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'<br />
ne ureaies! uruisin' in rne lana ^<br />
Takes Place or the Street \<br />
<strong>^h^C|</strong> it all Began<br />
'M INTERNATIONAL PICTURES Presents VAN NUYS BLVD.<br />
•<br />
BILLADLER CYNTHIA WOOD<br />
• DENNIS BOWEN<br />
MELISSA •<br />
PROPHET DAVID HAYWARD<br />
-e Producer NEWTON P JACOBS • Produced by MARILYN J. TENSER<br />
OWN<br />
NATIONAL PICTURE<br />
V<br />
INTERNATIONAL<br />
PICTURES. INC.<br />
'written and Directed by WILLIAM SACHS<br />
Director of Photograptiy JOSEPH MANGINE<br />
Associate Producer MICHAEL D. CASTLE<br />
Edited by GEORGE BOWERS<br />
jsic by KEN MANSFIELD and RON WRIGHT<br />
RESTRICTED<br />
Beverly Hills
p<br />
s.m ARTISTS<br />
Announces<br />
for Summer Release<br />
The First Major Motion Pia<br />
About The World Of Tennis<br />
RACQUET<br />
ni PRODUCTIONS<br />
IN ASSOCIATION WITH<br />
HARLEQUIN PRODUCTIONS, INC.<br />
presents .1 DAVID WINTERS Al^N ROBERTS FILM<br />
a<br />
RACQUET"<br />
BERT CONVY<br />
also starring EDIE ADAMS LYNDA DAY GEORGE PHIL SILVERS BOBBY RIGGS<br />
TANYA ROBERTS BRUCE KIMMEL DOROTHY KONRAD special appearance by BJORN BORG as Himself and MONTE ROCK III<br />
rntroducing KITTY RUTH as MELISSA and SUSAN TYRRELL as MISS BAXTER executive producer JOSEPH R. LAIRD<br />
executive in charge of production KENNETH A. YATES associate producer JACK KINDBERG<br />
directors of phoiograpliy ALAN ROBERTS & MARIO Dl LEO screenplay by STEVE MICHAELS & EARLE DOUD<br />
produced by DAVID WINTERS & ALAN ROBERTS directed by DAVID WINTERS<br />
Si al m ARTISTS<br />
15250 Ventura Blvd., Sherman Oaks, Ca. 91403 (213) 990-2411
LAS VEGAS—ShoWesT '79.<br />
ShoWesT Honored 12 Are Named<br />
the exhibitors'<br />
convention and trade show sponsored<br />
by Theatres West, the National Assn. of<br />
Concessionaires and the Theatre Equipment<br />
industry respectability, our boxoffices stimulation,<br />
our methods challenge and implementation."<br />
according to convention officials.<br />
Robert D. Johnson of iVIilcs City, Mont.,<br />
city manager for Theatre Operators, Inc.<br />
John Malone of Las Vegas is city managr<br />
of Plitt theatres here.<br />
Ray James Ernest R. Hoffman Jerry Proctor Dean Klliott Kubert 1). Johnson John Malone<br />
Assn., will convene Feb. 20 at the MGM<br />
There was a tie in the selection of the<br />
Grand Hotel here with over 1,500 expected<br />
Oregon honoree. Jerry Proctor of Salem is<br />
BoxoFFiCE has learned the names of the<br />
"Honored 12" and is pleased to recognize<br />
them here.<br />
Ray James of Anchorage, Alaska is city<br />
city manager for Tom Moyer Theatres, and<br />
Dean Elliott of John Day is owner-operator<br />
Neal Meyer Connie Coffield Art Gordon I.G. Harris<br />
Jerry Kivela Allen Mercer<br />
ored 12" ceremonies to take place during<br />
the opening afternoon session.<br />
Convention officials have revealed the<br />
names of those to be honored, one each<br />
from the 12 western states represented at<br />
the conclave.<br />
Recognized for outstanding efforts in<br />
to attend.<br />
A highlight of the affair will be the "Hon-<br />
theatre<br />
operation and promotion, as well as<br />
for civic involvement, the honored showmen<br />
represent "the best exhibition can offer."<br />
As with ShoWesT itself, the "Honored<br />
12" awards were instituted by founders<br />
B.V. Sturdivant, Fred Danz, Ross Campbell<br />
and Bob Selig.<br />
The 12 are "the leaders and the doers.<br />
These are the guys and gals who give our<br />
Effective Thursday, Feb. 15, 1979,<br />
the Hollywood office of BOXOFFICE<br />
will be at a new location.<br />
All correspondence and shipments<br />
of magazines should be sent to:<br />
BOXOFFICE MAGAZINE<br />
1800 N. Highland<br />
Suite 707<br />
Hollywood, Calif. 90028<br />
The telephone number remains the<br />
same: 213-465-1186.<br />
The Post Office Box remains the<br />
same: P.O. Box 226, Hollywood, Calif.<br />
90028.<br />
Published weekly, except one Issue at year-end, by<br />
Vance Publishing Corp., 825 Van Brunt Bhd., Kansas<br />
City, Missouri 64124. Subscription rates: Sectional<br />
Edition, $15.00 per year, foreign. $25.00. National<br />
Executive Edition: $25.00, foreign, $30.00. Single<br />
copy, 75«. Second class postage paid at Kansas City.<br />
Mo. BOXOFFICH Publication No. (USPS 062-260).<br />
manager of Wometco-Lathrop of Alaska.<br />
James will receive his award in absentia.<br />
Ernest R. Hoffman of Tucson. Ariz, is<br />
advertising director for TM Theatres there.<br />
Neal Meyer of San Francisco, Calif., is<br />
operations chief for Blumenthal Theatres.<br />
Connie Coffield. one of two women honored<br />
this year, is from Longmont, Colo.<br />
She is city manager for K-Theatres.<br />
Art Gordon of Honolulu, Hawaii is vicepresident<br />
and general manager of Consolidated<br />
Theatres. He is ShoWesT's first repeater.<br />
LG. Harris of Burley, Idaho is general<br />
manager for the Harris-Voeller Theatres<br />
Co.<br />
of various drive-in interests theie and in<br />
Burns.<br />
Nancy Tullis of Ogden. Utah is co-owner<br />
and manager of Cinedomex 70 Theatres, as<br />
well as the Riverdale Twin Drive-In. (No<br />
picture was available.)<br />
Jerry Kivela of Longview, Wash., is ai^ea<br />
manager of the Sterling Recreation Organization.<br />
Allen Mercer of Basin, Wyo. operates,<br />
with his wife, theatres there and in Powell.<br />
"No one is claiming the 'Honored 12' are<br />
supermen or women of all-time<br />
exhibition,"<br />
convention officials said. "But the competition<br />
for acknowledgement is much, much<br />
more than the ceremony."<br />
BEN SHLYEN: SHOWEST HONORS A LEADER<br />
By WILLIAM C. VANCE, Publisher<br />
Since Vance Publishing Corp. look over BOXOFFICE in January, we have<br />
had the invaluable advice and assistance of executive editor and founder Ben<br />
Shlyen. We enthusiastically join the sponsors of ShoWesT, who will he honoring<br />
Ben this week, in wishing him the very best.<br />
BOXOFFICE. under the stewardship of founder Ben Shlyen, has flourished<br />
for nearly 60 years as one of the most respected trade journals in the history of the<br />
motion picture industry.<br />
During those years Ben Shlyen has established a tradition which has been reflected<br />
on every page of the publication.<br />
Editorially, BOXOFFICE has championed unity within the industry and good<br />
citizenship in the operation of community theatres. The magazine has stood for<br />
morality in filmmaking but has fought all efforts at censorship.<br />
The theatre owner, the man to whom BOXOFFICE has traditionally addressed<br />
itself, has come to regard Ben Shlyen as a leader without peer in building and<br />
maintaining exhibition's status as a co-equal with production and distribution.<br />
My hope is that BOXOFFICE will alwavs retain the respect which it so deservedly<br />
earned under his aegis.<br />
BOXOFFICE :: February 19, 1979
THE NATIONAL FILM WEEKLY<br />
Published in Nine Sectional Editions<br />
BEN SHLYEN<br />
Executive Editor<br />
WILLIAM C. VANCE<br />
Publisher<br />
JOHN F. BERRY<br />
Assoc. Publisher/National Sales Manajer<br />
"/& tS^
!?t'i:-tii!c.?r.t;.-5;3E"<br />
You've got to hand it to<br />
Avco Embassy Pictures<br />
we're really going places<br />
with the sleeper-shocker<br />
of the year...<br />
And if this one doesn't scare you,<br />
You're Already Dead!<br />
Special Jury Award<br />
at ih<<br />
Festival Internationale<br />
(TAvoriaz - du Film<br />
Fanlactlque In France<br />
PHANTASM<br />
STARRING MICHAEL BALDWIN. BILL THORNBURY, REGGIE BANNISTER.<br />
KATHY LESTER AND ANGUS SCRIMM AS THE TALL MAN<br />
WRITTEN AND DIRECTED BY DON COSCARELLI<br />
PRODUCED BY DA. COSCARELLI<br />
CO-PRODUCER PAUL PEPPERMAN<br />
MUSIC: FRED MYROW AND MALCOLM SEAGRAVE<br />
COLOR BY TECHNICOLOR® PRINTS BY CFI<br />
Opens in Los Angeles, San Francisco and San Antonio<br />
on March 28th<br />
From ^:17AVCO EMBASSY PICTURES<br />
the Compan]^ that's going places!<br />
s^^f^^H
.».<br />
. i-.,.-.<br />
Th(z Innoemt' is the<br />
f<br />
"An erotic ideal."<br />
—Jack Kroll, Newsweek<br />
I<br />
p<br />
q<br />
I<br />
audience."<br />
^^An elegant and<br />
erotic film."<br />
—Boxoffice Magazine<br />
-Gene Shalit, NBC-TV<br />
^^I recommend<br />
'The Innocent'."<br />
—Andrew Sarrls, Village Voice<br />
"OneofVisconti's<br />
most beautiful films . .<br />
splendidly performed."<br />
'^ *" '^ -Vincent Canby<br />
m^<br />
'^^ Innocent<br />
^ ^^<br />
qiANCARLOqiANNINI<br />
^.Mk<br />
LAURAeANlONtXLI OENNIFER 0'I\K1LL l|H^<br />
a<br />
D, SUSI CECCHI DAMICO ENRICO MEDIOLI LUCHINO \ 'ISO jNTI<br />
FRANCO MANNINO -i ... GIOVANNI BERTOLUCCI<br />
LUCHINO VISCONII<br />
-....n.,<br />
iiV'
I<br />
l)ox- office phenomenon!<br />
Three weeks and three days<br />
at 450 seat iii^QGflWIt<br />
Third week<br />
shatters all previous<br />
record-setting weeks<br />
and fourth weekend tops its own<br />
opening weekend record<br />
».3407l<br />
All engagements arranged<br />
exclusively through:<br />
ANALYSIS<br />
FILM RELEASIMG<br />
CORPORATIOM<br />
DISTRIBUTION COMPANY<br />
President Vice President Treasurer<br />
Paul E. Cohen Robert J. Kaplan Paul Leeman<br />
146 West 54th St., New York, N.Y. 10019<br />
(212) 765-8734<br />
Fred Baker: Sales AgenI<br />
/<br />
\<br />
IN PRE-PRODUCTION<br />
MOEBERG<br />
based on the<br />
best-selling book,<br />
MOEBERG,<br />
Athlete, Scholar, Spy."<br />
A Grand Slam Production.
Agatha s<br />
RON SCHAUMBURG<br />
Bv<br />
Associate Ed:tor<br />
Thrust into the public spotlight by a $.V5<br />
million advertising budget and a bitter battle<br />
over artistic control, "Agatha" opened Feb.<br />
9 for exclusive runs in Los Angeles. New<br />
York and Dallas. The film, a fictional examination<br />
of Agatha Christie's mysterious<br />
eleven-day disappearance in 1926. stars<br />
Dustin Hoffman as an American journalist<br />
and Vanessa Redgrave as the famed mystery<br />
writer.<br />
"Agatha" is as likely to stir the ire of<br />
Christie's legion of devoted fans as her notorious<br />
novel, "The Murder of Roger Ackroyd."<br />
Kathleen Tynan, co-author of the<br />
book on which it is based, has assembled<br />
the few facts known in the case, blended<br />
them with some sleuthing of her own. and<br />
concocted a tale from which Dame Christie<br />
emerges with her dignity not entirely intact.<br />
In the film, husband Archibald Christie<br />
(portrayed with steel-edged coldness by<br />
Timothy Dalton) tells his painfully shy wife<br />
that he loves his secretary and asks Agatha<br />
for a divorce. Upset, the writer drives off<br />
begins his own investigation. Col. Christie's<br />
vague answers convince the police that she<br />
was murdered, but Stanton, who has met<br />
the husband and is intrigued by Agatha, believes<br />
differently. He interrogates Christie's<br />
maid, discovering a clue which leads him<br />
to the Hydro Hotel in Harrogate, a town<br />
famous for its mineral baths.<br />
As the police search continues elsewhere.<br />
Stanton, introducing himself as Carl Schatz,<br />
moves closer to his prey. Intrigued by Agatha's<br />
remoteness, and suspecting that she<br />
is scheming, he intrudes on her at every<br />
opportunity. Meanwhile, as Agatha had expected.<br />
Col. Christie's secretary, Mary<br />
Neele (Celia Gregory), arrives at the hotel<br />
for health treatments. Agatha begins asking<br />
the bath attendant some leading questions<br />
concerning some of the therapeutic but lethal-looking<br />
electric shock devices used at<br />
the spa.<br />
Agatha, posing as a nurse, calls Nancy<br />
Neele and gets her to change her morning<br />
therapy session to an earlier time. Ihat<br />
Own Real-Life Mystery<br />
Vanessa Redgrave in 'Agatha'<br />
night, Stanton, still suspicious but growing<br />
more and more concerned, tenderly con-<br />
into the fog. smashing into a tree. Her car fronts Agatha with the fact that, while her<br />
found abandoned; she has disappeared. marriage may be crimibling, her life might us from suspending our disbelief entirely,<br />
is<br />
An effete American reporter. Wally Stanton<br />
(Dustin Hoffman), scents a story and<br />
yet be happy. The next day, however, Agatha<br />
goes to the bathhouse, tampers with the<br />
so that the unlikely romance between Hoffman<br />
and Redgrave seems doomed from the<br />
start to failure. And. while Hoffman, miscast<br />
controls on the therapeutic chair, and sits<br />
down in it. Nancy arrives for her session.<br />
as the reporter, is generally stiff and<br />
'Agatha' Credits<br />
Agatha, hidden behind a curtain, asks her reserved throughout, he does manage to imbue<br />
the film with its only light, comedic<br />
First Artists presents "Agatha." a Sweet-<br />
Wall production in association with Casablanca<br />
FilmWorks for Warner Bros, release. parison to the writer upon whom she cen-<br />
Hoffman, incidentally, is angry with First<br />
Kathleen Tynan's ingenuity pales in com-<br />
touches.<br />
ters<br />
CAST<br />
her story. Her blend of fact and fantasy Artists Productions for allegedly seizing the<br />
is forced and, at times, less than credible. film before he could complete his final editing<br />
H'ally Stanton<br />
Dustin Hoffman Her story, however, leaves some troubling<br />
on the project. The actor has repudiated<br />
Agatha Christie Vanessa Redgrave gaps, holes in plot which Agatha herself any involvement with the picture.<br />
Archibald Christie Timothy Dalton would never have allowed. The character Legal and artistic battles aside, "Agatha"<br />
TECHNICAL CREDITS<br />
of Stanton and his coincidental presence and will find an audience among those anxious<br />
Directed by<br />
Michael Apted<br />
involvement are not fully explained; nor, for to see two fine actors engage in a transatlantic<br />
Produced by<br />
Jarvis Astaire and<br />
romantic drama, as well as among<br />
that matter, is his infatuation with Agatha.<br />
Gavrik Losey<br />
At times the screenplay seems directionless those Agatha Christie fans anxious to learn<br />
Screenplay by<br />
Kathleen Tynan —wandering, like Agatha, into the hazy fog more about the writer's own unsolved mystery.<br />
Both groups<br />
AND Arthur Hopcraft of speculation and downright guesswork.<br />
will be disappointed to<br />
This imcertainty, which is reflected in the some degree. But then, as "The Murder of<br />
somber tone that permeates the whole Roger Ackroyd" clearly demonstrated, the<br />
project, doesn't help to reveal the character<br />
of Agatha, although Vanessa Redgrave follows<br />
up her portrayal in<br />
"Julia" by bringing<br />
to this role a similar grace and sophistication.<br />
Inconsistencies in the story plague us,<br />
though. How, for example, could this woman,<br />
who depends so desperately on her husband,<br />
have overcome her extreme shyness<br />
to enter so freely into the festivities<br />
of hotel<br />
nightlife? Why, in this intrinsically English<br />
story, is the reporter an American? Perhaps<br />
a more solid screenplay or a firmer directorial<br />
hand could have resolved these and<br />
other nagging questions.<br />
The period look has been admirably captured<br />
by production designer Shirley Russell<br />
(wife of flamboyant film director Ken<br />
Russell) and by cinematographer Vittorio<br />
Storaro. The costumes are elegant improvisations<br />
on a brown monochromatic pallette,<br />
and fit effortlessly with the entire mood.<br />
Despite the generally high production<br />
values (the most notable exceptions being<br />
the screenplay and a ridiculously inappropriate<br />
song tacked on over the final credits),<br />
the film falls short of achieving its potential<br />
catharsis. The impact of the climactic scene<br />
is modified by the general dreariness and<br />
evenness which permeates the mood. Our<br />
constant awareness that history will take<br />
over as soon as the final reel ends prevents<br />
solution to a Christie whodunit, while always<br />
ingenious, is also just a bit controversial.<br />
Seances^ Spot Ads Boost Warner Bros.'<br />
Agatha'<br />
Warner Bros, plans a $3.5 million adverrising and prcnioton campaign to back<br />
its release of "Agatha," starring Dustin Hoffman and Vanessa Redgrave.<br />
In its first week of exclusive engagements, the film earned $27,475 at the<br />
Cinema 1 in New York, $15,838 at the Northpark in Dallas, and $23,448 at the<br />
Avco Cinema Center in Los Angeles.<br />
Warners is handling the film cautiously this month because of the stern competition<br />
from the three major television networks, which have scheduled such blockbusters<br />
as "Gone With the Wind" to boost their ratings in the market sweeps. Next<br />
month, however, the studio will buy network ad spots to tout the film.<br />
Author Kathleen ijnan and aitor Timothy Dalton, who plays Agatha's husband,<br />
are making the usual rounds of TV talk shows. Ballantine Books is planning<br />
a widespread promotional tie-in for the paperback version of Tynan's novel, on<br />
which the film is based.<br />
One unique idea was the seance arranged by First Artists and conducted by<br />
Tamara Rand, psychic medium from the Rand Institute in Los Angeles. Ms. Rand<br />
apparently contacted (he late Agatha, who revealed that the key to her diar>'<br />
lies hiddi-n in a hotel in Istanbul.<br />
February 19. 1979
Fox Fever* Strikes the Rocky Mountains<br />
58 THEATRES FIRST 3 DAYS<br />
(NON-HOLIDAY WEEKEND)<br />
$250,000<br />
Watch For *Fox Fever'<br />
MINNEAPOLIS, FEB. 28<br />
LOS ANGELES, MAR. 9<br />
SAN FRANCISCO, MAR. 9<br />
KANSAS CITY MAR. 14<br />
JACKSONVILLE, APRIL 20<br />
CHARLOTTE, APRIL 27<br />
CAT ^NS NC<br />
To Catch 'Fox Fever' Contact Your Local Sanrio Distributor or Phil Garfinkle,<br />
Sanrio Communications, Inc.. 1930 Century Park West. Suite 402, Los Angeles. CA 90067 (213) 552-0525
MURDER BY DECREE<br />
Sherlock Holmes is back, again tangling with a Jack<br />
the Ripper counterpart. A star-studded cast of big names<br />
in small roles gives life to the John Hopkins screenplay.<br />
Based on the John Lloyd-Elwen Jones story, "The Ripper<br />
File" (from the BBC TV series), the film's setting is 1888<br />
London, where East End prostitutes are slashed to death<br />
by the notorious killer.<br />
The .Avco Embassy release, rated PG, has distinct assets<br />
in both Christopher Plummer as Holmes and James Mason<br />
;is a nonbumbling Dr. Watson. A sympathetic and almost<br />
boyish Holmes (purists beware), Plummer is fine in the<br />
role: Mason is an absolute delight as the patriotic, loyal<br />
and entirely dependable friend and colleague. The rest of<br />
the players do what they can within the limits of their<br />
roles.<br />
Despite opposition from Scotland Yard police commissioner<br />
Anthony Quayle, Plummer, as Holmes, is called into<br />
the murder case. He learns from psychic Donald Sutherland<br />
that prostitute Susan Clark holds the key to the<br />
solution. The involved plot has Clark directing him to<br />
Genevieve Bujold, an asylum inmate who gave birth to<br />
a daughter by a member of royalty. The fraternal Masons<br />
are responsible for the killings, being carried out to get at<br />
the child and save the country embarrassment.<br />
Director Bob Clark added nice touches of humor and<br />
some quite gory scenes, the latter evident in the ritual<br />
murder of Clark. Holmes eventually finds not one but two<br />
killers. The plot's resolution, which leaves something to<br />
be desired, has Holmes agreeing to keep silent when the<br />
case is solved and the baby is safe.<br />
The 121-minute running time is a problem, yet fans<br />
should be satisfied with the Robert A. Goldston presentation<br />
John Cocchi.<br />
CAST<br />
Sherlock Holmes Christopher Plummer<br />
Dr. Waison James Mason<br />
Robert Lees<br />
Donald Sutherland<br />
Annie Crook<br />
Genevieve Bujold<br />
Inspector l-oxboroiif^h David Hemmings<br />
Miiry Kelly<br />
Susan Clark<br />
TECHNICAL CREDITS<br />
L.xecutive Fiodiicer I.EN HerBERMAN<br />
Co-producer<br />
Rene Dupont<br />
Co-producer-Director<br />
Bob Cl ark<br />
Screenplay John Hopkins<br />
Feature reviews<br />
THE WARRIORS<br />
Street gangs and their code emerge as part of a fantasy<br />
world in this wild and action-filled Paramount release,<br />
based on Sol Yurick's novel. Set in the streets and subways<br />
of New York's boroughs, the David Shaber-Walter<br />
Hill screenplay is both unintentionally furmy and exciting<br />
at the same time. Structured in the manner of a World<br />
War II movie, the plot has the main protagonists on the<br />
run from every gang in the city as they attempt to make<br />
their way back to home turf, with skirmishes at intervals<br />
along the way and time out for romance.<br />
The R-rated story begins with New York street gangs<br />
travelling to the Bronx to hear Roger Hill, leader of the<br />
black Riffs, who has arranged a truce. Hill proposes that<br />
all<br />
the organized gangs unite to take over the city.<br />
This initial premise of gangs overpowering the entire<br />
city has frightening implications; but these are quickly<br />
forgotten in favor of the fast and furious pace, which picks<br />
up when Hill is suddenly shot by Rogues chief David<br />
Patrick Kelly. The latter blames the killing on the Warriors,<br />
a Coney Island group, whose black leader Dorsey<br />
Wright is also slain. Eluding the police, the Warriors hide<br />
in a cemetery where the war chief, well played by Michael<br />
Beck, takes command. All but James Remar, in another<br />
fine performance, accept Beck.<br />
The group outruns the Turnbull A.C.'s gang, then has<br />
to pass through Orphans territory. Deborah Van Valkenburgh,<br />
a stunning Booke Adams type, plays a street girl<br />
whom Beck takes as hostage after she nearly causes a<br />
fight. Waites is killed and Remar gets arrested. The others<br />
make it back home, and Beck and Deborah find love.<br />
Screenwriter Walter Hill directed the large cast of new<br />
young actors and actress in a serious manner, but the acting<br />
and action overcome the stilted situations and dialog.<br />
If it's wholly unbelievable, the production, at 94 minutes,<br />
is well paced and totally enjoyable. John Cocchi.<br />
CAST<br />
Swan Michael Beck<br />
Aja.x James Rem.\r<br />
Cleon<br />
Dorsey Wright<br />
Snow<br />
Brian Tyler<br />
Cochi.u- David Harris<br />
Cowboy<br />
Tom McKitterk k<br />
TECHNICAL CREDITS<br />
Producer Lawreni e Gordon<br />
L.xecutive Producer Frank Marshall<br />
Director<br />
Walter Hili<br />
David Shaber. Walter Hill<br />
Screenplay<br />
BOXOFFICE :: February 19, 1979
. For<br />
. Including<br />
Cinema Concepts<br />
The Standard of the<br />
Motion Picture Industry'<br />
Trailers. .<br />
he Ultimate<br />
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Graphics. . New and Exciting Special<br />
All Seasons and All Reasons; all in color, all<br />
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$6.50 each<br />
Please inquire regarding quantity discount on orders of 50 or more.<br />
CC-101. Starts Sunday CC-128. Now Showing<br />
Sunday-Monday<br />
Sunday-Monday- Tuesday<br />
Sunday- Monday- Tuesday-<br />
Wednesday<br />
Starts Tuesday<br />
Starts Wednesday<br />
Wednesday-Thursday<br />
Wednesday-Tlnursday -Friday<br />
Wednesday-Thursday-<br />
Friday-Saturday<br />
Starts Thursday<br />
Thursday-Friday- Saturday<br />
Starts Friday<br />
Friday-Saturday<br />
Friday-Saturday- Sunday<br />
Saturday<br />
Saturday Matinee<br />
Saturday-Sunday<br />
CC-129.<br />
CC-118. Saturday-Sunday Matinee<br />
CC-119. Also<br />
CC-120. And<br />
CC-121. Plus<br />
CC-122. Coming<br />
CC-123. Coming Soon<br />
CC-124. Late Show<br />
CC-125. Midnight Show<br />
CC-126. Intermission<br />
CC-127. Double Feature
Complete<br />
Audience<br />
The<br />
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Quality intermission "Count Down" clock trailers for drive-in theatres. Full color<br />
with musical soundtrack.<br />
Available in three versions:<br />
CC-301 . 1 0-minute clock trailer, 900 ft., $249.95 each.<br />
CC-302.* Deluxe clock shell, 500 ft., $1 69.95 each.<br />
CC-303.* Standard clock shell, 300 ft., $1 1 9.95 each.<br />
(*CC-302 and CC-303 require insertion of additional film material, such as concession<br />
trailers and/or snack bar footage, to achieve 10 full minutes of intermission time.)<br />
CUSTOM CROSS PLUG TRAILERS<br />
Graphically animated, and personalized with musical sound track. Announcing "NOW<br />
SHOWING" and "COMING SOON."<br />
$1 7.50 each, minimum order, two per title.<br />
AUDIENCE "ETIQUETTE" TRAILER<br />
A friendly message to our audience—we would like to take this opportunity to thank<br />
you prior to the start of our show for your cooperation in refraining from unnecessary<br />
conversation and noise which may create an annoyance to others around you.<br />
CC-501 . "Etiquette" Trailer, $1 6.95 each.<br />
"FOR YOUR OWN SAFETY" TRAILER<br />
CC-502. "For your own safety LOOK for the nearest EXIT. In case of emergency<br />
WALK do not RUN to that EXIT", $10.95 each.<br />
THE GREAT THEATRE "CLEAN-UP" TRAILER<br />
This full color, fully animated special trailer tactfully requests your patrons to deposit<br />
empty cups, candy wrappers, and popcorn containers in trash receptacles conveniently<br />
placed in your lobby.<br />
Great Theatre "Clean-Up" Trailer, $1 6.95 each.<br />
CC-601 .<br />
AMERICA THE BEAUTIFUL TRAILERS<br />
A colorful portrayal of America through brilliant visual effects and a stirring musical<br />
soundtrack.<br />
CC-776. "America the BeautifuT'Trailer, $49.95 each.<br />
PLEASE INQUIRE REGARDING QUANTITY DISCOUNTS.<br />
PERSONALIZED THEATRE FEATURE PRESENTATION TRAILERS<br />
Personalized feature presentation headers to precede a main attraction or to announce<br />
coming attractions. Corporate identification trailers utilizing your company or theatre<br />
name and/or logo to create an audience awareness of the theatre's ownership can<br />
be produced for independent and circuit operators alike. I.D. trailers are customized<br />
and individually produced to your specifications utilizing computerized graphic<br />
animation to achieve the desired results. (We invite your inquiries regarding pricing<br />
and further information.)<br />
Cinema Concepts, Inc.<br />
210 Twenty-Fifth Avenue, N.<br />
Nashville, Tennessee 37203 (615) 327-4000<br />
PLEASE SHIP AND BILL TO<br />
Theatre<br />
Address<br />
City State Zip
I<br />
^ 50 Top-Grossing Films<br />
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IH£ SLIIHIS OVS 17»,4^C 18^<br />
SHO-WEST CONVENTIOI<br />
Feb. 19-22, Contact:<br />
MR. R. L. DAVIS<br />
MGM Grand Hotel<br />
Las Vegas, Nevada<br />
Telephone (702) 739-4111<br />
ALLAH<br />
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ICK RICE<br />
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MARY SMITH<br />
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IRRV LEVENE<br />
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JERRY BANTA<br />
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SEATTLE - PORTLAND<br />
CANDY MANNING<br />
(206) 682-7155<br />
OMAHA - DES MOINES<br />
MICKEY ELLIS<br />
(515) 243-1521<br />
WASHINGTON D.C.<br />
ROSS WHEELER<br />
(202) 244-1500<br />
SAN FRANCISCO<br />
HARPER PAUL WILLIAMS<br />
(415) 981-6180<br />
ALBANY - BUFFALO<br />
IKE EHRLICHMAN<br />
(716) 854-6752<br />
SALT LAKE CITY<br />
MARY SMITH<br />
(303) 751-7520<br />
PITTSBURGH<br />
JOHN MAJDEK<br />
(412) 863-2100<br />
CINCINNATI<br />
ALGLAUBINGER<br />
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WILLIAM GLASER<br />
(704) 372-8317<br />
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MORRIS ZRYL<br />
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HARRY CLARK<br />
(904) 721-2122<br />
MILWAUKEE<br />
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1 ^^cademu L^ountdiown<br />
Jifominations ballots for ihc Academy<br />
Awards presentations April 9 were due<br />
at the office of Price Waterhouse & Co. at<br />
5 pm. Friday, Feb. 9 .<br />
The Academy's board of governors has<br />
voted honorary awards to Laurence Olivier,<br />
King Vidor. Walter Lantz and the film department<br />
of the Museum of Modern Art.<br />
It has also voted a special achievement<br />
award for visual effects to the film "Superman."<br />
This is Olivier's third Oscar, having<br />
won a Best Actor nod in 1948 for 'Hamlet"<br />
and an honorary award in 1946 for his<br />
work on "Henry V." Vidor was chosen this<br />
year "for his incomparable achievements as<br />
a cinematic creator and innovator," having<br />
been nominated for the Best Director<br />
award five times over the years. Walter<br />
Lantz was named "for bringing joy and<br />
laughter to every part of the world through<br />
his unique animated motion pictures." The<br />
Museum of Modern Art was recognized<br />
"for the contribution it has made to the<br />
public's perception of movies as an art<br />
form" ....<br />
An exhibit featuring original Academy<br />
Award winning and nominated costumes<br />
will be on display in the lobbies of the<br />
Academy headquarters, 8949 Wiishire<br />
Blvd., from Feb. 20 through May. . . .<br />
Three Academy Awards of Merit have<br />
been announced. Statuettes were given to the<br />
Eastman Kodak Co. for the research and<br />
development of a duplicating color film for<br />
motion pictures; to Stefan Kudelski for the<br />
continuing research, design and development<br />
of the Nagra Production Sound recorder,<br />
and to Panavision, Inc., for the development<br />
of the Panaflex 35mm camera<br />
system ....<br />
Academy plaques, honoring scientific and<br />
engineeiing achievements, have been awarded<br />
to Ray M. Dolby, loan R. Allen, David<br />
P. Robinson, Stephen M. Katz and Philip<br />
S. J. Boole of Dolby Laboratories, for their<br />
work in improving theatre sound. . . .<br />
Technical Achievement Awards in the<br />
form of certificates went to Karl Macher<br />
and Glenn M. Berggren of Jos. Schneider<br />
Co. for the development of the Cinelux-<br />
ULTRA lens; to David J. Degenkolb, Arthur<br />
L. Ford and Fied J. Scobey of Deluxe<br />
General for their photographic wash water<br />
QUICK SCREENING<br />
purification method; to Kiichi Sekiguchi of<br />
Meisei Electric Co. for the development of<br />
the CINE-FI auto radio sound system for<br />
drive-ins; to Leonard Chapman of Leonard<br />
Equipment Co. for the design and manufacture<br />
of the Chapman Hustler dolly; to<br />
James L. Fisher for the Fisher Model Ten<br />
dolly, and to Robert Stent of Production<br />
Grip Equipment Co. for the Stent dolly ....<br />
Nineteen countries have submitted entries<br />
for the Best Foreign Language Film<br />
award: "Carnival Dreams" (Brazil); "Viva<br />
el Presidente" (Cuba); "Nick Carter in<br />
Prague" (Czechoslovakia); "Me and Charly"<br />
(Denmark); "Get Out Your Handkerchiefs"<br />
(France); "The Glass Cell" (West<br />
Germany); "Hungarians" (Hungary); "The<br />
Chess Players" (India); "Lemon Popsicle"<br />
(Israel); "Viva Italia!" (Italy); "Empire of<br />
Passion" (Japan); "The Wedding of Zein"<br />
(Kuwait); "Promise of Love" (Lebanon);<br />
"A Limitless Place" (Mexico); "Pastorale<br />
1943" (The Netherlands); "As We Were"<br />
(Philippines); "Death of the President"<br />
(Poland); "White Bim Black Ear" (USSR)<br />
and "Occupation in 26 Pictures" (Yugoslavia)<br />
....<br />
'Woman' Production Halted<br />
NEW YORK— Universal Pictures president<br />
Ned Tanen, star Lily Tomlin and director<br />
John Landis have agreed to suspend<br />
production at this time on "The Incredible<br />
Shrinking Woman." Delayed because of<br />
budgetary complications, the film had been<br />
scheduled to begin filming in March.<br />
FOR DRIVE-INS<br />
WITH TREES THAT GROW 5-8 FEET PER YEAR<br />
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Satisfy the new regulations with fast-growing Hybrid Poplars,<br />
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National Screen Service<br />
BOXOmCE :: February 19, 1979
I<br />
Crown International<br />
Attends ShoWesT 79<br />
LAS VEGAS — A contingent of Crown<br />
International Pictures executives are in<br />
Las Vegas this week for a round of activities<br />
at ShoWesT and to meet with Crown<br />
distributors from the United States and<br />
Canada.<br />
Jacobs Heads Contingent<br />
Heading the group from the Beverly<br />
Hills firm will be Newton P. "Red" Jacobs,<br />
chairman of the board; Mark Tenser,<br />
president; George M. Josephs, vice-president<br />
and general sales manager; Donald<br />
Foster, Western division sales manager, and<br />
Bill Steinmetz. director of advertising and<br />
publicity.<br />
On Feb. 22 Crown will host an informal<br />
luncheon at the Strand Room and that evening<br />
will sponsor a cocktail reception for<br />
ShoWesT conventioneers at the MGM<br />
Grand's Metro Club.<br />
will be host for a dinner show party in the<br />
Grand's Celebrity Room on Friday evening.<br />
Crown International distributors on hand<br />
for the sales conferences, screenings and<br />
social events will be Arthur Friedman and<br />
Roger Lockwood, Boston; Ike Ehrlichman,<br />
Buffalo; Bill Lange, Chicago-Milwaukee;<br />
Jeff Ruff and Dennis Glenn, Cincinnati-<br />
Detroit; Mode Zyrl and Jay Schultz, Cleveland;<br />
Fred Beicrsdorf, Dallas-Oklahoma;<br />
Bates Farley, Denver; Harry Clark and<br />
Belton Clark, Atlanta-Jacksonville; John<br />
Shipp, Kansas City-Des Moines-St. Louis;<br />
James Payne, Minneapolis; Lewis Oubre<br />
and Billy Briant, New Orleans-Memphis:<br />
Kenny Lloyd, Salt Lake City; Ross Wheeler,<br />
Washington, D.C.; Andy Anderson, San<br />
Francisco; Allan Strulson. Philadelphia;<br />
Marvin Friedlandsr, New York City, and<br />
Martin Bockner, Toronto, Ontario.<br />
Cinema Concepts Promotes<br />
Corporate Image on Screen<br />
NASHVILLE—In six months, a Nashville-based<br />
film trailer company, Cinema<br />
Concepts, has earned a strong foothold in<br />
the motion picture industry. According to<br />
Stewart D. Harnell. executive vice-president<br />
of Cinema Concepts. "Our company,<br />
through its creative and refreshingly innovative<br />
production staff, has offered exhibitors<br />
an unprecedented portfolio of unique<br />
institutional trailers covering a multitude of<br />
subjects."<br />
After extensive personal visits with exhibitors,<br />
in addition to attendance at national<br />
and regional conventions, Harnell said he<br />
is firmly convinced that theatre owners do<br />
have a strong desire to upgrade and update<br />
Screenings Are Planned<br />
the quality of their special institutional trailers<br />
Screenings Feb. 23 will be held for "Van<br />
and screen presentations through the use<br />
Nuys Blvd.," a Marilyn J. Tenser production<br />
which Crown will be releasing in June, thusiastic<br />
of contemporary film products. The en-<br />
response from exhibitors has been<br />
followed by another scheduled 1979 release,<br />
with<br />
most gratifying," Harnell asserts. "To think<br />
that a relatively short period we have<br />
the tentatively-titled "Terror," together in<br />
achieved major penetration into a market<br />
the Crown International product reel.<br />
Capping the week-long activities. Crown which has been virtually dominated over the<br />
past 50 years by two or three companies."<br />
According to Harnell, "The demand for<br />
circuit or corporate identification headers<br />
(personalized feature presentation trailers)<br />
has been overwhelming.<br />
"We feel it is important for a theatre<br />
patron to identify the quality entertainment<br />
he views in a theatre with the company<br />
who owns and operates the show place,"<br />
Harnell stated. "Circuit identification trailers<br />
produced with exciting visual and audio<br />
effects help to achieve this objective."<br />
Gulf & Western Stock<br />
Pays 75-Cent Dividend<br />
NEW YORK—Gulf & Western Industries,<br />
Inc. has announced an increase in the<br />
quarterly cash dividend on its common<br />
stock to 18 3/4 cents per share payable<br />
1. April 1979 to shareholders of record<br />
March 12. 1979. The previous quarterly<br />
rate was 17 1/2 cents per share.<br />
This action increases the indicated annual<br />
rate of regular dividends to 75 cents frem<br />
70 cents per common share. Gulf & Western<br />
has paid higher regular quarterly dividends<br />
every year since common stock cash<br />
dividends were initiated in fiscal 1965.<br />
The following quarterly cash dividends<br />
also were declared, payable April 1, 1979,<br />
to shareholders or record on March 12,<br />
1979:<br />
Series C—$3,875 Cumulative Convertible<br />
Preferred Stock, 96 7/8 cents per share;<br />
Series D—$2.50 Cumulative Convertible<br />
Preferred Stock. 62 1/2 cents per share;<br />
$5.75 Sinking Fund Preferred Stock,<br />
$1.4375 $1.43 and 3/4 cents per share.<br />
Blizzard Halts Filming<br />
On 'Electric Horseman'<br />
NEW YORK—"The Electric<br />
Horseman"<br />
has temporarily shut down production on its<br />
St. George. Utah location due to blizzard<br />
conditions in<br />
that area.<br />
The Ray Stark-S. Pollack-Wildwood Production,<br />
which stars Robert Redford and<br />
Jane Fonda, has been plagued with adverse<br />
weather since that unit arrived in St. George<br />
Dec. 15 after completing five weeks of<br />
shooting on schedule in Las Vegas.<br />
According to Frank Price, president of<br />
Columbia Pictures Productions, the unit<br />
plans to move to Los Angeles where they<br />
will shoot some interiors before returning<br />
to St. George in two weeks to complete<br />
filming on that location.<br />
InternotionQl<br />
Screenwofid c^p'or Corporation<br />
THE LEADING WORLDWIDE EXPORTER OF EROTIC FILMS<br />
:«Si'rr.:iv:"£"""«lrj^DISTRIBUTOR ...... 3303 Cables: "SCREENIT'<br />
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—Contact—<br />
DAVID M.<br />
GOLDSTEIN<br />
INOUlBENCtOF<br />
SElf-PlMSUBt SCREENWORLD International Corporation<br />
P.O. Box 69414, L.A. CalH. 90069 U.S.A.,<br />
Tel: (213) 659-9230/659-3384<br />
BOXOFTICE :: F-
Albuquerque and Columbia have gone crazy over<br />
"DIRT"<br />
You will too.<br />
20 theatres in 10 days<br />
$130,000<br />
Albuquerque, NM 15 theatres -$89,000 • Columbia, SC 5 theatres -$41 ,000<br />
l^m AMERICAN CINEMA RELEASING<br />
BOXOmCE :: February 19, 1979
'Express' Is Honored<br />
By Narcotics Officers<br />
NEW YORK— -Midnight Express." its<br />
executive producer Peter Guber and Casablanca<br />
Record & FilmWorks president Neil<br />
Bogart have been voted the 1979 Award<br />
of Honor by the International Narcotic Enforcement<br />
Officers Assn.. announced John<br />
J. Bellizzi. executive director of the Albany,<br />
New York-based organization representing<br />
200.000 peace officers throughout the<br />
a Turkish prison after receiving a life sentence<br />
for smuggling hashish. Brad Davis<br />
stars in the film, which won six Golden<br />
Globe Awards, including Best Picture.<br />
world.<br />
"We are extremely proud of the film,"<br />
Guber said when accepting the award, "and<br />
Opportunity to Warn Americans<br />
it is gratifying to know that its important<br />
Citing the high quality of "Midnight Express"<br />
and the fact that it has "reached mil-<br />
hope that the story of Billy Hayes is never<br />
message is making an impact. It is our<br />
lions of voune Americans with a vital mes-<br />
repeated."<br />
s;ige concerning the international drug<br />
laws." Bellizzi told Bogart and Guber that<br />
their efforts have been of "substantial assistance<br />
in the war against drug abuse" and<br />
said that the film offered an "unusual opportunity<br />
to warn traveling Americans of<br />
the danger of breaking the laws of foreign<br />
nations."<br />
"Midnight Express" is based on the experience<br />
of Billy Hayes, who escaped from<br />
ATTENTION<br />
EXHIBITORS!<br />
Do you haie Iroiihle iiellinti /xirls for your equipmeul?<br />
Do you find thill shiijphiii ilelays and excuses of parts being obsolete<br />
are costing yoti money?<br />
If these problems sound familiar, remember that ne have over 70,000<br />
different parts in stock for immediate shipment for:<br />
ASHCRAFT— BRENKERT — CENTURY — DE VRY — MAGNARC<br />
MOTIOGRAPH — R.C.A. — SIMPLEX — STRONG<br />
WEAVER — WENZEL<br />
The ]y oik Company offers a quality product and service. Order your<br />
parts through your local theatre supply dealer and please specify<br />
"W OLK'" parts when placing your order.<br />
EDW. H. WOLK, INC.<br />
1241 South Wabash Ave.<br />
Chicago, Illinois 60605, U.S.A.<br />
Cable "EDWOLK"<br />
Phone: 312-939-2720<br />
Telepictures Announces<br />
Its Package of Projects<br />
NEW YORK—Telepictures Corp., a recently<br />
formed entertainment company with<br />
offices in New York and Hollywood, unveiled<br />
its first package of major television<br />
and theatrical projects. These include production,<br />
acquisition, distribution, development<br />
and nontheatrical ventures. The company<br />
was founded this fall by president<br />
Michael Solomon, a former vice-president<br />
of MCA-TV. and executive vice-president<br />
Michael Garin, previously vice-president<br />
and general manager of syndication and<br />
public television for Time-Life Television.<br />
Vice-president of marketing Dick Robertson<br />
had been a sales executive for the CBS<br />
Television Network, among other positions.<br />
The company has acquired theatrical,<br />
nontheatrical and television rights on a<br />
worldwide basis, except for North America,<br />
to Ely Landau's "American Film Theatre,"<br />
l.'^ distinguished features with prominent<br />
stars and directors.<br />
It is completing negotiations for domestic<br />
distribution rights to a package of features<br />
for television and off-network distribution<br />
of a major television series. It is distributing<br />
and developing several shows and specials.<br />
International acquisitions include 135 features<br />
for distribution in various areas of the<br />
world.<br />
Telepictures Corp. is headquartered at<br />
One Dag Hammarskjold Plaza. New York<br />
City. Its West Coast office is at 8732 Sunset<br />
Boulevard in Hollywood.<br />
Benson Ends 10-Day Tour<br />
InfernQfionol<br />
Screenwofld c^' Corporation<br />
THE LEADING WORLDWIDE EXPORTER OF EROTIC FILMS<br />
NEW YORK—Robby Benson recently<br />
completed a ten-day national whirlwind promotional<br />
tour in connection with the Columbia<br />
Pictures release, "Ice Castles," in<br />
which he stars. Cities visited for interviews<br />
and media appearances included Atlanta.<br />
Boston. New York. Dallas and San Francisco.<br />
Sweet<br />
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Secrets : THEY WILL EXCITE<br />
• VOUR SENSES BErOND<br />
: DOMESTIC DISTRIBUTOR: ESSEX ^^13J 466J144<br />
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•••••••••<br />
SCREENWORLD International Corporation<br />
P O. Box 69414, L.A. Calif. 90069 U.S.A.,<br />
Tel: (213) 659-9230/659-3384<br />
Cables: "SCREENIT"<br />
Telex: 696294 SCREENIT LSA
BIG GROSSES<br />
BEAUTIFUL LEGS<br />
SEATTLE- UPTOWN THEATRE<br />
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FIRST 14 DAYS-HOLDING 3RD WEEK<br />
THE EROTIC FANTASIES<br />
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NOTORIOUS DIRECTOR<br />
ROMAN POLANSKI'S<br />
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AN MPM RELEASE<br />
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MOTION PICTURE MARKETING
Disney Seis Dividends-<br />
Board Is Reelected<br />
LAKELAND. FLA.—The board ol directors<br />
of Walt Disney Productions, meeting<br />
in Florida for the first time in its history,<br />
has declared a quarterly cash dividend<br />
of 12 cents per share.<br />
The dividend is payable April 2. 1979.<br />
to all stockholders of record as of March<br />
16. 1979.<br />
CLEARING HOUSE<br />
HLMS FOR RENT<br />
FILMS FOR SALE<br />
16MM HABD XXX films, brand ne<br />
Posters cmd trailers availcrble. $300.<br />
50 titles. Boxolfice, 4187.<br />
WORLDWIDE EXPORTERS Muslim religious<br />
aims. Rinalilm, Box 116031, Beirut<br />
Lebanon.<br />
16MM CLASSICS, Ulustrated catalog<br />
25c. Manbeck, 3621-B Wakonda Drive, Des<br />
Moines. Iowa 50321.<br />
35MM ACTION leoture film available.<br />
World rights purchase available. Percentage<br />
distribution considered (602) 279-<br />
FILMS WANTED<br />
WANTED: 35mm traUers. 1930-1977, any<br />
L. quantity. Brown, 6763 Hollywood Blvd.,<br />
noUywood, CaUl. 90028<br />
WANTED 35mm entertainment feature<br />
films for Canadian market. Rights purchased<br />
or will distribute on a percentage<br />
basis. Send particulars to Boxoffice, 4139<br />
More Classified Listing<br />
On Inside Back Cover<br />
At the company's annual meeting, also<br />
held yesterday at the Lakeland Civic Center.<br />
Card Walker, president and chief executive<br />
officer, reported that the company<br />
"has joined the relatively select group of<br />
American companies that can call themselves<br />
billion-dollar corporations."<br />
He said the company had established new<br />
records in both revenues and net income in<br />
what he termed "the best possible fashion<br />
—not by one or two remarkable performances<br />
from our various divisions, but by<br />
a balance of excellent performances from<br />
every facet of our business."<br />
"What's more," Walker said, "this was<br />
our eleventh consecutive year of growth."<br />
The highlight of the year for the company,<br />
he said, was the formal announcement<br />
in October of plans for the $500 million<br />
EPCOT Center to be constructed at Walt<br />
Disney World in Florida.<br />
He pointed out that the announcement<br />
has been greeted with great enthusiasm in<br />
both business and government circles<br />
around the world.<br />
"Some of the world's largest and most<br />
respected corporations have already joined<br />
us as financial and creative partners in this<br />
vast undertaking." Walker said, "including<br />
General Motors, Exxon, Kraft and American<br />
Telephone and Telegraph."<br />
In addition, he said, government or business<br />
interests from ten foreign nations have<br />
indicated their intention to participate.<br />
Phase One of EPCOT Center's World<br />
Showcase will include Mexico, Japan, Germany.<br />
Morocco, Canada, Israel, the United<br />
Kingdom, France, Italy and the United<br />
Arab Emirates.<br />
At the meeting, the stockholders of Walt<br />
Disney Productions reelected all nine incumbent<br />
directors.<br />
They are: Caroline Leonetti Ahmanson,<br />
William H. Anderson, Roy E. Disney, Philip<br />
M. Hawley. Ronald W. Miller. Richard<br />
T. Morrow, Donn B. Tatum, E. Cardon<br />
Walker and Raymond L. Watson.<br />
AL Filmways Discuss<br />
Merger Possibilities<br />
NEW YORK. N.Y.—American International<br />
Pictures, Inc. (AMEX) announced today<br />
that preliminary discussions with Filmv^ays.<br />
Inc. (NYSE) have commenced relating<br />
to a possible revival of the proposed<br />
merger tiansaction which was terminated<br />
last December. American International Pictures,<br />
Inc. emphasized that these discussions<br />
are only preliminary and no agreement or<br />
understanding has been reached on any<br />
terms.<br />
Paramount Sets Record<br />
For Worldwide Rentals<br />
Hollywood—Paramount Pictures has<br />
set a new industry record for worldwide<br />
film rentals during a calendar<br />
year with $429,890,000 in billings for<br />
the 12 months ending December 31,<br />
1978, it was announced by Barry Diller,<br />
chairman and chief executive officer.<br />
This new industry record, which includes<br />
unprecedented billings in both<br />
foreign and domestic rentals accrued to<br />
Paramount, breaks down as follows<br />
$139,890,000 in foreign billings and the<br />
previously reported record $290 million<br />
in domestic bilHngs.<br />
The two major contributors to Paramount's<br />
foreign rentals during 1978<br />
were "Saturday Night Fever" and<br />
"Grease," with both films establishing<br />
new attendance and boxoffice records<br />
in foreign playdates.<br />
As previously reported, the Paramount<br />
films contributing to the record<br />
domestic billings were "Grease," "Saturday<br />
Night Fever," "Heaven Can<br />
Wait," "Foul Play," "Up in Smoke,"<br />
"The One and Only" and "Death on<br />
the Nile."<br />
Screenwofld &^<br />
InternofionQl<br />
Corporation<br />
THE LEADING WORLDWIDE EXPORTER OF EROTIC FILMS<br />
This Main<br />
Course is<br />
Finger Lickin'<br />
Great!<br />
00.*ESTIC DISTRIBUTOR<br />
ESSEX |..3J^^;J44^^.__^___^^<br />
SCREENWORLD International Corporation<br />
P.O. Box 69414, L.A. Calif. 90069 U.S.A.,<br />
Tel: (213) 659-9230/659-3384<br />
Cables: "SCREENIT"<br />
Telex: 696294 SCREENIT LSA<br />
Ichruarv 19. 1979
•••••••••••••••••••••••••••••••••••••••••••••••••••••••<br />
HONORED SHOWMAN COMPETITION<br />
• ••••••••••••••••••••••••••••••••••••••••••••••••••••••*•<br />
Cwtet y©iut Bcdl PimtMrfuMi!<br />
1. BEST PRINT Promotion<br />
2. BEST RADIO-TV Promotion<br />
3. BEST OFFSITE Promotion<br />
Three SHOWMEN will<br />
be honored at this year's<br />
•••SH0W-A-RAIVIA22***<br />
April 23-26, inclusive Kansas City, Mo.<br />
HOW TO ENTER<br />
The Boxoff ice — Show-A-Rama Honored<br />
Showman Competition is open to all theatre<br />
owners and managers. Each entry should contain<br />
a written description of the promotion,<br />
evidence of the success of the promotion and<br />
resulting attendance.<br />
Each entry should be clearly labeled with the<br />
name of the entry, the theatre for which the<br />
promotion was held and the category for which<br />
the entry is submitted.<br />
All entries should be carefully packaged to<br />
insure safe arrival; each entry accompanied by<br />
return postage and suitably packaged for its<br />
return following Show-A-Rama. Entries will be<br />
judged by a panel of promotions experts;<br />
the decisions of the judges will be final.<br />
Nline for Entries: MARCH 19, 1979 Honc<br />
— EACH WINNER RECEIVES<br />
—<br />
^ All expense-paid trip<br />
to Kansas City<br />
• SHOW-A-RAMA 22 registration<br />
• Deluxe accommodations at the<br />
Crown Center Hotel<br />
• Bronze Medallion in<br />
walnut frame<br />
mm
JANUARY PRODUCTION STARTS<br />
FIRST ARTISTS<br />
Horn. Steve McQueen stars as TonT<br />
Horn frontier scout and guide who turned<br />
into a gun-for-hire and was finally hung<br />
producing.<br />
HOOL-JOSEPH PRODUCTIONS<br />
Cabobianco. Charles Bronson, Dominique<br />
Sanda and Jason Robards star in this<br />
adventure-thriller about a ship loaded with<br />
Nazi treasures which is sunk off the coast<br />
of South America. Fihning began Jan. 5 at<br />
Barra de Navidad, Mexico. J. Lee Thompson<br />
is directing from a script by Milt Gelman.<br />
Others in cast are Fernando Rey,<br />
Camila Sparv, Simon MacCorkindale and<br />
Clifton James. Lance Hool and Paul Joseph<br />
are producing. Martin V. Smith and Pancho<br />
Kohner are executive producers.<br />
ISRAM MOTION PICTURES<br />
Moments. Filming began Jan. 11 m<br />
Jerusalem with Michal Bat<br />
Adam and Moshe<br />
Mizrahi directing<br />
from a screenplay by<br />
Michal Bat Adam. Mizrahi is producmg.<br />
Brigitte Catillon, Michal Bat Adam and<br />
Assi Dayan are in the cast.<br />
ITC ENTERTAINMENT<br />
Saturn 3. Sir Lew Grade's first science<br />
fiction film began principal photography at<br />
Shepperton Studios in London on Jan. 8.<br />
Farrah Fawcett-Majors, Kirk Douglas and<br />
Harvey Keitel head the cast. John Barry<br />
began directing but left early in February.<br />
Special effects work is continuing pendmg<br />
his<br />
replacement.<br />
ITHACA-ANTHEA PRODUCTIONS<br />
Wise Blood. Brad Douri, Ned Beatty<br />
and Harry Dean Stanton top the cast of this<br />
feature on which principal photography began<br />
Jan. 5 in Macon. Ga. Also in the cast<br />
are Amy Wright. Daniel Shorr and Mary<br />
Neil Santa Croce. John Huston is directing<br />
from a screenplay written by Michael Fitzgerald<br />
and Benedict Fitzgerald. Michael<br />
producer.<br />
KENDON PRODUCTIONS<br />
Scum. Shooting got under way Jan. 8<br />
Fitzgerald is<br />
on this feature at Elstree Film Studios in<br />
London. Ray Winstone. Mick Ford, John<br />
Judd and Phil Daniels head the cast. Alan<br />
Clarke is directing from Roy Minton's<br />
screenplay. Olive Parsons and Davina Belling<br />
are producing. Michael Relph is executive<br />
producer.<br />
LORIMAR<br />
Hi iNd liiiKi. Direetui- Hal Ashby began<br />
filming Jan. Id in Los Angeles on this<br />
22<br />
adaptation of Jerzy Kosinski's novel. Plot<br />
concerns a gentle, simplistic man whose<br />
sheltered life is limited to his TV and garden.<br />
Starring are Peter Sellers, Shirley Macafter<br />
beina framed for a murder he didn<br />
Laine and Jack Warden. Jerzy Kosinski<br />
t<br />
wrote the screenplay. Andrew Braunsberg<br />
commit. Linda Evans and Bert Williaiiis<br />
is<br />
are also in the cast. Filming began Jan. 15<br />
producer. Jack Schwartzman is executive<br />
in Nogales. Ariz. The Fred Weintraub Solar<br />
producer.<br />
production will be distributed by Warner<br />
STUDIO FILM CORP.<br />
Bros. William Ward is directing from The Capture of Big Foot. Producerdirector<br />
Bill Regane began filming Jan. 8<br />
Thomas McGuane's screenplay. Wemtraub<br />
in Wisconsin from a screenplay he wrote<br />
is<br />
with Ingrid Neumayer. In the cast are Stafford<br />
Morgan. Katie Hopkins Zerby and<br />
Otis Young. Dan Stroick is executive producer.<br />
UNITED ARTISTS<br />
Corky. Filming began Jan. 31 in New<br />
York on this romantic thriller starring Talia<br />
Shire for Michael Lobell Productions. Gordon<br />
Willis is making his debut as director.<br />
Script is by Barry Siegel. Also in the cast<br />
are Elizabeth Ashley, Joseph Cortese, Kay<br />
Medford. Russell Horton. Linda Gillin, Rick<br />
Petrucelli, Richard Waid and Michael Lip-<br />
UNIVERSAL<br />
The Last Married Couple in America.<br />
George Segal, Natalie Wood and Richard<br />
Benjamin head the cast of this Gates Bros.-<br />
Edward S. Feldman production. Plot concerns<br />
a happily married couple's effort to<br />
remain happy while all their friends are getting<br />
divorced. Also in the cast are Dom<br />
DeLuise, Marilyn Sokol, Valerie Harper.<br />
Bob Dishy and Billy Holmes. John Herman<br />
Shaner wrote the screenplay and is producing<br />
with Edward S. Feldman and Al Ramrus.<br />
Fikning began Jan. 22 in Los Angeles.<br />
Gilbert and Joseph Gates are executive producers.<br />
Resurrection. Ellen Burstyn stars as a<br />
woman with the gift of healing in this Daniel<br />
Petrie-directed feature. Sam Shepard also<br />
stars as a hell-raising young man who is<br />
healed by Burstyn after a brawl and falls<br />
love with her. Filming began Jan. 29 with<br />
lensing planned for California and Texas.<br />
Others in the cast are Eva Le Gallienne and<br />
Richard Farnsworth. Screenplay is by John<br />
Lewis Carlino. Rence Missel and Howard<br />
Rosenman are producing.<br />
WARNER BROS.<br />
Just Tell Me Whai You Want. Alan<br />
King stars as a self-made tycoon in total<br />
control of his life until AH MacGraw, his<br />
mistress of fifteen years, abandons him.<br />
Filming on this comedy began Jan. 29 in<br />
New York. Sidney Lumet is directing and<br />
co-producing with Jay Presson Allen, who<br />
wrote the screenplay. Others on the cast are<br />
Peter Weller, Dina Merrill, Keenan Wynn,<br />
Tony Roberts and Myrna Loy as King's<br />
secretary. Filming is also scheduled for Old<br />
Westbury, N.Y. and Los Angeles.<br />
in<br />
Col Spanish-Language<br />
Releases Announced<br />
LOS ANGELES — Columbia Pictures<br />
Spanish Theatrical Film division has announced<br />
the titles of three Spanish and<br />
three Mexican productions that form an<br />
initial group of features it will distribute in<br />
1979.<br />
"In response to the demands of the 20<br />
million Hispanics living in the United<br />
States and comprising an audience for films<br />
in their native language, we are seeking<br />
properties from a prestigious group of<br />
Mexican, Argentinian. Spanish, Puerto Rican<br />
and Venezuelan producers," said Carlos<br />
Barba. vice-president and general manager<br />
of the Columbia Pictures Industries,<br />
Inc. division.<br />
"The six films that we have acquired<br />
thus far for 1979 release are representative<br />
of the high-quality, all-family product we<br />
1<br />
are interested in," Barba added.<br />
The first film released, at the end of<br />
January, was "El Tren de la Muerte"<br />
("Death Train"), produced and directed by<br />
Juan Orol and filmed in Mexico. A revenge<br />
drama, the film stars Julio Aleman and<br />
Patricia Rivera with a special appearance<br />
by Dinorah Judith.<br />
Due in late February is "Bermudas: La<br />
Cueva de los Tiburones" '('Bermuda: Cave<br />
of the Sharks"), a Spanish-Italian co-production<br />
(Amanacer Films and Panorama<br />
Films of Madrid with Koala Cinematography<br />
of Rome). Filmed in Bermuda, directed<br />
by Anthony Richmond, the action-suspense<br />
drama stars Andres Garcia. Janet Agren,<br />
Maximo Valverde and Arthur Kennedy.<br />
Two Spanish films are set for May release.<br />
The first, "No Mates a Nuestro<br />
Hijo" ("Don't Kill Our Son"), is from<br />
Regia Films, produced by Arthuro Gonzalez,<br />
directed by Gil Carretero. starring<br />
Consuelo Fernandez and Pedro Sandra.<br />
Filmed in Madrid and London, it is the<br />
drama of a young couple who face the<br />
dilemma of seeking an abortion. "Todos<br />
Los Dias, Un Dia" (Every Day. One Day),<br />
is a musical romance starring the internationally<br />
famous singer Julio Iglesias with a<br />
special appearance by Tony Martin. Filmed<br />
in Miami, New York, Panama, Guatamala,<br />
Paris and Madrid, it was produced by Alfredo<br />
Fraile Jr. and directed by Orlando<br />
Jimenez.<br />
No release date has been set for two<br />
Mexican films nearing completion. "La Criada<br />
Maravilla" ("The Marvelous Servant")<br />
is a comedy starring Maria Victoria. Patricia<br />
Rivera. Gualberto Castro, Alfonzo<br />
Zayas and Joaquin Garcia (Borolos). It<br />
was directed by Fernando Cortes and produced<br />
by Roberto Rodriguez from Peliculas<br />
Latinoamericanas. "Fabricantes de<br />
Panico" ("Panic Makers") is a suspense<br />
drama about a gang of fugitives who hold<br />
a family captive in their house. From Real.<br />
S.A.. it was shot in San Juan. The director,<br />
Rene Cardona, is a master of the suspense<br />
genre, with "Sobrevivientes de los Andres,"<br />
"Tintorera," "Ciclon" and "El Triangulo de<br />
las Bermudas" to his credit. Stuart Whitman<br />
.uul Michele Wagner are among the stars.<br />
BOXOFFICE :: February 19. 1979
. . Could<br />
. . . Once<br />
. . The<br />
. . . An<br />
. . The<br />
. .<br />
NSC Says 'Superman No. 7; 'Suife<br />
Is Second; 'Targef at the Bottom<br />
By STU GOLDSTEIN<br />
^hristopher and Margot flew high above<br />
the competition for the month of December,<br />
soaring over such boxoffice biggies<br />
as "California Suite" and "Every Which Way<br />
But Loose" in the process. The nationwide<br />
membership of the BoxoFFiCE-sponsored<br />
National Screen Council made it their overwhelming<br />
choice as best picture of the<br />
month. In fact, "Superman" received more<br />
single votes than any other picture of the<br />
last two years!<br />
Business-wise, "Superman" is registering<br />
668 on the Boxoffice Barometer report of<br />
opening week grosses. In comparison, Columbia's<br />
"California Suite," coming in with<br />
a very-far-behind second place, has a current<br />
412. The third-place winner, "Invasion<br />
of the Body Snatchers," from UA, is listed<br />
at 380. Continuing with the list of December<br />
eligibles, Warner's "Every Which Way<br />
But Loose" came in fourth place, Paramount's<br />
"Oliver's Story, fifth place and AI's<br />
"Force 10 From Navarone" in the number<br />
si.\ position. In last place with the least<br />
votes: UA's "Brass Target."<br />
SUPERMAN (WB)<br />
Super, super, super. Gotta go back for<br />
more of this one.—N.P. Street, WKSR. Pulaski,<br />
ing, brilliantly photographed. Combination<br />
of drama and camp that exceeds expectations.^<br />
Carole Kass, Times-Dispatch, Richmond.<br />
Va. ... A fantastically exhilarating<br />
escape that will carry you aloft, faster than<br />
a speeding bullet. Don Dorsey, Caribou.<br />
Me. . . . Beautiful until Clark reaches the<br />
"Daily Planet." Transition weak. The longest<br />
credits in film history. Clayton Miller,<br />
Iredell Ctv. Arts Council. Moorseville.<br />
N.C.<br />
Not as great as the hype, but fun never-<br />
theless. Donna Bailey. Windsor Locks.<br />
Conn. . . Big, splashy, entertaining, but at<br />
times illogical. Still good. Jerry Fitzgerald.<br />
TV-Star. Inc., Tyler, Tex. . . . Split<br />
between pretension and high camp. Overblown,<br />
but still works, J.G. Severns. N.E.<br />
Mo. Stale Univ.. Kirksville, Mo. ... We<br />
expected the flying sequences to be dazzling,<br />
but they weren't. What made the film was<br />
the charming relationship between Superman<br />
and Lois Lane. Gene Siskel. Chicago<br />
Tribune . . . Don't worry about missing the<br />
first 30 minutes— it's a bore. From there,<br />
it<br />
picks up and becomes good entertainment.<br />
.<br />
—John P. Hill, WKRC-TV, Cincinnati.<br />
Super. — Marged Wakeley, SAG— AF-<br />
TRA. Hollywood have been<br />
shorter, but still a pleaser. Michael<br />
crowd<br />
Bernard. Northeast Theatres. Presque Isle.<br />
Me ... A supermovie, especially for us who<br />
once pinned-on a cape and leaped from a<br />
tree. Don Braunagel. Pontiac. Mich. . . .<br />
Frankly, my Christmas stocking has been<br />
better stuffed in the past. Alvin Easter,<br />
Cinema Magaizne, Minneapolis . . Flying<br />
.<br />
sequences were incredibly believable. Paul<br />
Mudlofj. Cominonwcidth Theatres. Liberal.<br />
Kan. . . . Muscles way ahead of the rest.^<br />
George H. Bell, Salem. Ore.<br />
California<br />
Suite<br />
'Simon rini;s the bell agi<br />
CALIFORNIA SUITE (COL)<br />
It's too bad that so much good work, especially<br />
by Smith and Caine, is negated by<br />
the stupid, tasteless, subtly racist skit with<br />
Cosby and Pryor. Doug Smith. Courier-<br />
Express. Buffalo. N.Y. . . . Smith and Caine<br />
prove that Neil Simon writes better drama<br />
than comedy.—M/rc/! Fox. KLVX-TV, Las<br />
. Vegas performances of Smith,<br />
Caine and Fonda give class to the film Dr.<br />
Robert Steele. Boston University . . . How<br />
Sweet "California Suite" is. Neil Simon rings<br />
the bell again. Art Pinansky, Portland,<br />
Me.<br />
Caine and Smith work so wonderfully<br />
together that I wish the entire film could<br />
be about them. Joe Leydon, Shreveport<br />
Times . . Maggie Smith and Michael Caine<br />
.<br />
are so perfectly matched, I wished the whole<br />
film were about them. Fonda also excellent,<br />
as usual. Merwyn Grote, Bowling Green.<br />
Mo. . . . Great work by Alan Alda and Jane<br />
Fonda. Dennis Williams. SAG, Studio<br />
KMCR-FM, Tempe, Ariz.<br />
City. Calif. . . . Atypically poor. Even Simon's<br />
past failures were more cohesive than<br />
these not-so-special playlets. Doug Myrtand.<br />
The two bittersweet episodes carry the<br />
picture. Pryor-Cosby piece is too silly to believe.<br />
Wendeslaus Schidz, Star Theatre,<br />
New Orleans . . . Hilarious. Fonda was excellent,<br />
but I was disappointed with Michael<br />
Caine's lifestyle. Mrs. E.H. Montgomery.<br />
Vincennes, Ind. . . . Couldn't stop laughing<br />
through the entire picture. Mrs. Robert<br />
Hunholz, Milwaukee Better Films Council<br />
again, Neil Simon didn't let us<br />
down. Catherine L. York. Overland Park.<br />
Kan.<br />
INVASION OF THE<br />
BODY SNATCHERS (UA)<br />
One of the best films of \91S.— William<br />
D. Kerns, Lubbock (Tex.) Avalanche-Journal<br />
. . . Great fusion of horror and sly humor.—Jim<br />
Shcrtzer, Winston-Salcm (N.C.)<br />
Journal . original wasn't half as good.<br />
When the pods start popping, look out. Even<br />
the man in the blue underwear and red cape<br />
can't begin to compete. — Gene Pack,<br />
KUER. Salt Lake City . . Preserves the<br />
.<br />
urgency and tight style of Don Siegel's original.<br />
Paranoia is as alive today as it was in<br />
the '50's Milo Rand, Pittsburgher Magazine.<br />
Marvelous remake. Sutherland is in rare<br />
iorm.-Rene L. Ash. lATSE. New York . . .<br />
I like the light touch which is sustained<br />
throughout. Earl J. Dias. Standard-Times,<br />
New Bedford, Mass. ... In many ways, a<br />
better version of the original. Elias Savada.<br />
Film Dope Magazine. Bethsda. Md. .<br />
The new "Body Snatchers" is great! I went<br />
right home and burned all my plants. Stu<br />
Witmer. KRAB-FM, Seattle.<br />
For once, the pod is better than the original.<br />
Carl Deuker. Seattle Sun . . . Best<br />
film of its kind ever made, but not for kids,<br />
or even many adults. Too scary. William<br />
J. Upton-Knittle Jr., Columbia Magazine,<br />
Culver City. Calif. ... If you're going to<br />
a remake, this is the way to do it. Jim<br />
Moorhead. Evening Independent. St. Petersburg,<br />
Oliver's<br />
Fla.<br />
Story<br />
Sequels should he carefully considered."<br />
OLIVER'S STORY (PARA)<br />
.\ bummer if I ever saw one. What a<br />
bunch of nonsense! Jim Schrader. Amherst<br />
Bee. Buffalo. N.Y. . . . "Oliver's Story" is<br />
one good reason why sequels should be carefully<br />
considered before they are produced.<br />
Debbie Corso. The Squire, Leawood. Kan.<br />
extremely fine cast. Good entertainment.<br />
Mrs. John A. Smith, Fed. Motion<br />
Picture Councils. Pittsburgh. Pa. . . . What<br />
a waste of time and money, except for the<br />
quick peek at the oriental slums, if one enjoys<br />
slumming! Mary Pat Conway. Downtown.<br />
Inc.. Kansas City.<br />
BOXOFFICE :: February 19, 1979 23
BOXOFFICE<br />
BAROMETER<br />
1,000<br />
^^^<br />
This chart records the pei^ormonce of current attractions in the opening week of their first runs in<br />
the 20 key cities checked. Pictures with fewer than five engagements ore not listed. As new runs<br />
ore reported, ratings ore added and averages revised. Computation is in terms of percentage in<br />
relation to overage grosses as determined by the theatre managers. With 100 per cent as average,<br />
the figures show the gross ratmgs above or below thot mark. (Asterisk * denotes combination bills.)
