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Third Reich, see Klaus Vondung, Völkisch-nationale und nationalsozialistische Literaturtheorie<br />
(Munich: List, 1973).<br />
49. S-k., “Heraus aus der Enge! ‘Volkstümlich’ ist nicht ‘kleinbürgerlich,’” Film-<br />
Kurier, 30 November 1935. Also see st., “Grundlagen des volkhaften Films,” Film-<br />
Kurier, 22 October 1934.<br />
50. Anon., “Die deutsche Kunst hat Weg und Ziel,” Lichtbildbühne, 19 July 1937.<br />
10. A QUESTION OF REPRESENTATION:<br />
WORKING WOMEN AND WARTIME <strong>CINEMA</strong><br />
1. Elisabeth Cowie, untitled contribution, Camera Obscura 20/21 (1989): 129.<br />
2. See Heide Schlüpmann, “Trugbilder weiblicher Autonomie im nationalsozialistischen<br />
Film,” in Frauen und Faschismus in Europa. Der faschistische Körper,<br />
ed. Leonore Siegele-Wenschkewitz and Gerda Schuchlik, pp. 211–228 (Pfaffenweiler:<br />
Centaurus, 1990), and the earlier “Faschistische Trugbilder weiblicher Autonomie,”<br />
Frauen und Film 44/45 (1988): 44– 66. For studies on specific themes<br />
such as the representation of motherhood and the contribution of female stars, see<br />
Dora Traudisch, Mutterschaft mit Zuckerguß? Frauenfeindliche Propaganda im NS-<br />
Spielfilm, and Ute Bechdolf, Wunsch-Bilder? Frauen im nationalsozialistischen Unterhaltungsfilm.<br />
Male-female relations are also discussed in Gabriele Lange, Das<br />
Kino als moralische Anstalt. Soziale Leitbilder und die Darstellung gesellschaftlicher<br />
Realität im Spielfilm des Dritten Reiches, pp. 114–152. For a recent contribution that<br />
includes a chapter on home front films, see Jo Fox, Filming Women in the Third<br />
Reich, especially pp. 119–150.<br />
3. Antonia Lant, Blackout: Reinventing Women for Wartime British Cinema<br />
(Princeton, N.J.: Princeton University Press, 1991), pp. 75–76. Citation modified.<br />
Her conclusion about the German wartime emphasis on women’s role as mothers<br />
(i.e., widespread resistance to the nationalization of women) is less convincing:<br />
“Germany was so ideologically overinvested in the image of woman as mother of the<br />
Aryan race that it could not resort to the military conscription of women, even when<br />
its survival was at stake. Further study would presumably show that Germany was<br />
unable to tolerate the kind of contradictory and fluid definitions of femininity in circulation<br />
in Britain” (p. 86).<br />
4. For studies on women in National Socialism, see Jill Stephenson, Women in<br />
Nazi Society (New York: Harper & Row, 1975) and The Nazi Organization of Women<br />
(London: Croom Helm, 1981). On female sexuality and the question of motherhood,<br />
see Renate Bridenthal, Atina Grossmann, and Marion Kaplan, eds., When Biology<br />
Became Destiny: Women in Weimar and Nazi Germany (New York: Monthly Review<br />
Press, 1984) and Claudia Kootz, Mothers in the Fatherland: Women, the Family and<br />
Nazi Politics (New York: St. Martin’s Press, 1986). On femininity and representation,<br />
also see Elaine Martin, ed., Gender, Patriarchy and Fascism in the Third Reich: The<br />
Response of Women Writers (Detroit: Wayne State University Press, 1993). For more<br />
258 Notes to pages 187–193