<br />
Texas COMPO will continue to maintain<br />
Its local Identity while performing tasks<br />
Involving both exhibitor and general Industry<br />
problems on the state and national<br />
levels.<br />
Commenting on the new affiliation, John<br />
H. Stembler. TOA board chairman, said;<br />
"TOA has added another strong link. This<br />
orgaiiization has been a power house in all<br />
industry affairs and we are mighty proud<br />
and happy to have such an aggressive<br />
group in our fold."<br />
BOXOFFICE March 9, 1964
I<br />
Neb.<br />
exploitation<br />
juvenile<br />
shows<br />
II<br />
SELLING AT THEATRE LEVEL<br />
ACCENTED AT SHOW-A-RAMA<br />
Stress Is on Unity, Work;<br />
Four Top U.S. Showmen<br />
Receive Awards<br />
KANSAS CITY—The seventh annual<br />
Show-A-Rama. i-epresenting 40 states,<br />
Puerto Rico. Mexico and several provinces<br />
of Canada, added to its reputation as the<br />
nation's top showmanship convention.<br />
Three days of meetings, concentrated on<br />
helping theatremen become better sellers<br />
of their product, ended here late Thursda.v<br />
with attendance at a new high.<br />
This year, even more than in previous<br />
Show-A-Ramas, the word was "Take home<br />
a proven promotion idea and pay for your<br />
convention trip." That the idea has caught<br />
on is evidenced by the attendance, which<br />
reached a total of 1,500. high for any kind<br />
of industry gathering. A "wedding" between<br />
the motion picture industry and television<br />
was predicted<br />
at the opening session<br />
Tuesday by<br />
George Murphy, keynote<br />
speaker, and the<br />
children will be better<br />
than both parm<br />
J ^ ents." The film in-<br />
Wfr^^^ dustry may be a giant<br />
r^ ^^^H that walks on three<br />
Y ^^^^M legs, causing it to<br />
i^^^^H make mistakes at<br />
times, but with unity<br />
George Murphy it will be able to cope<br />
with all competition.<br />
Mui-phy asserted. It was a mistake when<br />
the industry stopped selling glamor and<br />
dreams and turned to message-making<br />
and psycho themes, the veteran actor said.<br />
CANDIDATE FOR U.S.<br />
SENATE<br />
Murphy, a candidate for the U. S. senate<br />
in California, commented that the film<br />
Industry needs a representative in that<br />
legislative body, and reminded that it was<br />
an injustice for Congress to remove the<br />
tax on all tickets except those of theatres.<br />
Highlight of the closing session was the<br />
Hollywood Star Luncheon on Thursday and<br />
the presentation of the UTO Star of the<br />
Year and Best Actress awards to Natalie<br />
Wood.<br />
Paul Ricketts, UTO president, welcomed<br />
the conventioners. remarking that he<br />
hoped he would not hear the word "exhibitor"<br />
during the convention: instead,<br />
he asked that "showman" be used. He owns<br />
theatres at Ness City. Kas. Elmer Rhoden.<br />
former president of National Theatres, was<br />
at the opening session.<br />
Fittingly, United Theatre Owners of the<br />
Heart of America which has developed<br />
Show-A-Rama. selected its Showmen of<br />
America 1963. M. B. Smith, Kansas City.<br />
Commonwealth Theatres advertising-promotion<br />
head, presented the awards to four<br />
theatremen selected by the UTO board.<br />
The honored showmen then gave the conventioners<br />
a sample of their competency by<br />
presenting detailed plans for selling upcom-<br />
California Pay TV Law Poses Threat<br />
To All Theatres, Selig Reports<br />
KANSAS CITY—A plea for assistance in<br />
"*<br />
the drive for an initiative in California to<br />
end "for all time" the<br />
threat of pay TV in<br />
homes acro.ss the nation<br />
was made at the<br />
Show-A-Rama VII<br />
convention here<br />
Tuesday (3i by Robert<br />
W. Selig, vice-<br />
. president of National<br />
'W. General Corp.<br />
-.<br />
^^BMad^^^^^<br />
^^^<br />
Asking theatremen<br />
^^H^^r ^^^1 the opening-day<br />
^^^^—^^^^ session to cast out of<br />
Robert W. Selig their minds any idea<br />
of Federal Communications<br />
Commission authority for pay TV<br />
testing or any pay TV proposal other than<br />
the situation in California. Selig outlined<br />
the problem faced in that .state.<br />
The legislature in 1963. he said, "railroaded<br />
through" a revenue act which<br />
brought into being "as law" pay-TV for<br />
California. As a revenue act. it provided<br />
that one per cent of the gross would go to<br />
ing releases.<br />
The Top Showmen of America winners<br />
and their campaign presentations:<br />
Jesse L. Marlowe, manager of the Tennessee<br />
Theatre for Martin Theatres. Nashville.<br />
"A Distant Trumpet."<br />
Eddie Forester. Dallas, advertising-promotion<br />
director for Frontier Theatres:<br />
"Pink Panther."<br />
Don Rist, manager of the Senate, a Kerasotes<br />
operation at Springfield. 111.; "Viva<br />
Las Vegas."<br />
Carl Hoffman, manager of the Omaha<br />
I Theatre for Ti-i-States Theatres:<br />
"Captain Newman."<br />
Distribution sales managers were introduced<br />
at the awards session, held on Wednesday<br />
i4i by Dick Orear. president of<br />
Commonwealth Theatres, as follows: Ernest<br />
Sands. Allied Artists: Rube Jackter.<br />
Columbia: Al Fitter. United Artists: H. H.<br />
"Hi" Martin. Universal: Morris Lefko.<br />
MGM. and Charles Boasberg. Paramount.<br />
Wednesday was pay-off day. In addition<br />
to the selling plans on new releases presented<br />
in the morning, that afternoon<br />
seven working showmen distinguished for<br />
their successes bombarded the showmen<br />
present with four hours of money-making<br />
ideas.<br />
There was Oscar Brotman, owner of outdoor<br />
and indoor theatres at Chicago, who<br />
electrified his listeners when he showed<br />
them inexpensive tricks In merchandisim,'<br />
that bring in the customers. He detailed<br />
an "Invasion of<br />
"<br />
Mars which<br />
he has used at his Oasis Drive-In four<br />
years straight and took in $25,000 at the<br />
the state and one per cent of the gross t<br />
the municipality granting a pay TV fran<br />
chise. "The act," he continued, "wa<br />
shoved through unanimously, withou<br />
debate.<br />
"You may ask 'What does this mean t<br />
me?' " Selig .said, "It means you are gotai<br />
to get it. too. I will say flatly, unequivocal<br />
ly and without hesitation, 'Your theatre 1<br />
in danger.' "<br />
Since the passage of the pay TV measur<br />
in California, he said, a large, broad ant<br />
interested front of opposition has de<br />
veloped.<br />
"All we've tried to do," he said, "Is giv«<br />
the people of California a chance to ex<br />
press themselves through an initiative elec<br />
tion. Let the people decide."<br />
It costs 50 cents to $1.00 to get each<br />
petition signed, Selig added.<br />
"There is a movement across the Unitec<br />
States for the same, identical kind of law<br />
that we now have in California," he con<br />
tinued. "And if this initiative fails, yoi<br />
will have pay TV in your state."<br />
boxoffice, and he passed out booklets with<br />
step-by-step program for putting on thi£<br />
bonanza at most any alrer.<br />
Harold Wyatt. district manager of Na-t]<br />
tional General Theatres, Los Angeles<br />
proved to the satisfaction of the critica!<br />
showman that Burton Holmes Ti-aveloguef<br />
can tap the over-35 "lost audiences" and<br />
prove a goldmine at the boxoffices.<br />
Jack Frazee. Chakeres showman of Dr<br />
bana. Ohio, told how to get along with<br />
merchants and make money by selUne*<br />
them tieups and sponsored shows. William<br />
Hastings, manager of RKO Theatres" In<br />
ternational 70 Theatre in Denver, opened<br />
new vistas of extra revenue for the alert<br />
theatre operator.<br />
How to set up profitable scholastic<br />
achievement<br />
< > was related<br />
by Ed Kidwell. Frontier Theatres manager<br />
at Roswell. N. M.<br />
Promotions that lifted a declining pa<br />
tronage well into the profit column were<br />
broadcast by AI Goddard. Community Theatre.<br />
Kingston. N. Y. Buck Prewitt. Varla.<br />
Drive-In. Jackson. Miss., put the spotlight<br />
on the big profits available In special combinations<br />
backed by sharp merchandising<br />
Tommy Noonan. actor and writer, who<br />
has appeared In a number of films, mostrecently<br />
"Promises! Promises!" for Har-!<br />
lequin International, made appearancesi|!<br />
during the convention to promote "3 Nutsi<br />
and a Bolt." released by George Reganiji<br />
Film Distributing Corp. of Chicago.<br />
.Nliirc oil Show -.\-K;inia. Pace 9<br />
BOXOFFICE March 9, 1964
j—rr ^<<br />
m \<br />
1964,,,^<br />
SAMUEL<br />
BRONSTON'S<br />
firfestt<br />
WILL WIDEN THE<br />
HORIZONS OF THE<br />
MOTION PICTURE<br />
WORLD
SAMUEL BRONSTON'S<br />
Directed by HENRY HATHAWAY<br />
WILL BE PRESENTED IN<br />
tJECQECE!<br />
STARTING IN JUNE:<br />
The Planning:<br />
From the inception of its production planning, Sannue<br />
Bronston's "Circus World" was conceived in ternns of<br />
special screen process for its presentation.<br />
Its unusual 'round-the-world story had to be thought of ir<br />
ternns of audience-innpact beyond the ordinary.<br />
The Product:<br />
"Circus World" is not only big, not only breathtaking — bu<br />
overwhelnning in its sheer shownnanship and entertainnnen<br />
Scene by scene, and star by star, it is screen-filling nnotior<br />
picture pleasure.<br />
The Presentation:<br />
Accordingly, the release of "Circus World"— in Cineranna — i:<br />
being tinned to insure nnaxinnunn penetration, to audience:<br />
of all ages. It is an engagennent destined to widen th«<br />
horizons of the motion picture world.<br />
SAMUEL BRONSTON presents JOHN WAYNE- CLAUDIA CARDINALE-RITA HAYWORTH<br />
in "CIRCUS WORLD"- Also starring Lloyd Nolan - Richard Conte - John Smith • Directed by<br />
Henry Hathaway -'Music by Dimitri Tiomkin - Screenplay by Ben Hecht and Julian Halevy<br />
From an Original Story by Philip Yordan - Executive Associate Producer, Michael Waszynski<br />
Produced by Samuel Bronston - Technicolor*<br />
In (general "l^elcasc in 1965 by 'Paramount 'Pictures 'Mr^:>.
'<br />
He<br />
I<br />
may<br />
-<br />
:<br />
"<br />
Technicolor to Present<br />
l»iS>.°5?5"i*!!:''.<br />
KANSAS CITY<br />
lations<br />
diiector<br />
Curtis Kent, public refer<br />
Technicolor, Inc.,<br />
speaking at the<br />
Show - A - Rama VII<br />
convention here<br />
Tuesday < 3 ) , re-<br />
\ealed that his coml)any<br />
is preparing a<br />
Technicolor Showman<br />
of the Year"<br />
award and sales aids<br />
in its effort to "get<br />
the Technicolor<br />
message back on the<br />
theatre marquees of<br />
the nation."<br />
Curtis Kent<br />
With Technicolor's<br />
'50th anniversary upcoming in 1965, Kent<br />
said the company soon would reveal details<br />
of its "Technicolor Showman of the<br />
;Yeai-" award and would make available<br />
jpennants with the word, "Technicolor," for<br />
iuse on marquees and in lobbies. Kent also<br />
md the company had in preparation several<br />
new processes, among them, Technibcope,<br />
and its latest, Technivision 70.<br />
urged theatremen to take advantage<br />
)f the prestige of the Technicolor name in<br />
:heir advertising and on the theatre marluees.<br />
"What catches the imagination of<br />
he prospective patron to your theatre?"<br />
;ie asked. "What makes him choose the<br />
Inovie he chooses to see? It would be<br />
iidiculous for me to stand here and say<br />
Technicolor is what first sells a person on<br />
>eeing a movie, but I do believe with all<br />
ny heart that it is one of the pluses that<br />
lould swing the pendulum in your favor,<br />
lecause as you know, in any aspect of sellng<br />
there is one little plus that makes a<br />
lale."<br />
Regional Head Explains<br />
jBA Theatre Loans<br />
KANSAS CITY—The functions of the<br />
mall Business Administration in assisting<br />
heatremen to obtain loans and to better<br />
usiness management were discussed at the<br />
how-A-Rama VII convention here Tuesiay<br />
(3 1 by C. I. Moyer, regional director<br />
the government agency.<br />
if<br />
Pointing out that the theatre industry<br />
low is rallying from the initial blow dealt<br />
y television, Moyer asserted that theatre<br />
Dnstruction and remodeling showed a<br />
larked increase in 1963 and added that<br />
the futui'e portends well" for continued<br />
iiilding and renovation.<br />
"If you are planning remodeling and<br />
eed assistance in financing," he told the<br />
leatremen, "the SBA will give consideralon<br />
to your problems and its assistance."<br />
heatres, he continued, are eligible for aid<br />
cm SBA, if the annual gross does not<br />
;ceed $1,000,000.<br />
He outlined three of the plans of action<br />
•ailable from the agency to help theatre<br />
en obtain financing for improvements or<br />
imstruction. The SBA, he said, may help<br />
lie theatreman obtain a straight bank<br />
an, it may participate in such a loan, or<br />
make a direct government loan to<br />
He theatreman. The agency can lend as<br />
uch as $350,000. he added.<br />
Most loans, he said, are for ten-year<br />
i^riods. The current interest rate is five<br />
:'r cent and, in area redevelopment areas,<br />
ie interest is four per cent.<br />
Promotions and Concessions Forums<br />
At Show -A- Rama Are Informative<br />
KANSAS CITY — The Show-A-Ram:i<br />
session on the final day. Thursday i5><br />
was devoted to promotions and concessions<br />
operations in both indoor and outdoor<br />
theatres, with emphasis on smalltheatre<br />
and small-town situations.<br />
J. T. Hitt, Bentonville, Ark., past-president<br />
of the Arkansas Theatre Owners, discussed<br />
some successful showmanship ideas<br />
which bore fruit at the boxoffice. One<br />
such plan which has been going on for<br />
several years is a Wednesday matinee<br />
kiddy summer show which is sponsored<br />
entirely by one local merchant, a grocery<br />
store, which, in turn passes along the<br />
costs to its suppliers. Parents must pick<br />
up the free tickets at a point in back of<br />
the store which is reached after walking<br />
through the entire store and being exposed<br />
to the merchandise. Purchases are<br />
not required, however, since traffic is<br />
what the sponsoring store wants.<br />
The theatre benefits not only by having<br />
as much as a quarter-page devoted to the<br />
kiddy show in the grocery's one or twopage<br />
ad at no cost, but sometimes the<br />
complete weekly program is included.<br />
Hitt believes that fom- or five radio<br />
spots mean nothing, and uses a minimum<br />
of 20 daily spots before opening a picture<br />
which is suitable for radio promotion, cutting<br />
down afterward.<br />
"Fii-eworks—Do-It-Yourself Style" was<br />
the subject of an extremely informative<br />
talk by Jim Cook of the Tivoli Theatre<br />
and Dude Ranch Drive-In. Maryville. Mo.<br />
He detailed how to build, raise and fire<br />
"set pieces." such as a 9xl2-foot American<br />
flag, a bucking bronc, a profile of a sixgun<br />
about 15 feet long and five feet high<br />
with a Roman candle in it which starts<br />
firing. The set pieces are built big so they<br />
can be seen from all over the area.<br />
Virgil E. Odell. Caldwell. Ida., president<br />
of Mountain States Theatre Ass'n. told of<br />
UTOHA Passes Resolution<br />
Endorsing Green Sheet<br />
Kansas City—The United Theatre<br />
Owners of the Heart of America passed<br />
a resolution at its Show-A-Rama convention<br />
here endorsing The Green<br />
Sheet. The resolution submitted is as<br />
follows<br />
"Because the plans for expanding the<br />
distribution and, therefore, the ser\ice<br />
of The Green Sheet, both to the general<br />
public and to theatres, the I'nited Theatre<br />
Owners of the Heart of .-Vmcrica<br />
endorses this program.<br />
"Giving widespread circulation to<br />
such a fine medium of information on<br />
the content of motion pictures has long<br />
been a need. It provides theatremen<br />
with an extraordinar>- opportunity to<br />
foster goodwill in their communities,<br />
both among regular and potential patrons,<br />
therefore.<br />
"Be it resolved that all members of<br />
I'TO of the Heart of .\meriea participate<br />
in making use of The Green Sheet<br />
to the fullest possible extent."<br />
a special "dinner night" promotion when<br />
about 20 cents was added to the price of<br />
an individual ticket with the offer of a free<br />
hamburger and drink, or a chicken dinner.<br />
This greatly increased the per-patron take.<br />
as against a dollar-per-car price.<br />
Bill Proctor. National General Corp.,<br />
Beverly Hills. Calif., told of the importance<br />
of going behind the concessions stand or<br />
cafeteria while it is in operation to see<br />
how it can be improved.<br />
Bill Slaughter. Rowley United Theatres.<br />
Dallas, told the audience they should go<br />
home and re-examine their situations and<br />
look for improved methods of selling at<br />
higher prices.<br />
"There is no place for an order taker<br />
in a concessions," Lloyd Hirstine of the<br />
Capitol Drive-in Theatre. Des Moines, said.<br />
"You must have a sales force." According<br />
to Hirstine, the weakest greetings an attendant<br />
can give a patron are: "May I<br />
help you?"—Something for You?"—What<br />
Will you have?" and "Do you want something?"<br />
The customer should always be<br />
given a choice between something and<br />
something, and then a related item should<br />
be suggested.<br />
Lee Joehnck, Commonwealth Theatres,<br />
Kansas City, discussed a number of special<br />
promotions used by his circuit in recent<br />
years to activate the patron to come<br />
to the stand. Among these were steak<br />
knives, with the first one given free at the<br />
boxoffice to start a set, and the others<br />
promoted by trailers, hand-out coupons<br />
and poster displays.<br />
Bev Miller, who operates three drive-in<br />
theatres in this area, received the award<br />
presented by Ed Lachman, president of<br />
Lorraine Carbons, Inc., as "The Outstanding<br />
Showman of Show-A-Rama.<br />
The top attendance prize went to L. H.<br />
Rockhold, manager of Fox Midwest at<br />
Winfield, Kas., who won a two-week vacation<br />
trip to Acapulco for two, with a<br />
stopover at Mexico City. Nathan Jacobs.<br />
publisher of Movie Guilde. had offered a<br />
$100 bonus if the winner was a subscriber<br />
of that promotion magazine, but Rockhold<br />
was not.<br />
New NSS Promotion<br />
Described by Mel Gold<br />
Aids<br />
KANSAS CITY—New promotion aids were<br />
announced by Mel Gold, sales manager for<br />
National Screen Service, at the Show-A-<br />
Rama convention. NSS is set to go into<br />
production with a new ten-minute intermission<br />
clock trailer for drive-ins. It is fully<br />
animated: each minute segment includes a<br />
15-second sequence, with 45 seconds open for<br />
local advertising. Gold presented Cinemotion<br />
as NSS's "hottest new promotion aid." It's an<br />
animated trailer-like service for use with<br />
lobby 40x60s and on the marquee.<br />
National Screen also is introducing<br />
a new de luxe "Go to Church" trailer in<br />
color and new reflector decal signs.<br />
Tommy Scmds to Visit Ten Cities<br />
HOLLYWOOD—Tommy Sands has been<br />
set for a ten-city promotional tour for<br />
Warners' "Ensign Pulver" beginning in<br />
mid-March in Chicago.<br />
JXOFFICE March 9, 1964
"<br />
:<br />
;<br />
,<br />
Wonderama Unveiled;<br />
New Screen Process<br />
PLAINFIELD. N.J—A niw and ii'volutionaiy<br />
scicen process known as Wonderama<br />
was unveiled for the press here<br />
on Wednesday i4i at the Strand Theatre.<br />
The innovation was the result of an electronic<br />
and prismatic lens invention which<br />
involved the priming of the picture frames<br />
vertically in two halves instead of horizontally.<br />
The two parts are projected and<br />
joined together by two prismatic optic<br />
lenses to fill a screen, as in the Strand,<br />
more than 60 feet wide, more than 21 fee;<br />
high and a depth in the center of 20 feet.<br />
The first picture to be shown in the new<br />
process was "Mediterranean Holiday." in<br />
which 20 teenage sea cadets sail a threemasted<br />
clipper ship to Mediterranean<br />
countries. It is a Continental Distributing<br />
release, a division of Walter Reade-<br />
Sterling. Inc.. which also controls the<br />
process.<br />
Wonderama was designed to provide an<br />
evenly lighted picture through the use of<br />
one light source, with that light providing<br />
double the brilliance normally u.sed in<br />
theatre projectors. The Wonderama picture<br />
uses 140 amps of electricity against<br />
the normal 65 amps.<br />
Reade-Sterling claims it is the first<br />
system to be developed in which two separate<br />
pictures can be shown from one projector<br />
and. therefore, the first of its kind<br />
that can project a motion picture in depth<br />
on a curved screen from a single unit.<br />
Ordinarily, it was said, it would not be<br />
possible to project depth on a curved<br />
screen with only one lens, because it would<br />
be impossible to obtain a clear focus at<br />
different depths. Wonderama does this by<br />
dividing the picture and projecting the<br />
parts through prismatic lenses. It can be<br />
attached to any 35mm projector.<br />
The process was invented by Dr. Leon<br />
W. Wells, who was born in Poland and<br />
educated in Munich. He came to the<br />
United States in 1949 as an exchange student<br />
to study at Lehigh University. Bethlehem,<br />
Pa. He holds many awards.<br />
According to the brochure on Wonderama,<br />
prepared by Rcade-Sterling, the<br />
key to the process is in the special 35mm<br />
print which can be run through a standard<br />
projector to produce a giant image on<br />
the screen. The .special twin lenses divide<br />
the film into two halves, printed vertically<br />
.so that the joining point is invisible. An<br />
electronic choke reduces the intensity of<br />
the light at the point where the images<br />
meet, resulting in absolute illumination<br />
with no distortion.<br />
It is claimed that the deeply curved<br />
screen and lenses can be installed on any<br />
35mm projector in a matter of hours without<br />
changing anything on the projector.<br />
First Print From Europe fo AA<br />
HOLLYWOOD — Fnst print of "Train<br />
349 From Berlin," starring Jose Ferrer and<br />
Sean Flynn, son of the late Errol Flynn,<br />
has been delivered to Allied Artists from<br />
Europe, where the Ray Ventui'a-Hans Oppenheimer<br />
production was filmed in<br />
actual locales. The picture, which will be<br />
distributed by Allied Artists in the western<br />
hemisphere, was directed by Ralph Heedrich<br />
and costars Nicole Courcel.<br />
All Four of<br />
Winners on Oscarcast<br />
HOLLYWOOD— Anne Uancroft, winnci<br />
of last year's Oscar in the best performance<br />
1963's Acting<br />
by an actress category for "The Miracle<br />
Worker," will appear as a presenter on the<br />
36th Annual Awards Show, April 13,<br />
George Sidney, producer of the Academy<br />
of Motion Picture Arts and Sciences' presentation,<br />
announced.<br />
This insures the appearance of all four<br />
of last year's acting whinners. Gregory<br />
Peck, winner of the best performance by<br />
an actor "Oscar" for "To Kill a Mockingbird,"<br />
Ed Begley, winner of the supporting<br />
actor statuette for "Sweet Bird of Youth."<br />
and Patty Duke, winner of the supporting<br />
actress trophy for "The Miracle Worker."<br />
having prcviou.sly been named to the show.<br />
In keeping with Academy tradition of<br />
having actress present to actor and vice<br />
versa. Miss Bancroft will present the<br />
Award to the winner of the Oscar for the<br />
best performance by an actor; Peck to the<br />
winner for the best performance by an<br />
actress; Begley to the winner for the best<br />
performance by a supporting actress; and<br />
Miss Duke to the winner for the best performance<br />
by a supporting actor.<br />
The appearance will mark Miss Bancroft's<br />
first at the Awards Show, a Broadway<br />
commitment having prevented her<br />
from attending last year. Joan Crawford<br />
accepted the Oscar for her.<br />
The growing star-studded cast also includes<br />
Sammy Davis, jr.. Rock Hudson.<br />
Jack Lemmon. Sidney Poitier. Donna Reed.<br />
Debbie Reynolds and Edward G. Robinson<br />
Lemmon will act as master of ceremonies,<br />
while Davis will be spotlighted in a special<br />
musical segment.<br />
Jack Martin Smith has been appointed<br />
art director for the presentation. Smith<br />
will be replacing the previously announced<br />
Ted Haworth. who was forced to relinquish<br />
the assignment due to a conflicting overseas<br />
picture commitment. Smith has been<br />
nominated three times for art direction<br />
achievements, in 1949 for "Madame<br />
Bovary." in 1956 for "Teen-Age Rebel" and<br />
is a current nominee for "Cleopatra."<br />
UA Distributes Oscar Kit<br />
Geared to Nominations<br />
NEW YORK— United Artists is<br />
distributing<br />
a special Academy Awards Kit to include<br />
written, photographic and filmed<br />
material on the seven motion pictures released<br />
by the company which have been<br />
nominated for a total of 27 Oscars this<br />
year.<br />
A special inclusion in the Kit will be<br />
unique short television featurettes on<br />
16mm presenting scenes from the UA<br />
Academy Award nominees. Also contained<br />
in the Kit will be biographies and<br />
portraits of the individual nominees, scene<br />
•Stills from the UA contenders, and production<br />
background information.<br />
United Artists has scored an Impressive<br />
sweep of this years nominations with its<br />
27 selections representing the following<br />
films: Tony Richardson's "Tom Jones,'<br />
Ralph Nelson's "Lilies of the Field," Stanley<br />
Kiamer's "It's a Mad, Mad. Mad. Mad<br />
World." Billy Wilder's "Irma La Douce.<br />
John Sturges' "The Great E.scape." Hal<br />
Bartlctt's "The Caretakers" and Mirisch'^<br />
"Toys in the Attic."<br />
,<br />
Bronston Productions<br />
In Reorganization<br />
NEW YORK -Saiiiu. 1 I'.ioiLion HrodU(<br />
tions. Spanish-ba.si(i pi udiu i-i ,-<br />
of "Tl<br />
Pall of the Roman Empire" and "Clrci;<br />
World." both to be distributed in 1964 t<br />
Paramount Pictures, is going through<br />
financial reorganization and has n<br />
trenched both at its distribution office 1<br />
New York and at the Madrid studios, at<br />
cording to word received here.<br />
As a result of a decision reached late I<br />
February. Pierre Du Pont III of Wilminj<br />
ton. an original backer for Bronston glnti<br />
the time he first embarked on his large<br />
scale Spanish -made spectacles, has pel<br />
tioned for a trusteeship under which Bror<br />
ston has made voluntary assignment of h<br />
company's assets to Du Pont, as chii<br />
creditor. Jesse Moss, New York lawye<br />
has been named trustee.<br />
Bronston's chief asset is his inventory c<br />
the two productions to be released t<br />
Paramount in the western hemispher<br />
these made at a total cost of $24,000,00<br />
Paramount will take over general distrlbi<br />
"<br />
tion of "Circus World in 1965 foUowlr<br />
its initial release in Cinerama, starting 1<br />
June. Two other forthcoming Bronsto<br />
productions. "Night-Runners of Benga<br />
and "Suez." both of which were to sta;<br />
production in 1964, are also committed 1<br />
Paramount. In addition, a recent agre<<br />
ment was made with Cinerama, Inc., U<br />
the production of two other Bronston pic<br />
tures. "Paris 1900" and "Brave Ne<br />
World." the former originally scheduled 1(<br />
filming under Vittorio De Sica's directioi<br />
starting in June. All future steps are b«<br />
ing made after consultation with Du Pon<br />
Bronston's revenue is currently fort!<br />
coming from two pictures released by Alllt<br />
Artists in the western hemisphere.<br />
Days at Peking," released in 1963, and<br />
Cid, released in 1962. Bronston has mac<br />
"<br />
deals for these overseas witli individui'<br />
distributors in various foreign countrle<br />
including the J. Arthur Rank Organizatia<br />
in the United Kingdom and the Brltlsjl<br />
Commonwealth.<br />
With the recent completion of "Clrct J\<br />
World." the Bronston Studio in Madrtj<br />
has been idle and many people were dli||<br />
mi.sscd while the New York office staff s,<br />
which produced "The Kail of thf<br />
Roman Empire" and "C'irra> World."<br />
Paramount's position, under its agrrrment.s<br />
with the Bronston companies (or<br />
the release of these pictures in the<br />
western hemisphere, is fully protected<br />
by contractual safeguards and the di-stribution<br />
of these pictures b. proceeding<br />
entirely as scheduled. Balaban said.<br />
10<br />
BOXOFFICE March 9, 19 • l^
' which<br />
TESMA'<br />
Pacific<br />
at<br />
—<br />
'echnicolor Net, Sales<br />
leach Ail-Time Peak<br />
NEW YORK—Patrick Frawley, chairlan<br />
of the board and chief executive ofcer<br />
of Technicolor, Inc.. announced that<br />
le 1963 net sales and net income for the<br />
DUipany are the highest since it was<br />
)unded in 1915. The company earned $3.-<br />
92,034, or $1.21 per share ion 2,875,984<br />
lares outstanding at Dec. 28, 1963 1 for<br />
le fiscal year 1963, as compared to the<br />
ported earnings of $149,969 or six cents<br />
er share ion 2,640,478 shares outstanding<br />
t Dec. 29, 19621 for the fiscal year 1962.<br />
et sales for 1963 were $78,715,606 as comjred<br />
to the reported total of $57,927,893<br />
)r 1962.<br />
If the 1962 earnings had included the<br />
irnings of those companies acquired in<br />
)63, and the company's equity in the unstributed<br />
net income of the foreign afliates<br />
for that year Uo conform to a<br />
lange in accounting policy adopted in<br />
163 1<br />
the 1962 net income would have<br />
en $607,947 and the net sales would<br />
ive been $61,033,332. Sales for 1963 of<br />
'8,715.606 were 29 per cent greater than<br />
le restated 1962 total. The 29 per cent<br />
crease in sales came primarily from the<br />
otion picture and consumer photographic<br />
visions and the Marshall Burns compans.<br />
Pi-awley stated that "management believes<br />
at 1963 established a new plateau to<br />
ork from and we look forward to conlued<br />
improvement in over-all company<br />
lerations and earnings in 1964."<br />
MPTE Meeting Will Show<br />
aboratory Equipment<br />
NEW YORK—A feature of the equipent<br />
exhibit of the Society of Motion Picre<br />
and Television Engineers' semiannual<br />
:hnical meeting is certain to be motion<br />
:ture laboratoi-y equipment. Already<br />
;ned up for the gathering, to be held<br />
iril 13-16 at the Ambassador Hotel in<br />
s Angeles, are six companies which will<br />
ow new printing equipment, five which<br />
11 show processing equipment and three<br />
lich will show editing equipment.<br />
Other laboratory exhibits will include a<br />
wer film rewinder, automatic thennal<br />
its, stop-motion flashlight and transission<br />
dessitometers.<br />
itchcock's 'Mamie' Set<br />
y Universal for Summer<br />
NEW YORK—Milton R. Rackmil. presi-<br />
U of Universal, has concluded final<br />
angements with Alfred Hitchcock for<br />
newest picture, "Marnie." to be re-<br />
!sed throughout the U.S. in mid-July.<br />
'e picture stars Sean Conncry, star of the<br />
JTies Bond pictures for United Artists.<br />
Id "Tippi" Hedren, who played the lead<br />
(Hitchcock's "The Birds."<br />
EA to See 'Dolphins'<br />
JEW YORK — Universal will screen<br />
land of the Blue Dolphins" for execu-<br />
?s of the National Educational Ass'n<br />
fursday il2i in Washington. Producer<br />
bert B. Radnitz and Universal publicity-<br />
'imotion executives will attend. The novel<br />
the film is based has been ap-<br />
''ved for reading courses in many schools.<br />
Three Wynn Generations<br />
To Appear in<br />
Hollywood — Three<br />
'Patsy'<br />
generations<br />
of a famous acting family will appear<br />
in Jerry Lewis' picture "The Patsy"<br />
now that Ned Wynn has been signed<br />
to join his grandfather, Ed Wynn and<br />
his own father, Keenan Wynn, already<br />
working in the Paramount release.<br />
Lewis is starring in and directing<br />
the film.<br />
NGC Has Over 170 Theatres<br />
For Closed Circuit Kickoff<br />
HOLLYWOOD—Kickoff of the first<br />
theatre<br />
closed-circuit network featuring entertainment—instead<br />
of boxing fights<br />
will be launched Saturday il4i, at 11;30<br />
a.m. in over 170 theatres throughout the<br />
United States and Canada with an audience<br />
estimated at 500.000—mostly teenagers.<br />
The history-making event will headline<br />
the Beatles. England's hottest sensation,<br />
who will be seen in concert as performed<br />
in the Washington, D.C. Coliseum. They<br />
will be preceded on the program by the<br />
Beach Boys, America's popular surfing<br />
group and Lesley Gore, who will originate<br />
their end of the show from the west coast.<br />
The show will have two matinees each<br />
on Saturday and Sunday 1 i<br />
14. 15 11:30<br />
a.m. and<br />
i<br />
again at 2 p.m. timei.<br />
Locally, it will be seen in over 25 theatres.<br />
including the Orpheum. Wiltern. Pox Wilshire.<br />
Village Westwood. as well as at the<br />
Shrine Auditorium. Santa Monica Civic<br />
Auditorium and the Valley Garden Arena.<br />
TESMA, Allied to Combine<br />
Tradeshow Oct. 19-22<br />
DETROIT—Theatre<br />
Equipment & Supply<br />
Manufacturers Ass'n<br />
i<br />
and Allied<br />
States Ass'n have announced jointly<br />
that they will be associated in the presentation<br />
of a motion picture industry tradeshow<br />
October 19-22 at the Sheraton-Cadillac<br />
Hotel here concurrently with their convention.<br />
President Larry Davee. of TESMA and<br />
president Jack Armstrong of Allied made<br />
the announcement with Allied convention<br />
chairman William Wetsman. of Wisper-<br />
Wetsman Theatre. Detroit. Milton H. London.<br />
Alhed's executive director and Merlin<br />
Lewis. TESMA's executive secretary who<br />
will handle details of the tradeshow.<br />
Plans are to reserve Monday. October 19<br />
for exclusive attendance at the tradeshow<br />
for manufacturers of theatre equipment<br />
and theatre equipment dealers.<br />
Earnings of Glen Alden<br />
Up Since List Merger<br />
NEW YORK — Glen Alden Corp.. of<br />
which RKO Theatres is a subsidiary, has<br />
reported its 1963 earnings were the highest<br />
since its merger with List Industries. Albert<br />
A. List, board chairman, said the<br />
total was $7,898,000 on sales and revenues<br />
of $118,765,000. equal to $1.43 a share, compared<br />
with the 1962 figure of $7,514,000 on<br />
sales and revenues of $115,004,000. Unaudited<br />
result^s for January 1964 reflect a<br />
profit of $7,100,000.<br />
Allied Pays Tribute<br />
To Burton Robbins<br />
DETROIT—Burton E. Robbins. president<br />
of National Screen Service, was highly<br />
praised in an editorial<br />
appearing in the<br />
March issue of Allied<br />
Report, monthly news<br />
and information bulletin<br />
distributed nationally<br />
to Allied<br />
States Ass'n. Excerpts<br />
from the editorial follow<br />
:<br />
"Burton E. Robbins.<br />
illustrious son of<br />
. .<br />
. .<br />
an illustrious father,<br />
arrived at the age of<br />
44 on February 2.<br />
Burton E. Robbins<br />
just past. And it on that date that the<br />
was<br />
company which he heads. National Screen<br />
Service, started a 90-day "President's Sales<br />
Drive" to honor him ,<br />
"Shortly after becoming president of<br />
NSS some six months ago. Robbins announced<br />
to the press the need for showmanship<br />
techniques and merchandising<br />
methods at the local level and he pledged<br />
his firm's talents and resources to the exploration<br />
of new promotional ideas, also<br />
expressing the need of revamping his company's<br />
policies to meet the requirements<br />
of the 'new show business.' . . .<br />
"As he set out re-evaluating his company's<br />
objectives, he surrounded himself<br />
with top executive talent, drawn from both<br />
NSS and affiliated industries. The move<br />
provided a new youthful, yet experienced,<br />
'management team' with a strong right<br />
arm in the person of Robbins' well-trained<br />
twin. Norman, who became vice-president<br />
and general manager .<br />
"Burton E. Robbins is backing up his<br />
slogan. Showmanship Is Our Business'<br />
with a display of personal showmanship<br />
that is a timely and necessary hypo for<br />
the motion picture industry."<br />
Para.-Sony in New License<br />
For Chromatic Color TV<br />
NEW YORK—Paramount Pictures and<br />
Sony Corp. of Japan have entered into a<br />
new license agreement which lowers the<br />
royalty rate payable by Sony and giving<br />
to Sony the right to manufactuie and sell<br />
in the U.S. color television tubes and sets<br />
embodying the Chromatic principle of color<br />
television, which they developed.<br />
Sony officials reaffirmed the statement<br />
they made in 1962. when they were originally<br />
licensed to exploit the Chromatic<br />
color TV tube in Japan. Sony's work in the<br />
past two years in connection with the tube<br />
has developed the process to a point where<br />
they expect to be able to offer color television<br />
sets embodying the Chromatic principle<br />
for public use in the near future.<br />
NSS-CDA Ad Tieup<br />
MOBILE, ALA.—Cinema Distributors of<br />
America has announced a tieup with National<br />
Screen Senice to handle all advertising<br />
on "The Flesh Eaters," newly released<br />
science-fiction horror film, according<br />
to Robert Steuer, CDAs executive \acepresident.<br />
Steuer said that CDA has designed<br />
all of the advertising material. Including<br />
theatrical trailers.<br />
'XOFnCE March 9. 1964<br />
II
A GIRL ON THE VERGE OF WOMANHOOD..<br />
A WOMAN ON THE EDGE OF LONELINESS^<br />
BOTH SUSPICIOUS<br />
OF AFFECTION,<br />
YET STARVED<br />
FOR LOVE!<br />
m<br />
V<br />
f>V<br />
_jM$
JOMMIllS<br />
N<br />
ROSS HUNTER'S production<br />
OF THE ACCLAIMED BROADWAY AND<br />
LONDON STAGE SUCCESS!<br />
A<br />
J<br />
f-<br />
il\<br />
_)<br />
,;u ^,\ //<br />
TECHNICOLOR<br />
EDITH EVANS- FELIX AYLMER<br />
ELIZABETH SELLARS<br />
Screenplay by JOHN MICHAEL HAYES<br />
Directed by RONALD NEAME • Produced by ROSS HUNTER<br />
A Quota Rentals Ltd. Picture • A Universal Release<br />
OPENS RADIO CITY MUSIC HALL<br />
for the SUMMER SEASON!<br />
from Universal 1
vine's astute direction, the two great actt<br />
,<br />
:<br />
)<br />
'.<br />
\<br />
fine emotional climax. Under Peter Qleli<br />
li<br />
give truly fine characterizations, ones t j<br />
be long remembered.<br />
In support are two of Britain's knight<br />
actors. Sir John Gielgud, who contributes'<br />
j<br />
suave, elegant portrayal of King Louis V'|<br />
of France, a comparatively brief role whlij<br />
adds some lighter touches, and Sir DonaM<br />
Wolfit, who is an outstanding figure<br />
'•<br />
jealousy and discontent as Becket's enenr,<br />
the Bishop of London. These two. wl<br />
young David We.ston, playing Broth<br />
John, a Saxon monk, who first resents ai<br />
then becomes devoted to Becket, ma:<br />
their every scene count.<br />
While women play a minor part In tl I<br />
Peter O'Toole as King Henry II (left! and Richard Burton as Thomas Becket<br />
in Hal Wallis' production of "Becket," in Panavision and Technicolor.<br />
FEATURE<br />
REVIEW<br />
^Becket'<br />
Paramount<br />
By FRANK LEYENDECKER<br />
PRODUCER HAL WALLIS, whose productions<br />
over the years have won a<br />
total<br />
of 32 Academy Awards, has put forth his<br />
finest effort in this British-made picturization<br />
of the London and Broadway stage<br />
hit—a magnificent film certain to be<br />
nominated for many Academy Awards next<br />
year and likely to garner an Oscar for<br />
Richard Burton for his superb portrayal<br />
of Becket. Certainly the soft-toned Technicolor<br />
photography of Gteoffrey Unsworth,<br />
which captures the rich interiors, many of<br />
them reconstructed on the Shepperton<br />
Studio's stages, and the incomparably beautiful<br />
exteriors along England's lonely coastline<br />
are visual masterpieces, rarely, if ever,<br />
excelled on the screen.<br />
Although Edward Anhalt's screenplay,<br />
based on the Jean Anouilh play, re-creates a<br />
tempestuous part of English history In the<br />
late 12th Century, with its intrigues, adventures<br />
and pageantry, the human story<br />
of the devotion between Becket and King<br />
Henry n and their later breakup which<br />
culminates in the murder of Becket inside<br />
Canterbury Cathedral, is always uppermost<br />
and makes for a tremendously moving<br />
drama.<br />
With Burton so much in the news, in<br />
the current film "Cleopatra," on the<br />
stage In John Gielgud's production of<br />
"Hamlet" and offstage, as well, and Peter<br />
O'Toole so recently acclaimed for his<br />
"Lawrence of Arabia," the picture has<br />
strong marquee allure, both for the<br />
sophisticated patrons who saw or read the<br />
play and the mass audiences. The re-<br />
14<br />
served-seat engagements in key cities<br />
should build up strong interest for the<br />
later regular runs. The picture has already<br />
been given special awards by Parents'<br />
Magazine, Scholastic Magazine and Seventeen<br />
and Photoplay, and Saturday Review<br />
calls it "a imique triumph." Life and other<br />
magazines have scheduled large space for it.<br />
Burton, as the soft-spoken, withdrawn<br />
Becket who changes from a pleasure-loving<br />
young man to a deeply-religious figure<br />
after he is made Archbishop of Canterbury,<br />
is splendidly complemented by Peter<br />
O'Toole, as the mercurial, hot-tempered<br />
and flagrantly amorous ICing Henry II.<br />
Burton's performance increases in intensity<br />
while O'Toole's becomes more flashy, unpredictable<br />
and compelling right up to<br />
"BECKET"<br />
Hal Wallis production for ParamounT reicose<br />
Running time: 148 minutes, plus intermission<br />
In Ponovision: 2;55-l and Technicolor<br />
CREDITS<br />
Produced by Hoi Wollis. Directed by Peter<br />
Glenville. Screenploy by Edward Anhalt. Based<br />
on the ploy by Jean Anouilh. Production designer,<br />
John Bryon. Editor, Anne Coates. Musical score,<br />
Lourence Rosenthol. Conductor, Muir Mathieson.<br />
Cincmatographer, Geoffrey Unsworth- Assistant to<br />
the producer, Richard McWhorter, Production<br />
manager, Denis Holt. Art director, Maurice Carter.<br />
Costume designer, Margaret Furse. 1 st assistant<br />
director, Colin Brewer. Camera operator, Ernest<br />
Doy, Set decorator, Robert Cortwright. Set dresser.<br />
Potrick McLoughlin. Scenic ortists, FerdinorKj Bel-<br />
Ian and Simpson Robinson,<br />
his<br />
THE CAST<br />
Thomos Becket Richard Burton<br />
King Henry II Peter OToole<br />
King Louis VII of France John Gielgud<br />
Gilbert Folliot, Bishop of Donald Wolfit<br />
London . . .<br />
Queen Matilda<br />
Martito Hunt<br />
Queen Eleanor Pamela Brown<br />
Pope Alexander III Poola Stoppo<br />
Cardinal Zambelli Gino Cervi<br />
Brother John David Weston<br />
Archbishop of Canterbury Felix Aylmer<br />
Henry II Barons. .. .Nioll MocGinnis, Percy Herbert<br />
Christopher Rhodes, Peter Jeffrey<br />
Gwendolen Sian Phillips<br />
Robert de Beaumont, Duke of Leicester<br />
Inigo Jockson<br />
Peasant's daughter Jennifer Hilary<br />
Bishop of York Frank Pcttingcll<br />
and John Phillips, Veronique Verxlell, Gerald Lowson,<br />
Hamilton Dycc, Linda Morlow, Patrick Newoll,<br />
Riggs O'Hora Grohom Stark, Mogdo Kopke, Gooffrev<br />
Boyldon.<br />
proceedings, Martita Hunt has two fli<br />
scenes as the caustic Queen Mother ai<br />
Pamela Brown also does well as Kli:<br />
Henry's passionless wife. Queen Eleanc<br />
Sian Phillips has one touching momei<br />
and Jennifer Hilary, Veronique Wendt<br />
and several other beautiful girls a<br />
suitably cast as wenches and whores, tern<br />
which "Tom Jones" has made acceptab<br />
in today's period films. Felix Aylmer, i<br />
an elderly Bishop, Niall MacGinnis, Pere<br />
Herbert and other top British players a)<br />
also excellent and two familiar Italia<br />
actors. Paola Stoppa and Gino Cervi, ignll<br />
one splendid scene as the Pope and h<br />
adviser in a Rome sequence.<br />
In addition to Unsworth's notab;<br />
camerawork, which often resembles ol<br />
English tapestries, the highest praise is dt<br />
to John Bryan, for his production designi<br />
Margaret Furse for her rich and authentJ<br />
period costumes, and Laurence Rosenthi<br />
for his musical score, which is hauntln<br />
yet never distracts from the film's dram<br />
and visual beauty and it is well conducta<br />
by Muir Mathieson.<br />
In the final analysis, the film revolve<br />
around Becket and his King Henry n an<br />
it is Richard Burton and Peter OTOoli<br />
under Peter Glenville's direction, wh<br />
bring these famed medieval figures to vlvl<br />
life on the screen and make Hal Wall!<br />
superlative production one of the screen<br />
historical<br />
triumphs.<br />
Universal, Decca Declare<br />
Quarterly Dividends<br />
NEW YORK—The board of directors (<br />
Universal Pictures has declared a quarter!<br />
dividend of 25 cents per share on tl:<br />
common stock, payable March 27 to stocli<br />
holders of record March 17. 1964.<br />
At the same time, the directors of Decci<br />
Records declared a regular quarter!<br />
dividend of 30 centos per share on the con:<br />
pany's capital stock, payable March 30 t<br />
stockholders of record March 16, 1964.<br />
i<br />
London to See 'Becket'<br />
NEW YORK — Paramount has schec«<br />
uled Hal Wallis' "Becket" for an overset,<br />
premiere March 25 at the Plaza Theatre 1;<br />
London. It will be presented on a reservecj<br />
.seal, road-show policy.<br />
BOXOFFICE March 9. 196,
I<br />
: The<br />
I<br />
. . Comedian<br />
. . Maureen<br />
which<br />
'f^oUtfjCW^ ^cfront<br />
piGHT MORE productions for lensing<br />
during March are announced. The<br />
eight are in addition to the seven new<br />
films reported last week on this page,<br />
making a total of 15 new features currently<br />
before the cameras. The lineup by<br />
companies follows:<br />
COLUMBIA<br />
Mickey One. Arthur Penn. who produces<br />
and directs this film, which will be<br />
shot on location in Chicago, will costai<br />
Hurd Hatfield and Warren Beatty in this<br />
one. The suspense comedy by A. M. Sur-<br />
]gal finds Hatfield playing an impresario<br />
and Beatty a night club star in a bigcity<br />
atmosphere with night club over-<br />
;ones.<br />
NITED ARTISTS<br />
GoLDFiNGER. Thls Eon production starring<br />
Sean Connery will be lensed partly in<br />
[he United States and in England under<br />
[he Harry Saltzman and Albert R. Broccoli<br />
reins. The attempt to rob Port Knox,<br />
tcy., was written by Ian Fleming and will<br />
be shot in color.<br />
How TO Murder Your Wife. Charleston<br />
.^'reductions, owned by Gordon Carroll and<br />
Cieorge Axelrod. will roll on this Richard<br />
Juine directed script by Axelrod. who<br />
vrote the original for the satire. It was<br />
mblished by Houghton-Miflin. Jack Lemnon<br />
goes with the shapely Virna Lisi Miss<br />
i<br />
pisi doesn't speak English, as yet) in a<br />
jtory of a gay old bachelor who decides<br />
tfter his marriage that he has had enough.<br />
nd goes out to mui'der his spouse. It will<br />
e shot in color.<br />
Kiss Me Stupid. This Mirisch produc-<br />
;ion from the team of Billy Wilder and<br />
j. A. L. Diamond, will be produced and di-<br />
^cted by Wilder with Eiean Martin. Peter<br />
ellers, Kim Novak and Felicia Farr playig<br />
in a comedy about a night club singer,<br />
^ho is supposed to be the world's greatest<br />
)ver. In a small town he becomes involved<br />
(ith an amatem- songwriter, and the fun<br />
pgins. It will be shot in color.<br />
Beatles. Walter Shenson, producer,<br />
las assigned director Richard Lester to the<br />
ory about the popular Beatles, which will<br />
: lensed abroad. The vehicle for bringing<br />
le group to the screen hasn't been written<br />
yet.<br />
NIVERSAL<br />
,McHale's Navy. This successful tele-<br />
show will now go the route into a<br />
Sion<br />
I-length feature film. Si Rose has<br />
light<br />
,<br />
all his scripts into 1964-65 for the<br />
show, and Ed J. Montaigne will proce<br />
this one from a script by Frank J.<br />
1 and G. Carleton Brown. The Navy<br />
jys, who have them rolling in the homey-set<br />
aisles, are headed by Earnest Borg-<br />
Jie, Joe Flynn. Tim Conway. Carl Ballanje,<br />
Gary Vinson. Bill Sands. Yoshio Yoda.<br />
iston Stroll and Gavin.<br />
Strange Bedfellows. Mel Frank and<br />
?chael Pertwee will have the writers'<br />
•^dit on this tale set in England, which<br />
^1 find Mel Frank producing and direct-<br />
JB.<br />
Rock Hudson. Gina Lollobrigida. and<br />
% Young playing in a comedy duel of<br />
'" sexes, where the young oil magnate.<br />
.By SYD CASSDY<br />
Hudson, and his dame, Gina, are constantly<br />
battling. Gig Young as the public<br />
relations man brings them around.<br />
WARNER BROS.<br />
None But the Brave. This World War II<br />
story of a group of Marines shot down<br />
over the Pacific Islands held by Japanese<br />
soldiers will be directed by Frank Sinatra,<br />
who will star. Howard Koch is executive<br />
producer. The original by Raoul Walsh<br />
and John Twist will be scripted by Twist<br />
as a Sinatra production.<br />
William Castle, producer at Universal,<br />
has his next property for production in a<br />
novel by Rohan O'Grady, which is children-oriented.<br />
The novel was titled "Let's<br />
Kill Uncle" and perhaps sets the tone for<br />
the project . Alan Young has<br />
taken another step toward his own production<br />
activities by hiiing space in the<br />
San Fernando 'Valley. His storehouse of<br />
scripts now runs to 15. His identity has<br />
been firmly established due to his relationship<br />
as the man who talks to "Mr.<br />
Ed," in the program by that name ... A<br />
five-minute dramatic commercial for Anthony<br />
Mann's new film, "The Unknown<br />
Battle," will be released as promotional<br />
material for the World War II Norwegianbased<br />
production. Daniel Blassingame will<br />
do the commentary. The first segment depicts<br />
destruction of the Nazi potential for<br />
atom-bombs.<br />
. .<br />
Stan Margulies, vice-president of Tony<br />
Cui-tis' Reynold Productions, was scheduled<br />
to leave for London to produce "Those<br />
Magnificent Men in Their Flying Machines"<br />
to be shot in 70mm and Todd-AO<br />
in England and France starting May 11.<br />
Margulies was borrowed from Reynard by<br />
Elmo Williams, supervising dii'ector of<br />
20th-Fox's European division. The picture<br />
stars Susannah York, Pernandel, Robert<br />
Morley, Terry-Thomas, Alberto Sordi and<br />
Britt Elkland and is being directed by Ken<br />
Annakin . Setting a record of appearing<br />
in 28 out of the 30 films in which Jerry<br />
Lewis has starred. Mike Ross signed for a<br />
comedy role<br />
"<br />
in Lewis' "The Patsy. which<br />
he is starring in and directing for Paramount<br />
release. Joining the funsters is<br />
comedian and night club entertainer<br />
Buddy Lester, who has also appeared in<br />
several of Lewis' previous pictures. Ernest<br />
Lemmon Oscar Trailer<br />
Being Distributed Free<br />
H o I 1 y w o o d—The Jack Lemmon<br />
Oscar theatre trailer is being offered<br />
to exhibitors free of charge. Theatres<br />
wishing: to take advantage of this offer<br />
should contact their local National<br />
Screen Service office. Physical distribution<br />
will be handled by National<br />
Film Service.<br />
.A "live" appearance by Lemmon as<br />
master of ceremonies is featured in<br />
the reel, which is produced by .American<br />
Broadcasting Co., over whose radio<br />
and television facilities the April 13<br />
Oscarcast will be aired.<br />
D. Glucksman is producing the film in<br />
Technicolor.<br />
, . .<br />
Warner Bros, acquired the film rights to<br />
author Norman Mailer's new suspense<br />
novel, "An American Dream," the story of<br />
an ex-war hero who becomes a college<br />
professor and television personality. The<br />
tome is now being serialized in eight parts<br />
by E.squire Magazine and will be published<br />
in hard-cover book form by Dial<br />
Press this fall. Mailer is the author of<br />
•The Naked and the Dead, " Warners<br />
filmed in 1958 "The Cincinnati<br />
Kid" has been acquired for filming by<br />
Filmways. Martin Ransohoff hasn't worked<br />
out a deal for distribution, but it is almost<br />
certain that one will be forthcoming<br />
since he has some commitments to produce<br />
product for several majors.<br />
Shapely 20-year-old Mexican star Begona<br />
Palacios will play the love interest<br />
opposite Michael Anderson jr. in the Jerry<br />
Bresler production for Columbia, which is<br />
locationing in Durango, Mexico. Simultaneously<br />
set was film star Aurora Clavel,<br />
who will portray a momentary love interest<br />
in the life of Charlton Heston. The<br />
Civil War cavalry story also stars Richard<br />
Harris, Jim Hutton and Senta Berger<br />
and is being directed by Sam Peckinpah in<br />
color and Panavision . O'Hara<br />
will play a housewife who has designs on<br />
other men in "The Battle of Villa Fiorita,"<br />
the forthcoming Delmer Daves production<br />
for Jack Warner. The Rumer Godden novel<br />
was the source of the production . . . "Free<br />
Escape," a Emopean-locale film to be<br />
made in many parts of the continent, will<br />
have Jean Seberg in the starring role.<br />
Fom- pictures in a row will be scripted<br />
and directed by Burt Kennedy at MGM.<br />
Starting with "Rounders, " which is scheduled<br />
for a May 4 start in Sedona, Ariz.,<br />
with Glenn Ford and Henry Fonda starring.<br />
The second picture under the deal<br />
will be "The Last Hill," to be produced by<br />
Richard Lyons who is serving in the same<br />
capacity on "Rounders." Kennedy and<br />
Lyons were teamed on MGM's current boxoffice<br />
film, "Mail Order Bride," Buddy<br />
Ebsen starrer. Eighteen writers, a record<br />
for the studio, are currently engaged in<br />
preparation for the 1964 production season<br />
at the Walt Disney studios, in both<br />
the motion picture and television fields.<br />
Nine of the writers are on the staff, and<br />
nine free-lance, representing a new Disney<br />
high for non-cartoon operations. Principal<br />
photography for all 1964 releases has been<br />
completed.<br />
Oscar Brodney has been signed to<br />
write "Light of My Life," an original<br />
comedy in the romantic vein for producer<br />
Ross Hunter's schedule at Universal . . .<br />
Harry Kurnitz got the 20th-Fox assignment<br />
on "Venus Rising," which will be<br />
Fred Kohlmar's production at the Pico<br />
lot . . . Millard Kaufman, who wrote "Convicts<br />
Four and directed the film for Allied<br />
"<br />
Artists, has completed his first tlu-ee-act<br />
comedy, "The Side of the Dragons," aimed<br />
at Broadway production, with feature production<br />
hovering in the background . . .<br />
An original romantic comedy gets under<br />
way on the Universal City premises with<br />
Ross Hunter assigning WTiter Oscar Brodney<br />
to do "Light of My Life." . . . Dino<br />
De Laurentiis goes the religious route with<br />
another title, "God and the Devil," with<br />
Enzo Peri directing.<br />
t XOFFICE March 9, 1964 15
BOXOFFICE BAROMETEi<br />
This chart records the performance of current attractions in the opening week of their first run* ill<br />
the 20 key cities checked. Pictures with fewer than five engagements are not listed. As new nMil<br />
ore reported, ratings arc added and averages revised. Compulation is in terms of percetitog* ir<br />
relotion to normal grosses as determined by the Iheotre managers. With 100 per cent as "normal/<br />
the figures show the gross roting obove or below that mark. (Asterisk * denotes combination bills.'l<br />
UJ<br />
a:<br />
o<br />
Z<br />
-J<br />
. . the<br />
Two great stars in the story of two of the most explosive men in<br />
history. One was King of England. The other one who lived<br />
in the shadow of Kings. Then, one murderous day. they clashed...<br />
as His King<br />
MGiaGUD'"MWlI<br />
nn pl-ilrGLENVILLEedwardANHALT JEAN ANOUILH -AfWroNIRflEASt<br />
tJAR-POWERED SHOWMANSHIP!<br />
If<br />
ICHARD BURTON and PETER O'TOOLE arc the year's<br />
iV biggest boxoffice names. Hal Wallis' "Becket" stars<br />
ttlni in the kind of roles which hove won them spectacular<br />
o(ience acceptance— they play reckless warriors and roistering<br />
Ici-TS, friends in an age of violence. The film itself, a magnifi-<br />
Cft motion picture dramatization of a world-fomous play, perils<br />
Burton as Becket and O'Toolc as his King to display their<br />
0^1 brilliant talents and training in the passions of the classic<br />
*'"'3tre. Their names will attract audiences; their performances<br />
* be talked-about for years to come.<br />
T eckett" itself, one of the most moving stage productions<br />
[)<br />
ever to spellbind audiences in New York, London and<br />
•^'is, is the story of two of the most explosive men in history<br />
1<br />
e soldier who was his King's companion, and then became<br />
'COFTICE Maich 9. 1964<br />
— the King's conscience "this meddlesome priest" who was murdered<br />
in Canterbury Cathedral by the King's Knights.<br />
Paramount<br />
has created a merchandising campaign that<br />
makes brilliant use of every boxoffice element in<br />
this spectacular<br />
screen offering, with special emphasis on the stors. But<br />
there is a powerful supporting cast, an entertainment-wise<br />
producer, a brilliant director, a tremendous dramatic conflict.<br />
In bringing "Becket" to the screen, breathtaking sets had to<br />
be constructed . . . desperate battle fought, for the Panavision-<br />
Technicolor cameras to record .<br />
costumes and the cus-<br />
and 12th Century<br />
toms of the Middle Ages returned to life . . .<br />
ways of love explored.<br />
obviously "Becket" is<br />
showmen—will<br />
o motion picture that audiences—and<br />
long remember.<br />
17
.<br />
i<br />
RICHARD<br />
BURTON<br />
Not until "Beckct" have Richard Burtons tremendous abilities os an actor been<br />
properly capitalized upon by the screen, although his reputation is almost legend.<br />
Burton opens on Broadway next month as "Hamlet," in a stage production directed<br />
by John Giclgud, who also appears in "Bccket." The national publicity surrounding<br />
the Broadway appearance, on top of the "Beckct" campaign, will certainly odd to<br />
the star's magnetic appeals, and will draw additional audiences to the "Bccket" boxoffice.<br />
Burton is only one of four actors in Stratford-on-Avon history to play "Hamlet"<br />
more than 100 times (Giclgud, incidentally, was another of the fourj.<br />
An Old Vic star,<br />
Burton appeared in Christopher Fry's "The Lady's Not For Burning" for 18 months in<br />
London, and almost as long in New York It was Burton whom Winston Churchill<br />
chose as his "voice" for the British TV series of filmed war memoirs, and it was Burton<br />
who was starred on Broadway in the musical comedy, "Camelot. ' His two most recent<br />
films, "Cleopatra" and "The V.I.P.'s," have been record-breaking grossers.<br />
As Becket, Burton makes magnificent use of his splendid training and talents.<br />
bECKET<br />
In the 12th Century England of "Becket," the King<br />
ruled with the military force of his Barons, and the executive<br />
abilities of his Churchmen. The clash between Church and<br />
State was inevitable, and it was this which led to the increasing<br />
personal conflict between Henry II, great-grandson of<br />
William the Conqueror, and his boon companion. Archbishop<br />
Thomas Becket. The murder of Becket in Canterbury Cathedral<br />
climaxes the epic tragedy that is<br />
"Becket."<br />
Paris,<br />
A pleasure-loving young man educated in England and<br />
Becket becomes Archdeacon of Canterbury and close<br />
friend of the swashbuckling Henry, who is desperately trying<br />
to quell rebellions in France and Wales, lands he holds by<br />
right of conquest or of marriage. Becket faithfully serves the<br />
King, fighting beside him or carousing with him, when Henry<br />
appoints him Chancellor of England.<br />
The death of Archbishop of Canterbury is seized on by<br />
Henry as a providential means of destroying Church opposition;<br />
he names Becket his next Archbishop. But Becket takes<br />
his vows seriously; he not only lives the life of a humble<br />
priest, he opposes the Crown on all points affecting the<br />
Church. Becket is forced by Heni-y to flee.<br />
In France, he finds<br />
shelter with King Louis VII. Alternating between fury at<br />
Becket's unexpected behavior and desolation at<br />
the loss of<br />
the "only man he can trust," Henry finally grants Becket<br />
safe-conduct back to Canterbury.<br />
But Becket suspects he will not be long allowed to live .<br />
.<br />
Producer HAL WALLIS<br />
One of filmdom s top movie-mokers, "Becket" produc(|<br />
Hoi Wollis has the happy ability to combine prestige ente;<br />
toinment with boxoffice success. "Becket," his most on;<br />
bitious production in some time, is the latest in a 27-ye(j<br />
career that includes some 400 films which won well ov«i<br />
100 Academy Award nominations and a total of 32 oword,<br />
Wallis has twice won the Irving Thalberg Award.<br />
j<br />
No list of memorable films is complete without holf<br />
dozen or so Hal Wallis pictures, and it does not motter how thj<br />
list is chosen— adventure, western, comedy, droma, romonc<br />
. . . he's made them all, and successfully. There were, fc,<br />
example, such clossics as "The Life of Emile Zola," "Lou,<br />
Pasteur" and "Little Caesar." There were such suspens<br />
thrillers as "I Am o Fugitive" and 'The Maltese Falcon,<br />
such musicals as "This Is the Army" ond "Yankee DoodI<br />
Dandy," such comedies as the Dean Martin and Jerry Lew(<br />
subjects, such romances as "The Rainmaker" ond 'io>^<br />
Letters," such westerns as "Gunfight at the OK Corror onj<br />
"'Dodge City," such dromas as "Come Bock Little Shebo" onj<br />
"Summer and Smoke."<br />
All the Hoi Wollis movie-making know-how is in "Becketj<br />
Wallis tokes an active role in every facet of plonning, prtj<br />
auction and selling. With "Becket," Wallis is of his bcH<br />
office<br />
best.<br />
PARAMOUNTI
PETER O'TOOLE<br />
As "Lawrence of Arabio," Peter O'Toole won considerably more than an Academy<br />
Award nomination for his brilliant performance; he won an immediate place in the<br />
very forefront of the international screen's top boxoffice stars. Audiences wanted<br />
more of him; they still do.<br />
"Becket" is O'Toole's first picture since "Lawrence of Arabia."<br />
fi<br />
il<br />
As King Henry II in the Middle Ages, O'Toole appears in a role that might have<br />
been hand-written for him. Unlike his characterization as the introspective, selfconscious<br />
and awkward Lawrence, O'Toole himself is an out-going, laughter-loving,<br />
vividly-alive individual, one of England's finest young stars. His appearonce in<br />
"Becket" as the King capitalizes upon his own powerful personality; his King is a<br />
roistering, woman-chasing ambitious monarch who enjoys soldiering and the life<br />
is his because he wears the Crown of England.<br />
that<br />
Like Burton, O'Toole also is a man of the stage. Youngest male star ever to play<br />
with the famed Old Vic, he has appeared in everything from outright farce to "Hamlet."<br />
In "Becket," Peter OToole ranges through all the passions, memorably.<br />
A NEW MAGNIFICENCE<br />
COMES TO THE SCREEN<br />
The pomp and pageantry of the Middle Ages are not<br />
easily come by.<br />
Director PETER GLENVILLE<br />
One of the leading directors of the Broadv*/ay and London<br />
stage, Peter Glenville was the logical choice to direct Richard<br />
Burton and Peter O'Toole in Hal Wallis' screen version of<br />
"Becket." Glenville had directed the Broadway-occlaimed<br />
stage production, with Laurence Olivier and Anthony Quinn.<br />
Other of Glenville's Broadway stage triumphs include<br />
the present Alec Guinness success, "Dylan." He directed Vivien<br />
Leigh in her first musical, "Tovarich;" Quinn and Margaret<br />
Leighton in "Tchin Tchin." He directed "Separate Tables,"<br />
"Roshomon," "Hotel Poradiso" and "Take Me Along."<br />
Among Peter Glenville's films have been "Summer and<br />
Smoke," "Me and the Colonel," "The Prisoner" and "Term<br />
of<br />
Trial."<br />
Playwright JEAN ANOUILH<br />
Considered the world's most successful living playwright,<br />
Jeon Anouilh's plays— and the films made from them— attract<br />
audiences everywhere. "Becket" itself was first produced in<br />
Paris, and a year later in London with Christopher Plummer<br />
as Henry and Eric Porter as Becket. On Broadway, Laurence<br />
Olivier was Becket when Anthony Quinn appeared as the King,-<br />
Olivier changed over to ploy Henry to Arthur Kennedy's<br />
"Becket" when Quinn left the play to make "Lawrence of<br />
Arabia."<br />
More than four months were needed, after as much time<br />
spent in research and design, to reconstruct Canterbury Cathedral<br />
as it was in the time of Becket's consecration and<br />
murder, and Henry's excommunication and penance. The<br />
greatest single interior set ever built in Europe, Canterbury<br />
Cathedral is just one of many beautiful and contrasting<br />
settings required for<br />
There is<br />
"Becket."<br />
a medieval French town, to be captured by the<br />
King and Becket. There are medieval English castles, stark<br />
and cold contrasts to the French and Italian court sets, the<br />
Papal Palace and the camp of the French Army.<br />
There are costumes, ranging from the rags of the peasants<br />
to the gold and velvet of the Court of King Louis VIII<br />
of France, the uniforms of the soldiery and the robes of the<br />
Church. The weapons and armor of the time had to be duplicated,<br />
as did the furniture and farm equipment, saddles and<br />
other props .<br />
. . and<br />
they had to be fashioned in the diverse<br />
Middle Ages styles of England, France and Italy.<br />
Academy Award winning designer John Bryan handled<br />
much of the work, with a record staff of 300 artists and<br />
craftsmen; Margaret Furse did the costume designs. To get<br />
the work done, with complete authenticity, the museums of<br />
Europe were explored, the field of 12th Century literature<br />
canvassed, and dozens of historians consulted.<br />
CAMPAIGNS
.<br />
.<br />
BECKET' STARS<br />
HEADLINE-HOT!<br />
s<br />
)<br />
TALK ABOUT ROMANCE .<br />
. . I<br />
Peter O'Toole wos a magnificent romontic hero— without a heroine!<br />
-OS Lowrence. Now, in "Becket," his omorous odventures are plentiful,<br />
varied ... but always lusty. As Henry, the King, he ranges freely among<br />
his Saxon serfs ond his Queen's lodies-with Burton as Becket right<br />
there, too! The promotion possibilities ore as pleosont to envision as<br />
the girls themselves!<br />
Attention of the nation's press, radio and television<br />
is being focused this month on "Becket," and<br />
its headline-hot stars and behind-comero experts.<br />
In addition to the tremendous flow of publicity which<br />
emanated from the production itself, the spectacular's<br />
rood show engagements are adding their own<br />
audience-attracting efforts. And, of course. Paramount<br />
has mounted a major campaign.<br />
In-person activity has been set with "Becket"<br />
producer Hal Wallis and "Becket" director Peter<br />
Glenville:<br />
Wallis is expected to visit New York, Boston,<br />
San Francisco, Denver and Washington to talk<br />
about "Becket" and Glenville's itinerary includes<br />
Boston, Montreal, Toronto, Chicago and Washington.<br />
Both also have been set for television<br />
and radio breaks, local and national and<br />
"Becket" is to be featured on the NBC-TV show,<br />
"Worldwide Kingdom of Movies," on March 20th.<br />
Newspaper breaks scheduled, or already achieved,<br />
include— in New York— such nationally-distributed<br />
papers as the New York Times magazine section<br />
and drama and motion picture section (the former<br />
a picture layout; the latter, a by-line piece by Glenville),<br />
a 4-column production story in the New York<br />
Sunday News, and o New York Herald Tribune break<br />
of major proportion.<br />
Magazine publicity starts with awards: "Becket"<br />
alreody has received the Parents' Magazine "Special<br />
Merit Award," Seventeen's "Picture of the Month"<br />
occolode, and Scholastic Magazines' "Bell Ringer<br />
Award." Other magazine breaks received, or definitely<br />
set, include:<br />
I RICHARD J<br />
CQ<br />
as Becket<br />
bEC KE7<br />
W PBF)ENIE0IN70MM0NIHEGIANIIH[SIRESCRESN PiMiUIQiriM' TFPHMirninP<br />
PANAVISION- TECHNICOLOR'<br />
Two gtcjt surs in llic story of two The other one who lived in<br />
of the most explosive men in his the shadow of Kings. Then, one<br />
lorv. One was King of England. murderous day. ihev dished .<br />
Life Mogozinc color layout—Morch 13(h issue.<br />
Cosmopolitan—full pogc review, April issue.<br />
Redbook—Peter O'Toole-Rebecca West "dialogue," in<br />
Morch; review of "Becket" in April.<br />
McCoU's—Glenville interview obout the stars, Februory issue.<br />
Harper's Bazaar—Two facing full-page star drawings, with<br />
rave tor film, March issue.<br />
Porents Magazine—Aword, plus review ("Magnificent entertainment!"),<br />
Morch issue.<br />
Vogue— Burton portrait, March 15 or April 1.<br />
Good Housekeeping—Review ond photo, April issue.<br />
PTA Magazine—Rove review and still,<br />
America— Rove — review.<br />
Modern Screen "Picture of the Month" for April.<br />
Saturday Review—full-poge rave review, March 7th issue.<br />
Photoplay—Gold Medal Award.<br />
Commonweal Magazine— Full-page review<br />
nm mm [^k<br />
WOLFIT- PETER GLENVILLE EDWARD ANHALl<br />
THE BOOK<br />
New American Library is<br />
publishing a Signet paperback<br />
edition of the Jean Anouilh play,<br />
on which the picture is based, with<br />
lEdKET<br />
photographs from the film itself.<br />
The publishers ore backing their<br />
book with ads, posters and trode<br />
publicity and the Jean Anouilh<br />
name alone is certain to win considerable<br />
bookstore and library attention.<br />
bv «*<br />
,<br />
JEAN AN' '_^,,
'^^<br />
BECKET' ADVERTISING<br />
The dramatic horizontal display of the star names, in many of<br />
the ads prepared by Paramount, is guaranteed to stop and hold<br />
newspaper and magazine readers. Such advertising does more<br />
— if steals the page, no matter what the competition. Note the<br />
giant display ad at left, which swept across two full pages in the<br />
New York Sunday Times. In all the ads, considerable emphasis<br />
is also placed on romance, spectacle and high adventure. The<br />
same theme extends to posters, and displays, which make powerful<br />
use of the stars' names and likenesses. Below is a reproduction<br />
of the 24-sheet.<br />
MASS-APPEAL<br />
PROMOTIONS!<br />
Shown below is the star-powered showmanship<br />
kit to be taken on first dates across the<br />
country by Paramount's exploiteers. It contains all<br />
the material needed for editors . . . radio . . .<br />
television . . . groups<br />
.<br />
. . schools, with room for<br />
additional material to come, as the picture catches<br />
fire!<br />
Paramount has prepared as spectacular a<br />
spread of material as possible, and what the field<br />
man can't carry will be shipped by mail or air express!<br />
Among the many exploitation aids available,<br />
in addition to those cited at right, are:<br />
* Group sales aids, including special brochures<br />
and flyers for the use of teachers, program<br />
directors, etc.<br />
^IfT^rr— \'""<br />
>:MhA.<br />
RICHARD ^_SSPETER<br />
BURTON ,« OTOOLE<br />
,r^J<br />
* 36-page Souvenir Book, with covers and ten<br />
inside pages in full color, for presentation to<br />
VIP's and for sale and display in lobbies, windows,<br />
etc.<br />
* Special Applause Bulletin, issued by Motion<br />
Picture Association and sent to 50,000<br />
women's club leaders, clergy, editoriol writers,<br />
colleges, libraries, etc.<br />
* Legion of Decency Accolade, with a special<br />
story serviced to Catholic and general newspapers<br />
throughout the country.<br />
DISPLAYS<br />
TJl'erhsing and the 24-sheet illustrated above exemplify<br />
"topproach used by Paramount in its posters and other<br />
ptfiol, to emphasize the film's star-power and its sweeppit<br />
and magnificent spectacle. When backlighted, the<br />
Il40"x60" moke tremendously effective shadow box<br />
injtheatre<br />
fronts and for dressing-up store windows, Para-<br />
Is making available an exciting set of color stills from<br />
lond dramatic display may also be obtained through<br />
pe Souvenir Program, both its cover and its inside pages.<br />
RECORD ALBUMS<br />
llbums give "Becket" showmen opportunity for power-<br />
Iromotion, tied-in with all-out Decca Records support.<br />
r'buting the Laurence Rosenthal sounttrock in a de<br />
|id is backing it with extensive disc jockey promotion<br />
I advertising, plus point-of-sale material. "Becket"<br />
I etc<br />
l^iove their own local media activity . . . store and stocontest<br />
promotions ... use of the albums as prizes<br />
,*., mmw<br />
Wliyt. .PETER GLENVILLE EDWARD ANHALT<br />
JjECKET<br />
* Open and Closed End interview discs of Burton<br />
and Glenville, for use in New York and<br />
across the country.<br />
STUDY GUIDE<br />
and<br />
FILM STRIP<br />
Illustrated above are the front cover and inside spread<br />
of the Becket Educationol Study Guide, mailed to 10,000<br />
teachers of social studies and audio-visual directors in<br />
playdate cities and suburbs. Printed in two colors, the Guide<br />
contoins facts and classroom exercises on the Middle Ages,<br />
and opens into the attractive 17"x22" wall map illustroted<br />
here.<br />
A 30-frame filmstrip in color, of life in the Middle<br />
Ages, contains scenes of hunting, feasts, architecture, costumes,<br />
etc., as they appear in "Becket." A script accompanies<br />
each film strip, which is promoted in the Study<br />
Guide and also has been advertised ond publicized in teachers'<br />
magazines.<br />
Both Study Guide and Filmstrip offer "Becket" showmen<br />
additional entr/ into schools and colleges.