FIRST RUN<br />
REPORT<br />
(Average Is lOO)<br />
Denver<br />
California Suite (Col), 3 theatres,<br />
7th wk 250<br />
Caravans (Univ). 4 theatres, 2nd wk. . . 75<br />
Every Whicli Way But Loose (WB).<br />
7th wk 250<br />
Ice Castles (Col), Cooper, 7th wk 100<br />
Invasion of tlie Body Snatcliers (UA),<br />
Continental, 7th wk 100<br />
King of tlie Gypsies (Para), 4 theatres,<br />
7th wk 75<br />
The Lord of tlie Rings (UA), University<br />
Hills, 12th wk 110<br />
Magic (20th-Fox), Biickinham,<br />
Westminster, 13th wk 75<br />
Movie Movie (WB) Cooper Cameo,<br />
7th wk 120<br />
Moment by Moment (Univ), 3 theatres,<br />
7th wk .120<br />
National Lampoon's Animal House<br />
(Univ), 4 theatres, 27th wk 210<br />
CMiver's Story (Para). 4 theatres,<br />
8th wk 75<br />
Superman (WB), Century 21, 8th wk. . .300<br />
The Lord of the Rings (UA), University<br />
Hills, 1 2th wk 110<br />
The Wiz (Univ), Aladdin, 14th wk 60<br />
Seminars Are Planned<br />
For Film Institute<br />
DENVER—The Western States Film Institute,<br />
the Rocky Mountain area's only independent<br />
film school, announced a series<br />
of seminars in filmmaking and photography.<br />
The seminars are held evenings and on<br />
weekends and are scheduled at two different<br />
times for the convenience of students.<br />
The spring schedule of the seminars is:<br />
Feb. 24, "Writing for Motion Pictures,"<br />
Phil Stephens: March 10, "IGmm Equipment,"<br />
Mark O'Kane; March 10, "Basic<br />
Lighting," Andy Brown; March 24, "Animation,"<br />
Jeff Jurich: April 2 and 5, "Film<br />
Editing," J. J. Syring: April 21, "Professional<br />
Super-8," Hal Freeman; April 28.<br />
ShoWesT'79 Draws 7,500 Delegates<br />
For Previews, Parleys and Panels<br />
LAS VEGAS—Over 1,500 delegates have<br />
converged on this desert oasis to attend<br />
.ShoWesT 79 at the MGM Grand Hotel.<br />
The four-day event features 110 trade<br />
booths and speakers ranging from Henry<br />
G. Plitt, president of Plitt Theatres, to Philip<br />
M. "Perry" Lowe, president of the National<br />
Assn. of Concessionaires.<br />
Topic of speeches and programs vary in<br />
content from "Can We Meet the Threat of<br />
Pay TV?" to "How to Increase Snack Bar<br />
Sales."<br />
During the Tuesday session, Ralph Batschelet,<br />
Boxoffice Denver correspondent,<br />
will present the "Honored Twelve Showmen,"<br />
honored for their handling of theatre<br />
operation, their promotion of product and<br />
their involvement in civic affairs.<br />
The complete schedule of events follows.<br />
MONDAY, FEB. 19<br />
12:00 noon-<br />
8:00 p.m.—Registration, Grand Salon, 1st<br />
floor<br />
TUESDAY, FEB 20<br />
8:30 a.m.-<br />
7:30 p.m.—Registration, Grand Salon<br />
2:45 p.m.— Parade and band concert by<br />
the Western High School<br />
Band, Las Vegas, conducted<br />
by James Harris<br />
Posting of the Colors by the<br />
Nellis Air Force Base Color<br />
Guard<br />
Address by Robert W. .Selig:<br />
"Welcome to the Wonderful<br />
World of ShoWesT '79"<br />
Address by Lloyd Katz, host<br />
city chairman; "From Nevada<br />
and Las Vegas—a Wow Welcome"<br />
Introduction of Henry Plitt by<br />
B. V. Sturdivant, president of<br />
the Foundation of Motion Picture<br />
Pioneers<br />
5:30 p.;<br />
6:00<br />
-7:30 p.i<br />
Keynote address by Henry G.<br />
Plitt, president of Plitt Theatres:<br />
"The Way Ahead: Is<br />
There One?"<br />
Address by Ross Campbell,<br />
Wyoming: "Thealies West:<br />
The Constructive Confederation"<br />
Presentation of the Honored<br />
12 by Ralph Batschelet, Colorado,<br />
chairman of the Honored<br />
12 committee<br />
Address by William F. Kartozian,<br />
California: "Our Proud<br />
and Productive Partnership"<br />
Introduction of TEA president<br />
Chailes Wolk, Chicago, by<br />
Spero L. Kontos, president of<br />
Filbert<br />
Introduction of NAC president<br />
Philip M. "Perry" Lowe, Boston,<br />
by Al Lapidus<br />
Introduction of A. Alan Friedberg,<br />
Boston, president of<br />
NATO, by Bruce C. Corwin.<br />
-Drawing for an all-expense<br />
paid vacation to Las Vegas<br />
(winner must be present and<br />
pre-registered)<br />
Ti.—Opening of the trade show.<br />
Jerry Ireland, Los Angeles,<br />
chairman, with Chris Kontos<br />
and William Rector<br />
6:00<br />
-7:00 p.i n.—Cocktail party sponsored by<br />
Lily Division of Owens-Illinois.<br />
Host: Fred Jacobson, Western<br />
sales manager.<br />
Presentation to Robert E.<br />
(Continued on page W-6)<br />
"Basic Lighting," Andy Brown; May 5,<br />
"Animation," Jeff Jurich; May 5, "Introduction<br />
to Still Photography," Ralph Crosby;<br />
May 8 and 10, "Writing for Motion<br />
Pictures," Phil Stephens: May 19, "Introduction<br />
to 16mm Film," Gerald H. Brumbule;<br />
May 19, "16mm Equipment," Mark<br />
O'Kane.<br />
The Western States Film Institute is a<br />
program of Sebastian House, Inc., a nonprofit<br />
Colorado corporation.<br />
Diane Kay, Slim Pickens, Lionel Slander<br />
and John Candy will have co-starring roles<br />
in "1941."<br />
AWARD WINNERS—Award of Excellence plaques were presented at a<br />
recent luncheon at the Friars Chib in Beverly Hills by Elayne BIythe, center, president<br />
of the Film Advisory Board. From left are Mark Rosen, co-producer of<br />
Sanrio's English version of "The Glacier Fox"; Koreyoshi Kurahara, the film's<br />
director; Linda Purl co-star in the ABC-TV movie, "A Last Cry for Help"; Johnny<br />
Grant, for his Toys for Tots telethon on KTLA, and Richard Donner. director of<br />
"Superman."<br />
BOXOFFICE :: February 19, 1979 w-
Hollywood<br />
Happenings<br />
feature on all forms of motorcycle racing<br />
around the world, will go to Europe on a<br />
sales tiip for distribution talks with EMI<br />
Films, the Rank Organization and GTO<br />
fJARRlSON ENGLE will produce the film<br />
sequences for the American Film Institute's<br />
Life Achievement Award presentation<br />
to Alfred Hitchcock March 7 at the<br />
Beverly Hilton Hotel. Engle co-produced<br />
last year's salute to Henry Fonda.<br />
•<br />
"Midnight Express" executive producer<br />
Peter Guber and Casablanca Records and<br />
Film Works president Neil Bogart have been<br />
cited with the 1979 Award of Honor by<br />
the International Narcotic Enforcement Officers<br />
Assn. for their "substantial assistance<br />
in the war against drug abuse."<br />
•<br />
John Wayne has stepped into a new area<br />
of conquest, with two of his television commercials<br />
for Great Western Savings and<br />
Loan winning awards in the annual International<br />
Broadcasting Awards sponsored by<br />
the Hollywood Radio and Television So-<br />
Barbara Eden, now promoting the saturation<br />
release of "Harper Valley PTA." put<br />
her hand and footprints into the "Walkway<br />
of the Stars" at the Stars Hall of<br />
Fame Museum in Orlando. Fla., during<br />
ceremonies Feb. 16.<br />
*<br />
Movie memorabilia covering the SS-year<br />
career of the late German film producer<br />
Erich Pommer have been presented to the<br />
Fcuchtwanger Institute of Exile Studies at<br />
the University of Southern California.<br />
Items include complete files of the American<br />
Military's efforts on behalf of German<br />
cinema, scripts, sketches, films, programs<br />
and correspondence with prominent people<br />
in the film industry.<br />
•<br />
The John Ford Award has been created<br />
by the National Cowboy Hall of Fame<br />
and Western Heritage Center and will be<br />
presented for the first time April 7 when<br />
his daughter Barbara Ford will accept the<br />
awaid presented to the famed director of<br />
Western films.<br />
•<br />
Warner Bros.' "Superman" will get a 20<br />
million readership boost when Reader's Digest<br />
reprints the Newsweek magazine cover<br />
story in its April issue. Newsweek's Jack<br />
Kroll praised the film in his article "Superman<br />
to the Rescue." calling it "a mass entertainment<br />
of high class and energy."<br />
•<br />
Gabriel Kaplan will go out on a threeweek<br />
promotional junket to boost Columbia's<br />
"Fast Break," in which he stars. The<br />
film went into release nationally Feb. 16.<br />
•<br />
Peter Starr, producer-director of "Take<br />
It to the Limit, a Motorcycle Odyssey," a<br />
Judy Tarlo. vice-president of the International<br />
Division of Rogers & Cowan Public<br />
Relations, is in from London for home<br />
office meetings and to confer with clients<br />
on advertising and publicity campaigns for<br />
films to be released this season in the<br />
United Kingdom.<br />
*<br />
Paramount's "Starting Over" completed<br />
principal photography in New York City<br />
Feb. 9. two days ahead of schedule. Alan<br />
J. Pakula directed and Burt Reynolds. Jill<br />
Clayburgh and Candice Bergen starred.<br />
•<br />
"Agency." produced by Robert Lantos<br />
and Stephen J. Roth of RSL Films, and<br />
starring Robert Mitchum. Lee Majors and<br />
Valerie Perrine, completed filming in Montreal<br />
the week of Feb. 5, with the project<br />
coming in on time and within its $5 million<br />
budget.<br />
•<br />
Barbara Eden, Ronny Cox and Nanette<br />
Fabray. all principals in April Fools Distributing's<br />
"Harper Valley PTA," will make<br />
per.sonal appearances to promote the national<br />
saturation release of the film March<br />
28.<br />
*<br />
Liberty/ United Records is rushing into<br />
release the soundtrack album of United<br />
"The Great Train Robbery."<br />
Artists'<br />
aiy announces<br />
tioi^cture<br />
released...<br />
John Dobbs Is Pres.<br />
Of Roy Cooper Co.<br />
EMC FILM CORP. RELEASE 1979<br />
Roy Cooper (left) congratulates John<br />
Dobbs.<br />
SAN FRANCISCO—Roy Cooper recently<br />
announced that John A. Dobbs has<br />
been elected the new president of Roy<br />
Cooper Co., Inc.<br />
With Dobbs in his position as head of<br />
the organization, Roy Cooper steps up as<br />
chairman of the board, and will continue to<br />
remain active with the company.<br />
Dobbs joined Cooper in .September of<br />
1978 as general manager. As Cooper predicted<br />
at the time, "He will undoubtedly<br />
be an asset to our organization."<br />
W-2 979
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BOXOFFICE :: February 19, 1979 W-3
'.<br />
SEATTLE<br />
gome 83 members of the motion picture<br />
industry throughout the state of Washington<br />
are attending the ShoWesT "79 convention<br />
in Las Vegas this week. Taking<br />
leading roles in convention activities will be<br />
Fredric A. Danz, Bud Saffle. Jerry Vitus<br />
and Tad Danz. The state of Washington's<br />
"Honored 12" member this year is Jerry<br />
Kivela of Longview. Last year there were<br />
50 registrants from Washington at the Sho-<br />
WesT '78 convention in San Diego. From<br />
our neighbors to the north, some 63 will<br />
be in attendance from Canada, many of<br />
these from the closest province of British<br />
Columbia.<br />
Shi Goldman and Joe McCann of Fun.<br />
Seattle's entertainment weekly, were in the<br />
Los Angeles area visiting various studios,<br />
observing future product in production and<br />
interviews with a number of stars involved<br />
in same. McCann also was a member of the<br />
press corps attending the Grammy Awards<br />
at the Shrine Auditorium.<br />
Opening Feb. 23 in an exclusive engagement<br />
at the King Cinema in downtown<br />
Seattle in 70mm and Dolby six-track stereo<br />
will<br />
be Universal's "The Deer Hunter."<br />
Sterling Recreation Organization was<br />
showing "Dersu Uzala" at their Cinerama<br />
Theatre in 70mm and Dolby stereo at midnight<br />
showings Fridays and Saturdays Feb.<br />
16, 17. 23 and 24.<br />
An exclusive engagement of "Same Time.<br />
Next Year" went into the UA Cinema 150<br />
in downtown Seattle Feb. 9: likewise with<br />
"The Warriors" at the Town and up at the<br />
Everett Mall Cinema, same date.<br />
"Halloween" has been doing astronomical<br />
business for the Seattle-Portland Film Exchange<br />
which has it playing at the Cinerama<br />
and the Everett theatres. An exclusive showing<br />
of "The Great Train Robbery" commenced<br />
at the Varsity Theatre Feb. 9 in the<br />
University district.<br />
"The Brinks Job" went into the Everett<br />
Mall. Bellevue Crossroads. SeaTac 6 and<br />
Sfaltle Aurora Cinemas Feb. 16.<br />
Walt Disney Productions' "The North<br />
Avenue Irregulars" had a 5 columns x 12'/2<br />
inch coloring contest in Fun in the issue of<br />
Feb. 7, with the best adult entry receiving<br />
a three day and two night package at the<br />
Chateau Victoria Hotel, in Victoria. B.C.,<br />
Canada. Thirty other winners of all ages<br />
each receive a pair of passes to see the new<br />
release at a designated theatre. It began<br />
Feb. 16 at the Everett Mall, Seattle Aurora.<br />
Bellevue Overlake, Renton Village,<br />
.SeaTac 6 and Tacoma Villa Plaza cinemas.<br />
The new film, "Richard Pryor in Concert."<br />
started at Tom Moyer's Coliseum<br />
Theatre last Feb. 16. "The Wiz" just closed<br />
there the night before after a long run.<br />
Atlantic Releasing's "Once in Paris" was<br />
sneak previewed with "Movie Movie." Feb.<br />
16 at the UA Cinema 70; and same night<br />
Columbia's "Hanover Street" was sneaked<br />
in Dolbv stereo at the Music Box.<br />
SANFRANOSCO<br />
Qary Stevenson ha.s been named head film<br />
buyer and booking manager for Maestri<br />
Management Corp. and Redwood Theatres.<br />
Inc. He replaces Dan Pavich who<br />
will continue as part-time consultant. Gary<br />
has been with the firm since 1969. his tenure<br />
interrupted with a brief stint at Syufy<br />
Enterprises. Pavich has been with the Maestri<br />
firm since 1944. He started in the business<br />
in 1937 as a shipper at Paramount.<br />
Larry Levy, previously with Buena Vista<br />
here and recently Seattle/ Portland branch<br />
manager for Warner Bros., is the local<br />
branch manager for American Film Distributors,<br />
with offices scheduled to open March<br />
Bill Coovert died in Sunnyvale Feb. 8.<br />
Coovert had retired from various positions<br />
with Westside-Valley Theatres and United<br />
Artists Theatre Circuit where he began his<br />
long industry affiliation in the '30s.<br />
Bob Cheren (20th-Fox), Barry London<br />
(Paramount) and Jules Needelman (Tower<br />
Films) were here recently on business.<br />
Marjoe Gorfner, producer and star of<br />
"When Ya Comin" Back, Red Ryder?", was<br />
THE ORIGINAL THEATRE SERVICE<br />
here Feb. 13 and 14 on behalf of the film<br />
7933 ELECTRA DRIVE / HOLLYWOOD, CALIFORNIA 90046<br />
HAL GOLDSTEIN & SONS / (213) 2761365 / (213) 293 6211<br />
New Theatre Inferior Design<br />
Theatre<br />
Drapery<br />
Screen<br />
Screen<br />
Remodeling<br />
Resurfacing<br />
Frames<br />
24 Hour Service<br />
• Curtain Controls<br />
• Stage Service<br />
• Drapery & Stage Rcpoii<br />
• Multiplexing Theatres<br />
• Curtain Tracks<br />
which had its West Coast premiere at the (<br />
'"<br />
Vogue Theatre Feb. 1 6.<br />
Sophia Loren is next on the series of celebrity<br />
appearances at the Mike Thomas<br />
Warfield Theatre. One-half hour of film<br />
clips, an on-stage interview and showing of<br />
"Marriage. Italian Style" is the program<br />
which begins at 8:00 p.m.<br />
Filbert Opens Branch<br />
In Seattle, Wash.<br />
LOS ANGELES—In the first step of a<br />
long-range plan for expansion throughout<br />
the Western states, the Filbert Co. has established<br />
a full-service branch-office in Seattle.<br />
Wash. According to president Spero<br />
L. Kontos, the Glendale, Calif. -based company<br />
will offer theatre supplies, furnishings,<br />
equipment and services to Pacific Northwest<br />
exhibitors through the new office located<br />
at 2503 152nd Ave. N.E. in Redmond,<br />
Wash., a Seattle suburb. The new office will<br />
serve the Washington-Oregon-Idaho-Western<br />
Montana and northern California areas<br />
and will be staffed and open for business<br />
the first week of March.<br />
The Filbert Co., celebrating its 75th anni- ;<br />
veisary this year, has in the past concen-<br />
I<br />
tratcd its sales efforts in the Southwest<br />
'<br />
states and Pacific Island areas. Its existing<br />
staff and facilities at Glendale comprise the<br />
largest theatre-service facilities west of the<br />
Mississippi. During the past several years,<br />
internal expansion has developed a design<br />
and architectural services division to provide<br />
complete planning services for new<br />
theatre construction as well as for twinning<br />
or multiplexing of existing theatres. Filbert<br />
has recently completed new facilities or<br />
multiplex projects at Lake Tahoe. Santa<br />
Barbara, Mammoth Lakes and in Los Angeles,<br />
at the use campus.<br />
"In our new Seattle operation, we offer<br />
exhibitors throughout the Pacific Northwest<br />
the same individualized service that characterizes<br />
our California operation." according<br />
to Chris Kontos. Filbert vice-president.<br />
Warren Blessing has been appointed general<br />
manager of the new branch operation.<br />
His background of technical expertise combined<br />
with management ability provide the<br />
qualities required for a rapidly expanding<br />
branch operation. He will maintain a local<br />
stock of parts, xenon bulbs and items of<br />
equipment in order to service emergency<br />
requirements of theatres throughout the<br />
area. As with the California operation, the<br />
new branch will offer consultation, planning,<br />
construction supervision, equipment,<br />
furnishings, installation and technical servrUVERAMA<br />
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W-4 February 19. 197')
TO: ALL EXHIBITORS, DISTRIBUTORS, SUBDISTRIBUTORS,<br />
BOOKERS & BUYERS, PRODUCERS, AMD ALL OTHER<br />
MOTION PICTURE INDUSTRY ITES WHOM IT CONCERNS.<br />
FROM: NEAL SIMMONS, Publisher<br />
and RALPH ZUCKER, Editor-in-Chief<br />
RE: "FILMROW-THE ANNUAL STANDARD DIRECTORY<br />
OF THEATRICAL DISTRIBUTORS, SUBDISTRIBUTORS<br />
AND IMPORTERS-EXPORTERS (1979/80 EDITION.)<br />
"FILMROW" is the one and only industry sourcebook<br />
that offers truly comprehensive, accurate and authoritative<br />
reference information on every major and<br />
independent distributor and states' rights distributors<br />
in the 32 G.S. exchanges and Canada's 6 regions.<br />
"FILMROW" provides up to the minute and<br />
thoroughly detailed listings of:<br />
All companies and enterprises in<br />
the field<br />
(address, phone, etc.)<br />
Company execs and key departmental<br />
personnel (whom to contact for what)<br />
Company divisions, district offices, branches<br />
and/or subdistributors<br />
Subdistributors by each region<br />
(complete coverage and survey)<br />
National and regional distribution<br />
"linkage" cross-references<br />
Plus current availabilities from both national<br />
and local distributors, including such<br />
product info as:<br />
—Type and category specifications<br />
(family entertainment, sex, action, etc.)<br />
—Rating classification and alternate<br />
version availability<br />
—Title, cast, credits and running time<br />
—Color or B/W and format<br />
—Foreign films indicated (dubbed and/or subtitled)<br />
—General and specialized releases<br />
—Reissues<br />
—and all other accessible pertinent data<br />
ACT NOW! Take advantage<br />
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"FILMROW" is the indispensable and definitive<br />
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''FILMROW** IS THE ANNUAL<br />
STANDARD DIRECTORY<br />
OF THEATRICAL DISTRIBUTORS<br />
SUBDISTRIBUTORS AND<br />
IMPORTERS-EXPORTERS<br />
(1979/80 EDITION)<br />
PlimRGUJ publication/<br />
Dept. B. 12349 Millbank St., Studio City. CA 91604<br />
Enter my subscription today for "FIU^ROW" The Annual<br />
Standard Directory of Theatrical Distributors. Subdistributors<br />
and Importers-Exporters (1979/80 Edition) My check or<br />
money order for ^40. is enclosed. Add ^4.00 for Canada.<br />
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SATISFACTIOM ASSURED OR MOMEY REFUNDED<br />
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BOXOFTICE :: February 19, 1979 W-5
SboWesT'79 Draws 1500 Delegates<br />
For Previews, Parleys and Panels<br />
(Continued from page W-1)<br />
Warne, Cincinnati, general<br />
sales manager, Tad Danz,<br />
California, presiding<br />
Dinner: Individual arrangements<br />
must be made<br />
900 p.m.—Board coaches for major preview<br />
at the Plitt Parkway Theatre<br />
9.30 p m.—Preview: -Hair" (United Artists).<br />
Host: Edward M. Plitt.<br />
California; Ted Minsky, California,<br />
presiding<br />
ll:.^() p.m.—Coaches return to hotel<br />
7:30<br />
9:30<br />
S:00-<br />
S:00-<br />
9:4.5-<br />
10:00<br />
WEDNESDAY, FEB 21<br />
-Registration<br />
contmues<br />
-Registration for Earh ird<br />
major prize drawing<br />
Deluxe si.vdown breakfast.<br />
Host: American International.<br />
Presentation of news and film<br />
footage by Eugene Tunick.<br />
vice-president and general<br />
sales manager, joined by Michael<br />
Gerety, executive director<br />
of advertising and publicity;<br />
Edward Russell, director<br />
of cooperative advertising and<br />
field exploitation; Mike Powers,<br />
division Western manager;<br />
Tom Hudson, Los Angeles<br />
branch manager, and Larry<br />
Filmaier, San Francisco branch<br />
manager, with William F.<br />
Hertz, Los Angeles, presiding.<br />
-Panel discussion: "Can We<br />
Meet the Threat of Pay TV as<br />
it Moves Into Theatre First-<br />
Runs?", conducted by Alan T.<br />
Gilliland. president of Gil<br />
Cable. San Jose; Robert John-<br />
director of pay television.<br />
son,<br />
National Cable TV Assn.,<br />
Washington, D.C.; Jerry Levin,<br />
chairman and chief executive<br />
1 :00-<br />
officer. Home Boxoffice, New<br />
York; Marc B, Nathanson,<br />
president of Falcon Communications,<br />
Los Angeles; Gerald<br />
Phillips, vice-president of United<br />
Artists Pictures Pay TV.<br />
New York, and Jeffrey Reiss,<br />
president of Show Time. New<br />
York. Bruce C. Corwin presides.<br />
12:15-<br />
i2:00 noon— Address by Philip M. "Perry"<br />
Lowe, president of the National<br />
Assn. of Concessionaires:<br />
"How to Increase Snack<br />
Bar Sales and Reduce Thievery<br />
and Rackets." Jack Sawyers.<br />
Utah, presides.<br />
2:00 p.m.— Luncheon hosted by Universal<br />
Pictures. Host; Charles M.<br />
Powell, senior vice-president of<br />
advertising, publicity and promotion,<br />
with Buddy Young,<br />
vice - president, advertising,<br />
publicity and promotion; Robert<br />
L. Carpenter, vice-president<br />
and general sales manager;<br />
Davis Richoux Jr., Universal<br />
Film Exchange regional<br />
manager, and Glen Larson.<br />
executive producer of "Buck<br />
Rogers." Wayne Kullander of<br />
Idaho presides.<br />
6:00 p.m.—Trade show continues; prize<br />
drawings<br />
2:00-<br />
6:30-<br />
7:00-<br />
7:00 p.m.—Presentation of "Rocky<br />
11"<br />
product reel by Robert Chartoff<br />
and Irwin Winkler, coproducers<br />
of "Rocky" and<br />
"Rocky II." Irving M. "Bud"<br />
Levin. San Francisco, presides.<br />
8:00 p.m.—United Artists hosts a cocktail<br />
party. Host: Gene Goodman,<br />
vice-president and assistant<br />
general sales manager. Stan<br />
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Livingston, Los Angeles, presides.<br />
8:00 p.m.—Evening out; individual arrangements<br />
THURSDAY, FEB 22<br />
8:00 a.m.-<br />
6:30 p.m.— Registration continues<br />
8:00-<br />
9:00 a.m.—Columbia Pictures hosts sitdown<br />
breakfast<br />
Piesentation: "A Startling<br />
Look at Marketing Methods<br />
and the Bold Advertising Approach<br />
on 'China Syndrome,' "<br />
by Robert Cort, vice-president<br />
and general manager of advertising,<br />
publicity and promotion,<br />
with Ray McCafferty,<br />
vice-president and general sales<br />
manager, Columbia Pictures<br />
Distribution, and Gene Margolius,<br />
Western sales manager.<br />
Fiedric A. Danz. Washington,<br />
9:45-<br />
presides.<br />
9:30 a.m.—Special meeting of the National<br />
Association of Concessionaires.<br />
Orpheum and Palace<br />
rooms. Charles Winans, executive<br />
director, presents annual<br />
report; presentation on sophisticated<br />
security systems. Norman<br />
Chesler, Utah, presides.<br />
10:15 .m.—Presentation<br />
Insurance Liability Hazards<br />
j<br />
and Control Premium Costs"<br />
10:15-<br />
by Joseph P. DeAlessandio,<br />
president of the National Union<br />
Fire Insurance Co. and a<br />
;<br />
leading authority on theatre<br />
liability insurance. Stanley J. ,<br />
Reynolds, Iowa, presides.<br />
10:45 a.m.—Address by Chris Kontos and<br />
Jon Krueger, "How to Change<br />
Your Theatre's Image and Expand<br />
Its Multiple Use." Jerry<br />
Vitus, Washington, presides.<br />
10:45 a.m.-<br />
12:30 p.m.— Panel discussion: "Future Marketing'<br />
of the Motion Picture:<br />
Extracting the Maximum."<br />
Speaking for distribution:<br />
Richard Kahn. senior vicepresident<br />
of Worldwide Marketing.<br />
MGM. Los Angeles;<br />
Robert Cort. vice-president<br />
and general manager, advertising,<br />
publicity and promotion,<br />
Columbia Pictures. Los Angeles;<br />
Herman Kass, vice-president<br />
of advertising and publicity.<br />
Avco Embassy, Los Angeles;<br />
Steve Rose, vice-president<br />
of advertising. Paramount<br />
Pictures. New Yoik; Edward<br />
Salt Loke • Boston • Dollos • New York<br />
NIVERSAL THEATRE SUPPLY<br />
_ HOME OFFICE -<br />
264 fojt U» South, Solt Lake City, Utah 84111<br />
BOXOFFICE :: February
12:45-<br />
2:30<br />
6:30<br />
7:30<br />
2:30-<br />
6:30-<br />
7:45-<br />
11:00<br />
Seigenfeld, vice-president of<br />
advertising and publicity. United<br />
Artists, New York; and<br />
David Wcitzner, vice-president.<br />
Worldwide Advertising, 20th<br />
Century-Fox. Los Angeles.<br />
Speaking for exhibition: Lloyd<br />
Katz, owner and operator, Nevada<br />
Theatre Corp.. Nevada;<br />
John V. Louis, vice-president<br />
and general manager, the Harry<br />
Nace Co.. Arizona; Jack<br />
Myhill. general manager of<br />
Syufy Enterprises. California;<br />
Jerry Vitus, vice-president and<br />
general manager. Sterling Recreation<br />
Organization, Washington,<br />
and Douglas C. Williams,<br />
president of Theatre<br />
Operators. Inc.. Montana.<br />
Jules Landfield. California,<br />
presides.<br />
p.m.—Luncheon sponsored by Paramount.<br />
Host: Franc Mancuso.<br />
senior vice-president of domestic<br />
distribution, with Gordon<br />
Weaver, senior vice-president<br />
of worldwide marketing; Martin<br />
Kutner, vice-president and<br />
general sales manager; Jerry<br />
Esdin, vice-president and assistant<br />
general sales manager:<br />
Steve Rose, vice-president of<br />
advertising, and Gino Campagnola,<br />
vice-president of sales<br />
administration. Art Silber, Los<br />
Angeles, presides.<br />
p.m.—Trade show continues; prize<br />
drawings<br />
p.m.—Cocktail party hosted by Crown<br />
International. Hosts: Mark<br />
Tenser, George Josephs, Don<br />
Foster, Albert Giles and Bob<br />
Steinmetz.<br />
-Salute to MGM: "The Lion<br />
Roars Again." Dinner and<br />
show with MGM executives.<br />
Presentation of ShoWesT '79<br />
star awards to Jane Fonda<br />
and John Voight. Sherill C.<br />
Corwin, Los Angeles, is toastmaster.<br />
SPECIAL EVENTS<br />
Prize Drawing: An all-expense-paid trip to<br />
Las Vegas will be given away at 5:30<br />
p.m. Tuesday. Winner must have registered<br />
at the door of the Broadway Room<br />
by 3:00 Tuesday and must be present<br />
claim the prize.<br />
TAG Meeting: The board and membership<br />
of the Theatre Assn. of California will<br />
meet in executive session at luncheon at<br />
12:00 noon Tuesday in the Cafe Caruso.<br />
1st floor, prior to the official ShoWesT<br />
opening.<br />
Theatres West Meeting: Prior to the convention<br />
opening the board and membership<br />
of Theatres West will meet for luncheon<br />
at 12:00 noon Tuesday in the Cafe<br />
Caruso.<br />
NAG Meeting: 9:30<br />
*<br />
a.m. in the Barrymore<br />
BOXOFFICE :: February 19, 1979<br />
to<br />
Jane Fonda, ShoWesT Female star<br />
of the<br />
Year.<br />
room Wednesday; Vernon Ryles presiding.<br />
Ladies' Day Wednesday: Scheduled for 12<br />
noon is a special disco luncheon and<br />
style show in the Metro Club. 26th floor.<br />
Pre-registered ladies only.<br />
Low-Grossing Theatres: Meeting Wednesday<br />
from 4:00 to 5:30 p.m. in the Mayer<br />
Room, with M. W. -Bud" Saffle, Washington,<br />
presiding.<br />
Ladies' Day Thursday: Las Vegas home<br />
tour. 9:30 to 11:30. Coaches leave from<br />
Flamingo Road entrance at 9:00; return<br />
to hotel 12:00 noon. Pre-registered ladies<br />
only.<br />
NAC Meeting: Special NAC meeting at<br />
9:30 in the Oipheum and Palace rooms.<br />
1st floor, with Norman Chesler, Utah,<br />
presiding.<br />
Information Center: In the registration area.<br />
Grand Salon, staffed by Ida Schreiber of<br />
the Theatre Assn. of California.<br />
Free Blood Pressure Tests: Outside trade<br />
show entrance.<br />
Continuous trailers: In the MGM Grand<br />
Theatre. Wednesday and Thursday, 2:00<br />
to 5:00 p.m.<br />
13 Honored Showmen<br />
To Receive Citations<br />
LAS VEGAS—This year, the ShoWesT<br />
convention will honor a baker's dozen of<br />
showmen who serve the 12 Western states<br />
with pride and perfection in the operation<br />
of theatres.<br />
This year's winners:<br />
Ray James, Anchorage, Alaska. Ray is<br />
city manager for Wometco Lathrop of Alaska,<br />
whose principal operation is in Anchorage.<br />
He began his career as assistant manager<br />
in 1977. progressing to manager and<br />
then to his current position.<br />
Following his honorable discharge from<br />
the Army as a sergeant, he moved into exhibition<br />
with ABC Intennountain Theatres<br />
as assistant manager, moving to Alaska in<br />
1977 with his wife Norma and daughter<br />
Jessica.<br />
Ernest R. Hoffman, Tucson, Ariz. Ernest<br />
began as an usher in 1951 for Fabian Theatres.<br />
Since then he has occupied a range<br />
of executive posts, from district to division<br />
management for such companies as ABC<br />
Intermountain and Plitt. Currently he is advertising<br />
director for TM Theatres.<br />
A 20-year serviceman in the Air Force<br />
and the Marine Corps, Ernest is active in<br />
Ih'j Opt:mists. the Rotary and Ihe Boy<br />
Scouts.<br />
Neal Meyer, San Francisco, Calif. Neal<br />
began as an usher at the Rialto, in Denver,<br />
for Fox Inter-Mountain, rising to become<br />
assistant manager in 1951. He is now director<br />
of theatre operations for Blumenthal<br />
Theatres in San Francisco. In Los Angeles<br />
he was manager of the La Reina and later<br />
became city manager in Phoenix of Electiovision.<br />
Neal stayed with the company as<br />
it changed hands, winding up as vice-president<br />
and general manager of Century Cinema<br />
before assuming his present post.<br />
In recent months Meyer spearheaded anti-admissions<br />
tax battles in Sacramento. Oakland<br />
and Berkeley.<br />
Connie Coffield, Longmont, Colo. Connie<br />
is manager of K-Theatres. a job that<br />
involves management as well as publicity<br />
and promotion. She is also kept busy w.th<br />
her work for the Chamber of Commerce,<br />
the Longmont Mei chants Assn. and the<br />
Little White Church in Longmont.<br />
I. G. Harris, Burley, Idaho. Irv began in<br />
1931 as a stagehand, turning, after the war<br />
years, to hotel management. In 1963 he<br />
returned to Burley, eventually rising to<br />
president<br />
and general manager of Harris-Voeller<br />
Theatres.<br />
H« is quite active in numerous civic organizations<br />
and a leader of many community<br />
charity drives.<br />
Art Gordon, Honolulu, Hawaii. As vicepresident<br />
and general manager of the 21-<br />
screen Consolidated Theatres. Art is the first<br />
person to repeat as a member of the "Honored<br />
12."<br />
An active lobbyist for legislation involving<br />
theatres, he has been instrumental in<br />
(Continued on next page)<br />
THEATRE<br />
DRIVE-IN<br />
SCREENS<br />
'T/ie Quality Touer that never<br />
has had lo be replaced."<br />
* • •<br />
GENE TAYLOR<br />
D & D Fabricafion<br />
and Erection Co.<br />
Post Office Box 3524<br />
Shawnee, Kansas 66203<br />
913-631-9695<br />
W-7
13 Honored Showmen<br />
To Receive Citations<br />
(C^ tinu;d from page W -7j<br />
keeping Hawaii's theatres<br />
discriminatory laws.<br />
ivelv Irec 01<br />
Jerry Proctor, Salem, Ore. Jerry began<br />
a marquee boy at 13 for the A. Wcsi<br />
as<br />
Johnson Co,"s Helig Theatre in Salem, Ore.<br />
moving up to usher, doorman and manager<br />
of the Mayflower. He moved to manage<br />
the Bagdad in Portland, where he became<br />
assistant with Fox Evergreen Theatres, first<br />
at ihe Orpheum in Portland and the Paramount.<br />
He went to Vancouver, Wash., to<br />
manage the Kiggins and Castle. He returned<br />
to Eugene as city manager for Helig, operating<br />
the Baker. Hoodriver, Lebanon and<br />
Springfield during the summer.<br />
In 1961 he returned to Eugene as manager<br />
of Ihe Eugene Drive-In, transferring<br />
to Salem as city manager. Jerry is involved<br />
in the Salvation Army, the Sisters of St.<br />
Vincent and Mary's as well as other Salem<br />
civic functions.<br />
John Malone, Las Vegas, Nev. John is<br />
managing Parkway Theatres as city manager<br />
for Plitt. having started at age ten as an<br />
usher and doorman in Springfield, Mo. At<br />
15 he moved to California as doorman for<br />
Sunnymount Theatres, eventually becoming<br />
manager. After the Korean War he moved<br />
to San Jose as Fox West Coast Theatres<br />
manager. He joined Plitt in 1976.<br />
Allen Mercer, Basin, Wyo. Allen has had<br />
171 2 years of experience in exhibition, beginning<br />
as a partner with his parents in<br />
1961. Four years ago he and his wife began<br />
leasing three theatres in Powell. They<br />
now operate the Vali Drive-In, Mini Cinema<br />
and the Vali Cinema in Powell, and the<br />
Kar-Vu Drive-In and the Wigwam theatres<br />
in Basin.<br />
Robert D. Johnson, Miles City, Mont. At<br />
15 Robert was a concession attendant, projectionist<br />
and manager of the drive-in in<br />
Poplar, Mont. In 1958 he moved to Glendive,<br />
Mont., as manager of several theatres.<br />
For 15 years he managed two theatres in<br />
Havre, Mont., serving as a member of the<br />
Havre Area Chamber of C ommerce.<br />
For the past 17 years he has been active<br />
in the .Montana State Theatre Assn., having<br />
held Ihe office of secretary for six years.<br />
Jerry Kivela, Longvicw, Wash. Jerry<br />
works for the Sterling Recreation Organization<br />
as an area manager in Longview and<br />
Rolso, Wash., having moved up since 1966<br />
from the Columbia Theatre's relief post. An<br />
events promoter for SRO Theatres, he is<br />
known as an expert at civic public relations,<br />
sponsoring police department benefits, ladies<br />
matinees and PTA summer shows.<br />
APPEARANCE—Pausing during a<br />
promotional tour for "Ice Castles" in<br />
San Francisco are (left to right) Robby<br />
Benson, star of the film; Cathy Mouton<br />
of Jack Wodell Associates; Ted Shugrue,<br />
branch manager of Columbia<br />
Pictures, and director Donald Wrye.<br />
The tour Feb. 1-2 included radio,<br />
Dean Elliott, John Day, Ore. Dean entered<br />
vision and newspaper interviews, a special<br />
appearance a Feb. screening<br />
at 1 exhibition in 1973 and operates the<br />
Grant County Drive-In, the Desert Theatre<br />
and the Sundown Drive-In in Burns.<br />
sponsored by K'VA Radio at the Ghirardelli<br />
Square Cinema, and three figure<br />
He is president of the Grant County<br />
skating demonstrations at the Hyatt<br />
Chamber of Commerce and a director of the Union Square Hotel, the Sontestown<br />
Rural Fire District and a member of the<br />
Grant County Resource Council.<br />
Nancy C. TulUs, Ogden, Utah. Nancy is<br />
co-owner and manager of the Cinemdome<br />
70 theatres as well as the Rivcrdale Twin<br />
Drive-Ins. Her late husband Darrell's father<br />
Mall and Ghirardelli Square.<br />
TUCSON<br />
phe Death of Mildred Nixon Gordon scpaiated<br />
constructed the first drive-in in Utah, the<br />
the prolific husband-and-wife<br />
Riverdale. Nancy took the helm as general<br />
writing team which novelized "Undercover<br />
manager of the Cinedome following the<br />
Cat," from which the hit movie "That Darn<br />
death of her husband in 1975.<br />
Cat" was produced.<br />
tele-<br />
Movies were included in Pima Community<br />
College's annual Black Culture Week<br />
activities at the main westside campus.<br />
A film series sponsored by the U of A<br />
International Arts Society was held recently.<br />
The Czechoslovakian film "Intimate Lighting"<br />
(1965) was screened twice in Modern<br />
Languages Auditorium with $1 admission.<br />
"Dr. Strangelove" shown twice at U of A<br />
Gallagher Theatre as was "Semi-Tough."<br />
Public admission $1.50; students $1.25.<br />
"The World at War," motion picture<br />
footage and stills from German. Japanese,<br />
Russian, Italian, British and American archives,<br />
plays Wednesdays through May 2<br />
in U of A Physics and Atmospheric Sciences<br />
building and Social<br />
II m<br />
Sciences aiiditori-<br />
"London to Land's End" was the SEF<br />
film Feb. 4 in U of A main auditorium. It<br />
is a color film narrated by film lecturer<br />
Jonathan Hagar.<br />
Leif Erickson (John Cannon in "The<br />
High Chaparral") is back at Old Tucson for<br />
filming "Hunter's Moon."<br />
PORTLAND<br />
phe fourth volume of Cinema 2rs advertising<br />
newsletter "Cinema Scope" hit<br />
the candy counters recently, and readers<br />
were treated to a fictitious interview with<br />
manager David Riker, with a note inside<br />
from Rik;r admitting it to be "simply a<br />
joke. This is really me talking now." This<br />
issue's big news is a nine-week series of<br />
Samurai movies, from Jan. 23 to March<br />
20. "Last year we had the biggest Samurai<br />
hits in the country. They returned last<br />
spring, and now they're invading us again,"<br />
said Riker, adding that the series includes<br />
pictures "based on legends, one on Shakespeare,<br />
and several absurd fiction dramas."<br />
Luxury Theatres has a newsletter too,<br />
called "Show Biz," the third and fourth<br />
issues of which also came out i^cently.<br />
It's a one-page operation with printing on<br />
both sides. A contest featuring an all-expense<br />
paid vacation to Maui is announced<br />
in the fourth issue, with categories including<br />
a Pepsi-Buttercup contest, theatre cleanliness,<br />
cents [>er person, promotion and<br />
selling techniques, and concession counter<br />
appearance.<br />
Other news items include personnel<br />
changes: Michelle Volk of the advertising<br />
department. Bend manager Tom DeWolf,<br />
and Margie Eaton of the boxoffice department<br />
at the central office are leaving. New<br />
people: Tim Andrios, fiom Bend, as<br />
manager of the Lake; Muhammid (Moe)<br />
Abbelmalek, maintenance; Chuck Boening,<br />
from San Francisco, as west side district<br />
manager, and Harry Golden, from Winsor,<br />
Colo., as Broadway manager.<br />
Other staff changes: Rick Hanna from<br />
Washington Square to Mall 205; Jody Wicks<br />
is now assistant manager at the Eastgate;<br />
Mrs. Mills is assistant at Cascade Park; Walt<br />
Reed is manager of the Everett, and Carol<br />
Klugg is now working with Dale Pearce<br />
in promotion. Expansions: There is a new<br />
game room and movie novelty shop on<br />
Broadway between the Fox and Music Box<br />
theatres, with Susan Lewis as manager. The<br />
Everett will be remodeled into a tri-cinema<br />
and the Crossroad into a quad, with work<br />
to commence soon. And a final announcement:<br />
The new midnight movie series at<br />
several theatres are doing well.<br />
Planning for the third annual Portland<br />
International Film Festival is underway, according<br />
to Movie House manager Robert<br />
Bogue. Bogue said that there will be more<br />
than 70 films this year. He is working with<br />
Bob Sitton, director of the Northwest Film<br />
Study Center, to make arrangements for<br />
their co-sponsorship again this year.<br />
"My involvement with planning and promoting<br />
the festival will be more extensive<br />
this year," said Bogue, "and I'm training<br />
Pam Franks, our assistant manager, to take<br />
over more of my duties at the Movie House.<br />
She's very capable, and this will free me to<br />
do more promotion." In addition to working<br />
as assistant manager, Ms. Franks is a student<br />
at Lewis and Clark College.<br />
W-8 Februarv 19, 1979i
75 YEARS OF PROGRESS<br />
p —<br />
1
Authenticity Hallmark<br />
Oi 'Defiance' Setting<br />
Bv RALPH K.AMINSKY<br />
Wesl Coast Edllo-<br />
HOLLYWOOD—American<br />
International's<br />
Jan-Michael Vincent<br />
"Defiance" starring as a young sailor who gets involved<br />
helping a neighborhood beset by gang bullies,<br />
will have the kind of authenticity that<br />
only the real thing can produce. The film<br />
has gone into post-production after 28 days<br />
of shooting on location in New York and<br />
Hollywood, using actual buildings and<br />
into an apartment in a poor, slum-like area.<br />
Surrounded by cables, recording equipment,<br />
lights, cameras, bits of furniture and moveable<br />
walls, Flynn praised "a marvelous cast"<br />
for bringing the picture in on time and within<br />
its "medium budget."<br />
Typical of the smoothness in shooting the<br />
film, Vincent and Saldana wound up a scene<br />
which had her emerging from her bedroom<br />
to greet him where he was waiting in the<br />
living room. Then, the two went through a<br />
brief rehearsal and completed another shot,<br />
this time involving the kitchen of the apartment.<br />
The shooting was being done in an almost<br />
completely abandoned building which the<br />
company had taken over for several weeks<br />
of work. "We bought out some of the tenants<br />
who were here and got all the space<br />
we needed to give us very nice control over<br />
what we're doing," Flynn said. The building<br />
not only provided interior space for a variety<br />
of scenes, it also gave the company the<br />
outdoor rooftop scenes that were vital.<br />
Rooms that were not needed for the filming<br />
were taken over for production staffers,<br />
making for a convenient, all-in-one location.<br />
Having complete control of virtually an entire<br />
building made it possible to function<br />
without delays, moving in entire kitchen<br />
equipment, bedroom suites and other furniture.<br />
Portable walls, complete with hanging<br />
pictures and other decorations, were used<br />
to re-design rooms whenever necessary.<br />
"We were able to use five sets for interiors,"<br />
Flynn said. And just outside the win-<br />
dows of that day's shooting rooftop a . as<br />
still had evidence of being used for two ..vterior<br />
sets, with lighting equipment still in<br />
place.<br />
In Los Angeles, in addition to the Hollywood<br />
location, scenes for "Defiance were<br />
"<br />
shot in downtown Los Angeles east of Main<br />
Street's run-down area and in a bowling<br />
alley in Boyle Heights. In addition, four<br />
nights' work was done on the New York<br />
street on the back lot at the Burbank<br />
Studios.<br />
Flynn also had worked out his shooting<br />
plan to make it possible to do all his night<br />
exterior shooting in Los Angeles and his<br />
day-time exteriors in New York City where<br />
various rooftops, dingy streets, alleys and<br />
the waterfront. One of the main locations<br />
turned out to be 1 2th Street between Avenues<br />
A and B, an area that provided a<br />
park, suitable rooftops, a pigeon coop and<br />
an alleyway, just as demanded in the script.<br />
Filling out the cast for "Defiance" are<br />
Art Carney, Danny Aiello, Joseph Campenella,<br />
Fernando Lopez, Lee Fraser. Santos<br />
Morales and Lenny Montana. Thomas<br />
Michael Donnelly wrote the screenplay based<br />
on a story he conceived with Mark<br />
Tulin. Donnelly also served as associate<br />
producer, with Robert J. Wunsch as executive<br />
producer. With post production well<br />
under way, producers William S. Gilmore,<br />
streets to create a gritty reality.<br />
the action of the story takes place.<br />
Jr. and Jerry Bruckheimer are aiming at a<br />
Director John Flynn. working on his<br />
Production began in New York where,<br />
fifth<br />
spring release date for the romantic actiondrama.<br />
feature, predicted "This is gonna be a good<br />
one" as he stood inside a run-down building<br />
at the corner of Western Avenue and Hollywood<br />
Boulevard to supervise final shooting<br />
on a couple of interior scenes with Vincent<br />
and his co-star Theresa Saldana.<br />
Flynn stood in a suite of rooms reworked<br />
for nine days, Flynn, cast and crew roamed<br />
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BOXOFFICE :: February 19, 1979
OXOFFICE :: February 19, 1979 W-11
Paste this inside your medicine cabinet.<br />
Cancer's seven<br />
warning signals<br />
1. Change in bowel or bladder habits.<br />
2. A sore that does not heal.<br />
3. Unusual bleeding or discharge.<br />
4. Thickening or lump in breast or elsewhere.<br />
5. Indigestion or difficulty in swallowing.<br />
6. Obvious change in wart or mole.<br />
7. Nagging cough or hoarseness.<br />
If you have a warning signal, see your doctor.<br />
American Cancer Society<br />
J<br />
W-12<br />
BOXOFFICE :: February 19, 1979
I<br />
District Attorney Aims<br />
"or Drive-In Closing<br />
PHILADELPHIA — Although Budcos<br />
1st Street Drive-In has been closed down<br />
nee early January because of cold weather<br />
nd faulty in-car heaters, district attorney<br />
;dward G. Rendell aims to keep the drivc-<br />
1 closed if it attempts to return X-rated<br />
1ms when it<br />
reopens.<br />
Manager Answers Charge<br />
Claude J. Schlanger, president of the<br />
iidco Quality Theatres chain, said that<br />
lost recently, the 61st Street Drive-In has<br />
lown "Thank God It's Friday" and "Midight<br />
Express," both popular and general<br />
Inis.<br />
However, the d.a. reminds that late in<br />
le fall, the drive-in, which is the only openir<br />
movie theatre located within the city<br />
mits in southwest Philadelphia, offered<br />
.ich classics X-rated as "Barbara Broadast,'"<br />
"Climax of Blue Power" and "Prisonrs<br />
of Love."<br />
According to Rendell, the films were beig<br />
viewed not only by the movie patrons.<br />
Lit also by motorists, some of whom caused<br />
affic jams and accidents, and by school<br />
hildren, who would climb a 25-foot railaad<br />
trestle to get a better look at the giant<br />
Iutdoor screen.<br />
D.A. Sought Injunction<br />
Tuesday, Feb. 6 Rendell went into comlon<br />
pleas court seeking an injunction to<br />
op Budco Theatres from showing such exlicit<br />
movies since they are visible from the<br />
:reet.<br />
"We've had complaints from citizens, the<br />
olice and businesses of the neighborhood,"'<br />
le d.a. told the court. "These movies have<br />
reated a nuisance. We're proceeding from<br />
nuisance theory, not under any obscenity<br />
atutes."<br />
Rendell said that traffic accidents and<br />
e-ups on already heavily travelled 61st<br />
treet had been reported when motorists<br />
stopped short."<br />
The petition states that "traffic has often<br />
ame to a complete stop when, the more,<br />
rovocative and graphically depicted sexual<br />
;enes are shown."<br />
Schlanger Will Comply<br />
Schlanger said that if the court orders<br />
le theatre chain not to run certain pictures<br />
1 there, "we're not going to run them—we<br />
not want to create a public nuisance."<br />
He said, however, that he had not reiived<br />
any complaints about the films<br />
lown.<br />
"Believe me, I feel for theatre owners.<br />
:'s tough to make a buck," said the d.a.<br />
1 believe them when they say they wouldn't<br />
-low X-rated films if they didn't have to<br />
1 order to stay in business.<br />
"If people would come to family films<br />
ke they say they do, we'd never have any<br />
f this kind of thing to worry about."<br />
BRO AD)N Ay<br />
pORTY TO 60 PEOPLE were expected<br />
for the Bosses' Luncheon given by<br />
members of the Women of the Motion Picture<br />
Industry Thursday, Feb. 15 at the<br />
Backstage Restaurant. United Artists' Alyce<br />
Locapo,^president of WOMPI, said that the<br />
restaurant's entire back room would be used<br />
to show the respective bosses the appreciation<br />
of their assistants, secretaries and other<br />
employees, as a sort of delayed Valentine's<br />
Day tribute.<br />
•<br />
Donald F.<br />
McConville. vice-president and<br />
sales manager of Columbia Picnires International,<br />
was honored at a recent luncheon<br />
on the occasion of his 25th anniversary with<br />
the company. Testimonials were given by<br />
Leo Jaffe. chairman of the board of the<br />
parent organization. Columbia Pictures Industries,<br />
and Patrick M. Williamson, president<br />
of Columbia Pictures International.<br />
•<br />
The Independent Theatre Owners Assn.<br />
of New York will hold its third annual New<br />
Product Seminar May I and 2 at the Loews<br />
Summit Hotel here, it was announced by<br />
Bernard Goldberg, president of the trade<br />
group. Carl M. Levine, general manager of<br />
Brandt Theatres, serves as chairman for the<br />
third year in a row.<br />
Levine stated that the emphasis will be<br />
on screening as many features as possible.<br />
A record turnout is expected for the expanded<br />
program planned. Registration is<br />
$75 and includes all meals, gifts and screenings.<br />
Applications for registration are available<br />
through the ITOA office, 1600 Broadway,<br />
New^ York City 10019. phone 246-<br />
6460.<br />
•<br />
Twentieth Cenlury-Fii\ features are being<br />
touted here as directors and actors arrive<br />
to talk about their films. Robert Altman<br />
and Vittorio Gassman. director-producerwriter<br />
and co-star of "Quintet." v.'ere here<br />
to participate in the Feb. 9 opening. Martin<br />
Ritt was in Feb. 14 through Feb. 16 and is<br />
e.xpected back Feb. 23-24 to talk about<br />
"Norma Rae." which he directed. Its stars.<br />
Sally Field and Beau Bridges, are due Feb.<br />
22-24.<br />
"Quintet." a Lion's Gale presentation,<br />
opened Feb. 9 at the Embas.-iy. Paramount.<br />
Beekirmn. Gramercy and other houses. Paid<br />
Newman. Fernando Rev. Bibi Andersson.<br />
Nina van Pallandt and Brigitte Fossey are<br />
the other stars. Screenplay for the futuristic<br />
chiller is by Frank Barhydt. Patricia Resnick<br />
and Altman. based on a story by Altman.<br />
Resnick and Lionel Chetwynd.<br />
"Norma Rae" will open March 2 at<br />
Loew's State I. Loew's New York I. 34th<br />
Street East and other metropolitan area theatres.<br />
The drama of union organizing also<br />
stars Ron Leibman. Pat Hingle and Barbara<br />
Baxley. It was produced by Tamara Asseyev<br />
and Alex Rose and written by Irving Raretch<br />
and Harriet Frank Jr.<br />
•<br />
"Picnic at Hanging Rock," the largest<br />
grossing film in Australian history, has its<br />
American premiere Friday, Feb. 23 at the<br />
Little Carnegie. Produced by James and<br />
Hal McElroy and directed by Peter Weir,<br />
the team which sLibsequently did the highly<br />
applauded "The Last Wave," the thriller is<br />
based on a novel by Joan Lindsey. It stars<br />
Rachel Roberts and Dominic Guard, with<br />
Helen Morse and Anne Lambert. The Atlantic<br />
Releasing Corp. presentation was also<br />
a big success at the 30th Cannes Film Festival.<br />
//, the magannes: Films In Review for<br />
February is the 3()th anniveisury issue and<br />
the first to be edited by Ronald Bowers, who<br />
has taken over from Charles P. Reilly. Included<br />
are ReUly's pick of I978's ten best<br />
films, starting with "Days of Heaven."<br />
"Coming Home" and "Interiors." Other articles<br />
cover the film career of character actor<br />
Alan Napier, by James Bigwood; a joint<br />
look at the two Neptune's Daughters, Annette<br />
Kellermann and Esther Williams, by<br />
DeWitt Bodeen and Larry L. Holland; Page<br />
Cook's examination of 197S's best film music,<br />
and Alvin H. Marill's Films on TV seclion.<br />
Not included are the annual lists of<br />
births, deaths and marriages among film<br />
personalities, probably set for the next issue.<br />
•<br />
Friday, Feb. 9 was a major day for film<br />
openings. Avco Embassy's "In Praise of<br />
Older Women" began at specially selected<br />
(mini-showcase) theatres, including the<br />
RKO Cinerama, UA Eastside Cinema, RKO<br />
86th Street and the Greenwich in Manhattan.<br />
Avco's "Murder by Decree' started<br />
its American premiere engagement, including<br />
the Ziegfeld among the six houses in<br />
which it opened. Paramount's "The Warriors"<br />
had a showcase unveiling. "When<br />
You Comin' Back, Red Ryder," from Columbia,<br />
began its world premiere at the UA<br />
Gemini 1 & 2. "Hardcore," also from Columbia,<br />
started an exclusive engagement at<br />
Suite."<br />
•<br />
several houses. including Manhattan's<br />
Loews State 2, RKO 86th Street and Trans-<br />
Lux East. Warner Bros.' "Agatha" had a<br />
world premiere at Cinema I. "Quintet," a<br />
20th Century-Fox release, was another<br />
showcase attraction. To top it off. Columbia<br />
had a special preview of "Ice Castles" at<br />
showcase houses which were playing "California<br />
Ken Lane Films has moved its headquarters<br />
to 80 N. Moore Street, Suite 18K. New<br />
York City 10013. The phone number is<br />
1212)732-6004.<br />
Producer Herz Screens<br />
'Squeeze Play' in NYC<br />
NEW YORK—Michael Herz, producer<br />
of Troma Inc.'s comedy about softball<br />
called "Squeeze Play," flew to Hollywood<br />
Sunday, Jan. 1 1 to screen the film for several<br />
major distribution companies.<br />
The stars are Jim Harris and Jenni<br />
Hetrick and the music includes songs by<br />
the Edsels, Ned .Albright and others.<br />
OXOFFICE :: February 19, 1979<br />
E-1
BALTIMORE<br />
JJew pictures here Friday, Feb. 16: "Richard<br />
Pryor—Live in Concert" at the<br />
Reistertown Plaza and Towne: "Same Time.<br />
Next Year," Ritchie Cinema, Movies, Timonium<br />
Cinema and Columbia City Cinema,<br />
and "The Brink's Job," Movies, Liberty,<br />
York Road Cinema, Columbia City<br />
Cinema and Jumpers.<br />
C. William Pacy, 50, who from 1967 to<br />
1978 served as an officer and director of<br />
F.H. Durkee Enterprises, was appointed by<br />
Baltimore Mayor Donald Schaefer to head<br />
the new agency set up to direct the revitalization<br />
of the downtown retail district. Between<br />
1960 and 1964 Pacy co-founded and<br />
operated Frontier Town in Ocean City,<br />
Md.. a 120-acre western theme park.<br />
"Ladies day" at the Security Square Mali<br />
was back Tuesday Feb. 13, with a free<br />
showing of "You Light Up My Life" Free<br />
prizes were given away by mall merchants<br />
and a "queen for the day" was chosen.<br />
The Women of Variety, Tent 19 held<br />
their regular luncheon Wednesday, Feb. 14<br />
at Stewart and Co.'s department store in<br />
the Reistertown Plaza Shopping Center.<br />
Mrs. Barbara Goldberg is president of the<br />
group.<br />
Baltimore Home Theatre, a local cable<br />
franchise, advertises heavily in The Star,<br />
a weekly newspaper, running quarter-page<br />
ads. Fourteen films are offered each month<br />
and are shown several times.<br />
An anti-blind bidding bill was introduced<br />
in the Maryland General Assembly in Annapolis<br />
by Rep. Alperstein and others.<br />
Citizens in South Baltimore are attempting<br />
to reopen the old McHenry Theatre on<br />
Light Street as "an entertainment center for<br />
the community." The man chosen to direct<br />
the project, local film impressario Chris<br />
Buchman Jr.. said that "restoring an actual<br />
old movie house and re-creating what going<br />
to the movies used to be like is an old<br />
dream of mine, something I've been waiting<br />
to do for a long, long time."<br />
"Maryland is actually speaking for the<br />
United States now. trying to keep controls<br />
on movies," said Martha Wright in discussing<br />
the state's Motion Picture Censor<br />
Board, the only one of its kind left in the<br />
country. She and Charles J. Harrison, both<br />
