BIBLIOGRAPHY - collage and architecture

• Meier, Richard. “Essay.” Perspecta, Vol. 24 (1988).
• Mertins, Detlef. “Anything But Literal: Sigfried Giedion and the Reception of Cubism in
Germany.” Blau, Eve and Nancy J. Troy. Architecture and Cubism. Cambridge: MIT
Press, 2002.
• Nesbitt, Lois. Richard Meier Collages. London: St. Martin's Press, 1990.
• Nicholson, Ben. The New Harmony Athenaeum: Richard Meier interview. March 25th,
2010, New York. Archinect.
• Pallasmaa, Juhani. ʻHapticity and Time: Notes on Fragile Architecture.ʼ The Architectural
Review, May 2000: 78-84.
• Pint, Christina Betanzos. “Introduction.” Pint, Christina Betanzos, ed. Bernhard Hoesli:
Collages. Knoxville: University of Tennessee Press, 2001, p. 1.
• Poggi, Christine. In Defiance of Painting: Cubism, Futurism, and the Invention of
Collage. New Haven: Yale University, 1992.
• Reichlin, Bruno. “Jeanneret-Le Corbusier, Painter-Architect.” Blau, Eve and Nancy J.
Troy. Architecture and Cubism. Cambridge: MIT Press, 2002.
• Rowe, Colin. “The provocative façade: frontality and contrapposto.” Le Corbusier
Architect of the Century. London: Arts Council of Great Britain, 1987.
• Two essays by Rowe and Slutzky, “Transparency: Literal and Phenomenal” and
“Transparency: Literal and Phenomenal…Part II” were written in 1955 and 1956,
however the first essay was not published until Perspecta vol. 8, 1963, the second in
Perspecta vol. 13/14, 1971.
• Selz, Peter Howard. Chillida. New York: Abrams, 1986.
• Shapiro, David. Richard Meier: Collages. New York: Gagosian Gallery, 2005.
• Shaw, John P. “Hoesli Collages.” Betanzos Pint, Christina. Bernhard Hoesli: Collages.
Knoxville: University of Tennessee, 2001, p. 15.
• Vesely, Dalibor. Architecture in the Age of Divided Representation: The Question of
Creativity in the Shadow of Production. Cambridge, MA: The MIT Press, 2004.
• Waldman, Diane. Collage, Assemblage, and the Found Object. New York: Harry N.
Abrams, 1992.