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FREE EVERY MONTH Scrumpy ‘n’ Western EXTRA<br />

FACTS ABOUT AMPLIFIERS<br />

Or did you know Part one<br />

If you use an electric guitar or electro<br />

acoustic then you will be using an amplifier<br />

which will come in various sizes from a<br />

small 10 watt practice to anything larger!!<br />

This article is really to give you a better<br />

idea of what you are really using and my be<br />

of help <strong>with</strong> a bigger purchase in the future.<br />

An amplifier takes a tiny electrical current<br />

and turns it into a much bigger current that<br />

will move loudspeaker cones. The first devise<br />

that could do this was a valve, and the<br />

‘amplification tube’ was patented in about<br />

1906 (oddly enough by two people , who<br />

were working on the same idea but independently.)<br />

The early audio amplifiers were<br />

huge devices <strong>with</strong> each section of the circuit<br />

forming a separate unit in a rack. The<br />

first known electric guitar design dates<br />

back to the early thirty’s, but the first purpose-built<br />

guitar amplifiers appeared in<br />

America in the 1940’s and were modified<br />

from radio set circuits. Leo Fender had<br />

started ‘Fender Radio Services’ in the early<br />

1940’s as Radio was the then modern<br />

technology of it’s day. The first guitar amplifier<br />

to use transistors, available to buy<br />

commercially was the Burns Orbit combo,<br />

made in Britain about 1963 (Burns being a<br />

top UK brand) The 40 watt combo sported<br />

a tremolo circuit and there were a number<br />

of variations, based on different speakers.<br />

At that time, this ground breaking design<br />

was more expensive than the valve combos<br />

on sale at the time! Where as today a<br />

valve combo will cost far more. Today guitarists<br />

spend a lot of time arguing <strong>with</strong><br />

other guitarists whether valve amps are<br />

‘better’ than the many modern designs that<br />

seek to emulate the valve sound. This<br />

could be a complete waste of time as for a<br />

number of reasons like better could mean<br />

to be far more reliable in use or a better<br />

range of tones and many other possible,<br />

undefined criteria.<br />

This could be down to a personal thing, but<br />

generally most top guitar players will use<br />

valve as a better sound. Even the term<br />

‘valve’ is misleading, because they are<br />

NOVEMBER ‘08 29<br />

used in very different ways, in different<br />

designs. As the name states, a valve really<br />

does regulate a flow in a valve amp, but it’s<br />

a flow of electrons, not water. Inside the<br />

valve is a cathode and a plate, <strong>with</strong> a grid<br />

in between. Electrons flow from the cathode<br />

to the plate. The grid in between controls<br />

the flow of electrons, hence the<br />

valve-like action. The cathode has to be<br />

warmed for this to happen, so there is a<br />

small heater at the bottom of each valve.<br />

This is what you are turning on when you<br />

put the amp into standby. Very small voltages<br />

applied to the grid cause big changes<br />

in the electron flow (current) between the<br />

cathode and the plate, that’s amplification.<br />

The voltages are determined by a variable<br />

input, an electric guitar! You might assume<br />

that when you’re not playing at all, the grid<br />

is at ov but this is not so. In a power valve,<br />

it is likely to be somewhere around - 40v.<br />

The precise voltage used varies from case<br />

to case and is called the ‘bias setting’.<br />

In a Class A circuit, the valve is never idle.<br />

The bias is set so that the valve is passing<br />

current at all times. The first known class A<br />

guitar amp is the Vox AC15, introduced in<br />

1956. Class B amps can produce a lot<br />

more power than class A. They use two<br />

power valves in a push pull configuration or<br />

multiples of these pairs for higher powered<br />

configurations. One of the pair handles the<br />

positive side of the wave form, while the<br />

other handle the negative. The bias is set<br />

so that the valve is idle in between times.<br />

In reality, this arrangement doesn’t sound<br />

so good because there is unwanted distortion<br />

of the waveform at the cross<strong>over</strong> point<br />

where one valve stops working and the<br />

opposite half of the pair kicks into life.<br />

We will continue next month, meanwhile if<br />

you are looking to purchase a new amplifier<br />

remember guitars do have a sound of<br />

their own, take your guitar <strong>with</strong> you when<br />

buying a new amp, for you could try out in<br />

the shop using one of theirs, get home and<br />

find you are not satisfied <strong>with</strong> the sound!!<br />

A good music shop will want you to buy<br />

what you are looking for, since there is the<br />

repeat business, of strings etc.....

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