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The Korean Wave 2006 - Korean Cultural Service

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<strong>The</strong> New York Times, sunday, august 27, <strong>2006</strong><br />

ar1&28<br />

Web Guitar Wizard<br />

Revealed at Last<br />

By VIRGINIA HEFFERNAN<br />

Eight months ago a mysterious image showed up on<br />

YouTube, the video-sharing site that now shows<br />

more than 100 million videos a day. A sinewy figure<br />

in a swimming-pool-blue T-shirt, his eyes obscured<br />

by a beige baseball cap, was playing electric guitar. Sun<br />

poured through the window behind him; he played in a<br />

yellow haze. <strong>The</strong> video was called simply “guitar.” A blackand-white<br />

title card gave the performer’s name as funtwo.<br />

<strong>The</strong> piece that funtwo played with mounting dexterity<br />

was an exceedingly difficult rock arrangement of<br />

Pachelbel’s Canon, the composition from the turn of the<br />

63<br />

Funtwo’s video captivated millions. Who was he?<br />

18th century known for its solemn chord progressions<br />

and its overexposure at weddings. But this arrangement,<br />

attributed on another title card to JerryC, was anything<br />

but plodding: it required high-level mastery of a singularly<br />

demanding maneuver called sweep-picking.<br />

Over and over the guitarist’s left hand articulated strings<br />

with barely perceptible movements, sounding and muting<br />

notes almost simultaneously, and playing complete<br />

arpeggios through a single stroke with his right hand.<br />

Funtwo’s accuracy and velocity seemed record-breaking,<br />

but his mouth and jawline – to the extent that they were<br />

visible – looked impassive, with none of the exaggerated<br />

grimaces of heavy metal guitar heroes. <strong>The</strong> contrast between<br />

the soaring bravado of the undertaking and the<br />

reticence of the guitarist gave the 5-minute, 20-second<br />

video a gorgeous solemnity.

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