Studio PMC - Rio Grande
Studio PMC - Rio Grande
Studio PMC - Rio Grande
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Tips from our<br />
Contributors{<strong>Studio</strong> <strong>PMC</strong>'s success over the past decade can be traced directly<br />
to our contributors. Their willingness to share the results of their<br />
experiments has inspired and encouraged us, and helped metal clay<br />
artists worldwide push the boundaries of what can be done with <strong>PMC</strong>.<br />
So for our final issue, it seemed only appropriate to invite our past<br />
contributors to share a bit of advice or a new technique. We hope you<br />
enjoy these tips and tricks from past <strong>Studio</strong> <strong>PMC</strong> contributors.<br />
Put a Plug in It<br />
By Elaine Luther<br />
You know how there is always excess<br />
clay left in the extruder that doesn't<br />
come out I made a little polymer clay<br />
"plug" for my Kemper Klay Gun, so that I<br />
don't have to put as much <strong>PMC</strong> into it, and<br />
it reduces the wasted clay to a minimum.<br />
To use the plug, just put the clay into the<br />
extruder, then hold the plug against the<br />
end of the plunger as you put the plunger<br />
into the barrel.<br />
A polymer clay plug for a clay extruder<br />
reduces <strong>PMC</strong> waste.<br />
Folding is Not Just for Squares<br />
By Sara Jayne Cole<br />
My love for origami has moved from<br />
folding traditional origami models to<br />
creating original folded components for my<br />
<strong>PMC</strong> creations. But folding remains one of<br />
my favorite ways of working with <strong>PMC</strong>.<br />
You can find inspiration for folding<br />
<strong>PMC</strong> Sheet in many places. The original<br />
<strong>PMC</strong> Sheet size of 6 cm by 6 cm lent itself<br />
to many traditional origami models. Then<br />
the 3 cm x 12 cm sheet appeared in the catalog,<br />
and I found that folds in Origami with<br />
Dollar Bills by Duy Nguyen could be adapted<br />
to this strip. My favorite shapes are the<br />
horseshoe crab, squid, and the eagle. The<br />
piece shown here is made using the beginning<br />
folds of the horseshoe crab. (The<br />
stone is Oregon sunstone, which is safe to<br />
fire in the kiln.)<br />
Whatever the source of your inspiration,<br />
the first step is to work with paper<br />
16 · <strong>Studio</strong> <strong>PMC</strong><br />
Sara used a "horseshoe crab" origami fold<br />
as the starting point for this pendant.<br />
before folding the <strong>PMC</strong> Sheet. Once you<br />
move to the <strong>PMC</strong> Sheet, don’t be afraid to<br />
make the creases by pressing them in the<br />
sheet. If the sheet cracks or tears, it is old<br />
and some of the oils that keep it flexible<br />
have been absorbed into the paper in the<br />
package. In a pinch, I have used glycerin to<br />
rehabilitate the <strong>PMC</strong> Sheet, but I find this<br />
makes it almost too limp to fold. A better<br />
bet is to repair the crack after it is fired<br />
using <strong>PMC</strong>3 slip or save the sheet for<br />
another project. To avoid problems, use<br />
the <strong>PMC</strong> Sheet within a few months of<br />
purchase and store in a cool, dark place.<br />
The <strong>PMC</strong> Sheet is fired when the folds<br />
are complete. I prefer to fire the folded<br />
piece for 30 minutes at 1470˚F (800˚C),<br />
and then add a stone or wire bail using<br />
<strong>PMC</strong>3 clay and <strong>PMC</strong>3 slip and fire again.<br />
The folded <strong>PMC</strong> Sheet needs little support;<br />
most of my pieces rest flat on the kiln<br />
shelf. When I want support I use a fiber<br />
kiln blanket that I have cut into strips.