LOS ANGELES<br />
OMAHA, NEB<br />
TORONTO, CANADA<br />
CHICAGO, ILL<br />
DENVER, COLO<br />
BOSTON, MASS<br />
MONTREAL, CANADA....<br />
SAN FRANCISCO, CAL.,<br />
WASHINGTON, D.C<br />
NEW YORK CITY .<br />
WORLD PREMIERE<br />
. LOEW'S<br />
STATE MARCH llfh<br />
AND OTHER ROADSHOW ENGAGEMENTS<br />
.STANLEY-WARNER BEVERLY HILLS<br />
.COOPER<br />
.EGLINGTON<br />
.CINESTAGE<br />
.RKO INTERNATIONAL 70<br />
.SAXON<br />
.SEVILLE<br />
..UNITED ARTISTS<br />
.ONTARIO<br />
MARCH)<br />
MARCH i<br />
MARCH i<br />
MARO-J!<br />
APRILJZ<br />
NEXT ATTRACT<br />
NEXT ATTRAC((<br />
NEXT ATTRACk<br />
NEXT ATTRACJc<br />
GROUP SALES AIDS FOR<br />
Illustrated here are three of the many group sales aids now being used in road<br />
show engagements, to grotifying effect. Paramount anticipates that sales promotion<br />
oids like these, or reasonable adaptations of them, also will be available to later<br />
playdates of "Becket."<br />
BECKET<br />
g
'<br />
'41.<br />
i<br />
Westchester<br />
which<br />
for<br />
Shapiro<br />
and<br />
. would<br />
Pay TV Opponenls<br />
i'lan Maryland Rally<br />
BALTIMORE—A three-pronged attack<br />
gainst toll TV Is set for March 17 at<br />
0:30 am. in the Park Plaza Theatre when<br />
16 Allied Motion Picture Theatre Owners<br />
f Maryland, the Maryland Theatre Ownrs<br />
Ass'n and independent exhibitors from<br />
iroughout Maryland meet to further<br />
lans in their Anti-Pay TV crusade.<br />
Theatre owners from neighboring lo-<br />
Uities also are invited to attend.<br />
A joint statement issued by Jack Whittle,<br />
.<br />
.<br />
Janus),<br />
Two<br />
'<br />
'<br />
'<br />
j<br />
i<br />
!<br />
'Captain Newman/ Seven Days Big<br />
In 2nd \Neek Among B'way Holdovers<br />
NEW YORK — With the Times Square<br />
area playing nothiiiR but holdovers, except<br />
for the new foreiKn-laiiKuage "Two Are<br />
Guilty" at the Embassy, business held up<br />
surprisingly well mainly due to such strong<br />
product as "Captain Newman." which had<br />
a fine second week at the Radio City<br />
Music Hal: "Seven Days in May." which<br />
was a smash in its second week at the<br />
Criterion, as well as the east side Sutton<br />
Theatre, and "Dr. Strangelove. " still very<br />
big in its fifth week at the Victoria, as well<br />
as the east side Sutton Theatre.<br />
Also continuing to do good business were<br />
three "Showcase" attractions. "Dead<br />
Ringer," very good in its second week at<br />
the RKO Palace: "Sunday in New York,"<br />
good in its third week at the Forum, and<br />
"Man's Favorite Sport?," good enough but<br />
not up to the other two, in its second week<br />
at the Astor. Two that were just mild were<br />
"Dr. Crippen," in its third and final week<br />
at the Paramount, and "Love With the<br />
Proper Stranger," in its tenth and final<br />
week at Loews State although here the<br />
picture did extremely well in its previous<br />
weeks.<br />
With "Becket" slated to start a reservedseat<br />
run at Loews State, starting March<br />
11, the other two-a-day pictures continued<br />
to do fine business, particularly "The Cardinal."<br />
in it.s 12th week at the DeMllle:<br />
"It's a Mad. Mad. Mad. Mad World." in its<br />
16th week at the Warner Cinerama, and<br />
"Cleopatra, " in its 38th week at the Rivoli.<br />
All of these pictures now advertising several<br />
Academy Aw-ard nominations in the lobby<br />
or on the marquee. "Best of Cinerama" was<br />
mild in its tenth week of two-a-day at<br />
Loew's Cinerama and will be replaced by<br />
another film late in March.<br />
In the art houses, "Tom Jones," nominated<br />
for many Academy Awards, was again<br />
the leader by playing in two adjoining<br />
spots—Cinema I. where it had a big 21st<br />
NEWS .<br />
I<br />
week, and Cinema II. where it was a smash<br />
in its third week. Also continuing to strong<br />
business were "America America," nominated<br />
for best picture, in its 11th week at<br />
the Paris: "The Silence," again a smash<br />
in its fourth week at the Rialto and the<br />
east side Tians-Lux East, and the revival of<br />
"Beat the Devil," fine in its second week<br />
at the Fifth Avenue Playhouse. Four of the<br />
art spots are currently on Festivals or unusual<br />
programs, Chaplin films at the Plaza,<br />
for a smash 13th week; experimental films<br />
at the 55th Street Playhouse, shorts at the<br />
34th Street East, and a newly opened FesniMACICS<br />
NEW !••«<br />
DRIVE-IN<br />
CATALOGUE<br />
NOW READY<br />
The Theatr* Industry^ Bibl«<br />
on How To Moko Menoy<br />
Selling Merchont Adt, Con<<br />
f'TIlM cetsioni, ond Tickst S«lllni<br />
I<br />
iSlll l>'' ' ld>ai Frn on Rm|u»iI.<br />
•^.^^tT"? T-'l. TVI! w.m<br />
tm i. wu*«M . oauoo >. at. - m* >.»•«<br />
tival of great French films at the Norman-<br />
.<br />
1<br />
die.<br />
Astor— Mon's<br />
(Average Is 100)<br />
Favorite Sport? (Univ), 2nd wk. of<br />
Showcase 1 35<br />
Baronet— Dr. Strongclove (Col), 5th wk 195<br />
beekman— Point of Order Cont I), 7th wk 125<br />
Cornegie Hall Cmcmo— Dcr Rosenkovolicr<br />
(Showcorp), 1 0th wk of two-a-doy 150<br />
Cinema I—Tom Jones (UA-Lopcrt), 21st wk 175<br />
Cinemo II—Tom Jones (UA-Lopert), 3rd wk 195<br />
Coronet—To Bed ... Or Not to Bed (Confl),<br />
10th wk 135<br />
Criterion— Seven Doys in Moy (Paro), 2nd wk 185<br />
DcMille—The Cordinol Col), 12th wk. of two-a-doy 165<br />
Embassy— Two Arc Guilty (MGM) 165<br />
Festivol—The Eosy Life (tmbossy), 10th wk 150<br />
5th Avenue Boot the Devil (UA). revivol, 2nd wk. 150<br />
55th Street— Expcnmcntol films, 2nd wk 110<br />
l-ine Arts— Young ond Willing (Univ) 135<br />
Forum— Sunday in New York (MGM), 3rd wk.<br />
of Showcoso<br />
1 50<br />
Guild—Two Arc Guilty (MGM) 1 50<br />
Little Carnegie— The Fire Within (Gibraltar), 2nd wk. 140<br />
Loew's Cineromo— Best ot Cineromo (Cinerama),<br />
loth wk. of two-a-doy 110<br />
Loew's State— Love With the Proper Stronger<br />
(Para), 10th wk no<br />
Loew's Tower East— Sunday in New York (MGM),<br />
3rd wk. of Showcase<br />
1 30<br />
Murray Hill—Love With the Proper Stranger<br />
(Para), 10th wk 115<br />
Paramount— Dr. Crippen (WB), 3rd wk, ........ ..]00<br />
Pons—America America (WB), 11th wk . 150<br />
Ploza—Chaplin Film Festival (SR), 13th wk 200<br />
Rodio City Music Holl— Captain Newmon (Univ),<br />
plus stoge show, 2nd wk 165<br />
Riolto—The Silence (Janus), 4th wk 165<br />
Rivoli— Cleopatra (20th-Fox), 38th wk. of two-o-doy 140<br />
RKO Palace— Dead Ringer (WB), 2nd wk. of<br />
Showcase<br />
j 5Q<br />
Sutton—Seven Doys in May (Para), 2nd wk! ! .^ 1 90<br />
34th Street East— Progrom of shorts, 2nd wk 120<br />
Toho—The Bod Sleep Well Toho), rcvivol, 2nd wk 100<br />
Irons-Lux Eost—The Silence 4th wk 175<br />
Trans-Lux 52nd— The Doy ond the Hour (MGM)<br />
'<br />
2nd wk 105<br />
Vicforio— Dr. Strongclove (Col), 5th wk. 1 ! 165<br />
Warner— It's a Mod, Mod, Mad, Mod World<br />
(UA-Cineromo), 1 6f h wk. of two-o-day . 180<br />
World— Psychomanio (Victorio), 3rd wk ! ! ! ! 175<br />
Prize' 200 Isf Week Followed<br />
By 190 2nd Week in Buflalo<br />
BUFFALO—"The Prize" at the Center<br />
is setting a fast pace for Buffalo first runs,<br />
coming in with a 200 initial stanza and a<br />
190 second week. "Sunday in New York"<br />
is a healthy 195 at Shea's Buffalo. The<br />
Cinema and Amherst continued big in the<br />
third week of "Tom Jones."<br />
Buffalo— Sundoy in New York (MGM) 195<br />
Center—The Prize MGM), 2nd wk. |90<br />
Century—The Victors (Col). 2nd wk. .'.'.'.'.'.'. 100<br />
Cinema, Amherst—Tom Jones (UA-Lopert)<br />
3rd wk, . j^e<br />
Gronodo— The Misadventures of Merlin Jones (BV)<br />
3rd wk<br />
170<br />
Paromount— Love With the Proper Stranger<br />
(Paro), 3rd wk j25<br />
Teck—Man's Favorite Sport? (Univ), 4th wk!<br />
moveover<br />
qq<br />
Busy Week in Baltimore<br />
As Five Features Bow<br />
BALTIMORE— The busiest boxoffice of<br />
the week was reported by an art theatre<br />
showing "<br />
"Tom Jones. other newcomers<br />
had substantial grosses— "Seven<br />
Days in May" and "Mans Favorite Sport?"<br />
"The Victors" also was strong. Holdovers<br />
in the best brackets included "It's a Mad<br />
Mad. Mad. Mad World" and "Dr. Strangelove.<br />
'<br />
Charles— Tom Jones UA-Lopert) ion<br />
Five West- Any Number Con Win (MGM),'<br />
i no w K<br />
1 o •»<br />
Hippodrome—The Victors Col) ..'.<br />
150<br />
Little. Scnolor— One Mon's Woy (UA) .'. 1 35<br />
Moyfoir— Seven Doys in May (Pora) 150<br />
New— Dr. Strongclove (Col). 2nd wk 1 40<br />
Playhouse Billy Lior iCont'l) 135<br />
Stonton—Mon'i Fovorite Sport? ^Liniv) 145<br />
Town— If'i a Mad, Mod. Mod, Mod World<br />
(UA-Cincromo). 2rx) wk<br />
] 50<br />
Paramounts "Pun in Acapulco" was directed<br />
by Richard Thorpe.<br />
}<br />
B'way Sign for 'Empire';<br />
Theatre Parties Set<br />
NKW 'i'OKK Aire Guiiine.ss, current<br />
starring on the Broadway stage as "Dylat<br />
at the Plymouth Theatre, lighted the actt'<br />
motiograph spectacular sign on the et<br />
side of Broadway between 44th and 4Si<br />
Streets, which heralds "The Fall of U<br />
Roman Empire," In which he stars<br />
Emperor Marcus Aurelius, which will ha'<br />
its western hemisphere bow at the DeMU<br />
Theatre, two blocks up Broadway. Man<br />
26.<br />
Paramount Pictures, which Is releaaii<br />
the Samuel Bronston picture, has leaai<br />
the block-long space for six months, U<br />
new electric sign being the first to occui<br />
this spot since the famous Pepsi-Co'<br />
waterfall of .several years ago.<br />
The DeMille Theatre, currently playli<br />
Otto Preminger's "The Cardinal. " has bet<br />
selling reserved-seat tickets for "Romi<br />
E}mpire" since late in February and .sever<br />
theatre party dates have been set, inclut<br />
ing Conqueror Lodge No. 559 of tl<br />
Knights of Pythias, for a preview pe<br />
formance March 25. the entire proceeds<br />
be turned over to the Associated Heali<br />
Foundation: a series of special mornii<br />
performances for student groups, stariii<br />
Monday i30i at 10:30 a.m.: the Hebre<br />
Institute of Boro Park. Brooklyn, for Api<br />
29. and the Spirit Lodge of B'nai B'rit<br />
for April 5. with proceeds donated to tl<br />
Lodge's Armed Forces Committee.<br />
"The Fall of the Roman Empire" will ij<br />
the opening film to be presented at thi<br />
year's Cannes International Film Fi-U'.<br />
April 29. to be shown out of compcmiO|<br />
this being the first Bronston productu<br />
ever to be shown at Cannes, accordmg<br />
Favre LeBret. representing the FesUv<br />
committee.<br />
Columbia Records will release U<br />
soundtrack album of Dimitri Tiomkli<br />
musical score for "Roman Empire" in mlr<br />
March, just before the American and Loil<br />
don premieres.<br />
Eldorado Films Booked<br />
NEW YORK—Two Eldorado Films. r>j<br />
leases. "Sword of El Cid" and "BliU]<br />
Duke," the latter starring Camera<br />
Mitchell, had their first American shov<br />
ing at the New Amsterdam Theatre late<br />
February, according to David Bader<br />
Eldorado, which is distributing the Iiallai<br />
made pictures for the East-West Broa(<br />
casting Co. in the U.S. and Canada Boi<br />
pictures are in Eastman Color<br />
British Film to Coronet<br />
NEW YORK— "They All Died Laughing<br />
a British comedy-drama directed by Dt<br />
Chaffey. which Reade-Sterllng is rcleasli<br />
in the US. through its Continental Dli<br />
tributing division, will have its Americ»|<br />
premiere at the Coronet Theatre Marc<br />
15. Leo McKern and Janet Munro a:<br />
starred in the picture for which Siev»<br />
Pallos was executive producer.<br />
To Expand Wayne Theatre<br />
,<br />
NEW YORK — Skouras Theatres Oor<br />
has reached an agreement with Wayi;<br />
Shopping Centers. Inc., operators of »<br />
Preakness Shopping Center in Wayne. N*<br />
to expand the Wayne Theatre with a twU!<br />
house, seating 600, to start constnictlq<br />
shortly, according to Salah M. Hassenel^<br />
Skouras president.<br />
E-2<br />
BOXOmCE March 9.19^
HIGHEST CAPACITY RATING (200) FROM<br />
BOX-OFFICE* FOR NEW YORK OPENING<br />
AT WORLD THEATRE!<br />
(*BOX-OFFICE ISSUE Of FEB. 24ih<br />
firs*<br />
SET A NEW<br />
ATTENDANCE<br />
HIGH AT<br />
THE WORLD<br />
THEATRE<br />
NEW YORK<br />
AN EARTHY, WICKED<br />
SHOCKER about<br />
unnatural emotions,<br />
uninhibited passions<br />
...andlVIURDER!<br />
Novr<br />
!f<br />
PSYCHO -<br />
n<br />
MANIA<br />
TOPS<br />
EVEN<br />
THAT<br />
RECORD!<br />
LHIBITORS, NOTE:<br />
May we suggest<br />
miD fOR KICKS"<br />
a companion feature?<br />
Which<br />
girl<br />
will<br />
be the<br />
next<br />
VICTIM?<br />
THE MODEL?<br />
THE WILD CO-ED?<br />
THE NICE GIRL?<br />
THE TROLLOP?<br />
Ask about<br />
fhese two<br />
Moneymakers<br />
V<br />
ALSO<br />
STARRING<br />
SHEPPERD STRUDWICK<br />
A VICTORIA FILMS RELEASE<br />
JEAN HALE -LORRAINE ROGERS -MARGOI<br />
HARIMAN-KAY ELHAROT<br />
•<br />
SYLVIA<br />
•<br />
MILES PROOUCED BY DEL lENNEY- DIRECTED BY RICHARD L HILLIARD<br />
Recommended for ADULTS ONLY<br />
• All accessories available from Donald £. Velde, 3 1 1 IV. 43 St., N.Y. 36. N.Y.<br />
) "PAGAN HELLCAF • "VIOLATED PARADISf<br />
VICTORIA FILMS, Inc. 144W. 57St.,N.Y.19'PLaza7-6980' Jean Goldwurm. President. IRVING SOCHIN, Sales Director. Felix Bilgrey, Secretary Counsel<br />
Jack Walton<br />
TEX-STATE PICTURES<br />
4)2 So Horwood St.,<br />
Dallas, Texas<br />
214— Rl 7. 9692<br />
OFFICE :: March 9, 1964 E-3
. . Warner<br />
. . Dewey<br />
. . Nate<br />
i<br />
Two New Art House Policies; 34fb St.<br />
Shows Shorts; 55 th Experimental<br />
NEW YORK — Two of New York's<br />
dozen first-run art theatres, the new 34lh<br />
Street East Theatre, a Walter-Roade-<br />
Sterling house, and the pioneer 55th Street<br />
Playhouse, operated by Moss Enterprises,<br />
started new poUcies in mid-February. The<br />
34th Street East presented a proRram of<br />
prize-winning shorts, beginning February<br />
17 while the 55th Street devoted its<br />
program, starting Friday i21i to experimental<br />
and avant-garde features.<br />
The program at the 34th Street East included<br />
five Academy Award-winning shorts,<br />
"Dylan Thomas," starring Richard Burton;<br />
"The Golden Fish," a live-action<br />
French film distributed by Columbia;<br />
"Happy Anniversary," another French<br />
film produced and directed by Pierre<br />
Etaix; John Hubley's "Moonbird," an animated<br />
cartoon, and "Day of the Painter."<br />
a live-action featurette made by Ernest<br />
Pintoff. Also on the program are Pintoff'.'<br />
satirical cartoons. "The Critic." "The Old<br />
Man and the Flower." both distributed by<br />
Columbia; George K. Arthur's "The<br />
Farum." a British-made documentary, and<br />
"Dream of Wild Horses. " a French liveaction<br />
film in color, all of these released<br />
during the past five years.<br />
The 55th Street Playhouse recently<br />
played "Twice a Man," produced and directed<br />
by Gregory Markopoulos, and<br />
"Breath-Death." conceived and produced<br />
by Stan VanDerBeck. two young producers<br />
of experimental films. "Twice a Man."<br />
based on the legend of Phaedra, has been<br />
up-dated to a modern Staten Island setting<br />
and features Paul Kilb, Olympia Dukakis<br />
and Albert Torgerson. while "Breath-<br />
Death," which won a prize at the Belgian<br />
Experimental Film Festival, is a short film.<br />
VanDerBeck's satire on automation,<br />
"Wheels No. 2" completed the 55th Street<br />
program.<br />
The 55th Street Playhouse will operate<br />
as an autonomous venture with Al Sherman,<br />
publicist and authority on art theatre<br />
operations, as general manager, according<br />
to Larry Morris, vice-president of<br />
the Moss Circuit. Auditions are being held<br />
for films for future showings at the 55th<br />
Street, he said.<br />
Four N.Y. Art Theatres<br />
Playing Festival Films<br />
NEW YORK—A fourth New York art<br />
theatre, the 57th Street Normandie. which<br />
has been playing subsequent runs since<br />
January, has changed to a Festival policy<br />
with a series of French Classics, presented<br />
by Thomas Brandon, set to play through<br />
the spring. The opening program, two of<br />
Joan Cocleau's films. "Beauty and the<br />
Beast" and "Orpheus," was followed Friday<br />
i6i by "Zero for Conduct" and<br />
"L'Atalantee." directed by Jean Virgo. Future<br />
programs will feature French pictures<br />
made by Robert Bresson. Rene Clair. Rene<br />
Clement. Marcel Came. Jacques Feyder<br />
and Jean Renoir. Brandon said, for a<br />
three-month period.<br />
The Plaza has been playing a Festival<br />
of Charlie Chaplin features since November,<br />
the current one being "The Great<br />
Dictator."<br />
ROUNDS UP OVER S133.000—Variety<br />
Tent 7 recently completed its<br />
second annual Telethon, which resulted<br />
in cash donations and pledges of more<br />
than S133,000 for the clubs favorite<br />
charity, the Rehabilitation Center of<br />
the Children's Hospital. Left to right<br />
are Chief Barker Thomas W. Fenno;<br />
Mary Ann Mobley, former Miss America,<br />
who was one of the shining lights<br />
of the program; Telethon chairman<br />
Nathan Dickman and Robert King,<br />
general manager of WKBW-TV<br />
(Channel 7).<br />
Goldwyn Jr.<br />
Continuing<br />
Talks at Universities<br />
NEW YORK—Samuel Goldwyn jr. continued<br />
his series of talks on film production<br />
and special showings of "The Young<br />
Lovers" February 27 at Hollins College.<br />
Roanoke. Va. During the week of March 2<br />
he visited the University of Virginia, his<br />
alma mater, and Washington and Lee University<br />
in Lexington. Va. The following<br />
week he will address the Yale Drama<br />
School.<br />
His appearance has also been requested<br />
by Carnegie Tech. University of North Carolina.<br />
University of Georgia. University of<br />
Minnesota. Syracuse University. Duke and<br />
Purdue.<br />
ALBANY<br />
Qene Ganott, veteran of Fabian service in<br />
Albany and Schenectady, has been appointed<br />
manager of the Hellman Theatre<br />
by Dave Weinstein. Hellman ESiterprLses<br />
general manager. Ganott served as assistant<br />
at the Palace here after service<br />
during the war. and later succeeded Phil<br />
Rapp there when Rapp was transferred to<br />
Proctor's in Troy . manager<br />
Herb Gaines arranged a tradescrecning of<br />
"Robin and the 7 Hoods" at the Madison<br />
on Tuesday ilOi afternoon.<br />
Jo-Jo the Clown was an added feature at<br />
Saturday-Sunday matinees of "The Three<br />
Worlds of Gulliver" at the Community<br />
Theatre in Kingston. Admission was 50<br />
cents.<br />
BUFF ALO<br />
"Cd Miller has booked the Beatles clow<br />
1<br />
circuit television concert for the Pai<br />
mount Theatre on the I4th and 15th, li<br />
performances each day, al 12 noon i;<br />
2;30 p.m. Every indication is fori<br />
tremendous success, w^ith numerous pM<br />
calls to the theatre boxoffice following t<br />
nouncements on radio even before<br />
newspaper stories broke . Dlcloni<br />
Telethon chairman and Tom Fenno, dl<br />
barker of the Variety Club, announced ti<br />
collections at this writing were near<br />
the $100,000 mark. It was said to be i<br />
first telethon in American TV history<br />
receive a greater pledge total the secc<br />
year than the first year. The stupendi<br />
job of mopping up and following throi<br />
on pledges is being handled by Ha<br />
Berkson. Tony Kolinski. Myron Gross 8<br />
the Women's League of Variety.<br />
. . .<br />
nounced that "Camelot" with K<br />
Mr. and Mrs. Dewey Michaels of l<br />
Palace Theatre and Mr. and Mrs. Mar<br />
Jacobs of Sports Service, are enjoylnf<br />
vacation in Phoenix Chairman J<br />
Hayes of the 37th annual Variety Int<br />
national convention, to be held here, i<br />
Howard<br />
will be the convention time attractiooi<br />
Melody Pair.<br />
".Vmerica America" will be shown at<br />
'<br />
Loew-Shea flagship Buffalo, according<br />
Loew city manager Frank Arena, who s<br />
the Teck. also a Loew operation, will sli<br />
"It's a Mad. Mad. Mad. Mad World." sta<br />
ing March 25 . Michaels, who (<br />
erates the Palace, says that burlesque \<br />
return to the stage of that house Ma:<br />
27. Michaels said: "This will be a returr<br />
the Palace of the old-fashioned sh(<br />
people used to enjoy. We'll keep book<br />
such productions as long as people wi<br />
to see them."<br />
Switzer Grand Prize Won<br />
I<br />
By Salesman Jack Sane<br />
ST LOUIS—Jack Sane of Kenmo<br />
N.Y.. has been named grand prize win<br />
honored at a dinner at which he p<br />
in the national si<br />
contest conducted<br />
the Switzer Licoi<br />
Co., which has<br />
headquarters<br />
Sane, who<br />
here.<br />
rep<br />
sents Switzer in h<br />
York state a<br />
northwest Pennj<br />
vania. received<br />
expenses-paid va<br />
tion in Honoli<br />
with stops in<br />
Jack .Sane<br />
Louis and Los ><br />
geles. Here Sane '<br />
was<br />
sented the Switzer Salesman-of-the-'\'<br />
Award. In Los Angeles. Sane and his v<br />
attended the Western Candy Show.<br />
Wills Europe Bound<br />
NEW VOHK Chill Wills will go<br />
Europe shortly on a film merchandls<br />
tour in behalf of "McUntock" He will v<br />
cities in England. Italy. Germany. FVai<br />
and Belgium.<br />
Disney Opening Set<br />
NEW YORK— Walt Disney's "A Tl<br />
Walks" will open March 13 in 500 1<br />
cities.<br />
E-4 BOXOFFICE March 9, 1!
I<br />
Reade<br />
I<br />
Also<br />
the<br />
for<br />
which<br />
Wonderama Process<br />
Bows Before 1400<br />
PLAINPIELD, N.J.—Approximately 1.400<br />
exhibitors. New Jersey state and civic officials,<br />
members of the tradepress and executives<br />
from various major distribution<br />
companies, as well as financial representatives,<br />
attended the invitational preview of<br />
'Mediterranean Holiday," the first feature<br />
to be shown in the new Wonderama screen<br />
process, at the Strand Theatre here<br />
Wednesday i4i. The picture, which is in<br />
Eastman Color and is distributed by Walter<br />
Reade-Sterling, Inc., operator of the<br />
Strand, opened its regular run Thursday<br />
(5) and is expected to play "several weeks,"<br />
according to Walter Reade jr.<br />
BASED ON WELLS' INVENTION<br />
Reade played host to more than 400 exhibitors,<br />
press representatives and other<br />
notables who were taken to New Jersey in<br />
chartered buses and attended a cocktail<br />
party and dinner at Washington House before<br />
the premiere. In an informal speech<br />
just after the dinner. Reade said that the<br />
IWonderama process is the result of an<br />
[electronic and prismatic lens invention of<br />
Dr. Leon Wells, an American scientist born<br />
in Poland, and was developed by Leon<br />
Bronesky. The Wonderama picture, which<br />
lis divided on the film, is joined through<br />
jopt'cs and projected through two lenses<br />
lonto the screen, which is more than 60 feet<br />
Iwide, over 21 feet high and has a depth in<br />
the center of 20 feet. Wonderama is the<br />
'first of its kind that can project a motion<br />
Ipicture in depth on a curved screen from a<br />
jsingle unit. While the Wonderama system<br />
ban be attached to any 35mm projector,<br />
pew projectors were installed in the Strand<br />
jTheatre for the premiere of "Mediterranean<br />
Holiday."<br />
stressed that this new process is<br />
jideal for small theatres (one of the reasons<br />
he held the premiere in Plainfield instead<br />
3f a New York first run<br />
i<br />
lens is inexpensive<br />
to install and can be removed<br />
iust as easily following a Wonderama<br />
Ifilm engagement. Reade-Sterling plans to<br />
:harge a ten cent a seat royalty, regardjess<br />
of the theatre's admission price, Reade<br />
raid.<br />
fteade also introduced Sidney Deneau, viceioresident<br />
and general sales manager of<br />
^Continental, the distributing arm of ReadeiSterling.<br />
who spoke about the plans for<br />
,vide distribution of the new process: and<br />
j3ronesky. as well as Samuel Colosimo, chief<br />
'ngineer of Reade-Sterling, who supervised<br />
he Installation at the Strand Theatre.<br />
WANY EXECUTIVES PRESENT<br />
on hand at the dinner and the<br />
pcreening were Irving Wormser. president<br />
i)f Continental Distributing: Saul J. Turell.<br />
president of Reade-Sterling: Sheldon<br />
junsberg. executive vice-president, and Al<br />
^loersheimer, Paul Baise and other Reade-<br />
Sterling executives, as well as Charles<br />
Bimonelli, Technicolor executive: Salah M.<br />
iassenein. president of Skouras Theatres,<br />
uid Jerry Pickman. Columbia Pictures<br />
'xecutive.<br />
Reade promised that a second picture in<br />
"Vonderama. probably made abroad or in<br />
he Soviet Union, would be available later<br />
n 1964 and would be amiounced shortly.<br />
lOXOFTICE March 9, 1964<br />
B^ O A D W A Y<br />
QEORGE WELTNER, executive vicepresident<br />
of Paramount Pictures, has<br />
returned to New York following production<br />
and distribution conferences in Paris and<br />
Rome. • * " Peter Glenville, director of<br />
Hal Wallis' "Becket" for Paramount release<br />
is here from Hollywood to attend the<br />
world premiere at Loew's State March 11.<br />
Also here from Hollywood is Franklin<br />
Schaffner, who directed "The Best Man"<br />
for United Artists release, to promote the<br />
picture's summer release. Henry Levin, director<br />
of "Honeymoon Hotel" for MGM,<br />
left Hollywood, stopped in Syracuse, N.Y.,<br />
to visit his daughter, Elizabeth, and then<br />
continued to his home in Rome, Italy. E.<br />
Jonny Graff. Embassy Pictures, vice-president<br />
in charge of television, is back from a<br />
trip through the midwest and west coast<br />
areas.<br />
•<br />
At Cinerama, Inc., Michael D. Remer.<br />
member of the board of directors, is the<br />
proud father of Harry Anthony, born to<br />
Mrs. Remer at Mt. Sinai Hospital February<br />
28, and Barbara Lampe, secretary to<br />
Frederick Koehner, vice-president and<br />
treasurer, is engaged to Alan Rand, a<br />
budding soloist, and the couple plan a<br />
June wedding. * * * Edwin Gage, administrative<br />
vice-president, secretary and<br />
treasurer of Walter Reade-Sterling, has<br />
been elected to the board of governors of<br />
Pitkin Memorial Hospital in Neptune, N.J.,<br />
Gage being a resident of Deal, N.J. » *<br />
General Drive-In Corp.. comprising 13<br />
drive-ins and seven indoor theatres in New<br />
Jersey, has moved its mid-Atlantic office<br />
to the Palace Theatre Building in Orange.<br />
N.J, Robert Smerling is zone manager<br />
and Robert Deitch zone film buyer.<br />
•<br />
Leonard Satz. formerly with Technikote<br />
Corp., has been named vice-president of<br />
Nautec Corp. • • ' David Emanuel, head of<br />
Governor Films, is back from a southern<br />
trip to set playdates on "A Touch of Hell"<br />
and "Doctor in Distress" while Ruth Furst,<br />
Paramount's national director of group<br />
sales, went to Dallas for advance work on<br />
Samuel Bronston's "The Fall of the Roman<br />
Empire." United Artists division heads on<br />
the move include Eugene Jacobs, southern<br />
division manager, who went to Oklahoma<br />
City for meetings with branch personnel<br />
Wednesday, Thursday and Friday i4-6i<br />
and Eugene Tunick, eastern and Canadian<br />
division manager, who returned from a trip<br />
to Cleveland Friday 1 i<br />
6 a meeting with<br />
Sam Oshry, branch manager, and leading<br />
area exhibitors.<br />
<<br />
1 3<br />
•<br />
Samantha Eggar, young British actress<br />
who scored in "Dr. Crippen" and "The<br />
Young and Willing," both currently playing<br />
New York first runs, was guest at a<br />
reception given by Columbia Pictures at<br />
the Sherry-Netherland Hotel Tuesday<br />
before she goes to Hollywood for her first<br />
visit and first American picture, "The Collector,"<br />
which will be produced and directed<br />
by William Wyler from the bestselling<br />
novel by John Fowles. Terence<br />
Stamp, who will play opposite Samantha<br />
,went direct from England to Hollywood.<br />
' * *<br />
Debbie Reynolds, star of "The Unsinkable<br />
Molly Brown," returned to Hollywood<br />
Wednesday i4i after a visit in New-<br />
York attending the Loew's State pre\iew<br />
and giving newspaper interviews in connection<br />
with the MGM summer release and<br />
Elsa Lanchester came in from London,<br />
where she took part in promotion activities<br />
for MGM's "Honeymoon Hotel." • • • Don<br />
Murray returned from Boston Wednesday<br />
'4 1 after taking part in interviews and TV<br />
programs for his United Artists picture.<br />
"One Man's Way." which opens there next<br />
week.<br />
•<br />
Robert Walker jr., who plays the title<br />
role in "Ensign Pulver" for Warner Bros,<br />
release this summer, came on from Hollywood<br />
to accept the Photoplay Gold Medal<br />
Award on the March 5 ceremonies. John<br />
Michael Hayes, who did the screenplay for<br />
"The Carpetbaggers" and "Where Love Has<br />
Gone" for Embassy Pictures, also arrived<br />
from Hollywood Wednesday (4i while<br />
Stathis Giallelis, star of Warner Bros.<br />
"America America," was guest of honor<br />
March 4 at the International Student Center<br />
of Yale University in New Haven, the<br />
night the picture opened at the Whitney<br />
Theatre. * * * Leon D. Warshaw. medical<br />
director of United Artists, went to Washington<br />
to address a meeting of the Washington<br />
Heart Ass'n. • • * Luise Rainer,<br />
former film star, and Alan Schneider, producer<br />
of "Who's Afraid of Virginia Woolf,"<br />
which opened in London returned from<br />
Europe on the United States Friday i6i.<br />
•<br />
Paul Newman has completed filming<br />
MGM's "The Outrage" in Hollywood and<br />
is in New York for rehearsals with his wife,<br />
Joanne Woodward, for their costarring<br />
roles in the new Broadway play, "Baby<br />
Want a Kiss." * * " Paul Anka, recording<br />
star who played in "The Longest Day" for<br />
20th Century-Pox, is on a 17-day tour of<br />
leading German cities, starting in Hanover<br />
February 28 and winding up in Berlin,<br />
Wolfsburg and Misburg March 15. George<br />
Chakiris. star of United Artists "West Side<br />
Story" and "Kings of the Sun." is<br />
a European tour of Stockholm, Copenhagen.<br />
Brussels, Amsterdam and Paris,<br />
commemorating the third anniversary of<br />
"Story" in these cities.<br />
also on<br />
Frank Quinn to MGM Staff<br />
NEW YORK—Frank Quinn. columnist<br />
and film critic of the defunct New York<br />
Mirror, has joined the MGM publicity-promotion<br />
department, according to Dan Terrell,<br />
advertising, publicity and exploitation<br />
director, for the expanded public relations<br />
staff to launch "The Unsinkable Molly<br />
"<br />
Brown, has been booked for the<br />
Radio City Music Hall in early summer.<br />
Florman-Babb Expanding<br />
NEW YORK—Florman and Babb, supply<br />
and service company of motion picture<br />
equipment, has taken a controlling interest<br />
in the Camera Equipment Corp. and Ceco<br />
Indu.'itries, Inc. Robert Bregman is board<br />
chairman and Arthur Floi-man, president<br />
of the company, to be known as F &<br />
B Ceco.<br />
MGM Mourns E. C. Alvord<br />
NEW YORK — The board of Metro-<br />
Goldwyn-Mayer has adopted a resolution<br />
of profound sorrow at the death of Ellsworth<br />
C. Alvord. a director of the company<br />
who served as tax attorney for 20 years.<br />
E-5
last<br />
and<br />
William<br />
^oHcCoK "^e^iont<br />
P^<br />
SUCCESSFUL Royal Film Performance<br />
which raised more than $90,000 for the<br />
CinematoRraph Trade Benevolent Fund, an<br />
outstandingly successful new film made by<br />
Anglo Amalgamated and a speech of optimism<br />
from Robert Clark, president of the<br />
British Film Producers Assn. were the<br />
highlights of last week's industry news. A<br />
packed Odeon Theatre Leicester Squar?<br />
watched and applauded a stage show, written<br />
and produced by Vivian Cox. and the<br />
20th Century-Fo.\ film. "Move Over. Darling."<br />
starring Doris Day and James Garner,<br />
who was also one of the stars presented<br />
to Prince Philip, duke of Edinburgh,<br />
representing the queen who is shortly expecting<br />
her third child.<br />
The stage show was introduced by Richard<br />
Attenborough and Miss Millicent Martin,<br />
vv'hose new Anglo film. "Nothing But<br />
the Best. ' week received rave Fleet<br />
Street reviews. This was the 18th of the<br />
Royal Film Shows and also marked the<br />
40th anniversary of the founding of the<br />
CTBF. In his opening address Attenborough<br />
pointed out that no less than $1,500.-<br />
000 had been raised by the royal performances<br />
up to date. The show, as usual, received<br />
extensive press and television coverage<br />
and the laughter and applause at the<br />
end of "Move Over, Darling" indicated that<br />
the audience felt that they had spent their<br />
money for a good cause and a fine example<br />
of film entertainment.<br />
Considering that the pictiu-e had no big<br />
name stars and the story was an example<br />
of "black comedy" the impact that "Nothing<br />
But the Best" had on the press and<br />
the public alike last week was little short<br />
of staggering. Produced by E>avid Deutsch<br />
and directed by Clive Donner. the film<br />
wittily tells the tale of how a young man<br />
of lower class origin attains financial and<br />
social success. Owing a little of its origin<br />
to the famous Ealing comedy. "Kind Hearts<br />
and Coronets." Deutsch s film probes deeper<br />
into the changing social values of contemporary<br />
British society and its dialog<br />
has a sharper bite. Alan Bates, the star<br />
of "A Kind of Loving," plays Jimmy Brewster,<br />
the luiscrupulous young man who<br />
gets to the lop through applying one-upmanship<br />
"establishment" tactics plus his<br />
own unique contribution of murder; Denholm<br />
Elliot plays a ne'er-do-well upper class<br />
mentor to Bates, who eventually is liquidated<br />
in the interest of his pupil's advancement.<br />
Elliot is. incidentally, extremely funny in<br />
his role which is probably one of the best<br />
parts he has ever been given in any film.<br />
Millicent Martin, the singer actress from<br />
the BBC show. TW3. in another piece of inspired<br />
casting, plays Ann. a beautiful, but<br />
brittle debutante who falls for the Bates<br />
routine and thus enables our young scoundrel<br />
to enjoy the blessings of a rich fatherin-law.<br />
Other outstanding members of the<br />
cast include Harry Andrews and James<br />
Viliers plus Pauline Delany. who gives a<br />
brilliant study of a landlady suffering from<br />
an acute case of nymphomania. This is the<br />
British version of "How to Succeed in Business"<br />
and is presented with a style and wit<br />
that will be the rage of sophisticated audiences<br />
all over the world.<br />
Scriptwriter Frederick Raphael and director<br />
Donner boldly stick to terms of<br />
By ANTHONY GRUNER<br />
reference which places the future of Bates<br />
in some doubt. The law does catch up with<br />
him. but in a surprising twist the film gives<br />
him a 50-50 chance of escaping the hangman's<br />
noose. It may cause cen.sorship problems<br />
in other countries, but John Trevelyan.<br />
the chief censor over here, has given it<br />
an A certificate, which means it can be<br />
seen by children in company with an adult.<br />
• • »<br />
Robert Clark, a director of Associated<br />
British Picture Corp. and president of the<br />
British Film Producers Ass'n. is a cautiousminded<br />
man. But last week at a meeting<br />
of the Royal Society of Arts he threw<br />
caution to the winds and declared that the<br />
future for British films was terrific and he<br />
did not think that it had ever been better.<br />
Clark was chairing a lecture on the future<br />
of the British films delivered by Herbert<br />
Wilcox. And while the veteran British director<br />
had some interesting things to recall<br />
about the past, it was the introduction of<br />
the chairman w-ho collared all the press<br />
headlines.<br />
Clark began by pointing out that during<br />
the past few months there had been a tendency<br />
for the decline of cinema attendance<br />
to be arrested and he added "even slightly<br />
better than that— the tendency is the other<br />
way round." He believed that the industry<br />
had reached the stage when attendance<br />
would increase "because of the exceptionally<br />
good crop of pictures we have been<br />
having in the last few months." Clark<br />
said he thought the film industry attracted<br />
to itself too much unnecessarily harmful<br />
publicity by moaning too much. He did not<br />
think that cost had anything to do with<br />
entertainment: the public was not interested<br />
in that. Some films with big budgets<br />
had not done as well as others with smaller<br />
ones. They had all been excited wheti<br />
"Prom Russia With Love" had done very<br />
good business and equally delighted when<br />
"A Stitch in Time" seemingly did even<br />
better." It is just this type of competition<br />
we need in the business to make it really<br />
worth while."<br />
"Wilcox, in a prophetic mood, declared<br />
that "except for indigenous comedies and<br />
small realistic films of localized interests.<br />
British films in five years from now will<br />
be stone dead. From their ashes will emerge<br />
great international pictiu-es and the best<br />
of both worlds. Films comparable to<br />
"<br />
"Bridge Over the River Kwai. "Guixs of<br />
Navarone." "Lawrence of Arabia." "Tom<br />
"<br />
Jones "Becket." They will be as British<br />
as they could be, with great British<br />
actors and a great American producer with<br />
the know-how and. not unimportantly, all<br />
the money he needs."<br />
• • •<br />
Associated British Picture Corp.. in association<br />
with Butlin's. Ltd.. and a private<br />
company controlled by the holiday camp<br />
king, Billy Butlin. are working together on<br />
a project to develop an 80-acre site in<br />
Blackpool into an entertainment center to<br />
include Britain's first drivc-in cinema. Thf<br />
project will be known as Ventureland and<br />
will initially call for a Butlin Holiday Center<br />
for 8.000 persons and the ABC Drive-<br />
In Cinema with accommodation for 1.000<br />
cars.<br />
Following this phase there are plans<br />
for a zoological garden: a golf drtviil<br />
range: an exhibition and county show arei<br />
leisure gardens: an oceanarium to be knoiR<br />
as Marineland: a central car park wit<br />
accommodation for 12,000 cars: a trottte<br />
track and a golf course. There will all<br />
be a magnificent sailing and boating are<br />
The entire scheme is now being conslderc<br />
by the Blackpool Corp.. who will be in (i<br />
vor of making this seaside resort of tt<br />
north more attractive than ever before. ,<br />
• • • »<br />
George H. Ornstein has been appoint*<br />
head of United Artists production in tt<br />
United Kingdom, it was announced I<br />
Ilya Lopert. UA executive. Ornstein w1<br />
represent the company in all new produi<br />
tion projects involving the United Klni<br />
dom and will act as liaison between pit<br />
duction there and the United Artists' hoor<br />
office in New York.<br />
Joining United Artists in 1946. Ornstel<br />
has served the company in various execi<br />
tive capacities in the foreign and produi<br />
tion departments. ^.<br />
• • •<br />
"Tom Jones" added another honor to ti<br />
credits, as John Osborne won the Britiz<br />
Screen Writers Guild 1963 Award for tt<br />
Best Comedy Screenplay for his adapb<br />
tion of the Henry Fielding classic.<br />
Osborne is a leading contender in t^<br />
Motion Picture Academy's Oscar race i<br />
the Best Screenplay—based on materi;<br />
from another medium category. Also. U<br />
British Film Academy rates him a from<br />
runner for Best British Screenplay hono;<br />
for "Tom Jones."<br />
• • • ,^ ',<br />
News in brief: British Movietone Ne*<br />
. .<br />
old Pinter, starring Donald Pleasence. Ala<br />
Bates and Robert Shaw based on the sue<br />
stage pla:<br />
ne'<br />
will use Cinemascope as well as color t<br />
film this year's Grand National Steepk<br />
chase . "The Caretaker. " written by Hai<br />
cessful<br />
opens<br />
west<br />
at<br />
end<br />
the<br />
and Broadway<br />
Academy next week. It wt<br />
backed by Richard Burton. Elizabeth Ta><br />
lor. Peter Sellers. Peter Hall. Leslie Carol<br />
Peter Cadbury. Peter Bridge. Noel Cowan<br />
Harry Saltzman and Charles Kasher. Ii<br />
budget was $30,000 as all the actors an<br />
director Clive Donner, producer Micha<<br />
Birkett and Pinter were on deferred pay<br />
Harry H. Corbett and Diane Ci<br />
ments . . .<br />
lento have<br />
Sydney<br />
been<br />
Box<br />
selected<br />
film now<br />
to star in<br />
shooting<br />
the<br />
at At<br />
sociated British Elstree Studios "Rattle c<br />
a Simple<br />
"<br />
Man. Gell produce<br />
Muriel Box directs from a script by tb<br />
author of the play. Charles Dyer ... J<br />
Janni and John Schelsinger. the prodU«<br />
and director of "Billy Liar. "<br />
will b<br />
t
, each<br />
. . . Kane<br />
. . . Allied-COMPO<br />
. . George<br />
. . WB<br />
. . The<br />
. . Mr.<br />
Torregrosso.<br />
. . Altoona<br />
Marie<br />
Gateway, Fulton Houses<br />
Picketed by Local 3<br />
PITTSBURGH — lATSE Local 3 stagehands<br />
continued picketing Associated's<br />
Golden Triangle theatres, the Gateway and<br />
Fulton, after projectionists' Local 171 returned<br />
to booth duties after supporting the<br />
stagehands' strike for one week. The<br />
stagehands, without contract, had helped<br />
in installing automatic curtain controls to<br />
be operated from the projection booth,<br />
which George Stern, Associated executive,<br />
stated had cost $6,000. Before the electric<br />
power was turned on to make the connection,<br />
the stagehands suddenly were called<br />
DUt on strike and they pulled the curtains<br />
during exhibitions of pictures at the two<br />
theatres and took up picketing duties alnost<br />
immediately.<br />
The next day the projectionists refused<br />
*o cross Local 3's picket line and they<br />
ioined the stagehands in parading in front<br />
)f the theatres. Associated had nonunion<br />
nen in the booths. After one week. Local<br />
jl71 members asked to return to their jobs.<br />
f>Iorman Mervis. theatre circuit general su-<br />
[jervisor, stated that the theatre managenent<br />
had no argument with the union of<br />
projectionists and they discontinued<br />
)icketing and the next day returned to<br />
heir work in the booths.<br />
Theatre officials had charged that the<br />
stagehands had been "featherbedding" and<br />
in addition to opening and closing the<br />
:urtains in front of the screen that only<br />
line employe should be on the payroll and<br />
hat he should be assigned maintenance<br />
luties for a designated number of hours<br />
ach week. For<br />
i<br />
pulling the curtain and<br />
vith no other duty<br />
><br />
man, two in each<br />
heatre, had been paid $125 per week.<br />
>I.Y. Exhibitors Attend<br />
3V Meeting on 'Merlin'<br />
NEW YORK—Irving H. Ludwig, presilent<br />
and general sales manager of Buena<br />
'ista, played host at a conclave-breakfast<br />
or local exhibitors 'Wednesday 1 4 ) to plan<br />
jhe campaign for the New York metropolian<br />
area launching of Walt Disney's "The<br />
lisadventures of Merlin Jones," starting<br />
larch 25. More than 50 circuit executives<br />
.nd theatre managers, representing 19<br />
louses in Manhattan, Brooklyn, Queens,<br />
fassau and Westchester, attended.<br />
A "Direct Prom Disneyland" troupe,<br />
eaded by Annette Funicello. Jimmy Dodd.<br />
)onald Duck. Mickey Mouse. Goofy. Pluto<br />
nd Candy Candido. will herald the March<br />
;5 opening by appearing in person at<br />
K)ew's Olympia and the Trans-Lux 85th<br />
treet in Manhattan: Century's Marine<br />
nd Oceana. Randforce's Beverly and Sea<br />
ue, and Interboro's Fortway in Brooklyn:<br />
oew's American and Brandt's Post Road<br />
nd 167th Street in the Bronx: Century's<br />
liss. Prospect. Queens and Prospect in<br />
'ueens and four theatres in Nassau, as well<br />
s appearing in schools and on campuses<br />
iroughout the city.<br />
Other B'V executives who attended the<br />
;ieeting included James V. O'Gara. east-<br />
:"n division manager: Leo Greenfield,<br />
estern division manager. Charles LevT.<br />
dvertising-publicity director: Bob Dorflan.<br />
promotion and exploitation manager,<br />
nd Louis Gaudreau. Herb Robinson. 'Vito<br />
udlum. Frank Petraglia. Jack Herschlag<br />
nd Arlene Ludwig.<br />
Joseph E. Levine's "Contempt"<br />
Bardot and Jack Palance.<br />
rigitte<br />
3XOFTICE March 9. 1964<br />
stars<br />
PITTSBURGH<br />
groumas Theatres, which has been building<br />
new theatres and acquiring others,<br />
has taken over the Family Drive-In at<br />
Mundy's Corner near Johnstown . . . Hal<br />
H. Harrison of Cheswick. nationally known<br />
wildlife motion pictiu-e producer, lecturer<br />
and author, reports that his son George<br />
H. Harrison now is editor of the Pennsylvania<br />
Game News, published by the<br />
state Game Commission.<br />
Ralph and Millard Green, co-owners, are<br />
celebrating the tenth anniversary of Th3<br />
Guild as an art house. The brothers are<br />
sons of the late David N. Green, tobacco<br />
distributor who took over this theatre,<br />
then known as Harry Rubin's Beacon, in<br />
1938: their late uncle was Edward H. Goldberg,<br />
for two decades a Brushton exhibitor<br />
community is observing its 100th<br />
anniversary . will screen "Robin<br />
and the Seven Hoods" at<br />
the Manor Theatre<br />
March 10 at 10:30 a.m. . and<br />
Mrs. Bernard H. Buchheit reopened the<br />
Rustic Drive-In at Norvelt and were<br />
snowed and frozen out, so they tried<br />
again, opening a new outdoor season.<br />
Brighton Township, Beaver Coimty. Collected<br />
$2,278.30 in amusement taxes during<br />
1963 . Anderson. Tarentum<br />
Valley newspaper critic, has one word for<br />
UA's "The Ceremony" and it is "disaster"<br />
here has a merchandising<br />
program on Universal's "The Brass<br />
Bottle" upcoming . downtown Penn,<br />
with a shortage of product, returned UA's<br />
"West Side Story" and has Paramount's<br />
"Hud" and "Come Blow Your Horn" on<br />
schedule as well as 20th-Fox's "South Pacific."<br />
Ben Kalmenson, who started in the film<br />
business here with old First National in<br />
1927, is the 'WB third largest stockholder,<br />
this interest including the company's film.<br />
TV and record departments. His late brother<br />
Jack in more recent years was the local<br />
WB manager, his successor being Bill<br />
Lange. Ben. executive vice-president of<br />
WB. at 65, is at his peak, and after all<br />
the years he has been absent from local<br />
Pilmrow duties, remains one of the swellest<br />
guys ever to peddle films hereabouts.<br />
The Orpheum at Connellsville, one of<br />
three theatres leased by Associated from<br />
the Notopoulos circuit more than a year<br />
ago. again is being licensed and operated<br />
by the latter organization . . Jack Fontaine.<br />
.<br />
Paramount shipper for more than 39<br />
years, who suffered a stroke the morning<br />
of last August 13. has made rapid recovery<br />
and now has use of his right arm<br />
although the hand is only beginning to<br />
return to normal use. Paramount continued<br />
Jack on the payroll and he has now tm-ned<br />
in his resignation, just short of 40 years<br />
with the company. He said he would visit<br />
Filmrow friends from time to time as he<br />
responds to therapy, and he hopes someday<br />
to devote his time in assisting others<br />
who have been afflicted with strokes as<br />
the therapy work and equipment have won<br />
his major attention. Fontaine says he feels<br />
well and he certainly looked it. we are so<br />
very pleased to report.<br />
Associated circuit opened its Miami<br />
Beach, Fla.. theatre, the Roosevelt, Wednesday<br />
i4i. It is an 1.100-seat house and<br />
had been closed a number of months. The<br />
theatre has been renovated and newly<br />
decorated . Mirror places its<br />
WPBG-T'V movie ads on its theatre page<br />
... Ed Staab has been appointed Pittsburgh<br />
division sales manager for P&F<br />
Laboratories of Chicago . . . Thirty-two<br />
Lawrence County Home residents and<br />
.shut-ins were guests of the Penn. New<br />
Castle, for a showing of Walt Disney's<br />
"Merlin Jones." Leo A. Mickey, manager,<br />
gave them free admission plus a box of<br />
candy. Red Cross. Grey Ladies, etc.. furnished<br />
cookies, and the Smeal Bus Co. furnished<br />
transportation, as did the New<br />
Castle Transit Authority.<br />
A 20 per cent reduction in the price of<br />
season tickets for the Civic Light Opera<br />
which has scheduled six book shows and<br />
two revues, is announced by Hal Friedman.<br />
CLO promotion director, who is the husband<br />
of the television news reader Marie<br />
i<br />
Torre > is the gal who<br />
is hot against "indecent" movies, literature,<br />
Armstrong Utilities this week<br />
etc . . . opened an office on Main street. Butler,<br />
to sign up customers for a new TV cable<br />
service . . . Dick Liebert, Radio City Music<br />
Hall organist, who was featured here at<br />
Loew's Penn for a long run in the early<br />
1930s, will be the substitute for violinist<br />
Mischa Elman. who has a broken leg. for<br />
the Allegheny Valley Concert Ass'n in<br />
High auditorium. New Kensington.<br />
Ken<br />
Helen Louise Trautman Is<br />
Engaged to Lawrence Knee<br />
PITTSBURGH—Mr. and Mrs. Robert M.<br />
Trautman. owners and operators of the<br />
Hill-Top Drive-In. Butler, have announced<br />
the forthcoming marriage of their<br />
daughter Helen Louise to Lawrence Knee,<br />
manager of Stanley Warner's Stanley<br />
Theatre in downtown Pittsbmgh.<br />
Miss Trautman is a graduate of Westminster<br />
College. New Wilmington, and<br />
presently is employed as assistant to the<br />
producer of the John Reed King Show on<br />
KDKA-TV. She has been associated with<br />
the John Reed King Show for the past<br />
year.<br />
Knee will be celebrating his fifth year<br />
as manager of the Stanley Theatre, having<br />
taken over March 1. 1959. He has been<br />
associated with Stanley Warner Theatres<br />
and Warner Bros. Theatres for the past 22<br />
years, having managed theatres in many of<br />
the towns of the circuit.<br />
'Empire' to Philadelphia SW<br />
PHILADELPHIA — John Hicks. Paramount<br />
manager here, and John Roach of<br />
the Stanley Warner Theatre signed a contract<br />
for the showing of "The Pall of the<br />
Roman Empire" at the SW house.<br />
Lrui_>mD<br />
DRIVE-IN SCREEN SURFACING<br />
Twic e tbe Brightness Skvptf<br />
ON BETTER DRIVE-INS EVERYWHERE<br />
THE GEORGE ENGLISH CORP.— Berwrn, Pa.<br />
.N«llon«ldt Stn\u . Llltman . . Ttl. Nliort
was<br />
. . Charles<br />
UA's Political ^Best Man' Set for March Showings WASHINGTON<br />
TJoliert J. Folliard, Continental Distribu'<br />
Left to right: producer Stuart Millar, I'A vice-president David Picker and<br />
producer Lawrence Turnian at "The Best Man" trade conference in New York.<br />
NEW YORK—United Artists will hold<br />
advance screenings of its early summer<br />
release, the picturization of the political<br />
comedy "The Best Man," which was a<br />
Broadway stage hit four years ago, early<br />
in March in several key cities in order to<br />
create interest and discussions about the<br />
film. The picture will have its regular<br />
showings starting late in May, in advance<br />
of the 1964 political conventions, according<br />
to David Picker, UA vice-president.<br />
UA wants the exhibitors, circuit heads<br />
and opinion-makers to see and talk about<br />
"The Best Man," and Mori Kruschen, exploitation<br />
field man, will go out to San<br />
Francisco, Los Angeles, Chicago and perhaps<br />
Boston and Philadelphia, during<br />
NORTH JERSEY<br />
CtanJey Warner's Newark zone office announced<br />
a number of management<br />
changes, which includes the resignation<br />
of Joseph Frankel, manager of the Cranford,<br />
Cranford. Frankel had been with SW<br />
for several years, first at the Sanford, Irvington.<br />
Moving into the Cranford was Mike<br />
Demscak, former manager of the Warner.<br />
Harrison. Lou Albanese. manager of the<br />
Tlvoli. Newark, was transferred to fill<br />
the Harrison vacancy, and William Robbins,<br />
assistant at the Hollywood, East<br />
Orange, was then promoted to manager of<br />
the Tivoli. Edward Batlan retmned to his<br />
old post at the Ritz, Elizabeth, following<br />
an extended sick leave, and Carl Ledzion,<br />
who had been filling in at the Ritz, has<br />
been appointed to manage the Roosevelt,<br />
Newark.<br />
In charge of the Roosevelt since last<br />
fall, SW relief manager Esther Swiss was<br />
appointed as assistant to Bob Philips at<br />
the Hollywood. East Orange. Newcomer to<br />
the SW organization is Dick Smith, formerly<br />
of Moss' Bergen Mall Theatre. Paramus.<br />
Smith is presently stationed at the<br />
Oritani. Hackensack, where he will work<br />
with manager Murray Spector. Harry A.<br />
Weiner, manager of Warner's Wellmont,<br />
Montclair, is at home, recovering from an<br />
ENDLESS<br />
BURNS THE ENTIRE<br />
POSITIVE ROD<br />
Sov« Corbon Colt<br />
EAST COAST THEATRE SUPPLY<br />
S32I Krnwood A«c<br />
Baltimore, Morvlorx]<br />
Phone: 6«S-0U0<br />
these first screenings, according to Gabe<br />
Sumner, national director of advertising,<br />
publicity and exploitation.<br />
Picker is holding meetings in New York<br />
with the picture's two producers, Stuart<br />
Millar and Lawrence Turman, on plans for<br />
the release of "The Best Man," which was<br />
first bought for filming four years ago for<br />
$250,000 and was not produced until early in<br />
1963 to time its release in a Presidential<br />
election year. According to Sumner, the<br />
picture pulls no punches and depicts what<br />
actually goes on in hotel rooms and corridors<br />
during political meetings, as well as<br />
makes references to Eisenhower, Truman,<br />
Stevenson and other political names. The<br />
film stars Henry Fonda.<br />
operation in Morristown's Memorial Hospital.<br />
Weiner's assistant. Bob Coleman, is<br />
presently in charge at the Wellmont.<br />
Elaine Hausser, recently transferred by<br />
Fabian from Pennsylvania to the Bellevue<br />
in Upper Montclair. has been appointed<br />
manager of Fabian's Clifton Theatre, following<br />
the resignation there of Jerry Littenberg.<br />
Mrs. Hausser. who has been with<br />
Fabian for the past 12 years, recently had<br />
managed the State Theatre in Altoona.<br />
Pa., which was sold last December.<br />
BALTIMORE<br />
The House judiciary<br />
committee has killed<br />
a bill that called for abolishing the<br />
Maryland Board of Motion Picture Censors.<br />
There was not any discussion of the<br />
measure prior to the committee taking<br />
this contemplated action.<br />
Aaron B. Seidler, general manager of<br />
Affiliated Theatres, is justly proud of several<br />
new murals decorating walls of his<br />
home. They are the art work of Irwin<br />
Cohen, film buyer and booker.<br />
The Townson Theatre of the Hicks-<br />
Baker circuit had to be evacuated when<br />
the auditorium became filled with smoke<br />
from a multi-alarm nearby fire. Showing<br />
at the time was "The Great Escape." Warren<br />
Goad is manager of the house ... J.<br />
Stanley Baker, head of the circuit, is vacationing<br />
at Fort Lauderdale, Fla. John<br />
Recher is in charge during his absence.<br />
Andy Benya is now general manager in<br />
this territory for Redstone Theatres and<br />
occupies offices at Queen Chapel Drivein,<br />
West Hyattsville. He moved there from<br />
Carlins Drive-In. Baltimore, where<br />
Thomas EUeman, formerly of Ohio, is<br />
manager.<br />
iiig manager, and approximately !<br />
exhibitors of the Washington-Philadclph<br />
area attended a preview of "Mediterranea<br />
Holiday" at the Strand Theatre in Norl<br />
Plainfield, N. J., on the 4th. Among ti<br />
guests were Marvin Goldman and W. 1<br />
Gingell, K-B Theatres, Washington: Ja<<br />
Fruchtman, J-P Theatres and Aaron Sei<<br />
ler. Affiliated Theatres, Baltimore, ar<br />
i<br />
from Philadelphia— Irving Coopersmith<br />
Stanley Warner; Ed Potash of Hellma<br />
Enterpri.sos. the Claude Schlangers and Pi<br />
Beck, Schlanger Theatres, Rocco Palei<br />
and Mort Levine of Savar Corp., and N.<br />
than Milgram, Nathan Milgram Service<br />
The documentary introduced a new scree<br />
process, Wonderama, which Walter Readi<br />
Sterling is handling in the United Stat«<br />
Walter Reade jr. was host to the exhibltoi<br />
for cocktails and buffet prior to the screei<br />
ing.<br />
Greek star Stathis Giallelis will be tt<br />
guest of honor at the premiere of "Amerl(<br />
America" Wednesday 'lli at the Tran;<br />
Lux Playhouse and at a buffet suppx<br />
which will follow at the Jockey Club. Tf<br />
supper was to have been held in tl<br />
State Department's John Quincy Adan<br />
room, but there was some protest by tt<br />
Tm-ks, claiming the Greek story presen<br />
an anti-Turk postm-e. Donald Britton, wt<br />
manages the three district TL houses, wi<br />
an actor for six years and worked for El:<br />
Kazan in "Splendor in the Grass." Kaza<br />
advised Britton by phone the Greek star<br />
name is pronounced Stafis Yahahlease.<br />
Jerry Baker, manager at RKO Keith'<br />
presented the Clay-Liston fight films wit<br />
"One Man's Way." For the latter. Baki<br />
distributed 100.000 discount coupons amor<br />
the ministers and their churches. "Pin<br />
"<br />
Panther previewed Tuesday evenir<br />
(3) at MPAA to a press audience invite<br />
by UA manager Edwin Bigley and publicl:<br />
Max Miller. It will open at Keith's . . .<br />
Tl-<br />
British Beatles, according to the Interru<br />
Revenue estimates, will be paying tax rev(<br />
nues to Uncle Sam on about $50.000,(K<br />
sales of wigs and T-shirts, etc.<br />
Eddie Kushner' MGM office manager,<br />
:<br />
back at work after a vacation. Jack Poxi<br />
publicist, and his secretary Lucille Rar<br />
dale have retm-ned to the office aft*<br />
brief illnesses. Lucille had the measles . .<br />
Bill Michalson of AIP and Columbia Be<br />
Caplon. Columbia, were calling on accouni<br />
in Baltimore . Hurley, in book<br />
ing at Columbia, is rapidly recovering aiU<br />
surgery.<br />
On Filmrow for booking sessions were<br />
Mike Leventhal. Lord Baltimore: Eddi<br />
Kimpel, Rome circuit: Ron Freedman C<br />
the Rex and Avalon theatres and Bl<br />
Myers, Poconos Drive-In. all from Bait:<br />
more: Jasper Stanley. Bedford iVa.<br />
Drivc-In: Sidney Bowden. Wilder circul<br />
Norfolk: Floyd Davis. Neighborhood The<br />
atres Richmond, and Jay Gordon bring<br />
ing up his bookings for his Newport New<br />
theatres.<br />
MGM Votes Dividend<br />
NEW YORK — The board of Metro<br />
Goldwyn-Mayer has declared the regula<br />
quarterly dividend of 37 '2 cents a shar<br />
on the common stock, payable April 15 t<br />
stockholders of record March 17.<br />
E-8 BOXOFFICE March 9, 19«
I<br />
television<br />
French<br />
.<br />
, Janet<br />
NEWS AND VIEWS THE PRODUCTION CEMTER<br />
'Hollywood Office—Suite 320 at 6362 Hollywood Bird J<br />
tilestone Award Is<br />
ifon by Arlhur Freed<br />
HOLLYWOOD—Arthur Freed received<br />
e Screen Producers Guild's Milestone<br />
award, the highest<br />
honor bestowed by<br />
the men who make<br />
the pictm-es. at the<br />
annual dinner Sunday<br />
111 in the Beverly<br />
Hilton Hotel.<br />
"Tom Jones" was<br />
selected as the best<br />
produced film of<br />
Arthur Freed<br />
1963.<br />
Over 1,000 leading<br />
personalities of the<br />
motion picture and<br />
world<br />
l]<br />
i<br />
ijtended.<br />
The television award was presented to<br />
Jbert Markell for his Defender series,<br />
'liich won last year. The Jesse L. Lasky<br />
JtercoUegiate competition honor was won<br />
Wisconsin University, with Dave<br />
Brisch accepting for his alma mater.<br />
At the head table were Stanley Adams.<br />
iCap president: Julie Andrews, Robert<br />
(*ulet, Mervyn LeRoy, Shirley Jones, Jack<br />
li Warner, Samuel Goldwyn, Y. Frank<br />
feeman, George Stevens jr.. Gene Kelly,<br />
Ijbert Weitman, Fred Astaire, Lawrence<br />
^|;ingarten, Vincente Minnelli and Baron<br />
luis de Cabrol consul general i<br />
lungary Reported Set<br />
'j Aid Picture Makers<br />
iOLLYWOOD—Upon his<br />
return from a<br />
tree-week European casting and locations<br />
si>uting trip in behalf of Columbia's "The<br />
Cjilturions." director Mark Robson retted<br />
that word is circulating on the intnational<br />
filmmaking front in Belgrade.<br />
Vgoslavia, that the next nation to lure<br />
iTetofore reluctant production onto its<br />
sll with government-backed financing will<br />
t Hungary. As Yugoslavia has done with<br />
sicess, Hungary is now letting it be known<br />
tit fiscal aid will be extended to those<br />
*ling to lens within its borders and<br />
cjnply with regulations.<br />
lick<br />
Meyer to 'Cowboy'<br />
iOLLYWOOD — Richard Meyer has<br />
y led the Independent Producers Associated<br />
a head of production. The company, lo-<br />
Ced in San Francisco, will coproduce the<br />
f;er Sellers-Ty Hardin costarrer, "Sir Cowb'."<br />
in Spain. Meyer recently eoproduced<br />
'Vro" for AIP.<br />
Reynolds Will Present<br />
Sound Editors Award<br />
HOLLYWOOD — Debbie Reynolds will<br />
present the Motion Picture Sound Editors'<br />
annual Golden Reel award for major motion<br />
picture sound editing at the 11th annual<br />
awards ball at the Beverly Hilton<br />
March 14, according to Peter Berkos.<br />
MPSE president.<br />
• * *<br />
Screen Producers Guild will select its<br />
choice of the best picture from 16 films,<br />
including all five of the pictures chosen for<br />
Academy Award consideration. The Academy<br />
nominations are America America,<br />
Cleopatra, How the West Was Won. Lilies<br />
of the Field and Tom Jones. The others<br />
are The Courtship of Eddie's Father, 8' 2,<br />
The Four Days of Naples, The Great<br />
Escape, Hud. Irma La Douce, The L-<br />
Shaped Room, Love With the Proper<br />
Stranger. Son of Flubber, This Sporting<br />
Life and Sundays and Cybele.<br />
W. R. Forman Disposing<br />
Of Interests in Royal<br />
HOLLYWOOD—William R. Forman, exhibitor<br />
here and in Hawaii, announced that<br />
he will dispose of his 51 per cent interest<br />
in the Royal Theatres in the islands, under<br />
