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Studio PMC - Rio Grande

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Embedding Argentium Silver<br />

By Barbara Becker Simon<br />

In the Spring 2006 issue of <strong>Studio</strong> <strong>PMC</strong>, I<br />

wrote an article about firing sterling findings<br />

in <strong>PMC</strong>. Since then, I have begun<br />

implanting Argentium Sterling Silver, a<br />

tarnish- and firescale-resistant sterling silver,<br />

with good results. The main advantage<br />

of Argentium is that it doesn't oxidize to<br />

black during the firing. It just turns a bit<br />

dull and it is an easy matter to bring it to<br />

the desired finish. I recommend firing it<br />

with <strong>PMC</strong>3 at 1110˚F (600˚C) for 45 to 60<br />

minutes to prevent brittleness caused by<br />

overheating.<br />

Argentium also offers the possibility of<br />

heat-hardening. After firing, heat the<br />

piece to 580˚F (300˚C) for 45 to 60 minutes,<br />

then allow to air cool. This step dramatically<br />

increases the sterling's hardness,<br />

making Argentium a good choice for findings<br />

and other components that need to be<br />

shaped prior to embedding in <strong>PMC</strong>.<br />

Two Tricks<br />

By Catherine Davies Paetz<br />

1<br />

Everyone has a little trouble<br />

transferring their carefully cut<br />

circles to a light bulb or other<br />

domed surface to create lentils or<br />

similar items. One day, I just put the clay<br />

on the bulb first, then used the cutter<br />

directly on the clay-covered light bulb<br />

and cut my clean little circle, complete<br />

with edges already pressed into place.<br />

Talk about a light-bulb moment! No<br />

more asymmetrical lentil halves! A perfect<br />

circle every time.<br />

Hadar's homemade <strong>PMC</strong> Sheet.<br />

Pendant made with homemade<br />

<strong>PMC</strong> Sheet.<br />

2<br />

I've been experimenting with<br />

another water etching resist -<br />

Delta Ceramcoat® Interior /<br />

Exterior gloss varnish. It's a<br />

water based polyurethane available in<br />

craft stores. It dries more quickly than<br />

wax and does not have the strong odor<br />

of nail polish. Unlike wax, you can dry<br />

this on a hot plate, although it air dries<br />

fairly quickly as well.<br />

The only trouble I've discovered is<br />

that drying the design side face down<br />

after applying the polyurethane can<br />

make the clay a little more difficult to<br />

wash away. I'm not sure why, but it only<br />

seems to happen when the piece is heated<br />

design-side down.<br />

Make Your Own <strong>PMC</strong> Sheet<br />

By Hadar Jacobson<br />

If you don’t want your <strong>PMC</strong> Sheet to be<br />

limited in size or texture, you can easily<br />

make your own by mixing glycerin into<br />

either Original <strong>PMC</strong> or <strong>PMC</strong>+. The<br />

process is quite simple: roll a full package<br />

to a thin layer, and smear glycerin onto it<br />

with your finger to cover the entire surface.<br />

Roll the <strong>PMC</strong> into a scroll and roll it<br />

down with a rolling pin under a plastic<br />

bag. The clay will be sticky at first and you<br />

will need to scrape it off the work surface.<br />

Use an extra scraper to scrape clay off the<br />

scrapers. Keep rolling until the clay regains<br />

its original consistency and does not stick<br />

anymore.<br />

To make the sheet, roll the clay two<br />

cards thick, with no texture, over a texture,<br />

or between two textures (to texture both<br />

sides), and let it air dry. Keep whatever you<br />

don’t use immediately in a sealed bag. It<br />

will remain flexible for a long time.<br />

Fall 2007 · 17

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