nominated for full board terms, expressed<br />
their views to the Senate Executive Nominations<br />
Committee Monday, Feb. 5. The<br />
appointments must be approved by the committee<br />
and the full senate.<br />
"I've never done such thinking as I've<br />
done on this board." Ms. Wright said. Harrison,<br />
former Home Improvement Commission<br />
chairman, said he also saw himself<br />
playing a significant role on the three-member<br />
board. "Children shouldn't be able to<br />
walk into a theatre and see some of these<br />
things," he said.<br />
Sen. Howard A. Denis ol Monlgoniery<br />
spoke against the nominees.<br />
In a related development, there was a<br />
senate hearing TLiesday, Feb. 6 on a bill<br />
which would double the penalty for censor<br />
board violations.<br />
lATSE Local 181 will be 69 years old in<br />
April, with a current membership of 105<br />
projectionists, according to Roland Bruscup<br />
who has been the local president since 1972.<br />
Lou Cedrone reviewed "Uncle Joe Shannon"<br />
for the Evening Sun, saying, in part;<br />
"It takes a lot of courage to do a weeper<br />
today. Asking today's moviegoer to cry is a<br />
little like asking a crocodile to be nice . . .<br />
If you like to cry, if you can still do that<br />
in a movie theatre, go see "Uncle Joe Shannon.'<br />
It's not a good weeper, but it's all<br />
we've had for a time. Sometimes we have<br />
to make do."<br />
Mort Hock Is Elected<br />
NY Variety Club Pres.<br />
NEW YORK—Mort Hock has been<br />
Mort Hock<br />
elected president of "Variety Club Tent 35<br />
it was announced by<br />
the club's executive<br />
director, Jerry Sunshine.<br />
Hock. who has<br />
been first vice-president<br />
of Tent 35 for<br />
the past two years,<br />
succeeds Daniel R.<br />
Fellman as head of<br />
the New York section<br />
of Variety Clubs International,<br />
the fundraising<br />
organization which supports children's<br />
charities around the world and which<br />
during 1978 raised over $20 million worldwide.<br />
Also elected to new positions at Tent 35<br />
were Norman Robbins, first vice-president;<br />
Harvey M. Baren, second vice-president;<br />
Marvin Friedlander, treasurer, and Jeffrey<br />
Deneroff, secretary.<br />
Those elected to the organization's board<br />
of directors were: Meyer Ackerman. Melvyn<br />
Berman, Bernard Diamond, Ralph E.<br />
Donnelly, Frederick M. Friedman, Robert<br />
H|| mji A<br />
"^^^^^'"^ ^|£<br />
1st<br />
WITH<br />
SHOWMEN<br />
EVERYWHERE<br />
L. Friedman, Norman E. Cluck, Jerry<br />
Gruenberg, Roland Hassanein, Saul Jeffee,<br />
J|<br />
Ed LaPidus. Martin Levine, Frank Mancuso,<br />
Charles B. Moss Jr.. Stephen L.<br />
Pinkus. Ted Royal. Bruce M. Snyder and<br />
Henry Weintraub.<br />
FIRST RUN<br />
REPORT<br />
New York<br />
(.\verage weekly grosses follow theatre)<br />
All About Gloria Leonard (Evart),<br />
5th wk.<br />
Eastworld (avg. $6.300) $ 6.980<br />
World (8.000)" 11,325<br />
Autumn Sonata (New World).<br />
Baronet (8,500). 18th wk 15,000<br />
The Deer Hunter (Univ). Coronet<br />
(9,650). 1st wk 40,000<br />
Get Out Your Handkerchiefs (New<br />
Line Cinema). Paris (9.000).<br />
8th wk 36.000<br />
Once in Paris (Atlantic). 68th Street<br />
Playhouse (5.000). 14th wk 5,000<br />
On the Yard (Midwest), Cinema II<br />
(6.000). 3rd wk 11,300<br />
Wifemistress (Quartet). Little Carnegie<br />
(7,500), 5th wk 26,000<br />
Your Turn, My Turn (Gaumont/ New<br />
Yorker). Cinema Studio I (5,000),<br />
2nd wk 9,280<br />
Baltimore<br />
(Average Is 100)<br />
Bread and Chocolate (his). Playhouse,<br />
3rd wk 350<br />
Every Which Way But Loose (WB),<br />
Liberty 11. 8th wk 80<br />
The Great Train Robbery (UA), Cinema<br />
II, 1st wk 250<br />
Halloween (Wheeler), Mini Flick II,<br />
1st wk 75<br />
Hardcore (Col), Westview II, 1st wk. . .100<br />
Ice Castles (Col), Cinema I, Westview<br />
IV. 2nd wk 120<br />
The Lord of the Rings (UA), Towson,<br />
8th wk 100<br />
Midnight Express (Col). Mini Flick,<br />
8th wk 70<br />
The Warriors (Para), 3 theatres.<br />
1st wk 140<br />
1^ ^^H ORDER FROM FILMACK<br />
* ^H WHENEVER YOU NEED<br />
CHOICE ^SPECIAL FILMS<br />
DATE STRIPS,<br />
CROSS PLUGS,<br />
MERCHANT ADS,<br />
SPECIAL AN-<br />
NOUNCEMEN-<br />
FILMACR STUDIOS, INC.<br />
Chicaqo, Illinois 606(<br />
E-2 February 19, 1979 (<br />
i
. • Jacques<br />
PHILADELPHIA Philadelphia Cify Council Approves<br />
The Canadian film, K.amouraska," has its<br />
first Philadelphia showing for Friday<br />
and Saturday night screenings at the International<br />
House Rivette's "Celine<br />
and Julie Go Boating" has its<br />
.<br />
Philadelphia<br />
premiere with a two-day showing at<br />
the TLA Cinema as part of the repertory<br />
movie house's 38-week French Film Festival.<br />
Residents in Merchantville, N.J., arc expected<br />
to have cable television by July, following<br />
the decision of the borough council<br />
there to award a franchise to Cable Systems,<br />
Inc., of Audubon. N.J. The borough<br />
will receive 2 percent of gross revenues<br />
from basic service for the 15-year franchise<br />
rights.<br />
While the Variety Club telethon was going<br />
on here last weekend, the Laurel Theatre<br />
in nearby Bridgeton, N.J., conducted a<br />
telethon of its own to help the Philadelphia<br />
Variety Club effort. With local area radio<br />
and musical personalities contributing their<br />
services for the continuous show taking a<br />
$3 contribution for admission, running from<br />
noon till evening, it was family entertainment<br />
in the afternoon and live rock music<br />
catering to a young audience in the evening.<br />
Filmmaker Kurt Kren was in town to<br />
discuss his works at a retrospective screening<br />
of his films at the Moore College of<br />
Art. The event was open to the public at a<br />
$1 admission.<br />
The fir.sf feature film from The People's<br />
Republic of China in 25 years, "The Opium<br />
Wars," will be shown at Bucks County<br />
Community College in suburban Newtown,<br />
Pa., with a free admission open to the public.<br />
In advance of its opening at Sameric's<br />
Duke and other area theatres, an invitational<br />
screening for "Hardcore" was hosted at the<br />
Top of the Fox Screening Room by Linda<br />
Goldenberg, regional publicity and promotion<br />
director for Columbia Pictures here.<br />
A 1979 film "mini-catalog" listing over<br />
150 new movie features which can be borrowed<br />
by adult public library members in<br />
southern New Jersey is now available. Catalogs<br />
are available for sale for $1 at all public<br />
libraries throughout the area.<br />
A series of children's films, starting with<br />
"Captain Kidd," is being offered to the public<br />
without charge Thursday afternoons at<br />
4 p.m. at the Cape May County Public Library<br />
in Middle Township, N.J.<br />
Framework for<br />
PHILADELPHIA—The city council this<br />
week gave preliminary approval to a legal<br />
framework that council leaders say will finally<br />
extend cable television service<br />
throughout the entire city.<br />
It has been 13 years since the first ordinance<br />
was passed to regulate cable TV,<br />
which is virtually non-existent in the city<br />
proper and available only in a very small<br />
part of the South Philadelphia section.<br />
Two Cable Bills<br />
Sitting as a committee of the whole, the<br />
council unanimously reported out two bills<br />
that would permit cable TV companies to<br />
acquire by bidding one of four city franchise<br />
areas into which the city will be divided.<br />
Those winning franchises would have to<br />
start the service within five years and provide<br />
each home subscribing with 30 channels.<br />
Under the two new bills, the city council<br />
itself would have most of the control over<br />
who gets and retains franchises.<br />
The bills allow easy renewal of the franchise<br />
for 30 years. They also provide for<br />
the establishment of a Mayor's Cable Television<br />
Systems Advisory Commission which<br />
would advise on the awarding of franchises<br />
Cable TV Extension<br />
and the regulation of rates, and encourage<br />
the<br />
use of public channels.<br />
6 Original Franchises<br />
The city originally awarded six franchises<br />
for ten-year periods in 1966. Only one of<br />
these. Telesystems Cable TV Corp., has<br />
ever offered cable service and only to subscribers<br />
who live in a small section of South<br />
Philadelphia.<br />
The cable TV enabling legislation, however,<br />
does not address itself to the "easement<br />
rights" problem unique to the heavily<br />
populated center city area, which has prohibited<br />
the further development of cable TV<br />
in<br />
the area.<br />
Overhead Wires Banned<br />
Overhead wires are banned by law in center<br />
city and the new ordinances ban the<br />
construction of poles or wires in areas where<br />
there had been none.<br />
The cable TV companies have complained<br />
that burying the cable wires underground<br />
is too costly and is a major reason<br />
t^hat cable TV has not developed in Philadelphia.<br />
The firms will have to secure an<br />
"easement" from homeowners in order to<br />
string up the necessary cable wires in any<br />
particular area.<br />
/<br />
EN^Ipr^ly announces<br />
a iM^jjz^iytotio^cture<br />
released...<br />
Bob Aibel's Exploratory Cinema, held<br />
Wednesday evenings at the Studio Theatre<br />
on the University of Pennsylvania campus,<br />
goes into its spring cycle with Makavejev's<br />
"WR: Mysteries of the Organism," Frank<br />
Simon's "The Queen," Shirley Clarke's<br />
"Portrait of Joan" and Allen Funt's "What<br />
Do You Say to a Naked Lady"—films rarely<br />
seen in Philadelphia.<br />
BOXOFFICE :: February 19, 1979<br />
EMC FILM CORP. RELEASE 1979<br />
E-3
B U F F A L<br />
O<br />
Walt Disney Productions' latest comedy<br />
feature "The North Avenue Irregulars"<br />
was sneaked Friday. Feb. 12 at the Colvin<br />
and Como 8 theatres.<br />
The Center for Media Study presents free<br />
film classics nearly every week. Offered<br />
Monday. Feb. 12 was the 1942 classic "To<br />
Be or Not to Be." starring Jack Benny and<br />
Carole Lombard. Other highlights still to<br />
come include: Feb. 26, "The Westerner"<br />
(Gary Cooper): Mar. 14, "Touch of Evil"<br />
(Orson Welles), and Mar. 21 "She Wore a<br />
Yellow Ribbon" (John Wayne).<br />
Reviewing "Halloween." News ciilic Jeff<br />
Simon wrote: "It may well be the best unpretentious,<br />
flat-out horror film since Hitchcock's<br />
"Psycho." If you have ever bounced<br />
eagerly into a movie theatre with the naive,<br />
childish hope of being scared witless. John<br />
Carpenter's "Halloween' probably will do it<br />
in spades." ""Halloween" opened Friday.<br />
Feb. 2 at the Holiday I Theatre, capturing<br />
the weekend's biggest grosses, with receipts<br />
exceeding $15,000 despite blizzard-like conditions<br />
on Sunday.<br />
The king and queen of Variety Club's<br />
Telethon '79 were crowned Monday. Feb.<br />
12 in the Children's Rehabilitation Center.<br />
The new royalty are Howard Sturm. 14.<br />
and Tina Marie Borgogelli. 15.<br />
Jonas Mekas, a pioneer in independent<br />
filmmaking, was in town Feb. 15 for a talk<br />
and screening of his '"In Between" as part<br />
of Albright-Knox Art Gallery's Evenings<br />
for New Film series.<br />
"Blond Venus," starring Mailenc Dietrich.<br />
Herbert Marshall and Cary Grant, was<br />
the attraction featured Saturday, Feb. 10<br />
in the Hollywood of the '30s and '40s<br />
series at the Historical Society.<br />
Thomas A. Million, secretary of the Variety<br />
Club of Buffalo, has been named general<br />
chairman of the 1979 Variety Club<br />
telethon scheduled for March .3 and 4,<br />
broadcast on WKBW-TV.<br />
. . . Also opened Feb.<br />
I<br />
"Quintet." the new film by Robert Altman,<br />
opened Friday. Feb. 16 at the Thruway<br />
Mall Cinema<br />
16 was ""The Brink's Job," starring Peter<br />
he<br />
Falk, at the Holiday 4 Theatre and<br />
Amherst Theatre.<br />
Universal, Paper Tie-in<br />
For Valentine's Day Promo<br />
PHILADELPHIA—With the cooperation<br />
of the Philadelphia Daily News. St. Valentine's<br />
Day provided the perfect tie-in for<br />
Fredell Pogodin. promotion director for<br />
Universal Pictures here, in promoting the<br />
forthcoming opening of ""Same Time. Next<br />
Year."<br />
A Valentine's Day gift will be provided<br />
the winner selected by the newspaper at<br />
landom.<br />
A chauffeured limousine will take the<br />
winning couple to a Red Silk Rose Saint<br />
Valentine's Day Supper at the Black Banana,<br />
one of the city's leading gourmet<br />
restaurants.<br />
Following dinner, the couple will<br />
be taken<br />
to a screening of ""Same Time. Next Year."<br />
And it will be ""same time, next year" for<br />
the lucky couple.<br />
On St. Valentine's Day 1980, the same<br />
couple will be treated to the same chauf-!<br />
feured limousine, the same Red Silk Rose<br />
St. Valentine's Day Supper, and following<br />
with the showing of any of the current<br />
run films available at<br />
that time.<br />
first<br />
York College Film Society<br />
Pays Tribute to Hitchcock<br />
YORK., PA.—The Film Society of York<br />
College of Pennsylvania will pay tribute to<br />
Alfred Hitchcock as the ""master of the<br />
macabre." for the group's third annual film;<br />
festival.<br />
With the screenings held in the Life-Sci<br />
ences Theatre, the festival is launched with<br />
two early Hitchcock classics in '"The Lady<br />
Vanishes" (1938) and ""Lifeboat" (1944)<br />
The Saturday afternoon screening ol<br />
"'Strangers on a Train" and ""Frenzy" will<br />
be followed by a cocktail hour and a dinner.<br />
Translation for Paleface:<br />
"Don't waste time with old-fashioned<br />
way sending message. BEST way to<br />
SELL used equipment, find HELP, SELL<br />
or BUY theatres, is with<br />
BOXOFFICE CLEARING HOUSE<br />
You get year-round service.<br />
RATES: 50c per word, minimum $5.00, casli with copy. Four consecutive insertions for price of th<br />
BOXOFFICE, 825 Van Brunt Blvd., Kansas City, Mo. 64124.<br />
Pleose insert the following ad times in the CLEARING HOUSE<br />
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(Enclosed is check or money order for $<br />
Blind ads figure twoodditionol words plus 75« extra)<br />
BOXOFTICE ;: 1-ehrua
New Production Firm<br />
Established in Philly<br />
PHILADELPHIA—A local group of investors<br />
have established what is to be the<br />
first major motion picture production company<br />
in this area.<br />
Headed by film pioducers John Hunt and<br />
Dick Reed, with Stanton Triester. real estate<br />
operator, the major investor, the group has<br />
formed White Bread Productions.<br />
children, e'ght to 1 1 .<br />
AFI also has recruited instructors from<br />
The first film to be produced will be "The<br />
the National Science Foundation to lecture<br />
Mandate of Heaven" and David Carradine<br />
on and examine new concepts su.h as videodiscs,<br />
has already been signed for the male lead.<br />
instant movies, direct satellite recep-<br />
The filming will take place in Hong tion and computer video networks. AFI also<br />
Kong.<br />
is offering a course in film animation for<br />
While the speculative aspect still looms<br />
Children will design,<br />
storyboard and film the animation exercises.<br />
big in the appeal of White Bread Productions<br />
to investors, Triester is convinced that<br />
he and the producers have the formula to<br />
minimize the risk and maximize profits.<br />
Percentage of Independents<br />
While they realize it is a bit unusual to<br />
produce major films from offices in the<br />
Philadelphia area rather than centers like<br />
New York or Hollywood, Triester points<br />
out that more than half of the U.S.-pioduced<br />
films are being made by independent<br />
producers today.<br />
Triester claims that the major studios<br />
have declined in importance, and it doesn't<br />
matter where the production firm located,<br />
since so many films are shot on location.<br />
To insure minimal risk. White Bread Productions<br />
has planned to take financial advantage<br />
of such considerations as the foreign<br />
film market, the pay-cable television<br />
option,<br />
regular commercial television broadcasting<br />
and promotion of the film's theme song.<br />
Convinced that by generating top investment<br />
dollars, purchasing the first-rate services<br />
of director, actors and technicians, and<br />
planning to take advantage of every potential<br />
source of income, Triester feels that<br />
speculation and risk have been minimized.<br />
He said that investors in the new production<br />
company will be restricted only to those<br />
in the position to invest six-figure sums.<br />
Tent 13 Telethon Raises<br />
$1,123,00 for Handicapped<br />
PHILADELPHIA—The Philadelphia Variety<br />
Club rolled up a record $1,122,731<br />
for its seventh annual telethon on the local<br />
ABC affiliate, station WPVI-TV. The 20-<br />
hour fund-raising effort, with theatrical,<br />
civic, sports, broadcasting and business personalities<br />
participating brought in a record<br />
for pledges representing more than $101,-<br />
000 over last year's total.<br />
CWERANA IS Ui SHOW<br />
Bl SWESS IN HAWAn TOO^<br />
When you come to Walklki,<br />
don't miss the famous Don Ho<br />
Show ... at Cinerama's<br />
Reef Towers Hotel. f<br />
WASHINGTON<br />
prancois Truffaut, French "new wave'<br />
cinema director, was in attendance at<br />
the American Film Institute's press conference<br />
in the AFI Theatre Monday. Feb. 19.<br />
AFI Theatre is honoring the 20th anniversary<br />
of Truffaut's first film, "The 400<br />
Blows," with a two-coast retrospective, in<br />
Washington and Los Angeles, which will<br />
run here through March 31.<br />
Variety Club Tent 1 1 committees and<br />
their chairmen have been selected for 1979.<br />
They are as follows: welfare, Richard Dacey.<br />
Allied Artists division manager, and<br />
Jerome Sandy, American International<br />
branch manager; finance. Wade Pearson.<br />
Neighborhood Theatres" Northern division<br />
director and James Pedas, co-owner Circle<br />
Theatres; special events, Douglass Potash,<br />
United Artists branch manager and Steve<br />
Turner, Universal branch manager; ways<br />
and means, Paul Roth, Roth Theatres and<br />
Herbert Schwartz, president of Washington<br />
office of New World Pictures; awards, Fritz<br />
Goldschmidt, Avco Embassy branch manager,<br />
and Mark Freedman, radio station<br />
WWDC; athletic, Robert Rachensperger,<br />
Wheeler Films' salesman and James Lipsner,<br />
Glenmar Cinestate office manager; membership.<br />
David Garber, Sunn Classic salesman,<br />
and Jim Kimsey, restaurateur; publicity,<br />
Ernest Johnston, Johnston Advertising,<br />
and Michael Fillman, Ray Thompson and<br />
Associates, and Variety Foundation-executive<br />
and congressional liaison, Glenn Norris,<br />
film industry executive, Marvin Goldman,<br />
K/B Theatres" co-owner, and John<br />
Broumas, head of Showcase Theatres and<br />
chief barker.<br />
The Brookland-Newton Theatre in northeast<br />
Washington has closed. "Astronomical"<br />
theatre operation costs and the difficulty of<br />
obtaining product, particularly first<br />
runs for<br />
general audience viewing, were claimed as<br />
factors forcing the shuttering. The K/B circuit<br />
is not renewing the lease. The 560-<br />
scater, built for motion pictures in 1930, is<br />
up for sale by its owner. Catholic University.<br />
Doug Potash. United Artists branch manager,<br />
screened "The Champ" for exhibitors<br />
at the Motion Picture Assn. of America<br />
Wednesday evening, Feb. 14. Opening date<br />
is April 4.<br />
Marty Zeidnian, Columbia branch chief,<br />
had a sneak screening of "Hanover Street"<br />
at the K/B Baronet West, Belhesda, Md.<br />
Feb. 16. It opened the following day in<br />
area situations.<br />
Earlier in the month, Zeldman tradescreened<br />
"When You Comin" Back, Red<br />
Rvder?" at the MPAA screening room.<br />
Bob Mondale, Roth"s Theatres publicist,<br />
reduced admission prices for Valentine's<br />
Day. At all Roth theatres a $3 ticket admitted<br />
two persons to any performance.<br />
French director Berlrand Blier, while here<br />
promoting "Get Out Your Handkerchiefs,"<br />
exclaimed that he preferred this film to his<br />
earlier "Going Places." Star movie critic<br />
Tom Dowling, when discussing the differences<br />
in the French and American reaction<br />
to Blier"s two films, wrote: "The French<br />
apparently found the gratuitous violence of<br />
'Going Places" fantastical enough to be unthreatening<br />
and the April-November impregnation<br />
of 'Handkerchiefs' real enough<br />
to be troubling. With us, of course, unproved<br />
violence is all too close to the bone<br />
and 13-year-old fathers too pleasantly farfetched<br />
to get exercised over. So, in this<br />
way, Blier has shown himself to be a menacing<br />
figure of perversity to two separate<br />
cultures. And that's no mean feat."<br />
Jack Valenti in Europe;<br />
Meets With Fihn Officials<br />
WASHINGTON—Jack Valenti, president<br />
of the Motion Picture Export Assn. of<br />
America, left Sunday. Feb. 11 for western<br />
Europe.<br />
He met with film industry leaders and<br />
French government officials in Paris.<br />
He went on to West Berlin where on<br />
Friday. Feb. 16, he made what was termed<br />
a major address to a group of German film<br />
leaders, journalists and West German government<br />
officials.<br />
Valenti also conferred with Fred Gronich.<br />
vice-president in charge of the MPEAA<br />
Paris office, and March Spiegel, vice-president<br />
in<br />
charge of the MPEAA Rome office,<br />
as well as meeting with U.S. ambassadors<br />
in Paris and Bonn and other embassy officials.<br />
.and we do it best.<br />
BOXOFFICE :: February<br />
E-5
. . Movies<br />
'<br />
-i<br />
PITTSBURGH<br />
Qeorge Romero's "Dawn of the Dead."<br />
produced here, will be released April<br />
20 by United Artists Theatres which had<br />
great success with the distribution of "Kentucky<br />
Fried Movie." Successor to his "Night<br />
of the Living Dead." which outgrossed all<br />
such horror films, the local moviemaker<br />
says the new one is unrated and will be released<br />
that way with those under 17 not<br />
permitted to view it. Richard Rubinstein<br />
produced "Dawn of the Dead." with a running<br />
time of two hours.<br />
William Gates, owner of adult<br />
theatres in<br />
Pittsburgh and Washington, was freed of<br />
charges in connection with a fire in October<br />
1977 at a Washington unit when a District<br />
of Columbia judge dismissed the case. The<br />
theatre had been fire bombed resulting in<br />
deaths by smoke inhalation. There wer; no<br />
building code or fire safety violations, so<br />
the management was exonerated.<br />
Planning the world's first telethon on<br />
water is Variety Club Tent I's chief barker<br />
and telethon chairman, Eugene F. Connelly,<br />
who is also an official of the Gateway<br />
Clipper Fleet. The 1979 telethon is set for<br />
April 1, from 9 a.m. to 6 p.m. aboard the<br />
600-passenger Party Liner.<br />
"Halloween" returned downtown when<br />
"The Wiz," which didn't generate much<br />
business, was removed from the Warner<br />
.screen.<br />
.<br />
Unheated theatres here arc getting no<br />
customers coming in March<br />
will include "The Champ," "Norma Rae."<br />
"The China Syndrome," "When You Comin'<br />
Back, Red Ryder?", "Hair." "Agatha,"<br />
"Fast Break," "The North Avenue Irregulars"<br />
and "Nosferatu."<br />
On screen here are "Hardcore" at the<br />
Gateway; "Quintet," Fiesta, Denis and<br />
Showcase East; "The Warriors," Fulton,<br />
Cinemette East and Cinema World; "Same<br />
Time, Next Year," Squirrel Hill. Showcase<br />
East and West, and "The Great Train Robbery"<br />
at six area houses . . . "The Late<br />
Great Planet Earth" will be four-walled<br />
hereabouts starting Feb. 21, and the Fiesta<br />
and Showcase East and West will inaugurate<br />
"The Brink's Job" Feb. 23.<br />
"The Deer Hunter" is not a roadshow,<br />
yet without advance reservations it will<br />
have only two exhibitions daily—matinee<br />
and evening—except that there will be three<br />
showings on weekends at the Warner starting<br />
Feb. 2.^ . . . That day also Cincmette's<br />
Manor will bring in "Days of Heaven."<br />
At other area theatres: "Invasion of the<br />
Body Snatchers," "Sasquatch," "Pinocchio,"<br />
"National Lampoon's Animal House,"<br />
"Magic," "A Wedding," "Joint Venture,"<br />
"Hunting Party," "Souperman," "Ice<br />
Castles," "Moment by Moment." "Movie<br />
Movie," "Beach Bunnies" and "Five Loose<br />
Women."<br />
E-6<br />
Indie Exhib Charges 2<br />
Chains With Monopoly<br />
PITTSBURGH—Allegations of monopolization<br />
of film product by Northeast Theatre<br />
Corp., and National Amusements, Inc..<br />
both of Boston, came to a head with the<br />
filing of a civil action in federal court by<br />
Northgate Systems, Inc.<br />
Redstone and Showcase<br />
The Boston companies conduct business<br />
commonly using the names Redstone Management<br />
and Showcase Cinemas, while the<br />
latter concern is known as Cinema Wexford.<br />
Long in preparation of the case, plaintiff's<br />
attorney Edgar J. Cooke charges that<br />
the defendants violate federal antitrust and<br />
Pennsylvania laws.<br />
The plaintiff charges that unlawful contracts<br />
or combinations or agreements have<br />
restrained trade; that moveovers are obtained<br />
illegally; that the defendants have a veto<br />
over when a feature picture will become<br />
available to other exhibitors; that they hold<br />
unreasonable priority and clearance times,<br />
control the number of prints available, manipulate<br />
release dates and length of runs<br />
and conspire in advertising, extra exhibitions<br />
and financial tie-ins.<br />
58 Percent of Screens<br />
The defendants have ten (or 58 percent)<br />
of the first-run screens here and with the<br />
announcements of eight more screens will<br />
have 72 percent of first-run screens in Allegheny<br />
County.<br />
The federal civil action petitions the U.S.<br />
court to enjoin the defendants from building<br />
the announced additional screens and<br />
from any fuither building of screens in the<br />
Pittsbirrgh market area.<br />
Cinemas Will Be Included<br />
In Proposed Butler Mall<br />
BUTLER, PA.—The Goodman Co. of<br />
Allentown, Pa., has approval of the Butler<br />
Township and Butler County planning commission<br />
to build Butler Crossings, a new<br />
650,000 square-foot shopping center, an enclosed<br />
one-level mall with four department<br />
stores and up to 92 smaller stores, restaurants<br />
and theatres.<br />
Parking for 4,000 cars is planned.<br />
Goodman developed Westmoreland Mall<br />
in Westmoreland County.<br />
Butler Crossings could be open in August<br />
1960. The facility will be located on half<br />
of a 107-acrc tract on Route 356 (New<br />
Castle Road) and North Eber-hart Road,<br />
south of the Route 422 interchange.<br />
No theatre operator is named for the<br />
project<br />
fmm^<br />
at this time.<br />
505 Pearl St BUFFALO, N.Y.<br />
and Booltcrs, serving leading<br />
Buyers<br />
in >i>ors Buffalo, Albany and Pittsburgh<br />
HEBERT (716)854-6752 CRAIG CLARK<br />
NorlTE Seminar to Discuss<br />
;<br />
Fair Trade Practices Law<br />
PITTSBURGH—T h e Northern Inde-;<br />
pendent Theatre Exhibitors will stage a<br />
seminar open to independent exhibitors who ;<br />
favor a motion picture fair trade practices i<br />
law for Pennsylvania, this to be announced j<br />
at the Sheraton Inn, Greater Pittsburgh In-:!<br />
ternational Airport, TTiursday, April 5, 9l<br />
a.m. to 4:30 p.m.<br />
I<br />
With NATO cooperating, NorlTE plans!<br />
discussions on blind bidding, advances, i.<br />
guarantees, clearances, extended runs, house <<br />
allowances and advertising.<br />
Edgar J. Cooke, executive director ol<br />
NorlTE, says that theatre owners and managers<br />
attending this seminar will learn of a^<br />
new bill to be introduced in the Common<br />
wealth's general assembly which is<br />
designee<br />
to eliminate allegedly illegal trade practices<br />
of film distributors which "have preventec<br />
you from earning a fair return from th<<br />
exhibition of motion pictures."<br />
Al Boudouris, NATO of Ohio president<br />
will be one of the a.m. speakers. He was £<br />
leader in the campaign to pass the Ohic<br />
anti-blind bidding law.<br />
The afternoon session will be devoted tc<br />
trade practices and abuses.<br />
Reservations are being received at $1(<br />
each, addressed to Northern Independen<br />
Theatre Exhibitors, P.O. Box 4165. 61'<br />
Lincoln Avenue, Pittsburgh, Pa. 15202.<br />
Home of Abraham Straus<br />
In Horror Film Shooting<br />
ATLANTIC HIGHLANDS, N.J.—Th<br />
23-room home here built 89 years agt<br />
which originally served as the summer horn'<br />
of Abraham Straus, founder of the Ne\<br />
York department store chain, is being usei<br />
by film producer Joseph Ellison, who start<br />
ed production this week on a low-budge<br />
horror film.<br />
A family audience rating will be sough<br />
for the film, which has the working title o<br />
"The Burning Man," and which is e.xpecte.<br />
to be ready for release this summer.<br />
Ellison, who has been involved in th<br />
production of previous horror films, sat<br />
that Turbine Films has been establishe<br />
specifically for the production of the ur<br />
titled film here.<br />
The company may be used to produc<br />
and market additional productions, Elliso<br />
said, depending on the boxoffice success c<br />
the feature now in production.<br />
Diane Sancetta is the production manage<br />
in charge of a crew of 20 and cast of tcr<br />
,<br />
.Some $150,000 is being spent here fc<br />
the production for which the leads are Dar<br />
ny Delrey and O'Mara l.eary.<br />
An original screenplay was written b<br />
Ellison. Ellen Hammill and Joseph Masi<br />
field. Additional filming is planned for Ne'<br />
York City and upstate New York.<br />
Drew Named NSFC Chmr<br />
NEW YORK— Bernard L. Drew, fill<br />
critic<br />
for the Gannett Newspapers, has bee<br />
elected chairman of the National .Society (|<br />
I'ilm Critics.<br />
«<br />
BOXOFFICE :: February 19, Hi
iccess«<br />
liere It i<br />
,Elli»<br />
mill?'<br />
lofB<br />
ltED»<br />
Christmds<br />
Seals<br />
Fight<br />
Lung<br />
Disease<br />
LUNG<br />
t AMERICAN<br />
ASSOCIATION<br />
The Christmas Seal" People<br />
We care about every breath you take<br />
ibulea by ifie publisher as a public service<br />
CATO Presidenf Stieber Is<br />
As NATO Directors<br />
From New England Edition<br />
By ALLEN M. WIDEM<br />
HARTFORD—Connecticut Assn. of Theatre<br />
Owners president Sylvia Stieber. marking<br />
her seventh year as a suburban Hartford<br />
exhibitor and third year as head of the statewide<br />
trade organization, is looking to a<br />
March 18-22 National Assn. of Theatre<br />
Owners directors meeting in Scottsdalc,<br />
Ariz., with mixed emotions.<br />
For one thing, Mrs. Stieber and husband<br />
Alexander are anticipating get-togethers<br />
with exhibitors from across the United<br />
States amid the tranquility of the desert.<br />
"We exhibitors," Mrs. Stieber says, "find,<br />
in<br />
talking with each other, that what bothers<br />
the exhibitor in Hartford may well be the<br />
same thing nagging at the mind of the exhibitor<br />
elsewhere."<br />
CATO Chief Troubled<br />
What troubles CATO's leader at this time<br />
is the attitude of distribution.<br />
"As an exhibitor," the suburban Avon<br />
Twin Cinemas owner and operator told<br />
Bo.xoFFiCE. "I'm very much apprehensive<br />
about the future of exhibition. There's not<br />
so much of a vacuum in communications<br />
between exhibition and distribution as an<br />
increasing awareness by exhibition that distribution<br />
cannot completely comprehend<br />
that exhibition, with all of its locked-in investment<br />
in land and physical equipment,<br />
plus time, is not getting a fair enough share<br />
of the profits."<br />
Distribution, Mrs. Stieber contends,<br />
should be aware of the evident nationwide<br />
renaissance in motion picture-viewing and<br />
should be capitalizing on this latter-day,<br />
stepped-up. interest on the part of the ticketbuying<br />
public in motion pictures.<br />
As an independent exhibitor, she feels<br />
strongly that distribution should be doing<br />
more to assure the ticket-buying public that<br />
to best appreciate a motion picture, the attraction<br />
should be seen in a motion picture<br />
theatre.<br />
She wants to air the suggestion at the<br />
upcoming Arizona conclave—along with<br />
her personal philosophy of the vital need<br />
lo convince distribution that exhibition, as<br />
it stands today, should not be regarded as<br />
"the enemy," but, rather, as "the partner."<br />
Wants 'More Credit'<br />
"Distribution." she said, "ought to give<br />
exhibition more credit for bolstering the<br />
movie attitude abounding in this country<br />
today.<br />
"I have yet to see a movie on the muchpublicized<br />
cable television but from where<br />
I stand, I don't think CATV can 'package'<br />
a movie as glamorously as a theatre. The<br />
Troubled<br />
Confab Nears<br />
very idea of seeing a movie in company of<br />
hundreds of people removed from the confines<br />
of home, conjures up a continuing<br />
fascination with illusion. Exhibition has<br />
capitalized on this, of course, and it's high<br />
time that distribution realized how very important<br />
exhibition is to the development of<br />
the moviegoing habit in America.<br />
"Moviegoing," she said, "didn't just suddenly<br />
happen.' It was carefully, calculatedly,<br />
expanded by exhibitors. Television, with its<br />
much-publicized ratings systems, came long<br />
after. But watching a TV movie, with interruptions<br />
for commercials, is noi the same as<br />
watching a movie in a theatre, and no<br />
amount of concerted promotion by television<br />
will convince me, or other exhibitors,<br />
otherwise."<br />
Product Means Profit<br />
Distribution, she insists, will earn money<br />
only when its product earns money. And<br />
the prime source, regardless of how much<br />
"glamor" is tied to film showings on television,<br />
must be regaided as the motion<br />
picture theatre. Top grosses prove this constantly,<br />
she adds.<br />
"I don't care if we're talking of a multiple-auditorium<br />
complex or a single-standing<br />
theatre in a Connecticut hamlet, the main<br />
thing is that every dollar coming into that<br />
theatre is earning money for the distributor<br />
and the exhibitor.<br />
"By giving the exhibitor a better break,<br />
money-wise, the distributor will be giving<br />
himself a better break, in the long run, because<br />
with more money, the exhibitor, by<br />
nature an expansionist, will spend more.<br />
And in spending more, the exhibitor's out to<br />
expand his audience. Hence, the distributor<br />
earns more. too. It's simple. But distribution<br />
isn't buying the argument."<br />
Coast Guard Reserve Gets<br />
'New' Base Movie Theatre<br />
CAPE MAY. N. J.—Coast Guard reservists<br />
stationed here have a base movie theatre<br />
again. When the Liberty Theatre here<br />
was being converted into the quaint gallery<br />
of shops now called Liberty Mall, the theatre<br />
seats were donated to the Coast Guard<br />
base to refurbish the old Chief's Club at<br />
the base.<br />
The Chief's Club is being converted by<br />
the reservists into a "new" 170-seat theatre<br />
which will return movies to the base.<br />
They also installed a sound proof projection<br />
booth with dual projectors.<br />
The movie theatre at the base will show<br />
quality feature films five times a week.<br />
TWIN<br />
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Drive-in Theatre Construction Since 1946<br />
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• Steel Towers<br />
• Painting • Repairs<br />
Free Esfimaies<br />
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Fairfield Drive-ln Theatre<br />
Fairfield, III. «2837<br />
Phone A/C 618-847-7636<br />
^t^»aa8^^<br />
BOXOFFICE :: February 19, 1979
Cancer is often curable.<br />
The fear ofcancer<br />
is often fktal.<br />
Some people are so<br />
afraid of cancer they won't \<br />
go to the doctor when they<br />
suspect something's wrong.<br />
Or even for a routine checkup.<br />
They're afraid the doctor<br />
will "find something'.'<br />
This fear can prevent them<br />
from discovering cancer<br />
in the early stages when it is<br />
most often curable.<br />
There are over<br />
3,000,000 people alive today<br />
who have had cancer.<br />
If that surprises you, it shouldn't.<br />
Cancer is highly curable.<br />
-.^><br />
American Cancer Society<br />
I<br />
s<br />
SPACE coimuBUTcn by the pubusher as a pubuc senna<br />
BOXOFFICE :: February 19, 1979
FIRST RUN<br />
REPORT<br />
(Average Is 100)<br />
Kansas City<br />
Across the Great Divide (PIE),<br />
5 theatres, 4th wk 150<br />
CaUfornia Suite (Col), 3 theatres,<br />
7th wk 220<br />
The Class of Miss MacMiehael (.SR),<br />
8 theatres, 1st wk 180<br />
\W^ '^^ '^^^<br />
Every Which Way But Loose (WB), ""'"'^^Hlirt^^^ ^<br />
4 theatres, 7th wk 380<br />
Ji^K-,*^<br />
Ice Castles (Col), 4 theatres, 1st wk. , . .345 —^"•^'WKf^l. f<br />
^<br />
Praise of Older Women (Emb),<br />
In<br />
6 theatres, 3id wk 160<br />
Invasion of the Body Snatchers (UA),<br />
4 theatres, 7th wk 90<br />
King of the Gypsies (Para), 3 theatres,<br />
7th wk 65<br />
The Lord of the Rings (UA), Embassy,<br />
Watts Mill, 7th wk 145<br />
Moment by Moment (Univ), 3 theatres,<br />
7th wk 50<br />
Movie Movie (WB), 5 theatres, „. ,<br />
2ndwk 150<br />
^'•^^'•^^<br />
Charles Co/son Brings His Chrisfian<br />
Message and Movie fa Kansas City<br />
,<br />
^*''^«"<br />
Oliver's Story (Para), Plaza, 8th wk. ... 35 By G. GREGORY TOBIN<br />
Superman (WB), Empire, Glenwood, Associate Eiuor<br />
8th wk 250 KANSAS CITY—Charles W. Colson,<br />
Up in Smoke (Para), Trail Ridge, whose best-selling memoir "Born Again"<br />
19th wk 50 is the basis for the Avco Embassy picture.<br />
The Wiz (Univ), Midland, 14th wk. ... 45 was here Thuisday, Feb. 8 for the 32nd<br />
and final benefit premiere to be held in the<br />
United States.<br />
Chicago Colson, former special counsel to Presi-<br />
Autumn Sonata (NW), Biograph, dent Richard Nixon who was convicted in<br />
8th wk 225 1 974 of a Watergate-related felony and serv-<br />
Beyond and Back (SR), 9 theatres, ed five months in jail, currently directs<br />
3rd wk 200 Prison Fellowship, a Christian ministry con-<br />
California Suite (Col), 13 theatres, ducted in penitentaries across the nation.<br />
7th wk 200 At an afternoon press conference, the<br />
Every Which Way But Loose (WB), 47-year-old Colson. along with Christian<br />
5 theatres, 8th wk 225 "brother" former U.S. Senator Harold<br />
Get Out Your Handkerchiefs (SR), Hughes of Iowa, discussed the purpose of<br />
Carnegie 400 his book and the film.<br />
Ice Castles (Col), 9 theatres, 2nd wk. ..250 "The movie is the first contemporary<br />
Movie Movie (WB), 9 theatres, conversion stoi7 to be produced at a ma-<br />
2nd wk 150 jor, secular studio (Burbank Studios) and to<br />
Richard Pryor, Live In Concert (SR), be released by a major, secular Hollywood<br />
3 theatres 450 distributor. We feel 'Born Again" is great<br />
Superman (WB), 10 theatres, 7th wk. ..250 entertainment and we pray that the film<br />
sets a precedent. To set a trend towards less<br />
trash on movie screens is really our goal."<br />
Tanned and articulate, Colson looked<br />
somewhat relieved that this was the last<br />
U.S. premiere, though he pointed out that<br />
plans call foi similar events in Great Britain<br />
and Australia later in the year.<br />
"Thank God this has been my only movie<br />
venture," he said. "1 never realized what<br />
went into making a film. I'm happy to say<br />
that it's my first and last—no more."<br />
Colson said that there has been mixed<br />
reaction to the picture in other cities across<br />
the country. Dallas and Atlanta were disappointments,<br />
he said, but it did better than<br />
expected in Denver and Portland.<br />
"In Denver after the piemiere there was<br />
spontaneous prayer, Denver packed 'em in<br />
for five weeks."<br />
Avco Embassy has developed a unique<br />
marketing strategy for "Born Again."<br />
Selecting 32 major markets for benefit<br />
premieres, the company formed an advance<br />
team to contact area religious leaders and<br />
churches and at range special screenings.<br />
Pastors received letters from Colson several<br />
weeks prior to the premieres, encouraging<br />
attendance.<br />
Trailers hit the screens some three weeks<br />
before the film opened, and Christian organizations<br />
received group discount rates. The<br />
strategy often resulted in heavily attended<br />
regular showings.<br />
Here the premiere screening was preceded<br />
by an invitational dinner at the Homestead<br />
Country Club where Colson ate steak<br />
with and spoke to about 200 persons.<br />
His message is everywhere the same:<br />
"People said it couldn't be done. Audiences,<br />
(Continued on page C-4)<br />
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BOXOFFICE :: February 19. 1979 C-1
|<br />
CHICAGO<br />
Cam Coston was appointed operations manager<br />
for Plitt Theatres, Inc., it was announced<br />
by Raymond C. Fox. senior vicepresident<br />
of the chain's Midwest division.<br />
Coston. who has been involved in motion<br />
picture operations some 40 years, joined<br />
the Plitt circuit in January of this year.<br />
During the month of February, the Film<br />
Center at the Art Institute is bringing in<br />
guest filmmakers to discuss various product.<br />
The personal appearance lineup includes<br />
Jonas Mekas, George Kuchar. Mike Kuchar<br />
and Bruno Bozzctta.<br />
Columbia Pictures Videocassette Services<br />
now offers tape-to-film transferring under<br />
the direction of Marty Rennels, newly appointed<br />
manager of film services.<br />
Plans designed to benefit the November<br />
1979 Chicago International Film Festival<br />
are already reaching substantial proportions.<br />
The first of such events, a display of<br />
fashions, takes place Feb. 21 on the mezzanine<br />
of the John Hancock Center. The<br />
models, who will wear costumes by Koos<br />
van den Akker, will float around on roller<br />
skates. Other events to be scheduled as prefestival<br />
activity are being planned by Cinema/Chicago.<br />
The program includes a<br />
French film week in April; international<br />
dance film festival in June; Canadian film<br />
festival in August, and a Hungarian film<br />
week in September. Cinema/Chicago is the<br />
Chicago Film Festival's year-round, not-forprofit<br />
tax-exempt corporation formed to<br />
encourage the art of film. Also, Suzanne<br />
McCormick, the organization's executive director,<br />
announced plans to expand showings<br />
in 1979 for young people and senior citizens.<br />
Michael J. Kutza Jr., founder and director<br />
of the Chicago International Film Festival,<br />
said, "As the quality of international<br />
film product continues to rise, we will expand<br />
and lengthen programming. We do so<br />
in order to show all of the exciting new<br />
productions available."<br />
Allied Artists is marking time until a<br />
new film is introduced in this area. Meanwhile,<br />
however, bookings for "The Wild<br />
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up thioughoul the<br />
"No Time for Breakfast," handled in<br />
this<br />
aiea by Wm. Lange & Associates, follows<br />
"Days of Heaven" into the Near North<br />
Cinema. And looking ahead. Oscar Brotman.<br />
Cinema owner, reportedly has a hold<br />
on Luchino Visconti's last film, "The Innocent,"<br />
costarring Giancarlo Giannini and<br />
Jennifer O'Neill. "No Time for Breakfast"<br />
stars Ann Giradot, who received the equivalent<br />
of our Academy Award in France for<br />
her role in this film. Producer/ director is<br />
Jean Louis Bertucelli.<br />
The Brotman Near North Carnegie has<br />
the first and exclusive showing of "Get Out<br />
Your Handkerchiefs." During the past<br />
weeks, this film has been highly praised by<br />
various critics. Since it is expected that this<br />
film will be a huge boxoffice success, no<br />
date has been set for the opening of "Wifemistress,"<br />
a New World movie booked for<br />
showing at the Carnegie.<br />
20th Century-Fox brought back "An Unmarried<br />
Woman" for showing on Feb. 16.<br />
which was also the opening date for "Quintet,"<br />
a new 20th-Fox feature. "An Unmarried<br />
Woman" is back on the scene in anticipation<br />
of the Academy Awards.<br />
20th Century-Fox publicist Larry Dieckhaus<br />
has been setting up itineraries for<br />
Martin Ritt. Sally Field and Beau Bridges<br />
in connection with upcoming openings of<br />
"Norma Rae." After the trio meets here<br />
in late February, they will continue on to<br />
Detroit and Cincinnati foi publicity rounds.<br />
"The Great Train Robbery," one of<br />
United Artists" newest films, opened with<br />
most critics enthusiastically applauding it.<br />
Ellen Davis. Midwest publicist for United<br />
Artists, and assistant Dennis Kuczajda, are<br />
new outlining promotion plans for the first<br />
screen version of the hit play "Hair." "Hair"<br />
is due to open first at the McClurg Court<br />
Theatre on March 21.<br />
"Inframan," a fantasy film made in 1977<br />
and imported from Hong Kong, finally<br />
made its first appearance here as a Saturday<br />
kiddie matinee feature. It was made by<br />
the Shaw Brothers, who are recognized as<br />
masters of kung fu.<br />
On Thursday, March 8, Doris and Cliff<br />
Payne will b; honored for their dedicated<br />
effort in furthering services to Variety Club<br />
Children's Charities. Doris and Cliff are<br />
credited as the "architects, contractors and<br />
master innovators" of the last four Hallo-<br />
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The Payne salute will be held at the Guildhall<br />
in the Ambassador West hotel. Cost per<br />
person is set at $12.50, and tables of ten<br />
are available at $125. Checks can be sent to<br />
Variety Club of Illinois. 203 No. Wabash<br />
Ave.. Chicago, 111. 60601. oi Tony Beacon,<br />
Variety executive director, can be called at<br />
(312) 263-6586.<br />
Edgar Bryant, vice-president of Association<br />
Films, is now headquartering here in<br />
the John Hancock Building. Debra Day,<br />
Chicago office manager, succeeds Annette<br />
Minkalis, who was recently promoted to a<br />
new job in the company's New York office.<br />
Lance Botthoff has joined Association<br />
Films as account executive.<br />
Florence Cohen retired last week after<br />
40 years with Warner Bios.<br />
New World Pictures, headed by division<br />
manager David Levy, reported that the<br />
company has set "Secrets" for initial openings<br />
on March 16. Jacqueline Bisset is the<br />
film's star.<br />
New World's "Wifemistress," a love story<br />
produced in Italy, is set for its first showing<br />
at<br />
the Carnegie. And "Autumn Sonata,"<br />
a top grosser in its exclusive first run at the<br />
Biograph, is being readied for subsequent<br />
runs. Marv Levy and his staff are also preparing<br />
a campaign for the May opening of<br />
"The Last Wave" with Richard Chamberlain.<br />
Lucy Salenger, managing director of the<br />
Illinois Film Office, reported that filmmakers<br />
are making contact with her office for<br />
sites which may be suitable for a number<br />
of productions. At this time, it seems certain<br />
that five or six features will be shot<br />
in Chicagoland territory, and if weather<br />
permits, production will start in the spring.<br />
During a wide search. Salenger found<br />
a bridge in Madison. III. which will fit the<br />
requirements for filming "The Night the<br />
Bridge Fell." Irwin Allen is producer/ direc-<br />
tor. In April, filming will begin here for<br />
"Jimmy B" starring Susan Clark and Alex<br />
Kairas.<br />
Sallenger. who brings in producers and<br />
directors for TV filming also, said currently<br />
Alan Landsburg is producing a TV!<br />
I<br />
mini-series in this area titled "Torn Between jl<br />
Two Lovers." Stars are Lee Remick and<br />
George Peppard.<br />
Two Arrested in Porn Case<br />
INDIANAPOLIS—While Aithur Stevens,<br />
owner of the Belmont Theatre. 2405<br />
W. Washington, was still being sought,!,<br />
Ronaldo Bailey, manager, and Stephen<br />
|<br />
Ferguson, assistant manager, were arrested I<br />
on pornography charges stemming from the,<br />
raid of the adult theatre eailier. They wcre|<br />
in jail in lieu of $2,500 bond each.<br />
jl<br />
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BOXOFTICE :: February 19, 1979 C-3
. . Screening<br />
i<br />
Commonwealth Elects<br />
Directors, Officers<br />
KANSAS CITY—Commonwealth Theatres,<br />
Inc.. announced that, at its annual<br />
stockholders meeting held here Jan. 26.<br />
management's nominees for directors were<br />
elected to serve the company for the ensuing<br />
year.<br />
Elected as directois were Richard H.<br />
Orear. Elmer C. Rhoden. Douglas J. Lightner,<br />
J. Glenn Hahn. R. Crosby Kemper<br />
Jr.. Richard H. Spencer, Dale N. Stewart.<br />
Clark S. Rhoden, George P. Kroh. Edwaid<br />
C. Bomberger and Earl W. Douglass.<br />
At the directors meeting immediately following<br />
the stockholders meeting. Richard<br />
H. Orear was re-elected chairman of the<br />
boaid of directors. Elmer C. Rhoden was<br />
re-elected chairman of the executive committee<br />
and Douglas J. Lightner was elected<br />
vice-chairman of the board of directors.<br />
Dale N. Stewart was elected president.<br />
Stewart joined the company in 1949 and<br />
served in various capacities including theatre,<br />
district and division manager in Dallas.<br />
Texas. He moved to Kansas City in 1977<br />
and served most recently as vice-president<br />
and general manager.<br />
Other elected officers were Edward C.<br />
Bomberger, vice-president; Earl W. Douglass,<br />
vice-president; Richard H. Spencer,<br />
secretary, and David H. Krause. treasurer<br />
and assistant secretary.<br />
ST. LOUIS<br />
JJardcore" opened at the Jamestown.<br />
Northwest Plaza. Sunset, Chesterfield<br />
and Ritz, Belleville. 111.<br />
"The Deer Hunter," which had a private<br />
invitational screening al General Cinema<br />
Corporation's Sunset Hills Feb. 13, will<br />
begin an exclusive showing at Sunset Hills<br />
Feb. 23.<br />
From 20th-Fox comes "Quintet." The<br />
Robert Altman drama brings Paul Newman<br />
ba
Bidding Bill Battle<br />
Has Begun in N.C.<br />
RALEIGH—The N.C. General Assembly<br />
stepped into the middle of a nation wide<br />
movie industry fight this past week.<br />
Rep. Park Helms and Jim Edwards, introduced<br />
a bill that calls for a fine of up to<br />
$10,000 and up to six months in jail for<br />
distributors who do not allow advance<br />
screenings. Helms said he sponsored the<br />
bill because theatre owners convinced him<br />
they had a problem.<br />
"All the bill does is afford theatre owners<br />
a chance to preview films before they<br />
contract, to see if the quality fits their<br />
neighborhoods and see if there's anything<br />
offensive about them," said Sanford lawyer<br />
and former state Senator William Staton,<br />
who's been hired by theatre owners to lobby<br />
against<br />
it.<br />
"This is nothing but government intrusion<br />
between wholesalers and retailers in<br />
the movie business," Valenti said. "The only<br />
thing it will do is drive up the cost at the<br />
boxoffice. The theatre owners merely want<br />
a world with all the profits and none of the<br />
risks, and things don't work that way."<br />
Distributors say abolishing blind bidding<br />
will slow the distribution process by as<br />
much as six months or more, tie up their<br />
money longer and increase production costs.<br />
Valenti questioned theatre owners' contention<br />
that previewing will help avoid renting<br />
losers. He said five of the ten biggest<br />
money losers in 1977 were screened by owners,<br />
while eight of the ten best-sellers were<br />
blind<br />
bid.<br />
Theatre owners argue any delays in distribution<br />
will be more than offset by better<br />
films and lower ticket prices.<br />
Five states, including South Carolina,<br />
prohibited blind bidding within the last two<br />
years. But bills identical to the North<br />
Carolina proposal will be considered in 27<br />
states by spring, according to Herman<br />
Stone, a vice-president of Consolidated Theatres<br />
and president of the North and South<br />
Carolina Theatre Owners Assn.<br />
"Theatie owners only complain when<br />
they have a loser like 'Slap Shot,' (starring<br />
Paul Newman)," Valenti said. "They'd take<br />
a dozen 'Saturday Night Fevers' or 'Star<br />
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Wars' under the blind bidding process. The<br />
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now they want a risk-free industry for themselves."<br />
FIRST RUN<br />
REPORT<br />
(Avcrayc K 100)<br />
New Orleans<br />
California Suite (Col). Plaza, 7th wk. .175<br />
Disco Fever (SR), Loews, 1st wk 150<br />
Enter Kung Fu Dragon (SR), Loews,<br />
1st wk 260<br />
Ice Castles (Col), Plaza, 1st wk 475<br />
The Lord of the Rings (UA), Lakeside,<br />
Plaza, 7th wk 100<br />
National Lampoon's Animal House<br />
(Univ), Lakeside, 26th wk 600<br />
for the bill. "It'll actually help reduce costs<br />
because it'll keep owners from buying lem-<br />
Paradise Alley (Univ), Lakeside,<br />
ons and jacking up prices to cover their<br />
he said.<br />
7th wk 100<br />
losses,"<br />
But movie distributors say blind bidding Superman (WB). Lakeside, 2nd wk.<br />
The Wiz (Univ), Sena Mall, 7th wk. ... 75<br />
keeps cost down and bitterly oppose the<br />
Helms-Edwards bill. Jack Valenti, president They Went That-a-Way and That-aof<br />
the Motion Picture Assn. of America, Way, (Int'l Picture Show), Plaza,<br />
showed up in Raleigh recently to lobby 1st wk 300<br />
Construction Planned<br />
For Tallahassee Quad<br />
CHARLOTTE— Eastern Federal Corp.,<br />
a Charlotte-based theatre and real estate<br />
company, has announced that construction<br />
on their new four-plex theatre in Tallahassee<br />
is scheduled to begin this spring.<br />
The complex, to be known as the Parkway<br />
Cinema Four, will be located on a fourand-a-half<br />
acre tract on Apalachee Parkway,<br />
directly across from the Florida State Highway<br />
Department.<br />
Total seating capacity for the unit will be<br />
1,500 seats, with two of the auditoriums<br />
equipped with Dolby sound.<br />
The Parkway Cinema Four will be constructed<br />
by Benning Construction Co. of<br />
Atlanta and designed by Newman-Bower<br />
& Assoc, Charlotte. It is slated for a late<br />
fall 1979 opening.<br />
FILMACK IS<br />
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In Asheville, N.C.<br />
ASHEVILLE. N.C—MGM Studios<br />
will<br />
film a major production here beginning this<br />
month, according to Lois Winstcad, coordinator<br />
of North Carolina's Office of Motion<br />
Picture Development.<br />
The film, to star Peter Sellers and Shirley<br />
MacLaine, is to be shot mostly at the<br />
12,000-acre Biltmorc Estate. Filming in<br />
Asheville is scheduled to run four to five<br />
weeks and is expected to contribute more<br />
than $1 million to this mountain resort<br />
city's economy.<br />
The Sellers-MacLaine vehicle will be the<br />
first major motion picture to be filmed at<br />
Biltmore Estate since "The Swan," a costume<br />
romance with Grace Kelly and Alec<br />
Guinness, was shot there in 1955. This was<br />
Princess Grace's last film before she retired<br />
from the screen and the United States.<br />
NEW ORLEANS<br />
J^on Pabst. Blue Ribbon Pictures, is looking<br />
forward to the return of "Halloween"<br />
multiple run in March. "Halloween"<br />
played to excellent grosses in October at an<br />
exclusive engagement at the Lakeside Thea-<br />
On Jan. 31 WOMPI Anna Power, international<br />
vice-president, was honored by her<br />
