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4. Annex II,<br />

5. Annex III.<br />

6. Barbara Plankensteiner (Ed), Benin Kings and Rituals: Court Arts from<br />

Nigeria, Snoeck, 2007.<br />

7. Declarati<strong>on</strong> <strong>on</strong> <strong>the</strong> Value and Importance <strong>of</strong> Universal Museums. (2002).<br />

http://www.clevelandart.org/museum/<strong>info</strong>/CMA206_Mar7_03.pdf The Declarati<strong>on</strong> was<br />

signed in December 2002 by 18 major museums that declared <strong>the</strong>ir intenti<strong>on</strong> not<br />

to return <strong>the</strong> cultural artefacts from Greece ,African and Asian States that have<br />

been in Western museum over a l<strong>on</strong>g period.<br />

K.Opoku, “Is <strong>the</strong> Declarati<strong>on</strong> <strong>on</strong> <strong>the</strong> value and Importance <strong>of</strong> <strong>the</strong>“universal<br />

museums” now worthless Comments <strong>on</strong> imperialist Museology.<br />

http://www.modernghana.com<br />

8. Readers may wish to c<strong>on</strong>sult a very useful note <strong>on</strong> <strong>the</strong> Holocaust Restituti<strong>on</strong><br />

Bill by Philip Ward.<br />

http://www.parliament.uk/briefingpapers/comm<strong>on</strong>s/lib/research/briefings/snha-<br />

05090.pdf<br />

The Art Newspaper wrote:<br />

“The government’s major c<strong>on</strong>cern about Mr Dismore’s Private Members’ Bill is<br />

that amendments may be put to extend its scope. In particular, it will inevitably<br />

be seized up<strong>on</strong> by parliamentarians who are campaigning for <strong>the</strong> return <strong>of</strong> <strong>the</strong><br />

Par<strong>the</strong>n<strong>on</strong> Marbles to A<strong>the</strong>ns. Similar moves might be made by those calling for<br />

<strong>the</strong> return <strong>of</strong> <strong>the</strong> Benin Br<strong>on</strong>zes to Nigeria, <strong>the</strong> Rosetta St<strong>on</strong>e to Egypt or <strong>the</strong><br />

Lewis Chessmen to Scotland. The DCMS is <strong>the</strong>refore expected to press for a<br />

clear wording that would preclude deaccessi<strong>on</strong>ing being extended bey<strong>on</strong>d <strong>the</strong><br />

1933-45 period.”<br />

UK parliament closer to passing bill allowing museums to deaccessi<strong>on</strong> Nazilooted<br />

art Legislati<strong>on</strong> expected to be limited to 1933-1945 <strong>on</strong>ly<br />

http://www.<strong>the</strong>artnewspaper<br />

Andrew Dismore, <strong>the</strong> Labour MP for Hend<strong>on</strong> who introduced <strong>the</strong> Bill stated<br />

during debate in <strong>the</strong> Sec<strong>on</strong>d Reading <strong>of</strong> <strong>the</strong> Holocaust (Stolen Art) Restituti<strong>on</strong><br />

Bill:<br />

“Above all, <strong>the</strong> Bill is strictly limited as to time, place and perpetrator <strong>of</strong> <strong>the</strong><br />

original deprivati<strong>on</strong> <strong>of</strong> <strong>the</strong> object from its lawful owner. It is not a Trojan horse<br />

for <strong>the</strong> Par<strong>the</strong>n<strong>on</strong> sculptures—that is my next Bill—or for any o<strong>the</strong>r artworks or<br />

12

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