To All Appearances A Lady - University of British Columbia
To All Appearances A Lady - University of British Columbia
To All Appearances A Lady - University of British Columbia
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Books in Review<br />
"Theory: Beauty or Monster," Smaro<br />
Kamboureli shows how attitudes to theory<br />
have divided Canadian women writers and<br />
critics. In "The Bodies <strong>of</strong> the Texts in Lives<br />
<strong>of</strong> Girls and Women: Del Jordan's Reading,"<br />
Neil Besner uses postmodern and feminist<br />
theory not to exclude the non-specialist,<br />
but to add to the enjoyment <strong>of</strong> the text for<br />
the general reader.<br />
Besner is also the author <strong>of</strong> Introducing<br />
Alice Munro's Lives <strong>of</strong> Girls and Women, a<br />
reader's guide that will appeal to high<br />
school and university English teachers and<br />
their students. I hope that this book will<br />
also be discovered by readers <strong>of</strong> Canadian<br />
literature outside the universities. Although<br />
some women, myself included, may feel a<br />
pang that ECW assigned a male critic to a<br />
text that women cherish because it<br />
inscribes their own stories, Besner's fair,<br />
thorough, and gracefully written survey <strong>of</strong><br />
the critical methods that have been applied<br />
to Lives <strong>of</strong> Girls and Women quickly reassured<br />
me.<br />
He follows the series' excellent format,<br />
which includes a chronology, the importance<br />
<strong>of</strong> the work, a review <strong>of</strong> its critical<br />
reception and a comprehensive ten-part<br />
analysis <strong>of</strong> the text, as well as an annotated<br />
bibliography and index. Whereas earlier<br />
examples in this series ran to about 75<br />
pages, Besner expands to 121 pages, owing<br />
partly to the extensive bibliography. ECW<br />
deserves thanks for adding the extra text<br />
and several revealing photographs <strong>of</strong><br />
Munro's manuscripts in the Special<br />
Collections Division <strong>of</strong> the <strong>University</strong> <strong>of</strong><br />
Calgary. A page from her notebook, headed<br />
"Burglars," reveals Munro's round, closelyspaced,<br />
slightly back-slanted handwriting<br />
covering the entire page. Only one word is<br />
blacked out. Another page shows three different<br />
versions <strong>of</strong> a single paragraph in the<br />
draft <strong>of</strong> the beginning <strong>of</strong> "Princess Ida."<br />
In his critical analysis, Besner emphasizes<br />
the importance <strong>of</strong> the short story form for<br />
Alice Munro and Canadian fiction as a<br />
whole, and discusses the question <strong>of</strong><br />
whether Lives <strong>of</strong> Girls and Women is a novel<br />
or a short story cycle. More importantly, he<br />
shows how the first story, "Princess Ida,"<br />
became the nucleus for the entire work,<br />
and how Del discards her Mother's view <strong>of</strong><br />
the world, but learns from her how "stories<br />
conjure and reshape the past." While<br />
Besner does full justice to the structure <strong>of</strong><br />
the text, most readers will probably consult<br />
him for guidance on interpretation. They<br />
will find him particularly helpful about<br />
"Epilogue: The Photographer," the concluding<br />
segment that gave Munro considerable<br />
trouble and continues to trouble her<br />
readers.<br />
Introducing Alice Munro's Lives <strong>of</strong> Girls<br />
and Women distils the commentary <strong>of</strong> a<br />
generation <strong>of</strong> critics on a single text, exemplifying<br />
Besner's contention that Canadian<br />
criticism is moving away from surveys<br />
toward a focus on individual writers and<br />
texts. Nevertheless, there will always be a<br />
place for a book like Multiple Voices that<br />
brings together writers and scholars to discuss<br />
the relationship between culture, voice<br />
and literature.<br />
Surfaces<br />
Richard Teleky<br />
Goodnight, Sweetheart and Other Stories.<br />
Cormorant $12.95<br />
J. Jill Robinson<br />
Lovely in Her Bones. Arsenal Pulp Press $12.95<br />
Reviewed by Susanne Goodison<br />
Richard Teleky in Goodnight, Sweetheart<br />
and Other Stories and J. Jill Robinson in<br />
Lovely in Her Bones explore a myriad <strong>of</strong><br />
connections between friends, family members,<br />
and lovers. The ways relationships are<br />
adjusted to suit people's lives and why,<br />
despite those adjustments, they break, fascinate<br />
both authors.<br />
Teleky's collection ranges across very different<br />
situations and seemingly different<br />
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