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Boxoffice-September.10.1979

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18<br />

a<br />

BOXOFFICE/SEPTEMBER 10, 1979<br />

THE TREE OF WOODEN CLOGS<br />

Every so often a film comes along ihal<br />

seems lo be a celebration of life. Such a film is<br />

Ermannu Olmi's "The Tree of the Wooden<br />

Clogs " It represents a total experience<br />

Olrni has created a masterpiece on him In<br />

his leisurely directorial style, he takes us back<br />

lo 1896 and chronicles peasant life in<br />

Northern Italy during a nine-month period<br />

Observation soon becomes participation in a<br />

culture of almost 100 years ago.<br />

As is usually his custom, he uses nonprofes<br />

sional actors. I he roles are played bj peasants<br />

and other people from the Bergamo countryside<br />

The people are real and he captures<br />

the rhythm of their lives<br />

It's an episodic story that focuses on several<br />

families and is exciting without being over<br />

dramatic. The peasants, share-croppers, are<br />

oppressed people, but they make the best of n<br />

I'hcir life is austere and the landlord is strict<br />

Miiiek (Omar Brignoli), the son of peasants,<br />

arrives home from school »nli a broken clog in<br />

"The Tree of Wooden Clogs."<br />

and awesome Their livestock and<br />

implements belong to the landlord—so does<br />

the land and most of the harvest.<br />

The story begins in autumn, with a widow<br />

who must raise six children. She is a washer<br />

woman. Her older children all work and help<br />

out. Life is simple: there is a harvest; a pig is<br />

slaughtered; families quarrel, children play in<br />

the countryside; a religious least of the<br />

Madonna of Si Augustine is planned<br />

A baby is born, and the lather says, "one<br />

more mouth lo feed " This lather later notices<br />

THE BROOD<br />

Writer-director David Cronenberg has concocted<br />

a bizarre horror film that some viewers<br />

will consider overly violent or in poor taste.<br />

The picture will evoke screams from the audience,<br />

and many will shut their eyes; it's a<br />

weird story.<br />

Oliver Reed is a kind of psychological<br />

medical quack who operates the Somafree In<br />

stitute. His methods are bizarre and he keeps<br />

everything a dark secret. Part of his approach<br />

is a variation of the primal therapy technique,<br />

and some strange results occur. Some patients<br />

come out with sores on their bodies or bulging<br />

tumors. One man has a grotesque lymphosar<br />

coma of the neck.<br />

Samantha Eggar, who entered the institute<br />

for psychological therapy, is kept in isolated<br />

custody. It turns out thai she is breeding some<br />

grotesque dwarf children who are deformed<br />

and commit murder. The children kill both of<br />

Eggar's parents and later kidnap her daughter.<br />

Her husband. Art Hindle, finally saves the<br />

day, but he must do it with the assistance of<br />

perpetrator Reed.<br />

The cast is quite good. Cronenberg was for<br />

tunate to be able to assemble such a profes<br />

sional cast. Eggar, who received an Oscar<br />

nomination for the "Collector" in 1965, is par<br />

ticularly effective.<br />

that one of Ins sons goes barefooted, so late at<br />

night he goes out and chops down a poplar<br />

tree to make clogs for him. When the landlord<br />

learns about this, the man and his family are<br />

evicted.<br />

In another sequence, a young couple are<br />

married. For their honeymoon, they travel to<br />

Milan to visit an aunt, a Mother Superior at a<br />

A New Yorker films release, mi MPAA rating.<br />

Italian Historical Drama w iih English subtitles, 1 85<br />

mill., rum in release*<br />

CAST<br />

Baiivi<br />

Luigi Ornaghi<br />

Baiisiina<br />

Francesca Moriggi<br />

Miiiek<br />

Omar Brignoh<br />

Tuni<br />

Antonio Ferrari<br />

CREDITS<br />

Production Company G.P.C. Gruppo<br />

Produzione Cinema (Milan)<br />

Franny (Trini Alvarado) are amused by a pet bird in his<br />

divorced father's apartment in "Rich Kids."<br />

RICH KIDS<br />

Likewise, the script calls for Maxwell to yell<br />

obscenities at even the mention of her first<br />

BOXOFFICE RATING: EXCELLENT Unpretentious pictures that turn out exactly<br />

