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To All Appearances A Lady - University of British Columbia

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Books in Review<br />

"Theory: Beauty or Monster," Smaro<br />

Kamboureli shows how attitudes to theory<br />

have divided Canadian women writers and<br />

critics. In "The Bodies <strong>of</strong> the Texts in Lives<br />

<strong>of</strong> Girls and Women: Del Jordan's Reading,"<br />

Neil Besner uses postmodern and feminist<br />

theory not to exclude the non-specialist,<br />

but to add to the enjoyment <strong>of</strong> the text for<br />

the general reader.<br />

Besner is also the author <strong>of</strong> Introducing<br />

Alice Munro's Lives <strong>of</strong> Girls and Women, a<br />

reader's guide that will appeal to high<br />

school and university English teachers and<br />

their students. I hope that this book will<br />

also be discovered by readers <strong>of</strong> Canadian<br />

literature outside the universities. Although<br />

some women, myself included, may feel a<br />

pang that ECW assigned a male critic to a<br />

text that women cherish because it<br />

inscribes their own stories, Besner's fair,<br />

thorough, and gracefully written survey <strong>of</strong><br />

the critical methods that have been applied<br />

to Lives <strong>of</strong> Girls and Women quickly reassured<br />

me.<br />

He follows the series' excellent format,<br />

which includes a chronology, the importance<br />

<strong>of</strong> the work, a review <strong>of</strong> its critical<br />

reception and a comprehensive ten-part<br />

analysis <strong>of</strong> the text, as well as an annotated<br />

bibliography and index. Whereas earlier<br />

examples in this series ran to about 75<br />

pages, Besner expands to 121 pages, owing<br />

partly to the extensive bibliography. ECW<br />

deserves thanks for adding the extra text<br />

and several revealing photographs <strong>of</strong><br />

Munro's manuscripts in the Special<br />

Collections Division <strong>of</strong> the <strong>University</strong> <strong>of</strong><br />

Calgary. A page from her notebook, headed<br />

"Burglars," reveals Munro's round, closelyspaced,<br />

slightly back-slanted handwriting<br />

covering the entire page. Only one word is<br />

blacked out. Another page shows three different<br />

versions <strong>of</strong> a single paragraph in the<br />

draft <strong>of</strong> the beginning <strong>of</strong> "Princess Ida."<br />

In his critical analysis, Besner emphasizes<br />

the importance <strong>of</strong> the short story form for<br />

Alice Munro and Canadian fiction as a<br />

whole, and discusses the question <strong>of</strong><br />

whether Lives <strong>of</strong> Girls and Women is a novel<br />

or a short story cycle. More importantly, he<br />

shows how the first story, "Princess Ida,"<br />

became the nucleus for the entire work,<br />

and how Del discards her Mother's view <strong>of</strong><br />

the world, but learns from her how "stories<br />

conjure and reshape the past." While<br />

Besner does full justice to the structure <strong>of</strong><br />

the text, most readers will probably consult<br />

him for guidance on interpretation. They<br />

will find him particularly helpful about<br />

"Epilogue: The Photographer," the concluding<br />

segment that gave Munro considerable<br />

trouble and continues to trouble her<br />

readers.<br />

Introducing Alice Munro's Lives <strong>of</strong> Girls<br />

and Women distils the commentary <strong>of</strong> a<br />

generation <strong>of</strong> critics on a single text, exemplifying<br />

Besner's contention that Canadian<br />

criticism is moving away from surveys<br />

toward a focus on individual writers and<br />

texts. Nevertheless, there will always be a<br />

place for a book like Multiple Voices that<br />

brings together writers and scholars to discuss<br />

the relationship between culture, voice<br />

and literature.<br />

Surfaces<br />

Richard Teleky<br />

Goodnight, Sweetheart and Other Stories.<br />

Cormorant $12.95<br />

J. Jill Robinson<br />

Lovely in Her Bones. Arsenal Pulp Press $12.95<br />

Reviewed by Susanne Goodison<br />

Richard Teleky in Goodnight, Sweetheart<br />

and Other Stories and J. Jill Robinson in<br />

Lovely in Her Bones explore a myriad <strong>of</strong><br />

connections between friends, family members,<br />

and lovers. The ways relationships are<br />

adjusted to suit people's lives and why,<br />

despite those adjustments, they break, fascinate<br />

both authors.<br />

Teleky's collection ranges across very different<br />

situations and seemingly different<br />

132

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