Innovative Film Austria 10/11
Innovative Film Austria 10/11
Innovative Film Austria 10/11
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Schwere Augen<br />
Siegfried A. Fruhauf<br />
Schwere Augen (Heavy Eyes) will play very<br />
directly upon sight as a sense involving distance,<br />
choosing the gaze as its central<br />
motif. The eye is like a keyhole with a view<br />
to the subject’s interior, to the complex and<br />
abysmal activities of the psyche. Schwere<br />
Augen does not intend to deliver an analytic<br />
exposé, but rather attempts an aesthetic<br />
approach to the distant scopic sense. A<br />
declaration of love to the pleasure of looking<br />
– a small, romantic movie.<br />
Siegfried A. Fruhauf *1976 Heiligenberg <strong>Austria</strong><br />
<strong>Film</strong>s (selection) Palmes d’Or (2009 a-g)<br />
Night Sweat (2008 a-g) Structural <strong>Film</strong>waste.<br />
Dissolution 1 (2003 a-g)<br />
<strong>Austria</strong><br />
No dialogue<br />
35 mm 1:1.85<br />
Dolby SR <strong>10</strong> min<br />
Realisation<br />
Siegfried A. Fruhauf<br />
Completion<br />
Spring 20<strong>11</strong><br />
Contact<br />
Siegfried A. Fruhauf<br />
Sunny Afternoon<br />
Thomas Renoldner<br />
Sunny Afternoon combines elements of animated<br />
and avant-garde film, music videos,<br />
live-action movies and 3-D computer animation.<br />
Sunny Afternoon plays with genre<br />
clichés and irony. Sunny Afternoon is autobiographical<br />
and universally valid. Sunny<br />
Afternoon is a swinging song from 1988.<br />
Sunny Afternoon broaches the issue of<br />
aging as a most concrete image of time.<br />
Sunny Afternoon is serious and fun.<br />
Thomas Renoldner *1960 Linz <strong>Austria</strong><br />
<strong>Film</strong>s (selection) Mozart Party 06 (2006 a-g)<br />
Sophia’s Year (1998 a-g) Rhythm 94 (1994 a-g)<br />
<strong>Austria</strong><br />
English<br />
HD 16:9<br />
Dolby Digital approx. 4 min<br />
Concept/Animation/Editor<br />
Thomas Renoldner<br />
Sound<br />
Andi Haller<br />
Producer<br />
Thomas Renoldner<br />
Completion<br />
20<strong>11</strong><br />
Contact<br />
Thomas Renoldner<br />
170>171 Avant-garde Short Coming Soon