A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret
A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret
A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret
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*91-3(GR). όι άνθρωποι της τελετής,<br />
- in Θέατρο. Μοναζιά, δεζιοτεχνία, έζέγερση, Athens, Koan,<br />
2001, pp.180-191.<br />
- Ο κόσµος της τελετής, in Η µυστική τέχνη του ηθοποιού,<br />
Athens, Koan, 2008, pp.234-244.<br />
*91-3(P). Lud rytualu,<br />
- in Teatr. Samotnosc, rzemioslo, bunt, Warsaw, Instytut<br />
Kultury Polskiej, 2003, pp.183-192.<br />
- in Canoe z papieru, Wroclaw, Institut im. Jerzego<br />
Grotowskiego, 2007, pp.220-231.<br />
*91-3(K). People of Ritual, in The Paper Canoe, (Korean translation),<br />
Seoul 2001, pp.272-285.<br />
*91-3(U). Люди римуалу, Lviv, Літопис, 2001, pp.224-237.<br />
*91-3(RM).Poporul ritualului,<br />
- in O canoe de hârtie, Bucharest, Unitext, 2003, pp.213-222.<br />
- in Teatru. Singurǎtate, meşteşg, revoltǎ, Bucharest, Nemira,<br />
2010, pp.210-223.<br />
*91-3(SL). Ljudsvo rituala, in Papirnati kanu, Ljubljana, Mestno<br />
gledališče ljubljansko, 2005, pp.210-218.<br />
*91-3(K). People of Ritual, in Théâtre. Solitude, métier, révolte, Seoul,<br />
Pyungminsa Publishing, 2005, pp.141-149.<br />
*91-3(AR). People of Ritual, in Zawraq men waraq [The Paper Canoe],<br />
Cairo, Al hayya’ al masyra l amma lil kitab, 2006.<br />
*91-3(R). Люди ритуала, in Бумажное каноз, Saint Petersburg,<br />
Академия театральноґо искусства, 2008, pp.240-250.<br />
1992<br />
92-1(S). LA CANOA DE PAPEL [This book is composed of three differents types of texts: 1.<br />
New texts written specifically for the book, 2. Old texts which have become an integral part of<br />
the new book: Silver Horse (85-3), Only the Action is Alive, but Only the Word Remains (91-<br />
2), People of Ritual (91-3), 3. Excerpts and reelaborated texts from old articles: Dialogue with<br />
Brecht (80-3), Theatre Anthropology (81-5), The Dilated Body (84-4), The Actor’s Energy:<br />
Male-Female Versus Animus-Anima (86-3), Eurasian Theatre (87-3), Viaggio tra le culture<br />
(89-1) and Eftermæle: that Which Will Be Said Afterwards (90-2)],<br />
- Mexico City, Escenología, 1992.<br />
- Buenos Aires, Catálgos, 1995.<br />
- (Excerpt chapter IV) Apuntes para los perplejos (y para mí mismo) “Máscara” no.9-<br />
10, Mexico City 1992, pp.108-118.<br />
- (Excerpt chapter II) Antropología Teatral, “Primer Acto” no.263, Madrid 1996, pp.13-<br />
15.<br />
*92-1(I). LA CANOA DI CARTA, Bologna, Il Mulino, 1993.<br />
- (Excerpt chapter IV) Appunti per i perplessi (e per me<br />
stesso),<br />
- in Tecniche della rappresentazione e storiografia, ed.<br />
by Gerardo GUCCINI and Cristina VALENTI,<br />
Bologna, Biblioteca Universale Synergon, 1992,<br />
pp.33-45.<br />
84