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BERGER v. CITY OF SEATTLE - ACLU of Washington

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<strong>BERGER</strong> v. <strong>CITY</strong> <strong>OF</strong> <strong>SEATTLE</strong><br />

Freedman. “A licensing standard which gives an<br />

<strong>of</strong>ficial authority to censor the content <strong>of</strong> a speech<br />

differs toto coelo from one limited by its terms, or by<br />

nondiscriminatory practice, to considerations <strong>of</strong> public<br />

safety and the like.” Niemotko v. Maryland, 340<br />

U.S. 268, 282 (1951) (Frankfurter, J., concurring in<br />

result). “[T]he [permit] required is not the kind <strong>of</strong><br />

prepublication license deemed a denial <strong>of</strong> liberty<br />

since the time <strong>of</strong> John Milton but a ministerial,<br />

police routine for adjusting the rights <strong>of</strong> citizens so<br />

that the opportunity for effective freedom <strong>of</strong> speech<br />

may be preserved.” Poulos v. New Hampshire, 345<br />

U.S. 395, 403 (1953). Regulations <strong>of</strong> the use <strong>of</strong> a<br />

public forum that ensure the safety and convenience<br />

<strong>of</strong> the people are not “inconsistent with civil liberties<br />

but . . . [are] one <strong>of</strong> the means <strong>of</strong> safeguarding the<br />

good order upon which [civil liberties] ultimately<br />

depend.” Cox v. New Hampshire, 312 U.S. 569, 574<br />

(1941). Such a traditional exercise <strong>of</strong> authority does<br />

not raise the censorship concerns that prompted us to<br />

impose the extraordinary procedural safeguards on<br />

the film licensing process in Freedman.<br />

217<br />

Thomas, 534 U.S. at 322-23 (footnote and parallel citations<br />

omitted). The Thomas Court noted that constitutional concerns<br />

would arise if a permit requirement granted “unduly<br />

broad discretion in determining whether to grant or deny a<br />

permit,” and thus allowed the state to “favor or disfavor<br />

speech based on its content.” Id. at 323. But the statute in<br />

Thomas granted no such discretion, and the Court upheld it.<br />

[4] Guided by these precedents, we must decide whether<br />

Rule F.1 discriminates based on content. Berger argues that<br />

the rule does so because it “single[s] out persons who choose<br />

to exercise their First Amendment rights through the medium<br />

<strong>of</strong> performance arts.” The district court correctly rejected this<br />

argument. None <strong>of</strong> the challenged rules—the permit requirement,<br />

the bar on active solicitation, the designation <strong>of</strong> specific

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