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department of music - Casper College

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Appendix C<br />

Faculty Biographies<br />

NATHAN BAKER, Music Theory Coordinator, earned a B. Mus. in Music Education and<br />

Music Composition from Utah State University in 2002, an M.A. in Music Theory<br />

from the University <strong>of</strong> Oregon in 2006, and is nearing completion <strong>of</strong> the Ph.D. in<br />

Music Theory (with a supporting area in Music History) from the University <strong>of</strong><br />

Oregon. As a Graduate Teaching Fellow, he taught undergraduate courses in theory,<br />

aural skills, keyboard skills, analysis, and counterpoint, as well as a self-designed<br />

summer course in video game <strong>music</strong>. In 2004 he was the recipient <strong>of</strong> the University<br />

<strong>of</strong> Oregon School <strong>of</strong> Music’s Excellence in Teaching award. Baker’s research has<br />

ranged from neo-Riemannian theory and atonality to the study <strong>of</strong> harmony and form<br />

in video game <strong>music</strong>. His master’s thesis “Neo-Riemannian Perspectives on the<br />

Early Music <strong>of</strong> Arnold Schoenberg” discusses a link between the harmonic<br />

progressions found in late Romantic composers and the progressions used in<br />

Schoenberg’s early atonal period. Baker’s proposed doctoral dissertation will focus<br />

on “Form, Style, and Meaning in Japanese Video Game Music.” A member <strong>of</strong> the<br />

Society for Music Theory, Baker has presented at the West Coast Conference for<br />

Music Theory and Analysis. Baker’s other <strong>music</strong>al activities include playing the<br />

trombone and composing and arranging <strong>music</strong>. He was principal trombonist with the<br />

University <strong>of</strong> Oregon Symphony Orchestra and the University <strong>of</strong> Oregon Jazz Lab<br />

Band II, and has also played in the University <strong>of</strong> Oregon Wind Ensemble and various<br />

other ensembles. He was the trombone soloist with the Symphony <strong>of</strong> the Mountain<br />

West in Salt Lake City, Utah, and played in the University <strong>of</strong> Oregon’s 2002<br />

production <strong>of</strong> Chicago. Baker’s compositions and arrangements have been<br />

performed by the trombone ensembles at Utah State University and the University <strong>of</strong><br />

Oregon, the Utah State University Symphonic Band, and the Mount Logan Middle<br />

School after-school opera program.<br />

DOUGLAS BULL serves as the Music Department Program Director, and directs the band<br />

and studio brass classes. Mr. Bull received a B.S. degree in Music Education and<br />

Trumpet Performance from Towson University. Graduate work at Towson<br />

University, seminars, private study, and performances culminated in an Advanced<br />

Pr<strong>of</strong>essional Certificate in 1979. He has studied with Dominic DiGangi, Raymond<br />

Moore, Donald Tyson and Emerson Head. While pursuing a pr<strong>of</strong>essional<br />

performance career he has played, recorded or conducted for: The Baltimore<br />

Symphony, Bob Hope, Frank Sinatra, Tony Bennett, Barbara Streisand, Patti LaBelle,<br />

Aretha Franklin, Rosemary Clooney, The Four Tops, Temptations, Phil Collins,<br />

<strong>music</strong>als, original cast albums, movie soundtracks, and commercials. For his work as<br />

a conductor in <strong>music</strong>al theater, he has won multiple Critic’s Choice Awards for Best<br />

Musical Direction and Show <strong>of</strong> The Year. In addition, he taught in Baltimore County<br />

Schools for 21 years, generating over 80 <strong>music</strong> scholarships for his students. In 2006<br />

he accepted his present position at <strong>Casper</strong> <strong>College</strong>. He is an Endorsing Artist for the<br />

42

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