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BERGER v. CITY OF SEATTLE - ACLU of Washington

BERGER v. CITY OF SEATTLE - ACLU of Washington

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<strong>BERGER</strong> v. <strong>CITY</strong> <strong>OF</strong> <strong>SEATTLE</strong><br />

[5] “As a general matter, it is clear that a State’s interest in<br />

protecting the ‘safety and convenience’ <strong>of</strong> persons using a<br />

public forum is a valid governmental objective.” Heffron v.<br />

Int’l Soc’y <strong>of</strong> Krishna Consciousness, Inc., 452 U.S. 640, 650<br />

(1981). Here, the district court noted the Seattle Center<br />

authorities enacted the permit requirement after encountering<br />

“chronic” territorial disputes between performers and threats<br />

to public citizens by street performers. Testimony from Randy<br />

Douglas, a Seattle Center Emergency Services Department<br />

Employee, recited some <strong>of</strong> the troubles:<br />

Before the performer rules went into effect . . . there<br />

were approximately 3 or 4 complaints by performers<br />

against other performers per week. If Magic Mike<br />

[Berger] was here, we could expect one or more<br />

from him . . . . The general complaints by performers<br />

against other performers would be ‘that is my spot<br />

and he can’t be there’ and/or ‘that performer is doing<br />

what I am doing and they won’t move.’ The general<br />

complaints by the tenants against performers usually<br />

concerned too much noise or blocking access.<br />

219<br />

These complaints show that street performances posed a<br />

threat to the city’s interests in maintaining order in the Seattle<br />

Center and providing harassment-free facilities. See Thomas,<br />

534 U.S. at 322 (upholding a “permit system . . . [that was<br />

aimed] not to exclude communication <strong>of</strong> a particular content,<br />

but to coordinate multiple uses <strong>of</strong> limited space, to assure<br />

preservation <strong>of</strong> the park facilities, to prevent uses that [we]re<br />

dangerous, unlawful, or impermissible under the Park District’s<br />

rules, and to assure financial accountability for damage”).<br />

We are satisfied that the city’s permit scheme was<br />

designed to further valid governmental objectives.<br />

We turn next to Berger’s claim that the permit requirement<br />

is overbroad because it restricts all street performances, but<br />

not all street performances are likely to cause harm. Noting<br />

that street performances have led to numerous territorial dis-

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