The Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971)
The Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971)
The Metropolitan Museum of Art Bulletin, v. 29, no. 7 (March, 1971)
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medieval ecclesiastical costume, is still unsurpassed. Even<br />
though the book was written as a contribution to the history<br />
<strong>of</strong> liturgy, it is the prime authority and definitive<br />
work on liturgical dress, for its origin, development, usage,<br />
and symbolism. Vestments are grouped into undergarments,<br />
overgarments, vestments <strong>of</strong> the head, arms, and<br />
feet, and the insignia. Lists <strong>of</strong> medieval documentary<br />
sources, inventories, and titles <strong>of</strong> frequently cited works<br />
are included.<br />
A. G. I. Christie. English Medieval Embroidery (Oxford,<br />
1938), 206 pp. A scholarly, well-illustrated work on<br />
English medieval embroidery fully covering ecclesiastical<br />
vestments. An excellent descriptive catalogue <strong>of</strong> existing<br />
examples with bibliographical references is the major part<br />
<strong>of</strong> the book. Names <strong>of</strong> embroidery workers and embroideries<br />
recorded in medieval documents are listed in<br />
the appendices.<br />
Glossary<br />
<strong>The</strong> following ecclesiastical vestments are represented<br />
in the current exhibition at <strong>The</strong> Cloisters and<br />
can be seen in this fifteenth-century Netherlandish<br />
panel painting.<br />
H. J. Clayton. <strong>The</strong> Ornaments <strong>of</strong> the Ministers as<br />
Shown on English Monumental Brasses (London, 1919),<br />
192 pp. A practical study <strong>of</strong> the medieval mass, choir, and<br />
processional vestments that are illustrated on English<br />
monumental brasses representing ecclesiastics. It covers<br />
the period from the latter part <strong>of</strong> the thirteenth to the<br />
end <strong>of</strong> the seventeenth century.<br />
Pauline Johnstone. <strong>The</strong> Byzantine Tradition in Church<br />
Embroidery (Chicago, 1967), 144 pp. One <strong>of</strong> very few histories<br />
<strong>of</strong> church embroidery made for liturgical use in the<br />
Greek Orthodox church, covering the period from the<br />
sixth century to the nineteenth. A general description <strong>of</strong><br />
vestments, their ico<strong>no</strong>graphy, -nd the techniques used,<br />
with emphasis on their place in the historical and artistic<br />
background <strong>of</strong> their time.<br />
Herbert Norris. Church Vestments, <strong>The</strong>ir Origin and<br />
Development (New York, 1950), 190 pp. A history <strong>of</strong><br />
ecclesiastical costume from the earliest times up to 1400,<br />
but including many fifteenth-century examples. <strong>The</strong> vestments<br />
are <strong>no</strong>t listed in alphabetical order but according to<br />
their liturgical significance. <strong>The</strong> numerous drawings by the<br />
author bring out the essential features <strong>of</strong> the vestments.<br />
Eugene Augustin Roulin. Vestments and Vesture ...<br />
trans. by Justin McCann (London, 1931), 308 pp. A practical<br />
guide to liturgical vestments and their accessories,<br />
giving an introductory history, but dealing mostly with the<br />
aesthetic value <strong>of</strong> the shape, design, and ornaments <strong>of</strong><br />
the vestments. Illustrations, with a brief explanatory text,<br />
are usually arranged so as to show the contrast between<br />
"good" and "bad" examples <strong>of</strong> vestments.