an agreement w'ith the state antitrust authorit'es.<br />
However, he will retain Consolidated<br />
Amusements, which he holds outright.<br />
ANXOUNf'ING NEW SUBSIDIARY<br />
—Pictured in Hollywood, left to right,<br />
are Eugene V. Klein. Norman Lear.<br />
Bud Yorkin and Irving H. Levin as the<br />
National General Corp. executives announced<br />
formation of a NGC subsidiary,<br />
Carthay Center Productions, for<br />
the purpose of producing feature motion<br />
pictures. Carthay's first film will<br />
be "What Are Little Girls Made Of?"<br />
Jack Warner Appeals<br />
For Sunshine Vans<br />
LOS ANGELES—Jack L.<br />
Warner, president<br />
of Warner Bros, who was presented<br />
the annual Heart award by Variety Tent<br />
25, appealed to the wealthy and successful<br />
people of Hollywood to join him in providing<br />
20 Simshine coaches, similar to the<br />
$10,000 vehicle he has given to the club, to<br />
transport crippled children outside the<br />
hospitals.<br />
The presentation was made at a dinner<br />
in the Beverly Hilton Hotel attended by<br />
1,000 film colony and show business leaders.<br />
Fied Stein was installed again as chief<br />
barker. He announced the Variety Boys<br />
Club, which boasts 3,000 members and cost<br />
$750,000 is now paid for. Louis Diaz runs<br />
the club. Tent 25 also operates the Heart<br />
Center at UCLA.<br />
The new crew includes Alfred S. Lapidus,<br />
James H. Nicholson. Herbert L. Copelan,<br />
Allan J. O'Keefe, Chester J. Doyle. William<br />
R. Forman, Eugene V. Klein, S. Charles<br />
Lee. William H. Oldknow and Ezra E.<br />
Stern.<br />
Other honor guests were Ted Dorr,<br />
Robert I. Lippert, Ben Kalmenson, Harold<br />
Mirisch, Mike FYankovich and Binnie<br />
Barnes iMrs. Prankovich 1 Leigh,<br />
Jesse White and William Orr.<br />
James Carreras, Hammer Films and<br />
Variety International official, and James<br />
B. Goodlatte of ABC Cinema, both of London,<br />
attended. Carreras read a letter from<br />
Lord Louis Mountbatten acclaiming Warner<br />
for his philanthropic activities on behalf<br />
of the club.<br />
Speakers included Merx^n LeRoy and<br />
Bette Davis<br />
Peppard Asks Freedom<br />
From MGM Contract<br />
HOLLYWOOD—A suit filed by George<br />
Peppard asks declaratory relief against<br />
MGM. claiming studio had breached contract<br />
with him and that he no longer is<br />
under any obligation to the company. The<br />
contract was signed Dec. 22. 1958. and Peppard<br />
charges that the studio failed to<br />
properly exercise its option for a third<br />
contract year and materially breached the<br />
pact by failing to pay him $60,000 for a<br />
period from April 1. 1960 through March<br />
31, 1961.<br />
Technicolor to Big Board<br />
HOLLYWOOD—Technicolor, Inc.. listed<br />
on the American and New York Curb exchange<br />
for over 35 years, has applied for<br />
listing on the New York Stock Exchange.<br />
XOFFICE March 9. 1964 W-1
'<br />
—<br />
Arthur Penn to Chicago for 'Mickey One' Film HoHOlulu and Oiher<br />
Hawaiian Areas<br />
By TATS YOSHIYAMA<br />
1<br />
Left to risht: Hurd Hatfield. Alexandra Stewart, Arthur Penn, scenarist A.<br />
M. Surgal, Warren Beatty and Teddy Hart rehearse in New York for "Mickey One."<br />
HONOLULU—Producer-director Art Ml<br />
ijolc'on. assisted by his wife Jo and a t<br />
crew of technicians, stars and local woB<br />
ers, started full-.scale production on C<br />
lumbia's "Ride the Wild Surf." Slated 1<br />
three weeks of shooting under tropic<br />
blue skies i ? > . most of the crew are hea<br />
quartered on the north shore of Oal<br />
Island on Kawela Bay. On-the-beach fUi<br />
ing activities will cover areas extendi<br />
from Haleiwa to Waimanalo.<br />
Scores of well-known island surfers ha<br />
been inked for the actual surfi<br />
sequences. Adding authenticity to the pi<br />
ture. many local guys and gals are sign<br />
in for featured and bit parts, includi:<br />
Miss Kauai of 1962. Ellilh Aguiar and M:<br />
Hawau of 1963. Sue Pickeriny. Local b<br />
Dick Kuhne is handling the color earner;<br />
NEW YORK—Producer-director Arthur<br />
Penn, who has been conducting pre-production<br />
rehearsals In New York for<br />
"Mickey One." which he plans to film entirely<br />
in Chicago for Columbia Pictures release,<br />
left for that city Sunday<br />
( 1 1 for<br />
further rehearsals preparatory to going<br />
before the cameras March 16. Interiors<br />
will be made at the Niles Studios there.<br />
Warren Beatty, star of Robert Rossen's<br />
Start on Film Based<br />
On TV McHale Series<br />
HOLLYWOOD—A feature to be made<br />
based on the McHale's Navy television<br />
series will begin .shooting March 9 for Universal<br />
with feminine parts added to TV's<br />
all-male cast. Ed Montagne, producer of<br />
the Revue-ABC series for the past two<br />
years, will produce and direct the color<br />
film, to be ready for a July release.<br />
Jean Willes has been signed as one of<br />
the two female leads. The film will headline<br />
the entire cast of the television show<br />
Ernest Borgnine. Joe Plynn. Tim Conway.<br />
Carl Ballantine, Ed.son Stroll. Gavin Mc-<br />
Leod, Gary Vinson, Billy Sands, John<br />
Wright and Yoshio Yoda.<br />
Si Rose has w-ritten a story with Frank<br />
Rill jr. and George Carleton Brown doing<br />
the screenplay.<br />
'Hoods' Previews on 10th<br />
HOLLYWOOD — Exhibitors in 32 key<br />
cities will attend special theatre showings<br />
March 10 of the big Warner Bros, summer<br />
release, "Robin and the 7 Hoods." starring<br />
Prank Sinatra. Dean Martin, Bing Crosby.<br />
Sammy Davis jr., Peter Falk. Victor<br />
Buono and Barbara Rush.<br />
Radnilz Writing an Article<br />
HOLLYWOOD — Producer Robert B.<br />
Radnitz is writing an article dealing with<br />
the making of motion pictures from children's<br />
books for Horn Book, leading literary<br />
publication devoted to children's books.<br />
Radnitz' article is based primarily on the<br />
making of his Universal picture. "Island of<br />
the Blue Dolphins. " based on Scott O'Dell's<br />
Newberry Medal winning novel of the same<br />
title.<br />
W-2<br />
forthcoming "Lilith." also for relea.se by<br />
Columbia, has the title role in "Mickey<br />
One" with Canadian actress Alexandra<br />
Stewart in the feminine lead and Hurd<br />
Hatfield, stage star, and Teddy Hart,<br />
character actor who is semi-retired and<br />
will make his first film appearance in eight<br />
years. Christian Cloquet. French cinematographer.<br />
has been signed by Penn for his<br />
first American assignment.<br />
Orry-Kelly. Designer,<br />
Dies; Award Winner<br />
HOLLYWOOD—Orry-Kelly. 67. costume<br />
designer and three-time Academy Award<br />
winner, died of cancer of the liver. He was<br />
working on Billy Wilder's "Kiss Me,<br />
Stupid" when taken ill, and entered the<br />
Cedars of Lebanon Hospital February 11.<br />
He was chief designer at Warners from<br />
1923-1945. He won Academy awards for<br />
the 1951 "An American in Paris." the 1957<br />
"Les Girls" and the 1959 "Some Like It<br />
Hot."<br />
At his bedside at the time of his death<br />
was Mrs. Jack L. Warner, who said that<br />
her husband would deliver the eulogy at<br />
services at Forest Lawn Cemetery.<br />
Kennedy War Drama<br />
Back to<br />
Theatres<br />
HOLLYWOOD— -PT- 109. • the Warner<br />
Bros, picture drama about John F. Kennedy's<br />
wartime adventures, will return to<br />
distribution March 19 at 16 theatres in the<br />
Dallas and Houston areas.<br />
Engagements elsewhere will follow during<br />
March. April and May.<br />
Warner Bros, withdrew the picture from<br />
distribution on the day the Piesident was<br />
assassinated at Dallas. The Technicolor-<br />
Panavision film originally was released<br />
la.st July 27.<br />
A Goldwyn Jr. Tour<br />
HOLLYWOOD—Samuel Goldwyn jr.<br />
left<br />
on the first part of a 40-city college lecture<br />
tour in behalf of his "The Young Lovers.<br />
Goldwyn will screen the film at each university,<br />
deliver a lecture on filmmaking and<br />
hold open seminars for the students.<br />
More locationings: And soon the Islan<br />
will be a'ohaing in locationing compaiu<br />
from both sides of the Pacific. Sinatn<br />
unit for "None But the Brave," Woi<br />
War II .script by a Japanese writer: Pr<<br />
ley's "Isle of Paradise." by a Paramou<br />
unit and Toho of Japan, all will be crowing<br />
the 50th state for production activiU<br />
Sinatra, incidentally, was en route<br />
Tokyo for initial production preparatlc<br />
for the film to be shot here.<br />
• • «<br />
New pictures in Honolulu: "Tom Joni<br />
at the Kuhio, laden with leis of awan<br />
prizes and ten Academy Award nomlii<br />
tions: "Seven Days in May": the offlc<br />
fight films: Japanese sumo iwTestlin<br />
tournament pictures from Tokyo with m(<br />
of the hefty sumo-artists who appeared<br />
Honolulu recently and now on the mii<br />
land United States: "Sunday in New Yorl<br />
and extended engagements of "It's a M(<br />
Mad. Mad, Mad World," "Wutherl<br />
Heights" and "The Victors." And o<br />
screen, on-stage performances of M<br />
Akemi Mari in "A Woman Like MonrO'<br />
Richard Harrison, beef-cake mu*<br />
man. was monopolizing the lower half<br />
dual bills in two features. "GladlaU<br />
Seven" and "The Invincible Gladlato<br />
showing at six theatres all over town.<br />
Frank Albertson<br />
Dies<br />
HOLLYWOOD—Services for Frank ><br />
bertson. 55. were held on Tuesday (3><br />
the Gates-Kingsley-Gates Mortuary. T<br />
actor entered motion pictures in 1922<br />
has been continuously active in films a<br />
television appearances until his death<br />
his home, on Saturday. February 29. I<br />
wife, two daughters and two sons surw<br />
Naify Goes to<br />
Coast<br />
NEW YORK— Marshall Naify. presldJ<br />
of United Artists Theatres and Dimensl<br />
—150. Inc.. has gone to the coast to d<br />
cuss production plans for the process a<br />
confer with Robert Naify on plans for t<br />
circuit.<br />
Showing Weekends Only<br />
JEWETT CITY. CONN.—The Perak<br />
State is now operating Fridays throu<br />
Sundays.<br />
BOXOFTICE March 9. l*<br />
,1
I<br />
I<br />
While<br />
• daughter<br />
father<br />
and<br />
..JO ooQooofloo»aflflfl8flQaa(iaoo8gQ^<br />
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TELEVISION I<br />
ACTIVITIES I<br />
rf B » B"a~a~aTnn>"g^TrBTrg^~s'B~8"B~irinrinnnr<br />
VENTUCKY, starring Dennis Weaver in<br />
a new half-hour thoroughbred racing<br />
series, will get under way next fall on the<br />
full NBC network. The show is spotted<br />
in a Saturday night slot, according to Mort<br />
Werner, program vice-president. Weaver<br />
has been on the Gunsmoke series for eight<br />
seasons.<br />
* * *<br />
It is interesting to note that the British<br />
iccent of Glynis Johns was acceptable in<br />
:his country on the Glynis show, which has<br />
oeen bought by the British Broadcasting<br />
borp. from Desilu for airing in Britain. If<br />
:he results are satisfactory, more crossf'ertilization<br />
of accents between both<br />
ountries on other programs may follow.<br />
Inside the Movie Kingdom," a 90-minjte<br />
taped NBC special, will be airing<br />
March 20. Sammy Davis jr. is starred.<br />
Jack Warner characterized the recent CBS<br />
eport about Hollywood in rather unkindly<br />
ind critical fashion at the Screen Proiucers<br />
Guild dinner, and there is hope<br />
hat NBC-TV will have a different<br />
ipproach.<br />
• • •<br />
Edie Adams was presented the<br />
Oistinguished Sales award for 1963 for her<br />
lerformance in Muriel cigar commercials,<br />
.nd the Hollywood Advertising Club ran<br />
Its International Broadcasting awards, all<br />
« not smooth sailing for the filmed jingles.<br />
). growing movement against the current<br />
ivalanche of commercials culminated in a<br />
jDo Something" campaign by the National<br />
Us'n for Better Radio and Television headquarters<br />
here to focus public attention on<br />
he issue of FCC authority and responsilility<br />
to curb overcommercialism on radio<br />
nd television. The group is urging people<br />
b write to the FCC and their own coniressman<br />
complaining about the frequency<br />
f advertising interruptions to programs,<br />
'he association reports one survey showed<br />
p commercial spots per hour; while anther<br />
station aired 22 minutes and 45 secnds<br />
of commercials within a one hour<br />
eriod. Proper use of these abuses could<br />
elp to build theatre attendance.<br />
Pull hour films based on the late Presient<br />
Kennedy's "Profiles of Courage" are<br />
leing filmed by Robert Saudek for pres-<br />
Uation on NBC-TV during the 1964-65<br />
'ason. The same net will present three<br />
•'parate but related half-hour family<br />
bmedies in a 90-minute session titled 90<br />
ristol Court on Monday nights. Each<br />
jalf-hour has its own regular continuing<br />
l»st of stars, featuring a different family,<br />
Jt all living at the same address. Maillan,<br />
a building superintendent, and other<br />
irvlce people provide the link between the<br />
iree shows, and characters from the show<br />
ill appear on the other. Shows are titled.<br />
Saren, "Tom, Dick and Mary," and<br />
Harris Against the World."<br />
The Mattel Toy Corp. will spend $7,900,-<br />
)0 of a $9,000,000 ad budget on TV. Durig<br />
the 13-week period preceding Christlas<br />
nine out of ten toy commercials go<br />
1 late Saturday morning.<br />
SMPTE's Technical<br />
Conference in April<br />
HOLLYWOOD—William Dozier, former<br />
Screen Gems vice-president in charge of<br />
west coast operations and now president of<br />
Greenway Productions, will be the main<br />
speaker at the opening luncheon April 13<br />
of the 95th technical conference of Society<br />
of Motion Pictures and Television Engineers.<br />
The convention, to be held at the Hotel Ambassador<br />
here, will be presided over by president<br />
Reid H. Ray and runs from April 12<br />
to 17.<br />
Soundstage for Use<br />
On Location Slated<br />
HOLLYWOOD — Martin Ransohoff has<br />
commissioned architects to develop a nearcollapsible<br />
two-stage soundstage for use of<br />
"The Sandpiper," which will enable the<br />
producer to do "80 per cent of shooting<br />
normally done in a Hollywood studio" on<br />
natural location area where exteriors of<br />
the picture will be filmed.<br />
The stage will cost $40,000, the producer<br />
said, noting that this low price includes<br />
"complete soundproofing designed after<br />
the successful sound stages operated in<br />
Filmways' New York studios."<br />
The picture is scheduled for August-<br />
September start in Big Sur for Columbia<br />
release.<br />
* * *<br />
Producer-director George Pal returned<br />
from Miami where he went to confer with<br />
Philip Wylie, author of the novel, "The<br />
Disappearance," upon which Pal's forthcoming<br />
MGM film is based. David Harmon<br />
will do the screenplay. Production is<br />
scheduled to start in May, with Pal producing<br />
and directing.<br />
Carthay Administrative<br />
Post to Albert Jaeger<br />
HOLLYWOOD—Albert Jaeger has been<br />
named administrative executive of Carthay<br />
Center Productions, National General<br />
Corp.'s new motion picture subsidiary, and<br />
will serve in the same capacity with Theatre<br />
Color-Vision Corp., NGC's closedcircuit<br />
TV network. Headquartering in<br />
NGC's home offices here, Jaeger will serve<br />
as liaison between Irving H. Levin. NGC<br />
executive vice-president and head of Carthay<br />
Center Productions.<br />
From 1954 to 1964, Jaeger was an executive<br />
production representative for Allied<br />
Artists Pictures' productions in England,<br />
Spain, France, Italy, Germany, Japan.<br />
Okinawa and Hong Kong. Pi-ior to 1954.<br />
he had been associated for many years<br />
with various independent producers.<br />
Consolidated Completing<br />
Raleigh Village Updating<br />
From Southeast Edition<br />
RALEIGH. N.C.— Completion of a $125.-<br />
000 renovation program which began in<br />
December at Consolidated Theatres' local<br />
Village Theatre is expected this month.<br />
Supervising the work are L. F. Register<br />
theatre manager, and Phil Nance, district<br />
manager for the big circuit.<br />
Probably the improvement that will be<br />
most appreciated by the customers, however,<br />
will be the new seating. Rocking<br />
chairs with thick padding are being installed<br />
throughout the auditorium.<br />
Gil Kurland Is Named<br />
To Post on 'Miss Jude'<br />
HOLLYWOOD— Gilbert Kurland. production<br />
executive, was appointed by James<br />
Pratt. Universal executive production manager,<br />
to serve as administrative executive<br />
representating Universal on the Universal-<br />
Alan Brown coproduction, "Miss Jude,"<br />
starring John<br />
i i<br />
Hayley Mills<br />
in real lifei. The picture is<br />
scheduled to go before the cameras in mid-<br />
April on the island of Minorca, off the<br />
coast of Spain.<br />
Bryan Forbes, who has been here from<br />
London doing preliminary work on "King<br />
Rat" which he will direct from his own<br />
screenplay for producer James Woolf and<br />
Columbia release, has been scouting local<br />
southern California areas for location sites<br />
for the film.<br />
* « *<br />
After conferring with Mexican government<br />
officials about the filming of scenes<br />
for one of his upcoming pictures in that<br />
country, producer-director Robert Aldrich<br />
departed for New York for conferences<br />
with 20th-Pox officials on his "What Ever<br />
Happened to Cousin Charlotte?" which<br />
Associates & Aldrich Co. will begin filming<br />
in Hollywood in April for 20th-Fox release.<br />
Closing Easton Theatre<br />
From New England Edition<br />
EASTON. MASS.—John Uston has closed<br />
the Easton Theatre for lack of patronage<br />
after it had been in operation 43 years.<br />
Duiing the silent pictures era. the Easton<br />
was well-known as the Miracle Theatre.<br />
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3X0FnCE March 9. 1964 W-3
The<br />
1<br />
Academy Nominees Climbing Sfeadily<br />
In LA; Strangelove 440 2nd Week<br />
LOS ANGELES—The draw of the Oscaiiiomliiated<br />
films, several going Into general<br />
release and several among the holdovers,<br />
boosted up the pace of first runs<br />
this week. "Love With the Proper Stranger,"<br />
for which Natalie Wood was nominated<br />
as best actress, did 135 per cent in its tenth<br />
stanza and "Tom Jones," with ten nominations,<br />
did 170. "Mad World." "Cleopatra"<br />
and "How the West Was Won" continue<br />
to pay off handsomely.<br />
; Average Is 100)<br />
Beverly—Dr. Strangelove (Col), 2nd wk 440<br />
Chinese—Chorodc (Un.v), lOfh wk 95<br />
Ctneramo— It's o Mad, Mod, Mod, Mod World<br />
(UA-Cineromo), 17th wk 275<br />
Crest— Fontosio ,BV), reissue, 2nd wk 130<br />
Egyptian— The Cardinal (Col). 11th wk 165<br />
Fine Arts— The Silence (Jonus), 4th wk 100<br />
Four Star— The Merry Widow (MGM); Great Woltx<br />
(MGM), reissues 65<br />
Hollywood Paramount—Captoin Newmon,<br />
(Univ), 10th wk 85<br />
Iris— This Sporting Life (Cont'l), return run IOC<br />
Lido— The Eosy Lite (Embossy), 4th wk 100<br />
Pontoges— Cleopatra (20th-Fox), 37fh wk 250<br />
Picfoir, Orpheum, Vogue—Tom Jones (UA-<br />
Lopert), I 4th wk 1 70<br />
Village. Hillstreet, Hollywood, Wiltern— Love<br />
With the Proper Stranger (Paro). lOfh wk. ,135<br />
Worner Beverly, Baldwyn, Los Angeles—The Prize<br />
(MGMl, lOth wk no<br />
Warner Hollywood—How the West Woj Won<br />
(MGM-Cineramo), 54th wk 220<br />
Wilshire—The Victors (Col), lOth wk 75<br />
'Shock Treatment,' Fight Film<br />
135 at Seattle Coliseum<br />
SEATTLE—The Liston-Clay fight pictures<br />
and "Shock Treatment" scored a 135<br />
per cent rating at the Coliseum Theatre,<br />
with "Irma La Douce" in its 32nd week<br />
pulling 125 at the Music Box.<br />
Blue Mouse— America America :WB) 85<br />
Coliseum— Shock Treatment 20th-Fox); Cloy-<br />
Liston fight film 1 35<br />
Fifth Avenue— Love With the Proper Stranger<br />
(Paro), 3rd wk 1 10<br />
Music Box— Irmo Lo Douce (UA), 32nd wk 125<br />
Orpheum— Children of the Damned (MGM);<br />
Gladialors Seven (MI3M) 70<br />
Poromcunt— The Victors (Col), 2nd wk 100<br />
"Tom Jones' Outscores 'West'<br />
For Top Denver Honors<br />
DENVER— "Tom Jones" continued on its<br />
lofty course at the Crest and Towne, running<br />
a high 350 per cent in its second week.<br />
Another thriving second-week holdover was<br />
"Seven Days in May" at the International<br />
70. Top percentages in the city, however,<br />
were garnered by "Tom Jones" i350i and<br />
"How the West Was Won" i280i.<br />
THEATRE<br />
DRAPERIES<br />
AND<br />
STAGE<br />
CURTAINS<br />
Aloddin—Chorode (Univ), 10th wk 100<br />
Centre—The Victors (Coll. 2nd wk 100<br />
Cooper— How the West Was Won (MGM-<br />
Cineromo). 52nd wk 280<br />
Crest, Towne— Tom Jones (UA-Lopert), 2nd wk. 350<br />
Dcnham— Cleopotro ;20lh-Fox), 36th wk 120<br />
Denver—The Misodvcnturcs of Merlin Jones<br />
(BV); Arizono Sheepdog (BV), 3rd wk 125<br />
Esquire— Love on a Pillow Col) 125<br />
International 70— Seven Days in Moy<br />
'Para), 2nd wk 230<br />
Paramount— One Mon's Way (UA), Liston-Cloy<br />
fight film 100<br />
Vogue— Knife in the Water (Kanawho) 125<br />
'Seven Days in May' 200<br />
Opening in San Francisco<br />
SAN FRANCISCO— Adding "This Sporting<br />
Life." starring two Academy Award<br />
nominees, to the Fox-Warfield bill of "Love<br />
With the Proper Stranger" in the third<br />
week upped the percentage to 200. After a<br />
14-week run at the Metro. "8'2" was moved<br />
into the Music Hall. Two new Swedish<br />
films, imported by the Swedish consulate<br />
in connection with "Meet Sweden Week."<br />
were presented in addition to "The Swedish<br />
Mistress" at the Vogue Theatre. "Dr.<br />
Strangelove" continued to be good boxoffice<br />
at the Stage Door Theatre.<br />
Embassy— Children of the Domned (MGM) 100<br />
Fox-Warfield— Love With the Proper Stranger<br />
(Paro), 3rd wk Sporting Life (Cont'l),<br />
,<br />
rerun 200<br />
(Golden Gate—Man's Favorite Sport? (Univ), 3rd wk. 90<br />
Metro—The Silence (Jantjs), 2nd wk 275<br />
Orpheum— It's o Mod, Mod, Mod, Mod World<br />
(UA-Cinercmaj, 1 2th wk 500<br />
Paramount— Seven Doys in Moy (Pare) 200<br />
Presidio—To Bed ... Or Not to Bed (Cont'l) ....125<br />
Stoge Door— Dr. Strangelove (Col), 2nd wk 300<br />
St, Froncis—The Victors iCol), 5th wk 80<br />
United Artists—Tom Jones (UA-Lopert), 11th wk. 325<br />
Vogue— My Swedish Mistress (Janus), 2nd wk 100<br />
'Tom Jones' Gross Growing<br />
Each Week in Portland<br />
PORTLAND—"Tom Jones" continues to<br />
build as word-of-mouth. newspaper advertising<br />
and other publicity gets the word<br />
around. Stan Smith of the Irvington reported<br />
that his third week with "Tom<br />
Jones" was bigger than the first, with an<br />
estimate of 250 per cent at the cla.ss suburban<br />
house.<br />
Bogdod— Sunday in New York :MGM}, The<br />
L-Shoped Room (Col), rerun, 2nd wk 175<br />
Broadway—Man's Favorite Sport? (Univ), Young and<br />
Willing (Univ), 2nd wk 175<br />
Cinema 2t. Sandy Boulevord Drive-ln—Amcrico<br />
America ( WB) 200<br />
Fox—The Victors (Col); This Sporting Life<br />
'Cont'l), rerun, 2nd wk 1 70<br />
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THIATRI lOUiPMiNT SPfCIAllSTS<br />
los itNcriis • pooriANO • sam Francisco • siArrif<br />
Guild- Murder at the Gallop rMGM), 2nd wk<br />
Hollywood— It's o Mad, Mad, Mod, Mad World<br />
(UA-Cincromo). 1 2lh wk<br />
Irvington— Tom Jonos (UA-Loperlj, 3rd wk<br />
Music Box— Love With the Proper Stranger IPoro);<br />
Li'l Abner (Pora), reissue. 4th wk<br />
Orpheum. 82nd Street Drive- In—Children of the '<br />
Damned (MGM), Glodiotort Seven !MGM) ...<br />
Paramount— Cleopatra (20th-Foxj, 35th wk<br />
Two Major Premierei<br />
Set for Albuquerque<br />
ALBUQUERQUE—Two major premier<br />
with proceeds from both to be donated<br />
charity, have been .set to open Cinerama<br />
the Pox-Winrock Theatre here In It<br />
March.<br />
The first night will be March 24. w)<br />
New Mexico Governor Jack Campbell<br />
host for the invitational gala piemie<br />
Tickets—at $5 each—will be limited to I<br />
vited guests, with proceeds to go to t<br />
Albuquerque United Community Fund.<br />
number of state and city officials are e<br />
pected for the unveiling of the new proce<br />
to be featured with "This Is Cinerama."<br />
The second premiere night will<br />
Wednesday 1<br />
25 > with members of t<br />
Junior Chamber of Commerce wives se<br />
ing tickets at $5 each. Proceeds from til<br />
showing will go to assist in train!)<br />
mentally retarded children at the stati<br />
Los Lunas Hospital and Training Scbo<br />
Remodeling of the Winrock starts Mar<br />
16, to cost $100,000. Renovation will 1<br />
elude the removal of about 35 seats, brln<br />
ing the total seating to 765.<br />
Following premiere festivities, tick)<br />
will be sold on a straight reserved-ae<br />
basis, from a top of $2.50 on Fridays ai<br />
Saturdays. Weekday matinees will<br />
$1.50.<br />
The Winrock is ciu-rently screening I<br />
final pre-Cinerama film. "Love With ti<br />
Proper Stranger." which opened March<br />
ALBUQUERQUE<br />
pilm actor Vincent Price was in San<br />
Fc as special guest and juror of a tb<br />
art exhibit held at that city's Internatlon<br />
Folk Art Museum . . . Louis Gasparinl B<br />
Marlin Butler, two longtime Albuquerqi<br />
theatremen and both officers of the N*<br />
Mexico Theatre Ass'n, were in Kansas CI'<br />
last week for the national TOA meetlnf.<br />
. . .<br />
The annual Ralph Edwards Flest* I<br />
Truth or Consequences has been set t»<br />
April 23-26 this year. Edwards anniMl<br />
brings in a number of movie and tdi<br />
vision personalities for the event . . . PUl<br />
choreographer Nico Charisse is in to*<br />
from Hollywood to visit friends and hand<br />
.some dance instruction Easter bod<br />
ings set by Frontier for several of the<br />
theatres here: "Dr. Strangelove" at tl<br />
Lobo Arts, "A Tiger Walks" at the H<br />
land, and "How the West Was Won" i<br />
the Sunshine.<br />
I<br />
Choice of showmen EVERrwHiRi'<br />
FOR SPECIAL<br />
MOTION<br />
PICTURE<br />
SERVICE<br />
TRHILERI<br />
AODDItS TOUR NEIT 0«Dtl TO 1<br />
US H,d« St. Son FrontiiMj]<br />
BOXOFTICE :: March 9, 198
HIGHEST CAPACITY RATING (200) FROM<br />
BOX-OFFICE* FOR NEW YORK OPENING<br />
AT WORLD THEATRE!<br />
(*BOX-OfFICE ISSUE OF FEB. 24ih)<br />
First<br />
SET A NEW<br />
ATTENDANCE<br />
HIGH AT<br />
THE WORLD<br />
THEATRE<br />
NEW YORK<br />
Mow<br />
((<br />
PSYCHO-<br />
MANIA"<br />
TOPS<br />
EVEN<br />
THAT<br />
RECORD!<br />
XHIBITORS, NOTE:<br />
May we suggesf<br />
WHO FOR KICKS"<br />
« o companion feature?<br />
AN EARTHY, WICKED<br />
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unnatural emotions,<br />
uninhibited passions<br />
...and IVIURDER!<br />
Which<br />
girl<br />
will<br />
be the<br />
next<br />
VICTIM?<br />
THE MODEL?<br />
THE WILD CO-ED?<br />
THE NICE GIRL?<br />
THE TROLLOP?<br />
Aik about<br />
these two<br />
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LEE PHILIPS<br />
SttHOMANlA<br />
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STARRING<br />
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• PLaza 7-69B0 • Jean Goldwurm, President • IRVING SOCHIN, Sales Director • Felix Bilgrey, Secretary Counsel<br />
Joe<br />
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8833 Sunset Blvd ,<br />
Los Angeles, California<br />
'I 243—655-5793<br />
8X0FTICE March 9, 1964<br />
W-5
. . Mr.<br />
. . Branch<br />
. . Linda<br />
DENVER<br />
The Denver WOMPIs held then annual<br />
. .<br />
style and hat show at Camp Rondette.<br />
all proceeds going to the Holy Ghost Youth<br />
Center . and Mrs. John Roberts of<br />
Wolfberg Theatres vacationed in Las<br />
Vegas. This was a trip which they won in a<br />
drawing held at the WOMPI Funjamborce<br />
last September .<br />
manager Mark<br />
Sheridan of 20th Century-Fox<br />
Committee<br />
screened<br />
the Liston-Clay fight films .<br />
assignments are being made for the "Forward<br />
Look '64-'65" meeting which will be<br />
held in Denver In May.<br />
Denverites traveling to the Show-A-Rama<br />
in Kansas City were John Dobson. United<br />
Artists; Larry Staresmore and Howard<br />
Campbell, Westland Theatres, along with<br />
Westland managers Walter Jancke, Varsity<br />
Theatre, Lincoln, Neb.: Derald Hart,<br />
city manager. Colorado Springs: Larry<br />
Jensen. Chief. Colorado Springs: FYank<br />
Rash. Chief. Pueblo, and Clayton Cheever,<br />
Mesa Theatre. Grand Junction. Others<br />
scheduled to make the trip were Fred<br />
Knill: William Bertolero. Black Hills<br />
Amusement Co.. and William Hastings,<br />
manager of the Orpheum Theatre.<br />
II. A. Kane i.s converting his Fiesta Drivein.<br />
Las Cruces, N.M.. to a twin tower.<br />
Western Service & Supply is in.stalling Century<br />
all-transistor sound and Century projection<br />
equipment with Strong Putura<br />
lamps and Bi-Powr rectifiers. The Butler<br />
Fixture Co. of Denver is installing a completely<br />
new concession stand, which will<br />
feature cotton candy and carmcl corn. It<br />
will be completely self-service.<br />
Recent visitors to the Row were Tom<br />
Hardy and John Satterfield, Egyptian, Delta;<br />
Dr. and Mrs. W. Scott, Rio, Meeker; Lionel<br />
Semon, Lake Drive-In, Pueblo: Frank Nelson,<br />
Star, Fort Lupton; Prank Childs,<br />
Starlite Drive-In, Sterling; Bernie Newman,<br />
Gem, Walsh; Russ Dauterman, Fox,<br />
Rawlins, Wyo.; Frank Piazza, Fox, Walsenburg;<br />
Wilbur Williams, Holiday Drive-In,<br />
Boulder: Mitchell Kelloff, Uptown, Peublo,<br />
and Sam Feinstein. Lincoln, Limon.<br />
Bill Agren, longtime Fox Intermountain<br />
Theatres executive, and his wife announce<br />
the engagement of their daughter Penelope<br />
to Douglas C. Conrad. Penelope and<br />
Douglas were schoolmates at George<br />
YOUR BEST SOURCE FOR THEATRE EQUIPMENT<br />
AND SUPPLIES IN THE WEST!<br />
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D Century, the only American-mode 70mm projector available<br />
D Strong lamps and rectifiers D Selby screen towers<br />
D Reed In-A-Car speakers D Heywood-Wakefield seating<br />
D Cretors popcorn machines D Gold Medal products<br />
n Butterflake popcorn D Coca Cola and Associated equipment<br />
D 100% leasing for all equipment costing from $100 to $100,000, simply<br />
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CONE MECHANISMS AND REPAIR PARTS<br />
Cone mechanisms rebuilt and remagnetized to<br />
original new condition with 2 year guorontee.<br />
Washington High School in Denver. Dou<br />
las Is now a student at the University<br />
Hawaii. The early April wedding Is to<br />
m Hawaii.<br />
Marijo, the granddaughter of Herb Gud<br />
per. La Jara Theatre. La Jara. is recove<br />
ing from open heart surgery at Childrer<br />
Hospital. Herb's son Max. Marijo's fatht<br />
went through the same operation in tl<br />
same hospital, operated on by the sao<br />
doctor just ten years ago. The Denv<br />
Post devoted an eight-column story to U<br />
unusual circumstances.<br />
MGM manager, and Ml<br />
George Fisher.<br />
Vera Cockrill. owner of the Denhai<br />
traveled to Dallas for the screening<br />
Molly Brown. The picture is set to op»<br />
at the Denham later in the year.<br />
NGC Delta, Colo., House<br />
Bought by W. E. Hardy<br />
DELTA. COLO.—W. E. Hardy of Har<<br />
Industries of New Mexico has purchaa<br />
the local Egyptian Theatre from Nation<br />
General Corp. Hardy's son Tom has bet<br />
operating the theatre under lease fro<br />
NGC for the last four years and will r<br />
main with the theatre as manager.<br />
More remodeling is planned, according i<br />
Tom Hardy. This will include new carpe<br />
ing. improved seating and other project<br />
A new and larger marquee is to extei<br />
completely across the front of U<br />
Egyptian.<br />
SEATTLE<br />
T ong-awaited "Cleopatra," certain to<br />
an extended run, opened Wednesdt<br />
(41 at the 5th Avenue Theatre. The fill<br />
exactly the same version as played !<br />
cities throughout the country, will n<br />
twice a day i matinee and evening! at poj<br />
ular prices . . . Gordon 'Wallinger lu<br />
taken over as the Seattle branch managi<br />
for Allied Artists, replacing Edmond<br />
Cruea, who has been transferred to 8i<br />
Francisco.<br />
Kenneth Snyder, formerly with MOI<br />
and recently returned from Paramount<br />
!<br />
. . .<br />
L. A., will act as AA salesman coverii<br />
Washington and Oregon Ken SepU<br />
will act as salesman for 20th-Fox in Por<br />
land, replacing Charles Powers at tl<br />
Oregon exchange .<br />
Boden, seen<br />
tary to Columbia branch manager Jairn<br />
Bcale. will become the bride of Ron Ha;<br />
inga March 21.<br />
"Venice and tl<br />
Gordon Spiess was on the Row bookin<br />
from the Mount View. Cashmere . . .<br />
"D<br />
Strangelove" has been set at the Collseu)<br />
for March 25th . . .<br />
Italian Lakes" was shown as the latest<br />
the World Cavalcade Series at the Opo<br />
House.<br />
ENDLESS<br />
• URNS THf INTIRI<br />
POSITIVI KOD<br />
Wv* C«r^ii C*«t<br />
Write for Brochure and Ports Cotolo^.<br />
DEPENDABLE<br />
vERSATiLmri REED SPEAKER COMPANY • coioen. coio.<br />
W-6 BOXOFTICE March 9, 19
1<br />
Pat<br />
i<br />
Francisco<br />
.<br />
.<br />
with<br />
provided<br />
LOS ANGELES<br />
rred Kunkel, western division manager for<br />
United Artists Theatres, has named<br />
)ave Morris manager of the UA in Pasaena,<br />
replacing Jim Polydoros. moved to the<br />
'our Star. Bob Rogers has taken over the<br />
rhunderbird Drive-In in La Mont .<br />
ack Sherriff, Manhattan Films, returned<br />
rom a trip to Phoenix and Tucson . . .<br />
;iayton Pantages, Cinema Distributors of<br />
imerica, was in from New York to coner<br />
with Mel Evidon and Jerry Persell of<br />
;rest Films on the distribution of "Comrton<br />
Law Wife," which will open in 46 thetres<br />
beginning April 1.<br />
Frank Kovaletz, manager of the Meralta<br />
"heatre, Downey, instigated his first anlual<br />
Golden Wedding Anniversary Party<br />
promote goodwill among the local citienry.<br />
Sixty-two couples, representing a<br />
otal of 3,410 years of connubial life, enoyed<br />
the party, which was held at Pipinos<br />
iteak House. The Southeast News, a coponsor,<br />
gave the party an eight-column<br />
lanner picture spread.<br />
A series of foreign films will be brought<br />
San Louis Obispo for the fourth conecutive<br />
year under the auspices of Fineirts<br />
International and the San Luis Obis-<br />
10 Civic and Pine Arts Ass'n. Twenty films<br />
lave been booked ... A group hosted by<br />
Ir. and Mrs. William Oldknow, Sero<br />
anusement Co., attended the Screen Proucers<br />
Guild Milestone dinner at the Bevrly<br />
Hilton Sunday<br />
< 1 ) . Among the guests<br />
ere Mr. and Mrs. Robert Benton, Mr. and<br />
Irs. Richard Seaver. Mr. and Mrs. S. Jon<br />
'.reedman and Mr. and Mrs. Morris Pynoos.<br />
yd Cassyd of <strong>Boxoffice</strong> sat at the same<br />
ible.<br />
Patterson of the Pat Patterson Proluctions,<br />
San Francisco, was in on business<br />
. . Bob Berkum. Ken Theatre, San Diego,<br />
as booking and buying on Filmrow . . .<br />
/illiam Davaney. Pacific Coast division<br />
iianager for MGM, was recuperating after<br />
jrgery . . . Dan Pavich, Lippert Theatres,<br />
;an Francisco, was here a few days. . . .<br />
oward Herty, MGM exchange advertising<br />
ead, was back from a San Francisco busiess<br />
trip.<br />
Solas-Porras, former viceresident<br />
of Azteca Films, has been ap-<br />
Jinted head of the Spanish division of<br />
:etropolitan Theatres, according to Sher-<br />
11 C. Corwin, president. Solas-Porras will<br />
jvote his time to the circuit's downtown<br />
;ate Theatre.<br />
FUmrow's rummage sale for the Budlong<br />
ihool for Handicapped Children has up-<br />
'd its date to April 10. Please bring everyling<br />
saleable to Jack Sherriff at the Man-<br />
Utan Films exchange office . . . The<br />
ilshire Theatre. Fullerton, has been sold<br />
the Art<br />
i<br />
Theatre Guild Lou Sher<br />
i<br />
, which<br />
ok over the theatre during the week. The<br />
mpletely remodeled theatre will be opated<br />
as an art house.<br />
John Gageby. managing director of the<br />
7Ptian Theatre for four years, is taking<br />
I extended leave due to illness. He was<br />
cceeded by Campbell Meiklejohn, now<br />
lur Star manager.<br />
Jerry Bresler's "Major Dundee" has bein<br />
production near Durango, Mexico, for<br />
'•lumbia<br />
release.<br />
'Son of Captain Blood'<br />
Booked by 235 Theatres<br />
LOS ANGELES—A March 18 opening in<br />
235 theatres of the Los Ange!es and San<br />
Fiancisco exchange territories has been set<br />
for "The Son of Captain Blood," a Paramount<br />
release. Cofeatured will be A. C.<br />
Lyles' "Law of the Lawless."<br />
A high-budgeted promotional campaign<br />
is backing the opening which is timed to<br />
take advantage of the Easter holiday<br />
period. Hard-sell radio, television and<br />
newspaper advertising directed at the<br />
action and adventure audience will highlight<br />
the promotion drive.<br />
New Carmel Theatre<br />
In Shopping Center<br />
CARMEL, CALIF.—The focal point of<br />
Sunset Terrace, the town's newest commercial<br />
development, will be a new, 750-<br />
seat motion picture theatre which should<br />
be ready for opening around August 1.<br />
Planned to present first-run motion pictures,<br />
the theatre has been leased for 50<br />
years by Tom Graff and Ed Dickson, both<br />
of whom have been residents of Carmel<br />
for the last eight years.<br />
Graff was formerly manager of the<br />
Carmel Theatre, which was razed in favor<br />
of the Carmel Plaza Shopping Center.<br />
Graff then managed the Golden Bough<br />
Cinema up to the time it was taken over<br />
by San Francisco film distributors.<br />
Builders of the theatre will be Jack J.<br />
Miller and Francis Sparolini, developers of<br />
the Sunset Terrace complex which will<br />
include the 14 shops in addition to the<br />
theatre. Sunset Terrace will face on San<br />
Carlos, Eighth and Mission streets.<br />
Graff, discussing the new theatre's<br />
policy, made this statement to the Carmel<br />
Pine Cone Cymbal: "We have gone extensively<br />
into programs for children's Saturday<br />
afternoon matinees, when the children<br />
will be supervised from the moment<br />
they are left in our care until they are<br />
picked up by their parents or responsible<br />
adults. No child ft'ill be allowed to leave<br />
the theatre unattended. F^irther. the theatre<br />
will be available for community entertainments<br />
and benefits."<br />
PORTLAND<br />
t"d Fessler, former Mobile. Ala., drive-in<br />
theatre operator, is working with Fled<br />
Hodge. Cinema 21 manager. Fessler is the<br />
brother of Martin Poster, who operates<br />
both the Cinema 21 and Fine Arts, with<br />
headquarters in San Francisco . . . Hodges<br />
reported that "America America" is packing<br />
the neighborhood art Cinema 21. The<br />
picture also played well in its first week<br />
at the Sandy Boulevard Drive-In.<br />
Robert F. Sisk Dies<br />
HOLLYWOOD—Robert P. Sisk. 60. a TV<br />
producer since 1955. died here recently following<br />
a long illness which began shortly<br />
after he completed the Wyatt Earp series.<br />
Prior to turning to TV activities. Sisk had<br />
served as director of advertising and publicity<br />
for RKO following a long career as a<br />
newspaperman. He also had served as a<br />
film producer with RKO. Paramount,<br />
MGM and Warner Bros.<br />
SAN FRANCISCO<br />
\X7ilIiam S. Wall, in charge of projection<br />
at the Monte Vista Drive-In, Mountain<br />
View, and who is also a professional cinematographer,<br />
has been elected president of<br />
a new film company located in San Jose.<br />
Wall is undertaking the duties of director<br />
of photography on a feature picture being<br />
produced by his firm, the Monterey Co.<br />
Work on the picture. "Through Golden<br />
Eyes." is set for an April start.<br />
Lou Sher, president of the Art Theatre<br />
Guild, purchased the Wilshire Theatre. Fullerton.<br />
and took over March 1. Manager<br />
of the State Theatre. Santa Ana. Tony<br />
Rinaldi. is also managing the Wilshire.<br />
The Art Theatre Guild's manager in<br />
Cleveland of the Continental Arts, Heights<br />
Art and Westwood theatres, recently was<br />
named "Showman of the Year" by the<br />
Cleveland film critics. He is Nico Jacobellis.<br />
Robert L. Lippert was back in San Francisco<br />
February 24 after a flying trip to<br />
London where he spent a few days setting<br />
up production for "Do You Know This<br />
Dan Duryea. To be filmed<br />
. .<br />
"<br />
Voice?<br />
in England, as yet the film has no release<br />
date . The Esquire Theatre, Stockton, is<br />
promoting "The Victors" with a contest offering<br />
the winners a weekend at the Palo<br />
Alto Cabania.<br />
. . .<br />
William Porter, auditor for Allied Artists,<br />
will come up from Los Angeles to re-establish<br />
the bookkeeping department in the<br />
city office. Agnes Cannon, after a brief absence,<br />
Howard<br />
will return to this desk Butler, 74, a salesman for 22 years for<br />
Allied Artists Pictm-es. died after a long<br />
illness . . . Aileen. wife of John M. Erickson.<br />
well known on the Row. was buried<br />
February 28.<br />
Bids are out for construction of a $300.-<br />
000 Cinerama Theatre. San Jose, to be<br />
built by Syufy Enterprises, on land owned<br />
by Winchester Properties. It will include a<br />
motel and restaurant.<br />
A general meeting for the entire membership<br />
of Variety Tent 32 has been scheduled<br />
for Tuesday evening il7i. The program<br />
will include sound and color movies<br />
"Highlights of the 1963 World Series<br />
Baseball<br />
"<br />
Games. by Dan Trist<br />
of Coca-Cola: induction of new members<br />
and a short business session<br />
O'Brien. Hollywood and<br />
. . . Margaret<br />
Broadway star,<br />
will head the cast in "A Thousand Clowns."<br />
which will play a two-week engagement at<br />
the Curran March 2-14.<br />
Starring in UA's "The Satan Bug" are<br />
Frank Sutton. Hari Rhodes. John Clarke.<br />
Harold Guild and John Anderson.<br />
NEWS<br />
HLMACK'S NEW 1964<br />
DRIVE-IN<br />
CATALOGUE<br />
NOW READY!<br />
Th« Th*
—<br />
Investment Opportunity<br />
The tools this young apprentice is learning to make will<br />
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A great investment in time, money, effort and faith<br />
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of us has a stake in his success—and every one of us<br />
must invest something—for on the developing skills of<br />
America's young tool-makers depends the continued<br />
functioning of all industries.<br />
You can protect your investment by joining with other<br />
leading American businessmen lo promote the Treasury's<br />
Payroll Savings Plan for U.S. Savings Bonds. The<br />
Treasury Department's Plan helps safeguard the individual<br />
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attitudes so necessary for the growth of our economy<br />
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When you bring the Payroll Savings Plan into your<br />
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you are investing in the next generation of America's<br />
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Don't pass this<br />
In freedom itself.<br />
investment opportunity by. Call your<br />
State Savings Bonds Director. Or write today to the<br />
Treasury Department, United States Savings Bonds<br />
Division, Washington, D.C., 20226.<br />
In your plant. ..promote the PAYROLL SAVINGS PLAN for U.S. SAVINGS BONDS<br />
The U. S. Goremment does not pay for iMs advertlstmtnt. The Trtasury Departmtnt ihankj.for their palrloiism. The Adveriislxg Council and Ihh magadat.<br />
BOXOFFICE<br />
W-8 BOXOFTICE March 9, IS*:
'<br />
will<br />
—<br />
—<br />
—<br />
—<br />
—<br />
-<br />
. . Among<br />
Tom Jones' Climbs<br />
ro 700 at KC Kimo<br />
KANSAS CITY—Oscar nominations con-<br />
Inued to boost "Tom Jones" at Dickinon's<br />
Kimo, where a second record week<br />
700 per cent was rung up. "It's a Mad,<br />
if<br />
Jad, Mad, Mad World" in its 11th week<br />
,t Durwood's Empire and "The Misadvenui-es<br />
of Merlin Jones" in its third week at<br />
'ox's Uptown and Granada doubled aver-<br />
,ge business. "Charade" chalked up 190<br />
)er cent in the sixth week at the Pox<br />
>laza. "One Man's Way" had a big openng<br />
week at the Fox Brookside with 170<br />
ler cent above average.<br />
(Average Is 100)<br />
irookside—One Mon's Way (UA) 1 70<br />
opri— Cleopotro (20th-Fox), 16th wk 100<br />
rest Riverside, Boulevard—Commondo (AlP);<br />
Toipedo Boy (AlP) 90<br />
mpire It's o Mod, Mod, Mod, Mod World<br />
(UA-Cineramo), I 1 th wk 200<br />
Tom Jones lUA), 2nd wk 700<br />
jrrio<br />
ammount, Avenue Americo Americo (WB) ....120<br />
lozo—Chorode (Univ), 6th wk 190<br />
ockhill— Billy Lior (Confl) 95<br />
:oxy— Sundoy in New York (MGM), 2nd wk 100<br />
i3rd, Heart, Lecwood, Hillcrest, Stiownee, Isis,<br />
Parkway One, Electric, Centre, Aztec, Dickinson,<br />
Englewood Children of the Domncd (MGM);<br />
Glodiotors 7 (MGM) 1 30<br />
Iptown, Cjranada The Misodventures of Merlin<br />
Jones (BV), 3rd wk 200<br />
Cardinal,' 'Tom Jones' Pace<br />
Chicago's Good Business<br />
CHICAGO—While there were unpredictible<br />
dips in business at some of the theiitres<br />
around town, others continued to do<br />
lantastic business as was evidenced the<br />
last week with "Dr. Strangelove" in the<br />
bird week at the Esquire: "Seven Days<br />
n May" in the second week at the United<br />
lU'tists. and "The Cardinal" in the 11th<br />
i.'eek at the Woods.<br />
Promises! Promises! (Harlequin), 4th wk. !apri<br />
.200<br />
'ornegie Charade (Univ), moveover, 2nd wk.<br />
.<br />
..145<br />
hicogo Man's Favorite Sport? (Univ), 2nd wk. ..125<br />
^nemo Billy Liar (Cent' I) 135<br />
.quire Dr. Strongelove (Col), 3rd wk 290<br />
'»(>— Fontosio (BV), 6th wk<br />
icVickers— It's a Mod, Mod, Mod, Mod World<br />
100<br />
(UA-Cineroma), 15th wk 135<br />
iictioel Todd Tom Jones (UA-Loper»), 11th wk. . .250<br />
|riental Sunday in New York (MGM), 2nd wk. ..150<br />
posevelt Soldier in the Roin (AA), 3rd wk 125<br />
jetc Lake The Victors (Col), 4th wk<br />
nited Artists Seven Days in Moy (Para),<br />
100<br />
i2nd wk 200<br />
oods—The Cardinal (Col), 11th wk 250<br />
(orld Playhouse Knife in the Water (Kanawha),<br />
2nd wk 125<br />
Junday in New York' 165<br />
-t Indianapolis Loew's<br />
INDIANAPOLIS—The state high school<br />
asketball tournament attracted the atntion<br />
of most teenagers Thursday. Prilay<br />
and Saturday and business at the first<br />
!ui theatres consequently was slack in<br />
lost instances. Among the week's new atactions,<br />
"Sunday in New York" opened<br />
"<br />
!St. "How the West Was Won is climb-<br />
|ig again since the word came out that<br />
make way for "Mad World" March<br />
•cic—Dead Ringer (WB); Liston-Cloy fight<br />
picture 1 25<br />
guire This Sporting Life (Confl) 115<br />
diono— How the West Wos Won (MGM-<br />
Cineromo), 38th wk 165<br />
Mh's—The Cardinol (Col), 3rd wk 110<br />
tew's—Sundoy in New York (MGM) 150<br />
pc—America Americo (WB) 80<br />
[Special promotion for UA's film, "One<br />
an's Way," is being made by Fawcett<br />
iblications in a campaign making tens<br />
thousands of newsstands and bookracks<br />
the United States and Canada a signlard<br />
for Prank Ross' screen drama based<br />
1 the life and career of Norman Vincent<br />
i^ale.<br />
Showmanship Is Heart<br />
Of UTO's Show-A-Rama<br />
By VELMA WEST SYKES<br />
KANSAS CITY—Hollywood built the<br />
motion picture business with glamor and<br />
that's what Show-A-Rama VII used to stage<br />
and open its UTO convention at the Continental<br />
Hotel Tuesday i3i. The decorations,<br />
the lovely girl pages in attractive costumes,<br />
the advertising for pictures coming<br />
up were all glamor editions—even to the<br />
special blue silk-striped coats worn by<br />
those in charge of the occasion. Richard H.<br />
Orear, president of Commonwealth Theatres,<br />
acted as master of ceremonies and introduced<br />
Paul Ricketts, UTO president, for the<br />
welcome address.<br />
Ricketts. who owns theatres at Ness<br />
City. Kas., noted with pride the nearly<br />
1,000 in attendance from all over the<br />
United States and felt he could say this<br />
area is not only the Heart of America but<br />
the "Heart of Showmanship." And he<br />
hoped he would not hear the word "exhibitor"<br />
used dui'ing the convention—he<br />
wanted "showman" to be used instead. Emphasizing<br />
that those in attendance were<br />
there to get ideas to take home, he called<br />
attention to the nearly 50 experts in the<br />
exhibition field who had come to share<br />
their know-how with others. He welcomed<br />
those back who had attended before and<br />
suggested newcomers would come back<br />
next year.<br />
Elmer C. Rhoden, who admitted having<br />
51 years in show business, was called on to<br />
introduce the keynote speaker, George Mui--<br />
phy. Since he had a list of credits three<br />
pages long on Murphy, Rhoden decided to<br />
mention only the highlights—a star in 40<br />
pictures, with one company 20 years, the<br />
first man to receive an Oscar for services<br />
rendered the motion pictui-e industry and<br />
"soon to be a United States Senator."<br />
Murphy could not equal Rhoden's record<br />
in years, but certainly one who has<br />
been 38 years in the entertainment business.<br />
30 of those with motion pictures, can<br />
still be called a veteran. And his voice<br />
of experience proclaimed it "a great industry."<br />
"If I am fortunate enough to be elected<br />
United States Senator." he said, "I shall<br />
be a spokesman for our industry, which<br />
should be represented. And I hope I'll have<br />
the intestinal fortitude to call attention to<br />
Five New DirectoTs Are<br />
Named to UTOHA Board<br />
Kansas City—Named to the board of<br />
directors of the United Theatre Owners<br />
of the Heart of .-Xmerica at its concluding<br />
Show-.A-Rama VII session here<br />
Thursday (5) were Dennis Montee.<br />
Hutchinson. Has.: Dick Conley. Fox<br />
Midwest: Dan Meyers, Dickinson Theatres;<br />
Elmer Bills sr.. Salisbur)', Mo., and<br />
Leon Robertson, Plaza Theatre, Ottawa,<br />
Kas.<br />
RolM-rtson was named to ser\'e the<br />
unexpired term of Bill Bradfield of<br />
Carthage, who resigned from the board<br />
after selling his theatres to the Dickinson<br />
circuit.<br />
George Murphy<br />
Elmer Rhoden<br />
the injustice of having the tax removed<br />
from all theatre tickets except those in<br />
motion picture theatres. The record of omindustry<br />
whenever our government has<br />
needed help is one of the brightest—and I<br />
think we deserve the same consideration as<br />
other industries from the tribunes in Congress."<br />
After Murphy's talk, Orear presented him<br />
with a plaque from the UTO citing his<br />
many contributions to the industi-y and<br />
for his present association with Technicolor.<br />
"Technicolor does a lot for us exhibitors,"<br />
Orear commented.<br />
SHOW-A-RAMA SIDELIGHTS<br />
A new theatre operation as of March<br />
1, the Arrow Theatre Corp., was represented<br />
by RoUin Stonebrook of Cherokee,<br />
Iowa. The circuit has indoor houses in<br />
Spencer. Storm Lake. Cherokee and Sac<br />
City and a diive-in in each of the towns<br />
except Sac City. Gordon McKinnon. manager,<br />
also attended and both reported business<br />
good . the exhibitor couples<br />
were Mr. and Mrs. Bob Klinge of Joplin.<br />
where he manages the Lux for the Dickinson<br />
circuit. On March 15 he is also taking<br />
over the management of the Webb City<br />
Drive-In and the 66 Drive-In and the Roxy<br />
Theatre in Carthage. Thus he becomes the<br />
area manager for these various locations.<br />
Bill Bradfield. former owner and operator<br />
of these three theatres, has retired.<br />
While underwater photography has become<br />
quite a science. Earl Kerr of the Kerr<br />
Theatres at Knoxville. Iowa, and at Bethany.<br />
Mo., does not believe patrons would<br />
go for miderwater viewing of films so is<br />
having to rebuild his drive-in at Knoxville.<br />
The recently constructed Red Rock<br />
dam. the biggest in Iowa, would put his<br />
drive-in under water so he moved the<br />
screen and the speakers but the rest of<br />
the airer is having to be reconstructed<br />
about 35 miles from Des Moines and an<br />
April 20 opening is planned. Kerr now<br />
lives at Pine. Colo., for health reasons and<br />
his manager at Knoxville is Carl Schwanbeck<br />
while Presl Chenoweth supervises the<br />
Bethany operation.<br />
Thomas A. Burke of the Buike Theatre<br />
Associates of Minneapolis says pictures<br />
that are national hits do well with them<br />
but the mediocre ones drop down—also<br />
that it is surprising how many really good<br />
pictures don't score. His circuit operates<br />
80 theatres, some in northern Minnesota,<br />
which is considered a depressed area be-<br />
I<br />
Continued on next pagei<br />
"iXOFFICE :: March 9. 1964 C-1
. . Robert<br />
. . Mrs.<br />
"<br />
;<br />
Showmanship Is<br />
Heart of UTO's 7th<br />
Annual Show-A-Rama Convention<br />
(Continued from preceding page)<br />
cause of the slack in mine operation, but<br />
business picks up in tiie summer resort<br />
season . P. Gelmar of Stillwater,<br />
Minn., has four theatres— all indoor—<br />
in two different states. Besides his<br />
Stillwater house he has one in Duluth. one<br />
in Fargo and in Fairmont. N. D. Exhibitors<br />
from the same general location like<br />
to dis-<br />
. . . J. R. Holt,<br />
cuss localized problems, as these two were<br />
doing.<br />
His big problem is to get pictures for<br />
family entertainment, said Howard Kennedy<br />
of Broken Bow. Neb., a showman<br />
since 1929. He has an indoor house, the<br />
Bow Theatre, and the Broken Bow Drivein<br />
which will open May 1. "I get irritated<br />
and could go way out on this and think<br />
more of us should speak up." Kennedy<br />
said. "The women are the ones who bring<br />
the family and if a picture has no appeal<br />
for women, it's no good for my theatres.<br />
Modern communications being what they<br />
are. there is very little difference between<br />
city and small town people. If the producers<br />
would spend as much money making<br />
family pictures as they do on these<br />
big sex films, not just a mess of corn, we<br />
could all do business today."<br />
Dale H. Danielson of the Dream Theatre<br />
at Russell. Kas.. and the Sky-Vu Drivein<br />
in partnership with Dean Zimmerman.<br />
reported business was up in January. The<br />
drive-in opening is planned for March 26<br />
.... Don Bowin. who has the Waterloo<br />
Theatre at Waterloo. Iowa, also reported<br />
who<br />
business very good<br />
has been operating the Star Theatre at<br />
Lebanon. Mo., for the last eight months<br />
and was new at the business, says he loves<br />
it and feels better pictures are needed all<br />
the time. P. L. "Doc" Lowe is part owner<br />
of the Star . May Carnes. manager<br />
of the Kimo in Kansas City, says they<br />
have played to SRO crowds ever since<br />
"Tom Jones" opened. The Kimo is an art<br />
house, with a seating capacity of 503 . . .<br />
Jane Whitworth. who manages the Mission,<br />
another Dickinson house, says business is<br />
off and on there, as Terry Boyle said about<br />
the Overland at Overland Park. Most of<br />
their pictures are sub-runs.<br />
From Washington, D. C. came Robert<br />
Quick, civilian chief of the department<br />
which provides motion picture entertainment<br />
for military installations. He says<br />
that each situation operates its own theatre<br />
but that all booking and buying is<br />
done through his office. His film buyer,<br />
looking for tke<br />
"'"-<br />
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WORLDS<br />
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THEATRES<br />
nay OH<br />
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RIGHT PRICE?<br />
SUPEROPTICA<br />
LmlicuhfJ ptoti uirloc*<br />
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Nan- •Dtkuhltd ptoti uiHet*<br />
MATTE WHITE<br />
&ft quolity pfO|fCtion, reol economy<br />
See four independent tKcotfc<br />
lupptr deoler Of wnte<br />
HUMJY SCMIN COMPANY. INC<br />
9^17 lUnWi IM<br />
L. H. Rockhold Wins<br />
Vacation in Acapulco<br />
Kansas City— I.. H. Rockhold, manager<br />
for Fox Midwest at Winfield. Kas..<br />
won the two -week vacation trip to<br />
Acapulco for two, with a stopover at<br />
the Del Prado in Mexico City. Nathan<br />
Jacobs, publisher of Movie Guide, had<br />
offered a $100 bonus if the winner was<br />
a subscriber to his promotion magazine,<br />
but Rockhold was not.<br />
Five tickets were drawn at the<br />
Wednesday afternoon session of .Show-<br />
A-Rama in the sixth floor meeting hall<br />
of the Continental Hotel, a requirement<br />
being that the ticket holder had to be<br />
present to win.<br />
Harold L. Tabor, was also in attendance<br />
with him. They pay the same rate for pictures<br />
that regular exhibitors pay but do<br />
not make any special effort to promote<br />
the pictures. As to the kind of pictures.<br />
he said they have found that "if the pictures<br />
don't move, the audience will " . , .<br />
W. P. Florence, who has the Cameo Theatre<br />
at Magnolia. Ark., and is president<br />
of the TOA of Arkansas, also has the<br />
Rocket Drive-In. Although in a college<br />
town, he does not play many art pictures.<br />
Sophisticated comedies seem to be most<br />
popular.<br />
Ron Kreuger. president of the Fred Wehrenberg<br />
Theatres of St. Louis, is the grandson<br />
of the circuit's founder and his mother.<br />
Mrs. Paul Kreuger. is chairman of the<br />
board. According to Lester R. Kroff. film<br />
buyer and booker, the company now operates<br />
six drive-ins and four hardtops in<br />
St. Louis, Pulton and De Soto. Pour of the<br />
drive-ins are among the largest in the<br />
state, all of them with a capacity for 1,-<br />
100 cars. This is the third generation for<br />
the family as when Mrs. Kreuger was a<br />
little girl, she used to drive around St.<br />
Louis in a little pony cart to advertise<br />
serials. She said her mother and father<br />
started the circuit in 1905 in a converted<br />
bakeshop with 99 chairs. Kroff says they<br />
favor catering to the family trade— in fact,<br />
this has been the policy from the beginning.<br />
Doc" Cook of Maryville, Mo., who has<br />
a winter home at Fort Myers. Fla.. arrived<br />
completely worn outi?i from a wonderful<br />
cruise with Mrs. Cook and with Mr. and<br />
Mrs. Tom Edwards of Eldon. Mo., who have<br />
a winter home at Fort Lauderdale. Fla.<br />
The two couples, so long associated in theatre<br />
business in Missouri, took the cruise<br />
to Jamaica and Nassau, during which<br />
time the Cooks celebrated their 45th wedding<br />
anniversary. As the result of this<br />
marriage. Cook has a son Jim who now<br />
operates the family theatres in Maryville.<br />
the Tivoli Theatre and the Dude Ranch<br />
Drive-In. Jim also attended the convention.<br />
"Doc" is on the TOA board, so attended<br />
that meeting which preceded<br />
Show-A-Rama VII.<br />
Bernard J. McKeiina of the McKenna<br />
Theatre at Raton. N. M.. is another showman<br />
who says he does his best business<br />
with family pictures—and not Just Dis-<br />
.<br />
ney films, he adds ... On the other han<br />
Walt Jancke of the Varsity and State thi<br />
atres at Lincoln, Neb., says he has tried fi<br />
years, has asked would-be censors why thi<br />
don't support family pictures if that<br />
what they want, but has found that to ai<br />
vertise a film as "family" is boxoffl<br />
poison Fred Krill of Denver. Coli<br />
.<br />
formerly<br />
.<br />
with Commonwealth TheatT'<br />
and with Gibraltar Enterprises, now has<br />
booking service for 15 independent theatr<br />
and says they do best with good. down-t<<br />
earth comedies and wholesome entertali<br />
ment.<br />
Speaking for herself and husband, wl<br />
was viewing the equipment booths. Ml<br />
J. H. Hargroder of the General Theat<br />
Corp., Hattiesburg, Miss., says they ha'<br />
been operating 15 years and play nothli<br />
but action and family pictures. They ha'<br />
two drive-ins. the Beverly and the Broai<br />
way. "We just don't play those of(-be:<br />
dramas." she explained. "Every minister<br />
our area gets an annual pass and he U6<br />
it. too. We get letters from them con<br />
mending us for our service to the con<br />
munity. We cater to the family trade at<br />
have a tremendous playground which tb(<br />
enjoy. I wish we could get film rentals do«<br />
but we have a steady business because i<br />
our policy. And we run our theatre I<br />
reading <strong>Boxoffice</strong> and never miss the ed<br />
torials. These always seem to know oi<br />
problems and try to work out solutioi<br />
fair to all phases of the industry.<br />
Prank Patterson, who has the Mansfle!<br />
Theatre and De Soto Drive-In at Man<br />
field. La., also has a small theatre at Jiini<br />
tion City. Ark., the little town Ripley w<br />
up because it has two parishes in Louisian<br />
and the story was also carried in Boxomc<br />
Patterson plays Disney pictures but sa;<br />
Disney makes some turkeys, too. and h<br />
folks also like Elvis Pi-esley and Joh<br />
Wayne. "They want action— these yacketj<br />
yack films don't do too well for us," t<br />
said.<br />
Earl Cleveland Manager<br />
For Frisina in Mexico<br />
MEXICO. MO. — Earl Cleveland, man<br />
ager for the past six years of the AJ<br />
cadia Theatre and the Olney Drive-In I<br />
Olney. 111., recently took over managemer<br />
of Frisina theatres here. Cleveland hi<br />
been with the circuit for ten years; h<br />
managerial experience also includes t»<br />
years at the helm of a theatre in Sedalt<br />
Cleveland steps into the position forma<br />
ly held here by Bob Spencer, who acceptc<br />
a position with Commonwealth Theatn<br />
and was assigned to Hot Springs. Art, I<br />
manage the Malco and Central theatre<br />
Spencer, who has moved his family to HI<br />
Springs, represented Frisina here for tl<br />
years.<br />
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C-2 BOXOFFICE March 9, 19«<br />
l!
