BIBLIOGRAPHY - collage and architecture
BIBLIOGRAPHY - collage and architecture
BIBLIOGRAPHY - collage and architecture
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<strong>BIBLIOGRAPHY</strong> : CHAPTER 1.1_PAPIERS-COLLES<br />
• Bachelard, Gaston. The Poetics of Space, Boston: Beacon Press, 1969.<br />
• Besset, Maurice. Le Corbusier: To Live with the Light. New York: Rizzoli International,<br />
1987.<br />
• Blau, Eve <strong>and</strong> Nancy J. Troy. Architecture <strong>and</strong> Cubism. Cambridge: MIT Press, 2002.<br />
• Burgess, Gelett. ʻThe Wild Men of Paris.ʼ The Architectural Record. May 1910, p. 405.<br />
• Caragonne, Alex<strong>and</strong>er. The Texas Rangers: Notes from the Architectural Underground.<br />
Cambridge: The MIT Press, 1995, p. 167.<br />
• Chillida, Eduardo . lithographic <strong>collage</strong>s for Die Kunst und der Raum with Martin<br />
Heidegger, 1969.<br />
• Cooper, Douglas. The Cubist Epoch. London: Phaidon Press Ltd., 1971.<br />
• Curtis, William. “Le Corbusier: nature <strong>and</strong> tradition.” Le Corbusier Architect of the<br />
Century. London: Arts Council of Great Britain, 1987.<br />
• Dripps, Robin. ʻGroundwork.ʼ Burns, Carol J. <strong>and</strong> Andrea Kahn, eds. Site Matters. New<br />
York: Routledge, 2005. 59-91.<br />
• Fischer, Volker. Richard Meier: The Architect as Designer <strong>and</strong> Artist. New York: Rizzoli,<br />
2003.<br />
• Gideon, Sigfried. Space, Time, <strong>and</strong> Architecture: The Growth of a New Tradition.<br />
Cambridge, MA: Harvard University Press, 1941.<br />
• Green, Cristopher. “The architect as artist.” Le Corbusier Architect of the Century.<br />
London: Arts Council of Great Britain, 1987.<br />
• Heidegger, Martin. ʻBuilding Dwelling Thinking.ʼ Poetry, Language, Thought. Translated<br />
by Albert Hofstadter. New York: Harper Colophon Books, 1971.<br />
• Hoesli, Bernhard. "Commentary." Rowe, Colin <strong>and</strong> Slutzky, Robert. Transparency.<br />
Birkhauser: 1964.<br />
• Holl, Steven. Intertwining. New York: Princeton Architectural Press, 1996.<br />
• Holl, Steven. Anchoring. New York: Princeton Architectural Press, 1989.<br />
• Hopkins, David. Dada <strong>and</strong> Surrealism: A Very Short Introduction. New York: Oxford<br />
University Press, 2004.<br />
• Jarzombek, Mark. “Bernhard Hoesli: Collage/Civitas.” Betanzos Pint, Christina. Bernhard<br />
Hoesli: Collages. Knoxville: University of Tennessee, 2001, p. 5.
• Meier, Richard. “Essay.” Perspecta, Vol. 24 (1988).<br />
• Mertins, Detlef. “Anything But Literal: Sigfried Giedion <strong>and</strong> the Reception of Cubism in<br />
Germany.” Blau, Eve <strong>and</strong> Nancy J. Troy. Architecture <strong>and</strong> Cubism. Cambridge: MIT<br />
Press, 2002.<br />
• Nesbitt, Lois. Richard Meier Collages. London: St. Martin's Press, 1990.<br />
• Nicholson, Ben. The New Harmony Athenaeum: Richard Meier interview. March 25th,<br />
2010, New York. Archinect.<br />
• Pallasmaa, Juhani. ʻHapticity <strong>and</strong> Time: Notes on Fragile Architecture.ʼ The Architectural<br />
Review, May 2000: 78-84.<br />
• Pint, Christina Betanzos. “Introduction.” Pint, Christina Betanzos, ed. Bernhard Hoesli:<br />
Collages. Knoxville: University of Tennessee Press, 2001, p. 1.<br />
• Poggi, Christine. In Defiance of Painting: Cubism, Futurism, <strong>and</strong> the Invention of<br />
Collage. New Haven: Yale University, 1992.<br />
• Reichlin, Bruno. “Jeanneret-Le Corbusier, Painter-Architect.” Blau, Eve <strong>and</strong> Nancy J.<br />
Troy. Architecture <strong>and</strong> Cubism. Cambridge: MIT Press, 2002.<br />
• Rowe, Colin. “The provocative façade: frontality <strong>and</strong> contrapposto.” Le Corbusier<br />
Architect of the Century. London: Arts Council of Great Britain, 1987.<br />
• Two essays by Rowe <strong>and</strong> Slutzky, “Transparency: Literal <strong>and</strong> Phenomenal” <strong>and</strong><br />
“Transparency: Literal <strong>and</strong> Phenomenal…Part II” were written in 1955 <strong>and</strong> 1956,<br />
however the first essay was not published until Perspecta vol. 8, 1963, the second in<br />
Perspecta vol. 13/14, 1971.<br />
• Selz, Peter Howard. Chillida. New York: Abrams, 1986.<br />
• Shapiro, David. Richard Meier: Collages. New York: Gagosian Gallery, 2005.<br />
• Shaw, John P. “Hoesli Collages.” Betanzos Pint, Christina. Bernhard Hoesli: Collages.<br />
Knoxville: University of Tennessee, 2001, p. 15.<br />
• Vesely, Dalibor. Architecture in the Age of Divided Representation: The Question of<br />
Creativity in the Shadow of Production. Cambridge, MA: The MIT Press, 2004.<br />
• Waldman, Diane. Collage, Assemblage, <strong>and</strong> the Found Object. New York: Harry N.<br />
Abrams, 1992.