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Our 36th Year - Issue 1 – January/February 2008 ... - Yardbird Suite

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<strong>Our</strong> <strong>36th</strong> <strong>Year</strong> - <strong>Issue</strong> 1 <strong>–</strong> <strong>January</strong>/<strong>February</strong> <strong>2008</strong><br />

®<br />

• Atomic<br />

• Hutchinson Andrew Trio<br />

• Ralf Buschmeyer Quartet<br />

• Darren Sigesmund Quintet<br />

• Dino Dominelli Quartet<br />

• Fieldtrip with guest Jim Head<br />

• Modo Trio<br />

with guest Wayne Horvitz<br />

• Ralph Bowen<br />

with the Chris Andrew Trio<br />

• Brett Miles Quartet<br />

• Andrew Glover Quartet<br />

Publication Mail # 40047729<br />

EDMONTON JAZZ SOCIETY<br />

11 TOMMY BANKS WAY<br />

(Corner of 102 St & 86 Ave)<br />

EDMONTON AB T6E 2M2


Edmonton Jazz Society’s<br />

Board of Directors<br />

2007•<strong>2008</strong><br />

Jasiek Poznanski • President<br />

Adrian Albert • Vice-President<br />

Shelley Chebry • Secretary<br />

Paul Wilde • Treasurer<br />

Board Members<br />

Dave Babcock • Chris Brown<br />

Pam Josey • Craig Magill<br />

<strong>Yardbird</strong> <strong>Suite</strong><br />

Programming • Adrian Albert, Julie<br />

King, Craig Magill, Jasiek Poznanski<br />

Production • Lisi Sommer<br />

Jam Sessions • Don Berner,<br />

Raymond Baril<br />

Littlebirds Director • Joel Gray<br />

Finance • Suzanne Morter<br />

Press Releases • Paul Wilde<br />

Transportation • Lonnie Hanson<br />

House Manager & Volunteer<br />

Coordinator • Pam Josey<br />

<strong>Yardbird</strong> <strong>Suite</strong> Jazz is a registered<br />

trademark of the Edmonton Jazz<br />

Society (1973).<br />

Return undeliverable Canadian<br />

addresses to:<br />

EDMONTON JAZZ SOCIETY<br />

11 TOMMY BANKS WAY<br />

EDMONTON AB T6E 2M2<br />

YARDBIRD<br />

SUITE<br />

11 Tommy Banks Way<br />

(corner of 102 St & 86 Ave)<br />

Edmonton, Alberta T6E 2M2<br />

Phone: (780) 432-0428<br />

Fax: (780) 433-3773<br />

THEYARDBIRDCREW<br />

<strong>Our</strong> Volunteer House Managers<br />

Bill Hume • Judy Hume • Pam Josey<br />

• Tracy Kolenchuk • Rhonda Netterfield<br />

• Mary Richards • Rosalynn Ruptash •<br />

Suzanne Slade • Collette Slevinsky •<br />

Karen Voller • Gail Wozny<br />

<strong>Yardbird</strong> <strong>Suite</strong><br />

Newsletter<br />

The <strong>Yardbird</strong> Newsletter is published five<br />

times per year by the Edmonton<br />

Jazz Society.<br />

eDitoRs • Adrian Albert, Jasiek Poznanski<br />

ADVeRtiSing • Shelley Chebry<br />

Newsletter DeSign • Vikki Wiercinski<br />

gRAPHic layout • Kim Deley, Critical Path<br />

Marketing Communications<br />

DiStRibution • Monique Bielech,<br />

Shelley Chebry, Bill Harper<br />

PRINTING • Nisku Printers (1980) Ltd.<br />

www.yardbirdsuite.com<br />

Canadian Publication Mail Product Sales Agreement<br />

# 40047729


YARDBIRDSUITE • EVENTS • YARDBIRDSUITE<br />

Doors at 8pm, Show at 9pm unless otherwise stated<br />

3<br />

FRIDAY • JAN 25<br />

Atomic<br />

From Norway/Sweden<br />

SATURDAY • JAN 26<br />

Hutchinson<br />

Andrew<br />

Trio<br />

From Calgary/Edmonton<br />

MEMBERS $16 • GUESTS $20<br />

Magnus Broo - trumpet<br />

Fredrik Ljungkvist - saxophone<br />

Havard Wilk - piano<br />

www.atomicjazz.com<br />

Ingebrigt Haker Flaten - bass<br />

Paal Nilssen-Love - drums<br />

MEMBERS $12 • GUESTS $16<br />

Chris Andrew - piano<br />

Kodi Hutchinson - bass<br />

Sandro Dominelli - drums<br />

www.chrisandrew.ca • www.sandrodominelli.com<br />

FRIDAY • FEB 1<br />

Ralf<br />

Buschmeyer<br />

Quartet<br />

From Calgary/Edmonton<br />