I<br />
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i^XOFFICE March 9, 1964<br />
C-3
Lois<br />
.<br />
. . Their<br />
. . Mr.<br />
with<br />
h<br />
!<br />
'<br />
j<br />
KANSAS CITY<br />
!<br />
•The WOMPIs. as usual, wcie on dock lor<br />
various chores during Sho\v-A-Rama.<br />
such as clolhinR check rooms, WOMPI<br />
booth and the Will Rogers booth. Those<br />
helping were the following Anello.<br />
:<br />
Bonnie Aumiller, Bessie Buchhorn, Myrtle<br />
Cain, Barbara Clark, Carolyn Fleming,<br />
Mary Heueison, Goldie Lewis. Thelma Masters.<br />
Gladys Melson, Beverly Marroquin.<br />
Sue McGuire, Helen Nolhnagel. Nancy Porter,<br />
Bernice Powell. Virginia Free, Margaret<br />
Stanley, Carol Schenkel, Jo Ann Sharitz,<br />
Betty Smythe, Myrtle Taylor, Fredye Taylor,<br />
Jo Ann Weaver, Dorothy Wackerman.<br />
Goldie Woerner, Vera Wood and Anna Mae<br />
DePoortere.<br />
LawTencc Gilbreath. who operated the<br />
Isis Theatre for over 50 years, died recently<br />
at the Asbury Hospital in Salina. He<br />
had been ill only a short time. Gilbreath<br />
began his theatre business in 1912 and was<br />
assLsted by his wife Stella. In September<br />
of 1959 the theatre burned and later was<br />
rebuilt by subscription and for a short time<br />
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Now ... a 4-inch east oluminum (^/LQ<br />
speaker, unpointed, with protective ^ ^07<br />
screen, straight cord. 4^<br />
SHREVE THEATRE SUPPLY CO.<br />
217 West IStfc HA 1-7849 Kantai City, Mo.<br />
was operated by Loran Cullens. taoothnian<br />
for Gilbreath. but Gilbreath had taken it<br />
over again.<br />
Clyde Crump, who took over the management<br />
of the Centre Theatre for Commonwealth<br />
Theatres in December, will leave<br />
for St. Louis March 14 to become manager<br />
of the Cinema Theatre in Florissant, St.<br />
Louis suburb, for General Drive-In Corp.<br />
Crump formerly managed the Waldo Theatre<br />
for Clark Rhoden.<br />
Julian King, veteran in<br />
the industry, renewed<br />
acquaintances with many old friends<br />
at Show-A-Rama. King, who is now with<br />
Bennett Film Service in Republic, Mo.,<br />
was w^ith MGM here for many years and<br />
later went to Des Moines and Omaha for<br />
Film Classics.<br />
T. E. Roller reports that Interstate Highway<br />
44 has closed his Airway Theatre at<br />
Mount Vernon. Mo. Roller sold the equipment<br />
to Jess Ruble & Sons, w-ho are building<br />
a new Mount Vernon drive-in. Mr. and<br />
Mrs. Roller bought a new home in Mount<br />
Vernon and is retiring from show business.<br />
.<br />
Sophisticated comedies are what Dennis<br />
Montee of the Ayrvu Drive-In at Hutchin-<br />
.son, Kas., has found most pleasing for his<br />
patrons—and such good slapstick entertainment<br />
as "McLintock!" In fact, "Mc-<br />
Lintock!" was mentioned gratefully by several<br />
Show-A-Rama visitors. Montee has<br />
five theatres, two drive-ins each at Liberal<br />
and at Meade and the Flag Theatre at<br />
Hutchinson William Bertalero of the<br />
Black Hills<br />
. . .<br />
Amusement Co. at Denver,<br />
Colo., has ten theatres in South Dakota.<br />
Wyoming and Nebraska. His patrons prefer<br />
Disneys, family and action pictures<br />
Dan Flanagan, general manager of<br />
. .<br />
the<br />
Center Drive-In Corp at Lincoln. Neb.. Is<br />
responsible for five drive-ins. Both he and<br />
Paul Ellberry. who manages the Airport<br />
Drive-In at Lincoln, say they play westerns,<br />
horror, comedy 'Jerry Lewis a favorite<br />
i and that they've been open five days<br />
a week this winter.<br />
George Cohn. who was with Columbia<br />
pictures for six years in St. Louis, is now<br />
with his father-in-law, Herman Gorelick,<br />
who owns the Crest Film Distributors.<br />
They handle Independent product, state<br />
rights franchises and when the majo<br />
have a lot of good pictures, things get<br />
.<br />
little rough. However, there is a constat <<br />
demand for good product .so business ji<br />
never too dull . . . Mr. and Mrs, W. I'll<br />
Bancroft of the Hillcrest Drive-In at O<br />
tawa, Kas., are hoping to reopen East4<br />
if the weather permits . neighbo<br />
Hank Doering. says Garnett is going i<br />
have a .second bank, which .sounds as<br />
the town is prospering and Mr<br />
Glen Cooper of Dodge City. Hays and M(<br />
Pherson have kept three of their drive-li<br />
open weekends and the one in South Do
;<br />
NEW<br />
He<br />
UOO-Car Airer Soon<br />
kl Oklahoma City<br />
rom Southwest Edition<br />
OKLAHOMA CITY—A 1,400-car de luxe<br />
jrive-in equipped for 70mm projection will<br />
36 constructed on Northwest highway just<br />
;ast of MacArthur boulevard by Ferris<br />
Enterprises at a cost of around $250,000.<br />
It will be equipped with in-car heaters.<br />
1 drive-in innovation in this area.<br />
Charles and Maurice Ferris said the new<br />
jutdoor theatre, to be the largest in this<br />
;erritory, will be opened around May 1.<br />
Data includes a 40x70-foot concession<br />
stand equipped to serve full dinners in<br />
Datron cars, and 55-foot double-lane servng<br />
counter; a patio with tables and<br />
;hairs: playground w^ith attendants: all<br />
;eramic lounges: a 55x1 24-foot, all-steel<br />
icreen tower.<br />
The drive-in will employ 30 persons.<br />
A public contest will be conducted to<br />
name the new drive-in.<br />
The Ferris project, the first since the<br />
;onstruction of the North Perm Twin<br />
Drive-In by R. Lewis Barton, which was<br />
spened early in 1963, is the second one anlounced<br />
this year. The other, announced<br />
)y Farris Shanbour. is in the southern part<br />
)f the city.<br />
Seventeen Magazine Votes<br />
Becket' for April's Best<br />
rom Eastern Edition<br />
YORK—Hal Wallis' "Becket" has<br />
)een selected as "the picture of the month"<br />
or April by Seventeen Magazine, it is anlounced<br />
by entertainment editor Edwin<br />
filler.<br />
Three-Point Criterio for Judging<br />
Films as Arf Revealed by Crowther<br />
From Southeast Edition<br />
RALEIGH. N.C.—Articulate, resourceful,<br />
truthful—a movie has to be all of the.se<br />
for Bosley Crowther to admire it fully.<br />
These words comprise the critic's definition<br />
of art—that is. art as applied to the<br />
medium of the motion picture. The first<br />
letters of the words spell "art." And<br />
Crowther is convinced the cinema is an art<br />
form.<br />
Crowther, who is the influential, longtime<br />
motion picture critic of the New York<br />
Times, appeared in the "Contemporary<br />
Scene" lecture series at the North Carolina<br />
State College Union here. Local students.<br />
townspeople and many from out of town<br />
attended his lecture on "The Movies as a<br />
20th-century Art Form."<br />
In trying to decide if a movie is articulate,<br />
the critic explained, he asks himself<br />
if it has been a profound and significant<br />
experience for the viewer. Resourceful?<br />
He wants to know how fully the medium<br />
has been used. As for truthful, the question<br />
is "How vividly does it force one to<br />
see?" Or, "How fully does it convince us<br />
of its reality?"<br />
Crowther said that "many are disinclined<br />
to think of the movies as an art<br />
form. The movie merchants have no concept<br />
of pictures as anything but entertainment.<br />
"But just during the lifetime of many of<br />
us here tonight, the movies have grown<br />
into an art form—possibly, the last art<br />
form. But the attitude of the merchants<br />
has kept Americans from embracing the<br />
movies as art."<br />
He referred to "Hud" as "a really great<br />
American film." He said the scene of the<br />
cattle being herded into a pit to be shot<br />
to death upon the order of the old grandfather<br />
was a scene in which "we had a<br />
communication of emotion, which corresponded<br />
to Tolstoy's definition of art."<br />
But the pressures upon those who would<br />
like to use the film in an artistic way are<br />
great, he said. The pictures that are pure<br />
escapist fare are usually more popular at<br />
the boxoffice. He mentioned those films<br />
which star Doris Day. who "is virginal at<br />
the age of 40." and Natalie Wood "making<br />
love with a proper stranger."<br />
Spectacular films have come to be the<br />
trademark of American movies today, he<br />
said, although "Cleopatra" is likely to be<br />
the last of the big spectaculars. He made<br />
no apologies for being one of the few<br />
metropolitan critics who lavished praise on<br />
"Cleopatra. " said the picture had in it,<br />
"at least, before they started cutting it up,<br />
considerable eloquence and a fine Caesar<br />
in Rex Harrison."<br />
In recent years, he said, the films from<br />
abroad "made by intelligent men for mature<br />
audiences." are providing some competition<br />
for American movies and leading<br />
to a great change in motion pictures.<br />
"Those who neglect motion pictures." he<br />
concluded, "are missing a great deal. The<br />
best of them remind us that spiritual<br />
qualities do prevail in the world."<br />
Translation for Paleface:<br />
"Don't waste time with old-fashioned<br />
way sending message. BEST way to<br />
SELL used equipment, find HELP, SELL<br />
or BUY theatres, is with<br />
BOXOFFICE CLEARING HOUSE<br />
You get year-round service."<br />
RATES: 20c per word, minimum $2.00, cosh with copy. Foiv consecutive insertions for price of three<br />
BOXOFFICE, 825 Von Brunt Blvd., Kansas City 24, Mo.<br />
Please insert the following ad times in the CLEARING HOUSE<br />
Clossificotion<br />
Enclosed ii check or money order for $ (Blind ads 12< extra)<br />
»XOFFICE :: March 9, 1964 C-5
. . Filmakers<br />
. . . Universal<br />
at<br />
. . Al<br />
. . Dick<br />
which<br />
—<br />
"<br />
. . Irwin<br />
j<br />
I<br />
CHICAGO<br />
T^uriiiK February Iho city cciksor board iv-<br />
Mtwod 58 films. 29 of which were<br />
forelBii; ndulU>d six. ifjocled thirc mid<br />
ordered cuts in six . . . Tlie Society of Motion<br />
Picture and Television EnKinecrs<br />
heard William Hcdden and Gene Carr of<br />
Calvin Productions talk on "Industrial Motion<br />
Picture Production" at its monthly<br />
meetinK . has enlarged their<br />
quarters at 615 North Wabash Ave. .<br />
B&K State Lake opened "America America"<br />
on the 6th.<br />
. The<br />
Mrs. Oscar Brotman left for a holiday<br />
in California. She will bo joined by Oscar<br />
after the Show-A-Rama convention in<br />
Kansas City. Local film folk at the convention<br />
included George Regan, independ-<br />
. . Mr. and Mrs. Sam<br />
ent distributor .<br />
Levinsohn announced the engagement of<br />
their granddaughter Deborah Lee Hartman<br />
of Wilmette to Harlan Waldinger of<br />
Des Moines. Levinsohn, president of Chicago<br />
Used Chair Mart, said he has sold<br />
the building at 829 South Stale St., the<br />
company's home for the past 20 years,<br />
and is moving to larger and air-conditioned<br />
quarters at 1320 South Waba.sh effective<br />
Lee Artoe. president of<br />
April 15 . . .<br />
ElectroCarbons. left on a two-week trip<br />
in western states to see exhibitors about<br />
his Cinema carbons and cold light reflector.<br />
The Bel-Air Drive-In opened the new<br />
season with "Comedy of Terrors" and "X".<br />
— Our "20th" Year —<br />
CANDY-POPCORN<br />
SEASONING — BOXES — BAGS<br />
For Theatres and Drive-ins<br />
— SEND FOR NEW —<br />
COMPLETE PRICE LIST<br />
Disiribirton<br />
For<br />
ORANGE CRUSH and<br />
FULL LINE SYRUPS<br />
POPCORN BUTTER CUPS<br />
We Carry Full Line Hot & Cold Cups<br />
Freight Paid on Ortl«n of $123 00 or More<br />
KAYLINE<br />
CANDY COMPANY INC.<br />
WE—«-4«4><br />
1314 S. Woboth Ave. Chicago 5, III.<br />
theWtre equipment<br />
442 N. ILLINOIS ST., INDIANAfOLIS, IND.<br />
"EveTj/thing /or the Theatre"<br />
Some bO ncigliboi hood liicatns uiid drive-<br />
. . .<br />
ins in this area booked the combo<br />
The Armitage Theatre, 3553 West Armitage.<br />
joined the Chicago American's<br />
Movie Directory and will list programs<br />
every Saturday and Sunday. Jerry Spielman<br />
is the manager . . . David B. Wallerstein.<br />
president of B&K, was appointed<br />
chairman of a ten-man committee named<br />
by Mayor Daley to study the feasibility of<br />
building a domed sports arena in Chicago,<br />
and to consider methods of financing<br />
it.<br />
Sally Mills, who plays an airline hostess<br />
in "Sunday in<br />
"<br />
New 'York, opened<br />
at the Oriental in the Loop, is the daughter<br />
of Col. and Mrs. Lawrence W. Mills of<br />
suburban Elmhurst . . . The Lake in Oak<br />
Park will present the Beatles via closedcircuit<br />
TV March 14 and 15 . . . The<br />
Esquire on the near north side is featuring<br />
oil paintings by Clifford Lee of<br />
Cnicago along with "Dr. Strangelove." The<br />
film is breaking records at the Esquire .<br />
The Regal 's<br />
. .<br />
new stage show features Gene<br />
Chandler, rock and roll star, and a group<br />
of 33 entertainers.<br />
The Loop Theatre has scheduled two<br />
Academy award winning films, "Two<br />
Women" and "The Sky Above— and Mud<br />
Below." The cast of Arthur Penn's "Mickey<br />
One" will be here 55 days for shooting of<br />
location scenes. In the group are Warren<br />
Beatty, Franchot Tone, Hurt Hatfield and<br />
Alexandra Stewart . Borde was appointed<br />
booker for the Aragon. the ballroom<br />
which Oscar Brotman had planned<br />
to convert into a skating rink. Popular<br />
demand is altering the skating rink arrangement.<br />
It is planned now to establish<br />
a policy of big bands and topflight acts.<br />
Sarge J. Randle, projectionist, died . . .<br />
Foreign films are highlighting the Sunday<br />
Film Guild programs at the Clark Theatre<br />
this month, including Heavens Above,<br />
Winter Light, Good Soldier Schweik, Dentist<br />
in the Chair, and Sparrow^s Can't Sing<br />
publicist Ben Katz is hosting<br />
a special showing of "Captain Newman<br />
"<br />
the Surf prior to the Eastertime<br />
oix-ning at the Chicago Theatre<br />
Williams Hanmer, president of Wilding,<br />
Inc.. Chicago-based film studio, has appointed<br />
Harold Kinzle. Carl Nelson and C.<br />
Rankin Bingham as vice-president<br />
R. H. Dunbar, manager for<br />
. . .<br />
Warner Bros.,<br />
is hosting a screening of "Robin and the<br />
Seven<br />
"<br />
Hoods at the Surf March 10.<br />
Nat Nathanson and his wife Natalie<br />
were in town from New 'York for a short<br />
visit. Nat, former Allied Artists manager,<br />
was here to close some AA deals . . . Dick<br />
Balaban of H&E Balaban has moved to a<br />
new suburban home . Graff, former<br />
Universal manager, was in town to<br />
close deals for the closed-circuit telecast<br />
.<br />
. . . Irvln«|<br />
|<br />
of the Indianapolis Speedway event via]<br />
MCA . . . Nick De Luca. who became 111'<br />
while in Los Angeles, was making a rapid,<br />
recovery Joseph, head of Modern<br />
Film Distributors, has had to<br />
I<br />
prolong<br />
his stay at Michael Reese. He is in Roomi<br />
315-B, Baumgarten Pavilion<br />
Davis and his wife were vacationing Inj<br />
Arizona.<br />
. . . Condolences<br />
. . .<br />
Dick Taylor, who recently joined Para-j<br />
mount here as publicist, is setting up a<br />
campaign for the opening of "Becket"<br />
at the Cinestage on the 19th<br />
to Kermit Russell on the death ot|<br />
his brother Morrie in an automobile accident.<br />
He was 39 Ben Katz, Universal^<br />
,<br />
publicist, was expecting a visit by Ro6s.<br />
Hunter in behalf of "Chalk Garden."<br />
Critics in Montreal Give<br />
|<br />
High Praise to 'Cardinal'<br />
From Conodion Editior^ i<br />
MONTREAI^"The Cardinal "<br />
is doing!<br />
great at the Seville Theatre here. Critics<br />
have been full of praise. For instance, Mlkel<br />
Gutwillig of the weekly "EnVille" had the!<br />
following to say about "The Cardinal": |<br />
'If you suspect that Hollywood has for-i<br />
gotten how to make great movies. I suggesti<br />
that you pay a visit to the Seville Theatre!<br />
No one has asked us to plug 'The Cardinal.'!<br />
but here's a movie that will remain with youj<br />
a long time.<br />
;<br />
" 'The Cardinal' proves conclusively thati<br />
you can be controversial yet constructive'<br />
compelling and challenging yet warm anci<br />
humorous, loaded with honesty and Inl<br />
tegrity yet wonderful entertainment. It's si<br />
real winner. And it's a refreshing deviation<br />
from the sex-and-slaughter formula thal|<br />
has characterized many of the hard-ticketi<br />
reserved-seat pictures. The three hours jusi<br />
whiz by. Some characters cannot live with-l<br />
out one of these pointless four -hour grue-|<br />
some jobs ihate-and-gore sagas >. But the>i<br />
can have them. If you want to see real lift)<br />
—with its majesty and dignity—go see 'Th<<br />
Cardinal.'<br />
Charles Maguire to Argyle<br />
i<br />
From Western Edificir |<br />
HOLLYWOOD—Charles Maguire. untl<br />
recently Elia Kazan's production aide, ha<br />
joined Robert Wise's Argyle Enterprise<br />
as associate producer. His first asslgnmen<br />
will be on "The Sand Pebbles." which Wis<br />
will produce and direct for 20th-Fox lati<br />
this year. Maguire's last film with Kazai<br />
was "America America." released b;<br />
Warners.<br />
Big Pie Cut for Ascap<br />
From Western Edition<br />
LOS ANGELES — Ascaps 1963 grOB<br />
revenue was $37,798,908. of which $30.<br />
585.428 is being divided among 7,092 mem<br />
ber writers and 2.312 publishing firms, re<br />
ported George Hoffman, treasurer. He wa<br />
here to confer with west coast members<br />
JLoWtAMlA<br />
VfJi:^<br />
BOONTON, N. J.<br />
LQrge Cor*<br />
Grcalar Cratar Area<br />
MAXIMUM LIGHT<br />
In<br />
lllinon<br />
Univcriol Xenon tlcctronici, 4437 No Btoodwoy, Chicago<br />
Phone: 243-3330<br />
in Mitiouri— MUiourc Theatre Supply Compony, Konsot Cify—BoHimor*<br />
1-3070<br />
Notionol Thcolrc Supply, St Louii— Jettcnon )-«3S0<br />
BOXOFTICE ;; March 9, 196
I<br />
Big Orleans Saenger<br />
To Be Dual Theatre<br />
From Southeast Edition<br />
NEW ORLEANS—The Saenger Theatre,<br />
one of the south's most luxurious motion<br />
picture palaces, will be divided into two<br />
separate auditoriums, one upstairs and one<br />
down. The reconstruction started Wednesday<br />
after the Clay-Liston closed-circuit<br />
telecast in the theatre Tuesday night.<br />
The balcony was closed, but operation<br />
will continue in the downstairs section.<br />
Paramount Gulf Theatres, which operates<br />
the Saenger, has long considered making<br />
the showcase a dual theatre, and at one<br />
time hoped to have the remodeling done in<br />
time for "Cleopatra" in the upstairs section,<br />
which will be equipped for the showing<br />
of 70mm, roadshows and extended run<br />
films. However, this hope was not to be fulfilled:<br />
"Cleopatra" opened February 28 in<br />
the downstairs section, no reserved seats,<br />
two performances a day, at $1.35 to $2 for<br />
adults, children under II, $1 at all times.<br />
The Saenger, built in the 1920s by the<br />
late E. V. Richards and the brothers Julian<br />
and Abe Saenger. was opened Feb. 5, 1927.<br />
Walt Guarino, manager, said no names<br />
had been decided on for the two sections.<br />
The top theatre will seat 800 to 1.000,<br />
while the downstairs capacity will remain<br />
at 1,900. The entrance to the second floor<br />
will be on Rampart street, with escalators<br />
connecting with the second floor. The<br />
downstairs theatre will use the present boxoffice<br />
on Canal street.<br />
Video Theatres in Hugo<br />
Assigned to Geo. Robison<br />
From Southwest Edition<br />
HUGO. OKLA.—George W. Robison, a<br />
native of this town, became manager of<br />
the local Erie Theatre and Circus Di-ive-<br />
In February 15 following the resignation<br />
of George Davis.<br />
Robison, 33, formerly was administrative<br />
supply technician for the local National<br />
Guard unit for 12 years and has been in<br />
the Guard for 15 years. He is a graduate of<br />
Hugo High School and has completed<br />
three years of college, chiefly through<br />
night classes. He and his wife Lavella<br />
have two children, Mike, 8, and Cathy, 6.<br />
Davis, who had been with Video Independent<br />
Theatres for four years, left the<br />
local theatres to enter Army service for<br />
six months. Following the completion of<br />
his active duty, he plans to rejoin the<br />
.circuit.<br />
Ralph Nelson Manuscripts<br />
Added to Arts Archives<br />
From North Centrol Edition<br />
MADISON, WIS. — Memorabilia from<br />
producer-director Ralph Nelson's career<br />
will be added to the manuscript collection<br />
of the Wisconsin Center for Theatre Research<br />
at the University of Wisconsin.<br />
David M, Knauf, director of the center,<br />
announced that Nelson had accepted an<br />
linvitation to make a contribution from his<br />
personal collection to the archives which<br />
are available for scholarly study related to<br />
|the<br />
performing arts.<br />
Nelson's contributions will include his<br />
personal marked copy of James Poe's<br />
jscript for "Lilies of the Field," United<br />
Artists release and current Oscar con-<br />
'tender.<br />
AT DOUBLE SCREENING—Exhibitors from the middle west gathered at<br />
Chicago for screenings of Universal's "The Chalk Garden" and "Bedtime Story,"<br />
one in the morning and the other in the afternoon with a luncheon in between.<br />
Seen above in front of the Carnegie Theatre where the screenings were held are,<br />
left to right: Peter Rosian. regional sales chief; Harry Buxbaum. Chicago manager;<br />
Henry H. Martin, general sales manager; Harry Lustgarten, B&K Theatres<br />
chief buyer; David Wallerstein, B&K president; Milton Rackmil, Universal president,<br />
and Oscar Brotman, Brotman Theatres.<br />
Trend to Suburban Theatres in U, S,<br />
Begins to Reverse Itself in Boston<br />
From New England Edition<br />
BOSTON—The trend to exhibition in<br />
suburban areas and the opening of firstrun<br />
pictures in neighborhood theatres has<br />
apparently ended here. The opening of<br />
the first-run product in the suburbs, which<br />
was tried several times about a year ago,<br />
is now considered impractical.<br />
Big pictures, roadshow pictui'es with<br />
tickets pui-chased in advance, highly exploitable<br />
pictui-es and high rated art films,<br />
have brought the suburban dwellers back<br />
to the city for film fare.<br />
The move to suburbia has been halted,<br />
too, with the building of ultramodern<br />
apartment houses along the banks of the<br />
Charles river, a downtown swank apartment<br />
house going up right on Tremont, a<br />
downtown business street, and the Prudential<br />
Centre's two high rise apartment<br />
houses looming up.<br />
More intown theatres, too, have helped<br />
spell the end of the first-run suburban<br />
movement. In the past year, these new<br />
art houses have opened in the city: Cinema,<br />
Kenmore Square: Cinema, Park Square,<br />
and the Paris Cinema on Boylston street.<br />
Downtown theatres are always sold out<br />
on Saturday nights now, with lines, and<br />
there seems to be a concentrated movement<br />
on the part of the suburbanites to<br />
get back into town. Motion picture people<br />
thought just a short while back that suburbia<br />
would be taking over and there was<br />
talk about building new theatres in suburban<br />
locations for first runs, but only shopping<br />
centers were found to be feasible for<br />
such construction, surveys revealed.<br />
Showmanship of exhibitors in luring<br />
suburbanites out of their bedi'ooms (suburbs<br />
have been called Boston's bedrooms"<br />
by booking film fare they can't resist has<br />
been most effective as proven by the Friday<br />
night and Saturday night lines at<br />
all first-run downtown theatres showing<br />
well exploited product.<br />
"Lines" pictures now or recently playing<br />
in Boston are: "Tom Jones," Beacon Hill;<br />
"The Cardinal," Saxon; "Strait-Jacket,"<br />
Astor: "Charade," Memorial, and "The<br />
Easy Life," Exeter.<br />
"Only a strong array of big product<br />
will do it," says Boston's colorful showman<br />
Ben Sack, returned recently from a<br />
booking-buying trip with a list of big<br />
films for his five Hub houses.<br />
"We've got to beat TV, suburban stay<br />
home habits, like 'I just got home, I don't<br />
wanna drive back in town again,' pre-<br />
Broadway musical tryouts, weather and<br />
a host of other things, but if we can give<br />
them bigger than life type of pictures like<br />
'Tom Jones,' 'The Cardinal.' 'The Victors.'<br />
then, w-e'll make it." Sack declared.<br />
A most important factor in the "difference<br />
between average business and good<br />
business," Sack believes, is advance bookings<br />
of theatre groups. At Sack Theatres, a<br />
special department, headed by Leonard<br />
Barrack, handles gi-oup sales.<br />
"They start working way in advance<br />
of opening." Sack said. "They start as soon<br />
as I buy the pictuie. In that way. they<br />
have plenty of time to contact banks, insuiance<br />
companies, organizations, schools<br />
and churches.<br />
At the Music Hall, Sack's biggest theatre,<br />
4,400 seats, cultural attractions of<br />
the performing arts are being booked between<br />
pictures. The Metropolitan Opera<br />
Company comes to the Music Hall in April<br />
for a week and many concerts and dance<br />
groups are getting bookings at the big<br />
house.<br />
Don Partridge Is Feted<br />
HOLLYWOOD—Don Partridge, chief receptionist<br />
at Columbia's Gower Street<br />
studios, retired February 28 after 28 years<br />
of service at the front reception desk. He<br />
was honored at a party given him by the<br />
studio on the lot's Stage 2. Partridge came<br />
to Columbia one day in 1936 to have lunch<br />
with a friend, was offered the receptionist<br />
job, and has been there ever since.<br />
BOXOFFICE March 9, 1964 C-7
COUEGE<br />
IS BUSINESS*<br />
BEST<br />
FRIEND<br />
Business employs almost half of<br />
the product of colleges—the college<br />
graduate. Business management Is<br />
largely composed of college graduates.<br />
Business concerns benefit extensively<br />
from the research colleges<br />
engage in. Business owes college a<br />
great debt.<br />
Higher education is facing during the<br />
next decade greatly enlarged student<br />
enrollmenl.s, the problems of an explosion<br />
of knowledge, and the need<br />
to meet ever growing demands for<br />
ever better educated men and women.<br />
These problems involve va.stly increased<br />
costs which cannot be met<br />
out of present income.<br />
The operating cost of higher education<br />
today is over four and a half<br />
billion dollars a year and will at least<br />
double in this decade.<br />
Business and industry, as major beneficiaries<br />
of American higher education,<br />
must recognize a re-^^ponsibilily<br />
to contribute their fair share.<br />
American business corporations produce<br />
much of the nation's wealth.<br />
They have enormous power for good.<br />
We believe they can exercise it in a<br />
meaningful way — as many do now —<br />
by providing voluntary support for<br />
colleges and universities of<br />
choice.<br />
their<br />
These conclusions, and the following<br />
statement of conviction, were<br />
outcomes of a recent conference of<br />
business leaders sponsored in New<br />
York by the Council for Financial<br />
Aid to Education, Inc.<br />
'Of'<br />
MIOMIfl tOWCAttOM<br />
i(f<br />
We believe thai, in the liylit of the pre>>eHt<br />
urgency, now is the lime for a broader ami<br />
deeper participation by the business community<br />
in the support of higher education.<br />
We therefore call upon our colleagues in<br />
American business and industry to help<br />
KENNETH H. KLIPSTEIN.<br />
Ajneriean Cyanatnid Co.<br />
JOSEPH A. GR.\ZIER,<br />
Atiieriean Radiator & Standard<br />
Sanitary Corporation<br />
M. NIELSEN,<br />
The Babrock & WHeox Co.<br />
HARMON S. EBERHARD,<br />
Caterpillar Tractor Co.<br />
HAROLD H. HELM,<br />
Cheniintl Bank Sew York<br />
Trust Company<br />
F. W. MISCH,<br />
Chrysler Corporation<br />
FRANK O. H. WILLIAMS,<br />
Connerticut General Life<br />
Insurance Company<br />
WESLEY M. DIXON,<br />
Container Corporation of America<br />
THOMAS C. FOGARTY,<br />
ContiJiental Can Company, Inc.<br />
SAMIEL LENHEK.<br />
E. I.dii Pont de Semours & Company<br />
MARION B. FOLSOM,<br />
Kastman Kodak Company<br />
LEWIS B. CUYLER.<br />
First \'alional City Hank<br />
RALPH J. CORDINER,<br />
(Irnerat Electric Company<br />
LEONARD F. OENZ.<br />
Cicneral Foods Corporation<br />
t;KORunfit lor f'tiwiNrliil AU to KdueoUvm<br />
Aitvirtisiiiy Council and the Council for Finaticial Aid to Education.<br />
BOXOFFICE<br />
C-8<br />
BOXOFTICE :<br />
: March<br />
9. 196^
was<br />
.<br />
which<br />
Chorlotte,<br />
was<br />
which<br />
Switzer Group B Award<br />
Won by Charlie Brown<br />
ST. LOUIS—Winner of the Switzer<br />
Licorice Co. Group B sales award<br />
i<br />
for<br />
smaller territories i is<br />
Charlie Brown of<br />
Charlotte. N. C.<br />
whose sales territory<br />
consists of Virginia,<br />
North Carolina and<br />
South Carolina.<br />
As his award.<br />
Brown was given a<br />
trophy and a oneweek,<br />
expenses-paid<br />
trip to Los Angeles,<br />
where he and his wife<br />
Charlie Brown attended the Western<br />
Candy show. Brown<br />
was honored at a dinner at the Biltmore<br />
Hotel in Los Angeles.<br />
Headquarters for the Switzer Licorice Co<br />
are here at 621 North First St.<br />
Mariin Circuit Updating<br />
Marietta Belmont Theatre<br />
MARIETTA. GA.—The Belmont Theatre,<br />
which Martin Theatres recently purchased<br />
from James Ward, is to be remodeled<br />
and enlarged, according to circuit<br />
officials. The Belmont is located in<br />
the Belmont Hills Shopping Center.<br />
Also to be renovated throughout is the<br />
Marietta Strand, another Martin unit. The<br />
lobby is to be enlarged and modernized,<br />
public rooms now on the second floor will<br />
be relocated on the ground floor for the<br />
convenience of patrons, the auditorium<br />
and screen enlarged. In the circuits announced<br />
program of making the Strand<br />
"one of the finest theatres" in the country,<br />
the theatre will get a new marquee and<br />
new front.<br />
Updating Nearly Complete<br />
At Montgomery Paramount<br />
MONTGOMERY. ALA.—The Paramount<br />
Theatre is in the middle of an extensive<br />
remodeling, keeping its programs going<br />
daily while moving right along with the improvement<br />
work. George Deavours. city<br />
manager for Alabama Theatres, said that<br />
the Paramount will probably only need to<br />
be closed a day or two before a grand<br />
opening in April, The renovation started<br />
February 10.<br />
Deavours said that all seats will be renovated<br />
and leg room in the orchestra extended<br />
from 36 to 42 inches. There will be a<br />
new marquee, different entrance, completely<br />
changed lobby and concession area<br />
and a stage will be added. Walls in the<br />
auditorium also are to be completely draped<br />
to improve .sound.<br />
$178 Theatre Robbery<br />
KANNAPOLIS. N.C.— Burglars took $178<br />
from the manager's office at the Fine Arts<br />
Theatre. 99 West Main St,<br />
Young People Stay Away in Droves<br />
When Sick' Pictures Are Screened<br />
MIAMI— "More than ever, today it's the<br />
young people who are going to<br />
the movies,<br />
and if the producers heed what this vast<br />
group has to say, there will be no more<br />
sick' films." Herb Kelly of the Miami<br />
News wrote in a recent movie feature.<br />
"Audienscope, Inc., an organization<br />
which surveys the different facets of show<br />
business," continued Kelly, "turned its attention<br />
recently to secondary school and<br />
college students. They furnish the life blood<br />
to the boxoffice."<br />
The Audienscope sui'vey revealed, according<br />
to Kelly, that "when a picture,<br />
whether from Hollywood or abroad, turns<br />
to sick and unpleasant subjects just for<br />
the sake of sensationalism, the young men<br />
and women stay away in droves."<br />
SERIOUS FILMS ACCEPT.^BLE<br />
Kelly's article continues:<br />
The young people want more light comedy<br />
and they want identifiable characters<br />
and situations. They will accept serious<br />
movies, but they want them to be "thoughtprovoking."<br />
Foreign and domestic pictures<br />
are all right, too. but the mere fact that<br />
they were made in Italy. Sweden or France<br />
is no selling point. What are the actors<br />
trying to say and is it worth saying?<br />
That's what the young population demands<br />
to know.<br />
Students and others in the young class<br />
wonder why more films aren't made that<br />
deal with the many-sided aspects of college<br />
life. By that they don't mean something<br />
like those empty-headed Sandra Dee<br />
stories where youths and grownups act like<br />
jerks. Cinemascope, color and lovely wardrobe<br />
are attractive, but students want the<br />
subject matter to match the beauty. Young<br />
people have serious problems, regardless of<br />
what adults think. "The L-Shaped Room"<br />
and "David and Lisa" are prime examples.<br />
They were boxoffice smashes.<br />
POOR BOXOFFICE RECORDS<br />
Let's cite a few sick and far-out films that<br />
were disasters. "The Balcony. " ridiculed<br />
religion and made a joke of sexual<br />
perversion, was a bomb. "Viridiana." which<br />
was confusing and meaningless, had patrons<br />
demanding a refund of their admission<br />
price. "Last Year at Marienbad" played to<br />
almost empty houses. Now these are "art"<br />
movies and their appeal is limited. But<br />
the pattern is no different in the conmiercial<br />
film houses. "The Leopard" was beautiful<br />
but the point was vague. "Nine Houis to<br />
"<br />
Rama slow and uninteresting. Both<br />
films were gems of color and photography,<br />
but that wasn't enough to sell them.<br />
"Lilies of the Field" played to large<br />
crowds, yet a synopsis of it sounds absolutely<br />
dull. It was merely about a Negro<br />
ex-sergeant in the Army who meets five<br />
nuns and helps them to fix the shabby<br />
roof on their house. But it told the story<br />
of brotherly love with warmth and humor.<br />
"<br />
"Hud another hit because audiences<br />
could identify themselves with Paul Newman.<br />
Pat Neal and Melvyn Douglas in the<br />
everyday rat race where ethics and honesty<br />
go out the window. "Irma La Douce"<br />
was just a story about a prostitute and her<br />
business manager, but it had comedy and<br />
even some pathos and all of it was believable.<br />
And "Charade" stayed for weeks and<br />
weeks because it was light romance, suspense<br />
and laughter. It was bright.<br />
Movies are still our best and most widespread<br />
form of entertainment for all<br />
classes and the students survey merely<br />
proves what old heads in show business<br />
have known all along. There's nothing<br />
wrong with the movies that a good picture<br />
won't cure.<br />
Lifetime Pass Presented<br />
To Critic Frank Grosjean<br />
SHREVEPORT. LA.—Frank Grosjean.<br />
veteran reporter for the Shreveport Journal<br />
who retired January 1 after 42 years<br />
of service, was presented February 26 with<br />
a Ufetime pass to the Strand and Saenger<br />
theatres by Ted Hatfield, manager of the<br />
two theatres. Hatfield said it was the first<br />
lifetime theatre pass ever issued by his<br />
circuit.<br />
Grosjean, correspondent here for <strong>Boxoffice</strong><br />
and a member of the National<br />
Screen Council, covered motion picture developments<br />
for the Journal throughout his<br />
association with that newspaper. He received<br />
his first theatre pass in 1915 from<br />
the late E. V. Richards jr., manager of the<br />
Saenger Theatre, one of the city's first<br />
film houses. Richards later was head of a<br />
circuit that included the Saenger. the circuit's<br />
headquarters being in New Orleans.<br />
Grosjean first started writing movie<br />
news for his father's paper. The Caucasian,<br />
which went out of business in 1926. His column<br />
for the Caucasian was titled "Film<br />
"<br />
Facts. was also the title of a column<br />
he wrote later for the Journal, along<br />
with other amusements items covering the<br />
local theatres.<br />
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Even'y Distributed<br />
in Georgia— Rhodes Sound & Projecfion Service, Savannah—ADoms<br />
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rn North Corolino— Stondord Theatre Supply, 215 E. Washington St.,<br />
Greensboro, N.C.—BRoadwoy 2-6165<br />
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BOXOFFICE :: March 9. 1964 SE-1
Konioi<br />
. . Sumiy<br />
. The<br />
Tedder.<br />
JACKSONVILLE<br />
T iiiil.i SlriiiRtT. coiiu'ly concessions altund-<br />
;int lU the suburban EdKewood Theatre,<br />
was crowned queen of a centennial celebration<br />
held at the George Washington<br />
Hotel marking the 100th anniversary of<br />
the Battle of Olustee, the only major battle<br />
of the Civil War fought on Florida soil.<br />
Confederate forces were credited with winning<br />
the battle in a wooded area near<br />
Jacksonville. Art Castner. manager of the<br />
Edgewood who is a New York Yankee, excused<br />
Linda from work so she could help<br />
celebrate the Confederate victory.<br />
Many local Filmrow figures attended the<br />
grand opening of Smith Management's<br />
new Seminole Cinema, located between<br />
Sanford and Winter Park, the evening of<br />
February 25. On screen was the area premiere<br />
of "Cleopatra." After the opening.<br />
Sam Seletsky. Smith Management official<br />
from Boston, returned the visit by calling<br />
at Filmrow offices . . . The local Tomlinson<br />
Co.. owned by John Tomlinson. is now<br />
booking the new Dolphin Drive-In which<br />
is<br />
located at Freeport in the Grand Bahama<br />
Cold Drink<br />
Dispensers<br />
ROY SMITH CO.<br />
365 PARK ST. JACKSONVILLE<br />
RCA and Brenkert<br />
Parts Available Thru Us<br />
THE QUEEN FEATURE SERVICE, INC.<br />
1912
HIGHEST CAPACITY RATING (200) FROM<br />
BOX-OFFICE* FOR NEW YORK OPENING<br />
AT WORLD THEATRE!<br />
(*BOX-OFFICE ISSUE OF FEB. 24fh)<br />
First<br />
SET A NEW<br />
ATTENDANCE<br />
HIGH AT<br />
THE WORLD<br />
THEATRE<br />
NEW YORK<br />
AN EARTHY, WICKED<br />
SHOCKER about<br />
unnatural emotions,<br />
uninhibited passions<br />
...andlVIURDER!<br />
Novr<br />
fi<br />
PSYCHO -<br />
>»<br />
MANIA<br />
TOPS<br />
EVEN<br />
THAT<br />
RECORD!<br />
EXHIBITORS, NOTE:<br />
May we suggesf<br />
''WILD FOR KICKS"<br />
OS o companion feature?<br />
Which<br />
girl<br />
will<br />
be the<br />
next<br />
VICTIM?<br />
THE MODEL?<br />
THE WILD CO-ED?<br />
THE NICE GIRL?<br />
THE TROLLOP?<br />
Aik about<br />
these two<br />
Moneymakers<br />
ALSO<br />
SIARRINf,<br />
SHEPPERD STRUDWICK<br />
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HARIMAN'KAY ELHAROT<br />
• •<br />
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Recommended for ADULTS ONLY<br />
• All accessories available from Donald B. Velde, 3 1 1 W. 43 St.. N. Y. 36, N. Y.<br />
"PAGAN HELLCAF *<br />
"VIOLATED PARADISf<br />
VICTORIA FILMS, Inc. 144W.57St.,N.Y.19'PLaza7-B980' Jean Goldwurm, President • IRVING SOCHIN, Sales Director. Felix Bilgrey, Secretary Counsel<br />
Sam and/or Steve Davis<br />
INDEPENDENT FILM<br />
DISTRIBUTORS<br />
133 Luckie St., N.W.,<br />
Atlanta, Georgia, 30303<br />
404—524-7579<br />
404—524-7580<br />
Don Kay<br />
DON KAY ENTERPRISES<br />
150 So. Liberty St.,<br />
New Orleons, La.<br />
504—5250765<br />
504—529-3012<br />
Harry Kerr<br />
DOMINANT PICTURES<br />
221 So. Church St.,<br />
Charlotte, N.C.<br />
704—334-1391<br />
704—334-3321<br />
BOXOFFICE March 9. 1964 SE-3
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Tom Jones' Strikes<br />
Fancy in Memphis<br />
MEMPHIS—Two first runs did 250 perl<br />
cent of avoraKi" biLsiness for the week, one!<br />
a newcomer to Memptil.s and the other t|<br />
'<br />
i<br />
holdover for a .second week. "Tom Jones"<br />
attracted 2ii0 per cent business at the Pal-'<br />
ace In Its Initial week, while "Mans Pa-j<br />
vorite Sport?" ran up 250 per cent durhiR<br />
its second week at the Strand, only al<br />
few points behind its first week.<br />
'Avofaqe 1% 100,'<br />
Guild— Knitc in the Wolcr Kan^who). 2nd wk. .. 75'<br />
Maico- The Mitodvcnlurc* of Merlin Jonei IBV),<br />
|<br />
Disneyland After Dork BV). 2nti wk 125,<br />
Polocc- Tom Jonci UA-Lopert) 2S0'<br />
Ploza— Move Over, Oorlinq '20th-Fox) 125|<br />
Stole— Love With the Proper Stranger (Poro) 200<br />
Strond- Mon's Fovoritc Sport? Univ), 2nd wk. , .2S0l<br />
Wnrnor Soldier in the Roin AA), 2nd ~k Ml<br />
M E MPHI S<br />
\A7ith the coming of March and moderate|<br />
weather in this area, a number ofj<br />
drive-ins and some theatres, closed during|<br />
bad weather, are reopening for the season.<br />
Mrs. Genevieve Lovell. owner, reopened<br />
her Lake Drive-In at Sardis. Miss.. March<br />
6. Owner Jack Braunagel reopened his<br />
Dixie Drive-In at Hope. Ark.. March 6 and<br />
Exhibitors Services announced that the<br />
Skylark Drive-In at Pocahontas. Ark., reopened<br />
March 7. Jack LeMaster has reopened<br />
his Globe Theatre at Drew, Miss.<br />
Savannah moviegoers are moving outdoors<br />
for the summer. The Savannah Theatre<br />
will close March 9 and Skyvue Drlve-<br />
In, Savannah, opens March 10. Exhibitors<br />
Services announced.<br />
The Better Films Council announced<br />
thai "Tom Jones " is its adult movie ot]<br />
the month choice and "Kings of the Sun"|<br />
as the family movie of the month. MrsJ<br />
Cleve Read is film reporter.<br />
Leon Rountree. Holly. Holly Springs: MTj<br />
and Mrs. Bert Bays. Grenada. Grenada,<br />
and Theron Lyles. Ritz. Oxford, were<br />
among visiting Mississippi exhibitorsj<br />
Amelia Ellis. Prayser Drive-In. Frayser:i<br />
and Louise Mask. Luez. Bolivar, were<br />
visiting from Tennessee. From Arkanaasi<br />
came Ann Hiitchins. State. Corning: andi<br />
L. F. Haven. Imperial. Forest City.<br />
A NY 'Weekend' Deal<br />
HOLLYWOOD—Emanuel Barling, president<br />
of Cinema-Video International, has<br />
signed a contract with Thomas E. Rodgers<br />
of Trans-Lux Theatres and Bernard<br />
Brandt of Brandt Theatres for "Weekend."<br />
Brandi will refurnish and redecorate thel<br />
Globe Theatre on Broadway for the open-l<br />
ing. The Danish award-wiiuier will open<br />
al the Trans-Lux on 52nd street and the<br />
Globi' in mid-April.<br />
ENDLESS<br />
iUKNS THI tNTim<br />
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TBI STATI THIATRt SUPPLY CO<br />
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promotion<br />
'<br />
I<br />
I<br />
j<br />
East<br />
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;<br />
recently<br />
I<br />
13<br />
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"<br />
. . Jack<br />
—<br />
. .<br />
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CHARLOTTE<br />
1<br />
T ulu Porter, dancing star in Universal's<br />
"The Brass Bottle." is in the Charlotte<br />
exchange area helping presell the film which<br />
opens at Consolidated Theatres' Plaza Friday<br />
1. She came in February 27 to begin<br />
a heavy schedule of personal appearances<br />
continuing through March 14. Exploitation<br />
stunts reminiscent of the roaring<br />
'20s were set up for Miss Porter by<br />
David Kane, Universal publicity manager,<br />
including press luncheons, invitational<br />
cocktail parties in conjunction with the<br />
March 13 grand opening of the Charlotte<br />
Chr.vsler-Plymouth Corp., and a parade of<br />
TV celebrities and beauty queens from<br />
towns and cities of both Carolinas. Following<br />
the parade, the new Chr.vsler-Plymouth<br />
company will be host for free hot dogs,<br />
soft drinks and balloons. For the first time<br />
in history, children under 12 will be given<br />
rides on a "magic flying carpet<br />
(known to its inventor as an airmobile<br />
which he once navigated across the Mississippi<br />
riven flying about a foot off the<br />
ground.<br />
beauty contest selecting "Miss Bras.s<br />
will be held, the winner receiving<br />
a one week, all-expense-paid trip to the<br />
New York World's Fair. A limerick contest<br />
for "The Brass Bottle" will reward<br />
its winner w'ith a two-week, all-expense-paid<br />
trip to the fair while other contestants<br />
share prizes consisting of 400 appliances.<br />
Miss Porter, other exotic dancers<br />
and "the magic carpet" will also visit Columbia<br />
and Greenville, S. C, and Fayetteville.<br />
Raleigh. Durham. 'Winston-Salem and<br />
Greensboro, North Carolina.<br />
Several managerial changes have been<br />
made in Consolidated theatres. Jackie<br />
Pearce was transferred from the East 70<br />
Drive-In. Burlington, to the North 220<br />
Drive-In. Asheboro. Leroy June moved<br />
from the Starlite. Spartanburg. S. C, to the<br />
70 at Burlington, Mrs. Carolyn Gilis<br />
the new manager at the Starlite<br />
in Spartanburg.<br />
I Everett Olsen, former Paramount exploiteer<br />
in the Charlotte office and more<br />
at Paramount's Dallas exchange,<br />
stopped by to visit old friends on his way<br />
FILMACK'S NEW 1964<br />
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FRANK LOVntY . . . TOMMY WHITE<br />
PHONE n. 5-7787<br />
to the Paramount home office in New York,<br />
where he has been assigned after four<br />
years in Dallas.<br />
Scott Lett, Howco vice-president, returned<br />
from a New York business trip . .<br />
.<br />
Viola 'Wister of Howco spent a w^eekend<br />
with her parents in Marion, then attended<br />
the state Republican convention February<br />
27, 28 in Greensboro as a delegate.<br />
Senator Barry Goldwater was one of the<br />
speakers.<br />
Irene Monahan of Howco spent a weekend<br />
in Charleston, S. C, where she went<br />
especially to attend the capping ceremony<br />
of her niece, Mary Veronica Cleaver, a<br />
student nurse at St. Francis of Xavier Hospital<br />
. Malone, Howco shipper, has<br />
returned to work after a tonsillectomy .<br />
Mr. and Mrs. Harry Cooke, Center Theatre,<br />
Mount Olive, have a new grandson.<br />
He was born on Valentine Day to their<br />
daughter and son-in-law. Dr. and Mrs.<br />
Miles Britt, Norfolk, Va. The baby has<br />
been named John Miles Britt III.<br />
Projects approved by WOMPIs at their<br />
February meeting included providing bingo<br />
prizes and entertainment for the Crittenton<br />
Home, buying books for retarded children at<br />
Wilmore School and working in the coffee<br />
shop at Presbyterian Hospital. Miss Willie<br />
Lloyd, a student of religious education at<br />
Pfeiffer College, was chosen as recipient of<br />
a $200 WOMPI scholarship for 1964. Sylvia<br />
Lambert, finance chairman, announced<br />
that proceeds from a chili supper and<br />
white elephant sale March 5 at the Piedmont<br />
Natural Gas Co. would go to the<br />
WOMPI charity fund. A comedy skit commemorating<br />
Washington's birthday w-as<br />
given by the Sling-Shot Mountaineers<br />
Doris Furr, Dessie Guyer. Ruth Collins and<br />
Rose Hutton, all of Columbia, with Jeanette<br />
Royster, Buena Vista, as emcee.<br />
New Manchester Drive-In<br />
May Open in Mid-April<br />
MANCHESTER, TENN.— Completion<br />
the 530-car drive-in two miles north of<br />
here on Highway 41 is expected around<br />
mid-April if weather permits, according to<br />
J. S. Cardwell of Sparta, general manager<br />
and secretary-treasurer of the Mid-Tennessee<br />
Amusement Co.<br />
The circuit, headed by Ernest Martin of<br />
Winchester, also owns the Arnold Drive-<br />
In on Highway 55 as well as theatres in<br />
Sparta, McMinnville, DeKalb, Smithville,<br />
Dayton and Lawrencebui'g.<br />
Martin Sends Chuck Yawn<br />
To Strand, Athens, Tenn.<br />
ATHENS. TENN.—Charles "Chuck"<br />
Yawn, a native of Florida, is the new manager<br />
of the Strand Theatre, assigned here<br />
by Martin Theatres, the operating circuit.<br />
Yawn comes here from Alabama where he<br />
had served w-ith Martin units .several years.<br />
Yaw'n follows Oscar Swain in the local<br />
post. Swain having resigned to accept a<br />
position with Associated Theatres of Cleveland<br />
as city manager of that circuit's thi'ee<br />
Youngstown, Ohio, drive-ins. Swain had<br />
been manager here only a few months.<br />
Updating in New London<br />
From Eastern Edition<br />
NEW LONDON. CONN.—Stanley Warner<br />
plans extensive remodeling of the firstrun,<br />
downtown Garde.<br />
of<br />
Every Week<br />
IN<br />
EVERY ISSUE<br />
OF THE<br />
S^nowmanaider<br />
SECTION<br />
ALL Of THESE PRACTICAL<br />
SERVICE DEPARTMENTS<br />
ADLINES AND EXPLOITIPS<br />
*<br />
EXHIBITOR HAS HIS SAY<br />
*<br />
FEATURE BOOKING CHART<br />
*<br />
FEATURE REVIEW DIGEST<br />
& ALPHABETICAL INDEX<br />
*<br />
REVIEWS OF FEATURES<br />
SHORT SUBJECT CHART<br />
*<br />
SHOWMANDISING IDEAS<br />
And in fhe News Section<br />
BOXOFHCE BAROMETER<br />
Service That Serves!<br />
.<br />
BOXOFFICE March 9. 1964 SE-5
. . Gulf<br />
. . Lorraine<br />
. . Buford<br />
. . The<br />
J<br />
NEW ORLEANS<br />
UtTb Ik-niiiii, MGM division manaRer, assisted<br />
by Tpiiy Tuiner. hosted exhlbllois<br />
and radio-TV lepiesentatives In this aien<br />
at sciceninRs and presentations for Children<br />
of the Damned. Seven Faces of Dr.<br />
Lao. Rhino, Golden Arrow. Seven Gladiators<br />
and Mail Order Bride. They are<br />
slated for radio-TV saturation campaigns.<br />
Also present were H. A. Arata. local MGM<br />
manager: Andy Sullivan. MGM home office:<br />
Tom Baldridge and Judson Moses.<br />
Atlanta: Arthur Harnett, free-lance publicist<br />
and advertising man here.<br />
T. G. Solomon. Jim DeNevc and Louis<br />
Dwyer attended the Show-A-Rama VII<br />
convention in Kansas City . States<br />
Theatres has added the Tringas in Fort<br />
P<br />
Walton and the Florida Drive-In at Shaliniar.<br />
Fla.. taking over from Tringas Theatres.<br />
Gulf States closed the Ocean City<br />
Drive-In.<br />
Exhibitors in town included Preacher<br />
Crossley. Laurel. Mis-s.: Mrs. Aubrey Lasseigne.<br />
Berwick: Frank DeGraauw. Abbeville;<br />
Doyle Maynard. Natchitoches: Bill<br />
Darce and wife. Morgan City; Herb Hargroder.<br />
Hattiesburg: Gordon and Randolph<br />
Ogden. Baton Rouge: Jack Minckler.<br />
Bogalusa: W. E. Limmroth. Mobile: Ira<br />
Olroyd. Frankhn. and Fred Williams. Baton<br />
Rouge . Moss has succeeded<br />
Betty Murray on the Exhibitors Cooperative<br />
Service staff.<br />
Henry Glover and wife. Largo. Fla.. ex-<br />
n<br />
hibttors. on their way to Kansas City for^<br />
the Show-A-Rama convention, stopped^<br />
here for the funeral of Joe Fabacher. re-i<br />
tired AA salesman . Lyric In Mc-I<br />
Comb, a T. G. Solomon property which ha&<br />
been dark for months, was reopened by ai<br />
new lessee .<br />
Styles Is a sales rep«j<br />
resentative for Emba.ssy Pictures, headH<br />
quartered at Atlanta, where James Frew<br />
is the Embassy manager. ^j<br />
The first of a series of fashion promo*<br />
tion by Designer Travilla for MGM't<br />
"Signpost to Murder" took place February<br />
27 in Alexandria. The studio shipped<br />
Joanne Woodward's Travilla wardrobe<br />
from the film to the .southern city for a<br />
charity fashion show which was attended<br />
by approximately 2.000 social, style and<br />
civic leaders. The theme of the show wa^<br />
"Murder in Fashion" with TVavilla addressing<br />
the group and explaining the transformation<br />
of a couturiers top designs Intc<br />
motion picture fashions. He also showed hit<br />
latest spring collection, exhibiting portrait<br />
stills of Miss Woodward wearing the new<br />
styles.<br />
. . . Exhibitors<br />
WOMPIs entertained the ladies of 8t<br />
Annas Home at a game social recently<br />
The motif of the party was in keeping<br />
with St. Valentine's Day. Participating<br />
were Marie C. Berglund. Eugenie Copping<br />
Betty Ogden. Lillian Sherick. Martha<br />
Froeba. Margaret Gabosh. Claire Rita<br />
Stone, and Charlotte Niemeyer<br />
calling on the trade included<br />
Claude Bourgeois. B&D Theatres. Biloxl:<br />
Charles Waterall sr. and jr.. Alabama theatre<br />
operators: Phillip Salles, Covington<br />
and A. J. Colletti. his wife and young son<br />
Michael. Star. Jeanerette, whose first stop<br />
was at Theatre Owners Service.<br />
.•\ctor Joseph Gotten and his wife Patricia<br />
Medina headed the cast of "Sever<br />
Ways of Love" at the Municipal Auditorium<br />
Saturday and Sunday i7, 8'.<br />
{|<br />
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CRAMORE PRODUCTS, INC.<br />
Point Pleasant Beach. New Jersey<br />
'*^^^<br />
W^ ^<br />
Joe Fabacher, Retired<br />
t<br />
Film Salesman, Is Dead ^<br />
NEW ORLEANS—Joseph J. Fabacher<br />
salesman for Allied Artists 18 years until<br />
his retirement some time ago. died shortly<br />
after he became ill while viewing televlslor<br />
at his home on Tuesday evening recently<br />
He was 66. He was the son of Petei<br />
Fabacher sr., a pioneer exhibitor here<br />
Joseph started his film career when 16, a<br />
career interrupted only by World War I<br />
service.<br />
A requiem mass was offered at Matei<br />
Dolorosa Church. Survivors include hli<br />
wife Elizabeth, a daughter Mrs. Anthony<br />
Pigalio jr.. three brothers and two sisters<br />
One brother Peter jr. is a projectionist at<br />
the RKO Orpheum.<br />
Tucson. Syracuse First<br />
To See 'Cleo' on 35mm<br />
HOLLYWOOD—First showings of 20th-<br />
Fox's "Cleopatra" in the 35mm Cinema-<br />
Scope prints occurred February 26 at the<br />
Catalina Theatre, Tucson, and a house In<br />
Syracuse. NY. ahead of the general April<br />
release of the 195-minute version to cities<br />
that are not playing the Todd-AO prints.<br />
Seats were not reserved but the policy<br />
was "scheduled performances," with dally<br />
showings at 2 and 8 p.m<br />
1<br />
SE-6 BOXOFTICE March 9. 19«4
I<br />
he<br />
,<br />
would<br />
I<br />
Identical<br />
'<br />
—<br />
><br />
MIAMI<br />
production of the Columbia Pictures release.<br />
"Wonders of Miami and Miami<br />
Beach," started in New York at Kennedy<br />
International Airport recently—in a snowstorm.<br />
The opening sequence of the<br />
musical "travelark," depicting the outstanding<br />
features of this area, focused on<br />
tourists heading for fun in the sun in<br />
Miami Beach as they boarded an Eastern<br />
Air Lines jet. The scene has now shifted to<br />
this area when segments of the film will<br />
be shot at the Hialeah race course.<br />
A columnist has quoted a helpful correrespondent<br />
who suggests that theatres<br />
designate in their ads for imported films<br />
which language is used in the version they<br />
are about to show. The correspondent related<br />
that he had read a review of "Three<br />
Fables of Love" which said that English<br />
subtitles were used along with the original<br />
French dialog. Yet, when the correspondent<br />
caught the picture at Wometco's Parkway<br />
the evening after reading the review,<br />
ran into a badly dubbed version.<br />
"A good many film buffs," wrote the<br />
correspondent, "prefer foreign films in<br />
their native tongue with added titles. If<br />
you, through your column, might persuade<br />
Wometco to indicate in its ads which theatres<br />
are showing the film with titles only<br />
and which have the English soundtrack, it<br />
be appreciated by a good many of<br />
j<br />
us."<br />
Liston's Stand Stops<br />
Orleans Telecast<br />
NEW ORLEANS—Both Loew's State and<br />
'the Saenger Theatre canceled the telecast<br />
of the Sonny Liston-Cassius Clay<br />
heavyweight bout the night before the<br />
event. The cancellation was made shortly<br />
after Liston's public statement that he<br />
would not stand for piping a telecast of<br />
his title defense at Miami Beach into any<br />
theatre that had racially segregated seating.<br />
statements from the management<br />
of both theatres in local newspapers<br />
stated: "In view of Sonny Liston's feelings<br />
expressed over the weekend and the<br />
laws of Louisiana, which we are advised<br />
are incompatible, we regret the closed<br />
circuit telecast of the Liston-Clay championship<br />
fight has been canceled . . . Tickets<br />
sold will be refunded at the boxoffice.<br />
The only place in this area which folilowed<br />
through as contracted to telecast<br />
the fight was in the Municipal Auditorium<br />
where segregated seating has been outlawed<br />
by a recent ruling by a federal judge.<br />
However, for a week the New Orleans Philharmonic-Symphony<br />
Society and the New<br />
Orleans Boxing Club were in a hassle<br />
whether or not the telecast could be presented.<br />
The symphony, which has engaged<br />
a portion of the Auditorium, contended<br />
that the telecast would conflict<br />
with its symphony performance.<br />
Judge David Gertler of the civil district<br />
court, after a hearing of a case brought<br />
into court by symphony society, ruled that<br />
the telecast would go on as scheduled under<br />
certain conditions: that the symphony<br />
should start its performance an horn- or so<br />
earlier like they did during the staging of<br />
the Carnival balls, so that the doors of the<br />
other side of the auditorium could open<br />
at 8:15 p.m. to admit the fight fans as<br />
scheduled. But, declared Judge Gertler,<br />
no vending would be allowed in the fight<br />
seating area or in hallways before 9 p.m.,<br />
the expected time for the end of the concert<br />
