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department of music - Casper College

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Neeraj Mehta is an active performer and educator, having presented concerts, clinics and<br />

master classes in North America and Europe. With interests in a wide variety <strong>of</strong><br />

percussive styles, Mr. Mehta has performed and recorded with numerous artists and<br />

ensembles including: Michael Udow, the Michigan Chamber Players, Alan Abel and<br />

Anthony Orlando <strong>of</strong> the Philadelphia Orchestra, New Music Detroit, Linda Maxey,<br />

Michael Spiro, John Santos, Raul Rekow, and Clyde Stubblefield <strong>of</strong> the James Brown<br />

Band. Mr. Mehta was a Fulbright Fellow to Denmark, where he worked with solopercussionist<br />

Gert Mortensen at Det Kongelige Dansk Musikkonservatorium<br />

(DKDM). In Copenhagen, he also premiered and recorded En Lys Timer (A Light<br />

Hour) by Danish composer Per Nørgård on the DaCapo label. Mr. Mehta’s orchestral<br />

work has included performances with the Detroit Symphony Orchestra, the Madison<br />

Symphony Orchestra, the Wisconsin Chamber Orchestra. He is also deeply committed<br />

to the performance <strong>of</strong> new works for solo and contemporary chamber ensembles, and<br />

has worked with many internationally recognized composers including: Bright Sheng,<br />

Michael Daugherty, Russel Hartenberger, Bob Becker and Dave Hollinden. Mr. Mehta<br />

is also an active jazz and Latin percussionist, having appeared at numerous venues and<br />

festivals including the University <strong>of</strong> Toledo Jazz Faculty Concert Series, the Isthmus<br />

Jazz Festival, and the Jazz at Five Summer Music Series. As percussionist with the<br />

Afro-Cuban jazz quartet Nuevo Rumbon, he has been featured at Jazzloop 2007 and<br />

the Art Tatum Heritage Jazz Festival. He conducted fieldwork in Cuba as a graduate<br />

fellow and grant recipient <strong>of</strong> the Center for World Performance Studies at the<br />

University <strong>of</strong> Michigan. Neeraj Mehta is currently a doctoral candidate at the<br />

University <strong>of</strong> Michigan where he also received a master’s degree in percussion<br />

performance. He holds a bachelor <strong>of</strong> <strong>music</strong> degree from the University <strong>of</strong> Wisconsin-<br />

Madison.<br />

JAMES OLM is a composer/playwright, and Coordinator <strong>of</strong> Musical Theatre at <strong>Casper</strong><br />

<strong>College</strong>. His newest original <strong>music</strong>al, Mary the Magdalene, has had three<br />

developmental readthroughs in New York City in February and October, 2004 and<br />

August, 2006, and is expected to open Off-Broadway in the summer <strong>of</strong> 2011. His<br />

score for the play Flight by Arthur Giron, is contracted to be published by Samuel<br />

French, Inc. In the spring <strong>of</strong> 2003, his original <strong>music</strong>al Emerald Green, was<br />

developmentally read at the Off-Broadway York Theatre in New York City. He has<br />

written two other original <strong>music</strong>als: Mulberry and Obits. James’ commissioned<br />

compositional works include choral pieces written for pr<strong>of</strong>essional and high school<br />

choirs and theatre programs in the Midwest, as well as for faculty at UW-Whitewater.<br />

Through the years, James has directed over forty <strong>music</strong>als and dramas, from<br />

pr<strong>of</strong>essional and university theatre to community and high school theatre. He has<br />

also been a public school teacher for twenty-one years in both choral <strong>music</strong> and<br />

drama. James has an M.F.A. in Musical Theatre Composition and Playwriting from<br />

Carnegie-Mellon University in Pittsburgh, and a B.M. in Education from the<br />

University <strong>of</strong> Wisconsin – Whitewater.<br />

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