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Culture and Sport - Macao Yearbook

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Drummer Monkey, the opening show, was performed by Africa’s leading acrobatic arts troupe<br />

at Sai Van Lake Square. From the World Heritage sites of A-Ma Temple <strong>and</strong> Senado Square, to<br />

CHAPTER Clementina Leitao Ho Brito 10 Theatre in the North Zone, footprints of the arts festival covered the<br />

entire city.<br />

Artists’ workshops, master classes, lectures, guided tours <strong>and</strong> reviews were also conducted, so<br />

audiences could better appreciate the festival. About 87.9 percent of tickets were sold, <strong>and</strong> a total<br />

of 26,800 people participated in the festival.<br />

20th <strong>Macao</strong> International Music Festival<br />

With “Carrying on with Brilliance” as its theme, the 20th <strong>Macao</strong> International Music Festival<br />

was held from 6 October to 5 November. The celebrated Chinese pianist Lang Lang, the worldacclaimed<br />

conductor Semyon Bychkov, Canto-pop diva Paula Tsui, Japan’s “new godfather of<br />

music” Ryuichi Sakamoto, the Portuguese fado master Carlos do Carmo, <strong>and</strong> musicians from<br />

the Berlin Philharmonic <strong>and</strong> Berlin National Opera House gathered in <strong>Macao</strong> for the event.<br />

Along with other famous ensembles including Germany’s WDR Symphony Orchestra Cologne,<br />

Indonesia’s Batavia Madrigal Singers, Japan’s Orchestra Ensemble Kanazawa, Portugal’s Xutos e<br />

Pontapes, <strong>and</strong> Vienna Symphony Virtuosi, they left the most beautiful <strong>and</strong> lyrical imprint on the<br />

two-decade history of the festival with their distinctive music styles.<br />

The festival featured 30 performances, <strong>and</strong> a record 95 percent of tickets – 16,000 in all<br />

– were sold. Also, 14,000 people joined the six admission-free, large outdoor concerts, setting<br />

another record. Over 4,000 students <strong>and</strong> citizens participated in the 13 open master classes <strong>and</strong><br />

workshops. In addition, two performances were specially staged for the underprivileged. The<br />

festival also included a retrospective exhibition on past performances at local heritage sites. This<br />

exhibition toured local secondary schools <strong>and</strong> recaptured the mastery of celebrated musicians<br />

<strong>and</strong> musical groups from around the world, while allowing visitors to learn more about <strong>Macao</strong>’s<br />

cultural heritage.<br />

<strong>Macao</strong> Orchestra<br />

It has been four years since <strong>Macao</strong> Orchestra began arranging its schedule in the form of a<br />

concert season. The orchestra has introduced the world’s classical music to the public through<br />

its concerts. It also emphasised musical education for young people, by launching an event<br />

combining painting <strong>and</strong> exhibition to coincide<br />

Health<br />

with the 1 June International<br />

<strong>and</strong><br />

Children’s Day,<br />

<strong>and</strong> arranging the New Year Concert on Campus, <strong>and</strong> the First Musical Summer Camp for<br />

<strong>Macao</strong> Youth, all of which have been well received. During 2006, the orchestra held 65 concerts<br />

<strong>and</strong> performances, attracting a total audience of 38,016 people; the 23 campus concerts drew<br />

audiences totalling 4,808.<br />

Social Welfare<br />

The <strong>Macao</strong> Orchestra has collaborated with world acclaimed musicians <strong>and</strong> conductors<br />

including Lang Lang, Okko Kamu, Paik Kun-woo, <strong>and</strong> Lu Shao-chia. In March 2006, the<br />

orchestra presented a concert featuring works by <strong>Macao</strong>’s renowned composer Doming Lam,<br />

<strong>and</strong> a symposium on his creative achievements. Song of Pipa, a piece written by the <strong>Macao</strong>-born<br />

composer Lam Bun Ching, who lives in the United States, <strong>and</strong> Ye Xiaogang’s <strong>Macao</strong> Bride Suite<br />

No. 2, were premiered in December. These premieres exemplified <strong>Macao</strong> composers’ high regard<br />

for the orchestra, <strong>and</strong> helped to preserve <strong>and</strong> promote local cultural resources.

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