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A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret

A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret

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*91-3(GR). όι άνθρωποι της τελετής,<br />

- in Θέατρο. Μοναζιά, δεζιοτεχνία, έζέγερση, Athens, Koan,<br />

2001, pp.180-191.<br />

- Ο κόσµος της τελετής, in Η µυστική τέχνη του ηθοποιού,<br />

Athens, Koan, 2008, pp.234-244.<br />

*91-3(P). Lud rytualu,<br />

- in Teatr. Samotnosc, rzemioslo, bunt, Warsaw, Instytut<br />

Kultury Polskiej, 2003, pp.183-192.<br />

- in Canoe z papieru, Wroclaw, Institut im. Jerzego<br />

Grotowskiego, 2007, pp.220-231.<br />

*91-3(K). People of Ritual, in The Paper Canoe, (Korean translation),<br />

Seoul 2001, pp.272-285.<br />

*91-3(U). Люди римуалу, Lviv, Літопис, 2001, pp.224-237.<br />

*91-3(RM).Poporul ritualului,<br />

- in O canoe de hârtie, Bucharest, Unitext, 2003, pp.213-222.<br />

- in Teatru. Singurǎtate, meşteşg, revoltǎ, Bucharest, Nemira,<br />

2010, pp.210-223.<br />

*91-3(SL). Ljudsvo rituala, in Papirnati kanu, Ljubljana, Mestno<br />

gledališče ljubljansko, 2005, pp.210-218.<br />

*91-3(K). People of Ritual, in Théâtre. Solitude, métier, révolte, Seoul,<br />

Pyungminsa Publishing, 2005, pp.141-149.<br />

*91-3(AR). People of Ritual, in Zawraq men waraq [The Paper Canoe],<br />

Cairo, Al hayya’ al masyra l amma lil kitab, 2006.<br />

*91-3(R). Люди ритуала, in Бумажное каноз, Saint Petersburg,<br />

Академия театральноґо искусства, 2008, pp.240-250.<br />

1992<br />

92-1(S). LA CANOA DE PAPEL [This book is composed of three differents types of texts: 1.<br />

New texts written specifically for the book, 2. Old texts which have become an integral part of<br />

the new book: Silver Horse (85-3), Only the Action is Alive, but Only the Word Remains (91-<br />

2), People of Ritual (91-3), 3. Excerpts and reelaborated texts from old articles: Dialogue with<br />

Brecht (80-3), Theatre Anthropology (81-5), The Dilated Body (84-4), The Actor’s Energy:<br />

Male-Female Versus Animus-Anima (86-3), Eurasian Theatre (87-3), Viaggio tra le culture<br />

(89-1) and Eftermæle: that Which Will Be Said Afterwards (90-2)],<br />

- Mexico City, Escenología, 1992.<br />

- Buenos Aires, Catálgos, 1995.<br />

- (Excerpt chapter IV) Apuntes para los perplejos (y para mí mismo) “Máscara” no.9-<br />

10, Mexico City 1992, pp.108-118.<br />

- (Excerpt chapter II) Antropología Teatral, “Primer Acto” no.263, Madrid 1996, pp.13-<br />

15.<br />

*92-1(I). LA CANOA DI CARTA, Bologna, Il Mulino, 1993.<br />

- (Excerpt chapter IV) Appunti per i perplessi (e per me<br />

stesso),<br />

- in Tecniche della rappresentazione e storiografia, ed.<br />

by Gerardo GUCCINI and Cristina VALENTI,<br />

Bologna, Biblioteca Universale Synergon, 1992,<br />

pp.33-45.<br />

84

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