fellow members at a reception planned by<br />
the social committee. Shirley Eagan, chairman,<br />
and her committee served wine,<br />
cheese, coffee and mi.xed cakes.<br />
A special major studio preview of "Breaking<br />
Away" was shown at the Robert E. Lee<br />
Theatre Feb. 9. The audience included the<br />
film's director, Peter Yates; Alan Ladd Jr.,<br />
president of 20th Century-Fox Studios, and<br />
other production people and studio executives.<br />
The film won't be released until August.<br />
New titles on the marquees this week:<br />
"In Praise of Older Women," "Same Time,<br />
Next Year," "The Great Train Robbery"<br />
and "Hardcore."<br />
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BOXOFFICE :: February 19, SE-1
PALM BEACH<br />
lyjoonraker," the eleventh James Bond spy<br />
thriller, recently wound up two weeks<br />
of shooting in nearby Port St. Lucie. Roger<br />
Moore and film producer Lewis Gilbert<br />
were here for the shooting of a boat explosion<br />
scene involving four boats. This segment<br />
will be edited together with a portion<br />
filmed in Brazil which features Bond's boat<br />
going over a waterfall as he hang-glides to<br />
safety. Although Ian Macdougal was the<br />
stuntman stand-in for this scene. Roger<br />
Moore spent time on the set.<br />
From here Moore departed for Paris<br />
where the film will be completed. This is<br />
Moore's fourth appearance in the role of<br />
007. Here, on set. the jet boat raced<br />
thiough a mined section of the river. The<br />
boat flew three feet in the air and the sound<br />
was deafening.<br />
The film is being made by Les Productions<br />
Artistes, an English-French company.<br />
The film is expected to be released in the<br />
United States the last week in July. Thus<br />
far it has been twenty-six weeks in the making.<br />
Two boats, equipped with rocket<br />
launchers, cannons and torpedoes, were<br />
manned by the villains in pursuit of Bond.<br />
Bond's metallic silver jet boat was equipped<br />
with a bulletproof shield and a hang-glider<br />
that is ejected as the craft is about to<br />
tumble over a waterfall. Part of the filming<br />
here was done from a helicopter. The spray<br />
shot up close to eighty feet. The Coast<br />
Guard stood by in case of an emergency.<br />
Diane Baker was on the set of "The Pilot"<br />
at the Main Lobster Restaurant in<br />
Coconut Grove. Fla., the week of Jan. 28<br />
playing the role of "the other woman." The<br />
Cecil Prunier Productions' motion picture<br />
finished its Florida shooting. Shots taken<br />
in San Francisco and New York will wind<br />
up the film.<br />
Elaine Fried, vivacious Boxoffice Cleveland<br />
correspondent, and her husband Ralph<br />
arrived in Palm Beach Feb. 1 for a one<br />
week visit. F;om here the Frieds went to<br />
Miami where they visited their daughter and<br />
hjr family before returning home.<br />
Comedian Jerry Lewis, who soon will be<br />
shooting a feature film in this area, was<br />
the guest of honor at a Chamber of Commerce<br />
meeting the morning of Feb. 8. Lewis<br />
said, "I don't get into politics because I do<br />
comedy and that's competitive." Regarding<br />
the posh area, Jerry quipped "Where else<br />
but in Palm Beach would you find a fire<br />
department with an unlisted phone?"<br />
Ida Kaniinska, star of the award-winning<br />
foreign film "Shop on Main Street," appeared<br />
as a guest at the Cultural Arts Festival<br />
at Temple Beth El Feb. 17. Following<br />
a showing of the film the award-winning<br />
actress lead a discussion.<br />
The well-worn leather jacket worn by<br />
John Travolta in the Broadway production<br />
of "Grease" and the space silver necklace<br />
worn by Carrie Fisher in the role of Princess<br />
Leia in "Star Wars" are among the<br />
more than $30,000 worth of items assembled<br />
for the Northwood Institute evening<br />
auction and dinner Feb. 23.<br />
Phyllis Thaxter, currently being seen in<br />
Warner Bros.' "Supetman," as Superman's<br />
Earth mother, appeared here at the Poinciana<br />
Playhouse in Lillian Hellman's "The<br />
Little Foxes" the week of Jan. 22. Co-starring<br />
in the play was Oscar award-winning<br />
actress Anne Baxter.<br />
Cross County 8 Theatres, the area's eighliheatie<br />
complex, planned a VIP "Fall in<br />
FLORIDA THEATRE<br />
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Love Valentine's Day" preview reception<br />
in honor of its opening Feb. 14.<br />
Liz Taylor did not appear at the Breakers<br />
Hotel Feb. 4. In her place, to receive her<br />
humanitarian award from The American<br />
Society for the Technion Institute was Sammy<br />
Davis Jr. Davis was appearing at the<br />
Sunrise Theatre the week of Feb. 5.<br />
MIAMI<br />
H special screening of "El Super" was held<br />
recently at the Cinematheque Theatre<br />
in Coral Gables. "El Super" is a funny/sad<br />
movie made by Cuban exiles. It was shot in<br />
New Yoik City, and now has opened to the<br />
public at the Cinematheque. It has English<br />
subtitles.<br />
Recent visitor to the Miami area was<br />
Lynn-Holly Johnson, the young star of "Ice<br />
Castles," currently playing in the Miami<br />
Aliza Kashi is at the Beach Theatre,<br />
along with Kole & Parham, and appeared<br />
:<br />
at Peppy Fields' annual bash the other evening.<br />
A free showing of the<br />
movie "The Year-<br />
ling," a classic story of a Florida back-;<br />
woods family starring Gregory Peck, Jane<br />
Wyman and Claude Jarman Jr., was presented<br />
as part of the Miami-Dade Public<br />
Library's "Great American Movies" series<br />
at 8 p.m. Feb. 6 at the main library, at<br />
7:30 p.m. on Feb. 7 at the Coconut Grove<br />
branch and at 7 p.m. Feb. 8 at the Model<br />
City branch library.<br />
Church Shows Triple Bill<br />
Fiom Eastern Edition<br />
CAMBRIDGE. MASS.—The Harvard-<br />
Epworth Church hosted showings of "Comanche<br />
Station," Columbia 1960 release!<br />
with Randolph Scott and Nancy Gates;!<br />
"Cloak and Dagger." Warner Bros. 1946i<br />
release with Gary Cooper and Lilli Palmer,<br />
and "The Last Fiontier." Columbia 1956<br />
release with Anne Bancroft and Victor<br />
Mature.<br />
There was a contribution of $1.50 for<br />
each screening.<br />
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BOXOFTICE :: Febi
'<br />
Fairlane/<br />
i<br />
(three<br />
I<br />
Theatre;<br />
J<br />
I<br />
Screenings<br />
; Comin'<br />
. . Lou-Ann<br />
2Q|<br />
C H A R L<br />
O T T E<br />
n. Foster McKissick and Fred Curdts.<br />
executives with Fairlanc/ Litchfield<br />
Theatres, took a tour of their theatres in<br />
Alabama, Florida, Georgia and North and<br />
South Carolina, winding up in Charlotte for<br />
a confab with the Big Four (Locke, Jones,<br />
VanderHorst and Smilin" Jack Jordan of<br />
Southern Booking and Advertising Co.) discussing<br />
future bookings, exploitation and<br />
management.<br />
Buster Schnibben, exhibitor, died this past<br />
week in Florence, S.C. He and his wife<br />
;<br />
Julia operated their theatres for years until<br />
Top grosses of the week: "Beyond and<br />
Back," Charlottetown Mall I and South<br />
Park; "Ice Castles," Eastland Mall I; "California<br />
Suite," South Park I; "Superman,"<br />
Charlottetown Mall II and Tryon Mall II;<br />
"Halloween," Manor.<br />
Notes from Southern Booking and Advertising<br />
Co.; Andy Baker, Eastgate Cinemas<br />
I and II, Albemarle, N.C., lined up a<br />
school show of "The Lincoln Conspiracy"<br />
for 12. Feb. Lincoln's birthday. He also has<br />
a tie-up with the Albemarle Boy Scouts for<br />
"Wilderness Family." He is distributing 5,-<br />
000 special discount coupons with the full<br />
Congratulations<br />
cooperation of the troops<br />
to Norm Whisnant, Carolina<br />
Mall<br />
Cinema IV, who was honored by the Concord<br />
Mall Assn. at their annual meeting for<br />
the yearly "Business Showing the Top Percentage<br />
Gain" award.<br />
Notes from Eddie Marks, executive with<br />
Stewart & Everett Theatres: Eddie is working<br />
diligently with his managers and Columbia<br />
Pictures on the second go-around for<br />
"The Buddy Holly Story." An extensive TV<br />
saturation program is being used, plus other<br />
advertising gimmicks.<br />
Max Rosenberg, producer of "The Seven<br />
Brothers of Dracula," is offering Stewart &<br />
Everett managers $500 in cash prizes for<br />
special promotion efforts.<br />
Steve Smith, Independent Theatre Booking<br />
Service, announces that he will do the<br />
buying and booking for the Rex and Star<br />
drive-ins. Galax, Va., owned by Ronnie<br />
Milgrim, and the Movie Palace, Charlottesville,<br />
Va.. owned by Bob Storh.<br />
.<br />
ii<br />
1<br />
Litchfield acquired two theatres<br />
Charlie Jones, 20th Century-Fox. Jacksonville,<br />
built the<br />
newly<br />
Julia<br />
screens). Later they appointed division manager,<br />
IV and made Julia Schnibben general manager.<br />
I was in town meeting with personnel. Jones<br />
was formerly branch manager of Fox here.<br />
New this week on the marquees: The<br />
Changes on Filnirow: Joann Green<br />
I<br />
Great Train Robbery," Tryon Mall; -The<br />
moved from Consolidated Theatres to Columbia<br />
North Avenue Irregulars," Eastland Mall<br />
Pictures High, daugh-<br />
ii<br />
III; "Same Time, Next Year," Park Terrace<br />
Manor<br />
of Charlie Jones, moved from Columbia<br />
ter<br />
Pictures<br />
Shannon,"<br />
I and III; "Uncle Joe to 20th Century-Fox as booker,<br />
"The Warriors," Charlottetown<br />
succeeding Danny Weatherford.<br />
I, Mall "Wilderness Family, Part 2," Park<br />
Terrace Theatre.<br />
At the Jan. 17 luncheon meeting of<br />
WOMPI a nominating committee was elected<br />
to present a proposed slate of officers<br />
at Car-Mel: "Quintet," 20th<br />
Century-Fox; "Fast Break" and "When You<br />
for the year 1979-80. as follows; Hazel<br />
;<br />
Back, Red Ryder," Columbia. At<br />
Mill;r retired; Virginia Porter. Avco Embassy;'Margaret<br />
the Manor Theatre: "Butch and Sundance;<br />
Sanders, 20th Century-Fox;<br />
The Early Days," 20th Century-Fox. Special<br />
Lou Ann Stringer, Columbia Pictures, and<br />
invitational at screening South Park:<br />
Sylvia Todd, Stewart & Everett Theatres,<br />
"Hanover Street" Columbia.<br />
chairman.<br />
704 - 333.9651<br />
CfS<br />
WOMPI Amalie Gantt has returned to<br />
her home in Charlotte after being hospitalized<br />
in Spartanburg, S.C.<br />
Jimmy Murphy, Queen City Booking and<br />
Advertising Co., returned from New York<br />
City, conferring with publicity and exploitation<br />
executives from the major film companies<br />
and then to the West Coast on a similar<br />
confab.<br />
"Beyond and Back," Sunn Classic Pictures<br />
opened here in Charlotte at the Charlottetown<br />
Mall and Southpark to overflowing<br />
crowds. It also opened simultaneously<br />
in^keys in both of the Carolinas. using 25<br />
or more prints to take care of the saturation.<br />
Much of the success in the grosses can be<br />
|->^^3KIKC SFRVICE--^^<br />
230 S. Tryon St., Suite 362, Charlotte, N.C<br />
Frank Lowry<br />
CkaJotte jLatre Suppi^<br />
Full Line Theatre Supply House<br />
229 S. Church Street<br />
February 19, 1979<br />
. . . Bill Cline<br />
Phone: (704) 377-9341<br />
OS©,<br />
•<br />
P.O. Box 1973- Charlotte, N.C. 28201<br />
;.<br />
28201<br />
attributed to the very extensive coverage<br />
on TV. which helped sell tickets, as did the<br />
G rating.<br />
Dave Szabo announces that, as of Jan.<br />
26. Twin States Booking has been doing<br />
booking and buying for the following Raleigh<br />
theatres: Terrace I and II, South Hill<br />
1 and II (previously the Regency), and Falls<br />
I and II, now operated by Martin Theatres,<br />
Atlanta. Twin States has handled the Parkway<br />
Twin since Feb. 2 and will take on the<br />
Rowan Twin as of March 2.<br />
Cable TV Plans to Carry<br />
Congressional Sessions<br />
RALEIGH, N.C.— Possibly by spring,<br />
the cable television subscribers in Fayettev:ih<br />
and perhaps Raleigh will be able to<br />
keep an eye on the U.S. House of Representatives<br />
simply by turning on their televi-<br />
. .<br />
The House's new gavel-to-gavel television<br />
sions.<br />
broadcasts will be available sometime in<br />
March, and Rep. Charles G. Rose III (D-<br />
N.C.) said Feb. 1 that the cable television<br />
company that owns the Fayetteville and<br />
Raleigh systems wants its viewers to see<br />
them.<br />
James H. Doolittle, a division manager<br />
for American Television Communications<br />
Corp. confirmed by telephone from his<br />
Denver. Colo., office that Cablevision of<br />
Fayetteville subscribers should be able to<br />
get the new service soon after it became<br />
available. .<br />
Cablevision of Raleigh is being considered<br />
for the service also, Doolittle said, but<br />
ATC Corp. hasn't finished the audience surveys<br />
and other research it needs to make a<br />
decision for this city.<br />
final<br />
Randall P. Fraley, general manager at<br />
Cablevision of Fayetteville, said the only<br />
left decision to be made for his system was<br />
which channel should carry the congressional<br />
broadcasts.<br />
Hitchcock Pictures Return<br />
From New England Edition<br />
BROOKLINE, MASS.—The Coolidge<br />
Corner Cinema brought back Alfred<br />
Hitchcock's "Foreign Correspondent<br />
(United Artists, 1940) and "The Man Who<br />
Knew Too Much" (Paramount, 1956) on a<br />
double-bill.<br />
DRIVE-IN<br />
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Success Is Being in fhe Right Spot<br />
At the Right Time, Says Josh Logan<br />
By<br />
LOIS BAUMOEL<br />
-Talent is not localized. It's spread<br />
throughout the counlr\—starting in little<br />
theatres and regional<br />
theatres. That does<br />
not mean that these<br />
performers are amateurs,"<br />
said Josh Logan,<br />
producer, author.<br />
actor, director and<br />
Lecturer.<br />
Logan was in Palm<br />
Beach for a single<br />
performance of his<br />
seven-character pres-<br />
.losh Logan<br />
^.ptation "Broadway<br />
Scrapbook" al The Society of the Four Arts<br />
Jan. 16.<br />
Humorous and alert. Logan, who is<br />
stocky in stature, laughingly recalled a request<br />
by his mother. "Josh, why don't you<br />
write?" she asked. "Mother, I just coauthored<br />
"— the Pulitzer Prize-winning 'South<br />
Pacific!' "Oh, that!" Mrs. Logan casually<br />
responded.<br />
As a playwright, beside "South Pacific,"<br />
he co-authored "Mister Roberts," "Higher<br />
and Higher," "Wish You Were Here,"<br />
"Fanny" and others. He directed such outstanding<br />
hits as "Annie Get Your Gun,"<br />
"This Is the Army," "Knickerbocker Holiday,"<br />
"On Borrowed Time," "I Married<br />
an Angel," the revival of "Charley's Aunt,"<br />
"John Loves Mary," "The World of Suzie<br />
Wong" and, among many others, the Pulitzer<br />
Prize play "Picnic."<br />
Alluding to comparison of costs of<br />
Broadway productions Logan observed,<br />
"Putting on musicals today is quite another<br />
story. 'South Pacific' was produced for<br />
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some $160,000. Today it would take at<br />
least $1.25 million."<br />
Films directed by Logan include "Sayonara,"<br />
"Camelot," "Picnic." "Fanny,"<br />
"South Pacific," "Paint Your Wagon" and<br />
"Bus Stop." In 1976 Logan published the<br />
fiist of his two biographies. "Josh: My Up<br />
and Down, In and Out Life," and more<br />
recently a continuation of his own life<br />
story, the book titled "Movie Stars, Real<br />
People, and Me." Logan found writing the<br />
first book "very hard," but during the second<br />
book, "I was used to it and it was fun!"<br />
Performing with Logan in his group,<br />
highlighting nostalgic songs from his hit musicals,<br />
were his wife Nedda, who introduced<br />
the act, beautiful daughter Susan, a singer,<br />
and son Tom, who plays the guitar. Prior to<br />
their presentation here the group staged a<br />
tribute to Larry Hart in New York at the<br />
YMHA.<br />
Logan confesses to being a workaholic.<br />
He thinks the films today are marvelous.<br />
"There is a film I would like to do,"<br />
Josh confided. 'Tt is an Australian movie<br />
based on the book 'Careful, He Might Hear<br />
You.' I bought the book years ago. but I<br />
am having a difficult time getting the money<br />
to produce it."<br />
Logan also is working on a musical comedy<br />
based on Nedda Logan's father's plays.<br />
Mrs. Logan is the tenth child of the famous<br />
late actor Edward Harrigan. who was rendered<br />
immortal by the George M. Cohan<br />
song "Harrigan," Cohan wrote the song as<br />
a birthday present for Nedda's father. Logan's<br />
play will be titled "Mulligan's Alley,"<br />
pertaining to the area in which the Harrigans<br />
once lived.<br />
Logan likened his own singing voice to<br />
that of Lee Marvin's vocal renditions in<br />
"Paint Your Wagon." And referring to his<br />
success. Josh said "It's all in timing. One<br />
must be born in the right year and be in<br />
the right spot at the right time." Of course,<br />
after a brief conversation with this modestappearing<br />
man, one also is aware that, although<br />
his sage observations on "How to<br />
Succeed" are correct, talent, such as his. is<br />
also a big help.<br />
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. . The<br />
Cinemark Constructing<br />
Del Rio, Tex., Cinema<br />
DALLAS— Lee Roy Mitchell, president<br />
of Cinemark Corp., announced that construction<br />
is under way on the new Cinema<br />
3 Theatre located in the new Plaza del Sol<br />
shopping mall in Del Rio, Tex.<br />
It was also announced that Bill Bohling<br />
will manage the new facility which will<br />
feature three auditoriums with a total seating<br />
capacity of 560 seats.<br />
'Cinema 3 has been designed with increased<br />
customer satisfaction in mind," said<br />
Mitchell.<br />
Special considerations include luxurious<br />
seating, widely spaced rows, fully tiled restroom<br />
facilities, and the most modern projection<br />
equipment available, "to assure a<br />
flawL'ss picture presentation."<br />
Also included will be Dolby stereophonic<br />
sound, the latest innovation in motion picture<br />
presentations.<br />
"Cinemark Corp. is widely known<br />
throughout Te.\as for proving to their customers<br />
that movies are still affordable by<br />
ev;ryone," said MitchelL<br />
He also said that Cinemark provides a<br />
daily bargain featuie at reduced prices, plus<br />
a Tuesday special each week.<br />
These specials are good at any time on<br />
any show.<br />
Mitchell says: "We try to do everything<br />
possible to provide the best in quality food<br />
and entertainment at a price everyone can<br />
afford.<br />
"Many families make our Tuesday bargain<br />
day a weekly outing and they can see<br />
a show for a total cost which is usually less<br />
than the regular admission for both parents<br />
alone."<br />
'Seven Samurai' Screened<br />
At N. Texas State Union<br />
DENTON, TEX.—"Seven Samurai," the<br />
Japanese film by Akira Kourasawa on<br />
which "The Magnificent Seven" was based,<br />
was shown Wednesday, Feb. 14 at the<br />
Lyeaim of the North Texas State University<br />
Union.<br />
Dr. Donald Staples, a film critic and a<br />
member of the National Board of Review<br />
of Motion Pictures, introduced the film and<br />
gave a lecture.<br />
Sponsored by the NTSU Union cinema<br />
committee, the event was open to the public<br />
with a $2 admission charge. NTSU students<br />
with university ID's were admitted<br />
for SI.<br />
SAN ANTONIO<br />
^ebra Vrba, formerly with Santikos Theatres,<br />
has joined the staff of KENS-TV<br />
as promotion director. Linda Rios, program<br />
manager of the station, was also previously<br />
associated with Santikos Theatre . . . Cass<br />
Ole, a black Arabian stallion was on hand<br />
when the Junior Forum held a kick-off<br />
party for the San Antonio Charity Horse<br />
Show, which it will sponsor as a fund raiser.<br />
The horse appears in the soon-to-be released<br />
"The Black Stallion," starring<br />
Mickey Rooney.<br />
A program of short animated films fiom<br />
around the world, is to be the next program<br />
of the Bread-and-Butter Family Entertainment<br />
series in Our Lady of the Lake University's<br />
Thiry Auditorium. The cartoon<br />
classics include "Mighty Mouse," "The<br />
Roadrunner," "The Selfish Giant" and<br />
"Teddy at the Throttle." The series ticket<br />
prices are kept low, specifically for families<br />
.seeking wholesome, quality entertainment.<br />
Family members will be admitted for 50<br />
cents each with the purchase of one "breadwinner<br />
ticket" priced at $4. Other ticket<br />
prices are $3 for adults, $2 for students and<br />
$1 per person for groups purchasing tickets<br />
in advance.<br />
"Breathless." the film which established<br />
the career of stars Jean-Paul Belmondo and<br />
Jean Seberg, was shown as part of the San<br />
Antonio Art Institute's film series. The<br />
movie is considered the most brilliant of<br />
French director Jean-Luc Godard, forerunner<br />
of the "Nouvelle Vogue." The series is<br />
to be continued on Thursdays through<br />
March 15.<br />
F.R. Wolcot Ashby is co-owner with W.<br />
R. Burns of the downstatc Texas Theatre.<br />
THE AUTOMATIC<br />
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We found it with our "Bun-onthe-Run''''^'*^,<br />
a dripless, high-quality<br />
way to serve a Jiffy Frank. This machine<br />
will steam the hot dogs, poke<br />
The operating company is Ashburns, a combination<br />
of the two names.<br />
Fred McClellan, city manager of the Plitt<br />
Southern Theatres and manager of the Wonder<br />
Twin and the Broadway will be in Dallas,<br />
headquarters for the southern division<br />
of the circuit, for a seminar.<br />
United Artists Theatres held the opening<br />
of the UA Ingram 6 in the Ingram Park<br />
Mall Friday, Feb. 16. Open house, sponsored<br />
by KTSA Radio was held Saturday<br />
and Sunday, Feb. 10 and 11. There were<br />
movies, popcorn, soft drinks and tours.<br />
free<br />
Open house movies included "The Sound<br />
of Music," "Patton," "The Graduate," "The<br />
Sunshine Boys," "Rooster Cogburn" and<br />
"The Billion Dollar Hobo." The opening<br />
schedule at the Ingram has "Movie Movie,"<br />
"National Lampoon's Animal House,"<br />
"Eyes of Laura Mars," "Watership Down,"<br />
"Up in Smoke" and "Harold and Maude."<br />
KTSA will sponsor midnight movies at the<br />
complex and there will be a Golden Age<br />
Club for persons 60 and over.<br />
Local marquees had "Same Time, Next<br />
Year," "She Came to the Valley," "The<br />
Great Train Robbery," "The Warriors."<br />
"Circle of Iron," "Dogs," "Jaws 2" and<br />
"That's Entertainment" . UA Movies<br />
4. UA Cine Cinco and the North Star presented<br />
a special weekend children's show<br />
with "The Little Mermaid." Showings were<br />
at 1:45 p.m. both days at the North Star<br />
and at 12:45, 2:15 and 3:40 p.m. at the<br />
two UA theatres.<br />
"The In-Laws" is being produced by<br />
Arthur Hiller and William Sackheim, with<br />
Hiller directing from the script by Andrew<br />
Bergman.<br />
the hole, sear and heat the hun for a neat and delicious approach to<br />
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BOXOFFICE :: February 19. 1979 SW-1
. .<br />
DALLAS<br />
]!^t TEXPO '79 one could readily sec why<br />
one would say. "Yes. I'll sell you my<br />
theatre, but I'll keep the concessions." With<br />
the deluxe concession stand merchandizing<br />
everything from popcorn to Kryptonite, it<br />
has become a business within itself. Now,<br />
with the added attraction of game machines,<br />
it is becoming easier for a man to take his<br />
wife and children to the show, even if he<br />
is not a movie buff, and enjoy an evening<br />
in the lobby while the family enjoys a film.<br />
Exhibitors also saw ten hours of product<br />
reels as well as new innovations in sound<br />
and projection. Fortunately product seminars<br />
were interspersed throughout the convention<br />
allowing time to visit the trade<br />
booths, enjoy a little entertainment and go<br />
home well versed on what is going on. In<br />
short. TEXPO '79 was a very productive<br />
venture for all in attendance.<br />
Bill RIsener has assumed his new duties as<br />
director of advertising and publicity for Plitt<br />
Southern Theatres, Inc. Risener has spent .34<br />
years in the theatre business, having started<br />
with Interstate at the age of 14 as usher in<br />
the old Dal-Sec Theatre.<br />
Upon his return after two years in the Air<br />
Force be served in the ABC Interstate accounting<br />
department with W. R. Curtis. He<br />
then worked in advertising and publicity.<br />
Later. Risener was made division manager of<br />
Houston, San Antonio, Waco, College Station,<br />
McAllen, Brownsville, Harlihgen and<br />
Edinburg, replacing Pat Hudgins who came<br />
into the Dallas office as director of publicity<br />
and advertising. Hudgins retired Feb. 1. and<br />
Risener is now back in the advertising office.<br />
The newest film distribution center to<br />
open an office in Dallas is Associated Film<br />
Distribution Co. at 10300 No. Central Expressway,<br />
Bldg. 5, suite 345. Telephone is<br />
696-2494. Sebe Miller is division manager.<br />
Miller has surroimdcd himself with well-established<br />
film people to handle the Dallas<br />
branch, with Bob Davis serving as branch<br />
manager. The personnel also includes salesman<br />
Bill Crane, bookers Annele Patterson<br />
and Marlin Richer, cashier Carol Wier and<br />
secretaries Darline Blair and Sandy Johnson,<br />
all with a number of years experience in the<br />
territory.<br />
The Dallas branch will cover Dallas, Oklahoma<br />
City, Memphis and New Orleans.<br />
Miller, as division manager will also have<br />
under his jurisdiction Kansas City and St.<br />
Louis.<br />
It has been several weeks since major<br />
changes have been made in screen openings<br />
but this Feb. 9 six bowed in this area: "Agatha,"<br />
"Hardcore," "The Warriors," "Ice<br />
Castles." "Same Time, Next Year" and<br />
"Great Train Robbery."<br />
Bill Bohling of Cinemark in Denton is<br />
preparing for his move to Del Rio, Tex. to<br />
open the Cinema 3 . . . Tom Marchetti is<br />
now with Cinemark to coordinate the new<br />
Valley enterprises, and Ted Conley, formerly<br />
with theatres in Ft. Worth before closing<br />
his theatres and moving to Montana, has<br />
returned to the Metroplex and will be working<br />
in all phases of Cinework operations<br />
from the office here.<br />
Eric and Maud deNeve left Friday, Feb.<br />
9 for Los Angeles to spend a week visiting<br />
various companies among which were Dimension,<br />
Seymour Boide and Associates,<br />
"Go Modern...For All Your Theatre Needs"<br />
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-C.a MoJtrm . . . B^ifmnll, ,Stif>f//a & StrrM'<br />
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P. R. O., Ellman Enterprises and Columbus<br />
American.<br />
Herrmann was in Dallas and !<br />
Houston Feb. 5 and 6 on a promotional<br />
tour for two Buena Vista releases in which<br />
he stars, "The North Avenue Irregulars"<br />
and "Take Down."<br />
Dai-Art held a tradescreening at the Plitt<br />
Screening Room Feb. 15 of "Wifemistress"<br />
starring Marcello Mastroianni and Laura<br />
Antonelli. The picture is currently doing<br />
tremendous business in New York City<br />
20ih-Fox held a tradescreening Feb. 9 of<br />
'Butch and Sundance: the Early Days"<br />
New Production Company<br />
To Open in North Miami<br />
From Southeast Edition<br />
MIAMI—Motion picture and television<br />
executives Gil Stevens and David Fruitman<br />
announced the formation of a new production<br />
and post-production company in the<br />
City of North Miami, hub of Florida's film,<br />
video and music recording industry.<br />
The company will go into business by<br />
spring as The Video Place in one of two<br />
locations now being finalized. It will offer<br />
program and commercial videotape shooting,<br />
post production, editing, off-line editing,<br />
film transfer, cassette duplication and<br />
two mobile units for commercial and program<br />
production.<br />
"We will be very heavy on our service<br />
capabilities to producers, the broadcast<br />
trade, video publishers, advertising agencies<br />
and into the Latin American and Hispanic<br />
market," said Stevens.<br />
TTie Video Place increases to more than<br />
three dozen the number of physical plants<br />
within the City of North Miami which are<br />
engaged in film, videotape or music recording<br />
production and support services, according<br />
to North Miami Mayor Mike Colodyn.<br />
CUnBRAMA IS m SHOW<br />
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WTien you come to Waikiki,<br />
don't miss the famous Don Ho<br />
Show ... at Cinerama's<br />
Reef Towers Hotel. f<br />
1702 Rusk Avenue<br />
Houston, Texos 77003<br />
(713) 654-1461 -Office<br />
(713) 931-0748 -After Hrs.<br />
YOUR TOTAL THEATRE SUPPLY DEALER<br />
„ , . . , Projecfion 8f Sound Equip. , ,,<br />
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SALES — SERVICE — INSTALLATIONS<br />
nn I<br />
DOLBY SYSTEM<br />
THEATRE<br />
DRIVE-IN<br />
SCREENS<br />
"The Quality Toteer that never<br />
has had to he replaced."<br />
* • *<br />
GENE TAYLOR<br />
D & D Fabrication<br />
and Erection Co.<br />
Post Office Box 3524<br />
Shawnee, Kansas 66203<br />
91 3-631 -%95<br />
SW-2 BOXOFFICE :: February 19, 1979
AGENCY—Valerie Perrine and Lee Majors are shown in a scene from "Agency,"<br />
a new thriller being filmed entirely in Montreal. Somewhat of a change in<br />
image, Majors portrays a creative director of an ad agency who unearths the agency's<br />
plot to control population behavior through subliminal manipulation.<br />
Neighborhood Project<br />
Gets Pictures to People<br />
From tastern Edition<br />
PHILADELPHIA — The Neighborhood<br />
Film Project will make 30 film programs<br />
from its two public exhibition series available<br />
to community organizations for additional<br />
showings at their own locations. This<br />
film-sharing program will operate throughout<br />
the entire year and will be free to eligible<br />
organizations.<br />
Film programs from International Cinema<br />
will be made available. These include<br />
classic and new quality films from ELiropc.<br />
Japan,<br />
Latin America and Africa which arc<br />
dramatic in form.<br />
Also featured are new independent-made<br />
films on social issues which in the past have<br />
included "Union Maids" and the Academy<br />
Award-winning "Harlen County, USA," In<br />
some instances, the independent filmmakers<br />
will accompany their work lo discuss the<br />
film following its showing.<br />
For the past four years, the Neighborhood<br />
Film Project has served as a community<br />
resource in film exhibition and utilization.<br />
It currently programs and administers<br />
two public film exhibition series: International<br />
Cinema, co-sponsored by Internal ional<br />
House, and the Real to Reel series of documentaries<br />
and discussions. Many of the<br />
films to be shown this year will be Pliihidelphia<br />
premieres.<br />
The Neighborhood Film Project believes<br />
that the motion picture is a powerful me-<br />
TECHNICAL SERVICES<br />
AST CORPORATION<br />
PO Box 5150 • Richardson, Texas 75080<br />
TOTAL BOOTH SERVICE, SOUND.<br />
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STAR TREATMENT SERVICE'<br />
dium of communication which can educate,<br />
stimulate discussion and entertain when<br />
used to its full potential.<br />
Community Groups Encouraged<br />
The film-sharing program is designed to<br />
encourage the use and appreciation of a<br />
variety of films by members of neighboihood<br />
and community groups, and to provide<br />
film experiences where often the opportunity<br />
is limited.<br />
The film-sharing program is made possible<br />
in part by a grant from the National<br />
Endowment for the Arts. In addition to Hv<br />
film sharing program, the Neighborhood<br />
Film Project offers a variety of services<br />
assist community groups who wish to<br />
films as a part of their educational, cultu<br />
or outreach programs.<br />
Library of Catalogues<br />
The Project has a resource library of<br />
catalogues, periodicals and other refere<br />
materials. Projectors are available at a modest<br />
service charge to all groups.<br />
The Project staff also provides technical<br />
assistance on presenting an effective screening,<br />
and programming consultation to help<br />
groups locate and choose appropriate lilins<br />
for their needs.<br />
OKLAHOMA CITY<br />
j^ale and Ann Smith, Siloam Springs, Ark.<br />
exhibitors, had to bring a film back<br />
hcrj, and were caught in another series of<br />
snow storms.<br />
The few who were able to brave the elements<br />
to come in on film business were<br />
Jake Guiles, Continental Film Distributors,<br />
Dallas; Danny Wolfenbarger, Dumas, Tex.;<br />
Charles Townsend, Pryor, and Jerry Marshall,<br />
Circle Theatre, Waynoka.<br />
"Ice Castles" (Col), now at the Shepherd<br />
Twin, is a very fine picture, and manager<br />
Earl Murray told us that it was doing very<br />
fine business.<br />
Marquee changes: "The Warriors" (Para),<br />
West Park, North Park, Reding 44 and<br />
Apollo Twin; "The Great Train Robbery"<br />
(UA), McArthur Park and Park Terrace,<br />
and "Hardcore" (Para), North Park and<br />
Reding 4.<br />
In TuLsa: "The Warriors" (Para), UA's<br />
Annex and Fontana; "Hardcore" (Para),<br />
Woodland Hills Cinema; "The Great Train<br />
Robbery" (UA), Fontana, and "Same Time,<br />
Next Year" (Univ), Bowman Twin.<br />
This trade territory is still in the middle<br />
of the worst snow, sleet and ice storms for<br />
many a year. The weather is still cutting<br />
into theatre grosses, and drive-in grosses<br />
are nearly nonexistent.<br />
^^ WATCH PROJECTION IMPROVE WITH Sj<br />
^ METALLIC<br />
TECHNIKOTEcoRP<br />
63 Seabnng St .<br />
Brooklyn,<br />
Pinkston Sales & Service<br />
MOTION PICTURE EQUIPMENT<br />
Complete Sales Service or Repair<br />
WHITE ^^<br />
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AUTHORIZED DISTRIBUTORS FOR MANY MANUFACTURERS<br />
Ed Cernosek<br />
Jim Fritz<br />
2017 Young St. © 214-741-1637<br />
Dallas, Tex. 75231 or 741-1638<br />
BOXOFFICE :: February 19, 1979 SW-3
The only handicap to hiring us<br />
is not linowing where to find us.<br />
You won't find guys like us selling<br />
pencils on street corners. We're tation. Its function is not only to<br />
Department of Vocational Rehabili-<br />
skilled, able-bodied workers. We're evaluate a person's disabilities and<br />
industrial designers. Salespeople.<br />
Secretaries. Managers. Accountants.<br />
Technicians. Blue collar and<br />
wtiite collar.<br />
Unfortunately, though, too many<br />
of us are unemployed.<br />
And the irony of it is, it's not that<br />
men and women like yourself don't<br />
want to hire us. It's simply that you<br />
don't know how to go about it.<br />
Every state in this country has a<br />
to help him rehabilitate himself.<br />
But to help place him in a job that<br />
allows him to fulfill his capabilities.<br />
If you are interested in tapping<br />
your state's supply of hard-working,<br />
capable men and women, write to<br />
your State Director of Vocational<br />
Rehabilitation. His office is located<br />
in your state capital.<br />
Tell him what kind of business<br />
you're in. What job openings need<br />
to be filled. The background, experience<br />
and skills required.<br />
He'll be more than happy to put<br />
you in touch with the right people<br />
for your company or organization.<br />
People who will appreciate the opportunity<br />
to help your company<br />
grow. Who wrll work to their fullest<br />
potential. And help your company<br />
— and our nation — prosper.<br />
Write: Director, State Department<br />
of Vocational Rehabilitation at your<br />
state capitol.<br />
BOXOmCE :: February 19, 19'7
I<br />
57<br />
( spend<br />
;<br />
Movie<br />
I<br />
7th wk 25 Dean Lutz, Avco Embassy branch chief, Field, Ron Liebman and Beau Bridges and<br />
Movie (WB), Hopkins, World. flew to Los Angeles Jan. 28 for a sales set for a March 14 bow.<br />
2nd wk 1 20 meeting that covered three days. During his<br />
National Lampoon's Animal House stay there, Lutz screened "Murder by De-<br />
Business on<br />
(Univ), Skyway II, 26th wk Stage Column<br />
155 cree," which stars Christopher Plummer as<br />
The Psychic (Group I), 5 theatres Sherlock Holmes and James Mason as Dr. New Valley News Feature<br />
wk 80 Watson; "Bell Jar," starring Marilyn Has- 7.om Western Edition<br />
Superman (WB), Brookdale, Southtown, sett of "The Other Side of the Mountain" LOS ANGELES. CALIF.—The Valley<br />
News, a daily newspaper, has introduced its<br />
8th wk 385 fame; a horror film titled "Phantasm": "Ola<br />
new "Business on Stage," column reporting<br />
Violette (Gaumont-New Yorker), Boyfriends." starring Falai Shire, John Be-<br />
Siiburban World, 2nd wk 100 lushi Keith Carradine and Richard Jordan: the business side of the entertainment industry.<br />
WilderMss Family Part 2 (PIE), footage from "Winter Kills," starring John<br />
Writ'.cn in capsule form, "Business on<br />
6 theatres, 2nd wk 175 Huston and Liz Taylor; "Golden Girl," starring<br />
Stage" includes reports of new productions,<br />
James Coburn. Susan Anton and Curt legal actions, fiscal transactions, personnel<br />
changes plus interpretations and forecasts of<br />
j<br />
' 2nd<br />
I »«<br />
'<br />
Magic<br />
j<br />
Skyway<br />
ll Invasion<br />
I<br />
Cooper,<br />
'<br />
,^<br />
. 115<br />
. . The<br />
. . . And<br />
I<br />
FIRST RUN<br />
MINNEAPOLIS<br />
t%Ft%^t%V<br />
0''P''C""i Theatre in downlovvn Min-<br />
T*"-'<br />
KCr^KM neapolis no longer will be used for ihc<br />
j|<br />
''!m^^^M.<br />
showing of movies. The various film<br />
(Avcraac Is 100)<br />
branches here were notified of this change<br />
of policy in an announcement which also<br />
Minneapolis said that General Cinema Corp.'s lease on<br />
California Suite (Col), Hopkins, the theatre had expired and that it would<br />
Northtown, Southdale, 7th wk 160 revert back to Ted Mann. Mann, now based<br />
Circle of Iron (Avco), 4 theatres, in Hollywood and the head of a circuit of<br />
2nd vvk 100 more than 350 theatres, sold his area hold-<br />
Evcry Wiiich Way But Loose (WB), ings to General Cinema several years ago.<br />
Northtown. Southdale. 7th wk 145 The Orpheum, it was announced, will<br />
Halloween (Compass Int'l). 3 theatres, henceforth present stage productions only.<br />
1st wk 340 The show house is located on the city's<br />
main stem, Hennepin Avenue .<br />
Ice Castles (Col), Skyway I, 8th wk.<br />
In Praise of Older Women (Avco). Henrepi.n Avenue house, the State, went<br />
Ml. 1st wk 210 dark some time ago and recently has been<br />
of the Body Snatchers (UA), purchased by a religious group, the Jesus<br />
7th wk 125 People, for use as a church and mission.<br />
(UA), Edina I, J Lord of the<br />
;,..,,<br />
Rings<br />
^ ,„„ c Forrie<br />
»«<br />
Myers, n .<br />
Paramount<br />
\, i.<br />
branch man-<br />
12th wk 100 '<br />
,<br />
, .<br />
, ,<br />
. J ,, ,<br />
• ,-ir> u T- , /^ /-> ager, has now eased back mto full work<br />
20th-Fox , Cooper Cameo,<br />
, t u c j . u j .<br />
'^ , , ,, days fol owmg surgery for a detached rcti-<br />
1 2th wk 65 / ^ " ^<br />
[ Moment by Moment (Univ), Southdale,<br />
Jiirsicns.<br />
p!atMil*» Pfllt** DvAfvvnm<br />
and "A Man, a Woman and a<br />
r ainiiy r lini jrrO^rain Bank.- starring Donald Sutherland. Lutz<br />
jj* , rvi 1 J Iflf ^''^<br />
1<br />
^'S'^ "" ^" '^"^ attractions—but got a<br />
nuns 1 Pa^cular boot out of<br />
OlBdO 1 nSBirB OM Boyfriends<br />
format.<br />
When they re-opened the long-dark deluxe<br />
nabe house in 1977, they tried offering<br />
family films, but in order to remain in business,<br />
they finally switched to adult X-rated<br />
movies. This was a life-saver for the 820-<br />
seat house, which has been in existence for<br />
years. The pair made enough money to<br />
$20,000 on improvements, such as<br />
new stereo sound, lights, projectors, etc..<br />
j<br />
and refurbishing the interior, including a<br />
concession area and new lighting.<br />
Then they decided late last year to again<br />
try family films, with special matinees for<br />
youngsters on Saturday and Sundays, and<br />
a convenient new illuminated paved parking<br />
lot across the street.<br />
Wagner said the results were very disappointing—<br />
"It was pure murder"—and<br />
so the pair have again started booking X-<br />
rated films, with a double feature policy.<br />
since it involved a "Pilgrim Inn" located in<br />
From Mideast Edition<br />
Minneapolis.<br />
TOLEDO—Switching from an adult X-<br />
rated film policy to a family-type programming<br />
policy at the Eastwood Theatre last viously operated by Sanford Johnson, is<br />
The Time Theatre, Chisholm. Minn., pre-<br />
Nov. 22 was a costly affair. After about now owned and operated by Dick Maw.<br />
nine weeks of trying to break even, the two Dick is the son of Ralph Maw, onetime district<br />
manager here for Metro-Goldwyn-<br />
partners—David Hughes and Richard Wagner—have<br />
gone back to their earlier adult Mayer . Amery Theatre, Amery,<br />
Wis., owned by Mike Schanon, is now being<br />
booked by Northwest Theatre Service.<br />
Filnirow visitor: Carl Brownfield. Elk<br />
Cinema Theatre, Elk River, Minn. . . . Walt<br />
Badger, United Artists branch manager,<br />
sneaked "The Great Train Robbery" Feb. 2<br />
at the Cooper Theatre here and at the<br />
Roseville 4 in St. Paul. The reception was<br />
"excellent," Badger reported, "with lurnaway<br />
crowds on hand."<br />
Meanwhile, Columbia branch manager<br />
Jack Ignatowicz sneaked "Hardcore" the<br />
same evening with "solid audience reaction"<br />
prior to its opening Feb. 9 at the Har-Mar<br />
Theatre, St. Paul, and at the Academy,<br />
Southdale and Northtown in Minneapolis<br />
Frank Zanotti, Universal branch<br />
boss, sneaked "Same Time, Next Year"<br />
Feb. 2 at the Southdale Theatre here and<br />
at the Har-Mar in St. Paul with "just excellent"<br />
results. Zanotti has set Universal's<br />
"Buck Rogers" for a March 30 bow at St.<br />
Paul's Har-Mar and at the Northtown, Shelard<br />
Park. Southdale and Chief Theatres in<br />
Minneapolis.<br />
Don Palmquist, office manager at the<br />
20th Century-Fox branch, reported that<br />
"Magic" would go into sub-runs Feb. 9,<br />
with 20th-Fox's "Quintet" pegged for a Feb.<br />
16 bow in the Twin Cities. Also on tap here<br />
from Fox: "Norma Rae," starring Sally<br />
the effects of these doings in the overall<br />
business community.<br />
"With several entertainment firms, such<br />
as Columbia, Disney Productions, MCA<br />
and Universal headquartered in Burbank,<br />
this new column provides Valley News<br />
readers<br />
broader coverage of business activities<br />
within our circulation area," editor<br />
Bruce Winters noted.<br />
Running the weekly column on Sundays,<br />
he said, lets readers learn what's happening<br />
in show business before arriving at their<br />
offices Monday morning.<br />
THEATRE<br />
DRIVE-IN<br />
SCREENS<br />
T/ie Quality Tower that never<br />
hns had to be replaced."<br />
* • •<br />
GENE TAYLOR<br />
D & D Fabrication<br />
and Erection Co.<br />
Post Office Box 3524<br />
Shawnee, Kansas 66203<br />
913-631-9695<br />
BOXOFFICE :: February 19, 1979<br />
NC-
M I<br />
WAUKEE<br />
IJeports in recent issues of Boxoffice have<br />
reviewed the acquisition of the shuttered<br />
Strand Theatre on the city's Wisconsin<br />
Avenue by Shelmon Masce. Masce renovated<br />
the old downtown movie house and<br />
announced he would be showing vintage<br />
films. Just recently he Installed a food service<br />
to augment the regular concessions<br />
stand in the inner lobby. When vintage<br />
movies such as "South Pacific" and "The<br />
Wizard of Oz" were obtainable, they<br />
proved to be good draws. But to fill in the<br />
time gaps, the management resorted to triple<br />
bills of kung-fu and other adventure flicks.<br />
Masce also acquired the Parkland Theatres<br />
1 & 2 in Muskego and has recently<br />
renamed them Countryside Twins. In mid-<br />
January, Masce became ill and was in the<br />
hospital for three weeks and now is home<br />
convalescing.<br />
Meanwhile, the entire building in which<br />
the Strand Showcase Theatre is housed was<br />
sold Jan. 26, and the new owner's intention<br />
is to raze the building's tenants. Other tenants<br />
include the City News Center which<br />
has been at its present location for 20 years,<br />
and the Clock Restaurant at that location<br />
for almost 50 years. The building's corner<br />
tenant, the Voom Voom Room, a bar and<br />
nightclub, lost its liquor license and has<br />
been closed the past two years.<br />
Bill Hansen, manager of the Strand<br />
Showcase, spoke for Masce when he said<br />
they hoped to find another theatre in the<br />
downtown area with the idea of following<br />
through on their intention to show vintage<br />
films." Meanwhile, Hansen said, they will<br />
continue to operate the Strand while looking<br />
for the new location.<br />
the<br />
At its Feb. 5 meeting at the Tosa Theatre,<br />
Better Films & TV Council of Milwau-<br />
preview showing of "Same<br />
kee was given a<br />
Time, Next Year."<br />
Ralph "Clint" Norine of Frederic, Wis.,<br />
died recently at the age of 77. Norine had<br />
been the owner and operator of the Frederic<br />
Theatre for many years. He also operated<br />
a farm north of the town. He is survived<br />
by cousins and was interred at the Lakeside<br />
Cemetery in Cimiberland.<br />
•^ WATC H PROJECTION IMPROVE WITH ^<br />
^ TCCHMIKOTC<br />
§ * SCREENS ^ m<br />
= XRL<br />
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^O LENTICULAR<br />
HILUX<br />
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^7k %fni \ci vn 1-71 ^ E<br />
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TECHNIKOTEcoRP<br />
PEARLESCENT S<br />
^<br />
O MATTE<br />
WHITE §<br />
Toni Dyksterhuis, United Artists branch<br />
manager, mailed invitations to the press<br />
and exhibitors and their friends for a sneak<br />
preview of "The Great Train Robbery,"<br />
starring Sean Connery and Donald Sutherland,<br />
Friday evening, Feb, 2. The invitation<br />
gave a choice of three theatres at which to<br />
see the sneak: Northridge, Spring Mall or<br />
Skyways.<br />
Paula Jamrock with John litis Associates,<br />
the Chicago-based publicity agency.<br />
hosted an invitational screening of Universal's<br />
"The Deer Hunter" at the Southtown<br />
Cinema Tuesday evening, Feb. 6. It was<br />
the only Milwaukee preview of this R-rated,<br />
183-minute movie which deals with the horrors<br />
of the Vietnam War and the lives of<br />
some of the men who fought it. The theatre<br />
was three-quarters filled despite the continued<br />
cold which has plagued Beertown.<br />
Norton's Cinema 1 in Chilton. Wis., "the<br />
small-town movie house with the big-town<br />
movies," continues to bag the big ones:<br />
"Death on the Nile," "National Lampoon's<br />
Animal House," "King of the Gypsies" and<br />
"Oliver's Story"—all during February. Announced<br />
as coming attractions are: "Superman,"<br />
"Magic," "California Suite" and<br />
"Every Which Way But Loose." A note in<br />
the theatre's newspaper display ad reads:<br />
"Thanks for your support and cooperation<br />
during our remodeling which is still in progress."<br />
Be sure to register for a free Door<br />
County vacation or an annual pass. No purchase<br />
necessary. Watch for our gala reopening<br />
later in February."<br />
Seventeen public libraries in Wisconsin<br />
are to share in a Federal Library Services<br />
and Construction Act grant which is to<br />
be used to establish a children's film collection.<br />
Funds from the $25,300 grant will be<br />
used to purchase 16mm children's films,<br />
projectors, screens, film cleaning and maintenance<br />
equipment, as well as publicity materials.<br />
The collection is to be housed at the<br />
Maude Shunk Public Library in Menomonee<br />
Falls, a Milwaukee suburb. Those libraries<br />
sharing in the project, which has<br />
been dubbed WOW, are Waukesha, Ozaukee<br />
and Washington counties. A director<br />
of one of the library services involved said:<br />
"We are glad to be a part of this program<br />
as it will make (film) materials available to<br />
our patrons which in turn will increase our<br />
rvice to the community."<br />
A Winter Film Series is being offered the<br />
moviegoing public at the Vilas Theatre in<br />
agle River, located in the North Woods<br />
There are six films in the series<br />
CLVERAMA IS IX SHOW<br />
nUSLVfrXSS IX H^VHTAll TOO,<br />
When you come to Wulkiki,<br />
don't miss the famous I )()n II<br />
Show ... at Cincrainu's<br />
Reef Towers Hotel. ^^,<br />
.«°^f<br />
SiI3£>kA<br />
RF. El- •WAIKIKI TOWER OFTIIKRliEF „,«,„<br />
REEKnm-F.RS^EIK-.EWATER<br />
which began with "Coming Home" last<br />
month. Others are "Death on the Nile,"<br />
which ran Feb. 11-13; "The Sound of Music,"<br />
Feb. 25-27; "A Man for All Seasons,"<br />
Mar. 11-13; "Annie Hall," Mar. 25-27, and<br />
"International Velvet," Apr. 8-10. Admission<br />
is $2.50 for adults and $1.25 for children<br />
and senior citizens.<br />
Tiie Movies in Tomahawk, Wis., announced<br />
a new policy effective Feb. 2. Regular<br />
admission price is $2.75 with children<br />
eleven and under, $1.50. Special admissions<br />
September through May: senior citizens,<br />
$1.50, ages to 15, and 12 $2. For the G-<br />
rated matinee series, the management offered<br />
"five special matinees for the price<br />
of two by buying your ticket for only $3."<br />
Admission at the door is otherwise $1.50.<br />
The matinee series began in early February.<br />
Valenli Comes to N. C.<br />
To Fight Bidding Law<br />
°RALE1GH. N.C.—Jack Valenti was here<br />
Jan. 25 to lobby against legislation that<br />
would make North Carolina the sixth state<br />
to outlaw blind bidding on films.<br />
The president of the Motion Picture<br />
Assn. of America said the bill was not in<br />
the public interest.<br />
"This is a fiscal disagreement between<br />
the fellows who make the movies and distribute<br />
them and the fellows who exhibit I<br />
the movies," Valenti said in meetings with]<br />
Gov. James B. Hunt Jr. and other state officials.<br />
"This legislation is of no public interestl<br />
unless it is passed," Valenti said. "And if itl<br />
passed, will mean higher ticket pi ices."<br />
The<br />
it<br />
Motion Picture Fair Competition<br />
Act is scheduled for consideration during<br />
the current session of the North Carolina<br />
General Assembly.<br />
The bill would make it illegal for a filn<br />
to be put out for bid before it is screened<br />
Similar legislation has been passed in Louisiana,<br />
Alabama, South Carolina, Virginl<br />
and Ohio.<br />
"We don't know what we're getting" witi<br />
blind bidding, said a Raleigh theatre own<br />
er. "We're just gambling on a title. We oftei<br />
bid before a film is even placed in pro<br />
duction."<br />
"We're not asking for an end to biddinj<br />
or an end to those guarantees. All we wan<br />
is<br />
a chance to see what we're gambling on.'<br />
Valenti referred to the practice as "ad<br />
vance bidding," which he said was equitablf<br />
because it meant that theatres shared<br />
the fiscal risk of moviemaking. Money sen<br />
in advance of the run— in advance of pro<br />
duction in some cases—helps studios defraj<br />
production loans.<br />
Valenti said legislation designed to out<br />
law blind bidding in 20 other states failec<br />
last<br />
year.<br />
"If bills like this are passed across th(<br />
country, it will mean that the cost of mak<br />
ing movies will rise. In my judgment, fewe<br />
films will be made, and the films that an<br />
made will demand higher terms from exhib<br />
itors. Exhibitors, in turn, will have to rais<<br />
their prices." he said.<br />
BOXOFFICE :: February 19, 197
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BOXOFFICE :: February 19, 1979 NC.3
That happy face belongs to my friend Cecil Andrus' daughter Ti-acy.<br />
Lately people say there's something new about her smile. Something I understand better than<br />
anyone. When I wasn't much older than Ti-acy, I beat cancer too.??<br />
Senator Frank Church<br />
Almost oO years separate our victories. Years that brought major advances in the<br />
treatment of cancer. When I was fightin.u' for my life, Tl-acy's chances wouldn't have been good. Then<br />
most people with Hodgkin's disease, people like T\-dcy, died within 5 years.<br />
But yom- generosity helped change things. You funded research that developed new<br />
treatments. Tl-eatments that saved Ti-acy's life. Now she's leaving her job as a legislative assistant and<br />
going back to om- home state of Idaho. Back to school. Back to a life that's much dearer for<br />
neai-ly having lost it.<br />
Ti-acy and I aren't unique. Almost 2 million Americans have beaten cancer. But much stUl .<br />
remains to be done. Thi^ough research, rehabilitation and education, the Amei-ican Cancer Society<br />
is making yom- contributions count.<br />
American CancerSocietyi<br />
CANCER CAN BE BEAT<br />
Almost 2 million people are living proof your contributions count.<br />
This space tDiitributeil by the puhli;<br />
February 19. 197|
i)J' BOXOFFICE<br />
. . "Night<br />
Ohio Blind Bid Trial<br />
Is Set for March 29<br />
NEW YORK—Judge Robert M. Duncan<br />
of the U.S. District Court in Columbus has<br />
responded to the distributors' plea for an<br />
early trial and set March 29, 1979 as the<br />
date on which the trial in the Ohio blindbidding<br />
lawsuit will commence. This suit<br />
challenges the constitutionality of the Ohio<br />
Motion Picture Trade Practice statute which<br />
became effective on October 23. 1978.<br />
This contradicts a statement by Alan<br />
Friedberg, president of NATO, in his January<br />
31, 1979 address at TEXPO '79 in<br />
which he stated: "By way of an update of<br />
the Ohio case, I might tell you that an<br />
MPAA motion for an expeditious tiial was<br />
denied by the presiding judge, who rules<br />
that discovery could proceed in a normal<br />
fashion." Normally such a trial would not<br />
be scheduled for another year and a<br />
half.<br />
The trial attorneys for the distributors are<br />
Porter, Wright. Morris & Arthur of Columbus.<br />
CINCINNATI<br />
^irector Martin Ritt ("Sounder") will be<br />
in town March 1 to meet with the<br />
media and screen his new production "Norma<br />
Rae." The film stars Sally Field as a<br />
textile industry labor leader in the South.<br />
Beau Bridges and Ron Liebman ("Kaz")<br />
topher Plummet, Elliott Gould and Susannah<br />
York); "The Bandits" (Jan-Michael<br />
Vincent, Robert Conrad) and "The Last<br />
Wave," Richard Chamberlain's occult<br />
drama already receiving rave reviews.<br />
Mt. Adams has revived the near-classic<br />
"King of Hearts" which was directed by<br />
Phillipe de Broca. Short subjects on screen<br />
include "Bambi Meets Godzilla" and<br />
"Thank You Mask Man." Two midnight<br />
CI1VEIL\MA IS tX SHOW<br />
BUSLVESS tX HAWAII TOO,<br />
f<br />
When you come to Walkiki,<br />
don't miss the famous Don Ho<br />
Show ... at Cinerama's<br />
Reef Towers Hotel.<br />
REEF • WAIKIKI TOWER OFTI IE REEF .Qlim<br />
REEFTOWERS«EDGEWATER l"??^)<br />
shows continuing there too . of<br />
the Living Dead" Fridays and "Eraserhead"<br />
Saturdays.<br />
Tom McElfresh bestowed four stars (of<br />
a possible seven) on "Slow Dancing in the<br />
Big City." noting, "For all the sweat and<br />
pasteurized pain and murky, mud-toned<br />
cinematography, it is only cosmetically different<br />
from those high-key '30s movie romances<br />
with the likes of Fred Astaire and<br />
Ginger Rogers. But it does have it over '30s<br />
romantic movies in acting; Paul Sorvino,<br />
Anne Ditchburn and the supporting players<br />
are quite good."<br />
FIRST RUN<br />
REPORT<br />
(Average Is 100)<br />
Cincinnati<br />
Animal House (Univ). Showcase,<br />
28th wk 325<br />
California Suite (Col), 4 theatres,<br />
