Mobilizing Faculty into the Future: Using Online Technology as Teaching Tools
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ArtStack in Introduction to Art History & Design I 2D<br />
Erica Merchant<br />
Research Environment & Social Media Used:<br />
Art<br />
Art History 100<br />
Design 1 2D 121<br />
<strong>Online</strong><br />
Face-to-Face<br />
ArtStack<br />
80 Students<br />
Abstract:<br />
Students are <strong>as</strong>ked to register at www.<strong>the</strong>artstack.com. They “follow” me and <strong>the</strong>ir cl<strong>as</strong>smates, and any o<strong>the</strong>r person<br />
in <strong>the</strong> world that uploads art <strong>the</strong>y appreciate. The Art Stack is an international online platform in which artists<br />
and art enthusi<strong>as</strong>ts share artwork. Historical art, contemporary art and any art trends are shared. Each week <strong>the</strong>re<br />
is a required “stack” <strong>the</strong> student h<strong>as</strong> to perform on <strong>the</strong> site that relates to that week's unit for in cl<strong>as</strong>s curriculum. I<br />
have implemented it in my ART 121 face to face cl<strong>as</strong>s (pilot cl<strong>as</strong>s), and will implement it in my ARTH 100 online cl<strong>as</strong>s<br />
Spring semester.<br />
Assessment:<br />
I check <strong>the</strong> student stacks periodically, and since I am “following” <strong>the</strong>m I am updated weekly on <strong>the</strong>ir progress. Assessment<br />
of how to grade <strong>the</strong>m: 5 points for each unit posted under, 10 weeks of required posts--50 points out of 400<br />
total points for course grading. Assessment of how effective <strong>the</strong> social media instrument is to involve students in content:<br />
ART 121 (pilot course) students were <strong>as</strong>ked at end of semester how beneficial this social media instrument w<strong>as</strong>.<br />
Every student involved encouraged future implementation; it caused a more refined aes<strong>the</strong>tic to develop in <strong>the</strong>ir<br />
work, a subjective interpretation and personal responsibility in acknowledging current trends, and more mature work<br />
came from course <strong>as</strong>signments. ARTH 100 I expect exam scores for slide identification to be higher due to international<br />
exposure and personal categorization.<br />
Results:<br />
Pilot course: Identifying art mediums, and correlating symbolism/iconography h<strong>as</strong> been extremely successful. <strong>Future</strong><br />
course: Scores on 2 exams average around 34/50; exams have 40% slide identification of art media, and art work. I<br />
expect scores on <strong>the</strong>se exams to incre<strong>as</strong>e.<br />
Assignment <strong>as</strong> Given to Students:<br />
www.<strong>the</strong>artstack.com is an invite only site. I have prepared a video of a student's art stack that can be accessed<br />
here: http://youtu.be/XJqbq8ytLGg<br />
Students have folders or categories <strong>the</strong>y “stack” <strong>the</strong>ir work <strong>into</strong> that correlate to <strong>the</strong> unit requirements. For Example:<br />
Unit 1- Themes and Purposes of Art- Is <strong>the</strong>re such thing <strong>as</strong> good art or bad art Create a stack and label what you<br />
think is good art and bad art. Discussion topics include: subjective vs. objective.<br />
Unit 4- Principles of Design: Locate and stack artwork for each of <strong>the</strong> Principles of Design: Harmony (repetition and<br />
rhythm) Economy (simple or complex) Balance (symmetrical, <strong>as</strong>ymmetrical or radial) etc. Discussion topics include:<br />
Are <strong>the</strong>re universals in art<br />
Unit 12- Locate and stack artwork for each of <strong>the</strong>se art movements: Neocl<strong>as</strong>sical, Baroque, Rococo, Romanticism,<br />
and Mannerism. Discussion topics include: what are <strong>the</strong> details that separate each movement<br />
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