and the beginning of the fight. The<br />
judge also issued a preliminary injunction<br />
against further auditorium conflicts<br />
with the symphony's current lease, .set to<br />
run through April 7.<br />
Another incident, in relation with the<br />
telecast of the fight, was the attempt of<br />
three Negro college coeds to be admitted<br />
to Loew's State Theatre on Saturday<br />
night. They were arrested on charges of<br />
refusing to move away from the cashier's<br />
window. The three ranged in age from 20<br />
to 22.<br />
After their arrest, a spokesman for the<br />
Congress of Racial Equality said CORE<br />
sent telegrams to boxers Sonny Liston and<br />
Cassius Clay asking them to refuse to allow<br />
the televised broadcast of their heavyweight<br />
title fight in segregated movie theatres?<br />
Kennedy Memorial Films<br />
Being Chosen by Stevens<br />
From New England Edition<br />
BOSTON — George Stevens jr.,<br />
motion<br />
picture director for the U.S. Information<br />
Agency, will have the assignment of compiling<br />
the "Oral History" section of the<br />
proposed John P. Kennedy Memorial Library<br />
to be built here on Harvard University<br />
land.<br />
A series of booths, in which visitors will<br />
press a button to see and hear any of<br />
the late President Kennedy's speeches delivered<br />
in the U.S. and abroad, is envisioned.<br />
Material will come from miles of<br />
film amassed by USIA and countless spools<br />
of video tape being compiled by the National<br />
Ass'n of Broadcasters.<br />
A full theatre within the library, where<br />
planned and continually changing programs<br />
on the Kennedy lifetime can be<br />
presented, is also envisioned. The USIA<br />
had begun preparing a Kennedy documentary<br />
film before the November 22 assassination,<br />
but the job of selecting films<br />
and tapes from all other sources will be a<br />
long and painstaking one.<br />
Video Tape Facilities<br />
Bought by Armistead<br />
From Western Edition<br />
HOLLTWOOD — Sale of International<br />
Production. Inc., video tape equipment and<br />
facilities to Mark Armistead Television has<br />
been announced by Bob Brandt, IPI president,<br />
and Mark Armistead of the purchasing<br />
firm.<br />
This acquisition by Armistead makes it<br />
the largest and most complete independent<br />
video tape facilities company in the world,<br />
its equipment now Including three black<br />
and white mobile recording units, a color<br />
mobile unit and complete broadcast studio<br />
facilities at the Steve Allen Playhouse.<br />
Armistead. which acquired Allied Artists<br />
studios two weeks ago. is converting the AA<br />
studios into a video tape center.<br />
IPI will maintain its international video<br />
tape division as a creative production and<br />
programing unit utilizing rented tape facilities.<br />
It has elected the following board<br />
of directors: Brandt, Richard M. Rosenbloom,<br />
Allen Shaw, Clarence E. Fleming<br />
jr.. Dr. George L. Coleman, William G.<br />
Cooper and William P. Wallace.<br />
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Drastically reduces consumption of the carbon with the<br />
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30X0FFICE March 9, 1964 SE-7
THIS S^ACC CONTRlBiiTCO IV THC PUBLIbHCR At A PUBLIC aCNVirr<br />
Tomorrow, scientists may discover the cause of leukemia.<br />
! But today we need your help.<br />
The American Cancer Society is devoting more research<br />
money to leukemia than to any other form of cancer.<br />
Many difTerent possibilities are being explored — viruses,<br />
anticancer drugs, early diagnosis, imniunology, bone<br />
marrow transplantation.<br />
Progress is being made. Lives are prolonged by many<br />
months, sometimes by years, wiih drugs and other therapy.<br />
I he course of leukemia has been slowed and even<br />
temporarily halted<br />
AMERICAN CANCER SOCIETY<br />
BOXOFFICE<br />
by chemicals and blood transfusions.<br />
And today there is hope. Many research scientists<br />
believe that the next major breakthrough may be against<br />
eukcniia. Hut much more could and should be done —<br />
now. This will lake money — lots of money.<br />
Your dollars will help speed the day of victory. Please<br />
give generously. .Mail your check to CANCER, c/o<br />
your local post olVice.<br />
SE-8 BOXOmCE March 9, 196-
,<br />
payable<br />
'<br />
•<br />
^<br />
member<br />
! up<br />
I<br />
I<br />
•<br />
1 a<br />
I<br />
when<br />
An income protection plan providing<br />
regular monthly income to the exhibitor<br />
he is disabled due to illness or accii<br />
I<br />
,<br />
pay<br />
I<br />
fixed<br />
I<br />
employe<br />
'<br />
•<br />
'<br />
reviewed<br />
i<br />
i<br />
for<br />
I<br />
tives<br />
j<br />
Co.<br />
,<br />
at<br />
Accident-Health Plan<br />
For COMPO Members<br />
DALLAS— Members of Texas COMPO.<br />
their families and employes are eligible<br />
to apply for extensive accident and health<br />
coverage at a substantial savings under<br />
an association plan now in effect. Kyle<br />
Rorex, executive director of Texas COMPO.<br />
said the plan will be highly beneficial,<br />
especially for the independent exhibitor<br />
who will be able to apply for dependable<br />
and broad coverage at a price similar to<br />
that now enjoyed only by multiemploye<br />
companies. The exhibitor can choose one<br />
or more of the six basic plans which will<br />
be offered. Available is a hospital indemnity<br />
plan providing up to $750 a month<br />
for as long as 12 months:<br />
A catastrophe hospital plan with a deductible<br />
feature to protect the exhibitor<br />
against catastrophic hospital bills<br />
to $10,000 for himself and each member<br />
of his family.<br />
dent.<br />
• A basic hospitalization plan providing<br />
from $8 to $25 per day room and board.<br />
• An overhead expense plan which would<br />
up to $1,000 a month to help meet<br />
expenses such as rent, heat, utilities.<br />
salaries, etc. when the exhibitors<br />
i is disabled by accident or sickness.<br />
And finally, an accidental death program<br />
with benefits available as high as<br />
$200,000.<br />
Several plans by various companies were<br />
and the one selected is to be<br />
underwritten by Fireman's Fund Insurance<br />
Co. Harrison Del Rose, insui'ance counselor<br />
Texas COMPO in Dallas, will serve<br />
as liaison agent between exhibitor and<br />
insurance company. Rorex said representaof<br />
the Fireman's Fund Insurance<br />
will call on Texas exhibitors personally<br />
to explain the details of the program.<br />
To be eligible to obtain the association<br />
rates the participant must be a member of<br />
Texas COMPO.<br />
North Richland Hills<br />
Site of New Theatre<br />
NORTH RICHLAND HILLS, TEX.—Civic<br />
leaders, including the mayors of North<br />
Richland Hills. Richland Hills and Haltom<br />
City, participated in ground-breaking ceremonies<br />
for an indoor motion pictm'e theatre<br />
at the Richland Plaza Shopping Center.<br />
Construction cost of the theatre is<br />
estimated at $250,000.<br />
Thompson P. Magee. executive promotional<br />
director of the shopping center,<br />
said the theatre will be built on the present<br />
parking area adjacent to the Montgomery<br />
Ward & Co. facility.<br />
COMPO of Tex., Formed<br />
In 1951 Joins TOA Ranks<br />
DALLAS — The 800-theatre Texas<br />
COMPO. which was organized in 1951 by<br />
circuit and independent exhibitors to stage<br />
the big "Movietime in Texas," has joined<br />
ranks with Theatre Owners of America.<br />
The affiliation, voted by the board here,<br />
was announced Tuesday 1 i<br />
3 the Show-<br />
A-Rama convention in Kansas City by<br />
John Rowley. TOA president, and a member<br />
of the Texas COMPO executive board.<br />
•Texas COMPO. perhaps the last of the<br />
big state organizations without national<br />
affiliation, will continue to maintain its<br />
local identity while performing tasks involving<br />
both exhibitor and general industry<br />
problems on the national level," Kyle Rorex.<br />
executive secretary said.<br />
The late R. J. O'Donnell and H. A.<br />
"Colonel" Cole, who then represented TOA<br />
and Allied States, respectively, served as<br />
cochairman of the Movietime in Texas<br />
campaign and headed efforts to make the<br />
organization permanent. In addition to<br />
these two, the original board included Karl<br />
Hoblitzelle. Interstate Theatres president:<br />
Edward H. Rowley. Rowley United Theatres;<br />
H. J. Griffith. Frontier Theatres:<br />
Phil Isley, Isley Theatres: Julius Gordon,<br />
Jefferson Amusement Co.. and the late<br />
Claude Ezell and Henry Griffing.<br />
Texas COMPO supplied an important<br />
part of the leadership and procedure in<br />
the early part of the national exhibitor<br />
campaign that brought relief on the federal<br />
admissions tax. and subsequently played<br />
major roles in obtaining concessions on<br />
three occasions in the Texas admissions<br />
tax. finally bringing it to the same level<br />
as the federal levy.<br />
"In the last few years, Texas COMPO<br />
has been successful in its attempt to discourage<br />
misguided censorship legislation<br />
that could have hobbled Texas exhibitors,"<br />
Rorex related. Other legislative activities<br />
have alleviated some of the occupation<br />
taxes and brought about a substantial adjustment<br />
in fire insurance rates for Texas<br />
exhibitors."<br />
For ten years state and Congressional<br />
lawmakers in Texas have been given Texas<br />
COMPO passes at Christmas, good for admission<br />
to any of the more than 800<br />
Texas theatres.<br />
Texas COMPO has maintained an ac-<br />
CHOIci^f SHOWMEN EVERYWHERE<br />
FOR SPECIAL<br />
MOTION<br />
PICTURE<br />
SERVICE<br />
TRHILERS<br />
Address your neit order to<br />
125 Hyde St. San Froncitco<br />
five speakers bureau from the start,<br />
which<br />
has sent industry speakers to practically<br />
every town in the state to address civic<br />
groups at length on the merits of a motion<br />
picture theatre in community life.<br />
Successfully sponsored by Texas COMPO<br />
were the Oscar Race campaigns staged<br />
nationally to stimulate interest in the<br />
Academy Awards pictures and stars; also<br />
the Drive-In Theatre Week of a few years<br />
ago.<br />
Several years ago Texas COMPO began<br />
publishing picture rating reports of<br />
the Texas Motion Picture Board of Review,<br />
and today furnishes these classifications<br />
on all feature motion pictures coming<br />
into the Texas exchange area. This service<br />
is used not only by Texas COMPO members<br />
but also by many newspapers, periodicals,<br />
civic, church and school groups in<br />
Texas and surrounding states.<br />
The present board is headed by Hoblitzelle<br />
as chairman: John Q. Adams. Interstate:<br />
John H. Rowley, H. J. Griffith. William<br />
O'Donnell and Earl Podolnick. with<br />
Paul Short representing the executive<br />
board. O'Donnell heads Cinema Arts Theatres<br />
and Podolnick heads Trans-Texas.<br />
On the executive committee are Kenneth<br />
Blackledge. Dub Blankenship. Harold<br />
Brooks. Bruce Collins. T. A. Collins. H. A.<br />
Daniels. Frank Dowd. Rubin S. Frels. Ed<br />
V. Green. Syd Hall jr.. Harold Hodge. R.<br />
J. Payne. Phil Isley. C. D. Leon. W. E.<br />
Mitchell. Al Reynolds. Maggie Scott. Bill<br />
Slaughter. Lynn Smith sr.. Sam Turner<br />
and Raymond Willie.<br />
Texas COMPO maintains its headquarters<br />
at 20013-A Young St.. Dallas, with a<br />
branch office at 406 Perry-Brooks Bldg. in<br />
Austin. Kyle Rorex has served as executive<br />
director since the start. Sue Benningfield<br />
has been the secretary for 12 years,<br />
and John D. Reed, general counsel, heads<br />
the Austin office.<br />
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. . H.<br />
. . Evelyn<br />
Buchanan<br />
DALLAS<br />
John II. Rowley, pit'sldi'iit. annouiicfd<br />
Rowley Uiiiled Thi»aln>s has taken over<br />
the Hampton Road Drive-In here after Us<br />
purchase from C. D. Leon. Stanley Warner<br />
has been operatniK the drlve-in for several<br />
years. Rowley said the Hampton Road<br />
would be under the supervision of John<br />
A. Callalian. who is city manager over<br />
the Texas. Wynnewood and Vogue theatres<br />
of the Oak Cliff area. Plans are<br />
under way to put the drive-in in first<br />
class condition and it will run the best<br />
product available for drive-ins in this<br />
area.<br />
The picture was produced by Howard<br />
Ted Lewis Booking Agency i<br />
I<br />
jh 4703 No. Ccnfrol Exprcsiwoy^ 5, nf<br />
'Ui»s«^-* ^3*? «oy Dallas S, Taxot Christie and stars Brian Keith, Robert<br />
'i<br />
Culp and Judi Meredith.<br />
Brays father. Robert C. Houston. Burial<br />
was in San Antonio. He is survived by his<br />
wife, a son and two daughters .<br />
were happy to see Myrtle Kitts. secretary<br />
of Local B53 on the Row. She has been<br />
confined to her home with arthritis for<br />
quite sometime. She dropped by the exchanges<br />
to say hello to friends who have<br />
sent her cards and w-ords of encouragement<br />
throughout her illness.<br />
Around the first of April the shipping<br />
and inspection of Allied Artists will be<br />
shifted to the Universal shipping and inspection<br />
department. The employes now at<br />
Mose Wootcn. head shipper at Paramount,<br />
was proudly passing out candy they will move to Universal or retire from<br />
Allied Artists have not yet decided whether<br />
Friday in celebration of the birth of his<br />
the industry . Neeley of Weisenburg<br />
Theatres left Tuesday for Kansas<br />
new son named Darrin Wade.<br />
City to attend the Show-A-Rama where<br />
Sympathy to Mr. and Mrs. Lew Bray of she hopes to pick up ideas for futiu'e use<br />
Harlingen in the recent death of Mrs. during the Texas Drive-In Theatre Owner's<br />
Ass'n conventions held here each<br />
year B. "Buck " returned<br />
from Oklahoma City where he had<br />
been a week booking with Video and other<br />
You, too, can laugh<br />
circuit offices.<br />
ail the way to the bank Ed Holliday Gets Initial<br />
Managerial Assignment<br />
From Southeast Edition<br />
FORT SMITH—It's Manager Ed Holliday<br />
now at the Temple Theatre, where he<br />
had served as a management trainee for<br />
several months. Holliday succeeded to the<br />
manager's desk February 15. when the<br />
former manager, Dave Porter, took over<br />
his own new .iob as city manager for Gulf<br />
Theatres in Pensacola, Fla. Porter had<br />
served at the Temple helm for several<br />
years.<br />
by using BOXOFFICE S<br />
Holliday said the Temple policy and<br />
quality<br />
Clearing House for<br />
would remain the same as when<br />
Porter was in charge.<br />
BUYING-SELLING-TRADING<br />
Pension Plan Director<br />
new or used equipment.<br />
Seeking Beneficiaries<br />
From Western Edition<br />
HOLLYWOOD — The Producers-Writers<br />
Guild of America Pension Plan, administered<br />
by Andrew B. MacDonald. is seeking<br />
beneficiaries of eight deceased members<br />
Projection Equipment Repaired<br />
Exp«rt M«chanic»—Work GuorQnte«d<br />
and is asking help to locate them.<br />
Replacement Parts For—BRENKERT- The late members are Scott W. Darling.<br />
SIMPLEX-CENTURY &<br />
Harvey Gates, David Hertz, Ethel Hill.<br />
MOTIOGRAPH<br />
Thomas Job, Wilfred H. Pettitt, Raymond<br />
LOU WALTERS Sales & Service Co. Schrock and Edmond Seward jr.<br />
4207 Lownrlcw Av«., Oalloi 27, Taiu<br />
Switched to Theatres<br />
Prom Western Edition<br />
HOLLYWOOD — "The Plainsman,'<br />
May We Help You?<br />
filmed as a television pilot by Revue, has<br />
been switched to release as a theatrical feature<br />
by Universal and goes into local dis-<br />
"Satisfaction Guaranteed"<br />
phone LA 8-6302 or write<br />
tribution under the title of "The Raiders."<br />
Kennedy War Drama<br />
^<br />
Back to Theatres<br />
H()1,LVW(j(jU I'l 109. the Warner<br />
Bros, picture drama aljout John F. Kennedy's<br />
wartime adventures, will return to<br />
distribution March 19 at 16 theatres In<br />
the Dallas and Houston areas.<br />
Engagements elsewhere will follow during<br />
March, April and May.<br />
Warner Bros, withdrew the picture from<br />
distribution on the day the President was<br />
assa.ssinated at Dallas. The Technicolor-<br />
Panavision film originally was relca.s
HIGHEST CAPACITY RATING (200) FROM<br />
BOX-OFFICE* FOR NEW YORK OPENING<br />
AT WORLD THEATRE!<br />
(*BOX-OFflCE ISSUE OF FEB. 24th)<br />
firs*<br />
SET A NEW<br />
ATTENDANCE<br />
HIGH AT<br />
THE WORLD<br />
THEATRE<br />
NEW YORK<br />
Mow<br />
II<br />
PSYCHO<br />
MANIA"<br />
TOPS<br />
EVEN<br />
THAT<br />
RECORD!<br />
EXHIBITORS, NOTE:<br />
May we suggest<br />
*WILD FOR KICKS'<br />
OS a companion feature?<br />
AN EARTHY, WICKED<br />
SHOCKER about<br />
unnatural emotions,<br />
uninhibited passions<br />
...andlVIURDER! «<br />
Which<br />
girl<br />
will<br />
be the<br />
next<br />
VICTIM?<br />
THE MODEL?<br />
THE WILD COED?<br />
THE NICE GIRL?<br />
THE TROLLOP?<br />
Ask about<br />
these two<br />
Moneymakers<br />
V<br />
ALSO<br />
STARRING<br />
SHEPPERD STRUDWICK<br />
A VICTORIA FILMS RELEASE<br />
JEAN HALE LORRAINE ROGERS" MARGOT<br />
HARTMAN-KAY ELHAROI<br />
•<br />
SYLVIA MILES<br />
•<br />
PRODUCED BY DEL lENNEY- DIRECTED BY RICHARD L MILLIARD<br />
Recommended for ADULTS ONLY<br />
• All accessories available from Donald £. Ve/de, 3 1 1 tV. 43 St.. N.Y. 36. N.Y.<br />
> "PAGAN HELLCAF • "VIOLATED PARADISf<br />
VICTORIA FILMS, Inc. 144 W. 57 St., N.Y.19' Plaza 7-6980 -Jean Goldwurm. President. IRVING SOCHIN, Sales Director . Felix Bilgrey, Secretary Counsel<br />
Jack Walton<br />
TEXSTATE PICTURES<br />
412 So Norwood St.,<br />
Dallas, Texas<br />
214— R I 7-9692<br />
'XOFFICE :: March 9, 1964<br />
SW-3
OKLAHOMA CITy<br />
The Sonny I.istun-Cassius Clay imhl pictures<br />
opened here on the day after<br />
the fisticuff encoiiiUer in the Midwest and<br />
Warner theatres, operated by Stanley<br />
Warner Management Co.. Paul Townsend<br />
resident manager. The picture was screened<br />
at the Midwest for exhibitors and distributors.<br />
The closed-circuit showing at<br />
the Municipal Auditorium drew almost a<br />
capacity crowd and sports writers reported<br />
the TV pictures were all that they were<br />
cracked up to be. including the loud outbursts<br />
of Clay after he was declared the<br />
winner by a TKO at the beginning of the<br />
seventh round.<br />
.Another theatre closed several years has<br />
been reopened. Bill Edmonston has sold<br />
YOUR COMPLETE<br />
EQUIPMENT HOUSE<br />
CENTURY<br />
DEALER<br />
SUPPLIES<br />
EQUIPMENT<br />
CONCESSION<br />
SUPPLIES<br />
FULLY EQUIPPED<br />
REPAIR DEPARTMENT<br />
OKLAHOMA THEATRE SUPPLY CO.<br />
628 West Grand Ave. TelepKone: CE «-869l<br />
Oklahoma City 2, Okla.<br />
i^k^fortke<br />
at the<br />
THE<br />
WORLDS<br />
FINEST<br />
THEATRES<br />
RB.Y ON<br />
HURLEY<br />
SCREENS,<br />
RIGHT SCREEN<br />
RIGHT PRICE?<br />
SUPEROPTICA<br />
Lnlkulaltd pearl ur/sce<br />
SUPERGLO<br />
Nonltntkahtti ptorl uittoc*<br />
MATTE WHITE<br />
orl quoltrr p'OjCCrton. real economic<br />
See fout tndcpcndcnr theatre<br />
lopplf
—<br />
—<br />
——<br />
and<br />
——<br />
'Sunday in New York'<br />
Minneapolis Leader<br />
MINNEAPOLIS—The Academy Awards<br />
nominations meant stepped up business for<br />
"Tom Jones." 160 at the World, and "Love<br />
With the Proper Stranger." 140 at the<br />
Lyric, over last week's returns, but the<br />
eyebrow-raiser along Hennepin avenue was<br />
the Gopher's "sleeper," "Sunday in New<br />
York," which zoomed to the top of the<br />
heap with a 200 count in its second week.<br />
"Dr. Strangelove" debuted solidly at 150 at<br />
the Mann and "How the West Was Won"<br />
kept rolling along steadily at 180 per cent.<br />
(Average Is 100)<br />
Century Cleopotro (20th-Fox), 36th wk 80<br />
Cooper— How the West Wot Won (MGM-<br />
Cinerama), 51 St wk ] 80<br />
Gopher— Sunday in New York (MGM), 2nd wk. . .200<br />
Lyric Love With the Proper Stronger (Para),<br />
3rd wk 140<br />
Mann Dr. Strangelove (Col) 1 50<br />
Orpheum Dead Ringer (WB) 90<br />
St. Louis Park Seven Days in Moy (Para), 3rd wk. 120<br />
State Moil Order Bride (MGM) 100<br />
Suburban World, Campus Knife in the Water<br />
(Konawtia) 95<br />
World Tom Jones (UA-Lopert), 2nd wk 160<br />
Holdovers Register Gains<br />
At Omaha Theatres<br />
OMAHA—It was a week of holdovers<br />
right down the line and all held up well.<br />
In fact, a couple of offerings showed<br />
gains. City Manager Don Shane said the<br />
two Tri-States circuit theatres, the Orpheum<br />
and Omaha, did well with the Liston-Clay<br />
fight closed circuit program. The<br />
Orpheum was 99.9 per cent sold out and<br />
the Omaha about 60 per cent. The Indian<br />
Hills Cinerama Theatre receipts climbed<br />
in the 39th week of "How the West Was<br />
"<br />
Won the Cooper had a bigger third<br />
week than its second with "Sunday in<br />
New York.<br />
Admiral Tom Jones (UA-Lopert), 2nd wk 300<br />
Cooper Sunday in New York (MGM), 3rd wk 110<br />
Indian Hills How the West Was Won (MGM-<br />
Cineramo), 39tti wk 210<br />
Omaha Man's Favorite Sport? (Univ), 3rd wk. ..115<br />
Orpheum Seven Days in Moy (Para), 2nd wk. ..110<br />
State The Misadventures of Merlin Jones<br />
(BV), 2nd wk 150<br />
"Merlin Jones' Star of Week<br />
In Three Milwaukee Theatres<br />
MILWAUKEE—"The Misadventures of<br />
Merlin Jones" drew exceptional grosses in<br />
every house it played but was a sellout at<br />
the neighborhood Point Theatre for every<br />
performance. With one exception, all theatres<br />
reported average or better for the<br />
week.<br />
Cinema I It's o Mod, Mod, Mad, Mod World<br />
(UA-Cinerama). 10th wk. .<br />
300<br />
Cinema II Love With the Proper Stranger<br />
(Para), 3rd wk ]00<br />
Downer Nurse on Wheels (Janus) 150<br />
Oriental Show Boot (MGM), reissue 2nd wit 100<br />
Polace, Point, Moyfair The Misadventures of<br />
Merlin Jones (BV) 260<br />
Riverside Sunday in New York (MGM) . . . 165<br />
SIrond Cleopatra (20th-Fox), 33rd wk 125<br />
Times Light Fantastic (Embassy) )00<br />
Tower Tiaro Tohiti (Zenith), 2nd .<br />
wk 75<br />
Townc Seven Doys in May (Para) 1 75<br />
Warner—Dead Ringer (WB) 100<br />
95 -Year-Old Minneapolis Doorman<br />
Setting Records for<br />
MINNEAPOLIS—Patrons of the Minnesota<br />
Amusement Co. Lyric Theatre here<br />
are regularly greeted by a doorman who is<br />
unique in the business in more respects<br />
than one—not the least of which is<br />
Charles Cobb's age, 95 years.<br />
Lyric Manager Bob Carr, Charlie's employer<br />
and friend, is quick to point out that<br />
Cobb holds a regular, responsible, fulltime<br />
position as doorman and is furthermore a<br />
conscientious and exemplary employe. "I<br />
can set my watch by Charlie's arrival at<br />
the theatre every morning at 10. and he's<br />
never been late." he reports.<br />
Despite his years. Charlie Cobb is a<br />
relative newcomer to the theatre business,<br />
beginning his present career as theatre<br />
employe at the advanced age of 85 when<br />
with Maco at the old Radio City Theatre.<br />
Prior to his Maco employment, Charlie<br />
worked at a number of jobs, primarily as<br />
a telegraph operator for a stock broker, a<br />
position he held for 23 years until he became<br />
one of the earliest victims of automation<br />
with the full advent of the tickertape<br />
machine in 1937.<br />
A native of Lawrence, Mass.. Charlie's 55<br />
years in Minnesota have made him an enthusiastic<br />
midwesterner along with his wife<br />
of nearly 60 years. The couple are moviegoers<br />
as well, often getting out to the pictures<br />
for an evening's entertainment, and<br />
both found "The Ten Commandments"<br />
their alltime favorite film.<br />
Charlie's plans for continued employment<br />
extend into the indefinite future, and<br />
he intends to remain on the job as long as<br />
he is needed. In that he enjoys meeting<br />
the public and finds his job pleasant, he<br />
would recommend the movie business to<br />
anyone looking for a future—even 85-<br />
year-olds.<br />
Asked the standard question of sprightly<br />
oldsters—the secret of his longevity and<br />
Punctuality<br />
i^w<br />
ACE Elects Norm Colbert<br />
HOLL'YWOOD — Norman Colbert has<br />
been elected vice-president of the American<br />
Cinema Editors by the board of directors<br />
to fill the unexpired term of Phillip<br />
Anderson, who resigned to go to Africa<br />
as supervising editor on UA's "Mr. Moses."<br />
Robert Belcher was named to replace<br />
Colbert.<br />
Paramounfs "The Patsy" stars Ina<br />
Balin. Greorge Raft, Keenan Wynn. Peter.<br />
Lorre. John Carradine and Phil Poster.
. . Charles<br />
"Sergeant<br />
Grandpa<br />
. . Mr.<br />
•^.-";<br />
D E S<br />
MOINES<br />
l^an the Flit Guns, Men! The Beatles Are<br />
Coming! Satiiiday il4i has been<br />
set aside as "music appreciation day" here,<br />
when the Beatles, the Beach Boys and Leslie<br />
Gore all are coming to town via the<br />
"magic" of closed-circuit TV. Two shows<br />
at the KENT Theatre are scheduled at the<br />
strange hours of 11:30 a.m. and 1:30 p.m..<br />
and the admission is two bucks. Somehow,<br />
can't ever recall as a teenager going for<br />
anything as horrid as the Beatles. Guess<br />
I was too busy eating goldfish at the time.<br />
Once upon a time—30 .years ago— there<br />
were three very courteous young ushers<br />
employed at the Uptown Theatre in Minneapolis<br />
They were good friends but each<br />
finally hung up his flashlight and went<br />
out into the world to seek his fortune. And<br />
just recently the three—Jerry Bloedow<br />
i\Vest-Vue Drive-In at Des Moines i. Richard<br />
Simmons<br />
i<br />
Preston of the<br />
Yukon 'I and Bob Mowen i realtor at Pomona.<br />
Calif. —got together for some<br />
1<br />
reminiscing that went 'way around the<br />
clock. The reunion was at "Sergeant<br />
Preston's place." not in the frozen Yukon<br />
but in sunny California. The event was the<br />
highlight of Jerry and Mrs. Bloedow's sixweek<br />
winter vacation in the southwest.<br />
Three of the w'eeks were spent at Apache<br />
Junction. Ariz., and Jerry would qualify as<br />
a public relations man for this desert vacation<br />
spot. It was Bloedow's fourth visit<br />
there in four years.<br />
Additional Nostalgia Department: The<br />
Rialto at Port Etodge is undergoing a facelifting<br />
and so far there has been found in<br />
the wall: one adult admission ticket for<br />
26 cents and one 1939 golf ticket for Leo<br />
Peterson, a Central States manager of<br />
some time ago. We're waiting for them to<br />
uncover a giant 'Wurlitzer or at least the<br />
white bouncing ball.<br />
Walter .Alien of Maquoketa has purchased<br />
the Bel-Air Drive-In at Davenport from<br />
George Dinelli of Peru, 111. Allen, who also<br />
operates the Corral Drive-In at Molinc.<br />
plans some renovating at the Davenport<br />
spot . Callgiuri, Paramount's<br />
chieftain here, spent a share of the week in<br />
Omaha and Lincoln.<br />
in the way of "live" theatre here. Amoni;<br />
the coming attractions at KRNT Theatre:<br />
Allen Sherman, the satire genius:<br />
"How to Succeed in Business Without Even<br />
Trying." heel clicker Jose Greco, alas, and<br />
the local boxoffice moneymaker. Ferlin<br />
Husky.<br />
Ivooking for Something? Don't know' if<br />
Jim McKnight, exhibitor at Oelwein, ever<br />
found the wooden Indian he wanted for "4<br />
for Texas." At the time, we mentioned the<br />
Des Moines Art Center as a possible aid<br />
for a Bureau of Ml.ssing Wooden Indians.<br />
Now it is announced that the Art Center<br />
is trying to track down a suit of armor and<br />
a mummy! Any leads?<br />
Second Mlinar Gets<br />
Marquee Billing<br />
CRESCO. IOWA—Michael Kim Mlinar<br />
was the second member of his family in<br />
five years to receive top billing at the<br />
Cresco Theatre. His brother Mark, now 5,<br />
and a veteran, received the same marquee<br />
"treatment" when he arrived in 1959. Appearing<br />
on the marquee was this: "Premiere<br />
Showing. Wed. Jan. 29 at 8:14 a.m.<br />
Michael Kim Mlinar."<br />
Although both young men deserve the<br />
honor, it probably helped that their dad<br />
Keith owns the Cresco Theatre. Michael<br />
Kim was born January 29. The "premiere"<br />
announcement went up shortly thereafter<br />
and remained for a week. It brought lots<br />
of comment and congratulations from all<br />
citizens in this city of 4.000.<br />
Michael Kim's early enti-y into "showbusiness"<br />
comes as no surprise. He's third<br />
generation ! Jo.seph Mlinar has<br />
been an exhibitor for 41 years at Spring<br />
Valley. Minn. The elder Mlinar has the<br />
State Theatre there, and according to son<br />
Keith, was his "tutor" in the theatre business<br />
until Keith crossed the Iowa-Minnesota<br />
border ten years ago and took over<br />
the Cresco filmhouse.<br />
and new seats and making other im-<br />
OMAHA<br />
"Merlin" and "Tom," the Jones boys, were<br />
in their second week here at the Orpheum<br />
"<br />
and IngersoU. "Sunday in New York was<br />
a month at the Capri and "Seven Days in T E. Macke planned to get the Mullen Theatre<br />
at Mullen. Neb., back into operation<br />
May" stayed on for a second week at the<br />
Paramount ... A bunch of the Iowa exhibitors<br />
went to Kansas City for Show- been closed for a long period . . . Harmon<br />
the first of this month. The theatre has<br />
A-Rama VII and their comments will be Grunke has had his projectors and booth<br />
recorded upon return.<br />
equipment all worked over at Quality Theatre<br />
Supply and is rearing to go at the<br />
March finds a varied bill of fare on tap<br />
O'Neill Drive-In . . Fine w-eekend weather<br />
had all the drive-in boys itchy and many<br />
probably will get underway .soon, particularly<br />
in view of the fact that the extremely<br />
light snowfall this winter has left<br />
HLMACK'S NEW I9C«<br />
DRIVE-IN the grounds In good shape.<br />
CATALOGUE<br />
The newly remodeled Ritz Theatre at<br />
Cambridge opened the last day of the<br />
NOW<br />
0^<br />
READY! month and is .scheduled for two changes a<br />
Th« Th«otr« Induttr^S BibU week, on Thursday-Friday-Saturday and<br />
on How To Moll* Money Sunday. Monday-Tuesday basis. The Cambridge<br />
Clarion gave the Ritz a big sendoff<br />
Selling M«rchont Adt, Con><br />
catiiont. ond Ticket Selling<br />
'<br />
i.m:tin Ideoi Free on Requett.<br />
with a four-column spread on its first page<br />
and reported how Mr. and Mrs. Roberts<br />
nuNACK nuuLn ce. and their son Bob had spent many hours of<br />
t»7 ft. WAUftH - CMKACO S. HI. MA f-iH labor painting, polishing, mstalling a new-<br />
-<br />
floor<br />
provements. The Roberts family recently<br />
purcha.sed the theatre from C. A. Phillips.<br />
Other work Includes a rebuilt natural gas<br />
furnace, cooling system, new ticket booth,<br />
new lobby tile. Philippine mahogany paneling<br />
at the rear of the auditorium and completely<br />
reconditioned projection equipment.<br />
The new- owners are planning to redecorate<br />
the outside of the building in the spring.<br />
Denman Kountze jr., the Omaha World-<br />
Herald movie critic, received a "Thanks.<br />
Mr. Kountze" in 60-polnt type at the top<br />
of a Dundee Theatre ad for his review of<br />
"Billy Liar." but the rest of the ad was<br />
not quite so complimentary. Beneath the<br />
big headline proclaiming thanks, the ad<br />
continued "for your nice article on 'Billy<br />
Liar' even though it w-as lost in your Friday<br />
column. We are reprinting it word for<br />
word, for the benefit of tho.se moviegoers<br />
who didn't wade through a personal dissertation<br />
on your thoughts of Walter Mltty<br />
and for those who don't look on the television<br />
and radio page for your guidance on<br />
films." In his lead Kountze opened with<br />
"The latest Mitty-esque adventure is<br />
called 'Billy Liar' " and closed with an objective<br />
analysis of the movie.<br />
Herman Gould, former partner, in the<br />
Center Drive-In Theatres who has been<br />
visiting in Omaha from his retirement spot<br />
in Florida, was among a group from here<br />
who attended Show-A-Rama VII in Kansas<br />
City. Hei-man has a bunch of key<br />
rings he has been selling for the benefit<br />
of the Will Rogers Memorial Hospital,<br />
where he -spent considerable time a few<br />
years ago for treatment . and Mrs.<br />
Edgar Becker and his wife of the Hi-Vue<br />
Drive-In at Hartington were in town preparing<br />
for their opening.<br />
Nebraska Foundation<br />
Tax Question Raised<br />
LINCOLN—The state tax cauldron which<br />
has been bubbling under heated stirring by<br />
many hands of recent years received a<br />
vigorous sw-irling by state senator Terry<br />
Carpenter of Scottsbluff last week.<br />
The legislator said he had requested an<br />
attorney general's opinion on the taxability<br />
of foundations, such as the Cooper<br />
Foundation in Lincoln and the Eppley<br />
Foundation in Omaha.<br />
The Cooper Foundation has theatres in<br />
a number of states, including de luxe Cinerama<br />
situations in Omaha. Denver. Minneapolis<br />
and Oklahoma City.<br />
The Scottsbluff senator also asked the<br />
legislative council to obtain a list of all<br />
foundations in Nebraska and the taxexempt<br />
intangible holdings of these<br />
organizations.<br />
Most foundations claim tax exemption<br />
of cash and securities because of their<br />
educational and charitable activities.<br />
A perennial i.ssue in the strite has been<br />
whether Nebraska should broaden its tax<br />
base to include a sales and or income tax.<br />
An amendment was approved by voters<br />
which would make it mandatory drop to <<br />
the state property tax levy should a sales |<br />
tax and Income tax or both be adopted.<br />
i<br />
Britain's singing group, the Beatles, are<br />
spotlighted in a feature article in Seventeen<br />
magazine stating that their first motion<br />
picture will be for United Artists, with<br />
its release scheduled for August.<br />
NC-2 BOXOFFICE March 9, 1964
HIGHEST CAPACITY RATING (200) FROM<br />
BOX-OFFICE* FOR NEW YORK OPENING<br />
AT WORLD THEATRE!<br />
f*BOX-OfF;CE ISSUE OF FEB. 24th)<br />
First<br />
SET A NEW<br />
ATTENDANCE<br />
HIGH AT<br />
THE WORLD<br />
THEATRE<br />
NEW YORK<br />
Mow<br />
w<br />
PSYCHO-<br />
MANIA"<br />
TOPS<br />
EVEN<br />
THAT<br />
RECORD!<br />
EXHIBITORS, NOTE:<br />
May we suggest<br />
•WHO FOR KICKS"<br />
OS a companion feature?<br />
AN EARTHY, WICKED<br />
SHOCKER about<br />
unnatural emotions,<br />
uninhibited passions<br />
...and MURDER!<br />
Which<br />
girl<br />
will<br />
be the<br />
next<br />
VICTIM?<br />
THE MODEL?<br />
THE WILD CO-ED?<br />
THE NICE GIRL?<br />
THE TROLLOP?<br />
Ask about<br />
these two<br />
Moneymakers<br />
X<br />
SKHOMUNIA<br />
A VICTORIA FILMS RELEASE<br />
ALSO<br />
STARRING<br />
SHEPPERD STRUDWICK<br />
JtAN HALE -LORRAINE ROGERS- MARGOT<br />
HARTMAN'KAY ELHAROT • SYLVIA MILES<br />
•<br />
PRODUCED BY DEL lENNEY- DIRECTED BY RICHARD L MILLIARD<br />
Recommended for ADULTS ONLY<br />
• All accessories available from Donald E. Velde, 3 II IV. 43 St.. N.Y. 36. N.Y.<br />
> "PAGAN HELLCAF • "VIOLATED PARADISE"<br />
VICTORIA FILMS, Inc. 144W. 57Sl,N,Y.19'PLaza7-6980' Jean Goldwurm, President. IRVING SOCHIN, Sales Director • Felix Bilgrey, Secretary Counsel<br />
Joe Loeffler<br />
LOMAC DISTRIBUTING<br />
1000 Currie Ave.,<br />
Minneapolis, Minn.<br />
612— FE 2-6633<br />
CO.<br />
>XOFFICE March 9. 1964<br />
NC-3
Wesley<br />
'<br />
MILWAUKEE<br />
Hll was in r
—<br />
—<br />
—<br />
'Sirangelove' Jams<br />
Cleveland Traffic<br />
CLEVELAND—Not before has an ait<br />
house picture caused traffic jams but that's<br />
what has been occurring around the<br />
Heights and Westwood theatres, one on the<br />
east side, the other on the west, since they<br />
started showing "Dr. Strangelove." "Seven<br />
Days in May" was also in the high percentage<br />
brackets with 200 in its second<br />
week at the State Theatre.<br />
(Average Is 100)<br />
Allen Dead Ringer (WB) 95<br />
Cinema<br />
Mon in the Middle (20th-Fox),<br />
2nd wk Not Established<br />
Colony America America (WB) 1 50<br />
Continental Good Soldier Schweik (SR), 2nd wk. 90<br />
Heights, Westwood Dr. Strangelove (Col) 575<br />
Hippodrome The Misadventures of Merlin<br />
Jones (BV), 2nd wk 90<br />
Ohio Tom Jones (UA-Lopert), 2nd wk 225<br />
Palace It's a Mod, Mad, Mod, Mod World<br />
(UA-Cinerama), H th wk 175<br />
State Seven Days in May (Para), 2nd wk 200<br />
"Seven Days' Averages 210<br />
In Three Cincy Area Theatres<br />
CINCINNATI—Considering that the motion<br />
pictm-e business was contending with<br />
an unusual number of live attractions, attendance<br />
in first-run theatres was fairly<br />
good. "Tom Jones" in its third week at<br />
the Times followed closely by newcomer<br />
"Seven Days in May" playing three suburban<br />
houses, headed an interesting and<br />
varied bill.<br />
Albee 4 for Texas (WB), 2nd wk 85<br />
Ambassador, Oakley Drive- In; Madison, Covington,<br />
Ky. Seven Days in Moy (Pora) 210<br />
Capitol— It's o Mad, Mod, Mod, Mod World<br />
(UA-Cineramo), 1 1 th wk 1 75<br />
Esquire, Hyde Park To Bed ... Or Nof to Bed<br />
(Cont'l) 100<br />
Grond Cleopotra (20th-Fox), 36th wk 80<br />
Guild War of the Buttons (Bronston) 130<br />
Keith The Cardinal (Col), 3rd wk 100<br />
Palace Sundoy in New York (MGM), 2ncl wk. .100<br />
Times Tom Jones (UA-Looert), 3rd wk 300<br />
Valley Dr. Strangelove (Col) 200<br />
No Quickie Dayton Okay<br />
To Antenna TV System<br />
COLUMBUS—The "gross injustice perpetrated<br />
on the public" by community antenna<br />
system franchises may be curbed by<br />
action of the FCC, forecast Ken Prickett,<br />
executive secretary of the Independent<br />
Theatre Owners of Ohio. It is reported<br />
that the FCC views the Dayton, Ohio, controversy<br />
over CATV has some aspects of a<br />
test case. The FCC is developing its policy<br />
on the community antenna situation.<br />
Chairman E. William Henry of the FCC<br />
met recently with Mayor Frank R.<br />
Somers of Dayton and Dayton city commissioner<br />
Robert L. Schell. After the<br />
meeting, Somers and Schell said that Dayton<br />
officials will delay their decision on an<br />
application by the Miami Valley Broadcasting<br />
Corp. for a CATV franchise until<br />
the FCC acts on a microwave application<br />
for the broadcasting corporation.<br />
The Dayton commission in January<br />
tabled a franchise application from the<br />
corporation by vote of 3-2. Chairman<br />
Henry said the FCC would begin consideration<br />
soon for the microwave application.<br />
He said he had no idea when a decision<br />
may be reached. It is understood that the<br />
FCC is negotiating with the broadcasting<br />
industry and CATV promoters on legislation<br />
to clarify the agency's jurisdiction over<br />
community antenna systems.<br />
Mayor Somers, in agreement with<br />
Prickett. said; "CATV is, without a doubt,<br />
a foremnner of pay TV. One of our concerns,<br />
besides taxes and use of city streets<br />
and utility poles for their cables, is protecting<br />
the existing stations in Dayton and<br />
the people who cannot afford CATV."<br />
Somers said that it may not be economically<br />
feasible for Miami Valley<br />
Broadcasting to establish CATV if its<br />
microwave application is rejected by the<br />
FCC. The mayor said he discussed the<br />
situation with officials of American Telephone<br />
& Telegraph. They said they will<br />
not allow use of AT&T cables for pay TV<br />
but would permit such use by CATV.<br />
Prickett said that "there is clear indication<br />
that these outfits are going into<br />
towns and getting franchises with no idea<br />
of paying the city for the privilege." He<br />
criticized the "quickie" method of passage<br />
of emergency legislation in Wauseon and<br />
Napoleon before anyone could study the<br />
proposals. Prickett said the Dayton case<br />
is important because that community is<br />
the largest city to date in which CATV<br />
promoters have attempted to set up cable<br />
systems.<br />
The Wauseon and Napoleon franchises<br />
were granted to Direct Channel Associates,<br />
Inc. of Stow, Ohio, after a one-day consideration<br />
and passage of the franchise<br />
ordinance.<br />
Prickett praised the successful fight in<br />
Dayton to table the CATV ordinance conducted<br />
by Carl Rogers, manager of Loews<br />
Theatre: Ansel Winston, RKO city manager;<br />
Bob Keyes, manager of the Victory<br />
Theatre and officers of the projectionists<br />
and stagehands unions.<br />
'Tom Jones' 250 Standout<br />
Among Detroit Offerings<br />
DETROIT—The terrific opening of "Tom<br />
Jones ' at the Trans-Lux Krim ran 250.<br />
head and shoulders ahead of anything else<br />
in town. "The Cardinal." in its seventh<br />
week at the Madison, was i-unner-up with<br />
130.<br />
Adams The Misadventures of Merlin Jones<br />
(BV), 2nd wk 100<br />
Fox—A Yonk in Viet-Nom (AA); Cry of Bottle<br />
(AA) 95<br />
Grond Circus A Globol Affoir (MGM); Life in<br />
Donger (AA)<br />
] ]q<br />
Madison The Cardinal (Col), 9th wk. ......... \30<br />
Mercury Chorode (Univ), 7th wk Not Available<br />
Michigan Love With the Proper Stronger<br />
(Para), 4fh wk 125<br />
Polms— Stroit-Jocket (Col); The Moniac (Col)',<br />
Ith wk 120<br />
Trans-Lux Krim—Tom Jones (UA-Loper't),' 2rid' wk, 250<br />
Detroit Area Drive-In<br />
Boothmen Sign Pact<br />
DETROIT — Detroit drive-in theatres<br />
have concluded a contract with lATSE<br />
Local 199. covering employment of projectionists<br />
for the four-year term. The<br />
details were not disclosed, but Roy R.<br />
Ruben, business agent of Local 199. confirmed<br />
that they include increases in<br />
wages, in pension t«rms, and in fringe<br />
benefits. The contract was agreed upon<br />
after seven weeks of negotiation, and is<br />
retroactive to the start of this year. It<br />
runs until Jan. 1, 1968. It covers all 14<br />
drive-ins in this area.<br />
The contract for indoor theatres has a<br />
considerable time to run.<br />
BOXOFFICE March 9. 1964<br />
Bedford Exhibitor<br />
And Aide Assist<br />
BEDFORD. OHIO—The Still well Theatre<br />
has stepped right up to the front to<br />
see that one of Bedford's children gets her<br />
"<br />
chance. The "child is 16-year-old Mary<br />
Jane Altomondo whose right leg and hip<br />
were removed to stop the spread of cancer<br />
and save her life. The young lady had<br />
always planned to be a dancer, but the<br />
operation changed those plans, and she<br />
now has decided that there's lots more to<br />
life than dancing.<br />
The Stillwell is owned by Samuel E.<br />
Schultz, who is also half owner of the<br />
Mapletown at Maple Heights near Bedford.<br />
Schultz also is a member of the board of<br />
the Cuyahoga County Cancer Society.<br />
Louis Swee. manager of the theatre, is<br />
also more than casually interested in Mary<br />
Jane's case for he lost a sister to the<br />
disease about 10 years ago, and he knows<br />
how staggering the expenses can be.<br />
So. while Mary Jane was still in New<br />
York, awaiting the operation, the two theatremen<br />
announced they would give a<br />
benefit evening for Mary Jane. Industry<br />
rules will prevent the naming in advance<br />
of the film to be shown but Schultz<br />
promises a "Hollywood sneak preview" with<br />
one of the ten best first-run pictures, one<br />
not yet shown in Cleveland. This will be<br />
Samuel Schultz<br />
Cancer Sufferer<br />
on March 17.<br />
In the meantime Louis Swee is being<br />
bombarded with offers. Radio station<br />
WERE will have eight disc jockeys at the<br />
opening; the auto title bureau in Bedford<br />
offered help of any kind: a restaurant out<br />
Southgate way will send 100 pies, and<br />
money donations range "both ways from<br />
$5." The student body of Bedford High<br />
School, where Mary Jane was a junior before<br />
the time out for the hospital, is expected.<br />
After the Stillwell fills up, the<br />
overflow will be directed to the Mapletow-n<br />
and its 1,800 seats where they'll see<br />
the same show.<br />
Renovated Loma Theatre<br />
Opened by the Jack Lalos<br />
DETROIT—Formal invitations and an<br />
attractive brochure marked the grand<br />
opening of the new Loma Theatre, described<br />
as "The Showcase of the Fruit<br />
Belt," at Coloma March 3 by Jack and<br />
Helen Lalo. The brochure presented an<br />
artist's sketch of the architectural distinctiveness<br />
of the house, gave contractor<br />
credits, and recited the history of motion<br />
pictures in Coloma since 1910. in a manner<br />
fully worthy of a de luxe big city theatre.<br />
ME-1
. . Betty<br />
!<br />
. . Mike<br />
. . Nick<br />
. . William<br />
. . Projectionist<br />
. . Ken<br />
. . George<br />
. .<br />
. .<br />
. .<br />
. .<br />
He<br />
i<br />
I<br />
;<br />
I<br />
DETROIT<br />
TTniled Drtroit Theatres diiw 16.500 patrons<br />
for the Liston-Clay fight— with<br />
sellouts at the Michigan and Palms Theatres<br />
downtown and the Woods in Grosse<br />
Pointe. and 7.000 in the 12.000-seat arena<br />
at Cobo Hall. The independently operated<br />
5.041 -seat Fox Theatre sold standing room<br />
only. The Nederlander circuit's 2.477-seai<br />
Riviera had to refund when equipment<br />
trouble developed an hour before the fight.<br />
but their 1.298-seat Carmen in Dearborn<br />
had a sellout.<br />
Marjorie Rice of United Artists was in to<br />
enjoy the beauties of the Fisher Theatre<br />
building on her pre-Washington birthday<br />
holiday . Watters of the Jam<br />
Handy Organization was down to visit at<br />
Jack Zide's Allied Film Exchange . . . Mr.<br />
NEWS<br />
CCW<br />
DRIVE-IN<br />
FILMACK'S NEW 1964<br />
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CATALOGUE<br />
NOW READY<br />
Th« Theatr* IndusrryS BibU<br />
on How To Moko Money<br />
Soiling Merchant Ads, Concottiont,<br />
and TIckol Soiling<br />
Idooi froo on Roquott.<br />
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IJIJ i. WUMM . CHICACO J. Ill H« 7 33«5<br />
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R
HIGHEST CAPACITY RATING (200) FROM<br />
BOX-OFFICE* FOR NEW YORK OPENING<br />
AT WORLD THEATRE!<br />
f*60X-0FF/CE ISSUE OF FER. 24th)<br />
First<br />
SET A NEW<br />
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EVEN<br />
THAT<br />
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RECORD!<br />
EXHIBITORS, NOTE:<br />
May we suggest<br />
"WHO FOR KICKS"<br />
as a companion feature?<br />
AN EARTHY, WICKED<br />
SHOCKER about<br />
unnatural emotions,<br />
uninhibited passions<br />
...andlVIURDER!<br />
Which<br />
girl<br />
will<br />
be the<br />
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THE MODEL?<br />
THE WILD CO-ED?<br />
THE NICE GIRL?<br />
THE TROLLOP?<br />
Ask about<br />
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LEE PHILIPS<br />
SttHOMANIA<br />
A VICTORIA FILMS RELEASE<br />
STARRING<br />
SHEPPERD STRUOWICK<br />
with<br />
JEAN HALE -LORRAINE ROGERS • MARGOI<br />
HARTMAN-KAY ELHAROT • SYLVIA MILES<br />
•<br />
PROOUCEO BY DEL lENNEY- DIRECTED BY RICHARD I HIUIARO<br />
Recommended tor ADULTS ONLY<br />
All accessories available from Donald E. Velde, 31 1 IV. 43 St., N.Y. 36, N.Y.<br />
>•<br />
"PAGAN HELLCAF • "VIOLATED PARADISE"<br />
VICTORIA FILItIS, Inc. U4W. 57 St., N.Y.19-PLaza 7-6980 -Jean Goldwurm, President . IRVING SOCHIN, Sales Director. Fein Bilgrey, Secretary Counsel<br />
Ed Salzberg<br />
SCREEN CLASSICS<br />
T632 Central Pkwy.,<br />
Cincinnati, Ohio<br />
5T3—CH 1-3671<br />
Robert Buermele<br />
JAMES HENDEL FILMS<br />
315 Fo> Building<br />
Detroit, Michigan<br />
313—WO 5 3062<br />
BOXOFTICE March 9, 1964<br />
ME-3
y<br />
CINCINNATI<br />
The prt'sj-nt publirity thiout;lioul the luilioii<br />
pt'ilainliiK to the pU^hl of the<br />
haidpiessed mountain pt'ople in Kentucky<br />
and West Virginia is nothlnK new to the<br />
folks on Filmrow. Nora Davis. Cincinnati<br />
Theatres secretary, a number of years af,'o<br />
started lier own campaign which has been<br />
supported by her co-workers in easing to<br />
some extent the dire conditions that face<br />
the hill people. This past week collections<br />
have been made throughout the city and<br />
Filmrow though Miss Davis has been working,<br />
too. Nora sends the Row's contribution<br />
to the fire department. Falmouth. Ky..<br />
where the town's firemen on their day off<br />
distribute the food and clothings.<br />
Ruth Lyons, star of the WL'W-TV-radio<br />
50-50 Club, was presented the Variety<br />
Tent 3 Humanitarian award last week for<br />
her outstanding philanthropic "50-50<br />
"<br />
Christmas Fund the tent's first assistant.<br />
Ray Russo. The fund, started a number<br />
of years ago by Miss Lyons through<br />
contributions by her audience, was set up<br />
originally to provide every child patient<br />
in a local hospital with a toy. The impact<br />
of a toy for each sick child in a hospital<br />
has influenced the growth of the fund<br />
since its foundation. Today, not only are<br />
toys provided for every sick child in a<br />
recipient hospital, but expensive equipment<br />
to ease a child's discomfort, has been<br />
provided for the hospital operating on<br />
very stringent budgets.<br />
The 728-seat Dabel, Mid-States Theatres'<br />
Dayton Cinerama house, is to close<br />
March 15 after a 34-week-run of "How<br />
ITATCH FROJECTIOS IMPROyE<br />
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IITICHNIKOTI TICK CORP. 63 Seabring St . B'klyn 31,5, NY. I<br />
THE BIG COMBINATIONS
—<br />
—<br />
—<br />
—<br />
— —<br />
was<br />
—<br />
—<br />
. . Wally<br />
leaving<br />
he<br />
12-Inch Snow Blocks<br />
Boston <strong>Boxoffice</strong>s<br />
BOSTON—A storm Friday night, February<br />
28, dumped 12 more inches of snow on<br />
the Cape and added to the city's aheady<br />
heavy snow cover. Also contributing to a<br />
cut in percentages at first-run theatres was<br />
the ciurent policy of towing away cars by<br />
the Boston police department. There were<br />
only two openings during the week, "A<br />
Global Affair" doing above average at the<br />
Orpheum, and "Katu" coming in slightly<br />
above average at the Center. "The Silence"<br />
performed well at the Kenmore Square<br />
In a second week at each situation.<br />
. 150<br />
(Average Is 100)<br />
Astor Seven Dovs in Moy [Para), 3rd wl< )50<br />
Beacon Hill Tom Jones :UA-Lopert), 11th wk. ..160<br />
Boston It's a Mod, Mod, Mod, Mod World<br />
(UA-Cineramo), 16th wk 170<br />
Capri The Doll (Konawha), 3rd wk 120<br />
Center Kotu (SR). Foil Guy (SR) 135<br />
Exeter—The Eosy Life (Embassy), 5th wk 150<br />
Esquire Poinf of Order (Point), 2nd wk 160<br />
Gary The Victors (Col), 4th wk 140<br />
Kenmcre Cinema, Park Square Cinema The<br />
Silence (Janus); The Old Mon and fhe Flowers<br />
(SR), 2nd wk.<br />
Mayflower<br />
.<br />
Children of fhe Domned (MGM),<br />
Glodiotors Seven (MGM), 2nd wk 135<br />
Memorial Mon's Fovorife Sport? (Univ); Hide and<br />
Seek (Univ), 2nd wk 1 55<br />
Music Hall The Misadventures of Merlin Jones<br />
(BV), 3rd wk 165<br />
Orpheum A Global Affair (MGM) 1 50<br />
Paramount Love With the Proper Stranger<br />
(Para), 2nd wk 140<br />
Pons Cinema Billy Liar (Confl), 4th wk 120<br />
Soxon The Cardinal (Col), 1 2th wk 1 75<br />
West End Cinema Family Diory (MGM), .130<br />
2nd wk. .<br />
The Silence' Up 75 Points<br />
2nd Week in Hartford<br />
HARTFORD — Janus Films' 'The Silence"<br />
bounded to a brisk 175 in its second<br />
Art Cinema week.<br />
Allyn A Global Affair (MGM) 90<br />
Art Cinema The Silence (Janus), 2nd wk 175<br />
Burnside The Priis (MGM), I Oth wk 80<br />
Cine Webb Tom Jones !UA-Lopert), 3rd wk 165<br />
Cinerama South Seas Adventure (Cineromo),<br />
5th wk 90<br />
Eostwood, Meadows Dnve-ln, Webster The<br />
cofeatures . . .<br />
Comedy of Terrors (AlP), various .100<br />
Elm America America (WB) 90<br />
E. M. Loew's The Cordinol (Col), I Oth wk. .... 70<br />
Loew's Palace Children of the Damned<br />
(MGM), 2nd wk 60<br />
Loew's Poll Sundoy in New York (MGM) 130<br />
Rivoli—The Easy Life (Embassy), 2nd wk 115<br />
of Merlin<br />
(BV), 90<br />
Strond,<br />
Jones<br />
PlazQ The<br />
2nd wk<br />
Misodventures<br />
'Sunday in New York' 165<br />
Highlights New Haven Week<br />
NEW HAVEN— MGM's "Sunday in<br />
York<br />
"<br />
New<br />
among the tow-n's brighter<br />
lights, chalking up a handsome 165 in its<br />
first Paramount week.<br />
Crown, Bowl Drive-In The Comedy of Terrors<br />
(AIP); Covolry Commond (Parade) 100<br />
Lincoln The Silence Janus) 155<br />
Loew's College Tom Jones (UA-Lopert), 2nd wk. 150<br />
Paramount Sunday in New York (MGM) 165<br />
Milford Drive-In, SW Roger Sherman The Victors<br />
(Col), The Wackiest Ship in the Army Col),<br />
reissue, (dnve-in companion feature). 3rd wk. ..115<br />
SW Cinemart The Misadventures of Merlin<br />
Jones (BV), 2nd wk 120<br />
Wholley—Cleopatra (20th-Fox), 9th wk 100<br />
Sponsors 'Jones' Bow<br />
HARTFORD—The Hartford women's division,<br />
American Jewish Congress, sponsored<br />
two showings of UA-Lopert's "Tom<br />
Jones" at the Lockwood & Gordon Cine<br />
Webb, charging $1.50 admission.<br />
Sperie Perakos Completes Tour<br />
NE-W BRITAIN—Sperie P. Perakos, vicepresident<br />
and general manager of Perakos<br />
Theatre Associates, completed a swing<br />
through the circuit's northern Connecticut<br />
situations.<br />
'Tom Jones' Near Record<br />
In Worcester Cinema ... 1<br />
WORCESTER, MASS.— Redstone Theatres'<br />
John P. Lowe reported a six-week<br />
engagement of UA-Lopert's "Tom Jones'<br />
at the Cinema 1, ranking it among the<br />
town's long-run bookings. Twentieth-Fox's<br />
"Cleopatra" will play Loew's Poli at $1.75<br />
top admission.<br />
A visitor in town was hometowner Clifford<br />
Davis, who newly completed a rolt<br />
in UA-Stanley Kramer's "Invitation to a<br />
Gunfighter," which teams Yul Brynner<br />
and Janice Rule.<br />
Grants Airer Permit<br />
In Great Barrington<br />
GREAT BARRINGTON. MASS.—After a<br />
public hearing attended by nearly 100 residents,<br />
selectmen granted a permit to two<br />
Pittsfield men to build and operate a drivein<br />
theatre on Route 7 at the north end of<br />
town.<br />
Horace A. Decelles and Gerald A. Duprey<br />
plan to build a 500-car capacity airer on<br />
30 acres they purchased on the east side of<br />
the Stockbridge road. Associated with<br />
them in the operation will be Robert<br />
Sharby of Pittsfield. Both Decelles and<br />
Sharby are former managers of Pittsfield<br />
theatres—Sharby at the Berkshire Drivein<br />
and Decelles at the Capitol.<br />
Robert J. Donelan, attorney who represented<br />
the theatremen at the public hearing,<br />
said that more than $100,000 would be<br />
invested in the theatre project.<br />
Decelles said construction would begin<br />
as soon as weather permits. It is hoped<br />
that the drive-in will be ready for its opening<br />
show in June.<br />
SPRINGFIELD<br />
f^hester L. Stoddard, president of New<br />
England Theatres, conferred with John<br />
R. Patno jr.. Paramount . Beach,<br />
producer of West Springfield's summer<br />
tent operation, Storrowton Music Fair, and<br />
his wife Bobbie flew home from a fewweeks<br />
of Florida sunshine,<br />
Joe Mansfield. UA field exploitation man.<br />
was in the territory ahead of "Prom Russia<br />
With Love " . . . Redstone Theatres began<br />
construction on the long-anticipated<br />
dual theatre concept, to be known as<br />
Cinema 1 and Cinema 2, on Riverdale road.<br />
West Springfield . . . E. M. Loew has yet<br />
to disclose whether he intends to proceed<br />
with plans for a hardtop adjacent to the<br />
E. M. Loew Riverdale Drive-In. Murray<br />
Lipson has the sole hardtop in the town at<br />
the moment, the first-run art outlet, the<br />
Majestic.<br />
Allen Widem Reappointed<br />
HARTFORD—Allen M. Widem. Hartford<br />
Times amusements editor, has been<br />
appointed to another five-year term on the<br />
West Hartford Development Commission.<br />
TV Ads for 'Merlin lones'<br />
HARTFORD— William Decker, resident<br />
manager for Stanley Warner, bought TV<br />
time as supplementary promotion on<br />
Strand engagement of Buena Vista's "The<br />
Misadventures of Merlin Jones."<br />
Daytz Circuit Opens<br />
Harvard Square Unit<br />
BOSTON — Al Daytz theatre interests<br />
have opened a new 500-seat house in Cambridge<br />
near Harvard Square called the<br />
Esquire, now playing "Point of Order."<br />
Daytz said the new theatre will run first<br />
runs with downtown Boston theatres.<br />
Daytz interests now operate the Park<br />
Square Cinema and the Kenmore Square<br />
Cinema in downtown Boston. The Esquire<br />
is the third theatre in their new art circuit<br />
in Greater Boston.<br />
'Would-Be Stars' Should<br />
Await Discovery at Home<br />
WINDSOR, CONN.—The would-be<br />
acting<br />
"star " his home town for<br />
Broadway or Hollywood isn't necessarily<br />
taking the right step, Allen M. Widem.<br />
Hartford Times amusements editor, told<br />
the Windsor Jesters.<br />
Talent scouts for both theatre and motion<br />
pictures-television visit metropolitan<br />
Hartford regularly, he commented, and are<br />
able to adequately judge capabilities on<br />
home grounds,<br />
"The key to success, of course, is adequate<br />
preparation. " added. "The trick<br />
that tmns the key is being seen at the<br />
right time in the right circumstance."<br />
'Peyton Place' Author<br />
Grace Metalious Dies<br />
