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A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret

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*78-3(GR). ΤΑ ΠΛΩΤΑ ΝΗΣΙΑ, Athens, Andromeda, 1982.<br />

*78-3(F). L’ARCHIPEL DU THÉÂTRE, [Contains also: Voice, Sound<br />

and Music (79-1), The Way of Opposites (79-2), Theatre<br />

Anthropology: First Hypothesis (80-2), Dialogue with Brecht<br />

(80-3) and Introduction to the Theatre Anthropology (81-3)],<br />

Lectoure, Bouffonneries Contrastes 1982.<br />

78-3(CAT). LES ILLES FLOTANTS, (Contains Also: Theatre<br />

Anthropology (81-5)), Barcelona, Institut del Teatre and<br />

Edicions ‘62, 1983.<br />

78-3(S). LAS ISLAS FLOTANTES, México, Universidad Nacional<br />

Autónoma, 1983.<br />

78-3(I). ALDILÀ DELLE ISOLE GALLEGGIANTI [Second<br />

version of The Floating Islands. In relation to the last edition<br />

don’t contains Introduction to the Theatre Anthropology.<br />

Contains also: A Premise on Written Silence (83-1)], Milan,<br />

Ubulibri, 1985.<br />

78-3(G). JENSEITS DER SCHWIMMENDEN INSELN, (In relation to<br />

the last version contains also The <strong>Odin</strong> Story by Ferdinando<br />

TAVIANI), Hamburg, Rowohlts Enzyklopädie, 1985.<br />

78-3(E). BEYOND THE FLOATING ISLANDS, New York,<br />

Performing Arts Journal, 1986.<br />

78-3(S). MÁS ALLÁ DE LAS ISLAS FLOTANTES,<br />

- Mexico City, Gaceta editorial, 1986.<br />

- Buenos Aires, Firpo-Dobal, 1987.<br />

78-3(D).<br />

De flydende øer (In reation to the last version don’t contains<br />

Theatre Anthropology: First Hypothesis, Theatre<br />

Anthropology and The Way of Opposites. Contains also: The<br />

Way of Refusal (83-2), The Shadow of Antigone (85-2),<br />

Anthropological Theatre (87-2), Eurasian Theatre (87-3) and<br />

Four Spectators (88-2)). Copenhagen, Borgens Forlag, 1989.<br />

78-3(PR). Além das ilhas flutuantes, [In relation to the last version<br />

contains also: The Third Theatre: a Legacy from Us to<br />

Ourselves (90-7)], São Paulo-Campinas, Editora Hucitec-<br />

Unicamp 1991.<br />

1979<br />

79-1(I). Lo strumento addormentato nel bosco. Voce, suono, musica come tetralità<br />

(Statements by E. Barba collected by Franco QUADRI)<br />

- Lo strumento addormentato nel bosco. Musica come teatralità, in Il Patalogo due,<br />

Milan, Ubulibri, 1980.<br />

- in Aldilà delle isole galleggianti, Milan, Ubulibri, 1985, pp.87-92.<br />

*79-1(E). Voice, Sound, Music, in Beyond the Floating Islands, New<br />

York, Performing Arts Journal, 1986, pp.76-81.<br />

*79-1(F). Voix, sons, musique, in L’archipel du théâtre, Lectoure,<br />

« Contrastes » Bouffonneries, 1982, pp.41-45.<br />

49

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