7th wk 500<br />
Every Wliich Way Bu» Loose (WB).<br />
5 theatres, 8lh wk 650<br />
In Praise of Older Women (Avco).<br />
Princeton. Skywalk. 7th wk 300<br />
Invasion of the Body Snatchers (UA).<br />
Showcase, 7th wk 275<br />
King of the Gypsies (Para), Showcase,<br />
7th wk 175<br />
are also involved.<br />
The Lord of the Rings (UA), Studio,<br />
Tri-County. 7th wk 350<br />
Trade screenings: Robert Altman's "Quintet"<br />
Newman)<br />
Moment By Moment (Univ), 3 theatres,<br />
(with Paul recently unreeled.<br />
7th wk 200<br />
Movie Movie (WB), Showcase,<br />
It marks Newman's return to the screen<br />
after a self-imposed year-and-a-half sabbatical.<br />
The core of the production revolves<br />
2nd wk 275<br />
Oliver's Story (Para), 3 theatres,<br />
around a game from which the title itself<br />
8th wk 200<br />
derived. Others unveiled aie Columbia's<br />
is<br />
Slow Dancing in the Big City (UA),<br />
film adaptation of the electrifying and powerful<br />
Valley, 1st wk 75<br />
"When You Comin' Back, Red<br />
Superman (WB). 3 theatres, 8th wk. . . .900<br />
Ryder"; UA's "The Passage" (Anthony<br />
Up In Smoke (Para), Showcase,<br />
Quinn, Malcolm McDowell. James Mason<br />
19th wk 225<br />
and Patricia Neal); "Silent Partner" (Chris-<br />
Watership Down (Avco), Kenwood.<br />
12th wk 200<br />
The Wiz (Univ), Showcase. 14th wk. . .100<br />
mmmmM^^m£ ^^•^^'*'<br />
1st<br />
WITH<br />
SHOWMEN<br />
EVERYWHERE<br />
Movie, Inc. Takes Over<br />
University Flick Twin<br />
COLUMBUS— Movie, inc., of Albuquerque,<br />
N.M., has taken over management<br />
of the two-auditorium University Flick, at<br />
1980 N. High St., near the Ohio State University<br />
campus, from General Cinema<br />
Corp. Movie, Inc., will continue to program<br />
one screen of the house in a ref)ertory<br />
fashion, consisting of films, usually double<br />
bills, that change three times a week.<br />
On the other screen, the company plans<br />
a similar mixture of films, but on extended<br />
runs, announced John Schlesinger, who is<br />
the new manager. The schedule will include<br />
"Madame Rosa," starring Simone Signoret,<br />
whi;h will play at least two weeks, with<br />
other films planned for extended runs to<br />
include "Harold and Maude," "El Topo"<br />
and "King of Hearts."<br />
The theatre will continue to publish a<br />
three-month schedule circular, distributed<br />
with a mailing list and at retail and university<br />
locations. Schlesinger will also seek<br />
suggestions from patrons on programming.<br />
He also said that the concession stand will<br />
include such items as organic juices and<br />
cookies, imported candies, hot cider, coffee<br />
and frozen yogurt. A new popcorn machine<br />
will also be installed soon, and some projection<br />
equipment will also be changed.<br />
Schlesinger, 26, came here early in February<br />
from managing a Movie, Inc., house<br />
in St. Louis. He said University Flick is the<br />
first two-screen facility of Movie. Inc.,<br />
which owns seven theatres and books films<br />
for several others.<br />
Besides providing patrons with a place to<br />
see classics, foreign rereleases, and odd<br />
American first releases, the firm hopes to<br />
make local patrons aware of the enjoyment<br />
to<br />
be obtained from unusual films.<br />
Show Benefits Renovation<br />
CANTON. OHIO—A benefit show. "The<br />
Life, Times and Music of Abraham Lincoln."<br />
preceded by a dinner, was offered<br />
last Feb. 1 1 at Canton's Memorial Civic<br />
Center. Proceeds will be used to help finance<br />
the purchase and renovation of the<br />
historic 53-year-old Palace Theatre on Market<br />
Avenue North in downtown Canton.<br />
|^ ^^m order from filmack<br />
* ^H WHENEVER YOU NEED<br />
CHOICE ^SPECIAL FILMS<br />
DATE STRIPS,<br />
CROSS PLUGS,<br />
MERCHANT ADS<br />
SPECIAL AN-<br />
NOUNCEMENT<br />
FILMACR STUDIOS,INC.<br />
:; February 19, 1979 ME-1
^j<br />
C L<br />
E y ELAND<br />
The Colon.v Theatre, a landmark at Shaker<br />
Square for 40 years, will close soon.<br />
The chances of future films flashing on its<br />
giant silver screen appear dim. Shaker<br />
Heights developer Lawrence Albert and<br />
owner of Shaker Square said that he has<br />
had pressure from people to maintain the<br />
Colony as a theatre. He is considering several<br />
options, which range from converting<br />
it to a mall with shops and a restaurant<br />
similar to what was done with the Beachcliff<br />
Theatre to setting it up as a cultural<br />
arts<br />
center for Shaker Square.<br />
A locally produced movie won an award<br />
at the Greater Miami International Film<br />
Festival. Titled "Looking for Yesterday," it<br />
is an informative and powerful documental<br />
y. The 29-minute color film was produced<br />
and directed by Edward Fell of Edward<br />
Fell Productions and was written by<br />
Mrs. Fell, who stars as the social worker.<br />
The movie was produced through a grant<br />
from the Ohio Program in the Humanities<br />
and is distributed and sponsored by the<br />
Ohio Chapter, National Caucus on Black<br />
Aged.<br />
The film features real patients in a<br />
nursing home. It was filmed at two nuising<br />
homes in Cleveland, both of which requested<br />
not to be identified.<br />
A letter lo the entertainment editor of<br />
the Plain Dealer stated: "As we head into a<br />
new year, now seems a good time to say a<br />
few things about old movies and who they<br />
appeal to, and also why few, if any, black<br />
people patronize the New Mayfield Repertory<br />
Cinema." The letter is in answer to an<br />
article in the Plain Dealer in which Sheldon<br />
Wigod of the New Mayfield Repertory<br />
Cinema described his audience and announced<br />
expansion of his mailing list tor<br />
future attractions. The letter continued: "Let<br />
me just say that, yes. black people, myself<br />
included, very much enjoy the kind of old<br />
movies Mr. Wigod delights in showing. And<br />
yes, many of us would attend his movie<br />
house if we thought it was safe to do so.<br />
(The theatre is located in Little Italy). And<br />
no, it's not just "King Kong" that attracts<br />
us. And yes, I resent being linked to "long<br />
hairs' in my movie tastes. While I certainly<br />
a.in'i IccI thai I'm a middle-class, middlebrow,<br />
very nice square. 1 nonetheless would<br />
give Mr. Wigod a failing grade in analyzing<br />
people if he excludes me, and other old<br />
movie buffs who happen lo be black, when<br />
considering a viewing audience for his theatre.<br />
"I resent feeling that I cannot venture<br />
into the neighborhood of Mr. Wigod's movie<br />
house without fearing for my safety and<br />
that of my friends. If he really cares about<br />
expanding his audience, I suggest he approach<br />
his neighbors around the Old Mayfield<br />
and get their views on black people<br />
attending his theatre. If they indicate they<br />
don't care one way or the other, find some<br />
means to let us know."<br />
Jerry Jorgensen, branch manager of Columbia,<br />
reports that "Hard Core" opened<br />
at multiple thcaties Feb. 9 and "Fast Break"<br />
will open March 6.<br />
Thomas P. Schaffiier, John litis Associates,<br />
screened "The Brink's Job" starring<br />
Peler I'alk at the downtown screening room.<br />
Ohio Theatre to Add<br />
Arts Center Complex<br />
The Capitol South Community Redevelopment<br />
Corp. plans to start a $13 million<br />
fund raising campaign this month to finance<br />
the construction of a 160,000 square foot<br />
performing arts center behind the historic<br />
Ohio Theatre in downtown Columbus.<br />
Joseph Madonna, executive director of<br />
Ihe development group, said plans call for<br />
an SOO-scat proscenium theatre, a 400-seat<br />
experimental theatre, two 100-seat classrooms,<br />
and a large exhibit area to be included<br />
in the facility. It will be connected<br />
to the Ohio Theatre by a corridor. Office<br />
space might also be added to the center to<br />
help defray operating costs. Madonna said.<br />
The Hunter" will be produced by Paramount<br />
and Rastar/Mort Engelberg Productions,<br />
with Peter Hyams signed to wiite the<br />
script and direct the feature, ba-ed on the<br />
novel by Christopher Keane.<br />
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Bedford and Crew Set<br />
To Shoot 'Brubaker'<br />
COLUMBUS—Ohio's getting ready for a<br />
filmmaker invasion, including one of the<br />
industry's highest paid and most popular<br />
leading actors— Robert Redford.<br />
Redford, along with 100 industry crew<br />
members and 1,000 extras, will be descending<br />
upon the Perry County community of<br />
Junction City (population 732) about 40<br />
miles southeast of Columbus.<br />
in<br />
Four months of shooting will begin there<br />
mid-March on 20th Century Fox's "Brubaker,"<br />
which is the tale of a man who becomes<br />
warden of a troubled prison and<br />
hopes to reform it.<br />
Fox scouted 25 states in quest of an<br />
abandoned prison farm before deciding upon<br />
the Junction City Treatment Center, a<br />
complex which had served as a prison and<br />
mental health center and is now awaiting<br />
development as an industrial park.<br />
The Ohio Film Bureau, staffed by four<br />
individuals within the state Department of<br />
Economic and Community Development, is<br />
credited with landing "Brubaker." which is<br />
among the biggest film projects brought to<br />
the state through the bureau's efforts.<br />
Others have included "The Deer Hunter,"<br />
"Harry and Walter Go to New York,"<br />
"Harper 'Valley PTA." "Harvest Home" and<br />
NBC-TV's "Centennial."<br />
But finding a useable location for the<br />
Hollywood crew is not the bureau's only<br />
chore. Arrangements in the case of "Brubaker"<br />
had to be made for hotel space for<br />
80 to 100 crew members (they will be<br />
housed in Columbus), transportation (buses<br />
to take film makers to the site, trucks for<br />
their equipment and mobile homes for the<br />
stars),<br />
plus police security to control crowds.<br />
To help protect the privacy of heartthrob<br />
Redford. the film bureau is locating<br />
a private home for him to rent during his<br />
stay in Ohio.<br />
In addition, as many as 1.000 extras will<br />
be chosen by the studio for scenes showing<br />
the prison population. The bureau is collecting<br />
applications for those roles. The<br />
resumes already on file now are estimated<br />
at in the thousands.<br />
Ironically, though a major picture generally<br />
pumps some $10,000 daily into a<br />
community, the Ohio Film Bureau's budget<br />
(excluding salaries) is only $12,000 a year<br />
—most olf which is spent on advertising in<br />
trade journals.<br />
.And, incidentally, these Ohioans are not<br />
finished yet. Their goal is to make the state<br />
the Midwestern capital of the film indus-<br />
We can handle it!<br />
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ME-2
,<br />
as<br />
I<br />
Brooklyn,<br />
E. C. Johnson Returns<br />
To Oversee Takeover<br />
DEIROIT—Howard Cogan, writer for<br />
the Bay City Times, spoke with E. C. "Eddie"<br />
Johnson, veteran exhibitor, when Johnson<br />
returned to oversee the takeover of one<br />
of his former theatres. His story appears<br />
below;<br />
EC. "Eddie" Johnson peeked out of retirement<br />
in sunny Port Charlotte, Fla., to<br />
return to storm-tossed Bay City to oversee<br />
the takeover of the former Empire Theatre.<br />
a bit.<br />
Always in a hurry, Eddie hasn't changed<br />
His Johnson Theaters Inc.. now owned by<br />
his nephew, John Johnson, has just completed<br />
leasing arrangements with Bob Hart<br />
of Washington Place. Negotiations between<br />
Johnson and Peoples National Bank to take<br />
over the theatre operation started over a<br />
,<br />
It was considered, according to Johnson,<br />
one of the finest legitimate theatres between<br />
Detroit and Chicago.<br />
It was converted to movies in the early<br />
1930s, the first in Bay City and one of the<br />
first to convert to talkies in Michigan.<br />
It was in 1930 that the then owner Richard<br />
Leahy signed an exclusive franchise<br />
the "best of the good movies and no X-rated<br />
lilms."<br />
Theatregoers here got a sneak peek recently<br />
of the renovated 1,500-seat theatre:<br />
a one-night special, co-sponsored by Johnson<br />
and the Bob Hart organization. It was a<br />
two-hour stage concert entitled "Moments<br />
to Remember." Featured were the Jimmy<br />
Dorsey Orchestra, conducted by Lee Castle,<br />
the Four Lads and Johnny Desmond.<br />
When in operation, the new Washington<br />
Theatre will employ ten people fulltimc.<br />
Managei will be Lorraine Cygan. who started<br />
with Johnson in the old Washington in<br />
1943 and has been managing the Westown<br />
in<br />
recent years.<br />
Johnson, now 62, describes him.self as<br />
semi-retired, spending most of his time golfing,<br />
playing caids at the Port Charlotte Elks<br />
Club and gardening.<br />
DETROIT<br />
year ago, he said.<br />
The theatre, now undergoing extensive<br />
QIark Theatre Service announces that, effective<br />
March<br />
they 1, will represent<br />
clcan-up and renovation, will be renamed<br />
the Washington Theatre.<br />
the Hillman Theatre. Hillman. Mich., in<br />
the licensing and booking of films. For Johnson, The<br />
it brings back a lot of memories.<br />
Larry<br />
owner and operator of the theatre is<br />
He first came<br />
E. Hardin, Route # 2, Box 308, Hillman<br />
to Bay City in 1937 as Mich.<br />
manager of the old State Theatre which<br />
A letter has been sent to news directors<br />
later was renamed the Westown. and took<br />
over operation of the original Washington of major Detroit television and radio stations<br />
Theatre in 1941.<br />
by the Main Theatre, an independent<br />
The original Washington Theatre here<br />
750-scat theatre in Royal Oak, protesting<br />
had a "great histoiy" dating back to the<br />
1920s when such stars as John and Ethel<br />
the use of "scare warnings" such as "Stay<br />
at home—don't drive," and so on during<br />
Barrymore. Eddie Cantor. Al Jolson and weather forecasts and disc jockey programs.<br />
Further, many more appeared there.<br />
the letter states that it obviously<br />
is the duty of the station to broadcast<br />
weather conditions and forcasts in the public<br />
interest, but to scare the public with<br />
"stay at home" scares hurts theatre attendance<br />
and probably attendance at sporting<br />
and civic events as well.<br />
When a theatre must guarantee a distributor<br />
certain gross receipts on a movie,<br />
listener's intellect regarding driving, after<br />
listening to the weather detail.s, without<br />
hearing alleged editorializing words."<br />
Not only the Main Theatre, but many<br />
otheis have been affected adversely by reactions<br />
to weather reports.<br />
Columbia Pictures held a restricted-admission<br />
screening at The Point-Of-Vue<br />
.Screening Room, Sunday. Feb. 4, of "Hardcore."<br />
"This is an extremely moral movie.<br />
The point of the story demonstrates how<br />
shallow, useless and sick the whole sex industry<br />
is," states George C. Scott, who stars<br />
in the film. Some shots are actual pornography<br />
establishments in San Francisco, San<br />
Diego and Los Angeles.<br />
"Wilderness Family, Part 2," a Pacific<br />
International release, rated 850 on the barometer<br />
by doing an outstanding business<br />
both in the Detroit area and outstate situations.<br />
The feature outgrossed the original<br />
"Wilderness Family." It<br />
served 30 situations<br />
in the area and had excellent prime time<br />
coverage via TV.<br />
The Detroit News Letter Box printed yet<br />
anothei gripe directed at the business, as<br />
follows: "I think movie theatres must' be<br />
one of the biggest rip-offs around. Why do<br />
they charge two prices? Do adults take up<br />
two seats? I know a lot of teenagers who<br />
can't afford to go to a movie with a date<br />
because of the different prices. If we teenagers<br />
have to pay adult prices, why can't<br />
we see adult movies? Why can't there be<br />
one price for movies, as there is for football<br />
games and concerts?" One wonders.<br />
A Clark Theatre representative has announced<br />
that the Richmond Theatre, Richmond,<br />
reopened Feb. 7 under new management.<br />
Thomas S. Welsh, P.O. Box 806, Mt.<br />
Clemens, Mich., is the owner. He is public<br />
works commissioner for Macomb County<br />
and has purchased the property containing<br />
the Richmond Theatre from the original<br />
owner.<br />
agreement with Warner Bros. Pictures.<br />
Johnson has a copy of the original contract,<br />
calling for a $180 a week guarantee.<br />
Theatre tickets at the time went for 25 to<br />
50 cents each.<br />
The Warner Bros, connection will be<br />
maintained by Johnson and the first movie<br />
to be shown under the new management<br />
was a Clint Eastwood film, "Every Which<br />
Way But Loose."<br />
To give an idea of how much costs have<br />
gone up, franchise arrangements today call<br />
for guarantees as high as $10,000, "and<br />
even more," based on an individual theatre's<br />
normal gross.<br />
Johnson said his organization would show<br />
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he finds that weather forecast scares cut<br />
heavily into the admission receipts and that<br />
theatre operation can be "thrown for a<br />
loop." So declared Bob Anthony, co-owner<br />
of the Main Theatre in Royal Oak. He<br />
added, "There must be other ways to serve<br />
the public where the broadcaster respects a<br />
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The Capitol Theatre in Flint was reopened<br />
Feb. 15 by the owner of the Capitol<br />
Theatre building, George Farrah. The policy<br />
will be double-bill action films. Clark<br />
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above situations in the licensing and booking<br />
of films.<br />
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Show Biz Vet Recalls<br />
50 Years in the Trade<br />
Bv TONY RUTHERFORD<br />
CINCINNATI—Names in lights, stars on<br />
tour, opening nights, and informing the<br />
media have been a part of William Blum's<br />
life for decades.<br />
Blum's career spans nearly 50 years and<br />
virtually every facet of show business, except<br />
performing. The personable "Bill." with<br />
the heart and enthusiasm of a man thirty,<br />
began his career as a press agent with Tiffany-Stahl.<br />
Since then he has handled promotions<br />
for numerous legitimate theatre<br />
productions, toured for three weeks with<br />
Al Jolson. worked as a publicist with RKO.<br />
Walt Disney and Universal Pictures, managed<br />
this city's Shubert Theatre from 1965<br />
to 1967. operated the Queen City's National<br />
General branch office, and when that company<br />
folded Regency Film Distributing and<br />
William Blum Enterprises were originated.<br />
Holding the distinction as the first press<br />
agent hired by Walt Disney. Blum landed<br />
the position when he was in Philadelphia<br />
where the music was being recorded for<br />
Disney's "Fantasia."<br />
The film industry survived a depression,<br />
world wars, television, scandals and soaring<br />
costs. With the onslaught of home video<br />
cassettes looming perilously closer, this veteran<br />
of nearly half a century in "show-biz"<br />
still has a lot of confidence in it.<br />
'People Always Want to Go Out'<br />
Regarding the impact of television. Blum<br />
related a story about the owner of a clothing<br />
store next to the RKO Palace Theatre in<br />
Columbus. Ohio. When TV began invading<br />
living rooms, the man threatened to close<br />
his store because people would not be interested<br />
in attending the theatre anymore.<br />
"But I told him," Blum explained, "people<br />
are always going to want to get dressed up<br />
and go out. and you are the ones who will<br />
sell them the clothes."<br />
However, Blum acknowledges television<br />
caused "small towns to suffer." bringing<br />
about the demise of their motion picture<br />
emporiums. Yet in larger cities, "there are<br />
more screens than previously," specifically<br />
multi-unit complexes whose overhead is<br />
nearly equal to single situations.<br />
Blum believes legitimate touring shows<br />
have been hurt due to transportation difficulties,<br />
mainly the lack of trains. "Having to<br />
fly equipment and personnel around the<br />
country has done more to stop touring<br />
shows than anything else." Blum said.<br />
Perhaps, surprisingly, the showman and<br />
press agent stressed that explicitness (especially<br />
foul language) is the greatest obstacle<br />
which hurts the film business. Stating that<br />
"only a certain class of people talk that<br />
way," he complained most of the language<br />
is used for "shock value."<br />
"I'm no prude, I've been in show business<br />
all my life, but it's embarrassing and<br />
ceases to be entertaining," he explained.<br />
Interestingly, Blum is also having a problem<br />
setting a Cincinnati date for the open-<br />
ME-4<br />
ing of "Get Out Your Handkerchiefs," a<br />
French-Belgian co-production dealing with<br />
the new morality. This charming New York<br />
Film Festival entry has received remaikable<br />
reviews, but has not yet been rated. As such.<br />
Cincinnati's morning newspaper will<br />
not accept<br />
advertising for the film.<br />
While "Handkerchiefs" is not an X-rated<br />
product. MPAA guidelines state that any<br />
picture not submitted for a rating must be<br />
assigned a self-imposed X.<br />
Bill Blum, who began in the days when<br />
p;ess agents earned $115 per week and<br />
chorus girls a measly $35 per week, expressed<br />
many a fond memory of days and<br />
personalities gone by. Although having spent<br />
much of his life dealing with motion pictures,<br />
he most enjoyed his association with<br />
legitimate theatre because of the one-on-one<br />
relationships with "live productions and personalities."<br />
Mall, Theatre Complex Set<br />
For Construction in Fall<br />
COLUMBUS—Wisma Industries of suburban<br />
Canal Winchester announced plans to<br />
build a $40 million shopping mall and entertainment<br />
complex at the southeast corner<br />
of Bricc Road and the East Freeway, with<br />
construction to begin this fall. The facility<br />
would involve a 457,000 square foot retail<br />
mall and a separate 44,000 square foot entertainment<br />
center, both to be built on 56<br />
acres.<br />
The entertainment center would have<br />
three theaties for live stage productions, to<br />
seat between 3.000 and 8,000 persons each.<br />
Stephen C. Baytos. Wisma vice-president,<br />
said several production companies are interested<br />
in leasing the entertainment facilities.<br />
The company has asked Franklin County<br />
commissioners to issue $10 million in industrial<br />
revenue bonds to help finance the entertainment<br />
venture. Such bonds are issued<br />
by the county but are backed and paid off<br />
by the companies seeking the issuance. No<br />
public money is involved. Since the bonds<br />
are government issued, they are tax free<br />
and cany a lower rate of interest than conventional<br />
loans. Baytos told the county commissioners<br />
he already has a buyer lined up<br />
to buv the tax-free low-interest bonds.<br />
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BOXOFFICE :: February 19, 1979
i<br />
By<br />
j<br />
AGAWAM,<br />
.<br />
New<br />
Business Park to Have<br />
Twin-Screen Complex<br />
ALLEN M. WIDHM<br />
MASS.—In the second ma-<br />
;jor cinema development for New England<br />
this year, twin cinemas are included in<br />
planning for a $50 million project, to be<br />
known as Feeding Hills Commons and Business<br />
Park. If approved by the town council,<br />
construction could begin by April.<br />
i A 255-Acre Development<br />
calls complimenting him on making sense<br />
The development, as envisioned by backers<br />
John J. Beltrandi of Agawam and Leon<br />
out of a difficult situation for many independent<br />
theatre owners.<br />
Charkoudian of Newton, would be a selfcontained<br />
village on some 255 acres of<br />
Mel Safner, First Boston Films, hosted a<br />
prime land.<br />
tradescreening of "Newsfront" at the Park<br />
Planned are business space, a shopping Plaza Screening Room Thursday Feb. 15.<br />
mall. 300 condominiums, a bank, a convalescent<br />
home, medical facilities, a hotel and claimed by critics and fans at the New York<br />
Made in Australia, the film was highly ac-<br />
recreation center comprised of the twin Film Festival.<br />
theatre, a bowling alley and physical fitness<br />
facilities.<br />
The Variety Club of Boston held its annual<br />
election of officers at the Park Plaza<br />
The town council must approve a request<br />
for zone change from agriculture to business Hotel last week. The following officers were<br />
to permit start of construction.<br />
chosen: Roger Lockwood, chief barker; Mai<br />
Green, first assistant barker: Sol Sherman,<br />
One reliable source indicated that Beltrandi<br />
Associates, the "umbrella" corpora-<br />
second assistant barker: Doug Amos, dough<br />
guy. and Sam Feldman, press guy. Plans<br />
tion involved, might be faced with a<br />
"tough" zone-change vote by councilmen.<br />
Council Endorses Project<br />
At the same time, however, Agawam<br />
town manager Peter Caputo and town council<br />
president Richard M. Theroux voiced<br />
endorsement of Beltrandi/ Charkoudian<br />
planning, with Caputo characterizing the<br />
project as "a planned, professionally designed<br />
development, that will bring many and<br />
varied benefits to the people of Agawam<br />
and the surrounding region."<br />
Purchase rights for the land have been<br />
obtained from controllers of the pension<br />
fund of the Textron Corp., Providence.<br />
Adjacent to Springfield<br />
Agawam, adjacent to Springfield, presently<br />
contains the Agawam Twin Cinemas and<br />
the older Riverside Amusement Park. The<br />
latter facility many years ago had a drivein<br />
theatre.<br />
As previously reported in Boxoffice,<br />
Cinema Center Circuit is developing plans<br />
for a multiple-screen complex on a tract of<br />
land next to the Bangor Mall, which happens<br />
to be the newest—and largest—enclosed<br />
shopping mall in northeastern Maine.<br />
Beltrandi Associates did not disclose who<br />
would be operating the twin cinemas.<br />
The same interests, it is noted, also<br />
planned Pheasant Hill Village, a 200-unit<br />
housing village that opened this past January.<br />
Train Robbery' Sneaked<br />
HARTFORD— United Artists recently<br />
slotted Friday-night sneak previews of "The<br />
Great Train Robbery" at the SBC Cinema<br />
4, City Hartford; Perakos Elm 2, West<br />
Hartford, and Sampson & Spodick York<br />
Square Cinema, New Haven.<br />
BOXOFFICE :: February 19. 1979<br />
BOSTON<br />
T C;iiy Spencer Jr., president of the Community<br />
Playhouse in Wcllesley Hills.<br />
authored an article entitled "A Look at<br />
Scales," which appeared in the recent<br />
NATO Encyclopedia of Exhibition. The article<br />
is recommended for neighborhood and<br />
independent theatre owners who have<br />
in trouble figuring how much they should<br />
be making, in good times and bad, under<br />
terms of various rental contracts. Spencer<br />
reports that he has had numerous phone<br />
for the benefit premiere of "Same Time,<br />
Next Year." to be held later this month,<br />
were finalized.<br />
Fred MacLennon, owner and operator of<br />
the newly opened Oriental Theatre in Canton,<br />
announced that he would include cartoons,<br />
travelogues and newsreels in his program,<br />
depending on the length of the main<br />
feature. This policy brings back for many<br />
filmgoers memories of the days when Pathe<br />
News and Disney cartoons—and other<br />
shorts—were always part of the program.<br />
The Charles Cinema, a Sack theatre, began<br />
a run of "The Deer Hunter" Feb. 9.<br />
initiating a reserved-seat policy, with tickets<br />
priced at $4 and $5.<br />
Promotion of American International's<br />
Meteor" has begun. Over at Howard<br />
Shamblin's Allied Advertising office in the<br />
Park Square Building, one is confronted<br />
with a six-foot advertising spread with<br />
rockets, stars and so on in the reception<br />
room. Joe Leahy, AI branch manager, says<br />
he and Shamblin both agreed on the idea.<br />
Candice Bergen was in Cambridge to receive<br />
Harvard College's Hasty Pudding Club<br />
Woman of the Year award. Causing plenty<br />
of excitement, Ms. Bergen was transported<br />
to the awards ceremony in a parade beginning<br />
at Massachusetts Avenue and Harvard<br />
Street and ending at the Hasty Pudding<br />
Club. Admission to the ceremony was restricted<br />
to Harvard students.<br />
New on Boston screens: United Artists"<br />
"The Great Train Robbery," Universal's<br />
"Same Time, Next Year." Columbia's<br />
"Hardcore," Paramount's "The Warriors"<br />
and World Northal's "The Last Wave."<br />
Continuing were Universal's "The Brink's<br />
Job." Brut Pictures' "The Class of Miss<br />
MacMichael." Columbia's "California<br />
Suite." UA's "Invasion of the Body Snatchers,"<br />
New World's "Autumn Sonata," Columbia's<br />
"Ice Castles," New Line Cinema's<br />
"Get Out Your Handkerchiefs," Columbia's<br />
"Midnight Express," Sunn Classic Pictures'<br />
"The Bermuda Triangle," Paramount's<br />
"King of the Gypsies" and Warner Bros.'<br />
"Movie Movie."<br />
RHODE ISLAND<br />
Q,eneral Cinema Corp. and SBC Management<br />
Corp. situations participated in<br />
statewide premiere of Columbia's "Ice<br />
Castles."<br />
Mann Theatres' Warwick Cinema, in the<br />
Warwick Plaza, charged $1.50 admission,<br />
matinees only, for United Artists' "Slow<br />
X<br />
Dancing in the Big City" .<br />
product included "Frenchette," "The Gang<br />
That Could," "Pretty Peaches." "Black Silk<br />
Stockings," "Beach House," "Man to Man,"<br />
"Beach Bums." "I'm No Angel" and "Love<br />
from Paris."<br />
Continuing attractions across Rhode<br />
Island: Warner Bros.' "Superman" plus<br />
"Every Which Way But Loose" plus "Movie<br />
Movie" Sunn Classics' "The Bermuda Triangle."<br />
Columbia's "California Suite," Brut<br />
Pictures' "The Class of Miss MacMichael,"<br />
Universal's "Moment by Moment," AI's<br />
"Force 10 from Navarone," Paramount's<br />
"King of the Gypsies," United Artists' "The<br />
Lord of the Rings" plus "Invasion of the<br />
Body Snatchers" and New World Pictures'<br />
"Autumn Sonata."<br />
Touching on audience appeal. Providence<br />
Journal-Bulletin Newspapers film critic<br />
Michael Janusonis commented: "A friend<br />
remarked recently that he was sorry he had<br />
bought tickets to a play which he later realized<br />
was about death. 'When you go to a<br />
show you want to be entertained,' he reasoned.<br />
"I feel differently," Janusonis continued.<br />
"In fact, to me, two of the most entertaining<br />
films to play Rhode Island in the last<br />
year were 'Iphigenia.' a story about an<br />
ancient Greek king who sends his daughter<br />
to her death so he can be guaranteed victory<br />
in the Trojan War. and 'Autumn<br />
Sonata.' Ingmar Bergman's look at the flashpoint<br />
created when a mother and daughter<br />
who had grown apart come together.<br />
"Although those two films have done<br />
well, their audiences have been minuscule<br />
compared to the hordes that descended on<br />
such escapist fare as the musical 'Grease.'<br />
based on the Broadway show about high<br />
school life in the "505.<br />
" Tphigenia' and "Autumn Sonata' have a<br />
staying power that leaves the viewer with a<br />
sense of having learned something about<br />
life. On the other hand. 'Grease' has for<br />
me quickly faded to a dancing blur."<br />
NE-1
. . . Malcolm<br />
;<br />
\<br />
j<br />
|<br />
5th wk 145<br />
Ice Castles (Col). Pi Alley II. 1st wk. .<br />
.300<br />
Invasion of the Body Snatchers (UA).<br />
Pi Alley I, 7th wk 230<br />
King of the Gypsies (Para), Beacon Hill<br />
7th wk<br />
185<br />
The Last Wave (World Northal), Exeter.<br />
2nd wk 400<br />
Midnight Express (Col). Charles II.<br />
7 th wk<br />
170<br />
Movie Movie (WB). Chri I, Chesnut<br />
Hill I. 2nd wk 250<br />
Rubber Gun (Indie). Nickelodeon,<br />
3rd wk 100<br />
Skip Tracers (GG Comm). Orson Welles<br />
11, 4th wk 150<br />
Superman (WB), Cinema 57 I, Circle I,<br />
8th wk<br />
300<br />
The Wiz (Univ), Circle III. 3rd wk.<br />
Hartford<br />
The Bermuda Triangle (Simn), 6<br />
3rd wk<br />
The Bottom Line (SR), Cinema City II,<br />
theatres 50<br />
1st wk 175<br />
California Suite (Col), Cinema City IV.<br />
Elm 1. 7th wk 125<br />
TWIN ITM<br />
Call Harry Jones<br />
Drive-in Theatre Construction Since 1946<br />
Steel<br />
Towers<br />
• Repairs<br />
II. 1st wk 175<br />
Invasion of the Body Snatchers (UA).<br />
Showcase II, 7th wk<br />
200<br />
The Lord of the Rings (UA), Showcase<br />
IV. 7th wk 130<br />
Movie Movie (WB). Showcase II,<br />
2nd wk 250<br />
Superman (WB), Showcase I, 8th wk. . .300<br />
NEW BRITAIN<br />
J)r.<br />
Brian Hennessey, the Bristol obstetrician<br />
who introduced dinner cinema<br />
theatre to Connecticut with his refurbished<br />
Carberry Theatre, is charging 99 cents admission<br />
on Friday and Saturday for vintage<br />
product. Typical show titles include "The<br />
Lady from Shanghai," Columbia 1948 release<br />
with Rita Hayworlh and Orson Welles,<br />
and "The Best of Laurel & Hardy."<br />
"The Phantom of the Opera." Universal<br />
silent classic (1925, starring Lon Chaney<br />
Sr.). was shown at The Cave, a Collinville<br />
High School night spot on the grounds of<br />
the Collinsville First Congregational<br />
Church. A small admission fee was charged<br />
pioneer Joe Faith.<br />
From the "50 Years Ago" column.<br />
for the audience comprised of area senior<br />
high school youngsters. Collinsville some<br />
years ago had a cinema operated by exhibition<br />
Bristol<br />
Press: "The latest addition to science.<br />
the talking picture, will have its first local<br />
showing starting next week at the Cameo<br />
Theatre. Engineers from the Western Electric<br />
Co. and the Electrical Research Corp.<br />
are working day and night at the theatre to<br />
have the equipment ready for its local premiere.<br />
Ihe equipment which consists of a<br />
full carload of parts is now being installed.<br />
Ihc program has not yet been announced."<br />
HARTFORD<br />
:<br />
;<br />
,<br />
Ihe Class of Miss Miss MacMichael<br />
(Brutl. 4 theatres. 3rd wk 175<br />
IE<br />
FIRST RUN<br />
Every Which Way But Loose (WB).<br />
Showcase V. 7th wk 135<br />
promises in the Dark," among initial Warner<br />
Bros, releases bearing the Orion<br />
Force 10 From Navarone (AIP).<br />
REPORT<br />
Showcase HI. 2nd wk 275<br />
.150<br />
Pictures banner and one of the few major<br />
theatres. wk. Ice Castles (Col). 3 1st .<br />
Invasion of the Body Snatchers (UA).<br />
Hollywood efforts filmed in recent yeais in<br />
lA\<br />
7th wk 200<br />
Connecticut, is figuring in fund-raising plans<br />
for the West Hartford Cable Television coordinating<br />
Boston<br />
The Last Bath (SR), Art Cinema.<br />
1st wk board. The Marsha Mason star-<br />
225<br />
Autumn Sonata (New World). Charles<br />
rer, partially filmed in West Hartford this<br />
The Lord of the Rings (UA). Showcase<br />
110<br />
past summer, may get a sneak preview in<br />
JI. 14th \vk<br />
II, 6th wk 145<br />
Bermuda Triangle (Sunn). Saxon.<br />
Moment by Moment (Univ). Showcase<br />
West Hartford, courtesy of Wainer Bros.,<br />
3rd wk<br />
125<br />
VI. 7th "wk 120<br />
on request of WHCT. The Perakos Elm 2<br />
The Brink's Job (Univ). Cheri II.<br />
Movie Movie (WB). 3 theatres, 2nd wk. 235<br />
would figure in planning. Boxoffice learn-<br />
9th wk<br />
.250 Superman (WB). Showcase I, 8th wk. . .300<br />
ed at presstime.<br />
Uncle Joe Shannon (UA). Cinema Citv I.<br />
California Suite (Col). Cheri III.<br />
Critics' comments: Janice Trecker, West<br />
Chestnut Hill. 7th wk<br />
200<br />
The Class of Miss MacMichael (Brut).<br />
Charles I. 3rd wk 120<br />
1st wk 135<br />
Hartford News, reviewing United Artists'<br />
'Invasion of the Body Snatchers," said, in<br />
new version is very well done<br />
part: "This<br />
Every Which Way But Loose (WB).<br />
Circle II. 7th wk 100<br />
New Haven<br />
indeed, but at nearly twice the length of the<br />
original it is not for children. Not that anything<br />
Navarone (AD. Cinema<br />
Force 10 From (New World). York<br />
Autumn Sonata<br />
untoward occurs, although the latter<br />
57 II, 2nd wk 135 Square Cinema. 7th wk 150<br />
sufficiently creepy to alarm the<br />
Get Out Your Handkerchiefs (New<br />
California Suite (Col). Cinemart II,<br />
very young, but because the picture is too<br />
Line), Orson Welles I, 1st wk 500 Milford I, 7th wk 165<br />
slow and low key for the 'Star Wars' crowd"<br />
Girt Friends (WB). Orson Welles III.<br />
The Class of Miss MacMichael (Brut).<br />
L. Johnson, Hartford Courant,<br />
stages are<br />
Lincoln. 1st wk 225<br />
found "The Class of Miss MacMichael,"<br />
Every Which Way But Loose (WB).<br />
Brut Pictures release, a waste of Glenda<br />
Showcase V, 7th wk 160<br />
Jackson's talents. "Glenda Jackson is one of<br />
I. Ice Castles (Col). Cinemart Milford<br />
Britain's most admired dramatic actresses '<br />
and a dual winner of America's Academy \<br />
Award." he wrote. "How then to explain her<br />
|<br />
presence in this dull and unclassy little<br />
movie."<br />
Free films: "Notorious," RK.O 1946 release<br />
directed by Alfred Hitchcock and costarring<br />
Cary Grant and Ingrid Bergmaii, i<br />
Burlington Senior Citizen Center; RKO's<br />
"Little Women" (1933, starring Katharine<br />
Hepburn), Kent Memorial Library, Suffield,<br />
and "Pal Joey," Columbia 1957 release<br />
co-starring Rita Hayworth and Frank<br />
Sinatra. University of Hartford Auerbach<br />
Auditorium, with seatmg pr<br />
U of H students.<br />
L ..j:. „,;..„, >.;;th c^nfino nrefoi encc for'<br />
The Israeli import, "I Love You Rosa."<br />
was screened at the Hartford Jewish Community<br />
Center. Center members were charged<br />
$2. as non-members. $2.50. Children<br />
under 12 were admitted for half-price.<br />
Warner Bros.' "Dog Day Afternoon."<br />
1975 release toplining Al Pacino. was shown,<br />
Von der Mehden Hall. University of,<br />
in<br />
Connecticut main campus, under sponsorship<br />
of the U Conn Film Society. Admission<br />
was $1.50. The society is selling mem-,<br />
bership cards (good for all showings) for<br />
$20 per semester. I|<br />
Universal's "American Graffiti." an earlier<br />
George Lucas effort, was biought back<br />
for showings in Trinity College's Cinestudio.<br />
Admission was $2. or $1.50 with any col-<br />
Icue ID card.<br />
'20.000 Leagues' Screened<br />
WORCE.STER. MASS.—Buena Vista's<br />
"20.000 Leagues Under the Sea." 1954<br />
lease, was screened on a recent Saturday<br />
afternoon hv the Worcester Art Museum.<br />
NE-2<br />
Februj 1979
I<br />
i Mimieux,<br />
!<br />
the<br />
1<br />
be<br />
:<br />
Vista's<br />
I ing<br />
'<br />
i as<br />
I<br />
mented:<br />
. . "The<br />
. . . "The<br />
triy<br />
NEW HAVEN<br />
prospects for reopening of the long-shuttered,<br />
1.800-seat Shiibert Theatre are<br />
brightening. The city of New Haven, the<br />
new owner, has obtained some New Haven<br />
Foundation money to help in planning for<br />
music-theatre projects. The big objective,<br />
however, is an $800,000 "challenge" from<br />
the National Endowment for the Arts. Such<br />
a grant—and local news sources say this<br />
will not be easily obtained—would have to<br />
matched by New Haven-raised funds in<br />
at least the same amount over the course<br />
of the next few years.<br />
Dave Brown came up with something<br />
unusual with reprise scheduling of Buena<br />
"The Cat From Outer Space." offering<br />
a free popcorn prize for every drawof<br />
a "space cat" at the Edniond Town<br />
.<br />
Hall Theatre, Newtown Red<br />
'<br />
Shoes," Eagle-Lion 1948 release, was shown<br />
a free attraction in the Lecture Hall at<br />
the Yale University Art Gallery.<br />
Bob Eimicke, film critic for the Register,<br />
someness, adding, " 'Ice Castles' should become<br />
a favorite rainy day activity at Girl<br />
Scout meetings and skating camps everywhere."<br />
"It Happened One Night," the Columbia<br />
1934 Oscar winner (Clark Gable co-starred<br />
with Claudette Colbert and Frank Capra directed),<br />
was shown in Bernhard Center.<br />
University of Bridgeport, for two shows on<br />
a recent Saturday night. Admission was 75<br />
cents.<br />
Fairfield University's Gonzaga Auditorium<br />
hosted a Beatles double-bill, comprised<br />
of "I "Wanna Hold Your Hand" and "A<br />
Hard Day's Night," plus, on other evenings,<br />
> showings of United Artists' 1973 release,<br />
"Sleeper," teaming Woody Allen and Diane<br />
Keaton. Admission for all screenings was<br />
SI . . . "The Time Machine," MGM 1960<br />
release co-starring Rod Taylor and Yvette<br />
was shown as a free attraction at<br />
Stratford Public Library . . . "The<br />
Diary of Anne Frank." 20th Century-Fox<br />
CUVERAMA IS EV SHOW<br />
BrSUVESS IX HAWAn TOO,<br />
WTicn you come to Waiklkl,<br />
don't miss the famous Don Ho<br />
Show ... at Cinerama's<br />
Reef Towers Hotel. f<br />
1959 release with Millie Perkins and Joseph<br />
Schildkiaut. was shown (admission was free)<br />
at the Silas Bronson Library, Waterbury<br />
Cabinet of Dr. Caligari," the<br />
German silent classic horror film, was<br />
shown as a free attraction at the Chcsire<br />
Public Library.<br />
VERMONT<br />
ations.<br />
Merrill G. Jarvis slotted Universal's<br />
"Paradise Alley" in an exclusive, first area<br />
showing into his Essex Twin Cinema, Essex<br />
Junction. All seats admission was $1.50,<br />
all times, for the Sylvester Stallone starrer<br />
... In another "first" for the Merrill Theatre<br />
Corp. (the Jarvis parent company), an<br />
X-rated film, one of the few to hit metropolitan<br />
Burlington first-runs, was t>ooked<br />
pilation of Charles Chaplin's silent classics<br />
—was shown in Bentley Hall on the Johnson<br />
State College campus as part of the<br />
Catamount Film Series. Admission was<br />
$1.50 for the general public. $1 for students<br />
and senior citizens.<br />
SPRINGFIELD<br />
l^edstone Theatres came up with something<br />
unusual for western Massachusetts on<br />
a recent Friday night. The circuit held two<br />
sneak previews—United Artists' "The Great<br />
Train Robbery" and Universal's "Same<br />
Time, Next Year"—at the Showcase Cinemas<br />
8. West Springfield.<br />
Cunn Classic's "The Bermuda Triangle," Regional premieres included AI's "Force<br />
with a saturation playdate across the 10 From Navarone" and Columbia's "Ice<br />
was packed by major newspaper advertising<br />
Castles," plus X-rated product including<br />
state,<br />
budgets. Ads emphasized that only<br />
Sunn passes would be accepted in all situ-<br />
"Love in Strange Places" and "The Seduction<br />
of Lynn Carter."<br />
The region had a sizable holdover roster<br />
indeed: Avco Embassy's "Watership Down,"<br />
Columbia's "Midnight Express" plus "California<br />
Suite." Brut Pictures' "The Class of<br />
Miss MacMichael," Warner Bros.' "Superman"<br />
plus "Every Which Way But Loose"<br />
plus "Movie Movie," United Artists' "Invasion<br />
of the Body Snatchers" plus "The Lord<br />
of the Rings" and the Buena Vista reprise<br />
of "Pinocchio."<br />
reviewing Columbia's "Hardcore," coni- into his downtown Flynn. The attraction<br />
"There is a substantial amount of was "Hard Soap."<br />
coarse language and an occasional scene<br />
where the underground of sexual profiteering<br />
Vermont premieres included Avco Em-<br />
Springfield Central, Inc. has released a<br />
proposed timetable for key downtown developments—ranging<br />
from reopening of the<br />
is graphically shown. But compared to bassy's "In Praise of Older and<br />
Women" long-shuttered Paramount Theatre (part of<br />
Brut Pictures' "The Class of Miss Mac- Western Massachusetts Theatres, Inc.) to<br />
'Taxi Driver,' "Midnight Express' or 'Saturday<br />
Night Fever,' 'Hardcore' is nothing to Michael." Holdovers included 20th-Century-Fox's<br />
"Magic," Columbia's "California<br />
blush over. Mayor Koch and everyone in<br />
rehabilitation of the Poli-Kennedy-Riker<br />
Block (once continuing Loews Poll)—covering<br />
New York would be tickled, I am sure, if Suite," Universal's "Moment by Moment,"<br />
the next three years. The Paramount,<br />
Times Square were only twice as ugly and Warner Bros.' "Superman" plus "Every once a major downtown film outlet, has<br />
dangerous as the assorted West Coast strips Which Way But Loose" and Avco Embassy's<br />
been shuttered in recent years. Independent<br />
seen in this picture." He called same distributor's<br />
"Watership Down."<br />
exhibition interests had sought sporadically<br />
"Ice Castles" a monolith of whole-<br />
to revive a cinema policy. And the Poll, in<br />
"The Chaplin Revue," a two-hour com-<br />
the heyday of Loews Poli-New England<br />
Theatres, Inc., was western Massachusetts<br />
NEW HAMPSHIRE<br />
JJew titles on New Hampshire marquees:<br />
AI's "Force 10 from Navarone" and<br />
Sunn Classic Pictures' "The Bermuda Triangle"<br />
The holdover bloc included<br />
. . . Columbia's "California Suite," Universal's<br />
"Moment by Moment" plus "The Wiz,"<br />
Warner Bros.' "Superman" plus "Every<br />
Which Way But Loose." United Artists'<br />
"The Lord of the Rings" and Avco Embassy's<br />
"Watership Down."<br />
The loka Theatre in Exeter played Buena<br />
Vista's "Mickey's Birthday Party Show"<br />
program at 2 p.m.. Saturday and Sunday,<br />
charging $1 admission for all seats both<br />
afternoons.<br />
"The Magic Flute," the Ingmar Bergman<br />
version of Mozart's comic opera, was<br />
screened in Spaulding Auditorium at Hopkins<br />
Center. Dartmouth College, Hanover.<br />
Tickets sold for $2.50. with students admitted<br />
for $1.50.<br />
"home" for top Hollywood product, including<br />
that from MGM and 20th Century-<br />
Fox.<br />
SIGNSof theJIMES<br />
.and we do it best.<br />
CHinmnnoKnicGCR<br />
WOODBAY CONSTRUCTION CORP.<br />
516 569-1990<br />
February 19. 1979 NE-3
Ho^v we sweetened<br />
the melting pot.<br />
We all pitched in.ThatV how<br />
the melting pot called America.<br />
Like a big family coming together for a<br />
festive meal, each immigrant group has added<br />
contribution. The world's best skills, talents,<br />
minds, hearts, music, children, customs, that's<br />
what's gone into America.<br />
We've put them all together and<br />
they've nourished the greatest<br />
nation in the world.<br />
And the best thing is, we ha\-en't stopped<br />
pitching in.<br />
Today 9' 7 millittn American workers in\'est<br />
in their country by buying U.S. Savings Bonds.<br />
You can tix). Sign up for the Payroll Savings<br />
Plan where you work. It's an easy, automatic way<br />
to sweeten your life while you sweeten your land<br />
„ by taking stcxk in America with<br />
_,j^<br />
U.S. Savings Bonds.<br />
#A, %<br />
Take<br />
. stock<br />
i!;<br />
NB-4 Fcbruarv \9. 1979
I<br />
The<br />
'<br />
other<br />
I<br />
venture<br />
I<br />
have<br />
i<br />
the<br />
,'i<br />
as<br />
it includes such names aboard the luxury<br />
liner as Venessa Redgrave, Donald Sutheri<br />
land,<br />
,<br />
Christopher<br />
: nadians<br />
! nor<br />
'<br />
TORONTO<br />
location of this city's major production<br />
project at present, "Bear Island,"<br />
has actually shifted to Alaska. There.<br />
aboard a Russian luxury liner chartered for<br />
three weeks, filming is being rushed forward<br />
despite many mishaps on what is the most<br />
expensive Canadian feature film that has<br />
ever been made. The budget for this project<br />
comes to a hefty $9.3 million, with $3<br />
million of this amount put up by the Toronj<br />
to-based Selkirk Film Holdings. The film itj<br />
self is based upon Alistair MacLean's ad-<br />
novel, of which 60 million copies<br />
thus far been sold. The cast gives it<br />
stature of any Hollywood super effort,<br />
Richard Widmark, Lloyd Bridges,<br />
Lee and Barbara Perkins. Cain<br />
the cast include Larry Dane, Paj<br />
tricia Collins, August Schelienberg, Michael<br />
Reynolds, Joseph Golland, Candice O'Conf<br />
and Nicholas Courtland.<br />
"Bear Island" is a joint British-Canadian<br />
project. Besides Selkirk Film Holdings,<br />
investments included $1.8 million<br />
from Toronto Dominion Bank, $1.2 million<br />
from the Bank of Montreal and $3.3 million<br />
from the United Kingdom's subsidiary<br />
of Columbia Pictures. The $100,000 put<br />
up in seed money by the Canadian Film<br />
Development Corp. has already been paid<br />
British Lion Films. Snell has been trying<br />
to bring "Bear Island" to the screen for<br />
two years and holds the rights to six other<br />
Alistair MacLean novels. "I was anxious to<br />
get as many names as possible, and Columbia<br />
wanted a balance of stars for foreign<br />
markets and for possible U.S. TV sales,"<br />
stated Snell from the Alaskan location.<br />
"We're a Canadian movie and wc got Donald<br />
Sutherland. For the U.S. market we've<br />
got Richard Widmark and Lloyd Bridges.<br />
Barbara Perkins is known in U.S. TV, and<br />
she's Canadian, too. Vanessa Redgrave is<br />
for the U.K. and foreign market.<br />
"This," said Snell, looking at the Alaskan<br />
scenery, "is just the beginning. 'Bear Island's<br />
got the usual MacLean action; there<br />
are always people being blown up; things<br />
always explode over their heads, and there<br />
are a couple of spectacular sequences in<br />
which people get killed. I wouldn't want<br />
to be anywhere else at the moment."<br />
Shooting has started here on "Double<br />
first in Negative." the feature film Quadrant<br />
Films' 1979 production line-up.<br />
"Double Negative" stars Michael Sarrazin,<br />
Susan Clark, Anthony Perkins, Howard<br />
Duff and Kate Reid, and this is the first film<br />
Sarrazin has made in his native Canada in<br />
many years. Executive producer for<br />
"Double Negative" is David Perlmutter.<br />
founder of Quadrant Films and president of<br />
the Canadian Assn. of Motion Picture Producers.<br />
Perlmutter has been a leading figure<br />
in the development of a firm financial base<br />
for the Canadian motion picture industry.<br />
The director of "Double Negative" is<br />
George Bloomfield. Shooting will continue<br />
here in Toronto until March 4, then move<br />
to location sites in the Caribbean for two<br />
weeks.<br />
VANCOUVER<br />
Qhinese New Year celebrations stretched<br />
over two weeks this year as theatre<br />
and dinner parties were held everywhere.<br />
The elder Chinese also patronized the three<br />
local Chinese movie houses very heavily.<br />
The flagship house, the Run Shaw, is managed<br />
by Miss Lucy Shaw, who is also in<br />
charge of the Canadian interests of the farflung<br />
Run Shaw theatrical interests. She is<br />
also a driector of the Motion Picture Theatre<br />
Assn. of British Colitmbia.<br />
The National Film Board has started a<br />
daily series of "lunch-bag" programs for the<br />
thousands of office workers adjacent to the<br />
new Robson Square in the complex's theatre.<br />
Programs consist of short subjects produced<br />
by NFB and run from 12 noon to 2<br />
p.m. Admissions are minimum, and are being<br />
given to the Variety Clubs Telethon.<br />
Famous Players is refurbishing and redecorating<br />
the Royal, which is 68 years old<br />
and the oldest center of entertainment in<br />
back, and for it the corporation will receive<br />
the area.<br />
half of one per cent of the film's gross<br />
The city is rebuilding the Crystal Pool,<br />
profits.<br />
Producer Peter Snell is an economics which is<br />
graduate from the University of British Columbia<br />
Crystal<br />
almost<br />
Gardens<br />
a<br />
in<br />
replica<br />
London.<br />
of the<br />
The<br />
famed<br />
whole<br />
and former chief of production for project is expected to be completed in<br />
1981.<br />
'Agency' Completes Filming<br />
On Time, Within Budget<br />
MONTREAL—"Agency," the $5 million<br />
psychological thriller about the world of<br />
advertising and subliminal subversion, completed<br />
filming in Montreal early this month,<br />
on time and within budget. Starring Robert<br />
Mitchum, Lee Majors, Valerie Perrine, Alexandra<br />
Stewart and Saul Rubinek, the<br />
film has been sold for theatrical distribution<br />
in 70 percent of foreign territories and negotiations<br />
are now being conducted for<br />
Canadian and U.S. theatrical and television<br />
release.<br />
"Agency" is produced by Robert Lantos<br />
and Stephen J. Roth of RSL Films of Montreal<br />
and directed by George Kaczender,<br />
the same team that produced "In Praise of<br />
Older Women," now in general release.<br />
Based on the novel "Agency" by Paul<br />
Gottlieb with screenplay by Noel Hynd, the<br />
story concerns the phenomenon of subliminal<br />
manipulation.<br />
Produced with the participation of the<br />
Canadian Film Development Corp.. the film<br />
also features Canadian actors Michael<br />
Kirby, Gary Reineke, George Touliatos,<br />
Anthony Parr and Franz Russell. Awardwinning<br />
cameraman Miklos Lente is director<br />
of photography and Bill Brodie is production<br />
designer. Lewis Furey is writing the<br />
music score.<br />
Film Board Chairman<br />
Was Shocked by Films<br />
WINNIPEG—The new chairman of the<br />
Manitoba Film Classification Board says she<br />
was shocked by the first few sex-oriented<br />
films she saw after her appointment last<br />
September.<br />
Hope Carroll, a ."il -year-old grandmother,<br />
says she had no background in film and was<br />
only an occasional moviegoer before the<br />
provincial government selected her for the<br />
job.<br />
The action in some of the films she and<br />
other board members see before the films<br />
are classified for public viewing came as a<br />
bit of a surprise. "Some can be pretty harmless<br />
and even have a comical tone about<br />
them, but others show people who are quite<br />
depraved. Brutality and force are used as<br />
part of a sex scene," Mrs. Carroll says.<br />
The board's job is to classify, not censor,<br />
films. Since 1972, when the provincial censorship<br />
board was abolished, the classification<br />
board has not had the authority to cut<br />
from films scenes it finds objectionable.<br />
Under board guidelines, a film classified as<br />
general entertainment is suitable for unaccompanied<br />
children of all ages. A film<br />
classified as mature, with no other qualifications,<br />
is open to viewers of all ages although<br />
parental discretion is advised.<br />
The mature classification is split into<br />
further categories which, for instance, bar<br />
those under 18 unless accompanied by a<br />
parent or guardian or restrict admittance to<br />
those 18 and over.<br />
Mrs. Carroll says that by the time a film<br />
arrives in the province it already may have<br />
been cut by customs officials or by censorship<br />
boards in other provinces. Occasionally,<br />
the board will send a notice to a theatre<br />
about a film it has found particularly objectionable.<br />
Although the theatre still is<br />
legally entitled to show the film, "usually it<br />
doesn't," she says.<br />
A film classified by the board and screened<br />
by a theatre becomes the responsibility<br />
of the theatre's owner. If police deem the<br />
film obscene, the theatre may be charged.<br />
Mrs. Carroll says that when the censorship<br />
board existed, movie houses charged with<br />
showing an obscene film often would claim<br />
as a defense that the board had given its<br />
approval, but that no longer is possible.<br />
She questions whether a background in<br />
film is, indeed, a necessary requirement for<br />
the chairman of the film classification<br />
board. "Most government-appointed boards<br />
are supposed to be a reflection of the public.<br />
We don't give out awards or judge films."<br />
About 400 films are viewed annually by<br />
the 15 board members who are paid $20<br />
