Joint Steering Committee for Revision of AACR
Joint Steering Committee for Revision of AACR
Joint Steering Committee for Revision of AACR
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5JSC/Chair/11<br />
18 September 2006<br />
Table 1 - 47<br />
Term<br />
Definition (draft <strong>AACR</strong>3 where given, or<br />
<strong>AACR</strong>2)<br />
Comments<br />
ALA would like to see the definition <strong>of</strong><br />
this term expanded to include all<br />
nonvocal “piano reductions.” The<br />
definition in Grove Music Online opens<br />
the door: “A ‘piano score’ is an<br />
arrangement <strong>for</strong> solo piano <strong>of</strong> any<br />
ensemble composition; this term is<br />
sometimes used as a synonym <strong>for</strong><br />
‘vocal score.’”<br />
In<br />
<strong>AACR</strong>2<br />
In draft<br />
<strong>AACR</strong>3<br />
Required in<br />
Glossary<br />
The (New) Harvard Dictionary, which<br />
seems to be the source <strong>of</strong> the current<br />
definition, in fact has no entry <strong>for</strong> the<br />
term “vocal score,” so it is difficult to<br />
continue to rely on it <strong>for</strong> the definition<br />
here when it can’t be used <strong>for</strong> the<br />
definition <strong>of</strong> vocal score.<br />
Terminorum Musicae Index gives<br />
these English equivalents <strong>for</strong><br />
Klavierauszug: piano reduction, piano<br />
arrangement, piano score, vocal score<br />
Looking down the road a bit, ALA<br />
would also like to explore using “piano<br />
score” in uni<strong>for</strong>m titles. It has always<br />
made little sense to music catalogers<br />
to use “vocal score” <strong>for</strong> opera but<br />
“arr.” <strong>for</strong> concertos when there is<br />
absolutely no functional difference.<br />
This dichotomy may not stand up to<br />
FRBR scrutiny.<br />
LC: Revise definition to:<br />
A reduction <strong>of</strong> the music <strong>for</strong> an