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Write a Madder Letter if You Can<br />

honeymooning in Wyoming and California, we moved<br />

into the Waring summer house south of Denver, where<br />

our first son Ted was born two years later, on September<br />

28, 1957. Jack was invited to come and stay in the<br />

studio on the “farm’ property, but he was distraught and<br />

ill at that time, and unfortunately didn’t recognize that<br />

this offered an opportunity for a quiet, restful country<br />

retreat in which he could have gathered together his<br />

deteriorating life.”<br />

This would have been the time when the<br />

media spotlight was fully trained on Kerouac in the<br />

curious event that partially stemmed from old<br />

friendships when Neal Cassady and girlfriend turned<br />

up at the White household in the spring of 1968.<br />

White got home from an architect’s meeting to find<br />

an unknown car parked outside his house. But let<br />

him take up the story, this, in part, a commentary on<br />

one of Jack’s late in the day missives, “In the spring of<br />

1968 I returned home from a meeting with the Garland<br />

School Board on the design of the new Foundation<br />

building to find an incredibly dilapidated Pontiac Sedan<br />

parked in front of the garage door. It was completely<br />

“But since (childhood) I have learned that the really great man is someone like Wm. Blake, in whose time there<br />

was nothing heard from him, but silence. All the Carlyle heroes (…) were ‘men of silence and darkness.’ But in<br />

this age of noontime and noise (revolving doors, advertising agencies, blurbs, traffic, small talk) such men are<br />

not even wanted. and are laughed at. I like to think of Mark Twain as the one truly great mediator between<br />

silence and darkness (…) I derive my life from the existence of a Twain and not from the existence of the<br />

psychological fact that he who wants to be a great man suffers from delusions of inferiority within. What<br />

difference does it make after a Huck Finn, a Journey to the End of the Night, a Song of Innocence is<br />

written? Those works are foremost; the ‘great man’ is but a victim of universal mortal limits, after all.”<br />

Jack Kerouac – excerpt from a letter to Ed White on March 5, 1950.<br />

wake of On the Road being published. Those close to<br />

the events, such as Joyce Johnson, have commented<br />

that Jack was finding solace in drinking ever more<br />

heavily and that this essentially shy, quiet man was<br />

having big trouble coping with all the attention. Joyce<br />

Johnson speaks of Jack not turning up for<br />

promotional events, lying on her floor in a kind of<br />

stage fright. Hindsight is a wonderful thing, but a<br />

quiet refuge in Denver might have been just the<br />

ticket for him at that stage.<br />

This and the many other commentaries from<br />

White make this paperback an unlikely valuable<br />

source of insight into Kerouac’s life. Ed White was a<br />

relatively conventional friend for Kerouac. He went<br />

on to be a prominent figure in Denver, responsible<br />

for some crucial work in designing how the city<br />

looked. Others like Burroughs, Cassady, Ginsberg<br />

enjoy the close focus and scrutiny; yet it is refreshing<br />

to read of other friends and allegiances. Not enough<br />

work is done in this area. I’m certain it would<br />

provide fresh perspective on Kerouac. Put simply, it<br />

is another slant on Kerouac; it prods us into<br />

rethinking who he was.<br />

The notes back and forth diminish and<br />

become briefer with the passage of time. There is one<br />

filled with what appeared to be bags of laundry. I<br />

hurried into the house, and Anne told me Neal Cassady<br />

was upstairs taking a shower in the boys’ bathroom, and<br />

his girl companion was in the master bathroom. I think<br />

our boys, then 10 and 8, were in their bedrooms. With<br />

the experience I had from Neal’s past visits to other<br />

friends, it was apparent he hoped to move in for a<br />

while.”<br />

White goes on to describe how Neal had two<br />

different boots on. Neal explains it by telling the story<br />

of another vengeful girlfriend and of his hopes for the<br />

immediate future. It involved much travelling. It is<br />

plainly obvious that while White and Cassady went<br />

back a long way, the prospect of Neal Cassady, wired<br />

as he was at that late point in his life, and a girlfriend<br />

staying in his house was not an option. And who<br />

could blame him?<br />

White concludes his remembrance by<br />

commenting, “Luckily, to, we were able to get Cassady<br />

and his friend back on their way before they could<br />

unpack all their belongings.”<br />

There are many warm letters between Ed<br />

White and Jack Kerouac. Naturally the emphasis here<br />

is on Jack’s letters; however White’s contribution is an<br />

invaluable aspect of it all. He pushes and prods<br />

45

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