SATURDAY • FEB 2<br />

Darren<br />

Sigesmund<br />

Quintet<br />

From Toronto<br />

MEMBERS $12 • GUESTS $16<br />

Ralf Buschmeyer - guitar<br />

Chris Andrew - piano,<br />

keyboards<br />

www.ralfmusic.com<br />

Richard Erickson - bass<br />

Rob Vulic - drums<br />

MEMBERS $14 • GUESTS $18<br />

Darren Sigesmund - trombone<br />

Quinsin Nachoff - saxophone<br />

Reg Schwager - guitar<br />

Jim Vivian - bass<br />

Anthony Michelli - drums<br />

www.darrensigesmund.com<br />

FRIDAY • FEB 8<br />

Dino<br />

Dominelli<br />

Quartet<br />

From Edmonton<br />

SATURDAY • FEB 9<br />

Fieldtrip<br />

with guest<br />

Jim Head<br />

From Montreal/Edmonton<br />

MEMBERS $10 • GUESTS $14<br />

MEMBERS $12 • GUESTS $16<br />

Dino Dominelli - saxophone<br />

Wayne Feschuk - piano<br />

Rubim de Toledo - bass<br />

www.dinodominelli.com<br />

Sandro Dominelli - drums<br />

Colin Power - alto saxophone<br />

Patrick Reid - bass<br />

Mark Nelson - drums<br />

Jim Head - guitar


4<br />

YARDBIRDSUITE • EVENTS • YARDBIRDSUITE<br />

Doors at 8pm, Show at 9pm unless otherwise stated<br />

THURSDAY • FEB 21<br />

Modo Trio<br />

with guest<br />

Wayne Horvitz<br />

From Edmonton/Seattle<br />

ADVANCETICKETS • TICKETMASTER.CA<br />

Doors: 7:30pm<br />

Show: 8pm<br />

MEMBERS $14 • GUESTS $18<br />

451-8000<br />

• for more info •<br />

<strong>Yardbird</strong>suite.com<br />

Wayne Horvitz - piano,<br />

keyboards<br />

Craig Brenan - trombone<br />

Jeff Johnson - bass<br />

Bill George - drums<br />

www.modotrio.com • www.waynehorvitz.com<br />

FRIDAY & SATURDAY • FEB 22 & 23<br />

Ralph Bowen with the<br />

Chris Andrew Trio<br />

From New York/Winnipeg/Edmonton<br />

MEMBERS $18 • GUESTS $22<br />

Ralph Bowen - saxophone<br />

Chris Andrew - piano<br />

Steve Kirby - bass<br />

Sandro Dominelli - drums<br />

www.ralphbowen.com • www.chrisandrew.ca<br />

FRIDAY • FEB 29<br />

Brett Miles<br />

Quartet<br />

From Edmonton<br />

SATURDAY • MARCH 1<br />

Andrew<br />

Glover<br />

Quartet<br />

From Edmonton<br />

MEMBERS $10 • GUESTS $14<br />

MEMBERS $10 • GUESTS $14<br />

Brett Miles - saxophone<br />

James Carson - piano<br />

Thom Golub - bass<br />

Dwayne Hrynkiw <strong>–</strong> drums<br />

Andrew Glover - piano, guitar<br />

Wes Yaciuk - guitar<br />

John Taylor - bass<br />

tba - drums<br />

www.andrewglover.ca


SHOWINFORMATION • PERFORMERBIOS 5<br />

Atomic<br />

Atomic received their second Norwegian<br />

“Grammy” (Spellemannprisen) for Best<br />

Jazz Album for their 2006 CD Happy<br />

New Ears! (Jazzland, 2006) which was a<br />

follow-up to 2005’s release of the triple-<br />

CD live set The Bikini Tapes (Jazzland,<br />

2005).<br />

Recorded at Bugge’s Room Studios in<br />

Oslo, Norway, Happy New Ears! features<br />

material written by Ljungkvist and Wiik,<br />

with Broo contributing the stellar piece<br />

“St. Lureplass”. The very essence of<br />

what makes Atomic’s unique style and<br />

sound wholly recognizable can be found<br />

in the obsessive chewing tobacco tribute<br />

of “Two Boxes Left” or in the hauntingly<br />

beautiful “Closing Stages”. A listening to<br />

Happy New Ears! reveals why the band<br />

garnered its second Best Jazz Album<br />

award after only four album releases!<br />

Even though initially thought of as a<br />

sort of rebellion to the quaintness of<br />

the “Scandinavian Sound” which had<br />

become exemplified by Norwegian<br />

artists on labels such as ECM, Atomic<br />

found themselves developing a unique<br />

sound on their own. After their first two<br />

studio albums Feet Music (Jazzland,<br />

2002) and Boom Boom (Jazzland,<br />

