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5th<br />
'House' Challenged<br />
By 'Alive' in N.O.<br />
NEW ORLEANS—-National Lampoon's<br />
Animal House," playing at three theatres,<br />
moved up to take first spot. "It's Alive 2"<br />
took second place in its opening week at<br />
the Loew's State, pushing "Soul Brothers<br />
Kung Fu" to third.<br />
{Av<br />
(Univ),<br />
100)<br />
wk<br />
Lakeside—Jaws 2 13th<br />
Lakeside—Avalanche (New World), 2nd wk<br />
Lakeside—Revenge oi the Pink Panther (UA),<br />
100<br />
8ih wk 175<br />
Loews State—Hatchet Murders (SR), l = t wk 20C<br />
Loews Stale—Thank God Ifs Friday (Co')<br />
5th wk 150<br />
Loews State—Ifs Alive 2 IWB), 1st wk 600<br />
Orpheum—Soul Brothers oi Kung Fu (SR),<br />
2nd wk 500<br />
Robert E. Lee—Heaven Can Wail (Ptig)<br />
Ulh wk 225<br />
3 theatres—Notional Lampoon's Animal House<br />
(Univ), 5th wk 650<br />
EaBjEfiSlE^tEB<br />
HEAVENLY SIGHT — Anyt<br />
passing the Robert E. Lee Theatre in<br />
New Orleans might have wondered if<br />
an angel had descended from heaven<br />
and perched on top of the building.<br />
The angelic figure, painted by Dandy<br />
Signs, Fort Walton, Fla., was 20 feet<br />
high and was installed by Larry Fine,<br />
manager of Paramount Pictures and<br />
'Animal House' Blitzes Memphis Kevin Keller, manager of the theatre.<br />
With a High-Grossing 1,085 for the engagement of "Heaven Can<br />
MEMPHIS—"National Lampoon's Ani- Wait."<br />
mal House" delighted the crowds here,<br />
turning<br />
in high grosses both on screen and at the m ^ m<br />
'<br />
m m m<br />
boxoffice. The frat film turned in a score nil I Jl jwf j<br />
of 1,085 in two situations. Nearest competi- ''' ' ''' '<br />
tor was "Grease" at 655. followed by "Foul -,,_ ^^^ j^^^ Lawrence A. Crowley, for-<br />
Play" at the Malco Quartet. Four nevy films<br />
moved ^^ Cleveland, have to<br />
appeared, including The Manitou and<br />
^^^^^ p.^^.^^ ^^^ purchased a condomini-<br />
FareT'sLhbTok'2-iaws2(Un,v), nthwk 175<br />
"^ '" ^his city. The Crowkys spent the<br />
Fare 2—Coming Home (UA), 1st wk 300 past 22 years in the theatrical and sports<br />
MJi:o'Qu°a";e'',-\i7E:5''ruArT4th''wk'^':^^::::^ arena business in the Mideast. Mrs. Crowley<br />
Malco Quartet 1—Heaven Can Wait (Para), Operated theatres in Cleveland for many<br />
Malco Quortei 3—The Cheap Detective (Col), years and her husband served as Cleveland<br />
uTo Quariet-4-Foui- Play (Para) wk<br />
Memphian, Paramount 1—Sgt. Pepper's Lonely<br />
Z^ regional manager for Sportservice Corp. of<br />
Buffalo. His responsibilities included man-<br />
Pa"roun?'2",''Ra;:!gh'spnngs'i-Eyes Laura agement of 80 theatres in five States. The<br />
''<br />
o.<br />
'50 Crowleys to get as<br />
r,*^"^J^°Jl' 1=' "•=. ,<br />
Park—The Manitou (Avco), Isl wk 100<br />
e.xpect<br />
,<br />
involved<br />
t><br />
here<br />
, .<br />
2, Plaza Whitehaven Cinema 1— The Inheritance owncr-operators Or managers. Both have<br />
'" ''««" ^Ctive WOrkerS and officCrS in NATO<br />
Ridfeway'k^Southbrook 4-Revenge of the<br />
Pink Panther (UA), 6th wk<br />
Ridgeway 3, Southbrook 3—National Lampoon's<br />
265 and Variety Tent 6 in Cleveland.<br />
Animal House (Univ), 2nd wk 1,085<br />
of North<br />
,~ . ^<br />
Ridgeway 4—Grease (PaTa). 11th wk .,.655 closmg<br />
.<br />
The VldCO City, S Miami<br />
^<br />
s^rwl'^.^^.^ ^'^..'^'°" .°"'.".^.''.°"...'.^.^.'.:<br />
Disney Films Still Give<br />
Cryroom a Stiff Workout<br />
LIBERTY, N.C—A tear-stained carpet<br />
is evidence that the tiny room with two<br />
padded chairs in the Curtis Theatre here<br />
has served its purpose over the last 29 years.<br />
A neon sign proclaiming "Cryroom"<br />
points the way to the cubicle, which theatre<br />
operator John Curtis believes to be the only<br />
one of its kind left in North Carolina.<br />
Many first-time patrons of the theatre are<br />
curious when they see the sign and take a<br />
look into the ten-foot-by-seven-foot room,<br />
with a plate-glass window looking into the<br />
theatre and equipped with speakers piping<br />
in sound from the movie. It was designed<br />
to give mothers a place to watch the film<br />
