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The Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971)

The Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971)

The Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971)

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medieval ecclesiastical costume, is still unsurpassed. Even<br />

though the book was written as a contribution to the history<br />

<strong>of</strong> liturgy, it is the prime authority and definitive<br />

work on liturgical dress, for its origin, development, usage,<br />

and symbolism. Vestments are grouped into undergarments,<br />

overgarments, vestments <strong>of</strong> the head, arms, and<br />

feet, and the insignia. Lists <strong>of</strong> medieval documentary<br />

sources, inventories, and titles <strong>of</strong> frequently cited works<br />

are included.<br />

A. G. I. Christie. English Medieval Embroidery (Oxford,<br />

1938), 206 pp. A scholarly, well-illustrated work on<br />

English medieval embroidery fully covering ecclesiastical<br />

vestments. An excellent descriptive catalogue <strong>of</strong> existing<br />

examples with bibliographical references is the major part<br />

<strong>of</strong> the book. Names <strong>of</strong> embroidery workers and embroideries<br />

recorded in medieval documents are listed in<br />

the appendices.<br />

Glossary<br />

<strong>The</strong> following ecclesiastical vestments are represented<br />

in the current exhibition at <strong>The</strong> Cloisters and<br />

can be seen in this fifteenth-century Netherlandish<br />

panel painting.<br />

H. J. Clayton. <strong>The</strong> Ornaments <strong>of</strong> the Ministers as<br />

Shown on English Monumental Brasses (London, 1919),<br />

192 pp. A practical study <strong>of</strong> the medieval mass, choir, and<br />

processional vestments that are illustrated on English<br />

monumental brasses representing ecclesiastics. It covers<br />

the period from the latter part <strong>of</strong> the thirteenth to the<br />

end <strong>of</strong> the seventeenth century.<br />

Pauline Johnstone. <strong>The</strong> Byzantine Tradition in Church<br />

Embroidery (Chicago, 1967), 144 pp. One <strong>of</strong> very few histories<br />

<strong>of</strong> church embroidery made for liturgical use in the<br />

Greek Orthodox church, covering the period from the<br />

sixth century to the nineteenth. A general description <strong>of</strong><br />

vestments, their ico<strong>no</strong>graphy, -nd the techniques used,<br />

with emphasis on their place in the historical and artistic<br />

background <strong>of</strong> their time.<br />

Herbert Norris. Church Vestments, <strong>The</strong>ir Origin and<br />

Development (New York, 1950), 190 pp. A history <strong>of</strong><br />

ecclesiastical costume from the earliest times up to 1400,<br />

but including many fifteenth-century examples. <strong>The</strong> vestments<br />

are <strong>no</strong>t listed in alphabetical order but according to<br />

their liturgical significance. <strong>The</strong> numerous drawings by the<br />

author bring out the essential features <strong>of</strong> the vestments.<br />

Eugene Augustin Roulin. Vestments and Vesture ...<br />

trans. by Justin McCann (London, 1931), 308 pp. A practical<br />

guide to liturgical vestments and their accessories,<br />

giving an introductory history, but dealing mostly with the<br />

aesthetic value <strong>of</strong> the shape, design, and ornaments <strong>of</strong><br />

the vestments. Illustrations, with a brief explanatory text,<br />

are usually arranged so as to show the contrast between<br />

"good" and "bad" examples <strong>of</strong> vestments.

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