2003), both their growing audience<br />

and music reviewers alike began to<br />

perceive them as an original flavor with<br />

an entirely individual energy that few<br />

Scandinavian jazz groups could match.<br />

An explosive blend of American free-jazz<br />

with European characteristics is how<br />

some reviewers have described them. Or<br />

better yet, “part academic lecture, part<br />

a fun night out on the town”, is how the<br />

band describes themselves, and is what<br />

makes their sound truly Atomic.<br />

“Debut of the year!” wrote John<br />

Fordham in The Guardian (UK), describing<br />

Atomic as “One of the most exhilarating<br />

new groups on the European circuit!”<br />

Formed in the spring of 1999, these five<br />

young musicians from the adventurous<br />

jazz underground of Sweden and Norway<br />

quickly forged a strong group identity<br />

without sacrificing their individual<br />

freedom of expression. Taking their<br />

first album title Feet Music from a<br />

composition by Ornette Coleman, Haker<br />

Flaten says, “The music is groovy. In a<br />

way, it needs people, and it’s searching<br />

for human contact -- it’s not introverted<br />

music. We see our music as being for<br />

extroverted people and hopefully they<br />

see it that way, too”.<br />

Atomic’s second album release Boom<br />

Boom resulted in their first Norwegian<br />

“Grammy” award for Best Jazz Album of<br />

2003.<br />

While they make no secret of their<br />

admiration for leading American jazz<br />

musicians such as Archie Shepp, Charles<br />

Mingus, George Russell and Keith Jarrett,<br />

the music of Atomic is also mixed with<br />

an equal love of European free jazz from<br />

the 1960s. They regard the American and<br />

European jazz traditions as an inspiration<br />

rather than a restriction, as a springboard<br />

to set their own direction and position<br />

within jazz music.<br />

This also shows through their<br />

collaboration with the Chicagoans, Ken<br />

Vandermark and Jeb Bishop, in the band<br />

“Atomic School Days” which released<br />

their first album “nuclear assembly<br />

hall” in 2003. A live recording from the<br />

acclaimed Chicago club “Green Mill”<br />

with the same lineup is expected to be<br />

released in <strong>2008</strong>.<br />

No strangers to the touring circuit,<br />

Atomic were on the road almost as<br />

soon as they were formed, shaping and<br />

refining their sound. They have already<br />

toured Europe, Scandinavia, North<br />

America and Japan several times.<br />

With Happy New Ears!, Atomic<br />

successfully returns yet again with a<br />

resounding successful album, and further


6<br />

SHOWINFORMATION • PERFORMERBIOS<br />

sets the path for future conquests for<br />

those who like their jazz with both<br />

content and a sense of exhilaration.<br />

Ralph Bowen with the<br />

Chris Andrew Trio<br />

Saxophonist Ralph Bowen has made<br />

his mark on the New York jazz scene<br />

for over two decades while bringing<br />

his “casual perfectionism” to clubs,<br />

concert halls, and festivals worldwide.<br />

He has performed with dozens of the<br />

finest jazz musicians and singers on the<br />

scene <strong>–</strong> Johnny Griffin, Renee Rosnes,<br />

Paquito d’Rivera, Michael Brecker,<br />

Freddie Hubbard, Rob McConnell,<br />

Maria Schneider, Chucho Valdes and<br />

Tony Williams. His discography of over<br />

50 titles includes collaborations with<br />

Orrin Evans, Michel Camilo, and Horace<br />

Silver. As an Associate Professor of Jazz<br />

Studies at Rutgers University, composer/<br />

arranger, and performer, Bowen’s impact<br />

