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Joint Steering Committee for Revision of AACR

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5JSC/Chair/11<br />

18 September 2006<br />

Table 1 - 47<br />

Term<br />

Definition (draft <strong>AACR</strong>3 where given, or<br />

<strong>AACR</strong>2)<br />

Comments<br />

ALA would like to see the definition <strong>of</strong><br />

this term expanded to include all<br />

nonvocal “piano reductions.” The<br />

definition in Grove Music Online opens<br />

the door: “A ‘piano score’ is an<br />

arrangement <strong>for</strong> solo piano <strong>of</strong> any<br />

ensemble composition; this term is<br />

sometimes used as a synonym <strong>for</strong><br />

‘vocal score.’”<br />

In<br />

<strong>AACR</strong>2<br />

In draft<br />

<strong>AACR</strong>3<br />

Required in<br />

Glossary<br />

The (New) Harvard Dictionary, which<br />

seems to be the source <strong>of</strong> the current<br />

definition, in fact has no entry <strong>for</strong> the<br />

term “vocal score,” so it is difficult to<br />

continue to rely on it <strong>for</strong> the definition<br />

here when it can’t be used <strong>for</strong> the<br />

definition <strong>of</strong> vocal score.<br />

Terminorum Musicae Index gives<br />

these English equivalents <strong>for</strong><br />

Klavierauszug: piano reduction, piano<br />

arrangement, piano score, vocal score<br />

Looking down the road a bit, ALA<br />

would also like to explore using “piano<br />

score” in uni<strong>for</strong>m titles. It has always<br />

made little sense to music catalogers<br />

to use “vocal score” <strong>for</strong> opera but<br />

“arr.” <strong>for</strong> concertos when there is<br />

absolutely no functional difference.<br />

This dichotomy may not stand up to<br />

FRBR scrutiny.<br />

LC: Revise definition to:<br />

A reduction <strong>of</strong> the music <strong>for</strong> an

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