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Theo Bleckmann<br />
Hello Earth! The<br />
Music Of<br />
Kate Bush<br />
Winter & Winter 9101832<br />
HHH1/2<br />
Kate Bush<br />
50 Words For Snow<br />
Anti- 87186<br />
HHH<br />
On Hello Earth! The Music Of Kate Bush,<br />
vocalist Theo Bleckmann reinterprets the<br />
British singer’s work through his own lens. It’s<br />
a gutsy move. Bush’s idiosyncratic musicality<br />
makes her difficult to cover, and tougher to reimagine.<br />
What’s surprising about Hello Earth!<br />
is how seamlessly Bleckmann pulls it off.<br />
Along with tackling obvious choices from<br />
her catalog, some beautifully (“Running Up<br />
That Hill” and “Army Dreamers”), he dabbles<br />
with more ambitious material from Bush’s<br />
song cycles. “And Dream Of Sheep,” “Under<br />
Ice” and the title track—all taken from the<br />
suite on the second half of Hounds Of Love—<br />
act as Hello Earth!’s emotional centerpiece.<br />
On many of these songs, Bush had originally<br />
deployed an arsenal of vintage synth sounds<br />
and effects, some of which could sound dated<br />
to modern ears. Bleckmann, instead, relies<br />
on the muscle of a spartan quartet—featuring<br />
drummer John Hollenbeck—that leapfrogs<br />
styles from straightforward vocal jazz to ambience<br />
to thrash metal (“Violin”).<br />
Like Bush, Bleckmann has a flair for oddball<br />
harmonies and vocalese. His voice is<br />
also supple enough to charge the most oftencovered<br />
Bush numbers, particularly “This<br />
Woman’s Work,” with deep empathy. It makes<br />
for a generous collection, limited only by the<br />
near-impossibility of its vision.<br />
50 Words For Snow would’ve given<br />
Bleckmann more material. Bush’s latest<br />
release, and the closest thing she’ll ever have<br />
to a holiday album, is a low-key fantasia centered<br />
around her jazz-tinged piano and wintery<br />
themes. In her hands, this means inhabiting<br />
such characters as a snowflake falling to<br />
earth, an explorer trying to save the Yeti from<br />
certain doom and a woman who<br />
turns building a snowman into an<br />
erotic act.<br />
Songs don’t rise and fall in the<br />
conventional sense as much as<br />
they muse on their given ideas. For<br />
support, she’s brought in a more<br />
workmanlike musical team than<br />
Bleckmann’s, one that includes<br />
drumming god Steve Gadd and, on<br />
one track, bassist Danny Thompson.<br />
The album has its bold moments,<br />
especially “Snowed In At Wheeler Street,” a<br />
fine duet with Elton John where he and Bush<br />
play war-torn lovers. But 50 Words For Snow<br />
is a largely hushed affair. It’s the album’s greatest<br />
weakness as well as the reason for its quiet<br />
grandeur. <br />
—Zach Phillips<br />
Hello Earth! The Music Of Kate Bush: Running Up That Hill;<br />
Suspended In Gaffa; And Dream Of Sheep; Under Ice; Violin; Hello<br />
Earth; Cloudbusting; All The Love; Saxophone Song; Army Dreamers;<br />
The Man With The Child In His Eyes; Watching You Without<br />
Me; Love And Anger; This Woman’s Work. (60:28)<br />
Personnel: Theo Bleckmann, vocals, electronics; Henry Hey,<br />
piano, harpsichord, Fender Rhodes; Caleb Burhans, violin, guitar;<br />
Skuli Sverrisson, bass; John Hollenbeck, drums, percussion,<br />
crotales.<br />
Ordering info: winterandwinter.com<br />
50 Words For Snow: Snowflake; Lake Tahoe; Misty; Wild Man;<br />
Snowed In At Wheeler Street; 50 Words For Snow; Among Angels.<br />
(65:09)<br />
Personnel: Kate Bush, vocals, piano, keyboard, bass; Steve<br />
Gadd, drums; Del Palmer, bass, bells (1, 4); Dan McIntosh, guitar;<br />
Danny Thompson, bass (3); Albert McIntosh, vocals (1); Elton John,<br />
vocals (5); Andy Fairweather Low, vocals (4); Stefan Roberts, vocals<br />
(2); Michael Wood, vocals (2); John Giblin, bass (4, 5, 6); Stephen<br />
Fry, vocals (6).<br />
Ordering info: anti.com<br />
MARCH 2012 DOWNBEAT 61