GILMANTON, N.H. — Grace Metalious,<br />
39. of Gilmanton. who gained nationwide<br />
fame and made an estimated million dollars<br />
by writing several sensational novels<br />
which were made into motion pictures, died<br />
of a liver ailment at Beth Israel Hospital<br />
in Boston, February 25,<br />
The novelist, whose own life was almost<br />
as crowded with drama as the characters<br />
in her books, wrote Peyton Place, Return<br />
to Peyton Place. The Tight White Collar<br />
and No Adam in Eden.<br />
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BOXOFFICE March 9. 1964 NE-1
. . Jimmy<br />
1<br />
.<br />
BOSTON<br />
Kfarjory Adams. Bastoii Globe film critic,<br />
was citi'd us of "truly lop stature" In<br />
the February 21 Issue of Life magazine in<br />
an article about Joan Crawford's press conference<br />
here . Fund certificates<br />
of merit have been presented by William<br />
S. Koster. executive director of the Jimmy<br />
Fund to Lt. Col. Franklin C. Davis, commanding<br />
officer. U.S. Army recruiting main<br />
station. Boston Army Base, and to M Sgt.<br />
Frank J. Carr for "extraordinary cooperation<br />
which they volunteered during the<br />
Jimmy Fund drive." George Patenaude of<br />
the Variety Club of New England assisted<br />
Koster in the presentation ceremony.<br />
The Soulh Knd Music Center is sponsoring<br />
an advance showing of "Becket" Monday.<br />
April 6, at the Gary Theatre, which stars<br />
Richard Burton as Thomas A. Becket.<br />
Proceeds will go to the student aid fund of<br />
the South End Music Center, focus of<br />
musical excellence in the south end for<br />
more than 50 years. Richard Burton wi'l<br />
be here in person during the showings of<br />
ENDLESS<br />
• URNS TH( CNTIRI<br />
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EXHIBITORS, NOTE:<br />
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Which<br />
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BOXOFTICE :; March 9, 1964 NE-3
theatre<br />
. . Jim<br />
.<br />
Ella<br />
I<br />
Marge Mortensen Enjoys Challenge VERMONT<br />
Of Managing Willimantic Capitol<br />
By ALLEN M. WIDEM<br />
WILLIMANTIC. CONN. One of Coiin.cticut's<br />
half dozen female theatre managers,<br />
trim Mrs. Marse Mortensen of the<br />
downtown, first-run Stanley Warner Capitol<br />
finds her job vigorously challenging.<br />
Moreover, she's readily "accepted" by<br />
the predominantly male atmosphere.<br />
Wh.Mi the male 'world' of managers on<br />
the Stanley Warner circuit gets together,"<br />
she told this <strong>Boxoffice</strong> correspondent,<br />
"there doesn't seem to be much more than<br />
passing acknowledgement of the fact that<br />
th.'re are only a few gals in the room.<br />
"Th? main business—and rightly so. of<br />
course— is that we're all in show business.<br />
Soft-spoken Mrs. Mortensen got into<br />
the exhibition field through a casual phon^call<br />
some three and a half years ago.<br />
"I called the then manager, Edward<br />
Stewart, and asked if he needed a new<br />
cashier. He told be to come on down for an<br />
interview."<br />
A year and a half later. Mrs. Morensen<br />
had m.oved up to managership, spiritedly<br />
swinging into constant community-conscious<br />
activity, including the American Red<br />
'<br />
Cross Bloodmobile pas.ses awardea<br />
to donors I.<br />
She's conducted "searches" for moviestar<br />
Icokalikes, hosted special kiddies matinees<br />
and scheduled series of motion pic-<br />
POGO, WE<br />
'0017A CON{-<br />
THENEEP<br />
FOR PEOPLE'S<br />
SUPPORT<br />
OF THE<br />
WAWERJCAN<br />
N CANCER<br />
SOatTYl<br />
WE GOTTA<br />
REACH<br />
eVER'/BOOy<br />
WITH THE<br />
ETC<br />
ture classics on patron request.<br />
Is there a future for female theatre managers?<br />
"Yes!" she says emphatically.<br />
"This business has always been and probably<br />
will be a male business, but there is<br />
room lor a gal willing to work beyond the<br />
regularly accepted '9 to 5' shift and also<br />
wanting to sit down and devise ways and<br />
movie promotion.<br />
means of<br />
"Of course, this means a lot of late<br />
hours and. understandably, weeks, and unless<br />
you're willing to concede these things,<br />
why. the future is bleak."<br />
HARTFORD<br />
. .<br />
Fileen McClure has been named assistant<br />
manager of the Stanley Warner Palace.<br />
Norwich . . . Mrs. Audrey Rushon,<br />
Lockwood & Gordon's Windsor Plaza, distributed<br />
novelties to the first 25 patrons on<br />
the opening night of Warners' "4 for<br />
Texas" . Brooks LeWitt, owner-manager<br />
of the Berlin Drive-In, provided free coffee<br />
after the second feature screening during<br />
a triple-film program.<br />
Sam Scheckter, at one time Springfield,<br />
Mass.. district manager for E. M. Loew's<br />
Theatres and more recently in the discount<br />
shopping center field, has opened his<br />
own advertising agency, to be known as<br />
Advertising Promotions, at 146 Chestnut<br />
St.. Springfield. Some years ago, Scheckter<br />
was with Warner Bros. Theatres in this<br />
district, supervising the Colonial mow the<br />
Lockwood & Gordon Cinerama<br />
i<br />
Bob Tirrell,<br />
Lockwood & Gordon district<br />
manager, screened Warner's "The Incredible<br />
Mr. Limpet" at the Windsor Plaza for<br />
circuit managers and press . Kelly,<br />
Universal's Connecticut sales supervisor,<br />
reports continuing top grosses for "Charade."<br />
the Cary Grant-Audrey Hepburn<br />
starring vehicle holding over despite subzero<br />
weather and attendant patron discouraging<br />
factors in both large cities and<br />
tiny hamlets across the state.<br />
Arthur Lockwood, president, and Doug<br />
Amos, general manager. Lockwood & Gordon<br />
Enterprises, met with Manny Friedman.<br />
Hartford resident manager, on upcoming<br />
product for the Cinerama Theatre.<br />
UA-Stanley Kramers "It's a Mad, Mad,<br />
"<br />
Mad, Mad World is to follow current<br />
"South Seas Adventure" at the de luxe<br />
showcase.<br />
"Thret- Prot
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
.Very<br />
"<br />
—<br />
Academy Nominations<br />
Lift Toronto Films<br />
TORONTO—There was plenty of excitement<br />
all at once, what with five theatres<br />
Ijlaying features for which Academy<br />
Award nominations were announced, two<br />
brand new side-by-side theatres being<br />
opened in a suburban shopping center, and<br />
Richard Burton and Elizabeth Taylor rating<br />
extra attention because of the opening<br />
of his Hamlet at the O'Keefe Centre. Also<br />
adding to a resurgence of interest in films<br />
was the introduction of three new pictures,<br />
"Sunday in New York" at Loew's, "Seven<br />
Days in May" at the Imperial and affiliated<br />
theatres and "To Bed ... Or Not to Bed"<br />
at two units, along with the Clay vs. Listen<br />
fight film at ten theatres.<br />
(Average Is 100)<br />
Carlton— It's a Mod, Mad, Mad, Mad World<br />
(UA-Cineroma), 11th wk 105<br />
Hollywood Love With the Proper Stranger (Para),<br />
3rd wk 105<br />
Hyland Tom Jones (UA-Lopert), 10th wk 110<br />
Imperial Seven Doys in Moy (Para) 115<br />
Loew's Sundoy in l^ew York (MGM) 115<br />
Tivoli—The Cardinal (Col), 11th wk 105<br />
Towne To Bed ... Or Not to Bed (IFD) 110<br />
University Cleopatra (20th-Fox), 36th wk 105<br />
Uptown Charade (Univ), 10th wk 100<br />
Outstanding Product Attracts<br />
Good Attendance in Montreal<br />
MONTREAL—<strong>Boxoffice</strong> results of the<br />
first-run theatres of Montreal were satisfactory<br />
as the various theatres continued<br />
good programs. At the Alouette Theatre,<br />
'Cleopatra" was kept on for a week more<br />
than intended and attendance was good to<br />
see the big picture for the last time in<br />
Montreal— for a while. At Cinerama's Imperial.<br />
"It's a Mad, Mad, Mad, Mad World<br />
continued as a solid attraction. "The Cardinal"<br />
was well patronized and the Seville<br />
in latest advertising for the picture, of<br />
course, drew attention to its several nominations<br />
for Oscar awards.<br />
Alouette Cleopatra (20th-Fox), 36th wk Good<br />
Avenue Lord ot the Flies (IFD), 3rd wk Good<br />
Capitol Palm Springs Weekend (WB) Good<br />
Cinema Festival Le Coporol Epingle (SR), 3rd wk. Good<br />
C.nema Place Vjlle Mane The Conjugal Bed<br />
(IFD), 10th wk Good<br />
Dcrvol Theatre (Red Room) In the French Style<br />
(Col)<br />
Good<br />
Dcrvol Theatre (Salle Doree) Sword of<br />
Lancelot (Univ) Good<br />
Imperial— It's a Mad, Mad, Mad, Mad World<br />
(UA-Cineromo), 11th wk Excellent<br />
K?nt Mrs. Gibbons' Boys (SR) Good<br />
Loew's Move Over, Darling (20th-Fox), 3rd wk. Good<br />
Poloce Charade (Univ), 2nd wk Good<br />
Seville The Cardinal (Col), 5th wk Excellent<br />
Westmount All the Way Home (Para) Good<br />
Good Weather Keeps Patrons<br />
A'way From Vancouver Theatres<br />
VANCOUVER—Cold with clear skies and<br />
strong sun during the afternoons sent people<br />
out on to the highways for the weekend.<br />
Gas stations and roadside eating stands did<br />
midsummer business but did not leave too<br />
much for the downtown theatres, particularly<br />
on Sunday. The Liston-Clay affair<br />
kept most people home Tuesday except for<br />
those attending the closed circuit telecast<br />
showings at the Agrodome and Exhibition<br />
Gardens at PNE grounds.<br />
Copitol The Priie (MGM), 4th wk Fair<br />
Odeon The Cardinal (Col), 10th wk Slow<br />
Orpheum— 4 tor Texos (WB) Very Good<br />
Paradise McLintock! (UA), moveover, 4th wk. Good<br />
Pork Carry On, Cobby (Governor), 3rd wk Foir<br />
Strand Holiday in Spain (SR) Average<br />
Studio This Sporting Life (IFD), 4th wk. . Good<br />
Vogue, SIX other theatres Doctor in Distress<br />
(SR)<br />
Average<br />
Interior scenes of Paramount's "The Circus"<br />
were filmed at the Samuel Bronston<br />
Studios in Madrid.<br />
Immigration Up in '63;<br />
UK Arrivals in Lead<br />
OTTAW.^— Immigration, one of the<br />
brightest factors in the future of Canadian<br />
theatres last year, continued the upward<br />
trend started in 1962. A total of 93,151 persons<br />
entered the Dominion in 1963, a gain<br />
of 18,565. The arrivals from the United<br />
Kingdom was up sharply, from 15,603 to<br />
24,603.<br />
Guy Favreau, minister of citizenship<br />
and immigration, has set a goal for his department<br />
of 100,000 new Canadians in 1964.<br />
He pointed out that new offices in various<br />
countries had been and were being opened;<br />
a vigorous promotional program was under<br />
way: and that some regulations, especially<br />
those for doctors, were being eased in<br />
search of young, skilled workers and businessmen<br />
with capital and experience. Two<br />
extra offices have already been opened in<br />
Prance.<br />
Immigrants from Italy ranked second in<br />
1963, with 14,427 as against 13.641 the year<br />
before. Italians led the new arrivals for the<br />
five years from 1957 to 1961.<br />
Immigration from the United States<br />
the third largest supplier of new residents<br />
for Canada—rose slightly last year to 11,-<br />
736 from 11,643.<br />
There were increases as well from other<br />
major sources of Canadian immigration:<br />
from Germany to 6,744 from 5,548: from<br />
Greece to 4,759 from 3,741: from Portugal<br />
to 4,000 from 2,928: and from France to<br />
3,569 from 2,674.<br />
Immigration from Hong Kong, which<br />
dropped sharply in 1962 following an<br />
RCMP crackdown on a Chinese immigration<br />
racket, jumped to 1,008 from 426.<br />
Most of last year's immigrants were<br />
headed for destinations in Ontario— 49.-<br />
216. Quebec drew 23,264, British Columbia<br />
9,254 and Alberta 4,731.<br />
Immigration from all European countries<br />
increased to 68,896 from 53,650, accounting<br />
for most of the overall increase. There<br />
were 2,431 from African countries, 1,369<br />
from the Middle East, 2,543 from other<br />
Asian countries, 1,692 from Australia and<br />
New Zealand, and 2,163 from Mexico, Central<br />
and South America.<br />
$900,000 FPC Theatre<br />
For West Vancouver<br />
WEST VANCOUVER—Famous<br />
Players<br />
plans to build a 900-seat theatre at Park<br />
Royal that will cost more than $900,000<br />
Maynard Joiner, general manager of Famous<br />
Players for British Columbia, will<br />
place the plan before municipal council<br />
here.<br />
Famous Players asked permission to build<br />
the theatre immediately west of the new<br />
Park Royal bowling alley.<br />
Reeve Alex Forst said it would be built<br />
at a cost of $900,000 to $1 million.<br />
Patsy Awards April 4<br />
From Western Edition<br />
HOLLYWOOD—The American Humane<br />
Society's 14th annual Patsy award, the<br />
animal world's counterpart to motion picture's<br />
Oscar and television Emmys. will be<br />
presented April 4 at the RKO Pantages<br />
Theatre. The nominations of animals performing<br />
in motion pictures and television<br />
in 1963 will be announced soon.<br />
Filmmaking Project<br />
Moves a Step Ahead<br />
MONTREAI The National Film Board<br />
has set up a six-man advisory committee<br />
to help deal with applications under the<br />
Franco-Canadian agreement on the sharing<br />
of films and film production. Primarily<br />
affected are the projected featurelength<br />
films in both French and English.<br />
NF^ chairman Guy Roberge, Montreal,<br />
announced that the following film industry<br />
representatives would work with him on<br />
the project ithe members were appointed<br />
for one year<br />
i<br />
:<br />
Don Wilder of Peterson Productions, Toronto:<br />
Claude Jutra, president of L'Ass'n<br />
Profe-ssionnelle des Cineastes, which comprises<br />
some 104 filmmakers of Quebec and<br />
other Canadian provinces: Charles Everett,<br />
president of the Association of Motion Picture<br />
Laboratories of Canada, Ottawa:<br />
Pierre Harwood of Omega Films, and<br />
Pierre Juneau and Michael Spencer of the<br />
Nat'onal Film Board, Montreal.<br />
The coproduction agreement between<br />
France and Canada was signed last<br />
autumn by Paul Martin, Canadian minister<br />
of external affairs, and French minister for<br />
cultural affairs Andre Malraux.<br />
Juneau, one of the prime movers of the<br />
film treaty, explained that the agreement<br />
opens the door for French financing of<br />
Canadian films. Canadian filmmakers<br />
could obtain part of ther financing in<br />
France if they agreed to import a proportional<br />
number of cast and crew from<br />
France If, for instance. Fiance put up 30<br />
per cent of the money, they could expect<br />
that 30 per cent of the cast and crew would<br />
bo French.<br />
The treaty will also facilitate the distribution<br />
of such coproduced films in France,<br />
where fims of national origin are subsidized<br />
by the government and foreign<br />
fi'ms are admitted and distributed on a<br />
quota system. Under the treaty, Canadian<br />
fi'ms made jointly by Canadian and<br />
French producers would be distributed as if<br />
they were French.<br />
Juneau said that when two film producers,<br />
one in France and one in Canada,<br />
get together on such a deal, "some authority<br />
in each country has to examine the<br />
project and certify that it is bona fide."<br />
The new committee on which Juneau serves<br />
has been set up for that purpose and "not<br />
to judge the value of scripts or to make<br />
judgments about the artistic quality of<br />
the project."<br />
Norman Jackson. Auditor<br />
For Famous Players, Dies<br />
TORONTO—Norman Jack.son, 63, as-<br />
.sistant general auditor for Famous Players<br />
Canadian, died at his home here. He<br />
joined FPC in 1923 when that company<br />
took over operation of the Allen theatres.<br />
He was presented a silver tray last year<br />
to mark 40 years with the company. Surviving<br />
are two daughters, now married to<br />
Frank McLaven and Robert Elliott, and a<br />
brother Frank.<br />
Manager<br />
Vaughan Publicity<br />
From Western Edit;cn<br />
HOLLYWOOD—Braverman-Miri.sch has<br />
set Al Vaughan as publicity manager for<br />
the Hollywood-New York based advertising<br />
and public relations organization. Vaughan<br />
checks into his new post immediately.<br />
BOXOFFICE March 9. 1964 K-1
. . Paul<br />
MONTREAL<br />
Kfany local theatres started showing the<br />
official pictures of the Sonny Liston-<br />
Cassius Clay championship boxing fight<br />
just two days following the Miami match.<br />
The following United Amiusement Corp.<br />
houses added the fight film to their regular<br />
feature programs— the Strand. Rialto.<br />
Savoy, Dorval and the Versailles' Blue and<br />
Red rooms, the Francais. Rivoli. Papineau<br />
and Granada ... An estimated 9.000<br />
persons paid more than $40,000 to watch<br />
Cassius Clay defeat Sonny Liston at Montreal<br />
Forum s closed-circuit television presentation.<br />
It was the first time that the<br />
Forum ventured into that field and Ken<br />
Reardon. general manager, said. "It was<br />
an experiment and well worthwhile. We<br />
felt that the picture we received was excellent."<br />
Nate Halpern. president of Theatre<br />
Network Television, said that the<br />
Montreal venture was very satisfactory.<br />
Jean-Pierre Desmarais. president of Select<br />
Films, reported he had made a wide<br />
choice of films during his stay in Paris.<br />
Back home a few days Desmarais left on<br />
another buying trip for his distributing<br />
company. Before leaving he enjoyed a<br />
weekend of skiing with his son. Desmarais<br />
is also a great lover of fishing and hunting<br />
. Gendron. owner of the Laurier<br />
Cinema of Victoriaville and of the Drummond<br />
Theatre of Drummondville. was vacationing<br />
in Miami Beach, from where he<br />
postcarded Archie Cohen and Eddie White,<br />
manager and booker at Warner . . . Andre<br />
Pepin of Art-Films was in Quebec City<br />
on business.<br />
Ernest Cousins. 98. grand old man of<br />
Montreal and one of the founders of United<br />
Amusement Corp.. was given high homage<br />
BEST THEATRE SUPPLY REG'D<br />
4810 Saint Denis Street<br />
Montreal 34<br />
Tel. No. 842 6762<br />
Car} now serve you beiter from<br />
larger quarters and extended<br />
repair department<br />
Complete booth equipment<br />
Auditorium seating<br />
Marquee letters<br />
Sound screens & Scope lenses<br />
Extensive stock of replacement parts<br />
Marquee letters & boards
I<br />
remodeled<br />
1 of<br />
I handled<br />
'<br />
Qttawa<br />
I<br />
inations<br />
I annual<br />
,<br />
Santa<br />
[<br />
demy<br />
I<br />
i<br />
Heavy damage resulted from a fire which<br />
gutted the modern Azure Theatre at Mani-<br />
waki north of here when a spotlight ignited<br />
j<br />
stage drapes while preparations were be-<br />
I<br />
ing made for a fashion show Saturday.<br />
i<br />
I<br />
I<br />
flames<br />
. ister<br />
! odicals<br />
,<br />
per<br />
]<br />
market.<br />
;<br />
did<br />
i<br />
'<br />
at<br />
1<br />
'<br />
sive<br />
I<br />
I<br />
I<br />
j<br />
I<br />
. mention<br />
. . The<br />
. . The<br />
. . . The<br />
. . . Paulette<br />
. . NFB's<br />
. . Sam<br />
:<br />
Toionto-Hamilton section, where the lowest<br />
wage for males is $1 per hour and<br />
85 cents for women . Academy at<br />
Lindsay, which was closed in 1956, will be<br />
for which a community fund<br />
$56,000 has been raised to enable the<br />
theatre to operate once more. At Waterloo,<br />
the Waterloo which has 632 seats has<br />
been reopened with a cinema policy following<br />
completion of renovation.<br />
.<br />
.<br />
Elizabeth Taylor attended a screening of<br />
"Becket" at the FPC University in Toronto<br />
where the lengthy "Cleopatra" is showing.<br />
Richard Burton stars in both productions<br />
The appointment of Bertrand Frank,<br />
.<br />
a<br />
.<br />
salesman as manager of the Montreal<br />
branch for Astral Films, succeeding William<br />
Elman who becomes eastern division<br />
manager, was announced by Jerry H. Solway<br />
Clay vs. Liston fight film.<br />
by 20th-Fox, opened at ten chain<br />
theatres in Toronto.<br />
OTTAWA<br />
exhibitors eagerly awaited nomannouncement<br />
for the 36th<br />
Oscar awards to be presented at<br />
Monica April 13. Local arrangements<br />
are under way for the annual Aca-<br />
Sweepstakes by the Ottawa Theatre<br />
Managers Ass'n. headed by J. C. Brennan<br />
of the FPC Capitol.<br />
Francois Theriault, whose father built the<br />
theatre in 1949. suffered bm-ns to his face<br />
and hands when he tried to extinguish the<br />
before firemen arrived. The estimated<br />
loss was $165,000, mainly in destruction<br />
of the interior.<br />
. . . "The<br />
The government headed by Prime Min-<br />
L. B. Pearson has revived a proposal<br />
I for the banning of trade and other peripublished<br />
outside of this country<br />
which contain advertising of more than 5<br />
cent aimed specifically at the Canadian<br />
The previous federal government<br />
not implement the proposal<br />
Cardinal" secui-ed a sixth substantial week<br />
the Nelson, a unit of 20th Century Theaires.<br />
"Move Over, Darling" was impresin<br />
its multitheatre presentation for a<br />
third week at the Elmdale and Somerset<br />
and the Queensway Drive-In.<br />
A site on Confederation Square in the<br />
heart of the Canadian capital has been selected<br />
for the National Center for the Arts,<br />
a federal project expected to cost $9,000,-<br />
000. Plans make provision for a stage theatre,<br />
music hall and other features but no<br />
is made of a cinema.<br />
EVERYTHING FOR THE THEATRE<br />
MOTIOGRAPH Equipment<br />
Complete line focfory ports<br />
EXPERT REPAIRS r,or.°«?or°:<br />
We Sell and Service<br />
Theatre Chain, Rectifiers, Arc Lamps<br />
Sound Equipment, 16mm and 3Smm Prolectar*<br />
SHARP S THEATRE SUPPLIES, Ltd,<br />
Phones AM 2-7266 and AM 2-4076<br />
104 Fourth St, S,W. Calgary, Alt.<br />
VANCOUVER<br />
The Clay-Liston fight over closed TV circuit<br />
in Vancouver, Victoria. Winnipeg<br />
and Calgary, was handled by Northwest Releasing,<br />
the Doug-Isman-Solly Volchock<br />
organization. It was presented in the PNE<br />
Gardens and the Agrodome to an estimated<br />
5,000, well under capacity, but profitable.<br />
The reception, sound, and picture was<br />
okay at the gardens, but at the Agrodome<br />
the sound was like early talkies and the<br />
picture like a peepshow. Hugh Picket of<br />
Famous Artists handled the ticket sale,<br />
which was a switch for this longtime film<br />
buff who has, or has had, finest collection<br />
of stills circa 1933-40 on the Pacific coast.<br />
He generally handles traveling road companies,<br />
singles, and even amateur light<br />
opera companies from lower mainland.<br />
Kelly, son of Sucha Singh, was in town<br />
to set booking for an early March opening<br />
of the Sundown Drive-In, Kamloops. This<br />
airer on the main Ti'ans-Canada highway<br />
is now in nice spot with new motels, both<br />
open and under construction all around it<br />
opening of Roger's Pass route<br />
through the Rocky mountains makes direct<br />
connection between Calgary and Vancouver<br />
by way of Fraser canyon, has<br />
boomed the tourist and camping trade in<br />
Kamloops, Salmon Arm, Sicamous and<br />
Revelstoke where the theatres have been<br />
hit by TV. Sicamous, formerly just a<br />
transfer point for shuttle service to Okanagan<br />
Valley, now is large tourist center<br />
with 15 motels. Almost all the Mara Lake<br />
frontage has been taken up at $100 a<br />
front foot. This sum would have bought<br />
the entire acreage ten years ago. The same<br />
situation exists around Shuswap Lake, the<br />
Salmon Arm district, Okanagan and Skaha<br />
Lakes, touching Vernon, Kelowna and<br />
Penticton. The whole area is one big<br />
year-around playground with vast potential.<br />
Roger's Pass handled over a million<br />
people last year.<br />
Herb Stevenson of Prince George, Revelstoke.<br />
Sylan Lake and Edson was in<br />
town to confer with Owen Bird and West<br />
Coast Booking Service on new product and<br />
spring bookings. He left for Los Angeles<br />
for a week or ten days . McLimor,<br />
owner of the Capitol and Yukon at Whitehorse,<br />
was at West Coast Booking.<br />
Several drive-ins in the Lower Mainland<br />
district reopened Friday 1 6 > for the season<br />
the Surrey, operated by Lionel Courchene<br />
on King George highway: the Hillcrest,<br />
Trans-Canada highway, owned by Lome<br />
Dainard, and the Chilliwack, Ralph Clark<br />
Kind, former MGM steno-biller<br />
who resigned several weeks ago, gave birth<br />
to a baby daughter recently. Sally Hayden<br />
succeeded her at MGM.<br />
Dick Sharp succeeded Dick W>inenka, resigned,<br />
as inspector . "The Columbia"<br />
has been booked at the Strand<br />
Theatre by Nat Levant. The production,<br />
acclaimed by critics, is very timely in this<br />
area since the signing by Canada and<br />
the U.S. of a treaty for development of<br />
the upper Columbia River. Bill Orr of<br />
NFB had book marks at all libraries and<br />
book stores advertising the feature.<br />
. . .<br />
Rock Andrus jetted to Ottawa, Toronto<br />
and Chicago on business for Modern Film<br />
Distributors, of which he is owner. Andrus<br />
has Canadian rights to Mom and Dad.<br />
Street Corner and Because of Eve<br />
Gerry Sutherland, district manager for<br />
Odeon Theatres, was quoted in <strong>Boxoffice</strong><br />
of April 8, 1963, on the opening of the new<br />
Odeon, built on the site of the Plaza here,<br />
as follows: "The Vancouver New Odeon<br />
is a $225,000 gamble,—Were gambling that<br />
TV will continue to show the same kind<br />
of stuff that it's showing now. The thinking<br />
middle class people are being driven<br />
away from their TV sets and back into<br />
the theatre." Judging by the activity now<br />
going on in refurbishing and reopening<br />
Odeon theatres in metropolitan Vancouver.<br />
Odeon's gamble is paying off.<br />
Quoted in the press, and interviewed<br />
over CBC TV last week, Odeon's Sutherland<br />
has this to say:<br />
. . . "Lawrence<br />
"Irma La Douce" still is one of the<br />
biggest boxoffice attractions in Odeon<br />
history in British Columbia<br />
of Arabia" still was doing well after nine<br />
months at roadshow prices, more business<br />
than some films do when they first open.<br />
And coming soon to the New Odeon is<br />
"Tom Jones." which Sutherland confidently<br />
predicts will be the record-breaking<br />
movie of the year.<br />
Harry Woolfe. United Artists, reported<br />
"Irma La Douce," since breaking at the<br />
Vogue and a seven-house multiple break<br />
in October has been off Vancouver screens<br />
only two days in 20 weeks. In that time<br />
it has racked up 60 weeks of playing time,<br />
far in excess of the total playing time<br />
received by any special in pre-TV days in<br />
a year in the same area. Currently at the<br />
Circle, a house in a lower income bracket<br />
district, it is completing its seventh week.<br />
This house normally has trouble stretching<br />
even top product two weeks. After Circle.<br />
"La Douce" is slated to go back downtown to<br />
the Paradise for a further extended run.<br />
George Abernathy of the Park at Parksville<br />
was in on regular visit. This mid-Vancouver<br />
Island town hemmed in by Nanaimo<br />
and Port Alberni. both with large<br />
shopping centers, has had tough sledding<br />
lately, particularly with almost perfect<br />
TV reception . . . Ted Bradley, operator of<br />
a 16mm Maple Leaf Service Theatre in<br />
the army camp at Chilliwack, also was in<br />
lining up bookings.<br />
i<br />
FOR SALE<br />
y>x-::.;^:=i5<br />
BOXOFFICE March 9. 1964 K-3
ANY WAY YOU MEASURE IT<br />
i<br />
BOXOFFICE IS FIRST AND FOREMOS<br />
— read and relied on by more theatremen than any ofher film trade journal in the world!
^<br />
c-auutme^tit'<br />
MARCH 9, 1964<br />
SECTION OF BOXOFFICE<br />
r/ii's handsome, two-lane, self-service snack bar in the new Rolling Hills Theatre, a hardtop in Torrance, Calif., was done<br />
in drive-in theatre style, and offers popcorn, ice cream and cold drinks. Vending machines supplement the stand.
ANY. uto. U.S. p»r. err<br />
o 1M3, rcpsi-coi.> commnv<br />
Now it s Pepsi- UP FRONT EVERYWHERE<br />
TV, Radio, Magazines, Newspapers, Outdoor Posters, Point-of-Sale-Pepsi is<br />
one of the world's largest advertisers, in all media. That's why more and<br />
more people today are saying "Pepsi, please!" Pepsi is moving out front<br />
. . display it<br />
.<br />
up front! Call your local Pepsi -Cola Bottler today, or write:<br />
National Accounts Dept., Pepsi-Cola Company, 500 Park Avenue, N. Y. C.<br />
PEPSICOLA<br />
The MODERN THEATRE SECTION
The mitLtiLL IN ew<br />
L-^TLJ >X<br />
MORE LIGHT<br />
for all Indoor theatre screens up to 65 feet<br />
and drive-In screens up to 120 feet.<br />
PROJECTION ARC<br />
A Product of<br />
LAMP<br />
LESS COST<br />
The ^tx^ Electric Corporation<br />
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Phone; (419) 248-3741<br />
to buy and less to use. Efficient utilization<br />
of standard 20-lnch carbons Insures THE<br />
GREATEST AMOUNT OF LIGHT EVER DE-<br />
LIVERED PER CARBON DOLLAR. Permits<br />
projection of an extra reel per carbon.<br />
Brochure on request<br />
^A^IDER USE<br />
Matches the optical requirements of all 35mm<br />
and 70mm projectors. A single knob allows<br />
instant change between film widths. A calibrated<br />
scale with reference pointer facilitates<br />
precise reset of burner focus ... a Strong<br />
exclusive.<br />
GREATER CONVENIENCE<br />
Unit construction permits instant removal of<br />
components for cleaning and inspection. 25%<br />
lower silhouette permits easy installation in<br />
low-celling projection rooms.<br />
The FUTU R A I<br />
for utmost economy in operation with standard<br />
11mm carbon trim burning at 75 to 105<br />
amperes.<br />
MORE FEATURES<br />
The FUTU RA n<br />
with automatic crater positioner for 13.6mm<br />
carbon trim burning at 120 to 160 amperes,<br />
or for 11mm carbon trim burning at 100 to<br />
125 amperes.<br />
New type relocated arc Imager system eliminates<br />
parallax. Big 18-inch first surface Strong<br />
Tufcold reflectors used in lamps operating<br />
above 95 amperes assure lower aperture<br />
temperatures. Silvered reflectors used in<br />
lamps burning under 95 amperes. Streamlined<br />
ammeter for reading arc current. Automatic<br />
trimming light. Inside dowser system<br />
BOXOFFICE March 9, 1964
I MODBRH MARCH 9, 1964<br />
o n t n I<br />
0
HERE'S<br />
WHY YOU SHOULD BE<br />
OFFERING YOUR CUSTOMERS<br />
Dr PEPPER - BOTH WAYS*<br />
The reason is demand. When any product<br />
aren't offering them both Dr Pepper and<br />
increases in sales for a number of con-<br />
Dietetic<br />
Dr Pepper.<br />
secutive years,<br />
more and more people are<br />
Remember, Dr Pepper is<br />
not a copy of some<br />
making that product their favorite. Dr Pepper<br />
soft drink you might already sell.<br />
Dr Pepper<br />
fountain sales have steadily increased for 15<br />
years — and Dr Pepper fans have increased<br />
is<br />
not a cola or a root beer, but a distinctive<br />
blend of many deep fruit flavors.<br />
by the millions.<br />
That's why you<br />
might be overlooking true,<br />
Take advantage of this continuing growth in<br />
demand for Dr Pepper. Write to the Fountain-<br />
Vending Division, Dr Pepper Company, P. 0.<br />
complete service to your customers if you<br />
Box 5086, Dallas, Texas 75222.<br />
"B^V DRINK<br />
Dr Pepper<br />
Dr Pepper Company. Dallas, Texas 1964<br />
BOXOFFICE :: March 9, 1964
. The<br />
PIZZA PIES GO OVER BIG IN<br />
THREE EL<br />
PASO DRIVE-INS<br />
Jack Veeren, El Paso city manager for Stanley<br />
Warner of Texas, Inc., left, shows Phil Cato a<br />
delicious pizza just coming out of the oven at the<br />
Bordertown Drive-In Theatre of that city. Notice<br />
the big pizza menu card above the oven. Six<br />
varieties are offered— cheese, mushrooms, sausage,<br />
anchovies or pepperoni—or they may be had in<br />
combination.<br />
By JOHN C. WILSON<br />
Jack J. Veeren. city manager in<br />
El Paso, Tex. for Stanley Warner of Texas.<br />
Inc., has long been acclaimed the "dean"<br />
of concessions and merchandising art in<br />
the Southwest. The SW circuit's recent<br />
venture in introducing pizza pies has<br />
proven no less a challenge for the man<br />
who came to this country from his native<br />
Holland in 1949. a penniless husband and<br />
father. Since Manager Veeren has charge<br />
of four ozoners within the city limits—the<br />
Bordertown Twin-Screen (which is actually<br />
two theatres in onei, the Del Norte and El<br />
Pa.so. his responsibilities are four-fold in<br />
both theatre management and the concessions.<br />
A thorough and understanding individual,<br />
Veeren tells his story of success,<br />
primarily centered at the Bordertown. His<br />
praises for immaculate premises also go<br />
to his manager—Bob Wyatt.<br />
Courtesy! The most important Intangible<br />
Item tops the list in selling. Schools held at<br />
brief intervals, usually as a "surprise attack,"<br />
have proved the personnel to be experts<br />
in the marketing of this highly specialized<br />
item, pizza.<br />
Every member of the concessions team<br />
reports to work in clean white shirts,<br />
neatly pressed trousers and a spotless white<br />
apron. Each customer is greeted as if he or<br />
she is the only person to be served tonight.<br />
A cheerful "hello" or "good evening"<br />
.seems to put them in the right mood for<br />
buying. And, since our story concerns<br />
pizzas—here is how it is done in El Pa.so.<br />
THREE-PHASE PIZZA OVENS<br />
The old tried-and-proven adage of "you<br />
have to spend money to make money," is<br />
no less true at drive-ins. Three-phase pizza<br />
ovens made by the Bakers Pride Oven Co.<br />
were installed in the concessions of the<br />
drive-ins. Because of the volume of patronage<br />
at the Bordertown, two ovens were<br />
installed there: one each at the El Paso<br />
and Del Norte. Operating on 220 volts<br />
electricity, the ovens are compact and required<br />
no special type of installation.<br />
On the first night pizzas were available,<br />
banners were attached to the concessions<br />
counter, windows and walls. The attendants<br />
wore pizza badges and on the screen was<br />
a pizza trailer. The projectionist announced<br />
through the speaker system that<br />
free samples of pizza would be served within<br />
a specified time. Hundreds of adults and<br />
children swamped the concessions stand.<br />
Two ladies handed out samples the minute<br />
the patrons entered the door. The .snack<br />
bar attendants followed up on the giveaway<br />
by asking everyone how he liked the<br />
pizza and if he wanted to buy a pizza. The<br />
secret is to ask the patron alter he Tias<br />
taken the first bite of the sample. Also, the<br />
sample must be handed out when the patron<br />
comes in. Not later, this is very important,<br />
because if you give the sample at<br />
the end of the line there is no chance to<br />
sell the pizza. The free sampling Is repeated<br />
at the drive-ins on occasion.<br />
To put across a sales campaign, a few<br />
things are essential. First, everyone, from<br />
the manager on down, must be enthusiastic<br />
about the item: you cannot sell a product<br />
you do not believe in. Have plenty of sign<br />
advertisement and the help supplied with<br />
badges. A combination sale is also a good<br />
promotion. Such as: a large 46-ounce<br />
drlHk with a regular eight-inch pizza for<br />
only $1. At a predetermined time the projectionist<br />
announces over the speaker system:<br />
"From now i7:15i until 8:15 a really<br />
big special. Save 24 cents by buying a giant<br />
drink of your choice and a cheese pizza,<br />
regular size, for only a buck! Hurry, hurry,<br />
becau.se after 8:15 the price will be the<br />
regular $1.24 for this once-in-a-lifetime<br />
combination! Hurry, hurry, the pizzas are<br />
ready."<br />
PIZZA MUST BE READY TO GO<br />
Many special combinations can be<br />
The pizza must be made<br />
created this way.<br />
up in advance and really ready to go. If<br />
the patron has to wait, he will not be back<br />
the next time. Pizzas are also made up in<br />
advance on busy weekend nights. About<br />
six to eight pizzas are in the oven, ready to<br />
go and the customer walks out happy because<br />
he was served in a jiffy. The large<br />
12-inch size is sold for SI. 25 icheese) and<br />
$1.40 pepperoni I I<br />
small eight-inch size<br />
is sold for 65 cents icheese* and 75<br />
cents (pepperoni I. Another interesting fact<br />
is that the sales of other items have not<br />
dropped and the pizza sales continue to<br />
rise.<br />
The Bordertown is selling about 200<br />
pizzas a week, and with the other two<br />
drive-ins, about 400 to 500 are sold weekly.<br />
CLEANLINESS<br />
ESSENTIAL<br />
In this highly competitive business of<br />
selling to "public fancy." it is necessary to<br />
have something worthwhile to sell, in an<br />
atmosphere of absolute cleanliness, which<br />
is of paramount importance in both the<br />
selling area and the stoclcroom. All operations<br />
are kept spotlessly clean. Painted a<br />
semi-glo.ss white, the walls and fixtures are<br />
not allowed to become untidy: an appearance<br />
that would most certainly discourage<br />
patrons' appetites. Repainting is done<br />
whenever necessary, walls and paneling are<br />
washed down frequently and stock is arranged<br />
for eye appeal.<br />
Attendants at the Bordertown Drive-ln display the eight and 12-inch pizzas which the theatre concessions<br />
bakes, while a lovely patron samples a cut of the popular Italian-born pastry Because of special con<br />
struct/on of the ovens, t>oth sizes of pies are baked for only three minutes at 625 . Crusts, and all the<br />
fixin's ore obtained from Original Pizza Supply<br />
The MODERN THEATRE SECTION
—<br />
NEED FOR MORE IMPROVEMENT IN<br />
variety, better displays and more suggestive<br />
selling by attendants to create plus<br />
sales.<br />
"Employe Training: The Power of Suggestion"<br />
was touched on by B. F. Ross,<br />
CONCESSIONS OPERATIONS CITED The Coca-Cola Co., Los Angeles.<br />
"When a waitress takes an order and<br />
47<br />
—<br />
'2<br />
43<br />
per<br />
per<br />
cent increase:<br />
cent increase; confectionery<br />
vending machines<br />
stores<br />
that is all, she doesn't sell anything," said<br />
—40 per cent increase: government—40 Ross. "Selling is the art of influencing a<br />
C DWARD S. per cent increase: variety stores—27 per customer's thinking to cause him to purchase<br />
what we want him to purchase. One<br />
Redstone, Northeast cent increase, while theatres showed a<br />
Diive-In Theatre decrease of 28 per cent.<br />
way is through suggestion. About 65 per<br />
Corp.. Boston, and<br />
Bush said that the 28 per cent loss of cent of your customers will purchase suggested<br />
items. A simple suggestion and you<br />
president of the National<br />
Ass'n of Con-<br />
candy sales in theatres would seem to indicate<br />
that candy is not keeping pace in have a bigger order, and all that it takes<br />
cessionaires,<br />
holding its share of that source of total is a few extra words."<br />
addressed more than<br />
volume and suggested that the opportunity<br />
100 amusement-recreation<br />
industry con-<br />
In relating the "Ice Cream Story." Forest<br />
to sell more candy exists and deserves careful<br />
consideration, regarding a wider<br />
Continued on page 17<br />
cessionaires, equipment<br />
manufacturers<br />
[dward S. Redstone and suppliers during<br />
the two-day, western<br />
regional concessions conference sponsored<br />
by NAC at the Biltmore Hotel in Los<br />
Angeles. February 17 and 18.<br />
OVERLOOK IMPORTANT FACET<br />
PART OF EVERY GOOD PERFORMANCE<br />
In discussing the subject, "The Management<br />
of Improvement," Redstone declared<br />
CRUSH 'n corn is as much a part of a movie date as the movie itself. Your<br />
that "most of us are so involved in<br />
profits show what your customers know . . . popcorn and Orange-CRUSH<br />
running our respective businesses that we<br />
are a number-one combination with theater goers across the country. That's<br />
lose sight of the fact that an important<br />
'cause Orange-CRUSH has the refreshing taste they enjoy best. No orange<br />
facet of our enterprises should be the<br />
problem of improvement." Continuing, he<br />
drink sells like Orange-CRUSH. No other orange drink brings you a greater<br />
said: "Obviously, through improvement we volume of repeat business. That's because Orange-CRUSH is the best-liked<br />
might increase our sales, often decrease orange drink in the country.<br />
the cost of operations and, of equal importance,<br />
we more effectively compete." And remember: Grape-CRUSH, Fruit-CRUSH, CRUSH-Lemonade,<br />
Redstone spelled out three important HIRES ROOT BEER and OLD COLONY beverages are all members of<br />
steps for effective action:<br />
the same profit-making family.<br />
1. We must first be concerned with developing<br />
and maintaining a philosophy of<br />
improvement centering around the problem<br />
of attitude of our personnel.<br />
2. We must then use a procedure designed<br />
to implement the improvement, attitude<br />
and philosophy in everyday practice,<br />
and<br />
3. The final step in the process is the<br />
establishment of agreed-upon objectives.<br />
"Through improvement," he concluded,<br />
"management executives may find a new<br />
approach to future profits."<br />
Major C. Bush, national sales manager.<br />
Curtiss Candy Co., Chicago, emphasized the<br />
great opportunity that exists for increased<br />
candy sales in concessions.<br />
GREATER PUSH ON CANDY<br />
"My company feels it is on the threshold<br />
of being of real service to your industry,"<br />
said Bush, "with tested, proven-successful<br />
ideas which will be developed in your own<br />
type outlets through your own people. Let<br />
us assure you we will be anxious to see you<br />
with these ideas and suggestions as quickly<br />
as we are sure of their value and success."<br />
1963, according to Bush, was the first<br />
year in a long time that the candy industry<br />
growth exceeded the population increase.<br />
Some recent candy industry sta-<br />
SALES INCREASE WITH NEW CAFETERIA<br />
Larger Building, Centrally<br />
Located, Also Means Faster<br />
Service and Enlarged Menu<br />
I^Ei'LACEMENT OK AN Older and<br />
smaller concessions building at the Dearborn<br />
Drive-In in the west side Detroit suburb<br />
of Dearborn has brought an increase<br />
in the average concessions sale per customer<br />
of ten cents, according to owner<br />
James H. Ross. The new structure is<br />
located back in a more central position by<br />
approximately three ramps, and was considered<br />
actually so important that it was designed<br />
to require a net loss of 42 car positions<br />
in this big, modern 1.400-car theatre.<br />
The Dearborn Drive-In is an instance<br />
where major investment in new equipment<br />
for the concessions department has meant<br />
significant improvement in gross—in a<br />
highly competitive situation where customers<br />
expect the best. Dearborn patrons<br />
have at least 13 drive-ins of 1,000-car capacity<br />
or larger available to them. Something<br />
has to attract them, to this specific<br />
house—and Ross' policy is to offer something<br />
that will keep his patrons coming.<br />
There are two major advantages to the<br />
new concessions installation, according to<br />
Ross:<br />
1. Faster service is provided by the new<br />
building, with less crowding. There is<br />
orderly service, and everyone gets his allotted<br />
turn. With the former station operation<br />
in the old building, people had to<br />
reach over the heads of other customers,<br />
to get an order, and then push back<br />
through the crowd on the way out.<br />
No. 3 Attractiye, new and larger concessions building at the Dearborn (Mich.) Driye-ln Theatre, with<br />
glass doors leading into the arcade from the patio which is cement in o red and white pattern.<br />
2. The menu offered was enlarged to give<br />
patrons more of a choice and. in general,<br />
a larger variety of higher-priced items,<br />
which helps to account for the average<br />
higher unit of sale. Among items added<br />
were a three decker sandwich (similar to<br />
a "Big Boy"^ at 55 cents, steak sandwiches<br />
at 60 cents, fresh doughnuts. French fried<br />
potatoes at 25 cents, fried chicken at $1.75,<br />
and such specialties as fried shrimp and<br />
fried fish.<br />
3. The manner of serving was adjusted<br />
to expedite handling a large number of<br />
people in a hurry during the break. Thus,<br />
No. /. The Dearborn's former concessions and projection<br />
building with its substation building at right<br />
No 2 All that was needed of the old buildiryg was<br />
the remaining projection room and power station Concessions floor plan, Dearborn (Mich) Driye-ln. Scale— '»"=:/'-0".<br />
The MODERN THEATRE SECTION
self-service is stressed, with sanawicnes<br />
wrapped and plainly marked as to type and<br />
price. Automatic doors are provided—not<br />
only for entrance, but for exit, making<br />
this one of very few drive-ins where the<br />
customer may walk out with two hands<br />
loaded with purchases and not have to<br />
worry about opening a door. There are<br />
four serving lanes, one placed opposite each<br />
of the four doors, to provide ready access<br />
for all patrons.<br />
Ross says that the new setup has proved<br />
capable of handling all the customers that<br />
come into the concessions from a full<br />
house of 3,000 patrons, almost as fast as<br />
they come in.<br />
The concessions is operated by L & L<br />
Concessions Co. The new building was designed<br />
by Jack K. Vogel, architectural<br />
engineer, who has worked on many major<br />
theatre projects across the country.<br />
TWO PRIOR REMODELINGS<br />
Over a period of years, the concessions<br />
building had been redesigned twice, but<br />
the owner still felt that the volume of<br />
business achieved was not in proportion to<br />
the theatre's patronage, and improvements<br />
were sought accordingly, explained Julian<br />
Lefkowitz, operations executive of L & L<br />
Concessions, who provided information on<br />
the highly efficient new structure.<br />
The old building was actually 80 feet<br />
across but the arcade area was too shallow<br />
(or narrow) to permit installation of the<br />
cafeteria type of seiTice facilities which has<br />
become so popular. The new building is<br />
chamfered or cut off at the front corners,<br />
to permit a minimum reduction in the<br />
number of speaker positions. The new<br />
building would be 100 feet square except for<br />
this chamfer, or essentially tapering of the<br />
sides toward the front, so that the front<br />
is only 68 feet wide, providing good vision<br />
to a maximum number of car positions.<br />
The exterior is Roman brick and field<br />
stone. There are four sets of doors, one<br />
on each side and two in the front. All doors<br />
are electrically controlled. There is no exposed<br />
woodwork on the exterior.<br />
In front of the building is a patio area,<br />
16x68 feet, with a cement floor in two<br />
colors, red and white. The roof overhangs<br />
four feet along the sides and six feet in<br />
front, providing weather protection. The<br />
entire roof of the building is insulated,<br />
providing economy in heating.<br />
An interesting feature is the use of a<br />
brick-wall screen at the rear, so that rub-<br />
The Engineer Comments on Features<br />
Of the Dearborn Concessions Project<br />
JACK K.<br />
VOGEL*<br />
Jack K. Vogel<br />
VRIVE - IN<br />
THEATRES in the<br />
Detroit area are<br />
among the finest,<br />
most well-appointed<br />
in the country.<br />
Business is consistently<br />
good and<br />
it is good because<br />
of the keen, generally<br />
friendly<br />
competition b e -<br />
tween these auto<br />
movie owners. This<br />
competition causes an almost constant<br />
updating of the area's theatres—a sort<br />
of outdoing one another at every<br />
opportunity.<br />
One of the most aggressive is Jim<br />
Ross, owner of Detroit's 1,400-car Dearborn<br />
Drive-In Theatre on Ford road.<br />
Earlier this year, Ross commissioned us<br />
to design a new de luxe refreshment<br />
service building. The old station-type<br />
concessions building was adequate when<br />
the theatre was built in 1948. But, by<br />
contemporary standards, it was away<br />
short in service, equipment and convenient<br />
location to the center of the<br />
customer population. Preliminai-y estimates<br />
placed the cost in excess of $125,-<br />
000 because Ross wanted the ultimate in<br />
this type of building.<br />
As the rest of the theatre was all<br />
electric, the decision was made to design<br />
this as an all-electric structure.<br />
We had just finished the country's first<br />
all electric drive-in theatre, the Ardmore<br />
in Pittsburgh, for Ernest and<br />
"Registered Architectural Engineer<br />
George Stern. As it was an all-new<br />
project, a compact electric load center<br />
was no real problem there. However,<br />
Dearborn's sub-station already existed<br />
—note protruding wall to the right in<br />
picture No. 1 of the old concessions-projection<br />
building. As at Ardmore, the<br />
entire Dearborn new concessions building<br />
is heated with Berko electric glass<br />
heating. Note in the center of picture<br />
No. 5, the air conditioning room with<br />
its cherry wood panel walls on the concessions<br />
area side. Note the convenient<br />
location of this room as shown on the<br />
floor plan.<br />
Tight space utilization eliminates the<br />
use of vestibules in concessions buildings.<br />
To solve this, we designed an invisible<br />
air heating wall for each set of<br />
arcade entrance doors. Installed over<br />
each set are Berko pyrolite recessed ceiling<br />
heaters with lighting units. This<br />
decreases the heat loss for the rest of<br />
the baseboard-type heating system.<br />
Thermostats are certainly an inexpensive<br />
item. We therefore cut down on the<br />
electric load by installing a separately<br />
controlled thermostat at each set of<br />
doors.<br />
Concessions buildings are always<br />
constructed in wide-open spaces lacking<br />
any protection from either weather or<br />
vandalism. Thus, metal doors for concessions<br />
buildings are proving much<br />
more practical than the conventional<br />
wooden type. Note in picture No. 5, the<br />
Amweld metal doors. These were used<br />
throughout the building except the<br />
Kawneer glass doors leading into the<br />
arcade from the patio as shown in picture<br />
No. 3. From the patio, note the<br />
modern "super-market look" with the<br />
Continued on following page<br />
Continued on following page<br />
No. 4. Automatic door pit and main water cut-off pit<br />
o( east front of the new Dearborn concessions building,<br />
also constructed beneath three other sets of automatic<br />
doors. Pits were waterproofed, vapor sealed,<br />
and topped with concrete, to prevent any heaving by<br />
frost which might affect door action.<br />
No. 5. The arcade area, showing checkout stands and Formica counters. The floor is terrazzo and walls are<br />
cherry-paneled. Back wall panels are multicolored Marlite. Ceiling is Armstrong Fireguard acoustical tile.<br />
BOXOFFICE March 9, 1964
SALES INCREASE IN NEW CAFETERIA<br />
Continued from preceding page<br />
bish ban-els axid any unsightly debris or<br />
ser\1ce facilities are not visible to the public<br />
from any position.<br />
Walls and floor are covered with tile in<br />
botli lYstroonis. Ceilings are covered in<br />
metal tile in these rooms. An unusual feature<br />
is that all fixtures are suspended from<br />
the wall rather than based on the floor.<br />
This includes toilet fixtures and partitions.<br />
so that the maintenance staff may easily<br />
clean under everything installed in these<br />
rooms.<br />
The ladies' restroom is 34x16 feet, with<br />
19 waterclosets. There is also an 11-footsquare<br />
powder room. The men's restroom.<br />
31x11 feet, has 18 individual urinals and<br />
three waterclosets. In both rcstrooms the<br />
traffic pattern is specially planned, with<br />
doors at opposite ends of the room, both<br />
being used for both in and out traffic.<br />
This allows a free flow^ in either direction<br />
and prevents jamming up of patrons.<br />
A janitors' service closet is built in as<br />
part of the men's room, with its own large<br />
slop sinlc. Adjacent to this room Is also a<br />
7xl6-foot utility and meter room, housing<br />
heavy power lines and transformers to<br />
service the building.<br />
The concessions storage room is 20x40<br />
feet, w'ith finished plastered walls and tiled<br />
ceilings. This feature is unu.sual. but Ross<br />
felt that this had several advantages, including<br />
111 better appearance: i2) improvement<br />
In cleanliness; i3) easier maintenance:<br />
i4i reduced heat loss by reason of<br />
the plastered walls and tile ceilings: and<br />
i5i better morale for personnel, by making<br />
the working quarters more attractive.<br />
The interior walls in the arcade area are<br />
finished in one-fourth-incli cheri-y paneling<br />
from floor to ceiling. The back wall of<br />
the concessions area. 64 feet across, is<br />
finished in bright multicolor hard surface<br />
panels. This paneling, rather uniquely, even<br />
encloses the two 7' 2-ton air conditioners<br />
placed at either end of the building.<br />
All lighting is recessed, and equipped<br />
with rheostat control. The lighting over<br />
each of the four cafeteria lines is separately<br />
controllable, Standard incandescent lighting<br />
is used, with Kirwin recessed fixtui'es.<br />
No. 6 Arcade area looking southeast toward front entrance. Note automatic doors, radiant electric baseboard<br />
heat, stone planter and atuminum guide rails in the new Dearborn refreshment building.<br />
No. 7. Termination of two of the lanes at cash registers is shown here and a good overall view of the layout.<br />
Specially selected building materials make for ease of maintenance and spotlessness.<br />
Hanging fluore.scent fixtures are also<br />
u.sed over each counter. wlUi indeixjndent<br />
switching. This makes it po.ssible, in combination<br />
with the separate rheostat controls,<br />
to readily signal to the public which<br />
units are In operation. All advertising and<br />
directional .signs are of plastic, either<br />
colored or white, w'ith colorful plastic lettering<br />
used to give the mes.sage.<br />
A portable microphone unit Is also uaed<br />
by the concessions manager for two pur-<br />
IX)ses: (1) to direct and control traffic;<br />
2) to stimulate interest in featured<br />
and 1<br />
items.<br />
THE ENGINEER COMMENTS<br />
Continued on page 12<br />
Continued from preceding page<br />
i<br />
traffic dividers. Every door metal or<br />
glass 1 leading In and out of the arcade<br />
has Stanley automatic hydraulic door<br />
opener equipment.<br />
Picture No. 4 shows the reinforced<br />
concrete block pits that were constructed<br />
beneath each of the four sets of automatic<br />
doors. These pits were waterproofed,<br />
vapor sealed and topped with a<br />
six inch reinforced concrete slab that<br />
was anchored to the footers 6Q inches<br />
below. This was done to prevent any<br />
possible heaving action by frost that<br />
might affect the operation of the automatic<br />
doors. Incidentally, note the roof<br />
facia in picture No. 3. It is porcelain<br />
enamel finish on Masonite. also by<br />
Kawneer. Picture No. 6 leads us to the<br />
interior of the arcade toward the beginning<br />
of one of the four service lanes.<br />
Picture No. 7 shows the termination of<br />
two of the lanes at the cash register<br />
stations. Terrazzo floors were installed<br />
throughout the area used by the public<br />
in the arcade. Picture No. 8 is a view<br />
from the area between the two planters<br />
back through the serving area toward<br />
the double doors leading into the concessions<br />
storage. iSee floor plan drawing!.<br />
Flooring here is Armstrong E^cellon<br />
vinyl tile.<br />
OVERHEAD WARMERS<br />
Prominently shown on the right are<br />
overhead warmers for the dispensing of<br />
regular popconi. hot buttered popcorn<br />
and specialized sandwiches. Prominently<br />
seen on the left of the picture are hot<br />
food units. Actually, both types of<br />
equipment are present in all four of<br />
the service lanes. Located next to the<br />
hot food units are the cold drink dispensers.<br />
Four water fountains are<br />
positioned with two inside the arcade<br />
and one next to each set of side entrance<br />
doors. A centi'al cooling system<br />
circulates water to the four outlets.<br />
Picture No. 9 shows the completed<br />
structure which we can compare with<br />
picture No. 1. the old building. Picture<br />
No. 2 shows all that we utilized from the<br />
old building now housing only the projection<br />
room and the electrical substation.<br />
It is located at the 4th and<br />
5th ramps while the new building occupies<br />
an 8.000 .square-foot-space between<br />
the 9Ui. 10th and 11th ramps.<br />
The theatre lost a toul of 42 speakers<br />
by the new construction. The new<br />
building created a net loss of 71 but<br />
razing the old concession gained 29.<br />
10 The MODERN THEATRE SECTION