for each film they see.<br />
C1XERA91A IS WS SHOW<br />
BUSUVESS m HAWAII TOO^<br />
When you come to Waikikl,<br />
don't miss the famous Don Ho<br />
Show ... at Cinerama's<br />
Reef Towers Hotel. f<br />
BOXOFFICE :: February 19, 1979
.Very<br />
Place<br />
iloiie<br />
Edmonton<br />
California Suite (Astral), Meadowlark,<br />
Odeon 1, 5th wk Excellent<br />
Caravans (AFD), Londonderry B,<br />
5th wk Good<br />
The Class of Miss MacMichael (AFD).<br />
Capitol Square 2. 1st wk Excellent<br />
Every Which Way But Loose (WB),<br />
Capitol Square 2. 5th wk Excellent<br />
Goin' South (Para), Jasper Blue,<br />
. .<br />
Superman (WB), Hollywood. Imperial.<br />
6th wk<br />
Very Good<br />
1st wk Fair Wifemistress (PR). International.<br />
Grease (Para), Jasper Red. 4th wk. .Fair 1st wk Very Good<br />
Invasion of the Body Snatchers (UA),<br />
Capitol Square 1. 5th wk Excellent<br />
King of the Gypsies (Para). Garncau.<br />
Calgary<br />
5th wk Fair California Suite (Astral). 3 theatres.<br />
The Lord of the Rings (UA),<br />
5th wk<br />
Very Good<br />
Westmount A. 5th wk Excellent Caravans (AFD), Chinook.<br />
Magic (BVFD). Odeon 2, Plaza 1,<br />
2nd wk<br />
Excellent<br />
5th wk Good The Cat From Outer Space (BV),<br />
Moment by Moment (Univ), Capilano,<br />
Marlboro Square 3, 3rd wk Fair<br />
5th wk Fair The Class of Miss MacMichael (AFD).<br />
Naked Prey (IFD), Rialto 2. 1st wk. .Fair Calsary Place 1. 1st wk Excellent<br />
.<br />
National Lampoon's Animal House<br />
Every Which Way But Loose (WB),<br />
(Univ), Towne Cinema,<br />
Towne Red, 5th wk Excellent<br />
25th wk Excellent Force 10 From Navarone (AFD),<br />
Palliser Square 1, 5th wk Good<br />
Oliver's Story (Para), Westmount B,<br />
6th wk Fair<br />
Superman (WB), Paramount.<br />
6th wk Excellent<br />
Up in Smoke (Para), Avenue. 4th wk. Fair<br />
A Wedding (BVFD), Roxy, 1st wk. .Fair<br />
.<br />
Winnipeg<br />
Blood Relatives (C-P), Colony.<br />
1st wk Very Good<br />
The Boys From Brazil (BVFD).<br />
6th wk Very Good<br />
California Suite (Astral).<br />
Garrick II.<br />
6th wk Excellent<br />
Caravans (Univ). Northstar II,<br />
3rd wk Good<br />
Every Which Way But Loose (WB),<br />
6th wk<br />
Very Good<br />
Ice Castles (Astral). Convention Centre.<br />
1st wk Excellent<br />
Invasion of the Body Snatchers (UA).<br />
Capitol, 6th wk Very Good<br />
King of the Gypsies (Para), Polo Park,<br />
2nd wk Very Good<br />
Superman (WB), Metropolitan,<br />
7th wk Excellent<br />
Watership Down (IFD). Garrick I.<br />
1st wk Excellent<br />
Toronto<br />
Force 10 From Navaronc (AFD),<br />
Imperial. 5lh wk Fair<br />
Crease (P.ii.i). Imperial. Mna uk lau"<br />
Invasion of the Body Snatchers (UA).<br />
Uptown. 6th wk<br />
Very Good<br />
King of the Gypsies (Para), Plaza,<br />
5th wk Fair<br />
The Lord of the Rings (UA), Eglinton,<br />
10th wk Good<br />
Movie Movie (WB), Uptown, 6th wk. Fair<br />
Sextette (PR). Uptown, 2nd wk<br />
Fair<br />
Goin' South (Para), Marlboro Square 2,<br />
2nd wk<br />
Fair<br />
Grease (Para), Odeon 2, 5th wk Fair<br />
Halloween (Astral), Grand 2, Westbrook<br />
3, 5th wk Excellent<br />
Invasion of the Body Snatchers (UA),<br />
Palace, 5th wk Good<br />
King of the Gypsies (Para), Palliser<br />
Square 2, 5th wk Good<br />
The Lord of the Rings (UA), Market<br />
Mall 5, 6. 5th wk Excellent<br />
Magic (BVFD), Market Mall 3.<br />
5th wk Fair<br />
Midnight Express (Astral), Westbrook 1<br />
13th wk<br />
Very Good<br />
Naked Prey (IFD), Westbrook 2.<br />
1st wk Fair<br />
Oliver's Story (Para), Market Mall 2.<br />
6th wk Fair<br />
Superman (WB), Calgary Place 2,<br />
6th wk Excellent<br />
Montreal<br />
California Suite (Astral), Place du<br />
Canada. 7th wk Good<br />
The Class of Miss MacMichael (AFD).<br />
Claremont. 3rd wk Good<br />
Every Which Way But Loose (WB).<br />
Palace. 7th wk Very Good<br />
Force 10 From Navarone (AFD).<br />
Bread md Chocolate (PR), lownc.<br />
Loews, 7th wk<br />
Very Good<br />
3rd V '<br />
Very Good Hershelc (C-P), Snowdon,<br />
Caravan.s ^FD), University,<br />
1st wk Very Good<br />
5th wk Fair Ice Castles (Astral), Atwatcr,<br />
The Class of .'/'i'.s MacMichael (AFD),<br />
2nd wk<br />
Very Good<br />
Hollywood, Ii: tx;rial. 1st wk Good Invasion of the Body Snatchers (UA),<br />
Every Which Way Hut Loose (WB),<br />
Loews, 7th wk Very Good<br />
Imperial, 5th wk Good Jabbcrwalk (PR), York, 1st wk. Very Good<br />
King of the Gypsies (Para), Place Ville<br />
Marie, 7th wk<br />
Very Gwd<br />
The Lord of the Rings (UA). Avenue<br />
7th wk<br />
Very Goodd '4<br />
Movie Movie (WB). The Cinema,<br />
2nd wk<br />
Very Good<br />
Silent Partner (PR), Loews,<br />
2nd wk Very Good<br />
Superman (WB), Loews, 7th wk. Excellent<br />
Up in Smoke (Para), Loews.<br />
10th wk<br />
Very Good li<br />
Watership Down (PR), Cinema de Paris.<br />
2nd wk<br />
Good<br />
French Language Films<br />
L'Arbre Aux Sabots (Para), Parisien, in<br />
3rd wk Excellent<br />
Brillantine (Para), Parisien,<br />
7th wk<br />
Very Good<br />
La Fureur du Danger (WB), Berri,<br />
2nd wk<br />
Excellent<br />
Mort Sur le Nil (Para), Parisien,<br />
7th wk Excellent<br />
Le Prive de Ces Dames (PR),<br />
Champlain, 3rd wk Good<br />
Sensations Hollandaises (PR), Parisien,<br />
1st wk Very Good<br />
Sexe a I'Heure U.S.A. (C-P), Parisien,<br />
3rd wk Good<br />
Sonate d'Automne (PR), Le Dauphin.<br />
13th wk<br />
Very Good<br />
Vas-y Maman (PR). Cremazie,<br />
2nd wk<br />
Excellent<br />
Vancouver<br />
California Suite (Astral), Odeon,<br />
7th wk Good<br />
The Class of Miss MacMichael (AFD).<br />
Vancouver Centre. 2nd wk Fair<br />
Every Which Way But Loose (WB),<br />
Downtown, 6th wk Excellent<br />
Force 10 From Navarone (AFD),<br />
Capitol 6, 6th wk Average<br />
The Girls of Madame Claude (PR).<br />
Coronet, 2nd wk Fair<br />
Ice Castles (Astral), Vogue, 2nd wk. Good<br />
In Praise of Older Women (Astral).<br />
Capitol 6. 10th wk Fair<br />
Invasion of the Body Snatchers (UA),<br />
Capitol 6. 6th wk Good<br />
The Lord of the Rings (UA), Vancouver<br />
Centre, 1 Ith wk Very Good<br />
Movie Movie (WB), Capitol 6.<br />
1st wk Good<br />
National Lampoon's Animal House<br />
(Univ). Coronet. 22nd wk. .<br />
Good<br />
Silent Partner (PR). Capitol 6,<br />
2nd wk<br />
Excellent<br />
Superman (WB), Capitol 6.<br />
7th wk Excellent<br />
Ottawa<br />
Beyond and Back (PR), Cinema 6,<br />
">nd wk Very Good<br />
Brass Target (UA), Capitol Square,<br />
3rd wk<br />
Bread and Chocolate (PR), Cinema 6,<br />
^k<br />
Good<br />
California Suite (Astral), Somerset,<br />
7th wk Good<br />
Caravans (Univ). Capitol Square,<br />
2nd wk<br />
Good<br />
The Class of Miss MacMichael (AFD),<br />
Little Elgin. 3rd wk Fair<br />
Every Which Way But Loose (WB).<br />
Place de Ville. Cinema 6.<br />
7th wk Very Good<br />
K-2<br />
BOXOFFICE :: February 19. 1975
Halloween (Astral), St. Lament.<br />
4th wk Ciood<br />
Ice Castles (Astral), Elmdale, 2nd wk. Good<br />
Invasion of the Body Snatchers (UA),<br />
Place de Ville, 7th wk Very Good<br />
The Lord of the Rings (UA), Elgin,<br />
7th wk Good<br />
Movie Movie (WB), Capitol Square,<br />
2nd wk<br />
Superman (WB), Nelson, Cinema 6,<br />
Good<br />
8th wk Excellent<br />
Watershlp Down (PR), St. Laurent,<br />
2nd wk<br />
Very Good<br />
Superman's Smooth Flight<br />
Made Possible by 'Nox'<br />
HAMILTON, Ont. — As the lights of<br />
Metropolis twinkle below, the Man of Steel<br />
suddenly flies out from between the skyscrapers<br />
and sweeps past in a blaze of<br />
muscle.<br />
The new Superman movie is filled with<br />
such sequences: aerial shots of Superman<br />
flying over cities, canyons, deserts and<br />
oceans. Or shots from Superman's point of<br />
view of the tops of buildings, railway tracks<br />
and highways. None of that magic would<br />
have been possible were it not for the labor<br />
of J. N. "Nox" Leavitt and a handful of his<br />
workers in the back shop of a small Hamilton<br />
electrical company.<br />
Five years ago, Nox left his 20-year job<br />
at Westinghouse Canada Ltd., buying the<br />
a special camera mount system he<br />
rights to<br />
had been designing for the company. He<br />
then formed his own company, Istec Ltd.,<br />
which developed and manufactures, under<br />
the trade name Wesscam, the most intricate<br />
gyrostabilized camera mount in the world.<br />
It contains a remote-controlled movie<br />
camera within a multi-windowed sphere.<br />
The sphere can be attached to any type of<br />
vehicle— car, train, airplane, boat—but no<br />
matter how rocky the ride, because of the<br />
gyro-stablization the camera shot remains<br />
true and steady.<br />
With a world-wide patent, Istec has a<br />
stranglehold on the market. Nox says he<br />
is in touch daily with the world's major<br />
movie producers. "Ours is the best and<br />
cheapest of this kind of equipment and as<br />
long as the patent holds it should stay that<br />
way.<br />
"Most aerial shots you see on TV are<br />
jiggly and fuzzy. Any you see that are<br />
smooth were taken with our units."<br />
The units take time to build. Since Nox<br />
only has a staff of six, there are only eight<br />
Wesscams now in existence. There were<br />
nine, but one was destroyed last year when<br />
an NBC helicopter piloted by ex-U-2 spy<br />
Gary Powers crashed in Los Angeles.<br />
Powers was killed.<br />
Westinghouse initiated Wesscam as a surveillance<br />
unit under contract with the military<br />
and Nox says some of its past history<br />
is classified.<br />
Although he has since become accustomed<br />
to the high-finance world of the entertainment<br />
business, Nox sees the unit's future<br />
mainly in science. Istec is busy working on<br />
designs for hand-held models of the system<br />
and Nox hopes he can get some government<br />
money for much-needed expansion.<br />
CALGARY<br />
TJeversing the usual direction of holiday<br />
travel at this the time of year. Rose<br />
Biledeau of Theatre Agencies and her husband<br />
have taken off for the North. And it<br />
isn't just a routine vacation cither. It is going<br />
to include some camping! Now that is<br />
being really different. Rose, but we hope<br />
you enjoy your holiday.<br />
One of the best loved films of all times,<br />
"Wuthering Heights," played in Calgary's<br />
Pleiades Theatre Feb. 4. And on the same<br />
afternoon in the Odeon Theatre another<br />
Shakespeare film was screened. "Othello"<br />
starring Laurence Olivier and Maggie<br />
Smith.^On the night of Feb. 1 at Glenbow<br />
the silent film was "The Gold Rush" starring<br />
Charlie Chaplin.<br />
Lovers of Alberta's history will be pleased<br />
to know that the interior of the Strand Theatre,<br />
which is in the process of being demolished,<br />
is being very carefully removed<br />
piece by piece and will be restored in all<br />
its glory at the permanent village in Fort<br />
Edmonton Park.<br />
The Calgary Film Society ran another in<br />
its international series Feb. 1 in the Jubilee<br />
Auditorium. This picture, "One Sings, the<br />
Other Doesn't." was made in France in<br />
1977 and directed by Agnes Varda.<br />
The Edmonton Film Society had a very<br />
busy week with three programs being<br />
shown. In its classic series the picture was<br />
"The Moon's Our Home" (1936). a comedy<br />
starring Margaret SuUavan and Henry Fonda,<br />
screened Jan. 29. Jan. 31 the eroticism<br />
series continued with "The Shanghai Gesture"<br />
(1941) with Gene Ticrney and Victor<br />
Mature. Both of these programs were<br />
shown in the Tory Lecture Theatre at the<br />
University of Alberta. In the international<br />
series the film was "Jacob the Liar" (East<br />
Germany. 1974) with English subtitles. This<br />
movie was screened in the SUB Theatre<br />
Feb. 5.<br />
A mini iceshow put together by two Edmonton<br />
men. Bill Marchyshyn and Brian<br />
Grafuik. was used to promote the opening<br />
of "Ice Castles" at the Capilano Theatre<br />
Feb. 2. The ice in this promotion was a<br />
slightly sticky sheet of plastic—a polyethylene<br />
which isn't quite as good as Teflon<br />
which is used in some major ice shows on<br />
television. But the skating was for real and<br />
it was put together in a fast-paced, razzledazzle<br />
20-minute performance that attracted<br />
large crowds. The small version of Ice Capades<br />
included five solo numbers with background<br />
music from popular show themes<br />
and disco tunes. Brian Grafuik skated a<br />
comedy number, and others participating<br />
were Joanne McLeod, a professional skater<br />
for over a year, Marilyn Yoemans who has<br />
been teaching ice skating for eight years<br />
and Martin Hlynka in charge of lights and<br />
music. Grafuik has toured with the Ice Capades,<br />
and has been a part-time pro teacher<br />
a! the Royal Glenora Club in Edmonton.<br />
The whole show fits into a surface 72<br />
square metres and according to comments<br />
is very, very good. According to Mr. Marchyshyn<br />
"it's an experiment. If it goes over<br />
well we might get other engagements at<br />
shopping centres or special promotions<br />
around town. If it doesn't I guess we'll have<br />
lost our money. But that's show business."<br />
And it may well be but this has proven to<br />
be a top notch attention getter for the movie<br />
"Ice<br />
Castles."<br />
The death is reported Feb. 2 of William<br />
Owen (Bill) Kelly in Calgary at the age of<br />
72 years. Survivors include his wife Elizabeth;<br />
four sons, the Rev. William H. Kelly,<br />
C.S.B., Lethbridgc, Michael, Donald and<br />
Robert, all of Calgary; eleven grandchildren;<br />
two brothers Thomas Kelly and Wilfred<br />
Kelly, both of Calgary, and two sisters.<br />
Miss Marie Kelly, Vancouver, B.C.,<br />
and Mrs. F.W. (Kathleen) O'Brien. Seattle,<br />
Washington. Mr. Kelly was born in Manitoba<br />
and moved to DeWinton in 1904. He<br />
served with the Canadian Army during<br />
World War I and had lived in Calgary since<br />
his discharge. He was branch manager of<br />
Paramount Film Service for over 50 years,<br />
retiring in 1972. He was a member of the<br />
Canadian Picture Pioneers. Sacred Heart<br />
Church and Knights of Columbus. Funeral<br />
services were held Feb. 5 at Sacred Heart<br />
Church with interment in St. Mary's Cemetery.<br />
Friends and acquaintances throughout<br />
our industry in Canada will join in sending<br />
condolences to the Kelly family.<br />
Alberta Culture completed its last two<br />
series this past week with screenings in Edmonton's<br />
Provincial Museum theatre. The<br />
last in the road films was shown Jan. 28<br />
and was entitled "Road to Singapore." The<br />
great American writers series was wrapped<br />
up Jan. 31 with "Of Mice and Men."<br />
New face at Famous Players in the advertising<br />
and publicity department is Lindell<br />
Larson, who came to the position with<br />
a good background in newspaper advertising.<br />
Lindell. who has spent much of her life<br />
in eastern Canada, worked for one of our<br />
local papers in the entertainment section<br />
and then in the department store advertising.<br />
Working at Famous. Lindell can combine<br />
her work with one of her hobbies, motion<br />
pictures. Since skiing is a winter pasttime<br />
with Lindell. the nearness of the Rockies<br />
and the long hours of sunshine attracted<br />
her to Calgary. Lindell is single and enjoys<br />
tennis and hunting for old furniture. Welcome<br />
to our industry. Lindell.<br />
BOXOFFICE :: February 19, 1979<br />
E-3
Who reads Boxofficj<br />
^ple you know...<br />
and want to reach<br />
Key people in Exhibition:<br />
11,266* theatre owners and managers, circuit<br />
executives, film buyers and bookers, and<br />
projectionists<br />
Key people in Distribution:<br />
1,198* distributors and sales executives, home office<br />
managers, bookers and publicity people<br />
Key people in Equipment:<br />
453* supply dealers, sales agents and executives<br />
Key people in Production:<br />
346* producers, directors, studio executives,<br />
cameramen, actors and writers<br />
Key People in the Media:<br />
262* newspaper, magazine editors and writers and<br />
radio-TV broadcasters<br />
Recognize your sales prospect?<br />
You should because more key<br />
people in the film industry rely on<br />
BOXOFFICE for its complete and<br />
accurate information than any other<br />
film industry pubHcation with ABC<br />
audited circulation.*<br />
Take one small step today toward<br />
big sales tomorrow . . . deliver your<br />
advertising message to the BOX-<br />
OFFICE Reader: someone who is<br />
integral to the film industry . .<br />
someone w^ho makes the big<br />
^decisions . .<br />
someone like<br />
you.<br />
• Audit Bureau of Circulalinns<br />
Publisher's Statement for 6 mos. ending June 30, 1978<br />
February 19. 1979
CtKtiSue&9M, • &iu/^fH6nt • CoHceMtmU, • AftUfdeKOMU<br />
FEBRUARY 19, 1979<br />
While building new diive-in theatres has nearly become a thing of the past, Pacific Theatres has forged<br />
ahead with the conversion and modernization of many of its single screen facilities. See page 26.<br />
featuring "SfiolVesT in Print'
THlAml<br />
1^<br />
COnTEPTS ^<br />
I sense an unfounded fear in the<br />
minds of today's exliibitors to invest money<br />
in new sound equipment.<br />
Undoubtedly, most exhibitors are confused<br />
by the recent onslaught of new sound<br />
equipment and proposed sound formats.<br />
Words like third-octave equalization, noise<br />
reduction, "dbx," Colortek. Dolby, Starscope,<br />
Kintek, Sensurround, Stereophonizer,<br />
Quintaphonic and digital sound have left<br />
exhibitors<br />
baffled.<br />
I believe many theaUe owners are reluctant<br />
to invest in any type of sound improvement<br />
for fear that it will become obsolete<br />
by the time it is installed. This is not<br />
and will never be the case.<br />
In my dealings with electrical engineers,<br />
technicians and manufacturers, I always<br />
hear one word compatibility. No manufacturer<br />
or designer in his right mind is<br />
going to put out a product that isn't compatible.<br />
To do so is financial suicide.<br />
On the other hand, it is financial suicide<br />
for exhibitors to ignore the fact that goodquality<br />
stereo sound is here to stay, although<br />
I readily admit that it is still in its<br />
infancy.<br />
Still, this should not deter exhibitors from<br />
making improvements now. While there are<br />
only a few firms currently offering stereo<br />
equipment, I expect the number to grow in<br />
the next two years. If you are reluctant to<br />
commit to a specific stereo format or brand,<br />
then at least take immediate actions to improve<br />
the sound components that affect all<br />
current and future films, i.e. amplifiers,<br />
speakers, equalizers and acoustical treatments<br />
within the auditorium.<br />
Some exhibitors complain that stereo<br />
equipment is a waste of money because only<br />
one out of ten films is released in stereo.<br />
This may be true today, but it won't be tomorrow.<br />
The advent of stereo sound in theatres<br />
can be compared to the advent of color in<br />
television. Perhaps only two hours a day<br />
was broadcast in color, but the national networks<br />
invested in color just as millions of<br />
Americans invested in color television sets.<br />
Patrons are actively seeking stereo.<br />
They'll drive across town, passing mono<br />
theatres playing the same feature, to go to<br />
the theatre with the foresight to offer stereo.<br />
The stereo market is there and the theatre<br />
with stereo capability has the competitive<br />
edge.<br />
The time to invest is now. Don't fear<br />
obsolescence because the manufacturers<br />
know that compatibility is a must. And<br />
don't fool yourself into thinking the cost is<br />
loo high. It is, rather, the cost of not improving<br />
your theatre's sound that you eventually<br />
will realize is too high.<br />
Indifference to Boxoffice Security<br />
Adds Up to Large Exhibitor Losses By Mickey Gitl'in 4<br />
"At this very moment, ticket takers in theatres across the nation<br />
are expertly palming whole tickets, cashiers are letting patron's<br />
enter without selling tickets and attendants at refreshment<br />
stands are bringing in their own merchandise and selling it."<br />
18 Screen Theatre Complex Is<br />
Under Construction in Canada 7<br />
FCC Rules and Radio Sound Systems;<br />
Debate of Applicability Continues ...A letter from John Tierney 8<br />
Self Imposed 'Truth in Rental' Policy<br />
Will Help Exhibitors & Distributors By Paul Hatch 10<br />
"Before the government becomes any more entrenched in our<br />
industry, I suggest that film distributors adopt and publicize a<br />
'truth in rental' policy for each picture."<br />
"ShoWest in Print" 14<br />
Black and white information on the ShoWesT '79 convention<br />
being held at the MGM Grand Hotel in Las Vegas, including a<br />
list of exhibitors, the tradeshow layout and scheduled events.<br />
ShoWesT '79 Completely Sold Out;<br />
Is<br />
Convention Program Offers Variety 14<br />
Stegmoyer's Off Broadway Theatre<br />
World's Smallest & Least Profitable? By George Finkhousen 24<br />
Meet John Stegmoyer; owner, manager, projectionist, concession<br />
attendent, usher, booker, janitor and father of the "Off<br />
Broadway Theatre."<br />
Drlve-lns Live at Pacific Theatres 26<br />
Officials at Pacific Theatres say growth projects are keeping<br />
their plan and construction staffs going days, nights and<br />
weekends<br />
Drive-ln Amplifiers;<br />
Tubes vs. Solid State By George Finkhousen 28<br />
"J he dynamic range of a modern, high-quality Academy print<br />
can easily call upon amplifiers to provide as much as 700 per<br />
cent more power than average."<br />
In-Theatre Boutique Merchandising<br />
Seen as Profitable, Emerging Trend By Gary Burch 32<br />
"Film related impulse items are selling everywhere. Are exhibitors<br />
getting their fair share of the pie'.'"<br />
GARY BURCM, M«iM«lii9<br />
tditof<br />
The MODERN THEATRE is o bound-in section published each month in BOXOFFICE. Editoriol<br />
or general business correspondence should be addressed to Vance Publishing Corp.<br />
825 Von Brunt Blvd. Kansas City, Mo. 64124. Eastern Representative; James Young,<br />
1270 slQth Ave. Rockefeller Center, New York, N. Y) 0020; Western Representative:<br />
Ralph Komlnsky, 6425 Hollywood Blvd., Hollywood, Colif. 90028.
BOXOFFICE :: February 19, 1979
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You see, DBL-MUT (that's short<br />
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For example: used as a stand alone<br />
film transport system, DBL-MUT will turn<br />
a small reel capacity into a large reel transport,<br />
holding up to 4 '/2 hours of film . (48-inch<br />
reels). Just roll it up to your projector, feed<br />
film from one side reel to the projector and<br />
back to the other reel. Put it in "run" mode<br />
and your show is on screen when your<br />
projector starts. Very nifty.<br />
Or, use DBL-MUT as a rewind bench —<br />
rewinding smoothly from any large reel<br />
or studio reel. Speed is controlled by the<br />
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DBL-MUT will also serve you as a<br />
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DBL-MUT is shipped complete, ready<br />
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Get in touch with your Eprad dealer<br />
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INCORPORATED<br />
Indifference to<br />
Boxoffice Security<br />
Adds Up to Large Exhibitor Losses<br />
One of the major problems confronting<br />
Mickey Giiliii<br />
the theatre industry today is due to three<br />
major causes; 1) dishonest<br />
employees, 2)<br />
apathy on the part of<br />
management and 3)<br />
distrust among the<br />
three chief segments<br />
of the industry— production,<br />
distribution<br />
and exhibition.<br />
In the first instance,<br />
employee dishonesty<br />
flourishes because of<br />
employer apathy and<br />
indifference. Theatre owners are unwilling<br />
to accept the fact that people will steal<br />
when given the opportunity. The two basic<br />
reasons employees steal are: 1) need and<br />
2 ) opportunity.<br />
Methods and Procedures<br />
The need is always present. The opportunity<br />
depends on how vigilant the employer<br />
or theatre owner is regarding systems<br />
and procedures. These are methods by<br />
which the dishonest employee would be exposed.<br />
At a recent theatre owner's convention,<br />
when the owners were asked to indicate<br />
how many in the group had a security program<br />
or definite procedure for controlling<br />
dishonesty among employees, only five exhibitors<br />
in the crowded room indicated<br />
they had such procedures.<br />
It is interesting to note that, in 1975,<br />
Most Used Methods of Stealing<br />
three of the nation's leading retail organizations<br />
had a combined volume of $25<br />
billion in sales. The same survey revealed<br />
that America's thieves stole $23.5 billion<br />
in the same year. Surely these statistics are<br />
sufficient cause for alarm. Yet, those of<br />
us in the security business are finding it<br />
increasingly difficult to convince theatre<br />
owners that some of their employees may<br />
be stealing from them.<br />
To emphasize this point, Dale System,<br />
Inc., a Garden City, N.Y. -based security<br />
firm, offers the following documentation.<br />
Last year, thieves stole $15,000 from a<br />
drive-in in Illinois. A cashier at another<br />
drive-in in Michigan admitted to stealing<br />
$7,320. Two other cashiers employed at<br />
the same drive-in admitted to stealing<br />
$3,900 and $1,450 respectively. The manager<br />
at this theatre admitted to<br />
'.<br />
having<br />
stolen $6,530. ,<br />
Lucrative Second Income<br />
The boxoffice staff was stealing money<br />
by palming tickets, reselling stubs, letting<br />
cars in free and withholding receipts after<br />
boxoffice closing. In Massachusetts, a manager<br />
and two cashiers conspired to steal<br />
$20,000 over a one year period by reselling<br />
tickets. A drive-in manager in New<br />
York State made a lucrative second income<br />
by continuing to list employees on his payroll<br />
long after they had quit or been discharged.<br />
Three drive-in employees in Kansas<br />
City stole $20, $30 and $50 per day,<br />
respectively, during swap meets which<br />
were held at the theatre.<br />
<<br />
At this very moment, while you are<br />
This chart shows theatre owners "how to catch a thief" by listing the most often<br />
ised methods of dishonesty and the people most often having access to such methods.<br />
Collect additional money for loge, smoking<br />
Close boxoiHce early<br />
Aiter legitimate boxolfice closing, steal late<br />
Sell children's tickets fft adult prices<br />
nV ticket Told How people to enter at reduced<br />
bypass turnstile and car count-<br />
Carry former employees on payroll long after<br />
they leave and report fictitious employees on<br />
payroll<br />
Submit phony expense vouchers<br />
Sell refreshments, foil to reporl sales<br />
No record<br />
Bring in<br />
pers<br />
end collect<br />
money.<br />
theatre facilities<br />
locol ads lor per-<br />
The MODERN THEATRE SECTION
f<br />
BOXOFHCE<br />
reading this article, ticket takers in hardtop<br />
theatres across the nation are expertly palming<br />
whole tickets, preparatory to returning<br />
them to cashiers for resale. Cashiers and<br />
ramp attendants in drive-in theatres are<br />
letting cars enter without selling tickets and<br />
are pocketing the money. Attendants at refreshment<br />
stands are bringing in their own<br />
meichandise and selling it through the concessionaire's<br />
facilities while the concessionaire<br />
pays the rent, the attendant's salary and<br />
the overhead.<br />
These people, and thousands more like<br />
them, are employees. Within 24 hour<br />
a<br />
period of time, these people will steal at<br />
least $5.5 million from business and industry<br />
in this country.<br />
Fuel for the Fires<br />
Why is this happening? Why is it possible?<br />
Because of the apathy and indifference<br />
on the part of most businessmen. Apathy,<br />
indifference and distrust are qualities that<br />
apply to more than just employees. There<br />
is a tremendous amount of distrust that exists<br />
between the producers, distributors and<br />
exhibitors. It is the concept of trading that<br />
instills the initial feeling of distrust from<br />
the very first meeting. The give and take<br />
that is so necessary between the buyers and<br />
sellers provides the fuel for the fires of<br />
distrust.<br />
Each participant is wary of the other,<br />
trying to get the edge, hoping for a better<br />
deal so that he can make more profit. Unfortunately,<br />
like the retailer who has to<br />
build an extra percentage into the retail<br />
price of his merchandise to cover possible<br />
loss, the film buyers and sellers must take<br />
into consideration many areas of possible<br />
loss<br />
Ṁy experience has taught that the film<br />
producer automatically feels that he is going<br />
to be cheated. The film distributor may<br />
feel this way. too. The exhibitor, on the<br />
other hand, has the biggest exposure because<br />
he not only has to be wary of the<br />
producer and distributor, but also is exposed<br />
to the possibility of dishonest employees.<br />
It's a vicious cycle.<br />
We at Dale Systems constantly preach<br />
vigilance. We constantly advise our clients<br />
that the only solutions to the problems of<br />
dishonesty and trust are: 1) awareness, 2)<br />
delegating responsibility for control and 3)<br />
a positive system of cash follow-through<br />
and verification.<br />
Recommendations<br />
Often, employees are stealing as unsuspecting<br />
accomplices at the instruction of<br />
their superiors, while managers and owners<br />
are misinformed about the background of<br />
their employees because they fail to research<br />
the applicant before hiring him. We<br />
strongly believe in the use of a polygraph<br />
test as an effective tool for combating management<br />
misinformation. We recommend<br />
using a detailed employment application,<br />
running police checks and credit checks,<br />
talking with the prospects" former employers<br />
and accounting for gaps in an applicants<br />
employment history.<br />
We further recommend that theatre own-<br />
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Boxoffice Security—<br />
Coniiniied from preceding page<br />
ers set up rigid policies and procedures.<br />
These include never permitting a cashier<br />
to resell a ticket, a method devised and<br />
implemented to document the use of passes<br />
and special rate cards by patrons, a system<br />
for accurately reporting all cash shortages<br />
and a method of ticket collecting whereby<br />
tickets are ripped in half and placed in a<br />
secure container.<br />
Additional Security Checks<br />
1) Audit safes in theatres on a regular<br />
basis. Have district managers check to see<br />
that safes are kept locked at all times.<br />
2) See to it that your deposits are made<br />
regularly. Investigate any missing deposi'.s<br />
at once. Don't assimie it will eventually fhow<br />
up.<br />
3) Require duplicate deposit receipts be<br />
sent to you by the bank on a regular ba.u.^.<br />
not just<br />
with monthly statements.<br />
4) Compare the bank copy with the copv<br />
sent in by the bank.<br />
5) Delegate a definite responsibility for<br />
cash handling and deposit security to one<br />
person.<br />
6) All cash overages should be reported<br />
on the boxoffice statement and deposited<br />
with daily receipts.<br />
7) All cash shortages should be reported<br />
accurately on a daily basis.<br />
8 ) Do not allow non-employees or unauthorized<br />
employees to assist in cash handling<br />
or balancing.<br />
9) Insist that deposits be made on a daily<br />
basis. Do not permit deposits to accumulate<br />
for any reason.<br />
10) Require a detailed and accurate employment<br />
application from each employee.<br />
1 1 ) Insist that ticket series be used in<br />
sequence and on a daily basis, if possible.<br />
12) Demand an accurate accounting o'<br />
all tickets in stock. Tickets should be secured<br />
under lock and key. Treat them as you<br />
would cash.<br />
13) Insist that no loose tickets be sold<br />
/or any reason.<br />
14) Conduct regular audits of both cash<br />
and tickets.<br />
15) Act immediately on any violation of<br />
company policy, especially if it relates to<br />
cash or ticket handling.<br />
16) Insist on receiving an immediate report<br />
on all violations.<br />
17) Do not assume that things will work<br />
themselves out. Investigate!<br />
18) Insist on a written explanation of all<br />
discrepancies. Stories can change.<br />
19) If in doubt, check personally. Look<br />
at the facts yourself.<br />
20) Take nor/i/ng for granted.<br />
Mickey Gitlin is the vice-president of Dale<br />
Syste?7i, Inc. and president of Continental<br />
Protective Systems, a division of the Dale\<br />
System. He has been in the security business<br />
for more than 25 years and is an interroga-.<br />
tions expert as well as a polygraph examiner.<br />
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Eighteen theatre auditoriums are to be<br />
built on one site in what might be the<br />
largest multi-screen theatre in the world.<br />
The project is the brainchild of veteran<br />
Canadian exhibitor N. A. Taylor and Garth<br />
Drabinsky, a financial backer. The two<br />
have formed Cineplex Corp. in Toronto and<br />
launched the multi-screen project, which is<br />
currently being constructed in the Eaton<br />
Center in Toronto, early last year.<br />
The Cineplex facility will occupy a space<br />
as large as a football field with auditoriums<br />
arranged on two levels. Each auditorium<br />
will seat approximately 100 and will feature<br />
16mm rear screen projection.<br />
In addition to these auditoriums will be<br />
a 300 seat stage auditorium, a huge concession<br />
area and an internationally flavored<br />
restaurant. Patrons will have a choice of<br />
film fare from noon to midnight and a<br />
specially designed computerized ticket issuing<br />
system will<br />
record sales for each screen,<br />
allowing patrons to purchase tickets in advance<br />
and reduce the probability of waiting.<br />
Large Potential<br />
Audience<br />
The Eaton Center, reportedly owned by<br />
Texas-based real estate firm Cadillac Fairview,<br />
attracts an estimated 500,000 shoppers<br />
each week and is located near approximately<br />
200,000 office workers in downtown<br />
Toronto.<br />
"What makes this project unique," said<br />
Taylor, "is that we're investing over $2 million<br />
in somebody elses building." Taylor<br />
went on to say that he had told fellow exhibitors<br />
during his keynote address, presented<br />
at the 1965 Show-A-Rama convention,<br />
that multi-screen theatres would be an<br />
answer to the motion picture industries<br />
problems, especially where overhead costs<br />
were concerned.<br />
Taylor said that Cineplex intends to build<br />
similar theatres in other regions after the<br />
Toronto facility is completed.<br />
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BOXOFHCE :: February 19, 1979
j<br />
|<br />
j<br />
. FCC Rules and Radio Sound Systems;<br />
SifH^ "P^cducU Debate of Applicability<br />
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I<br />
To The Modern Theatre:<br />
I am communications counsel tor Cinema<br />
Radio Corp. and feel compelled to comment<br />
on the letter from Leslie A. Wall, an<br />
F.C.C. staff engineer, which appeared in<br />
your October 16. 1978 issue, in which he<br />
discusses the applicability of Part 15 of the<br />
FCC Rules to drive-in theatre sound systems.<br />
In his letter, Mr. Wall states, in pertinent<br />
part, as follows:<br />
A system in which the receiving and tia<br />
Hitting apparatus are connec ted to the same<br />
system of wires is subject to the provisions<br />
for a restricted radiation device in Section<br />
15.7. On the other hand a system which is<br />
designed to transfer RF energy througli space<br />
is classified as a low-power communication<br />
device and is subject to the technical specifications<br />
in Section 15.111 in Subpart D of<br />
Part 15.<br />
This legal interpretation of the Commission's<br />
Rules conflicts with the language of<br />
'<br />
the Rules themselves.<br />
Section 15.4 (d) defines a '"registered<br />
radiation device" as follows:<br />
... A device in which the generation of<br />
radio frequency is intentionally incorporated<br />
into the design and in which the radio frequency<br />
energy is conducted along wires or is<br />
radiated . . . (emphasis added)<br />
Furthermore, Section 15.4(f) of the Commission's<br />
Rules defines a "low-power communication<br />
device" as follows:<br />
... A liiu-pouer communications device is<br />
a restricted radiation device, exclusive oj<br />
tliose employing conducted or guided radio<br />
techniques, used for the transmission of signs,<br />
signals (including control signals), writing,<br />
images and sounds or intelligence of any nature<br />
by radiation of electromagnetic energy,<br />
(emphasis added)<br />
Finally, Section 15.7 of the Commission's<br />
Rules reads, in pertinent part, as follows:<br />
15.7 General requirement for restricted radiation<br />
devices. Unless regulated under some<br />
other subpart of this part, any apparatus<br />
which generates a radio frequency electromagnetic<br />
field functionally utilizing a small<br />
pail of such field in the operation of associated<br />
apparatus not physically connected thereto<br />
.. . need not be licensed, (emphasis added)<br />
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Continues<br />
underground in proximity to the automobile<br />
parking spaces which guides intentionally<br />
incorporated energy along it. Sufficient radiation<br />
is emitted along this cable so that the<br />
automobiles parked near it can receive the<br />
radio frequency energy on their AM radio<br />
receivers.<br />
Under the clear language of the Com<br />
mission's Rules quoted above, the Cinema<br />
Radio system is a "restricted radiation device"<br />
in accordance with the provisions of<br />
Rules 15.4(d) and 15.7 and, therefore, it<br />
requires no license. On the other hand,<br />
system which physically connects the receiver<br />
to the same system of wires emanating<br />
from the transmitter cannot meet the clear<br />
provisions of Rule 15.7 which limits "restricted<br />
radiation devices" to those systems<br />
which ". . . generate a radio frequency electromagnetic<br />
field functionally utilizing a<br />
small part of such field in the operation of<br />
associated apparatus not physically connected<br />
thereto" . . .<br />
(emphasis added)<br />
By letter dated March 26, 1975, I advised<br />
the FCC's Chief Engineer that under<br />
the clear language of the Rules, systems<br />
such as Cinema Radio's were restricted radiation<br />
devices, and as such, they would continue<br />
to be operated under the provisions<br />
of Rule 15.7. I also informally brought this<br />
matter to the attention of each FCC Commissioner.<br />
Neither at that time nor since<br />
then has any Commissioner or the Chief<br />
Engineer advised me that he/she disagrees<br />
with my position in this regard.<br />
In any event, the clear language of the<br />
Commission's Rules, quoted above, cannot<br />
be interpreted, either by the Commission or<br />
its staff, informally, by "bulletin," or otherwise,<br />
in such a way as to make them have<br />
the exact opposite meaning from that which<br />
they clearly convey. Any such attempt to so<br />
!<br />
interpret the Commission's Rules would be<br />
contrary to the provisions of the Adminis-<br />
trative Procedure Act. Moreover, an admiii- i<br />
'<br />
istrative agency is bound by the clear provision<br />
of its own Rules.<br />
In order for the Rules to have the mean-<br />
I<br />
ing which Mr. Wall claims they now have, t<br />
it would be necessary for the Commission<br />
to amend its rules, after a formal rulemaking<br />
proceeding affording all interested parties<br />
an opportunity to comment on the proposed<br />
change. As Mr. Wall correctly<br />
points<br />
out. the Commission is presently engaged in<br />
a rulemaking proceeding to make changes<br />
in its Part 15 rules. The changes proposed<br />
have the tacit support of Cinema Radio.<br />
Until these changes are adopted and become<br />
effective, however, the Rules quoted<br />
above must be read in accordance with their<br />
clear language.<br />
Counsel for Cinema Radio Corp.<br />
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) COPYRIGHT- EASTWEST CARPET CO., INC. 1975<br />
Self-imposed 'Truth in<br />
Rental' Policy<br />
Will Help Exhibitors & Distributors<br />
During a recent meeting of area exhibitors,<br />
many suggestions were offered as pos-<br />
^ — sible solutions to the<br />
problems that we<br />
share in common. A<br />
frequently suggested<br />
„ ^ "solution" was that of<br />
5%,'*' requesting legislation<br />
by either the state or<br />
federal government.<br />
As one who has<br />
1^ served for years in<br />
various elected and<br />
appointed positions<br />
Paul Hatch<br />
^jjj^jj, fo^^ levels of<br />
government, I speak with a certain amount<br />
of authority when I strongly suggest that<br />
the one thing we do not need is more intervention<br />
by any bureaucratic agency.<br />
There already are too many restrictive<br />
laws on the books relating to the motion<br />
picture industry, each of which ultimately<br />
several areas of concern.<br />
Consislent Policy<br />
Among the areas of concern is the policy<br />
adopted by each individual distributor with<br />
regard to the distribution of any given film.<br />
There need not be a uniform policy shared<br />
by all companies, but each firm should have<br />
a consistent policy, familiar to and understood<br />
by all in exhibition, for each film.<br />
We have seen recent legislation with regard<br />
to "truth in lending," "truth in labeling"<br />
and so on. Before the government becomes<br />
any more entrenched in our industry,<br />
I suggest that film distributors adopt and<br />
publicize a "truth in rental" policy for each<br />
picture.<br />
To better understand the need for such<br />
policies, one only has to read the fine print<br />
and clauses that are added to the contract<br />
for film rental. All exhibitors and distributors<br />
know that, in effect, a contract merely<br />
sets forth the terms under which we enter<br />
a mutually agreed upon arrangement for the<br />
"leasing of copyright privileges" for that<br />
which is owned by one of the parties.<br />
There have been altogether too many<br />
additional clauses affixed to contracts during<br />
recent years.<br />
Exhibitors are coerced into<br />
agreeing that they will run no kiddie matinees<br />
during certain runs; that no passes of<br />
any type can be honored; that there will or<br />
will not be any screen advertising during<br />
the engagement and, in some cases, provisions<br />
are made whereby certain distributors<br />
share concession grosses.<br />
Holdover Boondoggle<br />
Holdover clauses also are fast becoming<br />
a boondoggle and an ill within the industry.<br />
To the smaller situation, it creates a problem<br />
in advertising and affords the distribu-<br />
costs us money.<br />
What we do need is a self-regulated indus-<br />
tor a great excuse for being unable to provide<br />
try on the part of both distributors and exhibitors.<br />
a print on the proper date by stating<br />
We need to take a close look at<br />
that there is >to print<br />
excessive number of<br />
available due to the<br />
holdovers—holdovers<br />
the activities within our industry that have<br />
caused certain factions to seek intervention<br />
from governmental agencies, and work to<br />
that were known about well in advance because<br />
of contractual agreements.<br />
eliminate these problems ourselves. The<br />
and poor our<br />
Exactly what would a "truth in rental"<br />
negative impact press that<br />
accomplish? being policy I recall in the<br />
industry recently has received is the result<br />
office of a fellow exhibitor recently as he<br />
was calling a film salesman about booking<br />
of our failure to take corrective action in<br />
a particular film. I had just booked the<br />
same film the day before. To my surprise,<br />
the same sales representative (of a major<br />
distributor) offered my friend the same film.<br />
However, the minimum terms were different;<br />
the minimum required playing time was<br />
far different, and the amount of the advance<br />
was significantly less, even though both theatres<br />
are known to be similar in producing<br />
comparable grosses.<br />
Similarly. I have booked a film on Tuesday<br />
only to find a friend who has booked<br />
the same show on the following day with<br />
different terms. The policy changed overnight<br />
and, although 1 was offered only a<br />
Continued i<br />
/)
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BOXOFFICE :: February 19, 1979
Kansas<br />
"Truth in Rental "-<br />
Conliniieil jiuin page 10<br />
two-week engagement, he was allowed to<br />
date the film for a week and, in some cases,<br />
two or three days.<br />
Upon calling and requesting that my playtime<br />
be reduced, I was told that it could not<br />
be changed because I had signed a contract.<br />
Had 1 known in advance that the company<br />
policy would change on a certain date, I<br />
would have waited.<br />
House expenses is another area where<br />
more continuity is needed. Two similar theatres<br />
oftentimes have distributor-approved<br />
overhead expenses that are radically different.<br />
There also should be a built-in escalation<br />
clause with respect to approved house<br />
expenses.<br />
One distributor has allowed me a certain<br />
overhead for the past six years. Many attempts<br />
have been made to increase the figure<br />
to be more in line with the inflated costs<br />
we have incurred in recent years. Utility<br />
costs, wages, advertising costs and the like<br />
have gone up drastically. Exhibitors should<br />
be allowed to automatically have the allowances<br />
increased to reflect the cost spiral.<br />
1 have worked hard over the years to create<br />
a better understanding of the problems<br />
that distributors and exhibitors have shared<br />
in hopes that a greater rapport and mutual<br />
respect could develop. But now. the stringent<br />
contractual agreements and clauses that are<br />
thrust upon us are beginning to look more<br />
and more one-sided, with distribution having<br />
the upper hand.<br />
How can any independent exhibitor<br />
prove that there have, in fact, been unfair<br />
trade practices? If he attempts to do so, we<br />
When we say,<br />
^This is Soundfold,"<br />
it's Soundfold!<br />
When someone else says,<br />
*This is Soundfold,"<br />
maybe it's not!<br />
There is one way to be sure your getting<br />
Soundfold call us collect at the number<br />
below. Soundfold is sold direct or through<br />
exclusive distributors.<br />
Take the time to make sure.<br />
Please send me information on Soundfold<br />
all know how the film distributor will react:<br />
"No prints. Sorry, it's out of release" or "We<br />
just sent all the prints to another area for<br />
a saturation booking." Easiest of all, the<br />
advance or guarantee will be double that<br />
which you paid last year for a comparable<br />
show.<br />
This is not to say that distribution should<br />
not have its fair share of protection. However,<br />
a truth in rental statement for each<br />
film would provide exhibitors with advance<br />
knowledge of certain information—information<br />
that would allow them to plan in a wellorganized<br />
and profitable manner so that<br />
their businesses could continue. Both distribution<br />
and exhibition depend on the continued<br />
success of each other.<br />
A truth-in-rental policy statement from a<br />
distributor should include such facts as:<br />
1 ) RELEASE<br />
DATES — Information<br />
about release dates to first-run, national release<br />
date theatres and sub-run situations.<br />
Just when can a particular theatre get the<br />
show?<br />
2) TERMS—Terms should be consistent<br />
and apply fairly to all exhibitors. Advances<br />
and guarantees for comparable situations<br />
should be comparable.<br />
3) REQUIRED PLAYING TIME—Precise<br />
information should be given in advance<br />
about the required playing time. For example,<br />
a particular film will be sold only for<br />
eight-week engagements with specified starting<br />
and closing dates, after which the policy<br />
will be to entertain bookings of six weeks,<br />
followed by four, three, two, etc.<br />
Working Togetlier<br />
These are but three thoughts that should<br />
be considered. There are more. It is essential<br />
that distribution and exhibition interests<br />
work together to formulate a better line of<br />
communications. The "truth in rental" concept<br />
will go a long way toward accomplishing<br />
this desired meeting of the minds.<br />
We need a self-imposed "truth in rental"<br />
policy. We do not need continued alienation<br />
between the two branches of this industry,<br />
nor more encroachment by government "on<br />
our behalf" as a result of our failure to cure<br />
our own ills.<br />
Opposing viewpoints from responsible partie<br />
welcomed and should be sent to: The Modern Theatre.<br />
825 Van Brunt Blvd ,<br />
City, Missouri<br />
B4I24. Manuscripts are subject to editing lor reasons<br />
ol space and clarity.<br />
NATIONAL<br />
TICKET CO.<br />
TICKET AVE., SHAMOKIN, PA.<br />
Address.<br />
City<br />
Zip.<br />
Soundfold International<br />
Call collect 513 228 3773 or 513-293-2671.<br />
"// it's a ticket, We make it."<br />
• ROLL & STRIP • COUPON BOOKS<br />
• RESERVED SEATS • MACHINE<br />
N. Y. OFFICE: 1650 BROADWAY, N. Y. C.<br />
Jack Conway, President<br />
The MODERN THEATRE SECTION
. . we"d<br />
TIHIE NIEW<br />
IHLeilN 1€€<br />
lENTIElPTAlN/HIENT<br />
STOTE/H<br />
Perfect t\)r nunie theaters. riKleos<br />
operation interested in malting the<br />
All modular. Place the cash dra<br />
mounted to maximize customer<br />
viewing — the keypad and<br />
multiple printers can even be<br />
built-in or mounted into the<br />
counter — or anywhere to<br />
make the ticket area most<br />
efficient.<br />
Reliable. The electronic<br />
Hugin lUO Ticket Machine has<br />
been in service for years throughout<br />
the world — serving companies like yours<br />
Give us a call . be happy to<br />
discuss vour needs.<br />
amusement parks, golt ranges<br />
nost (ifN our ticket area.<br />
remote displa_\ can be<br />
Robin Hill C (iipcir,<br />
Patterson. Nc« N'l<br />
(S()0)4.^1-2()02<br />
BOXOFFICE :: February 19. 1979<br />
Ij¥LJ HUGIN<br />
Hu-inCashRc-yislors. I.ld.<br />
SOMiIikmAvciuic-<br />
.Sciirborough. Ontario<br />
MIS3P8<br />
(416)292-8000
85,<br />
I<br />
I<br />
I<br />
I<br />
I<br />
I<br />
1^ShoWesT in Print It<br />
FIRM<br />
BOOTH<br />
Canrad-Honovia/Ballantyne/Slrong 1-3<br />
Prokote, Inc 4<br />
Solo Cup Co 5<br />
Chewie NewguH Co. 6<br />
Dixie Marathon 7<br />
Cinema Concepts 8<br />
Seven Up Bottling Co. 9<br />
Future Enterprises 10<br />
Pacific Theatre Equipment Corp. 11, 12<br />
Alco Dispensing Systems .. 13<br />
Ogden Food Service Corp. 14, 15<br />
Continental Bondware/Fun Foods 16, 17<br />
MIW Theatrical Enterprises 18<br />
Energy Control Systems 19<br />
Durkee Foods—division of SCM Corp. 20<br />
Image National 21, 22<br />
Hawaiian Punch—R.J.R. Foods. Inc. 23<br />
Arizona Theatre Equipment Co.. Inc. 24, 25<br />
Advance Seating 6. Repair Co., Inc. 26<br />
Shasta Beverages 27<br />
28<br />
Heiu-y Heide, Inc.<br />
H.I. Allen Co ... 29<br />
Promotional Packaging, Inc. 30<br />
Proctor Distributing Co./Butler Fixtures,<br />
.. Inc. 31, 32<br />
Bar 33<br />
Harlan Fairbanks Co. 34<br />
Poppers Supply of Portland 35<br />
Good Time Foods 36<br />
Lapidus Popcorn, Inc. ... 37<br />
The Filbert Co 39-42<br />
Marsh Concession Supply, Inc. 43<br />
Theatre Candy Distributing Co. 44<br />
Gold Medal Corp. 45, 46<br />
Crelors Co. 45, 46<br />
Slush Puppie Corp. 45, 46<br />
Lily Division/Owens-Illinois, Inc. 47<br />
National Screen Service ... 48<br />
National Theatre Supply 49<br />
Pepsi Cola Co. 50<br />
Optical Radiation Corp. 51, 52<br />
Metro Concessions Industries 53, 54<br />
Orange Whip Corp. 55, 56<br />
Universal Theatre Supply 57, 58<br />
Cine-Fi International 59, 60<br />
Adams
I<br />
Lapidus<br />
. . . mono<br />
an and incumbent president of the Motion<br />
Picture Pioneers; William F. Kartozian of<br />
Walnut Creek and San Francisco, Calif.,<br />
president of the new Theatre Assn. of California,<br />
and his putative successor to that<br />
post. Bruce C. Corwin of Los Angeles;<br />
Spero L. Kontos, equipment business leader<br />
and ShoWesT co-chairman, and concessions<br />
business veteran Al Lapidus of Los Angeles<br />
who, like Kontos, is a co-founder of<br />
ShoWesT and has been a co-chairman since<br />
1975.<br />
Las Vegas exhibitor Lloyd Katz, as host<br />
city chairman, will introduce members of<br />
the city of Las Vegas and state of Nevada<br />
officialdom.<br />
An integral part of the opening afternoon<br />
session remains the "Honored 12" ceremonies,<br />
singling out one person from each<br />
of the 12 Theatres West states for achievements<br />
in civic activities, marketing, showmanship<br />
and theatre operation.<br />
Colorado industry leader Ralph Batschelet<br />
of Denver will again serve as chairman of<br />
this section of the program.<br />
NAG Convention Program<br />
ShoWesT '79 co-chairman Al Lapidus of<br />
Popcorn Inc., Los Angeles, reports<br />
that NAC will stage two business sessions<br />
which should be of interest to all members<br />
of the concession industry.<br />
Co-chairmen for the NAC business programs<br />
are Norman Chesler of Theatre Candy<br />
Distributing Co., Salt Lake City, and<br />
Vernon B. Ryles, Jr., of Popper's Supply<br />
Co., Portland, Ore. Chesler is vice-president<br />
counters. A visual presentation will kick oil<br />
major discussion on security and the prevention<br />
of theft at concession facilities. A number<br />
of key executives will be on hand to<br />
discuss pilferage, a problem that<br />
faces nearly<br />
all concession operators.<br />
A special presentation, "Profits and Value<br />
in Proper Candy Bar Merchandising," is<br />
also scheduled for NAC's business session<br />
on Thursday. The R. J. Allen Co., Burbank,<br />
will spearhead the session along with candy<br />
manufacturers and snack bar operators. The<br />
presentation will help concession operators<br />
become more knowledgeable in candy merchandising.<br />
"ShoWesT in Print" conliniies on the jollowinfi<br />
pai^e.s.<br />
|
ShoWesT in Print"<br />
The jallowing ulphabelical list of Sho-<br />
WesT '79 exhibitors is presented as a service<br />
to readers of The Modern Theatre.<br />
// you're attending the convention, be sure<br />
to visit each of them. If not. read through<br />
this special section to learn what new products<br />
and services they'll soon he offering.<br />
Snap-Lok and slotted letters are available<br />
in sizes ranging from 4 to 3 1 inches. Pronto<br />
letters are available in either solid stroke or<br />
three dimensional styles in sizes ranging<br />
from 3 to 24 inches.<br />
Bevelite-Adler is a complete changeable<br />
letter supplier. Write to them for their free<br />
catalog. They also offer a toll-free number<br />
for exhibitors desiring to place an order or<br />
Bevelite-Adler<br />
Dick and Mike Strauss will be in booth<br />
68 at the ShoWesT convention representing<br />
the products of Bevclite-Adier. The firm<br />
manufactures a complete line of Snap-Lok<br />
letters, slotted letters and flat (Pronto) letters<br />
along with supporting backgrounds for<br />
all styles of letters.<br />
receive information on their product line.<br />
Bevelite-Adler<br />
14824 S. Main Street<br />
Gardena, Calif. 90248<br />
1-800-421-1256<br />
//) California, call collect<br />
1-213-321-5641<br />
Selby:<br />
Best performance in a<br />
supporting role.
