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ALEPPO OPERA HOUSE - Promontorio

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<strong>ALEPPO</strong><br />

<strong>OPERA</strong> <strong>HOUSE</strong><br />

Aleppo city centre, Syria, 2010<br />

CULTURAL AND CIVIC<br />

Location Aleppo city centre, Syria<br />

Client Municipality of Aleppo<br />

Programme 1,600-seats opera, 500-seats theatre and city library<br />

Gross Construction Area 65,000 sq.m<br />

Plot Size 21,000 sq.m<br />

Estimated Investment USD 250M<br />

Project Status 2010 (shortlist competition/ pending results)<br />

Main entrance<br />

Presentation model<br />

www.promontorio.net


<strong>ALEPPO</strong> <strong>OPERA</strong> <strong>HOUSE</strong><br />

Aleppo city centre, Syria, 2010<br />

Presentation model<br />

Main foyer<br />

Theatre<br />

Opera Hall foyer<br />

Opera Hall<br />

Opera Hall audience<br />

Library reading hall<br />

Index/ Cafeteria hall facing Citadel<br />

www.promontorio.net


<strong>ALEPPO</strong> <strong>OPERA</strong> <strong>HOUSE</strong><br />

Aleppo city centre, Syria, 2010<br />

Library<br />

Theatre<br />

Opera Hall<br />

5th floor<br />

Open Portico<br />

Plot<br />

2nd floor<br />

Programatic<br />

diagram<br />

1st floor<br />

Presentation model<br />

Ground floor<br />

North facade<br />

Long section through Opera Hall<br />

www.promontorio.net


<strong>ALEPPO</strong> <strong>OPERA</strong> <strong>HOUSE</strong><br />

Aleppo city centre, Syria, 2010<br />

VOLUME<br />

Volume<br />

CARVED<br />

DOMES<br />

PORTICO<br />

VOLUME<br />

Portico<br />

volume<br />

SURFACE<br />

ENVELOPE<br />

CARVED<br />

PORTICO<br />

Carved<br />

portico<br />

TEXTURED<br />

SKIN<br />

CARVED<br />

PATIO<br />

Carved<br />

patio<br />

Opera Hall<br />

Theatre<br />

CARVED<br />

DOMES<br />

Carved<br />

domes<br />

SURFACE<br />

ENVELOPE<br />

Surface<br />

envelope<br />

FACADE PERSPECTIVE<br />

TEXTURED<br />

SKIN<br />

Textured<br />

skin<br />

GLASS<br />

SURFACE<br />

INTERIOR<br />

CLADDING<br />

FACADE CLOSE UP<br />

OUTER<br />

LAYER<br />

INNER LAYER<br />

(TILED WALL)<br />

REINFORCED<br />

CERAMIC TILES<br />

STEEL SUPPORT<br />

STRUCTURE<br />

G.R.C. PRE-CAST<br />

CONCRETE MODULE<br />

Formal diagram<br />

Facade diagram<br />

www.promontorio.net


<strong>ALEPPO</strong> <strong>OPERA</strong> <strong>HOUSE</strong><br />

Aleppo city centre, Syria, 2010<br />

Future Aleppo night view from the Citadel<br />

Under the portico<br />

General view<br />

Aleppo is the largest city in Syria and<br />

regional capital of the most populous<br />

constituency (pop. 2,3M) in the Levant.<br />

For centuries, Aleppo was the 3rdlargest<br />

city of Ottoman Empire, after<br />

Constantinople and Cairo. Although<br />

relatively close to Damascus, it is<br />

distinct in identity, architecture and<br />

culture, shaped by a markedly different<br />

history and geography. The competition<br />

programme for the Opera House and<br />

City Library of the Municipality aims to<br />

celebrate the city as a unique canvas of the<br />

cultural, economic, religions and political<br />

interactions across centuries between the<br />

east of the Mediterranean, the Middle East<br />

and Europe.<br />

With more than 2 hectares and located<br />

in a major junction of Aleppo’s centre,<br />

–between the Great Mosque and the<br />

Fountain Square–, the plot has severe<br />

building restrictions. The massing follows<br />

almost mechanically the compliance with<br />

the planning constrains and programme<br />

requirements, namely the limitation of<br />

the building footprint to 45% of the plot.<br />

All this led to a simple and compact<br />

built form. In essence, a rectangular<br />

box within which the various functions<br />

share the same hall. A semi-transparent<br />

drapery of lace, or wickerwork, envelops<br />

the “box” behind the structural façade,<br />

using an evocative pattern of Aleppo’s<br />

historically celebrated motif of pistachio<br />

leaves and flower; a pattern whose<br />

intricate combinations recurrently migrate<br />

from the tradition of tapestry, ceramics<br />

and metal work into architecture. The idea<br />

of lightness and transparency behind this<br />

veiled box is further reinforced by the<br />

archway that evolves in a rising sequence<br />

touching the ground and finally merging<br />

with the dressing theme.<br />

Geometrically conceived as a structural<br />

grid of squares and cylinders intersected<br />

by arches and spherical domes, a vast<br />

open-air portico or pronaos, announces<br />

the entry to the building.<br />

The latter, conveying the ceremonial<br />

pathos and symbolic solemnity in<br />

accordance with the magnitude of<br />

this civic structure, is also spatially<br />

reminiscent of ambiance of Aleppo’s<br />

Souk, imparting the place a sense of being,<br />

rather that just passing through.<br />

The same principle of intersected<br />

archways follows through into the foyers<br />

in a unified sequence. The whole public<br />

space is therefore based in a threedimensional<br />

architectural grammar of<br />

Arab and Levantine influence, such as<br />

the transition from a monochromatic<br />

external surface in stone, to the white<br />

concrete and gold-leafed interior space.<br />

Inside, the Opera is an all-time classic<br />

auditorium with stalls, boxes and multilevel<br />

balconies, with its bulkheads in an<br />

acoustic gold-leafed pattern and a large<br />

central chandelier. The library seats on<br />

top of this theatre box, thereby concealing<br />

part of the volume of the stage tower and<br />

technical areas, simultaneously offering<br />

the opportunity for a landscaped rooftop<br />

courtyard.<br />

www.promontorio.net

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