without allowing their bawling babies to<br />
bother others in the audience.<br />
"It used to be occupied more often than<br />
it is now," Curtis said. "Pictures have<br />
changed, you know. There are not as many<br />
small children brought to the theatre as<br />
there used to be." He added that the cryroom<br />
still gets used quite a bit when he<br />
shows a Disney film.<br />
125 film and broadcasting studio, continues to<br />
cause much comment in the area. It is this<br />
studio that occupies the old Ivan Tors stages<br />
where "Flipper." "Gentle Ben" and other<br />
scries were shot, and it has been considered<br />
the heart of the local film industry. The<br />
studio is expected to close down in late<br />
October. Eric Stevens, current operations<br />
manager of the facility, which is an arm<br />
of the New York-based Video Corp. of<br />
America, said: "This place could be run<br />
differently and it could make money. There<br />
was a problem involving the corporate philosophy<br />
and the fact that we were more<br />
expensive than the loal marketplace could<br />
bear."<br />
He also said that Video City, which made<br />
mostly commercials and a few series pilots,<br />
tried to get by with national clients, explaining<br />
that it did not focus on local busi-<br />
FLORIDA THEATRE<br />
EQUIPMENT<br />
& SUPPLY CO.JNC.<br />
"IVIRVTHINC VOU NIID FOR YOUR THtATRI'<br />
1966 N.E. 149th St. • N. Miami, FU., 33181<br />
Tel: f3051 944^70<br />
ness. "Maybe that was a mistake," Stevens<br />
commented. Another Video executive observed<br />
that they should have focussed sooner<br />
on attracting trade from the southern<br />
states, but that they got started in that direction<br />
too late.<br />
There are offers for the puriihase of<br />
Video City, Norin Co. owns the old Tors<br />
tract and two huge sound stages at 12100<br />
N.E. 16th Ave. here. Right now no one is<br />
sure what use will be made of the property.<br />
John Buddy of the Miami Herald wrote<br />
a two-part article recently pointing up the<br />
decline of the drive-in theatre. He says that<br />
each year the number of drive-ins dwindles<br />
because of changing lifestyles and rising<br />
land values. He says they were at their peak<br />
during the 1960s. The theatres have many<br />
advantages— letting whole families (and<br />
even their pets) attend and watch from the<br />
comfort of their cars. There are perils, also,<br />
with the young folk viewing in such a relaxed<br />
atmosphere.<br />
Dade County, he says, had at least 20<br />
drive-ins at one time, and now has approximately<br />
10, with several sold or up for sale<br />
including the Dixie in South Dade and the<br />
Coral Way. Huddy says there are no new<br />
drive-ins being built. He blames the decline<br />
on the fact that movie houses have moved<br />
from downtown areas and now are more<br />
accessible. They feature discount prices, almost<br />
as low as the drive-in. especially if<br />
they feature a second-run film.<br />
The writer points out that some persons<br />
still think the well-run drive-in can survive<br />
and be profitable, and he cites the Airport<br />
Hi-Way in Broward County, where there<br />
are nine screens and. due to automation,<br />
only one manager and two more employees.<br />
With advanced technology, one print can<br />
be shown on two or more screens at the<br />
same time. The sound is good and there<br />
are other automatic gadgets, such as speakerless<br />
sound systems, which are used in the<br />
Hi-Way. He concludes by saying that new<br />
booking tactics, with multiple drive-ins bidding<br />
for films, are as important as updated<br />
equipment to the success of the drive-in.<br />
Wometco Enterprises has announced that<br />
it has sold an II -acre land tract in Vancouver<br />
and a Miami drive-in for an approximate<br />
after-tax gain of $1,800,000.<br />
^S^ WATC H PROJECTION IMPROVE WITH VJ<br />
Technikote<br />
^ * SCREENS '^<br />
50~XRL © XR-171 ^<br />
g<br />
^e LENTICULAR PEARLESCENT 5<br />
HILUX O MATTE $<br />
$ METALLIC WHITE §<br />
All available from vouf<br />
Theatre Equipmeni Sn<br />
TECHNIKOTE CORP<br />
1231 12121624 6429<br />
BOXOFFICE :: Octobe 1978 SE-1