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Kliptown Business Plan - Johannesburg Development Agency

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7 Summary of Space <strong>Plan</strong><br />

In order to accommodate the salient features of <strong>Kliptown</strong>- namely as a living town with a<br />

layered history that includes but extends beyond the signing of the Freedom Charter, <strong>Kliptown</strong><br />

will develop into a precinct that extends beyond the Square. This precinct will be united by 5<br />

‘notional’ nodes, which act as centres of community congregation, orientation centres for<br />

visitors (with toilets, parking, interpretation/story points and orientation markers for heritage<br />

sites and sites of significance), and programming spaces. Each node is marked by<br />

landmarks that reflect the metaphor of fire 5 (e.g. lighting). These landmarks allow for<br />

amenities to spill out of exhibition spaces (for example, as outdoor benches with community<br />

billboards) and also serve to invite community and visitors into the programming spaces.<br />

The nodes will be connected by green ‘thorough fares’ which use the existing streets,<br />

pavements as a ‘route’, but seek to ‘beautify’ them, through street furniture (street lamps, litter<br />

bins, signage, benches etc.) and exhibitions (e.g. signs and billboards).<br />

Nodes represent centres amongst a clustering of sites of significance ( including heritage<br />

sites). **NB The nodes do not preclude the inclusion of heritage sites within a visitor route,<br />

but are rather used as a way of facilitating visitor navigation of <strong>Kliptown</strong>.<br />

Nodes are:<br />

o Commemoration/celebration node: This is the key visitor node, and<br />

encompasses the entire new development of the Square and its immediate<br />

surroundings.<br />

o Community Node: This includes the existing visitor centre and surrounding<br />

clusters of interest.<br />

o Arts and culture Node: This includes Gerard Sekoto’s house and the San<br />

Souci cluster<br />

o Environmental Node: Includes the Children’s farm and the Environmental<br />

Centre<br />

o Woman’s Node: this includes Charlotte Maxeke’s house, and SKY (and Eva<br />

Mokoka’s house)<br />

For more on the Spatial Strategy, see Appendix C<br />

5<br />

See Marketing strategy<br />

KLIPTOWN OPEN AIR MUSEUM BUSINESS PLAN 17

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