A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret

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*76-2(CAT). Tercer Teatre, in Les illes flotants, Barcelona, Institut del Teatre and Edicions ‘62, 1983, pp.147-148. *76-2(G). Das Dritte Theatre, in Jenseits der Schwimmenden Inseln, Hamburg, Rowohlts Enzyklopädie, 1985, pp.215-117. *76-2(PR). Terceiro Teatro: manifesto, in Além das ilhas flutuantes, São Paulo - Campinas, Hucitec, 1991, pp.143-144. *76-2(P). Trzeci teatr, in Teatr. Samotnosc, rzemioslo, bunt, Warsaw, Instytut Kultury Polskiej, 2003, pp.207-209. *76-2(K). Third Theatre (korean version), in Theatre. Solitude, Craft, Revolt, Seoul, Pyungminsa Publishing, 2005, pp.162-164. *76-2(RM).Al treilea teatru, in Teatru. Singurǎtate, meşteşg, revoltǎ, Bucharest, Nemira, 2010, pp.135-238. 76-3(I). La mutazione, (Talk given at metting of theatre groups, Florence, 15 October 1976), - “Quarta Parete” no.3-4, Torino 1977, pp.8-12. - in Teatro. Solitudine, mestiere, rivolta, Milan, Ubulibri, 1996, pp.168-172. *76-3(S). La mutación, in Teatro. Soledad, oficio y revuelta, - Buenos Aires, Catálogos, 1997, pp.206-211. - Mexico City, Escenología, 1998, pp.203-208. - Havana, Ediciones Alarcos, 2003, pp.329-332 (together with La tierra de cenizas y diamantes under the title Obras escogidas I). *76-3(F). La mutation, in Théâtre. Solitude, métier, révolte, Saussan, L’Entretemps, 1999, pp.182-186. *76-3(E). The Mutation, in Theatre. Solitude, Craft, Revolt, Aberystwyth, Black Mountain Press, 1999, pp.171-174. *76-3(GR). Η µετάλλαξη, in Θέατρο. Μοναζιά, δεζιοτεχνία, έζέγερση, Athens, Koan, 2001, pp. 208-213. *76-3(P). Mutacja, in Teatr. Samotnosc, rzemioslo, bunt, Warsaw, Instytut Kultury Polskiej, 2003, pp.210-214. *76-3(K). The Mutation, in Theatre. Solitude, Craft, Revolt, Seoul, Pyungminsa Publishing, 2005, pp.165-169. *76-3(RM).Mutaţia, in Teatru. Singurǎtate, meşteşg, revoltǎ, Bucharest, Nemira, 2010, pp.239-245. 1977 77-1(N). En anden historie, “Rampelyset” no.133, Thisted 1978. 77-2(I). Un’altra cultura del corpo, in Il teatro aldilà del mare, ed. by Nicola SAVARESE, Torino, Studio Forma, 1980, pp.27-30. 77-3(S). La declaración de Bérgamo (Text for the international workshop of Bergamo about theatre groups, Bergamo September 1977), “Cultura” no.8, Buenos Aires 1978, p.13. 77-4(I). Dialoghi su Brecht: agli attori (Talk given at the beginning of the rehearsal period for the performance Brecht aske, October 1978) in Il Brecht dell’Odin, Milan, Ubulibri, 1981, pp.139-157. 46
77-5(I). Senza illusioni, - “Rinascita - il contemporaneo” no.9, 1978, p.20. - in Tesi, domande, ipotesi, percorsi, problemi: oggi, del teatro, ed. by Fabrizio CRUCIANI and Paolo PIERAZZINI, Pisa, Centro per la Sperimentazione e la Ricerca Teatrale, Libreria del teatro, Edistudio, 1979, pp.92-93. 77-6(E). Anabasis (Text introducing the Odin Teatret Performance Anabasis), in The Floating Islands, Holstebro, Drama, 1979, p.197. *77-6(GR). Άνάβαση, in Τα πλωτα νηςια, Athens, Andromeda, 1982, pp.277. *77-6(F). Anabasis, in L’archipel du Théâtre, Lectoure, “Bouffonneries”, 1982, p.157. *77-6(CAT). Anàbasi, in Les illes flotants, Barcelona, Institut del teatre i Edicions ’62, 1983, p.201. *77-6(S). Anábasis, en Las islas flotantes, Mexico City, Universidad Nacional Autónoma de México, 1983, p.171. 1978 78-1(S). Teatro - cultura, - “Arte Nuevo”, México 1979. - (Excerpt) in the sunday’s supplement of El espectador, Bogotá 1981. - in Las islas flotantes, Mexico City, Universidad Nacional Autónoma de México, 1983, pp.123.138. - in Más allá de las islas flotantes, México, Gaceta Editorial, 1986, pp.285-310. - in Teatro. soledad, oficio y revuelta, - Buenos Aires, Catálogos, 1997, pp.212-235. - Mexico City, Escenología, 1998, pp.209-232. - Havana, Ediciones Alarcos, 2003, pp.333-349 (together with La tierra decenizas y diamantes under the title Obras escogidas I). *78-1(I). Teatro - cultura, - “Scena” no.2, Milan 1979, pp.44-45 and 68-71. - in La corsa dei contrari, Milan, Feltrinelli, 1981, pp.11-30 - in Aldilà delle isole galleggianti, Milan, Ubulibri, 1985, pp.285-310. - in Teatro. Solitudine, mestiere, rivolta, Milan, Ubulibri, 1996, pp.173-191. *78-1(E). Theatre-Culture, - "Theatre Papers" No. 7, Dartington 1979. - in The Floating Islands, Holstebro, Drama, 1979, pp.149- 171. - in Beyond the Floating Islands, New York, Performing Arts Journal, 1986, pp.195-212 - in Theatre. Solitude, Craft, Revolt, Aberystwyth, Black Mountain Press, 1999, pp.175-193. *78-1(P). Teatr - kultura, - “Dialog”, vol.XXV no.5, Warsaw 1980, pp.120-131. 47
Page 1: NORDISK TEATERLABORATORIUM - ODIN T
Page 5 and 6: CRITERIA 1. The bibliography is in
Page 7 and 8: VARIATIONS - A Decisive Phase……
Page 9 and 10: - Et dramaturgisk grundprincip.....
