A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret

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INDEX . CRITERIA............................................................................……….. p.3 . VARIATIONS......................................................................………... p.5 . BOOKS……………………………………………………………… p.11 . <strong>BIBLIOGRAPHY</strong>…………………………………………………… p.14 . APPENDIX 1: UNPUBLISHED TEXTS & TRANSCRIPTIONS…. p.58 . APPENDIX 2: TEXTS <strong>OF</strong> PERFORMANCES....................……….. p.61 . APPENDIX 3: INTERVIEWS...............................................……….. p.63 3
Page 1: NORDISK TEATERLABORATORIUM - ODIN T
Page 6 and 7: 5. The biblography includes Eugenio
Page 8 and 9: - Con nombre propio……………
Page 10 and 11: - Interview d’Eugenio Barba à Vo
Page 12 and 13: - Organicidad, presencia, bios esc
Page 14 and 15: - To Like Rabbits and Dream Lions..
Page 17 and 18: BOOKS (I). Alla ricerca del teatro
Page 19 and 20: (I). Il corpo dilatato, (Contains:
Page 21 and 22: (D). Den blinde hest (In collaborat
Page 23 and 24: BIBLIOGRAPHY 1962 62-1(F). Expérie
Page 25 and 26: - New York, Routledge, 2002. - in T
Page 27 and 28: - Havana, Ediciones Alarcos, 2003 (
Page 29 and 30: - (Excerpt) in Ornitofilene, Kaspar
Page 31 and 32: *67-1(PR). Carta ao ator D., in Al
Page 33 and 34: *68-6(K). Waiting for revolution, i
Page 35 and 36: *72-1(I). - Without title, in L’
Page 37 and 38: *72-2(G). Wörte oder Präsenz, -
Page 39 and 40: - in Más allá de las islas flotan
Page 41 and 42: 73-4(I). I rapporti con la città,
Page 43 and 44: - Buenos Aires, Catálogos, 1997, p
Page 45 and 46: - in Theatre. Solitude, Craft, Revo
Page 47 and 48: 77-5(I). Senza illusioni, - “Rina
Page 49 and 50: *78-3(GR). ΤΑ ΠΛΩΤΑ ΝΗΣΙ
Page 51 and 52: - Second version: London & New York
Page 53 and 54:
- Teateranthropologie: über Orient
Page 55 and 56:
81-1(I). Paradosso pedagogico (This
Page 57 and 58:
*81-5(J). Theatre Anthropology, in
Page 59 and 60:
- Havana, Ediciones Alarcos, 2007,
Page 61 and 62:
- “Maldoror” no.22, Montevideo
Page 63 and 64:
*84-3(I). Da “apprendere” a “
Page 65 and 66:
85-1(E). The Female Role (Text intr
Page 67 and 68:
*85-3(P). Srebrny koń. Tydzień pr
Page 69 and 70:
*86-3(PR). (Excerpt) O período da
Page 71 and 72:
- in El arte secreto del actor, by
Page 73 and 74:
88-1(E). About the Invisible and Vi
Page 75 and 76:
- in Negotiating Cultures. Eugenio
Page 77 and 78:
*89-6(T). Meyerhold: grostesk, yan
Page 79 and 80:
- Havana, Ediciones Alarcos, 2003,
Page 81 and 82:
Meyerhold: the Grotesc; that is, Bi
Page 83 and 84:
91-3(I). Il popolo del rituale (Ope
Page 85 and 86:
- in Il corpo scenico, ed. by Cleli
Page 87 and 88:
- in The Performer's Village, ed. b
Page 89 and 90:
- in The Performer's Village, ed. b
Page 91 and 92:
- (Excerpt), «The Soul of the Amer
Page 93 and 94:
2), The Theatre of the Polis and th
Page 95 and 96:
96-6(I). La cultura del naufragio (
Page 97 and 98:
Aktora by Eugenio BARBA and Nicola
Page 99 and 100:
*98-4(D). Poiein. Det stiltiende sa
Page 101 and 102:
99-1(S). La edad de oro del teatro
Page 103 and 104:
00-4(F). L’essence du théâtre,
Page 105 and 106:
“Organicity” of The Secret Art
Page 107 and 108:
of 2008), by Eugenio BARBA and Nico
Page 109 and 110:
- in A mis espectadores, Gijón, Or
Page 111 and 112:
05-3(I). Scale d’ombra, in La Str
Page 113 and 114:
- in the programme of the performan
Page 115 and 116:
08-6(G). Die Torheit Theatres (Open
Page 117 and 118:
APPENDIX 1: UNPUBLISHED TEXTS AND T
Page 119 and 120:
Ap.1/23(I). Una collina che resiste
Page 121 and 122:
APPENDIX 2: TEXTS FOR THE PERFORMAN
Page 123 and 124:
APPENDIX 3: INTERVIEWS This appendi
Page 125 and 126:
1974 Ap.3/6(I). Franco QUADRI, Perc
Page 127 and 128:
*Ap.3/12(GR). Ερωτήσεις π
Page 129 and 130:
Ap.3/29(E). James R. BRANDON, Igmar
Page 131 and 132:
*Ap.3/43(K). (Excerpt) Le paradoxe
Page 133 and 134:
Ap.3/65(I)- Per interposta persona,
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A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret

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