18.01.2015 Views

pele SciaSction - new media

pele SciaSction - new media

pele SciaSction - new media

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

KOREA<br />

Soft & Sensitive<br />

in Style &<br />

Substance<br />

The traditional culture of Korea is rich and varied. Apart from<br />

the instruments used, traditional Korean music is characterized<br />

by improvisation and the lack of breaks between movements.<br />

A pansori performance can last for over eight hours during<br />

which a single singer performs continuously.<br />

Rather than contrasting different speeds as it is common in<br />

Western music, most traditional Korean music begins with the<br />

slowest movement and then accelerates as the performance<br />

continues.<br />

Korean court music, called jeongak, is closely related to the<br />

literate upper-class, and has a strong intellectual emphasis.<br />

Jeongak is played at a very slow pace, with single beats taking<br />

as long as three seconds. The beat matches the speed of<br />

breathing rather than the heartbeat as in most Western music,<br />

and feels static and meditative.<br />

Pungmul is Korea's folk music and is full of expressions and<br />

emotions. This kind of traditional music is closely related to the<br />

lives of common people. As with the Jeongak, improvisation is<br />

common in Minsogak.<br />

Dance<br />

As with music, there is a distinction between court dances and<br />

folk dances. Common court dances are jeongjaemu<br />

performed at banquets, and ilmu, performed at Confucian<br />

rituals.<br />

Religious dances include all the performances at shamanistic<br />

rites (gut). Secular dances include both group dances and<br />

individual performances. Traditional choreography of court<br />

dances is reflected in many contemporary productions.<br />

Painting<br />

The earliest paintings found on the Korean peninsula are<br />

petroglyphs of prehistoric times. With the arrival of Buddhism<br />

from China, different techniques were introduced. These<br />

techniques quickly established themselves as the mainstream<br />

techniques, but indigenous techniques still survived.<br />

There is a tendency towards naturalism with subjects such as<br />

realistic landscapes, flowers and birds being particularly<br />

popular. Ink is the most common material used, and it is<br />

painted on mulberry paper or silk.<br />

In the 18th century indigenous techniques were<br />

advanced, particularly in calligraphy and seal<br />

engraving.<br />

Crafts<br />

There is a unique set of handicrafts produced in<br />

Korea. Most of the handicrafts are created for a<br />

particular everyday use, often giving priority to the<br />

practical use rather than aesthetics. Traditionally,<br />

metal, wood, fabric, laquerware and earthenware<br />

were the main materials used, but later glass,<br />

leather or paper have sporadically been used.<br />

Ancient handicrafts, such as red and black pottery,<br />

share similarities with pottery of Chinese cultures<br />

along the Yellow River. The relics found of the Bronze<br />

Age, however, are distinctive and more elaborate.<br />

During the Joseon period popular handicrafts were<br />

made of porcelain and decorated with blue<br />

painting. Woodcraft was also advanced during that<br />

period. This led to more sophisticated pieces of<br />

furniture, including wardrobes, chests, tables or<br />

drawers.<br />

Ceramics<br />

The use of earthenware on the Korean peninsula<br />

goes back to the Neolithic Age. The history of<br />

Korean Ceramics is long and includes both Korean<br />

OPEN TRADE 39<br />

Oct-Dec 2007

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!