on audiences continues to expand.<br />

Many <strong>Yardbird</strong> <strong>Suite</strong> patrons will<br />

remember his 1994 visit with the Free<br />

Trade group which toured in support of<br />

their Juno award winning recording of<br />

the same name.<br />

Making his first appearance in Edmonton<br />

will be bassist Steve Kirby. His career<br />

of over 25 years includes performances<br />

with many jazz greats including two<br />

years with the Elvin Jones Jazz Machine,<br />

four years with the Cyrus Chestnut<br />

Trio. Steve has also toured, recorded or<br />

performed with Wynton Marsalis and the<br />

Lincoln Jazz Center Orchestra, Abbey<br />

Lincoln, Regina Carter, Jacky Terrason<br />

and James Carter. Since 2003, he has<br />

been the Director of Jazz Studies at the<br />

University of Manitoba. Kirby has been<br />

instrumental in rejuvenating the jazz<br />

scene in Winnipeg.<br />

Ralph Bowen plays Selmer Paris<br />

saxophones exclusively.<br />

Ralph Bowen plays Vandoren<br />

mouthpieces, reeds and ligatures<br />

exclusively.<br />

“I could take that band [the Rutgers<br />

University Jazz Ensemble, Ralph Bowen-<br />

Director] on the road with me starting<br />

tomorrow.”<br />

Ray Charles, War Memorial Hall,<br />

Trenton, December, 2000<br />

“Bowen is an impressive (and<br />

impressively underrated) player with<br />

lyrical as well as technical skills. (He)<br />

extemporizes with harmonic savvy and<br />

rhythmic surefootedness one would<br />

expect of a good post-Coltrane, post-<br />

Brecker tenor - but unlike many of his<br />

peers, he’s rarely trite. So to call him<br />

a post-anything is actually doing him a<br />

disservice.”<br />

Nate Chinen, Jazz Times Magazine,<br />

<strong>January</strong>, 2003<br />

Ralf Buschmeyer Quartet<br />

CD Release Event<br />

Born in Ontario, Ralf was drawn to music<br />

by the Blues and R&B stylings of Ray<br />

Charles, Eric Clapton and Booker T & the<br />

MGs. He picked up his first guitar at the<br />

age of 13 and shortly afterwards got his<br />

first live experience playing hard rock in<br />

Southern Ontario club bands.<br />

Dedicated to becoming a fully-rounded<br />

musician, Ralf took up studies at<br />

Hamilton’s Mohawk College where he<br />

studied weekly for 3 years with Toronto<br />

jazz great Lorne Lofsky. During this<br />

time he served as musical director and<br />

composer for Rogers Cable TV show<br />

‘The Metal Mike Show’. Fate took Ralf<br />

touring the country with country acts for<br />

3 years following college which resulted<br />

in finding a new home in Calgary.<br />

In 1998, Ralf became an alumni of the<br />

Banff Center For The Arts Jazz Workshop<br />

as well as an endorsed artist for Godin


SHOWINFORMATION • PERFORMERBIOS 7<br />

Guitars. He is currently co-leader of the<br />

contemporary jazz quartet Terrain, coleader<br />

of the bebop jazz ensemble Manic<br />

Thematic Trio, on the faculty of Mount<br />

Royal College’s Jazz Diploma Program,<br />

and a popular choice as a freelance<br />

guitarist for live engagements, recordings<br />

and as a composer-for-hire. In 2004, Ralf<br />

won the TD Canada Trust Jazz Festival<br />

Writers Commission Award and his<br />

collaborative effort with Richie Pollack’s<br />

‘Stew’ earned them a WCMA nomination.<br />

Live performance credits include P.J.<br />

Perry, Ingrid Jensen, Eric Marienthal,<br />

Bobby Shew, Peter Appleyard, Frank<br />

Mantooth, Guido Basso, Ralph Bowen,<br />

Amy Sky, The Platters, The Swinging<br />

Bovines, Johnny Tilotsen, Johanna<br />

Silanpaa, Jack Semple, Hugh Fraser, Phil<br />

Nimmons, Curtis Grambo, TR3, Kevin<br />

