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The Song of Sorrow My love, my Orpheus I am sorry I have left. My heart is with Morpheus And leaves you bereft. Somehow I know we will meet again And so will end our woe. I will be lifted from the arcane And will rise up from below. I will follow you into the light Taking your hand in mine; We will leave this place despite The fate that had been assigned. I beg of you, do not look back For our love is on the line. Your lyre can not set back The permanence of time. —Sarah Vassello 57
Treatment I walk into the office and give my name; The omega sign forms between the receptionist’s eyebrows, and she tells me, “Take a seat. We’ll call when we’re ready for you.” So I sit, and I stare; I look at my twenty-two-year-old hands and begin to wonder about pain, trying to churn out a method to just think it away; The waiting room coddles its occupants with yellowed posters and paintings of families and hands being held and cats; I stare at them, unmoved; I blink, and stare, and blink, and almost forget; There’s a poster above one bald woman’s slick head: “A Decade of Excellence” with fine print, boasting Ivy League doctors and an innovative and expensive 58
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Editor’s Letter Writing allows us
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Table of Contents Poetry: Adams, Sa
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Henion, Veda: “314 Minus One” (
Page 8 and 9: to find your solace, pale as light
Page 10 and 11: pacific blues and greens, cautiousl
Page 12 and 13: The Place Our Race Began What’s t
Page 14 and 15: Remembering Thanatopsis For those w
Page 16 and 17: y Hannah Lamb 15
Page 18 and 19: Vessel I’ll be Your vessel in the
Page 20 and 21: Beyond the Far and Stormy Seas Beyo
Page 22 and 23: They have gone, yet will come again
Page 24 and 25: “East Coast Winter” by Rebekah
Page 26 and 27: Vietnam I’m teeming with mildness
Page 28 and 29: “Nigel” by Luke Mannion 27
Page 30 and 31: You did your duty, you responded to
Page 32 and 33: He’s coming closer I can’t move
Page 34 and 35: y Luke Mannion 33
Page 36 and 37: “Rico the Cow” by Rebekah Barke
Page 38 and 39: She sensed splendor, future ambienc
Page 40 and 41: The Best Kept Secret I heard ‘em
Page 42 and 43: MY ROCKIN’ MUSIC Post-forties bor
Page 44 and 45: Pop Ferguson’s Blues Music hidden
Page 46 and 47: Dreams Dreams grow wings and fly aw
Page 48 and 49: Lace There is lace in my dreams; Wa
Page 50 and 51: Betwixt Night and Sunlight Wisps of
Page 52 and 53: Snakes of Emerald, Heart of Glass B
Page 54 and 55: A Song in the Night A song in the n
Page 56 and 57: The rose will climb searching for t
Page 60 and 61: armamentarium; I appreciate the eff
Page 62 and 63: “Always Within Grasp” by Mallor
Page 64 and 65: in the drawer of Ms. Robinson’s d
Page 66 and 67: “Corn Stalk Sky” by Summer Cook
Page 68 and 69: I cry out for help, praying I can b
Page 70 and 71: and the psycho-iatrists they send y
Page 72 and 73: died of consumption too, his attent
Page 74 and 75: y Jacob Berger 73
Page 76 and 77: Fogs Not the white-blind highways o
Page 78 and 79: Long Hot Summer Summer clings offen
Page 80 and 81: To Beloved Gazelle, majestic, leaps
Page 82 and 83: y Michal Hatley 81
Page 84 and 85: Painting the Sun Open canvas, washe
Page 86 and 87: y Loni Gonzalez 85
Page 88 and 89: cluttering her brain, adding to its
Page 90 and 91: The Innocence of Youth Is always at
Page 92 and 93: The Son of a Coal Miner Don’t you
Page 94 and 95: The Toad O Toad, you solemn little
Page 96 and 97: 1964 Convertible VW Bug Scarf to ke
Page 98 and 99: ‘Neath your protective arms my wr
Page 100 and 101: Writing In Red Why do I write in Re
Page 102 and 103: Egaeus Jaclyn Myers Thy soul shall
Page 104 and 105: I suppose I pitied you, and therefo
Page 106 and 107: heightened, I wonder on occasion if
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314 Minus One Veda Henion He stumbl
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led him across the cold, tile floor
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the man grinned, “we’ll get you
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Halley’s Pub and a Pack of Reds J
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of fast cars and freedom. Days of t
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Halley looked at me with as much re
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y Luke Mannion 119
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Gypsy suddenly reaches his head bac
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you’re going. Engage him, squeeze
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The Castle McIntosh Sara-Beth Teste
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Several hours pass after dinner, an
Page 130 and 131:
“Ruins of Heidelburg Castle” by
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