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Sound and Communications - February 2008 Issue

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Attention to<br />

acoustical<br />

considerations<br />

allows trains to<br />

pass above the<br />

station’s occupants<br />

with a minimum of<br />

disturbance. Note<br />

the videowall<br />

advertising in the<br />

background.<br />

open air-wells <strong>and</strong> glass ceilings be<br />

similarly utilized. The frequent passing<br />

of both elevated <strong>and</strong> subterranean<br />

trains added to the potential noise/vibration<br />

characteristics. This was an<br />

acoustical nightmare in the making.<br />

GENEST was charged with the task<br />

of mitigating the noise/vibration concerns<br />

<strong>and</strong> taming the reverberation<br />

characteristics to a satisfactory level.<br />

ADA was expected to come up with a<br />

design that would provide speech intelligibility<br />

as dem<strong>and</strong>ed by prevailing<br />

codes within this 28,821,430-cubic-foot<br />

building, while still being unobtrusive<br />

to the architect’s visual aesthetic.<br />

Vibration Control<br />

In terms of noise/vibration control,<br />

GENEST specified that all rail tracks<br />

be laid in concrete with spring suspension<br />

<strong>and</strong> be lined with noise-absorbent<br />

materials to mitigate the rumble occasioned<br />

by train movements. Wall construction<br />

would take the form of perforated<br />

metal <strong>and</strong> concrete with layers<br />

of noise absorption materials installed<br />

behind the perforated walls.<br />

Station platforms, whenever possible,<br />

would be isolated from the main<br />

structure <strong>and</strong> be shock absorptive to<br />

reduce vibration effects. Those areas<br />

IBA Centralized Communication System Operation<br />

As implemented, the IBA system<br />

operates (in a somewhat simplified<br />

version) as follows:<br />

Note: For the following example,<br />

we will use Hbf; it being understood<br />

that similar conditions apply at all<br />

other stations.<br />

• When a train approaches Hbf,<br />

operators at the IBA Control Center<br />

are notified through an interface with<br />

the railway signaling systems that the<br />

train’s arrival is imminent. This<br />

information is displayed on the<br />

appropriate GUI by the responsible<br />

personnel. Status of the train movement<br />

on a minute-to-minute basis is<br />

essential.<br />

• When the train stops to de-train<br />

passengers, an announcement is<br />

keyed to advise passengers, “Welcome<br />

to Berlin…descend to<br />

level….For information,<br />

consult….Passengers with foreign<br />

passports proceed to….,” etc.<br />

• Waiting passengers are likewise<br />

advised, “The Berlin-Warsaw ICE is<br />

available for boarding on<br />

track….Departure time….The train<br />

will depart in five minutes….”<br />

• In the event of delays or other<br />

unusual circumstances, the operators<br />

at the IBA control center can<br />

override prerecorded messages <strong>and</strong><br />

provide timely information <strong>and</strong><br />

instructions.<br />

• The system is under constant<br />

supervision, <strong>and</strong> any equipment<br />

defaults (right down to loudspeaker<br />

line impedance) will appear as a<br />

default on the IBA system’s GUI<br />

consoles.<br />

• Trackside control stations for use<br />

by train operating personnel are<br />

available for communicating with the<br />

IBA operators when unusual circumstances<br />

dictate.<br />

• All functions are logged on<br />

control computers for analysis <strong>and</strong>/<br />

or response to specific complaints.<br />

At first glance, these sequences<br />

appear fairly uncomplicated, but<br />

multiply this one example by 1100<br />

daily arrivals/departures (one train<br />

every 30 seconds within a 24-hour<br />

time frame), <strong>and</strong> the need to route<br />

both audible <strong>and</strong> visual data to 16<br />

track zones <strong>and</strong> upward of 50 public<br />

space zones, <strong>and</strong> it becomes rather<br />

complicated.<br />

42 <strong>Sound</strong> & <strong>Communications</strong><br />

www.sound<strong>and</strong>communications.com

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