mechamc-al peU"<br />
rj.^^ tie<br />
^^^<br />
This *ovt,.""P *«\i,u,ve .«.»*' V^^Wng «>* you TEA<br />
God/Ml* t"'. ^^'^ '<br />
Business'<br />
Your<br />
»sBuHd>ng<br />
our<br />
Business
Christie Electric Corp.<br />
Lvnn Shiibert. Dane Denick ;md Stan<br />
Larson will represent Christie Electric Corp.<br />
in booths 65 and 66 at ShoWesT '79.<br />
Christie Electric manufactures a complete<br />
line of projection booth equipment including<br />
the Christie All-In-One Combo console,<br />
the Autowind 3 film transport systems, the<br />
FC-1 film cleaner, power distribution panels,<br />
automation programmers, Xenolite<br />
lamphouses. sound system amplifiers and a<br />
complete line of UL-recognized Xenolite<br />
xenon bulbs.<br />
Cliristie Electric Corp.<br />
3410 W. 67th Street<br />
Los Angeles, Calif. 90043<br />
(213)-750-llSl<br />
Cretors,<br />
Inc.<br />
C. Cretors & Co. proudly presents the<br />
most profitable piece of equipment in the<br />
theatre industry ... the Cretors Diplomat.<br />
Also on display for ShoWesT '79 is the<br />
new Cretors Merchant. This new popper is<br />
smaller than the Diplomat but packs the<br />
same profit punch as its big brother at an<br />
economy price.<br />
David Babbit and Ned McKnight of<br />
Cretors & Co. will be in attendance at<br />
booth 46 to answer any questions concerning<br />
Cretors equipment.<br />
Cretors, Inc.<br />
P.O. Box 90346<br />
Nashville, Tenn. 37209<br />
(615)-320-5555<br />
Cinema Concepts<br />
Stewart Harnell, Ron Ellis and Claudia<br />
Martin of Cinema Concepts will be found<br />
in booth number eight at ShoWesT '79.<br />
Their firm has earned a strong foothold<br />
in the motion picture industry by providing<br />
new ideas in special trailers, film daters and<br />
custom production work. Their portfolio of<br />
unique institutional trailers covers a multitude<br />
of subjects and are enhanced through<br />
the use of highly sophisticated computerized<br />
photographic equipment, similar to<br />
those special graphic effects trailers seen on<br />
television.<br />
The firm will also be introducing a new<br />
line of in-theatre merchandising products,<br />
including nostalgia posters as such "Casa<br />
Blanca," "Gone With the Wind" and The<br />
Bank Dick."<br />
Cinema Concepts<br />
210 25th Ave. N.<br />
Nashville, Tenn. 37203<br />
(615)327-4000<br />
Now!...<br />
an ULTRA image<br />
on the screen<br />
Dixie/Marathon<br />
Representing Dixie/ Marathon in booth<br />
number seven will be: Norm Stumes, district<br />
manager; Tim Roach, district manager;<br />
Paul Ghizzone, regional manager; Dick<br />
Ferguson, senior sales representative; Phil<br />
Benjamin, senior sales representative; Larry<br />
MacCormac. business manager, George I ot<br />
tier, product manager, and Bill Selby, s.iL^<br />
development manager.<br />
The firm will feature their full line of<br />
popcorn and drink cups as well as towel and<br />
tissue products.<br />
Dixie/Marathon<br />
Box 3400<br />
American Lane<br />
Greenwich, Conn. 06830<br />
Drive-ln Theatre Mfg.<br />
George, Ed and Gene Higginbotham,<br />
Jacque Dhooge and Francis Keilhack will<br />
be manning booths 51 and 52 for Drive-In<br />
Theatre Mfg. Co.<br />
The firm will be demonstrating the LP-<br />
270 film transport platter systems and accompanying<br />
make-up table, the ATS-2 and<br />
DPA-1 automation systems, the Boxoffice<br />
Security System (BOS) for drive-in theatres,<br />
an emergency public address amplifier, and<br />
a full line of drive-in speakers and lighting<br />
svstems.<br />
Drive-In Theatre Mfg. Co., Inc.<br />
709 N. Sixth Street<br />
Kansas City, Kansas<br />
913-321-3978<br />
The MODERN THEATRE SECTION
the tickets<br />
and<br />
iW^^j<br />
K:lH;m:ffl-.[Xi:<br />
...ORC^ C.A.T<br />
can handle the rest.<br />
C.AJ. is the Complete Automated Theatre. C.AX allows<br />
your projection booth to operate - - unattended, and it<br />
eliminates costly, time-consuming film rethreading.<br />
It just may be the<br />
I<br />
greatest thing in theatres<br />
since sound.<br />
Check it out.<br />
See us at<br />
Show West 79-<br />
Booths 51-52^<br />
Optical Radiation Corporation<br />
6352 N. Irwindale Avenue, Azusa, California 91702 • (213) 969-3344
sound of the<br />
70'S<br />
Model NVPG<br />
Associated Gold Medal Dealers<br />
The Associated Gold Medal Dealers are:<br />
Poppers Supply of Portland, Vcrn Ryies;<br />
Harlan Fairbanks. Co., Lloyd Hughes; Good<br />
Time Foods, Steve Lazar; Theatre Candy<br />
Distributing Co.. Norm Chesler; Lapidus<br />
Popcorn. Inc., Jerry Ireland; Marsh Concession<br />
Supply, Leonard Marsh, and Pete<br />
Bally and J.C. Evans of Gold Medal Products<br />
Co. They will be found in and around<br />
booths 45 and 46.<br />
Their exhibit will include the first western<br />
showing of Italian Ice, a product which<br />
usually sells for 50-cents at retail and costs<br />
the exhibitor only 6-cents. The four-wheeled<br />
Gay '90s popcorn wagon, the Cornado<br />
popcorn popper and other new concession<br />
items will also be featured.<br />
Gold Medal Products Co.<br />
1835 Freeman Ave.<br />
Cincinnati, Ohio 45214<br />
Alan Gordon Enterprises, Inc.<br />
Alan Gordon Enterprises will occupy<br />
booth 76 at ShoWesT 79.<br />
Their firm will be displaying the MP-30<br />
portable 35mm sound projector. This professional,<br />
portable projector offers top quality<br />
projection and is ideally suited for standard,<br />
mini-sized theatres and screening<br />
rooms. Features include xenon or incandescent<br />
lamphouses and interlock.<br />
Alan Gordon Enterprises, Inc.<br />
1430 N. Cahuenga Blvd.<br />
HoUywood, Calif. 90028<br />
(213)-466-3561 or 985-5500<br />
Hugin Cash Registers, Inc.<br />
Hugin Cash Registers will be represented<br />
by Angelo Licavoli, Ed Fumia and Fred<br />
Lester at booth number 10.<br />
Their firm manufactures the H-lOO modular<br />
register for theatre use, the electronic<br />
H50B-2 and the mechanical 4501 registers<br />
designed for concession use. The H-lOO can<br />
be used with up to three printers for triplexes<br />
and is operated from one keyboard.<br />
The electronic and mechanical registers are<br />
water resistant to withstand concession area<br />
work.<br />
Hugin. which is a wholly-owned subsidiary<br />
of Hugin Kassaregister AB of Sweden<br />
and reportedly the second largest manufacturer<br />
of cash register systems in the world,<br />
has been making registers for over 50 years.<br />
Hugin Cash Registers, Inc.<br />
200 Saw Mill River Rd.<br />
Hawthorne, N.Y. 10532<br />
(800)-431-2002<br />
Irwin Seating Co.<br />
Irwin Seating Co. will occupy booths 85<br />
and 86 at the ShoWesT convention and will<br />
be exhibiting their full line of theatre chairs-<br />
Included are the Citation, Loge, Atlas Hi-<br />
Back, Comet, P.A.C. and Gladiator chairs<br />
designed for auditorium theatre seating.<br />
Irwin seats are test run up to 100,000 sits<br />
and are provided to the theatre exhibitor<br />
with Irwin"s "single-source installation"<br />
ability.<br />
I<br />
Irwin Seating<br />
Company<br />
P.O. Box 2429<br />
Grand Rapids, Michigan 49501<br />
(616) 784-2621<br />
Other models available.<br />
Model AVSG<br />
For complete catalog and prices<br />
p\^e^^M^. %. )<br />
PROJECTED SOUND, INC.<br />
P.O. BOX 112<br />
PLAINFIELD, INDIANA 46168<br />
(317)839-4111<br />
PROJECTION<br />
SCREEN<br />
COATING<br />
DON'T REPLACE<br />
YOUR INDOOR SCREEN!<br />
REFINISH IT<br />
WITH<br />
• BRIGHT AS NEW<br />
• LOW COST<br />
• NON-FLAMMABLE<br />
• TOUGH WASHABLE SURFACE<br />
• DRIVE-INS TOO'<br />
FOR FURTHER INFORMATION.<br />
-<br />
PROKOTE P O Box 5551, Riverside<br />
California 92507 Phone (714) 877-0300<br />
See us at ShoWesI 79 Booth »4<br />
Kintek, inc.<br />
{formerly Colortek)<br />
Kintek, Inc., formerly Colortek, will occupy<br />
booths 95 and 96 at ShoWesT '79,<br />
The firm will introduce a product so new<br />
and unique that a new word had to be created<br />
to describe what it does.<br />
The word Kintek has created is "Stereoponize'g."<br />
The product is<br />
the KT-22 Stereophonizer,'?'.<br />
The KT-22 Stereophonizer has the nearmagic<br />
ability to create a left-center-right<br />
perceived stereo sound reproduction from<br />
any mono or SVA optical track ever made.<br />
Used with the KT-21 film processor, the<br />
exhibitor will get three channels of perceived<br />
stereo plus noise reduction, dynamic<br />
lange expansion and greatly improved natural<br />
sound for less than half the price of<br />
conventional SVA processors.<br />
You can hear the product demonstrated<br />
at Kintck's Jockey Club demo room or see<br />
il in Iheir booth.<br />
Kintek, Inc.<br />
7458 N. Obregon Drive<br />
Tucson, Arizona 85704<br />
The MODERN THEATRE SECTION
WE SERVE UP THE BEST PLATTER<br />
IN THE INDUSTRY<br />
DRIVE-IN'S ELECTRIC FILM SYSTEM<br />
FEEDS 41/2 HOURS UNINTERRUPTED PROGRAMMING<br />
(rewinds automatically during projection)<br />
• No Swinging Arms to Interfere<br />
• Quicldy and Easily Installed<br />
• Factory Pretested (8 hours of film run continuously)<br />
System complete with work table<br />
and two upper and two lower<br />
magazine brackets with rollers.<br />
System complete with work table<br />
and one upper and one lower<br />
magazine bracket with roller.<br />
For Two Theatres<br />
LP270-4-Four Platter<br />
• Each pair of platters<br />
work INDEPENDENTLY<br />
• Can be adjusted from<br />
Automatic to Manual<br />
control if necessary:<br />
simply push a button.<br />
For Individual Theatre<br />
LP270-Three Platter<br />
• Each platter has<br />
permanent control<br />
panels.<br />
• No changing of control<br />
panels from platter<br />
to platter.<br />
Write, Wire or Phone-<br />
Your Theatre Supply Dealer or. .<br />
DRIVE-IN'Z^«?^<br />
MFG. CO., INC.<br />
709 North 6th St.<br />
Kansas City, Kansas 661 01 91 3/321-3978<br />
BOXOFFICE :: February 19, 1979
•<br />
Double<br />
•<br />
X-CEL<br />
1<br />
We specialize in manufacturing precision<br />
engineered replacement parts<br />
for<br />
ASHCRAFT<br />
ARC LAMPS, RECTIFIERS and WATER RECIRCULATORS<br />
AC. DC. Motors, gearing, positive contacts,<br />
rectifier stacks, etc. etc.<br />
All sizes B&'L Silver and Cold reflectors<br />
ALL THE PARTS YOU REQUIRE<br />
IN STOCK FOR IMMEDIATE SHIPMENT<br />
Rebuild — Exchange on<br />
lamphouse burners,<br />
rectifier transformers, water recirculators, etc.<br />
Water cooled positive contacts rebuilt<br />
ARCAL WATER CIRCULATORS<br />
WITH STAINLESS STEEL TANKS<br />
THEATRE<br />
PRODUCTS INC.<br />
(516)249-5745<br />
51 -C Heisser Lane—Farmingdale, N.Y. ii735<br />
I<br />
MARBLE<br />
THEM<br />
BOTH...<br />
Your Projectionist, with Marble's consistently<br />
high quality he can do a better job.<br />
Your Accountant, with Marble-s consls<br />
tently low prices and fast guarantee service he c<br />
show you more profits.<br />
Eagle Carbons • Sankdr Lenses<br />
Xenon Bulbs • Reflectors<br />
Call Bill Alexander, collect, or contact your theatre<br />
supply dealer.<br />
.MARBLE COMPANY INC<br />
P O Box 8218, Nashville, TN 37207<br />
(615) 227-7772»Telex 554303<br />
The Modern Theatre/Boxoffice<br />
Bill Vance, John Berry, Morris Schloznian<br />
and Mr. and Mrs. Ben Shlyen will be<br />
representing Boxoffice magazine and The<br />
Modern Theatre' at ShoWesT '79.<br />
Although they won't have a booth, any<br />
one of these individuals will be glad to meet<br />
with you to discuss industry activities, films,<br />
showmanship and advertising.<br />
Boxoffice Magazine<br />
825 Van Brunt Blvd.<br />
Kansas City, Mo. 64124<br />
(816) 241-7777<br />
Ogden Food Service<br />
Marty Winter and Phil DeMars will represent<br />
Ogden Food Service at booths 14 and<br />
15 at ShoWesT '79.<br />
Ogden, with over 50 years experience as<br />
leaders and innovators in the entertainment<br />
field, has regional offices and distribution<br />
centers across the country.<br />
Their proven promotions, point of purchase<br />
and merchandising techniques insure<br />
maximum per capita sales and profits for<br />
theatre concessions. They also offer their<br />
expertise in such important areas as planning,<br />
design, finance and on-site inventory<br />
controls.<br />
For more information, call Mel Berman,<br />
senior vice-president, at (201)<br />
964-9400.<br />
Ogden Food Service<br />
1435 Morris Ave.<br />
Union, New Jersey 07083<br />
(201) 964-9400<br />
Optical Radiation Corp.<br />
ShoWesT '79 will find ORC exhibiting<br />
the QCS-400 Quad Cinema sound system<br />
(compatible with the Dolby CP-50). plus<br />
the C.A.T. (Complete Automated Theatre)<br />
film handling system, and the complete<br />
line of Orcon high-intensity .xenon projection<br />
systems.<br />
ORC's booth personnel will include Joe<br />
Linett, vice-president of marketing; Ron<br />
Offerman, national sales manager; Ed<br />
Burke, customer service manager, and Walt<br />
Browski, Eastern sales representative. ORC<br />
will occupy booths 51 and 52.<br />
Mical Hadiiit ion Corporation<br />
ua"'<br />
6352 N. liwindaie Avt<br />
Azusa, Calif. 91702<br />
(213)969-3344<br />
Prokote<br />
Prokotc will occupv booth iiumbe tour<br />
at ShoWesT '79.<br />
This firm manufactures and markets a<br />
line of screen coatings for indoor and outdoor<br />
theatre screens.<br />
Their main product, Optikote, is said to<br />
restore screens to the brightness level of<br />
new screens. Optikote is economical, nonflammable<br />
and provides a tough, washable<br />
surface. Prokote also manufactures screen<br />
coatings for drive-in<br />
screens.<br />
Prokote<br />
P.O. Box 5551<br />
Riverside, Calif. 92507<br />
(714)-877-0300<br />
22 The MODERN THEATRE SECTION
Reed Speaker Co.<br />
Reed Speaker Co., established in 1929 hy<br />
Sam Reed, provides the theatre industry<br />
with numerous services and equipment including<br />
complete speakers and parts for<br />
drive-in use. junction heads and a product<br />
called the "Hummer" which is used for<br />
field testing drive-in speaker systems.<br />
The above products will be exhibited at<br />
ShoWesT booth number 84. The firm will<br />
also offer an advanced showing of a new<br />
FM broadcaster for drive-in radio sound.<br />
The receiver is about the size of a pack of<br />
cigarettes and is used in cars equipped with<br />
FM stereo radios. The device is purchased<br />
by the patron through auto radio suppliers<br />
or in the theatre's concession area. It requires<br />
no wiring expenses or maintenance<br />
and meets FCC regulations. A patent is<br />
pending.<br />
Reed Speaker Co.<br />
7530 W. 16th Ave.<br />
Lakevt'ood, Colo. 80215<br />
(303) 238-6534<br />
Smithfield Ham & Products Co.<br />
Ben Houge, Elliot Grubert and J.C.<br />
Sprigg Jr. will occupy booth number 80 for<br />
for the Smithfield Ham & Products Co.<br />
The firm's James River Smithfield Barbeque—lean<br />
meat in a savory sauce flavored<br />
with genuine Smithfield ham— is a<br />
delicious, complete meal-on-a-bun. The<br />
product is ready in seconds; just heat and<br />
serve. The firm also offers a special film<br />
trailer to promote your concession area at<br />
intermission.<br />
Ham & Products Co.<br />
Smithfield<br />
P.O. Box 487<br />
Smithfield, Virginia 23430<br />
(804)-3S7-2121<br />
Western Service & Supply<br />
Western Service & Supply. Inc.. of Denver<br />
and Tucson, will be introducing their<br />
exclusive Wesco Stereo 100 theatre sound<br />
system at ShoWesT '79.<br />
The new system, already being tested in<br />
some markets, is providing theatres of up<br />
to 2,000 seat capacity with not more than<br />
one-quarter of one per cent total harmonic<br />
and/or intermodulation distortion at a<br />
minimum of 100 watts continuous power<br />
per channel.<br />
Western Service, represented at booths<br />
95 through 98 by Bob Tankersley. T. C.<br />
Costin, George Finkhousen and Steve<br />
Tankersley, will also be featuring Century<br />
projection equipment, Massey seats, Grosh<br />
drapes and the new Kintek sound processing<br />
equipment.<br />
Western Service & Supply<br />
2100 Stout Street<br />
Denver, Colorado 80201<br />
(303)-534-7611<br />
for information call toll free (800) 421-1256<br />
in California call collect (213) 321-5641<br />
14824 S. Main St., Gardena, Ca. 90248<br />
K^ur 32nd Ljear<br />
iimilHli:<br />
^eruinq- the Uneatre ^naudtr^<br />
'9 leutre<br />
"First in Automation"<br />
We will custom build automation<br />
to your specifications<br />
job too small<br />
No Job too big . . . No<br />
Corbons, Inc. Neumode<br />
Ballantyne<br />
ORC Lamps<br />
Dolby Sound<br />
Soundfold<br />
Cinemecconico Projectors<br />
Christie Irwin Seating<br />
Altec Theotre Sound Systems
^^f^^^^^m<br />
mkjfi ^^ ^^<br />
oi Ins iluaiu which he values al between $55,000<br />
1(11 l'->7S iiuoine la.x purposes is $572.50.<br />
Is Sfegmoyer's Off Broadway Theatre<br />
World's Smallesf & Least Profitable?<br />
By GEORGE FINKHOUSEN<br />
Within this industry of ours is a most<br />
amazing spread of people. At one end of<br />
the spectrum are the corporate executives,<br />
commanding vast fleets of theatres and<br />
making multi-million dollar decisions. At<br />
the other extreme is the small, single theatre<br />
owner who is just trying to make some<br />
sort of livable return on his dollar.<br />
Recently. I had the pleasure of meeting<br />
a man who does not easily fit into any<br />
classification of exhibitor. He certainly does<br />
not deal in millions of dollars because his<br />
total theatrical seating capacity is a meager<br />
60 patrons. He certainly is not in this business<br />
to make a living because there has<br />
never been a year when he could claim to<br />
have made even the slightest profit. In fact,<br />
week in and week out he shows a loss, no<br />
matter how he books or promotes a film<br />
and regardless of how one figures the books.<br />
It takes wages from his job as a hospital<br />
orderly just to keep the theatre open.<br />
I'm referring, of course, to John Stcgmoyer:<br />
owner, manager, projectionist, concession<br />
attendent, usher, booker and father<br />
of the "Off Broadway Theatre" in Lebanon.<br />
Pa.<br />
John is the rarest of theatre men. He<br />
loves the theatre business more than money,<br />
The KNEISLEY Lamphouse to<br />
Remember when Equipping Your Theatre,<br />
XENEX"<br />
—writt far h*t (<br />
• It's moderately priced, ruggedly constructed.<br />
Cleon styling. Complete reor instrument ponel.<br />
Access to interior through full hinged doors.<br />
Adjustable nose cone. Heavy duty igniter.<br />
• Horizontal lamp and 14 inch dichroic coated,<br />
glass reflector provide greater light pickup and<br />
excellent screen coverage. Focusing and beam<br />
controls provided.<br />
• Accommodates 1000 through 4000 watt Xenon<br />
Lamps for indoor and outdoor screens up to<br />
125 feet wide.<br />
• Magnetic arc stabiliiotlon properly positions<br />
arc tail flame around onode, increosing lamp<br />
life.<br />
• Blower cooled. Manual ignition and manual<br />
douser ore standard. Automatic ignition op-<br />
KNEISLEY H.EaUC COMPANY, P.O. BOX 4692, TOLEDO, OHIO 43620<br />
more than power, even more than personal<br />
comfort. He is a collector of rare films and<br />
a true showman. If even one patron shows<br />
up to see a film, John will go through the<br />
entire routine of non-sync music, stage<br />
ghting, light dimming, intermission—even<br />
popconi popping—to provide entertainment<br />
for that lone patron.<br />
Now 55 years old, John's movie madness<br />
began at the age of nine when he charged<br />
neighborhood youngsters a penny to watch<br />
a Charlie Chaplin or Buster Keaton film<br />
1<br />
during the Great Depression.<br />
I first ran into John when he wrote me<br />
about putting in stereo optical equipment<br />
in his theatre. By phone, we agreed that I<br />
would stop by Lebanon on my way home<br />
rom last fall's NATO convention to install<br />
a Dolby SVA system for him. Despite his<br />
having told me of the limited seating capacity.<br />
1 was not prepared for what I found.<br />
This was not your typical commercial<br />
theatre with filthy carpets, torn seat covers,<br />
water stained walls and a gummy, greasy<br />
snack bar. Here was a superb theatre in a<br />
man's home! It was spotlessly clean, freshly<br />
painted and equipped to the hilt with a<br />
brand-new screen and clean, modern projection<br />
and sound equipment.<br />
In short, it was a jewel of an intimate<br />
little theatre.<br />
The Dolby equipment had failed to arrive<br />
on time, so I spent the following 24<br />
hours getting to know John and the Off<br />
Broadway Theatre. I learned that John is<br />
willing to make nearly any sacrifice to have<br />
his theatre equipped with the newest in<br />
projection equipment. To him. "the show<br />
the thing."<br />
is<br />
The booth is very well equipped. The<br />
main projectors are A.V.E. Rangertone<br />
.V5mm units with xenon lighting. In addition,<br />
a Bell & Howell 16mm unit is permanently<br />
its<br />
installed on base and a .^5mm<br />
portable unit is available for supplemental<br />
use. His non-sync sound sources include<br />
recl-to-reel.<br />
cassette and cartridge tape players,<br />
in addition to a phonograph.<br />
The sound system consists of four channels<br />
of solid state amplification at 30-watts<br />
per channel. He now has a Dolby CP-50<br />
with the surround package and a D.C. exciter<br />
lamp supply. The stage speakers are<br />
.Sunn 15-inch music speakers with Electro-<br />
Voice mid-range horns. Three surround<br />
speakers are used in a triangular configuration;<br />
one on each side wall and one in the<br />
rear. These are 12-inch Sunn speakers.<br />
The screen is equipped with masking and<br />
color light curtains. It is masked at 7 x 10-<br />
lool lor "flat" pictures and 7 \ 14 foot for<br />
CincniaScoiK\<br />
The MODERN THEATRE SECTION
With an auditorium measuring just 22 x<br />
55-feet and a projection throw of 45-feet,<br />
the apparent screen size to the patron is<br />
larger than many shoebox auditoriums can<br />
achieve.<br />
It is obvious that John has not pinched<br />
pennies in his equipment. Even the concession<br />
area at the rear of the auditorium<br />
boasts a small Pinto-Pop popcorn machine,<br />
three kinds of canned soft drinks in a small<br />
refrigerator and a small selection of candy.<br />
The seats are a mix of old theatre chairs<br />
which have been cleaned, reupholstered and<br />
painted, and Danish modern-style divans<br />
and love seats.<br />
The booking policy is simple. The theatre<br />
is open weekends and Wednesday evenings<br />
with the mid-week show taken from the<br />
collection of "oldies but goodies" John has<br />
accumulated. Weekend shows are usually<br />
sub-run product from the major studios.<br />
Ticket prices for adults 12 and over is<br />
two dollars while those under 12 pay only<br />
a dollar. Other theatres in town charge up<br />
to $3.50 for admission. The exchanges collect<br />
a flat minimum fee fiom John, in addition<br />
to a small percentage.<br />
$40.20 Profit<br />
John estimates that he has between $55,-<br />
000 and $60,000 invested in the theatre.<br />
} His net loss for 1978 income tax purposes<br />
$572.50, although he admits making a<br />
is<br />
profit of $40.20 on "Pete's Dragon." Why<br />
does he do it?<br />
"Why does an alcoholic drink?" John<br />
replies, adding that there's a need for his<br />
theatre in the area. "The Astor, Colonial<br />
and State theatres have all been closed<br />
here. People still need this form of entertainment."<br />
Ironically, because John has this love of<br />
the theatre business, and because he wants<br />
his theatre to be as good as the best, he has<br />
placed his whole future in jeopardy.<br />
Some exchanges have told him that if he<br />
can afford such new sound equipment as<br />
Dolby, he can afford to pay higher film<br />
rentals. These exchanges have raised his<br />
rentals to a level he cannot pay. They fail<br />
to understand that his midnight to 8 a.m.<br />
job is paying for the equipment.<br />
The Off Broadway is not a profitable<br />
venture. It is a monument to one man's love<br />
of this business. Our industry will be measurably<br />
poorer if it fails to continue to provide<br />
room for the John Stegmoyers of this<br />
world.