Turcotte, Steve Slagle, Mike Tomaro, and<br />

Tim Tamashiro.<br />

Dino Dominelli Quartet<br />

One of Edmonton’s younger generations<br />

of jazz artists, Dino Dominelli has been<br />

immersed in many forms of jazz. He<br />

also has a keen interest in traditional<br />

and ethnic music foundations and has<br />

applied these musical concepts into a<br />

newer style for his jazz arrangements of<br />

standards and original compositions.<br />

Dominelli’s influences have come from a<br />

wide array of musicians and composers<br />

such as Charlie Parker, Warne Marsh,<br />

Lee Konitz, Ornette Coleman, Cannonball<br />

Adderly, Dexter Gordon, Sonny Rollins,<br />

John Coltrane, Joe Henderson, Michael<br />

Brecker, Jerry Bergonzi, Bob Berg, David<br />

Sanborn, Grover Washington, Courtney<br />

Pine, Keith Jarrett, Wayne Shorter, Herbie<br />

Hancock, Chick Corea, Miles Davis, Duke<br />

Ellington, Billy Strayhorn and Chris Potter.<br />

Dino lived in Toronto from 1995 to 1998<br />

and again from 2002 to 2004 where<br />

he spent most of his time performing<br />

around the area and studying with<br />

Canadian jazz legends saxophonist Pat<br />

LaBarbera and multi-instrumentalist Don<br />

Thomspon.<br />

He has shared the stage with<br />

internationally-renowned musicians<br />

such as Piano Seven of Switzerland,<br />

Charles Blenzig Trio of New York City,<br />

Roberto Zayas, Lito Gonzales, Xioa Bai of<br />

Taiwan, Robbin Harris of Hong Kong and<br />

Arturo Sandoval. In Canada, Dominelli<br />

has performed jazz concerts with Don<br />

Thompson, P.J Perry, Bernie Senensky,<br />

Jake Langley, Greg Pilo, Simon Fisk,<br />

Earl Seymour, Bob Mover and Norman<br />

Marshall Villeneuve.<br />

Fieldtrip with guest Jim Head<br />

Fieldtrip is a Montreal-based jazz<br />

trio with an extensive and diverse<br />

repertoire comprised primarily of original<br />

compositions and reinterpretations of<br />

music from a variety of genres including<br />

jazz, folk, hip-hop, rock and popular<br />

music. All of their music serves as a<br />

vehicle for spontaneous self-expression<br />

and interaction through the energetic and<br />

trusting relationship they have fostered<br />

since their formation in September,<br />

2005.<br />

In 2005, Fieldtrip was awarded a<br />

professional development grant by the<br />

Prince Edward Island Council of the<br />

Arts to record an album of their original<br />

works. This album features a diverse<br />

array of compositions by double bassist<br />

Pat Reid written in response to his<br />

experiences volunteering and traveling<br />

in Uganda, Rwanda, Kenya, Tanzania<br />

and Ethiopia in the winter of 2006. This<br />

exciting debut also features celebrated<br />

Canadian saxophonist Chet Doxas as a<br />

special guest.<br />

Most recently, Fieldtrip was selected<br />

and awarded scholarships to attend the<br />

prestigious Winter Career Development<br />

Residency at the Banff Centre for the<br />

Arts in <strong>2008</strong>. There they will be preparing


8<br />

SHOWINFORMATION • PERFORMERBIOS<br />

for their Canadian tour, scheduled for this<br />

spring, where they will be presenting<br />

their debut album of original works.<br />

Hutchinson Andrew Trio<br />

CD Release Event<br />

The Hutchinson Andrew Trio is a unique<br />

voice on the Canadian Jazz Scene. Over<br />

the past 5 years this acoustic piano<br />

based trio has been bringing their own<br />

Western Canadian flair to the Canadian<br />

jazz landscape. They are excited to<br />

release their new album “Music Box” at<br />

the <strong>Yardbird</strong> <strong>Suite</strong> this <strong>January</strong>. “Music<br />