Page 11 and 12: - Lettera a un fratello peruviano..
Page 13 and 14: - Stemme, lyd, musik...............
Page 15: - Zapiski dla zaklopotanych (i dla
Page 18 and 19: (A) Masirat al-mu-askin, Damascus,
Page 20 and 21: Two Doors (88-4), The Part of Us wh
Page 22 and 23: etorno (03-1), Angelanimal (06-4),
Page 24 and 25: other instructors who directed the
Page 26 and 27: *63-3(T). Ritüel tiyatro, “Mimes
Page 28 and 29: - Havana, Ediciones Alarcos, 2003,
Page 30 and 31: - in Aldilà delle isole galleggian
Page 32 and 33: - “The Soul of the American Actor
Page 34 and 35: - in Beyond the Floating Islands, N
Page 36 and 37: - L’énergie qui danse, by Eugeni
Page 38 and 39: “Training” of The Secret Art of
Page 40 and 41: - included in the article De “apr
Page 42 and 43: 75-4(E). Letter from the South of I
Page 44 and 45: - Havana, Ediciones Alarcos, 2003,
Page 48 and 49: - in Teatr. Samotnosc, rzemioslo, b
Page 50 and 51: *79-1(CAT). Veus, sons, música, in
Page 52 and 53: *79-2(PR). (Excerpt) Presença tota
Page 54 and 55: - in Más allá de las islas flotan
Page 56 and 57: - in Jenseits der Schwimmenden Inse
Page 58 and 59: - Mexico City, Escenología, 2009,
Page 60 and 61: - Premisa sobre el silencio escrito
Page 62 and 63: 84-2(S). El matrimonio con Dios, o
Page 64 and 65: - (Excerpt) Tebe dalle sette porte,
Page 66 and 67: *85-2(GR). Ή σκιά τηςΆντ
Page 68 and 69: 86-3(I). Uomo-donna o Animus-Anima,
Page 70 and 71: - in Além das ilhas flutuantes, S
Page 74 and 75: - in The Theatre Cercles, Bagdad 19
Page 76 and 77: - Milan ubulibri, 2000 (Third revis
Page 78 and 79: *90-1(J). (Excerpt) ISTA Internatio
Page 80 and 81: *90-7(PR). Terceiro Teatro: a heran
Page 82 and 83: - Sólo la acción está viva, pero
Page 84 and 85: *91-3(GR). όι άνθρωποι τ
Page 86 and 87: - (Excerpt chapter II and III), Ant
Page 88 and 89: 1994 94-1(E). The Steps on the Rive
Page 90 and 91: *94-7(E). All Theatre is Made of Da
Page 94 and 95: *96-1(PR). Um amuleto feito de mem
Page 96 and 97:
*97-3(G). Pirandellos ohrringe, not
Page 98 and 99:
97-10(D). DEN BLINDE HEST (In colla
Page 100 and 101:
98-8(P). Dario Fo i Franca Rame: Pr
Page 102 and 103:
- (Excerpt) Conocimiento tácito, i
Page 104 and 105:
01-3(F). L’éléve est plus impor
Page 106 and 107:
in the second French version), Mont
Page 108 and 109:
- “I Encuentro mundial de teatro.
Page 110 and 111:
SAVARESE, Wroclaw, Ośrodek Badań
Page 112 and 113:
05-8(I). La danza dell’algebra e
Page 114 and 115:
07-4(S). LA CONQUISTA DE LA DIFEREN
Page 116 and 117:
09-3(I). Il cielo del teatro (Speec
Page 118 and 119:
Ap.1/9(I). Tradizioni e tradimenti
Page 120 and 121:
Ap.1/I(I). Perché siamo qui (Lette
Page 122 and 123:
Ap.2/8(I). Memoria (Text written in
Page 124 and 125:
- in Más allá de las islas flotan
Page 126 and 127:
*Ap.3/7(PR). Duas tribos, in Além
Page 128 and 129:
*Ap.3/19(E). Creating the Roles,
Page 130 and 131:
Ap.3/37(S). Rosa Ileana BOUDET, Cr
Page 132 and 133:
Ap.3/54(S). Antonio CÉLICO, Camino
Page 134:
Ap.3/75(SR/CR) and (E). Dijana MILO
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A SYSTEMATIC BIBLIOGRAPHY OF EUGENIO ... - Odin Teatret

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