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Dr.<br />
18 BOXOFFICE/AUGUST 20, 1979<br />
J<br />
THE CONCORDE—AIRPORT '79<br />
CAST<br />
Meirand<br />
Alain Delon<br />
Maggie<br />
Susan Blakely<br />
Ke i in Harrison Robert Wagner<br />
Isabelle<br />
Sylvia Knstel<br />
Patroni<br />
George Kennedv<br />
Eli<br />
Eddie Albert<br />
Producer<br />
Director<br />
Screenplay<br />
Story<br />
A I<br />
CREDITS<br />
Jennings Lang<br />
David Lowell Rich<br />
Eric Roth<br />
Jennings Lang<br />
mwTNjI release, rated PC*. Suspense Drama.<br />
123 inin.. mm in release. Aspect ratio. 1.85.<br />
[echnicolor. Release #7915.<br />
DIGEST RATING: POOR<br />
Evidently, producer Jennings Lang was<br />
out of the country when all the jokes were<br />
circulating about the last two '"Airport" sequels,<br />
"Airport 75" and "Airport 77."<br />
That's the only plausible excuse for Lang<br />
allowing the same laughable elements in<br />
the previous "Airports" to be in "The Con<br />
corde—Airport 79," too.<br />
Now he and director David Lowell Rich<br />
have brought back to the screen all the<br />
hilarious antics that have turned disaster<br />
epics into classic comedies. It's as though<br />
Lang and Rich studied the idiotic moments<br />
of typical disaster movies and then made<br />
certain that each and every dumb scene<br />
from previous "Airport" sequels was in<br />
eluded. On that note, the filmmaking team<br />
has done a good job. Everything you laugh<br />
ed at before is here again—only more of it.<br />
From the title alone, audiences can probably<br />
detect that there's going to be<br />
something not so hot about this picture.<br />
After all. what more can they do with<br />
airplanes They've been blown up. hit by<br />
small planes, run into the ocean, navigated<br />
by cross-eyed stewardesss and had the likes<br />
of singing nuns and patients needing<br />
kidney transplants on board.<br />
THE WANDERERS<br />
Richie<br />
Joey<br />
Nina<br />
Despie Galasso<br />
Turkey<br />
Buddy<br />
Perry<br />
Peenee<br />
CAST<br />
CREDITS<br />
Ken Wahl<br />
John Friedrich<br />
Karen Allen<br />
Toni Kalem<br />
Alan Rosenberg<br />
Jim Youngs<br />
Tony Ganios<br />
Linda Manz<br />
Executive Producer Richard St. Johns<br />
Producer<br />
Martin Ransohoff<br />
Director<br />
Philip Kaufman<br />
Screenplay Philip Kaufman. Rose Kaufman<br />
Based on the novel by<br />
Richard Price<br />
An Orion-Warner Bros, release, rated R. Youth<br />
( omedv -Drama. 113 min.. now in release. Aspect<br />
ratio, 1.75. I echnicolor. Release #79807.<br />
DIGEST RATING: FAIR<br />
Here is a film that has too much violence to<br />
be another "American Graffiti" and too much<br />
sentimentality to be another "The Warriors "<br />
"The Wanderers" is aiming for the audiences<br />
In the Bronx of 1963. The Wanderers is just<br />
one of many fraternal gangs. The Fordham<br />
Bald it's shave their huge heads and harass peo<br />
pie for the fun of it. The Ducky Boys is an<br />
Irish gang that takes its beatings so seriously<br />
"Airport 79" tries to combine all these<br />
disasters into one movie and features<br />
reasonable facsimiles of the strange.<br />
trouble making or sickly passengers who<br />
had boarding passes to the previous se<br />
quels.<br />
The result Utter hilarity that rivals only<br />
"Beyond the Poseidon Adventure" for<br />
entertainment value. Like the "Poseidon"<br />
sequel "Airport 79" is so silly it's actually<br />
entertaining.<br />
The very complicated plot centers on<br />
millionaire Robert Wagner trying to save<br />
his reputation from being destroyed by a<br />
former lover, played by Susan Blakely<br />
Blakely. a TV reporter, vows to make<br />
public some papers given to her that prove<br />
Wagner's business has been selling arms to<br />
foreign dictatorships. And she's going to<br />
make those documents public knowledge<br />
just as soon as she gets off that ol' Con<br />
corde. But Wagner has different ideas.<br />
Hell try liwicel on the Washington to<br />
Paris flight to blast those papers out of her<br />
hand by blowing up the Concorde with one<br />
of his company's guided missiles.<br />
He fails at both attempts, thanks to Joe<br />
Patroni's (George Kennedy's) expert serial<br />
maneuvers which toss screaming<br />
passengers about the plane like inordinate<br />
debris. This flight, which Kennedy and<br />
Delon seem to think is all in a day's work,<br />
also features Kennedy opening a window,<br />
in flight, to shoot a flare gun at one of the<br />
guided missies. Not once, but twice pilot<br />
Kennedy pulls open the Concorde windshield<br />
and sticks his head out, all while<br />
traveling at 1400 miles an hour Amazing.<br />
Still another disaster lurks on the Pans<br />
to-Moscow flight. Before the flight.<br />
Wagner is shown all alone with Blakely.<br />
with plenty of time to kill her, but he<br />
doesn't. Instead, he makes plans to get her<br />
on the Moscow flight, which is sabotaged<br />
by terrorists. In the meantime, there's time<br />
for such interesting events as Kennedy and<br />
Alain Delon each taking his turn at a one<br />
night affair. Blakelj doing a poor imitation<br />
that the members use sticks and lead pipes.<br />
There is a black gang called The Rays, and<br />
then there is the Wongs, an Oriental group<br />
specializing in Iwhat else ) kung fu.<br />
Wanderers Ken Wahl (who in his first film<br />
resembles John Travolta and Elvis Presley I,<br />
John Fnedrich, Jim Youngs, Alan Rosenberg<br />
and Tony Ganios are seniors in high school.<br />
Unknown to them, they are poised between an<br />
era of innocence and an era of violence Their<br />
home lives are in an upheaval. For example.<br />
Ganios' mother is an alcoholic widow who has<br />
a secret affair with Friednch's mean, muscle<br />
bound father Wahl gets girlfiend Tom Kalem<br />
in trouble and is forced to marry into a family<br />
of goons almost as sadistic as the Duckies.<br />
At his bachelor party. Wahl celebrates with<br />
a great deal of reserve and confusion. Through<br />
a window, he sees Karen Allen, a girl he apparently<br />
still loves, and follows her into a folk<br />
club where in the shadows stands a guitarist<br />
who is supposed to be Boh Dylan He sings<br />
lagain. what else) "The Times They Are<br />
aChangin'<br />
What is Wahl thinking as he watches Allen<br />
and "Dylan"' 1 Should I go in° Are times really<br />
changing'' Why am I marrying someone I<br />
don't love' The fact that he could be thinking<br />
all this and much more raises questions about<br />
director Philip Kaufman's motives. He inserts<br />
of these two films, however, and will probably extraneous events— the "Dylan" scene and.<br />
draw generous segments of each. But only if earlier, the assassination of President John F<br />
moviegoers don't mind Philip and Rose Kauf<br />
man's rehashing of the theme of buddies cop<br />
Kennedy —to lend to the film a poignance that<br />
the script and his direction lack on their own.<br />
ing with adulthood in an urban environment. For these reasons. "The Wanderers" is a<br />
crowd