the way they are supposed to are a rarity. Such<br />

directed effort. There's no need to beat the<br />

is the case with the George and Michael<br />

convent. She welcomes them with joy and<br />

point to death.<br />

Hausman production of "Rich Kids." There is<br />

fixes them a bedroom in the infirmary, tying<br />

The plot of "Rich Kids" is a relatively simple<br />

a warm and genuine feeling here of being able<br />

together two single beds to make a double bed.<br />

one. Jamie's parents are already divorced<br />

to examine people very closely, as through a<br />

The next morning she gives them a year-old<br />

and his new friend Franny is well aware that<br />

peephole. The relationships examined are<br />

orphan to adopt and take home.<br />

things are not peachy-keen at her house. She<br />

presented in depth and with the proper mix<br />

This is a personal film for Olmi. He was<br />

knows that her father sleeps somewhere else at<br />

lure of truth and tale. The audience knows<br />

born in Bergamo and his parents were<br />

night, but finds it easier to go along with the<br />

that it's only a story, but the situations and the<br />

peasants who later came to live in Milan. Olmi<br />

acting are at limes so real that it's hard to<br />

started working in films in 1953. His most<br />

believe someone made all of this up.<br />

famous were "II Posto" ("The Sound of<br />

The<br />

Trumpets"! 96 title, though adequate, does not do A United Artists release of a Lion's Gate film, rated<br />

1 1 1 1 and "The Fiances" (1963).<br />

justice to the story line involved. What PC Corned<br />

really<br />

-Drama, 97 min., now in release.<br />

He also made "A Man Named John" in 1964.<br />

Release #79186.<br />

matters in "Rich Kids" is how the kids interact<br />

The running time of 3 hours. 5 minutes and<br />

with their parents and how they cope with the<br />

Olmi's leisurely direction may distract some<br />

CAST<br />

shocking situation, namely divorce, that is<br />

viewers. It will certainly take a patient and<br />

Franny Philips<br />

Trim Alvarado<br />

thrust on them. The film somewhat resembles<br />

intelligent viewer to fully appreciate the beauty<br />

Jamie Harris<br />

Jeremy Levy<br />

George Roy Hill's "A Little Romance" in that<br />

and the texture of this film. Olmi uses the<br />

Madeline Philips<br />

Kathryn Walker<br />

it focuses on unusually bright children and<br />

music of Bach lor a background score, and this<br />

Paul Philips<br />

John Lithgow<br />

their view of the world. Yet "Romance" looks<br />

fits in perfectly.<br />

Ralph Harris<br />

Terry Kiser<br />

almost sickeningly sweet in comparison. "A<br />

This film won the Grand Prize (Golden<br />

SleveSloan<br />

David Selby<br />

Little Romance" was a great picture, but the<br />

Palml at the 1978 Cannes Film Festival. CREDITS<br />

It<br />

kids were almost too good lo be true.<br />

should win the Academy Award for Best<br />

Executive Producer<br />

Robert Altman<br />

As intended, the stars of "Rich Kids" are<br />

Foreign Film, as it is one of the finest foreign<br />

Producers<br />

George Hausman.<br />

the kids: Trim Alvarado as Franny and<br />

films to arrive in this country in recent years.<br />

Michael Hausman<br />

Jeremy Levy as Jamie. Alvarado really shines,<br />

It's a film lo study and see again, and as such,<br />

Director<br />

Robert M. Young<br />

especially when she is dealing with her<br />

it will become popular in university film series<br />

Screenplay<br />

Judith Rose<br />

sophisticated and sometimes silly parents. In<br />

and courses. James K. Loutzenhiwr.<br />

BOXOFFICE RATING: EXCELLENT<br />

these situations, Frannie's parents, played by<br />

Kathryn Walker and John Lithgow. also are<br />

at their best, demonstrating all of the normal<br />

fears, frustrations and anxieties that two married,<br />

charade because Daddy is there every morning<br />

Cronenberg made another film in Canada a<br />

soon to be-divorced people could expect<br />

few years ago called "They Came From to have.<br />

Within," which was a bizarre story about body Walker, as Frannie's perplexed but very accept the ups and downs of divorce, but not<br />

snatching.<br />

together mother, comes as close lo portraying completely. The children's continual alternation<br />

