The Korean Wave 2006 - Korean Cultural Service
The Korean Wave 2006 - Korean Cultural Service
The Korean Wave 2006 - Korean Cultural Service
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<strong>The</strong> New York Times, sunday, august 27, <strong>2006</strong><br />
ar1&28<br />
Web Guitar Wizard<br />
Revealed at Last<br />
By VIRGINIA HEFFERNAN<br />
Eight months ago a mysterious image showed up on<br />
YouTube, the video-sharing site that now shows<br />
more than 100 million videos a day. A sinewy figure<br />
in a swimming-pool-blue T-shirt, his eyes obscured<br />
by a beige baseball cap, was playing electric guitar. Sun<br />
poured through the window behind him; he played in a<br />
yellow haze. <strong>The</strong> video was called simply “guitar.” A blackand-white<br />
title card gave the performer’s name as funtwo.<br />
<strong>The</strong> piece that funtwo played with mounting dexterity<br />
was an exceedingly difficult rock arrangement of<br />
Pachelbel’s Canon, the composition from the turn of the<br />
63<br />
Funtwo’s video captivated millions. Who was he?<br />
18th century known for its solemn chord progressions<br />
and its overexposure at weddings. But this arrangement,<br />
attributed on another title card to JerryC, was anything<br />
but plodding: it required high-level mastery of a singularly<br />
demanding maneuver called sweep-picking.<br />
Over and over the guitarist’s left hand articulated strings<br />
with barely perceptible movements, sounding and muting<br />
notes almost simultaneously, and playing complete<br />
arpeggios through a single stroke with his right hand.<br />
Funtwo’s accuracy and velocity seemed record-breaking,<br />
but his mouth and jawline – to the extent that they were<br />
visible – looked impassive, with none of the exaggerated<br />
grimaces of heavy metal guitar heroes. <strong>The</strong> contrast between<br />
the soaring bravado of the undertaking and the<br />
reticence of the guitarist gave the 5-minute, 20-second<br />
video a gorgeous solemnity.