14.11.2014 Views

BERGER v. CITY OF SEATTLE - ACLU of Washington

BERGER v. CITY OF SEATTLE - ACLU of Washington

BERGER v. CITY OF SEATTLE - ACLU of Washington

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>BERGER</strong> v. <strong>CITY</strong> <strong>OF</strong> <strong>SEATTLE</strong><br />

uals or groups participating in an authorized demonstration or<br />

special event to solicit donations within the confines <strong>of</strong> a<br />

restricted permit area such as that assigned to ISKCON. It<br />

does not require the Park Service to let rampant panhandling<br />

go unchecked.” Id.<br />

[16] Unlike the solicitation ban in ISKCON, which bore an<br />

at-most attenuated relationship to the interests <strong>of</strong> the Park Service,<br />

the Seattle Center’s bar on active solicitation directly<br />

addresses the problems <strong>of</strong> heckling and patron disturbance<br />

revealed in prior complaints. Our reasoning in ACORN and<br />

the considerations noted by the D.C. Circuit in ISKCON support<br />

a conclusion that the Seattle Center’s bar on active solicitation<br />

was narrowly tailored to the city’s significant interest<br />

in protecting the Center’s patrons from disruptive and<br />

unwanted advances.<br />

[17] In addition to being content neutral and narrowly tailored,<br />

Rule F.3.a leaves open ample alternative avenues for<br />

solicitation. Contrary to Berger’s contention that street performers<br />

“are completely barred from requesting donations,”<br />

the Campus Rules expressly provide: “Donations for performances<br />

may be accepted passively in an instrument case or<br />

other receptacle provided for that purpose by the performer.<br />

The receptacle may include a written sign that informs the<br />

public that such donations are sought.” The bar only reaches<br />

active solicitations, which were the source <strong>of</strong> the complaints<br />

brought to the attention <strong>of</strong> Seattle Center authorities. Performers<br />

retain ample means to solicit funds without harassing<br />

patrons. This rule satisfies the third and final prong <strong>of</strong> the test<br />

and is a reasonable restriction on expression.<br />

D<br />

233<br />

We next turn to Berger’s constitutional challenge to Rule<br />

F.5, which confines street performances to sixteen “designated<br />

locations on the Seattle Center grounds,” and specifies<br />

these by reference to a map provided with the permit applica-

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!