Stedelijk Museum Annual Report 2012
Stedelijk Museum Annual Report 2012
Stedelijk Museum Annual Report 2012
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eopening. Communication was generated to announce the museum’s retail<br />
partner, its hospitality partner, and the design of the restaurant interior. In May, the<br />
<strong>Stedelijk</strong> announced the acquisition of a major light installation by American artist<br />
Dan Flavin, who in 1986 created the piece especially for the upper hallway of the<br />
historic building, surrounding the grand staircase. Reinstalled in 2011, it is now part<br />
of the permanent collection. The Press Office publicized the extensive conservation<br />
work carried out on paintings by Marc Chagall, The Beanery by Edward Kienholz,<br />
and the Harrenstein Bedroom by Gerrit Rietveld. In September, the acquisition of<br />
the work Osama by Marlene Dumas and the anonymous gift of Luc Tuymans’s<br />
portrait of Her Majesty Queen Beatrix, H.M., garnered enormous media response.<br />
The press closely followed the arrival of the first works of art to be reinstated in the<br />
galleries, along with the reinstallation of the monumental Richard Serra sculpture on<br />
<strong>Museum</strong>plein at what is now the entrance to the museum. Newspapers Volkskrant<br />
and NRC and Tableau magazine published special supplements in the week prior to<br />
the reopening.<br />
More than 300 journalists were present at the large international press preview on<br />
September 18. The event resulted in numerous interviews with the director and<br />
curators. Amsterdam Marketing organized the attendance of more than 80 foreign<br />
journalists.<br />
The grand reopening by Her Majesty Queen Beatrix on Saturday, September 22,<br />
was attended by a host of media representatives. The opening ceremony was<br />
broadcasted live (in part) during prime time on Dutch national television, as was<br />
footage of the festive opening evening. On the public opening day, September 23,<br />
Dutch news programs also devoted extensive coverage to the reopening, indicating<br />
that it was an event of national significance.<br />
Dutch broadcasting channels AVRO and NOS jointly produced three live<br />
programs from the <strong>Stedelijk</strong>: a special NOS/AVRO segment presented by Pieter<br />
Jan Hagens and Winfried Baaijens; an episode of AVRO’s Opium TV, presented by<br />
Cornald Maas; and a spot on Opium Radio. They were prefaced by two editions of<br />
the <strong>Museum</strong>gasten series filmed at the <strong>Stedelijk</strong> <strong>Museum</strong>, with Prince Constantijn<br />
van Oranje as special guest. Another notable moment in the media was an edition<br />
of the opinion program De Wereld Draait Door on September 19, which was<br />
devoted almost entirely to the <strong>Stedelijk</strong>.<br />
On December 14, the press preview organized for MIKE KELLEY was attended by<br />
countless members of the Dutch, European, and American press. A number of<br />
prominent international art critics were present, invited in collaboration with EYE<br />
and supported by the Mondriaan Fund.<br />
Website and Social Media<br />
Website Redesign<br />
In September the museum launched a completely new website at stedelijk.nl in the<br />
signature style designed by Mevis & Van Deursen. The website received 846,522<br />
visitors in <strong>2012</strong>.<br />
An extraordinary new feature and enrichment of the site is the online collection.<br />
Now visitors can view a selection of 8,000 works of art; the online collection will<br />
expand in the years ahead, when other works will be added. The online collection is<br />
linked to the library catalogue so that visitors can immediately see whether<br />
documentation on a given work can be found in the <strong>Stedelijk</strong> <strong>Museum</strong>’s library.<br />
The new website also includes a section for online ticket purchases, or e-tickets.<br />
With an e-ticket, visitors can take advantage of “fast track” admission to the<br />
museum.<br />
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