Box” is a beautiful mosaic of original<br />

compositions written primarily by pianist<br />

Chris Andrew. This album takes the group<br />

in a new direction from their critically<br />

acclaimed debut album “Lost but not<br />

forgotten”. As Tommy Banks commented<br />

upon hearing the new album, there is a<br />

“new maturity in the original tunes”, and<br />

the trio has “become even closer in their<br />

understanding of each other”.<br />

The Hutchinson Andrew Trio’s music<br />

can be categorized as contemporary<br />

acoustic jazz. They mix elements such as<br />

contemporary swing, Latin, and acoustic<br />

groove to help form their own distinct<br />

sound. Kodi and Chris list artists such<br />

as Brad Mehldau, David Kikoski, Robert<br />

Glasper, and Kenny Werner as some of<br />

their influences.<br />

Their debut album “Lost but not<br />

forgotten” (2005), reached CKUA radio’s<br />

top 10 for over a month and reached #3<br />

on Calgary’s CJSW radio for over three<br />

months. In addition, CBC Radio put the<br />

album on their regular rotation as well<br />

as recording them live for air at the 2006<br />

inaugural Canmore International Jazz<br />

Festival. The composition, 3 Corners<br />

of Emotion, was also featured in the<br />

Decidedly Jazz Danceworks production,<br />

¡Bulla!, which toured Canada over the<br />

summer of 2005. The album garnered<br />

a 2006 Western Canadian Music Award<br />

nomination in the Outstanding Jazz<br />

Recording category. More recently, the<br />

trio competed for the Galaxie Rising<br />

Star Award and GM Grand Prix Award<br />

on the mainstage at the 2006 Montreal<br />

International Jazz Festival.<br />

The Hutchinson Andrew Trio has become<br />

a regular fixture on the Western Canadian<br />

jazz scene. They have performed to<br />

enthusiastic crowds at the events such<br />

as the Montreal, Medicine Hat, Calgary,<br />

Canmore and <strong>Yardbird</strong> Jazz Festivals, as<br />

well as headlining for the C-Jazz Festival.<br />

They are very excited to release their<br />

album at the <strong>Yardbird</strong> <strong>Suite</strong> in Edmonton<br />

the <strong>January</strong>.<br />

“...they are a group that is committed to<br />

building on their view of the beautiful<br />

history of this art form called jazz with a<br />

keen sense of contributing, in the most<br />

positive way, to the future of this music<br />

from their highly personal and deeply<br />

committed musical relationship.”<br />

Hugh Fraser, Jazz Trombonist<br />

Professor of Jazz Studies, UVic<br />

“...the trio combines the creativity of<br />

jazz’s heyday and the sensibility of<br />

contemporary pop culture.”<br />

Kenna Burima,<br />

CJSW Radio and FFWD Magazine<br />

“Pianist Chris Andrew proved capable of<br />

seducing phrases as easy to absorb as Bill<br />

Evans...[that]...evolve almost unnoticed<br />

into a more complex buildup...into<br />

something resembling Brad Mehldau’s<br />

more intense live trio dates.”<br />

Mark Sabbatini, Live Concert<br />

Review for AllAboutJazz.com<br />

“...one of the strongest Canadian<br />

recordings of 2005. There is a high level<br />

of technicality displayed that is used in<br />

very imaginative and creative ways that<br />

draw the listener in and takes them on a<br />

most interesting journey.”<br />

Lyle Rebbick, Medicine Hat Jazz Festival


SHOWINFORMATION • PERFORMERBIOS 9<br />

Brett Miles Quartet<br />

Brett began playing in Edmonton in the<br />

1980’s, before moving to New York in<br />

1984. While there he performed and/<br />

or recorded with Buddy Miles, Taylor<br />

Dayne, Mick Jagger, Sample This, Milo<br />

Z, Jomanda, Sam & Dave, Ivan Neville,<br />

Granddaddy I.U., Kid Capri, and others.<br />

Brett’s saxophone is featured on the<br />

extended EP vinyl version of Mick<br />

Jagger’s “Sweet Thing,” Jomanda’s maxicassette<br />

single, “I Like It,” Granddaddy<br />

I.U.’s “Represent,” and Sample This CD,<br />

“Sample This.”<br />

Besides accompanying many other<br />

artists, multi-instrumentalist Brett Miles<br />

also fronts his own extremely danceable,<br />

funky and energetic band, Magilla Funk<br />

Conduit.<br />

Andrew Glover Quartet<br />

Andrew Glover is an accomplished<br />

pianist and composer. His huge body<br />

of work has been performed in Europe<br />

and the U.S., as well as here in his home<br />

town<br />

of Edmonton.<br />

A talented pianist and composer, Andrew<br />

graduated from the Grant MacEwan<br />

Community College, and studied solo<br />

piano with Adrian Chornowol and Charlie<br />

Austin. Andrew worked with Mike Rud,<br />

Jack Semple, Kennedy Jensen, Dianne<br />

Donovan, the Edmonton Symphony<br />

Orchestra, Scott Hamilton<br />

and Sheena Easton<br />

among others. For over<br />

ten years he toured<br />

extensively with the Big<br />

Miller Band.<br />

In addition, many artists<br />

have performed and<br />

recorded Andrew’s<br />

compositions. Six of the<br />

eleven compositions<br />

on Jack Sample’s “Grey<br />

and Yellow” CD were<br />

written by Andrew, as well as four songs<br />

for Dianne Donovan’s release “Yes<br />

or No”. He was also a principal writer<br />

for Edmonton’s ‘Pazzport’. Andrew’s<br />

compositions and arrangements have<br />

been performed or recorded by John<br />

Abercrombie, Anna Beaumont, Caroline<br />

Mae Johnson, Jacek Kochan, Pat<br />

LaBarbera, Theresa Lightfoot, George<br />

McFetridge, Don Thompson, Jean-Pierre<br />

Zanella, and Alfie Zappacosta.<br />

Modo Trio with guest Wayne Horvitz<br />

Edmonton based Modo Trio was founded<br />

in 1999 by trombonist Craig Brenan and<br />

bassist Jeff Johnson to explore their<br />

mutual interest in African and Spanish<br />

music, as well as the drum’n’bass music<br />

that was reaching Western Canada at<br />

that time.<br />

The group solidified its current lineup<br />

when drummer Bill George joined the<br />

group in 2003, and has continued to<br />

evolve its approach, bringing inspirations<br />

such as dub music into its already<br />

eclectic sound. Defined by Brenan’s<br />

rare use of harmonizers and loops to<br />

augment the sound of his acoustic<br />

trombone, Modo Trio has been called “a<br />

fascinating mix of exotic contemporary<br />

grooves and improvisation” (Roger<br />

Levesque, Edmonton Journal). They have<br />

toured across Canada and appeared on<br />

Canadian television.


