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26 | ENGAGING SCIENCE<br />

Happy anniversary<br />

Cut and thrust<br />

<strong>Wellcome</strong> Collection attracted more than<br />

300 000 visits in its first year of opening.<br />

Neurosurgery and the sinking of the<br />

Mary Rose have been the focus of two<br />

acclaimed documentaries.<br />

1 2<br />

<strong>Wellcome</strong> Collection, opened in June<br />

2007, offers visitors a unique chance<br />

to explore different cultural fields<br />

inspired by science, and to debate<br />

and discuss wider social issues. An<br />

eventful year saw innovative<br />

exhibitions on sleeping and<br />

crystallography-inspired design, as<br />

well as a deeply moving photographic<br />

exhibition of terminally ill people. The<br />

visitor numbers far exceeded<br />

expectations and, combined with a<br />

string of plaudits from critics,<br />

amounted to a highly successful first<br />

year of operations.<br />

The first new temporary exhibition of the<br />

year, Sleeping & Dreaming, a partnership<br />

with the Deutsches Hygiene-Museum,<br />

Dresden, brought together works from<br />

artists, scientists, film makers and<br />

historians, illuminating a ubiquitous but<br />

mysterious aspect of human behaviour.<br />

Life Before Death, a series of 24 sets of<br />

photographs taken of terminally ill people<br />

before and after their deaths, resulted<br />

from a collaboration between journalist<br />

Beate Lakotta and photographer Walter<br />

Schels. Featured on the Guardian<br />

website, it broke the newspaper’s record<br />

for the highest number of hits in a<br />

24-hour period.<br />

By complete contrast, From Atoms to<br />

Patterns included ‘insulin wallpaper’ and<br />

other intriguing designs from the 1951<br />

Festival of Britain, all inspired by X-ray<br />

crystallography. The final exhibition of the<br />

year, Skeletons: London’s buried bones,<br />

featured 26 skeletons from the Museum<br />

of London’s Centre for Human<br />

Bioarchaeology, collectively uncovering<br />

2000 years of London’s history.<br />

The temporary exhibitions were<br />

complemented by a lively events<br />

programme, which included debates<br />

about organ donation, obesity and<br />

genetic tests, performances of a play<br />

exploring chronic fatigue syndrome and<br />

a festival to launch The Big Draw 2008.<br />

The exhibitions and events met with<br />

wide-reaching critical attention from<br />

national and international media. As a<br />

contributor to the Rough Guide website<br />

put it: “<strong>Wellcome</strong> Collection is a small,<br />

eclectic, imaginative, humane, humorous<br />

exhibition of objects related, sometimes<br />

in the loosest sense, to medicine. It is<br />

WONDERFUL.”<br />

<strong>Wellcome</strong> Collection was also one of<br />

only four venues shortlisted for this year’s<br />

prestigious Art Fund Prize, a national<br />

award given to a public venue whose<br />

project demonstrates the most<br />

originality, imagination and excellence.<br />

They are two compelling stories. The<br />

English Surgeon documents the<br />

attempts of a leading brain surgeon<br />

struggling to save lives in Ukraine. In<br />

complete contrast, The Ghosts of the<br />

Mary Rose: Revealed describes how<br />

forensic analysis of sailors’ remains<br />

may explain the dramatic sinking of<br />

the Mary Rose in 1545.<br />

Henry Marsh first visited Kiev in 1992,<br />

and was horrified by the conditions<br />

endured by both patients and doctors.<br />

Since then he has made at least two trips<br />

a year – taking time off as a consultant at<br />

St George’s Hospital – to work with<br />

Ukrainian neurosurgeon Igor Petrovich.<br />

The English Surgeon, funded by a<br />

<strong>Wellcome</strong> <strong>Trust</strong> People Award, was<br />

produced by Geoffrey Smith and<br />

screened on BBC2 in April 2008 to<br />

critical acclaim. Time Out called it “a<br />

life-affirming, unforgettable portrait of a<br />

true humanitarian”, and the Guardian<br />

described it as “a lovely, lovely film”. It<br />

won Best International Feature<br />

Documentary at HotDocs 2008.<br />

Shot over two chaotic weeks in the 2007<br />

Ukrainian winter, the film shows Marsh<br />

agonising over whom he can and cannot<br />

save – and struggling with local logistical<br />

and political constraints. At one point he<br />

has to use a £30 cordless drill to bore<br />

into a patient’s skull. Remarkably, the<br />

operation is a success.<br />

Images<br />

1 T h e Life Before Death exhibition.<br />

2 T h e From Atoms to Patterns exhibition.<br />

3 Hugh Montgomery, examining the remains of a Mary Rose sailor.<br />

4 Professor John Holman, Director of the<br />

National Science Learning Centre.<br />

5 A practical demonstration at the launch<br />

of Project Enthuse.

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