The Hif^'hu'ay 39 dri<br />
projection equipment<br />
Drive-Ins Live at Pacific Theatres<br />
Soaring land prices, annoying localized<br />
censorship threats and the proliferation of<br />
multiplexed walk-in theatres have not killed<br />
off the drive-in business. Not by a long<br />
shot!<br />
Officials at Pacific Theatres, one of the<br />
world's largest circuits of outdoor installations,<br />
say growth projects are keeping their<br />
planning and construction staffs going days,<br />
nights and weekends.<br />
While land is hard to come by, zoning is<br />
difficult and competition for first-run product<br />
is severe. Pacific is plunging ahead in<br />
all its operating areas, including California,<br />
Arizona, the Northwest and Hawaii.<br />
Land acquisitions, acquired years ago,<br />
provided for future expansion in most Pacific<br />
locations. The current trend of "plexing"<br />
and "re-configuring" drive-ins is creating<br />
a new world for outdoor theatre patrons.<br />
Program choice in the drive-in is<br />
now equal to that of the multiplexed walkins.<br />
From what the public once humorously drive-in.<br />
referred to as "passion pits" and "cow pastures"<br />
have emerged super deluxe showcases<br />
for outdoor viewing under totally<br />
different circumstances.<br />
Shooting for the "young marrieds" as<br />
more than 50 per cent of their market, officials<br />
at Pacific are building beautiful, spacious<br />
and stunning drive-in theatres with<br />
snackbars which equal any supermarket.<br />
They're also incorporating new sound and<br />
screen innovations.<br />
Regarding grosses, film distributors in<br />
Pacific's areas readily concur that the driveins<br />
do equally well or better than most<br />
walk-ins in any given competitive zone,<br />
especially in the summer months. Pacific's<br />
domain is largely in the temperate zone<br />
and winter does not destroy the boxoffice<br />
potential.<br />
The Cine-Fi radio sound system is wowing<br />
the West Coast, Pacific reports. Eliminating<br />
speakers on posts and providing highquality,<br />
low interference sound from the<br />
patron's car radio has brought new business<br />
and lavish comments from drive-in goers.<br />
Pacific claims.<br />
Now, with the long-awaited "containment<br />
screen" about to be unveiled, pictures on<br />
the screen can be directed and controlled<br />
within a defined perifery for the first time.<br />
Using the unique screen, nothing can be<br />
seen from the outside and, just as important,<br />
the screen image can be controlled inside,<br />
too. For the first time, a G-rated film can<br />
play at the same time with an R in a plexed
. .<br />
. .<br />
Pizza ovens, microwave ovens, modern fountain dispensers, walk-in Four entrance lanes, equipped with maintenance-free, tamper-proof<br />
refrigerators and plenty of counterspace are helping Pacific Thea- car counters, speed ticket sales while insuring accurate car counts.<br />
tre's per capita concession sales soar. Young marrieds are the target Pacific's domain is largely in the temperate zone and winter does<br />
market. not destroy boxoffice potential.<br />
Perhaps the greatest benefit of the con- ^ ^<br />
tainment screen will be its tremendous gain<br />
in light, Pacific spokesmen suggest. Traditionally,<br />
drive-ins have had problems getting<br />
a bright, well-defined picture, despite<br />
xenon lamps and other new light increasing<br />
devices. Ambience and competing lights<br />
from cars, signs and the moon fade the<br />
screen image. Pacific believes the containment<br />
screen may improve light gain as<br />
much as six to eight times.<br />
So, with optimism and confidence. Pacific<br />
reports that it is moving swiftly to increase<br />
its number of screens. With no babysitter<br />
expense, no parking fees and free admission<br />
for kids, the young married market<br />
is attracted to the drive-in. For many, it is<br />
the only way to enjoy an evening out at a<br />
modest cost.<br />
Pacific's giant screens (5,000 square feet<br />
and larger), lavish cafeteria-style snackbars,<br />
vastly improved radio sound, improved<br />
screen light and the containment of the<br />
picture<br />
all add up, Pacific believes, to a bright<br />
drive-in future.<br />
The Brightest Star<br />
55 ,000 lumens of open<br />
^<br />
W<br />
shutter illumination!<br />
The Academy Award winning<br />
H-4500X<br />
JJ<br />
XENON Lamphouse System JWt<br />
Manufactured by .<br />
r ^<br />
Ul^ Optical Radiation Corporation<br />
recommended by The<br />
EXPERTS<br />
.<br />
Western Service & Supply, Inc.<br />
2100 Stout St. • Denver, CO 80201<br />
(303)534-7611<br />
Efficient traffic patterns are established by<br />
running steel rails. The custom concession<br />
equipment is made by Sinicrope & Sons and<br />
includes Polar King drink dispensers.<br />
I THEATRE DESIGN EXPERTS I<br />
t^ . NEW THEATRE DESIGN IS<br />
^ . REMODELING THEATRES 4»f . DIVISION OR MULTIPLEXING THEATRES . SNACK BAR LAYOUT ^<br />
. COLOR COORDINATION AND DECOR<br />
4I:<br />
.<br />
^ HARDTOP AND DRIVE-IN THEATRES j^ Over 35 years experience and more than 500 projects in the ^ past ten years 4^ Our know-how, experience and economies more than pay the 4»j- cost of ^<br />
our services.<br />
j^ C0IV1PLETE DESIGN AND ENGINEERING SERVICE<br />
1^ OR<br />
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M- CONSULTANTS TO YOUR ARCHITECTS IS<br />
P<br />
tf AND ASSOCIATES ^<br />
^ 1420 Vance St., Suite 100 • luikewood, Colorodo 80215<br />
^<br />
^<br />
Telephone: (303) 238-6415 ^|^<br />
BOXOFFICE :: February 19, 1979 27
,<br />
,<br />
—<br />
|<br />
;<br />
i<br />
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"^<br />
at FILMS INCORPORATED!<br />
1 6mm Library of 4000 Titles<br />
rom Current Product to the Great Classics!<br />
I /unlimited aavanced bookings accepted 1/^ Date strips<br />
I<br />
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/Expert programming service [^ Coming attraction trailers at no charge<br />
iXevery print inspected |/^ Minimum shipping costs<br />
L/Children & senior citizen matinees<br />
I/Cartoons, short subiects, newsreels<br />
|/^ Research consultants available<br />
\^<br />
Advertising matenal can be secured<br />
eS^rpv^^^'<br />
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h. P
On the other hand, solid state amplifiers<br />
and their individual components are plentiful,<br />
and these amplifiers require no maintenance<br />
beyond occasional cosmetic dusting<br />
for the sake of projection booth appearance<br />
and cleanliness.<br />
The electrical cost of operating a tube<br />
type amplifier system is up to ten times<br />
higher than an equivalent solid state system.<br />
The public is becoming increasingly soundconscious<br />
and demands better sound than<br />
grossly distorted tube amplifiers can provide.<br />
Unbelievable Advancements<br />
For these reasons, I am convinced that<br />
the best wired sound system for today's<br />
drive-in theatre is a solid state system providing<br />
at least two watts per channel and<br />
composed of very high quality amplifiers<br />
such as those used in high-power voice and<br />
music systems.<br />
The technological<br />
advancements made in<br />
solid state amplifiers in the past few years<br />
have been unbelievable. Many have come<br />
from companies other than those we in the<br />
theatre industry normally think of. The<br />
average retail price for amplifiers of high<br />
quality is usually between three and four<br />
dollars per watt of power. On a "per speaker"<br />
basis, this represents one of the best<br />
values you'll run into when installing a<br />
drive-in sound system.<br />
Radio Sound Systems<br />
I don't believe any article about drive-in<br />
sound systems, even if limited to wire types,<br />
can totally ignore the fact of radio sound<br />
systems. The radio field does exist and I<br />
know of installations that work extremely<br />
well. I know of others that are less than satisfactory.<br />
If you're in the process of designing<br />
or rebuilding a drive-in theatre, you<br />
must first decide between a radio field and<br />
a wired field.<br />
When investigating radio fields, make<br />
sure you get a "satisfaction guarantee." Unless<br />
you limit your purchase obligation to<br />
complete satisfaction, you stand to pay for<br />
something that you can't use because it<br />
doesn't work once it's installed. That isn't<br />
the way to make money on your investment.<br />
If you opt for a wired field, have the<br />
system designed around excellent solid state<br />
amplifiers with sufficient power to do the<br />
job right.<br />
In either case, you will be assured of a<br />
sound system that sounds good, has long life,<br />
low maintenance, and won't eat up your<br />
profits through repeated repair bills.<br />
^<br />
e<br />
Prior to his affiliation with Dolby Laboratories,<br />
Finkhousen spent over 20 years in<br />
the technical areas of film and stage sound<br />
presentation. He is a member of the Society<br />
of Motion Picture and Television<br />
Engineers and the Audio Engineering Society.<br />
He resides in Tucson, Ariz., where he<br />
operates a consulting service for exhibitors<br />
and manufacturers and serves as regional<br />
sales manager for Western Service & Supply.<br />
Well light<br />
op your life!<br />
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BOXOFFICE :: February 19. 1979
, . including<br />
t<br />
NEW<br />
EQUIPMENT<br />
and<br />
DEVELOPMENTS<br />
^(TB B a"o"o~g'ysTryyBirrgTnsirginrirs'g"8irBT><br />
Drive-in Theatre Mfg. Offers<br />
Boxoffice Security System<br />
The Electronics division of Drive-In Theatre<br />
Mfg. Co. recently introduced a boxoffice<br />
security system called the "BOS." The<br />
device is a ticket calculation and record<br />
keeping system which uses digital computer<br />
techniques to display the number of tickets<br />
sold and keep track of all transactions.<br />
The basic model (No. 20011) includes a<br />
ticket transaction display, remote counters<br />
mounted in a cabinet for ticket and car<br />
count, and ticket machine adapters for General<br />
Register ticket machine models MG,<br />
MGE. ST and STE. Model 20012 provides<br />
all of the above features plus a patron admission<br />
transaction display. If a theatre does<br />
not have a ticket machine, a push-button<br />
assembly is available as an option.<br />
The remote ticket counter advances by<br />
the number of tickets issued. Each operation<br />
of the ticket machine or push-buttoir assembly<br />
advances the remote car counter by<br />
one count. The patron admission display<br />
advises the patron of the dollar amount to<br />
pay.<br />
The ticket transaction display provides a<br />
7-inch high numeral which is visible for<br />
several hundred feet, allowing the tiansaction<br />
to be monitored from a remote location.<br />
The displayed numeral can be adjusted<br />
to remain visible from two to 20-seconds.<br />
The remote counter may be mounted up<br />
to 500 feet from the bo.xoffice in areas<br />
such as the managers office or the concession<br />
stand. This allows management immediate<br />
information regarding crowd control<br />
and concession food planning.<br />
The "BOS" system is designed for use on<br />
one lane entrance ramps. Additional systems<br />
are required for multiple lanes. The system<br />
operates on 120 volts at 60hz. AC. An installation<br />
and operation manual with wiring<br />
diagrams is included.<br />
Public Address System<br />
The firm also announced the introduction<br />
of a public address system (Model PA-<br />
IS) designed for emergency announcements<br />
and crowd control.<br />
The system connects to existing 8 or 16<br />
ohm speakers and operates on self-contained<br />
rechargeable batteries. It incorporates a<br />
solid state 15-watt amplifier, complete with<br />
microphone and coiled cord, in a compact<br />
enclosure designed for wall mounting.<br />
New products or services mentioned in this<br />
iimgazine are for injonuation purposes only.<br />
Their appearance does not necessarily constitute<br />
endorsement by Boxoffice or The<br />
Modern Theatre. // further information<br />
about any of these products is desired,<br />
simply fill in the Reader's Service card on<br />
pages 39 and 40.<br />
Boost boxoffice gross with EPRADGALAXY.<br />
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• Monitor speaker module with VU loudness<br />
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• DC exciter lamp supply module,<br />
• Trim, compact rack.<br />
• Tapedeck furnished by customer but<br />
installed by Eprad at the factory,<br />
(Eprad StarScope sound processing modules<br />
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Eprad StarScope 4 heart of the -<br />
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The Eprad Galaxy System with StarScope<br />
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Doesn't Eprad Galaxy with StarScope<br />
belong in your theatre? Please write us or<br />
call today for complete information. Or,<br />
contact your Eprad dealer.<br />
= F> MrJ A -<br />
INCORPORATED<br />
Sold and Leased Internationally<br />
Thru Selected Theatre Supply Dealers<br />
Box 4712 / Toledo, Ohio 43620<br />
(419) 243-8106 ©<br />
The MODERN THEATRE SECTION
Magna-Com 65 Projection Lens<br />
Is Improved by Mult-i-Coating<br />
The multi-coating of all lens elements for<br />
greater light transmission efficiency is a<br />
product improvement recently announced<br />
for the Isco Magna-Com projection lens, an<br />
attachment that further enlarges the projected<br />
picture for wide-screen picture projection<br />
lenses.<br />
Automated<br />
CONSOLE<br />
Multi-coating the four-clement Isco optical<br />
device practically eliminates light loss.<br />
reportedly providing 99 per cent effective<br />
light transmission, a level of efficiency never<br />
before obtainable. Isco, specialists in designing<br />
and manufacturing projection<br />
lenses<br />
of all types, is a subsidiary of Jos. Schneider<br />
GmbH & Co. of West Germany.<br />
When coupled to a prime lens, the Isco<br />
Magna-Com 65 enlarges the picture size<br />
for large-screen presentation by shortening<br />
the focal length. The Magna-Com 65 can<br />
now be used with Cinelux-Ultra or Cinelux-<br />
Xenon prime lenses ranging from as small<br />
as 55mm focal length to 150mm. resulting<br />
in more than a 15 per cent wider angle of<br />
projection. A 55mm prime lens plus a<br />
Magna-Com 65 yields a combined focal<br />
length of only 35mm for 1.85 wide-screen<br />
applications. Wide-screen 16mm applications<br />
are also available.<br />
Isco theatre projection lenses are distributed<br />
by Schneider Corp. of America. The<br />
multi-coated Isco Magna-Com 65 is available<br />
through most theatrical equipment<br />
dealers.<br />
Theatre Data Forms Available<br />
For Developing Photo Stories<br />
Theatre Data Forms are available from<br />
The Modern Theatre, 825 Van Brunt<br />
Blvd., Kansas City, Missouri 64124, for<br />
those exhibitors or owners building new<br />
theatres or remodeling their present facilities.<br />
Drive-in and indoor theatre owners<br />
who feel they have a unique theatre or design<br />
are invited to write for the forms which<br />
are used for developing showcase stories.<br />
If you wish, you may write your own<br />
detailed story and submit it along with<br />
black-and-white photographs which help illustrate<br />
the text. Photos will be returned<br />
only upon request and the publisher has the<br />
right of final<br />
approval.<br />
Unprecedented Performance, Reliability, Serviceability<br />
from XeTRON 35mm Automated Projection Console.<br />
OualPro* Xenon, Automation, Sound • Modular Construction<br />
Totally Wired • 1000, 2000, 3000 & 4000 Watts • illuminated<br />
Controls* Slide-Out IREM Power Supply • Accepts<br />
most popular Pro)ectors • Pictured witfi Cmemeccanica V5<br />
Projector, C-55PTA Sound and Maxi-Automation. XeTRON<br />
Products Div., Carbons, Inc., 10 Saddle Rd., Cedar Knolls. NJ<br />
07927. Phone (201) 267-8200. Dealers located coast-to-coast.<br />
•Quality Proven Componenis<br />
XeTRON<br />
>t Division of CARBONS. Inc.<br />
BOXOFFICE :: February 19, 1979
Complete Concession<br />
Centers<br />
Butler-Proctor<br />
Planned-Built-Equipped<br />
Installed<br />
Call or Write<br />
^rot'twr<br />
^B^LgH Distributed by Proctor Distributing Co<br />
^^^^H 2335 S Inco Denver Colo (300) 934 5455<br />
iliXibiitiH«| i-«.<br />
Super Gold<br />
Buttery-Flavored<br />
Popcorn Topping<br />
Tni>i9i<br />
MPER<br />
Gold<br />
I) [|><br />
[|l<br />
JiiJ<br />
'^ SmmImC<br />
T<br />
'e^MC&iie.<br />
In-Theafre Boutique Merchandising<br />
Seen as Profifable, Emerging Trend<br />
By GARY BURCH<br />
What exhibitor wouldn't want to participate<br />
in a growing concession merchandising<br />
trend that is part of an expanding million<br />
dollar industry? Especially when that trend<br />
promises large dollar returns from small<br />
initial investments and the chance to presell<br />
films to his audience.<br />
The trend, of course, is the concession<br />
boutique—offering your captive patrons<br />
the opportunity to buy such film-related<br />
products as posters, T-shirts, buttons, dolls,<br />
stuffed toys, soundtrack albums and so on.<br />
Enter "Movie Madness"<br />
In a carefully conducted test campaign.<br />
National Screen Service launched its initial<br />
"Movie Madness" retail merchandising program<br />
in 211 selected theatres last June in<br />
conjunction with the opening of Paramount's<br />
"Grease." Sales of "Grease" T-<br />
shirts, posters, a "movie flier" version of<br />
the Frisbee, combs, heat transfers and lapel<br />
buttons of star John Travolta grossed $250,-<br />
000 in 211 theatres where "Grease" was<br />
playing.<br />
Seymour Kaplan, NSS' corporate vicepresident<br />
believes that "the patron accepts<br />
the theatre as a new market place for<br />
Movie Madness merchandise /rum Paramount's<br />
"Grease." Such impulse items are<br />
movie-related merchandise. It's a natural<br />
market place."<br />
NSS president Burton Robbins pointed of high profit potential to each theatre<br />
out that "for the first time, exhibitors are bcNoni its normal concession income.<br />
How to butlef up an<br />
selling everywhere, but are exhibitors getting<br />
their fair share of the pie?<br />
able to participate in what has become a<br />
major profit area in the motion picture<br />
business." He observed that exhibitors can<br />
now participate in the profits which have<br />
been going to moviemakers and manufacturers<br />
of the film-related items.<br />
Movie Madness represents NSS' totally<br />
new merchandising concept of completely<br />
packaged, in-theatre retailing. Inspired by<br />
and related to a specific motion picture, the<br />
program adds an entirely different source<br />
32<br />
Aiiolht'r jiiip jirndiKi jroni<br />
Now used and preferred in thousands<br />
of locations. Super Gold"<br />
makes popcorn taste just like "topped<br />
with butter" — yet saves you<br />
money!<br />
For more information, contact<br />
your local distributor or:<br />
TV Time Foods, Inc.<br />
P.O. Box 7306<br />
Chicngo, Illinois 60680<br />
Phone. '312) 743-8600<br />
The Popcorn Train is the only popcorn<br />
carrier that holds a popcorn bucket and<br />
a drink cup in one convenient package.<br />
So even/ sale is two sales. Colorful<br />
posters and mobiles available.<br />
For more information about the<br />
money-making Popcorn Train<br />
j^'**<br />
contact Dixie, Marathon,<br />
Vg.<br />
2A5 American Lane,<br />
1^ Greenwich, CT 06830.<br />
PPr- (203] 552-4183.<br />
DISCie/MaRaTHON<br />
The MODERN THEATRE SECTION
',<br />
paign<br />
j<br />
the<br />
'•<br />
$500,000<br />
:<br />
half<br />
As part of its copyrighted Movie Madness<br />
program, National Screen offers each<br />
participating theatre a six-foot merchandise<br />
display, an animated trailer hcialding the<br />
display in the lobby, promotional mobiles<br />
and film-inspired merchandise.<br />
The Movie Madness logo is a permanent<br />
part of the display but the upper half is<br />
removable, making changes of poster and<br />
picture titles easy. The display case measures<br />
less than five-feet and can easily be<br />
placed inside most refreshment stands, enabling<br />
boutique sales to be handled by regular<br />
personnel.<br />
Future Films Slated<br />
A "Superman" Movie Madness campaign<br />
is currently in progress and the boutique<br />
program will be conducted in the future<br />
with such films as "Lord of the Rings,"<br />
"Buck Rogers in the 25th Century," "The<br />
Muppet Movie" and "Star Trek: The Motion<br />
Picture."<br />
The "Superman" Movie Madness cam-<br />
is supported by 504 theatres across<br />
country and has grossed in excess of<br />
in just over a month. Roughly<br />
of that total is profit for the individual<br />
exhibitor, Kaplan said.<br />
In-Theatre Merchandisingd<br />
!'<br />
dm:, P"!<br />
"Wc have 16 men in the licld contacting<br />
participating theatres once a week to make<br />
sure we replace the items that are sold out,"<br />
Kaplan said, pointing out that the entire<br />
program is set up so theatre owners don't<br />
have to think. "We leave him free to do his<br />
job. which is running the theatre, and we do<br />
ours, which is making Movie Madness a<br />
success for both him and us."<br />
NSS markets the boutique to any theatre<br />
willing to give the program as much interest<br />
as they do any other financial aspect of<br />
their theatre. Exhibitors buy a basic supply<br />
of items for $300 but are not bound to continue<br />
the program once they start.<br />
NSS initially supplied 36 posters, 24<br />
childrens T-shirts, 12 adult T-shirts, 100<br />
buttons and 48 pieces of "Krypton" in the<br />
basic "Superman" package.<br />
While few exhibitors have any problL-iii<br />
with excess merchandise at the end of i<br />
film's engagement, Kaplan suggests that<br />
leftover items are easily sold when offered<br />
as a premium with more conventional concession<br />
items.<br />
Kaplan stressed that the display should<br />
be placed in the theatre's heaviest traffic<br />
area. "Movie Madness is doing well in both<br />
small and large situations," he said, "but it<br />
all depends on the support of the individual<br />
theatre. We can tell from a theatre's sales<br />
if they have the display in the wrong location."<br />
Kaplan estimates that Movie Madness<br />
cutomers range between 10 and 25 years<br />
Design your own food service setup witli<br />
Serv-0-Ramic^<br />
r,.,„..«y<br />
A « r\k<br />
All metal 200 Series. All metal. Stainless steel on top<br />
and front. Any piece of Manley equipment goes with it.<br />
Use moist heat or dry heat units. Or, a combination of both.<br />
Formica 300 Series. Beautiful, colorful Formica pattern<br />
Is mounted on heavy-duty marine plywood. Any piece of<br />
Manley equipment fit<br />
;;
While there are no exact figures on per<br />
capita spending for movie related products,<br />
Kaplan asserts that such products do not<br />
detract from normal concession sales. "We<br />
did extensive initial testing to see if Movie<br />
Madness would take sales from regular concession<br />
items by setting up a control group<br />
and a test group of theatres. Concession<br />
sales did not vary significantly in either<br />
group."<br />
Virgin<br />
Territory<br />
"If anything. Movie Madness increases<br />
all areas of theatre income. It's a great presell<br />
for coming attractions because it is<br />
placed in the lobby 30 to 35 days ahead of<br />
the film; it adds excitement and builds<br />
traffic to the concession area, and, of<br />
course, it provides the exhibitor with an<br />
additional source of revenue."<br />
The concession merchandising trend has<br />
been described by some industry sources as<br />
"virgin territory" and "an untapped market."<br />
It shows all the signs of continuing<br />
and expanding to the benefit of exhibitors<br />
everywhere.<br />
"Why should retail stores keep cashing<br />
in on the movies and not the exhibitor?"<br />
Kaplan concluded.<br />
Server<br />
Americas most<br />
experienced<br />
manufacturer of<br />
POPCORN<br />
SERVING<br />
EQUIPMENT<br />
Butter Servers<br />
For more than 25 years Server craftsmen<br />
have been designing, developing<br />
and building butter and popcorn warming<br />
and serving equipment. The colorful<br />
and attractive units below will enhance<br />
the appearance of your concession<br />
area and boost your sales of popcorn.<br />
Growth of Factors Etc.<br />
Is Proof of Potential<br />
Just a few years ago. Harry Geissler and<br />
his son Lee, colorful Delaware entrepreneurs,<br />
were selling T-shirts from the back<br />
of a truck.<br />
Today—with a little help from "properties"<br />
like Farrah Fawcett-Majors, Sly Stallone.<br />
"Star Wars." "Saturday Night Fever,"<br />
Andy Gibb and Elvis Presley—the Geisslers'<br />
firm, Factors Etc., Inc. is recognized as one<br />
of the world's largest merchandising companies.<br />
Billion<br />
Dollar Industry<br />
The Geisslers are among the leaders of<br />
America's newest and most lucrative billion<br />
dollar industry.<br />
It was Farrah Fawcett-Majors, with swimsuit<br />
and smile, who turned things around<br />
for the Geisslers. Early in 1977, Harry put<br />
up $300,000 to purchase her T-shirt rights.<br />
By October, he had earned millions<br />
enough to pay to Farrah's agent over $400,-<br />
000 in royalties as well as purchase merchandising<br />
licenses to "Star Wars" and<br />
"Rocky."<br />
Heat Transfers<br />
Factors' primary source of revenue has<br />
been from the sale of "heat transfers." The<br />
company also manufactures such items as<br />
buttons, badges, caps, jewelry, keychains<br />
and posters, and implements promotional<br />
programs like "The Star Wars Fan Club."<br />
Factors has offices in New York, Beverly<br />
Hills, London, Hong Kong and headquarters<br />
in Bear, Del. Major international distribution<br />
centers are located in Paris, Mexico<br />
City, Caracas, Rio de Janeiro, Edmonton,<br />
Canada; Johannesburg, South Africa;<br />
Auckland, New Zealand and Sydney, Australia.<br />
Automatic<br />
Fully automatic . . . dispenses up to 45<br />
servings of warm butter per minute. Variable<br />
heat thermostat keeps butter at desired<br />
temperature.<br />
Manual<br />
Manually operated pump . . . dispenses up<br />
to 30 servings per minute. Variable heat<br />
thermostat keeps butter at proper temperature<br />
and consistency.<br />
Server Products Inc.<br />
Popcorn Server<br />
TInermostatically controlled hot air<br />
and insulated walls keep popcorn warm<br />
and crisp . . . holds enough pre-popped<br />
corn for approximately 100 standard<br />
servings.<br />
^J,<br />
Display Tray<br />
Holds up to 35 24 oz. containers of<br />
popcorn at desired temperature.<br />
Infra-red heating element keeps popcorn<br />
warm and delicious.<br />
NSF approved.<br />
For full color brochure on popcorn<br />
serving equipment, write<br />
Server Products, Inc., P. O. Box 249,<br />
Menomonee Falls, Wl 53051.<br />
BOXOFFICE :: February 19. 1979
Reiiuction in Harvested Acres<br />
Decreases Popcorn Production<br />
Popcorn growers produced 398 million<br />
pounds of shelled popcorn in 1978, according<br />
to the Crop Reporting Board of the<br />
U.S. Dept. of Agriculture. This is eight per<br />
cent less than the previous year's 432 million<br />
pounds and 35 per cent less than was<br />
produced in 1976.<br />
The decline from 1977 resulted from a<br />
nine per cent reduction in harvested acres.<br />
Indiana and Nebraska growers accounted<br />
for about 65 per cent of U.S. production<br />
in 1978. Changes from a year ago ranged<br />
from a 55 per cent decline in Kansas to a<br />
12 per cent increase in Indiana.<br />
The 1978 popcorn ciop averaged 2,827<br />
pounds per acre or 39 pounds more per<br />
acre than in 1977. Growers field-shelled<br />
93 per cent of the harvested acreage compared<br />
with 82 per cent a year earlier. Yellow<br />
varieties amounted to 94 per cent of<br />
the total production, up from 89 per cent<br />
in 1977.<br />
Wet weather throughout most of the corn<br />
belt during the spring delayed land preparation<br />
and planting, the board reports. However,<br />
most growers in Indiana had seed in<br />
the ground by mid-June. Late plantings<br />
caused plant development to lag over previous<br />
years, but good weather conditions<br />
during the fall allowed the crop to mature.<br />
Some areas of Kansas, Ohio, Kentucky and<br />
Tennessee experienced drought conditions.<br />
Coin Operated Drink Dispenser<br />
Is Introduced by Jet Spray<br />
A visual display twin-flavor beverage dispenser<br />
that reportedly delivers a portioncontrolled<br />
cold drink the moment the correct<br />
coinage is inserted has been introduced<br />
by Jet Spray Corp.<br />
yeruice<br />
L^onarutuiated ^no l/UeS^<br />
on<br />
its<br />
^ittk Ljear of Service to tin<br />
1 1/ lotion f-^^icture ^ndustru<br />
The Success of ShoWesT '79, with over 1,500<br />
registered delegates and a sellout exhibit<br />
and tradeshow, can be attributed to an effective<br />
convention committee comprised of executives<br />
from the three co-sponsoring organizations: the<br />
National Association of Concessionaires, Theatres<br />
West and the Theatre Equipment Association,<br />
in addition to the enthusiastic support of<br />
all exhibitors.<br />
Ogden, with over 50 years experience as leaders<br />
and innovators in the entertainment field,<br />
has regional offices and distribution centers<br />
across the country.<br />
Take advantage of our proven promotion,<br />
point of purchase and merchandising techniques<br />
for maximum per capita sales and<br />
profits. Take advantage of our purchasing<br />
power — year after year, for example, we're one<br />
of the world's top purchasers of soft drinks.<br />
Take advantage oip our expertise in such importo'nt<br />
areas as planning, design, finance and onsite<br />
inventory controls.<br />
For more information, visit us at booths 14<br />
and 15 at ShoWesT '79 or call Mel Berman,<br />
Senior Vice President, at (201) 964-9400. It<br />
could mean the difference between profit and<br />
loss.<br />
OGDEN FOOD SERVICES ^<br />
1435 Morris Averiue, Union, N J 07083 '^^<br />
Called the Twin Jctvend model VTJ3,<br />
this coin-operated visual display beverage<br />
dispenser dispenses a standard six-ounce<br />
drink in as little as three and one-half seconds.<br />
The unit's unitized transparent twin<br />
bowl of virtually unbreakable Le.xan resin<br />
holds a total of 192 vendable six-ounce<br />
drinks (96 drinks per side).<br />
Dime and nickel coin slots are conveniently<br />
located on the unit's front panel. The<br />
dispenser can be set from five cents to 75-<br />
ccnts at increments of five cents and it features<br />
a coin return button to reject slugs<br />
and badly bent coins. It also comes equipped<br />
with Jet Spray's Jetset solid state timer<br />
which allows the drink size and coinage<br />
requirements to be easily adjusted.<br />
For more information, use the Reader's<br />
Service card on pages 39 and 40.<br />
Product Improvements Made To<br />
Star Mfg. Co. Hot D09 Steamers<br />
Star Mfg. Co. of St. Louis, Mo., recently<br />
announced a new product improvement to<br />
its 35ST Cleaner Stcam-er II and model<br />
35S Steam-ro Jr. Star's most popular hot<br />
dog steamer now has the exclusive "Patent :<br />
Applied For" HDJT (Hot Dog Juice Tray) I<br />
available as an option.<br />
'<br />
The MODERN THEATRE SECTION
The HDJT virtually eliminates cleaning<br />
of the water pan, the firm reports. Designed<br />
to catch meat juices and drippings, this removable<br />
tray keeps the water pan free from<br />
contaminants, extending clement life. The<br />
design of the tray also reportedly creates a<br />
pattern of steam that heats hot dogs 35 per<br />
cent faster.<br />
Standard Features<br />
Paul Williams Named President<br />
Of AIco Dispensing Systems<br />
Paul Williams is the new president of<br />
Alco Dispensing Systems, the recently acquired<br />
division of Alco Foodservice Equipment<br />
Co. Williams had been with Eaton<br />
Corp. for 15 years before the dispenser<br />
division was purchased by Alco.<br />
Coca-Cola Distribution Begins<br />
In People's Republic of China<br />
Coca-Cola became the first American<br />
consumer product available in the People's<br />
Republic of China when it went on sale<br />
there last month. The agreement grants the<br />
Coca-Cola Co. the sole privilege of selling<br />
cola drinks in the Chinese market.<br />
Standard features include stainless steel<br />
construction, a six quart water pan, a convenient<br />
front drain, humidity control for<br />
the bun section and removable swing-up<br />
lids. A powerful 1,000 watt, immersiontype<br />
element heats water fast, and the adjustable<br />
thermostat provides accurate temperature<br />
control.<br />
The 35S Steam-ro Jr. has a load capacity<br />
of 130 hot dogs and 30 to 40 buns. The<br />
unit measures 18-inches wide. 15-inches<br />
front to back, and 16-inches high. Total<br />
wattage: 1,000 watts, 120-Volt A.C. only.<br />
U.L. and N.S.F. approved.<br />
For more information, use the Reader's<br />
Service card on pages 39 and 40.<br />
1979 Impulse Snack Catalog<br />
Available from Gold Medal<br />
The 1979 Gold Medal impulse snack catalog<br />
lists a number of new concepts, new<br />
equipment and new features for fast foods,<br />
impulse snacks and other theatre concession<br />
9 BOLD MEDAL<br />
operations.<br />
• • • • • • • • • • • •^^<br />
•• THE RETURN •^<br />
*£ of the !<br />
g<br />
I GOLDEN PROFITS t|<br />
starring<br />
g• Genuine James River Brand #<br />
• Smith!ield Barbeque - •<br />
Bring throngs of hungry customers into your drive-in concession stand with<br />
the No. 1<br />
show-stopper -James River Smithfield Barbeque. Lean meat in a savory<br />
sauce flavored with genuine Smithfield ham. A delicious, complete meal-on-abun.<br />
Ready in seconds; just heat, serve.<br />
Boost check averages and customer satisfaction with James River Barbeque.<br />
Earns better profits for you than hot dog and hamburger sales. For the best box<br />
office reviews, serve the best-genuine Smithfield Barbeque.<br />
And to promote your foodservice at intermission, use our special film traUers.<br />
For more information, write:<br />
Smithfield Hain& Products Co.<br />
p. O. Box 487 Smithfield, Virginia 23430<br />
Cornado^<br />
TheNewBoxoffice<br />
Sensation<br />
More sales, less expense, more<br />
French sugar waffles trom a new three<br />
mold, "Eze-Off" extractor, French Twists.<br />
Mexican Ice, powdered Italian Ice mix and<br />
Frying Saucers, a high profit cinnamon<br />
topped fried dough, are among the items<br />
featured.<br />
Also included are seven improved "Disco"<br />
model poppers with a new corn heat<br />
freshener feature, a U.L. approved cotton<br />
candy machine, compact popcorn wagons<br />
and carts, hot dog rotisseries and popcorn<br />
bars.<br />
The catalog is free to all exhibitors. For<br />
more information, use the Reader's Service<br />
card on pages 39 and 40.<br />
profit . . . happier customers — all<br />
when you pop "Live". Gold Medal<br />
Poppers, like the Cornado Popcorn<br />
Bar (shown), merchandise your<br />
product better and help you sell<br />
more. And the Cornado features the<br />
Accumeter Oil Pump to help you<br />
save popping oil.<br />
4', 5', and 6' models — 28 ounce<br />
and 36 ounce kettles. Built better to<br />
give you years of trouble-free service.<br />
Gold Medal, the nation's leading<br />
producer of popcorn poppers ... 44 models to<br />
choose from. See your Gold Medal distributor or write<br />
Free catalog<br />
Gold Itcdal Funfoods<br />
GOLD MEDAL PRODUCTS CO.<br />
BOXOmCE :; February 19, 1979 37
ab&ui PEOPLE j<br />
Personnel Changes Announced<br />
At American Seating Co.<br />
David Poncis<br />
Donald Mitchell<br />
Kenneth M. Book, vice-president and<br />
general manager of the AmSeCo division of<br />
American Seating Co., recently announced<br />
that David E. Powers has joined the firm as<br />
marketing manager of the entertainment<br />
seating division. He also announced that<br />
Donald A. Mitchell has been promoted to<br />
marketing director of public seating products.<br />
Powers will be responsible for the administration<br />
of sales in the entertainment<br />
of AmSeCo production. A graduate of<br />
lines<br />
Northwestern University, Powers has successfully<br />
spent his entire career in the area<br />
of sales. His most recent employment was<br />
with Hcywood-Wakcfield after being associ-<br />
and PBODUCT<br />
atcd many years with Irwin Seating.<br />
Mitchell's new duties include management<br />
responsibility over all public seating,<br />
in the educational and amusement markets.<br />
Prior to his promotion, Mitchell was manager<br />
of international marketing.<br />
A graduate of Hope College, Holland.<br />
Mich., Mitchell has been with American<br />
Seating since 1964 when he started as a<br />
sales<br />
trainee.<br />
Ogden Names Michael Barnes<br />
Vice-President of Marketing<br />
Michael A. Barnes was recently elected<br />
vice-president to the newly created position<br />
of marketing manager for industrial and<br />
recreational food service for the Ogden<br />
Food Service Corp.<br />
Kintek Name Replaces Colortek<br />
To Avoid Color Hue Confusion<br />
John Mosely recently announced that<br />
Colortek, the stereo optical film sound<br />
system utilizing snaJve tracks in addition to<br />
a standard monophonic Academy track, has<br />
changed its name to Kintek. The name<br />
change was made to prevent confusion of<br />
the new soundtrack format with abandoned<br />
formats previously proposed which used<br />
color hues to generate sound.<br />
American/Dixie Sales Names<br />
James Bolton as president<br />
James M. Bolton has been named president<br />
of the American/ Dixie Sales Co., a<br />
division of American<br />
^^^^^ Can Co. The division<br />
^^^^^^\ has been expanded to<br />
M<br />
include sales and mar-<br />
W _^ I ket development re-<br />
'<br />
"^ r sponsibility for the<br />
^i ,v sale of the firm's con-<br />
^^^1 - ^^^ - sumer products. Other<br />
added responsibilities<br />
^B Ik ^^^<br />
^^^^^~ ^^^1<br />
include customer serv-<br />
^^^^ ^^ ^^^" warehousing f u n c-<br />
Jaiiies Bollon tions.<br />
American/ Dixie Sales is the selling arm<br />
for Dixie cups and plates, napkins, towels,<br />
tissue, cartons and food wrap.<br />
Bolton, commenting on his new responsibilities<br />
said, "American Can Co. is committed<br />
to improving its access to the consumer<br />
and important away-from-home markets<br />
while upgrading the effectiveness and<br />
efficiency of its<br />
distribution system."<br />
Super-V Corp. Receives Award<br />
At Greater Miami Film Fest<br />
The Philadelphia-based Super-V Corp.,<br />
manufacturer and distributor of the Super-<br />
Vision lens, recently received the Gold<br />
Medal Award for technical achievement at<br />
the Greater Miami (Fla.) Film Festival.<br />
Alphabetical Index of Advertisers<br />
Area! Theatre Products<br />
Ballantyne of Omaha<br />
BeveliteAdler<br />
Big Three Theatre Group<br />
Canrod Hanovia, Ballantyne,<br />
Strong<br />
Butler Fixture & Vfg<br />
Butterful, Inc<br />
Conrad Hanovia<br />
Christie Electric Corp<br />
Cinema Radio<br />
Ciro Equipment Corp<br />
Cretors, Inc<br />
Dixie/Marathon<br />
Drive-ln Theatre Mfg. Co<br />
22 Harry Melchsr Enterprises 25<br />
n National Ticket Co 12<br />
23 Norman and Friddell 10<br />
Odell Concessions 5<br />
Ogden Food Service 36<br />
11 Optical Radiation Corp 19<br />
32 Perdue Motion Picture<br />
3° Equipment 23<br />
11 Projected Sound, Inc 20<br />
3 Prokote 20<br />
29 PVO International 7<br />
5 Reed Speaker Co 6<br />
33 Schneider Corp. of America .... 18<br />
32 Selby Industries, Inc 16<br />
21 Server Products, Inc 35<br />
Econo<br />
Pleat<br />
Eprad, Inc 4, 25,<br />
Filbert<br />
Films<br />
Co<br />
Incorporated<br />
Mel Glatz & Assoc<br />
Gold Medal Products<br />
Alan Gordon Enterprises<br />
Hugin Cash Registers, Ltd<br />
Irwin Seating Co<br />
Kintek<br />
(formerly Colortek)<br />
Kneisley Electric Co<br />
LocRad,<br />
Manley,<br />
Inc<br />
Inc<br />
The Marble Co., Inc 15<br />
10 Sign Products<br />
30 (Rapid Change Letter Co.) 8<br />
28 Smithfield Horn & Products .... 37<br />
28 Soundfold Internationol 12<br />
27 Spatz Paint Industries 6<br />
37 Star Mfg. Co 9<br />
8 Electric Strong H<br />
13 TEA 17<br />
26 Technikote Corp 29<br />
15 TV Time Foods, Inc 32<br />
24 Weldon, Williams & Lick 7<br />
23 Western Service & Supply 27<br />
34 Xetron Products Div.<br />
22 (Corbons Inc.) 31<br />
The MODERN THEATRE SECTION
BoxorriCE bookincumde<br />
. Four<br />
°s<br />
An interpretive analysis oi lay and tradepress<br />
>gularly. Symbo<br />
BOXOFFICE Blue Ribbon Award. All lilms are<br />
except Iho<br />
:ated by (b&w)<br />
white or (® and b&w) lor color end black & white. Motion Pictu) (MPAA) rating:<br />
audiences; PG all ages admitted (parental guidance suggested); El— restrict I<br />
17 not admitted unless accompanied by parent or adult guardian; x — persons<br />
Broadcasting and Film Commission, National Council of Churches (BFC). For 1<br />
FEATURE CHART.<br />
12eview digest<br />
AND ALPHABETICAL INDEX<br />
++ Very Good; + Good; — Foir; — Poor; = Very Poor. ft is toted 2 pluses, = as 2 minuses.<br />
I<br />
II<br />
.2 Ec<br />
s<br />
1<br />
I I ll<br />
!;C92 Across the Great Divide (103)<br />
OD-Ad<br />
F 5-79 El<br />
Always for Pleasure (58)<br />
Doc<br />
Blank 5-7S<br />
5071 Attack of the Killer<br />
Tomatoes (86) Noll-<br />
6-78<br />
Ho-<br />
CM . Square Produc<br />
PG<br />
5065 Autumn Sonata (97)<br />
World 10- 9-78 PG<br />
World 9-11-78 PG<br />
5045 Bad News Bears Go to Japan, The
REVIEW DIGEST<br />
AND ALPHABETICAL INDEX >tv,r,Go.d; n^:
'ON<br />
|»H
p 5<br />
iif.il<br />
5!^£ss-:S3;<br />
Ill<br />
liilisr^ii<br />
sB<br />
^Hi<br />
? s.<br />
^1" 1= I<br />
id<br />
ill<br />
§s :«<br />
||
.Hi-D.<br />
,<br />
.<br />
(87)<br />
Oct<br />
Nov<br />
Mar<br />
.<br />
May<br />
'<br />
BOXOFTICE BooHnr„„cIo<br />
'<br />
'<br />
'<br />
. Dec<br />
ANALYSIS FILM RELEASING<br />
APRIL FOOLS FILMS<br />
Harper Valley PTA<br />
(97)<br />
ATLANTIC RELEASING<br />
Madame Rosa (lOS) D. Apr 78<br />
Bonjoi<br />
""<br />
Amour (90) ...D..Ju<br />
ic at Hanorng Rock . . .Oct 78<br />
Havelaar (165) .<br />
Jan 79<br />
Jument Vapeur<br />
BACKSTREET-BEEHIVE-<br />
HOLLYWOOD INT'L<br />
LdSl Flioht 2000<br />
(78) Sex C-<br />
VIckl (Jllrk. I'at Mannliic<br />
FRED BAKER FILMS, LTD.<br />
Just Crazy About Horses<br />
(93) Doc. Dec 78<br />
The Black Goddess<br />
BEEHIVE PRODUCTIONS<br />
Carnal's Cuties<br />
„'76' Sex C A<br />
Pat Manning. Sands.<br />
Janet<br />
King, WUllam .Maigold<br />
Curves Ahead<br />
(78)<br />
.Sex C.<br />
The L*dy Wants a<br />
Trams<br />
Dirty Deadlines<br />
(74)<br />
Super Jocks (90) Mav 7R<br />
R«tless (90) D May 78<br />
Raquel Welcli. J,.l,nson<br />
rtlcliard<br />
fy""" May (93) 78<br />
Almost Human (90) Ju<br />
The Naked Woman (91) ju<br />
Iiavld llemmlncs Vndipa n'lii<br />
Submission (90)<br />
.'<br />
ju.<br />
Franco Nero. I.lsa Gnslonl<br />
Free Spirit (88) ....R-D. Ju,<br />
Racfiel Itoherls. Krir Porter<br />
CAL-AM ARTISTS<br />
Sunset Cove (87) Ac Ai<br />
. .<br />
Goodbye Franklin Hijh<br />
One Man Jury<br />
(103) Cr-D<br />
Jack PiiLnnce. (Tirli MItoh<br />
CAPRICAN THREE, INC.<br />
Death Force (96) Ac<br />
vampire<br />
John<br />
fan<br />
Hookers<br />
Sex<br />
'nice<br />
C-D.<br />
Falrlia<br />
CARIBBEAN FILMS WEST<br />
Up the Chastity Belt C<br />
Our Miss Fred . r<br />
So Sad Aliout Gloria Ac-Sus'<br />
Teenage Pony Girls ..." Sex<br />
Moonshine Girls .... sex'<br />
Palmer's . Hot Summer ih. In<br />
City<br />
Adventurf<br />
Candy (85) Sex May C 78<br />
Parol Ciinwir^, fieorctoa Spelvln<br />
Gall Palmer's Candy Goes to<br />
p"'''ir«"» Sex C. Dec 78<br />
rarni f.mnor!,. .Inhn Leslie<br />
CINEMA 5<br />
Dear Inspector<br />
(105) My<br />
Annie Clrardr.l I'hllli<br />
Viva Italia! (ff7)<br />
Vlltorlo Cassman. Ilgo<br />
COUGAR RELEASING, LTD.<br />
loi Panther (9J) Ad Sept 78<br />
L^a'en^ 0?^ JJIir"" ''""•'"•»<br />
f») Atf..Sept78<br />
„<br />
Oluck (onnors. Bach<br />
Barljara<br />
^S.?' 1"^°' "" • Sui..N(<br />
Bike Sommpr, Robert Koiworth<br />
•^osle (95) C. Dec 78<br />
Sophia Ixiren.<br />
Maatrxilarail<br />
Marcello<br />
MISCELLANEOUS<br />
(101) . . , .<br />
.<br />
EMC PRODUCTIONS<br />
At Last At Last<br />
OMNI PICTURES<br />
Wolfman<br />
"" Datei Rei. Date<br />
Ho-Ac. . Feb 79<br />
(1&3) Sex C-D May 78! The Devil's Clone<br />
"--^-<br />
Sex .Aug Tails (90) C. 78 (96) AcSus 79<br />
riie Wonderful Wizard of<br />
Feb 79<br />
FIRST ARTISTS RELEASING<br />
Stevie (102) B-D . . Sepf 78<br />
(ilenda Jackson. Mona Washbourne<br />
FIRST INT'L PICTURES<br />
Dracula Sucks<br />
(108) Sex-Ho-C-D..Feb79<br />
Inmlc Cillis, Annette llaien,<br />
Serena. .Inhn Hnlmes<br />
FLORA RELEASING<br />
The Demon Lover (80) May 78<br />
Bandits (87) May 78<br />
HOLLYWOOD INT'L<br />
Come Under My Spell<br />
(84) . Sex D..Dec78<br />
ty Princess (82) .Sex C .Jan 79<br />
The Ne> Erotic Adventures of<br />
INDEPENDENT ARTISTS<br />
When the Screaming Stopi<br />
Sex C Mar<br />
(94) Ho-F.<br />
JAGUAR-BEEHIVE<br />
Disco Dolls in Hot Skin<br />
(95) Sex<br />
KEY INT'L FILM<br />
Sweet Creek County War<br />
(98) W-C<br />
Richard Bgan, Albert Salml<br />
Three Way Weekend<br />
(85) Sex C.<br />
non Diego. Jody Olhara<br />
LIMA PRODUCTIONS<br />
Erotic Adventures of Pinocchio<br />
(75) Sex C Mar 78<br />
Teenage Seductress<br />
Sex D. Mar 78<br />
MUSTANG-BEEHIVE<br />
Carnal Encounters of the Barest<br />
Kind (88) Sex-SF. Apr 79<br />
NATIONAL AMERICAN<br />
Cominj Attractions C. Sept 78<br />
Kill Murray, Buddy Hackett,<br />
Mlst.v Itowc, Howard Hessemsn<br />
NEW LINE<br />
Gizmo! (79)<br />
Bronson Lee Champion (86) .<br />
Despair (120)<br />
hlrk Bog.irde<br />
ike a Turtle on Its Back<br />
(90) C-D<br />
Bemadette Lafont<br />
Jive (81)<br />
Robert Downey<br />
Autumn in Germany (116) .<br />
Revenge of the Streetfighter<br />
(90)<br />
(Tilba<br />
Sept 78<br />
Sept<br />
Oct 78<br />
NMD FILM DISTRIBUTING CO<br />
The Carhops (88) June 78<br />
The New Adventures of Snow White<br />
(76) July 78<br />
QUARTET FILMS<br />
IVifemlslress (101) .<br />
Maroello Mastroiannl.<br />
AntonelU<br />
ROCHELLE FILAAS, INC.<br />
Drive-In Massacre<br />
(88) D. June 78<br />
Jake Barnes. Adam Lawrence<br />
CB Hustlers (85) C. June 78<br />
Tiffany Jones, John Alderman<br />
Fiona (82) C-D. .July 78<br />
Klona Richmond, Anthony Steele,<br />
Victor SplnettI<br />
Thirsty Dead (96) Sept 78<br />
Rock Fever (98) Oct 78<br />
Dr. Jackyll't Dungeon of<br />
0"tli (91) Nov 78<br />
SANRIO FILM DISTRIBUTION<br />
The Great Balloon Adventure<br />
(89) C-Ad..Feb79<br />
.:illiarine Hepburn<br />
The Glacier Fox<br />
(90) 0D-D.Feb79<br />
Winds of Change<br />
(87) An-M-F..July79<br />
Nutcracker (100) . . . An-M .<br />
79<br />
computer Game Sex. June 78<br />
?3f Maid Sex. June 78<br />
My Swedish Cousins .. .Sex. .June 78<br />
Lip Service Sex. .June 78<br />
Love Thy Neighbor Sex. .June 78<br />
Pleasure Cruise Sex. June 78<br />
Girls Prison<br />
Sex. .June 78<br />
The Pro Shop . . . Sex. .June 78<br />
Wall Street Walker Sex.. July 78<br />
TurnedOn Girl . Sex. July 78<br />
Sweet Taste of Joy Sex.. July 78<br />
Secretaries Spread Sex. July 78<br />
Sex Freedom in<br />
Sex . July 78<br />
S.J. INTERNATIONAL<br />
Lunatics and Levcn ...CHiyTS<br />
Marcello Mastrolirail. Haudla Mori<br />
The Bananas Boat C. . May 78<br />
Hayley MDI.'i, Doug McOure<br />
Eagles Attack at Dawn Ac. .June 78<br />
STUDIO FILM CORP<br />
The Alpha Incident (85) . . . . Mar 78<br />
Ralph Meeker. St.ifford Morgan<br />
•Inhn Goff. Buck Flowers<br />
Johnny Mar 79<br />
Hor5t BucWioIi<br />
The Capture of Bigfoot<br />
(95) May 79<br />
Richard Kennedy, Katherine Hopkins<br />
Stafford Morgan, John Goff<br />
The Maggots Aug 79<br />
nils Young. .Tohn Goff,<br />
Kalherlne Hopkins<br />
21st CENTURY<br />
Three Fantastic Supermen ..June 78<br />
The Obsessed One July 78<br />
Jllalc Panday. Tracy Parrlsh<br />
The Tormented Aug 78<br />
.''trila rarnaclna. (Tirts Avram<br />
Snuff Box Connection ..Ac. Sept 78<br />
X""!! Fu Ac Sept 78<br />
WORLD NORTHAL<br />
Bread and Chocolate . .C-D. July 78<br />
in Manfrodl, Anna Karlna<br />
All Things Bright and Beautiful<br />
(94) C-D. July 78<br />
ilin Alilorton. (Villn Blakely<br />
The Last Wtvt<br />
(106) My.D..0ct78<br />
nichard rhamberlaln<br />
Teresa the Thief C-O .<br />
78<br />
lea Vltll<br />
COMING RELEASES<br />
ALLIED ARTISTS<br />
North Dallas Forty<br />
,<br />
''eifO'-a<br />
Apr? Nick Nolle<br />
William Holden, Marllie Keller<br />
Full Moon in August<br />
Stuntrock May 7 Joseph Bottoms<br />
Grant Page, Monique van dc \'cii Fraternity Row (101) 0.<br />
Margaret Gerard<br />
Peter Fox. Gregory Harrlaoo<br />
The Shape of Things to Come . SF. Seven Nights in Japan<br />
Jack I'alance, Carol Lynley<br />
Michael York<br />
American Gigolo<br />
Lauren Hutton<br />
Prophecy<br />
AMERICAN INTERNATIONAL Talla Shire, Robert Foiworth<br />
Meteor June 79 The Hurricane<br />
Scan tonnery, Natalie Wood.<br />
Timothy Bottoms, Jason Robards,<br />
Henry Fonda. Treior Howard<br />
Mia Farrow, Trevor Howard<br />
Defiance<br />
lan-Mlchael Vincent, .iosepli<br />
Campanella. .\rt Carney. Theresa<br />
Satdana<br />
C.H.O.M.P.S<br />
Valerie Bertlnelll. Wesley Eure.<br />
I'cmrad Rain<br />
20TH-FOX<br />
The<br />
,<br />
Humanoid<br />
Perfect Couple . . R-C-D Apr 79<br />
IHchard Kiel. Barbara Paul<br />
Bach<br />
Dooley, Marta HeHin.<br />
The Amityville Horror<br />
Ted Neeley, Henry Gibsnii<br />
.lames Brolin. Margot lien<br />
Kidder.<br />
SF-Ho..Hay79<br />
Itod Stelger, Murray Hamilton Tom Skerritt, Yaphet Kotto<br />
The Visitor<br />
Dreamer June 79<br />
•I"hn Huston, Shelley Winters Tim Mathesnn. Susan Blakely<br />
Glenn Fnrd<br />
Butch and Sundance: the Early<br />
Days W.. June 79<br />
Tom Berenger, William Kalt<br />
AVCO EMBASSY<br />
A Man, a Woman and a Bank .<br />
Donald Sutherland. Brooke Ai<br />
Goldengirl<br />
James Coburn. Susan Anton,<br />
Leslie Taron, Robert Cnlp<br />
Winter Kills<br />
Elizabeth Taylor, Jeff Bridges,<br />
John Huston, Anthony Perkfns<br />
BUENA VISTA<br />
The Apple Dumpling Gang<br />
Rides Again<br />
Tim ronway. Don Knotta<br />
The Black Hole<br />
Ma.\lmlllan Schell. ,\nthony<br />
Perkins, Robert Forste:<br />
The Spaceman and King Arthu<br />
Dennis Diigan, Jim Dale,<br />
Kenneth More, Ron Moody<br />
COLUMBIA<br />
Paradise<br />
Paul Newman<br />
All That Jazz dm<br />
Roy Sdielder, Ann Relnking<br />
Freestyle<br />
Susan Oark<br />
Power<br />
Jane Fonda, Jack Lemmon.<br />
Michael Doiiglja<br />
Just You and Me, Kid C<br />
„('eo.'^f Bums, Brooke Shields<br />
Nightwing<br />
Stephen Macht. Nick Man'ciiso<br />
Ashanti<br />
Michael " '<br />
Paine. Peter'ustiiiov;<br />
William Holden. Hex Harrison<br />
The Thief of Bagdad<br />
Terence Stamp. Peter Cstlnm'<br />
CROWN INTERNATIONAL<br />
Burnout<br />
tllir 79<br />
Mark Schneider. Rohert Louden<br />
The Pom Pom Girls. Part II<br />
Coach, Part II<br />
Gym Teacher<br />
The Malorettes<br />
Lovely But Deadly<br />
Stuart Taylor, Jill Lansing<br />
.<br />
D'MENSION<br />
Down in Flames Apr 79<br />
Swap-Meet<br />
79<br />
Stone Cold Dead June 79<br />
Hiiliar.l Cienna. Williams.<br />
Paul<br />
l.iiKi.i .Sivrenson, Belinda Montgnmcrv<br />
Solitary Confinement July 79<br />
Naked Paradise Aun 79<br />
Nio"' Creature<br />
.Oct 79<br />
'<br />
.<br />
NEW WORLD<br />
Disco High CM<br />
Car Wars Ae-C<br />
"ac-D<br />
The Lady in Red<br />
Battle Beyond the Stars .<br />
sf"<br />
Tie a Yellow Ribbon Round<br />
the Old Oak Tree ... r.d<br />
PARAMOUNT<br />
Rough Cut Apr 7<br />
Burt Reynol*. Jacqueline Bl'sset<br />
Escape From Alcatraz June 7<br />
CJtnt Eastwood. Patrick McOoohan<br />
Nine to Five e.<br />
Jane PbnA<br />
St. Petersburg Cannes Express<br />
Iiille Christie. Donald Sutherland<br />
The Rose DM.<br />
Bette Midler. Alan Bates<br />
Bruhaker<br />
Robert Bedford<br />
UNITED ARTISTS<br />
Apocalypse Now War D . 79<br />
Marlon Brando. Robert Duvall,<br />
Martin Sheen. Dcnnia Hopper<br />
James and Jane<br />
James Caan. Genevieve Bujold<br />
Wanda Nevada C-Ad.<br />
Peter Fonda, Brooke Shields<br />
Last Embrace R-Sus-D..<br />
Roy Schelder, Janet MargollD.<br />
Marda Rodd. Christopher Walken<br />
Roger Moore. I/ils Chiles,<br />
Michel Lonsdale, Richard Kiel<br />
Manhattan<br />
Woody Allen. Diane Keaton.<br />
Michael Murphy Marlel Hemingway<br />
Rocky 1—Redemption<br />
1<br />
aivester Siallone. Talla Shire.<br />
Burt Yoimg. Burgess Meredith<br />
•JNIVERSAL<br />
Gang! Apr 79<br />
It. tihv Benson, Sarah Holeomb<br />
Battlestar<br />
Gallactica SF- Ac. May 79<br />
Ixjrne Greene, Ray Milland. Richard<br />
Hatch, Dirk Benedict<br />
The Incredible Shrinking<br />
Woman<br />
SF-C..Dec79<br />
Lily Tomlln<br />
The Lonely Lady b. .<br />
Susan Blakely<br />
The Senator<br />
Alan Alda. Kfelvyn Douglas.<br />
Barbara Harris<br />
Little Miss Marker<br />
ter Mitthau<br />
Legacy<br />
Katharine Ross, Sam Eailott.<br />
Roger Daltrey<br />
Resurrection<br />
1 lluislMi. Sam .Sliepard<br />
IHincr's Dauahter B-D.<br />
. Spaeek, Tommy Lee Jones<br />
ARNER BROS.<br />
Little Romance Apr 79<br />
aurence (lllvler. Sally Kellerman<br />
Beyond the Poseidon<br />
Adventure July 79<br />
Michael Calne. Sally Field,<br />
Tolly Savalas. Peter Boyle<br />
Main Event Aug 79<br />
Barbra Streisand, O'Neal,<br />
Rjan<br />
Paul Sand<br />
The In-Laws Ac-C..Aug79<br />
Peter Falk. Alan Arkln. Nancy<br />
Diissaiilt. Arlene Oolonka<br />
The Squeeze Sus-C.<br />
Stacey Keach, Lino Ventura<br />
rir
THE PROMOTION AND MERCHANDISING<br />
GUIDE<br />
Send news of advertising campaigns and publicity to STU GOLDSTEIN, MERCHANDISING EDITOR<br />
'Bell Jar' Promotion<br />
Involves Dept. Stores<br />
torial layout on actress Marilyn Hassett in<br />
the magazine's January issue. Avco Embassy<br />
Pictures and Mademoiselle magazine<br />
have teamed up for a major advertising and<br />
promotional tie-in on the Hassett-starring<br />
film "The Bell Jar." which Avco will release<br />
in March, according to Herman Kass.<br />
vice-president, advertising and publicity.<br />
Six-Page Advertising Section<br />
In its March issue, Mademoiselle will<br />
feature a six-page advertising section involving<br />
the May Co. and Avco Embassy.<br />
It will be devoted to "The Bell Jar" and<br />
feature Ms. Hassett in apparel from six<br />
nationally known designers. The entire<br />
issue of the magazine will be aimed at women<br />
in key business positions and represents<br />
a natural tie-in with the film. The late<br />
Sylvia Plath, author of the book upon<br />
which the picture is based, served as a guest<br />
editor for Mademoiselle in the late 1950s.<br />
In addition to the magazine promotion.<br />
Mademoiselle is tied in with over 600 department<br />
and specialty stores around the<br />
country, with a select group of editors traveling<br />
from city to city during the months<br />
of March and April to introduce various<br />
"management style" attire. This promotion,<br />
in such stores as the May Co. Emporium.<br />
Dayton's, Hudson's, Famous Barr and<br />
others, will also feature in-store displays<br />
for "The Bell Jar." In a number of these<br />
stores, actress Hassett and director Larry<br />
Peerce will appear in person.<br />
Avco Embassy is also planning a full<br />
schedule of premiere and national press<br />
parties with Ms. Hassett, Peerce and other<br />
available stars from the film scheduled to<br />
attend.<br />
'Snatchers' Radio Tie In<br />
Pays Off in Nashville<br />
Bob Sokol. Loews Theatres city manager,<br />
arranged a radio-station sponsored preview<br />
showing of United Artists' "Invasion of the<br />
Body Snatchers" at Loews Crescent.<br />
WLAC-Radio provided some ninety 30-<br />
second spots (valued at more than $1,500),<br />
in support of the promotion.<br />
The Nashville Tennessean ran a colorart<br />
break on the attraction opening day.<br />
Multi-Campaign Hypes 'Wilderness<br />
Ogden-Perry's Charles Cinema in Lake<br />
area merchants, the posters were placed<br />
in the windows of many different stores.<br />
The theatre's attention was then turned<br />
towards the media, which included a favorable<br />
review of the picture in a new local<br />
weekly. The Lake Area Guide. Exposure<br />
on local radio stations included station<br />
KLOU giving 30 free commercials in exchange<br />
for thirty passes. KLOU made a major<br />
giveaway out of the passes and constantly<br />
announced chances to win passes to the<br />
Charles Cinema. This amounted to an ad-<br />
Charles, La. used a series of promos to tubthump<br />
ditional 30 free commercials when each of<br />
Following on the heels of a four-page edi-<br />
Pacific International's "Wilderness the passes was given away.<br />
Family Part 2." Promotional window cards Toplining the promotion, Charles Cinema<br />
were distributed, and with the consent of allowed Pete Jones, a local taxidermist, to<br />
'Born Again Screening<br />
Aided by Direct Mail<br />
Tony Bruguiere, manager of the Santa<br />
Rosa Cinema in Fort Walton Beach, Fla.<br />
promoted his recent engagement of "Born<br />
Again" with a massive direct mail campaign.<br />
Four weeks before opening day, Bruguire<br />
made his first mailing to all the<br />
churches within fifty miles of Santa Rosa<br />
Cinema. His letter stressed the fact that it<br />
was an opportunity for the congregations<br />
of these churches to make a positive statement<br />
about the type of movies they wanted<br />
to see. A very good review of "Born Again"<br />
from New Wine, a Christian magazine,<br />
was included. The pastors were urged to<br />
recommend the movie to their congregations.<br />
In the second mailing, Bruguiere set up<br />
a special screening and invited all the pastors<br />
in the area to be his guest. The screening<br />
was held a week before opening in order<br />
to give the pastors a chance to pass along<br />
their recommendations to their churches<br />
before opening day. At the screening, each<br />
person was given a printed folder containing<br />
quotes about "Born Again" from reviewers<br />
on both a national and regional<br />
level.<br />
This direct mailing campaign reached the<br />
target market of "Born Again" and was conducted<br />
at no cost to Santa Rosa Cinema<br />
other than postage.<br />
display a set of animals in the lobby of the<br />
theatre. The animals were provided at no<br />
charge, except for small promotional signs<br />
along with the taxidermist's works. Young<br />
people attending "Wilderness Family Part<br />
2" especially enjoyed the display.<br />
The combination of the lobby display,<br />
free radio spots, window displays and newspaper<br />
write-up amounted to an effective job<br />
of merchandising by the Charles Cinema,<br />
managed by Jules Courville.<br />
The Grand Thcalic. part of the Coiuluonweallh<br />
circuit in Grand Island.<br />
Neb., staged a "lunch bunch" Saturday-afternoon<br />
matinee which attracted<br />
a huge turnout. This ad. rim a few days<br />
in advance of the showing, told about<br />
the free lunch movie marathon. The<br />
program ran for five hours, with seats<br />
priced at $l.2.'i.<br />
BOXOFFICE Showmandiser :: Feb. 19, 1979
Free<br />
|<br />
ALL OF THESE<br />
PRACTICAL<br />
SERVICE<br />
DEPARTMENTS<br />
APPEAR REGULARLY<br />
in<br />
'Wiz Weekend' In<br />
Cincinnafi<br />
Redstone's Showcase Cinemas combined with SliiUiiu \ Dtpaiuntiu Siou mid<br />
WLW Radio to award a "Wiz. Weekend." WLW's Jim LaBarbani awaided f^iand<br />
prize and actual costumes from the film were on display at the store.<br />
ADLINES AND EXPLOITIPS<br />
BOXOFHCE BAROMETER<br />
(First<br />
Run Reports)<br />
FEATURE BOOKING CHART<br />
•<br />
FEATURE REVIEW DIGEST<br />
& ALPHABETICAL INDEX<br />
•<br />
REVIEWS OF FEATURES<br />
•<br />
SHORT SUBJECT CHART<br />
•<br />
SHOWMANDISING IDEAS<br />
In<br />
^fl Ways the Best<br />
SERVICt THAT SERVES!<br />
Dynamite Corp. Gives<br />
'Best Promo' Prize<br />
Rick Parr. Manager of the Broadacres<br />
Cinema in Hattiesbiirg, Miss, was awarded<br />
a $100 prize in January for his late-1978<br />
promotion of "Count Dracula and His Vampire<br />
Bride." The prize was awarded by the<br />
producer of the picture. Dynamite Entertainment<br />
Corp. of New Yoik to the manager<br />
in the New Orleans territory who staged<br />
the best advertising campaign for the picture.<br />
Parr's promotional techniques included<br />
converting the theatre into a Transylvanian<br />
graveyard, complete with employees and<br />
customers participating in various activities.<br />
Aiea newspapers covered the event and<br />
$600 worth of free radio advertising was<br />
given the theatre by WXXX and WHSY,<br />
two prominent stations in Hattiesburg.<br />
j<br />
Bookstore, Radio Tie-in<br />
Garners . . Advertising Best Ad Campaigns<br />
For their promotion of Avco-Embassy's BoxoFFiCE wants to know details about<br />
"Born Again," the Jackson Mall Cinema in your best advertising campaigns to promote<br />
Jackson, Miss, came up with a series of currently playing pictures. Tell us what<br />
showmandising ideas. Kicking off the busy film you promoted and how, including any<br />
media coverage you got as a result of the<br />
schedule. Manager George Prichett cross-<br />
promotion. Plenty of copy and photos are<br />
plugged the picture with posters and trailers<br />
at Jackson Mall Cinema and Ellis Isle Twin<br />
Cinema.<br />
Further promotion included arrangements<br />
with Jackson Mall's leading bookstore for a<br />
Watergate display. Window displays at the<br />
bookstore included various books about<br />
Watergate figures, including stacked copies<br />
of "Born Again" and a banner poster with<br />
playdate information. A religious bookstore<br />
in the area was also contacted and they<br />
agreed to display the Bantam book and an<br />
accompanying poster.<br />
During the first and second weeks of the<br />
playdate, Jackson Mall tied-in with three of<br />
the local radio stations and held a super<br />
pass giveaway. This amounted to $500<br />
worth of free ad time from WJDX, $300<br />
worth from WYLG and $250 air time from<br />
WJQS. During the third and fourth weeks,<br />
lie-ins amounted to over $400 worth of no- (<br />
cost air time.<br />
'Wolfman' Ads Scheduled<br />
Stewart and Everett Theatres are advising<br />
their managers of the promotions scheduled i|<br />
for Earl Owensby's "Wolfman," which is i'<br />
opening March 2. Among the campaigns<br />
for "Wolfman" are a hard-hitting TV cam-<br />
.<br />
paign, set by Stewart and Everett's ESCO „»<br />
ad agency, trailers and posters. All Stewart<br />
and Everett Theatres booked to play "Wolf- ll<br />
man" were sent a giant 11 -foot high poster,<br />
which is on display at selected theatres'<br />
lobbies.<br />
Tell Us About Your<br />
essential to give other exhibitors the e.xact<br />
story on your promotion strategies. The best<br />
campaigns will be featured in Showmandiser<br />
and all features we run will be candidates<br />
j<br />
for Showmandiser Citations.<br />
We arc also interested in your audience's<br />
reactions to current engagements. Audience<br />
response is vital information to all exhibitors.<br />
What recent bookings have been successful<br />
and not-so-successful? Send news of<br />
your campaigns and audience reactions to<br />
Stu Goldstein, Merchandising Editor, Boxoffice.<br />
825 Van Brunt. Kansas City, Mo.<br />
64124.<br />
\<br />
BOXOFFICE Showmandiser :: Feb. 19, 19791
Ift'S: SOc per word, rniniTnnm $5.00 CASH WITH COPY. Foxir conaecutiTO insertions Jor price<br />
jf ree. When using a Boxoiiict. No. figure 2 additional words and include $1.00 additional, to<br />
•0, cost of handling replies. Display Classified, $38.00 per Column hich. No commission<br />
Sliced CLOSING DATE: Monday noon preceding publication date. Send copy and answers<br />
10 )x Numbers to BOXOFFICE, 825 Van Brunt Blvd., Kansas City, Mo. 64124.<br />
CL^flfilDG HOUSt<br />
HELP WANTED<br />
EQUIPMENT FOR SALE<br />
THEATRES FOR SALE<br />
^NAGERS and City Managei<br />
r mall, growing Midwest cir<br />
r n knowledge desired. We<br />
del ior the right showman.<br />
ly benehts. Repl y Boxollic<br />
"IPEHIENCED MANAGERS needed by<br />
no nal circuit for theatre expansion in<br />
Chigo area. Group insurance, Pension<br />
ea: incentives, bend resume, relerences<br />
OT.photo to Boxoffice, 4209.<br />
:'RE ON THE MOVE and we need<br />
ad Managers and Supervisors who<br />
w< to move ahead with a zooming compa<br />
Openings now in Alabama, Georgia<br />
Si Florida. Good salary, concession<br />
conission, hospitalization. Rush resume,<br />
re. it snapshot, salary required to; Dick<br />
Ecy. Cobb Theatres, Suite A, Eastwood<br />
M, Birmingham, Alabama 35210.<br />
TICKET MACHINES repaired. Fast service,<br />
WORLD'S LARGEST THEATRE I<br />
reasonable rates. Your old ticket JOE lOSEPH, Box 31406, Dallas 75231<br />
machine worth money. We trade, buy and 363-2724<br />
DRIVE-IN sell ticket machines. Try us first. Ask<br />
THEATRES in Lemmo<br />
and Bowman, ND Show good ne<br />
about our rebmlts. Save money. I.E.D<br />
Spearflsh, (605) SD. 642-4857<br />
Grafton,<br />
Service Co., 10 Woodslde Dr.,<br />
189,<br />
Massachusetts. (617) 839-4058<br />
DRIVE-IN THEATRE, Schuylkill County,<br />
RADIO SOUND for DRIVE-IN THEATRES<br />
location on busy Bt. 61 16<br />
acre commercial property, refinished<br />
PA. Excellent<br />
newly ncludes transmitter and backup unit, $1,-<br />
dual sound system, 56P<br />
95.00 Available from manufacturer. Co!:<br />
screen,<br />
speakers, stand. ir<br />
concession Property or further information. (901) 376-4000^<br />
excellent condition. Call CM. Detweiler<br />
Inc. (717) 345-4475, Ask for Bernie<br />
COMPLETE SIMPLEX<br />
iD,,.y,<br />
' Noreico, Simplex, p<br />
n. Excellent salary<br />
qualified person. Send<br />
--<br />
ificalions to Boxolf '4210.<br />
ED MORE MONEY? Are you a theatre<br />
aqer who needs another $200,00 per<br />
l' Have you successfully sold Christicrpen<br />
ads and parties in your theaelling<br />
screen ads to your local bcnk-<br />
3uto dealer etc. . . . Write to Theatre<br />
Clock Co., P,0. Box 597, Sarasota.<br />
33578 and well show you how. Do it<br />
CPERIENCED<br />
and able<br />
oxoffice. 421<br />
^liable.<br />
WERIENCED<br />
SERVICE<br />
D work for<br />
Canada, Mr
KM LOWD OOETZE5<br />
5£OE POLE LOVED AONE6.<br />
Audiences started cheering Goetze's Caramel Creams be<br />
fore Rudolf Valentino was making love to Agnes Ayres in<br />
The Son of the Sheik. And since that time, our original<br />
Caramel Creams have been receiving nothing but rave<br />
reviews. Of course, the sequels — Licorice Caramel<br />
Creams, Chocolate Caramel Creams and Peanut<br />
Butter Creams — have also been box office hits<br />
So make sure that Goetze's receives star billin;<br />
We move. You make money And that's some<br />
thing worth applauding.<br />
Goetze's Candy Co., Inc. • 3900 E. Monument St<br />
Baltimore, Md. 2I20S • (301) 342-2010