10<br />

SHOWINFORMATION • PERFORMERBIOS<br />

Prior to their latest release The Uninvited,<br />

the group self-released two recordings,<br />

including 2005’s You Are Being Probed,<br />

which received extensive airplay on<br />

Canadian radio.<br />

Modo Trio’s latest recording project<br />

involves collaboration with one of the<br />

most creative musicians of U.S. scene,<br />

Seattle- based Wayne Horvitz. Horvitz<br />

is a composer, pianist and electronic<br />

musician who has performed extensively<br />

throughout Europe, Asia, Australia,<br />

and North America. He is the leader of<br />

Zony Mash, Pigpen, The Four plus One<br />

Ensemble and co-founder of the New<br />

York Composers Orchestra. He has<br />

performed and collaborated with Bill<br />

Frisell, Butch Morris, John Zorn, Robin<br />

Holcomb, Fred Frith, Julian Priester, Philip<br />

Wilson, Michael Shrieve and Carla Bley<br />

among others.<br />

He has received commissions from the<br />

NEA, Meet The Composer, Kronos String<br />

Quartet, Seattle Chamber Players, Mary<br />

Flagler, BAM, Earshot Jazz and others.<br />

Collaborations with choreographers<br />

include work with Paul Taylor with the<br />

White Oak Dance Project, Liz Lerman<br />

Dance Exchange, and Crispin Spaeth.<br />

Film work includes music and sound<br />

design for three PBS specials and Gus<br />

Van Sandt’s Psycho. He was the 2001<br />

recipient of the Artist Trust Fellowship<br />

(Seattle) and the 2002 recipient of the<br />

Rockefeller Foundation MAP Grant.<br />

“The delightful mix of tones and textures<br />

is almost a sufficient reward in itself, but<br />

Horvitz is also a damn fine musician with<br />

an ear for a groove. This disc is way more<br />

happenin’ than most of the techno on the<br />

racks right now.”<br />

Bill Tilland, Alternative Press on<br />

Wayne Horvitz’ solo CD “Monologue”<br />

Darren Sigesmund Quintet<br />

Canadian trombonist and composer<br />

Darren Sigesmund is rapidly becoming<br />

an established voice on the Canadian<br />

and international music scenes. Based in<br />

Toronto, he is gaining extensive touring<br />

experience after having recently led his<br />

quintet on whirlwind tours of Australia,<br />

Asia and Canada. Darren is a versatile<br />

and gifted trombonist who projects a<br />

warm brass sound through imaginative<br />

compositions.<br />

Darren has studied and performed at the<br />

internationally renowned Banff Centre for<br />

the Arts Jazz Workshops with acclaimed<br />

artists such as Dave Holland, Kenny<br />

Wheeler, Julian Priester, Richie Beirach,<br />

Dave Liebman, Steve Coleman, Don<br />

Thompson, Pat LaBarbera, and Hugh<br />

Fraser. He has studied trombone with<br />

many of the great masters including<br />

Michael Davis (New York), Ian McDougall<br />

(University of Victoria), Jerry Johnson<br />

(Stratford Festival) and Gord Sweeny<br />

(Toronto Symphony). Since attending<br />

the University of Toronto for Jazz<br />

Performance, Darren has honed his<br />

composition skills under the tutelage<br />

of Frank Falco, one of Canada’s finest<br />

instructors in composition.<br />

“Incredibly well crafted pieces [and]<br />

fantastic vehicles for improvisational<br />

exploration… I give my highest<br />

recommendation.”<br />

Tim Ries, Rolling Stones Saxophonist<br />

“Sigesmund, with a sound as warm as<br />

the purr of a Rolls Royce, is a thoughtful<br />

