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Stedelijk Museum Annual Report 2012

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In a short space of time, 1,371 elementary school pupils participated in four new<br />

programs, the most popular of which was De Stijl–Mijn Stijl (De Stijl–My Style).<br />

During this program, children explored themes such as why the artists of De Stijl so<br />

often used straight lines and the colors red, yellow, and blue, and what they wanted<br />

to change about the world.<br />

Thanks to the Turing Foundation, which funded the Turing <strong>Museum</strong>plein coach (a<br />

joint project set up by the <strong>Stedelijk</strong> <strong>Museum</strong>, Rijksmuseum and Van Gogh<br />

<strong>Museum</strong>), 710 pupils were transported to the <strong>Stedelijk</strong> free of charge in <strong>2012</strong>. For<br />

many children, it was their first visit to the museum. Ninety-two percent of<br />

elementary schools indicated that transportation is one of the biggest obstacles<br />

preventing them from organizing museum visits; the availability of free<br />

transportation prompted 81% of schools to organize an extra school trip to the<br />

museum.<br />

Secondary Schools, Colleges, and Universities<br />

More than 5,600 secondary and college students explored art in depth, dived into<br />

the context of a particular work or movement, and discovered what it’s like to be an<br />

artist or designer. Programs built around the theme “So you think you’re an artist”<br />

explored creativity and were a particular success with many schools. A large<br />

number of students also visited the museum with their teachers, sometimes to<br />

participate in a tailored activity developed in collaboration with the curators or<br />

members of the education team.<br />

Blikopeners<br />

For a number of years, the Blikopeners have proved themselves innovative and<br />

dynamic, providing the <strong>Stedelijk</strong> with an effective way to reach out to young people<br />

between the ages of 15 and 19. The Blikopeners give guided tours and organize<br />

workshops and events for other young people, sharing their enthusiasm and unique<br />

perspectives on art. During a special preview, all the Blikopeners, past and present,<br />

invited friends and family to be among the first to see their new museum and enjoy<br />

the first presentation held in the new Blikopener Spot. In the grand opening<br />

performance of the work Open by Rory Pilgrim, Blikopeners shared their vision of<br />

the future in brief spoken-word statements. With the acquisition of Pilgrim’s piece,<br />

the voices of the Blikopeners have become an integral part of the <strong>Stedelijk</strong><br />

collection.<br />

Working in collaboration with TrouwAmsterdam, IMC Weekendschool, and<br />

international partners such as the Koninklijke <strong>Museum</strong> voor Schone Kunsten and<br />

Louisiana <strong>Museum</strong> of Modern Art, the Blikopeners organized diverse workshops<br />

and events for the reopening. As part of the educational program <strong>Stedelijk</strong> in the<br />

Classroom they visited local schools together with museum docents. They also<br />

worked behind the scenes on their own space in the new building, the Blikopener<br />

Spot.<br />

A new group of 15 Blikopeners came on board right after the reopening, and made<br />

the annual <strong>Museum</strong> Night a great success. With 6,850 visitors, the <strong>Stedelijk</strong> was<br />

one of the best-visited venues that evening. Five hundred visitors took a Blikopener<br />

Speed Tour during <strong>Museum</strong> Night.<br />

In <strong>2012</strong>, the Blikopeners were: Tim Alpherts, Ivar Breukers, Jelle Broek, Sarah<br />

Haddou, Gena Haensel, Romaine Hodenpijl, Janne Igbuwe, Caro de Jonge, Lou<br />

Mouw, Twan Nooitmeer, Robin Pocornie, Gaia Suyling Smit, Boaz Stroobach, and<br />

Samet Yilmaz.The Blikopener project is supported by the SNS REAAL Fonds.<br />

Guided Tours<br />

Tour guides put the museum’s educational vision into practice. In <strong>2012</strong>, they<br />

provided more than 1,100 guided tours for various groups. Demand for the tours<br />

was so great that the team of 10 guides was supported by 35 articulate art<br />

historians, artists, and docents. In anticipation of the reopening, they engaged in an<br />

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