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COLUMBUS, GEORGIA<br />
BOXOmCE :: March 9, 1964 II
|<br />
SALES INCREASE IN NEW CAFETERIA<br />
Continued from page 10<br />
All food preparation activity, except<br />
dishwashing. Is performed out where the<br />
public can watch it. The 11-foot popcorn<br />
table ha.s a large plate glass window in<br />
front, so that people coming through the<br />
line can see the corn being popped. An 11-<br />
foot preparation section includes three electric<br />
friers and a preparation table. This<br />
is backed by two electric grills and a food<br />
freezer.<br />
The coffee equipment is located in the<br />
other half of the food preparation area,<br />
and is unusual in consisting of both an<br />
urn and a small glass unit. The two separate<br />
pieces provide maximum flexibility in<br />
operation—the urn will handle the requirements<br />
of the big nights, while the automatic<br />
is used when there is only a small<br />
crowd coming up for coffee—and the manager<br />
can make a small amount of coffee as<br />
needed, instead of a whole gallon.<br />
LARGE FREEZER AND REFRIGERATOR<br />
No 9 The exterior of (he new concessions building at the Dearborn Drhie-ln Theatre<br />
This section is backed up by a five-foot<br />
refrigerator and a six-foot freezer. Both<br />
are at table height, as is virtually all of<br />
the preparation equipment. These units<br />
store the raw materials for the 11 foot<br />
pizza table, which has two ovens.<br />
This entire food preparation complex is<br />
an island in the middle of the four-lane<br />
cafeteria, completely isolated from any<br />
wall area. Each of the serving lines is<br />
separate. A five-foot aisle around the<br />
access sides provides room for service to<br />
the preparation island.<br />
The counters are 170 feet long, divided<br />
into four complete sernng lines. The efficiency<br />
of layout and design has made it<br />
possible to handle this complete operation<br />
with no more help than was required for<br />
the small, old building with its four separate<br />
stations, Lefkowitz said—one of the<br />
most important advantages of the new<br />
building.<br />
Each serving lane has a triple rail, con-<br />
stituting a sort of maze in a rough Z pattern<br />
of flow, allowing the maximum number<br />
of people in the minimum amount of<br />
space. The lines alone will hold about 240<br />
people. 60 to a line, about half being at<br />
the serving counter at a given lime. This<br />
figure does not include people standing in<br />
line before they reach the railed area.<br />
As customers pass through the line, the<br />
first thing they encounter is an overhead,<br />
four-foot warmer displaying popcorn and<br />
buttered corn. Adjacent to this is an<br />
identical warmer used for the chicken dinner,<br />
shrimp dinner, hamburgers, fish sandwiches<br />
and pizza.<br />
Next comes a self-serve ice cream cabinet,<br />
then a counter area for potato chips,<br />
pickles, and milk. A seven-foot food<br />
warmer is next, with facilities for both wet<br />
and dry heat. Dispensed here are hot dogs,<br />
barbecues, shrimp rolls and French fries.<br />
Next are the buttered corn dispenser.<br />
drink dispenser, coffee dispensers, candy<br />
racks, and cash register. An important<br />
Jim koss, left, owner of the Dearborn Driyeln<br />
Theatre, and Julian Lefkowiti, president of L i L<br />
CorKCssions, Detroit, on opening night of the new<br />
concessions building at the Dearborn.<br />
No. 8. Looking bock through (he serving orca o( (he Dearborn Di . t.-ard the double doors leading to<br />
the conceisiom storage room. Oyerheod warmers for popcorn and sandwiches ore on the right, hot food<br />
units on the left. This equipment is duplicated in all four serrice lanes.<br />
reason for placing the butter, drink, and<br />
coffee dispensers together is that on slow<br />
nights one attendant can operate all three<br />
efficiently.<br />
A special feature is<br />
a doughnut machine,<br />
placed in an eight-foot counter which U<br />
an integral part of two of the ser\ing lines.<br />
At this point, doughnuts are sold oiUy for<br />
take home sales—in dozens or half dozens.<br />
in front of the machine.<br />
•We have found that people milling I<br />
around the front of the building have shown<br />
a great interest in watching the dough- i<br />
nuts being made." Lefkowitz says. "We ]<br />
have capitalized on the inquisitive Araerlcan<br />
public by encouraging them to take t<br />
home a bag at 75 cents a dozen. To date,<br />
;<br />
the doughnut machine has proved successful.<br />
Whether the interest will be main- ,<br />
tained. only time will tell."<br />
Continuea on page M (<br />
I<br />
j<br />
;<br />
12<br />
The MODERN THEATRE SECTION |
Astro Theatre, Omaha, Nebraska; fabrication and erection by Nebraslia<br />
Neon Sign Co., Lincoln, Nebraslo<br />
H
BAGS OF BITES<br />
Old
Mich.<br />
!<br />
—<br />
Good Maintenance Practices<br />
Prolong the Life of Drive-ln<br />
Concessions<br />
Equipment<br />
By<br />
JULIAN LEFKOWITZ<br />
(As told to Haviland F. Reves)<br />
The first show<br />
is in the lobby<br />
Movies are better than ever. So are<br />
the appetites of the people who<br />
enjoy them. That's where your ice<br />
cream novelties get into the act.<br />
Especially when they have a 4-star<br />
display in a Bally Case. Gleaming<br />
Porcelain finish gives real showmanship<br />
to your products. Whether it's<br />
in theatre lobbies or in drive-in<br />
refreshment counters, the result is<br />
the same in both places ... Increased<br />
ice cream sales.<br />
Model TI-30 above for<br />
theatre lobbies. 30"<br />
long, Approx. 875<br />
novelties.<br />
Model TI-43 to right<br />
for drive-ins, 43"<br />
long, Approx. 1194<br />
novelties.<br />
Write Dept. BX<br />
for More Details.<br />
Bally Case and Cooler, Inc.<br />
Bally, Pennsylvania<br />
Carry Out Trays and Popcorn Boxes<br />
N^^ii^-fi, $17.95 M<br />
Troy Is<br />
63ixl05/ex3<br />
inches deep.<br />
Holds all sizes<br />
of cups Including<br />
Buttercorn<br />
Cups.<br />
Red & White Striped Sunburst Design<br />
Automatic Lock Popcorn Boxes<br />
10c Boxes $ 9.90 M Freight prepaid within 200<br />
miles of Pittsburgh, Po. on<br />
I5e Boxes 12.S0 M ony combination order of<br />
-, boxes and trays amounting<br />
25c Boxes 19.80 M to $75. or more.<br />
SAMPLES ON REQUEST<br />
THEATRE CANDY CO. INC.<br />
400 Dinwiddle St., Pittsburgh 19, Pa.<br />
Arco code 412 Phone 281-8503<br />
|n last month's article (February<br />
10, Modern Theatre Section) I referred<br />
to various water problems which required<br />
the installation of water softeners to prolong<br />
the life of coffee equipment. At the<br />
Troy<br />
I I Drive-In Theatre, which is<br />
served by water fi'om artesian wells, we<br />
found that we were constantly having to<br />
replace heating elements in the food<br />
warmers and coffee equipment. The reaction<br />
of carbon in the water would coat<br />
the element, and eventually burn it<br />
through. Our solution was to install watersoftening<br />
equipment.<br />
At the Miracle Mile Drive-In at Pontiac,<br />
the presence of gas and iron in the<br />
water supply tends to build up a different<br />
type of deposit on the heating elements,<br />
and causes loss of equipment. In all outlying<br />
areas having a water well supply,<br />
whenever a predominant amount of carbon<br />
or iron is encountered, we have found<br />
it worth while to install water softeners.<br />
This not only prolongs the life of the<br />
equipment, but enables us to serve a better<br />
product in our soft di'inks and coffeemaking<br />
them more attractive and salable<br />
to oui' customers.<br />
WEEKLY DRIVE-IN MAINTENANCE<br />
Over a period of years, the nature of the<br />
interior walls of our concessions buildings<br />
has been puiposely changed from the use<br />
of cement block and painted walls, to tile,<br />
wood paneling or Formica. This is primarily<br />
a matter of decor and good merchandising<br />
policy in presenting attractive<br />
surroundings. It has caused us added<br />
maintenance problems—but it is well worth<br />
this drawback, because of the bright and<br />
cheerful atmosphere which results. The<br />
older surfaces always seemed to be cold,<br />
especially in cool weather, and they seemed<br />
to look dingy by midseason despite the<br />
best efforts to keep them clean.<br />
Our weekly cleanup of the concessions<br />
stand is usually performed on Monday<br />
nights. With the rush of business over the<br />
weekend, the use of equipment is at a peak,<br />
and at the same time we have a minimum<br />
of opportunity to assign staff to cleanup<br />
duty. Monday, further, is usually a slow<br />
night, permitting this extra attention.<br />
Weekly, all merchandise is removed<br />
from shelves, in dry storage, refrigeration,<br />
and freezer storage. The shelves and all<br />
storage equipment are scrubbed down with<br />
soap and hot water. This is done even to<br />
the back shelves of the dry storage cabinets,<br />
which are usually of wood. Storage<br />
shelves are painted, usually with a hard<br />
finish enamel, to permit this weekly<br />
scrubbing.<br />
All glass counter faces are wiped daily<br />
and washed weekly with a regular com-<br />
Continued on following page<br />
You'll sell more popcorn<br />
to capacity crowds with<br />
a Manley<br />
SUPER STADIUM<br />
POPS. Every 2 minutes — 20-25<br />
boxes of popcorn. Every<br />
hour—30 bushels of profit!<br />
STORES! Up to 180 boxes of popcorn<br />
kept hot, fresh, crisp, in<br />
elevator well which rises at<br />
flick of switch.<br />
SEASONS! Well has automatic plug-in,<br />
thermostat control, delivers<br />
accurate measure to kettle.<br />
SERVESsCorrect height for easy<br />
counter service. Stands<br />
alone or fits into coimter<br />
plan.<br />
SELLS. Built-in eye appeal. Red<br />
white modem design. Colored<br />
tubular illumination<br />
for golden-glow popcorn.<br />
Get Ready! Write for complete<br />
p=^ information today!<br />
*"<br />
MANLEY, INC.<br />
V 1920 Wyandotte • Kansas City 8, Mo.<br />
The BIGGEST Name in POPCORN for more than 35 years<br />
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NOWI<br />
END<br />
COFFEE<br />
WASTE<br />
INC 'ry^h'/'n.y"<br />
Save money. No stole or<br />
left-over coffee when your<br />
coffeemoster is on E-Z<br />
WAY oufomofk. Coffee's<br />
fresh, hot ond ready all<br />
the time. Get the focts<br />
write now:<br />
STEa PRODUaS CO.<br />
40 8th An., S.W.<br />
Cedar Rapids, Iowa<br />
BOXOFFICE March 9, 1964<br />
15
j<br />
GOOD EQUIPMENT<br />
MAINTENANCE<br />
Continued from preceding page<br />
merclal glass cleaner. The woodwork and<br />
Fonnica surfaces here aie similarly wiped<br />
down daily with a soft cloth, and then<br />
washed weekly with an ordinary liquid<br />
household soap.<br />
Most of our larger locations have walk-in<br />
coolers. Merchandise In these units is<br />
similarly removed weekly, and the interior<br />
of the walk-in is scrubbed out with a<br />
generous amount of soap and water.<br />
In weekly maintenance of the drink<br />
equipment, all synjp pans are removed<br />
and flushed through with hot water. In<br />
dispensers having a cold water bath, the<br />
plug is removed, the bath flushed through,<br />
and the equipment wiped out as thoroughly<br />
as jwssible. The plug is replaced, and the<br />
bath filled with cold water. To this is<br />
added a tablespoon of liquid soap detergent<br />
which helps keep the bath sweet and retards<br />
the formation of bacteria.<br />
Also on a weekly schedule, the faucets<br />
are removed, completely dismantled,<br />
washed out, reassembled and replaced.<br />
Mineral oil is used to clean the surface<br />
of stainless steel in the general housecleaiung<br />
procedure. This prevents smudging<br />
and grit on the surfaces. We learned thus<br />
procedure only veiy recently, based on<br />
advice from a manufacturer. Vinegar is<br />
also often used in place of the mineral oil.<br />
which is expensive. Vinegar works about<br />
as well on stainless steel as on glass, but<br />
is not as efficient as the mineral oil.<br />
MONTHLY AND ANNUAL<br />
MAINTENANCE IN DRIVE-INS<br />
Although most concessions operators call<br />
in a local service company w^hen they have<br />
a refrigeration breakdown, we have found<br />
it efficient and economically sound to operate<br />
our own complete maintenance department.<br />
This is, of course, made possible<br />
by the large number of locations we operate.<br />
We have our own plumbing, electrical,<br />
carpentry, and refrigeration sections,<br />
staffed by two men who perform all this<br />
class of work for us.<br />
Our refrigeration man is on call for<br />
emergency service 24 hours a day.<br />
Normally he makes a general checkup each<br />
month at each location. Here he checks<br />
the coolant of the drink dispenser, cleans<br />
the compressors, oils and greases the popcorn<br />
machine, checks the compressors on<br />
the reach-in and walk-in boxes, checks<br />
settings on the drink faucets, oils and<br />
i<br />
cleans all exhaust fans, and checks the<br />
flame on all gas equipment.<br />
If the refrigeration man so-called to<br />
identify hinu finds a problem beyond his<br />
scope, he immediately and directly contacts<br />
the general mainteniuice man, who<br />
then makes a special trip out to get the<br />
equipment back in projx'r operation. The<br />
general maintenance man does plumbing,<br />
electrical, and carpentry work, and is<br />
adequately skilled in each phase. Thus he<br />
can wire a 200-volt installation for equipment,<br />
as well as change a bulb.<br />
As a result of this type of coordinated<br />
follow-through on maintenance, we are not<br />
at the mercy of some inexperienced party<br />
for service, and we know that the equipment<br />
is ready to use when we need it.<br />
In the locations that we close up for the<br />
winter, all equipment is drained. Oui- refrigeration<br />
man carries a portable air compressor<br />
on his truck, and is enabled by this<br />
means to blow out any trace of moisture<br />
from all building lines as part of wlnterization.<br />
Equipment other than the stainless<br />
steel is covered over for the winter months<br />
with a heavy motor oil. All equipment<br />
doors are left open, so as not to accumulate<br />
a foul odor in the units. Carbonators and<br />
pumps for drink equipment are removed<br />
and brought back to the warehouse, where<br />
they are rebuilt each year in time for spring<br />
opening.<br />
All coffee equipment is also brought into<br />
the warehouse, where it is de-limed. This<br />
seems like a time-consuming effort and<br />
perhaps a wasted effort, but we know that<br />
we can get a good cup of coffee out of<br />
clean equipment.<br />
Tips for Unpaved Roads<br />
Spring conditioning of unpaved roads is<br />
covered in a four-page pamphlet. "The Importance<br />
of Timely Spring Maintenance,"<br />
which is available free from the Calcium<br />
Chloride Institute, 909 Ring Bldg., Washington,<br />
D.C. 20036. The pamphlet outlines<br />
procedures for shaping to proper crown,<br />
adding binder soil or aggregate and applying<br />
calcium chloride. Included are two<br />
charts for estimating the amount of calcium<br />
chloride needed for different rates of<br />
application and road widths.<br />
Readers' Service Bureau coupon, page 31.<br />
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16 The MODERN THEATRE SECTION
NEED FOR MORE IMPROVEMENT<br />
Continued from page 7<br />
A. Nelson, Carnation Co., Los Angeles, discussed<br />
the selection, training and supervision<br />
of sales personnel, and the physical<br />
layout of snack bar and concessions stands.<br />
As to the latter. Nelson stressed these<br />
points: ease of operation— appearance —<br />
maintenance.<br />
"Layout and floor plan is of prime importance,"<br />
said Nelson. "I realize how<br />
many times we are limited in space, and<br />
have to do with what is available but here<br />
is where time-and-motion studies pay off.<br />
Placing of equipment where there will be a<br />
minimum of traffic, close to the serving<br />
areas, and as little congestion as possible<br />
behind a counter, can often increase gross<br />
sales."<br />
Continuing, he said that appearance of<br />
a good service outlet is another thing that<br />
can't be minimized. A bright, shiny, neat<br />
and clean stand wall bring customers back<br />
the second time, and they're apt to spend<br />
more each time in sanitary appearing<br />
suiToundings.<br />
Nelson, in discussing merchandising,<br />
said that most suppliers have materials<br />
and ideas for special promotions which can<br />
be secured from their salesmen, as these<br />
firms are all more than glad to cooperate<br />
and go out of their way to do a real job<br />
for their customers.<br />
Pizza came in for its share of importance<br />
in concessions sales. Gino Rudow, California<br />
Pizza Crust Co., Los Angeles, cited<br />
the high dollar volume and long profit in<br />
handling and selling pizza in refreshment<br />
PLANTERS<br />
IN THE<br />
NEW<br />
THEATER<br />
SIZE!!!<br />
centers. Popular sizes of pizza, according<br />
to Rudow, are 8 and 12 inches.<br />
The importance of using quality hybrid<br />
corn in order to get the maximum popcorn<br />
yields was emphasized by H. E. Chrisman,<br />
vice-president, Cretors and Co.,<br />
Nashville. Term.<br />
He also criticized the film<br />
New Production Facilifies<br />
yi(9K^^—_>~—»-<br />
,i
having<br />
Proper Care of<br />
the Intermittent<br />
Movement Is Vital to Projecting<br />
Rock- Steady Picture<br />
By<br />
WESLEY TROUT<br />
§\ PERFECTLY<br />
PROJECTED PICTURE Oil<br />
your screen will pay<br />
bm dividends at your<br />
boxoffice. Even<br />
though your projector<br />
may be many<br />
years old, it can be<br />
made to project a<br />
rock-steady picture, if<br />
you will follow our<br />
suggestions set forth<br />
Wesley Trout in this article.<br />
As we have stated<br />
several times in this department, the<br />
"heart" of your inechatiism is the intermittent<br />
movement. Why? First, the intermittent<br />
movement parts run at a very high<br />
speed and therefore it must be kept in good<br />
repair to withstand this strain on the cam,<br />
stanvheel and gears.<br />
As the film comes down from the upper<br />
feed sprocket, fed into the lateral guide<br />
rollers and film gate, it is pulled down at<br />
a constant speed of one and one-half feet<br />
i<br />
per second or 24 separate photographs per<br />
second Now, after the film enters into the<br />
I .<br />
film gate, it must stop at the aperture and<br />
remain absolutely motionless there for a<br />
period of 1 32nd of a second, in order to be<br />
projected on the screen. In order to be<br />
placed accurately each time at the aperture,<br />
the intermittent sprocket teeth must<br />
not be badly worn-undercut-or the placement<br />
of the next photograph will not be<br />
the same. In other w'ords, a worn intermittent<br />
sprocket can cause picture jump<br />
at this high speed. Too. the gate shoes<br />
must hold the film rigid each time and the<br />
shoes must be in good condition.<br />
CONTROL OF<br />
END-PLAY<br />
It should be understandable that sidesway<br />
will be caused by the starwheel (intermittent<br />
sprocket<br />
I end-play. In<br />
most all types of intermittent movements<br />
end-play can be eliminated but not too<br />
much as this might cause a bind and make<br />
the starwheel shaft turn hard. The lateral<br />
guide rollers at the top of the gate should<br />
hold the film in a straight line as it travels<br />
down through the film gate onto the intermittent<br />
sprocket, and these rollers must<br />
turn freely and not have any grooves.<br />
Grooves are caused by rollers being dirty<br />
on the Screen<br />
and not correctly adjusted to hug the film.<br />
Always place one drop of oil on the shaft<br />
every day and keep the rollers free of film<br />
particles and dirt. At the top of the gate,<br />
where the.se rollers are situated, there is<br />
very little clearance between each roller<br />
and mechanism cover, as you know. These<br />
rollers are not expensive and should be replaced<br />
immediately when worn too badly<br />
and you cannot adjust them to hold the<br />
film snugly.<br />
Be sure to adjust the lateral guide rollers<br />
so that they will guide the film in a<br />
straight line doivn through the film gate<br />
and so that the film perforations will ride<br />
in the center of the intermittent sprocket<br />
teeth.<br />
EXAMINE SPROCKETS DAILY<br />
Sprockets should be carefully examined<br />
every day, making certain they are perfectly<br />
clean. Accumulation of dirt on the<br />
intermittent sprocket will cause the picture<br />
to jump, not sometimes, but always,<br />
whi'.e dirt on the upper or lower sprocket<br />
may cause, if let pile up too much, the film<br />
run off.<br />
to<br />
We have known of several instances of a<br />
projector mechanism being .sent in for repairs<br />
and the complaint being "the picture<br />
jumps" and has bad sidesway. The trouble<br />
could easily have been remedied if the projectionist<br />
had cleaned the sprockets and<br />
taken the end-play out of the starwheel.<br />
Too, badly scored lateral guide rollers cause<br />
side-motion of the picture. Moreover, we<br />
want to point out that "under-cut" intermittent<br />
sprocket teeth will also cause picture<br />
to jump. But, here again, any intelligent<br />
projectionist can replace intermittent<br />
sprocket himself without having to send in<br />
the entire mechanism for such a minor job.<br />
While we are on the subject of intermittent<br />
movement, let us explain about adjusting<br />
end-play in the intermittent<br />
sprocket. While a very small amount of<br />
end-play or end movement of intermittent<br />
sprocket may do no harm, still there should<br />
be none at all. If your mechanism uses<br />
taper pins to fasten the sprocket to the<br />
starw^heel shaft ivery old-model projectors<br />
i. it may be necessary for you to<br />
install new taper pins, slightly reaming out<br />
the holes with a very small taper reamer.<br />
Late-model mechanisms have collar for<br />
adjusting end-play, and some other provision,<br />
explained in instruction book or our<br />
loose-leaf service manual.<br />
Many projectionists do not clean the<br />
starwheel shaft before replacing a new Intermittent<br />
sprocket. Don't force the<br />
sprocket as you may .spring the .shaft and<br />
really have a jumping projected image.<br />
To in-stall a new mtcrmittent, first clean<br />
the shaft very thoroughly. Having the<br />
shaft clean, cover its surface with a small<br />
amount of projector oil. Next, push the<br />
.sprocket on with a gentle, twisting motion.<br />
It should go on easily. In replacing screw<br />
or taper pins in sprocket, set them up<br />
firmly, but do not use too much force as<br />
you may damage the sprocket. If your<br />
sprocket fa.stens on with taper pins, we<br />
strongly recommend using either a pin<br />
pusher or "V" block for removing p.ns.<br />
REMOVAL OF<br />
INTERMITTENT<br />
In a few modern projectors, you do not<br />
need to remove the entire intermittent<br />
movement when changing the sprocket, but<br />
it is best to remove the movement and do<br />
the job "right" and avoid damage to the<br />
starwheel shaft, and it makes the Job<br />
easier. The shutter will have to be retimed,<br />
of course.<br />
By the way, we suggest, when adjusting<br />
the cam and starwheel, you do so only<br />
when these parts are warm. You will obtain<br />
a more precise adjustment and avoid<br />
"lock-up," in many cases, when these parta<br />
expand, due to heat from operation and the<br />
light spot at the cooling plate from the arc<br />
lamp.<br />
Let us point out here, that in order to<br />
secure quiet operation of the film with oldtype<br />
Simplex mechanisms, the "cradle"<br />
that holds the shoes and holds the film<br />
against the intermittent sprocket, must be<br />
very carefully "fitted" so that it pushes the<br />
film fiimly but does not "ride" It. This<br />
cradle can be formed to obtain the correct<br />
curvature and this will eliminate, in most<br />
cases, film noise at the intermittent<br />
sprocket.<br />
LUBRICATION OF INTERMITTENT<br />
Intermittent movement lubrication—<br />
Due to the high speed of the cam, sUrwheel<br />
and gears, it is obvious that such<br />
movements must be lubricated with carefully<br />
selected oil. Only the very highestquality<br />
oil should be used in any genevatype<br />
intermittent movement, and to maintain<br />
good lubricating quality, oil should be<br />
drained out of movement at least every<br />
three or five hundred hours of operation<br />
and the movement refilled with fresh oil.<br />
Too. one should "flush" out the old oil<br />
with fresh before refilling the case. Your<br />
movement will run more quietly and give<br />
many more years of service without replacement<br />
of parts.<br />
It should be readily understood, that as<br />
oil is used, its lubricating qualities gradually<br />
wear away and therefore it will fall<br />
Continutd on pogt JO<br />
\<br />
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The MODERN THEATRE SECTION
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3626 ELEVENTH AVENUE<br />
LOS ANGELES 18, CALIFORNIA<br />
REPUBLIC 1-8644<br />
BOXOFFICE :: March 9, 1964 19
CARE OF INTERMITTENT<br />
Continued from page 18<br />
to cut down friction of moving parts and<br />
they will start wearing out. Moreover, continually<br />
simply adding new oil or old oil<br />
will cause the fresh oil to lose its strength<br />
and you damage the moving parts of your<br />
intermittent movement. It does not take<br />
many minutes of time to drain and refill<br />
any type of intermittent.<br />
Note: Never put in so much oil that It<br />
reaches the top of the oil gauge glass. Fill<br />
only up to the red mark and not so full<br />
it will run over and out of the case, thereby<br />
causing excess oil and a sloppy mess on<br />
the projection room floor. Movements requiring<br />
hand-oiling of the outer starwheel<br />
bearing should be oiled very carefully; one<br />
or two drops of oil will be sufficient. Overoiling<br />
will result in oil reaching the film,<br />
hence must be avoided. Use a .small can<br />
can<br />
with a spout and not a pump-type oil<br />
for oiling bearings.<br />
In replacing old intermittent parts after<br />
disassembly, or installing new parts, be<br />
sure they are perfectly clean. If they fit<br />
too tightly, have patience. These parts
!<br />
Perhaps one reason<br />
^Hrhy drive-in<br />
theatre attendance<br />
isn^t better^ is the<br />
fact that home<br />
TV screens have<br />
brighter pictures<br />
than drive-ins<br />
Can you imagine how much more enjoyable drive-in movies would be if the image on the screen<br />
had real impact and brilliancy? How can this be done? SimpK- b\- using 70nnn jirojection. The image<br />
on 35mm film has to be magnified about two million times to fill<br />
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Using 70mm film, magnification is onl\- about ?4th as nnich while the larger aperture allows<br />
approximately 4 times more light to pass. Result is a picture that's tremendously brighter and sharper.<br />
With attractions such as "Lawrence of Arabia" in general release to drive-ins in 70mm, and with<br />
producers now using new methods of "printing-up" from 35mm to 7()mm .<br />
. . the future of outdoor<br />
projection is literalK' much brighter. And don't forget, toda\'s acbanced Norclco model AAII<br />
Universal 70 35 projector is not onl\' the world's fiiuvst 70mm projector—but in less than 4 minutes<br />
it converts to the most modern, rugged and troul)le-free 35mm mechanism.<br />
For today and tomorrow, Norclco 70 35 is your wisest investment.<br />
The 1962 Academy o( Motion Picture Arts and Sciences presented<br />
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Company for the design and engineering of the Noreico Universal<br />
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100 E. 42nd Street, New York, N.Y. • Phone: 212-OX 7-3600<br />
BOXOFHCE :: March 9, 1964 21
1948<br />
\<br />
small.<br />
By<br />
The<br />
\m\ Aniflc:<br />
Look to the Safety of<br />
Your Theatre<br />
NORMAN SHIGON*<br />
Restrooms<br />
The derivation of the word<br />
"toUet" springs from a Latin root meaning<br />
"to weave." From there it goes on an interesting<br />
linguistic historical Journey so<br />
that from the concept of weaving grew the<br />
idea of a "cloth." From the idea of a<br />
weaver's beam came the idea of spinning<br />
a web or a spider's web. From this concept,<br />
going from Latin into old French and then<br />
middle French grew the idea of "nets" or<br />
"snares." Therefore, while the idea in the<br />
English language at the present time of a<br />
"toilet" carries with it the concept of<br />
cleaning, dressing or adorning oneself,<br />
there is still, perhaps in the background, a<br />
sense that such a place can prove a snare.<br />
Of course, the fact is that, for many theatre<br />
owners and operators the proper<br />
maintenance of a lavatory, restroom or<br />
facility has turned into a trap or a snare.<br />
The law is clear that the theatre owner<br />
in possession or the operator does have a<br />
duty to keep and maintain public toilet<br />
facilities in a reasonably safe condition<br />
using reasonable care In inspecting them<br />
from time to time.<br />
Lavatories, restrooms or toilet facilities<br />
are part of the premises to which the public<br />
•Attorney at Low, Philodelphia.<br />
|vV<br />
As Disastrous As No<br />
,<br />
spare In the Desert,<br />
,s NO spare In the Booth<br />
The<br />
Is Impliedly InvlU'd to u.se and. therefore, as<br />
pointed out in Fox Tucson Theatres Corp.<br />
vs. Lindsay. 47 Ariz. 388, 56 P. 2d 183<br />
cl936>. they must be maintained by the<br />
owner in possession or the operator in .such<br />
a proper fashion that they are lighted<br />
under the circumstances of the particular<br />
ca.se so that they are reasonably safe for<br />
visitors to u.sc. and this duty applies to the<br />
lighting conditions in the area of steps<br />
leading from a lavatory to a lounge.<br />
The owner in possession or proprietor of<br />
a place of amusement owes an affirmative<br />
duty, according to the decision of the Fifth<br />
Circuit Court in the case of Wright vs.<br />
Paramount- Richards Theatres. Inc., 198 F.<br />
2d 303 (19521. C.A. 5 La., of using reasonable<br />
and ordinary care and to warn its patrons<br />
of hidden dangers therein, not observable<br />
in the exercise of ordinary care.<br />
While not an insurer, the owner of a theatre<br />
who is in possession or the operator of<br />
such a place of amusement owes to the pa-<br />
Irons using toilet facilities the duty of<br />
ordinary care to prevent accidents therein.<br />
This was the clear holding in Sviith vs.<br />
Saenger Theatres Corp.. 186 So. 866 (1939,<br />
La.. App.)<br />
In one case, where a theatre manager<br />
had known the condition of a toilet room to<br />
be slippery, the operator of the premises in<br />
the case of Newsman vs. Fox West Coast<br />
Theatres. 86 Cal.. App. 2d, 428. 194 P. 2d<br />
706 1 . it was held liable even to a nonpaying<br />
person upon the premises on a<br />
1<br />
theory that there had been active negligence<br />
or, at the least, that even a nonpaying<br />
gratuitous licensee would be entitled<br />
to rely upon the premises being and<br />
remaining in a relatively safe condition,<br />
and that the failure to warn such a person<br />
Z^^^<br />
For want of an extra mirror,<br />
business can be lost by shuidown.<br />
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of a hazardous condition or to make reasonable<br />
attempts to remove the condition or<br />
to exclude such a iJcrson from their<br />
premises, rendered the owner-in-possesslon<br />
or the proprietor of .such a place of amusement<br />
liable.<br />
In fact, courts have gone so far as to<br />
charge an owner of a place of entertainment<br />
with a positive, affirmative duty to<br />
know the premises are safe for use by the<br />
public and if a hazardous condition Is<br />
created by the proprietor of such a place of<br />
amusement or by one of his servants, agents<br />
or employes, then the proprietor will be<br />
held liable. Freedman vs. Palmer Park<br />
Theatre Co.. 345 Mich., 657, 77 N.W. 2d 108<br />
(1956).<br />
It is well to remember, as has been<br />
stated previously, that many courts have<br />
held that restroom, lavatory and toilet accommodations<br />
and facilities are as much a<br />
part of the premises of places of amusement<br />
or entertainment to which patrons<br />
are invited as any auditoriums in such<br />
establishments. Dively vs. Penn-Pittshurgh<br />
Corp.. 332 Pa., 65 (1938i.<br />
CARE OF INTERMITTENT<br />
Continued from pogt 20<br />
hold the shaft straight and. in many cases,<br />
badly worn and not always adequate means<br />
of adjustment. Too. we find many projectionists<br />
not keeping these brackets in proper<br />
distance from the sprockets, the grooves of<br />
the rollers not "centered" in the sprocket<br />
teeth, and sometimes have flat places, the<br />
roller not turning freely and never given<br />
any lubrication. This coTidition of neglect<br />
should never exist in any theatre, large or<br />
Neglect of correct adjustment on<br />
important parts in any type of projector<br />
will cause film damage and inferior projection.<br />
We repeat: Examine your sprocket idlers<br />
and sprocket teeth frequently, and make<br />
sure that they turn freely. Lubricate the<br />
shafts daily. If they do not tum freely,<br />
flat spots will soon develop, which sooner<br />
or later mean trouble. All projector<br />
mechanisms have an adjustment by means<br />
of which the projectionist may determine<br />
the distance of the idler from the face of<br />
the sprocket. A fairly good plan, and easy<br />
one to follow, is to place two thicknesses of<br />
film on the sprocket, and then adjust the<br />
idlers so they rest on the film: with this<br />
adjustment and only one thickness of film<br />
when projector is In operation, the Idler<br />
roller or rollers should be the right distance<br />
from the film.<br />
To sum up. one or two drops of high<br />
grade projector oil are ample lubrication<br />
for any projector bearing requiring handoiling.<br />
To reduce tendency to over-oil. use<br />
only a medium-size oil can with a small<br />
spout opening. Most modern makes of projector<br />
mechanism use automatic oiling or<br />
sealed-in-for-life oiled bearings, with only<br />
a few bearings to be oiled by hand.<br />
Keep the idler rollers correctly adjusted;<br />
the lateral guide rollers at the top of the<br />
projector gate should be carefully adjusted,<br />
kept clean and tum freely. If lateral guide<br />
rollers do not turn, they will develop<br />
grooves and this will cause side-motion of<br />
the projected picture. The lateral guide<br />
rollers should be adjusted so that the film<br />
travels in a straight line to the Intermittent<br />
sprocket.<br />
22<br />
The MODERN THEATRE SECTION
.<br />
VI<br />
lt..><br />
• •><br />
Model FP 20 B<br />
># J -.>-I' .<br />
Model AA II<br />
AllhOne package headquarters<br />
PROJECTORS m^orelco<br />
TRANSISTORIZED SOUND BY<br />
allantyriG<br />
ONE carefully coordinated plan even includes financing<br />
Give us the four walls and we'll give you a completed theatre including famous Noreico<br />
projection, new hi fidelity Ballantyne transistorized sound, carpet, seating, draperies —<br />
everything, even financing— All-in-One.<br />
This turn-key job includes planning, engineering and installation supervision as well—the<br />
perfect combination for the new build or lease shopping center theatres.<br />
Working with your architect, we can give you the theatre of tomorrow, with modern concepts<br />
in<br />
layout, building design, auditorium, lobby and concessions. Be sure you check this<br />
easy, businesslike way to profitable operation.<br />
Don't make a move until you've talked with Ballantyne and received a Ballantyne quotation.<br />
Among the<br />
respected<br />
names used in the Ballantyne<br />
package are . .<br />
Noreico<br />
Ideal<br />
Neumade<br />
Technikote<br />
Kollmorgen<br />
Strong<br />
Altec<br />
RCA<br />
General Register<br />
Metropolitan Stage<br />
Mohawk<br />
allantynG<br />
INSTRUMENTS AND ELECTRONICS, INC.<br />
A DIVISION OF ABC VENDING CORPORATION<br />
1712 Jackson Street, Omaha, Nebraska 68102<br />
BOXOFFICE March 9, 1964
Plymouth<br />
I<br />
A Polynesian-inspired carpet in multi-colored design is a distinctive feature of the new Moi-Kai Tlieatre in<br />
Livonia, Mich., a rapidly growing suburb of Detroit. The theatre seats 1,500 persons.<br />
By HAVILAND F. REVES<br />
#% SOLID TOUCH of the exotic<br />
atmosphere of the Pacific was brought to<br />
the west side Detroit suburb of Livonia by<br />
construction of the new Mai-Kai Theatre.<br />
This town is a far-spread community covering<br />
essentially a township, still largely<br />
vacant or farm land, but rapidly building<br />
up. The 1,500-seat Mai-Kai Theatre is<br />
only the second to be built in Livonia<br />
which has some claim to being the second<br />
largest city in the state of Michigan in<br />
area.<br />
Owner of the Mai-Kai is Nicholas<br />
George, universally known as Nick, who<br />
has operated theatres around Detroit for<br />
about 30 years. His circuit currently consists<br />
of three indoor theatres and four<br />
large drive-ins, with headquarters at the<br />
Allen Park Theatre, Detroit.<br />
nent curved lines, especially in the roof<br />
area over the front arcade, rather than<br />
reliance upon the flat and rectangular lines<br />
widely characteristic of contemporary<br />
architecture. The result is a pleasing<br />
whole, best studied perhaps in an illustrative<br />
view.<br />
The Mai-Kai is located on a 22-acre<br />
piece of land at the northeast comer of<br />
Plymouth and Parmington Roads, owned<br />
by the Jeffrey-Lauren Land Co. The present<br />
structure is the first half. es.sentially,<br />
of a projected twin-theatre development,<br />
with the second unit to be developed subsequently.<br />
Lines, hundreds of persons long,<br />
seen at this theatre almost "out In the<br />
country," for good attractions since Its<br />
openinK. indicate that the second twin<br />
should be coming along soon.<br />
The placement of the theatre is unusual<br />
for tills part of the country, in being set<br />
far back off the road, with the large parking<br />
lot area lying in front. Thus the theatre<br />
building Is seen In perspective at a<br />
d'stance and. In fact, remains in view of<br />
i<br />
the heavy passing traffic Road<br />
is a former national highway<br />
i<br />
for a considerably<br />
longer period than would any<br />
bulld'iig located close to the property line.<br />
This has a significant promotional advantage<br />
in that It allows ample time to<br />
read the announcement of the attraction<br />
board.<br />
PARKING LOT HARD SURFACED<br />
The parking area Is hard-surfaced.<br />
Walks lead directly from the parking<br />
spaces to the theatre entrance to provide<br />
easy access and egress through an extensive,<br />
landscaped area. Both entrances<br />
and exits to the parking lot have been designed<br />
and placed for maximum safety,<br />
with positioning so that they will avoid<br />
interference with the traffic on the main<br />
roads adjacent. This forethought In planning<br />
resembles the care now given to traffic<br />
control in designing a modern drive-in<br />
theatre.<br />
The main facade of the theatre is of<br />
white marble, with striking accents in the<br />
use of black vertical fins of porcelain<br />
enamel. The lower portion is a combination<br />
of glazed brick in tones of light blue<br />
and light bluish green.<br />
An arcade running the entire width of<br />
the front of the structure is a verj' distinctive<br />
feature. The roof of this section<br />
is constructed of a series of arches, and<br />
largely sets the tone of visual appesU for<br />
the building. This arcade will be continued<br />
across the front of the second theatre,<br />
giving it a continuous length of 250<br />
feet.<br />
The exterior sidewalls are of highquality<br />
face brick, in a composition of<br />
varying buff tones.<br />
NAME MEANS 'THE<br />
FINEST"<br />
The name was carefully selected to symbolize<br />
to the metropolitan public the special<br />
appeal of the Polynesian culture which<br />
is represented In a modified manner in the<br />
design and decor of the house. Mai-Kai is<br />
translated from Polynesian as meaning<br />
"The Finest," and this high quality was<br />
the objective of the builders.<br />
"The exterior design is severe and dignified."<br />
according to E. D. Straight, who<br />
heads the architectural firm of Bennett<br />
and Straight. Despite this basic design<br />
severity, the visitor to the theatre receives<br />
a first visual Impression, also noted by<br />
passersby, of lightness and airiness. This<br />
appears to derive from the use of proml-<br />
24<br />
An arcade with an unusual rooflmc extends across the entire width of the front of the Mai-Kai Theatrt,<br />
and this arcade will be extended across the front of the second theatre, which is projected, for a<br />
continuous length of 250 feet Generous parking area is provided<br />
The MODERN THEATRE SECTION
'<br />
The exotic theme is set by a number of<br />
architectural and decorative features. The<br />
unusual design of the name lettering on<br />
the sign over the upper part of the theatre<br />
auditorium, visible for a notable distance<br />
along the highway, is striking, and appears<br />
a blend with the repeated curved roof pattern<br />
of the arcade. The lobby itself, it<br />
should be noted, projects from the front of<br />
the building, so that the main structure<br />
bearing the sign is an impressive setback in<br />
the unusual white marble effect.<br />
The lobby has highly distinctive theme<br />
pieces of Polynesian sculpture on either<br />
sidewall. and is given a gardenlike effect<br />
by the liberal use of planters. The multiple<br />
full glass doors look out on the landscaped<br />
lawn, with all parking thus kept at a little<br />
distance.<br />
High illumination is given to the lobby<br />
through the use of a patterned ceiling design.<br />
Imported Italian marble is used for<br />
the lobby walls, giving a warm tone, accented<br />
by gold and blue touches. Aluminum<br />
doors lead to the foyer. An interesting<br />
feature is that the doors are glazed<br />
with clear dark blue glass, which eliminates<br />
transmission of glare from the bril-<br />
Auditorium walls of masonry block in an oHset pattern serve acoustical as well as architectural purposes.<br />
The comfortable, wide (22 inches) seats are spaced on 37-inch centers for plenty of legroom.<br />
Special Provisions for<br />
Patron Safety, Health<br />
As detailed in the text of this article,<br />
the architects and builders of the Mai-<br />
Kai Theatre took extraordinary precautions<br />
to assure patrons of comfort,<br />
safety and health.<br />
Special planning went into the arrangement<br />
of the parking area for cars<br />
and layout of entrance and e.xit lanes so<br />
as to avoid any difficulties for cars entering<br />
the theatre or emerging to the<br />
highway.<br />
Health and comfort factors were<br />
considered in the installation of an air<br />
conditioning system which not only provides<br />
temperature and humidity control<br />
but also purifies the air.<br />
The stage has an asbestos drop for<br />
fire control.<br />
-:<br />
/ i i<br />
i<br />
This rear v/ew 0/ the auditorium also shows the stepped pattern of the walls. Suspended construct/ on was<br />
used for the projection and equipment rooms which are supported from the upper structural frame.<br />
liant lobby into the interior foyer. The<br />
lobby is equipped to present musical programs<br />
when desired to entertain a waiting<br />
crowd.<br />
The foyer sweeps across the back portion<br />
of the auditorium to give patrons there<br />
a clear view of the stage. Column construction<br />
in the standee rail, separating<br />
the foyer and auditorium areas, was<br />
avoided by the use of suspended construction<br />
for the projection and equipment<br />
rooms. These are located above the foyer,<br />
and supported from the upper structural<br />
frame.<br />
The concessions area and restrooms are<br />
all accessible from the foyer. The carpet<br />
here uses the Polynesian theme, embodying<br />
a special design in appropriate, varied<br />
hues. The lighting is decorative, and is<br />
subject to complete, variable -intensity<br />
control.<br />
The candy counter has a unique backbar,<br />
colorfully arranged with figures and<br />
sculpture-like landscaping to resemble the<br />
fantastic settings of "South Pacific." or<br />
other island fantasies. Suspended globes<br />
provide adequate light and carry out the<br />
theme.<br />
Controls for lights, air conditioning, and<br />
other sei-vices are provided as needed at<br />
more than one point—as in lobby, backstage,<br />
and projection booth. Parking area<br />
lights ai-e time-switch controlled. The<br />
service area for vending machines, partly<br />
separated from the main auditorium, provides<br />
access to machines conveniently<br />
from the rear.<br />
The stage has an asbestos drop for fire<br />
control, controlled by a knife in the wings<br />
placed ready to cut the rope holding the<br />
Continued on following page<br />
The refreshment counter, illuminated by pendant<br />
light fixtures, is located in the foyer and is easily<br />
accessible from the standee area at the left.<br />
BOXOFFICE :: March 9, 1964 25
.<br />
:<br />
MODIFIED POLYNESIAN THEME<br />
Continued<br />
from preceding page<br />
curtnin in an emergency. A totally new<br />
concept in theatre construction replaces<br />
dressing rooms for stage shows. A large<br />
roll-up door at the rear allows an available<br />
house trailer to be driven into the<br />
wings and hooked up for use as dressing<br />
rooms for acts.<br />
The auditorium is 60 feet wide by 27 feet<br />
high, and specifically designed to accommodate<br />
the large screen. Projection facilities<br />
include both 35 and 70mm. A special<br />
feature is the installation of closed circuit<br />
television for use for special shows available<br />
in this medium according to program<br />
and technical developments.<br />
Seating capacity for the present auditorium<br />
is about 1,500, to be duplicated in<br />
Uie second unit. Dc luxe upholstered seats,<br />
.spaced 37 inches between rows, and 22<br />
Inches wide, are used, positioned to avoid<br />
screen distortion and to give an unobstmcted<br />
view.<br />
The walls of the auditorium are of<br />
masonry block in an offset pattern serving<br />
both architectural and acoustical requirements.<br />
The ceiling is a suspended plaster<br />
plaque in a flowing design, appearing to be<br />
independent of the enclosed side walls.<br />
The whole building is air conditioned.<br />
In the auditorium this is controlled to "pinpoint<br />
degree" to meet varying conditions.<br />
The controls take account of both weather<br />
conditions and the degree of patron occupancy.<br />
Air cleanliness is an important<br />
feature of this conditioning system as<br />
well, providing air free from bacteria as<br />
CREDITS:<br />
Air Conditioning : Trane<br />
Carpet: Alexanuer Smith<br />
Changeable Letters: Bevelite<br />
CurtaiJi Controls: Vallen<br />
Generator: Hertner Transverter<br />
Lamps: "Constellation 170"<br />
Lenses: Bausch & Lomb, Kollmorgen<br />
P. A. Systcjii, Speakers: Altec-Lansinc<br />
Projectors: "National Seventy"<br />
Reflectors: Tufcold<br />
Reivinds. Film Handling Equipment<br />
Neumade<br />
Screen: Walker American<br />
Seats: American<br />
Sound: Simplex Pre-Select<br />
Spotlights: Strong Trouper<br />
Stage Draperies: Northwest Studios<br />
Ticket Machines: General Register<br />
'^HS^d<br />
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tor EXCLUSIVE use<br />
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Join the nation's<br />
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the Dispensers...<br />
SERV-O-MAT — fully automatic butter<br />
(li.spenser — new, modern, efficient and<br />
durable . . . Trigger touch bar efficiently<br />
dispenses controlled portions of hot butter.<br />
deluxe BUTTER SERVER —low cost,<br />
manually operated . . . designed for<br />
small volume locations.<br />
with *<br />
the Buttercups VITA GLAZE<br />
Wax free, leak-proof. Name Brand<br />
BUTTERCUPS" in<br />
3 sizes<br />
... in familiar brown and yellow,<br />
imitated but never duplicated.<br />
the Sales Accessories. .<br />
Send for illustrated brochure on the<br />
complete BUTTERCUP line. Use the<br />
sales getting display items that i)oint the<br />
way to increased volume without<br />
increased overhead and sales attendants.<br />
SUPURDISPLAV INC<br />
SBRVCR SALES INC<br />
1109 NORTH 108th STREET<br />
MILWAUKEE 13,<br />
WISCONSIN<br />
well as the usual temperature and humidity<br />
requirements. The other parts of the<br />
building are individually controlled mechanieally.<br />
The system uses a centrifugal<br />
fan.<br />
The present building has 26,226 square<br />
feet and 826,350 cubic feet. The architects<br />
comment that,<br />
"The Mai-Kai is one of the few theatres<br />
designed and consti-ucted for present day<br />
entertainment. The stage will accommodate<br />
live stage productions and full-size<br />
Cinerama at its best. Sound distribution<br />
is scientifically engineered and will be<br />
clearly audible to evei-y part of the theatre<br />
auditorium and foyer."<br />
The Mai-Kai marks the first theatre<br />
project in many years for Bennett and<br />
Straight, who were architects for many of<br />
the leading theatres in this territory, as<br />
well as elsewhere, during tfee period of<br />
active indoor theatre construction before<br />
World War H.<br />
Coca-Cola Active in 1964<br />
World's Fair Promotions<br />
Theatre concessionaires will benefit by<br />
the tremendous publicity focused on Coca-<br />
Cola through two national promotions connected<br />
with the New York 1964 World's<br />
Pair. Some lucky girl with the "winning<br />
smile" will be given an all-expenses-pald<br />
week in New York City and the Fair for<br />
herself and two persons of her choice. The<br />
dream trip, courtesy of The Coca-Cola Co.,<br />
Is one of the top prizes to be awarded In<br />
the Jantzen. Inc., 1964 "Smile Girl"<br />
promotion.<br />
Girls will compete this spring in approximately<br />
30 cities at leading department<br />
stores for a chance at local and national<br />
awards. Final judging for the four "Smile<br />
Girl" winners will be held at Cypress Gardens,<br />
Fla., July 10-12.<br />
The "See-thc-Fair" Sweepstakes will be<br />
launched April 13 by Coca-Cola bottlers on<br />
a national scale, offering more than 125<br />
free trips to the World's Fair. The grand<br />
prize is a five-day trip to the Fair for the<br />
winner and 25 friends, or $25,000 in cash,<br />
drawing for which will be held June 8.<br />
Additionally, 4,000 other prizes will be<br />
given.<br />
26<br />
The MODERN THEATRE SECTION
I<br />
I<br />
;<br />
5!2mmx6"<br />
i<br />
carbon<br />
'<br />
and<br />
Strong Announces a New Arc Lamphouse<br />
35 and 70mm<br />
And Associated<br />
Rectifier Equipment<br />
The Strong Electric<br />
Corp. has developed<br />
a new high-intensity, reflector-type projection<br />
arc lamphouse and associated rectifier<br />
equipment for use with 35mm portable<br />
and semi-portable projectors and<br />
16mm projectors. The 2.600 lumens of<br />
light produced for 16mm projection and<br />
4,000 lumens produced for 35mm projection<br />
is approximately four times that of a<br />
mazda light source, in both instances sufficient<br />
for showing brilliant pictures up to<br />
18 feet in width. The snow-white character<br />
of the light makes it ideal for the<br />
projection of colored films.<br />
The type 48600-1 lamp for 16mm projectors<br />
uses a 6mmx8'/2" positive and a<br />
Strong Electric Corp.'s new high-intensity projection<br />
arc lamphouse is designed for use with 35mm<br />
portable and semi-portable projectors and 16mm<br />
,<br />
projectors.<br />
copper coated Pearlex negative<br />
to burn for an hour at 30 amperes.<br />
the type 48400-2 lamp lor 35mm projectors<br />
utilizes a 6mmx9" negative and a<br />
7mmxl2" copper-coated positive to burn<br />
America's<br />
headouarters<br />
ior all<br />
Iheatre enuipment<br />
one hour and 20 minutes at 40 amperes.<br />
Known as the Univarc, the lamphouse<br />
weighs only 55 pounds, and shipping<br />
weight is 70 pounds.<br />
Direct current for the 40 ampere, 29-30<br />
volt arc is supplied by a four-tube type<br />
16200 rectifier which measures 13"x20"x21"<br />
and weighs 125 pounds and the 30 ampere,<br />
26-28 volt arc is supplied by a two-tube<br />
type 26,000 rectifier which measures<br />
20" high by 12" wide by 11" deep and weighs<br />
100 pounds.<br />
The single-phase, full-wave rectifiers for<br />
16mm projection consist mainly of a transformer<br />
for reducing the high line voltage<br />
to a potential correct for operating the arc,<br />
an overload circuit breaker, line relay<br />
which is connected to a lamphouse automatic<br />
door switch and the necessary<br />
sockets, switches, voltmeter and terminals,<br />
all of which are housed in a substantial<br />
metal case which is provided with handles<br />
for easy portability. The AC load, or rectifier<br />
input, does not exceed the 15-ampere<br />
limit provided by any 110-volt convenience<br />
outlet.<br />
EFFECTIVE<br />
INSULATION<br />
The live parts of the lamp are effectively<br />
insulated from the grounded line current<br />
by use of a separate primary and secondary<br />
winding in the transformer. There<br />
is also a smoothing reactor which is connected<br />
in the direct current circuit to the<br />
arc. This reduces the AC component so<br />
as to eliminate light flicker.<br />
The lamphouse is provided with horizontal,<br />
vertical and focus adjustments for<br />
the reflector: manual controls for carbon<br />
alignment: an adjustable-speed motor for<br />
feeding the carbons: an arc imager: and<br />
an ammeter for reading the current at the<br />
arc.<br />
The reflector is 10 '4 inches in diameter<br />
and has a working distance of 24 inches<br />
for 35nim projection and 18 inches for<br />
16mm projection. The geometric focus is<br />
3 '2" for the 40 ampere and 4" for the 30<br />
ampere to result in an f value of f 2.3 on<br />
the 40 ampere and f 1.6 on the 30 ampere<br />
to match the commonly used lenses of<br />
modern projectors.<br />
supplies<br />
National<br />
TMKATnE auPBL.V COMPANY<br />
HEYER-SHULTZ<br />
UNBREAKABLE<br />
METAL<br />
REFLECTORS<br />
• MAXIMUM SCREEN ILLUMINATION<br />
• GUARANTEED 5 YEARS!<br />
Write for literature<br />
or see your<br />
Theatre Supply Dealer.<br />
HEYER-SHULTZ, Inc. Cedar Grove. N. J.<br />
BOXOFTICE March 9, 1964<br />
27
. ^<br />
r!4»*«!f -^isSkSA t«":/s"'vft'!»t::«iJ*s- ,~<br />
EQUIPMENT €r<br />
DEVELOPMENTS<br />
Solid-State Power Supplies<br />
For Xenon Arc Lamps<br />
g * 4<br />
FOR MORE<br />
INFORMATION<br />
Use Readers*<br />
Bureau Coupon on Page 31<br />
Glass and Brass Slides<br />
For All Theatre Purposes<br />
blowers and permits continuous operation<br />
in temperatures from C to 50 C.<br />
XMOStrots<br />
Huglu-s Electronics Co. has announced a<br />
new "Solid-state-Series" of nine power<br />
supplies designed to extend the life of<br />
high-cost xenon and xenon-mercury arc<br />
lamps in equipment such as motion picture<br />
and microfilm projectors and theatrical<br />
and photographic spot and flood<br />
lights. The units in the series utiliise highefficiency,<br />
solid-state circuiti-y throughout,<br />
feature output ratings from 30 to 5.000<br />
watts, and meet all of the technical requirements<br />
of xenon and xenon-mercury<br />
lamps to assure maximimi life, according<br />
to Hughes. Performance and operating<br />
characteristics include: inherent, selfregulating<br />
volt-ampere characteristics: DC<br />
output ripple less than 1 per cent: automatic<br />
current limiting; adjustable output<br />
range selector: and protection against<br />
high-voltage, igniter starter. Free convection<br />
cooling eliminates noisy fans and<br />
Complete Line of Endless Carbons<br />
Now Handled by West Coast Service<br />
The addition of 10mm and Umm carbons<br />
now makes it possible for West Coast<br />
Theatre Service to supply exhibitors with a<br />
complete line of Endless carbons— 7s, 8s.<br />
9s, 10s, lis and their corresponding negatives—manufactured<br />
by Sansha Electric<br />
Co. of Japan. West Coast has also added<br />
a second Japanese carbon—the Coronarc<br />
brand—in the conventional 14-inch length.<br />
West Coast is selling direct to theatres, as<br />
well as through established distributors,<br />
and. according to Howard Bell, welcomes<br />
inquiries from anyone interested in an exclusive<br />
territory.<br />
Claims mode for product described editorially<br />
on this and other pages ore taken from the<br />
manufacturers' statement.<br />
IIM!lliJ!ll>
for holidays and special events, as well as<br />
flag slides of every country. National<br />
