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Boxoffice-August.20.1979

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Dr.<br />

18 BOXOFFICE/AUGUST 20, 1979<br />

J<br />

THE CONCORDE—AIRPORT '79<br />

CAST<br />

Meirand<br />

Alain Delon<br />

Maggie<br />

Susan Blakely<br />

Ke i in Harrison Robert Wagner<br />

Isabelle<br />

Sylvia Knstel<br />

Patroni<br />

George Kennedv<br />

Eli<br />

Eddie Albert<br />

Producer<br />

Director<br />

Screenplay<br />

Story<br />

A I<br />

CREDITS<br />

Jennings Lang<br />

David Lowell Rich<br />

Eric Roth<br />

Jennings Lang<br />

mwTNjI release, rated PC*. Suspense Drama.<br />

123 inin.. mm in release. Aspect ratio. 1.85.<br />

[echnicolor. Release #7915.<br />

DIGEST RATING: POOR<br />

Evidently, producer Jennings Lang was<br />

out of the country when all the jokes were<br />

circulating about the last two '"Airport" sequels,<br />

"Airport 75" and "Airport 77."<br />

That's the only plausible excuse for Lang<br />

allowing the same laughable elements in<br />

the previous "Airports" to be in "The Con<br />

corde—Airport 79," too.<br />

Now he and director David Lowell Rich<br />

have brought back to the screen all the<br />

hilarious antics that have turned disaster<br />

epics into classic comedies. It's as though<br />

Lang and Rich studied the idiotic moments<br />

of typical disaster movies and then made<br />

certain that each and every dumb scene<br />

from previous "Airport" sequels was in<br />

eluded. On that note, the filmmaking team<br />

has done a good job. Everything you laugh<br />

ed at before is here again—only more of it.<br />

From the title alone, audiences can probably<br />

detect that there's going to be<br />

something not so hot about this picture.<br />

After all. what more can they do with<br />

airplanes They've been blown up. hit by<br />

small planes, run into the ocean, navigated<br />

by cross-eyed stewardesss and had the likes<br />

of singing nuns and patients needing<br />

kidney transplants on board.<br />

THE WANDERERS<br />

Richie<br />

Joey<br />

Nina<br />

Despie Galasso<br />

Turkey<br />

Buddy<br />

Perry<br />

Peenee<br />

CAST<br />

CREDITS<br />

Ken Wahl<br />

John Friedrich<br />

Karen Allen<br />

Toni Kalem<br />

Alan Rosenberg<br />

Jim Youngs<br />

Tony Ganios<br />

Linda Manz<br />

Executive Producer Richard St. Johns<br />

Producer<br />

Martin Ransohoff<br />

Director<br />

Philip Kaufman<br />

Screenplay Philip Kaufman. Rose Kaufman<br />

Based on the novel by<br />

Richard Price<br />

An Orion-Warner Bros, release, rated R. Youth<br />

( omedv -Drama. 113 min.. now in release. Aspect<br />

ratio, 1.75. I echnicolor. Release #79807.<br />

DIGEST RATING: FAIR<br />

Here is a film that has too much violence to<br />

be another "American Graffiti" and too much<br />

sentimentality to be another "The Warriors "<br />

"The Wanderers" is aiming for the audiences<br />

In the Bronx of 1963. The Wanderers is just<br />

one of many fraternal gangs. The Fordham<br />

Bald it's shave their huge heads and harass peo<br />

pie for the fun of it. The Ducky Boys is an<br />

Irish gang that takes its beatings so seriously<br />

"Airport 79" tries to combine all these<br />

disasters into one movie and features<br />

reasonable facsimiles of the strange.<br />

trouble making or sickly passengers who<br />

had boarding passes to the previous se<br />

quels.<br />

The result Utter hilarity that rivals only<br />

"Beyond the Poseidon Adventure" for<br />

entertainment value. Like the "Poseidon"<br />

sequel "Airport 79" is so silly it's actually<br />

entertaining.<br />

The very complicated plot centers on<br />

millionaire Robert Wagner trying to save<br />

his reputation from being destroyed by a<br />

former lover, played by Susan Blakely<br />

Blakely. a TV reporter, vows to make<br />

public some papers given to her that prove<br />

Wagner's business has been selling arms to<br />

foreign dictatorships. And she's going to<br />

make those documents public knowledge<br />

just as soon as she gets off that ol' Con<br />

corde. But Wagner has different ideas.<br />

Hell try liwicel on the Washington to<br />

Paris flight to blast those papers out of her<br />

hand by blowing up the Concorde with one<br />

of his company's guided missiles.<br />

He fails at both attempts, thanks to Joe<br />

Patroni's (George Kennedy's) expert serial<br />

maneuvers which toss screaming<br />

passengers about the plane like inordinate<br />

debris. This flight, which Kennedy and<br />

Delon seem to think is all in a day's work,<br />

also features Kennedy opening a window,<br />

in flight, to shoot a flare gun at one of the<br />

guided missies. Not once, but twice pilot<br />

Kennedy pulls open the Concorde windshield<br />

and sticks his head out, all while<br />

traveling at 1400 miles an hour Amazing.<br />

Still another disaster lurks on the Pans<br />

to-Moscow flight. Before the flight.<br />

Wagner is shown all alone with Blakely.<br />

with plenty of time to kill her, but he<br />

doesn't. Instead, he makes plans to get her<br />

on the Moscow flight, which is sabotaged<br />

by terrorists. In the meantime, there's time<br />

for such interesting events as Kennedy and<br />

Alain Delon each taking his turn at a one<br />

night affair. Blakelj doing a poor imitation<br />

that the members use sticks and lead pipes.<br />

There is a black gang called The Rays, and<br />

then there is the Wongs, an Oriental group<br />

specializing in Iwhat else ) kung fu.<br />

Wanderers Ken Wahl (who in his first film<br />

resembles John Travolta and Elvis Presley I,<br />

John Fnedrich, Jim Youngs, Alan Rosenberg<br />

and Tony Ganios are seniors in high school.<br />

Unknown to them, they are poised between an<br />

era of innocence and an era of violence Their<br />

home lives are in an upheaval. For example.<br />

Ganios' mother is an alcoholic widow who has<br />

a secret affair with Friednch's mean, muscle<br />

bound father Wahl gets girlfiend Tom Kalem<br />

in trouble and is forced to marry into a family<br />

of goons almost as sadistic as the Duckies.<br />

At his bachelor party. Wahl celebrates with<br />

a great deal of reserve and confusion. Through<br />

a window, he sees Karen Allen, a girl he apparently<br />

still loves, and follows her into a folk<br />

club where in the shadows stands a guitarist<br />

who is supposed to be Boh Dylan He sings<br />

lagain. what else) "The Times They Are<br />

aChangin'<br />

What is Wahl thinking as he watches Allen<br />

and "Dylan"' 1 Should I go in° Are times really<br />

changing'' Why am I marrying someone I<br />

don't love' The fact that he could be thinking<br />

all this and much more raises questions about<br />

director Philip Kaufman's motives. He inserts<br />

of these two films, however, and will probably extraneous events— the "Dylan" scene and.<br />

draw generous segments of each. But only if earlier, the assassination of President John F<br />

moviegoers don't mind Philip and Rose Kauf<br />

man's rehashing of the theme of buddies cop<br />

Kennedy —to lend to the film a poignance that<br />

the script and his direction lack on their own.<br />

ing with adulthood in an urban environment. For these reasons. "The Wanderers" is a<br />

crowd

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