A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret

*72-1(I).
- Without title, in L’étranger qui danse, ed. By Tony D’URSO
and Ferdiando TAVIANI, Rennes, Maison de la culture de
Rennes, 1977, p.19.
- Min fars hus, in L’archipel du Théâtre, Lectoure,
“Bouffonneries”, 1982, p.152.
Without title, in Lo straniero che danza, ed. by Tony D'URSO
and Ferdinando TAVIANI, Turin, Studio Forma, 1977, pp.21.
* 72-1(E). Min fars hus, in The Floating Islands, Holstebro, Drama, 1979,
p.192.
*72-1(GR). Τό Σπίτι του Πατέρα µου, in Τα πλωτα νηςια, Athens,
Andromeda, 1982, pp.256-257.
*72-1(CAT). Min fars hus, in Les illes flotants, Barcelona, Institut del
teatre i Edicions ’62, 1983, p.196.
*72-1(S). - Min fars hus, en Las islas flotantes, Mexico City,
Universidad Nacional Autónoma de México, 1983, p.166.
- Para ti Fiodor Dostoievski, in A mis espectadores, Gijón,
Oris Teatro, 2004, pp.35-36.
72-2(E). Words or Presence,
- “The Drama Review” no. 53, New York 1972, pp.47-54.
- in The Floating Islands, Holstebro, Drama, 1979, pp.73-79.
- in Beyond the Floating Islands, New York, Performing Arts Journal, 1986, pp.56-61.
- in Theatre. Solitude, Craft, Revolt, Aberystwyth, Black Mountain Press, 1999, pp.79-
84.
- in The Twentieth-Century Performance Reader, ed. by Michael HUXLEY and Noel
WITTS, London & New York, Routledge, 1996, pp.42-48.
- (Excerpt) The Myth of Technique, included in the article From “Learning” to
“Learning to Learn” (84-3), in the chapter “Training” of The Secret Art of the
Performer, by Eugenio BARBA and Nicola SAVARESE,
- First Edition: London, New Yord & Cardiff, Centre for Reserch and
Routledge, 1991, p.244
- Second Edition. London & New York, Routledge, 2005, p.276.
- “The Soul of the American Actor”, Vol 5, No.3, New York 2002.
*72-2(F). Paroles ou présence,
- in Expériences, Holstebro, Odin Teatrets Forlag, 1973,
pp.178-185.
- in L’étranger qui danse, ed. by Tony D’URSO and
Ferdinando TAVIANI, Maison de la Culture de Rennes,
1977, pp.14-17
- in L’archipel du théâtre, Lectoure, « Contrastes »
Bouffonneries, 1982, pp.23-33.
- in Théâtre. Solitude, métier, révolte, Saussan, L’Entretemps,
1999, pp.84-89.
- (Excerpt) Le mythe de la technique included in the article
De « Apprendre » à « apprendre à apprendre » (84-3), in
the chapter « Training « of,
- Anatomie de l’acteur, by Eugenio BARBA and Nicola
SAVARESE, Lectoure, Bouffonneries Contrastes,
1985, p.134.
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