Studios claims to have every possible date<br />
slide in stock, or will make desired ones<br />
up without extra cost. Brass date slides are<br />
said to last a lifetime. Special slides which<br />
are made to order from wording and illustrations<br />
in black and white or handcolored<br />
are available at moderate prices.<br />
Twin Package of Licorice<br />
A Good Impulse Product<br />
packed in 60-count cartons, offer over a 60<br />
per cent profit margin. The additional<br />
outer cello wrap on the Pak assures greater<br />
freshness and increased shelf life. The retail<br />
price places the Pak in the range of<br />
fast-moving impulse items and the Pak's<br />
convenient size makes it a good carryout<br />
item.<br />
Theatre Programs Use Three<br />
Pages to Sell One Big Film<br />
Fepco Theatre Advertisers announce a<br />
new, colorful Imperial program that devotes<br />
the front cover and the two inside<br />
pages to selling one big picture, and the<br />
back cover to sell coming attractions or for<br />
merchant ads. The front cover is illustrated<br />
with advertising sketches of the big picture<br />
and the name and address of the theatre<br />
and exhibition dates are shown. The inside<br />
spread may carry a brief review of the<br />
picture and scenes from the film. The programs<br />
are available for advertising motion<br />
pictures in current release. Exhibitors must<br />
provide "camera-ready" copy for merchant<br />
ads, if these are to be used on the back<br />
cover instead of coming attractions.<br />
Switzer's Licorice Co. is now marketing<br />
the 15-cent Double Pak, a package containing<br />
two individually wrapped bars of<br />
Old Fashioned Licorice. The Double Paks,<br />
[<br />
For a More Pleasant Envi<br />
A Three-Drink Fountain<br />
Dispenser From Coco-Cola<br />
The Coca-Cola Co.'s fountain sales c'epartment<br />
has announced a new threedrink<br />
fountain dispenser, the Meteor in,<br />
which requires little space and is competitively<br />
priced. The new dispenser is<br />
identical in appearance and construction<br />
to the two-drink Meteor introduced by the<br />
Machine-Tightened Screws Keep<br />
Letter Hooks From Turning<br />
Changeable copy letters manufactured<br />
by National Devices Co. have a number of<br />
features which exhibitors like, including the<br />
fact that machine- tightened screws keep<br />
the non-rusting galvanized hooks from<br />
turning, and non-sliding bronze springs<br />
securely clamp the letters to the track. The<br />
letters are adaptable to any track manufactured,<br />
or to any home-made track. All<br />
letters are self-aligning and all hook letter<br />
sizes may be used interchangeably on the<br />
same track. The letters are made of<br />
tempered Masonite, with the color baked in<br />
to form an attractive wrinkle texture. The<br />
baking process at 225° F. makes the paint<br />
very hard, durable and weather-resistant.<br />
* *<br />
GARBAGE<br />
PAIIS ,<br />
ora<br />
ssur<br />
hg fragranci<br />
^'^mm<br />
LIBERTY<br />
FIREWORKS<br />
For Record-Breaking Drive-ln<br />
Crowds<br />
You are assured Greater Value, Safety,<br />
Brilliance, Color, Flash and Noise.<br />
Spectacular LIBERTY FIREWORKS are th« greatest<br />
boxoHice attraction because they are the<br />
world's tinesti They poy for themselves in Increased<br />
attendance.<br />
READ THIS UNSOLIC- *<br />
ITED TESTIMONIAL<br />
"We have sliopptd around<br />
for fireworks to use in our<br />
drive-ins and after comparisons<br />
have found wa<br />
get the best deal from<br />
LIBERTY. Your displays<br />
are brinhter."<br />
NOTICE:<br />
GET FREE CATALOG<br />
NOWI<br />
4S page catalog, fully illustrated<br />
shows the gorgeous<br />
beauty and magnificent<br />
splendor of LIB-<br />
ERTY FIREWORKS.<br />
Reasonably priced from $35<br />
to SI. 000 and up.<br />
NEW HOME ADDRESS<br />
LIBERTY DISPLAY FIREWORKS CO.<br />
Hegeler Lane<br />
Site formerly Hegeler Zinc Plant<br />
P. O. Box 6S3, Danville, Illinois<br />
Phone 442-2559. If no answer call 444-4743<br />
PBOOORIZES INSTANTLY<br />
Made of top-quality vaporizing<br />
agents and perfumes; no moth-cake<br />
odors, yet moth-proofs too.<br />
Lasts Longer — Economical<br />
Lasts 40 to 50 days. Costs, labor<br />
Also<br />
Available . . .<br />
DEODOROMA REFILLS:<br />
sqLiare blocks for<br />
wall diffuseur<br />
negligible. Eight discs to box; versa-<br />
DEODOROMA CRYSTALS:<br />
"^ '^ "^<br />
' for spot<br />
deodorizing<br />
tile<br />
wire holders included.<br />
For full Particulars, write<br />
The C. B. Dolge Company,<br />
Westport, Connecticut<br />
vif^M^'^l^^rAy.S'<br />
OIGE<br />
BOXOFFICE March 9, 1964 29
company last year. It enables the concessionaire<br />
to serve Coca-Cola and two<br />
oUier drinks, plain or carbonated, from a<br />
hiKli-impact plastic dispenser cabinet only<br />
18 inches wide. The actual counter space<br />
occupied by the three different bases is<br />
only ten inches, slishtly more than an<br />
average sinnle-drink unit. The dispenser<br />
is refrigerated by ice, and features stayopen<br />
handles for faster filling, plus a split<br />
handle on the left valve which provides<br />
plain or carbonated water from the same<br />
valve that dispenses a soft drink. Another<br />
split handle may be ordered for the center<br />
valve, where needed, without additional<br />
cost. The Meteor III was engineered and<br />
developed jointly by The Multiplex Faucet<br />
Co. and the engineering department of<br />
Coca-Cola. It offers an exclusive, patented,<br />
syrup pressure control and capillary valve<br />
POWERFUL PLUNGER CLEARS<br />
CLOCGED TOILETS<br />
to as.sure accurate portion and quality control<br />
over both syrup and water. The highly<br />
flexible and profitable unit may also be<br />
converted to a pressure system.<br />
Ten Selection, Two-Price<br />
Candy Vending Machine<br />
the upholstery does, according to the manufacturer.<br />
National Laminating Manufacturing<br />
Co. No heat is required. Upholstery<br />
must be clean and dry. To use,<br />
merely cut off the length of tape needed,<br />
and round the corners: peel off the paper<br />
backing, using knife tip to get it started:<br />
and apply over rip and rub down hard with<br />
thumbnail or hard object. The tape Is<br />
available in both mat idulli finish, and<br />
gloss finish, and is also adhesive to glass,<br />
metals, wood, rubber, paper and most<br />
plastics.<br />
Octofold Coin Purse an<br />
Attractive Giveaway<br />
Clear Messy, Stuffed Toilets<br />
Cut Maintenance Costs with<br />
in a Jiffy!<br />
rS)<br />
TOILAFLEX<br />
Toilet<br />
jTu^NGu] Plunger<br />
Ordinary plungers just don't seat properly.<br />
They permit compressed air and water to<br />
splash back. Thus you not only h^ve a<br />
mess, but you lose the very pressure you<br />
need to clear the obstruction.<br />
National Vendors, Inc., has announced<br />
its new Crown line of merchandisers consisting<br />
of this candy vender and two<br />
cigaret venders. The Crown line incorporates<br />
the latest in contemporary design<br />
with a wide variety of color combinations<br />
for maximum compatibility with individual<br />
locations. Above the large display area is<br />
a panel of gold-colored aluminum in a<br />
beaded pattern, and there are vinyl sections<br />
on each side of the display area,<br />
available in walnut, turquoise or Newport<br />
white. Cabinet colors are buck.skin, charcoal,<br />
and champagne white. The cabinet<br />
and vinyl colors will be available in any<br />
combination. Ten selections, with a 240-<br />
item capacity and two-price vending are<br />
standard. A five-selection gum and mint<br />
unit, boosting selections to 14 and capacity<br />
to 416 items, and three-price vending are<br />
optional extras.<br />
Exhibitors looking for an attractive, inexpensive<br />
giveaway item for theatre promotions<br />
may be interested in the new<br />
Octofold coin purse of genuine leather<br />
which is available from Lon Harmon. Cut<br />
from one piece of leather with self-closing<br />
folds, the exclusive design features no<br />
stitching and no fasteners to avoid wearing<br />
holes in pockets.<br />
With "Toilaflex", expressly designea for<br />
toilets, no air or water can escape. The<br />
full pressure plows through the clogging<br />
mass and swishes it down. Can't miss!<br />
* Designed to flex at any angle<br />
* Suction-rim stops splash-back<br />
* Centers itself, can't skid around<br />
* Tapered tail gives air-tight fit<br />
Cel a TOILAFLEX" for your home loo":'<br />
Positive insurance a/iainst stuffed toilet.<br />
AT<br />
$065<br />
Higher \r\ Canada<br />
YOUR HARDWARE SUPPLIER<br />
Rip Repair Tope for Mending<br />
Vinyl and Leather Upholstery<br />
Nafco Rip Repair Tape is a new. tough,<br />
transparent, waterproof, pressure-sensitive<br />
tape for repairing rips, cuts and tears in<br />
vinyl and leather upholstery of theatre<br />
seats, lobby furniture, etc. When in place,<br />
the tape is not affected by hot or cold<br />
water, soap, steam, detergents, alcohol, oil.<br />
grease and many solvents and acids. It is<br />
said to withstand temperatures from 80<br />
below zero to 400" above. The average rip<br />
repair costs about a nickel for material and<br />
takes about one minute to apply. The tape<br />
stops rips from spreading and makes a permanent<br />
repair which should last as long as<br />
l480tLICHANAN<br />
SEND FOR FREE<br />
LITERATURE<br />
SEATING<br />
COMPANY<br />
CRANO HAf lOS. MICH.<br />
30 The MODERN THEATRE SECTION
CONDENSED INDEX OF PRODUCTS<br />
Page<br />
ATTRACTION BOARDS AND<br />
LETTERS<br />
Bevelite Mfg. Co 19<br />
Wagner Sign Service, Inc 13<br />
BUTTER CUPS FOR POPCORN<br />
Supurdisplay, Inc.,<br />
Server Sales, Inc 26<br />
BUTTER SERVERS<br />
Supurdisplay, Inc.,<br />
Server Sales, Inc 26<br />
CANDY<br />
Reese Candy Co 16<br />
Switzer Licorice Co 14<br />
CARBON SAVERS<br />
Cali Products Co 28<br />
CARRY-OUT TRAYS<br />
Theatre Candy Co., Inc 15<br />
COFFEE DISPENSERS<br />
Steel Products Co 15<br />
DEODORANTS<br />
C. B. Dolge Co 29<br />
DRINKS, SOFT<br />
Dr Pepper Co 5<br />
Crush, International, Inc., Div.<br />
Beverages International, Inc 7<br />
Pepsi-Cola Co 2<br />
Royal Crown Cola Co 11<br />
DRIVE-IN THEATRE EQUIPMENT<br />
North American Philips Co 21<br />
Selby Industries, Inc 20<br />
FILM CEMENT<br />
Fisher Mfg. Co 16<br />
FIREWORKS DISPLAY<br />
Liberty Display Fireworks<br />
Co.. Inc 29<br />
GLASS & CHROME CLEANER<br />
Kinner Products Co 16<br />
ICE CREAM MERCHANDISERS<br />
Bally Case & Cooler, Inc 15<br />
IN-CAR SPEAKER RECONING<br />
Western Electronics 28<br />
NOVELTY PRIZES<br />
Berny Novelty Co.. Inc 15<br />
PAINT FOR DRIVE-IN SCREENS<br />
Selby Industries. Inc 20<br />
PEANUTS<br />
Planters Peanuts. Div. of<br />
Standard Brands, Inc 17<br />
POPCORN EQUIPMENT AND<br />
SUPPLIES<br />
Manley. Inc 15<br />
Speed Scoop 14<br />
PROJECTION ARC LAMPS<br />
C. S. Ashcraft Mfg. Co 28<br />
Strong Electric Corp 3<br />
PROJECTION LENSES<br />
Kollmorgen Corp 27<br />
PROJECTORS<br />
Ballantyne Inst. & Elect 23<br />
North American Philips Co 21<br />
RECTIFIERS<br />
Ashcraft Mfg. Co., C. S 28<br />
BOXOFnCE :: March 9, 1964<br />
REFLECTORS<br />
Page<br />
Heyer-Shultz. Inc 27<br />
Strong Electric Corp 22<br />
SEATING. HARDTOPS<br />
Irwin Seating Co 30<br />
SNOW CONE EQUIPMENT<br />
Samuel Bert Mfg. Co 16<br />
THEATRE EQUIPMENT. LEASING<br />
Ballantyne Inst. & Elect., Inc 23<br />
THEATRE EQUIPMENT & SUPPLIES<br />
National Theatre Supply Co 27<br />
TOILET PLUNGERS<br />
Page<br />
Toilaflex, Stevens-Burt Co 30<br />
TOWERS. WINGS, PENCE,<br />
SPEAKER POSTS, BOX-<br />
OFFICES, TRAFFIC RAIL<br />
Selby Industries, Inc 20<br />
TRANSISTORIZED SOUND<br />
Ballantyne Inst. & Elect., Inc 23<br />
XENON LAMPS & POWER<br />
SUPPLIES<br />
XeTRON Div., Carbons, Inc 18<br />
Clip and Mail Tliis Postage-Free Coupon Today<br />
FOR MORE INFORMATION<br />
This form is designed to help you get more information on products and services<br />
advertised in this issue of The Modern Theatre Section or described in the "New<br />
Equipment and Developments" and "Literature" and news pages. Check: The advertisements<br />
or the items on which you want more information. Then: Fill in your<br />
name, address, etc., in the space provided on the reverse side, fold as indicated,<br />
staple or tape closed, and mail. No postage stamp needed.<br />
ALPHABETICAL INDEX OF ADVERTISERS, Issue of March 9, 1964<br />
Page<br />
n Ashcraft Mfg. Co., C. S 28<br />
D Bollantyne Inst. & Elect., Inc 23<br />
n Bert Mfg. Co., Samuel 16<br />
D Berny Novelty Co 15<br />
D Bevelite Mfg. Co 19<br />
n Call Products Co 28<br />
n Crush International, Inc., Div of Beverages<br />
International, Inc 7<br />
n Dolge Co., C. B 29<br />
D Dr Pepper Co 5<br />
n Fisher Mfg. Co 16<br />
D Heyer-Shultz, Inc 27<br />
n Irwin Seating Co 30<br />
n Kinner Products Co 16<br />
n Kollmorgen Corp 27<br />
n Liberty Display Fireworks Co, Inc 29<br />
D Monley, Inc 15<br />
Solld-Stote Power Supplies<br />
NEW EQUIPMENT and DEVELOPMENTS<br />
Page<br />
for Xenon Arc Lamps 28<br />
n Complete Line of Endless Carbons 28<br />
D Gloss and Brass Theatre Slides 28<br />
New Theotre Progroms<br />
Sell One Big Film 29<br />
n Screws Keep Chongeable<br />
Letters From Turning 29<br />
Page<br />
n National Theatre Supply Co 27<br />
D North American Philips Co 21<br />
n Pepsi-Cola Co 2<br />
n Planters Peanuts, Div. of Standard<br />
Brands, Inc 17<br />
n Reese Condy Co 16<br />
n Royal Crown Cola Co 11<br />
n Selby Industries, Inc 20<br />
n Speed Scoop 14<br />
n Steel Products Co 15<br />
n Strong Electric Corp 3, 22<br />
O Supurdisploy, Inc., Server Sales, Inc 26<br />
n Switzer Licorice Co 14<br />
n Theatre Candy Co., Inc 15<br />
Wagner Sign Service, Inc 13<br />
n Western Electronics 28<br />
n XeTRON Div., Inc., Div. of Carbons, Inc. 18<br />
Page<br />
n Twin Package of Licorice<br />
... 29<br />
n Three-Drink Fountain Dispenser<br />
From Coca-Colo 29<br />
D Ten -Selection, Two-Price Candy Vender .. 30<br />
n Rip Repair Tape for<br />
Mending Upholstery 30<br />
Coin Purse an Attractive Giveaway 30<br />
OTHER NEWS of PRODUCTS and EQUIPMENT<br />
Page<br />
D New Strong Arc Lamphouse ond<br />
Associated Rectifier Equipment 27
|<br />
;<br />
|<br />
i<br />
j<br />
about PEOPLE / and PRODUCT<br />
New Lamps in Detroit House<br />
Miss Pauline Krauss who laid been bookkeeper<br />
for The Knclsley Electric Co. for 16<br />
years died February 21 after a brief Illness.<br />
ulumnu.s. IS cluurman ol the<br />
current alumni fund campaiKn<br />
university's<br />
Clarence L, A. Wynd, vice-president,<br />
imd Gfrald B. Zornow, vice-president for<br />
marketing, of the Eastman Kodak Co..<br />
were elected to the board of trustees of the<br />
University of Rochester in New York. Both<br />
men are directors and members of the executive<br />
committee of Kodak. Wynd has<br />
served as chairman of the advisory committee<br />
for the university's department of<br />
chemical engineering and Zornow. an<br />
David W. Smerlinc has been elected a<br />
vice-president of the ABC Vending Corp.<br />
He is also vice-president of the company's<br />
Confection Cabinet Division. Chicago, and<br />
a member of the board of directors of the<br />
parent corporation. For .several years he<br />
was assistant to his father, the late Manuel<br />
Smerling. one of the founders of Confection<br />
Cabinet's predecessor company which<br />
owned and operated food-beverage concessions<br />
in more than '2.000 motion picture<br />
BOXOFFICE MODERN THEATRE:<br />
Send me more information about the products and articles checked on<br />
ibe reverse side of this coupon.<br />
Name<br />
Theatre or Circuit..<br />
Seating or Car Capacity..<br />
Position..<br />
The Adams Theatre in Detroit, Mich., was amortg (he<br />
first theatres to install the new Strong Futura projection<br />
arc lamps. Walter L. Rickens, Local 199<br />
lATSE and MPO, is shown operating one ol them.<br />
theatres in the midwest. Upon the death<br />
of his father last year. Smerling assumed<br />
management of Confection Cabinet's midwest<br />
territory. Confection Cabinet merged<br />
with ABC Vending in 1957.<br />
Street Number .<br />
City.. Zone Stote..<br />
* Fold olong this line with BOXOFFICE address out. Staple or tape closed.<br />
HAVE YOU MADE ANY IMPROVEMENTS LATELY?<br />
We'd like to know about them and so would your fellow exhibitors.<br />
If you've installed new equipment or made other improvements in your<br />
theatre, send us the details—with photos, if possible. Or if you have<br />
any tips on how to handle some phase of theatre operations, concessions<br />
sales, etc.— faster, easier or better— let other showmen in on them. Send<br />
this<br />
material to:<br />
The Editor<br />
MODERN THEATRE<br />
jk Fold along this line with BOXOFFICE oddreis out Staple or tooe closed<br />
BUSINESS REPLY ENVELOPE<br />
Firjt Clou Permtl No. 874 - Section 34.9 PLiR - Koraot City, Mo.<br />
Dr Pepper Co. reported 1963 earnings<br />
after taxes at a new high. $1,409,973 as<br />
compared to $969,227 in 1962—up 45 per<br />
cent over last year. Per share earnings for<br />
1963. also reached a new high at SI.95 compared<br />
with $1.35 in 1962. an increase o(<br />
44 per cent for the year. Number of shares<br />
outstanding increased during the year<br />
from 717.638 in 1962 to 721.365 as of record<br />
December 31, 1963.<br />
•1963 was Dr Pepper's greatest growth<br />
year." stated Wesby R. Parker, chairman<br />
and president of the firm. He said the<br />
company experienced sharp gains in all<br />
j<br />
1<br />
areas of operations including both sales<br />
and earnings. Net sales were up 25 per<br />
cent over 1962 and national syrup gallonj<br />
'.<br />
age In 1963 was more than 18 per cent<br />
ahead of the previous year. "Sales momentum<br />
which marked Dr Pepper progress<br />
,<br />
last year is continuing. " said Parker, "Jan- i<br />
uaiT starting off with a 17 per cent gain<br />
over the same month last year."<br />
i<br />
Consolidated sales of Eastman Kodak<br />
Co.'s U.S. units last year reached $1,106,-<br />
670.760. about 5 per cent above the $1,056.-<br />
072.473 of 1962.<br />
Net earnings were $144,428,503. about 3<br />
per cent above the 1962 total of $140,342.-<br />
438 The earnings were equal to $3.75 per<br />
J<br />
common share against $3.64 in 1962. based (<br />
on the 38.382,246 shares outstanding at the<br />
year-end. Net earnings were 13.1 per cent<br />
of sales in 1963. compared with 13.3 per I<br />
cent in 1962.<br />
BOXOFFICE-MODERN THEATRE<br />
825 Van Brunt Blvd.<br />
KANSAS CITY 24.<br />
_ •^iiir rir\r> rM i^<br />
MO<br />
Motion picture laboratory equipment /<br />
will be shown during the 95th technical I<br />
conference of the Society of Motion Picture .<br />
and Television Engineers, April 13-16, at i<br />
the Ambassador Hotel, Los Angeles.<br />
j<br />
The MODERN THEATRE SECTION
! I<br />
'<br />
V ADLINES & EXPLOITIPS<br />
• ALPHABETICAL<br />
INDEX<br />
• EXHIBITOR HAS HIS SAY<br />
• FEATURE RELEASE CHART<br />
• FEATURE REVIEW DIGEST<br />
• SHORTS RELEASE CHART<br />
• SHORT SUBJECT REVIEWS<br />
• REVIEWS OF FEATURES<br />
• SHOWMANDISING IDEAS<br />
THE GUIDE TO i BETTER BOOKING AND B U S I N E S S - B U I L D I N G<br />
New Faces Contest<br />
Won by Bob Walker<br />
The coveted New Faces award of the Detroit<br />
Free Press goes this year to Robert<br />
Walker as most likely star among the<br />
younger names. The runners-up in the<br />
New Faces . . . Going Places contest were<br />
Peter O'Toole and Patty Duke.<br />
The Fi-ee Press has injn this series about<br />
ten years, carrying some 20 pictures of<br />
carefully selected young actors with biographies<br />
in a daily series in midwinter. Ballots<br />
are then printed in the paper a year<br />
later and a public poll is taken to select<br />
the most promising of these actors on the<br />
basis of a year's special attention to their<br />
records. Walker, son of the well known<br />
star of the same name, has worked for<br />
20th-Fox and MGM and is in the forthcoming<br />
Warner release. "Eirsign Pulver."<br />
The management of the contest is handled<br />
by United Detroit Theatres through<br />
Marie Meyer, advertising<br />
and public relations<br />
director.<br />
The New Faces—Going Places promotion<br />
is exploited in the major United Detroit<br />
theatres with large displays in the lobbies,<br />
which are made up of photos of all the<br />
young stars seeking to gain popularity and<br />
fortune in motion pictures. Other displays<br />
have featured former contestants in the<br />
UDT-Detroit Free Press public competi-<br />
. .<br />
tion.<br />
The New Faces . Going Places contest<br />
has proven to be a holder of public interest<br />
which is valuable both to the sponsoring<br />
newspapers and the theatre industry.<br />
Dollar Bill Stunt Is<br />
Test of Public Honesty<br />
Ralph Mann, manager for Fred T. Mc-<br />
Lendon Theatres in Andalusia. Ala., tells<br />
of a "little small exploitation" he used<br />
several years ago successfully, and recently<br />
repeated it "For Love or Money."<br />
He placed a show card with a dollar<br />
bill attached on the OUTSIDE glass of<br />
the boxoffice and let it remain there day<br />
and night, even when the theatre was<br />
closed. The copy on the card:<br />
The Seventh Commandment says:<br />
"THOU SHALL NOT STEAL.<br />
Is Your Greatest Desire, Love of<br />
Right or "Love of Money"?<br />
We Believe Everyone Is Honest . . .<br />
Therefore We Test This Belief.<br />
Small copy beside the dollar bill stated<br />
that it was outside the window. Mann said<br />
he used the stunt on a picture back in<br />
1952 and the dollar bill stayed on the outside<br />
of the boxoffice 18 days before it finally<br />
was "removed by a party or parties unknown"!<br />
BOXOFHCE Showmandiaer Mar. 9, 1964<br />
Mad Machine^ Stunt With Psychological<br />
Twist, Lets Patrons Work Off Troubles<br />
Working out their frustrations. Four scenes snapped at the Skyvue Drive-ln at Manhattan, Kas., as<br />
customers "reduced their troubles" to nothing on Manager John Cochran's Mod Machine! All went tor<br />
the stunt— from a heavyweight like at left, a pregnont woman in lower center, to a child, ot right.<br />
An interesting promotion, based as it is<br />
on a bit of practical psychology, increased<br />
business at a drive-in. $100 over average<br />
Wednesday nights while it lasted, according<br />
to John Cochran, manager of the<br />
Skyvue at Manhattan. Kas.<br />
Cochran forwards the stunt to Showmandiser<br />
so that other managers may put<br />
it down on their lists of things to do the<br />
coming season.<br />
He calls the promotion "the Skyvue Drivein<br />
Mad Machine." He obtained an old car<br />
from a salvage yard at no cost. Then he<br />
advertised around by radio, by newspaper<br />
and otherwise for everyone to come out and<br />
take five swings with a ten-pound sledge<br />
hammer at the car—hit it any place!<br />
The old car was placed near the concession<br />
stand. Cochran opened early to<br />
give everyone a chance at the destruction<br />
bit. And it helped his concession sales.<br />
A regular nail hammer was available<br />
for children "to help reduce their troubles<br />
to rubble, too."<br />
The banging was limited to before the<br />
evening's show and during the concession<br />
break. Following is some of the newspaper<br />
and radio copy he used:<br />
Come Out and Have at It,<br />
The Skyvue Has a Mad Machine.<br />
There's No Use Becoming a Nervous<br />
Wreck,<br />
Wreck Our Machine Instead.<br />
If You're Mad at Your Wife or Husband.<br />
The Republicans or Democrats,<br />
Your Boss or Employes,<br />
TAXES!<br />
BILLS!<br />
— 37 —<br />
The Mad Machine Is for You. i<br />
Reduce All Your Troubles to Rubble<br />
On the Skyvue Mad Machine.<br />
|<br />
You'll Get a<br />
Let Yourself<br />
Real Bang<br />
Go to the<br />
Out of It.<br />
Skyvue.<br />
.\nd Don't Go Away Mad!<br />
!<br />
As Cochran says, a drive-in manager<br />
can have some real fun putting on this<br />
promotion.
.<br />
the<br />
!<br />
People Always Are Curious: Construct<br />
Peepbox for Theatre Front for Only $3<br />
Detailed instructions for constructinB a<br />
good peepbox. illustrated herewith, are<br />
forwarded from longtime showman Ralph<br />
B. Mann, manaKer for Fred T. McLencion<br />
Theatres at Andalusia, Ala.<br />
His headquarters are at the Martin Theatre<br />
there, where he built the peepbox as<br />
a promotion for "Beach Party."<br />
The box is 3 feet long and I'a feet high.<br />
1!2 feet wide. One interior end and all<br />
the sides should be blackened. This will<br />
throw light toward the unpainted end<br />
when a 100- watt bulb is wired up at the<br />
bottom of the black end.<br />
An illustration from the pressbook— it<br />
could be a still and a pressbook ad—is<br />
attached on the unpainted end. A hole<br />
about the size of a quarter is bored in the<br />
"peek" end ' one where the light is wired<br />
flM^m<br />
inside I<br />
For copy use your own<br />
Mann used plywood and said his peepbox<br />
was made for $3. Used on a picture<br />
like "Beach Party," it is a great attentiongetter.<br />
It was placed on a table in the<br />
inner lobby a week before playdate and<br />
all dming the run. Mann said young and<br />
old alike stopped to take a peek.<br />
Another gimmick Mann used for "Beach<br />
Party" was a cotton blanket purchased for<br />
98 cents. He imprinted, on both sides, "See<br />
what happens when 10,000 youngsters meet<br />
on 5,000 beach blankets!" The imprinted<br />
blanket was attached to a simple wooden<br />
framework 'like a curtain stretcher) and<br />
displayed for all patrons entering and<br />
leaving the theatre to see.<br />
In daytime during closed hours, it was<br />
moved out front.<br />
Mann took off for a nearby beach and<br />
Only Once In 4 Y*art<br />
* /'^nLlf Do Yow Have The Opportunity<br />
'''limWt<br />
lo Cosh In On A<br />
•^;J jm'9 ' Money-Mokina Event Like IM .<br />
Everything You Need<br />
For A Succeuful Show!<br />
—17^<br />
"22 Easy Ways to Moke Money" ore offered in kit<br />
(orm by Motion Picture Service Co , headquartered in<br />
San Froncisco One of them is hold o "Crozy' Turn<br />
About Loop Year Party" os suggested in the above<br />
reproduction of an MPS Icoflcl Other Motion Picture<br />
Service ideas are fridoy 13 Jinx Show, Marathon<br />
o( Fright, Easter Bunny Ball, Creep-Ramo,<br />
Rocket-Rama, etc A special discount is being offered<br />
on series purchase. Gerald Korski is president<br />
of Motion Picture Service Co.
,<br />
I<br />
«;[(<br />
;.,<br />
,-<br />
Mcmb^n<br />
Fervor Means Money When<br />
Promoting The Cardinal'<br />
Initial<br />
Ads Are Directed to Young People<br />
Another indication that each town presents<br />
its own peculiar problems and that<br />
each locality is a challenge to the individual<br />
showman was recently demonstrated<br />
in the highly successful run of "The Cardinal"<br />
at the Manos Theatre, Monessen, Pa.,<br />
a unit of the Manos circuit operating in<br />
western Pennsylvania and West Virginia.<br />
Many had suggested to manager Ken<br />
Woodward sr.. that he discard entirely the<br />
religious angle of the picture and to attempt<br />
to sensationalize "The Cardinal"<br />
just a bit. However, Woodward had spent<br />
several years in the highly Catholic populated<br />
town and felt this would be foolhardy.<br />
With permission of Joseph F. Bugia, his<br />
general manager. Ken decided to go at it<br />
with all fervor of a "Robe" engagement.<br />
ABSENT 15<br />
YEARS<br />
The veteran showman had just returned<br />
to the Manos circuit organization and was<br />
assigned to his former post at Monessen<br />
after an absence of 15 years.<br />
Val Gerhart. one of the section's leading<br />
radio names at station WESA, was enlisted<br />
in the campaign and demonstrated<br />
conclusively that a proper "on-the-air"<br />
handling can mean money at the boxoffice.<br />
Gerhart announced on the air that he had<br />
seen "The Cardinal" and was so impressed<br />
with the picture that he had prevailed<br />
on the theatre management to present<br />
him 100 passes good for two each. To<br />
the first 100 of his listeners who mailed him<br />
a card or letter and requested same, a pass<br />
good for two at a special screening to be<br />
held the following Friday morning would<br />
be mailed.<br />
In the next morning's mail Val received<br />
not only his requested 100 letters but several<br />
hundred more. He was forced to allot<br />
them according to the postmark. Of course,<br />
in telling of the contest Gerhart constantly<br />
plugged the quality of the picture.<br />
In the meantime, the theatre manager had<br />
contacted Catholic churches in the district<br />
with a special invitation to all nuns to<br />
attend the special Friday screening. By a<br />
lucky break, there was no school on that<br />
particular Friday and the nuns were free<br />
to come—and come they did.<br />
REFRESHMENTS SERVED<br />
To the screening let out. Manager<br />
Woodward had arranged with one of the<br />
adult women leaders of the Girl Scouts to<br />
serve all those present with coffee, doughnuts<br />
and cookies. This capable lady. Mrs.<br />
Doty of Monessen. was so busy ser\'ing that<br />
she had two urns of coffee going and had<br />
to call other women of the Girl Scouts for<br />
help. The Monessen fire department did its<br />
bit by furnishing its large coffee-making<br />
equipment.<br />
At this infoi-mal get-together after the<br />
screening, radio man Gerhart made a number<br />
of tape interviews. These were used<br />
the day before the opening and on open-<br />
Reproduced<br />
at top is<br />
the day before<br />
opening ad on<br />
'The Cardinal,"<br />
which<br />
over<br />
passes<br />
the<br />
religious<br />
angle.<br />
Similarly,<br />
the opening day<br />
ad<br />
the<br />
stressed<br />
drama<br />
and<br />
the stars<br />
in the picture.<br />
Ken<br />
Then<br />
Manager<br />
Woodward,<br />
Monessen,<br />
Pa.,<br />
went all out<br />
on the<br />
religious<br />
theme<br />
as in the<br />
bottom<br />
the<br />
Each<br />
ad.<br />
of<br />
display<br />
odvertisements<br />
were<br />
four<br />
columns wide.<br />
Tomorrow! The Year's Most-talked About Motion Picture!<br />
.S'o« Al B'iulir Prlrci' lli-I' In tl'i t nil Fojd-'ili..- \-r.i',n . . . ( ..rrijjlM' [nU.-I ,„ t- -• Peno.inon<br />
PBOIULV PR .if.MtD B^ THE ^^^^^^^l^^ ^ 9H0V\PI \( 1 ul THL Mi-iS \ M I FT<br />
tOOOBS OPBi' AT 1 V-^A-i<br />
ing day 30 times over WESA, worked in<br />
with extracts from the radio spot discs<br />
furnished by Columbia.<br />
For the run of "The Cardinal" Woodward<br />
obtained a special stereo disc, "Conquerors<br />
of the Age5," to use as an overtui-e<br />
for a period of five minutes before the start<br />
of the picture at each performance. While<br />
the disc might not be typically reUgious in<br />
nature, the effect was good with the<br />
mighty peal of trumpets and the roll of<br />
drums. As Woodward remarked. "One patron<br />
told me he thought he was going to<br />
see 'The Robe' all over again." Be that as<br />
it may, the overture put the patrons in a<br />
most receptive mood and when "The Cardinal"<br />
flashed on the screen the audience was<br />
half sold.<br />
APPE.4L TO YOUNG PEOPLE<br />
Another important facet of Woodward's<br />
Monessen campaign on "The Cardinal"<br />
was the careful revision of the pressbook<br />
ad mats and the proper timing of insertion.<br />
A four-column ad was used the day before<br />
opening which purposely avoided the<br />
religious angle to attract the younger<br />
moviegoer by headlining Romy Schneider<br />
and Carol Lynley. Oscar possibilities<br />
were also indicated. The ad on opening<br />
day also played heavily on the cast.<br />
Then in<br />
another ad used on the Saturday<br />
following the Wednesday opening.<br />
Woodward went all-out on the religious<br />
BOXOFFICE Showmondiser Mar. 9, 1964 — 39 —<br />
tDOOBS 0I'£^' AT Ills P.M.)<br />
angle—depending on the talk it would<br />
create in the churches on Sunday. It was<br />
felt the background of this ad might encourage<br />
members of the clergy to give "The<br />
Cardinal" favorable mention on Sunday<br />
morning.<br />
Ken still believes in the old saying of<br />
show business— "It's not what you do, it's<br />
how you do it," and feels that when you<br />
have an outstanding Catholic picture you<br />
should give it the works—particularly<br />
when your population is 75 per cent<br />
Catholic.<br />
Thousands Enter<br />
'Pic a Pic' Conlesl<br />
A two-month "Pic-A-Pic" contest, in<br />
which entrants were invited to stop at the<br />
RKO Orpheum Theatre in New Orleans<br />
and check a list of 25 forthcoming attractions<br />
listed on a giant board in the lobby,<br />
then write a letter, in 25 words or less,<br />
on the film he or she would like to see,<br />
and why, attracted thousands of contestants.<br />
The prizes were topped by a 1964 convertible<br />
and a roundtrip for two to London,<br />
both promoted.<br />
The giant lobby board also explained<br />
full details of the contest.<br />
Asa Booksh is RKO Orpheum manager.
—<br />
Stunt for Rag Day<br />
Tlific nearly always is something going<br />
on at colleges—sports parades, rag<br />
days, etc., which often give a theatre<br />
manager an opportunity for added promotion.<br />
M. J. Spark.s. manager of the<br />
Plaza in Dudley, England, noted the<br />
Dudley Training College was observing<br />
Rag Day on the Saturday during his<br />
•Spartacus" playdate, and approached<br />
the students on using his Roman chariot<br />
in their Rag Day procession. They<br />
thought it was a fine idea and provided<br />
seven students, .some of them in ancient<br />
Roman attire, to accompany the vehicle.<br />
Besides the four students above, a student<br />
charioteer and Vestal Virgin rode<br />
the vehicle and another walked ahead,<br />
clearing the way.<br />
Ben Katz, publicist for Universal ot Chicago, and his<br />
wife arc shown charting with comedienne Phyllis Dillcr<br />
at the 11th annual Saroh Siddons award dinner<br />
honoring Julia Meodc as Chicago's actress ot the year<br />
for her role in "Mory, Mary," held in Guild hall of<br />
the Ambassador West Hotel.<br />
An Independent Distributor Has Answer<br />
4V Aggressive Booking^ Aggressive Selling<br />
Not Blockbusters^ Will Save Day: Ripps<br />
Mike<br />
Ripps<br />
By ALLEN M. WIDEM<br />
M. A. "Mike" Ripps, well equipped to<br />
discuss in detail both exhibition and distribution,<br />
finds the<br />
greatest heartache<br />
facing the film industry<br />
these days is<br />
apathy.<br />
"There seems to be<br />
a spirit abroad in the<br />
land," comments the<br />
president of Cinema<br />
Distributors of America<br />
of Mobile "that<br />
says, in effect, the industry<br />
can move<br />
blithefully along on<br />
its own momentum,<br />
sporadic blockbusters,<br />
generated by the<br />
sufficient in themselves to get and keep<br />
people talking about motion pictures.<br />
"It's not enough to say that the blockbusters<br />
alone will maintain the boxoffice<br />
sales pace which brought this industry its<br />
greatness, stature and dignity. We have to<br />
be realistic to the point where we openly<br />
express concern about sustaining a flow<br />
of attractions, sufficient in quantity and<br />
sparkling in quality to lure more and more<br />
people back into the moviegoing habit."<br />
PL.W SAFES, NOT ENOUGH<br />
Ripps. who operated a chain of theatres<br />
—both hardtops and drive-ins—throughout<br />
the Deep South prior to turning to distribution,<br />
finds an alarming percentage of<br />
exhibitors very much willing to "go along,"<br />
in other words, conform, to the prejudiced<br />
thinking that says, most emphatically, stay<br />
with the tried-and-true pattern and you'll<br />
never get hurt.<br />
Ripps, in Hartford, Conn., to conclude<br />
booking negotiations with drive-in theatre<br />
owner Brooks LeWitt. told a <strong>Boxoffice</strong><br />
correspondent that recent CDA releases<br />
such as "I Hate Your Guts"—have demonstrated<br />
to exhibition, both circuit and<br />
independent, that the motion picture given<br />
exploitation i"We don't send pressbooks<br />
we send a man!" admonishes Ripps i on<br />
a sufficiently pentrating level can, indeed,<br />
not only meet boxoffice records but, astonishingly,<br />
smash house gross after house<br />
gross.<br />
AGGRESSIVE SELLING<br />
He's extremely gratified that independent<br />
exhibitors, long the backbone of rural<br />
motion pictures in this country, have<br />
booked CDA releases, and. moreover, have<br />
gone out and sold the films with aggressiveness,<br />
imagination and impact.<br />
"The stunts that have been staged in<br />
various towns, big, little, in-between, are<br />
stunts that can be easily applied to any<br />
city— from 8.000.000 to 800. The numbeiof<br />
citizenry Isn't important as much as<br />
the sincerity and follow-through in selling<br />
the picture. A showman, by no stretch of<br />
the imagination, should ever attempt to<br />
push a motion picture with stunts that<br />
have no application to the primary premise<br />
involved. This is fakery and not to be condoned."<br />
Ripps recalled a conversation with the<br />
late Mike Todd. "He told me, right here In<br />
Hartford, that the secret of success is in<br />
the selling, not in the situation. He meant,<br />
of course, that the most palatial playhouse<br />
can't draw beans if it's not sold. The<br />
same applies, certainly, to the motion picture,<br />
the stuff on our shelves."<br />
BE GENTLEMEN!<br />
Ripps contends that the exhibitor who's<br />
found good boxoffice gold in booking an<br />
independent release should be a gentleman<br />
—and show'man—enough to be willing to<br />
book more from the same independent<br />
distributor.<br />
"The situation is summed up very swiftly,<br />
surely, succinctly: If the dependent<br />
distributor isn't given enough encouragement<br />
with his entire output, why, inevitably,<br />
he has to retrench, and I'm afraid<br />
that in the process, we emerge into an<br />
empty era of water-down production patterns.<br />
The independent can contribute<br />
markedly, but he needs encouragement,<br />
the encouragement attainable solely<br />
through boxoffice performance."<br />
CDA releasing schedule includes a sciencc-fiction-horror<br />
drama, "The Flesheaters,<br />
"<br />
Morley.<br />
starring Hartford's own Rita Gann<br />
'Sword' Four Weeks<br />
On Extra Promotion<br />
Some extra promotion effort for the<br />
booking of "Sword and the Stone" at Albuquerque's<br />
1000-seat Hiland Theatre<br />
helped provide a solid four weeks of business.<br />
Promotions included kiddie contests on<br />
two different afternoon moppet shows on<br />
television statiom KOAT and KGGM for<br />
a full four weeks in advance of the opening.<br />
A series of products tied in with<br />
the film nationally were given to lucky<br />
children who won a variety of contests.<br />
Participating firms donated the prizes,<br />
liberally tagged with the title of the film.<br />
In addition. Safeway Stores, which has<br />
1 1 supermarkets in Albuquerque, sponsored<br />
the pressbook grocery promotion. TV station<br />
plugs were carried daily for four<br />
w'ceks. five days a week on both stations<br />
on the Uncle Roy and Captain Billy programs.<br />
Manager Lou Avollo handled the campaign.<br />
Woodrow R Prought, president of United Detroit<br />
Theatres (seated), looks over press moterial on "The<br />
Foil of the Roman Empire" with Thomas F. Daunc,<br />
Paramount manager at Detroit, following signing of<br />
the contract to present the film on a roadshow policy<br />
ot Detroit's Modison Theotre<br />
Gsmedy in<br />
Twin Bills<br />
Comedy double bills featured the February<br />
schedule of films at the Clark Theatre<br />
in Chicago. Among the comedies were<br />
Tunnel of Love, Horizontal Lieutenant. To<br />
Catch a Thief and Rally Round the Flag,<br />
Boys.<br />
— 40 BOXOFFICE Showmondiser Mar. 9, 1964
—<br />
B O X o r F I C E 6 O O KING V I D E<br />
An interpretive analysis of lay and trodepreu r«viewi. Runnina Hme is In par«ntti««s. The plus and<br />
minus signs indicate degree or merit. Listings cover current reviews, updated regularly. This department<br />
olso serves as an ALPHABETICAL INDEX to feature releases. © is for CinemoScope; V VistoVisionf)<br />
Panavision; iX Techniromo; s Other anomorphic processes. Symbol O denotes BOXOFFICE Blue Ribboii<br />
Award; © color photography. Legion of Decency (LOO) rotings: A1— Unobjectionable for General Potronage;<br />
A2— Unobjectionable for Adults or Adolescents; A3— Unobjectionable for Adults; A4 Morolly<br />
Unobjectionable for Adults, with Reservations; B—Objectionable in Part for oil; C—Condemned For<br />
listings by company in the order of release, see FEATURE CHART.<br />
i^EVIEW DIGEST<br />
AND ALPHABETICAL INDEX<br />
t: Very Good; -r Good; — Foir; — Poor; = Very Poor. In the summary t^ is rated 2 pluses, = as 2 minuses.<br />
•<br />
a. P oc I- o ob£ Ij<br />
2789 Act One (110) Bio Dr WB 12-23-63 A2<br />
2800 Affair of the Skin. An (102) Dr .Zenith 2-10-64 C<br />
2767 All the Way Home (103) Dr Pin 9-30-£3 A2<br />
27S7 OAlone Aoiinst Rome<br />
(100) Rom Spec Pjrtde 12-16-63<br />
2792 America America (174) Dr WB 1- 6-64 A3<br />
2803 ... And Suddenly It's Murder<br />
(90) C Royal 2-24-64 A2<br />
Any Number Can Win (116)<br />
Ad»-Dr HGM 10-28-63<br />
—B<br />
QBallad of a Hussar, Tht<br />
(94) Operetta Artkino 7-29-63<br />
2750 Bin Risk, The (lU) . .Susp-Dr UA 7-22-63 A3<br />
2792 Billy Liar (96) © Com Dr Conf I 1- 6-64 A3<br />
2779 O Blood Feast (71)<br />
Ho Dr <strong>Boxoffice</strong> Spec ll-lS-63<br />
2804 Brass Bottle^ The (89) Com Fant Univ 2-24-64 Al<br />
2764 Burning Court, The (102)<br />
Drama Tran»-Lux 9-16-63 A2<br />
8
Good,<br />
REVIEW DIGEST<br />
\N0 ALPHABETICAL INDEX Very Good,<br />
'<br />
Fait; Poor; Veiy Root. In the summary is rated 2 pluses, OS 2 minuses<br />
t. g
AMERICAN<br />
C.<br />
.<br />
.<br />
.<br />
.<br />
Feature productions by compony in order ot release. Running time is in parentheses. ^ Is for CinemoScope;<br />
® VistaVision; (g) Ponovision; (j Techniromo; s^ Other onomorphic processes. Symbol i.3 denotes BOXOFFICE<br />
Blue Ribbon Award; Q Color Photography. Letters ond combinotions thereof indicate story type—(Complete<br />
key on next page). For review dotes and Picture Guide page numbers, see REVIEW DIGEST.<br />
^EATURE<br />
ALLIED ARTISTS ^t<br />
I<br />
©The Gun Hawk (91) Ac. .6306<br />
liOry Calhnuil. Kud Cinlerori.<br />
Riila I.ee, Hod L:iiirt'n<br />
Cry of Battle (99) D .6307<br />
Van lleflln, Klla Moreno.<br />
James MacArthur<br />
Sliock Corridor (101) ... D.. 6305<br />
Peter Brwk, Con-Stance Towers.<br />
One I'^ans. .lames Best<br />
©Gunfight at Comanche<br />
Creek (90) W..6309<br />
Aiidie Miiriihy. Colleen Miller<br />
Soldier in the Rain (gTi/j) CD. .6401<br />
.lackk- (ilrason, Steve .McQueen.<br />
'Piifday Weld. Tom Pn.'iinn<br />
(Pre-release eng.igemenls only)<br />
Life In Danoer (63) . .Susp. .6310<br />
Derrin Nosbitt, Julie IloiiMns<br />
Soldier in the Rain<br />
(General release-Sec November)<br />
War Is Hell (81) D..6308<br />
ToDy Hussell. liaj-nes Barroli.<br />
Judy DaD<br />
INTL BUENA VISTA<br />
©Beach Parly (100) tor! Fnsler. Philip C.irev<br />
Warlords of Space ^....SF.<br />
Mary Poppins F.<br />
Jiille Andrews. Dick Van Dyke<br />
©Three Lives of<br />
Thomasina (97) Ac. 151<br />
Patrick McGoohan. Susan Rtrapshire<br />
Moon-Spinners<br />
Haylcy Mills<br />
Congo Vivo Ad<br />
Jean Seberg. Gabrlele FrezetU<br />
Lilith 0.<br />
W.irren Bestty. Jean Seberg<br />
The Love Goddesses Anth<br />
The Worlds Greatest<br />
Swindles (. ) Com D<br />
International Cast<br />
Omicron (. .) . .<br />
Renato Salvatori<br />
Com 0.<br />
BOXOFFICE BookinGuide :: March 9. 1964
cATURE<br />
IF<br />
CHART<br />
Th« k«y to leH«rt and comblnoHont Hier*«f Indlcottng ttory typ«: (Ad) Advafitur* Drama; (Ac) Aetlcn<br />
Drama; An) A nJmofad- Action; (C) Comedy; (CD) Comodv-Dramo; (Cr) Crimo Droma; (DM) Drama<br />
with Muilc; (Doc) Documentary; (Dr) Drama; (F) Fantaiy; (Ho) Horror Dromo; (HI) Hlftoricol Drama; (M) Musical<br />
(My) Mystory; (OD) Outdoor Drama (S) Spectacle; (SF) Science-Fiction; (W) Weetern.<br />
EMBASSY e 5-
BOXOFFICE BookinGuide :: March 9, 1964 9<br />
i<br />
Feb<br />
Oct<br />
.<br />
.<br />
. Mar<br />
Mar<br />
. July<br />
FEATURE<br />
CHAR<br />
UNIVERSAL<br />
QThe Thrill of It All<br />
(108) C..6316<br />
Doris Day, James Qarner,<br />
Arlene Krancls, Edw. Andrews<br />
The Traitors (71) D..6317<br />
Patrick Allen, James M&xvell,<br />
Freud: Tlie Secret Passion<br />
(formerly titled Freud)<br />
(120) D..6301<br />
Montgomery ditt. Susannab York,<br />
((ieneral release)<br />
QKiss of the Vampire<br />
(88) Ho. 6318<br />
Clifford Brans, Jennifer Daniels.<br />
Edward De Soiiza<br />
©For Love of Money (108) C. .6319<br />
Kirk Douglas, Mltzl Oaynor,<br />
dig Young, Thelma RItter<br />
®Ch»ide (120) . . .<br />
(B .MyC. .6401<br />
Ory Grant, Audrey Hepburn.<br />
Walter Matthau, James Coburn<br />
Young and Willino ara Windsor<br />
Heavens Above (117) . . C Jun 63<br />
.<br />
Peter Sellers, Cecil Parker. Brock<br />
Peters<br />
The Face of War (105) Doc Nov 63<br />
Just Once More (78) Melo. Aug 63<br />
LI11I Bergman. Gosta Ekman<br />
Nurse on Wheels (86) C. Nov 63<br />
Juliet Mlll ll.irns. Loub SIrgo<br />
PACEMAKER PICTURES<br />
QFire in the Flesh<br />
(80) MeloDr.. Jul 63<br />
CluiiUlne Dupuls. Erno Crisa<br />
PARADE RELEASING ORG.<br />
©Cavalry Command<br />
(84) Ad.. Oct 63<br />
John Agar. Richard Arlen, Myron<br />
Healy<br />
©Ballad of a Gunfighter<br />
(84) Ad. .Sep 63<br />
Marty Itobblns<br />
Shell Shock (84) Drama Jan 64<br />
Beach Dickerson. Carl Crow.<br />
PROMINENT FILMS<br />
Macbeth (120) D. Oct 63<br />
M.-iiiilce Evans. Judith Anderson<br />
RANK-ZENITH<br />
No, My Darling Daughter!<br />
(96) Com. Feb 64<br />
Mii-h.i.l Ki-iteraie. Miohiel Craig<br />
RIVIERA PRODUCTIONS<br />
©The Starfighters (81) Jan 64<br />
ROYAL FILMS INT'L<br />
The Steppe (..) Dr.. Oct 63<br />
Charles Vanel. Marina Vlady<br />
The Reluctant Saint (105).. CD..<br />
Maximilian Schell. RIcardo .Munlalban<br />
The Hunchback of Rome<br />
(84) MeloDr. .No»6a<br />
Gerald Blaln. Anna .Maria Fcrrero<br />
©Love on a Pillow<br />
(102) © Dr.. Jan 64<br />
Brlgltte Bardot. Robert llosseln<br />
© .<br />
. . And Suddenly It's Murder<br />
(90) © Com, Feb 64<br />
Vittcirio Ga.^sraan. Silvana Mangano<br />
SEVEN ARTS<br />
Small World of Sammy<br />
Lee (105) Aug 63<br />
Anthony Newley. Julia Foster<br />
©The Giant of Metropolis<br />
(92) Sc F Sep 63<br />
(Gordon Mitchell. Bella Corlez<br />
©The Invincible Glad'ator<br />
(96) Adv.. Sep 63<br />
Richard HarrUon. Isabelle Corey<br />
SHAWN INTERNATIONAL<br />
Greenwich Village Story<br />
(95) D July 63<br />
Robert llogan. Mellnda Plant<br />
Night Encounter<br />
(80) War Dr. .Jan 64<br />
Marina Vlady. Robert Hosseln<br />
TIMES FILM<br />
V, dated Paradise<br />
(67) Doc. July 63<br />
.Narration: Tliomag L, Itow. Paulette<br />
Glr,ird<br />
Violent Midnight (90) Mys..May63<br />
Lee Phillips. Shepperd Strudwtei<br />
TOPAZ FILMS<br />
Atom Age Vampire (87) Ho. Jun 63<br />
Albert Liipo. Susanne Loret<br />
©Battle of the Worlds<br />
(84) SF..Jun63<br />
riaiHle Italns. Bill Carter<br />
TRANSOCEAN FILMS<br />
Ordered to Love (82) D. Aug 63<br />
Maria Perschy, Harry Meyen<br />
TRANS-LUX<br />
The Burning Court (102)<br />
.<br />
. . . Aug 63<br />
Nadia Tiller. Jean-Claude Brialy<br />
ULTRA PICTURES<br />
©Two Nights With CItopatra<br />
(..) ® Com. .Jun 63<br />
Sophia l.flren. Alberto Sordl<br />
Love on the Riviera<br />
) Com Dr Aug 63<br />
( .<br />
.<br />
Marcello .Mastroianni.<br />
. .<br />
.Mberto SonU<br />
UMPO<br />
.<br />
. .<br />
Double Deception<br />
(101) My.. Jul 63<br />
Jiripies Itlherolles, Alice Kessler,<br />
Kessler<br />
F.'len<br />
UNION<br />
The Break (80) Adv.. Sep 63<br />
Tony Britton, William Lucas<br />
The Playgirl and the War<br />
Minister (90) . .Comedy. .No< 63<br />
Ian Carmlchael. Joan Greenwood<br />
©The Mouse on the Moon<br />
The Laugh Makers (80) Com. Nov 63<br />
(82) Com.. Jun 63 Bine Crosby. Bob Hope<br />
Margaret Rutherford. Terry-Tbom.is The Sound of<br />
MEDALLION<br />
Laughter (75) Dec 63<br />
QAIone Against Rome<br />
Ml St.ir Comedy<br />
(100) -? Dec 63 WESTFIELD PRODUCTIONS<br />
Ro^sana Podesta. Jeffries Lang ©Playgirls International<br />
©The Witch's Curse<br />
(71) Doc. .Dec 63<br />
(95) Dr..<br />
Nov 63<br />
Traynor<br />
(78)<br />
Kirk<br />
fi<br />
Morris. Helene<br />
D . .<br />
Cbannel<br />
n.^Mv Andrew-v,<br />
WOOLNER<br />
Eileen<br />
BROS.<br />
Ludmtlla Tcherlna. Anthony Steele Tbe Wastrel (84) D.. Mar 64 Edgar Allan Poe's Castic of<br />
EVE PRODUCTIONS<br />
V.an Heflln. Ellie Lambettl<br />
Death (91) Ho. .Apr 64<br />
©Europe in the Raw<br />
©The Avenger (108) t D 64 Barbara S'eele. George Riviere<br />
(70) Novelty. Nov S3 Steio Reeves. Cupla Marlicr<br />
©Hercules in the Haunted<br />
FAIRWAY INT^ FILMS<br />
©Duel of Champions<br />
World (89) t Apr 64<br />
The Sadist (84) Ac. Jul 63 (..) If- D. May 64 (TirlstoDher Lee. Reg Parks<br />
Arch Hall Jr. Helen Hovey<br />
Alan L.idd<br />
ZENITH<br />
©The Incredibly Strange Creatures ©Invasion 1700 ( )
-UidniDla<br />
Martin<br />
Jean<br />
. . 8-<br />
.<br />
.<br />
.retrr<br />
.Tatlana<br />
.Larlaaa<br />
Margarita<br />
ARGENTINA<br />
Rf»ifw<br />
. Hand in the Trap (90) S-63<br />
lAngcl) ..na* Daniel, rnncbeo<br />
llaUl<br />
A Stranger Knocks (81).. 4-22-63<br />
(Transitu) ..Blrgltlc Federplel<br />
Young Love (80) 3-2S-63<br />
(fccKislif iMfli lN.t.>r Wivkstrooi.<br />
Til Ista<br />
FRANCE<br />
Army Game. The (87) 5-27-63<br />
(SH)..C. lie TUUere. Hlcet-<br />
Itarrler<br />
Candide (90) 2-18-63<br />
(I'nlon) . -Jc.'in Pterre Caasel,<br />
I' erre Brasseur. Dahlia LatI,<br />
Nadla Qnj<br />
Cross of the Liiing (90) . . 4-22-63<br />
(Carl)— Karl Boehm. Pascale Petit<br />
Dev I iuii) the Ten Commandments.<br />
The (120) 12-23-63<br />
(I'nkini . Alain Delon, Danielle<br />
Darrleux<br />
Julie the Redhead (96) .. 12-23-63<br />
(.siLinn infl) . .Pa«ale Petit.<br />
Iianld Celln<br />
La Pouoee (90) ll-U-63<br />
(LloLirearita Volodina, Bori.s .Andreyev.<br />
Vyacheslav Tikohonov. \'sevolod Sanayev.<br />
JO BOXOFFICE BookinGuide March 9. 1964
Opinions on Current Productions<br />
^EATURE REVIEWS<br />
Symbol O denolei color; © CinemoScope; ® VIstoVision; ® Techniroma; ® other onomorphic processes. For sfory synopsis on coch picture, see reverse side.<br />
Cousins<br />
Ratio: Comedy With Music<br />
Kissin<br />
2.35-1 P ©<br />
MGM (422) Rel. Apr. '64<br />
Some of Elvis Presley's fans may find this rustic romp<br />
of the Despatch variety a little too corny for them<br />
but will also find his dual role intriguing, and 11 new<br />
songs in it make a selling point. The film started out<br />
pretty well with Elvis as a young Air Force officer given<br />
the tough assignment of getting a hillbilly cousin to<br />
sign a lease for a missile site on his mountain. From<br />
then on the shenanigans begin and in one scene when<br />
Glenda Farrell as Maw Tatum stirs the moonshine mash<br />
and sings a doleful ditty accompanied by a lugubrious,<br />
old houn'dawg, because Paw's lost, things get out of hand<br />
under Gene Nelson's direction. He was also responsible<br />
for the screenplay with Gerald Drayson Adams, and Sam<br />
Katzman produced. The antics of the Kittyhawks, man-<br />
.starved girls from a neighboring valley who capture<br />
members of the patrol and drag them into the bushes,<br />
add a type of backwoods humor that may stir up censorship<br />
in some situations. Since the swivel-hipped star<br />
appeals mostly to teenagers, the only thing that can save<br />
it from criticism is that its comedy is of the farce variety.<br />
When dealing with the absurd, it is hard to take any of<br />
the happenings seriously. Pamela Austin and Yvonne<br />
Craig are the attractive feminine leads.<br />
Elvis Presley, Pamela Austin, Yvonne Craig, Arthur<br />
O'Connell, Glenda Farrell, Jack Albertson.<br />
Paris Pick-Up<br />
Paramount I<br />
)
1<br />
'lATURE REVIEWS Story Synopsis, Exploitips, Adiines for Newspaper and Programs
'<br />
Boxofhce,<br />
. Twin<br />
'<br />
I Exclusive<br />
Complete<br />
population<br />
Canada.<br />
ITES: 20c per word, minimum 52.00, cash with copy. Four consecutive insertions for price<br />
three. CLOSING DATE: Monday noon preceding publication date. Send copy and<br />
answers to Box Numbers to BOXOFFICE. 825 Van Brunt Blvd., Kansas City 24, Mo. •<br />
HELP WANTED<br />
Theatre mcmagersi Experienced, agesaive,<br />
promotion-minded, needed for<br />
loli and large situations with large<br />
,rcuit in Western Pennsylvania. Good<br />
tuie assured for right man. Send resume<br />
ving age, experience and references<br />
9825.<br />
Young, aggressive manager who is<br />
,avy on promotions, needed by exmding<br />
theatre circuit. New York City<br />
[ea. Must be good, all around man whose<br />
iclcground can stand a check. Will conrier<br />
a man presently working as on aslilant<br />
who feels he knows the business.<br />
p salary offered. Write: Carl Marshal,<br />
emier Theatre, 505 Sutter Ave., Brook-<br />
^. New York, 11207.<br />
Advance agenti Book drive-in attraction.<br />
ist be unattached, tree to travel anylere.<br />
Top appearance, salesmanship.<br />
10.00 per weelc draw, plus percentages.<br />
sh resume, KIRMA, Box 68, Tice, Fla.<br />
kkmager wanted for small town in<br />
jtbeast Missouri. YeOr round, indoor<br />
d drive-in. Send age, experience, refmces<br />
and photo to Mr. Ron Krueger,<br />
jhrenberg Circuit, 2741 Cherokee, St.<br />
Liis Mo. 63118-<br />
tolesmon: Sensational animated signs<br />
theatre marquees etc. Immediate high<br />
ninissions. Write : National Outdoor<br />
imated Signs, P. O. Box 631 , State<br />
liege, Penna.<br />
^a»» growing Southeastern theatre cirt<br />
needs three publicity-minded manag-<br />
. Send complete information, photo,<br />
ary required and references to: Box<br />
97, Brooksville, Florida.<br />
*rdectioiiist and general<br />
aay job tor a good, sober,<br />
utility man.<br />
reliable man<br />
,e to work into all phases of indoor and<br />
door theatre operations. Minnesota,<br />
e 21 to 40. Send complete resume,<br />
erences, salary requirements and photo<br />
Boxofhce, 9842.<br />
>rire-In manoger. Immediate opening<br />
Wichita, Kansas. Benefits, hospitaliza-<br />
1, bonuses, etc. Population over 260,-<br />
screen operation. Excellent oplunitv<br />
for aggressive showman. Send<br />
ume by mail to: Box 3065, Wichita. All<br />
lies strictly confidential.<br />
ALES REPRESENTATIVESI Outdoor The-<br />
? Advertising Service. Compensation<br />
^.xensurate with obihty. Protected terri-<br />
For details, contact: Romar Vide<br />
pany, Chetek, Wise.<br />
POSITIONS WANTED<br />
lanagerl Family, 40, experienced genmanagement,<br />
drive-in and conven-<br />
Desires top management position<br />
Sial.<br />
h circuit or manager ownership with<br />
ependent. Boxoface, 9831.<br />
[onager, 18 years of experience. Protional<br />
minded, aggressive, hard steady<br />
rter. Interested in first run operation<br />
West Coast only. <strong>Boxoffice</strong>, 9843.<br />
TAPED INTERMISSION MUSIC<br />
»WVE-IN MANAGERS! ITS DRIVE-IN<br />
aSON AGAIN! Increase your profits by<br />
reasing snack bar sales, entertain your<br />
Irons with the latest up-to-the-minute<br />
^ular music. For over eight years we<br />
je produced the finest weekly pre-show<br />
intermission tapes for progressive<br />
itres from coast to coast. Each tape<br />
"idividually recorded for your specific<br />
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-1 SELLSI Our tapes are guaroni*#».*2<br />
^®*'- Write for free samples:<br />
[MMERCIAL SOUND SERVICE, P. O.<br />
199, Cheyenne, Wyoming.<br />
XOFFICE March 9, 1964<br />
GENERAL EQUIPMENT USED<br />
Simplex E-7 d Ballantyne mechanisms.<br />
W. E. soundheads with 5 point bases<br />
6 amplifier. Strong mogul & Simplex lamphouses<br />
New...from [E£\§Tr[ffl£\C!]...Type A704-the uniform magnetic sound recording film<br />
Get brilliant tone quality...greater depth...<br />
more vibrant highs.Jmproved balance<br />
LISTEN: First, to Type A704 — Eastman's new magnetic<br />
sound recording film; then, to conventional films! You'll<br />
recognize the difference immediately. "R-type" binderpermitting<br />
smoother, more homogenous oxide coatingsreduces<br />
surface noise and intermodulation distortion.<br />
At the same time, extremely wear-resistant and chemically<br />
stable, "R-type" binder minimizes oxide build-up on<br />
equipment, making for longer recording usefulness.<br />
Most important, "R-type" binder permits uniform oxide<br />
coatings of superb magnetic characteristics which result<br />
in high output and low print-through . . . more<br />
vibrant<br />
highs, a more natural balance between highs and lows.<br />
Another valuable convenience. "Lifetime Coding" offers<br />
an accurate means of indexing film as well as a useful reference<br />
for logging of bias settings, re-use and purchase<br />
data.<br />
AVAILABLE NOW: 16, 17y2 and 35mm widths-complete<br />
range of cores and windings. For further information about<br />
EASTMAN Magnetic Sound Recording Film, Type A704,<br />
and new EASTMAN Sound Recording Tapes, contact:<br />
EASTMAN KODAK COMPANY<br />
Magnetic Products Sales Division<br />
343 State St. 200 Park Ave, 130 E. Randolph Dr. 6706 Santa Monica Blvd.<br />
Rochester, N.Y. New York, N.Y. Chicago, III. Hollywood, Calif.