player… The beauty of Sigesmund’s tone<br />

and the agility of his technique led to a<br />

subtlety in his improvising, which went<br />

beyond good chops and good schooling<br />

to genuine communication.”<br />

Steve Pedersen, Halifax Chronicle Herald,<br />

Nov. 21, 2005


SHOWINFORMATION • PERFORMERBIOS 11<br />

“smooth and sophisticated trombone<br />

work and ingenious compositions”<br />

Geoff Chapman, Toronto Star,<br />

July 28 2005<br />

“Chorale and Solemn… resonated with<br />

a subtle, dark beauty. Chorale featured<br />

some gleaming horn voicings and a<br />

series of evocative, song-like changes…<br />

[Solemn] included an alluring trombone<br />

solo from Sigesmund, whose warm,<br />

melancholic vibrato glistened with quiet<br />

intensity.”<br />

Jessica Nicholas, The Age,<br />

Melbourne AU, Aug. 29, 2005<br />

“Darren is a very naturally gifted<br />

musician. He is a fine trombonist and a<br />

composer of some fascinatingly original<br />

music. His working quintet contains<br />

some of the brightest talent in Canadian<br />

Jazz. This is a group that has the potential<br />

to become a major force in Canadian<br />

Jazz.”<br />

Don Thompson,<br />

Canadian Jazz Veteran<br />

“Darren Sigesmund’s first CD, Strands,<br />

demonstrates a composer of real<br />

promise, weaving together jazz, Latin<br />

and impressionist elements with a<br />

strong sense of both colour and drama.<br />

The same thoughtfulness extends to<br />

the sometimes subtle, lyrical approach<br />

he takes to trombone. Best of all,<br />

Sigesmund has assembled an unusually<br />

imaginative group to execute his vision,<br />

including tenor saxophonist Quinsin<br />

Nachoff, guitarist Reg Schwager, bassist<br />

Jim Vivian and drummer Anthony<br />

Michelli.”<br />

Stuart Broomer,<br />

Toronto Life.com, July 2005


YARDBIRDSUITE • ATAGLANCE • YARDBIRDSUITE<br />

• JAN •<br />

MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY<br />

25 26 27<br />

28 29 30 31<br />

JAM<br />

SESSION<br />

Atomic<br />

Hutchinson<br />

Andrew Trio<br />

Members $16 • Guests $20 Members $12 • Guests $16<br />

• FEBRUARY •<br />

MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY<br />

1 2 3<br />

Members $12 • Guests $16 Members $14 • Guests $18<br />

4 5 6 7 8 9 10<br />

JAM<br />

SESSION<br />

Members $10 • Guests $14 Members $12 • Guests $16<br />

11 12 13 14 15 16 17<br />

JAM<br />

SESSION <strong>2008</strong> JAZZWORKS FESTIVAL - FEBUARY 13-16, <strong>2008</strong><br />

Members $14 • Guests $18<br />

25 26 27 28 29<br />

JAM<br />

SESSION<br />

Ralf<br />

Buschmeyer<br />

Quartet<br />

Dino<br />

Dominelli<br />

Quartet<br />

Members $18 • Guests $22<br />

Darren<br />

Sigesmund<br />

Quintet<br />

Fieldtrip<br />

with guest<br />

Jim Head<br />

18 19 20 21 22 23 24<br />

JAM<br />

Modo Trio<br />

with guest<br />

Ralph Bowen<br />

SESSION<br />

Wayne Horvitz with the Chris Andrew Trio<br />

Doors: 7:30pm Show: 8pm<br />

Brett Miles<br />

Quartet<br />

Members $10 • Guests $14<br />

• MAR •<br />

MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY<br />

1 2<br />

Andrew<br />

Glover<br />

Quartet<br />

Members $10 • Guests $14<br />

3 4 5 6 7 8 9<br />

THE YARDBIRD SUITE is a concert venue. during the show,<br />

please turn off your cell phones and pagers.<br />

For upcoming shows visit www.yardbirdsuite.com

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