Perhaps Cronenberg is making a statement reality as one could expect lo see in a picture.<br />

between romantic games and harsh reality<br />

on test tube babies. This phenomenon has Similarly. Lithgow properly alternates keeps them both going and growing. In the<br />

between being uptight and warm in confronting<br />

end, the two remain worldly wise, but manage<br />

his less than adequate marriage and in lo retain their innocence.<br />

A New World release, rated R. Horror Drama, 91<br />

min.. now<br />

demonstrating his tremendous love for his In addition to the mam actors,<br />

in release. Aspect<br />

"Rich Kids"<br />

ratio, 1.85. Release<br />

#191.<br />

daughter.<br />

features some fine performances by David<br />

CAST<br />

The notion thai two people as intelligent as Selby, as Frannie's mother's new beau; Irene<br />

Frannie's parents would think that iheir Worth, as the up-to-date grandmother; and<br />

Dr. Raglan<br />

Oliver Reed daughter could be tricked into believing that Paul Dooley, as Jamie's mother's second hus<br />

Nolo Can'eth<br />

Samantha Eggar everything is okay may be hard to accept, bill band. Again, with the exception of Jamie's<br />

Frank Carveth<br />

Art Hindle<br />

parents, none of the characters become<br />

ii seems real. Frannie's reaction to the news ol<br />

Juliana<br />

Nuala Fitzgerald divorce, in which she invites her parents to a caricatures. Each is real, believable and richly<br />

Candice Carveth<br />

Cindy Hinds least-favorite dining spol ol hear the alarming defined as a vnal participant in ihe goings-on.<br />

Barton Kelly<br />

Henry Beckman news, is the charmer of the picture. Why can't The audiences for "Rich Kids" will probably<br />

even kid be sii smart<br />

be similar to those of "A Little Romance."<br />

CREDITS<br />

Jeremy levy .<br />

as Frannie's friend Jamie, and Patrons in search of a good, clean and<br />

his divorced parents. Terry Kiser and Roberta intelligent "little picture" will get their<br />

Executive Producers<br />

Pierre David.<br />

Maxwell, are passably realisiic as a group, but money's worth in "Rich Kids." It is hoped that<br />

Victor Solnicki<br />

seem only mediocre when compared with the audiences for "Kids" will be broader than this.<br />

Producer<br />

Claude Heroux<br />

performances of the other family.<br />

however, because "Rich Kids" is so much<br />

Director, Screenplay David Cronenberg<br />

levy is a fine actor, but overshadowed in more than good and clean. It's a thoroughly<br />

BOXOFFICE RATING: FAIR<br />

this case by Alvarado Kisei ami Maxwell are engrossing film that not only shines with what<br />

another subject entirely. Kiser. as Jamie's oil it is trying to say. but is full of impressive<br />

aroused a great deal of controversy and heal, belated hippie playboy father, performs acting and crisp production techniques as well.<br />

apprehension in many circles.<br />

with so little zest that the role becomes "Rich Kids" is also a bright light for Robert<br />

This film is not for the squeamish. It will nothing more than a hippie caricature. And Altman. who after some questionable efforts<br />

require<br />

audiences.—<br />

exploitation to attract Kiser's apartment looks like a bad dream out<br />

Director-Screenplay'-Cinematographer<br />

Editor<br />

Ermanno Olmi<br />

Music , . . . Johann Sebastian Bach<br />

of Penthouse, exaggerated to the hilt.<br />

husband's name. These two stereotypes really<br />

stick out in an otherwise superbly acted and<br />

to greet her.<br />

Together with Jamie, Frannie learns to<br />

lately, can take pride in serving as executive<br />

producer of this pleasant film.—S/u Goldstein.

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